WEBVTT - Pass the Pepto (“Ballad” S.1 E.10)

0:00:01.760 --> 0:00:05.160
<v Speaker 1>And that's what you really missed with Jenna and Kevin

0:00:05.519 --> 0:00:11.720
<v Speaker 1>and I Heart Radio podcast Welcome Too, and that's what

0:00:11.720 --> 0:00:15.280
<v Speaker 1>you really missed. I Am Tina and I Am Already

0:00:16.079 --> 0:00:23.799
<v Speaker 1>And this week is Ballad Ballad. It originally aired November

0:00:24.360 --> 0:00:27.640
<v Speaker 1>two nine. The number one song in the country is

0:00:27.880 --> 0:00:33.000
<v Speaker 1>what You Say by Jason Droulleau. Last episode it was

0:00:33.159 --> 0:00:37.120
<v Speaker 1>um Down by Jason, So it's gotten de throned, throned.

0:00:38.320 --> 0:00:42.160
<v Speaker 1>And the number one movie what was it to? Two twelve?

0:00:42.600 --> 0:00:47.960
<v Speaker 1>What a time? What a time? Um, there's a couple

0:00:47.960 --> 0:00:52.839
<v Speaker 1>of things that happened for the Glee FAMI this week. UM.

0:00:52.840 --> 0:00:56.320
<v Speaker 1>P J. Bloom, the music supervisor, won the Outstanding Musical

0:00:56.320 --> 0:01:00.840
<v Speaker 1>Supervision Award. And do you remember this, Jenna going to

0:01:00.960 --> 0:01:07.120
<v Speaker 1>the Diversity Wards. I remember that. We want yeah, and

0:01:07.160 --> 0:01:10.800
<v Speaker 1>it was one of our first awardship bonding experience to

0:01:10.840 --> 0:01:15.200
<v Speaker 1>say the least. Yeah, it was interesting. Um. We went

0:01:15.240 --> 0:01:18.400
<v Speaker 1>to the seventeenth Annual Diversity Awards held at the Beverly

0:01:18.440 --> 0:01:21.280
<v Speaker 1>Hills Hotel and it was definitely like one of our

0:01:21.319 --> 0:01:28.119
<v Speaker 1>first events altogether, and it was hilarious, just a little underproducer, Yeah,

0:01:28.280 --> 0:01:33.480
<v Speaker 1>and we it was us and Ryan and we you know,

0:01:33.560 --> 0:01:36.399
<v Speaker 1>and also we had been busy working and it was

0:01:36.520 --> 0:01:40.240
<v Speaker 1>nice that we all got to get back together outside

0:01:40.240 --> 0:01:43.679
<v Speaker 1>of work. Now the show was airing and we're getting

0:01:43.680 --> 0:01:46.720
<v Speaker 1>to meet people, and I remember the cast of Heroes

0:01:46.840 --> 0:01:48.600
<v Speaker 1>was there at the time, and I was very starstruck

0:01:48.680 --> 0:01:53.880
<v Speaker 1>and very happy. Me too, good memory. I remember them.

0:01:54.200 --> 0:01:57.680
<v Speaker 1>Also shout out to History of Glee on Twitter because

0:01:58.440 --> 0:02:03.040
<v Speaker 1>they given every day it's like on this day in history.

0:02:03.080 --> 0:02:07.240
<v Speaker 1>It's phenomenal. And I also would like to say that

0:02:07.640 --> 0:02:13.360
<v Speaker 1>my girl Alexa on Twitter makes these incredible for picture

0:02:14.320 --> 0:02:18.200
<v Speaker 1>summaries of every single episode we do on here. I

0:02:18.240 --> 0:02:22.200
<v Speaker 1>love those and so look for those. I retweet them

0:02:22.200 --> 0:02:25.480
<v Speaker 1>every week. Um, They're incredible. Thank you. She wants to

0:02:25.480 --> 0:02:27.240
<v Speaker 1>be on the pr pay roll. I'll see what I

0:02:27.280 --> 0:02:32.320
<v Speaker 1>can do. We're working on it, working on it all right.

0:02:32.760 --> 0:02:36.079
<v Speaker 1>So this episode is balid and it's directed by Brad Falchuk,

0:02:36.160 --> 0:02:38.880
<v Speaker 1>which I was watching it last night and I was like,

0:02:38.919 --> 0:02:42.680
<v Speaker 1>who directed this? But I also feel like we weren't

0:02:42.680 --> 0:02:46.080
<v Speaker 1>in a ton of it, So we were not we

0:02:46.080 --> 0:02:48.600
<v Speaker 1>weren't in a ton of it. I had a line

0:02:50.160 --> 0:02:53.160
<v Speaker 1>and then a song. I think I did too. Yeah,

0:02:53.360 --> 0:02:57.640
<v Speaker 1>this is the beginning, Kevin of us being very expensive extras. Yes,

0:02:58.160 --> 0:03:00.720
<v Speaker 1>I mean we've been expensive extras. Yeah, I mean we

0:03:00.800 --> 0:03:03.840
<v Speaker 1>did have our big last episode last episode, so to

0:03:03.919 --> 0:03:06.160
<v Speaker 1>be fair, it was not our turn anymore, and we

0:03:06.200 --> 0:03:11.840
<v Speaker 1>have nothing to do with Baby Gates. So the there

0:03:11.919 --> 0:03:13.720
<v Speaker 1>was one thing. Did you notice there's no Sue Sylvester

0:03:13.800 --> 0:03:17.000
<v Speaker 1>in this episode at all? Jane had a free week.

0:03:17.080 --> 0:03:19.880
<v Speaker 1>What was missing. There was a lot of music, and

0:03:19.919 --> 0:03:25.160
<v Speaker 1>there were um, some great guest stars. Um, yes, the

0:03:25.240 --> 0:03:29.640
<v Speaker 1>guest stars. So a brief episode summary just before we

0:03:29.639 --> 0:03:31.960
<v Speaker 1>get into it. Um, So we'll split up the glee

0:03:31.960 --> 0:03:36.440
<v Speaker 1>club into pairs to sing ballads. But when Matt Rutherford

0:03:37.160 --> 0:03:41.520
<v Speaker 1>gets sick, Will is forced to step in, and uh

0:03:41.680 --> 0:03:44.440
<v Speaker 1>he winds up in a very sticky situation with Rachel

0:03:44.640 --> 0:03:47.520
<v Speaker 1>or a spicy situation if you will. Um. And then

0:03:47.600 --> 0:03:50.440
<v Speaker 1>we also have the continuation of Baby Gates. So that's

0:03:50.640 --> 0:03:53.480
<v Speaker 1>the That's just an overview of what we're about to

0:03:53.480 --> 0:03:56.920
<v Speaker 1>get into. A lot of uncomfortableness. This episode makes me

0:03:57.000 --> 0:04:01.680
<v Speaker 1>feel queasy. Yeah, it's just I feel like most of

0:04:01.680 --> 0:04:03.880
<v Speaker 1>this episode is awkward, which I think is great television,

0:04:03.880 --> 0:04:06.640
<v Speaker 1>but it hurts me to watch. No, it is, it's

0:04:06.760 --> 0:04:12.280
<v Speaker 1>really awkward. So so Mr Shoe tells the glee Club

0:04:12.720 --> 0:04:17.400
<v Speaker 1>that the Sectionals conveniently has a new rule where every

0:04:17.600 --> 0:04:22.440
<v Speaker 1>team has to sing a ballad. Mm hmmm. And and

0:04:23.640 --> 0:04:27.600
<v Speaker 1>when Matt Rutherford obviously is out with with with the

0:04:27.600 --> 0:04:31.840
<v Speaker 1>flu um right, no, no, no, oh, no, you know

0:04:31.839 --> 0:04:36.880
<v Speaker 1>what I'm thinking of the bird flu yet No, it's

0:04:37.240 --> 0:04:42.120
<v Speaker 1>also Naya says this line the spider in the air,

0:04:42.520 --> 0:04:45.200
<v Speaker 1>and she's she like her like laugh in the middle

0:04:45.240 --> 0:04:48.719
<v Speaker 1>of it was very very real, honest, yeah, because it

0:04:48.800 --> 0:04:52.240
<v Speaker 1>was like, what like, obviously this is a device just

0:04:52.360 --> 0:04:56.000
<v Speaker 1>to be able to have an even number of Glee

0:04:56.040 --> 0:05:00.760
<v Speaker 1>Club plus teacher, so that Rachel has to be paired

0:05:00.839 --> 0:05:04.400
<v Speaker 1>up with Will, which you know, starts the whole plot

0:05:04.440 --> 0:05:08.560
<v Speaker 1>point of Rachel having an uncomfortable and inappropriate crush on

0:05:08.839 --> 0:05:13.960
<v Speaker 1>Mr Shoe. Um ny. It's reminiscent of Susie Pepper, who,

0:05:14.000 --> 0:05:18.000
<v Speaker 1>by the way, Sarah drew amazing guest star, very funny.

0:05:18.200 --> 0:05:21.320
<v Speaker 1>I thought she was the most excellent guest stars we had.

