WEBVTT - Q&A Meets Twirl'd

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<v Speaker 1>Well, this week we have once again asked for your

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<v Speaker 1>cues to our a's, but now in completely different roles.

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<v Speaker 1>We aren't the three former child stars of Boy Meets World,

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<v Speaker 1>partaking in a weekly journey of unpacking our experiences and

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<v Speaker 1>facing what will undoubtedly be a painful final season. But

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<v Speaker 1>we are Danielle, the current contestant on season thirty four

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<v Speaker 1>of Dancing with the Stars, and her two best friends,

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<v Speaker 1>the dan Yettes. Dan, Yet, what do you want to

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<v Speaker 1>know about dance from someone who, as of a few

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<v Speaker 1>months ago had never even walked onto a ballroom dance floor?

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<v Speaker 1>And how about questions from the TV show Dancing with

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<v Speaker 1>the Stars from two guys who had never watched it

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<v Speaker 1>before and still spend most of their waking hours trying

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<v Speaker 1>to figure out the scoring system?

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<v Speaker 2>Doesn't make any sense?

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<v Speaker 1>Well, you sent them to us, and now it's time

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<v Speaker 1>to answer some while proudly wearing our dancing shoes. Hilariously,

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<v Speaker 1>half of the questions we received from listeners were just

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<v Speaker 1>more detailed thoughts about the way Dancing with the Stars

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<v Speaker 1>incorporates scoring. But I do think you too have that covered,

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<v Speaker 1>so we selected from unique inquiries. First, maybe I ask

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<v Speaker 1>you the Danettes do you have any questions for me?

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<v Speaker 3>And maybe I have some questions for you that we

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<v Speaker 3>can get out of the way. I have a question, okay.

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<v Speaker 4>When you okay, the pre show package or the pre

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<v Speaker 4>dance packages.

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<v Speaker 2>Yeah.

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<v Speaker 4>Do they come to every rehearsal with a camera crew?

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<v Speaker 4>Are you always on? Basically, when you're.

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<v Speaker 1>Rehearsing the entire time we're there, there is a camera

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<v Speaker 1>that lives in the corner that's recording the entire thing,

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<v Speaker 1>and from the moment we walk walk in, we're micd

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<v Speaker 1>and so that records every second of our rehearsal. And

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<v Speaker 1>then on top of that, for a majority of it,

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<v Speaker 1>there is also a camera man and a or woman

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<v Speaker 1>and a camera and they roll around so that they

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<v Speaker 1>can get.

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<v Speaker 3>All so there's no downtime zero zero, you know how

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<v Speaker 3>anytime of.

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<v Speaker 4>Sacred space that sucks. Man.

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<v Speaker 5>I was wondering about that because I was just like man, like,

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<v Speaker 5>I would want like everyone out, just me and my

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<v Speaker 5>partner and a chance to like talk and dance and

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<v Speaker 5>about kinks and stuff and just be like whatever.

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<v Speaker 4>Yeah.

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<v Speaker 2>Can you imagine us on Boy Meets World every single

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<v Speaker 2>rehearsal being micd and having cameras in our face for

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<v Speaker 2>every time. Well, that would be horrifying.

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<v Speaker 1>It's essentially doing rehearsal on a press line.

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<v Speaker 2>Yeah, well you're you're essentially you're on a reality show.

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<v Speaker 3>That's exactly what it is. It's a reality show.

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<v Speaker 2>Okay. I have a question too.

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<v Speaker 3>Okay.

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<v Speaker 2>First of all, because writer and I have gone back

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<v Speaker 2>and forth on this, Okay, how much input do you

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<v Speaker 2>have in picking your song?

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<v Speaker 3>Okay?

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<v Speaker 2>And the second question is what is the fastest animal

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<v Speaker 2>on the face of the earth?

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<v Speaker 1>Okay, I think I think cheetah. Okay, is the fastest animal.

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<v Speaker 1>I'm gonna answer that one first, Okay, Song and style.

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<v Speaker 1>So when the season started, they sent us a music questionnaire.

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<v Speaker 3>That music questionnaire was hints we didn't.

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<v Speaker 1>Know for sure, but hints about what the theme weeks

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<v Speaker 1>were going to be. So like, the first question was,

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<v Speaker 1>if you had to pick an anthem song, what would

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<v Speaker 1>give me some give us some suggestions?

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<v Speaker 2>Okay?

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<v Speaker 1>And then I had to write down favorite songs that

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<v Speaker 1>would I would consider to be an anthem song.

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<v Speaker 3>Now, this is me, the.

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<v Speaker 1>Celebrity who knows nothing about song selection and style of

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<v Speaker 1>dance or anything. Just they want to know, what are

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<v Speaker 1>some of your favorite songs for that gotcha. And then

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<v Speaker 1>the second week was you know for uh, do you

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<v Speaker 1>TikTok or whatever?

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<v Speaker 4>You know?

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<v Speaker 1>TikTok week, which maybe was week three, and then do

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<v Speaker 1>you have any connections to Wicked? What's your favorite songs?

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<v Speaker 1>Do you like Halloween? What are some of your favorite

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<v Speaker 1>Halloween songs?

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<v Speaker 4>But they're asking they give you this question upfront for

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<v Speaker 4>the entire season for the.

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<v Speaker 2>Whole reason.

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<v Speaker 1>They gave it to me before the season starts, and

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<v Speaker 1>you go through and start filling in, and they say it,

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<v Speaker 1>give us as many as you can, okay, So that's

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<v Speaker 1>what they start with. The music department then goes through

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<v Speaker 1>and collects all those questionnaires from all of the celebrities

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<v Speaker 1>and they then run it against their algorithm of which

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<v Speaker 1>of these have we already used?

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<v Speaker 3>And it doesn't mean that if a song's.

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<v Speaker 1>Already been used, you can't use it again, but they

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<v Speaker 1>certainly don't want to do like, you know, a song

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<v Speaker 1>that's really been overdone.

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<v Speaker 3>They want to and then they.

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<v Speaker 1>Also want detail about why would this be your anthem song?

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<v Speaker 1>Why was Kelly Clarkson stronger important to me?

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<v Speaker 3>And all that.

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<v Speaker 1>So they start from that place with taking songs that

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<v Speaker 1>all of the celebrities have written down as being things

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<v Speaker 1>that are or important to them. Then they compare them

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<v Speaker 1>to the other celebrities, and then they share all of

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<v Speaker 1>that with your pro. Then the music department and your

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<v Speaker 1>pro are able to say, hmm, I see you wrote

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<v Speaker 1>this song down and it's possible that we could clear it,

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<v Speaker 1>because that's the other thing. Is it something going to

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<v Speaker 1>be that we're gonna be able to clear? So yeah,

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<v Speaker 1>that is kind of the process. And then of course

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<v Speaker 1>things like we can't get something cleared, and so then

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<v Speaker 1>the they make suggestions to you. The music department says,

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<v Speaker 1>what about this and what about that? Like they're like

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<v Speaker 1>One Hit Wonder Week. There were a couple of songs

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<v Speaker 1>I really wanted to do for One Hit Wonder Week,

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<v Speaker 1>and they pushed back a little bit, saying that one

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<v Speaker 1>of the songs I wanted to do wasn't technically a

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<v Speaker 1>one hit wonder even though it definitely was, and also

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<v Speaker 1>other people's songs were absolutely not one hit wonders. So

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<v Speaker 1>I was a little like, sometimes you don't have control

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<v Speaker 1>and you kind of just they'll send you a playlist,

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<v Speaker 1>they'll say, here are five songs. Tell us if any

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<v Speaker 1>of these work for you. And I could have said

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<v Speaker 1>no to all of them, right, But you know so, Oka,

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<v Speaker 1>it is a it is you have, It's a process

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<v Speaker 1>and a lot of factors are at play in it.

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<v Speaker 3>Okay.

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<v Speaker 2>I have one more question for you, okay, and this

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<v Speaker 2>is this is important. It's a question that I'd like

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<v Speaker 2>answered that we would like to talk about on Podney Stroll.

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<v Speaker 2>But we don't know, okay. And now that you know

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<v Speaker 2>everybody and you've become close with everybody, if Rider, Dan

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<v Speaker 2>Yete and Will Danyete went on Dancing with the Stars, right,

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<v Speaker 2>what pro would you put each of us with?

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<v Speaker 3>Oh, this is such a good question. Will I would

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<v Speaker 3>put you with Emma?

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<v Speaker 2>Is Emma with Andy? Yeah? That makes sense.

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<v Speaker 1>Emma has such a wicked, wonderful sense of humor, okay,

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<v Speaker 1>And she and you, first of all, would really get

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<v Speaker 1>along in the sense of humor department, which I think

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<v Speaker 1>is going to be important for you.

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<v Speaker 3>Specifically in order to feel like.

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<v Speaker 1>You're going to to be able to get through this

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<v Speaker 1>and to want to want to even be there.

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<v Speaker 2>Yeah.

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<v Speaker 1>Yeah, And I think she also has an ability. You

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<v Speaker 1>are not a social media person at all, and she

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<v Speaker 1>is very good at it. And it is it is

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<v Speaker 1>a weapon that you can use, not in a bad way.

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<v Speaker 3>It is a It is a tool.

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<v Speaker 1>In your arsenal to be good at social media on

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<v Speaker 1>this show. And since you do not have that experience

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<v Speaker 1>and Emma does the same way, she is using it

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<v Speaker 1>as to her advantage with Andy.

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<v Speaker 2>I think she would do it with you, and I'd

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<v Speaker 2>have to get on social media. I don't think they'd

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<v Speaker 2>let me come on without being on social media. I

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<v Speaker 2>think correct part of the show.

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<v Speaker 3>It is part of it is part of the show.

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<v Speaker 3>It's part of part of the deal.

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<v Speaker 1>And by the way, you could still have somebody like

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<v Speaker 1>they're the Dancing with the Stars social team. Mar Linda

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<v Speaker 1>is the head of the social team over there. They

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<v Speaker 1>are wonderful. You could have them.

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<v Speaker 3>You could have your own account and they run.

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<v Speaker 2>They do everything right.

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<v Speaker 3>They could do it.

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<v Speaker 1>For you if you wanted, so that you didn't have

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<v Speaker 1>to participating, or you know, you could not read comments

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<v Speaker 1>or choose to if whatever. So that I also think

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<v Speaker 1>height wise, so much of this is going to be

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<v Speaker 1>about height, and I think Emma is one of the

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<v Speaker 1>taller pros, and I think you I think I think

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<v Speaker 1>you guys would be a good height match. So I

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<v Speaker 1>will pair you for sure with Emma writer, I would

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<v Speaker 1>pair you. Gosh, I'm torn between Britt and Daniella.

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<v Speaker 4>Which one is Britt?

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<v Speaker 3>Britt was with Baron Davis.

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<v Speaker 4>Okay, yeah, so she was only there.

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<v Speaker 3>For like one she was only there for one week.

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<v Speaker 2>She is on stage there all the time, even.

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<v Speaker 1>The pro numbers, and she is just wonderful. Jensen just said,

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<v Speaker 1>my pick is Britt.

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<v Speaker 4>She is.

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<v Speaker 1>She is wonderful. She's really the thing I think you

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<v Speaker 1>would really love about Britt that everybody loves about Britt.

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<v Speaker 1>She really gets to know her partners and is not

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<v Speaker 1>like she really like I don't know how to say this,

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<v Speaker 1>She learns about them and almost takes on who like

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<v Speaker 1>I want to embody who you are so that I

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<v Speaker 1>can choreograph from the inside out to showcase your vibe,

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<v Speaker 1>your personality, And she like she really learns about her partner.

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<v Speaker 1>She treats it like like a science experiment. Almost How

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<v Speaker 1>much can I absorb about who you are and what

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<v Speaker 1>your life is like?

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<v Speaker 5>And how can that authenticity to to just embrace it

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<v Speaker 5>and commit to it. If I was being told, like,

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<v Speaker 5>you need to wear a sparkly tuxedo because that's what's hot,

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<v Speaker 5>this week, I would be like, Nope, not.

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<v Speaker 2>No, and that's it.

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<v Speaker 3>That's it exactly.

