1 00:00:01,760 --> 00:00:05,160 Speaker 1: And that's what you really missed with Jenna and Kevin 2 00:00:05,519 --> 00:00:11,720 Speaker 1: and I Heart Radio podcast Welcome Too, and that's what 3 00:00:11,720 --> 00:00:15,280 Speaker 1: you really missed. I Am Tina and I Am Already 4 00:00:16,079 --> 00:00:23,799 Speaker 1: And this week is Ballad Ballad. It originally aired November 5 00:00:24,360 --> 00:00:27,640 Speaker 1: two nine. The number one song in the country is 6 00:00:27,880 --> 00:00:33,000 Speaker 1: what You Say by Jason Droulleau. Last episode it was 7 00:00:33,159 --> 00:00:37,120 Speaker 1: um Down by Jason, So it's gotten de throned, throned. 8 00:00:38,320 --> 00:00:42,160 Speaker 1: And the number one movie what was it to? Two twelve? 9 00:00:42,600 --> 00:00:47,960 Speaker 1: What a time? What a time? Um, there's a couple 10 00:00:47,960 --> 00:00:52,839 Speaker 1: of things that happened for the Glee FAMI this week. UM. 11 00:00:52,840 --> 00:00:56,320 Speaker 1: P J. Bloom, the music supervisor, won the Outstanding Musical 12 00:00:56,320 --> 00:01:00,840 Speaker 1: Supervision Award. And do you remember this, Jenna going to 13 00:01:00,960 --> 00:01:07,120 Speaker 1: the Diversity Wards. I remember that. We want yeah, and 14 00:01:07,160 --> 00:01:10,800 Speaker 1: it was one of our first awardship bonding experience to 15 00:01:10,840 --> 00:01:15,200 Speaker 1: say the least. Yeah, it was interesting. Um. We went 16 00:01:15,240 --> 00:01:18,400 Speaker 1: to the seventeenth Annual Diversity Awards held at the Beverly 17 00:01:18,440 --> 00:01:21,280 Speaker 1: Hills Hotel and it was definitely like one of our 18 00:01:21,319 --> 00:01:28,119 Speaker 1: first events altogether, and it was hilarious, just a little underproducer, Yeah, 19 00:01:28,280 --> 00:01:33,480 Speaker 1: and we it was us and Ryan and we you know, 20 00:01:33,560 --> 00:01:36,399 Speaker 1: and also we had been busy working and it was 21 00:01:36,520 --> 00:01:40,240 Speaker 1: nice that we all got to get back together outside 22 00:01:40,240 --> 00:01:43,679 Speaker 1: of work. Now the show was airing and we're getting 23 00:01:43,680 --> 00:01:46,720 Speaker 1: to meet people, and I remember the cast of Heroes 24 00:01:46,840 --> 00:01:48,600 Speaker 1: was there at the time, and I was very starstruck 25 00:01:48,680 --> 00:01:53,880 Speaker 1: and very happy. Me too, good memory. I remember them. 26 00:01:54,200 --> 00:01:57,680 Speaker 1: Also shout out to History of Glee on Twitter because 27 00:01:58,440 --> 00:02:03,040 Speaker 1: they given every day it's like on this day in history. 28 00:02:03,080 --> 00:02:07,240 Speaker 1: It's phenomenal. And I also would like to say that 29 00:02:07,640 --> 00:02:13,360 Speaker 1: my girl Alexa on Twitter makes these incredible for picture 30 00:02:14,320 --> 00:02:18,200 Speaker 1: summaries of every single episode we do on here. I 31 00:02:18,240 --> 00:02:22,200 Speaker 1: love those and so look for those. I retweet them 32 00:02:22,200 --> 00:02:25,480 Speaker 1: every week. Um, They're incredible. Thank you. She wants to 33 00:02:25,480 --> 00:02:27,240 Speaker 1: be on the pr pay roll. I'll see what I 34 00:02:27,280 --> 00:02:32,320 Speaker 1: can do. We're working on it, working on it all right. 35 00:02:32,760 --> 00:02:36,079 Speaker 1: So this episode is balid and it's directed by Brad Falchuk, 36 00:02:36,160 --> 00:02:38,880 Speaker 1: which I was watching it last night and I was like, 37 00:02:38,919 --> 00:02:42,680 Speaker 1: who directed this? But I also feel like we weren't 38 00:02:42,680 --> 00:02:46,080 Speaker 1: in a ton of it, So we were not we 39 00:02:46,080 --> 00:02:48,600 Speaker 1: weren't in a ton of it. I had a line 40 00:02:50,160 --> 00:02:53,160 Speaker 1: and then a song. I think I did too. Yeah, 41 00:02:53,360 --> 00:02:57,640 Speaker 1: this is the beginning, Kevin of us being very expensive extras. Yes, 42 00:02:58,160 --> 00:03:00,720 Speaker 1: I mean we've been expensive extras. Yeah, I mean we 43 00:03:00,800 --> 00:03:03,840 Speaker 1: did have our big last episode last episode, so to 44 00:03:03,919 --> 00:03:06,160 Speaker 1: be fair, it was not our turn anymore, and we 45 00:03:06,200 --> 00:03:11,840 Speaker 1: have nothing to do with Baby Gates. So the there 46 00:03:11,919 --> 00:03:13,720 Speaker 1: was one thing. Did you notice there's no Sue Sylvester 47 00:03:13,800 --> 00:03:17,000 Speaker 1: in this episode at all? Jane had a free week. 48 00:03:17,080 --> 00:03:19,880 Speaker 1: What was missing. There was a lot of music, and 49 00:03:19,919 --> 00:03:25,160 Speaker 1: there were um, some great guest stars. Um, yes, the 50 00:03:25,240 --> 00:03:29,640 Speaker 1: guest stars. So a brief episode summary just before we 51 00:03:29,639 --> 00:03:31,960 Speaker 1: get into it. Um, So we'll split up the glee 52 00:03:31,960 --> 00:03:36,440 Speaker 1: club into pairs to sing ballads. But when Matt Rutherford 53 00:03:37,160 --> 00:03:41,520 Speaker 1: gets sick, Will is forced to step in, and uh 54 00:03:41,680 --> 00:03:44,440 Speaker 1: he winds up in a very sticky situation with Rachel 55 00:03:44,640 --> 00:03:47,520 Speaker 1: or a spicy situation if you will. Um. And then 56 00:03:47,600 --> 00:03:50,440 Speaker 1: we also have the continuation of Baby Gates. So that's 57 00:03:50,640 --> 00:03:53,480 Speaker 1: the That's just an overview of what we're about to 58 00:03:53,480 --> 00:03:56,920 Speaker 1: get into. A lot of uncomfortableness. This episode makes me 59 00:03:57,000 --> 00:04:01,680 Speaker 1: feel queasy. Yeah, it's just I feel like most of 60 00:04:01,680 --> 00:04:03,880 Speaker 1: this episode is awkward, which I think is great television, 61 00:04:03,880 --> 00:04:06,640 Speaker 1: but it hurts me to watch. No, it is, it's 62 00:04:06,760 --> 00:04:12,280 Speaker 1: really awkward. So so Mr Shoe tells the glee Club 63 00:04:12,720 --> 00:04:17,400 Speaker 1: that the Sectionals conveniently has a new rule where every 64 00:04:17,600 --> 00:04:22,440 Speaker 1: team has to sing a ballad. Mm hmmm. And and 65 00:04:23,640 --> 00:04:27,600 Speaker 1: when Matt Rutherford obviously is out with with with the 66 00:04:27,600 --> 00:04:31,840 Speaker 1: flu um right, no, no, no, oh, no, you know 67 00:04:31,839 --> 00:04:36,880 Speaker 1: what I'm thinking of the bird flu yet No, it's 68 00:04:37,240 --> 00:04:42,120 Speaker 1: also Naya says this line the spider in the air, 69 00:04:42,520 --> 00:04:45,200 Speaker 1: and she's she like her like laugh in the middle 70 00:04:45,240 --> 00:04:48,719 Speaker 1: of it was very very real, honest, yeah, because it 71 00:04:48,800 --> 00:04:52,240 Speaker 1: was like, what like, obviously this is a device just 72 00:04:52,360 --> 00:04:56,000 Speaker 1: to be able to have an even number of Glee 73 00:04:56,040 --> 00:05:00,760 Speaker 1: Club plus teacher, so that Rachel has to be paired 74 00:05:00,839 --> 00:05:04,400 Speaker 1: up with Will, which you know, starts the whole plot 75 00:05:04,440 --> 00:05:08,560 Speaker 1: point of Rachel having an uncomfortable and inappropriate crush on 76 00:05:08,839 --> 00:05:13,960 Speaker 1: Mr Shoe. Um ny. It's reminiscent of Susie Pepper, who, 77 00:05:14,000 --> 00:05:18,000 Speaker 1: by the way, Sarah drew amazing guest star, very funny. 