1
00:00:00,600 --> 00:00:02,200
Speaker 1: Big bang. What it is?

2
00:00:03,200 --> 00:00:05,680
Speaker 2: You don't be on nothing, I be on okay, So

3
00:00:05,760 --> 00:00:10,640
Speaker 2: let me ask bring you big big facts. Visit the

4
00:00:10,640 --> 00:00:14,000
Speaker 2: new website today, Big factspod dot com line for.

5
00:00:14,040 --> 00:00:15,240
Speaker 1: The Trap Music Museum.

6
00:00:15,280 --> 00:00:17,479
Speaker 2: It's time for big Facts with Big Bank Baby j

7
00:00:17,760 --> 00:00:21,400
Speaker 2: DJ Scream my special guest today, representing a lot of hits,

8
00:00:21,720 --> 00:00:23,160
Speaker 2: a lot of hits, a lot of hits.

9
00:00:23,280 --> 00:00:24,840
Speaker 1: You got a book call behind the hits. Just give

10
00:00:24,880 --> 00:00:25,080
Speaker 1: it up.

11
00:00:25,079 --> 00:00:28,240
Speaker 2: A drummer boy on Big Facts today.

12
00:00:29,280 --> 00:00:30,120
Speaker 1: What's up? What's up?

13
00:00:30,160 --> 00:00:30,520
Speaker 2: What's up?

14
00:00:30,520 --> 00:00:33,080
Speaker 1: What's up? Drummer man? Welcome, welcome, long time coming. How

15
00:00:33,080 --> 00:00:35,519
Speaker 1: you're doing? How you doing? Man? Listens, man, blessed man.

16
00:00:35,560 --> 00:00:37,960
Speaker 1: Good today today, I'm Big Facts.

17
00:00:38,000 --> 00:00:39,280
Speaker 2: By the time we get to the end of this,

18
00:00:39,360 --> 00:00:41,560
Speaker 2: we will be popping it with you, for you, however

19
00:00:41,560 --> 00:00:43,120
Speaker 2: you want to do it. So let's just let's just

20
00:00:43,159 --> 00:00:45,400
Speaker 2: do this rundown and some of these hits before we

21
00:00:45,440 --> 00:00:49,159
Speaker 2: get to talking about books and stories and behind the scenes.

22
00:00:49,240 --> 00:00:51,080
Speaker 1: And you know, it's started in Memphis.

23
00:00:51,120 --> 00:00:52,559
Speaker 3: They think, you know, a lot of people think I'm

24
00:00:52,560 --> 00:00:54,720
Speaker 3: from Atlanta, but it started for me in Memphis at

25
00:00:54,760 --> 00:00:55,040
Speaker 3: the gate.

26
00:00:55,480 --> 00:00:56,040
Speaker 1: Yo, got it?

27
00:00:56,080 --> 00:00:59,240
Speaker 3: When you see me, shoty, pop your collar, then you holler, desk,

28
00:00:59,280 --> 00:00:59,800
Speaker 3: what's up?

29
00:01:00,160 --> 00:01:04,240
Speaker 1: What up? Drama? A what up? Mama? I went to Teylor.

30
00:01:04,560 --> 00:01:05,120
Speaker 1: You know what I'm saying.

31
00:01:05,160 --> 00:01:07,520
Speaker 3: We did the Tennessee Titans anthem. A lot of people

32
00:01:07,560 --> 00:01:09,840
Speaker 3: don't know the Titans came to Memphis first. When they came,

33
00:01:09,880 --> 00:01:12,120
Speaker 3: we did an anthem form I being unifying the city

34
00:01:12,440 --> 00:01:17,040
Speaker 3: for Hateta Yo, gott it against the boat, Teylor Maroue

35
00:01:17,720 --> 00:01:20,240
Speaker 3: and Slice Tee Little Brother all on the same track.

36
00:01:20,280 --> 00:01:20,880
Speaker 1: You know what I'm saying.

37
00:01:20,959 --> 00:01:25,720
Speaker 3: Tennessee twenty three's I Keep it Clean Maine, Tennessee in Atlanta,

38
00:01:25,880 --> 00:01:28,400
Speaker 3: good good ad. You know what I'm saying from Taylor

39
00:01:28,680 --> 00:01:29,960
Speaker 3: passed a truck callin Nigga.

40
00:01:30,000 --> 00:01:30,120
Speaker 1: Man.

41
00:01:30,200 --> 00:01:32,160
Speaker 2: First song I did for him strip club, So I

42
00:01:32,200 --> 00:01:35,240
Speaker 2: think he said that here somewhere. So so try was

43
00:01:35,280 --> 00:01:37,160
Speaker 2: your first Atlanta or Georgia?

44
00:01:37,280 --> 00:01:40,640
Speaker 1: Yeah? First, that was eight thousand, four thousand to beat.

45
00:01:40,800 --> 00:01:42,319
Speaker 1: You know what I'm saying. There off in this game,

46
00:01:42,360 --> 00:01:43,160
Speaker 1: and I did Pop.

47
00:01:43,000 --> 00:01:45,720
Speaker 3: There puss it make him get that money right, making

48
00:01:45,840 --> 00:01:47,920
Speaker 3: goet that money strip club anthem.

49
00:01:48,200 --> 00:01:50,680
Speaker 1: You know what I'm saying, You gotta pay me. You

50
00:01:50,720 --> 00:01:54,120
Speaker 1: know after get it. I'm nineteen. I ain't even all

51
00:01:54,200 --> 00:01:55,320
Speaker 1: enough to get in the strip club.

52
00:01:55,320 --> 00:01:57,400
Speaker 3: You know what I'm saying. I plug up with my

53
00:01:57,400 --> 00:01:59,880
Speaker 3: manager Squeak. You know I met him through insame way.

54
00:02:00,040 --> 00:02:03,200
Speaker 3: I r peat big Bro, I met Jazzy Fade. Noontime

55
00:02:03,320 --> 00:02:05,680
Speaker 3: the whole era started doing shit with Jody Breeze and

56
00:02:05,720 --> 00:02:09,560
Speaker 3: they're stacking paper with Slim Thug. Then Block calling nigga

57
00:02:09,639 --> 00:02:10,800
Speaker 3: like man, you know we got a group drum.

58
00:02:11,000 --> 00:02:12,120
Speaker 1: You know what I'm saying. No, we got a group

59
00:02:12,160 --> 00:02:14,040
Speaker 1: boy in the hood. Now I got g I got mine,

60
00:02:14,120 --> 00:02:16,320
Speaker 1: Joe de Bree, big dude, gee, all of them. You

61
00:02:16,320 --> 00:02:18,000
Speaker 1: know what I'm saying. Pull up? You know what I'm saying,

62
00:02:18,000 --> 00:02:20,680
Speaker 1: pull up? Or do look and I do trap niggas.

63
00:02:21,120 --> 00:02:22,760
Speaker 1: You know what I'm saying. Jeez and Joe de Bree

64
00:02:22,800 --> 00:02:26,240
Speaker 1: going back conversation, Jesus go solo. I do standing ovation.

65
00:02:27,120 --> 00:02:27,760
Speaker 1: You know what I'm saying.

66
00:02:27,840 --> 00:02:30,200
Speaker 3: At the gate, first patinum Platte, then we do White Girl,

67
00:02:30,280 --> 00:02:33,320
Speaker 3: the Implies call I do Shaty feature in t Pain,

68
00:02:33,520 --> 00:02:36,600
Speaker 3: then Rocco Caller, do I'm gonna do me? Drake collin

69
00:02:36,760 --> 00:02:38,680
Speaker 3: the Blue, I do money to Blow just before he

70
00:02:38,760 --> 00:02:40,600
Speaker 3: was even getting into the music, So you know what

71
00:02:40,600 --> 00:02:41,040
Speaker 3: I'm saying.

72
00:02:41,840 --> 00:02:44,000
Speaker 1: Two chain call. I'm running around. I'm getting it.

73
00:02:44,600 --> 00:02:47,000
Speaker 3: You know what I'm saying, August, I've seen no love

74
00:02:47,720 --> 00:02:50,400
Speaker 3: feature Nigga Minaj. So it's really been just about the

75
00:02:50,400 --> 00:02:51,799
Speaker 3: phone call man and delivering.

76
00:02:52,000 --> 00:02:53,840
Speaker 4: Well, let me ask a question, right, So, since you

77
00:02:53,960 --> 00:02:57,480
Speaker 4: just talked about Rocko, do people ever confuse you for him?

78
00:02:57,480 --> 00:03:00,320
Speaker 1: Because y'all nigga just like Man, I get this shit much.

79
00:03:00,320 --> 00:03:05,799
Speaker 1: I just rock right old. I get this so much.

80
00:03:06,240 --> 00:03:08,680
Speaker 3: His grandmama Cherokee. You know what I'm saying, We got

81
00:03:08,880 --> 00:03:11,000
Speaker 3: an Indian in our family. So her grandmama Cherokeey, my

82
00:03:11,000 --> 00:03:13,240
Speaker 3: grandmama Cherokee. Maybe it's something to do with that.

83
00:03:13,360 --> 00:03:16,080
Speaker 1: You know what I'm saying. We can thought everybody call

84
00:03:16,160 --> 00:03:19,840
Speaker 1: it cuk he with everybody.

85
00:03:20,000 --> 00:03:23,760
Speaker 2: Uh, we'll be seeing these crazy numbers like producers cashing

86
00:03:23,800 --> 00:03:26,120
Speaker 2: out of their catalogs. That's some ship you think about doing,

87
00:03:26,200 --> 00:03:26,760
Speaker 2: or you might.

88
00:03:26,639 --> 00:03:31,400
Speaker 3: Do crazy evaluation on my catalog. Okay, but I'm not

89
00:03:31,600 --> 00:03:35,080
Speaker 3: thinking about selling. So I was just curious as to

90
00:03:35,520 --> 00:03:36,920
Speaker 3: what my ship would you mean?

91
00:03:37,000 --> 00:03:39,440
Speaker 1: Tell me, ain't no number that drummer can hear? That'll

92
00:03:39,440 --> 00:03:41,760
Speaker 1: make him? Man?

93
00:03:42,200 --> 00:03:44,600
Speaker 3: I see, I like what Metro did. He sold a

94
00:03:44,720 --> 00:03:50,320
Speaker 3: portion of his catalog still walking away with about you

95
00:03:50,360 --> 00:03:52,360
Speaker 3: know what I'm saying, something like that, you know, fifty

96
00:03:52,560 --> 00:03:55,280
Speaker 3: fifty up, you know what I'm saying, But a portion

97
00:03:55,440 --> 00:03:57,880
Speaker 3: is like he still maintained some of that, still get

98
00:03:57,880 --> 00:03:59,680
Speaker 3: to enjoy some of the money while you are alive.

99
00:04:00,040 --> 00:04:02,120
Speaker 3: I'm saying, you only live once. You know you might

100
00:04:02,160 --> 00:04:03,920
Speaker 3: not see that one hundred million until you ninety.

101
00:04:04,320 --> 00:04:06,160
Speaker 1: You know what I'm saying. Your kids and your kids

102
00:04:06,200 --> 00:04:07,720
Speaker 1: kids will be able to eat. You know what I'm saying.

103
00:04:07,720 --> 00:04:08,760
Speaker 1: But you know you want to.

104
00:04:08,800 --> 00:04:10,320
Speaker 3: You want to be able to invest in and do

105
00:04:10,400 --> 00:04:11,840
Speaker 3: some things while you while you're young.

106
00:04:12,960 --> 00:04:13,360
Speaker 1: For show.

107
00:04:13,480 --> 00:04:16,640
Speaker 2: So it's about it's a thought. Okay, Yeah, well you

108
00:04:16,680 --> 00:04:18,919
Speaker 2: got enough. We got a lot to think about it,

109
00:04:18,920 --> 00:04:19,680
Speaker 2: which is a good thing.

110
00:04:19,920 --> 00:04:23,120
Speaker 1: Heavy that's like a dissertation.

111
00:04:23,600 --> 00:04:27,000
Speaker 5: Yeah yeah, So you made all your meats yourself, or

112
00:04:27,000 --> 00:04:28,320
Speaker 5: you got the team or how you do it?

113
00:04:28,839 --> 00:04:30,919
Speaker 3: Man, I got all my beats myself. No hands, I

114
00:04:30,960 --> 00:04:32,720
Speaker 3: made in front of the whole room. You know what

115
00:04:32,760 --> 00:04:36,080
Speaker 3: I'm saying. I put on fifty percent, no hands, fifty percent.

116
00:04:36,320 --> 00:04:38,200
Speaker 3: I'm gonna do meet fifty percent here right, I am

117
00:04:38,279 --> 00:04:39,120
Speaker 3: Rick Ross.

118
00:04:39,120 --> 00:04:41,919
Speaker 1: Here, I am I got a lot of dollars my

119
00:04:41,960 --> 00:04:44,000
Speaker 1: own got that shit. You know what I'm saying.

120
00:04:44,480 --> 00:04:46,120
Speaker 3: We take a nigga from a T shirt to a

121
00:04:46,120 --> 00:04:48,320
Speaker 3: TUXI though, you know what I'm saying straight up, you

122
00:04:48,360 --> 00:04:48,760
Speaker 3: know what I'm saying.

123
00:04:48,920 --> 00:04:50,880
Speaker 1: It's about the fashion, it's about the look, it's about

124
00:04:50,920 --> 00:04:53,560
Speaker 1: the vision, the whole package. With me, I ain't just

125
00:04:53,600 --> 00:04:57,280
Speaker 1: no beat maker. There's no hands, just just keeping the ribs.

126
00:04:57,279 --> 00:05:00,360
Speaker 1: No hands. Your biggest record, that's Diamond, ain't no bigger damon.

127
00:05:00,440 --> 00:05:11,000
Speaker 1: There you go walking walking cold as a single.

128
00:05:11,040 --> 00:05:13,880
Speaker 3: Like you would hear about albums going down, but it's

129
00:05:14,000 --> 00:05:16,359
Speaker 3: rare you hear a single go down. This one song,

130
00:05:16,680 --> 00:05:19,320
Speaker 3: you know what I'm saying, all produced by me. Everybody

131
00:05:19,360 --> 00:05:21,279
Speaker 3: who's in the studio session might shut out to Gucci

132
00:05:21,360 --> 00:05:24,479
Speaker 3: man because it was really a celebration for him coming home.

133
00:05:24,600 --> 00:05:26,760
Speaker 3: Was that supposed to be a Gucci beat first though? No,

134
00:05:26,960 --> 00:05:29,520
Speaker 3: I was doing abnormal. Gucci had the a room, so

135
00:05:29,760 --> 00:05:31,640
Speaker 3: Gucci he just getting out of jail. He ain't got

136
00:05:31,640 --> 00:05:33,039
Speaker 3: time for you to make no beat from scrap.

137
00:05:33,640 --> 00:05:34,320
Speaker 1: You know what I'm saying.

138
00:05:35,920 --> 00:05:38,039
Speaker 3: Yeah, I need you know what I'm saying. So I

139
00:05:38,040 --> 00:05:40,960
Speaker 3: already had a folder with Walk and Bam. The first

140
00:05:41,040 --> 00:05:43,080
Speaker 3: time we did was the first day out. Then we

141
00:05:43,120 --> 00:05:47,279
Speaker 3: did anything I do ab normal normal, everything I do

142
00:05:47,520 --> 00:05:50,680
Speaker 3: abnormal bound he in the studio dropping it jeer the

143
00:05:50,720 --> 00:05:51,159
Speaker 3: a room.

144
00:05:51,400 --> 00:05:53,560
Speaker 1: All my equipment plugged up in the b room. So

145
00:05:53,600 --> 00:05:54,800
Speaker 1: I walked back in the b room.

146
00:05:54,839 --> 00:06:00,560
Speaker 3: It's yl A recing Roscoe uh Lord Banks, man, everybody,

147
00:06:00,600 --> 00:06:04,560
Speaker 3: it's a party, everybody you know, just liqual were turning up.

148
00:06:04,600 --> 00:06:06,280
Speaker 3: You know what I'm saying. Gucci just came home, you

149
00:06:06,360 --> 00:06:09,480
Speaker 3: know what I'm saying. So, Bam, I go in the room.

150
00:06:09,640 --> 00:06:12,320
Speaker 1: I can't barely I could barely even touch my keyboard.

151
00:06:12,440 --> 00:06:14,960
Speaker 3: Or it was about fifty people anybody who's been in

152
00:06:14,960 --> 00:06:17,719
Speaker 3: the password b room, you know how small and gonna

153
00:06:17,720 --> 00:06:20,479
Speaker 3: pack their motherfucker probably forty fifty people in them off

154
00:06:20,480 --> 00:06:21,200
Speaker 3: for I hit them.

155
00:06:21,200 --> 00:06:23,880
Speaker 1: It made never like what and I just cooked up

156
00:06:23,920 --> 00:06:24,200
Speaker 1: the beat.

157
00:06:24,320 --> 00:06:26,839
Speaker 3: Bam and Roscoe Dash was literally like one of the

158
00:06:26,880 --> 00:06:31,359
Speaker 3: only people paying attention. Everybody else will partying, talking, toasting,

159
00:06:31,480 --> 00:06:32,719
Speaker 3: talking shit woo.

160
00:06:32,920 --> 00:06:33,479
Speaker 1: You know what I'm saying.