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<v Speaker 1>She really celebrates who the person is to showcase and

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<v Speaker 1>highlight that. So I think Britt would be my pick

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<v Speaker 1>for you. Yeah, that would be my choice. Man, boy,

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<v Speaker 1>could you imagine how freaking excited I would be.

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<v Speaker 2>If you guys? I literally just my hamstring talking about it.

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<v Speaker 3>So Okay, So I hope that answers some questions.

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<v Speaker 2>Yeah, it's it's just a lot of it, especially with

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<v Speaker 2>some of the judges stuff, which again I'm I don't

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<v Speaker 2>know if you're ware of I'm a dance expert, but

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<v Speaker 2>a lot of it just some of the numbers just

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<v Speaker 2>seem very arbitrary.

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<v Speaker 3>Yeah, well, there.

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<v Speaker 1>Are definitely things where it's like, you know, once they've

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<v Speaker 1>given Andy six's three weeks in a row, if there's

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<v Speaker 1>any improvement, how do they say that's a five?

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<v Speaker 2>Right?

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<v Speaker 3>You know, it's like and.

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<v Speaker 1>That's why when we were talking about the very beginning

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<v Speaker 1>of the season, I know Derek was really trying to

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<v Speaker 1>set the precedent we are not going to be scoring

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<v Speaker 1>super high out of the gate.

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<v Speaker 3>But then when you're.

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<v Speaker 1>Out there and you're seeing how hard everyone's working, I

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<v Speaker 1>just think in general, it's really hard for them to

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<v Speaker 1>pull out a four, you know, you know it like true,

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<v Speaker 1>But had they started at fours for certain dances, we

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<v Speaker 1>could have now seen improvement and still be at a six, right, right,

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<v Speaker 1>But when you know some people are at a six

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<v Speaker 1>and other people are at a seven, you're like, but

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<v Speaker 1>but but sixty six, it becomes it becomes six seven.

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<v Speaker 3>They're all so young and cool?

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<v Speaker 2>What is what is that? What is that they're doing?

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<v Speaker 4>That's the latest memes? Speak man, brain rot? Are you

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<v Speaker 4>saying it? Right?

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<v Speaker 3>Are you team seven?

0:11:33.559 --> 0:11:36.240
<v Speaker 4>I don't know. I just Andy says it all the time?

0:11:36.360 --> 0:11:37.880
<v Speaker 2>What is that? Please people?

0:11:38.080 --> 0:11:40.760
<v Speaker 4>It's what people are saying. But what is a young people?

0:11:40.760 --> 0:11:41.280
<v Speaker 3>Okay? Okay?

0:11:41.280 --> 0:11:43.320
<v Speaker 1>So there was a TikTok thing about a guy and

0:11:43.360 --> 0:11:46.240
<v Speaker 1>he was talking about how tall a basketball player was,

0:11:46.920 --> 0:11:51.080
<v Speaker 1>and he was saying he was six seven, and he

0:11:51.160 --> 0:11:55.000
<v Speaker 1>did this, okay, and it just became a thing that

0:11:55.200 --> 0:11:59.160
<v Speaker 1>now in any for no reason at all whatsoever, you

0:11:59.400 --> 0:12:01.560
<v Speaker 1>just say a six seven.

0:12:01.800 --> 0:12:04.800
<v Speaker 5>There's also a video that that Indy thought was the origin,

0:12:04.800 --> 0:12:06.800
<v Speaker 5>which is like, there's a basketball game going on, hands

0:12:06.800 --> 0:12:08.280
<v Speaker 5>of the audience and these two kids turned to the

0:12:08.280 --> 0:12:09.440
<v Speaker 5>camera and they're like six.

0:12:09.320 --> 0:12:12.120
<v Speaker 6>Seven, just so you know, hilariously, this meme is is

0:12:12.160 --> 0:12:14.840
<v Speaker 6>truly from a rap song called Dute Dude by Scrilla,

0:12:15.040 --> 0:12:19.240
<v Speaker 6>and he says he says six seven in the song. Funny.

0:12:19.640 --> 0:12:22.080
<v Speaker 6>Then a bunch of people used it in tiktoks and

0:12:22.120 --> 0:12:23.600
<v Speaker 6>now no one knows the song exists.

0:12:23.679 --> 0:12:25.040
<v Speaker 3>Yeah, yeah, no one's ever heard of the song.

0:12:25.080 --> 0:12:26.640
<v Speaker 4>It's just from They try to listen to the song

0:12:26.720 --> 0:12:29.840
<v Speaker 4>and they was awful. Yeah no, it did suck, so yeah,

0:12:29.880 --> 0:12:31.360
<v Speaker 4>but we just say six to seven all the time.

0:12:31.679 --> 0:12:31.959
<v Speaker 6>Seven.

0:12:32.160 --> 0:12:34.360
<v Speaker 2>I weep for us as a society. Thank you.

0:12:40.440 --> 0:12:43.360
<v Speaker 7>Halloween is around the corner, and your favorite podcaster are

0:12:43.480 --> 0:12:46.920
<v Speaker 7>serving up episodes that are so good it's actually scary.

0:12:47.280 --> 0:12:49.880
<v Speaker 7>Sex and the City meet Severance when Adam Scott joins

0:12:49.960 --> 0:12:53.280
<v Speaker 7>Kristin Davis to discuss the haunting relationship between Big and

0:12:53.360 --> 0:12:56.559
<v Speaker 7>Natasha on Are You a Charlotte? And nine one one

0:12:56.600 --> 0:12:59.040
<v Speaker 7>What's Your Emergency? The new episode of Call It What

0:12:59.120 --> 0:13:01.440
<v Speaker 7>It Is? Of course nine to one to one Nashville

0:13:01.480 --> 0:13:05.480
<v Speaker 7>co star Kimberly Williams Paisley joins Jessica Kapshaw and Camilla

0:13:05.559 --> 0:13:08.839
<v Speaker 7>Ludington to talk about her health scare her superstar Hubby

0:13:08.880 --> 0:13:11.600
<v Speaker 7>Brad Paisley and her memories on the set of Father

0:13:11.679 --> 0:13:15.079
<v Speaker 7>of the Bride with the legendary Diane Keaton. Oscar winner

0:13:15.120 --> 0:13:18.120
<v Speaker 7>Bree Larsen is a work in progress. Sophia Bush finds

0:13:18.120 --> 0:13:21.240
<v Speaker 7>out why, and Walt's right over to Danielle with because

0:13:21.320 --> 0:13:24.280
<v Speaker 7>Danielle Fischel has fellow Dancing with the Stars contestant Dylan

0:13:24.280 --> 0:13:26.400
<v Speaker 7>Efron on to talk about the ballroom, the.

0:13:26.440 --> 0:13:27.440
<v Speaker 3>Leaderboard and more.

0:13:27.760 --> 0:13:31.079
<v Speaker 7>Listen now on the iHeartRadio app, Apple Podcasts, or wherever

0:13:31.160 --> 0:13:32.240
<v Speaker 7>you get your podcast.

0:13:45.000 --> 0:13:47.000
<v Speaker 1>Let's jump into our unless you have another question for me,

0:13:47.040 --> 0:13:50.480
<v Speaker 1>Let's jump into our pod meets okay great. This one

0:13:50.559 --> 0:13:53.559
<v Speaker 1>is from Carly g during Dedication night when they returned

0:13:53.559 --> 0:13:56.040
<v Speaker 1>from a commercial break before Danielle got her scores, she

0:13:56.120 --> 0:13:58.480
<v Speaker 1>looked like she had been crying. What was going through

0:13:58.520 --> 0:14:01.640
<v Speaker 1>her mind at that times? She gets all twenty of

0:14:01.640 --> 0:14:04.760
<v Speaker 1>my votes, No question, You're making us all so proud, Danielle,

0:14:04.920 --> 0:14:07.880
<v Speaker 1>so sweet, Thank you, Carly So yes, I did start crying.

0:14:08.800 --> 0:14:10.000
<v Speaker 3>So a couple of things happen.

0:14:10.880 --> 0:14:11.000
<v Speaker 6>Uh.

0:14:11.760 --> 0:14:17.239
<v Speaker 1>One, I had not seen Scott since they had announced

0:14:17.360 --> 0:14:20.200
<v Speaker 1>in their dance previous to mine that they were having

0:14:20.240 --> 0:14:20.640
<v Speaker 1>a baby.

0:14:20.800 --> 0:14:24.120
<v Speaker 3>Okay when ahead of time I did not.

0:14:24.320 --> 0:14:27.120
<v Speaker 1>It was a surprise, so I was I, you know,

0:14:27.280 --> 0:14:31.400
<v Speaker 1>a few dances before your dance, So say I'm number

0:14:31.680 --> 0:14:37.200
<v Speaker 1>seventh in the lineup at a round dance four. They

0:14:37.280 --> 0:14:40.240
<v Speaker 1>pull us from the skybox to go warm up. We

0:14:40.600 --> 0:14:43.960
<v Speaker 1>you know you cannot. People think it's just like, okay,

0:14:44.120 --> 0:14:47.000
<v Speaker 1>now get out there and dance. You're if your muscles

0:14:47.120 --> 0:14:50.440
<v Speaker 1>are not stretched and warm, and you you know, you

0:14:50.480 --> 0:14:53.000
<v Speaker 1>want to refresh your you want to refresh your routine.

0:14:53.000 --> 0:14:55.280
<v Speaker 1>You want to make sure you're absolutely focused, you're not

0:14:55.320 --> 0:14:57.960
<v Speaker 1>being distracted by my friends are in the audience and

0:14:58.000 --> 0:14:59.760
<v Speaker 1>my package is on the TV, and my friend is

0:14:59.840 --> 0:15:02.080
<v Speaker 1>Dan down there, Like you really need to like lock

0:15:02.160 --> 0:15:04.240
<v Speaker 1>in with your partner and get focused.

0:15:04.280 --> 0:15:06.320
<v Speaker 3>So they take us out of the skybox.

0:15:06.480 --> 0:15:08.680
<v Speaker 1>But Scott's dance had been right before us, so I

0:15:08.800 --> 0:15:12.080
<v Speaker 1>was down like hiding behind the curtain, and I heard

0:15:12.280 --> 0:15:13.200
<v Speaker 1>the scream and.

0:15:13.240 --> 0:15:14.480
<v Speaker 3>Was like, did they just an know they were having

0:15:14.480 --> 0:15:14.920
<v Speaker 3>a baby.

0:15:15.160 --> 0:15:18.040
<v Speaker 1>So Scott was right behind me in the box and

0:15:18.560 --> 0:15:20.360
<v Speaker 1>we went to commercial break, and then I turned to

0:15:20.400 --> 0:15:22.240
<v Speaker 1>Scott and I said, oh my gosh, by the way,

0:15:22.280 --> 0:15:27.360
<v Speaker 1>congratulations and his husband Mark regularly, if not every single day,

0:15:27.560 --> 0:15:29.640
<v Speaker 1>most days went with him to rehearsal, and so I

0:15:29.680 --> 0:15:32.640
<v Speaker 1>got to know both of them, and I started talking

0:15:32.680 --> 0:15:37.000
<v Speaker 1>to him about being a parent and how happy I

0:15:37.240 --> 0:15:39.200
<v Speaker 1>was that they were going to be fathers and what

0:15:39.360 --> 0:15:42.640
<v Speaker 1>good fathers I thought they were going to be. And

0:15:42.800 --> 0:15:46.280
<v Speaker 1>then I got emotional the way I got emotional just

0:15:46.360 --> 0:15:49.240
<v Speaker 1>now talking about it, and that then turned into when

0:15:49.240 --> 0:15:52.840
<v Speaker 1>I turned back to Pasha, me saying I'm sorry I

0:15:52.880 --> 0:15:55.960
<v Speaker 1>missed that step in our in our jive, I had

0:15:56.200 --> 0:15:59.400
<v Speaker 1>missed a step that we had worked on many, many times,

0:15:59.440 --> 0:16:02.560
<v Speaker 1>and I messed it up. And I you know, the

0:16:02.600 --> 0:16:06.120
<v Speaker 1>worst feeling of screwing something up in your dance is

0:16:06.160 --> 0:16:09.320
<v Speaker 1>not oh the judges are going to judge me for it,

0:16:09.480 --> 0:16:12.920
<v Speaker 1>or America saw me make a mistake, or even I'm

0:16:12.960 --> 0:16:16.320
<v Speaker 1>so mad at myself. The only thing I care about

0:16:17.080 --> 0:16:20.880
<v Speaker 1>is that I feel like I let Pasha. And so

0:16:21.160 --> 0:16:23.800
<v Speaker 1>I had just finished talking to Scott and was emotional,

0:16:23.840 --> 0:16:25.640
<v Speaker 1>and I turned and looked at Pasha and I was like,

0:16:25.960 --> 0:16:29.880
<v Speaker 1>I'm so sorry. And the minute I said I'm so sorry,

0:16:30.520 --> 0:16:33.480
<v Speaker 1>I was just like ooh, all these tears came, and

0:16:33.520 --> 0:16:38.040
<v Speaker 1>then it was like and we're back, right, and so

0:16:38.640 --> 0:16:41.120
<v Speaker 1>then yeah, then I was like trying to hold it together.