0:05:21.680 --> 0:05:24.680
<v Speaker 1>She really set the tone for the episode, and this

0:05:24.720 --> 0:05:27.160
<v Speaker 1>was even before she was on Gray's. So like, it's

0:05:27.160 --> 0:05:29.200
<v Speaker 1>so impressive, you know, for somebody to come in where

0:05:29.240 --> 0:05:31.560
<v Speaker 1>the show has not aired yet and she's coming in

0:05:31.800 --> 0:05:35.720
<v Speaker 1>sort of blind and just crushes it. Absolutely incredible. She

0:05:35.880 --> 0:05:37.760
<v Speaker 1>got it. But you know, you don't end up on

0:05:37.800 --> 0:05:41.840
<v Speaker 1>Gray's Anatomy if you're not great and like that those storylines,

0:05:41.960 --> 0:05:46.599
<v Speaker 1>is April, I mean, I'm a fan. Um so Mr.

0:05:46.640 --> 0:05:50.520
<v Speaker 1>She explains what a ballot is and Brittany thinks it's

0:05:50.560 --> 0:05:54.880
<v Speaker 1>a mail duck. But one of the best lines it

0:05:55.040 --> 0:05:56.680
<v Speaker 1>is it's actually goes down in history is one of

0:05:56.720 --> 0:05:59.840
<v Speaker 1>my favorite lines. Um. And Kevin, do you remember that

0:06:00.200 --> 0:06:03.679
<v Speaker 1>in the BTS you say that every song is driving

0:06:03.680 --> 0:06:06.320
<v Speaker 1>the storyline. Everybody's emotions are coming through the songs, which

0:06:06.480 --> 0:06:09.040
<v Speaker 1>makes it so much more heartfelt than when you're watching it.

0:06:09.800 --> 0:06:12.719
<v Speaker 1>That sounds nice. It does sound really nice. We're in

0:06:12.760 --> 0:06:15.240
<v Speaker 1>a really good mood. I was, But I do agree,

0:06:15.279 --> 0:06:18.800
<v Speaker 1>And I do think that's when Glee was best where

0:06:19.120 --> 0:06:21.240
<v Speaker 1>when we used because it wasn't all the time, but

0:06:21.480 --> 0:06:24.240
<v Speaker 1>we tried to, especially in the beginning, to use the storylines.

0:06:24.839 --> 0:06:28.320
<v Speaker 1>Are the the music as part of the storyline to

0:06:28.400 --> 0:06:34.440
<v Speaker 1>move the storyline, UM further, But I and this one

0:06:34.520 --> 0:06:38.159
<v Speaker 1>especially because the whole you know, thesis of what the

0:06:38.400 --> 0:06:41.159
<v Speaker 1>ballot is supposed to be. Um, that's also sort of

0:06:41.200 --> 0:06:44.000
<v Speaker 1>the thesis of what the music is in the show itself,

0:06:44.680 --> 0:06:47.520
<v Speaker 1>where the music is used to be able to say

0:06:47.560 --> 0:06:50.719
<v Speaker 1>things that we can't say, um, or more effectively that

0:06:50.760 --> 0:06:55.360
<v Speaker 1>we can say through song than through actually just talking. Um.

0:06:55.640 --> 0:06:58.120
<v Speaker 1>I bet the ducks in the heats. Oh my god,

0:06:58.200 --> 0:07:00.479
<v Speaker 1>the second part of the best line that the duck

0:07:00.560 --> 0:07:03.000
<v Speaker 1>is in that. Um, and so we pick out the

0:07:03.040 --> 0:07:05.840
<v Speaker 1>glue members pick out their pair out of a hat

0:07:06.160 --> 0:07:11.600
<v Speaker 1>reminiscent of SmackDown, and Tina picks the other Asian, which

0:07:11.680 --> 0:07:16.760
<v Speaker 1>is slightly appropriate. Um, Mercedes in Puck get matched up,

0:07:16.880 --> 0:07:21.840
<v Speaker 1>Artie and Quinn, Uh, Finn and Puck and Santana and Brittany.

0:07:21.920 --> 0:07:28.600
<v Speaker 1>Obviously as I noticed that. Look Diana when pigs Quinn

0:07:29.480 --> 0:07:33.720
<v Speaker 1>little does she know? You guys will have a blooming storyline.

0:07:34.920 --> 0:07:38.200
<v Speaker 1>Um so Matt, yeah, yeah, so we we kind of

0:07:38.200 --> 0:07:41.880
<v Speaker 1>covered them that Rutherford is now. Part of the plot

0:07:41.960 --> 0:07:45.960
<v Speaker 1>is that he's gone this episode. Yes, Um, we get

0:07:46.000 --> 0:07:49.840
<v Speaker 1>into the ballad with Mr Shoe and Rachel because Mr

0:07:49.880 --> 0:07:51.960
<v Speaker 1>Sho has to step in to be with Rachel. And

0:07:52.760 --> 0:07:56.880
<v Speaker 1>this is my guest, Kevin. This song makes you uncomfortable.

0:07:57.600 --> 0:08:00.280
<v Speaker 1>All of these songs make me uncomfortable, I have to

0:08:00.280 --> 0:08:03.480
<v Speaker 1>say so, not because they're bad. I had to fast

0:08:03.480 --> 0:08:07.640
<v Speaker 1>forward through a couple of these music. What that uncomfortable?

0:08:07.680 --> 0:08:11.640
<v Speaker 1>You don't like uncomfortable humor? Um, I appreciate it, like

0:08:11.720 --> 0:08:14.480
<v Speaker 1>the Comeback with Lisa Kudro, I think is the best

0:08:14.520 --> 0:08:17.400
<v Speaker 1>show ever, but I had to watch it in like

0:08:17.480 --> 0:08:20.920
<v Speaker 1>five minute increments because it made me so uncomfortable. Fair enough,

0:08:21.000 --> 0:08:26.120
<v Speaker 1>fair enough, UM. So this is endless love and this

0:08:26.240 --> 0:08:31.920
<v Speaker 1>number for me. I really enjoyed this number, UM because

0:08:31.960 --> 0:08:34.520
<v Speaker 1>I like the uncomfortability of it, Like, I think it's funny.

0:08:34.679 --> 0:08:38.320
<v Speaker 1>I think, um, the performances were very good. And this

0:08:38.360 --> 0:08:40.600
<v Speaker 1>is when Rachel realizes that she has a crush on XR.

0:08:40.679 --> 0:08:45.840
<v Speaker 1>Shoe and it is really weird. It's so weird. I

0:08:45.880 --> 0:08:50.520
<v Speaker 1>really like the weirdness. Um. And then we have we

0:08:50.640 --> 0:08:56.360
<v Speaker 1>have Kurt's kind of monologue over over this. The crushes

0:08:56.400 --> 0:08:59.680
<v Speaker 1>are happening this episode. It's yes, all the crushes. Rachel's

0:08:59.720 --> 0:09:07.640
<v Speaker 1>like hot hot teacher, Kurt's totally um excited about Finn,

0:09:07.920 --> 0:09:11.720
<v Speaker 1>and Finn's not stoked about it. He's uncomfortable. He's uncomfortable.

0:09:13.120 --> 0:09:16.000
<v Speaker 1>Rachel says, I never noticed this before because he's always

0:09:16.000 --> 0:09:18.280
<v Speaker 1>trying to destroy my career. But Mr. Sho has really

0:09:19.160 --> 0:09:24.360
<v Speaker 1>I hate it. Oh um. And then we go into

0:09:24.600 --> 0:09:29.199
<v Speaker 1>the Susie Pepper of it all, where Will's confiding and

0:09:29.280 --> 0:09:31.600
<v Speaker 1>Emma like, I don't know how to do this. What

0:09:31.640 --> 0:09:34.199
<v Speaker 1>do we do? And then Sarah Drew comes on playing

0:09:34.240 --> 0:09:38.040
<v Speaker 1>Susie Pepper and regales us with the tale of how

0:09:38.080 --> 0:09:41.840
<v Speaker 1>she was obsessed with him. Would call in the middle

0:09:41.840 --> 0:09:46.400
<v Speaker 1>of the night, which is so good this flashback, and

0:09:46.440 --> 0:09:48.800
<v Speaker 1>then Terry picks up the phone. It was listening, little psycho,

0:09:48.880 --> 0:09:50.319
<v Speaker 1>this is what his wife. And if I don't get

0:09:50.400 --> 0:09:52.440
<v Speaker 1>enough sleep and my end of the presence won't work,

0:09:52.679 --> 0:09:58.080
<v Speaker 1>and then I'll go crazy and I'll kill you. She's

0:09:58.120 --> 0:10:00.440
<v Speaker 1>got one. She's got like two scenes in the They're

0:10:00.480 --> 0:10:07.360
<v Speaker 1>incredible every time. Oh my gosh. So then Mr Shoe

0:10:07.640 --> 0:10:10.560
<v Speaker 1>has to set Susie Pepper straight in this flashback, and

0:10:10.640 --> 0:10:13.480
<v Speaker 1>so she decaid she's gonna eat that pepper in the world.

0:10:13.600 --> 0:10:16.920
<v Speaker 1>She goes into a coma for for days, and that's

0:10:17.000 --> 0:10:20.680
<v Speaker 1>when we destroys herself. Back to destroys her, Sophic isn't

0:10:20.679 --> 0:10:23.760
<v Speaker 1>cut back to Will telling Emma that's why he can't

0:10:23.760 --> 0:10:29.880
<v Speaker 1>break the news to Rachel. So because girls can't handle it. Yeah,

0:10:30.040 --> 0:10:35.280
<v Speaker 1>which we're not we're weak right week, We're week we

0:10:35.360 --> 0:10:39.400
<v Speaker 1>can't handle things only child birth. Um, so We'll has

0:10:39.440 --> 0:10:42.040
<v Speaker 1>this idea. He brings Emma in to sing a song

0:10:42.120 --> 0:10:45.800
<v Speaker 1>to Rachel. This is the one where it makes me

0:10:45.880 --> 0:10:50.160
<v Speaker 1>very uncomfortable. But I do love don't stand so close

0:10:50.200 --> 0:10:53.600
<v Speaker 1>to me and young girls like I love those songs.