161
00:06:33,480 --> 00:06:37,960
Speaker 3: I see Roscoe Dash over like, I'm like, what you

162
00:06:38,040 --> 00:06:40,800
Speaker 3: got bro? The bo you know what I'm saying, Like,

163
00:06:41,160 --> 00:06:44,800
Speaker 3: this ain't my session though, man in the boot. As

164
00:06:44,800 --> 00:06:46,880
Speaker 3: soon as the man opened up his mouth on his mic.

165
00:06:47,760 --> 00:06:50,440
Speaker 3: You know what I'm saying, girl, drop it to the flow.

166
00:06:50,839 --> 00:06:52,160
Speaker 1: I love the booty.

167
00:06:52,800 --> 00:06:56,400
Speaker 3: Literally everybody female started dancing.

168
00:06:56,520 --> 00:06:57,480
Speaker 1: Ooh what's this?

169
00:06:57,520 --> 00:07:00,200
Speaker 3: Once the female jump on it right, you know what

170
00:07:00,200 --> 00:07:04,200
Speaker 3: I'm saying, walker like, And you know, it was just

171
00:07:04,240 --> 00:07:06,080
Speaker 3: a moment, you know what I'm saying. It just came

172
00:07:06,160 --> 00:07:08,480
Speaker 3: about while we was partying and kicking it, you know

173
00:07:08,520 --> 00:07:10,800
Speaker 3: what I'm saying. So I think once you put the

174
00:07:10,800 --> 00:07:13,080
Speaker 3: egos aside, won't nobody talking about no money and how

175
00:07:13,160 --> 00:07:14,400
Speaker 3: much I'm getting paid.

176
00:07:14,080 --> 00:07:15,680
Speaker 1: For the beat or you know what I'm saying.

177
00:07:15,680 --> 00:07:17,240
Speaker 3: It was just a moment where we're just in there,

178
00:07:17,280 --> 00:07:19,720
Speaker 3: cooking and just doing what we do best, and shit,

179
00:07:19,800 --> 00:07:20,880
Speaker 3: we got greatness.

180
00:07:21,280 --> 00:07:21,440
Speaker 1: Man.

181
00:07:21,480 --> 00:07:23,560
Speaker 2: One of the coolest thing about producers is that y'all

182
00:07:23,560 --> 00:07:25,600
Speaker 2: got the stories. Y'all got all the stories. So in

183
00:07:25,680 --> 00:07:28,160
Speaker 2: your in your comfort or outside of your comfort zone,

184
00:07:28,440 --> 00:07:30,200
Speaker 2: give us one of them stories drawing like one of

185
00:07:30,240 --> 00:07:34,200
Speaker 2: them crazy stories from the studio or man or some shit.

186
00:07:34,080 --> 00:07:37,720
Speaker 1: Like the craziest story. And for me, this she just

187
00:07:38,280 --> 00:07:38,880
Speaker 1: mat still.

188
00:07:38,960 --> 00:07:42,040
Speaker 3: I could think about it, like yesterday I go out

189
00:07:42,040 --> 00:07:46,240
Speaker 3: to Miami fucking with Gucci producing. You know, everybody like man,

190
00:07:46,240 --> 00:07:46,760
Speaker 3: we can't.

191
00:07:46,560 --> 00:07:47,480
Speaker 1: Get Gucca to record.

192
00:07:47,480 --> 00:07:50,600
Speaker 3: We can't get Kuca to record, so they fly me

193
00:07:52,080 --> 00:07:55,320
Speaker 3: go out here fuck with Gucci. I did like maybe

194
00:07:55,360 --> 00:07:56,320
Speaker 3: four five beats.

195
00:07:56,400 --> 00:07:57,800
Speaker 1: You know what I'm saying. He picked some beats. Blah

196
00:07:57,800 --> 00:07:58,640
Speaker 1: blah blah blah.

197
00:07:58,720 --> 00:08:00,920
Speaker 3: Man, he give me the bread for the beats and everything,

198
00:08:01,520 --> 00:08:04,160
Speaker 3: you know what I'm saying. And Ship, I'm like, Nigga.

199
00:08:04,200 --> 00:08:06,520
Speaker 3: We in Miami just today. I really want to stay longer.

200
00:08:07,000 --> 00:08:09,800
Speaker 3: But what the flight that they booked me on booked

201
00:08:09,840 --> 00:08:13,120
Speaker 3: me to go back to the airport photo shooting. This

202
00:08:13,320 --> 00:08:17,840
Speaker 3: one we did a mouthful of gold photo shoot was

203
00:08:17,840 --> 00:08:19,640
Speaker 3: one of the first time we did. That's another sport,

204
00:08:20,240 --> 00:08:23,920
Speaker 3: but in this particular moment, we did Ferrari boys.

205
00:08:24,680 --> 00:08:30,000
Speaker 1: Oh fucking mouthful of goals. I'm working. It's right before

206
00:08:30,120 --> 00:08:35,680
Speaker 1: the return of Missus six and man, we in the lab.

207
00:08:36,400 --> 00:08:37,000
Speaker 1: You know what I'm saying.

208
00:08:37,000 --> 00:08:39,400
Speaker 3: The line that did all the music. We probably did

209
00:08:39,520 --> 00:08:42,120
Speaker 3: out three folk songs. I'm going to wait to the airport.

210
00:08:42,160 --> 00:08:45,280
Speaker 3: I get to the airport, Gucci called my phone, like, John,

211
00:08:45,320 --> 00:08:47,720
Speaker 3: where you at. I'm like, sh I'm at the airport

212
00:08:47,760 --> 00:08:50,720
Speaker 3: on you booked me to fly back to it, so

213
00:08:50,760 --> 00:08:52,720
Speaker 3: you just gonna leave You're just gonna leave it now.

214
00:08:52,840 --> 00:08:54,760
Speaker 3: You just I mean, you're just gonna leave Miami like that.

215
00:08:55,520 --> 00:08:59,120
Speaker 3: I'm like, you booked the ticket, gucciy. I ain't trying

216
00:08:59,120 --> 00:09:01,840
Speaker 3: to leave Miami. Sh I come right back right now, Yeah, John,

217
00:09:02,120 --> 00:09:04,080
Speaker 3: come on back, bring the money with you.

218
00:09:04,120 --> 00:09:05,760
Speaker 1: Come on, man, it's gonna leave. You're just gonna leave

219
00:09:05,800 --> 00:09:07,480
Speaker 1: me like that. Damn here. You know what I'm saying,

220
00:09:07,840 --> 00:09:09,680
Speaker 1: Bring the money with Yeah, bring the money.

221
00:09:10,160 --> 00:09:12,200
Speaker 3: So so so, I ain't gonna say the amount, but

222
00:09:12,200 --> 00:09:14,800
Speaker 3: I didn't already made three bank stops because I ain't

223
00:09:14,800 --> 00:09:17,040
Speaker 3: gonna get on the plane, so I don't. I didn't

224
00:09:17,040 --> 00:09:18,360
Speaker 3: put something over in the bank over here, and then

225
00:09:18,440 --> 00:09:19,839
Speaker 3: put something over the bang over here, and put something

226
00:09:19,840 --> 00:09:20,480
Speaker 3: in the bank over here.

227
00:09:20,559 --> 00:09:22,400
Speaker 1: Get to the airport, guta like, man, where you at?

228
00:09:22,800 --> 00:09:25,240
Speaker 3: No, No, you ain't finna leave. Come on back, bring

229
00:09:25,280 --> 00:09:27,480
Speaker 3: the money with you. So there, I stopped bagging the

230
00:09:27,480 --> 00:09:29,240
Speaker 3: bank pulled it back out. Stop of the other bank.

231
00:09:29,120 --> 00:09:30,800
Speaker 1: Pulled it back out. Stop the other bank pulled it

232
00:09:30,840 --> 00:09:31,240
Speaker 1: bag out.

233
00:09:31,640 --> 00:09:34,640
Speaker 3: Get to the studio, Get to the were the cabana

234
00:09:35,000 --> 00:09:35,920
Speaker 3: were staying at the cabana.

235
00:09:36,000 --> 00:09:40,200
Speaker 1: Full bedroom, John, I got a bedroom. Anything drum playing.

236
00:09:43,120 --> 00:09:44,600
Speaker 1: I just want you to.

237
00:09:44,679 --> 00:09:45,960
Speaker 3: I just want you to, you know what I'm saying,

238
00:09:46,040 --> 00:09:48,480
Speaker 3: Stay long, man, cook up some more ship. So literally

239
00:09:48,840 --> 00:09:52,240
Speaker 3: we finished the whole return of Missus six, as well

240
00:09:52,280 --> 00:09:53,920
Speaker 3: as a few songs for walking and whatnot.

241
00:09:53,960 --> 00:09:59,480
Speaker 1: But that ship was just like what finish? Say what

242
00:09:59,640 --> 00:09:59,880
Speaker 1: I do?

243
00:10:01,040 --> 00:10:04,440
Speaker 3: You know what I'm saying, I ain't out the Beatles,

244
00:10:05,280 --> 00:10:08,120
Speaker 3: just somebody I might have left a sound out anything.

245
00:10:08,360 --> 00:10:10,440
Speaker 3: I'm like, what the fuck going on? That ship was

246
00:10:10,480 --> 00:10:12,400
Speaker 3: crazy and we you know what I'm saying. That was

247
00:10:12,440 --> 00:10:15,559
Speaker 3: during the period where Bro, I think somebody slipped the

248
00:10:15,640 --> 00:10:16,360
Speaker 3: mickey and drink.

249
00:10:16,640 --> 00:10:18,360
Speaker 1: It's just all kind of little ship going on.

250
00:10:18,559 --> 00:10:21,480
Speaker 3: So couldn't nobody get Brother record and it and it

251
00:10:21,600 --> 00:10:23,520
Speaker 3: gets some of the music out of him.

252
00:10:23,800 --> 00:10:26,440
Speaker 1: I think I love you know what I'm saying, some

253
00:10:26,520 --> 00:10:28,680
Speaker 1: of them songs. It's just like classic.

254
00:10:28,760 --> 00:10:30,679
Speaker 3: Like as a producer, a lot of people don't understand

255
00:10:30,679 --> 00:10:33,079
Speaker 3: what we gotta do, how hard we gotta work outside

256
00:10:33,120 --> 00:10:35,200
Speaker 3: of making the beats. So we might have to go

257
00:10:35,240 --> 00:10:37,200
Speaker 3: to a strip club get in the right move for

258
00:10:37,240 --> 00:10:38,319
Speaker 3: the song were about to make it.

259
00:10:38,559 --> 00:10:39,160
Speaker 1: You know what I'm saying.

260
00:10:39,200 --> 00:10:41,720
Speaker 3: I got to listen to his whole life story about

261
00:10:41,760 --> 00:10:44,199
Speaker 3: him and his girl and what they going through and

262
00:10:44,320 --> 00:10:46,160
Speaker 3: we figured out a way to put it into me.

263
00:10:47,600 --> 00:10:49,280
Speaker 1: Yeah, so you know what I'm saying. But that was

264
00:10:49,320 --> 00:10:52,760
Speaker 1: that was one of the craziest moments right there. Who

265
00:10:52,760 --> 00:10:54,440
Speaker 1: would you put yourself with? You know how.

266
00:10:56,600 --> 00:10:59,079
Speaker 5: When they put you with an artist as a producer, like, oh,

267
00:10:59,120 --> 00:11:02,640
Speaker 5: that's that's who they made, Like that's Peanut Butter. Who

268
00:11:02,640 --> 00:11:06,480
Speaker 5: would you put yourself with? Man? That's tough, right, Darren Man,

269
00:11:06,520 --> 00:11:08,880
Speaker 5: Because I'm like that with everybody. It's just about how

270
00:11:08,920 --> 00:11:10,000
Speaker 5: consistent they are.

271
00:11:10,679 --> 00:11:12,280
Speaker 1: You know what I'm saying. I wish I could have

272
00:11:12,280 --> 00:11:14,319
Speaker 1: done that more with Roco, Me and Roco.

273
00:11:14,520 --> 00:11:16,679
Speaker 3: Just the chemistry what we was making first song I'm

274
00:11:16,679 --> 00:11:21,000
Speaker 3: Gonna Do Me, followed by Tomorrow Snakes, I did the

275
00:11:21,040 --> 00:11:23,080
Speaker 3: whole album pretty much, you know what I'm saying, And

276
00:11:23,240 --> 00:11:24,040
Speaker 3: just the chemistry.

277
00:11:24,120 --> 00:11:25,520
Speaker 1: How hard the Streets was on us.

278
00:11:26,000 --> 00:11:29,160
Speaker 3: I say, east Side Jody too, that's my nigga, my

279
00:11:29,240 --> 00:11:31,680
Speaker 3: dog for life. I was out here rocking the free

280
00:11:31,679 --> 00:11:34,600
Speaker 3: tokat Ike shirts. You know what I'm saying, Like east

281
00:11:34,640 --> 00:11:36,760
Speaker 3: Side Jody's just the chemistry we had and what we

282
00:11:36,760 --> 00:11:38,280
Speaker 3: was doing for the streets, you know what I'm saying.

283
00:11:38,800 --> 00:11:42,559
Speaker 3: Classic of course, Gucci h I fucked with you know,

284
00:11:43,120 --> 00:11:44,120
Speaker 3: Gucci and daff.

285
00:11:44,080 --> 00:11:46,360
Speaker 1: Like the same person to me. You know what I'm saying.

286
00:11:46,400 --> 00:11:48,240
Speaker 3: They boach it, man, they gonna ask you what you

287
00:11:48,280 --> 00:11:50,120
Speaker 3: want to eat, what we're gonna eat. We're gonna get

288
00:11:50,160 --> 00:11:53,160
Speaker 3: fool before the sision and smoking down and just have fun.

289
00:11:53,200 --> 00:11:56,880
Speaker 3: It's a lot of laughing and jokes and talking shit,

290
00:11:57,000 --> 00:11:57,720
Speaker 3: you know what I'm saying.

291
00:11:58,120 --> 00:12:00,120
Speaker 1: So you man, I rock peat Dolph. You know, me

292
00:12:00,160 --> 00:12:02,600
Speaker 1: and Dog got a lot of legendary shit too. Who

293
00:12:02,640 --> 00:12:09,000
Speaker 1: worked the hardest man, who worked the hardest man that

294
00:12:09,080 --> 00:12:10,280
Speaker 1: I've seen a lot of.

295
00:12:11,160 --> 00:12:13,559
Speaker 3: Me and Jesus ship was just on meet and grease.

296
00:12:13,679 --> 00:12:15,280
Speaker 3: It'll be like I pull up at the at the

297
00:12:15,360 --> 00:12:17,440
Speaker 3: at the sheer gas station and get him a CD

298
00:12:17,559 --> 00:12:20,000
Speaker 3: and then he gone. So I never really saw Jezy

299
00:12:20,120 --> 00:12:24,440
Speaker 3: work process like that. But I would say it's a

300
00:12:24,640 --> 00:12:30,840
Speaker 3: hard between Gucci and Dag, you know what I'm saying.

301
00:12:30,880 --> 00:12:34,360
Speaker 3: But I will put I will say this though, God,

302
00:12:34,360 --> 00:12:37,480
Speaker 3: they one hell of a work, you know what I'm saying.

303
00:12:37,640 --> 00:12:40,360
Speaker 3: Just how he didn't just songs and songs and songs

304
00:12:40,400 --> 00:12:42,959
Speaker 3: and songs and songs and songs and songs and songs

305
00:12:43,000 --> 00:12:46,000
Speaker 3: like and and learn how to market and develop and

306
00:12:46,040 --> 00:12:49,120
Speaker 3: move and operate a business, you know what I'm saying,

307
00:12:49,160 --> 00:12:52,320
Speaker 3: and turn their hunted into almost one hundred.

308
00:12:52,160 --> 00:12:54,760
Speaker 5: Vie, how you managed like stay out in the middle

309
00:12:54,760 --> 00:12:57,440
Speaker 5: of but be in the middle like Jesus and could

310
00:12:57,440 --> 00:13:01,240
Speaker 5: be into a dolphin and god, it could be into it,

311
00:13:01,360 --> 00:13:03,400
Speaker 5: but you still work with everybody all at the same

312
00:13:03,440 --> 00:13:03,800
Speaker 5: time in the.

313
00:13:03,800 --> 00:13:08,160
Speaker 1: Height of it, Like how you I am Memphis.

314
00:13:08,679 --> 00:13:13,920
Speaker 3: Yeah, so I can't represent one half of anything number one,

315
00:13:14,000 --> 00:13:16,880
Speaker 3: number two, that's between what y'all got going on.

316
00:13:16,920 --> 00:13:18,680
Speaker 1: I'm just the business man. I'm just the dope boy,

317
00:13:19,440 --> 00:13:20,080
Speaker 1: you know what I'm saying.

318
00:13:20,080 --> 00:13:23,079
Speaker 5: Even like with Jesz and Gucca, Like how niggas niggas

319
00:13:23,120 --> 00:13:25,280
Speaker 5: like didn't get in their feeling like, man, fuck me

320
00:13:25,320 --> 00:13:27,440
Speaker 5: Forcusus to how they probably do other niggas.

321
00:13:27,679 --> 00:13:30,200
Speaker 1: What you think you did to make niggas be like

322
00:13:30,320 --> 00:13:32,800
Speaker 1: what ship bro? You fuck with him for? With me?

323
00:13:32,840 --> 00:13:34,280
Speaker 1: We fuck with you. You know what I'm saying.