78 00:05:18,200 --> 00:05:21,320 Speaker 1: I thought she was the most excellent guest stars we had. 79 00:05:21,680 --> 00:05:24,680 Speaker 1: She really set the tone for the episode, and this 80 00:05:24,720 --> 00:05:27,160 Speaker 1: was even before she was on Gray's. So like, it's 81 00:05:27,160 --> 00:05:29,200 Speaker 1: so impressive, you know, for somebody to come in where 82 00:05:29,240 --> 00:05:31,560 Speaker 1: the show has not aired yet and she's coming in 83 00:05:31,800 --> 00:05:35,720 Speaker 1: sort of blind and just crushes it. Absolutely incredible. She 84 00:05:35,880 --> 00:05:37,760 Speaker 1: got it. But you know, you don't end up on 85 00:05:37,800 --> 00:05:41,840 Speaker 1: Gray's Anatomy if you're not great and like that those storylines, 86 00:05:41,960 --> 00:05:46,599 Speaker 1: is April, I mean, I'm a fan. Um so Mr. 87 00:05:46,640 --> 00:05:50,520 Speaker 1: She explains what a ballot is and Brittany thinks it's 88 00:05:50,560 --> 00:05:54,880 Speaker 1: a mail duck. But one of the best lines it 89 00:05:55,040 --> 00:05:56,680 Speaker 1: is it's actually goes down in history is one of 90 00:05:56,720 --> 00:05:59,840 Speaker 1: my favorite lines. Um. And Kevin, do you remember that 91 00:06:00,200 --> 00:06:03,679 Speaker 1: in the BTS you say that every song is driving 92 00:06:03,680 --> 00:06:06,320 Speaker 1: the storyline. Everybody's emotions are coming through the songs, which 93 00:06:06,480 --> 00:06:09,040 Speaker 1: makes it so much more heartfelt than when you're watching it. 94 00:06:09,800 --> 00:06:12,719 Speaker 1: That sounds nice. It does sound really nice. We're in 95 00:06:12,760 --> 00:06:15,240 Speaker 1: a really good mood. I was, But I do agree, 96 00:06:15,279 --> 00:06:18,800 Speaker 1: And I do think that's when Glee was best where 97 00:06:19,120 --> 00:06:21,240 Speaker 1: when we used because it wasn't all the time, but 98 00:06:21,480 --> 00:06:24,240 Speaker 1: we tried to, especially in the beginning, to use the storylines. 99 00:06:24,839 --> 00:06:28,320 Speaker 1: Are the the music as part of the storyline to 100 00:06:28,400 --> 00:06:34,440 Speaker 1: move the storyline, UM further, But I and this one 101 00:06:34,520 --> 00:06:38,159 Speaker 1: especially because the whole you know, thesis of what the 102 00:06:38,400 --> 00:06:41,159 Speaker 1: ballot is supposed to be. Um, that's also sort of 103 00:06:41,200 --> 00:06:44,000 Speaker 1: the thesis of what the music is in the show itself, 104 00:06:44,680 --> 00:06:47,520 Speaker 1: where the music is used to be able to say 105 00:06:47,560 --> 00:06:50,719 Speaker 1: things that we can't say, um, or more effectively that 106 00:06:50,760 --> 00:06:55,360 Speaker 1: we can say through song than through actually just talking. Um. 107 00:06:55,640 --> 00:06:58,120 Speaker 1: I bet the ducks in the heats. Oh my god, 108 00:06:58,200 --> 00:07:00,479 Speaker 1: the second part of the best line that the duck 109 00:07:00,560 --> 00:07:03,000 Speaker 1: is in that. Um, and so we pick out the 110 00:07:03,040 --> 00:07:05,840 Speaker 1: glue members pick out their pair out of a hat 111 00:07:06,160 --> 00:07:11,600 Speaker 1: reminiscent of SmackDown, and Tina picks the other Asian, which 112 00:07:11,680 --> 00:07:16,760 Speaker 1: is slightly appropriate. Um, Mercedes in Puck get matched up, 113 00:07:16,880 --> 00:07:21,840 Speaker 1: Artie and Quinn, Uh, Finn and Puck and Santana and Brittany. 114 00:07:21,920 --> 00:07:28,600 Speaker 1: Obviously as I noticed that. Look Diana when pigs Quinn 115 00:07:29,480 --> 00:07:33,720 Speaker 1: little does she know? You guys will have a blooming storyline. 116 00:07:34,920 --> 00:07:38,200 Speaker 1: Um so Matt, yeah, yeah, so we we kind of 117 00:07:38,200 --> 00:07:41,880 Speaker 1: covered them that Rutherford is now. Part of the plot 118 00:07:41,960 --> 00:07:45,960 Speaker 1: is that he's gone this episode. Yes, Um, we get 119 00:07:46,000 --> 00:07:49,840 Speaker 1: into the ballad with Mr Shoe and Rachel because Mr 120 00:07:49,880 --> 00:07:51,960 Speaker 1: Sho has to step in to be with Rachel. And 121 00:07:52,760 --> 00:07:56,880 Speaker 1: this is my guest, Kevin. This song makes you uncomfortable. 122 00:07:57,600 --> 00:08:00,280 Speaker 1: All of these songs make me uncomfortable, I have to 123 00:08:00,280 --> 00:08:03,480 Speaker 1: say so, not because they're bad. I had to fast 124 00:08:03,480 --> 00:08:07,640 Speaker 1: forward through a couple of these music. What that uncomfortable? 125 00:08:07,680 --> 00:08:11,640 Speaker 1: You don't like uncomfortable humor? Um, I appreciate it, like 126 00:08:11,720 --> 00:08:14,480 Speaker 1: the Comeback with Lisa Kudro, I think is the best 127 00:08:14,520 --> 00:08:17,400 Speaker 1: show ever, but I had to watch it in like 128 00:08:17,480 --> 00:08:20,920 Speaker 1: five minute increments because it made me so uncomfortable. Fair enough, 129 00:08:21,000 --> 00:08:26,120 Speaker 1: fair enough, UM. So this is endless love and this 130 00:08:26,240 --> 00:08:31,920 Speaker 1: number for me. I really enjoyed this number, UM because 131 00:08:31,960 --> 00:08:34,520 Speaker 1: I like the uncomfortability of it, Like, I think it's funny. 132 00:08:34,679 --> 00:08:38,320 Speaker 1: I think, um, the performances were very good. And this 133 00:08:38,360 --> 00:08:40,600 Speaker 1: is when Rachel realizes that she has a crush on XR. 134 00:08:40,679 --> 00:08:45,840 Speaker 1: Shoe and it is really weird. It's so weird. I 135 00:08:45,880 --> 00:08:50,520 Speaker 1: really like the weirdness. Um. And then we have we 136 00:08:50,640 --> 00:08:56,360 Speaker 1: have Kurt's kind of monologue over over this. The crushes 137 00:08:56,400 --> 00:08:59,680 Speaker 1: are happening this episode. It's yes, all the crushes. Rachel's 138 00:08:59,720 --> 00:09:07,640 Speaker 1: like hot hot teacher, Kurt's totally um excited about Finn, 139 00:09:07,920 --> 00:09:11,720 Speaker 1: and Finn's not stoked about it. He's uncomfortable. He's uncomfortable. 140 00:09:13,120 --> 00:09:16,000 Speaker 1: Rachel says, I never noticed this before because he's always 141 00:09:16,000 --> 00:09:18,280 Speaker 1: trying to destroy my career. But Mr. Sho has really 142 00:09:19,160 --> 00:09:24,360 Speaker 1: I hate it. Oh um. And then we go into 143 00:09:24,600 --> 00:09:29,199 Speaker 1: the Susie Pepper of it all, where Will's confiding and 144 00:09:29,280 --> 00:09:31,600 Speaker 1: Emma like, I don't know how to do this. What 145 00:09:31,640 --> 00:09:34,199 Speaker 1: do we do? And then Sarah Drew comes on playing 146 00:09:34,240 --> 00:09:38,040 Speaker 1: Susie Pepper and regales us with the tale of how 147 00:09:38,080 --> 00:09:41,840 Speaker 1: she was obsessed with him. Would call in the middle 148 00:09:41,840 --> 00:09:46,400 Speaker 1: of the night, which is so good this flashback, and 149 00:09:46,440 --> 00:09:48,800 Speaker 1: then Terry picks up the phone. It was listening, little psycho, 150 00:09:48,880 --> 00:09:50,319 Speaker 1: this is what his wife. And if I don't get 151 00:09:50,400 --> 00:09:52,440 Speaker 1: enough sleep and my end of the presence won't work, 152 00:09:52,679 --> 00:09:58,080 Speaker 1: and then I'll go crazy and I'll kill you. She's 153 00:09:58,120 --> 00:10:00,440 Speaker 1: got one. She's got like two scenes in the They're 154 00:10:00,480 --> 00:10:07,360 Speaker 1: incredible every time. Oh my gosh. So then Mr Shoe 155 00:10:07,640 --> 00:10:10,560 Speaker 1: has to set Susie Pepper straight in this flashback, and 156 00:10:10,640 --> 00:10:13,480 Speaker 1: so she decaid she's gonna eat that pepper in the world. 157 00:10:13,600 --> 00:10:16,920 Speaker 1: She goes into a coma for for days, and that's 158 00:10:17,000 --> 00:10:20,680 Speaker 1: when we destroys herself. Back to destroys her, Sophic isn't 159 00:10:20,679 --> 00:10:23,760 Speaker 1: cut back to Will telling Emma that's why he can't 160 00:10:23,760 --> 00:10:29,880 Speaker 1: break the news to Rachel. So because girls can't handle it. Yeah, 161 00:10:30,040 --> 00:10:35,280 Speaker 1: which we're not we're weak right week, We're week we 162 00:10:35,360 --> 00:10:39,400 Speaker 1: can't handle things only child birth. Um, so We'll has 163 00:10:39,440 --> 00:10:42,040 Speaker 1: this idea. He brings Emma in to sing a song 164 00:10:42,120 --> 00:10:45,800 Speaker 1: to Rachel. This is the one where it makes me 165 00:10:45,880 --> 00:10:50,160 Speaker 1: very uncomfortable. But I do love don't stand so close 166 00:10:50,200 --> 00:10:53,600 Speaker 1: to me and young girls like I love those songs. 