1 00:00:18,760 --> 00:00:21,120 Speaker 1: Well, this week we have once again asked for your 2 00:00:21,239 --> 00:00:25,040 Speaker 1: cues to our a's, but now in completely different roles. 3 00:00:25,400 --> 00:00:28,360 Speaker 1: We aren't the three former child stars of Boy Meets World, 4 00:00:28,400 --> 00:00:31,760 Speaker 1: partaking in a weekly journey of unpacking our experiences and 5 00:00:31,800 --> 00:00:35,839 Speaker 1: facing what will undoubtedly be a painful final season. But 6 00:00:36,120 --> 00:00:39,360 Speaker 1: we are Danielle, the current contestant on season thirty four 7 00:00:39,400 --> 00:00:42,640 Speaker 1: of Dancing with the Stars, and her two best friends, 8 00:00:43,000 --> 00:00:49,440 Speaker 1: the dan Yettes. Dan, Yet, what do you want to 9 00:00:49,479 --> 00:00:51,720 Speaker 1: know about dance from someone who, as of a few 10 00:00:51,720 --> 00:00:54,880 Speaker 1: months ago had never even walked onto a ballroom dance floor? 11 00:00:55,120 --> 00:00:57,960 Speaker 1: And how about questions from the TV show Dancing with 12 00:00:58,000 --> 00:01:00,760 Speaker 1: the Stars from two guys who had never watched it 13 00:01:00,800 --> 00:01:03,720 Speaker 1: before and still spend most of their waking hours trying 14 00:01:03,760 --> 00:01:05,480 Speaker 1: to figure out the scoring system? 15 00:01:05,640 --> 00:01:06,800 Speaker 2: Doesn't make any sense? 16 00:01:07,000 --> 00:01:09,959 Speaker 1: Well, you sent them to us, and now it's time 17 00:01:10,000 --> 00:01:14,160 Speaker 1: to answer some while proudly wearing our dancing shoes. Hilariously, 18 00:01:14,240 --> 00:01:16,399 Speaker 1: half of the questions we received from listeners were just 19 00:01:16,520 --> 00:01:19,160 Speaker 1: more detailed thoughts about the way Dancing with the Stars 20 00:01:19,200 --> 00:01:22,800 Speaker 1: incorporates scoring. But I do think you too have that covered, 21 00:01:22,920 --> 00:01:27,040 Speaker 1: so we selected from unique inquiries. First, maybe I ask 22 00:01:27,120 --> 00:01:30,360 Speaker 1: you the Danettes do you have any questions for me? 23 00:01:30,600 --> 00:01:33,080 Speaker 3: And maybe I have some questions for you that we 24 00:01:33,120 --> 00:01:37,000 Speaker 3: can get out of the way. I have a question, okay. 25 00:01:36,760 --> 00:01:39,120 Speaker 4: When you okay, the pre show package or the pre 26 00:01:39,240 --> 00:01:40,000 Speaker 4: dance packages. 27 00:01:40,120 --> 00:01:40,440 Speaker 2: Yeah. 28 00:01:40,480 --> 00:01:43,160 Speaker 4: Do they come to every rehearsal with a camera crew? 29 00:01:43,400 --> 00:01:45,440 Speaker 4: Are you always on? Basically, when you're. 30 00:01:45,280 --> 00:01:48,559 Speaker 1: Rehearsing the entire time we're there, there is a camera 31 00:01:48,640 --> 00:01:51,280 Speaker 1: that lives in the corner that's recording the entire thing, 32 00:01:51,360 --> 00:01:53,559 Speaker 1: and from the moment we walk walk in, we're micd 33 00:01:54,440 --> 00:01:58,000 Speaker 1: and so that records every second of our rehearsal. And 34 00:01:58,040 --> 00:02:01,080 Speaker 1: then on top of that, for a majority of it, 35 00:02:01,160 --> 00:02:04,320 Speaker 1: there is also a camera man and a or woman 36 00:02:04,680 --> 00:02:07,160 Speaker 1: and a camera and they roll around so that they 37 00:02:07,160 --> 00:02:07,760 Speaker 1: can get. 38 00:02:07,880 --> 00:02:11,200 Speaker 3: All so there's no downtime zero zero, you know how 39 00:02:11,200 --> 00:02:11,720 Speaker 3: anytime of. 40 00:02:11,800 --> 00:02:17,080 Speaker 4: Sacred space that sucks. Man. 41 00:02:17,360 --> 00:02:20,200 Speaker 5: I was wondering about that because I was just like man, like, 42 00:02:20,360 --> 00:02:23,040 Speaker 5: I would want like everyone out, just me and my 43 00:02:23,160 --> 00:02:26,120 Speaker 5: partner and a chance to like talk and dance and 44 00:02:26,960 --> 00:02:29,160 Speaker 5: about kinks and stuff and just be like whatever. 45 00:02:29,400 --> 00:02:29,640 Speaker 4: Yeah. 46 00:02:29,840 --> 00:02:32,480 Speaker 2: Can you imagine us on Boy Meets World every single 47 00:02:32,520 --> 00:02:35,000 Speaker 2: rehearsal being micd and having cameras in our face for 48 00:02:35,120 --> 00:02:37,519 Speaker 2: every time. Well, that would be horrifying. 49 00:02:37,680 --> 00:02:41,240 Speaker 1: It's essentially doing rehearsal on a press line. 50 00:02:41,800 --> 00:02:44,919 Speaker 2: Yeah, well you're you're essentially you're on a reality show. 51 00:02:45,080 --> 00:02:47,520 Speaker 3: That's exactly what it is. It's a reality show. 52 00:02:48,040 --> 00:02:49,560 Speaker 2: Okay. I have a question too. 53 00:02:49,880 --> 00:02:50,200 Speaker 3: Okay. 54 00:02:50,200 --> 00:02:52,000 Speaker 2: First of all, because writer and I have gone back 55 00:02:52,000 --> 00:02:56,440 Speaker 2: and forth on this, Okay, how much input do you 56 00:02:56,480 --> 00:02:57,480 Speaker 2: have in picking your song? 57 00:02:57,760 --> 00:02:58,200 Speaker 3: Okay? 58 00:02:58,320 --> 00:03:00,960 Speaker 2: And the second question is what is the fastest animal 59 00:03:01,000 --> 00:03:01,800 Speaker 2: on the face of the earth? 60 00:03:02,880 --> 00:03:06,760 Speaker 1: Okay, I think I think cheetah. Okay, is the fastest animal. 61 00:03:06,760 --> 00:03:09,440 Speaker 1: I'm gonna answer that one first, Okay, Song and style. 62 00:03:09,800 --> 00:03:15,960 Speaker 1: So when the season started, they sent us a music questionnaire. 63 00:03:16,600 --> 00:03:21,240 Speaker 3: That music questionnaire was hints we didn't. 64 00:03:20,960 --> 00:03:23,880 Speaker 1: Know for sure, but hints about what the theme weeks 65 00:03:23,919 --> 00:03:26,480 Speaker 1: were going to be. So like, the first question was, 66 00:03:26,560 --> 00:03:29,519 Speaker 1: if you had to pick an anthem song, what would 67 00:03:29,919 --> 00:03:31,800 Speaker 1: give me some give us some suggestions? 68 00:03:31,880 --> 00:03:32,240 Speaker 2: Okay? 69 00:03:32,480 --> 00:03:36,040 Speaker 1: And then I had to write down favorite songs that 70 00:03:36,080 --> 00:03:38,320 Speaker 1: would I would consider to be an anthem song. 71 00:03:38,640 --> 00:03:39,800 Speaker 3: Now, this is me, the. 72 00:03:39,800 --> 00:03:44,280 Speaker 1: Celebrity who knows nothing about song selection and style of 73 00:03:44,400 --> 00:03:48,200 Speaker 1: dance or anything. Just they want to know, what are 74 00:03:48,240 --> 00:03:51,680 Speaker 1: some of your favorite songs for that gotcha. And then 75 00:03:51,800 --> 00:03:54,600 Speaker 1: the second week was you know for uh, do you 76 00:03:55,120 --> 00:03:56,080 Speaker 1: TikTok or whatever? 77 00:03:56,120 --> 00:03:56,240 Speaker 4: You know? 78 00:03:56,320 --> 00:03:59,560 Speaker 1: TikTok week, which maybe was week three, and then do 79 00:03:59,600 --> 00:04:02,520 Speaker 1: you have any connections to Wicked? What's your favorite songs? 80 00:04:02,600 --> 00:04:04,760 Speaker 1: Do you like Halloween? What are some of your favorite 81 00:04:04,760 --> 00:04:05,640 Speaker 1: Halloween songs? 82 00:04:05,760 --> 00:04:08,280 Speaker 4: But they're asking they give you this question upfront for 83 00:04:08,320 --> 00:04:09,280 Speaker 4: the entire season for the. 84 00:04:09,200 --> 00:04:09,960 Speaker 2: Whole reason. 85 00:04:11,760 --> 00:04:15,680 Speaker 1: They gave it to me before the season starts, and 86 00:04:16,040 --> 00:04:18,880 Speaker 1: you go through and start filling in, and they say it, 87 00:04:18,880 --> 00:04:22,200 Speaker 1: give us as many as you can, okay, So that's 88 00:04:22,240 --> 00:04:26,359 Speaker 1: what they start with. The music department then goes through 89 00:04:26,440 --> 00:04:30,200 Speaker 1: and collects all those questionnaires from all of the celebrities 90 00:04:30,880 --> 00:04:34,480 Speaker 1: and they then run it against their algorithm of which 91 00:04:34,520 --> 00:04:36,120 Speaker 1: of these have we already used? 92 00:04:36,839 --> 00:04:38,240 Speaker 3: And it doesn't mean that if a song's. 93 00:04:38,040 --> 00:04:39,880 Speaker 1: Already been used, you can't use it again, but they 94 00:04:39,920 --> 00:04:42,120 Speaker 1: certainly don't want to do like, you know, a song 95 00:04:42,200 --> 00:04:43,560 Speaker 1: that's really been overdone. 96 00:04:43,640 --> 00:04:45,320 Speaker 3: They want to and then they. 97 00:04:45,240 --> 00:04:48,400 Speaker 1: Also want detail about why would this be your anthem song? 98 00:04:48,640 --> 00:04:51,839 Speaker 1: Why was Kelly Clarkson stronger important to me? 99 00:04:52,200 --> 00:04:53,040 Speaker 3: And all that. 100 00:04:53,520 --> 00:04:56,560 Speaker 1: So they start from that place with taking songs that 101 00:04:56,640 --> 00:04:59,520 Speaker 1: all of the celebrities have written down as being things 102 00:04:59,520 --> 00:05:03,120 Speaker 1: that are or important to them. Then they compare them 103 00:05:03,120 --> 00:05:06,719 Speaker 1: to the other celebrities, and then they share all of 104 00:05:06,760 --> 00:05:11,200 Speaker 1: that with your pro. Then the music department and your 105 00:05:11,279 --> 00:05:15,360 Speaker 1: pro are able to say, hmm, I see you wrote 106 00:05:15,400 --> 00:05:18,680 Speaker 1: this song down and it's possible that we could clear it, 107 00:05:18,760 --> 00:05:20,479 Speaker 1: because that's the other thing. Is it something going to 108 00:05:20,480 --> 00:05:22,520 Speaker 1: be that we're gonna be able to clear? So yeah, 109 00:05:22,800 --> 00:05:25,000 Speaker 1: that is kind of the process. And then of course 110 00:05:25,240 --> 00:05:29,120 Speaker 1: things like we can't get something cleared, and so then 111 00:05:29,160 --> 00:05:32,040 Speaker 1: the they make suggestions to you. The music department says, 112 00:05:32,040 --> 00:05:34,680 Speaker 1: what about this and what about that? Like they're like 113 00:05:34,720 --> 00:05:37,760 Speaker 1: One Hit Wonder Week. There were a couple of songs 114 00:05:37,880 --> 00:05:40,760 Speaker 1: I really wanted to do for One Hit Wonder Week, 115 00:05:41,240 --> 00:05:44,200 Speaker 1: and they pushed back a little bit, saying that one 116 00:05:44,240 --> 00:05:46,200 Speaker 1: of the songs I wanted to do wasn't technically a 117 00:05:46,200 --> 00:05:52,120 Speaker 1: one hit wonder even though it definitely was, and also 118 00:05:52,440 --> 00:05:56,520 Speaker 1: other people's songs were absolutely not one hit wonders. So 119 00:05:56,600 --> 00:05:59,760 Speaker 1: I was a little like, sometimes you don't have control 120 00:05:59,839 --> 00:06:02,120 Speaker 1: and you kind of just they'll send you a playlist, 121 00:06:02,160 --> 00:06:04,800 Speaker 1: they'll say, here are five songs. Tell us if any 122 00:06:04,839 --> 00:06:06,279 Speaker 1: of these work for you. And I could have said 123 00:06:06,279 --> 00:06:09,279 Speaker 1: no to all of them, right, But you know so, Oka, 124 00:06:09,800 --> 00:06:12,520 Speaker 1: it is a it is you have, It's a process 125 00:06:12,600 --> 00:06:14,680 Speaker 1: and a lot of factors are at play in it. 126 00:06:14,760 --> 00:06:15,080 Speaker 3: Okay. 127 00:06:15,680 --> 00:06:18,040 Speaker 2: I have one more question for you, okay, and this 128 00:06:18,080 --> 00:06:20,040 Speaker 2: is this is important. It's a question that I'd like 129 00:06:20,120 --> 00:06:22,480 Speaker 2: answered that we would like to talk about on Podney Stroll. 