324
00:13:34,400 --> 00:13:36,400
Speaker 3: I think it's really how I handle my business and

325
00:13:36,400 --> 00:13:38,679
Speaker 3: the importance of me and my spirit my soul, like

326
00:13:38,760 --> 00:13:40,840
Speaker 3: niggas need me. Yeah, you know what I'm saying. So

327
00:13:40,880 --> 00:13:43,800
Speaker 3: I'm uplifting a nigga. I'm I'm I'm your coach and

328
00:13:44,600 --> 00:13:46,920
Speaker 3: so to speak. So it's almost like what you're gonna

329
00:13:46,920 --> 00:13:49,679
Speaker 3: do to Phil Jackson. You know what I'm saying. You're

330
00:13:49,679 --> 00:13:51,559
Speaker 3: gonna get mad at him. You gonna have problems with him.

331
00:13:51,559 --> 00:13:53,920
Speaker 3: You see him doing what he do with COVID.

332
00:13:54,040 --> 00:13:57,040
Speaker 1: You know what I'm saying. But but come on, Mike,

333
00:13:57,200 --> 00:13:58,320
Speaker 1: that ain't you know what I'm saying.

334
00:13:58,360 --> 00:14:00,200
Speaker 3: It's like this, This is what I do is co coach,

335
00:14:00,920 --> 00:14:03,720
Speaker 3: you know what I'm saying, and develop and uplifting, enhands

336
00:14:03,760 --> 00:14:07,000
Speaker 3: and motivate and bring us together something This some shit y'all.

337
00:14:06,760 --> 00:14:07,280
Speaker 1: Had going on.

338
00:14:07,320 --> 00:14:10,200
Speaker 3: When I met y'all, y'all was cool. When I met

339
00:14:10,200 --> 00:14:12,480
Speaker 3: God in Dolphin, I came up with got It, you

340
00:14:12,520 --> 00:14:15,199
Speaker 3: know what I'm saying. Daph was nine or ten when

341
00:14:15,240 --> 00:14:17,920
Speaker 3: I was doing That's what's up for got It, you

342
00:14:17,920 --> 00:14:21,120
Speaker 3: know what I'm saying. So when when I first seen

343
00:14:21,160 --> 00:14:24,360
Speaker 3: y'all together, Damn, y'all was cool. So a lot of that, really,

344
00:14:24,480 --> 00:14:25,120
Speaker 3: you know what I'm saying.

345
00:14:25,160 --> 00:14:26,600
Speaker 1: It's like a big part of it too, is just

346
00:14:26,600 --> 00:14:29,520
Speaker 1: that you just stayed out of it, meaning us in.

347
00:14:29,520 --> 00:14:32,080
Speaker 3: You gotta know how to move for show. I'm definitely

348
00:14:32,120 --> 00:14:33,800
Speaker 3: not rocking niggas changed.

349
00:14:33,920 --> 00:14:34,640
Speaker 1: You know what I'm saying.

350
00:14:34,720 --> 00:14:36,280
Speaker 3: It could have been a time where I could have

351
00:14:36,280 --> 00:14:38,520
Speaker 3: got seem changed or I need change. The same for

352
00:14:39,840 --> 00:14:42,480
Speaker 3: Dolphins and paper Rock change. But I'm always been rocking

353
00:14:42,560 --> 00:14:45,280
Speaker 3: DSR and Drum Squad did is Pete Drum Squad Productions.

354
00:14:45,400 --> 00:14:45,960
Speaker 1: You know what I'm saying.

355
00:14:45,960 --> 00:14:47,600
Speaker 3: I always had my own movement and this is what

356
00:14:47,680 --> 00:14:49,760
Speaker 3: we got going on. We're gonna do business with y'all, nigga.

357
00:14:49,880 --> 00:14:51,240
Speaker 3: This is what we got going on. We're gonna do

358
00:14:51,280 --> 00:14:53,000
Speaker 3: business with ya nigga. Same with J Prince.

359
00:14:53,480 --> 00:14:55,040
Speaker 1: You know what I'm saying. J Prince had a bag

360
00:14:55,080 --> 00:14:56,000
Speaker 1: on the table before a nigga.

361
00:14:56,040 --> 00:14:57,600
Speaker 3: Man have signed a rap a lot, you know what

362
00:14:57,600 --> 00:14:59,200
Speaker 3: I'm saying, and put them rap a lot of chains on.

363
00:14:59,320 --> 00:15:01,760
Speaker 1: But man, man, I fuck with you, bro. I fuck

364
00:15:01,800 --> 00:15:03,600
Speaker 1: with too many people. Man, you know what I'm saying.

365
00:15:03,600 --> 00:15:06,600
Speaker 3: It's like college. I ain't finna this fret wanting nigga,

366
00:15:06,640 --> 00:15:08,800
Speaker 3: This fret wanting nigga. This's fret wanting nigga. I'm cool

367
00:15:08,840 --> 00:15:12,040
Speaker 3: with all y'all the varsity basketball team wanting nigga. I'm

368
00:15:12,040 --> 00:15:14,560
Speaker 3: getting too much money to play basketball. I had D one,

369
00:15:14,600 --> 00:15:16,320
Speaker 3: D two scholarship. You know what I'm saying, could have

370
00:15:16,360 --> 00:15:19,920
Speaker 3: played football, could have ran track. Like, Bro, I see

371
00:15:19,920 --> 00:15:23,280
Speaker 3: this money. This money ain't got no no no emotions.

372
00:15:23,440 --> 00:15:26,640
Speaker 1: You see what I'm saying. So the emotional who you

373
00:15:26,680 --> 00:15:29,280
Speaker 1: fuck with? Who? You? You can't talk to me about that?

374
00:15:30,000 --> 00:15:30,440
Speaker 1: And that's why.

375
00:15:30,680 --> 00:15:33,200
Speaker 3: Ain't nobody that your place to get in that? Yeah,

376
00:15:33,240 --> 00:15:35,120
Speaker 3: and it ain't your place to talk to me about it?

377
00:15:35,320 --> 00:15:38,640
Speaker 3: Right what you're gonna say to me?

378
00:15:38,400 --> 00:15:42,080
Speaker 1: I'm nigga, know what I do? Gucci? What's what's that

379
00:15:42,160 --> 00:15:44,560
Speaker 1: player about? Gucci? Like, hey, drum, I ain't gonna lie

380
00:15:44,640 --> 00:15:51,000
Speaker 1: drawn my nigga of this Jesus straight up.

381
00:15:51,040 --> 00:15:54,760
Speaker 3: Like that's how funny Gua Like I put on I can't.

382
00:15:55,560 --> 00:15:57,760
Speaker 3: I can't run from it. Like here where I go,

383
00:15:57,840 --> 00:15:58,480
Speaker 3: they playing.

384
00:15:58,280 --> 00:16:00,720
Speaker 1: I put on drunk. You know what I'm saying.

385
00:16:00,760 --> 00:16:03,440
Speaker 3: Even when I'm in the club, it's like like Gucci

386
00:16:03,600 --> 00:16:05,800
Speaker 3: funny like off the same way.

387
00:16:05,880 --> 00:16:08,760
Speaker 1: So you know what I'm saying, Like, niggas keep it playing.

388
00:16:08,800 --> 00:16:12,200
Speaker 3: Man, I'm built from some different you know what I'm saying, Man,

389
00:16:12,240 --> 00:16:13,760
Speaker 3: I repeat in same way.

390
00:16:13,920 --> 00:16:16,400
Speaker 1: Man, I learned so much from my big bro. You

391
00:16:16,400 --> 00:16:19,640
Speaker 1: know what I'm saying. We fuck with who?

392
00:16:19,680 --> 00:16:22,000
Speaker 3: Fucked with us, the niggas who fuck with me, So

393
00:16:22,360 --> 00:16:24,000
Speaker 3: you got an issue. I can't cook that nigga.

394
00:16:24,000 --> 00:16:25,440
Speaker 1: I just cooked with you. I got going on and

395
00:16:25,480 --> 00:16:26,080
Speaker 1: the nigga.

396
00:16:25,920 --> 00:16:27,960
Speaker 3: Being real and lord of me paying all the time

397
00:16:28,880 --> 00:16:31,520
Speaker 3: you feel then y'all come around to be cool.

398
00:16:31,520 --> 00:16:35,760
Speaker 1: And now I'm looking like exactly, Yeah, it'll never go

399
00:16:35,840 --> 00:16:39,960
Speaker 1: down with me like that. Yeah, I agree that they

400
00:16:40,000 --> 00:16:42,760
Speaker 1: said anything else when I got big.

401
00:16:45,440 --> 00:16:49,000
Speaker 2: Another thing, man, you always keep like you, you move

402
00:16:49,040 --> 00:16:52,840
Speaker 2: and you never in the blog or tabloid nothing like

403
00:16:52,880 --> 00:16:56,080
Speaker 2: we we We're not gonna know who drummer dating, none

404
00:16:56,080 --> 00:16:58,040
Speaker 2: of that ship like how you flying to the radar.

405
00:16:58,160 --> 00:17:00,440
Speaker 3: Here I'll be posting my girl. Now you see who

406
00:17:00,480 --> 00:17:02,680
Speaker 3: I'm dating. If you go through my Instagram, I shut

407
00:17:02,720 --> 00:17:03,720
Speaker 3: the eye for sure.

408
00:17:04,560 --> 00:17:06,280
Speaker 2: But I'm just saying as a whole, you never kind

409
00:17:06,320 --> 00:17:09,000
Speaker 2: of you're You're always into mixing you outside, but you'll

410
00:17:09,040 --> 00:17:11,080
Speaker 2: never be in no bullshit. I guess that's what I'm saying. Man,

411
00:17:11,119 --> 00:17:13,520
Speaker 2: you just gotta keep it real with yourself. Man, you

412
00:17:13,560 --> 00:17:14,080
Speaker 2: know what I'm saying.

413
00:17:14,160 --> 00:17:16,399
Speaker 3: Like I made a promise with myself at thirteen fourteen,

414
00:17:16,480 --> 00:17:19,400
Speaker 3: I understood my purpose and I always said that I'm

415
00:17:19,400 --> 00:17:23,560
Speaker 3: gonna serve the Lord in a way and spread.

416
00:17:23,320 --> 00:17:25,200
Speaker 1: The love because that's the gift that he gave me

417
00:17:25,320 --> 00:17:26,000
Speaker 1: to bless people.

418
00:17:26,119 --> 00:17:28,520
Speaker 3: I'm good with just getting with the cruel people, telling

419
00:17:28,560 --> 00:17:30,120
Speaker 3: them what they need to do with woo woo woo.

420
00:17:30,160 --> 00:17:31,840
Speaker 1: And I can just I don't know, I just got

421
00:17:31,960 --> 00:17:33,360
Speaker 1: to give for this shit. You know what I'm saying.

422
00:17:33,359 --> 00:17:34,879
Speaker 1: I can feel a nigga spirit. I can tell a.

423
00:17:34,920 --> 00:17:36,520
Speaker 3: Nigga, I for a nigga real if a nigga woo

424
00:17:37,280 --> 00:17:39,000
Speaker 3: just by your justice, just the fact you don't want

425
00:17:39,040 --> 00:17:40,480
Speaker 3: to look me in my eye, you who might have

426
00:17:40,640 --> 00:17:41,159
Speaker 3: something going on.

427
00:17:41,280 --> 00:17:44,320
Speaker 1: The woo wo. So I try to help us, save us,

428
00:17:44,640 --> 00:17:46,239
Speaker 1: you know what I'm saying, and bring us together. Say bro,

429
00:17:46,320 --> 00:17:48,640
Speaker 1: this shit possible for you. I started making music, nigga,

430
00:17:48,680 --> 00:17:50,320
Speaker 1: I had every option in the in the in the

431
00:17:50,440 --> 00:17:52,280
Speaker 1: in the in the world. You know what I'm saying.

432
00:17:52,359 --> 00:17:55,040
Speaker 3: I had every woman I want it in the world.

433
00:17:55,040 --> 00:17:56,520
Speaker 3: You know what I'm saying, Just on keeping it a

434
00:17:56,680 --> 00:17:58,760
Speaker 3: buck with who I am and keeping it play up.

435
00:17:59,200 --> 00:18:00,760
Speaker 3: You see what I'm saying. A lot of niggas want

436
00:18:00,760 --> 00:18:02,960
Speaker 3: to be something that they ain't. You know what I'm saying,

437
00:18:03,080 --> 00:18:05,280
Speaker 3: I ain't never came at you like I'm the gangster.

438
00:18:06,640 --> 00:18:10,000
Speaker 3: I'm now, don't play with this shiit though. You see

439
00:18:10,080 --> 00:18:14,560
Speaker 3: what I'm saying it it's morals like we had street code,

440
00:18:14,640 --> 00:18:18,480
Speaker 3: we had motherfucking integrity. You know what I mean with

441
00:18:19,240 --> 00:18:22,679
Speaker 3: how we came up seeing Isaac Hayes and glad as

442
00:18:22,800 --> 00:18:24,399
Speaker 3: night in the living room when I wake up.

443
00:18:24,720 --> 00:18:26,520
Speaker 1: You know what I'm saying. But they treating her just

444
00:18:26,600 --> 00:18:28,760
Speaker 1: like they treat my mom or we in the church.

445
00:18:28,920 --> 00:18:32,200
Speaker 3: Everybody either brother or sister, sister, Jenkins, brother Johns, and

446
00:18:32,240 --> 00:18:34,160
Speaker 3: Da Da Da da dah. So I treat the whole

447
00:18:34,200 --> 00:18:37,280
Speaker 3: world kind of like the church. You know what I'm saying.

448
00:18:37,520 --> 00:18:39,719
Speaker 3: We all equal, we all pumped the same blood. I'm

449
00:18:39,760 --> 00:18:42,080
Speaker 3: not finna walk around like I'm bigger than you or

450
00:18:42,160 --> 00:18:44,240
Speaker 3: look at you like you're bigger than me. When I

451
00:18:44,359 --> 00:18:45,920
Speaker 3: met jay Z, I looked at him like, Damn, this

452
00:18:45,960 --> 00:18:49,560
Speaker 3: shit possible. When I met doctor Dre or Man Kanye

453
00:18:49,720 --> 00:18:51,000
Speaker 3: or whoever. You know what I'm saying, I look at

454
00:18:51,000 --> 00:18:52,800
Speaker 3: them nigga like man, this shit possible. I don't look

455
00:18:52,800 --> 00:18:56,120
Speaker 3: at them like superstars or celebrities, you see what I'm saying.

456
00:18:56,160 --> 00:18:59,760
Speaker 3: So it's just a way a Nigga moved, and you

457
00:18:59,800 --> 00:19:02,840
Speaker 3: know that's that's you know what I'm saying, The cloth

458
00:19:02,880 --> 00:19:03,480
Speaker 3: for a nigga.

459
00:19:03,280 --> 00:19:07,000
Speaker 5: Cut from like by you being a veteran OG in

460
00:19:07,080 --> 00:19:10,800
Speaker 5: the game producer, wish the like new artist you like

461
00:19:10,960 --> 00:19:12,879
Speaker 5: shit I get, I get shouted at juice.

462
00:19:13,080 --> 00:19:15,960
Speaker 1: You know what I'm saying. That's popping right now? Mm hmm.

463
00:19:17,359 --> 00:19:21,040
Speaker 3: Twenty one, sevente twenty one. I love twenty one man,

464
00:19:21,160 --> 00:19:22,560
Speaker 3: like you know what I'm saying. It just the respect

465
00:19:22,600 --> 00:19:25,760
Speaker 3: he got for Memphis and the ship he be talking like.

466
00:19:25,840 --> 00:19:27,399
Speaker 3: We just ain't he don't know me.

467
00:19:27,480 --> 00:19:29,760
Speaker 1: I don't know him like that. We ain't never wene met,

468
00:19:29,880 --> 00:19:32,240
Speaker 1: But it ain't never been a lock in or a

469
00:19:32,359 --> 00:19:35,480
Speaker 1: studio time or opportunity to present whatever. What the fuck

470
00:19:35,520 --> 00:19:36,680
Speaker 1: I do? You know what I'm saying.

471
00:19:36,720 --> 00:19:38,680
Speaker 3: But it'll be twenty one that nigga hardest ship and

472
00:19:38,800 --> 00:19:41,120
Speaker 3: he depending on auto tune.

473
00:19:41,359 --> 00:19:43,920
Speaker 1: Yeah right, you know what I'm saying. It's raw. It's

474
00:19:43,960 --> 00:19:46,359
Speaker 1: that I want the raw ship. You know what I'm saying,

475
00:19:46,400 --> 00:19:49,000
Speaker 1: The raw and uncut. You know what I mean. That's

476
00:19:49,119 --> 00:19:52,680
Speaker 1: that's for sure. I think y'all cook us ship real.

477
00:19:53,160 --> 00:19:56,760
Speaker 2: Yeah for five on forward, man, it was two names

478
00:19:57,280 --> 00:19:59,639
Speaker 2: if he was coming through it through Atlanta, you know

479
00:19:59,640 --> 00:20:01,520
Speaker 2: what I'm saying. And I did a bunch of them

480
00:20:01,560 --> 00:20:03,960
Speaker 2: takes with her, a lot of classic music, but it's

481
00:20:04,000 --> 00:20:06,760
Speaker 2: two names and directed back a little bit to what

482
00:20:06,800 --> 00:20:08,600
Speaker 2: we was talking about before we got on talking about

483
00:20:08,680 --> 00:20:09,320
Speaker 2: versus and ship.

484
00:20:09,920 --> 00:20:13,040
Speaker 1: You know every rapper Bank, I think you get something

485
00:20:13,040 --> 00:20:13,760
Speaker 1: from both of them.