167 00:10:54,400 --> 00:10:56,680 Speaker 1: This mashup is incredible. Some of the masters who do 168 00:10:56,679 --> 00:10:59,600 Speaker 1: in the show that don't mash well, this one does. 169 00:10:59,679 --> 00:11:03,679 Speaker 1: This one absolutely does. Um again had a fast forward. 170 00:11:06,280 --> 00:11:10,600 Speaker 1: I thought, um Leah was incredible in this episode, and 171 00:11:11,640 --> 00:11:16,319 Speaker 1: yes I did feel her reaction to like Wise Mispiel's 172 00:11:16,400 --> 00:11:22,679 Speaker 1: very here. But then also Jayma and Leah clapping at 173 00:11:22,800 --> 00:11:26,040 Speaker 1: Mr Shoe at the end, it's it's very funny. I 174 00:11:26,040 --> 00:11:28,960 Speaker 1: mean he went full out. He's doing a full, full 175 00:11:29,040 --> 00:11:31,720 Speaker 1: number for the two of them around the piano again, 176 00:11:32,200 --> 00:11:33,640 Speaker 1: back around the piano, which I feel like, if you're 177 00:11:33,640 --> 00:11:35,480 Speaker 1: a student, you're like, well, this teacher is giving me 178 00:11:35,520 --> 00:11:43,160 Speaker 1: a right now. He's not marking this percent really um 179 00:11:43,360 --> 00:11:45,240 Speaker 1: And And the intention was that Will is going to 180 00:11:45,320 --> 00:11:48,520 Speaker 1: have her listen to the song lyrics, but that didn't work. Backfire, 181 00:11:50,360 --> 00:11:52,320 Speaker 1: she gets the you know she loves the song and 182 00:11:52,440 --> 00:11:55,439 Speaker 1: loves that he performed for her. So then we get 183 00:11:55,440 --> 00:11:58,440 Speaker 1: to see crazy Susie and Rachel in the hallway together. 184 00:11:58,720 --> 00:12:03,319 Speaker 1: Jump scare, Susie's back. She's back, She's present day now, Susie. 185 00:12:03,400 --> 00:12:07,280 Speaker 1: Susie's here. Um. And then even creepier, which I actually 186 00:12:07,280 --> 00:12:09,760 Speaker 1: think this is really creepy, is when Rachel hands Mr 187 00:12:09,840 --> 00:12:12,240 Speaker 1: Shoe the beer at home when he gets home to 188 00:12:12,360 --> 00:12:15,080 Speaker 1: his house. It's so good though I thought that it 189 00:12:15,160 --> 00:12:19,120 Speaker 1: turned slightly into a horror movie. And then Terry, Terry 190 00:12:19,160 --> 00:12:21,559 Speaker 1: is like, well, she's a very good cook. She showed 191 00:12:21,640 --> 00:12:24,720 Speaker 1: like a student shows up at your house. You knew 192 00:12:24,720 --> 00:12:27,160 Speaker 1: something was going to happen. There was silence while gets home, 193 00:12:27,200 --> 00:12:29,600 Speaker 1: and then all of a sudden, there's Rachel in his 194 00:12:29,760 --> 00:12:36,040 Speaker 1: home cooking meals. Weird. It's a little inappropriate. I mean 195 00:12:36,040 --> 00:12:40,360 Speaker 1: it's a lot of inappropriate, but it's inappropriate. But Terry 196 00:12:40,840 --> 00:12:43,120 Speaker 1: is like happy that she's there because she's cleaning and cooking. 197 00:12:43,440 --> 00:12:47,520 Speaker 1: She let her in, you know. And then she said 198 00:12:47,760 --> 00:12:50,520 Speaker 1: Terry needs the help because of her baby. And then 199 00:12:50,520 --> 00:12:53,520 Speaker 1: Will tries to find out what's happening with the belly 200 00:12:53,600 --> 00:12:57,080 Speaker 1: and she freaks out and runs away with her postules 201 00:12:57,080 --> 00:13:04,160 Speaker 1: her like bloody postules or whatever pus do. Um. So 202 00:13:04,200 --> 00:13:08,360 Speaker 1: then Mr she takes Rachel I left. How this was 203 00:13:08,360 --> 00:13:11,360 Speaker 1: a shot. I think it's beautifully shot. It is. We 204 00:13:11,400 --> 00:13:12,719 Speaker 1: don't see a lot of We're not in a lot 205 00:13:12,720 --> 00:13:14,800 Speaker 1: of cars in Glee. I mean we are, but not 206 00:13:14,840 --> 00:13:18,520 Speaker 1: a lot of moving cars. And um, just like Rachel 207 00:13:18,600 --> 00:13:20,200 Speaker 1: sitting in the back of the car by the way, 208 00:13:21,679 --> 00:13:24,560 Speaker 1: like a like a like a little little girl sitting 209 00:13:24,559 --> 00:13:27,120 Speaker 1: in the back of the car um and then singing 210 00:13:27,120 --> 00:13:31,679 Speaker 1: a song, which like, it's an interesting way to do 211 00:13:31,720 --> 00:13:34,320 Speaker 1: a song. Ugly. I mean, there are really no rules 212 00:13:34,640 --> 00:13:38,600 Speaker 1: which we've learned, but to not for it to not 213 00:13:38,640 --> 00:13:41,319 Speaker 1: be a dream sequence or or a glee club performance. 214 00:13:41,360 --> 00:13:43,840 Speaker 1: But her just like hitting a cassette in the car 215 00:13:44,600 --> 00:13:47,960 Speaker 1: um it works for her character though it does it 216 00:13:48,000 --> 00:13:50,240 Speaker 1: does work for the character. It's also funny that he 217 00:13:50,280 --> 00:13:53,679 Speaker 1: just cuts her off. I love I do love that. 218 00:13:53,760 --> 00:13:56,480 Speaker 1: I remember hearing that this song was going to be 219 00:13:56,520 --> 00:13:59,440 Speaker 1: in this episode, and I didn't think I was very excited. 220 00:14:00,160 --> 00:14:02,559 Speaker 1: I liked that they were, you know, pulling up some 221 00:14:03,280 --> 00:14:06,240 Speaker 1: pop hits from the past and this is crush, Sorry, 222 00:14:06,679 --> 00:14:09,839 Speaker 1: this is crush. Who's saying crush? Jennifer Page saying crush 223 00:14:10,559 --> 00:14:18,560 Speaker 1: uh smash hit. It was a smash. Yeah. I'm also 224 00:14:18,679 --> 00:14:22,920 Speaker 1: enjoying at this point, we're a good portion into the 225 00:14:22,960 --> 00:14:28,520 Speaker 1: first season and you know, Lea's singing pop songs like 226 00:14:28,560 --> 00:14:32,080 Speaker 1: we're all getting I think used to seeing different genres 227 00:14:32,080 --> 00:14:34,960 Speaker 1: and it was just fun to get to see everyone's 228 00:14:34,960 --> 00:14:37,520 Speaker 1: seeing different genres that they were used to. Yeah, we're 229 00:14:37,960 --> 00:14:42,440 Speaker 1: branching out for sure. Um. I I love the Susie 230 00:14:42,480 --> 00:14:49,120 Speaker 1: and Rachel stuff. Um it's like crazy meeting crazy and 231 00:14:49,280 --> 00:14:51,760 Speaker 1: we're going to see a lot of conversations in the 232 00:14:51,800 --> 00:14:54,840 Speaker 1: show and do I'm just curious why they end up 233 00:14:54,840 --> 00:14:57,680 Speaker 1: in the bathroom all the time. I mean it's I 234 00:14:57,720 --> 00:15:00,560 Speaker 1: think and all high school shows the bathroom as where 235 00:15:00,600 --> 00:15:03,880 Speaker 1: a lot of these secret, more important conversation is the 236 00:15:03,880 --> 00:15:06,600 Speaker 1: place to hide. Hey, it's like a it's a teenage 237 00:15:06,640 --> 00:15:09,040 Speaker 1: place to hide. Also, it's like we sort of we 238 00:15:10,000 --> 00:15:12,320 Speaker 1: didn't talk about at this point Rachel. Rachel has not 239 00:15:12,360 --> 00:15:15,600 Speaker 1: only gone to his home, she's given him a tie 240 00:15:15,720 --> 00:15:19,760 Speaker 1: to where, which sparks this whole thing where I want 241 00:15:19,800 --> 00:15:22,120 Speaker 1: you to think of it every time I think of me, 242 00:15:22,160 --> 00:15:24,640 Speaker 1: every time you wear it, and it's like, oh, this 243 00:15:24,720 --> 00:15:27,600 Speaker 1: is so wrong and creepy. And then Susane is like, 244 00:15:27,760 --> 00:15:31,120 Speaker 1: get it together, girl. But here's the thing, like we've 245 00:15:31,160 --> 00:15:35,240 Speaker 1: all had crushes on teachers before, and we've all acted inappropriately, 246 00:15:36,440 --> 00:15:41,520 Speaker 1: not all of us. Jenna, I wish I had a 247 00:15:41,520 --> 00:15:44,280 Speaker 1: hot teacher. We definitely had some hot teachers, and we 248 00:15:44,280 --> 00:15:47,120 Speaker 1: also had um, some hot women teachers. And I knew, 249 00:15:47,160 --> 00:15:49,320 Speaker 1: like all the guys kind of like we're doing an 250 00:15:49,360 --> 00:15:53,680 Speaker 1: eye over. So I don't think this is super far fetch. 