130 00:06:22,560 --> 00:06:25,039 Speaker 2: But we don't know, okay. And now that you know 131 00:06:25,200 --> 00:06:29,920 Speaker 2: everybody and you've become close with everybody, if Rider, Dan 132 00:06:30,000 --> 00:06:34,400 Speaker 2: Yete and Will Danyete went on Dancing with the Stars, right, 133 00:06:34,839 --> 00:06:36,800 Speaker 2: what pro would you put each of us with? 134 00:06:37,040 --> 00:06:41,280 Speaker 3: Oh, this is such a good question. Will I would 135 00:06:41,320 --> 00:06:42,200 Speaker 3: put you with Emma? 136 00:06:43,760 --> 00:06:46,479 Speaker 2: Is Emma with Andy? Yeah? That makes sense. 137 00:06:47,360 --> 00:06:53,760 Speaker 1: Emma has such a wicked, wonderful sense of humor, okay, 138 00:06:54,640 --> 00:06:58,480 Speaker 1: And she and you, first of all, would really get 139 00:06:58,520 --> 00:07:01,000 Speaker 1: along in the sense of humor department, which I think 140 00:07:01,080 --> 00:07:03,440 Speaker 1: is going to be important for you. 141 00:07:03,240 --> 00:07:06,440 Speaker 3: Specifically in order to feel like. 142 00:07:06,440 --> 00:07:08,600 Speaker 1: You're going to to be able to get through this 143 00:07:08,720 --> 00:07:10,440 Speaker 1: and to want to want to even be there. 144 00:07:10,600 --> 00:07:11,480 Speaker 2: Yeah. 145 00:07:10,920 --> 00:07:14,400 Speaker 1: Yeah, And I think she also has an ability. You 146 00:07:14,480 --> 00:07:17,440 Speaker 1: are not a social media person at all, and she 147 00:07:17,680 --> 00:07:20,240 Speaker 1: is very good at it. And it is it is 148 00:07:20,280 --> 00:07:22,600 Speaker 1: a weapon that you can use, not in a bad way. 149 00:07:22,600 --> 00:07:24,160 Speaker 3: It is a It is a tool. 150 00:07:23,960 --> 00:07:27,280 Speaker 1: In your arsenal to be good at social media on 151 00:07:27,320 --> 00:07:30,320 Speaker 1: this show. And since you do not have that experience 152 00:07:30,360 --> 00:07:32,960 Speaker 1: and Emma does the same way, she is using it 153 00:07:33,000 --> 00:07:34,520 Speaker 1: as to her advantage with Andy. 154 00:07:34,600 --> 00:07:36,440 Speaker 2: I think she would do it with you, and I'd 155 00:07:36,480 --> 00:07:38,160 Speaker 2: have to get on social media. I don't think they'd 156 00:07:38,200 --> 00:07:40,120 Speaker 2: let me come on without being on social media. I 157 00:07:40,160 --> 00:07:41,600 Speaker 2: think correct part of the show. 158 00:07:41,720 --> 00:07:43,480 Speaker 3: It is part of it is part of the show. 159 00:07:43,640 --> 00:07:45,040 Speaker 3: It's part of part of the deal. 160 00:07:45,080 --> 00:07:46,960 Speaker 1: And by the way, you could still have somebody like 161 00:07:47,000 --> 00:07:49,600 Speaker 1: they're the Dancing with the Stars social team. Mar Linda 162 00:07:49,680 --> 00:07:51,080 Speaker 1: is the head of the social team over there. They 163 00:07:51,080 --> 00:07:54,040 Speaker 1: are wonderful. You could have them. 164 00:07:54,160 --> 00:07:56,440 Speaker 3: You could have your own account and they run. 165 00:07:56,320 --> 00:07:57,080 Speaker 2: They do everything right. 166 00:07:57,120 --> 00:07:58,200 Speaker 3: They could do it. 167 00:07:58,120 --> 00:07:59,800 Speaker 1: For you if you wanted, so that you didn't have 168 00:07:59,840 --> 00:08:03,120 Speaker 1: to participating, or you know, you could not read comments 169 00:08:03,200 --> 00:08:05,760 Speaker 1: or choose to if whatever. So that I also think 170 00:08:05,840 --> 00:08:07,920 Speaker 1: height wise, so much of this is going to be 171 00:08:08,080 --> 00:08:10,320 Speaker 1: about height, and I think Emma is one of the 172 00:08:10,400 --> 00:08:14,240 Speaker 1: taller pros, and I think you I think I think 173 00:08:14,280 --> 00:08:16,360 Speaker 1: you guys would be a good height match. So I 174 00:08:16,360 --> 00:08:19,480 Speaker 1: will pair you for sure with Emma writer, I would 175 00:08:19,560 --> 00:08:27,960 Speaker 1: pair you. Gosh, I'm torn between Britt and Daniella. 176 00:08:28,280 --> 00:08:29,080 Speaker 4: Which one is Britt? 177 00:08:29,120 --> 00:08:30,960 Speaker 3: Britt was with Baron Davis. 178 00:08:31,520 --> 00:08:33,520 Speaker 4: Okay, yeah, so she was only there. 179 00:08:33,360 --> 00:08:35,360 Speaker 3: For like one she was only there for one week. 180 00:08:35,559 --> 00:08:38,600 Speaker 2: She is on stage there all the time, even. 181 00:08:38,400 --> 00:08:44,200 Speaker 1: The pro numbers, and she is just wonderful. Jensen just said, 182 00:08:44,200 --> 00:08:45,040 Speaker 1: my pick is Britt. 183 00:08:45,559 --> 00:08:46,080 Speaker 4: She is. 184 00:08:46,679 --> 00:08:50,680 Speaker 1: She is wonderful. She's really the thing I think you 185 00:08:50,720 --> 00:08:53,880 Speaker 1: would really love about Britt that everybody loves about Britt. 186 00:08:54,880 --> 00:09:00,880 Speaker 1: She really gets to know her partners and is not 187 00:09:01,160 --> 00:09:05,520 Speaker 1: like she really like I don't know how to say this, 188 00:09:05,720 --> 00:09:11,160 Speaker 1: She learns about them and almost takes on who like 189 00:09:11,280 --> 00:09:14,760 Speaker 1: I want to embody who you are so that I 190 00:09:14,960 --> 00:09:19,920 Speaker 1: can choreograph from the inside out to showcase your vibe, 191 00:09:20,000 --> 00:09:25,000 Speaker 1: your personality, And she like she really learns about her partner. 192 00:09:25,080 --> 00:09:29,920 Speaker 1: She treats it like like a science experiment. Almost How 193 00:09:30,040 --> 00:09:33,720 Speaker 1: much can I absorb about who you are and what 194 00:09:33,760 --> 00:09:34,640 Speaker 1: your life is like? 195 00:09:34,720 --> 00:09:37,720 Speaker 5: And how can that authenticity to to just embrace it 196 00:09:37,760 --> 00:09:39,760 Speaker 5: and commit to it. If I was being told, like, 197 00:09:39,960 --> 00:09:42,600 Speaker 5: you need to wear a sparkly tuxedo because that's what's hot, 198 00:09:42,640 --> 00:09:44,400 Speaker 5: this week, I would be like, Nope, not. 199 00:09:44,320 --> 00:09:45,040 Speaker 2: No, and that's it. 200 00:09:45,160 --> 00:09:45,960 Speaker 3: That's it exactly. 201 00:09:46,040 --> 00:09:49,840 Speaker 1: She really celebrates who the person is to showcase and 202 00:09:49,920 --> 00:09:53,040 Speaker 1: highlight that. So I think Britt would be my pick 203 00:09:53,120 --> 00:09:57,160 Speaker 1: for you. Yeah, that would be my choice. Man, boy, 204 00:09:57,200 --> 00:10:01,199 Speaker 1: could you imagine how freaking excited I would be. 205 00:10:01,040 --> 00:10:07,400 Speaker 2: If you guys? I literally just my hamstring talking about it. 206 00:10:07,520 --> 00:10:14,400 Speaker 3: So Okay, So I hope that answers some questions. 207 00:10:14,440 --> 00:10:16,480 Speaker 2: Yeah, it's it's just a lot of it, especially with 208 00:10:16,520 --> 00:10:19,080 Speaker 2: some of the judges stuff, which again I'm I don't 209 00:10:19,080 --> 00:10:21,600 Speaker 2: know if you're ware of I'm a dance expert, but 210 00:10:21,800 --> 00:10:23,760 Speaker 2: a lot of it just some of the numbers just 211 00:10:23,760 --> 00:10:24,800 Speaker 2: seem very arbitrary. 212 00:10:25,720 --> 00:10:26,600 Speaker 3: Yeah, well, there. 213 00:10:26,480 --> 00:10:29,680 Speaker 1: Are definitely things where it's like, you know, once they've 214 00:10:29,720 --> 00:10:33,040 Speaker 1: given Andy six's three weeks in a row, if there's 215 00:10:33,160 --> 00:10:36,200 Speaker 1: any improvement, how do they say that's a five? 216 00:10:36,760 --> 00:10:36,880 Speaker 2: Right? 217 00:10:37,000 --> 00:10:38,079 Speaker 3: You know, it's like and. 218 00:10:38,080 --> 00:10:40,320 Speaker 1: That's why when we were talking about the very beginning 219 00:10:40,360 --> 00:10:43,640 Speaker 1: of the season, I know Derek was really trying to 220 00:10:43,760 --> 00:10:48,520 Speaker 1: set the precedent we are not going to be scoring 221 00:10:48,640 --> 00:10:50,400 Speaker 1: super high out of the gate. 222 00:10:51,040 --> 00:10:52,760 Speaker 3: But then when you're. 223 00:10:52,600 --> 00:10:55,840 Speaker 1: Out there and you're seeing how hard everyone's working, I 224 00:10:55,960 --> 00:10:57,920 Speaker 1: just think in general, it's really hard for them to 225 00:10:57,960 --> 00:11:00,560 Speaker 1: pull out a four, you know, you know it like true, 226 00:11:01,120 --> 00:11:05,720 Speaker 1: But had they started at fours for certain dances, we 227 00:11:05,840 --> 00:11:10,360 Speaker 1: could have now seen improvement and still be at a six, right, right, 228 00:11:10,880 --> 00:11:13,200 Speaker 1: But when you know some people are at a six 229 00:11:13,240 --> 00:11:15,679 Speaker 1: and other people are at a seven, you're like, but 230 00:11:15,679 --> 00:11:23,240 Speaker 1: but but sixty six, it becomes it becomes six seven. 