486
00:20:14,160 --> 00:20:18,040
Speaker 2: Wanted a drummer and or Ton just talk about the

487
00:20:18,119 --> 00:20:20,439
Speaker 2: drummer boys Ay toven relationship a little bit.

488
00:20:20,680 --> 00:20:22,960
Speaker 3: Man, That's that's my nigga for all this time, I

489
00:20:23,000 --> 00:20:25,000
Speaker 3: thought was younger than me. You know what I'm saying.

490
00:20:25,119 --> 00:20:27,080
Speaker 3: I just turned forty. I didn't even know they were

491
00:20:27,119 --> 00:20:32,840
Speaker 3: like you just got that. Yeah, But I was like

492
00:20:33,119 --> 00:20:36,000
Speaker 3: in a game, I think a little earlier than say.

493
00:20:36,240 --> 00:20:38,920
Speaker 1: You know what I'm saying. But just Zay coming from

494
00:20:38,920 --> 00:20:40,880
Speaker 1: the church, he understand musicianship.

495
00:20:41,359 --> 00:20:43,240
Speaker 3: So we got to respect for each other just on

496
00:20:43,359 --> 00:20:47,119
Speaker 3: the music side, like he appreciated she really understand the

497
00:20:47,320 --> 00:20:49,399
Speaker 3: music theory and appreciation for music.

498
00:20:49,560 --> 00:20:52,560
Speaker 1: So you know, just on that have cooked up a

499
00:20:52,600 --> 00:20:55,159
Speaker 1: beat together. Yeah, you just posted this ship. You know

500
00:20:55,160 --> 00:20:55,600
Speaker 1: what I'm saying.

501
00:20:55,760 --> 00:20:59,600
Speaker 3: I started a way cop producers way producer's way that

502
00:21:00,040 --> 00:21:01,760
Speaker 3: you know, just for us, unifying us.

503
00:21:01,880 --> 00:21:03,720
Speaker 1: We collabed. We do beat battles.

504
00:21:03,720 --> 00:21:05,600
Speaker 3: You know what I'm saying, o iselves different sounds and

505
00:21:05,680 --> 00:21:08,040
Speaker 3: kids because it's been False and Food Gates and Druma

506
00:21:08,080 --> 00:21:10,720
Speaker 3: Boy kids on the web for ten twenty years. So

507
00:21:10,800 --> 00:21:12,600
Speaker 3: I was like, man, let me take over that and

508
00:21:12,680 --> 00:21:15,440
Speaker 3: started putting official kits out. So that's what produced a

509
00:21:15,480 --> 00:21:17,680
Speaker 3: wave about But man, we make beats.

510
00:21:17,720 --> 00:21:19,400
Speaker 1: We did a lot of shit. We did that burn

511
00:21:19,920 --> 00:21:22,360
Speaker 1: for Curtis and patch work that had passed with True

512
00:21:22,400 --> 00:21:22,879
Speaker 1: and all of them.

513
00:21:22,960 --> 00:21:27,360
Speaker 3: It was a Tamika Mallory and and uh, what's what's

514
00:21:27,440 --> 00:21:29,639
Speaker 3: the George Floyd when that happened.

515
00:21:29,640 --> 00:21:30,720
Speaker 1: You know what I'm saying. We did a song, But

516
00:21:30,760 --> 00:21:32,440
Speaker 1: we do a lot of positive ship for the community

517
00:21:32,440 --> 00:21:34,920
Speaker 1: as what is for the streets. What you think of

518
00:21:35,040 --> 00:21:37,480
Speaker 1: having this is friendly talkers. The respect is there. If

519
00:21:37,560 --> 00:21:40,560
Speaker 1: y'all had to get into verses and get competitive what

520
00:21:40,760 --> 00:21:41,520
Speaker 1: you think of happened?

521
00:21:41,600 --> 00:21:44,040
Speaker 3: Man, we did that honestly at the b and my

522
00:21:44,480 --> 00:21:46,480
Speaker 3: A lot of people was there, you know what I'm saying,

523
00:21:46,680 --> 00:21:49,520
Speaker 3: Drumma Boy versus a Toba, My brother was there, DJ

524
00:21:49,720 --> 00:21:52,840
Speaker 3: Kilo was there, DJ a Infamous was there. H Man,

525
00:21:52,920 --> 00:21:54,520
Speaker 3: it was it was a fun moment. Man, it was

526
00:21:54,600 --> 00:21:57,040
Speaker 3: really a history lesson. Man, wake people up because a

527
00:21:57,080 --> 00:21:57,280
Speaker 3: lot of.

528
00:21:57,280 --> 00:22:04,800
Speaker 1: People like you did that. Yeah you did? I see why? Yeah,

529
00:22:04,960 --> 00:22:05,600
Speaker 1: you know what I'm saying.

530
00:22:05,880 --> 00:22:08,040
Speaker 3: You might be you know, you forget a lot of

531
00:22:08,080 --> 00:22:10,159
Speaker 3: times you ain't keeping up with the tag, or I

532
00:22:10,240 --> 00:22:12,639
Speaker 3: might just took the tag off just to not be

533
00:22:12,800 --> 00:22:14,720
Speaker 3: so redundant, you know what i mean.

534
00:22:14,840 --> 00:22:16,119
Speaker 1: So it might be some ship that I ain't got

535
00:22:16,160 --> 00:22:19,840
Speaker 1: a nigga tag and I'm sitting back, you know what

536
00:22:19,880 --> 00:22:20,240
Speaker 1: I'm saying.

537
00:22:21,200 --> 00:22:24,520
Speaker 3: You know what I'm saying, Especially having multiple songs on

538
00:22:24,600 --> 00:22:26,840
Speaker 3: the album, it's like you got to listen to the

539
00:22:26,920 --> 00:22:29,600
Speaker 3: track and listen to the track, listen like you know

540
00:22:29,640 --> 00:22:30,080
Speaker 3: what I'm saying.

541
00:22:30,119 --> 00:22:31,560
Speaker 1: So at some point you got to change it up.

542
00:22:31,600 --> 00:22:34,680
Speaker 1: Did David invent the producer tag? No? Hell no, that

543
00:22:34,840 --> 00:22:37,200
Speaker 1: was just my nigga jay goom man. You know what

544
00:22:37,200 --> 00:22:38,760
Speaker 1: I'm saying. Who was the first person to have a

545
00:22:38,920 --> 00:22:45,159
Speaker 1: producer tag? I don't know that that'll be Arguably it

546
00:22:45,400 --> 00:22:47,640
Speaker 1: was somebody that'll.

547
00:22:47,080 --> 00:22:50,119
Speaker 3: Be arguing two three six was doing this ship from

548
00:22:50,160 --> 00:22:51,680
Speaker 3: the get go. They letting you know who they is

549
00:22:51,760 --> 00:22:53,919
Speaker 3: from the get beginning. They tagged with.

550
00:22:55,440 --> 00:22:56,120
Speaker 1: You know what, I'm saying.

551
00:22:56,640 --> 00:22:59,680
Speaker 3: So that's where we get it from. Yeah, you know

552
00:22:59,680 --> 00:23:03,280
Speaker 3: what I'm your tag came from who my nigga ja?

553
00:23:03,520 --> 00:23:05,880
Speaker 3: So we in the studio. I was actually the first

554
00:23:05,920 --> 00:23:09,679
Speaker 3: gangster GRIBs that I did was Blackout Music, Fiona some Mo.

555
00:23:09,960 --> 00:23:13,120
Speaker 1: Rob Jackson, Charlie Hustle, you know what I'm saying.

556
00:23:13,560 --> 00:23:16,480
Speaker 3: And uh, man, I'm out there, God damn in the

557
00:23:16,600 --> 00:23:18,439
Speaker 3: in the and I was like, man, the only thing

558
00:23:18,480 --> 00:23:20,560
Speaker 3: I need in Atlanta was just put me in the crib.

559
00:23:20,800 --> 00:23:22,800
Speaker 3: I talked to CEO, you know what I'm saying, and

560
00:23:22,840 --> 00:23:24,720
Speaker 3: they put me in this crib out of Henry County,

561
00:23:25,040 --> 00:23:27,680
Speaker 3: you know what I'm saying, And Bam, we get doing

562
00:23:27,720 --> 00:23:28,400
Speaker 3: the whole project.

563
00:23:28,800 --> 00:23:29,440
Speaker 1: You know what I'm saying.

564
00:23:29,520 --> 00:23:33,159
Speaker 3: Whoo, and end up finishing the whole mixtape that we

565
00:23:33,200 --> 00:23:35,440
Speaker 3: got there and ran through gainst the grill, you know

566
00:23:35,480 --> 00:23:40,080
Speaker 3: what I'm saying. And just that project, that that one

567
00:23:40,200 --> 00:23:43,840
Speaker 3: project put a nigga in relationships and in places that

568
00:23:43,920 --> 00:23:44,800
Speaker 3: I never would have thought.

569
00:23:45,240 --> 00:23:45,960
Speaker 1: You know what I'm saying.

570
00:23:46,040 --> 00:23:49,600
Speaker 3: From the from the from the Fiona side, from Rob Jackson,

571
00:23:49,680 --> 00:23:51,600
Speaker 3: just being in Atlanta, you know what I'm saying. And

572
00:23:51,640 --> 00:23:54,359
Speaker 3: that's really what put me in position to get the

573
00:23:54,520 --> 00:23:56,560
Speaker 3: get the get a little three bedroom crib out here.

574
00:23:56,720 --> 00:23:59,200
Speaker 3: You know what I'm saying, And bam, it's just man

575
00:24:00,040 --> 00:24:02,480
Speaker 3: relationships moving around, networking politic.

576
00:24:02,760 --> 00:24:04,400
Speaker 1: You know what I'm saying. You gotta you gotta bet

577
00:24:04,480 --> 00:24:06,960
Speaker 1: on you man with this ship. I bet on me.

578
00:24:07,400 --> 00:24:07,880
Speaker 1: You know what I mean.

579
00:24:07,920 --> 00:24:09,640
Speaker 3: I know I'm finna generate the money. I know I'm

580
00:24:09,680 --> 00:24:11,680
Speaker 3: finna what I'm finna put on the table. So you

581
00:24:11,720 --> 00:24:13,720
Speaker 3: know what I'm saying, It's just like taking one bag,

582
00:24:14,000 --> 00:24:17,000
Speaker 3: putting back into myself, taking another bag, putting back into myself,

583
00:24:17,080 --> 00:24:19,680
Speaker 3: taking another bed, putting some putting back into myself to

584
00:24:20,040 --> 00:24:21,880
Speaker 3: the point where I seen six figures in the bank.

585
00:24:22,520 --> 00:24:24,800
Speaker 3: You know what I'm saying, one hundred fifty two hundred

586
00:24:24,840 --> 00:24:26,680
Speaker 3: three hundred. To keep running that ship up, Buy some

587
00:24:26,720 --> 00:24:29,359
Speaker 3: more equipment, Stay in tune with the technology.

588
00:24:29,640 --> 00:24:31,000
Speaker 1: This ship uh.

589
00:24:32,400 --> 00:24:35,720
Speaker 3: Trending over from analog to digital, you know what I mean,

590
00:24:35,920 --> 00:24:38,080
Speaker 3: keeping the software and all the equipment.

591
00:24:37,720 --> 00:24:39,399
Speaker 1: Up to date. Like you know what I'm saying. I

592
00:24:39,440 --> 00:24:43,280
Speaker 1: think that's that's the secret for real. Which producer you.

593
00:24:43,400 --> 00:24:45,600
Speaker 5: Seem like you know when you already on you look

594
00:24:45,720 --> 00:24:47,879
Speaker 5: back you see the nig coming up and be like

595
00:24:47,920 --> 00:24:50,320
Speaker 5: oh yeah, he he he wont the ones he like.

596
00:24:51,119 --> 00:24:53,080
Speaker 1: You know what I'm saying, Like, you see some ship

597
00:24:53,160 --> 00:24:55,399
Speaker 1: they doing, like, damn, I ain't think of that. He

598
00:24:55,560 --> 00:24:56,800
Speaker 1: changed the game with that one.

599
00:24:56,680 --> 00:25:01,359
Speaker 3: You know what I'm saying, Man, this is so repetitive

600
00:25:01,480 --> 00:25:06,200
Speaker 3: right now, I'm trying to think in my generation, the

601
00:25:06,280 --> 00:25:08,159
Speaker 3: people who were making bets who I really like. It

602
00:25:08,280 --> 00:25:11,680
Speaker 3: was like, okay, the way they catalog was going. As

603
00:25:11,720 --> 00:25:14,800
Speaker 3: far as they versus ship, I was like, my Justice League,

604
00:25:15,680 --> 00:25:21,000
Speaker 3: them niggas got them. Niggas had some like maybe maybe,

605
00:25:25,160 --> 00:25:27,960
Speaker 3: and they all play musicians, they all play instruments. So

606
00:25:28,440 --> 00:25:30,680
Speaker 3: to me, it was like my Justice League was like

607
00:25:30,800 --> 00:25:33,480
Speaker 3: more of a threat, you know what I mean. And

608
00:25:33,600 --> 00:25:36,440
Speaker 3: my they my niggas, they got the club on lock.

609
00:25:36,640 --> 00:25:38,200
Speaker 1: You know what I'm saying. I was like, Okay, the

610
00:25:38,280 --> 00:25:38,920
Speaker 1: club cool.

611
00:25:39,600 --> 00:25:41,680
Speaker 3: The money that I'm making on the back end ain't

612
00:25:41,840 --> 00:25:45,359
Speaker 3: ain't the way I see it compared to this radio shit.

613
00:25:46,040 --> 00:25:48,719
Speaker 3: When I make these radio records like a No Love August,

614
00:25:48,720 --> 00:25:52,440
Speaker 3: I've seen the Nigga minage or no Hands or you

615
00:25:52,520 --> 00:25:55,359
Speaker 3: know what I mean I put on for my city

616
00:25:55,640 --> 00:26:00,119
Speaker 3: or even Shortyplies or even look at my damn. He

617
00:26:00,200 --> 00:26:02,600
Speaker 3: goes like it's a different kind of money.

618
00:26:03,400 --> 00:26:04,000
Speaker 1: You know what I'm saying.

619
00:26:04,000 --> 00:26:07,280
Speaker 3: When that shit doing three four five million, it's cool

620
00:26:07,320 --> 00:26:09,400
Speaker 3: to have a club on lot, you know what I'm saying.

621
00:26:09,560 --> 00:26:12,520
Speaker 1: But man, I need to back again what you do with.

622
00:26:12,560 --> 00:26:15,240
Speaker 2: Two niggas on the same beat and they're really passionate

623
00:26:15,320 --> 00:26:16,320
Speaker 2: about getting that beat?

624
00:26:17,320 --> 00:26:20,119
Speaker 1: I know the answer. Yeah, that was standing Ovation.

625
00:26:20,280 --> 00:26:21,880
Speaker 3: So we can take it back to the stand Innovation

626
00:26:22,320 --> 00:26:25,440
Speaker 3: stage and the first time that I actually met Gucci's

627
00:26:25,480 --> 00:26:29,639
Speaker 3: crazy store. So this when Gucci just came back from Birmingham,

628
00:26:30,200 --> 00:26:31,720
Speaker 3: you know what I'm saying, or Montgomery. He was in

629
00:26:31,800 --> 00:26:34,560
Speaker 3: Montgomery Burn, I think Birmingham. He had just came back

630
00:26:34,800 --> 00:26:37,480
Speaker 3: out there for a minute. He in the office waiting

631
00:26:37,560 --> 00:26:38,320
Speaker 3: on Big Cat.

632
00:26:39,040 --> 00:26:41,320
Speaker 1: You know what I'm saying. I pull up BIGK, owe

633
00:26:41,359 --> 00:26:44,000
Speaker 1: me some money for a beat that I sold Young Sneak.

634
00:26:44,400 --> 00:26:47,840
Speaker 1: Everybody like, man, who you sold the original standing Ovation beat?

635
00:26:48,440 --> 00:26:50,040
Speaker 1: Big K had an artist named Young Sneak.

636
00:26:51,000 --> 00:26:54,320
Speaker 3: So Bam, that was the first original stand Innovation So

637
00:26:54,440 --> 00:26:56,600
Speaker 3: to him, I don't even think he released the song ever.

638
00:26:56,680 --> 00:26:59,200
Speaker 1: Put the shit out, you know what I mean? So Bam.

639
00:26:59,680 --> 00:27:03,200
Speaker 3: Six months later after I engaged Jeez the City with

640
00:27:03,280 --> 00:27:04,879
Speaker 3: that same beat on it, you know, because that's how

641
00:27:04,920 --> 00:27:05,840
Speaker 3: we market our beats.

642
00:27:07,240 --> 00:27:09,880
Speaker 1: You beat, Yeah, you gotta be all right, first come,

643
00:27:10,000 --> 00:27:13,360
Speaker 1: first service. Yeah, and then by the time. And that's

644
00:27:13,359 --> 00:27:15,680
Speaker 1: what's crazy. Young sne ain't even had no hit or

645
00:27:15,720 --> 00:27:16,719
Speaker 1: the someone put out.

646
00:27:16,760 --> 00:27:20,560
Speaker 3: But that's how much I'm about my integrity, about my reputation,

647
00:27:20,680 --> 00:27:22,760
Speaker 3: about my name. Like I came in the game, I

648
00:27:22,840 --> 00:27:25,920
Speaker 3: earned respect first before making money, before doing anything else.