251 00:15:53,760 --> 00:15:58,200 Speaker 1: It's just that how far you're willing to cross that line? Right? 252 00:15:58,760 --> 00:16:02,440 Speaker 1: I'm sure there's a lot of young teachers that, um, 253 00:16:02,480 --> 00:16:04,520 Speaker 1: you know, people had like they were like, okay, my 254 00:16:04,600 --> 00:16:17,000 Speaker 1: kid had this girl definitely has a proct you know. Okay. 255 00:16:17,000 --> 00:16:19,840 Speaker 1: So Susy confronts Rachel in the bathroom and she tells 256 00:16:19,840 --> 00:16:23,120 Speaker 1: her to get that mildly attractive group back. She's like, 257 00:16:23,200 --> 00:16:26,760 Speaker 1: get yourself, you know, smack across the face, find some 258 00:16:26,800 --> 00:16:30,720 Speaker 1: self respect, and get yourself that that semi groove back. 259 00:16:31,280 --> 00:16:35,680 Speaker 1: So Rachel, Um, Rachel's going to kind of like kick 260 00:16:35,760 --> 00:16:38,160 Speaker 1: it back up again, and um, she brings him a 261 00:16:38,200 --> 00:16:41,360 Speaker 1: flower for for an apology, which is that sorry for 262 00:16:41,440 --> 00:16:51,280 Speaker 1: being crazy, and and then and she's like, I know, yeah, 263 00:16:51,320 --> 00:16:53,600 Speaker 1: He's like, this is inappropriate. They were both kind of 264 00:16:55,000 --> 00:16:58,040 Speaker 1: this conversation was about to happen from both ends, but 265 00:16:58,120 --> 00:17:00,360 Speaker 1: it ended up being a couple in all five at 266 00:17:00,360 --> 00:17:04,159 Speaker 1: the end of the day. Um, so that's the that's 267 00:17:04,280 --> 00:17:07,040 Speaker 1: that's the crush. That's a big part of the episode. 268 00:17:07,040 --> 00:17:09,879 Speaker 1: But that's like the big crush storyline. I also think 269 00:17:09,920 --> 00:17:12,520 Speaker 1: we should like maybe started tally. This is Rachel's third 270 00:17:12,560 --> 00:17:19,199 Speaker 1: crush again though it definitely racks up. But yes, it 271 00:17:19,320 --> 00:17:21,520 Speaker 1: is high school. A good gust of wind will give 272 00:17:21,520 --> 00:17:25,879 Speaker 1: you a different crush. And everybody it's trendy. You know 273 00:17:26,240 --> 00:17:28,520 Speaker 1: who's the trendy guy at that time or the teacher 274 00:17:28,560 --> 00:17:32,920 Speaker 1: whatever our person right um here, and then we're into 275 00:17:33,040 --> 00:17:36,480 Speaker 1: like a big part of Baby Gate. This is a big, 276 00:17:36,680 --> 00:17:41,440 Speaker 1: most serious part of Baby Gates. We meet Quinn's mom 277 00:17:42,520 --> 00:17:47,399 Speaker 1: for the first time. Um, Quinn is getting ready for 278 00:17:47,440 --> 00:17:51,159 Speaker 1: the chastity ball. Quinn's parents played by the incredible Greg 279 00:17:51,160 --> 00:17:56,320 Speaker 1: Henry and Charlotte Ross and Greg Henry. Um is the 280 00:17:56,320 --> 00:18:00,840 Speaker 1: most serious for me from Scandal. After this, that's what 281 00:18:00,960 --> 00:18:06,160 Speaker 1: it is. I was like, I know this man, he's 282 00:18:06,280 --> 00:18:11,320 Speaker 1: so infuriating on the show, so good that he did 283 00:18:11,359 --> 00:18:16,760 Speaker 1: his job. He definitely did his job. Yes, So we 284 00:18:16,840 --> 00:18:20,679 Speaker 1: have Mr and Mrs for Bray and um Quinn decides 285 00:18:20,720 --> 00:18:25,040 Speaker 1: that she's going to have Stan over for dinner and um. 286 00:18:25,040 --> 00:18:27,600 Speaker 1: But going back to the chastity ball, she's trying on 287 00:18:27,640 --> 00:18:30,000 Speaker 1: her dress alone with her mom with the chastity ball, 288 00:18:30,920 --> 00:18:33,879 Speaker 1: and it's getting tighter. This is reminiscent of me with 289 00:18:34,160 --> 00:18:37,040 Speaker 1: RuPaul's drag race putting on my costumes. And it was 290 00:18:37,119 --> 00:18:42,000 Speaker 1: definitely getting tighter. But you were not right and I 291 00:18:42,040 --> 00:18:46,720 Speaker 1: wasn't as far along. Um and and this is where 292 00:18:46,720 --> 00:18:49,160 Speaker 1: we realized that the mom kind of knows, Judy kind 293 00:18:49,160 --> 00:18:53,320 Speaker 1: of knows. But oh, Mr for Bray um invites Finn 294 00:18:53,359 --> 00:18:55,240 Speaker 1: over because he wants to meet in so he has 295 00:18:55,320 --> 00:19:00,320 Speaker 1: him up for dinner, um and and then and you 296 00:19:00,359 --> 00:19:05,280 Speaker 1: also their relationship where Mr. Fher Bray comes in and 297 00:19:05,680 --> 00:19:07,560 Speaker 1: you know they're going to go get pour themselves another 298 00:19:07,640 --> 00:19:10,240 Speaker 1: drink and Mrs Bray is like, I don't want to 299 00:19:10,480 --> 00:19:12,479 Speaker 1: think it from me. I'm your wife, and so you 300 00:19:12,560 --> 00:19:17,760 Speaker 1: see the dynamic and it's all stacking up to be 301 00:19:17,840 --> 00:19:20,639 Speaker 1: a little difficult if she's going to be a teen mother, 302 00:19:21,960 --> 00:19:26,159 Speaker 1: right right, right right, So then we pop over to 303 00:19:28,240 --> 00:19:31,480 Speaker 1: Kurt and Finn who are paired together for the ballade, 304 00:19:32,000 --> 00:19:36,400 Speaker 1: and they're practicing in the auditorium and Finn is um stressed. 305 00:19:36,480 --> 00:19:38,639 Speaker 1: So Kurt, this is where we see the beginnings of 306 00:19:38,720 --> 00:19:40,919 Speaker 1: Kurt and Finn. Yeah, and we're going to start to 307 00:19:40,920 --> 00:19:44,679 Speaker 1: see the dynamic of you know, them becoming family and 308 00:19:44,760 --> 00:19:48,159 Speaker 1: also Kurt having a crush on Fin and all the things. 309 00:19:48,240 --> 00:19:51,359 Speaker 1: But he is stressed, Finn stressed over the baby, and 310 00:19:51,440 --> 00:19:53,800 Speaker 1: so Kurt is going to guide him and have him 311 00:19:53,800 --> 00:19:55,919 Speaker 1: saying I'll stand by you. With his motive, you have 312 00:19:56,040 --> 00:20:01,320 Speaker 1: to pass forward this I did. I okay, I can't 313 00:20:02,760 --> 00:20:07,720 Speaker 1: watch Corey sing I'll stand by you. It's I not 314 00:20:07,840 --> 00:20:12,440 Speaker 1: because it's awkward, it's just too emotional. I got emotional 315 00:20:12,440 --> 00:20:15,640 Speaker 1: as well. Yeah maybe I should have, maybe it would 316 00:20:15,640 --> 00:20:19,840 Speaker 1: have been healthy, but I was not emotionally prepared to 317 00:20:19,840 --> 00:20:22,840 Speaker 1: do it. Um. That's also when I lost it when 318 00:20:22,840 --> 00:20:26,040 Speaker 1: we did the quarterback was during that number. It's just like, 319 00:20:26,160 --> 00:20:30,880 Speaker 1: to me, that was his first mm hmm, big solo 320 00:20:31,600 --> 00:20:34,800 Speaker 1: m hm, and he sounds so good on it and 321 00:20:34,880 --> 00:20:41,560 Speaker 1: the storyline, UM was devastating, and in this episode it's 322 00:20:41,560 --> 00:20:46,240 Speaker 1: really sweet and yeah, I can't, I can't do it. Yeah, 323 00:20:46,560 --> 00:20:49,399 Speaker 1: I mean as crazy as the storyline is getting the 324 00:20:49,400 --> 00:20:52,080 Speaker 1: baby gate like he is the grounding force in all 325 00:20:52,240 --> 00:20:55,040 Speaker 1: the baby gates, I think. And he's just phenomenal in 326 00:20:55,119 --> 00:20:59,639 Speaker 1: this episode. Um, well, I stand my, I'll stand my 327 00:20:59,840 --> 00:21:02,560 Speaker 1: is really great. He does sound really good. He also 328 00:21:02,640 --> 00:21:08,600 Speaker 1: does sing to the Sonic, which is so weird and 329 00:21:08,680 --> 00:21:12,720 Speaker 1: yet somehow it works, like I totally believe it and 330 00:21:12,760 --> 00:21:16,400 Speaker 1: I thought it was weird and cute. Um, but this 331 00:21:16,520 --> 00:21:20,879 Speaker 1: is the obviously the moment where Vin's mom Romi she's 332 00:21:21,440 --> 00:21:25,840 Speaker 1: one of my favorites and he she catches them and 333 00:21:26,080 --> 00:21:28,280 Speaker 1: he's upset and she said, she doesn't even have to 334 00:21:28,880 --> 00:21:31,520 Speaker 1: you know ask, Well she does, but you know she knows. 