0:16:41.440 --> 0:16:45.360
<v Speaker 2>Was any part of you upset over your scores? You

0:16:45.400 --> 0:16:45.680
<v Speaker 2>know what?

0:16:45.840 --> 0:16:49.200
<v Speaker 3>I know. I'm not upset at the scores.

0:16:49.680 --> 0:16:53.120
<v Speaker 1>I'm upset that I felt like those were the right scores.

0:16:53.200 --> 0:16:58.080
<v Speaker 1>I'm upset that I don't feel I felt based on

0:16:58.120 --> 0:17:00.560
<v Speaker 1>the way I did in that dance, I that to

0:17:00.640 --> 0:17:02.240
<v Speaker 1>me was a seven.

0:17:02.520 --> 0:17:04.320
<v Speaker 3>I didn't do I didn't do what I wanted to do.

0:17:04.400 --> 0:17:07.320
<v Speaker 3>I don't. I mean, Bruno really enjoyed it. That dance

0:17:07.480 --> 0:17:08.000
<v Speaker 3>was hard.

0:17:08.080 --> 0:17:10.600
<v Speaker 1>And by the way, talking about stuff you don't see

0:17:10.600 --> 0:17:13.240
<v Speaker 1>in a package, I'm actually appreciative they didn't do it

0:17:13.280 --> 0:17:15.439
<v Speaker 1>because it was dedication night and it was it was

0:17:15.480 --> 0:17:19.359
<v Speaker 1>about Bill. That was my hardest week on this show, right,

0:17:19.680 --> 0:17:27.399
<v Speaker 1>forget injuries, forget anything. The jive is hard, yeah, and

0:17:27.680 --> 0:17:34.240
<v Speaker 1>it is so fast and so physical and so upbeat,

0:17:34.880 --> 0:17:36.240
<v Speaker 1>and you just have.

0:17:36.119 --> 0:17:38.480
<v Speaker 3>To Your rehearsals are just runs.

0:17:38.920 --> 0:17:42.040
<v Speaker 1>And we started with a sprint, and we ended with

0:17:42.080 --> 0:17:44.840
<v Speaker 1>a sprint and then trying to dance in between and

0:17:44.920 --> 0:17:48.639
<v Speaker 1>remember all of the steps and do all of the things.

0:17:48.720 --> 0:17:53.119
<v Speaker 1>And then in that dance we adjusted something on like

0:17:53.160 --> 0:17:55.480
<v Speaker 1>the first day, something Pasha it originally taught me. And

0:17:55.480 --> 0:17:57.000
<v Speaker 1>then just a few hours later, He's like, I don't

0:17:57.040 --> 0:17:58.520
<v Speaker 1>like this as much. I want to change this, and

0:17:58.560 --> 0:18:01.359
<v Speaker 1>I said, great, let's change it. Then we rehearsed it

0:18:01.359 --> 0:18:03.840
<v Speaker 1>that lay. Thursday, we rehearsed it that way. Friday, we

0:18:03.880 --> 0:18:07.440
<v Speaker 1>rehearsed it that way Saturday, and Saturday night I was like,

0:18:08.400 --> 0:18:10.240
<v Speaker 1>this jive is good.

0:18:10.359 --> 0:18:12.439
<v Speaker 3>I can't believe it. I can't believe where we started.

0:18:12.440 --> 0:18:12.919
<v Speaker 2>On Wednesday.

0:18:12.920 --> 0:18:14.040
<v Speaker 1>I felt like I was never going to get it,

0:18:14.080 --> 0:18:15.800
<v Speaker 1>and here we are Saturday night. I had all the

0:18:15.800 --> 0:18:19.359
<v Speaker 1>confidence in the world. Pasha seemed really confident. He was like,

0:18:19.400 --> 0:18:21.439
<v Speaker 1>this is this is great. We're in a really good place.

0:18:21.480 --> 0:18:23.800
<v Speaker 1>Tomorrow we have a full day and I just want

0:18:23.800 --> 0:18:25.439
<v Speaker 1>to clean. I want to perfect I want to make

0:18:25.440 --> 0:18:27.840
<v Speaker 1>sure every little movement is exactly what it's supposed to be.

0:18:27.840 --> 0:18:30.000
<v Speaker 1>I want to work on your retractions. And I was like, awesome.

0:18:31.480 --> 0:18:33.800
<v Speaker 1>I don't sleep well Saturday night for some reason, just

0:18:34.040 --> 0:18:37.200
<v Speaker 1>you know, stress of life and whatever. I don't sleep well.

0:18:37.480 --> 0:18:39.119
<v Speaker 1>I wake up on Sunday and I'm a little tired,

0:18:39.119 --> 0:18:41.440
<v Speaker 1>and I'm like, but at least I know what we're

0:18:41.440 --> 0:18:44.080
<v Speaker 1>doing today. I watch tape. We have like a one

0:18:44.119 --> 0:18:46.640
<v Speaker 1>pm rehearsal. I watch tape in the morning, I practice

0:18:46.640 --> 0:18:49.000
<v Speaker 1>in my mirror at home. The part that you know

0:18:49.359 --> 0:18:51.719
<v Speaker 1>is like this big side by side part. I practice

0:18:51.760 --> 0:18:53.680
<v Speaker 1>all of it and I show up to rehearsal and

0:18:53.720 --> 0:18:55.480
<v Speaker 1>Pasha goes, don't kill me, but I want to change

0:18:55.480 --> 0:19:01.600
<v Speaker 1>accounts and I go, what I just got it? I go,

0:19:02.280 --> 0:19:03.920
<v Speaker 1>what part do you? What part do you want to change?

0:19:03.920 --> 0:19:05.320
<v Speaker 1>And he's like, this part, the part that I said

0:19:05.359 --> 0:19:07.240
<v Speaker 1>is the most important part of the dance. I want

0:19:07.280 --> 0:19:11.320
<v Speaker 1>to change it. And I'm like, why why do you

0:19:11.640 --> 0:19:13.080
<v Speaker 1>why do you want to change it? And he's like,

0:19:13.119 --> 0:19:15.280
<v Speaker 1>I don't like it. I watched it last night. I

0:19:15.320 --> 0:19:17.240
<v Speaker 1>don't like it. I don't think the judges are going

0:19:17.280 --> 0:19:19.040
<v Speaker 1>to like it, and I don't I don't want to

0:19:19.040 --> 0:19:21.679
<v Speaker 1>do it. I want to change it. The rest of

0:19:21.720 --> 0:19:25.159
<v Speaker 1>that day was just on. That was just on that.

0:19:25.359 --> 0:19:28.200
<v Speaker 2>Now could you could you've just been like, dude, I've got.

0:19:28.040 --> 0:19:30.960
<v Speaker 1>It, he said, He said, if you want to do it,

0:19:31.280 --> 0:19:32.840
<v Speaker 1>we can do it. I'm going to tell you right now,

0:19:32.840 --> 0:19:35.800
<v Speaker 1>it's not good. Wow, he said, if you want to

0:19:35.800 --> 0:19:37.520
<v Speaker 1>do it, let's do it. Let's commit to it. Fine,

0:19:37.560 --> 0:19:38.919
<v Speaker 1>you want to do it, let's do it. It's not good.

0:19:38.960 --> 0:19:40.360
<v Speaker 1>And the judges are going to tell you it's not good,

0:19:40.400 --> 0:19:42.760
<v Speaker 1>but if you want to do it, let's do it now.

0:19:42.800 --> 0:19:45.840
<v Speaker 2>Wait, here's what you also said, that there's fifteen dances

0:19:45.880 --> 0:19:47.600
<v Speaker 2>to pick from and you don't have to do them all.

0:19:47.680 --> 0:19:49.520
<v Speaker 2>Are there going to be contestants that won't do the

0:19:49.600 --> 0:19:51.919
<v Speaker 2>jive at all? Or are there some that are compulsory?

0:19:52.320 --> 0:19:54.359
<v Speaker 1>Yeah, no, there may be some that don't do the

0:19:54.440 --> 0:19:58.480
<v Speaker 1>jive at all. And like, there there's a possibility U

0:19:58.600 --> 0:20:01.320
<v Speaker 1>Pasha and I may not do jazz, Like there's there's

0:20:01.320 --> 0:20:05.080
<v Speaker 1>only so many weeks, and you know, if you don't

0:20:05.119 --> 0:20:07.200
<v Speaker 1>have it, or your song doesn't go with it or whatever,

0:20:07.280 --> 0:20:08.600
<v Speaker 1>you just don't end up doing that. There are a

0:20:08.640 --> 0:20:11.120
<v Speaker 1>lot of people who aren't gonna do rumba, Like rumba's

0:20:11.359 --> 0:20:15.439
<v Speaker 1>really hard, especially for men. So you know, Emma is

0:20:15.520 --> 0:20:18.080
<v Speaker 1>probably not going to do a rumba with Andy with

0:20:18.119 --> 0:20:20.280
<v Speaker 1>and that makes sense, you know, Like they're watching her with.

0:20:20.280 --> 0:20:23.040
<v Speaker 2>Him where she's literally talking to him the entire time

0:20:23.320 --> 0:20:25.680
<v Speaker 2>is pretty fun to watch, Yeah, because she's literally during

0:20:25.720 --> 0:20:27.480
<v Speaker 2>the dance and probably.

0:20:27.080 --> 0:20:29.560
<v Speaker 1>Counting and she yeah, she says words that you know,

0:20:29.720 --> 0:20:32.679
<v Speaker 1>hands and yeah, things to remind him of where they

0:20:32.760 --> 0:20:35.359
<v Speaker 1>are and dance. Yeah, I mean they they, and we

0:20:35.400 --> 0:20:38.760
<v Speaker 1>do that all throughout the week. Pasha's really big on

0:20:38.880 --> 0:20:41.239
<v Speaker 1>me knowing how to count the entire dance. So I

0:20:41.320 --> 0:20:45.639
<v Speaker 1>learned that in the first week, and now I have

0:20:45.720 --> 0:20:48.199
<v Speaker 1>to count everything. And this week we're doing a Viennese waltz,

0:20:48.520 --> 0:20:52.960
<v Speaker 1>which is on three counts, and so like it goes

0:20:53.000 --> 0:20:57.280
<v Speaker 1>like this, it goes, but in the way the music

0:20:57.359 --> 0:21:00.119
<v Speaker 1>is cut, sometimes there's only four counts of three, and

0:21:00.119 --> 0:21:02.439
<v Speaker 1>then it starts back over at one, and then there

0:21:02.440 --> 0:21:04.639
<v Speaker 1>will be eight counts of three, and then it starts

0:21:04.680 --> 0:21:06.560
<v Speaker 1>back over at one, and then there are ten counts

0:21:06.560 --> 0:21:08.600
<v Speaker 1>of three, then it starts back over at one. So

0:21:08.640 --> 0:21:10.600
<v Speaker 1>in order to keep track of where we are, I

0:21:10.640 --> 0:21:13.520
<v Speaker 1>have to count like this one two three, two two

0:21:13.640 --> 0:21:17.160
<v Speaker 1>three three three two three four two three two three

0:21:17.280 --> 0:21:19.399
<v Speaker 1>two two three and then and then when I get

0:21:19.440 --> 0:21:21.760
<v Speaker 1>to six, back to one two three two two three.