649
00:27:25,960 --> 00:27:28,600
Speaker 3: Niggas respected me. You ain't finna paint. No nigga, you

650
00:27:28,640 --> 00:27:31,639
Speaker 3: don't respect you know what I'm saying. So for me,

651
00:27:32,200 --> 00:27:34,960
Speaker 3: it ain't money power respect. It was it was respect.

652
00:27:35,080 --> 00:27:37,760
Speaker 1: Then the money come, then you've become powerful. So bet

653
00:27:37,920 --> 00:27:41,600
Speaker 1: so what we're talking about the beat?

654
00:27:42,359 --> 00:27:45,919
Speaker 3: Okay, yeah, yeah, so standing ovation bet the original beat.

655
00:27:45,960 --> 00:27:50,159
Speaker 3: That's all the young snead. So Damn I see uh

656
00:27:51,119 --> 00:27:54,600
Speaker 3: I see. Six months later, I see a phone call

657
00:27:54,720 --> 00:27:56,920
Speaker 3: from Giz. I got like fifteen minutes called from Jesus

658
00:27:56,920 --> 00:27:58,920
Speaker 3: and coach K. You know what I'm saying, I'm on

659
00:27:59,000 --> 00:28:00,840
Speaker 3: the halo. I'm on the box for a little sick

660
00:28:01,280 --> 00:28:03,200
Speaker 3: you know what I'm saying. Fucking off, Bamn, like damn,

661
00:28:03,240 --> 00:28:05,200
Speaker 3: get to the phone, Damn, let me fuck.

662
00:28:05,280 --> 00:28:08,120
Speaker 1: Let me call Coach K. First, coll Coach K. Hey, man,

663
00:28:08,480 --> 00:28:09,600
Speaker 1: you need to call Jesus. Bro.

664
00:28:10,560 --> 00:28:12,920
Speaker 3: It's a beat on the album and it's Doug motivation

665
00:28:13,040 --> 00:28:16,880
Speaker 3: one on one. You know what I'm saying the street time, Yeah,

666
00:28:16,960 --> 00:28:21,280
Speaker 3: all that ship out. This is the hardest nigga coming

667
00:28:21,320 --> 00:28:23,040
Speaker 3: out of Linda. And you want to be on his album?

668
00:28:23,240 --> 00:28:24,000
Speaker 3: You see what I'm saying.

669
00:28:24,119 --> 00:28:26,800
Speaker 1: So bamn. I called Jesus. Jesus like, hey, what up?

670
00:28:26,800 --> 00:28:29,120
Speaker 1: What up? Though? Man? Ship? What's up with this beat?

671
00:28:29,320 --> 00:28:30,879
Speaker 1: And I was like, Ship, I don't play it for me?

672
00:28:31,200 --> 00:28:33,840
Speaker 1: I probably got it. He played me, played me to

673
00:28:33,880 --> 00:28:39,760
Speaker 1: beat my stomach sung. I'm like, oh damn sh Jesus,

674
00:28:39,800 --> 00:28:42,480
Speaker 1: I saw that motherfucker. Bro. You know what I'm saying, Like,

675
00:28:42,560 --> 00:28:43,600
Speaker 1: ain't nothing. You know what I'm saying.

676
00:28:43,800 --> 00:28:46,080
Speaker 3: It's like a pound of the work, bro, Sit doest

677
00:28:46,600 --> 00:28:48,440
Speaker 3: I can't get nothing. They smoke that ship up, that

678
00:28:48,480 --> 00:28:50,840
Speaker 3: ship gone whatever. How I gonna get it back?

679
00:28:51,080 --> 00:28:51,760
Speaker 1: Shent tell them.

680
00:28:51,760 --> 00:28:54,200
Speaker 3: Nigga were gonna give them a hundred thousand. He was like,

681
00:28:54,280 --> 00:28:57,360
Speaker 3: man ten twenty fifty, that might win all with the hundred,

682
00:28:57,560 --> 00:29:00,000
Speaker 3: one hundred thousand. Swear to god, I paid him hundy

683
00:29:00,120 --> 00:29:00,840
Speaker 3: down for this beat.

684
00:29:01,280 --> 00:29:03,000
Speaker 1: You know what I'm saying. He was talking about, Man,

685
00:29:03,000 --> 00:29:12,680
Speaker 1: I got jay Z on the beat and everything on

686
00:29:12,800 --> 00:29:14,200
Speaker 1: them all the man.

687
00:29:14,320 --> 00:29:18,000
Speaker 3: So look, I'm like, bro, listen, man, what's crazy is

688
00:29:18,120 --> 00:29:20,520
Speaker 3: that I've been telling this nigga. Man I started making

689
00:29:20,560 --> 00:29:24,520
Speaker 3: beats off of acapella. So that was like a challenge, like, Okay,

690
00:29:24,560 --> 00:29:26,000
Speaker 3: that's the song on the radio. Let me see if

691
00:29:26,000 --> 00:29:27,480
Speaker 3: I can make a big beat better than that. Let

692
00:29:27,520 --> 00:29:28,680
Speaker 3: me see if I can make it be better than that.

693
00:29:28,800 --> 00:29:31,280
Speaker 3: So every time I seen him and Coach K, like

694
00:29:31,360 --> 00:29:34,080
Speaker 3: the six times prior to that, every time I see him,

695
00:29:34,080 --> 00:29:36,360
Speaker 3: I'll be like, bro, give me some acapellas. Bro, give

696
00:29:36,400 --> 00:29:38,480
Speaker 3: me some acapellas. Bro, give me some acapella. So you're

697
00:29:38,480 --> 00:29:41,640
Speaker 3: gonna cook around, Yeah, I'm a I'm a tailor. Make

698
00:29:41,720 --> 00:29:44,280
Speaker 3: the soup around you and make it sound like you.

699
00:29:44,640 --> 00:29:47,040
Speaker 3: You spit this ship in the bo That's hard, you

700
00:29:47,080 --> 00:29:49,960
Speaker 3: know what I'm saying. So big now it's an opportunity

701
00:29:50,040 --> 00:29:53,320
Speaker 3: where you gotta give me the acapellas. But he like, man,

702
00:29:53,840 --> 00:29:55,959
Speaker 3: all all right, I'm gonna hit you back. I already

703
00:29:56,040 --> 00:29:58,280
Speaker 3: know what he did. He sent it to another producer.

704
00:29:58,400 --> 00:30:00,280
Speaker 3: I ain't gonna say the name. He probably say into

705
00:30:00,280 --> 00:30:03,320
Speaker 3: another another. Producers go to producers. They couldn't come up

706
00:30:03,360 --> 00:30:04,760
Speaker 3: with nothing, you know what I'm saying.

707
00:30:04,800 --> 00:30:05,680
Speaker 1: So he called me back.

708
00:30:06,080 --> 00:30:09,080
Speaker 3: He said, Man, listen, I turned into album in the morning.

709
00:30:09,960 --> 00:30:12,360
Speaker 3: So you know I can't send you this. I can't

710
00:30:12,400 --> 00:30:13,320
Speaker 3: email you this record.

711
00:30:13,600 --> 00:30:14,840
Speaker 1: You know what I'm say. Because he and I already

712
00:30:14,880 --> 00:30:15,320
Speaker 1: went through.

713
00:30:15,240 --> 00:30:18,360
Speaker 3: The album leaked ship. You know that album ended up

714
00:30:18,400 --> 00:30:20,440
Speaker 3: getting leaked, you know what I'm saying. So, like shit,

715
00:30:20,600 --> 00:30:22,640
Speaker 3: you got to pull up and he was at passwork.

716
00:30:22,680 --> 00:30:25,040
Speaker 1: I'm in Stone Mountain. I just got the three bedroom crib,

717
00:30:25,080 --> 00:30:27,400
Speaker 1: brought my brother, brought Swizzle, my other producer down here

718
00:30:27,400 --> 00:30:29,640
Speaker 1: and everything. You know what I'm saying. So I like,

719
00:30:29,760 --> 00:30:31,520
Speaker 1: she I bet I'll be down there.

720
00:30:31,560 --> 00:30:33,760
Speaker 3: And I probably had like one hundred dollars in my

721
00:30:33,800 --> 00:30:36,280
Speaker 3: pocket at the time, rent paid food.

722
00:30:36,040 --> 00:30:37,720
Speaker 1: And the frieze. You know what I'm saying. Got a

723
00:30:37,760 --> 00:30:42,440
Speaker 1: little gas. They gas from Stone Mountain to the passwork.

724
00:30:42,480 --> 00:30:48,160
Speaker 1: That ship ain't no hope, little chunk out of the ship.

725
00:30:48,240 --> 00:30:51,680
Speaker 1: I get to god damn passwork for real, straight up, I.

726
00:30:51,760 --> 00:30:55,120
Speaker 3: Get to the studio. I got damn get the a cappella.

727
00:30:55,640 --> 00:30:59,960
Speaker 3: You know what I'm saying, Man, Jesus said a few words.

728
00:31:00,160 --> 00:31:01,680
Speaker 1: He was like, man, you come through for me on

729
00:31:01,800 --> 00:31:02,920
Speaker 1: this one. Shit, I got you.

730
00:31:02,960 --> 00:31:06,320
Speaker 3: We're gonna do a lot of ship together, straight upright,

731
00:31:07,640 --> 00:31:10,360
Speaker 3: drive back to the crib. I do a first version remake,

732
00:31:10,920 --> 00:31:13,120
Speaker 3: take it back to him. He's like, man, you know

733
00:31:13,200 --> 00:31:15,560
Speaker 3: how nigga be strong on their first beat. Nigga be like, Man,

734
00:31:15,680 --> 00:31:17,960
Speaker 3: that ain't it, Bro, that ain't And I'm not finna

735
00:31:18,000 --> 00:31:23,480
Speaker 3: make no be identical to yeah feeling. So I got

736
00:31:23,520 --> 00:31:27,719
Speaker 3: damn go back, do another beat. Come back, Man, that's closer.

737
00:31:27,840 --> 00:31:34,720
Speaker 3: That's closer. Eating up, I gotta put a little twin.

738
00:31:36,760 --> 00:31:39,400
Speaker 3: Let me make it back out here, mine and ship Nigga.

739
00:31:40,000 --> 00:31:42,600
Speaker 3: The whole ride home, I'm like, fuck this ship.

740
00:31:43,400 --> 00:31:45,680
Speaker 1: I had to do my research. I had to really

741
00:31:45,800 --> 00:31:47,520
Speaker 1: like as a producer. That's how I learned how to

742
00:31:47,680 --> 00:31:51,280
Speaker 1: study your artists. I listened to the whole streets is watching.

743
00:31:51,760 --> 00:31:54,080
Speaker 1: I listened to the whole trap of yeah you know

744
00:31:54,120 --> 00:31:58,040
Speaker 1: what I'm saying. The one thing I noticed horns. Trumpets.

745
00:31:58,840 --> 00:31:59,800
Speaker 1: He got the horns in.

746
00:32:00,040 --> 00:32:03,400
Speaker 3: Every fucking song, Like God, damn this niggas mind you

747
00:32:03,640 --> 00:32:05,880
Speaker 3: gotta do. Put horns in the beat. Jesus gonna go crack.

748
00:32:07,000 --> 00:32:08,440
Speaker 3: So that's the first sound I went to.

749
00:32:08,680 --> 00:32:13,600
Speaker 1: Damn. You know what I'm saying.

750
00:32:14,120 --> 00:32:16,120
Speaker 3: Once that sh sounded good with the beginning of that.

751
00:32:18,560 --> 00:32:21,440
Speaker 3: You know what I'm saying that she sounds good on him. Yeah,

752
00:32:24,080 --> 00:32:27,160
Speaker 3: the riskmal fucking history. I took this ship back.

753
00:32:27,280 --> 00:32:28,720
Speaker 1: I played this ship. That was the first time I

754
00:32:28,800 --> 00:32:34,080
Speaker 1: heard z and Lives live in person. You know what

755
00:32:34,120 --> 00:32:36,880
Speaker 1: I'm saying. That was like, you did it, nigga. Man.

756
00:32:37,000 --> 00:32:39,280
Speaker 3: That was the first mix that I got with Leslie Brathways,

757
00:32:39,440 --> 00:32:41,040
Speaker 3: the incredible mixing engineer.

758
00:32:41,360 --> 00:32:44,080
Speaker 1: Shout out to Leslie. You know what I'm saying, that's

759
00:32:44,160 --> 00:32:45,400
Speaker 1: that's one of the coldest.

760
00:32:45,120 --> 00:32:52,720
Speaker 3: Niggas mixing beats. He didn't mixed Beyonce jay Z. So

761
00:32:52,920 --> 00:32:56,440
Speaker 3: that was like me elevating into like the NBA. Yeah,

762
00:32:56,600 --> 00:32:58,880
Speaker 3: you know what I'm saying, it's like the first fucking.

763
00:32:58,680 --> 00:33:02,200
Speaker 1: You're like the upper echelon now like other streets, Like

764
00:33:02,280 --> 00:33:04,000
Speaker 1: I've been in the street and you know, a lot

765
00:33:04,080 --> 00:33:06,920
Speaker 1: of the Memphis music they call underground me. Yeah, you

766
00:33:06,960 --> 00:33:08,840
Speaker 1: know what I'm saying. Shit, we were doing three six.

767
00:33:08,920 --> 00:33:10,840
Speaker 3: She was doing against the boot playing fly against the

768
00:33:10,880 --> 00:33:14,200
Speaker 3: Black NDO G Prophet posse RP Nick Scoffolk.

769
00:33:14,280 --> 00:33:14,440
Speaker 1: Man.

770
00:33:14,880 --> 00:33:17,160
Speaker 3: You know what I'm saying, Fact the death studios, Ah Man,

771
00:33:17,960 --> 00:33:20,800
Speaker 3: just the shit skinny pimp. You know what I'm saying. Man,

772
00:33:21,200 --> 00:33:22,360
Speaker 3: they call it lot s MK.

773
00:33:22,720 --> 00:33:24,760
Speaker 1: It's a lot of niggas. Man, just fromt the o

774
00:33:25,040 --> 00:33:27,400
Speaker 1: G that these was the niggas walking with my brother.

775
00:33:28,600 --> 00:33:31,440
Speaker 3: I'm just a young nigga looking up like Colos brother.

776
00:33:31,560 --> 00:33:35,240
Speaker 3: I just fucking awarded him and brought him into the music.

777
00:33:35,360 --> 00:33:39,040
Speaker 3: The Memphis Music Hall of Fame inducted him literally last week.

778
00:33:39,440 --> 00:33:40,840
Speaker 1: You know what I'm saying. I ain't even in the

779
00:33:40,880 --> 00:33:42,160
Speaker 1: mof for you know what I'm saying.

780
00:33:42,200 --> 00:33:46,600
Speaker 3: But it's like, man, it's just stepping stones to everything,

781
00:33:46,720 --> 00:33:48,240
Speaker 3: you know what I'm saying. And the more life that

782
00:33:48,320 --> 00:33:51,240
Speaker 3: you have, the longer that you are live, the more

783
00:33:51,360 --> 00:33:54,400
Speaker 3: positivity and successful shit you gonna see, you.

784
00:33:54,440 --> 00:33:56,520
Speaker 1: Know what I mean. So my whole goal has always

785
00:33:56,560 --> 00:34:00,280
Speaker 1: been to keep us alive. You know what I'm saying.

786
00:34:00,320 --> 00:34:03,080
Speaker 3: The bullshit we aging over man, one hundred million over here,

787
00:34:03,280 --> 00:34:06,120
Speaker 3: one hundred million over here. Imaginic, man, We'll be billionaires

788
00:34:06,200 --> 00:34:08,520
Speaker 3: by that if we didn't came together, you know what

789
00:34:08,560 --> 00:34:09,000
Speaker 3: I'm saying.

790
00:34:09,080 --> 00:34:12,319
Speaker 1: So nigga gotta really pay attention and wake up at

791
00:34:12,360 --> 00:34:13,840
Speaker 1: the same time. So do you feel like that's the

792
00:34:13,920 --> 00:34:15,319
Speaker 1: moment you arrive right though? Yeah?

793
00:34:15,400 --> 00:34:17,040
Speaker 3: Yeah, that first planting the plat nigga, I mean the

794
00:34:17,080 --> 00:34:19,600
Speaker 3: game in the streets. I am the trap you know

795
00:34:19,640 --> 00:34:21,520
Speaker 3: what I mean? Like, you know what I mean, coming

796
00:34:21,560 --> 00:34:24,000
Speaker 3: from trap niggas to standing ovation to you know what

797
00:34:24,040 --> 00:34:25,400
Speaker 3: I'm saying, that's what's up.

798
00:34:25,480 --> 00:34:27,600
Speaker 1: Yo, got it? Like got it. With the first trap rap,

799
00:34:27,680 --> 00:34:28,600
Speaker 1: I worked with a lot of people.

800
00:34:28,680 --> 00:34:31,000
Speaker 3: Be talking about people before them and man three six

801
00:34:31,040 --> 00:34:33,040
Speaker 3: Mafia with trap music and that ug game.

802
00:34:32,920 --> 00:34:34,239
Speaker 1: With trap music and no they not.

803
00:34:34,360 --> 00:34:36,919
Speaker 3: There was Crump music number one number two when trap

804
00:34:37,280 --> 00:34:41,800
Speaker 3: really like started because trap was a location before anything.

805
00:34:42,480 --> 00:34:45,320
Speaker 1: You know what I'm saying. You had to be about

806
00:34:45,440 --> 00:34:47,839
Speaker 1: the lifestyle. You know what I'm saying.