231 00:11:24,120 --> 00:11:25,400 Speaker 3: They're all so young and cool? 232 00:11:25,520 --> 00:11:27,480 Speaker 2: What is what is that? What is that they're doing? 233 00:11:27,600 --> 00:11:30,840 Speaker 4: That's the latest memes? Speak man, brain rot? Are you 234 00:11:31,520 --> 00:11:32,080 Speaker 4: saying it? Right? 235 00:11:32,200 --> 00:11:33,400 Speaker 3: Are you team seven? 236 00:11:33,559 --> 00:11:36,240 Speaker 4: I don't know. I just Andy says it all the time? 237 00:11:36,360 --> 00:11:37,880 Speaker 2: What is that? Please people? 238 00:11:38,080 --> 00:11:40,760 Speaker 4: It's what people are saying. But what is a young people? 239 00:11:40,760 --> 00:11:41,280 Speaker 3: Okay? Okay? 240 00:11:41,280 --> 00:11:43,320 Speaker 1: So there was a TikTok thing about a guy and 241 00:11:43,360 --> 00:11:46,240 Speaker 1: he was talking about how tall a basketball player was, 242 00:11:46,920 --> 00:11:51,080 Speaker 1: and he was saying he was six seven, and he 243 00:11:51,160 --> 00:11:55,000 Speaker 1: did this, okay, and it just became a thing that 244 00:11:55,200 --> 00:11:59,160 Speaker 1: now in any for no reason at all whatsoever, you 245 00:11:59,400 --> 00:12:01,560 Speaker 1: just say a six seven. 246 00:12:01,800 --> 00:12:04,800 Speaker 5: There's also a video that that Indy thought was the origin, 247 00:12:04,800 --> 00:12:06,800 Speaker 5: which is like, there's a basketball game going on, hands 248 00:12:06,800 --> 00:12:08,280 Speaker 5: of the audience and these two kids turned to the 249 00:12:08,280 --> 00:12:09,440 Speaker 5: camera and they're like six. 250 00:12:09,320 --> 00:12:12,120 Speaker 6: Seven, just so you know, hilariously, this meme is is 251 00:12:12,160 --> 00:12:14,840 Speaker 6: truly from a rap song called Dute Dude by Scrilla, 252 00:12:15,040 --> 00:12:19,240 Speaker 6: and he says he says six seven in the song. Funny. 253 00:12:19,640 --> 00:12:22,080 Speaker 6: Then a bunch of people used it in tiktoks and 254 00:12:22,120 --> 00:12:23,600 Speaker 6: now no one knows the song exists. 255 00:12:23,679 --> 00:12:25,040 Speaker 3: Yeah, yeah, no one's ever heard of the song. 256 00:12:25,080 --> 00:12:26,640 Speaker 4: It's just from They try to listen to the song 257 00:12:26,720 --> 00:12:29,840 Speaker 4: and they was awful. Yeah no, it did suck, so yeah, 258 00:12:29,880 --> 00:12:31,360 Speaker 4: but we just say six to seven all the time. 259 00:12:31,679 --> 00:12:31,959 Speaker 6: Seven. 260 00:12:32,160 --> 00:12:34,360 Speaker 2: I weep for us as a society. Thank you. 261 00:12:40,440 --> 00:12:43,360 Speaker 7: Halloween is around the corner, and your favorite podcaster are 262 00:12:43,480 --> 00:12:46,920 Speaker 7: serving up episodes that are so good it's actually scary. 263 00:12:47,280 --> 00:12:49,880 Speaker 7: Sex and the City meet Severance when Adam Scott joins 264 00:12:49,960 --> 00:12:53,280 Speaker 7: Kristin Davis to discuss the haunting relationship between Big and 265 00:12:53,360 --> 00:12:56,559 Speaker 7: Natasha on Are You a Charlotte? And nine one one 266 00:12:56,600 --> 00:12:59,040 Speaker 7: What's Your Emergency? The new episode of Call It What 267 00:12:59,120 --> 00:13:01,440 Speaker 7: It Is? Of course nine to one to one Nashville 268 00:13:01,480 --> 00:13:05,480 Speaker 7: co star Kimberly Williams Paisley joins Jessica Kapshaw and Camilla 269 00:13:05,559 --> 00:13:08,839 Speaker 7: Ludington to talk about her health scare her superstar Hubby 270 00:13:08,880 --> 00:13:11,600 Speaker 7: Brad Paisley and her memories on the set of Father 271 00:13:11,679 --> 00:13:15,079 Speaker 7: of the Bride with the legendary Diane Keaton. Oscar winner 272 00:13:15,120 --> 00:13:18,120 Speaker 7: Bree Larsen is a work in progress. Sophia Bush finds 273 00:13:18,120 --> 00:13:21,240 Speaker 7: out why, and Walt's right over to Danielle with because 274 00:13:21,320 --> 00:13:24,280 Speaker 7: Danielle Fischel has fellow Dancing with the Stars contestant Dylan 275 00:13:24,280 --> 00:13:26,400 Speaker 7: Efron on to talk about the ballroom, the. 276 00:13:26,440 --> 00:13:27,440 Speaker 3: Leaderboard and more. 277 00:13:27,760 --> 00:13:31,079 Speaker 7: Listen now on the iHeartRadio app, Apple Podcasts, or wherever 278 00:13:31,160 --> 00:13:32,240 Speaker 7: you get your podcast. 279 00:13:45,000 --> 00:13:47,000 Speaker 1: Let's jump into our unless you have another question for me, 280 00:13:47,040 --> 00:13:50,480 Speaker 1: Let's jump into our pod meets okay great. This one 281 00:13:50,559 --> 00:13:53,559 Speaker 1: is from Carly g during Dedication night when they returned 282 00:13:53,559 --> 00:13:56,040 Speaker 1: from a commercial break before Danielle got her scores, she 283 00:13:56,120 --> 00:13:58,480 Speaker 1: looked like she had been crying. What was going through 284 00:13:58,520 --> 00:14:01,640 Speaker 1: her mind at that times? She gets all twenty of 285 00:14:01,640 --> 00:14:04,760 Speaker 1: my votes, No question, You're making us all so proud, Danielle, 286 00:14:04,920 --> 00:14:07,880 Speaker 1: so sweet, Thank you, Carly So yes, I did start crying. 287 00:14:08,800 --> 00:14:10,000 Speaker 3: So a couple of things happen. 288 00:14:10,880 --> 00:14:11,000 Speaker 6: Uh. 289 00:14:11,760 --> 00:14:17,239 Speaker 1: One, I had not seen Scott since they had announced 290 00:14:17,360 --> 00:14:20,200 Speaker 1: in their dance previous to mine that they were having 291 00:14:20,240 --> 00:14:20,640 Speaker 1: a baby. 292 00:14:20,800 --> 00:14:24,120 Speaker 3: Okay when ahead of time I did not. 293 00:14:24,320 --> 00:14:27,120 Speaker 1: It was a surprise, so I was I, you know, 294 00:14:27,280 --> 00:14:31,400 Speaker 1: a few dances before your dance, So say I'm number 295 00:14:31,680 --> 00:14:37,200 Speaker 1: seventh in the lineup at a round dance four. They 296 00:14:37,280 --> 00:14:40,240 Speaker 1: pull us from the skybox to go warm up. We 297 00:14:40,600 --> 00:14:43,960 Speaker 1: you know you cannot. People think it's just like, okay, 298 00:14:44,120 --> 00:14:47,000 Speaker 1: now get out there and dance. You're if your muscles 299 00:14:47,120 --> 00:14:50,440 Speaker 1: are not stretched and warm, and you you know, you 300 00:14:50,480 --> 00:14:53,000 Speaker 1: want to refresh your you want to refresh your routine. 301 00:14:53,000 --> 00:14:55,280 Speaker 1: You want to make sure you're absolutely focused, you're not 302 00:14:55,320 --> 00:14:57,960 Speaker 1: being distracted by my friends are in the audience and 303 00:14:58,000 --> 00:14:59,760 Speaker 1: my package is on the TV, and my friend is 304 00:14:59,840 --> 00:15:02,080 Speaker 1: Dan down there, Like you really need to like lock 305 00:15:02,160 --> 00:15:04,240 Speaker 1: in with your partner and get focused. 306 00:15:04,280 --> 00:15:06,320 Speaker 3: So they take us out of the skybox. 307 00:15:06,480 --> 00:15:08,680 Speaker 1: But Scott's dance had been right before us, so I 308 00:15:08,800 --> 00:15:12,080 Speaker 1: was down like hiding behind the curtain, and I heard 309 00:15:12,280 --> 00:15:13,200 Speaker 1: the scream and. 310 00:15:13,240 --> 00:15:14,480 Speaker 3: Was like, did they just an know they were having 311 00:15:14,480 --> 00:15:14,920 Speaker 3: a baby. 312 00:15:15,160 --> 00:15:18,040 Speaker 1: So Scott was right behind me in the box and 313 00:15:18,560 --> 00:15:20,360 Speaker 1: we went to commercial break, and then I turned to 314 00:15:20,400 --> 00:15:22,240 Speaker 1: Scott and I said, oh my gosh, by the way, 315 00:15:22,280 --> 00:15:27,360 Speaker 1: congratulations and his husband Mark regularly, if not every single day, 316 00:15:27,560 --> 00:15:29,640 Speaker 1: most days went with him to rehearsal, and so I 317 00:15:29,680 --> 00:15:32,640 Speaker 1: got to know both of them, and I started talking 318 00:15:32,680 --> 00:15:37,000 Speaker 1: to him about being a parent and how happy I 319 00:15:37,240 --> 00:15:39,200 Speaker 1: was that they were going to be fathers and what 320 00:15:39,360 --> 00:15:42,640 Speaker 1: good fathers I thought they were going to be. And 321 00:15:42,800 --> 00:15:46,280 Speaker 1: then I got emotional the way I got emotional just 322 00:15:46,360 --> 00:15:49,240 Speaker 1: now talking about it, and that then turned into when 323 00:15:49,240 --> 00:15:52,840 Speaker 1: I turned back to Pasha, me saying I'm sorry I 324 00:15:52,880 --> 00:15:55,960 Speaker 1: missed that step in our in our jive, I had 325 00:15:56,200 --> 00:15:59,400 Speaker 1: missed a step that we had worked on many, many times, 326 00:15:59,440 --> 00:16:02,560 Speaker 1: and I messed it up. And I you know, the 327 00:16:02,600 --> 00:16:06,120 Speaker 1: worst feeling of screwing something up in your dance is 328 00:16:06,160 --> 00:16:09,320 Speaker 1: not oh the judges are going to judge me for it, 329 00:16:09,480 --> 00:16:12,920 Speaker 1: or America saw me make a mistake, or even I'm 330 00:16:12,960 --> 00:16:16,320 Speaker 1: so mad at myself. The only thing I care about 331 00:16:17,080 --> 00:16:20,880 Speaker 1: is that I feel like I let Pasha. And so 332 00:16:21,160 --> 00:16:23,800 Speaker 1: I had just finished talking to Scott and was emotional, 333 00:16:23,840 --> 00:16:25,640 Speaker 1: and I turned and looked at Pasha and I was like, 334 00:16:25,960 --> 00:16:29,880 Speaker 1: I'm so sorry. And the minute I said I'm so sorry, 335 00:16:30,520 --> 00:16:33,480 Speaker 1: I was just like ooh, all these tears came, and 336 00:16:33,520 --> 00:16:38,040 Speaker 1: then it was like and we're back, right, and so 337 00:16:38,640 --> 00:16:41,120 Speaker 1: then yeah, then I was like trying to hold it together. 338 00:16:41,440 --> 00:16:45,360 Speaker 2: Was any part of you upset over your scores? You 339 00:16:45,400 --> 00:16:45,680 Speaker 2: know what? 340 00:16:45,840 --> 00:16:49,200 Speaker 3: I know. I'm not upset at the scores. 341 00:16:49,680 --> 00:16:53,120 Speaker 1: I'm upset that I felt like those were the right scores. 342 00:16:53,200 --> 00:16:58,080 Speaker 1: I'm upset that I don't feel I felt based on 343 00:16:58,120 --> 00:17:00,560 Speaker 1: the way I did in that dance, I that to 344 00:17:00,640 --> 00:17:02,240 Speaker 1: me was a seven. 