335 00:21:31,640 --> 00:21:35,720 Speaker 1: I love the relationship. Is Quinn pregnant and the moment 336 00:21:35,800 --> 00:21:39,720 Speaker 1: that Romy cries but doesn't cry when she hugs him 337 00:21:39,960 --> 00:21:47,400 Speaker 1: is heartbreaking. It actually breaks me. It breaks me every time. 338 00:21:47,440 --> 00:21:50,080 Speaker 1: And her in her Canadian text, you know it makes 339 00:21:50,080 --> 00:21:53,960 Speaker 1: sense also knowing Romi in real life, because I feel 340 00:21:53,960 --> 00:21:56,639 Speaker 1: like she is so like her emotions are always just 341 00:21:56,800 --> 00:22:00,880 Speaker 1: right there, like she's happy. She said, she's like she'll 342 00:22:00,880 --> 00:22:04,639 Speaker 1: give you everything. She's not. It's just she's an open book. Yeah, 343 00:22:04,760 --> 00:22:09,200 Speaker 1: and you see why she's such a good actor, I 344 00:22:09,280 --> 00:22:10,960 Speaker 1: feel like, you know, and moments like that, we're like, 345 00:22:10,960 --> 00:22:13,520 Speaker 1: oh god, you're almost crying, and it's worse than if 346 00:22:13,520 --> 00:22:16,359 Speaker 1: you were crying. It's like the teeter of the is 347 00:22:16,400 --> 00:22:19,440 Speaker 1: she or isn't she? That gets you because you're on it, 348 00:22:19,560 --> 00:22:23,399 Speaker 1: the uncertainty. So did you notice, Kevin that a fan 349 00:22:23,560 --> 00:22:26,400 Speaker 1: actually um wrote in and told us that when Kurt 350 00:22:26,520 --> 00:22:29,440 Speaker 1: is playing the piano, they playing the piano. By the way, 351 00:22:29,720 --> 00:22:33,879 Speaker 1: he's wearing a light tan pants. And then when they 352 00:22:33,880 --> 00:22:36,040 Speaker 1: do a close up of his hands, the pants have 353 00:22:36,119 --> 00:22:40,760 Speaker 1: changed because it wasn't Chris's hands, um d and whomever 354 00:22:40,840 --> 00:22:44,159 Speaker 1: was the stand in was wearing jeans. Weird. That's a 355 00:22:44,200 --> 00:22:48,200 Speaker 1: good one. But do you think normally they would have 356 00:22:49,080 --> 00:22:51,679 Speaker 1: put him in pants, the stand in in pants, but 357 00:22:51,720 --> 00:22:55,159 Speaker 1: they must have said on camera. They must have said like, no, 358 00:22:55,200 --> 00:22:58,159 Speaker 1: we're not going to see it, you know, Um, he 359 00:22:58,240 --> 00:23:00,440 Speaker 1: doesn't have to change. So then the next that happens 360 00:23:00,480 --> 00:23:04,480 Speaker 1: is Quinn has piste that Finn has told his mom 361 00:23:04,520 --> 00:23:07,600 Speaker 1: because she doesn't want her parents finding out and is 362 00:23:07,640 --> 00:23:11,680 Speaker 1: worried that Carol is going to wrap her out right, 363 00:23:11,920 --> 00:23:15,280 Speaker 1: which like, my mom is going to tell your mom right? 364 00:23:16,440 --> 00:23:19,320 Speaker 1: Fair enough? And then there's this whole thing with Kurt 365 00:23:20,400 --> 00:23:26,240 Speaker 1: thinking that he's setting Finn up um for the to lose, 366 00:23:26,320 --> 00:23:29,160 Speaker 1: basically because whatever he's going to do is not going 367 00:23:29,200 --> 00:23:31,919 Speaker 1: to work. And then Finn will see how girls are 368 00:23:31,920 --> 00:23:35,879 Speaker 1: stupid and a waste of time, and then right, you know, 369 00:23:35,960 --> 00:23:38,480 Speaker 1: it's it's not through us like a sixteen or fifteen 370 00:23:38,520 --> 00:23:42,199 Speaker 1: year old might have thought this through um. Kurt's voice over, 371 00:23:42,280 --> 00:23:43,600 Speaker 1: by the way, where I don't know why I find 372 00:23:43,640 --> 00:23:45,960 Speaker 1: his stupidity charming. I mean, he's cheating off a girl 373 00:23:45,960 --> 00:23:50,040 Speaker 1: who thinks the square root of four is rainbows. I 374 00:23:50,080 --> 00:23:55,640 Speaker 1: mean it's Kurt's voiceovers really make this episode. I think 375 00:23:55,640 --> 00:23:59,200 Speaker 1: it's next. The next scene is Kurt and Finn picking 376 00:23:59,200 --> 00:24:01,879 Speaker 1: out an outfit in the basement for him to go 377 00:24:01,920 --> 00:24:07,639 Speaker 1: over and meet the parents. And it's really sweet because 378 00:24:07,640 --> 00:24:11,600 Speaker 1: they talk about their parents. I think it's sweet. Yeah, 379 00:24:12,240 --> 00:24:16,360 Speaker 1: God didn't hear that, because that was the thing we'd 380 00:24:16,400 --> 00:24:19,240 Speaker 1: always say, because he likes sweet. Yeah, I think the 381 00:24:19,280 --> 00:24:24,760 Speaker 1: swiling is sweet, but sweet, yes, Um. You hear them 382 00:24:24,800 --> 00:24:29,800 Speaker 1: talking about their single parents together and they have this 383 00:24:29,880 --> 00:24:36,639 Speaker 1: deeper understanding of them keeping keepsakes and meaningful things about um. 384 00:24:36,680 --> 00:24:39,520 Speaker 1: Their other parents are no longer with them, and it's 385 00:24:39,520 --> 00:24:42,160 Speaker 1: a really nice you know, and amongst all this hilarity 386 00:24:42,280 --> 00:24:47,119 Speaker 1: and absurdity again this grounding moment of setting up, like 387 00:24:47,119 --> 00:24:51,719 Speaker 1: you said earlier, for the future of um Bert and Carol. 388 00:24:52,400 --> 00:24:55,879 Speaker 1: Mm hmm. And then kurts like, you know what you 389 00:24:55,920 --> 00:24:58,960 Speaker 1: should do, use your voice when you go over there, 390 00:25:00,520 --> 00:25:04,000 Speaker 1: sing to them, because that's gonna work. See, that's awkward. 391 00:25:04,080 --> 00:25:07,200 Speaker 1: The situation is awkward. That's what makes me uncomfortable. I've 392 00:25:07,240 --> 00:25:12,040 Speaker 1: been dreading this scene for weeks. But here we go. 393 00:25:12,119 --> 00:25:14,520 Speaker 1: I actually went and visited them because they're The house 394 00:25:14,560 --> 00:25:16,840 Speaker 1: that they shot this in was close to where I 395 00:25:16,880 --> 00:25:18,800 Speaker 1: was living, and so I went over and I think 396 00:25:18,800 --> 00:25:21,480 Speaker 1: I visited them on that wasn't a set, that wasn't built. 397 00:25:22,080 --> 00:25:24,399 Speaker 1: It was a real house. I think it was a 398 00:25:24,480 --> 00:25:26,359 Speaker 1: real house. It makes sense. I mean it was big, 399 00:25:26,560 --> 00:25:31,280 Speaker 1: so that makes sense. I'm pretty sure. I don't know. 400 00:25:31,560 --> 00:25:34,520 Speaker 1: I don't Maybe I'm wrong. No, I believe you. Um 401 00:25:35,359 --> 00:25:41,600 Speaker 1: So they go and they make a toe. Mr Ferret 402 00:25:41,680 --> 00:25:44,239 Speaker 1: is going to make a toast, which you know, Mr 403 00:25:44,480 --> 00:25:48,760 Speaker 1: Bres like, oh his toast. She's a little drunk um 404 00:25:48,800 --> 00:25:50,680 Speaker 1: And then fing goes to the bathroom in the middle. 