0:21:21.800 --> 0:21:24.320
<v Speaker 1>And then the way I help using the count to

0:21:24.400 --> 0:21:26.600
<v Speaker 1>help me with what I'm supposed to be doing is

0:21:26.640 --> 0:21:29.840
<v Speaker 1>when I'm supposed to have something like a move on

0:21:29.880 --> 0:21:32.399
<v Speaker 1>a certain number, which in the waltz is usually on

0:21:32.200 --> 0:21:35.800
<v Speaker 1>the one, so I go one two three, two two

0:21:35.880 --> 0:21:39.200
<v Speaker 1>three three two three, So like those numbers, those things

0:21:39.240 --> 0:21:42.359
<v Speaker 1>that are pad or sometimes I change out the number

0:21:42.600 --> 0:21:45.480
<v Speaker 1>for a word, so it'll be one two three and

0:21:45.760 --> 0:21:49.800
<v Speaker 1>two three three two three foot two three five. It's

0:21:49.800 --> 0:21:53.480
<v Speaker 1>like and then and then you're just literally running around

0:21:53.480 --> 0:21:56.760
<v Speaker 1>the room screaming numbers on video and then watching it

0:21:56.800 --> 0:21:57.840
<v Speaker 1>back like an athlete.

0:21:58.200 --> 0:21:58.720
<v Speaker 4>There you go.

0:21:59.200 --> 0:21:59.720
<v Speaker 2>Yikes.

0:22:00.359 --> 0:22:03.840
<v Speaker 3>So okay, great question, Carly G. That's why I was crying.

0:22:04.119 --> 0:22:07.159
<v Speaker 3>We have ah a question from Connecticut Rachel Will. Do

0:22:07.240 --> 0:22:07.640
<v Speaker 3>you know her?

0:22:07.880 --> 0:22:08.119
<v Speaker 4>I do?

0:22:08.200 --> 0:22:15.840
<v Speaker 2>Of course everybody knows. Rachel from Connecticut sent Sparrow. I

0:22:15.920 --> 0:22:21.560
<v Speaker 2>have a query. It just does not protest.

0:22:22.960 --> 0:22:25.760
<v Speaker 1>Her question is, Will what would it take for you

0:22:26.200 --> 0:22:28.840
<v Speaker 1>to do Dancing with the Stars, a lifetime supply of

0:22:28.880 --> 0:22:31.639
<v Speaker 1>superhero undi's going back in time and guest starring on

0:22:31.800 --> 0:22:36.520
<v Speaker 1>mash jokes jokes aside? Do you think it is actually

0:22:36.600 --> 0:22:39.800
<v Speaker 1>possible with some sort of gigantic offer.

0:22:40.840 --> 0:22:43.080
<v Speaker 2>I don't see. I go to the same I go

0:22:43.080 --> 0:22:45.400
<v Speaker 2>to a different reason than writer, because the social media

0:22:45.440 --> 0:22:46.959
<v Speaker 2>stuff I could have fun with and do you all

0:22:47.000 --> 0:22:50.680
<v Speaker 2>that kind of stuff. I truly, and this is not hyperbole,

0:22:50.800 --> 0:22:53.399
<v Speaker 2>I truly do not believe there's a teacher in the

0:22:53.400 --> 0:22:55.520
<v Speaker 2>world that could teach me how to dance. I don't

0:22:55.520 --> 0:22:59.800
<v Speaker 2>think it's I don't think exist. I don't think they E.

0:23:00.040 --> 0:23:00.480
<v Speaker 3>You're wrong.

0:23:00.520 --> 0:23:04.399
<v Speaker 1>You heard carry Anne last week. Yeah, everybody can dance.

0:23:04.760 --> 0:23:06.920
<v Speaker 1>But is there something somebody could convince you? Is there

0:23:06.920 --> 0:23:08.560
<v Speaker 1>something going back in time being able to get star

0:23:08.640 --> 0:23:09.000
<v Speaker 1>on my waye?

0:23:09.040 --> 0:23:11.080
<v Speaker 2>Yeah? If I could have time travel, then yes, I

0:23:11.080 --> 0:23:14.800
<v Speaker 2>would do just about everything, of course, yeah, of course.

0:23:15.200 --> 0:23:17.440
<v Speaker 3>Okay, all right, so there is an offer out there,

0:23:17.480 --> 0:23:17.800
<v Speaker 3>all right?

0:23:18.040 --> 0:23:19.640
<v Speaker 2>Just want to know I'd rather do traders.

0:23:19.960 --> 0:23:22.280
<v Speaker 1>Okay, I know you love that job, all right? From

0:23:22.359 --> 0:23:25.280
<v Speaker 1>Jessica m Hey Danielle and the Danietes as our resident

0:23:25.359 --> 0:23:29.400
<v Speaker 1>lobster finder, Will I have to ask during dedication night

0:23:29.440 --> 0:23:32.240
<v Speaker 1>for Danielle, when the legendary Bill Daniels was there, was

0:23:32.280 --> 0:23:34.720
<v Speaker 1>there really a lobster on the garage stage or have

0:23:34.840 --> 0:23:36.000
<v Speaker 1>we all lost.

0:23:35.720 --> 0:23:41.000
<v Speaker 2>It was there? I didn't even notice. No, if somebody

0:23:41.040 --> 0:23:44.879
<v Speaker 2>did that, it's there. It's genius, absolute genius. But I

0:23:44.920 --> 0:23:47.000
<v Speaker 2>did not even did not even notice.

0:23:47.320 --> 0:23:48.480
<v Speaker 3>We have to go back and watch.

0:23:48.560 --> 0:23:50.720
<v Speaker 2>They cut to Bill so seldom, and when they did,

0:23:50.760 --> 0:23:52.440
<v Speaker 2>he had that huge smile on his face.

0:23:57.000 --> 0:24:00.879
<v Speaker 3>Oh my gosh, yeah he uh Bill?

0:24:01.320 --> 0:24:03.359
<v Speaker 1>So somebody was somebody was like, I feel awful that

0:24:03.400 --> 0:24:05.040
<v Speaker 1>they made him get on a plane. Bill did not

0:24:05.119 --> 0:24:07.000
<v Speaker 1>have to get on a plane. Bill was Bill was

0:24:07.040 --> 0:24:09.280
<v Speaker 1>a car right away. Its fifteen minutes from there. He

0:24:09.320 --> 0:24:11.440
<v Speaker 1>lived fifteen minutes. He didn't have to show up until

0:24:11.520 --> 0:24:14.439
<v Speaker 1>dress rehearsal. He never had a moment of rehearsal. He

0:24:14.520 --> 0:24:18.720
<v Speaker 1>showed up for dress rehearsal and they Yeah, they didn't

0:24:18.720 --> 0:24:19.719
<v Speaker 1>even have to drive themselves.

0:24:19.800 --> 0:24:20.560
<v Speaker 3>We had a car.

0:24:20.920 --> 0:24:23.760
<v Speaker 1>He Yeah, and his son Michael was there and took

0:24:23.800 --> 0:24:25.480
<v Speaker 1>such great care of him, and yeah.

0:24:25.320 --> 0:24:26.840
<v Speaker 2>And I was sitting with Bonnie, who was loving it.

0:24:26.840 --> 0:24:29.359
<v Speaker 3>It was Yeah, there were so many there.

0:24:29.400 --> 0:24:32.280
<v Speaker 1>The problem is that, you know, we are used to

0:24:32.480 --> 0:24:36.320
<v Speaker 1>really being able to see the cameras when we're in

0:24:36.359 --> 0:24:37.000
<v Speaker 1>a multiicam.

0:24:37.080 --> 0:24:38.600
<v Speaker 3>We're like, yeah, they're all right there.

0:24:38.920 --> 0:24:42.320
<v Speaker 1>This is obviously much more like a single cam, except

0:24:42.320 --> 0:24:46.359
<v Speaker 1>there are just eight single cameras. Everything's a little farther away,

0:24:46.440 --> 0:24:48.760
<v Speaker 1>especially where he was in the garage, and so other

0:24:48.840 --> 0:24:51.160
<v Speaker 1>than the music playing, I don't think he ever knew

0:24:51.160 --> 0:24:53.439
<v Speaker 1>when he was on camera or really you know, what

0:24:53.520 --> 0:24:55.440
<v Speaker 1>he was supposed to be doing when he was just

0:24:55.520 --> 0:24:56.560
<v Speaker 1>kind of sitting there.

0:24:58.080 --> 0:24:59.120
<v Speaker 3>But yeah, it was.

0:24:59.560 --> 0:25:01.320
<v Speaker 2>Not a huge fan. When they build a set on

0:25:01.359 --> 0:25:02.440
<v Speaker 2>the other side.

0:25:02.440 --> 0:25:02.919
<v Speaker 3>The garage.

0:25:02.960 --> 0:25:04.760
<v Speaker 1>I know, it's called the garage, and it's hard to

0:25:04.880 --> 0:25:08.520
<v Speaker 1>it's hard to see, and it gives it gives. It

0:25:08.560 --> 0:25:11.800
<v Speaker 1>looks great on TV, but when you're there, it makes

0:25:11.800 --> 0:25:12.760
<v Speaker 1>you feel disconnected.

0:25:13.000 --> 0:25:13.640
<v Speaker 3>Yeah.

0:25:13.800 --> 0:25:16.639
<v Speaker 1>This one's from Jeffrey from Louisiana. Question for Danielle. Has

0:25:16.720 --> 0:25:19.120
<v Speaker 1>Dancing with the Stars consumed your whole life as far

0:25:19.119 --> 0:25:21.800
<v Speaker 1>as scheduling and time commitment and did you expect this?

0:25:22.720 --> 0:25:26.080
<v Speaker 1>Dancing with the Stars and podcasting is literally all I do.

0:25:26.359 --> 0:25:28.919
<v Speaker 1>I don't sleep, I barely eat. I haven't been to

0:25:28.920 --> 0:25:31.600
<v Speaker 1>the bathroom in three weeks. And I have not seen

0:25:31.640 --> 0:25:35.320
<v Speaker 1>my that's true. I haven't seen my children. I barely

0:25:35.320 --> 0:25:37.639
<v Speaker 1>get to see my husband. I have no more friends,

0:25:37.840 --> 0:25:43.199
<v Speaker 1>and I just live in a microphone and then on

0:25:43.240 --> 0:25:50.679
<v Speaker 1>a microphone. I miked all day long. Yeah, that's exactly.

0:25:51.600 --> 0:25:52.320
<v Speaker 1>That's just for fun.

0:25:52.400 --> 0:25:54.399
<v Speaker 2>Yeah, that's just a boom mic. He's just following you run.

0:25:56.160 --> 0:25:57.040
<v Speaker 3>No, exactly, it's.

0:25:58.840 --> 0:26:01.960
<v Speaker 4>No, you're just all you feel like you're always on.

0:26:02.040 --> 0:26:02.679
<v Speaker 3>I'm always on.

0:26:02.880 --> 0:26:06.359
<v Speaker 1>I'm always on, and you know the did you expect this?

0:26:07.280 --> 0:26:09.080
<v Speaker 1>I knew it was going to be a crazy schedule,

0:26:09.119 --> 0:26:11.919
<v Speaker 1>I really did, But no, I did not expect this.

0:26:12.040 --> 0:26:14.720
<v Speaker 1>Mostly because what I had heard in all the other

0:26:14.840 --> 0:26:17.359
<v Speaker 1>years they asked me. I would always say, well, no,

0:26:17.560 --> 0:26:19.679
<v Speaker 1>you know, I'm I'm I'm doing this like there was

0:26:19.680 --> 0:26:22.399
<v Speaker 1>some sort of work. And they always said, we work

0:26:22.480 --> 0:26:26.800
<v Speaker 1>around your work schedule. You can do anything you want

0:26:27.240 --> 0:26:29.679
<v Speaker 1>and we will come to you. Oh, you're you're going

0:26:29.760 --> 0:26:33.080
<v Speaker 1>to be directing an episode, No problem, you're working in Glendale.

0:26:33.160 --> 0:26:35.320
<v Speaker 1>We'll get you a studio in Glendale. So in my

0:26:35.440 --> 0:26:37.000
<v Speaker 1>mind it was like great, I would do a normal

0:26:37.040 --> 0:26:38.240
<v Speaker 1>work day, pop over there.