345 00:17:02,520 --> 00:17:04,320 Speaker 3: I didn't do I didn't do what I wanted to do. 346 00:17:04,400 --> 00:17:07,320 Speaker 3: I don't. I mean, Bruno really enjoyed it. That dance 347 00:17:07,480 --> 00:17:08,000 Speaker 3: was hard. 348 00:17:08,080 --> 00:17:10,600 Speaker 1: And by the way, talking about stuff you don't see 349 00:17:10,600 --> 00:17:13,240 Speaker 1: in a package, I'm actually appreciative they didn't do it 350 00:17:13,280 --> 00:17:15,439 Speaker 1: because it was dedication night and it was it was 351 00:17:15,480 --> 00:17:19,359 Speaker 1: about Bill. That was my hardest week on this show, right, 352 00:17:19,680 --> 00:17:27,399 Speaker 1: forget injuries, forget anything. The jive is hard, yeah, and 353 00:17:27,680 --> 00:17:34,240 Speaker 1: it is so fast and so physical and so upbeat, 354 00:17:34,880 --> 00:17:36,240 Speaker 1: and you just have. 355 00:17:36,119 --> 00:17:38,480 Speaker 3: To Your rehearsals are just runs. 356 00:17:38,920 --> 00:17:42,040 Speaker 1: And we started with a sprint, and we ended with 357 00:17:42,080 --> 00:17:44,840 Speaker 1: a sprint and then trying to dance in between and 358 00:17:44,920 --> 00:17:48,639 Speaker 1: remember all of the steps and do all of the things. 359 00:17:48,720 --> 00:17:53,119 Speaker 1: And then in that dance we adjusted something on like 360 00:17:53,160 --> 00:17:55,480 Speaker 1: the first day, something Pasha it originally taught me. And 361 00:17:55,480 --> 00:17:57,000 Speaker 1: then just a few hours later, He's like, I don't 362 00:17:57,040 --> 00:17:58,520 Speaker 1: like this as much. I want to change this, and 363 00:17:58,560 --> 00:18:01,359 Speaker 1: I said, great, let's change it. Then we rehearsed it 364 00:18:01,359 --> 00:18:03,840 Speaker 1: that lay. Thursday, we rehearsed it that way. Friday, we 365 00:18:03,880 --> 00:18:07,440 Speaker 1: rehearsed it that way Saturday, and Saturday night I was like, 366 00:18:08,400 --> 00:18:10,240 Speaker 1: this jive is good. 367 00:18:10,359 --> 00:18:12,439 Speaker 3: I can't believe it. I can't believe where we started. 368 00:18:12,440 --> 00:18:12,919 Speaker 2: On Wednesday. 369 00:18:12,920 --> 00:18:14,040 Speaker 1: I felt like I was never going to get it, 370 00:18:14,080 --> 00:18:15,800 Speaker 1: and here we are Saturday night. I had all the 371 00:18:15,800 --> 00:18:19,359 Speaker 1: confidence in the world. Pasha seemed really confident. He was like, 372 00:18:19,400 --> 00:18:21,439 Speaker 1: this is this is great. We're in a really good place. 373 00:18:21,480 --> 00:18:23,800 Speaker 1: Tomorrow we have a full day and I just want 374 00:18:23,800 --> 00:18:25,439 Speaker 1: to clean. I want to perfect I want to make 375 00:18:25,440 --> 00:18:27,840 Speaker 1: sure every little movement is exactly what it's supposed to be. 376 00:18:27,840 --> 00:18:30,000 Speaker 1: I want to work on your retractions. And I was like, awesome. 377 00:18:31,480 --> 00:18:33,800 Speaker 1: I don't sleep well Saturday night for some reason, just 378 00:18:34,040 --> 00:18:37,200 Speaker 1: you know, stress of life and whatever. I don't sleep well. 379 00:18:37,480 --> 00:18:39,119 Speaker 1: I wake up on Sunday and I'm a little tired, 380 00:18:39,119 --> 00:18:41,440 Speaker 1: and I'm like, but at least I know what we're 381 00:18:41,440 --> 00:18:44,080 Speaker 1: doing today. I watch tape. We have like a one 382 00:18:44,119 --> 00:18:46,640 Speaker 1: pm rehearsal. I watch tape in the morning, I practice 383 00:18:46,640 --> 00:18:49,000 Speaker 1: in my mirror at home. The part that you know 384 00:18:49,359 --> 00:18:51,719 Speaker 1: is like this big side by side part. I practice 385 00:18:51,760 --> 00:18:53,680 Speaker 1: all of it and I show up to rehearsal and 386 00:18:53,720 --> 00:18:55,480 Speaker 1: Pasha goes, don't kill me, but I want to change 387 00:18:55,480 --> 00:19:01,600 Speaker 1: accounts and I go, what I just got it? I go, 388 00:19:02,280 --> 00:19:03,920 Speaker 1: what part do you? What part do you want to change? 389 00:19:03,920 --> 00:19:05,320 Speaker 1: And he's like, this part, the part that I said 390 00:19:05,359 --> 00:19:07,240 Speaker 1: is the most important part of the dance. I want 391 00:19:07,280 --> 00:19:11,320 Speaker 1: to change it. And I'm like, why why do you 392 00:19:11,640 --> 00:19:13,080 Speaker 1: why do you want to change it? And he's like, 393 00:19:13,119 --> 00:19:15,280 Speaker 1: I don't like it. I watched it last night. I 394 00:19:15,320 --> 00:19:17,240 Speaker 1: don't like it. I don't think the judges are going 395 00:19:17,280 --> 00:19:19,040 Speaker 1: to like it, and I don't I don't want to 396 00:19:19,040 --> 00:19:21,679 Speaker 1: do it. I want to change it. The rest of 397 00:19:21,720 --> 00:19:25,159 Speaker 1: that day was just on. That was just on that. 398 00:19:25,359 --> 00:19:28,200 Speaker 2: Now could you could you've just been like, dude, I've got. 399 00:19:28,040 --> 00:19:30,960 Speaker 1: It, he said, He said, if you want to do it, 400 00:19:31,280 --> 00:19:32,840 Speaker 1: we can do it. I'm going to tell you right now, 401 00:19:32,840 --> 00:19:35,800 Speaker 1: it's not good. Wow, he said, if you want to 402 00:19:35,800 --> 00:19:37,520 Speaker 1: do it, let's do it. Let's commit to it. Fine, 403 00:19:37,560 --> 00:19:38,919 Speaker 1: you want to do it, let's do it. It's not good. 404 00:19:38,960 --> 00:19:40,360 Speaker 1: And the judges are going to tell you it's not good, 405 00:19:40,400 --> 00:19:42,760 Speaker 1: but if you want to do it, let's do it now. 406 00:19:42,800 --> 00:19:45,840 Speaker 2: Wait, here's what you also said, that there's fifteen dances 407 00:19:45,880 --> 00:19:47,600 Speaker 2: to pick from and you don't have to do them all. 408 00:19:47,680 --> 00:19:49,520 Speaker 2: Are there going to be contestants that won't do the 409 00:19:49,600 --> 00:19:51,919 Speaker 2: jive at all? Or are there some that are compulsory? 410 00:19:52,320 --> 00:19:54,359 Speaker 1: Yeah, no, there may be some that don't do the 411 00:19:54,440 --> 00:19:58,480 Speaker 1: jive at all. And like, there there's a possibility U 412 00:19:58,600 --> 00:20:01,320 Speaker 1: Pasha and I may not do jazz, Like there's there's 413 00:20:01,320 --> 00:20:05,080 Speaker 1: only so many weeks, and you know, if you don't 414 00:20:05,119 --> 00:20:07,200 Speaker 1: have it, or your song doesn't go with it or whatever, 415 00:20:07,280 --> 00:20:08,600 Speaker 1: you just don't end up doing that. There are a 416 00:20:08,640 --> 00:20:11,120 Speaker 1: lot of people who aren't gonna do rumba, Like rumba's 417 00:20:11,359 --> 00:20:15,439 Speaker 1: really hard, especially for men. So you know, Emma is 418 00:20:15,520 --> 00:20:18,080 Speaker 1: probably not going to do a rumba with Andy with 419 00:20:18,119 --> 00:20:20,280 Speaker 1: and that makes sense, you know, Like they're watching her with. 420 00:20:20,280 --> 00:20:23,040 Speaker 2: Him where she's literally talking to him the entire time 421 00:20:23,320 --> 00:20:25,680 Speaker 2: is pretty fun to watch, Yeah, because she's literally during 422 00:20:25,720 --> 00:20:27,480 Speaker 2: the dance and probably. 423 00:20:27,080 --> 00:20:29,560 Speaker 1: Counting and she yeah, she says words that you know, 424 00:20:29,720 --> 00:20:32,679 Speaker 1: hands and yeah, things to remind him of where they 425 00:20:32,760 --> 00:20:35,359 Speaker 1: are and dance. Yeah, I mean they they, and we 426 00:20:35,400 --> 00:20:38,760 Speaker 1: do that all throughout the week. Pasha's really big on 427 00:20:38,880 --> 00:20:41,239 Speaker 1: me knowing how to count the entire dance. So I 428 00:20:41,320 --> 00:20:45,639 Speaker 1: learned that in the first week, and now I have 429 00:20:45,720 --> 00:20:48,199 Speaker 1: to count everything. And this week we're doing a Viennese waltz, 430 00:20:48,520 --> 00:20:52,960 Speaker 1: which is on three counts, and so like it goes 431 00:20:53,000 --> 00:20:57,280 Speaker 1: like this, it goes, but in the way the music 432 00:20:57,359 --> 00:21:00,119 Speaker 1: is cut, sometimes there's only four counts of three, and 433 00:21:00,119 --> 00:21:02,439 Speaker 1: then it starts back over at one, and then there 434 00:21:02,440 --> 00:21:04,639 Speaker 1: will be eight counts of three, and then it starts 435 00:21:04,680 --> 00:21:06,560 Speaker 1: back over at one, and then there are ten counts 436 00:21:06,560 --> 00:21:08,600 Speaker 1: of three, then it starts back over at one. So 437 00:21:08,640 --> 00:21:10,600 Speaker 1: in order to keep track of where we are, I 438 00:21:10,640 --> 00:21:13,520 Speaker 1: have to count like this one two three, two two 439 00:21:13,640 --> 00:21:17,160 Speaker 1: three three three two three four two three two three 440 00:21:17,280 --> 00:21:19,399 Speaker 1: two two three and then and then when I get 441 00:21:19,440 --> 00:21:21,760 Speaker 1: to six, back to one two three two two three. 442 00:21:21,800 --> 00:21:24,320 Speaker 1: And then the way I help using the count to 443 00:21:24,400 --> 00:21:26,600 Speaker 1: help me with what I'm supposed to be doing is 444 00:21:26,640 --> 00:21:29,840 Speaker 1: when I'm supposed to have something like a move on 445 00:21:29,880 --> 00:21:32,399 Speaker 1: a certain number, which in the waltz is usually on 446 00:21:32,200 --> 00:21:35,800 Speaker 1: the one, so I go one two three, two two 447 00:21:35,880 --> 00:21:39,200 Speaker 1: three three two three, So like those numbers, those things 448 00:21:39,240 --> 00:21:42,359 Speaker 1: that are pad or sometimes I change out the number 449 00:21:42,600 --> 00:21:45,480 Speaker 1: for a word, so it'll be one two three and 450 00:21:45,760 --> 00:21:49,800 Speaker 1: two three three two three foot two three five. It's 451 00:21:49,800 --> 00:21:53,480 Speaker 1: like and then and then you're just literally running around 452 00:21:53,480 --> 00:21:56,760 Speaker 1: the room screaming numbers on video and then watching it 453 00:21:56,800 --> 00:21:57,840 Speaker 1: back like an athlete. 