0:10:54.400 --> 0:10:56.680
<v Speaker 1>This mashup is incredible. Some of the masters who do

0:10:56.679 --> 0:10:59.600
<v Speaker 1>in the show that don't mash well, this one does.

0:10:59.679 --> 0:11:03.679
<v Speaker 1>This one absolutely does. Um again had a fast forward.

0:11:06.280 --> 0:11:10.600
<v Speaker 1>I thought, um Leah was incredible in this episode, and

0:11:11.640 --> 0:11:16.319
<v Speaker 1>yes I did feel her reaction to like Wise Mispiel's

0:11:16.400 --> 0:11:22.679
<v Speaker 1>very here. But then also Jayma and Leah clapping at

0:11:22.800 --> 0:11:26.040
<v Speaker 1>Mr Shoe at the end, it's it's very funny. I

0:11:26.040 --> 0:11:28.960
<v Speaker 1>mean he went full out. He's doing a full, full

0:11:29.040 --> 0:11:31.720
<v Speaker 1>number for the two of them around the piano again,

0:11:32.200 --> 0:11:33.640
<v Speaker 1>back around the piano, which I feel like, if you're

0:11:33.640 --> 0:11:35.480
<v Speaker 1>a student, you're like, well, this teacher is giving me

0:11:35.520 --> 0:11:43.160
<v Speaker 1>a right now. He's not marking this percent really um

0:11:43.360 --> 0:11:45.240
<v Speaker 1>And And the intention was that Will is going to

0:11:45.320 --> 0:11:48.520
<v Speaker 1>have her listen to the song lyrics, but that didn't work. Backfire,

0:11:50.360 --> 0:11:52.320
<v Speaker 1>she gets the you know she loves the song and

0:11:52.440 --> 0:11:55.439
<v Speaker 1>loves that he performed for her. So then we get

0:11:55.440 --> 0:11:58.440
<v Speaker 1>to see crazy Susie and Rachel in the hallway together.

0:11:58.720 --> 0:12:03.319
<v Speaker 1>Jump scare, Susie's back. She's back, She's present day now, Susie.

0:12:03.400 --> 0:12:07.280
<v Speaker 1>Susie's here. Um. And then even creepier, which I actually

0:12:07.280 --> 0:12:09.760
<v Speaker 1>think this is really creepy, is when Rachel hands Mr

0:12:09.840 --> 0:12:12.240
<v Speaker 1>Shoe the beer at home when he gets home to

0:12:12.360 --> 0:12:15.080
<v Speaker 1>his house. It's so good though I thought that it

0:12:15.160 --> 0:12:19.120
<v Speaker 1>turned slightly into a horror movie. And then Terry, Terry

0:12:19.160 --> 0:12:21.559
<v Speaker 1>is like, well, she's a very good cook. She showed

0:12:21.640 --> 0:12:24.720
<v Speaker 1>like a student shows up at your house. You knew

0:12:24.720 --> 0:12:27.160
<v Speaker 1>something was going to happen. There was silence while gets home,

0:12:27.200 --> 0:12:29.600
<v Speaker 1>and then all of a sudden, there's Rachel in his

0:12:29.760 --> 0:12:36.040
<v Speaker 1>home cooking meals. Weird. It's a little inappropriate. I mean

0:12:36.040 --> 0:12:40.360
<v Speaker 1>it's a lot of inappropriate, but it's inappropriate. But Terry

0:12:40.840 --> 0:12:43.120
<v Speaker 1>is like happy that she's there because she's cleaning and cooking.

0:12:43.440 --> 0:12:47.520
<v Speaker 1>She let her in, you know. And then she said

0:12:47.760 --> 0:12:50.520
<v Speaker 1>Terry needs the help because of her baby. And then

0:12:50.520 --> 0:12:53.520
<v Speaker 1>Will tries to find out what's happening with the belly

0:12:53.600 --> 0:12:57.080
<v Speaker 1>and she freaks out and runs away with her postules

0:12:57.080 --> 0:13:04.160
<v Speaker 1>her like bloody postules or whatever pus do. Um. So

0:13:04.200 --> 0:13:08.360
<v Speaker 1>then Mr she takes Rachel I left. How this was

0:13:08.360 --> 0:13:11.360
<v Speaker 1>a shot. I think it's beautifully shot. It is. We

0:13:11.400 --> 0:13:12.719
<v Speaker 1>don't see a lot of We're not in a lot

0:13:12.720 --> 0:13:14.800
<v Speaker 1>of cars in Glee. I mean we are, but not

0:13:14.840 --> 0:13:18.520
<v Speaker 1>a lot of moving cars. And um, just like Rachel

0:13:18.600 --> 0:13:20.200
<v Speaker 1>sitting in the back of the car by the way,

0:13:21.679 --> 0:13:24.560
<v Speaker 1>like a like a like a little little girl sitting

0:13:24.559 --> 0:13:27.120
<v Speaker 1>in the back of the car um and then singing

0:13:27.120 --> 0:13:31.679
<v Speaker 1>a song, which like, it's an interesting way to do

0:13:31.720 --> 0:13:34.320
<v Speaker 1>a song. Ugly. I mean, there are really no rules

0:13:34.640 --> 0:13:38.600
<v Speaker 1>which we've learned, but to not for it to not

0:13:38.640 --> 0:13:41.319
<v Speaker 1>be a dream sequence or or a glee club performance.

0:13:41.360 --> 0:13:43.840
<v Speaker 1>But her just like hitting a cassette in the car

0:13:44.600 --> 0:13:47.960
<v Speaker 1>um it works for her character though it does it

0:13:48.000 --> 0:13:50.240
<v Speaker 1>does work for the character. It's also funny that he

0:13:50.280 --> 0:13:53.679
<v Speaker 1>just cuts her off. I love I do love that.

0:13:53.760 --> 0:13:56.480
<v Speaker 1>I remember hearing that this song was going to be

0:13:56.520 --> 0:13:59.440
<v Speaker 1>in this episode, and I didn't think I was very excited.

0:14:00.160 --> 0:14:02.559
<v Speaker 1>I liked that they were, you know, pulling up some

0:14:03.280 --> 0:14:06.240
<v Speaker 1>pop hits from the past and this is crush, Sorry,

0:14:06.679 --> 0:14:09.839
<v Speaker 1>this is crush. Who's saying crush? Jennifer Page saying crush

0:14:10.559 --> 0:14:18.560
<v Speaker 1>uh smash hit. It was a smash. Yeah. I'm also

0:14:18.679 --> 0:14:22.920
<v Speaker 1>enjoying at this point, we're a good portion into the

0:14:22.960 --> 0:14:28.520
<v Speaker 1>first season and you know, Lea's singing pop songs like

0:14:28.560 --> 0:14:32.080
<v Speaker 1>we're all getting I think used to seeing different genres

0:14:32.080 --> 0:14:34.960
<v Speaker 1>and it was just fun to get to see everyone's

0:14:34.960 --> 0:14:37.520
<v Speaker 1>seeing different genres that they were used to. Yeah, we're

0:14:37.960 --> 0:14:42.440
<v Speaker 1>branching out for sure. Um. I I love the Susie

0:14:42.480 --> 0:14:49.120
<v Speaker 1>and Rachel stuff. Um it's like crazy meeting crazy and

0:14:49.280 --> 0:14:51.760
<v Speaker 1>we're going to see a lot of conversations in the

0:14:51.800 --> 0:14:54.840
<v Speaker 1>show and do I'm just curious why they end up

0:14:54.840 --> 0:14:57.680
<v Speaker 1>in the bathroom all the time. I mean it's I

0:14:57.720 --> 0:15:00.560
<v Speaker 1>think and all high school shows the bathroom as where

0:15:00.600 --> 0:15:03.880
<v Speaker 1>a lot of these secret, more important conversation is the

0:15:03.880 --> 0:15:06.600
<v Speaker 1>place to hide. Hey, it's like a it's a teenage

0:15:06.640 --> 0:15:09.040
<v Speaker 1>place to hide. Also, it's like we sort of we

0:15:10.000 --> 0:15:12.320
<v Speaker 1>didn't talk about at this point Rachel. Rachel has not

0:15:12.360 --> 0:15:15.600
<v Speaker 1>only gone to his home, she's given him a tie

0:15:15.720 --> 0:15:19.760
<v Speaker 1>to where, which sparks this whole thing where I want

0:15:19.800 --> 0:15:22.120
<v Speaker 1>you to think of it every time I think of me,

0:15:22.160 --> 0:15:24.640
<v Speaker 1>every time you wear it, and it's like, oh, this

0:15:24.720 --> 0:15:27.600
<v Speaker 1>is so wrong and creepy. And then Susane is like,

0:15:27.760 --> 0:15:31.120
<v Speaker 1>get it together, girl. But here's the thing, like we've

0:15:31.160 --> 0:15:35.240
<v Speaker 1>all had crushes on teachers before, and we've all acted inappropriately,

0:15:36.440 --> 0:15:41.520
<v Speaker 1>not all of us. Jenna, I wish I had a

0:15:41.520 --> 0:15:44.280
<v Speaker 1>hot teacher. We definitely had some hot teachers, and we

0:15:44.280 --> 0:15:47.120
<v Speaker 1>also had um, some hot women teachers. And I knew,

0:15:47.160 --> 0:15:49.320
<v Speaker 1>like all the guys kind of like we're doing an

0:15:49.360 --> 0:15:53.680
<v Speaker 1>eye over. So I don't think this is super far fetch.