0:26:38.080 --> 0:26:38.920
<v Speaker 3>For an hour or two.

0:26:39.480 --> 0:26:40.800
<v Speaker 2>You have to dance for twenty minutes and.

0:26:41.760 --> 0:26:46.359
<v Speaker 3>Then and then go home. What no, I like?

0:26:46.480 --> 0:26:50.679
<v Speaker 1>Today we are shooting a cold open for an episode

0:26:50.680 --> 0:26:54.800
<v Speaker 1>that's coming up, and they have a very specific esthetic

0:26:55.000 --> 0:26:57.760
<v Speaker 1>and they sent us a board of like, so, bring

0:26:57.800 --> 0:26:59.680
<v Speaker 1>your own wardrobe and it needs to fit into this.

0:27:00.040 --> 0:27:02.359
<v Speaker 1>It needs to fit into a murder mystery theme. You

0:27:02.400 --> 0:27:04.800
<v Speaker 1>need to be hair and makeup ready on you not

0:27:05.000 --> 0:27:08.760
<v Speaker 1>we do not provide glam, So a pick wardrobe for

0:27:08.880 --> 0:27:13.679
<v Speaker 1>a nineteen thirty's old Hollywood look. Come, hair and makeup ready.

0:27:13.760 --> 0:27:16.200
<v Speaker 1>We will shoot something with you for five to ten minutes.

0:27:16.240 --> 0:27:18.080
<v Speaker 1>Then you have your master interview, which is the part

0:27:18.119 --> 0:27:19.879
<v Speaker 1>where I'm talking directly to camera that you see in

0:27:19.920 --> 0:27:22.760
<v Speaker 1>our packages. We do an hour of that every week.

0:27:22.840 --> 0:27:24.959
<v Speaker 1>We do a master interview there for a week. Then

0:27:25.040 --> 0:27:28.760
<v Speaker 1>I have four hours of dance rehearsal. And this week

0:27:28.800 --> 0:27:31.320
<v Speaker 1>we have to learn three dances because we're doing something

0:27:31.359 --> 0:27:34.240
<v Speaker 1>called a monster thon, where the floor is going to

0:27:34.280 --> 0:27:36.560
<v Speaker 1>be divided up into a grid like a tictac toe grid,

0:27:36.600 --> 0:27:38.199
<v Speaker 1>and all nine of us have a square we have

0:27:38.240 --> 0:27:40.480
<v Speaker 1>to dance in. The judges are going to walk around

0:27:40.480 --> 0:27:43.320
<v Speaker 1>and tap us out as we dance the Hustle, a

0:27:43.400 --> 0:27:45.879
<v Speaker 1>dance none of us have danced before. We dance the

0:27:45.960 --> 0:27:48.840
<v Speaker 1>Hustle for two minutes and as as they see us,

0:27:48.840 --> 0:27:50.239
<v Speaker 1>if they catch us in a moment where we're doing

0:27:50.280 --> 0:27:51.880
<v Speaker 1>something they don't like, or we screw up a move,

0:27:51.920 --> 0:27:52.640
<v Speaker 1>they tap us out.

0:27:52.720 --> 0:27:53.560
<v Speaker 3>You get eliminated.

0:27:54.280 --> 0:27:56.960
<v Speaker 1>And then if you stick around until the end after

0:27:57.000 --> 0:27:59.840
<v Speaker 1>two minutes, we go switch over to Lindy Hop, which

0:27:59.880 --> 0:28:02.720
<v Speaker 1>is the big jumpy part of a quick step. We

0:28:02.800 --> 0:28:04.320
<v Speaker 1>have to do that for two minutes and if you

0:28:04.400 --> 0:28:06.520
<v Speaker 1>last the longest you get five extra points.

0:28:06.240 --> 0:28:07.119
<v Speaker 3>Added to your score.

0:28:07.600 --> 0:28:10.480
<v Speaker 1>So this week I have to learn It's squid game,

0:28:10.720 --> 0:28:12.240
<v Speaker 1>the Viennese waltz.

0:28:13.520 --> 0:28:14.760
<v Speaker 4>Dancing with the Squid Games.

0:28:15.040 --> 0:28:15.520
<v Speaker 2>Quid Game.

0:28:16.040 --> 0:28:18.040
<v Speaker 3>Oh my god, So I have three dances to learn

0:28:18.080 --> 0:28:18.480
<v Speaker 3>this week.

0:28:18.760 --> 0:28:20.760
<v Speaker 1>When normally I would have a one and a half

0:28:20.840 --> 0:28:24.200
<v Speaker 1>minute dance to learn, I have to learn two more

0:28:24.280 --> 0:28:25.600
<v Speaker 1>dances that I have to be able to do for

0:28:25.640 --> 0:28:28.280
<v Speaker 1>two minutes each each and then a minute and a

0:28:28.280 --> 0:28:31.480
<v Speaker 1>half long dance. And so at this point in the

0:28:31.520 --> 0:28:35.160
<v Speaker 1>competition even your regular four hour long rehearsal.

0:28:34.960 --> 0:28:35.760
<v Speaker 3>Isn't really enough.

0:28:36.119 --> 0:28:40.440
<v Speaker 1>So now you have to rehearse outside of your allotted

0:28:40.480 --> 0:28:42.360
<v Speaker 1>window on your own time.

0:28:43.960 --> 0:28:46.880
<v Speaker 3>And then like we tape the show on Tuesday nights.

0:28:47.080 --> 0:28:50.080
<v Speaker 1>Then after that I have thirty minutes where I spend

0:28:50.280 --> 0:28:54.120
<v Speaker 1>just some time with my people, Pasha Jensen, Danny Dylan,

0:28:54.280 --> 0:28:56.600
<v Speaker 1>Dylan's girlfriend. We sit in the trailer, We eat food,

0:28:56.640 --> 0:28:59.400
<v Speaker 1>we recap, We have like a little you know, post mortem,

0:28:59.480 --> 0:29:00.600
<v Speaker 1>like how do you think, how'd you feel?

0:29:00.640 --> 0:29:02.080
<v Speaker 3>What you love the scores and this? And what do

0:29:02.080 --> 0:29:03.320
<v Speaker 3>you think of that person that this?

0:29:03.360 --> 0:29:03.640
<v Speaker 6>And that?

0:29:03.680 --> 0:29:05.600
<v Speaker 1>We sit and we you know, do that for a

0:29:05.600 --> 0:29:08.520
<v Speaker 1>little bit. Then I record Danielle with the Stars in

0:29:08.560 --> 0:29:11.480
<v Speaker 1>my trailer. Then I get home and I'm still like

0:29:11.520 --> 0:29:13.800
<v Speaker 1>on an adrenalin rash, you know what that's like. After

0:29:13.840 --> 0:29:15.840
<v Speaker 1>a pod meets World live show where you're just like wired.

0:29:15.880 --> 0:29:18.080
<v Speaker 1>I go to bed at one, I get up at five,

0:29:18.440 --> 0:29:20.920
<v Speaker 1>I get the kids ready for school, and then I'm

0:29:20.960 --> 0:29:25.520
<v Speaker 1>on this podcast from nine to noon, and then I

0:29:25.560 --> 0:29:28.280
<v Speaker 1>go to rehearsal and learn a whole brand new dance

0:29:28.800 --> 0:29:31.880
<v Speaker 1>and I rinse and repeat every week. It's been forty

0:29:31.880 --> 0:29:33.520
<v Speaker 1>four days since my last day off.

0:29:34.800 --> 0:29:35.640
<v Speaker 4>Oh my god.

0:29:35.760 --> 0:29:38.120
<v Speaker 2>Yeah, so no, there's nothing that would make me do that.

0:29:38.400 --> 0:29:39.800
<v Speaker 2>It's naptime in like an hour.

0:29:41.120 --> 0:29:45.920
<v Speaker 1>So oh so, I guess I to answer your question,

0:29:46.120 --> 0:29:47.440
<v Speaker 1>I did not expect that.

0:29:47.680 --> 0:29:49.400
<v Speaker 2>Well, how could you? And it's also got to be

0:29:49.400 --> 0:29:51.760
<v Speaker 2>one of those things where it sounds so stupid, but

0:29:52.960 --> 0:29:57.120
<v Speaker 2>it's it's a good thing if you're this busy, because

0:29:57.160 --> 0:29:59.800
<v Speaker 2>it means you're I'm still there going farther on the show.

0:30:00.000 --> 0:30:02.840
<v Speaker 2>So this is this is the getting is what you wanted.

0:30:02.920 --> 0:30:06.120
<v Speaker 5>This is just imagine how you're gonna feel when like

0:30:06.360 --> 0:30:07.200
<v Speaker 5>you have a day off.

0:30:07.240 --> 0:30:10.760
<v Speaker 4>You're going to be like so anxious and weirded out.

0:30:12.440 --> 0:30:14.240
<v Speaker 1>When Will said I have to go take a vacation

0:30:14.280 --> 0:30:16.080
<v Speaker 1>after this, I'm like, I'm gonna have to go away for.

0:30:16.040 --> 0:30:18.440
<v Speaker 2>A long time because you need to sit on the beach.

0:30:18.440 --> 0:30:20.480
<v Speaker 1>Because I'm gonna it's gonna take me days to go

0:30:20.680 --> 0:30:22.800
<v Speaker 1>to go into some normal sort of like what do

0:30:22.800 --> 0:30:23.520
<v Speaker 1>you mean I'm done?

0:30:23.640 --> 0:30:24.880
<v Speaker 3>What do you mean I'm done working?

0:30:25.200 --> 0:30:27.000
<v Speaker 2>Yeah? Normal rhythm again.

0:30:27.240 --> 0:30:29.040
<v Speaker 4>Here's my question. Do you think you're going to dance

0:30:29.080 --> 0:30:31.040
<v Speaker 4>after this for the rest of my life? Next week?

0:30:31.040 --> 0:30:31.560
<v Speaker 2>Are you really?

0:30:31.800 --> 0:30:33.479
<v Speaker 4>I was wondering if it's just going to be never

0:30:33.480 --> 0:30:36.520
<v Speaker 4>stopped like workout. It is because I can totally see

0:30:36.600 --> 0:30:37.800
<v Speaker 4>that you've just like clicked something.

0:30:37.840 --> 0:30:39.320
<v Speaker 2>You really like it, and I love it.

0:30:39.400 --> 0:30:41.160
<v Speaker 1>I love it so much. I want to I want

0:30:41.160 --> 0:30:44.080
<v Speaker 1>to start taking ballroom lessons. I want to find a partner.

0:30:44.200 --> 0:30:48.400
<v Speaker 1>I want to practice. Yeah, it's great exercise. It's Sarah

0:30:48.520 --> 0:30:53.440
<v Speaker 1>the sarahtonin boost the like just it is so it

0:30:53.560 --> 0:30:56.640
<v Speaker 1>is so great. I couldn't possibly say enough good things

0:30:56.640 --> 0:30:57.080
<v Speaker 1>about it.

0:30:57.120 --> 0:30:57.640
<v Speaker 2>So love it.

0:30:57.680 --> 0:30:59.080
<v Speaker 4>And you're going to go on tour with the show.

0:30:59.120 --> 0:30:59.960
<v Speaker 3>And I'm going to go on tour.

0:31:00.040 --> 0:31:01.880
<v Speaker 2>Yeah, you're going to You.

0:31:01.880 --> 0:31:03.880
<v Speaker 3>Guys want to see me at Radio City Musical.

0:31:03.840 --> 0:31:05.760
<v Speaker 2>Yes, of course we're going to go to Radio City

0:31:05.840 --> 0:31:07.240
<v Speaker 2>Music Hall. Are you kidding?

0:31:07.320 --> 0:31:07.520
<v Speaker 7>Yes?

0:31:08.160 --> 0:31:09.800
<v Speaker 2>We also need to do some videos where you're teaching

0:31:09.800 --> 0:31:13.200
<v Speaker 2>writer and know how to dance. I know, well, if

0:31:13.200 --> 0:31:15.720
<v Speaker 2>it's Danielle teaching us, I mean it's not like with

0:31:15.880 --> 0:31:17.400
<v Speaker 2>some professional it's Danielle till.