405 00:25:50,760 --> 00:25:52,639 Speaker 1: At the end, of the toast and in the middle 406 00:25:52,640 --> 00:25:54,760 Speaker 1: of the toast, in the middle of the and he 407 00:25:54,800 --> 00:26:00,919 Speaker 1: calls Kurt Finn in the bathroom is one of I 408 00:26:00,920 --> 00:26:06,040 Speaker 1: think collectively our favorite things ever the karate chap. I 409 00:26:06,080 --> 00:26:09,399 Speaker 1: also thought it looks like the ross thing that he 410 00:26:09,560 --> 00:26:14,680 Speaker 1: does in the Bruce Willis episode of Friends. Absolutely. Um, 411 00:26:14,720 --> 00:26:18,359 Speaker 1: but Corey, like doing that to the mirror is just 412 00:26:19,400 --> 00:26:25,600 Speaker 1: iconic in our minds. Um. And then Finn is singing 413 00:26:25,680 --> 00:26:29,040 Speaker 1: You're having my baby, which I hate this song. What 414 00:26:29,200 --> 00:26:31,720 Speaker 1: a crazy song. I know, like Paulinka is a legend, 415 00:26:31,800 --> 00:26:35,879 Speaker 1: but this song is you haven't met Baby. That was 416 00:26:35,880 --> 00:26:38,560 Speaker 1: also something we did for years after was that line 417 00:26:38,680 --> 00:26:43,240 Speaker 1: I hate this song? Yeah, me too, anybody else I remember? Also, 418 00:26:43,280 --> 00:26:45,720 Speaker 1: like there's a BTS moment where that Dana said she 419 00:26:45,800 --> 00:26:47,959 Speaker 1: kept laughing because Corey was singing the song to her 420 00:26:48,640 --> 00:26:50,439 Speaker 1: and Corey would forget his lines as soon as he 421 00:26:50,440 --> 00:26:53,320 Speaker 1: saw Dianna having a hard time not laughing. But how 422 00:26:53,359 --> 00:27:00,560 Speaker 1: could you not is insane and like she's looking horrified 423 00:27:00,640 --> 00:27:03,320 Speaker 1: during it, and the parents at first aren't realizing what's happening, 424 00:27:03,320 --> 00:27:07,199 Speaker 1: and then they very quickly realize it. And then and 425 00:27:07,200 --> 00:27:08,960 Speaker 1: then the line in the bathroom might have to go 426 00:27:09,000 --> 00:27:13,160 Speaker 1: without think I'm pooping. Oh my god, brilliant. This whole 427 00:27:13,200 --> 00:27:18,760 Speaker 1: sequence is so good. It's really awkward. Um. But then 428 00:27:18,800 --> 00:27:20,760 Speaker 1: it gets into the good stuff. Like we're getting into 429 00:27:20,800 --> 00:27:23,040 Speaker 1: the good stuff. Um. Number when we get to see 430 00:27:23,080 --> 00:27:28,520 Speaker 1: we start to see Dan is acting. Um. And this 431 00:27:28,600 --> 00:27:33,520 Speaker 1: is when they the dad is going to tell him 432 00:27:33,560 --> 00:27:35,679 Speaker 1: to leave and then tell her to leave because he 433 00:27:35,760 --> 00:27:38,119 Speaker 1: doesn't know who his daughter is anymore. The scene is 434 00:27:38,160 --> 00:27:44,080 Speaker 1: written so well um and Brad directed this beautifully and 435 00:27:44,480 --> 00:27:48,040 Speaker 1: it's just all around like a really great scene. The 436 00:27:48,040 --> 00:27:55,080 Speaker 1: whole thing of like anymore. He says, who are you? 437 00:27:55,160 --> 00:27:56,959 Speaker 1: I don't recognize you at all. I'm your daughter who 438 00:27:57,040 --> 00:27:58,560 Speaker 1: loves you. I just need my daddy to hold me 439 00:27:58,560 --> 00:28:02,800 Speaker 1: and tell me heartbreaking, and then he just walks off. 440 00:28:03,080 --> 00:28:05,359 Speaker 1: There's that little hope where he walks up and you 441 00:28:05,400 --> 00:28:07,720 Speaker 1: think maybe she's like please, and she's like sort of 442 00:28:07,720 --> 00:28:10,119 Speaker 1: bouncing up and down like desperate, and then he just 443 00:28:10,119 --> 00:28:14,479 Speaker 1: walks away, goodbye, goodbye dad. And then Finn takes her 444 00:28:15,560 --> 00:28:21,800 Speaker 1: to his house to the basement, um, and Carol's doing 445 00:28:21,880 --> 00:28:24,199 Speaker 1: laundry and he comes down with Quentin and says he 446 00:28:24,320 --> 00:28:26,640 Speaker 1: get you know, Quinn got kicked out of her house, 447 00:28:26,680 --> 00:28:29,760 Speaker 1: and of course Carol, sweet sweet Carol says you can 448 00:28:29,760 --> 00:28:31,400 Speaker 1: stay here as long as you need, and that's seen. 449 00:28:31,440 --> 00:28:33,960 Speaker 1: Also it's just quiet and easy. And I think that 450 00:28:34,080 --> 00:28:37,439 Speaker 1: was the thing about Brad directing episodes too. Um. I 451 00:28:37,440 --> 00:28:39,640 Speaker 1: always remembered his acting. He'd be like, is that right, 452 00:28:39,680 --> 00:28:42,760 Speaker 1: and he'd be like, just say it and just do it. Simple, 453 00:28:43,080 --> 00:28:45,640 Speaker 1: say it and it'll do it. The work on its own, 454 00:28:46,320 --> 00:28:48,880 Speaker 1: and um, we got to see that here is really 455 00:28:48,920 --> 00:28:51,440 Speaker 1: beautiful and Finn does a great job and all three 456 00:28:51,480 --> 00:28:58,680 Speaker 1: of them, I mean great actors. Um. And then back 457 00:28:58,720 --> 00:29:02,360 Speaker 1: to Finn and Kirk. Yeah, then there's the Finns sort 458 00:29:02,360 --> 00:29:04,680 Speaker 1: of coming clean about what happened at dinner, and then 459 00:29:04,760 --> 00:29:08,160 Speaker 1: Kurt feels bad and it's sort of coming clean about 460 00:29:09,200 --> 00:29:13,040 Speaker 1: right his motives and love of him, and then Finn 461 00:29:13,040 --> 00:29:16,280 Speaker 1: that doesn't get it. Yeah, well Kurt confesses him and 462 00:29:16,920 --> 00:29:19,240 Speaker 1: I honestly love you, and Finn thinks it's the song, 463 00:29:19,400 --> 00:29:24,040 Speaker 1: so which is great and honestly it's great. Um, And 464 00:29:24,080 --> 00:29:25,880 Speaker 1: I realized we literally have not been in any of this, 465 00:29:26,600 --> 00:29:28,840 Speaker 1: except for when I say that my rosation has been 466 00:29:28,880 --> 00:29:34,239 Speaker 1: acting up because of the baby gate. Yeah, not that 467 00:29:34,280 --> 00:29:38,080 Speaker 1: we you know, whatever, it's all happening. It is happening, 468 00:29:39,080 --> 00:29:44,280 Speaker 1: and they have this whole I think it's a bit insane, 469 00:29:44,320 --> 00:29:49,960 Speaker 1: but I like them together, Pucking Mercedes. They they're paired 470 00:29:50,040 --> 00:29:54,720 Speaker 1: up and unlikely pairing again, and um, you know, Puck 471 00:29:54,800 --> 00:29:57,440 Speaker 1: gets angry, and I thought the acting is really actually 472 00:29:57,440 --> 00:29:59,680 Speaker 1: really good in the scene as well, of like Puck 473 00:29:59,720 --> 00:30:05,240 Speaker 1: talent Mercedes that he's the father and um, and then Mercedes. 474 00:30:05,320 --> 00:30:07,240 Speaker 1: It's like there's no like huge arc in the scene. 475 00:30:07,280 --> 00:30:12,360 Speaker 1: It's just like, um, yeah, but get over it. Basically, 476 00:30:12,440 --> 00:30:15,920 Speaker 1: it was like what teenager also would pause for ten 477 00:30:15,960 --> 00:30:18,000 Speaker 1: seconds to be like, no, wait, let me give you 478 00:30:18,040 --> 00:30:21,440 Speaker 1: some insightful perspective. But maybe she does. I bought it 479 00:30:21,560 --> 00:30:27,360 Speaker 1: because she's great, yeah, the whole thing. And then she's like, 480 00:30:27,400 --> 00:30:32,560 Speaker 1: we're singing for them, and how stupid am I? Halfway 481 00:30:32,560 --> 00:30:37,200 Speaker 1: through lean on Me, Oh, I was like, oh, Quinn 482 00:30:37,240 --> 00:30:40,120 Speaker 1: was my duet partner, and so I know we're seeing 483 00:30:40,160 --> 00:30:41,520 Speaker 1: it to both of them, but I'm also saying this 484 00:30:41,560 --> 00:30:47,320 Speaker 1: is my duet, but not a little bit. Yes, I 485 00:30:47,600 --> 00:30:51,440 Speaker 1: didn't even think about that. I was so excited to 486 00:30:51,440 --> 00:30:56,160 Speaker 1: do lean on Me well in real life, like when 487 00:30:56,240 --> 00:31:00,880 Speaker 1: we did it right, we went to the studio together, right. Uh, No, 488 00:31:01,280 --> 00:31:04,280 Speaker 1: we didn't, So why do I have a memory of 489 00:31:04,320 --> 00:31:06,480 Speaker 1: doing this together? Is that sweet Caroline in my mind? 490 00:31:07,640 --> 00:31:09,920 Speaker 1: So what happened was I went in there. I also, 491 00:31:09,960 --> 00:31:13,040 Speaker 1: my voice sounds really weird on this song, and I 492 00:31:13,080 --> 00:31:17,640 Speaker 1: think I was imitating the guide vocal because it was 493 00:31:17,680 --> 00:31:20,160 Speaker 1: someone who didn't normally sing my demos, and I really 494 00:31:20,160 --> 00:31:23,640 Speaker 1: loved his voice, and I think I was just trying 495 00:31:23,680 --> 00:31:25,800 Speaker 1: to sound like, Yeah, it's like when Cia writes a 496 00:31:25,840 --> 00:31:27,960 Speaker 1: song for