807
00:34:48,080 --> 00:34:50,239
Speaker 3: Three six Mafia, them niggas won't known for selling weed

808
00:34:50,320 --> 00:34:52,319
Speaker 3: and selling dope. And they might have had something, they

809
00:34:52,400 --> 00:34:55,200
Speaker 3: might indulge in something, but they weren't no dope boy.

810
00:34:56,040 --> 00:34:57,320
Speaker 1: You know what I'm saying. Yo, got it?

811
00:34:57,719 --> 00:35:01,080
Speaker 3: Yo got the first project with ninety six, yeah you

812
00:35:01,120 --> 00:35:02,680
Speaker 3: know what I mean, And then he dropped another project,

813
00:35:02,719 --> 00:35:05,480
Speaker 3: then he dropped the third album was Life and Able

814
00:35:05,520 --> 00:35:09,279
Speaker 3: to Be entertainment. There's three projects this mine, damn. You

815
00:35:09,320 --> 00:35:12,000
Speaker 3: know what I'm saying, don't board rapping, rapp about the white,

816
00:35:12,080 --> 00:35:14,239
Speaker 3: rapping about the tree, you know what I'm saying.

817
00:35:14,400 --> 00:35:18,000
Speaker 1: And Tip made it popular. Tip took it to a

818
00:35:18,040 --> 00:35:20,520
Speaker 1: whole other level with trap music. You know what I'm saying.

819
00:35:20,600 --> 00:35:22,759
Speaker 3: You got a label behind you got it. Had to

820
00:35:22,800 --> 00:35:24,719
Speaker 3: buy himself off of tv T because it wasn't going

821
00:35:24,760 --> 00:35:26,920
Speaker 3: the right way, you know what I mean. So what

822
00:35:27,000 --> 00:35:27,799
Speaker 3: I'm saying, So you're.

823
00:35:27,719 --> 00:35:32,920
Speaker 1: Saying, basically, if you had to get somebody who invented

824
00:35:33,040 --> 00:35:36,279
Speaker 1: trap music, who you think that is? Got it? And

825
00:35:36,440 --> 00:35:38,640
Speaker 1: he didn't invent it. He just rapping about his life

826
00:35:38,640 --> 00:35:40,600
Speaker 1: and rapping back his store. But he was the first

827
00:35:40,880 --> 00:35:45,520
Speaker 1: trap rapper the forefront. But you're saying Tip just you

828
00:35:45,640 --> 00:35:47,560
Speaker 1: feel like Tip was just smart enough to put a

829
00:35:47,680 --> 00:35:48,120
Speaker 1: name on it.

830
00:35:48,960 --> 00:35:50,840
Speaker 3: But Tip rap about his life. He didn't even know

831
00:35:50,920 --> 00:35:55,719
Speaker 3: it was gonna become a joint. But but I'm just saying,

832
00:35:55,800 --> 00:35:58,000
Speaker 3: at this time, were just telling our story. We don't

833
00:35:58,040 --> 00:36:00,720
Speaker 3: even know this fit to go from a a location

834
00:36:00,920 --> 00:36:04,040
Speaker 3: to a genre of music, you know what I'm saying.

835
00:36:04,200 --> 00:36:06,359
Speaker 3: So God, it was the first nigga rapping about dope,

836
00:36:06,520 --> 00:36:08,239
Speaker 3: who was really doing this ship?

837
00:36:08,600 --> 00:36:11,280
Speaker 1: Because it's like, you can't be a doctor.

838
00:36:11,960 --> 00:36:14,400
Speaker 4: You can't be a doctor with no patience and not

839
00:36:14,560 --> 00:36:16,440
Speaker 4: actively performing surgeries.

840
00:36:16,000 --> 00:36:18,040
Speaker 1: And ship like that exactly, you know what I'm saying.

841
00:36:18,080 --> 00:36:21,160
Speaker 1: And God is ship date to ninety six ninety nine,

842
00:36:21,600 --> 00:36:25,200
Speaker 1: then I'm serious, was two thousands who the goat producer

843
00:36:25,320 --> 00:36:25,759
Speaker 1: trapped you?

844
00:36:26,440 --> 00:36:29,880
Speaker 3: I have to say, Man, I have to get that

845
00:36:30,040 --> 00:36:33,839
Speaker 3: to Tom because a lot of the music that God

846
00:36:34,080 --> 00:36:37,640
Speaker 3: was doing, God it was was rapping about the trap ship,

847
00:36:37,719 --> 00:36:40,960
Speaker 3: but he was rapping about it over musical beats and

848
00:36:41,040 --> 00:36:43,600
Speaker 3: different kind of beats. He was rapping over Little John

849
00:36:43,640 --> 00:36:49,120
Speaker 3: beats like sliced teeth, Paragun my my brother in San Wayne,

850
00:36:49,239 --> 00:36:51,000
Speaker 3: like God, it was rapping on acount of beats here,

851
00:36:51,040 --> 00:36:53,440
Speaker 3: you know what I'm saying. So it wasn't really like

852
00:36:53,960 --> 00:36:54,760
Speaker 3: a sound.

853
00:36:56,600 --> 00:36:59,600
Speaker 1: Saying he made a sound to it, non fact like

854
00:36:59,640 --> 00:37:02,320
Speaker 1: the whole t I twenty four run.

855
00:37:04,719 --> 00:37:08,160
Speaker 3: That that nigga just took this playing on even radio

856
00:37:08,280 --> 00:37:11,880
Speaker 3: station in America, Memphis, one that got it didn't have.

857
00:37:12,000 --> 00:37:14,880
Speaker 1: That opportunity, you know what I'm saying. A lot of.

858
00:37:17,320 --> 00:37:21,960
Speaker 4: Tip was able to commercialize, categorize track music and make

859
00:37:22,000 --> 00:37:23,120
Speaker 4: it a discussion.

860
00:37:22,920 --> 00:37:24,680
Speaker 1: Same way Little John did Crump music.

861
00:37:25,520 --> 00:37:27,840
Speaker 3: You know what I'm saying, Because Atlanta's a bigger powerhouse

862
00:37:27,880 --> 00:37:30,239
Speaker 3: and a lot of the Atlanta artists got labels. So

863
00:37:30,320 --> 00:37:32,080
Speaker 3: when you fucking with a label that can push their

864
00:37:32,120 --> 00:37:34,560
Speaker 3: button and have you all across America as opposed to

865
00:37:34,680 --> 00:37:37,439
Speaker 3: Memphis where we just underground, you know what I'm saying.

866
00:37:37,480 --> 00:37:39,200
Speaker 3: We mixed tapes, were in the streets and ship when

867
00:37:39,200 --> 00:37:40,960
Speaker 3: I got to Atlanta. Jesus was a fan with me

868
00:37:41,000 --> 00:37:42,960
Speaker 3: and God it hain't going on, you know what I'm saying.

869
00:37:42,960 --> 00:37:43,640
Speaker 1: A lot of niggas was.

870
00:37:43,640 --> 00:37:45,279
Speaker 3: Saying, Hey, nigga, that ship you and God it got

871
00:37:45,320 --> 00:37:48,279
Speaker 3: going on. That nigga knew that in the street, but

872
00:37:48,360 --> 00:37:50,640
Speaker 3: you didn't know that on the radio until we did

873
00:37:50,680 --> 00:37:53,600
Speaker 3: a shot song called Shorty. I got White Shot, the

874
00:37:53,719 --> 00:37:57,480
Speaker 3: Cheap Cheap Price Shoty, my producer Swizzle produced They Beat,

875
00:37:57,480 --> 00:37:59,239
Speaker 3: and that was one song that got got his deal

876
00:37:59,360 --> 00:38:01,200
Speaker 3: with TVT, you know what I mean.

877
00:38:01,360 --> 00:38:05,200
Speaker 1: So it's and TVT, What's What's How big is TVT

878
00:38:05,360 --> 00:38:08,919
Speaker 1: compared to a Little Face, right, you know what I'm saying?

879
00:38:09,200 --> 00:38:11,680
Speaker 1: Or Arioster, you know what I'm saying, A whole different

880
00:38:11,719 --> 00:38:12,200
Speaker 1: battle game.

881
00:38:12,600 --> 00:38:14,560
Speaker 3: You know what I mean, so it's it's it's like, okay,

882
00:38:14,640 --> 00:38:17,319
Speaker 3: this get a much bigger push. I forget who John

883
00:38:17,520 --> 00:38:20,640
Speaker 3: was being me slash being me slash. I forget the

884
00:38:20,719 --> 00:38:23,279
Speaker 3: label they was going through Universal, you.

885
00:38:23,280 --> 00:38:23,799
Speaker 1: Know what I'm saying.

886
00:38:23,840 --> 00:38:26,320
Speaker 3: So you're talking about the Universal Records compared to select

887
00:38:26,400 --> 00:38:28,920
Speaker 3: those heads, you know what I'm saying, Like, this is

888
00:38:28,960 --> 00:38:29,840
Speaker 3: what we got a Memphis.

889
00:38:29,880 --> 00:38:30,880
Speaker 1: It was more underground.

890
00:38:31,600 --> 00:38:34,000
Speaker 3: So I think if we had the labels, the sound

891
00:38:34,000 --> 00:38:35,520
Speaker 3: would have you would have been known about.

892
00:38:35,520 --> 00:38:37,080
Speaker 1: Got it? A lot of people didn't know about God

893
00:38:37,120 --> 00:38:40,920
Speaker 1: its a CMG. You ain't need I need. You know

894
00:38:40,960 --> 00:38:43,600
Speaker 1: what I'm saying. You want there from the start to

895
00:38:43,719 --> 00:38:45,640
Speaker 1: see the transition, to see the growth, you know what

896
00:38:45,640 --> 00:38:46,040
Speaker 1: I'm saying.

897
00:38:46,040 --> 00:38:49,320
Speaker 3: And even then a nigga having enough money to nigga

898
00:38:49,320 --> 00:38:51,120
Speaker 3: did a five hundred down dollar deal and bought that

899
00:38:51,239 --> 00:38:54,200
Speaker 3: five hundred. Here you go, this ain't working. Here go

900
00:38:54,320 --> 00:38:56,399
Speaker 3: this five hundred. You know what I'm saying. I ain't

901
00:38:56,440 --> 00:38:57,480
Speaker 3: never seen nobody.

902
00:38:57,320 --> 00:39:01,439
Speaker 1: Do that else when I got.

903
00:39:04,600 --> 00:39:06,359
Speaker 2: There, was never one of your goals just to sign

904
00:39:07,440 --> 00:39:09,879
Speaker 2: all the hard niggas out of Memphis, producer or rapper

905
00:39:09,960 --> 00:39:10,359
Speaker 2: type ship.

906
00:39:10,400 --> 00:39:11,400
Speaker 1: I know you have some artists.

907
00:39:11,400 --> 00:39:14,359
Speaker 3: What I'm saying like I'd rather help them elevate into

908
00:39:14,440 --> 00:39:16,520
Speaker 3: what they are. I could have signed off. I was like, Bro,

909
00:39:16,719 --> 00:39:18,960
Speaker 3: you got this paper shit going on, Let's build that up.

910
00:39:19,160 --> 00:39:22,080
Speaker 1: That's that's my word. You know what I mean?

911
00:39:22,600 --> 00:39:26,439
Speaker 3: Whoever man z bo Okay, what y'all doing? Money bag? Alright,

912
00:39:26,480 --> 00:39:29,520
Speaker 3: bet shit, let's build it up. Which'll who's gonna run it?

913
00:39:29,840 --> 00:39:33,360
Speaker 1: Right? Head? I been in this, I beg Okay, what

914
00:39:33,480 --> 00:39:34,880
Speaker 1: y'all need? What y'all? You know what I'm saying. I

915
00:39:34,960 --> 00:39:37,000
Speaker 1: always this is my city, you know what I mean.

916
00:39:37,120 --> 00:39:39,520
Speaker 3: So it's it's it's about the people that you can

917
00:39:39,600 --> 00:39:41,680
Speaker 3: make better around you, as opposed to trying to get

918
00:39:41,760 --> 00:39:42,400
Speaker 3: over on niggas.

919
00:39:42,440 --> 00:39:43,960
Speaker 1: And let me get a piece of this nigga and

920
00:39:44,080 --> 00:39:44,719
Speaker 1: let me sign it.

921
00:39:44,800 --> 00:39:47,120
Speaker 3: My blessing is here, My blessing is gonna come because

922
00:39:47,160 --> 00:39:49,719
Speaker 3: I serve him, And that's I feel like that's what

923
00:39:49,920 --> 00:39:53,080
Speaker 3: separated me from anything, just how spiritual I am and

924
00:39:53,200 --> 00:39:56,240
Speaker 3: how dedicated I am to serve and somebody that ain't.

925
00:39:56,080 --> 00:39:58,440
Speaker 1: None of you niggas. You know what I'm saying. I

926
00:39:58,560 --> 00:40:02,879
Speaker 1: serve him, so I'm able to bless y'all. What raper

927
00:40:02,880 --> 00:40:04,239
Speaker 1: you didn't get a chance to work with that you

928
00:40:04,320 --> 00:40:10,359
Speaker 1: wanted to j Cole uh man, I really see twenty one.

929
00:40:10,920 --> 00:40:14,440
Speaker 3: Kodak Black mm hmm, Kodak Man, Me and cod I

930
00:40:14,520 --> 00:40:17,520
Speaker 3: got too much music. Kodak say fun with the niggas.

931
00:40:17,560 --> 00:40:21,280
Speaker 1: That having fun and pee wee the Long Way New Niggas.

932
00:40:21,800 --> 00:40:24,160
Speaker 1: Yeah what we're doing.

933
00:40:24,440 --> 00:40:27,040
Speaker 3: You know what I'm saying about their energy. Man, you

934
00:40:27,080 --> 00:40:30,240
Speaker 3: gotta have energy out there, born as hard as the hardest.

935
00:40:30,560 --> 00:40:33,120
Speaker 3: You know you ain't got no hustle. Nigga, ain't got

936
00:40:33,239 --> 00:40:34,800
Speaker 3: no fucking demeanor.

937
00:40:35,280 --> 00:40:37,360
Speaker 1: You know what I'm saying. I ain't I need. The

938
00:40:37,440 --> 00:40:39,279
Speaker 1: niggas just got their sauce. You know what I'm saying.

939
00:40:39,640 --> 00:40:41,439
Speaker 1: And it's fun. You know what I'm saying.

940
00:40:41,760 --> 00:40:42,960
Speaker 3: And you can you know what I'm saying, walk in

941
00:40:43,040 --> 00:40:45,680
Speaker 3: the room and be that nigga in the room. You

942
00:40:45,719 --> 00:40:47,400
Speaker 3: know what I'm saying, because it takes more than just

943
00:40:47,520 --> 00:40:47,960
Speaker 3: the music.

944
00:40:48,040 --> 00:40:48,800
Speaker 1: This ship business.

945
00:40:49,040 --> 00:40:52,480
Speaker 3: You know what I'm saying, God it man, business off business,

946
00:40:52,760 --> 00:40:54,759
Speaker 3: money man, being in everybody out of you know what

947
00:40:54,760 --> 00:40:55,000
Speaker 3: I mean.

948
00:40:55,040 --> 00:40:56,800
Speaker 1: It's like a blueprint. You know what I'm saying. You

949
00:40:56,880 --> 00:40:58,080
Speaker 1: see Jesus, you see Tip.

950
00:40:58,160 --> 00:40:59,879
Speaker 3: You know what I'm saying, Like Maam, and then once

951
00:40:59,880 --> 00:41:02,000
Speaker 3: you get the music ship going, you elevating to all

952
00:41:02,080 --> 00:41:03,000
Speaker 3: the other ship that.

953
00:41:03,160 --> 00:41:04,480
Speaker 1: You know what I'm saying. Okay, I wanted to do

954
00:41:04,560 --> 00:41:08,520
Speaker 1: real estate. Okay, Roco going crazy, damn you half of.

955
00:41:11,400 --> 00:41:13,440
Speaker 3: I love that real estate drum. And that's I'll be

956
00:41:13,520 --> 00:41:15,600
Speaker 3: telling Rocko, Man, I wish we could have dropped more music.

957
00:41:16,440 --> 00:41:20,720
Speaker 1: They drop another project. How we're gonna do one album?

958
00:41:21,440 --> 00:41:24,759
Speaker 1: And this ship was so we love that's my brother.

959
00:41:24,920 --> 00:41:26,960
Speaker 2: We love rock over do y'all think he's ever going

960
00:41:27,040 --> 00:41:29,200
Speaker 2: to put out this music that he speaks of on

961
00:41:29,400 --> 00:41:30,120
Speaker 2: his social media?

962
00:41:32,520 --> 00:41:35,120
Speaker 3: Man, he got he Roco got enough for at least

963
00:41:35,120 --> 00:41:37,880
Speaker 3: a cool five. Rocko could go on the fire you

964
00:41:38,080 --> 00:41:38,919
Speaker 3: run so mean?

965
00:41:39,480 --> 00:41:42,479
Speaker 1: Why won't he drop it? He got so much music,

966
00:41:42,520 --> 00:41:43,000
Speaker 1: you know what I'm saying.

967
00:41:43,000 --> 00:41:46,480
Speaker 3: He got some artists rich. It's the same thing with

968
00:41:46,880 --> 00:41:48,520
Speaker 3: the same thing with east Side Jody, Like you know

969
00:41:48,560 --> 00:41:50,440
Speaker 3: what I'm saying. He got so much music that my nigga,

970
00:41:50,440 --> 00:41:52,560
Speaker 3: I love bro love east Side jokey.