0:31:17.320 --> 0:31:18.760
<v Speaker 4>We do it audio only. If it's not like.

0:31:20.280 --> 0:31:22.320
<v Speaker 2>I just want you to teach me how to do

0:31:22.400 --> 0:31:23.160
<v Speaker 2>some stuff I.

0:31:23.080 --> 0:31:25.200
<v Speaker 1>Want you to try, I'll teach you some of my dances.

0:31:25.240 --> 0:31:26.560
<v Speaker 1>I mean, I only know my dances.

0:31:26.920 --> 0:31:30.440
<v Speaker 6>But this idea is so hot people would love it,

0:31:30.480 --> 0:31:32.480
<v Speaker 6>even audio.

0:31:47.320 --> 0:31:47.640
<v Speaker 4>All right.

0:31:47.680 --> 0:31:50.120
<v Speaker 1>A question from Aaron from Boston, which t G I

0:31:50.160 --> 0:31:53.240
<v Speaker 1>F character would take home a mirror ball? Not the actor,

0:31:53.280 --> 0:31:57.080
<v Speaker 1>but the specific character and Sabrina can't use.

0:31:56.960 --> 0:32:00.160
<v Speaker 3>Her magic to win. Those are the caveats due.

0:32:00.080 --> 0:32:03.720
<v Speaker 4>Mister Feenie, do you give me his touch stuff dance?

0:32:04.000 --> 0:32:07.280
<v Speaker 4>He killed it, he did. It's become a meme he did,

0:32:07.280 --> 0:32:08.040
<v Speaker 4>and it's like and.

0:32:08.080 --> 0:32:10.840
<v Speaker 5>Everybody would, I mean, think about him doing ballroom like

0:32:11.480 --> 0:32:15.840
<v Speaker 5>mister Feenie back then. Obviously, So if we're taking sixty

0:32:15.840 --> 0:32:19.640
<v Speaker 5>five years dancer, yeah, he would be amazing and everybody

0:32:19.640 --> 0:32:20.760
<v Speaker 5>would be cheering for him.

0:32:21.000 --> 0:32:23.120
<v Speaker 4>He would have the popular vote and yeah it would

0:32:23.160 --> 0:32:23.480
<v Speaker 4>be the best.

0:32:23.600 --> 0:32:25.920
<v Speaker 2>Yeah, there's no there's no better answer. And that's one

0:32:25.960 --> 0:32:26.640
<v Speaker 2>hundred percent right.

0:32:26.960 --> 0:32:29.480
<v Speaker 1>I'm going to I'm gonna say, Matt Lawrence. I think

0:32:29.520 --> 0:32:33.040
<v Speaker 1>that the between Matt Lawrence and Bill Daniels.

0:32:32.840 --> 0:32:36.560
<v Speaker 2>Yeah, they would get two different votes, you know what

0:32:36.600 --> 0:32:38.680
<v Speaker 2>I mean, Like, yeah, Matt would get like the Dylan

0:32:38.800 --> 0:32:41.440
<v Speaker 2>vote and Feenie would get like the raw.

0:32:41.680 --> 0:32:41.880
<v Speaker 6>Yeah.

0:32:42.000 --> 0:32:44.800
<v Speaker 2>Oh god, that's tough. That's tough.

0:32:45.480 --> 0:32:48.720
<v Speaker 1>And then we have Gabriel from Petaluma, California. Danielle, is

0:32:48.760 --> 0:32:50.480
<v Speaker 1>there an individual on the show that you have become

0:32:50.520 --> 0:32:52.800
<v Speaker 1>friends with that you planned on spending time with when

0:32:52.840 --> 0:32:57.719
<v Speaker 1>the show raps? Dylan is stuck with me absolutely. Dylan

0:32:57.760 --> 0:33:00.080
<v Speaker 1>and I have actually talked about the fact that if

0:33:00.080 --> 0:33:03.160
<v Speaker 1>we do go on tour, we're going to sink our

0:33:03.240 --> 0:33:06.840
<v Speaker 1>days so that we go on tour together, just to

0:33:06.880 --> 0:33:09.280
<v Speaker 1>make sure that we, you know, have If you have

0:33:09.360 --> 0:33:11.040
<v Speaker 1>a buddy replace.

0:33:10.680 --> 0:33:15.040
<v Speaker 2>Me as your travel buddy, I will be so pissed

0:33:15.040 --> 0:33:18.240
<v Speaker 2>at you, Daniell. I have so little in life and

0:33:18.360 --> 0:33:19.880
<v Speaker 2>you as my travel buddy is what.

0:33:19.960 --> 0:33:20.880
<v Speaker 3>Let me tell you something.

0:33:21.800 --> 0:33:24.760
<v Speaker 1>I suspect that no one could ever replace you as

0:33:24.760 --> 0:33:27.760
<v Speaker 1>my travel buddy because Dylan is more like writer in

0:33:27.840 --> 0:33:28.560
<v Speaker 1>how he travels.

0:33:28.640 --> 0:33:30.360
<v Speaker 2>Oh okay, good, all right, then I'm fine and.

0:33:30.360 --> 0:33:33.000
<v Speaker 3>I will never not be bougie.

0:33:33.560 --> 0:33:37.320
<v Speaker 2>Okay, Okay, good, you're not going to be splitting a

0:33:37.400 --> 0:33:38.000
<v Speaker 2>Chinese chicken.

0:33:40.360 --> 0:33:40.560
<v Speaker 6>Yan.

0:33:42.120 --> 0:33:45.640
<v Speaker 2>I mean, I know Dylan and I we look so similar.

0:33:45.560 --> 0:33:46.480
<v Speaker 3>Especially your bodies.

0:33:46.520 --> 0:33:49.760
<v Speaker 2>The bodies, it's like it's I get it's like looking

0:33:49.800 --> 0:33:51.960
<v Speaker 2>in a mirror. But you can't replace me for that.

0:33:52.200 --> 0:33:56.160
<v Speaker 3>Also, will eating with Dylan not nearly as fun?

0:33:56.240 --> 0:33:59.720
<v Speaker 2>No, he's no.

0:33:59.600 --> 0:34:00.680
<v Speaker 3>He's not. And he tried.

0:34:00.760 --> 0:34:03.400
<v Speaker 1>Last week was his week to buy and he got

0:34:03.480 --> 0:34:07.240
<v Speaker 1>us all burgers and French fries and pastas.

0:34:07.480 --> 0:34:09.400
<v Speaker 3>And I see him trying.

0:34:09.760 --> 0:34:12.359
<v Speaker 2>Oh god, oh no, it's not the same.

0:34:12.600 --> 0:34:14.279
<v Speaker 3>No, it's not the same. It's not the same.

0:34:15.040 --> 0:34:21.600
<v Speaker 1>Kettlebell buddy, He's just in such good shape it Yeah.

0:34:21.640 --> 0:34:24.840
<v Speaker 1>From Jared, does Pasha already have the entire series planned

0:34:24.880 --> 0:34:27.440
<v Speaker 1>out and choreographed? Or does he and the other pros

0:34:27.600 --> 0:34:29.880
<v Speaker 1>learn the song and style and have to choreograph it

0:34:29.920 --> 0:34:32.400
<v Speaker 1>all in a week's time? So we have, as I

0:34:32.480 --> 0:34:35.640
<v Speaker 1>mentioned with the songs, we have the rough outline of things.

0:34:35.719 --> 0:34:39.200
<v Speaker 1>Once we know things are approved, it's usually about we're

0:34:39.239 --> 0:34:42.440
<v Speaker 1>running about a week ahead. So right now he is

0:34:42.520 --> 0:34:46.279
<v Speaker 1>teaching me the Viennese waltz, but next week is Rock

0:34:46.280 --> 0:34:47.359
<v Speaker 1>and Roll Hall of Fame week.

0:34:47.480 --> 0:34:50.360
<v Speaker 3>He does not have the official song.

0:34:50.440 --> 0:34:54.799
<v Speaker 1>Yet, but he has already started choreographing some of some

0:34:54.880 --> 0:34:57.359
<v Speaker 1>of hists, so he has to teach me this current

0:34:57.400 --> 0:35:00.359
<v Speaker 1>week stance while choreographing the next week's dance.

0:35:00.840 --> 0:35:03.359
<v Speaker 2>Dude, does he please tell me that he and his

0:35:03.400 --> 0:35:07.239
<v Speaker 2>wife help each other where they like. She plays your

0:35:07.400 --> 0:35:09.520
<v Speaker 2>role and he plays Dylan's role.

0:35:09.600 --> 0:35:13.279
<v Speaker 1>To work out all the dances, they do everybody, all

0:35:13.360 --> 0:35:17.000
<v Speaker 1>of the pros's. They call it working with a body,

0:35:17.160 --> 0:35:20.440
<v Speaker 1>having a body, which sounds, truthfully, almost as offensive as

0:35:20.440 --> 0:35:23.440
<v Speaker 1>calling a model a hangar. But it is that you

0:35:23.640 --> 0:35:27.560
<v Speaker 1>need another person to be the body in the dance,

0:35:27.680 --> 0:35:32.000
<v Speaker 1>and so obviously Danny and Pasha can be that for

0:35:32.120 --> 0:35:37.719
<v Speaker 1>each other, except if he needs Danny to help him choreograph.

0:35:37.800 --> 0:35:39.960
<v Speaker 1>Let's say it takes him two hours to choreograph a

0:35:40.040 --> 0:35:44.160
<v Speaker 1>dance and then Danny needs his help. That's four hours

0:35:44.320 --> 0:35:46.680
<v Speaker 1>of their time that they need to help each other,

0:35:47.080 --> 0:35:49.640
<v Speaker 1>versus if they both go get different bodies, they can

0:35:49.680 --> 0:35:50.760
<v Speaker 1>both be done in two hours.

0:35:51.280 --> 0:35:51.480
<v Speaker 6>Rue.

0:35:51.719 --> 0:35:55.839
<v Speaker 1>So sometimes though it really works out, like this week,

0:35:55.880 --> 0:35:59.000
<v Speaker 1>for example, Dylan is also doing a Viennese waltz.

0:35:59.120 --> 0:35:59.959
<v Speaker 2>Oh that's so.

0:36:00.200 --> 0:36:05.120
<v Speaker 1>For that he can learn, Pasha can learn Dylan's moves

0:36:05.239 --> 0:36:07.680
<v Speaker 1>and work with Danny throughout. So if Danny wants to

0:36:07.719 --> 0:36:09.279
<v Speaker 1>be like, let me try this with you, let me

0:36:09.280 --> 0:36:11.480
<v Speaker 1>try that with you. If Pasha knows Dylan steps, they

0:36:11.480 --> 0:36:13.480
<v Speaker 1>can do that, and then vice versa. If Danny knows

0:36:13.480 --> 0:36:16.000
<v Speaker 1>my steps, they can work together. So in some cases

0:36:16.000 --> 0:36:18.680
<v Speaker 1>it works out, but ultimately and then of course every

0:36:18.680 --> 0:36:21.839
<v Speaker 1>single night they're showing each other tape and looking at

0:36:21.840 --> 0:36:24.680
<v Speaker 1>things and getting examples. I mean, for last week with

0:36:24.719 --> 0:36:29.200
<v Speaker 1>all those lifts, Danny came in and would do some

0:36:29.239 --> 0:36:31.680
<v Speaker 1>of the lifts with Pasha because he's like, I even

0:36:31.719 --> 0:36:33.480
<v Speaker 1>for me to teach you, I don't know what the

0:36:33.520 --> 0:36:35.600
<v Speaker 1>girl is doing up there. All I know is what

0:36:35.640 --> 0:36:38.440
<v Speaker 1>I'm supposed to do to help you get up.

0:36:38.400 --> 0:36:38.919
<v Speaker 3>Into the air.