454 00:21:58,200 --> 00:21:58,720 Speaker 4: There you go. 455 00:21:59,200 --> 00:21:59,720 Speaker 2: Yikes. 456 00:22:00,359 --> 00:22:03,840 Speaker 3: So okay, great question, Carly G. That's why I was crying. 457 00:22:04,119 --> 00:22:07,159 Speaker 3: We have ah a question from Connecticut Rachel Will. Do 458 00:22:07,240 --> 00:22:07,640 Speaker 3: you know her? 459 00:22:07,880 --> 00:22:08,119 Speaker 4: I do? 460 00:22:08,200 --> 00:22:15,840 Speaker 2: Of course everybody knows. Rachel from Connecticut sent Sparrow. I 461 00:22:15,920 --> 00:22:21,560 Speaker 2: have a query. It just does not protest. 462 00:22:22,960 --> 00:22:25,760 Speaker 1: Her question is, Will what would it take for you 463 00:22:26,200 --> 00:22:28,840 Speaker 1: to do Dancing with the Stars, a lifetime supply of 464 00:22:28,880 --> 00:22:31,639 Speaker 1: superhero undi's going back in time and guest starring on 465 00:22:31,800 --> 00:22:36,520 Speaker 1: mash jokes jokes aside? Do you think it is actually 466 00:22:36,600 --> 00:22:39,800 Speaker 1: possible with some sort of gigantic offer. 467 00:22:40,840 --> 00:22:43,080 Speaker 2: I don't see. I go to the same I go 468 00:22:43,080 --> 00:22:45,400 Speaker 2: to a different reason than writer, because the social media 469 00:22:45,440 --> 00:22:46,959 Speaker 2: stuff I could have fun with and do you all 470 00:22:47,000 --> 00:22:50,680 Speaker 2: that kind of stuff. I truly, and this is not hyperbole, 471 00:22:50,800 --> 00:22:53,399 Speaker 2: I truly do not believe there's a teacher in the 472 00:22:53,400 --> 00:22:55,520 Speaker 2: world that could teach me how to dance. I don't 473 00:22:55,520 --> 00:22:59,800 Speaker 2: think it's I don't think exist. I don't think they E. 474 00:23:00,040 --> 00:23:00,480 Speaker 3: You're wrong. 475 00:23:00,520 --> 00:23:04,399 Speaker 1: You heard carry Anne last week. Yeah, everybody can dance. 476 00:23:04,760 --> 00:23:06,920 Speaker 1: But is there something somebody could convince you? Is there 477 00:23:06,920 --> 00:23:08,560 Speaker 1: something going back in time being able to get star 478 00:23:08,640 --> 00:23:09,000 Speaker 1: on my waye? 479 00:23:09,040 --> 00:23:11,080 Speaker 2: Yeah? If I could have time travel, then yes, I 480 00:23:11,080 --> 00:23:14,800 Speaker 2: would do just about everything, of course, yeah, of course. 481 00:23:15,200 --> 00:23:17,440 Speaker 3: Okay, all right, so there is an offer out there, 482 00:23:17,480 --> 00:23:17,800 Speaker 3: all right? 483 00:23:18,040 --> 00:23:19,640 Speaker 2: Just want to know I'd rather do traders. 484 00:23:19,960 --> 00:23:22,280 Speaker 1: Okay, I know you love that job, all right? From 485 00:23:22,359 --> 00:23:25,280 Speaker 1: Jessica m Hey Danielle and the Danietes as our resident 486 00:23:25,359 --> 00:23:29,400 Speaker 1: lobster finder, Will I have to ask during dedication night 487 00:23:29,440 --> 00:23:32,240 Speaker 1: for Danielle, when the legendary Bill Daniels was there, was 488 00:23:32,280 --> 00:23:34,720 Speaker 1: there really a lobster on the garage stage or have 489 00:23:34,840 --> 00:23:36,000 Speaker 1: we all lost. 490 00:23:35,720 --> 00:23:41,000 Speaker 2: It was there? I didn't even notice. No, if somebody 491 00:23:41,040 --> 00:23:44,879 Speaker 2: did that, it's there. It's genius, absolute genius. But I 492 00:23:44,920 --> 00:23:47,000 Speaker 2: did not even did not even notice. 493 00:23:47,320 --> 00:23:48,480 Speaker 3: We have to go back and watch. 494 00:23:48,560 --> 00:23:50,720 Speaker 2: They cut to Bill so seldom, and when they did, 495 00:23:50,760 --> 00:23:52,440 Speaker 2: he had that huge smile on his face. 496 00:23:57,000 --> 00:24:00,879 Speaker 3: Oh my gosh, yeah he uh Bill? 497 00:24:01,320 --> 00:24:03,359 Speaker 1: So somebody was somebody was like, I feel awful that 498 00:24:03,400 --> 00:24:05,040 Speaker 1: they made him get on a plane. Bill did not 499 00:24:05,119 --> 00:24:07,000 Speaker 1: have to get on a plane. Bill was Bill was 500 00:24:07,040 --> 00:24:09,280 Speaker 1: a car right away. Its fifteen minutes from there. He 501 00:24:09,320 --> 00:24:11,440 Speaker 1: lived fifteen minutes. He didn't have to show up until 502 00:24:11,520 --> 00:24:14,439 Speaker 1: dress rehearsal. He never had a moment of rehearsal. He 503 00:24:14,520 --> 00:24:18,720 Speaker 1: showed up for dress rehearsal and they Yeah, they didn't 504 00:24:18,720 --> 00:24:19,719 Speaker 1: even have to drive themselves. 505 00:24:19,800 --> 00:24:20,560 Speaker 3: We had a car. 506 00:24:20,920 --> 00:24:23,760 Speaker 1: He Yeah, and his son Michael was there and took 507 00:24:23,800 --> 00:24:25,480 Speaker 1: such great care of him, and yeah. 508 00:24:25,320 --> 00:24:26,840 Speaker 2: And I was sitting with Bonnie, who was loving it. 509 00:24:26,840 --> 00:24:29,359 Speaker 3: It was Yeah, there were so many there. 510 00:24:29,400 --> 00:24:32,280 Speaker 1: The problem is that, you know, we are used to 511 00:24:32,480 --> 00:24:36,320 Speaker 1: really being able to see the cameras when we're in 512 00:24:36,359 --> 00:24:37,000 Speaker 1: a multiicam. 513 00:24:37,080 --> 00:24:38,600 Speaker 3: We're like, yeah, they're all right there. 514 00:24:38,920 --> 00:24:42,320 Speaker 1: This is obviously much more like a single cam, except 515 00:24:42,320 --> 00:24:46,359 Speaker 1: there are just eight single cameras. Everything's a little farther away, 516 00:24:46,440 --> 00:24:48,760 Speaker 1: especially where he was in the garage, and so other 517 00:24:48,840 --> 00:24:51,160 Speaker 1: than the music playing, I don't think he ever knew 518 00:24:51,160 --> 00:24:53,439 Speaker 1: when he was on camera or really you know, what 519 00:24:53,520 --> 00:24:55,440 Speaker 1: he was supposed to be doing when he was just 520 00:24:55,520 --> 00:24:56,560 Speaker 1: kind of sitting there. 521 00:24:58,080 --> 00:24:59,120 Speaker 3: But yeah, it was. 522 00:24:59,560 --> 00:25:01,320 Speaker 2: Not a huge fan. When they build a set on 523 00:25:01,359 --> 00:25:02,440 Speaker 2: the other side. 524 00:25:02,440 --> 00:25:02,919 Speaker 3: The garage. 525 00:25:02,960 --> 00:25:04,760 Speaker 1: I know, it's called the garage, and it's hard to 526 00:25:04,880 --> 00:25:08,520 Speaker 1: it's hard to see, and it gives it gives. It 527 00:25:08,560 --> 00:25:11,800 Speaker 1: looks great on TV, but when you're there, it makes 528 00:25:11,800 --> 00:25:12,760 Speaker 1: you feel disconnected. 529 00:25:13,000 --> 00:25:13,640 Speaker 3: Yeah. 530 00:25:13,800 --> 00:25:16,639 Speaker 1: This one's from Jeffrey from Louisiana. Question for Danielle. Has 531 00:25:16,720 --> 00:25:19,120 Speaker 1: Dancing with the Stars consumed your whole life as far 532 00:25:19,119 --> 00:25:21,800 Speaker 1: as scheduling and time commitment and did you expect this? 533 00:25:22,720 --> 00:25:26,080 Speaker 1: Dancing with the Stars and podcasting is literally all I do. 534 00:25:26,359 --> 00:25:28,919 Speaker 1: I don't sleep, I barely eat. I haven't been to 535 00:25:28,920 --> 00:25:31,600 Speaker 1: the bathroom in three weeks. And I have not seen 536 00:25:31,640 --> 00:25:35,320 Speaker 1: my that's true. I haven't seen my children. I barely 537 00:25:35,320 --> 00:25:37,639 Speaker 1: get to see my husband. I have no more friends, 538 00:25:37,840 --> 00:25:43,199 Speaker 1: and I just live in a microphone and then on 539 00:25:43,240 --> 00:25:50,679 Speaker 1: a microphone. I miked all day long. Yeah, that's exactly. 540 00:25:51,600 --> 00:25:52,320 Speaker 1: That's just for fun. 541 00:25:52,400 --> 00:25:54,399 Speaker 2: Yeah, that's just a boom mic. He's just following you run. 542 00:25:56,160 --> 00:25:57,040 Speaker 3: No, exactly, it's. 543 00:25:58,840 --> 00:26:01,960 Speaker 4: No, you're just all you feel like you're always on. 544 00:26:02,040 --> 00:26:02,679 Speaker 3: I'm always on. 545 00:26:02,880 --> 00:26:06,359 Speaker 1: I'm always on, and you know the did you expect this? 546 00:26:07,280 --> 00:26:09,080 Speaker 1: I knew it was going to be a crazy schedule, 547 00:26:09,119 --> 00:26:11,919 Speaker 1: I really did, But no, I did not expect this. 548 00:26:12,040 --> 00:26:14,720 Speaker 1: Mostly because what I had heard in all the other 549 00:26:14,840 --> 00:26:17,359 Speaker 1: years they asked me. I would always say, well, no, 550 00:26:17,560 --> 00:26:19,679 Speaker 1: you know, I'm I'm I'm doing this like there was 551 00:26:19,680 --> 00:26:22,399 Speaker 1: some sort of work. And they always said, we work 552 00:26:22,480 --> 00:26:26,800 Speaker 1: around your work schedule. You can do anything you want 553 00:26:27,240 --> 00:26:29,679 Speaker 1: and we will come to you. Oh, you're you're going 554 00:26:29,760 --> 00:26:33,080 Speaker 1: to be directing an episode, No problem, you're working in Glendale. 555 00:26:33,160 --> 00:26:35,320 Speaker 1: We'll get you a studio in Glendale. So in my 556 00:26:35,440 --> 00:26:37,000 Speaker 1: mind it was like great, I would do a normal 557 00:26:37,040 --> 00:26:38,240 Speaker 1: work day, pop over there. 558 00:26:38,080 --> 00:26:38,920 Speaker 3: For an hour or two. 559 00:26:39,480 --> 00:26:40,800 Speaker 2: You have to dance for twenty minutes and. 560 00:26:41,760 --> 00:26:46,359 Speaker 3: Then and then go home. What no, I like? 561 00:26:46,480 --> 00:26:50,679 Speaker 1: Today we are shooting a cold open for an episode 562 00:26:50,680 --> 00:26:54,800 Speaker 1: that's coming up, and they have a very specific esthetic 563 00:26:55,000 --> 00:26:57,760 Speaker 1: and they sent us a board of like, so, bring 564 00:26:57,800 --> 00:26:59,680 Speaker 1: your own wardrobe and it needs to fit into this. 565 00:27:00,040 --> 00:27:02,359 Speaker 1: It needs to fit into a murder mystery theme. You 566 00:27:02,400 --> 00:27:04,800 Speaker 1: need to be hair and makeup ready on you not 567 00:27:05,000 --> 00:27:08,760 Speaker 1: we do not provide glam, So a pick wardrobe for 568 00:27:08,880 --> 00:27:13,679 Speaker 1: a nineteen thirty's old Hollywood look. Come, hair and makeup ready. 