0:15:53.760 --> 0:15:58.200
<v Speaker 1>It's just that how far you're willing to cross that line? Right?

0:15:58.760 --> 0:16:02.440
<v Speaker 1>I'm sure there's a lot of young teachers that, um,

0:16:02.480 --> 0:16:04.520
<v Speaker 1>you know, people had like they were like, okay, my

0:16:04.600 --> 0:16:17.000
<v Speaker 1>kid had this girl definitely has a proct you know. Okay.

0:16:17.000 --> 0:16:19.840
<v Speaker 1>So Susy confronts Rachel in the bathroom and she tells

0:16:19.840 --> 0:16:23.120
<v Speaker 1>her to get that mildly attractive group back. She's like,

0:16:23.200 --> 0:16:26.760
<v Speaker 1>get yourself, you know, smack across the face, find some

0:16:26.800 --> 0:16:30.720
<v Speaker 1>self respect, and get yourself that that semi groove back.

0:16:31.280 --> 0:16:35.680
<v Speaker 1>So Rachel, Um, Rachel's going to kind of like kick

0:16:35.760 --> 0:16:38.160
<v Speaker 1>it back up again, and um, she brings him a

0:16:38.200 --> 0:16:41.360
<v Speaker 1>flower for for an apology, which is that sorry for

0:16:41.440 --> 0:16:51.280
<v Speaker 1>being crazy, and and then and she's like, I know, yeah,

0:16:51.320 --> 0:16:53.600
<v Speaker 1>He's like, this is inappropriate. They were both kind of

0:16:55.000 --> 0:16:58.040
<v Speaker 1>this conversation was about to happen from both ends, but

0:16:58.120 --> 0:17:00.360
<v Speaker 1>it ended up being a couple in all five at

0:17:00.360 --> 0:17:04.159
<v Speaker 1>the end of the day. Um, so that's the that's

0:17:04.280 --> 0:17:07.040
<v Speaker 1>that's the crush. That's a big part of the episode.

0:17:07.040 --> 0:17:09.879
<v Speaker 1>But that's like the big crush storyline. I also think

0:17:09.920 --> 0:17:12.520
<v Speaker 1>we should like maybe started tally. This is Rachel's third

0:17:12.560 --> 0:17:19.199
<v Speaker 1>crush again though it definitely racks up. But yes, it

0:17:19.320 --> 0:17:21.520
<v Speaker 1>is high school. A good gust of wind will give

0:17:21.520 --> 0:17:25.879
<v Speaker 1>you a different crush. And everybody it's trendy. You know

0:17:26.240 --> 0:17:28.520
<v Speaker 1>who's the trendy guy at that time or the teacher

0:17:28.560 --> 0:17:32.920
<v Speaker 1>whatever our person right um here, and then we're into

0:17:33.040 --> 0:17:36.480
<v Speaker 1>like a big part of Baby Gate. This is a big,

0:17:36.680 --> 0:17:41.440
<v Speaker 1>most serious part of Baby Gates. We meet Quinn's mom

0:17:42.520 --> 0:17:47.399
<v Speaker 1>for the first time. Um, Quinn is getting ready for

0:17:47.440 --> 0:17:51.159
<v Speaker 1>the chastity ball. Quinn's parents played by the incredible Greg

0:17:51.160 --> 0:17:56.320
<v Speaker 1>Henry and Charlotte Ross and Greg Henry. Um is the

0:17:56.320 --> 0:18:00.840
<v Speaker 1>most serious for me from Scandal. After this, that's what

0:18:00.960 --> 0:18:06.160
<v Speaker 1>it is. I was like, I know this man, he's

0:18:06.280 --> 0:18:11.320
<v Speaker 1>so infuriating on the show, so good that he did

0:18:11.359 --> 0:18:16.760
<v Speaker 1>his job. He definitely did his job. Yes, So we

0:18:16.840 --> 0:18:20.679
<v Speaker 1>have Mr and Mrs for Bray and um Quinn decides

0:18:20.720 --> 0:18:25.040
<v Speaker 1>that she's going to have Stan over for dinner and um.

0:18:25.040 --> 0:18:27.600
<v Speaker 1>But going back to the chastity ball, she's trying on

0:18:27.640 --> 0:18:30.000
<v Speaker 1>her dress alone with her mom with the chastity ball,

0:18:30.920 --> 0:18:33.879
<v Speaker 1>and it's getting tighter. This is reminiscent of me with

0:18:34.160 --> 0:18:37.040
<v Speaker 1>RuPaul's drag race putting on my costumes. And it was

0:18:37.119 --> 0:18:42.000
<v Speaker 1>definitely getting tighter. But you were not right and I

0:18:42.040 --> 0:18:46.720
<v Speaker 1>wasn't as far along. Um and and this is where

0:18:46.720 --> 0:18:49.160
<v Speaker 1>we realized that the mom kind of knows, Judy kind

0:18:49.160 --> 0:18:53.320
<v Speaker 1>of knows. But oh, Mr for Bray um invites Finn

0:18:53.359 --> 0:18:55.240
<v Speaker 1>over because he wants to meet in so he has

0:18:55.320 --> 0:19:00.320
<v Speaker 1>him up for dinner, um and and then and you

0:19:00.359 --> 0:19:05.280
<v Speaker 1>also their relationship where Mr. Fher Bray comes in and

0:19:05.680 --> 0:19:07.560
<v Speaker 1>you know they're going to go get pour themselves another

0:19:07.640 --> 0:19:10.240
<v Speaker 1>drink and Mrs Bray is like, I don't want to

0:19:10.480 --> 0:19:12.479
<v Speaker 1>think it from me. I'm your wife, and so you

0:19:12.560 --> 0:19:17.760
<v Speaker 1>see the dynamic and it's all stacking up to be

0:19:17.840 --> 0:19:20.639
<v Speaker 1>a little difficult if she's going to be a teen mother,

0:19:21.960 --> 0:19:26.159
<v Speaker 1>right right, right right, So then we pop over to

0:19:28.240 --> 0:19:31.480
<v Speaker 1>Kurt and Finn who are paired together for the ballade,

0:19:32.000 --> 0:19:36.400
<v Speaker 1>and they're practicing in the auditorium and Finn is um stressed.

0:19:36.480 --> 0:19:38.639
<v Speaker 1>So Kurt, this is where we see the beginnings of

0:19:38.720 --> 0:19:40.919
<v Speaker 1>Kurt and Finn. Yeah, and we're going to start to

0:19:40.920 --> 0:19:44.679
<v Speaker 1>see the dynamic of you know, them becoming family and

0:19:44.760 --> 0:19:48.159
<v Speaker 1>also Kurt having a crush on Fin and all the things.

0:19:48.240 --> 0:19:51.359
<v Speaker 1>But he is stressed, Finn stressed over the baby, and

0:19:51.440 --> 0:19:53.800
<v Speaker 1>so Kurt is going to guide him and have him

0:19:53.800 --> 0:19:55.919
<v Speaker 1>saying I'll stand by you. With his motive, you have

0:19:56.040 --> 0:20:01.320
<v Speaker 1>to pass forward this I did. I okay, I can't

0:20:02.760 --> 0:20:07.720
<v Speaker 1>watch Corey sing I'll stand by you. It's I not

0:20:07.840 --> 0:20:12.440
<v Speaker 1>because it's awkward, it's just too emotional. I got emotional

0:20:12.440 --> 0:20:15.640
<v Speaker 1>as well. Yeah maybe I should have, maybe it would

0:20:15.640 --> 0:20:19.840
<v Speaker 1>have been healthy, but I was not emotionally prepared to

0:20:19.840 --> 0:20:22.840
<v Speaker 1>do it. Um. That's also when I lost it when

0:20:22.840 --> 0:20:26.040
<v Speaker 1>we did the quarterback was during that number. It's just like,

0:20:26.160 --> 0:20:30.880
<v Speaker 1>to me, that was his first mm hmm, big solo

0:20:31.600 --> 0:20:34.800
<v Speaker 1>m hm, and he sounds so good on it and

0:20:34.880 --> 0:20:41.560
<v Speaker 1>the storyline, UM was devastating, and in this episode it's

0:20:41.560 --> 0:20:46.240
<v Speaker 1>really sweet and yeah, I can't, I can't do it. Yeah,

0:20:46.560 --> 0:20:49.399
<v Speaker 1>I mean as crazy as the storyline is getting the

0:20:49.400 --> 0:20:52.080
<v Speaker 1>baby gate like he is the grounding force in all

0:20:52.240 --> 0:20:55.040
<v Speaker 1>the baby gates, I think. And he's just phenomenal in

0:20:55.119 --> 0:20:59.639
<v Speaker 1>this episode. Um, well, I stand my, I'll stand my

0:20:59.840 --> 0:21:02.560
<v Speaker 1>is really great. He does sound really good. He also

0:21:02.640 --> 0:21:08.600
<v Speaker 1>does sing to the Sonic, which is so weird and

0:21:08.680 --> 0:21:12.720
<v Speaker 1>yet somehow it works, like I totally believe it and

0:21:12.760 --> 0:21:16.400
<v Speaker 1>I thought it was weird and cute. Um, but this

0:21:16.520 --> 0:21:20.879
<v Speaker 1>is the obviously the moment where Vin's mom Romi she's

0:21:21.440 --> 0:21:25.840
<v Speaker 1>one of my favorites and he she catches them and

0:21:26.080 --> 0:21:28.280
<v Speaker 1>he's upset and she said, she doesn't even have to

0:21:28.880 --> 0:21:31.520
<v Speaker 1>you know ask, Well she does, but you know she knows.