971
00:41:52,640 --> 00:41:54,640
Speaker 1: Man, you know what I'm saying. He got the restating

972
00:41:54,680 --> 00:41:56,080
Speaker 1: for the streets and the cure though.

973
00:41:56,000 --> 00:42:00,120
Speaker 3: Right man, the niggas you're doing what you want to do,

974
00:42:00,719 --> 00:42:02,400
Speaker 3: so you got you got one likely you gotta do

975
00:42:02,400 --> 00:42:03,560
Speaker 3: as long as you're doing what you want.

976
00:42:03,440 --> 00:42:05,560
Speaker 1: To do to that your life.

977
00:42:06,440 --> 00:42:10,000
Speaker 4: Because it's like sometimes I feel like sometimes when you're

978
00:42:10,160 --> 00:42:15,400
Speaker 4: that comfortable, the culture is important, but it kind of

979
00:42:16,360 --> 00:42:17,920
Speaker 4: it's on the back burner a little bit.

980
00:42:18,160 --> 00:42:20,160
Speaker 5: Niggas just be good at ship that they ain't feel

981
00:42:20,160 --> 00:42:23,960
Speaker 5: in love with too though, good ship, but.

982
00:42:24,080 --> 00:42:26,640
Speaker 1: They don't really love it. It's cool, you know what

983
00:42:26,640 --> 00:42:31,160
Speaker 1: I'm saying. But I love this one doing numbers. I

984
00:42:31,200 --> 00:42:33,560
Speaker 1: don't love this, but she's doing numbers, like yeah, you

985
00:42:33,600 --> 00:42:34,080
Speaker 1: know what I'm saying.

986
00:42:34,160 --> 00:42:38,000
Speaker 4: Yes, And it's like the world might think, yeah, like

987
00:42:38,400 --> 00:42:40,440
Speaker 4: the world might think that, like you're the best, Like

988
00:42:40,520 --> 00:42:44,200
Speaker 4: even with this nigga right here, like the world always

989
00:42:44,320 --> 00:42:46,600
Speaker 4: asked for. Like when you're gonna give us another try out,

990
00:42:46,600 --> 00:42:48,440
Speaker 4: when you're gonna give us another stop playing, when you're

991
00:42:48,440 --> 00:42:50,480
Speaker 4: gonna do some more ship, when you're gonna like like

992
00:42:50,760 --> 00:42:53,080
Speaker 4: like your voice is like unique this and that, blah

993
00:42:53,080 --> 00:42:56,160
Speaker 4: blah blah. But it was just like he did it

994
00:42:56,320 --> 00:43:00,560
Speaker 4: and tried it and was amazing at it, but it

995
00:43:00,840 --> 00:43:03,880
Speaker 4: wasn't really in his heart to do So it's like

996
00:43:03,920 --> 00:43:06,200
Speaker 4: when it's not in your heart to do it, the

997
00:43:06,360 --> 00:43:09,520
Speaker 4: passion and the drive that you need to push through

998
00:43:09,640 --> 00:43:12,399
Speaker 4: to be able to be consistent with it. Isn't there

999
00:43:12,480 --> 00:43:15,399
Speaker 4: because there's that disconnect because it's not in your heart

1000
00:43:15,520 --> 00:43:15,920
Speaker 4: to do it.

1001
00:43:16,080 --> 00:43:18,359
Speaker 5: And it ain't really perfect, you know what I'm saying.

1002
00:43:18,760 --> 00:43:20,640
Speaker 5: Like your nigga probably get up and go look at

1003
00:43:20,680 --> 00:43:23,600
Speaker 5: them houses and ship and to get the contract that ship.

1004
00:43:23,680 --> 00:43:26,680
Speaker 1: Probably feel you probably feel something doing that, you know

1005
00:43:26,680 --> 00:43:27,160
Speaker 1: what I'm saying.

1006
00:43:27,360 --> 00:43:29,840
Speaker 5: Whatever EJ doing when you wake up, he probably feel

1007
00:43:29,880 --> 00:43:31,359
Speaker 5: that when you do that, you know what I'm saying.

1008
00:43:31,400 --> 00:43:34,080
Speaker 5: So it's like restaurants and ships, like I love this

1009
00:43:35,040 --> 00:43:36,880
Speaker 5: ni how to fuck up in and go do a

1010
00:43:37,000 --> 00:43:39,239
Speaker 5: hobbit that I really don't love. Nigga, m I don't

1011
00:43:39,480 --> 00:43:40,359
Speaker 5: love that rap ship.

1012
00:43:40,600 --> 00:43:43,279
Speaker 3: Yeah exactly exact, I get it, you know what I'm saying.

1013
00:43:43,360 --> 00:43:45,600
Speaker 3: Or a lot of niggas don't like how faithy shit is.

1014
00:43:45,680 --> 00:43:49,680
Speaker 1: Like this fake I ain't even gonna lie to you,

1015
00:43:49,800 --> 00:43:52,960
Speaker 1: you know what I'm saying. Ship, this ship real month?

1016
00:43:53,320 --> 00:43:55,919
Speaker 1: What's the fake ship? You feel like this ship?

1017
00:43:57,520 --> 00:44:00,800
Speaker 3: I think I think just because I'm in a rapper

1018
00:44:01,840 --> 00:44:05,279
Speaker 3: in period in general, you're figuring out some kind of

1019
00:44:05,360 --> 00:44:08,720
Speaker 3: fool gaze is something that ain't really you. You're becoming

1020
00:44:08,800 --> 00:44:10,600
Speaker 3: a part of something that really ain't you you you

1021
00:44:10,880 --> 00:44:12,480
Speaker 3: that's why you got to create a character.

1022
00:44:13,040 --> 00:44:14,200
Speaker 1: Yeah, you know what I'm saying.

1023
00:44:14,320 --> 00:44:18,279
Speaker 3: Like Pop was a real smart educated motherfucker, like a

1024
00:44:18,320 --> 00:44:19,319
Speaker 3: lot of people could board the.

1025
00:44:19,320 --> 00:44:21,320
Speaker 1: Line nerd or you know what I'm saying. If you

1026
00:44:21,400 --> 00:44:24,800
Speaker 1: knew him from like fourteen fifteen, it was not no

1027
00:44:24,920 --> 00:44:26,440
Speaker 1: street nigga, you know what I mean.

1028
00:44:26,560 --> 00:44:29,000
Speaker 3: So once you see like everybody looking at Pot like

1029
00:44:29,080 --> 00:44:30,719
Speaker 3: it's street n d oh la la la la la

1030
00:44:30,760 --> 00:44:33,360
Speaker 3: la la lah, ain't he ain't takeable? I feel like

1031
00:44:33,520 --> 00:44:35,640
Speaker 3: all that was a character, you know what I mean,

1032
00:44:35,760 --> 00:44:37,880
Speaker 3: And it was it was aligned with who he was

1033
00:44:37,960 --> 00:44:39,840
Speaker 3: signed to where he had to be like that.

1034
00:44:40,000 --> 00:44:41,960
Speaker 1: And then I'm out here with deep West Coast niggas.

1035
00:44:42,160 --> 00:44:44,879
Speaker 1: These nigga don't really know me like that, you see

1036
00:44:44,880 --> 00:44:46,520
Speaker 1: what I'm saying, So they only know me for what

1037
00:44:46,600 --> 00:44:49,000
Speaker 1: i'm acting. Like, let me, God damn show these niggas.

1038
00:44:49,200 --> 00:44:51,120
Speaker 1: You know what I'm saying, and you know my music

1039
00:44:51,200 --> 00:44:53,160
Speaker 1: from back home, but you don't know me. You know

1040
00:44:53,200 --> 00:44:55,400
Speaker 1: what I'm saying. You have all that nigga woo, you

1041
00:44:55,400 --> 00:44:57,600
Speaker 1: know what I mean. So it's easy to go to

1042
00:44:57,760 --> 00:45:00,759
Speaker 1: a whole nother side of the world, and.

1043
00:45:02,320 --> 00:45:04,440
Speaker 5: You're gonna act that she to put you in a

1044
00:45:04,480 --> 00:45:06,440
Speaker 5: position too, because it ain't no way like I've seen

1045
00:45:06,600 --> 00:45:09,120
Speaker 5: on an interview, they like ain't supposed to get in

1046
00:45:09,200 --> 00:45:10,120
Speaker 5: no gang ship.

1047
00:45:10,160 --> 00:45:11,200
Speaker 1: Ain't the way you supposa got it.

1048
00:45:12,160 --> 00:45:14,759
Speaker 3: You know what I'm saying, Like coming from all the

1049
00:45:14,840 --> 00:45:16,640
Speaker 3: movies he was doing and the acting you were doing.

1050
00:45:16,719 --> 00:45:20,000
Speaker 1: And you know what I'm saying, active like put your

1051
00:45:20,080 --> 00:45:25,279
Speaker 1: hands on the game number whatever, you can rip this ship.

1052
00:45:26,120 --> 00:45:28,840
Speaker 1: Hold on, but hold on. This ain't even the nigga.

1053
00:45:28,880 --> 00:45:31,680
Speaker 1: That wasn't even a nigga that took the chain. That's crazy,

1054
00:45:31,800 --> 00:45:34,359
Speaker 1: Like you don't even know the information number one, number two.

1055
00:45:34,480 --> 00:45:36,960
Speaker 1: It ain't even your beef, thank you. Yeah, you see

1056
00:45:36,960 --> 00:45:38,719
Speaker 1: what I'm saying. You just doing this for a nigga

1057
00:45:38,719 --> 00:45:42,279
Speaker 1: that's on your label and he what happened? Why did

1058
00:45:42,400 --> 00:45:42,839
Speaker 1: nigga came?

1059
00:45:43,520 --> 00:45:45,480
Speaker 4: That's just like doing something to a maid man like

1060
00:45:45,760 --> 00:45:49,760
Speaker 4: that's a anybody knows that, that's like a no brainer.

1061
00:45:49,840 --> 00:45:52,200
Speaker 4: That's something that you just don't do because you don't

1062
00:45:52,239 --> 00:45:54,680
Speaker 4: have the authority to do so, and it's gonna put

1063
00:45:54,719 --> 00:45:58,320
Speaker 4: you in a world of trouble in the world that

1064
00:45:58,440 --> 00:45:58,960
Speaker 4: you were not.

1065
00:45:59,120 --> 00:46:01,560
Speaker 3: In, Like you smack the head nigga like this is

1066
00:46:01,600 --> 00:46:05,160
Speaker 3: the head this man, It's just a lot of like

1067
00:46:05,640 --> 00:46:08,080
Speaker 3: you get caught a character and then now that shit

1068
00:46:08,200 --> 00:46:09,279
Speaker 3: haunts you because of this.

1069
00:46:09,400 --> 00:46:10,879
Speaker 1: Ain't really who you is. You know what I'm saying.

1070
00:46:11,400 --> 00:46:13,239
Speaker 3: The only reason I speak on this shit man, because

1071
00:46:13,920 --> 00:46:17,799
Speaker 3: I ain't spoken is nowhere. But that shit fucked me up.

1072
00:46:17,840 --> 00:46:20,959
Speaker 3: Even with my brother, my nigga. You know what I'm saying.

1073
00:46:21,040 --> 00:46:24,319
Speaker 1: My brother was not no killer. This nigga ain't got

1074
00:46:24,480 --> 00:46:27,080
Speaker 1: not one body. You know what I'm saying. This nigga's

1075
00:46:27,080 --> 00:46:29,520
Speaker 1: a producer. We hear people, We bless people. We do

1076
00:46:30,360 --> 00:46:32,160
Speaker 1: you know what I'm saying. He in the street. You

1077
00:46:32,200 --> 00:46:33,760
Speaker 1: know what I'm saying. He move around in the streets.

1078
00:46:33,960 --> 00:46:34,640
Speaker 1: He a barble.

1079
00:46:34,760 --> 00:46:37,360
Speaker 3: This nigga man cut all the top of heads. This

1080
00:46:37,440 --> 00:46:40,360
Speaker 3: nigga was cooking Juicy Jay and DJ Paul and a

1081
00:46:40,480 --> 00:46:42,800
Speaker 3: balling m JG. But I'm thirteen fourteen.

1082
00:46:42,840 --> 00:46:45,200
Speaker 1: I'm sweeping her for my nigga. You know what I'm saying.

1083
00:46:45,360 --> 00:46:47,160
Speaker 1: Might sell some dope this and that, man, but my

1084
00:46:47,280 --> 00:46:48,440
Speaker 1: nigga not no killer. Bro.

1085
00:46:49,280 --> 00:46:51,520
Speaker 3: And you'll get caught up in a character or like

1086
00:46:51,840 --> 00:46:55,120
Speaker 3: whether it's medication not being having your medication whatever.

1087
00:46:55,520 --> 00:46:56,719
Speaker 1: You know what I'm saying.

1088
00:46:57,560 --> 00:47:00,760
Speaker 3: You try to go vatan or you try to stop

1089
00:47:00,840 --> 00:47:03,680
Speaker 3: drinking alcohol. You might try to stop smoking as much,

1090
00:47:03,760 --> 00:47:06,080
Speaker 3: and then that ship your nerves yo. You know what

1091
00:47:06,120 --> 00:47:10,680
Speaker 3: I'm saying, the chemical imbalance. Now you're telling yourself something.

1092
00:47:10,440 --> 00:47:13,160
Speaker 1: That you ain't really, you know what I mean. And

1093
00:47:13,320 --> 00:47:16,880
Speaker 1: for you to however, man, that shit just crazy like

1094
00:47:16,960 --> 00:47:19,920
Speaker 1: man threatening and talking and woo woo woo and pull

1095
00:47:20,000 --> 00:47:22,000
Speaker 1: up right here, nigga, woo woo woo like da da

1096
00:47:22,080 --> 00:47:22,399
Speaker 1: da done.

1097
00:47:22,440 --> 00:47:26,000
Speaker 3: Man. I get the phone call man from my storemailers

1098
00:47:26,000 --> 00:47:27,960
Speaker 3: are like bro, like man, your brother Man, they got

1099
00:47:28,000 --> 00:47:29,200
Speaker 3: the guns out, what ship?

1100
00:47:29,560 --> 00:47:30,239
Speaker 1: Damn hang up?

1101
00:47:30,920 --> 00:47:33,400
Speaker 3: Break this shit up, man, bring them in. Before I

1102
00:47:33,440 --> 00:47:37,480
Speaker 3: could even get out the phone. Nigga, three shots you

1103
00:47:37,520 --> 00:47:40,000
Speaker 3: know what I mean. That's how they took on a

1104
00:47:40,400 --> 00:47:44,040
Speaker 3: stupid ass conversation my nigga on some real stupid ass

1105
00:47:44,239 --> 00:47:48,360
Speaker 3: nothing meaningless. We ain't talking about no money, you know

1106
00:47:48,400 --> 00:47:51,960
Speaker 3: what I'm saying. So this shit hurt, nigga. Like, man,

1107
00:47:52,000 --> 00:47:53,719
Speaker 3: what you been doing where you've been at woo. I've

1108
00:47:53,719 --> 00:47:59,560
Speaker 3: been main reviving my family, nigga, making sure them kids

1109
00:47:59,800 --> 00:48:02,520
Speaker 3: and his kids, them folk kids and them folk, grand babies.

1110
00:48:02,640 --> 00:48:03,920
Speaker 1: Man, straight as a motherfuler.

1111
00:48:04,760 --> 00:48:08,279
Speaker 3: The state started this'n all the money made and we'll

1112
00:48:08,320 --> 00:48:09,800
Speaker 3: go to the kids. Man, they get this ship that

1113
00:48:09,920 --> 00:48:11,560
Speaker 3: she might take you three to five year to get

1114
00:48:11,600 --> 00:48:12,120
Speaker 3: this ship together.

1115
00:48:12,640 --> 00:48:14,560
Speaker 1: You know what I'm saying. I dedicated the whole book

1116
00:48:15,000 --> 00:48:16,360
Speaker 1: to my fucking brother, my nigga.

1117
00:48:16,360 --> 00:48:18,000
Speaker 3: I will not be here if it wan't for him.

1118
00:48:18,200 --> 00:48:21,200
Speaker 3: So this shit hurt to see. Man, how nigga might

1119
00:48:21,320 --> 00:48:24,759
Speaker 3: gonna step out this motherfucker. Man we get calling that

1120
00:48:24,920 --> 00:48:26,680
Speaker 3: character shit my nigga. I'm here to tell you I'll

1121
00:48:26,719 --> 00:48:29,120
Speaker 3: witness this shit. Bro, it ain't worth it. Be you

1122
00:48:29,360 --> 00:48:31,759
Speaker 3: be who you are and follow your intuition and be

1123
00:48:32,000 --> 00:48:34,080
Speaker 3: true to that. And that shit has may allow me

1124
00:48:34,200 --> 00:48:35,400
Speaker 3: to be where I'm at.

1125
00:48:35,760 --> 00:48:39,960
Speaker 1: That real shit, real shit behind it, hiss. Man.

1126
00:48:40,080 --> 00:48:41,799
Speaker 2: Want to tell us a little bit about the book, man,

1127
00:48:41,880 --> 00:48:43,800
Speaker 2: Like what's in it? Obviously where they can get it

1128
00:48:43,960 --> 00:48:46,840
Speaker 2: is an audio physical like it was the rundown on behind.

1129
00:48:46,680 --> 00:48:50,320
Speaker 1: This mine, behind the hits. Uh. I'm a soundtrack to

1130
00:48:50,360 --> 00:48:51,920
Speaker 1: a lot of people life. You know what I mean.