569 00:27:13,760 --> 00:27:16,200 Speaker 1: We will shoot something with you for five to ten minutes. 570 00:27:16,240 --> 00:27:18,080 Speaker 1: Then you have your master interview, which is the part 571 00:27:18,119 --> 00:27:19,879 Speaker 1: where I'm talking directly to camera that you see in 572 00:27:19,920 --> 00:27:22,760 Speaker 1: our packages. We do an hour of that every week. 573 00:27:22,840 --> 00:27:24,959 Speaker 1: We do a master interview there for a week. Then 574 00:27:25,040 --> 00:27:28,760 Speaker 1: I have four hours of dance rehearsal. And this week 575 00:27:28,800 --> 00:27:31,320 Speaker 1: we have to learn three dances because we're doing something 576 00:27:31,359 --> 00:27:34,240 Speaker 1: called a monster thon, where the floor is going to 577 00:27:34,280 --> 00:27:36,560 Speaker 1: be divided up into a grid like a tictac toe grid, 578 00:27:36,600 --> 00:27:38,199 Speaker 1: and all nine of us have a square we have 579 00:27:38,240 --> 00:27:40,480 Speaker 1: to dance in. The judges are going to walk around 580 00:27:40,480 --> 00:27:43,320 Speaker 1: and tap us out as we dance the Hustle, a 581 00:27:43,400 --> 00:27:45,879 Speaker 1: dance none of us have danced before. We dance the 582 00:27:45,960 --> 00:27:48,840 Speaker 1: Hustle for two minutes and as as they see us, 583 00:27:48,840 --> 00:27:50,239 Speaker 1: if they catch us in a moment where we're doing 584 00:27:50,280 --> 00:27:51,880 Speaker 1: something they don't like, or we screw up a move, 585 00:27:51,920 --> 00:27:52,640 Speaker 1: they tap us out. 586 00:27:52,720 --> 00:27:53,560 Speaker 3: You get eliminated. 587 00:27:54,280 --> 00:27:56,960 Speaker 1: And then if you stick around until the end after 588 00:27:57,000 --> 00:27:59,840 Speaker 1: two minutes, we go switch over to Lindy Hop, which 589 00:27:59,880 --> 00:28:02,720 Speaker 1: is the big jumpy part of a quick step. We 590 00:28:02,800 --> 00:28:04,320 Speaker 1: have to do that for two minutes and if you 591 00:28:04,400 --> 00:28:06,520 Speaker 1: last the longest you get five extra points. 592 00:28:06,240 --> 00:28:07,119 Speaker 3: Added to your score. 593 00:28:07,600 --> 00:28:10,480 Speaker 1: So this week I have to learn It's squid game, 594 00:28:10,720 --> 00:28:12,240 Speaker 1: the Viennese waltz. 595 00:28:13,520 --> 00:28:14,760 Speaker 4: Dancing with the Squid Games. 596 00:28:15,040 --> 00:28:15,520 Speaker 2: Quid Game. 597 00:28:16,040 --> 00:28:18,040 Speaker 3: Oh my god, So I have three dances to learn 598 00:28:18,080 --> 00:28:18,480 Speaker 3: this week. 599 00:28:18,760 --> 00:28:20,760 Speaker 1: When normally I would have a one and a half 600 00:28:20,840 --> 00:28:24,200 Speaker 1: minute dance to learn, I have to learn two more 601 00:28:24,280 --> 00:28:25,600 Speaker 1: dances that I have to be able to do for 602 00:28:25,640 --> 00:28:28,280 Speaker 1: two minutes each each and then a minute and a 603 00:28:28,280 --> 00:28:31,480 Speaker 1: half long dance. And so at this point in the 604 00:28:31,520 --> 00:28:35,160 Speaker 1: competition even your regular four hour long rehearsal. 605 00:28:34,960 --> 00:28:35,760 Speaker 3: Isn't really enough. 606 00:28:36,119 --> 00:28:40,440 Speaker 1: So now you have to rehearse outside of your allotted 607 00:28:40,480 --> 00:28:42,360 Speaker 1: window on your own time. 608 00:28:43,960 --> 00:28:46,880 Speaker 3: And then like we tape the show on Tuesday nights. 609 00:28:47,080 --> 00:28:50,080 Speaker 1: Then after that I have thirty minutes where I spend 610 00:28:50,280 --> 00:28:54,120 Speaker 1: just some time with my people, Pasha Jensen, Danny Dylan, 611 00:28:54,280 --> 00:28:56,600 Speaker 1: Dylan's girlfriend. We sit in the trailer, We eat food, 612 00:28:56,640 --> 00:28:59,400 Speaker 1: we recap, We have like a little you know, post mortem, 613 00:28:59,480 --> 00:29:00,600 Speaker 1: like how do you think, how'd you feel? 614 00:29:00,640 --> 00:29:02,080 Speaker 3: What you love the scores and this? And what do 615 00:29:02,080 --> 00:29:03,320 Speaker 3: you think of that person that this? 616 00:29:03,360 --> 00:29:03,640 Speaker 6: And that? 617 00:29:03,680 --> 00:29:05,600 Speaker 1: We sit and we you know, do that for a 618 00:29:05,600 --> 00:29:08,520 Speaker 1: little bit. Then I record Danielle with the Stars in 619 00:29:08,560 --> 00:29:11,480 Speaker 1: my trailer. Then I get home and I'm still like 620 00:29:11,520 --> 00:29:13,800 Speaker 1: on an adrenalin rash, you know what that's like. After 621 00:29:13,840 --> 00:29:15,840 Speaker 1: a pod meets World live show where you're just like wired. 622 00:29:15,880 --> 00:29:18,080 Speaker 1: I go to bed at one, I get up at five, 623 00:29:18,440 --> 00:29:20,920 Speaker 1: I get the kids ready for school, and then I'm 624 00:29:20,960 --> 00:29:25,520 Speaker 1: on this podcast from nine to noon, and then I 625 00:29:25,560 --> 00:29:28,280 Speaker 1: go to rehearsal and learn a whole brand new dance 626 00:29:28,800 --> 00:29:31,880 Speaker 1: and I rinse and repeat every week. It's been forty 627 00:29:31,880 --> 00:29:33,520 Speaker 1: four days since my last day off. 628 00:29:34,800 --> 00:29:35,640 Speaker 4: Oh my god. 629 00:29:35,760 --> 00:29:38,120 Speaker 2: Yeah, so no, there's nothing that would make me do that. 630 00:29:38,400 --> 00:29:39,800 Speaker 2: It's naptime in like an hour. 631 00:29:41,120 --> 00:29:45,920 Speaker 1: So oh so, I guess I to answer your question, 632 00:29:46,120 --> 00:29:47,440 Speaker 1: I did not expect that. 633 00:29:47,680 --> 00:29:49,400 Speaker 2: Well, how could you? And it's also got to be 634 00:29:49,400 --> 00:29:51,760 Speaker 2: one of those things where it sounds so stupid, but 635 00:29:52,960 --> 00:29:57,120 Speaker 2: it's it's a good thing if you're this busy, because 636 00:29:57,160 --> 00:29:59,800 Speaker 2: it means you're I'm still there going farther on the show. 637 00:30:00,000 --> 00:30:02,840 Speaker 2: So this is this is the getting is what you wanted. 638 00:30:02,920 --> 00:30:06,120 Speaker 5: This is just imagine how you're gonna feel when like 639 00:30:06,360 --> 00:30:07,200 Speaker 5: you have a day off. 640 00:30:07,240 --> 00:30:10,760 Speaker 4: You're going to be like so anxious and weirded out. 641 00:30:12,440 --> 00:30:14,240 Speaker 1: When Will said I have to go take a vacation 642 00:30:14,280 --> 00:30:16,080 Speaker 1: after this, I'm like, I'm gonna have to go away for. 643 00:30:16,040 --> 00:30:18,440 Speaker 2: A long time because you need to sit on the beach. 644 00:30:18,440 --> 00:30:20,480 Speaker 1: Because I'm gonna it's gonna take me days to go 645 00:30:20,680 --> 00:30:22,800 Speaker 1: to go into some normal sort of like what do 646 00:30:22,800 --> 00:30:23,520 Speaker 1: you mean I'm done? 647 00:30:23,640 --> 00:30:24,880 Speaker 3: What do you mean I'm done working? 648 00:30:25,200 --> 00:30:27,000 Speaker 2: Yeah? Normal rhythm again. 649 00:30:27,240 --> 00:30:29,040 Speaker 4: Here's my question. Do you think you're going to dance 650 00:30:29,080 --> 00:30:31,040 Speaker 4: after this for the rest of my life? Next week? 651 00:30:31,040 --> 00:30:31,560 Speaker 2: Are you really? 652 00:30:31,800 --> 00:30:33,479 Speaker 4: I was wondering if it's just going to be never 653 00:30:33,480 --> 00:30:36,520 Speaker 4: stopped like workout. It is because I can totally see 654 00:30:36,600 --> 00:30:37,800 Speaker 4: that you've just like clicked something. 655 00:30:37,840 --> 00:30:39,320 Speaker 2: You really like it, and I love it. 656 00:30:39,400 --> 00:30:41,160 Speaker 1: I love it so much. I want to I want 657 00:30:41,160 --> 00:30:44,080 Speaker 1: to start taking ballroom lessons. I want to find a partner. 658 00:30:44,200 --> 00:30:48,400 Speaker 1: I want to practice. Yeah, it's great exercise. It's Sarah 659 00:30:48,520 --> 00:30:53,440 Speaker 1: the sarahtonin boost the like just it is so it 660 00:30:53,560 --> 00:30:56,640 Speaker 1: is so great. I couldn't possibly say enough good things 661 00:30:56,640 --> 00:30:57,080 Speaker 1: about it. 662 00:30:57,120 --> 00:30:57,640 Speaker 2: So love it. 663 00:30:57,680 --> 00:30:59,080 Speaker 4: And you're going to go on tour with the show. 664 00:30:59,120 --> 00:30:59,960 Speaker 3: And I'm going to go on tour. 665 00:31:00,040 --> 00:31:01,880 Speaker 2: Yeah, you're going to You. 666 00:31:01,880 --> 00:31:03,880 Speaker 3: Guys want to see me at Radio City Musical. 667 00:31:03,840 --> 00:31:05,760 Speaker 2: Yes, of course we're going to go to Radio City 668 00:31:05,840 --> 00:31:07,240 Speaker 2: Music Hall. Are you kidding? 669 00:31:07,320 --> 00:31:07,520 Speaker 7: Yes? 670 00:31:08,160 --> 00:31:09,800 Speaker 2: We also need to do some videos where you're teaching 671 00:31:09,800 --> 00:31:13,200 Speaker 2: writer and know how to dance. I know, well, if 672 00:31:13,200 --> 00:31:15,720 Speaker 2: it's Danielle teaching us, I mean it's not like with 673 00:31:15,880 --> 00:31:17,400 Speaker 2: some professional it's Danielle till. 674 00:31:17,320 --> 00:31:18,760 Speaker 4: We do it audio only. If it's not like. 675 00:31:20,280 --> 00:31:22,320 Speaker 2: I just want you to teach me how to do 676 00:31:22,400 --> 00:31:23,160 Speaker 2: some stuff I. 677 00:31:23,080 --> 00:31:25,200 Speaker 1: Want you to try, I'll teach you some of my dances. 678 00:31:25,240 --> 00:31:26,560 Speaker 1: I mean, I only know my dances. 679 00:31:26,920 --> 00:31:30,440 Speaker 6: But this idea is so hot people would love it, 680 00:31:30,480 --> 00:31:32,480 Speaker 6: even audio. 681 00:31:47,320 --> 00:31:47,640 Speaker 4: All right. 682 00:31:47,680 --> 00:31:50,120 Speaker 1: A question from Aaron from Boston, which t G I 683 00:31:50,160 --> 00:31:53,240 Speaker 1: F character would take home a mirror ball? Not the actor, 684 00:31:53,280 --> 00:31:57,080 Speaker 1: but the specific character and Sabrina can't use. 685 00:31:56,960 --> 00:32:00,160 Speaker 3: Her magic to win. Those are the caveats due. 686 00:32:00,080 --> 00:32:03,720 Speaker 4: Mister Feenie, do you give me his touch stuff dance? 