0:21:31.640 --> 0:21:35.720
<v Speaker 1>I love the relationship. Is Quinn pregnant and the moment

0:21:35.800 --> 0:21:39.720
<v Speaker 1>that Romy cries but doesn't cry when she hugs him

0:21:39.960 --> 0:21:47.400
<v Speaker 1>is heartbreaking. It actually breaks me. It breaks me every time.

0:21:47.440 --> 0:21:50.080
<v Speaker 1>And her in her Canadian text, you know it makes

0:21:50.080 --> 0:21:53.960
<v Speaker 1>sense also knowing Romi in real life, because I feel

0:21:53.960 --> 0:21:56.639
<v Speaker 1>like she is so like her emotions are always just

0:21:56.800 --> 0:22:00.880
<v Speaker 1>right there, like she's happy. She said, she's like she'll

0:22:00.880 --> 0:22:04.639
<v Speaker 1>give you everything. She's not. It's just she's an open book. Yeah,

0:22:04.760 --> 0:22:09.200
<v Speaker 1>and you see why she's such a good actor, I

0:22:09.280 --> 0:22:10.960
<v Speaker 1>feel like, you know, and moments like that, we're like,

0:22:10.960 --> 0:22:13.520
<v Speaker 1>oh god, you're almost crying, and it's worse than if

0:22:13.520 --> 0:22:16.359
<v Speaker 1>you were crying. It's like the teeter of the is

0:22:16.400 --> 0:22:19.440
<v Speaker 1>she or isn't she? That gets you because you're on it,

0:22:19.560 --> 0:22:23.399
<v Speaker 1>the uncertainty. So did you notice, Kevin that a fan

0:22:23.560 --> 0:22:26.400
<v Speaker 1>actually um wrote in and told us that when Kurt

0:22:26.520 --> 0:22:29.440
<v Speaker 1>is playing the piano, they playing the piano. By the way,

0:22:29.720 --> 0:22:33.879
<v Speaker 1>he's wearing a light tan pants. And then when they

0:22:33.880 --> 0:22:36.040
<v Speaker 1>do a close up of his hands, the pants have

0:22:36.119 --> 0:22:40.760
<v Speaker 1>changed because it wasn't Chris's hands, um d and whomever

0:22:40.840 --> 0:22:44.159
<v Speaker 1>was the stand in was wearing jeans. Weird. That's a

0:22:44.200 --> 0:22:48.200
<v Speaker 1>good one. But do you think normally they would have

0:22:49.080 --> 0:22:51.679
<v Speaker 1>put him in pants, the stand in in pants, but

0:22:51.720 --> 0:22:55.159
<v Speaker 1>they must have said on camera. They must have said like, no,

0:22:55.200 --> 0:22:58.159
<v Speaker 1>we're not going to see it, you know, Um, he

0:22:58.240 --> 0:23:00.440
<v Speaker 1>doesn't have to change. So then the next that happens

0:23:00.480 --> 0:23:04.480
<v Speaker 1>is Quinn has piste that Finn has told his mom

0:23:04.520 --> 0:23:07.600
<v Speaker 1>because she doesn't want her parents finding out and is

0:23:07.640 --> 0:23:11.680
<v Speaker 1>worried that Carol is going to wrap her out right,

0:23:11.920 --> 0:23:15.280
<v Speaker 1>which like, my mom is going to tell your mom right?

0:23:16.440 --> 0:23:19.320
<v Speaker 1>Fair enough? And then there's this whole thing with Kurt

0:23:20.400 --> 0:23:26.240
<v Speaker 1>thinking that he's setting Finn up um for the to lose,

0:23:26.320 --> 0:23:29.160
<v Speaker 1>basically because whatever he's going to do is not going

0:23:29.200 --> 0:23:31.919
<v Speaker 1>to work. And then Finn will see how girls are

0:23:31.920 --> 0:23:35.879
<v Speaker 1>stupid and a waste of time, and then right, you know,

0:23:35.960 --> 0:23:38.480
<v Speaker 1>it's it's not through us like a sixteen or fifteen

0:23:38.520 --> 0:23:42.199
<v Speaker 1>year old might have thought this through um. Kurt's voice over,

0:23:42.280 --> 0:23:43.600
<v Speaker 1>by the way, where I don't know why I find

0:23:43.640 --> 0:23:45.960
<v Speaker 1>his stupidity charming. I mean, he's cheating off a girl

0:23:45.960 --> 0:23:50.040
<v Speaker 1>who thinks the square root of four is rainbows. I

0:23:50.080 --> 0:23:55.640
<v Speaker 1>mean it's Kurt's voiceovers really make this episode. I think

0:23:55.640 --> 0:23:59.200
<v Speaker 1>it's next. The next scene is Kurt and Finn picking

0:23:59.200 --> 0:24:01.879
<v Speaker 1>out an outfit in the basement for him to go

0:24:01.920 --> 0:24:07.639
<v Speaker 1>over and meet the parents. And it's really sweet because

0:24:07.640 --> 0:24:11.600
<v Speaker 1>they talk about their parents. I think it's sweet. Yeah,

0:24:12.240 --> 0:24:16.360
<v Speaker 1>God didn't hear that, because that was the thing we'd

0:24:16.400 --> 0:24:19.240
<v Speaker 1>always say, because he likes sweet. Yeah, I think the

0:24:19.280 --> 0:24:24.760
<v Speaker 1>swiling is sweet, but sweet, yes, Um. You hear them

0:24:24.800 --> 0:24:29.800
<v Speaker 1>talking about their single parents together and they have this

0:24:29.880 --> 0:24:36.639
<v Speaker 1>deeper understanding of them keeping keepsakes and meaningful things about um.

0:24:36.680 --> 0:24:39.520
<v Speaker 1>Their other parents are no longer with them, and it's

0:24:39.520 --> 0:24:42.160
<v Speaker 1>a really nice you know, and amongst all this hilarity

0:24:42.280 --> 0:24:47.119
<v Speaker 1>and absurdity again this grounding moment of setting up, like

0:24:47.119 --> 0:24:51.719
<v Speaker 1>you said earlier, for the future of um Bert and Carol.

0:24:52.400 --> 0:24:55.879
<v Speaker 1>Mm hmm. And then kurts like, you know what you

0:24:55.920 --> 0:24:58.960
<v Speaker 1>should do, use your voice when you go over there,

0:25:00.520 --> 0:25:04.000
<v Speaker 1>sing to them, because that's gonna work. See, that's awkward.

0:25:04.080 --> 0:25:07.200
<v Speaker 1>The situation is awkward. That's what makes me uncomfortable. I've

0:25:07.240 --> 0:25:12.040
<v Speaker 1>been dreading this scene for weeks. But here we go.

0:25:12.119 --> 0:25:14.520
<v Speaker 1>I actually went and visited them because they're The house

0:25:14.560 --> 0:25:16.840
<v Speaker 1>that they shot this in was close to where I

0:25:16.880 --> 0:25:18.800
<v Speaker 1>was living, and so I went over and I think

0:25:18.800 --> 0:25:21.480
<v Speaker 1>I visited them on that wasn't a set, that wasn't built.

0:25:22.080 --> 0:25:24.399
<v Speaker 1>It was a real house. I think it was a

0:25:24.480 --> 0:25:26.359
<v Speaker 1>real house. It makes sense. I mean it was big,

0:25:26.560 --> 0:25:31.280
<v Speaker 1>so that makes sense. I'm pretty sure. I don't know.

0:25:31.560 --> 0:25:34.520
<v Speaker 1>I don't Maybe I'm wrong. No, I believe you. Um

0:25:35.359 --> 0:25:41.600
<v Speaker 1>So they go and they make a toe. Mr Ferret

0:25:41.680 --> 0:25:44.239
<v Speaker 1>is going to make a toast, which you know, Mr

0:25:44.480 --> 0:25:48.760
<v Speaker 1>Bres like, oh his toast. She's a little drunk um

0:25:48.800 --> 0:25:50.680
<v Speaker 1>And then fing goes to the bathroom in the middle.