0:36:39.280 --> 0:36:41.640
<v Speaker 1>And now I don't know what she's thinking when she

0:36:41.680 --> 0:36:44.239
<v Speaker 1>scissor kicks and she does, you know, and how like

0:36:44.280 --> 0:36:45.600
<v Speaker 1>I don't know. He's like, I don't know how to

0:36:45.600 --> 0:36:47.440
<v Speaker 1>tell you what to do. And then she came in

0:36:47.480 --> 0:36:49.160
<v Speaker 1>and she was like, I've never had to teach a girl,

0:36:49.360 --> 0:36:52.600
<v Speaker 1>so I also don't really necessarily know what to say

0:36:52.640 --> 0:36:54.400
<v Speaker 1>what I'm thinking. So then she's like, let me try it,

0:36:54.440 --> 0:36:56.160
<v Speaker 1>and she's like okay, and she doesn't. She goes all right,

0:36:56.200 --> 0:36:58.840
<v Speaker 1>So I'm actually thinking whack, Like I'm thinking, you know,

0:36:58.880 --> 0:37:01.520
<v Speaker 1>I gotta I gotta do this. I gotta lift my

0:37:01.560 --> 0:37:03.640
<v Speaker 1>head and kick my leg at that time. And then

0:37:03.680 --> 0:37:05.319
<v Speaker 1>it was just a bunch of trial and error and

0:37:05.360 --> 0:37:08.000
<v Speaker 1>like me being a sack of potatoes and him tossing

0:37:08.040 --> 0:37:10.680
<v Speaker 1>me around and then figuring out like, oh, I really

0:37:10.680 --> 0:37:12.680
<v Speaker 1>need to hold myself firm, which is why my peg

0:37:12.760 --> 0:37:15.200
<v Speaker 1>muscle hurt, because like you know that lean I did

0:37:15.320 --> 0:37:18.200
<v Speaker 1>where we lean like all the it's like one of

0:37:18.200 --> 0:37:21.040
<v Speaker 1>my favorite moves ever. And I was only holding onto

0:37:21.120 --> 0:37:23.240
<v Speaker 1>this part of his shoulder, so like my entire body

0:37:23.239 --> 0:37:25.839
<v Speaker 1>weight is just like that. And then I can't put

0:37:25.880 --> 0:37:28.399
<v Speaker 1>any weight on that right toe as it drags around

0:37:28.400 --> 0:37:31.520
<v Speaker 1>because otherwise it'll get stuck. So it's literally one leg

0:37:31.680 --> 0:37:34.239
<v Speaker 1>and me holding on and him obviously supporting me and

0:37:34.280 --> 0:37:36.240
<v Speaker 1>the lean but then just so that I can lightly

0:37:36.719 --> 0:37:37.600
<v Speaker 1>drag my foot around.

0:37:37.560 --> 0:37:40.839
<v Speaker 2>He's just and herd. They're both just crazy strong, aren't they.

0:37:41.120 --> 0:37:44.120
<v Speaker 3>Oh my gosh, yeah, like crazy strong, so strong, yeah,

0:37:44.120 --> 0:37:46.399
<v Speaker 3>and and and you know so much. It's also not

0:37:46.480 --> 0:37:48.120
<v Speaker 3>just like muscling into it.

0:37:48.120 --> 0:37:50.560
<v Speaker 1>It really is like, no, I have to be in

0:37:50.600 --> 0:37:53.200
<v Speaker 1>a deep squad and I you know, you don't lift

0:37:53.200 --> 0:37:54.680
<v Speaker 1>with your back. You lift with your knees and you

0:37:54.760 --> 0:37:57.920
<v Speaker 1>use your quads, and there's a there's a real science

0:37:58.040 --> 0:37:59.080
<v Speaker 1>to it, but it's.

0:37:58.920 --> 0:38:00.799
<v Speaker 2>Now you always lift with your back in a quick

0:38:00.840 --> 0:38:02.120
<v Speaker 2>jerking motion. Your lower backs.

0:38:02.200 --> 0:38:02.759
<v Speaker 4>Everybody knows.

0:38:02.800 --> 0:38:07.439
<v Speaker 8>Yeah, yank every lower back.

0:38:07.480 --> 0:38:08.520
<v Speaker 2>Everybody lower back.

0:38:09.320 --> 0:38:12.080
<v Speaker 1>We have from Savannah from Huntsville, Alabama, Will and Ryder.

0:38:12.160 --> 0:38:14.400
<v Speaker 1>Since this is your first season watching Dancing with the Stars,

0:38:14.400 --> 0:38:17.799
<v Speaker 1>what's been the most unexpectedly emotional or addictive part for

0:38:17.840 --> 0:38:18.800
<v Speaker 1>you when watching?

0:38:19.960 --> 0:38:22.319
<v Speaker 4>Yeah, I just love the actual I mean, especially the

0:38:22.320 --> 0:38:26.320
<v Speaker 4>contemporary dances, like when on Dedication. I just love the expressiveness.

0:38:26.440 --> 0:38:28.319
<v Speaker 4>And it just made me realize.

0:38:27.960 --> 0:38:31.799
<v Speaker 5>That I really do enjoy watching dancing, and I just

0:38:31.880 --> 0:38:33.400
<v Speaker 5>never quite realized.

0:38:33.440 --> 0:38:34.560
<v Speaker 4>I mean, I just never thought about it.

0:38:34.560 --> 0:38:36.520
<v Speaker 5>It's like I go to musicals, I go to theater,

0:38:37.280 --> 0:38:39.360
<v Speaker 5>I go to concerts, but I don't go to dance shows.

0:38:39.400 --> 0:38:41.160
<v Speaker 5>And now I'm like, no, I should start going to

0:38:41.200 --> 0:38:43.600
<v Speaker 5>dance shows like ballets, anything where.

0:38:43.480 --> 0:38:46.280
<v Speaker 4>People are doing, you know, telling story through dance.

0:38:46.360 --> 0:38:49.319
<v Speaker 5>I get very connected to it, and so all the

0:38:49.440 --> 0:38:52.480
<v Speaker 5>I mean, obviously I appreciate the ballroom dancing and the

0:38:52.520 --> 0:38:57.759
<v Speaker 5>technical physicality of that, but the expressive emotional storytelling part

0:38:57.840 --> 0:38:59.239
<v Speaker 5>I really love.

0:38:59.280 --> 0:39:02.319
<v Speaker 4>Like Whitney and Arks dance with her husband.

0:39:02.239 --> 0:39:07.080
<v Speaker 8>Oh yeah, the storytelling was just so beautiful and I

0:39:07.160 --> 0:39:10.000
<v Speaker 8>was like, the way that this is actually living out

0:39:10.320 --> 0:39:13.280
<v Speaker 8>the thing that they're trying to tell, you know, through dance.

0:39:13.280 --> 0:39:15.279
<v Speaker 4>I was like, there's that's the coolest way to tell

0:39:15.320 --> 0:39:17.359
<v Speaker 4>this story. And yeah, there's been a few of those

0:39:17.440 --> 0:39:18.239
<v Speaker 4>I just really love.

0:39:19.520 --> 0:39:21.920
<v Speaker 2>Obviously, the most emotional thing for me is watching you.

0:39:22.320 --> 0:39:24.160
<v Speaker 2>I mean just just because I'm well, just because I

0:39:24.200 --> 0:39:25.840
<v Speaker 2>know you and I know you've been through over the

0:39:25.920 --> 0:39:28.800
<v Speaker 2>last year, year and a half and I know how

0:39:28.840 --> 0:39:31.040
<v Speaker 2>difficult the decision it was to even do the show

0:39:31.040 --> 0:39:32.400
<v Speaker 2>in the first place, and whether or not you're going

0:39:32.480 --> 0:39:34.080
<v Speaker 2>to do it, and how busy you are. So yeah,

0:39:34.120 --> 0:39:35.760
<v Speaker 2>that's certainly the most emotional.

0:39:35.360 --> 0:39:38.520
<v Speaker 1>Thing for me is watching reading all of the comments

0:39:38.800 --> 0:39:43.400
<v Speaker 1>from when you guys do Podmeetsworld and the way people

0:39:43.640 --> 0:39:46.160
<v Speaker 1>I mean, it's gonna make me cry, the way people

0:39:46.840 --> 0:39:52.760
<v Speaker 1>love the way you guys love me. It's just so

0:39:52.960 --> 0:39:54.240
<v Speaker 1>it's just so sweet.

0:39:54.280 --> 0:39:59.759
<v Speaker 3>It's like the fact that people who who could have.

0:39:59.680 --> 0:40:02.920
<v Speaker 1>Predict did that me doing Dancing with the Stars was

0:40:03.000 --> 0:40:09.279
<v Speaker 1>going to showcase a side of our friendship, you know,

0:40:09.440 --> 0:40:12.920
<v Speaker 1>like what we that was not ever that was just like, Oh,

0:40:12.960 --> 0:40:15.080
<v Speaker 1>I'm gonna do this reality show and we're gonna try

0:40:15.120 --> 0:40:17.239
<v Speaker 1>to make it work with podcasting and figure it all out.

0:40:17.239 --> 0:40:18.680
<v Speaker 1>And then it's like what if we do a show

0:40:18.719 --> 0:40:21.000
<v Speaker 1>and it's like that's great, and now it's not just

0:40:21.040 --> 0:40:24.680
<v Speaker 1>a jokey show about two people who don't know anything.

0:40:24.719 --> 0:40:29.080
<v Speaker 1>It's become a real like testament to this love and

0:40:29.200 --> 0:40:31.160
<v Speaker 1>deep devotion we have to each other.

0:40:31.360 --> 0:40:35.040
<v Speaker 3>It's just like shocking, it's so crazy and I love

0:40:35.080 --> 0:40:36.120
<v Speaker 3>it so much.

0:40:37.360 --> 0:40:38.239
<v Speaker 2>Yeah, it's pretty great.

0:40:38.520 --> 0:40:41.719
<v Speaker 3>So here's a good question. Michelle wants to know.

0:40:42.000 --> 0:40:44.960
<v Speaker 1>Do the judges see any of the practice the dancers

0:40:45.000 --> 0:40:47.560
<v Speaker 1>do or do they only see what happens during filming.

0:40:47.920 --> 0:40:51.279
<v Speaker 1>So when we are there on Tuesdays, the day of

0:40:51.320 --> 0:40:54.960
<v Speaker 1>the show, we do two camera blockings and we're usually

0:40:55.000 --> 0:40:58.319
<v Speaker 1>just in our rehearsal clothes, and then right before the

0:40:58.360 --> 0:41:04.960
<v Speaker 1>live show we do a full dress rehearsal. They do

0:41:05.080 --> 0:41:09.000
<v Speaker 1>not make sure that the monitors in the judge's dressing

0:41:09.080 --> 0:41:11.920
<v Speaker 1>rooms or trailers are off. They could be watching our

0:41:11.960 --> 0:41:15.560
<v Speaker 1>camera blocking when we're in our rehearsal clothes. But they're

0:41:15.560 --> 0:41:18.239
<v Speaker 1>not supposed to do. It's not like there's a rule

0:41:18.280 --> 0:41:21.520
<v Speaker 1>against it, but they're not like actively watching that. However,

0:41:22.000 --> 0:41:25.839
<v Speaker 1>they do actively watch dress rehearsal, So when we are

0:41:26.040 --> 0:41:28.560
<v Speaker 1>all dressed up and we get to go out there

0:41:28.640 --> 0:41:31.279
<v Speaker 1>and do it once before the live show, they get

0:41:31.280 --> 0:41:36.359
<v Speaker 1>to watch dress rehearsal. And similarly to anyone else who

0:41:36.400 --> 0:41:40.200
<v Speaker 1>has a job on that show, you require prep in

0:41:40.320 --> 0:41:43.320
<v Speaker 1>order to do your job. Sure, the director needs wides

0:41:43.440 --> 0:41:46.120
<v Speaker 1>on Thursday afternoon so that he can start prepping his

0:41:46.200 --> 0:41:48.160
<v Speaker 1>shots and how he's going to shoot things and where things,

0:41:48.280 --> 0:41:50.759
<v Speaker 1>where the cameras are going to go. The hosts have

0:41:50.800 --> 0:41:53.320
<v Speaker 1>to read the teleprompter, they need to put together their questions.

0:41:53.360 --> 0:41:57.480
<v Speaker 1>We get camera blockings and dress rehearsals, the sets, sets

0:41:57.840 --> 0:42:01.040
<v Speaker 1>running in, the timing, the pyrotechnics. There's none of that

0:42:01.040 --> 0:42:03.200
<v Speaker 1>that happens like, well, this is the first time, let's

0:42:03.200 --> 0:42:05.560
<v Speaker 1>just see how it goes. We've had to test everything out.