687 00:32:04,000 --> 00:32:07,280 Speaker 4: He killed it, he did. It's become a meme he did, 688 00:32:07,280 --> 00:32:08,040 Speaker 4: and it's like and. 689 00:32:08,080 --> 00:32:10,840 Speaker 5: Everybody would, I mean, think about him doing ballroom like 690 00:32:11,480 --> 00:32:15,840 Speaker 5: mister Feenie back then. Obviously, So if we're taking sixty 691 00:32:15,840 --> 00:32:19,640 Speaker 5: five years dancer, yeah, he would be amazing and everybody 692 00:32:19,640 --> 00:32:20,760 Speaker 5: would be cheering for him. 693 00:32:21,000 --> 00:32:23,120 Speaker 4: He would have the popular vote and yeah it would 694 00:32:23,160 --> 00:32:23,480 Speaker 4: be the best. 695 00:32:23,600 --> 00:32:25,920 Speaker 2: Yeah, there's no there's no better answer. And that's one 696 00:32:25,960 --> 00:32:26,640 Speaker 2: hundred percent right. 697 00:32:26,960 --> 00:32:29,480 Speaker 1: I'm going to I'm gonna say, Matt Lawrence. I think 698 00:32:29,520 --> 00:32:33,040 Speaker 1: that the between Matt Lawrence and Bill Daniels. 699 00:32:32,840 --> 00:32:36,560 Speaker 2: Yeah, they would get two different votes, you know what 700 00:32:36,600 --> 00:32:38,680 Speaker 2: I mean, Like, yeah, Matt would get like the Dylan 701 00:32:38,800 --> 00:32:41,440 Speaker 2: vote and Feenie would get like the raw. 702 00:32:41,680 --> 00:32:41,880 Speaker 6: Yeah. 703 00:32:42,000 --> 00:32:44,800 Speaker 2: Oh god, that's tough. That's tough. 704 00:32:45,480 --> 00:32:48,720 Speaker 1: And then we have Gabriel from Petaluma, California. Danielle, is 705 00:32:48,760 --> 00:32:50,480 Speaker 1: there an individual on the show that you have become 706 00:32:50,520 --> 00:32:52,800 Speaker 1: friends with that you planned on spending time with when 707 00:32:52,840 --> 00:32:57,719 Speaker 1: the show raps? Dylan is stuck with me absolutely. Dylan 708 00:32:57,760 --> 00:33:00,080 Speaker 1: and I have actually talked about the fact that if 709 00:33:00,080 --> 00:33:03,160 Speaker 1: we do go on tour, we're going to sink our 710 00:33:03,240 --> 00:33:06,840 Speaker 1: days so that we go on tour together, just to 711 00:33:06,880 --> 00:33:09,280 Speaker 1: make sure that we, you know, have If you have 712 00:33:09,360 --> 00:33:11,040 Speaker 1: a buddy replace. 713 00:33:10,680 --> 00:33:15,040 Speaker 2: Me as your travel buddy, I will be so pissed 714 00:33:15,040 --> 00:33:18,240 Speaker 2: at you, Daniell. I have so little in life and 715 00:33:18,360 --> 00:33:19,880 Speaker 2: you as my travel buddy is what. 716 00:33:19,960 --> 00:33:20,880 Speaker 3: Let me tell you something. 717 00:33:21,800 --> 00:33:24,760 Speaker 1: I suspect that no one could ever replace you as 718 00:33:24,760 --> 00:33:27,760 Speaker 1: my travel buddy because Dylan is more like writer in 719 00:33:27,840 --> 00:33:28,560 Speaker 1: how he travels. 720 00:33:28,640 --> 00:33:30,360 Speaker 2: Oh okay, good, all right, then I'm fine and. 721 00:33:30,360 --> 00:33:33,000 Speaker 3: I will never not be bougie. 722 00:33:33,560 --> 00:33:37,320 Speaker 2: Okay, Okay, good, you're not going to be splitting a 723 00:33:37,400 --> 00:33:38,000 Speaker 2: Chinese chicken. 724 00:33:40,360 --> 00:33:40,560 Speaker 6: Yan. 725 00:33:42,120 --> 00:33:45,640 Speaker 2: I mean, I know Dylan and I we look so similar. 726 00:33:45,560 --> 00:33:46,480 Speaker 3: Especially your bodies. 727 00:33:46,520 --> 00:33:49,760 Speaker 2: The bodies, it's like it's I get it's like looking 728 00:33:49,800 --> 00:33:51,960 Speaker 2: in a mirror. But you can't replace me for that. 729 00:33:52,200 --> 00:33:56,160 Speaker 3: Also, will eating with Dylan not nearly as fun? 730 00:33:56,240 --> 00:33:59,720 Speaker 2: No, he's no. 731 00:33:59,600 --> 00:34:00,680 Speaker 3: He's not. And he tried. 732 00:34:00,760 --> 00:34:03,400 Speaker 1: Last week was his week to buy and he got 733 00:34:03,480 --> 00:34:07,240 Speaker 1: us all burgers and French fries and pastas. 734 00:34:07,480 --> 00:34:09,400 Speaker 3: And I see him trying. 735 00:34:09,760 --> 00:34:12,359 Speaker 2: Oh god, oh no, it's not the same. 736 00:34:12,600 --> 00:34:14,279 Speaker 3: No, it's not the same. It's not the same. 737 00:34:15,040 --> 00:34:21,600 Speaker 1: Kettlebell buddy, He's just in such good shape it Yeah. 738 00:34:21,640 --> 00:34:24,840 Speaker 1: From Jared, does Pasha already have the entire series planned 739 00:34:24,880 --> 00:34:27,440 Speaker 1: out and choreographed? Or does he and the other pros 740 00:34:27,600 --> 00:34:29,880 Speaker 1: learn the song and style and have to choreograph it 741 00:34:29,920 --> 00:34:32,400 Speaker 1: all in a week's time? So we have, as I 742 00:34:32,480 --> 00:34:35,640 Speaker 1: mentioned with the songs, we have the rough outline of things. 743 00:34:35,719 --> 00:34:39,200 Speaker 1: Once we know things are approved, it's usually about we're 744 00:34:39,239 --> 00:34:42,440 Speaker 1: running about a week ahead. So right now he is 745 00:34:42,520 --> 00:34:46,279 Speaker 1: teaching me the Viennese waltz, but next week is Rock 746 00:34:46,280 --> 00:34:47,359 Speaker 1: and Roll Hall of Fame week. 747 00:34:47,480 --> 00:34:50,360 Speaker 3: He does not have the official song. 748 00:34:50,440 --> 00:34:54,799 Speaker 1: Yet, but he has already started choreographing some of some 749 00:34:54,880 --> 00:34:57,359 Speaker 1: of hists, so he has to teach me this current 750 00:34:57,400 --> 00:35:00,359 Speaker 1: week stance while choreographing the next week's dance. 751 00:35:00,840 --> 00:35:03,359 Speaker 2: Dude, does he please tell me that he and his 752 00:35:03,400 --> 00:35:07,239 Speaker 2: wife help each other where they like. She plays your 753 00:35:07,400 --> 00:35:09,520 Speaker 2: role and he plays Dylan's role. 754 00:35:09,600 --> 00:35:13,279 Speaker 1: To work out all the dances, they do everybody, all 755 00:35:13,360 --> 00:35:17,000 Speaker 1: of the pros's. They call it working with a body, 756 00:35:17,160 --> 00:35:20,440 Speaker 1: having a body, which sounds, truthfully, almost as offensive as 757 00:35:20,440 --> 00:35:23,440 Speaker 1: calling a model a hangar. But it is that you 758 00:35:23,640 --> 00:35:27,560 Speaker 1: need another person to be the body in the dance, 759 00:35:27,680 --> 00:35:32,000 Speaker 1: and so obviously Danny and Pasha can be that for 760 00:35:32,120 --> 00:35:37,719 Speaker 1: each other, except if he needs Danny to help him choreograph. 761 00:35:37,800 --> 00:35:39,960 Speaker 1: Let's say it takes him two hours to choreograph a 762 00:35:40,040 --> 00:35:44,160 Speaker 1: dance and then Danny needs his help. That's four hours 763 00:35:44,320 --> 00:35:46,680 Speaker 1: of their time that they need to help each other, 764 00:35:47,080 --> 00:35:49,640 Speaker 1: versus if they both go get different bodies, they can 765 00:35:49,680 --> 00:35:50,760 Speaker 1: both be done in two hours. 766 00:35:51,280 --> 00:35:51,480 Speaker 6: Rue. 767 00:35:51,719 --> 00:35:55,839 Speaker 1: So sometimes though it really works out, like this week, 768 00:35:55,880 --> 00:35:59,000 Speaker 1: for example, Dylan is also doing a Viennese waltz. 769 00:35:59,120 --> 00:35:59,959 Speaker 2: Oh that's so. 770 00:36:00,200 --> 00:36:05,120 Speaker 1: For that he can learn, Pasha can learn Dylan's moves 771 00:36:05,239 --> 00:36:07,680 Speaker 1: and work with Danny throughout. So if Danny wants to 772 00:36:07,719 --> 00:36:09,279 Speaker 1: be like, let me try this with you, let me 773 00:36:09,280 --> 00:36:11,480 Speaker 1: try that with you. If Pasha knows Dylan steps, they 774 00:36:11,480 --> 00:36:13,480 Speaker 1: can do that, and then vice versa. If Danny knows 775 00:36:13,480 --> 00:36:16,000 Speaker 1: my steps, they can work together. So in some cases 776 00:36:16,000 --> 00:36:18,680 Speaker 1: it works out, but ultimately and then of course every 777 00:36:18,680 --> 00:36:21,839 Speaker 1: single night they're showing each other tape and looking at 778 00:36:21,840 --> 00:36:24,680 Speaker 1: things and getting examples. I mean, for last week with 779 00:36:24,719 --> 00:36:29,200 Speaker 1: all those lifts, Danny came in and would do some 780 00:36:29,239 --> 00:36:31,680 Speaker 1: of the lifts with Pasha because he's like, I even 781 00:36:31,719 --> 00:36:33,480 Speaker 1: for me to teach you, I don't know what the 782 00:36:33,520 --> 00:36:35,600 Speaker 1: girl is doing up there. All I know is what 783 00:36:35,640 --> 00:36:38,440 Speaker 1: I'm supposed to do to help you get up. 784 00:36:38,400 --> 00:36:38,919 Speaker 3: Into the air. 785 00:36:39,280 --> 00:36:41,640 Speaker 1: And now I don't know what she's thinking when she 786 00:36:41,680 --> 00:36:44,239 Speaker 1: scissor kicks and she does, you know, and how like 787 00:36:44,280 --> 00:36:45,600 Speaker 1: I don't know. He's like, I don't know how to 788 00:36:45,600 --> 00:36:47,440 Speaker 1: tell you what to do. And then she came in 789 00:36:47,480 --> 00:36:49,160 Speaker 1: and she was like, I've never had to teach a girl, 790 00:36:49,360 --> 00:36:52,600 Speaker 1: so I also don't really necessarily know what to say 791 00:36:52,640 --> 00:36:54,400 Speaker 1: what I'm thinking. So then she's like, let me try it, 792 00:36:54,440 --> 00:36:56,160 Speaker 1: and she's like okay, and she doesn't. She goes all right, 793 00:36:56,200 --> 00:36:58,840 Speaker 1: So I'm actually thinking whack, Like I'm thinking, you know, 794 00:36:58,880 --> 00:37:01,520 Speaker 1: I gotta I gotta do this. I gotta lift my 795 00:37:01,560 --> 00:37:03,640 Speaker 1: head and kick my leg at that time. And then 796 00:37:03,680 --> 00:37:05,319 Speaker 1: it was just a bunch of trial and error and 797 00:37:05,360 --> 00:37:08,000 Speaker 1: like me being a sack of potatoes and him tossing 798 00:37:08,040 --> 00:37:10,680 Speaker 1: me around and then figuring out like, oh, I really 799 00:37:10,680 --> 00:37:12,680 Speaker 1: need to hold myself firm, which is why my peg 800 00:37:12,760 --> 00:37:15,200 Speaker 1: muscle hurt, because like you know that lean I did 801 00:37:15,320 --> 00:37:18,200 Speaker 1: where we lean like all the it's like one of 802 00:37:18,200 --> 00:37:21,040 Speaker 1: my favorite moves ever. And I was only holding onto 803 00:37:21,120 --> 00:37:23,240 Speaker 1: this part of his shoulder, so like my entire body 804 00:37:23,239 --> 00:37:25,839 Speaker 1: weight is just like that. And then I can't put 805 00:37:25,880 --> 00:37:28,399 Speaker 1: any weight on that right toe as it drags around 806 00:37:28,400 --> 00:37:31,520 Speaker 1: because otherwise it'll get stuck. So it's literally one leg 807 00:37:31,680 --> 00:37:34,239 Speaker 1: and me holding on and him obviously supporting me and 808 00:37:34,280 --> 00:37:36,240 Speaker 1: the lean but then just so that I can lightly 809 00:37:36,719 --> 00:37:37,600 Speaker 1: drag my foot around. 