0:25:50.760 --> 0:25:52.639
<v Speaker 1>At the end, of the toast and in the middle

0:25:52.640 --> 0:25:54.760
<v Speaker 1>of the toast, in the middle of the and he

0:25:54.800 --> 0:26:00.919
<v Speaker 1>calls Kurt Finn in the bathroom is one of I

0:26:00.920 --> 0:26:06.040
<v Speaker 1>think collectively our favorite things ever the karate chap. I

0:26:06.080 --> 0:26:09.399
<v Speaker 1>also thought it looks like the ross thing that he

0:26:09.560 --> 0:26:14.680
<v Speaker 1>does in the Bruce Willis episode of Friends. Absolutely. Um,

0:26:14.720 --> 0:26:18.359
<v Speaker 1>but Corey, like doing that to the mirror is just

0:26:19.400 --> 0:26:25.600
<v Speaker 1>iconic in our minds. Um. And then Finn is singing

0:26:25.680 --> 0:26:29.040
<v Speaker 1>You're having my baby, which I hate this song. What

0:26:29.200 --> 0:26:31.720
<v Speaker 1>a crazy song. I know, like Paulinka is a legend,

0:26:31.800 --> 0:26:35.879
<v Speaker 1>but this song is you haven't met Baby. That was

0:26:35.880 --> 0:26:38.560
<v Speaker 1>also something we did for years after was that line

0:26:38.680 --> 0:26:43.240
<v Speaker 1>I hate this song? Yeah, me too, anybody else I remember? Also,

0:26:43.280 --> 0:26:45.720
<v Speaker 1>like there's a BTS moment where that Dana said she

0:26:45.800 --> 0:26:47.959
<v Speaker 1>kept laughing because Corey was singing the song to her

0:26:48.640 --> 0:26:50.439
<v Speaker 1>and Corey would forget his lines as soon as he

0:26:50.440 --> 0:26:53.320
<v Speaker 1>saw Dianna having a hard time not laughing. But how

0:26:53.359 --> 0:27:00.560
<v Speaker 1>could you not is insane and like she's looking horrified

0:27:00.640 --> 0:27:03.320
<v Speaker 1>during it, and the parents at first aren't realizing what's happening,

0:27:03.320 --> 0:27:07.199
<v Speaker 1>and then they very quickly realize it. And then and

0:27:07.200 --> 0:27:08.960
<v Speaker 1>then the line in the bathroom might have to go

0:27:09.000 --> 0:27:13.160
<v Speaker 1>without think I'm pooping. Oh my god, brilliant. This whole

0:27:13.200 --> 0:27:18.760
<v Speaker 1>sequence is so good. It's really awkward. Um. But then

0:27:18.800 --> 0:27:20.760
<v Speaker 1>it gets into the good stuff. Like we're getting into

0:27:20.800 --> 0:27:23.040
<v Speaker 1>the good stuff. Um. Number when we get to see

0:27:23.080 --> 0:27:28.520
<v Speaker 1>we start to see Dan is acting. Um. And this

0:27:28.600 --> 0:27:33.520
<v Speaker 1>is when they the dad is going to tell him

0:27:33.560 --> 0:27:35.679
<v Speaker 1>to leave and then tell her to leave because he

0:27:35.760 --> 0:27:38.119
<v Speaker 1>doesn't know who his daughter is anymore. The scene is

0:27:38.160 --> 0:27:44.080
<v Speaker 1>written so well um and Brad directed this beautifully and

0:27:44.480 --> 0:27:48.040
<v Speaker 1>it's just all around like a really great scene. The

0:27:48.040 --> 0:27:55.080
<v Speaker 1>whole thing of like anymore. He says, who are you?

0:27:55.160 --> 0:27:56.959
<v Speaker 1>I don't recognize you at all. I'm your daughter who

0:27:57.040 --> 0:27:58.560
<v Speaker 1>loves you. I just need my daddy to hold me

0:27:58.560 --> 0:28:02.800
<v Speaker 1>and tell me heartbreaking, and then he just walks off.

0:28:03.080 --> 0:28:05.359
<v Speaker 1>There's that little hope where he walks up and you

0:28:05.400 --> 0:28:07.720
<v Speaker 1>think maybe she's like please, and she's like sort of

0:28:07.720 --> 0:28:10.119
<v Speaker 1>bouncing up and down like desperate, and then he just

0:28:10.119 --> 0:28:14.479
<v Speaker 1>walks away, goodbye, goodbye dad. And then Finn takes her

0:28:15.560 --> 0:28:21.800
<v Speaker 1>to his house to the basement, um, and Carol's doing

0:28:21.880 --> 0:28:24.199
<v Speaker 1>laundry and he comes down with Quentin and says he

0:28:24.320 --> 0:28:26.640
<v Speaker 1>get you know, Quinn got kicked out of her house,

0:28:26.680 --> 0:28:29.760
<v Speaker 1>and of course Carol, sweet sweet Carol says you can

0:28:29.760 --> 0:28:31.400
<v Speaker 1>stay here as long as you need, and that's seen.

0:28:31.440 --> 0:28:33.960
<v Speaker 1>Also it's just quiet and easy. And I think that

0:28:34.080 --> 0:28:37.439
<v Speaker 1>was the thing about Brad directing episodes too. Um. I

0:28:37.440 --> 0:28:39.640
<v Speaker 1>always remembered his acting. He'd be like, is that right,

0:28:39.680 --> 0:28:42.760
<v Speaker 1>and he'd be like, just say it and just do it. Simple,

0:28:43.080 --> 0:28:45.640
<v Speaker 1>say it and it'll do it. The work on its own,

0:28:46.320 --> 0:28:48.880
<v Speaker 1>and um, we got to see that here is really

0:28:48.920 --> 0:28:51.440
<v Speaker 1>beautiful and Finn does a great job and all three

0:28:51.480 --> 0:28:58.680
<v Speaker 1>of them, I mean great actors. Um. And then back

0:28:58.720 --> 0:29:02.360
<v Speaker 1>to Finn and Kirk. Yeah, then there's the Finns sort

0:29:02.360 --> 0:29:04.680
<v Speaker 1>of coming clean about what happened at dinner, and then

0:29:04.760 --> 0:29:08.160
<v Speaker 1>Kurt feels bad and it's sort of coming clean about

0:29:09.200 --> 0:29:13.040
<v Speaker 1>right his motives and love of him, and then Finn

0:29:13.040 --> 0:29:16.280
<v Speaker 1>that doesn't get it. Yeah, well Kurt confesses him and

0:29:16.920 --> 0:29:19.240
<v Speaker 1>I honestly love you, and Finn thinks it's the song,

0:29:19.400 --> 0:29:24.040
<v Speaker 1>so which is great and honestly it's great. Um, And

0:29:24.080 --> 0:29:25.880
<v Speaker 1>I realized we literally have not been in any of this,

0:29:26.600 --> 0:29:28.840
<v Speaker 1>except for when I say that my rosation has been

0:29:28.880 --> 0:29:34.239
<v Speaker 1>acting up because of the baby gate. Yeah, not that

0:29:34.280 --> 0:29:38.080
<v Speaker 1>we you know, whatever, it's all happening. It is happening,

0:29:39.080 --> 0:29:44.280
<v Speaker 1>and they have this whole I think it's a bit insane,

0:29:44.320 --> 0:29:49.960
<v Speaker 1>but I like them together, Pucking Mercedes. They they're paired

0:29:50.040 --> 0:29:54.720
<v Speaker 1>up and unlikely pairing again, and um, you know, Puck

0:29:54.800 --> 0:29:57.440
<v Speaker 1>gets angry, and I thought the acting is really actually

0:29:57.440 --> 0:29:59.680
<v Speaker 1>really good in the scene as well, of like Puck

0:29:59.720 --> 0:30:05.240
<v Speaker 1>talent Mercedes that he's the father and um, and then Mercedes.

0:30:05.320 --> 0:30:07.240
<v Speaker 1>It's like there's no like huge arc in the scene.

0:30:07.280 --> 0:30:12.360
<v Speaker 1>It's just like, um, yeah, but get over it. Basically,

0:30:12.440 --> 0:30:15.920
<v Speaker 1>it was like what teenager also would pause for ten

0:30:15.960 --> 0:30:18.000
<v Speaker 1>seconds to be like, no, wait, let me give you

0:30:18.040 --> 0:30:21.440
<v Speaker 1>some insightful perspective. But maybe she does. I bought it

0:30:21.560 --> 0:30:27.360
<v Speaker 1>because she's great, yeah, the whole thing. And then she's like,

0:30:27.400 --> 0:30:32.560
<v Speaker 1>we're singing for them, and how stupid am I? Halfway

0:30:32.560 --> 0:30:37.200
<v Speaker 1>through lean on Me, Oh, I was like, oh, Quinn

0:30:37.240 --> 0:30:40.120
<v Speaker 1>was my duet partner, and so I know we're seeing

0:30:40.160 --> 0:30:41.520
<v Speaker 1>it to both of them, but I'm also saying this

0:30:41.560 --> 0:30:47.320
<v Speaker 1>is my duet, but not a little bit. Yes, I

0:30:47.600 --> 0:30:51.440
<v Speaker 1>didn't even think about that. I was so excited to

0:30:51.440 --> 0:30:56.160
<v Speaker 1>do lean on Me well in real life, like when

0:30:56.240 --> 0:31:00.880
<v Speaker 1>we did it right, we went to the studio together, right. Uh, No,

0:31:01.280 --> 0:31:04.280
<v Speaker 1>we didn't, So why do I have a memory of

0:31:04.320 --> 0:31:06.480
<v Speaker 1>doing this together? Is that sweet Caroline in my mind?