1131
00:48:51,960 --> 00:48:53,480
Speaker 1: You're gonna realize I did certain songs.

1132
00:48:53,520 --> 00:48:55,759
Speaker 3: You're gonna think of a moment instantly and I'm just

1133
00:48:55,840 --> 00:48:57,680
Speaker 3: here to give you the moment behind the songs, the

1134
00:48:57,760 --> 00:49:01,480
Speaker 3: equipment I was using what tackeause I used to, you know,

1135
00:49:01,600 --> 00:49:04,560
Speaker 3: get in position to where I'm at, the importance of relationships,

1136
00:49:04,880 --> 00:49:09,640
Speaker 3: the importance of management, and split sheets for producers, my

1137
00:49:09,800 --> 00:49:12,520
Speaker 3: nigga like making sure you get your percentage percentage. If

1138
00:49:12,520 --> 00:49:14,920
Speaker 3: it's three y'all in the studio, man, y'all made to

1139
00:49:14,960 --> 00:49:16,879
Speaker 3: be together, We're gonna split it thirty three and the third.

1140
00:49:17,440 --> 00:49:19,799
Speaker 3: Or you know, man, we did this beat together. It's

1141
00:49:19,800 --> 00:49:21,680
Speaker 3: two people were going twenty five to twenty five.

1142
00:49:21,880 --> 00:49:22,759
Speaker 1: Or you know what I mean.

1143
00:49:22,800 --> 00:49:25,319
Speaker 3: If it's guitar players or bass players and you get

1144
00:49:25,440 --> 00:49:28,319
Speaker 3: entitled them to a percentage and just write this you down. Okay,

1145
00:49:28,320 --> 00:49:30,080
Speaker 3: you're gonna get five percent. You're gonna get five percent.

1146
00:49:30,200 --> 00:49:32,560
Speaker 3: I'm gonna take the other forty or whatever the case

1147
00:49:32,640 --> 00:49:34,680
Speaker 3: may be. That shit changed my life. Split sheets, the

1148
00:49:34,760 --> 00:49:37,880
Speaker 3: importance of entertainment, attorney, A lot of shit don't mean

1149
00:49:37,960 --> 00:49:40,080
Speaker 3: shit until you got that a producers agreement.

1150
00:49:40,560 --> 00:49:42,759
Speaker 1: You know what I mean? He said he gonna man,

1151
00:49:43,200 --> 00:49:46,160
Speaker 1: fuck that. That's verbal. You know what I mean? What

1152
00:49:46,920 --> 00:49:50,320
Speaker 1: they saying that black and white? Okay, your advance twenty thousand.

1153
00:49:50,360 --> 00:49:55,279
Speaker 3: Okay, but if the song go five hundred thousand, you're

1154
00:49:55,280 --> 00:49:58,560
Speaker 3: gonna get three point five because standard producer royalty rate

1155
00:49:58,680 --> 00:50:01,279
Speaker 3: is three points. So okay, if I help you see

1156
00:50:01,360 --> 00:50:03,839
Speaker 3: five hundred thousand copies, I should get escalated to three

1157
00:50:03,920 --> 00:50:04,359
Speaker 3: point five.

1158
00:50:04,560 --> 00:50:07,120
Speaker 1: Now, if you go platinum, I should get four. You

1159
00:50:07,160 --> 00:50:08,640
Speaker 1: know what I mean. And once you get in position

1160
00:50:08,719 --> 00:50:11,280
Speaker 1: of putting hits on the board, now you got more pottering.

1161
00:50:11,640 --> 00:50:12,239
Speaker 1: You know what I'm saying.

1162
00:50:12,280 --> 00:50:15,080
Speaker 3: You got you got, you got more power to negotiate

1163
00:50:15,080 --> 00:50:17,359
Speaker 3: and say, hey, nigga, I'm putting diamond records on the ball.

1164
00:50:17,400 --> 00:50:19,880
Speaker 1: I need five points, I need six points, you know

1165
00:50:19,920 --> 00:50:22,759
Speaker 1: what I mean. So that paperwork is your power. You

1166
00:50:22,840 --> 00:50:23,200
Speaker 1: know what I mean.

1167
00:50:23,280 --> 00:50:26,240
Speaker 3: Get you the entertainment attorney. Make sure you start an LLLC.

1168
00:50:26,680 --> 00:50:30,520
Speaker 3: Open your bank account man. For four years, I had

1169
00:50:30,600 --> 00:50:31,000
Speaker 3: all these.

1170
00:50:30,960 --> 00:50:34,200
Speaker 1: Publishing checks man, that she added up to like one

1171
00:50:34,280 --> 00:50:37,879
Speaker 1: point eight that I never cashed. You know what I'm saying.

1172
00:50:37,920 --> 00:50:39,840
Speaker 1: That was just sitting in its name. You know what

1173
00:50:39,880 --> 00:50:41,760
Speaker 1: I mean. Off the publishing company that I created.

1174
00:50:41,800 --> 00:50:44,480
Speaker 3: I created a publishing company that was created the LC

1175
00:50:44,640 --> 00:50:47,120
Speaker 3: for the motherfucker, you know what I'm saying. So I

1176
00:50:47,200 --> 00:50:50,160
Speaker 3: had to go back create the LLLC, open the bank account,

1177
00:50:50,239 --> 00:50:51,240
Speaker 3: then put them chicks.

1178
00:50:51,080 --> 00:50:52,759
Speaker 1: In the bank. Wow, you know what I mean?

1179
00:50:52,880 --> 00:50:55,080
Speaker 3: So definitely, man, you know, it's just a lot of

1180
00:50:55,160 --> 00:50:58,279
Speaker 3: business tactics, stories of the ups and downs. You know

1181
00:50:58,320 --> 00:51:00,759
Speaker 3: what I'm saying that put us are paying tax. One

1182
00:51:00,800 --> 00:51:03,640
Speaker 3: time I got behind maybe eight years on taxis, Oh.

1183
00:51:03,600 --> 00:51:07,839
Speaker 1: Five hundred and fifty. You know what I'm saying, five

1184
00:51:07,920 --> 00:51:11,480
Speaker 1: hundred field me. You got my shit yesterday.

1185
00:51:11,640 --> 00:51:15,400
Speaker 3: Yeah, and maam, I had a great attorney who was

1186
00:51:15,680 --> 00:51:17,560
Speaker 3: putting me up on game and saying, hey, you can,

1187
00:51:17,840 --> 00:51:21,360
Speaker 3: you can. You know there's an offering compromise. What's that

1188
00:51:21,640 --> 00:51:25,640
Speaker 3: offering compromise? Okay, well you can offer them the amount

1189
00:51:25,640 --> 00:51:27,360
Speaker 3: of money that you're willing to pay off what you

1190
00:51:27,480 --> 00:51:29,320
Speaker 3: owe and they might settle.

1191
00:51:29,640 --> 00:51:31,160
Speaker 1: Yeah, for sure, you know what I'm saying.

1192
00:51:31,360 --> 00:51:34,400
Speaker 3: So we started off like, man, I'll settle for one

1193
00:51:34,480 --> 00:51:37,120
Speaker 3: hundred and twenty five. It went to two hundred and

1194
00:51:37,280 --> 00:51:39,600
Speaker 3: I was like, okay, we settled it one sixty seven,

1195
00:51:40,520 --> 00:51:42,839
Speaker 3: So offer this eight years of taxes. We was able

1196
00:51:42,880 --> 00:51:45,080
Speaker 3: to settle a five hundred and fifty thousand dollars tab

1197
00:51:45,160 --> 00:51:46,879
Speaker 3: for one hundred and sixty seven thousand dollars.

1198
00:51:46,960 --> 00:51:47,080
Speaker 1: Man.

1199
00:51:47,200 --> 00:51:49,640
Speaker 3: So This is just all on the education, on the game,

1200
00:51:49,920 --> 00:51:53,360
Speaker 3: making sure you got a financial advisor, making sure you

1201
00:51:53,440 --> 00:51:57,560
Speaker 3: got an accountant who's on your team and providing.

1202
00:51:57,200 --> 00:51:59,839
Speaker 1: You with your best interest. Shout out to you. Run

1203
00:51:59,880 --> 00:52:05,720
Speaker 1: to you man, sir, right s up. Get that behind

1204
00:52:05,760 --> 00:52:07,359
Speaker 1: the hits. It dropped on the seventeenth though.

1205
00:52:07,840 --> 00:52:11,040
Speaker 2: To quick producer talk questions, you're sending the files, and

1206
00:52:11,440 --> 00:52:13,319
Speaker 2: you know rap always want the files.

1207
00:52:13,560 --> 00:52:14,120
Speaker 1: You're sending them.

1208
00:52:14,840 --> 00:52:18,400
Speaker 3: I'm sending the files just because I want my ship mixed, Okay,

1209
00:52:18,760 --> 00:52:19,440
Speaker 3: I want to give the.

1210
00:52:19,480 --> 00:52:22,719
Speaker 1: Best disturbing your art. Yeah, I'm pulling up. I'm at

1211
00:52:22,719 --> 00:52:24,000
Speaker 1: the mix. I'm involved in the mix.

1212
00:52:25,520 --> 00:52:27,920
Speaker 3: Before I send the files, my manager and his manager

1213
00:52:28,000 --> 00:52:30,120
Speaker 3: already talking and on the phone with our attorneys and

1214
00:52:30,200 --> 00:52:32,719
Speaker 3: exchanging our attorney information to ensure that we got to

1215
00:52:32,760 --> 00:52:36,319
Speaker 3: produce an agreement. In effect, I want him to drop

1216
00:52:36,360 --> 00:52:39,239
Speaker 3: the music because all my beasts copy written. So you

1217
00:52:39,320 --> 00:52:41,279
Speaker 3: can drop this ship and try to not pay me,

1218
00:52:41,520 --> 00:52:43,520
Speaker 3: you know what I'm saying. But just that's whereever respect

1219
00:52:43,600 --> 00:52:45,840
Speaker 3: came from, but just behind him on my bidding. So

1220
00:52:46,000 --> 00:52:47,880
Speaker 3: either way go, you're gonna have to pay me, you

1221
00:52:47,920 --> 00:52:50,320
Speaker 3: know what I'm saying. Labels know that independent artists know that,

1222
00:52:51,000 --> 00:52:53,439
Speaker 3: and you know what I'm saying, it can get ugly,

1223
00:52:54,040 --> 00:52:54,680
Speaker 3: you know what I'm saying.

1224
00:52:54,760 --> 00:52:56,600
Speaker 1: So not paying a niggas not the route to go.

1225
00:52:56,719 --> 00:52:58,560
Speaker 1: I'm not the plug to run off phone. The other

1226
00:52:58,640 --> 00:53:02,560
Speaker 1: one of this, take the publishing deal or nah.

1227
00:53:04,400 --> 00:53:06,560
Speaker 3: You gotta be able to fulfill your deal. So if

1228
00:53:06,560 --> 00:53:09,239
Speaker 3: you're gonna take a deal, just turn up to it.

1229
00:53:09,280 --> 00:53:11,719
Speaker 3: I took a publishing deal. I fulfill mine in three years,

1230
00:53:12,360 --> 00:53:14,959
Speaker 3: you know what I'm saying. And it's pool cool money

1231
00:53:15,000 --> 00:53:16,279
Speaker 3: on the back end, you know what I'm saying. And

1232
00:53:16,440 --> 00:53:18,919
Speaker 3: we did an amendment and extended for another two years.

1233
00:53:18,960 --> 00:53:23,040
Speaker 3: I fulfilled just because I'm working. Drake probably see maybe

1234
00:53:23,120 --> 00:53:26,080
Speaker 3: twenty percent of his publishing, maybe twenty five I forget,

1235
00:53:26,160 --> 00:53:27,520
Speaker 3: but it's some other people who get in some of

1236
00:53:27,560 --> 00:53:29,880
Speaker 3: his publishing. Look at how much music he dropped me thinking, nigga,

1237
00:53:29,920 --> 00:53:32,440
Speaker 3: give a fuck I'm dropping. I'm dropping them dropp I

1238
00:53:32,560 --> 00:53:35,120
Speaker 3: rather have twenty percent of a billion than one hundred

1239
00:53:35,120 --> 00:53:37,520
Speaker 3: percent of a million, you see what I'm saying. So

1240
00:53:37,840 --> 00:53:39,759
Speaker 3: you know I'm gonna take a publishing deal if it's

1241
00:53:39,800 --> 00:53:41,640
Speaker 3: gonna put me in a better position. I took one

1242
00:53:41,680 --> 00:53:43,759
Speaker 3: hundred and fifty. My dad had just made a bet

1243
00:53:43,840 --> 00:53:46,160
Speaker 3: with me to man, yeah, you ain't getting no money.

1244
00:53:46,160 --> 00:53:47,600
Speaker 3: He ain't gonna be shit doing what you're doing. My

1245
00:53:47,680 --> 00:53:49,720
Speaker 3: dad from the orchestra. I came up in the orchestra,

1246
00:53:49,800 --> 00:53:52,759
Speaker 3: you know what I'm saying. And when he found out

1247
00:53:52,760 --> 00:53:54,960
Speaker 3: I got kicked out of college that nigga made me

1248
00:53:55,040 --> 00:53:56,239
Speaker 3: a bit. He was like, man, I bet you one

1249
00:53:56,280 --> 00:53:58,200
Speaker 3: hundred dolls. You ain't gonna be able to do what

1250
00:53:58,280 --> 00:54:00,800
Speaker 3: you're doing. Man, fuck that little that ten thousand. I

1251
00:54:00,840 --> 00:54:02,640
Speaker 3: was like, Papa, don't getting money on droveabley. I got

1252
00:54:02,719 --> 00:54:04,680
Speaker 3: songs in it. I did Yo, got it, I did

1253
00:54:05,080 --> 00:54:07,759
Speaker 3: three six, I did this shit woo and was like, man,

1254
00:54:07,800 --> 00:54:09,759
Speaker 3: you ain't gonna be able to buy your mama the house.

1255
00:54:09,920 --> 00:54:10,319
Speaker 1: She won't.

1256
00:54:10,400 --> 00:54:12,399
Speaker 3: I pulled that ten thowund dollar cads put it on tape.

1257
00:54:12,400 --> 00:54:14,160
Speaker 3: I ain't had no debl call, I ain't on credit call,

1258
00:54:14,600 --> 00:54:16,640
Speaker 3: none of this shit. I ain't even have a bank account,

1259
00:54:17,040 --> 00:54:17,680
Speaker 3: you know what I'm saying.

1260
00:54:17,880 --> 00:54:18,879
Speaker 1: And my pub deal.

1261
00:54:19,040 --> 00:54:21,160
Speaker 3: I did it for one hundred fifty thousand. That was

1262
00:54:21,320 --> 00:54:23,239
Speaker 3: how I was able to put that hundred in front

1263
00:54:23,239 --> 00:54:25,200
Speaker 3: of his face and say, look, nigga did it too much.

1264
00:54:25,440 --> 00:54:27,200
Speaker 3: Because he either that or he was gonna put me

1265
00:54:27,239 --> 00:54:27,800
Speaker 3: back in school.

1266
00:54:28,200 --> 00:54:28,480
Speaker 1: I had.

1267
00:54:28,640 --> 00:54:30,880
Speaker 3: I had a six month suspension from University of Memphis.

1268
00:54:31,239 --> 00:54:34,680
Speaker 3: So it's about taking that deal. And like I bet,

1269
00:54:35,280 --> 00:54:37,120
Speaker 3: I was spending a lot of money on studio time,

1270
00:54:37,239 --> 00:54:39,040
Speaker 3: this and that. I bought me a pro tools read.

1271
00:54:39,440 --> 00:54:41,640
Speaker 3: I bought me a computer. I bought me all the

1272
00:54:41,719 --> 00:54:43,919
Speaker 3: equipment I needed for my beats. And now I'm able

1273
00:54:43,960 --> 00:54:45,520
Speaker 3: to dump my beats right at the crib.

1274
00:54:45,680 --> 00:54:47,200
Speaker 1: I'm able to do them files at you something.

1275
00:54:47,280 --> 00:54:49,239
Speaker 3: Every time I had to deliver files, I got to

1276
00:54:49,239 --> 00:54:51,960
Speaker 3: go book somebody else studio to drop them files or

1277
00:54:52,080 --> 00:54:52,960
Speaker 3: track them files out.

1278
00:54:52,960 --> 00:54:55,680
Speaker 1: We ain't have no export on the laptop at that time,

1279
00:54:55,760 --> 00:54:56,399
Speaker 1: you know what I'm saying.

1280
00:54:56,840 --> 00:55:01,080
Speaker 3: So I bought the equipment that was necessary to allow

1281
00:55:01,160 --> 00:55:03,040
Speaker 3: me to, you know what I'm saying, take my career

1282
00:55:03,120 --> 00:55:04,719
Speaker 3: to the next level. And we took that one hundred

1283
00:55:04,719 --> 00:55:06,759
Speaker 3: and fifty and turn it in one point five.

1284
00:55:08,040 --> 00:55:11,840
Speaker 1: You know what I mean. Good flip behind the hits.

1285
00:55:11,920 --> 00:55:14,360
Speaker 1: Make sure y'all rock with that behind the hits. Appreciate

1286
00:55:14,360 --> 00:55:18,040
Speaker 1: your drummer boy pulling up the Big Facts. Visit the

1287
00:55:18,080 --> 00:55:21,400
Speaker 1: new website today Big factspod dot com co