somebody else and they always mimic her voice 497 00:31:27,960 --> 00:31:31,280 Speaker 1: because she sounds so cool. I think that's her intonation. Yeah, 498 00:31:31,320 --> 00:31:33,200 Speaker 1: I think that's what I was trying to do. That's 499 00:31:33,200 --> 00:31:36,520 Speaker 1: actually very funny. But I think this arrangement, um, thank 500 00:31:36,560 --> 00:31:42,240 Speaker 1: you Adam and Tim Davis. UM, it's absolutely incredible. And 501 00:31:42,720 --> 00:31:46,000 Speaker 1: I couldn't record this song to save save my life. 502 00:31:46,560 --> 00:31:50,960 Speaker 1: I had an emotional breakdown. I couldn't do it. It 503 00:31:51,040 --> 00:31:56,880 Speaker 1: was so hard and absolutely losing it. And we got 504 00:31:56,920 --> 00:31:59,440 Speaker 1: to the bridge and at the beginning of the end 505 00:31:59,480 --> 00:32:01,920 Speaker 1: for you, I couldn't do it, and like it's okay, 506 00:32:02,000 --> 00:32:05,040 Speaker 1: you know what. Um. It was like a couple of 507 00:32:05,080 --> 00:32:07,400 Speaker 1: simple lines and for some reason I could not get 508 00:32:07,400 --> 00:32:09,840 Speaker 1: it sung. The way they wanted it to be sung, 509 00:32:10,760 --> 00:32:14,080 Speaker 1: and I got yanked, I got pulled out of there, 510 00:32:14,080 --> 00:32:16,600 Speaker 1: and I gets, Okay, we're gonna have somebody else come 511 00:32:16,680 --> 00:32:18,880 Speaker 1: do it. And then you came in to do it, 512 00:32:19,280 --> 00:32:20,880 Speaker 1: and I told you, and then you started texting me. 513 00:32:20,880 --> 00:32:27,480 Speaker 1: You're like, I can't do this. Scenon to have a day. Yeah, 514 00:32:27,920 --> 00:32:31,600 Speaker 1: So they combined both of us in that section because 515 00:32:31,640 --> 00:32:33,320 Speaker 1: neither of us can do the full take, and so 516 00:32:33,360 --> 00:32:35,320 Speaker 1: I think it's like two lines or something. We're like, 517 00:32:35,600 --> 00:32:37,600 Speaker 1: you do the first half and I do the second half, 518 00:32:37,640 --> 00:32:41,760 Speaker 1: or vice versa or whatever. I forgot about that. Um, 519 00:32:42,200 --> 00:32:45,760 Speaker 1: it was a mess. And the actual filming of it. 520 00:32:46,520 --> 00:32:48,080 Speaker 1: People should go listen to this if you have it 521 00:32:48,120 --> 00:32:51,520 Speaker 1: in a while, because unfortunately they cut out Amber's verse 522 00:32:52,720 --> 00:32:55,240 Speaker 1: and Amber again, it is just like a freak of 523 00:32:55,360 --> 00:32:58,520 Speaker 1: nature and sounds incredible. But when we filmed this, do 524 00:32:58,560 --> 00:33:02,520 Speaker 1: you remember that they can't Corey and Danna from knowing 525 00:33:02,560 --> 00:33:03,760 Speaker 1: what we were going to do, so they didn't go 526 00:33:03,800 --> 00:33:06,600 Speaker 1: to rehearsal, they didn't know, they hadn't heard the version. 527 00:33:07,120 --> 00:33:11,360 Speaker 1: They were not allowed to be anywhere near this number 528 00:33:11,440 --> 00:33:13,840 Speaker 1: until we were going to shoot it, that's right. And 529 00:33:13,880 --> 00:33:16,640 Speaker 1: then when they came in. This was the first time 530 00:33:16,680 --> 00:33:18,400 Speaker 1: they had seen it, at least the first time we 531 00:33:18,480 --> 00:33:20,680 Speaker 1: did it for them, and they shot their reaction for 532 00:33:20,800 --> 00:33:25,800 Speaker 1: their Courage coverage. Yeah, and um, I think in Diana's 533 00:33:25,840 --> 00:33:27,760 Speaker 1: BTS she had said that she was going to be 534 00:33:27,800 --> 00:33:31,920 Speaker 1: bawling what she was Um, but that's a really cool 535 00:33:32,040 --> 00:33:36,360 Speaker 1: acting exercise or that was definitely bradfel truck. Yeah, let's 536 00:33:36,400 --> 00:33:39,840 Speaker 1: try it. And um we also had Brittany doing the 537 00:33:39,920 --> 00:33:42,120 Speaker 1: ear again in the number. There were a lot of 538 00:33:42,120 --> 00:33:45,200 Speaker 1: sweet moments and I was watching all these people do 539 00:33:45,280 --> 00:33:48,880 Speaker 1: different things with each other and the interactions and it felt, um, 540 00:33:48,920 --> 00:33:51,160 Speaker 1: you know, like what Paris says. Yeah, it felt like 541 00:33:51,160 --> 00:33:54,760 Speaker 1: one of those real teen loose We're just enjoying each 542 00:33:54,800 --> 00:33:59,360 Speaker 1: other's company. Um. I high five with Naya in it. 543 00:34:00,240 --> 00:34:04,480 Speaker 1: And I watched that and I was not well, not 544 00:34:04,560 --> 00:34:09,920 Speaker 1: well like not well. Um, but the number was really 545 00:34:10,040 --> 00:34:11,840 Speaker 1: really sweet and I remember doing that and that was 546 00:34:11,880 --> 00:34:13,759 Speaker 1: the first time they brought I think I had a 547 00:34:13,760 --> 00:34:16,520 Speaker 1: picture of this they brought out. It was so hot 548 00:34:16,600 --> 00:34:19,960 Speaker 1: on set, I don't know why, and we weren't really dancing. 549 00:34:20,680 --> 00:34:23,640 Speaker 1: It was so hot that the makeup artists had ordered 550 00:34:23,719 --> 00:34:25,759 Speaker 1: for us the musical numbers so that they could keep 551 00:34:25,800 --> 00:34:28,560 Speaker 1: us cool during the musical numbers. Personal fans, so we 552 00:34:28,600 --> 00:34:31,000 Speaker 1: had those like mini fans. Yeah. I think this was 553 00:34:31,040 --> 00:34:32,360 Speaker 1: one of the first ones, and those were like the 554 00:34:32,400 --> 00:34:35,799 Speaker 1: plastic ones. It wasn't until like next season that you 555 00:34:35,880 --> 00:34:40,560 Speaker 1: we got those like high powered fans that really worked well. 556 00:34:40,600 --> 00:34:45,200 Speaker 1: It was like a Beyonce fan. Um. Anyway, So that's 557 00:34:46,239 --> 00:34:50,920 Speaker 1: that was pretty much the episode. Blade, the romances, the crushes, 558 00:34:51,440 --> 00:34:54,160 Speaker 1: and a whole lot of baby gate. Yeah. I think 559 00:34:54,239 --> 00:34:56,160 Speaker 1: the biggest, the most important thing that came out of 560 00:34:56,160 --> 00:35:00,680 Speaker 1: this is baby gate. Ye. Parents, parents not out, that's right, 561 00:35:00,760 --> 00:35:12,799 Speaker 1: secrets out? Should we do some party takes? Party takes 562 00:35:13,880 --> 00:35:18,920 Speaker 1: do do do? Um? Okay, so cringe moments a k 563 00:35:19,200 --> 00:35:25,520 Speaker 1: A cheese Paris Barclay. Um. I have to say. One 564 00:35:25,560 --> 00:35:30,000 Speaker 1: of the things was you're having my baby and I'll 565 00:35:30,000 --> 00:35:35,480 Speaker 1: stand by you, and um crush and endless love. Yeah, 566 00:35:36,160 --> 00:35:38,439 Speaker 1: I think that just about covers it. I think those 567 00:35:38,480 --> 00:35:43,520 Speaker 1: two storylines are really really difficult. I agree and like 568 00:35:43,760 --> 00:35:48,640 Speaker 1: have a teacher, but again like not so far from 569 00:35:48,760 --> 00:35:53,960 Speaker 1: the truth. I don't know. Um. Worst dance move I 570 00:35:54,000 --> 00:35:57,520 Speaker 1: gotta say, will standing on the piano and jumping during 571 00:35:57,520 --> 00:36:04,839 Speaker 1: that matchup was a little off. Um, So the best 572 00:36:04,880 --> 00:36:07,920 Speaker 1: song I think was your vocals on lean On Me, 573 00:36:08,760 --> 00:36:11,400 Speaker 1: and this is I picked that before I knew the 574 00:36:11,480 --> 00:36:13,960 Speaker 1: story that I had to pick up the pieces. Yeah, 575 00:36:14,160 --> 00:36:18,239 Speaker 1: I literally had to pick up That's really funny. I 576 00:36:18,280 --> 00:36:21,440 Speaker 1: don't remember. There's the thing that I've always noticed the 577 00:36:21,480 --> 00:36:26,320 Speaker 1: times that I've had the biggest challenge or I've struggled 578 00:36:26,320 --> 00:36:28,480 Speaker 1: the most recording a song, like when they have to 579 00:36:28,520 --> 00:36:30,400 Speaker 1: fix me the most, is when I like my vocal 580 00:36:30,480 --> 00:36:34,239 Speaker 1: the most. I like how I because my voice automatically 581 00:36:34,280 --> 00:36:37,640 Speaker 1: sort of sounds like it has melodine and auto tune 582 00:36:37,960 --> 00:36:39,600 Speaker 1: on it, not because I'm on pitch, but it is 583 00:36:39,600 --> 00:36:42,560 Speaker 1: something about like a technically speaking that nobody cares about. 