0:31:07.640 --> 0:31:09.920
<v Speaker 1>So what happened was I went in there. I also,

0:31:09.960 --> 0:31:13.040
<v Speaker 1>my voice sounds really weird on this song, and I

0:31:13.080 --> 0:31:17.640
<v Speaker 1>think I was imitating the guide vocal because it was

0:31:17.680 --> 0:31:20.160
<v Speaker 1>someone who didn't normally sing my demos, and I really

0:31:20.160 --> 0:31:23.640
<v Speaker 1>loved his voice, and I think I was just trying

0:31:23.680 --> 0:31:25.800
<v Speaker 1>to sound like, Yeah, it's like when Cia writes a

0:31:25.840 --> 0:31:27.960
<v Speaker 1>song for somebody else and they always mimic her voice

0:31:27.960 --> 0:31:31.280
<v Speaker 1>because she sounds so cool. I think that's her intonation. Yeah,

0:31:31.320 --> 0:31:33.200
<v Speaker 1>I think that's what I was trying to do. That's

0:31:33.200 --> 0:31:36.520
<v Speaker 1>actually very funny. But I think this arrangement, um, thank

0:31:36.560 --> 0:31:42.240
<v Speaker 1>you Adam and Tim Davis. UM, it's absolutely incredible. And

0:31:42.720 --> 0:31:46.000
<v Speaker 1>I couldn't record this song to save save my life.

0:31:46.560 --> 0:31:50.960
<v Speaker 1>I had an emotional breakdown. I couldn't do it. It

0:31:51.040 --> 0:31:56.880
<v Speaker 1>was so hard and absolutely losing it. And we got

0:31:56.920 --> 0:31:59.440
<v Speaker 1>to the bridge and at the beginning of the end

0:31:59.480 --> 0:32:01.920
<v Speaker 1>for you, I couldn't do it, and like it's okay,

0:32:02.000 --> 0:32:05.040
<v Speaker 1>you know what. Um. It was like a couple of

0:32:05.080 --> 0:32:07.400
<v Speaker 1>simple lines and for some reason I could not get

0:32:07.400 --> 0:32:09.840
<v Speaker 1>it sung. The way they wanted it to be sung,

0:32:10.760 --> 0:32:14.080
<v Speaker 1>and I got yanked, I got pulled out of there,

0:32:14.080 --> 0:32:16.600
<v Speaker 1>and I gets, Okay, we're gonna have somebody else come

0:32:16.680 --> 0:32:18.880
<v Speaker 1>do it. And then you came in to do it,

0:32:19.280 --> 0:32:20.880
<v Speaker 1>and I told you, and then you started texting me.

0:32:20.880 --> 0:32:27.480
<v Speaker 1>You're like, I can't do this. Scenon to have a day. Yeah,

0:32:27.920 --> 0:32:31.600
<v Speaker 1>So they combined both of us in that section because

0:32:31.640 --> 0:32:33.320
<v Speaker 1>neither of us can do the full take, and so

0:32:33.360 --> 0:32:35.320
<v Speaker 1>I think it's like two lines or something. We're like,

0:32:35.600 --> 0:32:37.600
<v Speaker 1>you do the first half and I do the second half,

0:32:37.640 --> 0:32:41.760
<v Speaker 1>or vice versa or whatever. I forgot about that. Um,

0:32:42.200 --> 0:32:45.760
<v Speaker 1>it was a mess. And the actual filming of it.

0:32:46.520 --> 0:32:48.080
<v Speaker 1>People should go listen to this if you have it

0:32:48.120 --> 0:32:51.520
<v Speaker 1>in a while, because unfortunately they cut out Amber's verse

0:32:52.720 --> 0:32:55.240
<v Speaker 1>and Amber again, it is just like a freak of

0:32:55.360 --> 0:32:58.520
<v Speaker 1>nature and sounds incredible. But when we filmed this, do

0:32:58.560 --> 0:33:02.520
<v Speaker 1>you remember that they can't Corey and Danna from knowing

0:33:02.560 --> 0:33:03.760
<v Speaker 1>what we were going to do, so they didn't go

0:33:03.800 --> 0:33:06.600
<v Speaker 1>to rehearsal, they didn't know, they hadn't heard the version.

0:33:07.120 --> 0:33:11.360
<v Speaker 1>They were not allowed to be anywhere near this number

0:33:11.440 --> 0:33:13.840
<v Speaker 1>until we were going to shoot it, that's right. And

0:33:13.880 --> 0:33:16.640
<v Speaker 1>then when they came in. This was the first time

0:33:16.680 --> 0:33:18.400
<v Speaker 1>they had seen it, at least the first time we

0:33:18.480 --> 0:33:20.680
<v Speaker 1>did it for them, and they shot their reaction for

0:33:20.800 --> 0:33:25.800
<v Speaker 1>their Courage coverage. Yeah, and um, I think in Diana's

0:33:25.840 --> 0:33:27.760
<v Speaker 1>BTS she had said that she was going to be

0:33:27.800 --> 0:33:31.920
<v Speaker 1>bawling what she was Um, but that's a really cool

0:33:32.040 --> 0:33:36.360
<v Speaker 1>acting exercise or that was definitely bradfel truck. Yeah, let's

0:33:36.400 --> 0:33:39.840
<v Speaker 1>try it. And um we also had Brittany doing the

0:33:39.920 --> 0:33:42.120
<v Speaker 1>ear again in the number. There were a lot of

0:33:42.120 --> 0:33:45.200
<v Speaker 1>sweet moments and I was watching all these people do

0:33:45.280 --> 0:33:48.880
<v Speaker 1>different things with each other and the interactions and it felt, um,

0:33:48.920 --> 0:33:51.160
<v Speaker 1>you know, like what Paris says. Yeah, it felt like

0:33:51.160 --> 0:33:54.760
<v Speaker 1>one of those real teen loose We're just enjoying each

0:33:54.800 --> 0:33:59.360
<v Speaker 1>other's company. Um. I high five with Naya in it.

0:34:00.240 --> 0:34:04.480
<v Speaker 1>And I watched that and I was not well, not

0:34:04.560 --> 0:34:09.920
<v Speaker 1>well like not well. Um, but the number was really

0:34:10.040 --> 0:34:11.840
<v Speaker 1>really sweet and I remember doing that and that was

0:34:11.880 --> 0:34:13.759
<v Speaker 1>the first time they brought I think I had a

0:34:13.760 --> 0:34:16.520
<v Speaker 1>picture of this they brought out. It was so hot

0:34:16.600 --> 0:34:19.960
<v Speaker 1>on set, I don't know why, and we weren't really dancing.

0:34:20.680 --> 0:34:23.640
<v Speaker 1>It was so hot that the makeup artists had ordered

0:34:23.719 --> 0:34:25.759
<v Speaker 1>for us the musical numbers so that they could keep

0:34:25.800 --> 0:34:28.560
<v Speaker 1>us cool during the musical numbers. Personal fans, so we

0:34:28.600 --> 0:34:31.000
<v Speaker 1>had those like mini fans. Yeah. I think this was

0:34:31.040 --> 0:34:32.360
<v Speaker 1>one of the first ones, and those were like the

0:34:32.400 --> 0:34:35.799
<v Speaker 1>plastic ones. It wasn't until like next season that you

0:34:35.880 --> 0:34:40.560
<v Speaker 1>we got those like high powered fans that really worked well.

0:34:40.600 --> 0:34:45.200
<v Speaker 1>It was like a Beyonce fan. Um. Anyway, So that's

0:34:46.239 --> 0:34:50.920
<v Speaker 1>that was pretty much the episode. Blade, the romances, the crushes,

0:34:51.440 --> 0:34:54.160
<v Speaker 1>and a whole lot of baby gate. Yeah. I think

0:34:54.239 --> 0:34:56.160
<v Speaker 1>the biggest, the most important thing that came out of

0:34:56.160 --> 0:35:00.680
<v Speaker 1>this is baby gate. Ye. Parents, parents not out, that's right,

0:35:00.760 --> 0:35:12.799
<v Speaker 1>secrets out? Should we do some party takes? Party takes

0:35:13.880 --> 0:35:18.920
<v Speaker 1>do do do? Um? Okay, so cringe moments a k

0:35:19.200 --> 0:35:25.520
<v Speaker 1>A cheese Paris Barclay. Um. I have to say. One

0:35:25.560 --> 0:35:30.000
<v Speaker 1>of the things was you're having my baby and I'll

0:35:30.000 --> 0:35:35.480
<v Speaker 1>stand by you, and um crush and endless love. Yeah,

0:35:36.160 --> 0:35:38.439
<v Speaker 1>I think that just about covers it. I think those

0:35:38.480 --> 0:35:43.520
<v Speaker 1>two storylines are really really difficult. I agree and like

0:35:43.760 --> 0:35:48.640
<v Speaker 1>have a teacher, but again like not so far from

0:35:48.760 --> 0:35:53.960
<v Speaker 1>the truth. I don't know. Um. Worst dance move I

0:35:54.000 --> 0:35:57.520
<v Speaker 1>gotta say, will standing on the piano and jumping during

0:35:57.520 --> 0:36:04.839
<v Speaker 1>that matchup was a little off. Um, So the best

0:36:04.880 --> 0:36:07.920
<v Speaker 1>song I think was your vocals on lean On Me,

0:36:08.760 --> 0:36:11.400
<v Speaker 1>and this is I picked that before I knew the

0:36:11.480 --> 0:36:13.960
<v Speaker 1>story that I had to pick up the pieces. Yeah,

0:36:14.160 --> 0:36:18.239
<v Speaker 1>I literally had to pick up That's really funny. I

0:36:18.280 --> 0:36:21.440
<v Speaker 1>don't remember. There's the thing that I've always noticed the

0:36:21.480 --> 0:36:26.320
<v Speaker 1>times that I've had the biggest challenge or I've struggled

0:36:26.320 --> 0:36:28.480
<v Speaker 1>the most recording a song, like when they have to

0:36:28.520 --> 0:36:30.400
<v Speaker 1>fix me the most, is when I like my vocal

0:36:30.480 --> 0:36:34.239
<v Speaker 1>the most. I like how I because my voice automatically

0:36:34.280 --> 0:36:37.640
<v Speaker 1>sort of sounds like it has melodine and auto tune

0:36:37.960 --> 0:36:39.600
<v Speaker 1>on it, not because I'm on pitch, but it is

0:36:39.600 --> 0:36:42.560
<v Speaker 1>something about like a technically speaking that nobody cares about.