0:42:05.600 --> 0:42:09.160
<v Speaker 1>It's a full blown production. Of course, the judges also

0:42:09.280 --> 0:42:12.480
<v Speaker 1>need prep, so they watch dress rehearsal so that they

0:42:12.520 --> 0:42:17.279
<v Speaker 1>have an idea of the storytelling, the dance that's being

0:42:17.360 --> 0:42:20.319
<v Speaker 1>done and how people are doing. And I believe they

0:42:20.400 --> 0:42:24.919
<v Speaker 1>get the opportunity to start formulating what some of their

0:42:24.960 --> 0:42:27.960
<v Speaker 1>thoughts are, and then of course they watch it live

0:42:28.239 --> 0:42:30.719
<v Speaker 1>and depending on how it goes live, it could have

0:42:30.840 --> 0:42:33.839
<v Speaker 1>changed the opinion they had during dress rehearsal. But there

0:42:34.000 --> 0:42:38.400
<v Speaker 1>is the ability to see dress rehearsal and the live show.

0:42:38.600 --> 0:42:42.560
<v Speaker 3>I want to ask you both one last question if

0:42:42.600 --> 0:42:43.200
<v Speaker 3>you could.

0:42:43.239 --> 0:42:46.840
<v Speaker 1>This is from Jerkual from Florida. If you could create

0:42:46.840 --> 0:42:50.120
<v Speaker 1>a theme night for Dancing with the Stars, what would

0:42:50.120 --> 0:42:50.360
<v Speaker 1>it be?

0:42:51.440 --> 0:42:51.800
<v Speaker 2>Wow?

0:42:52.560 --> 0:42:57.040
<v Speaker 4>So the theme nights are usually either like song selection based.

0:42:56.960 --> 0:43:00.279
<v Speaker 1>Yep, like rock and roll, Hall of Fame, right, like

0:43:00.320 --> 0:43:03.040
<v Speaker 1>personal narrative like anthem right, you know?

0:43:03.160 --> 0:43:04.160
<v Speaker 4>Oh you know what I would.

0:43:04.120 --> 0:43:10.160
<v Speaker 5>Okay, I have a series of songs I think.

0:43:10.640 --> 0:43:11.200
<v Speaker 2>Are gonna say I.

0:43:11.400 --> 0:43:14.080
<v Speaker 5>I always have a playlist that I call memory songs,

0:43:14.640 --> 0:43:17.560
<v Speaker 5>and so there's songs from my life that relate to

0:43:17.640 --> 0:43:21.319
<v Speaker 5>a specific memory or like a summer or whatever. And

0:43:21.360 --> 0:43:23.200
<v Speaker 5>sometimes they're not even like the best songs, but they

0:43:23.200 --> 0:43:25.880
<v Speaker 5>make me, they take me, they transport me back, and

0:43:25.920 --> 0:43:28.160
<v Speaker 5>they just capture a time. So I would love to

0:43:28.160 --> 0:43:31.720
<v Speaker 5>see everybody's memory song like it's a song from your life,

0:43:31.880 --> 0:43:34.080
<v Speaker 5>because then it would combine the personal narrative, but then

0:43:34.120 --> 0:43:37.000
<v Speaker 5>probably be a hit song from the nineties or you know,

0:43:37.000 --> 0:43:38.640
<v Speaker 5>because it's usually a song that was on the radio

0:43:38.680 --> 0:43:40.600
<v Speaker 5>when something was happening. I don't know, so I would

0:43:40.640 --> 0:43:42.520
<v Speaker 5>love to just leave that one open and be like,

0:43:42.719 --> 0:43:45.200
<v Speaker 5>it's kind of like dedication Night, but not just about

0:43:45.200 --> 0:43:47.319
<v Speaker 5>one relationship, about a memory from your life.

0:43:47.840 --> 0:43:48.920
<v Speaker 4>I would love to see that.

0:43:49.080 --> 0:43:56.280
<v Speaker 2>Right, says they used to do your Most Memorable Year night, similar.

0:43:56.320 --> 0:43:59.520
<v Speaker 1>Memory Memory Night's really good, writer, I like that. Well,

0:43:59.560 --> 0:44:00.879
<v Speaker 1>would you do Whoskerdoo Doo?

0:44:01.000 --> 0:44:03.040
<v Speaker 2>I would I would do and hoody Gourz.

0:44:03.120 --> 0:44:03.160
<v Speaker 8>No.

0:44:04.000 --> 0:44:06.640
<v Speaker 2>I'm sure they've done this, so I imagine they had

0:44:06.640 --> 0:44:08.440
<v Speaker 2>to have done Movie score Night. They had to have

0:44:08.480 --> 0:44:11.920
<v Speaker 2>done famous, famous songs from movies. I mean, that's great

0:44:11.960 --> 0:44:13.520
<v Speaker 2>that they had to have done that at some.

0:44:13.480 --> 0:44:15.480
<v Speaker 4>Point, right, because then everybody could do an olauge to

0:44:15.520 --> 0:44:16.520
<v Speaker 4>a movie they love.

0:44:20.840 --> 0:44:22.400
<v Speaker 2>Or any of these movies. So if they haven't done

0:44:22.440 --> 0:44:24.239
<v Speaker 2>that yet, I don't know why they wouldn't do a

0:44:24.239 --> 0:44:27.879
<v Speaker 2>movie score night, So that would be somebody dancing. Other

0:44:27.960 --> 0:44:32.120
<v Speaker 2>one I would do would be first Love Night. Oh,

0:44:32.160 --> 0:44:34.120
<v Speaker 2>and it's the music that you were listening to the

0:44:34.120 --> 0:44:35.200
<v Speaker 2>first time you fell in love.

0:44:35.600 --> 0:44:36.600
<v Speaker 3>Oh, that's a good one.

0:44:36.640 --> 0:44:38.359
<v Speaker 2>That would I would do that as well.

0:44:39.040 --> 0:44:41.520
<v Speaker 3>I love that you guys both had really good ones.

0:44:41.600 --> 0:44:44.240
<v Speaker 2>Thanks. Hey, are any of the dancers and their partners

0:44:44.239 --> 0:44:44.719
<v Speaker 2>hooking up?

0:44:45.480 --> 0:44:50.280
<v Speaker 1>No, damn it, gosh, No, there are no showmances between

0:44:50.400 --> 0:44:51.719
<v Speaker 1>prose and partners.

0:44:52.400 --> 0:44:54.160
<v Speaker 2>But a lot of the pros are dating each other

0:44:54.280 --> 0:44:56.040
<v Speaker 2>or with each other to each other.

0:44:56.920 --> 0:45:00.160
<v Speaker 1>So Alan and Emma are together, Jenna and Va all

0:45:00.200 --> 0:45:03.800
<v Speaker 1>are together, Danny and Pasha are married.

0:45:04.360 --> 0:45:06.800
<v Speaker 4>Did they all meet on the show or did they come.

0:45:06.920 --> 0:45:10.360
<v Speaker 1>No, Danny and Pasha have been together. They've been married

0:45:10.400 --> 0:45:12.640
<v Speaker 1>for eleven years. Wow, and they've only been on the

0:45:12.760 --> 0:45:14.520
<v Speaker 1>He's been on the show for seven so they've been

0:45:14.520 --> 0:45:17.840
<v Speaker 1>married for eleven years. Alan Emma did meet on the show.

0:45:18.320 --> 0:45:22.560
<v Speaker 1>Jenna and Val did meet on the show. I'm trying

0:45:22.600 --> 0:45:26.040
<v Speaker 1>to think of of who else. But yeah, so no,

0:45:26.160 --> 0:45:31.919
<v Speaker 1>everybody's everybody's like married and stable and just having a

0:45:32.040 --> 0:45:32.600
<v Speaker 1>great time.

0:45:32.719 --> 0:45:34.520
<v Speaker 3>That doesn't mean I don't think people have some grudges.

0:45:35.000 --> 0:45:37.399
<v Speaker 2>Well, of course, I mean it's it's so intimate. I mean,

0:45:37.400 --> 0:45:39.960
<v Speaker 2>it's just so intimate you and your partner. It's how

0:45:39.960 --> 0:45:41.920
<v Speaker 2>could you not I mean, obviously wouldn't go anywhere and

0:45:41.960 --> 0:45:43.719
<v Speaker 2>do anything but there. He's got to be moments of

0:45:43.840 --> 0:45:46.560
<v Speaker 2>like you're you have to be sensual with somebody, you

0:45:46.560 --> 0:45:48.319
<v Speaker 2>know what I mean, and since got to be for

0:45:48.320 --> 0:45:50.520
<v Speaker 2>for hours at a time. Yeah, it's got to be crazy.

0:45:50.800 --> 0:45:54.800
<v Speaker 1>Yeah, the amount of Listine strips Pasha and I consume

0:45:54.920 --> 0:45:56.680
<v Speaker 1>on a daily basis, as a matter.

0:45:56.560 --> 0:45:58.640
<v Speaker 3>Of fact, write in each other's faces.

0:45:58.760 --> 0:46:00.799
<v Speaker 1>Right before we did a right before we did our

0:46:00.880 --> 0:46:03.120
<v Speaker 1>Urgentine Tango, we were like in the backwarming up and

0:46:03.120 --> 0:46:04.600
<v Speaker 1>I said, do you have any Listine strips? And he

0:46:04.680 --> 0:46:06.320
<v Speaker 1>was like, your breath is totally fine, don't worry about it.

0:46:06.360 --> 0:46:07.759
<v Speaker 1>And I went, no, I don't think I know how

0:46:07.760 --> 0:46:09.600
<v Speaker 1>to do this dance without it that taste.

0:46:12.360 --> 0:46:17.160
<v Speaker 2>It's literally at this point it's Pavlov's Dog Argentine Tango,

0:46:17.200 --> 0:46:19.480
<v Speaker 2>brought to you by Dancing with the Stars, brought to

0:46:19.480 --> 0:46:21.680
<v Speaker 2>you by ginger ittis nice.

0:46:24.320 --> 0:46:26.080
<v Speaker 1>Thank you all for joining us for this episode of

0:46:26.080 --> 0:46:28.320
<v Speaker 1>Pod Meets World. It was our Q and a episode

0:46:28.320 --> 0:46:30.880
<v Speaker 1>for Pod Meats World and Danielle with as always, you

0:46:30.880 --> 0:46:33.040
<v Speaker 1>can follow us on Instagram pod Meets World Show. You

0:46:33.040 --> 0:46:35.040
<v Speaker 1>can send us your emails pod Meets World Show at

0:46:35.040 --> 0:46:37.680
<v Speaker 1>gmail dot com and we've got.

0:46:37.480 --> 0:46:39.719
<v Speaker 2>Merch Danielle during this interview. You got to roll your

0:46:39.719 --> 0:46:44.760
<v Speaker 2>shoulders back shoulders, daniel Shoulders.

0:46:43.120 --> 0:46:46.040
<v Speaker 3>Merch writer, send us out.

0:46:46.320 --> 0:46:48.120
<v Speaker 4>We love you all, pod dismissed.

0:46:50.200 --> 0:46:52.840
<v Speaker 9>Pod Meets World is an iHeart podcast producer hosted by

0:46:52.960 --> 0:46:56.879
<v Speaker 9>Danielle Fischel, Wilfredell and Ryder Strong. Executive producers Jensen Karp

0:46:56.960 --> 0:47:00.000
<v Speaker 9>and Amy Sugarman. Executive in charge of production, Danielle Rome,

0:47:00.360 --> 0:47:04.000
<v Speaker 9>producer and editor, Taras Sudbach, producer, Maddy Moore, engineer and

0:47:04.040 --> 0:47:07.040
<v Speaker 9>Boy Meets World superman Easton Allen. Our theme song is

0:47:07.080 --> 0:47:10.239
<v Speaker 9>by Kyle Morton of Typhoon. Follow us on Instagram at

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<v Speaker 9>Podmets World Show or email us at Podmeats Worldshow at

0:47:13.760 --> 0:47:18.040
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