584 00:36:42,719 --> 00:36:47,279 Speaker 1: There's like a sound quality, like a sonic quality, and 585 00:36:47,320 --> 00:36:50,880 Speaker 1: so when my voice is overly fixed, it doesn't sound 586 00:36:50,960 --> 00:36:54,760 Speaker 1: that different. And so like lean on Me is fixed 587 00:36:54,880 --> 00:36:57,759 Speaker 1: because they had to because I was not crushing it 588 00:36:57,880 --> 00:37:00,359 Speaker 1: that day. And it's one of those things where when 589 00:37:00,400 --> 00:37:03,920 Speaker 1: you have a song, um where there's a lot of 590 00:37:03,960 --> 00:37:06,080 Speaker 1: us on it, we can go record it in thirty 591 00:37:06,080 --> 00:37:08,040 Speaker 1: minutes and it's fine in and out. That was a 592 00:37:08,120 --> 00:37:11,160 Speaker 1: really challenging song that I probably did not have time 593 00:37:11,200 --> 00:37:14,680 Speaker 1: to properly warm up for or learn totally and how 594 00:37:14,760 --> 00:37:17,439 Speaker 1: to go in there. And just like, it's also hard 595 00:37:17,480 --> 00:37:21,120 Speaker 1: to not try to duplicate the people that you are 596 00:37:21,239 --> 00:37:24,640 Speaker 1: like hearing your guide, because they do sound so good 597 00:37:24,880 --> 00:37:27,840 Speaker 1: that you're like, I'm I'm always doing that with like artists. 598 00:37:27,920 --> 00:37:30,319 Speaker 1: I like, I'm trying to like get there, you know, 599 00:37:31,200 --> 00:37:34,480 Speaker 1: um replicate the um. But I agree, I think lenam 600 00:37:34,480 --> 00:37:37,439 Speaker 1: means the best song. Obviously I listened to that version 601 00:37:37,440 --> 00:37:39,839 Speaker 1: of all the time. Obviously you do when you listen 602 00:37:39,920 --> 00:37:43,040 Speaker 1: to this one, Okay, and then by a prop I 603 00:37:43,040 --> 00:37:51,399 Speaker 1: think the pepper absolutely, the pepper in the jar. Yeah, um, 604 00:37:51,440 --> 00:37:53,759 Speaker 1: there's something that the things that age well and didn't 605 00:37:53,760 --> 00:37:55,279 Speaker 1: age well. There's one thing that didn't age well for 606 00:37:55,320 --> 00:37:58,719 Speaker 1: me was um, when Quinn's mom says, maybe you haven't 607 00:37:58,719 --> 00:38:01,760 Speaker 1: been exercising you. Yeah, when she's has the chastiny dress, 608 00:38:01,800 --> 00:38:07,040 Speaker 1: I was like, oh god, no, not the thing. It's 609 00:38:07,080 --> 00:38:12,120 Speaker 1: also very informative of their relationship. Yeah, yeah, the parents 610 00:38:12,239 --> 00:38:18,520 Speaker 1: and yeah, not the best but best line Kevin. Um. 611 00:38:18,520 --> 00:38:21,600 Speaker 1: I for me, I think I'm gonna go with Finn 612 00:38:21,680 --> 00:38:24,360 Speaker 1: in the bathroom. I gotta go. They don't think I'm 613 00:38:24,360 --> 00:38:27,520 Speaker 1: taking a poop. I think I'm booping. Um, I think 614 00:38:27,560 --> 00:38:31,160 Speaker 1: second runner up is I think the ducks in the 615 00:38:31,200 --> 00:38:34,960 Speaker 1: hat is so good. I also like your line though, 616 00:38:35,000 --> 00:38:36,960 Speaker 1: all the would you say all the baby dramas making 617 00:38:37,000 --> 00:38:40,880 Speaker 1: my rosatia act up is very good. Um, it's funny 618 00:38:40,880 --> 00:38:43,520 Speaker 1: because I should have said excella because I have excellent 619 00:38:43,600 --> 00:38:47,680 Speaker 1: and so Emma has exma now really excellent. Yeah, look 620 00:38:47,680 --> 00:38:52,080 Speaker 1: at those genes at work, I know. Gosh well, anyway, 621 00:38:53,080 --> 00:38:58,960 Speaker 1: art imitating life, art, life imitating art. Yes, okay, So 622 00:38:59,000 --> 00:39:02,800 Speaker 1: should we found on TikTok this week there's a mistake 623 00:39:04,560 --> 00:39:08,160 Speaker 1: that was caught from later on. It's during the you 624 00:39:08,200 --> 00:39:14,279 Speaker 1: know STD episode and yes, that's right, and it's during 625 00:39:14,320 --> 00:39:17,239 Speaker 1: the scene where I'm telling the boys that I have 626 00:39:17,480 --> 00:39:24,440 Speaker 1: the STDs. Um, so on TikTok um millens be in. 627 00:39:25,600 --> 00:39:29,800 Speaker 1: I'm sure I'm mispronouncing this. And Kirsten posted this because 628 00:39:29,840 --> 00:39:36,600 Speaker 1: in the background, um, we we referenced that everyone we're 629 00:39:36,640 --> 00:39:41,120 Speaker 1: watching ar lists and if you actually look at what's 630 00:39:41,160 --> 00:39:46,480 Speaker 1: on the TV, it's real Glee credits. Oh yes, so 631 00:39:46,520 --> 00:39:49,239 Speaker 1: I feel like it's a little Easter egg that was 632 00:39:49,280 --> 00:39:52,919 Speaker 1: put in there because it's you see, like PJ bloom 633 00:39:52,920 --> 00:39:56,360 Speaker 1: on the actual Yeah, so if you watch the scene 634 00:39:56,360 --> 00:39:58,319 Speaker 1: they cut two in the TV in the background, if 635 00:39:58,320 --> 00:40:02,520 Speaker 1: you pose it, it's fully just credits. It's because they 636 00:40:02,520 --> 00:40:04,520 Speaker 1: didn't have to get the rights to it exactly easy 637 00:40:04,640 --> 00:40:07,040 Speaker 1: like just actually put it on the TV, queue it up, 638 00:40:07,560 --> 00:40:10,399 Speaker 1: and so anytime we show it it's absolutely fine, which 639 00:40:10,440 --> 00:40:14,040 Speaker 1: I love. You know, shout out to the actual people 640 00:40:14,120 --> 00:40:18,839 Speaker 1: making the show and not are less. I know Vicky, 641 00:40:18,880 --> 00:40:20,799 Speaker 1: a producer, is a big Artless fan, so she might 642 00:40:20,800 --> 00:40:23,839 Speaker 1: have been disappointed that wasn't the real credits. But you know, 643 00:40:23,880 --> 00:40:29,239 Speaker 1: like you said, it's free, free nine night. That's a 644 00:40:29,280 --> 00:40:32,960 Speaker 1: great um. I hope. I'm I'm still really enjoying these 645 00:40:32,960 --> 00:40:36,160 Speaker 1: TikTok's great because they're not gonna stop, so keep sending 646 00:40:36,200 --> 00:40:39,040 Speaker 1: him in, please keep tagging us um. I also want 647 00:40:39,040 --> 00:40:41,279 Speaker 1: to just shout out Kirby again. She's the one who 648 00:40:41,320 --> 00:40:46,200 Speaker 1: posted the TikTok of the Riverdale cast watching Shoe breakdancing. 649 00:40:46,800 --> 00:40:49,640 Speaker 1: But then she, to get extra meta, posted a reaction 650 00:40:50,440 --> 00:40:55,000 Speaker 1: to the podcast talking about her video, which is also great. 651 00:40:55,280 --> 00:40:58,120 Speaker 1: So thanks for doing that. It's hilarious and feel free 652 00:40:58,120 --> 00:41:00,719 Speaker 1: to post more reaction videos everyone, because we're going to 653 00:41:00,800 --> 00:41:02,960 Speaker 1: find your videos and we're going to talk about them. 654 00:41:02,960 --> 00:41:07,719 Speaker 1: To be prepared next week is haierography. There's so much 655 00:41:07,920 --> 00:41:13,359 Speaker 1: to talk about. Yes, sure, yeah, yeah, um. I love 656 00:41:13,440 --> 00:41:16,880 Speaker 1: this episode, so join us next week. Thanks for hanging 657 00:41:16,960 --> 00:41:20,840 Speaker 1: with us again, and uh, that's it for now. And 658 00:41:20,880 --> 00:41:24,400 Speaker 1: that's what you really missed. See you. Thanks for listening, 659 00:41:24,680 --> 00:41:27,239 Speaker 1: and follow us on Instagram at and that's what you 660 00:41:27,280 --> 00:41:29,520 Speaker 1: really miss pod. Make sure to write us a review 661 00:41:29,600 --> 00:41:31,719 Speaker 1: and leave us five stars. See you next time.