0:36:42.719 --> 0:36:47.279
<v Speaker 1>There's like a sound quality, like a sonic quality, and

0:36:47.320 --> 0:36:50.880
<v Speaker 1>so when my voice is overly fixed, it doesn't sound

0:36:50.960 --> 0:36:54.760
<v Speaker 1>that different. And so like lean on Me is fixed

0:36:54.880 --> 0:36:57.759
<v Speaker 1>because they had to because I was not crushing it

0:36:57.880 --> 0:37:00.359
<v Speaker 1>that day. And it's one of those things where when

0:37:00.400 --> 0:37:03.920
<v Speaker 1>you have a song, um where there's a lot of

0:37:03.960 --> 0:37:06.080
<v Speaker 1>us on it, we can go record it in thirty

0:37:06.080 --> 0:37:08.040
<v Speaker 1>minutes and it's fine in and out. That was a

0:37:08.120 --> 0:37:11.160
<v Speaker 1>really challenging song that I probably did not have time

0:37:11.200 --> 0:37:14.680
<v Speaker 1>to properly warm up for or learn totally and how

0:37:14.760 --> 0:37:17.439
<v Speaker 1>to go in there. And just like, it's also hard

0:37:17.480 --> 0:37:21.120
<v Speaker 1>to not try to duplicate the people that you are

0:37:21.239 --> 0:37:24.640
<v Speaker 1>like hearing your guide, because they do sound so good

0:37:24.880 --> 0:37:27.840
<v Speaker 1>that you're like, I'm I'm always doing that with like artists.

0:37:27.920 --> 0:37:30.319
<v Speaker 1>I like, I'm trying to like get there, you know,

0:37:31.200 --> 0:37:34.480
<v Speaker 1>um replicate the um. But I agree, I think lenam

0:37:34.480 --> 0:37:37.439
<v Speaker 1>means the best song. Obviously I listened to that version

0:37:37.440 --> 0:37:39.839
<v Speaker 1>of all the time. Obviously you do when you listen

0:37:39.920 --> 0:37:43.040
<v Speaker 1>to this one, Okay, and then by a prop I

0:37:43.040 --> 0:37:51.399
<v Speaker 1>think the pepper absolutely, the pepper in the jar. Yeah, um,

0:37:51.440 --> 0:37:53.759
<v Speaker 1>there's something that the things that age well and didn't

0:37:53.760 --> 0:37:55.279
<v Speaker 1>age well. There's one thing that didn't age well for

0:37:55.320 --> 0:37:58.719
<v Speaker 1>me was um, when Quinn's mom says, maybe you haven't

0:37:58.719 --> 0:38:01.760
<v Speaker 1>been exercising you. Yeah, when she's has the chastiny dress,

0:38:01.800 --> 0:38:07.040
<v Speaker 1>I was like, oh god, no, not the thing. It's

0:38:07.080 --> 0:38:12.120
<v Speaker 1>also very informative of their relationship. Yeah, yeah, the parents

0:38:12.239 --> 0:38:18.520
<v Speaker 1>and yeah, not the best but best line Kevin. Um.

0:38:18.520 --> 0:38:21.600
<v Speaker 1>I for me, I think I'm gonna go with Finn

0:38:21.680 --> 0:38:24.360
<v Speaker 1>in the bathroom. I gotta go. They don't think I'm

0:38:24.360 --> 0:38:27.520
<v Speaker 1>taking a poop. I think I'm booping. Um, I think

0:38:27.560 --> 0:38:31.160
<v Speaker 1>second runner up is I think the ducks in the

0:38:31.200 --> 0:38:34.960
<v Speaker 1>hat is so good. I also like your line though,

0:38:35.000 --> 0:38:36.960
<v Speaker 1>all the would you say all the baby dramas making

0:38:37.000 --> 0:38:40.880
<v Speaker 1>my rosatia act up is very good. Um, it's funny

0:38:40.880 --> 0:38:43.520
<v Speaker 1>because I should have said excella because I have excellent

0:38:43.600 --> 0:38:47.680
<v Speaker 1>and so Emma has exma now really excellent. Yeah, look

0:38:47.680 --> 0:38:52.080
<v Speaker 1>at those genes at work, I know. Gosh well, anyway,

0:38:53.080 --> 0:38:58.960
<v Speaker 1>art imitating life, art, life imitating art. Yes, okay, So

0:38:59.000 --> 0:39:02.800
<v Speaker 1>should we found on TikTok this week there's a mistake

0:39:04.560 --> 0:39:08.160
<v Speaker 1>that was caught from later on. It's during the you

0:39:08.200 --> 0:39:14.279
<v Speaker 1>know STD episode and yes, that's right, and it's during

0:39:14.320 --> 0:39:17.239
<v Speaker 1>the scene where I'm telling the boys that I have

0:39:17.480 --> 0:39:24.440
<v Speaker 1>the STDs. Um, so on TikTok um millens be in.

0:39:25.600 --> 0:39:29.800
<v Speaker 1>I'm sure I'm mispronouncing this. And Kirsten posted this because

0:39:29.840 --> 0:39:36.600
<v Speaker 1>in the background, um, we we referenced that everyone we're

0:39:36.640 --> 0:39:41.120
<v Speaker 1>watching ar lists and if you actually look at what's

0:39:41.160 --> 0:39:46.480
<v Speaker 1>on the TV, it's real Glee credits. Oh yes, so

0:39:46.520 --> 0:39:49.239
<v Speaker 1>I feel like it's a little Easter egg that was

0:39:49.280 --> 0:39:52.919
<v Speaker 1>put in there because it's you see, like PJ bloom

0:39:52.920 --> 0:39:56.360
<v Speaker 1>on the actual Yeah, so if you watch the scene

0:39:56.360 --> 0:39:58.319
<v Speaker 1>they cut two in the TV in the background, if

0:39:58.320 --> 0:40:02.520
<v Speaker 1>you pose it, it's fully just credits. It's because they

0:40:02.520 --> 0:40:04.520
<v Speaker 1>didn't have to get the rights to it exactly easy

0:40:04.640 --> 0:40:07.040
<v Speaker 1>like just actually put it on the TV, queue it up,

0:40:07.560 --> 0:40:10.399
<v Speaker 1>and so anytime we show it it's absolutely fine, which

0:40:10.440 --> 0:40:14.040
<v Speaker 1>I love. You know, shout out to the actual people

0:40:14.120 --> 0:40:18.839
<v Speaker 1>making the show and not are less. I know Vicky,

0:40:18.880 --> 0:40:20.799
<v Speaker 1>a producer, is a big Artless fan, so she might

0:40:20.800 --> 0:40:23.839
<v Speaker 1>have been disappointed that wasn't the real credits. But you know,

0:40:23.880 --> 0:40:29.239
<v Speaker 1>like you said, it's free, free nine night. That's a

0:40:29.280 --> 0:40:32.960
<v Speaker 1>great um. I hope. I'm I'm still really enjoying these

0:40:32.960 --> 0:40:36.160
<v Speaker 1>TikTok's great because they're not gonna stop, so keep sending

0:40:36.200 --> 0:40:39.040
<v Speaker 1>him in, please keep tagging us um. I also want

0:40:39.040 --> 0:40:41.279
<v Speaker 1>to just shout out Kirby again. She's the one who

0:40:41.320 --> 0:40:46.200
<v Speaker 1>posted the TikTok of the Riverdale cast watching Shoe breakdancing.

0:40:46.800 --> 0:40:49.640
<v Speaker 1>But then she, to get extra meta, posted a reaction

0:40:50.440 --> 0:40:55.000
<v Speaker 1>to the podcast talking about her video, which is also great.

0:40:55.280 --> 0:40:58.120
<v Speaker 1>So thanks for doing that. It's hilarious and feel free

0:40:58.120 --> 0:41:00.719
<v Speaker 1>to post more reaction videos everyone, because we're going to

0:41:00.800 --> 0:41:02.960
<v Speaker 1>find your videos and we're going to talk about them.

0:41:02.960 --> 0:41:07.719
<v Speaker 1>To be prepared next week is haierography. There's so much

0:41:07.920 --> 0:41:13.359
<v Speaker 1>to talk about. Yes, sure, yeah, yeah, um. I love

0:41:13.440 --> 0:41:16.880
<v Speaker 1>this episode, so join us next week. Thanks for hanging

0:41:16.960 --> 0:41:20.840
<v Speaker 1>with us again, and uh, that's it for now. And

0:41:20.880 --> 0:41:24.400
<v Speaker 1>that's what you really missed. See you. Thanks for listening,

0:41:24.680 --> 0:41:27.239
<v Speaker 1>and follow us on Instagram at and that's what you

0:41:27.280 --> 0:41:29.520
<v Speaker 1>really miss pod. Make sure to write us a review

0:41:29.600 --> 0:41:31.719
<v Speaker 1>and leave us five stars. See you next time.