810 00:37:37,560 --> 00:37:40,839 Speaker 2: He's just and herd. They're both just crazy strong, aren't they. 811 00:37:41,120 --> 00:37:44,120 Speaker 3: Oh my gosh, yeah, like crazy strong, so strong, yeah, 812 00:37:44,120 --> 00:37:46,399 Speaker 3: and and and you know so much. It's also not 813 00:37:46,480 --> 00:37:48,120 Speaker 3: just like muscling into it. 814 00:37:48,120 --> 00:37:50,560 Speaker 1: It really is like, no, I have to be in 815 00:37:50,600 --> 00:37:53,200 Speaker 1: a deep squad and I you know, you don't lift 816 00:37:53,200 --> 00:37:54,680 Speaker 1: with your back. You lift with your knees and you 817 00:37:54,760 --> 00:37:57,920 Speaker 1: use your quads, and there's a there's a real science 818 00:37:58,040 --> 00:37:59,080 Speaker 1: to it, but it's. 819 00:37:58,920 --> 00:38:00,799 Speaker 2: Now you always lift with your back in a quick 820 00:38:00,840 --> 00:38:02,120 Speaker 2: jerking motion. Your lower backs. 821 00:38:02,200 --> 00:38:02,759 Speaker 4: Everybody knows. 822 00:38:02,800 --> 00:38:07,439 Speaker 8: Yeah, yank every lower back. 823 00:38:07,480 --> 00:38:08,520 Speaker 2: Everybody lower back. 824 00:38:09,320 --> 00:38:12,080 Speaker 1: We have from Savannah from Huntsville, Alabama, Will and Ryder. 825 00:38:12,160 --> 00:38:14,400 Speaker 1: Since this is your first season watching Dancing with the Stars, 826 00:38:14,400 --> 00:38:17,799 Speaker 1: what's been the most unexpectedly emotional or addictive part for 827 00:38:17,840 --> 00:38:18,800 Speaker 1: you when watching? 828 00:38:19,960 --> 00:38:22,319 Speaker 4: Yeah, I just love the actual I mean, especially the 829 00:38:22,320 --> 00:38:26,320 Speaker 4: contemporary dances, like when on Dedication. I just love the expressiveness. 830 00:38:26,440 --> 00:38:28,319 Speaker 4: And it just made me realize. 831 00:38:27,960 --> 00:38:31,799 Speaker 5: That I really do enjoy watching dancing, and I just 832 00:38:31,880 --> 00:38:33,400 Speaker 5: never quite realized. 833 00:38:33,440 --> 00:38:34,560 Speaker 4: I mean, I just never thought about it. 834 00:38:34,560 --> 00:38:36,520 Speaker 5: It's like I go to musicals, I go to theater, 835 00:38:37,280 --> 00:38:39,360 Speaker 5: I go to concerts, but I don't go to dance shows. 836 00:38:39,400 --> 00:38:41,160 Speaker 5: And now I'm like, no, I should start going to 837 00:38:41,200 --> 00:38:43,600 Speaker 5: dance shows like ballets, anything where. 838 00:38:43,480 --> 00:38:46,280 Speaker 4: People are doing, you know, telling story through dance. 839 00:38:46,360 --> 00:38:49,319 Speaker 5: I get very connected to it, and so all the 840 00:38:49,440 --> 00:38:52,480 Speaker 5: I mean, obviously I appreciate the ballroom dancing and the 841 00:38:52,520 --> 00:38:57,759 Speaker 5: technical physicality of that, but the expressive emotional storytelling part 842 00:38:57,840 --> 00:38:59,239 Speaker 5: I really love. 843 00:38:59,280 --> 00:39:02,319 Speaker 4: Like Whitney and Arks dance with her husband. 844 00:39:02,239 --> 00:39:07,080 Speaker 8: Oh yeah, the storytelling was just so beautiful and I 845 00:39:07,160 --> 00:39:10,000 Speaker 8: was like, the way that this is actually living out 846 00:39:10,320 --> 00:39:13,280 Speaker 8: the thing that they're trying to tell, you know, through dance. 847 00:39:13,280 --> 00:39:15,279 Speaker 4: I was like, there's that's the coolest way to tell 848 00:39:15,320 --> 00:39:17,359 Speaker 4: this story. And yeah, there's been a few of those 849 00:39:17,440 --> 00:39:18,239 Speaker 4: I just really love. 850 00:39:19,520 --> 00:39:21,920 Speaker 2: Obviously, the most emotional thing for me is watching you. 851 00:39:22,320 --> 00:39:24,160 Speaker 2: I mean just just because I'm well, just because I 852 00:39:24,200 --> 00:39:25,840 Speaker 2: know you and I know you've been through over the 853 00:39:25,920 --> 00:39:28,800 Speaker 2: last year, year and a half and I know how 854 00:39:28,840 --> 00:39:31,040 Speaker 2: difficult the decision it was to even do the show 855 00:39:31,040 --> 00:39:32,400 Speaker 2: in the first place, and whether or not you're going 856 00:39:32,480 --> 00:39:34,080 Speaker 2: to do it, and how busy you are. So yeah, 857 00:39:34,120 --> 00:39:35,760 Speaker 2: that's certainly the most emotional. 858 00:39:35,360 --> 00:39:38,520 Speaker 1: Thing for me is watching reading all of the comments 859 00:39:38,800 --> 00:39:43,400 Speaker 1: from when you guys do Podmeetsworld and the way people 860 00:39:43,640 --> 00:39:46,160 Speaker 1: I mean, it's gonna make me cry, the way people 861 00:39:46,840 --> 00:39:52,760 Speaker 1: love the way you guys love me. It's just so 862 00:39:52,960 --> 00:39:54,240 Speaker 1: it's just so sweet. 863 00:39:54,280 --> 00:39:59,759 Speaker 3: It's like the fact that people who who could have. 864 00:39:59,680 --> 00:40:02,920 Speaker 1: Predict did that me doing Dancing with the Stars was 865 00:40:03,000 --> 00:40:09,279 Speaker 1: going to showcase a side of our friendship, you know, 866 00:40:09,440 --> 00:40:12,920 Speaker 1: like what we that was not ever that was just like, Oh, 867 00:40:12,960 --> 00:40:15,080 Speaker 1: I'm gonna do this reality show and we're gonna try 868 00:40:15,120 --> 00:40:17,239 Speaker 1: to make it work with podcasting and figure it all out. 869 00:40:17,239 --> 00:40:18,680 Speaker 1: And then it's like what if we do a show 870 00:40:18,719 --> 00:40:21,000 Speaker 1: and it's like that's great, and now it's not just 871 00:40:21,040 --> 00:40:24,680 Speaker 1: a jokey show about two people who don't know anything. 872 00:40:24,719 --> 00:40:29,080 Speaker 1: It's become a real like testament to this love and 873 00:40:29,200 --> 00:40:31,160 Speaker 1: deep devotion we have to each other. 874 00:40:31,360 --> 00:40:35,040 Speaker 3: It's just like shocking, it's so crazy and I love 875 00:40:35,080 --> 00:40:36,120 Speaker 3: it so much. 876 00:40:37,360 --> 00:40:38,239 Speaker 2: Yeah, it's pretty great. 877 00:40:38,520 --> 00:40:41,719 Speaker 3: So here's a good question. Michelle wants to know. 878 00:40:42,000 --> 00:40:44,960 Speaker 1: Do the judges see any of the practice the dancers 879 00:40:45,000 --> 00:40:47,560 Speaker 1: do or do they only see what happens during filming. 880 00:40:47,920 --> 00:40:51,279 Speaker 1: So when we are there on Tuesdays, the day of 881 00:40:51,320 --> 00:40:54,960 Speaker 1: the show, we do two camera blockings and we're usually 882 00:40:55,000 --> 00:40:58,319 Speaker 1: just in our rehearsal clothes, and then right before the 883 00:40:58,360 --> 00:41:04,960 Speaker 1: live show we do a full dress rehearsal. They do 884 00:41:05,080 --> 00:41:09,000 Speaker 1: not make sure that the monitors in the judge's dressing 885 00:41:09,080 --> 00:41:11,920 Speaker 1: rooms or trailers are off. They could be watching our 886 00:41:11,960 --> 00:41:15,560 Speaker 1: camera blocking when we're in our rehearsal clothes. But they're 887 00:41:15,560 --> 00:41:18,239 Speaker 1: not supposed to do. It's not like there's a rule 888 00:41:18,280 --> 00:41:21,520 Speaker 1: against it, but they're not like actively watching that. However, 889 00:41:22,000 --> 00:41:25,839 Speaker 1: they do actively watch dress rehearsal, So when we are 890 00:41:26,040 --> 00:41:28,560 Speaker 1: all dressed up and we get to go out there 891 00:41:28,640 --> 00:41:31,279 Speaker 1: and do it once before the live show, they get 892 00:41:31,280 --> 00:41:36,359 Speaker 1: to watch dress rehearsal. And similarly to anyone else who 893 00:41:36,400 --> 00:41:40,200 Speaker 1: has a job on that show, you require prep in 894 00:41:40,320 --> 00:41:43,320 Speaker 1: order to do your job. Sure, the director needs wides 895 00:41:43,440 --> 00:41:46,120 Speaker 1: on Thursday afternoon so that he can start prepping his 896 00:41:46,200 --> 00:41:48,160 Speaker 1: shots and how he's going to shoot things and where things, 897 00:41:48,280 --> 00:41:50,759 Speaker 1: where the cameras are going to go. The hosts have 898 00:41:50,800 --> 00:41:53,320 Speaker 1: to read the teleprompter, they need to put together their questions. 899 00:41:53,360 --> 00:41:57,480 Speaker 1: We get camera blockings and dress rehearsals, the sets, sets 900 00:41:57,840 --> 00:42:01,040 Speaker 1: running in, the timing, the pyrotechnics. There's none of that 901 00:42:01,040 --> 00:42:03,200 Speaker 1: that happens like, well, this is the first time, let's 902 00:42:03,200 --> 00:42:05,560 Speaker 1: just see how it goes. We've had to test everything out. 903 00:42:05,600 --> 00:42:09,160 Speaker 1: It's a full blown production. Of course, the judges also 904 00:42:09,280 --> 00:42:12,480 Speaker 1: need prep, so they watch dress rehearsal so that they 905 00:42:12,520 --> 00:42:17,279 Speaker 1: have an idea of the storytelling, the dance that's being 906 00:42:17,360 --> 00:42:20,319 Speaker 1: done and how people are doing. And I believe they 907 00:42:20,400 --> 00:42:24,919 Speaker 1: get the opportunity to start formulating what some of their 908 00:42:24,960 --> 00:42:27,960 Speaker 1: thoughts are, and then of course they watch it live 909 00:42:28,239 --> 00:42:30,719 Speaker 1: and depending on how it goes live, it could have 910 00:42:30,840 --> 00:42:33,839 Speaker 1: changed the opinion they had during dress rehearsal. But there 911 00:42:34,000 --> 00:42:38,400 Speaker 1: is the ability to see dress rehearsal and the live show. 912 00:42:38,600 --> 00:42:42,560 Speaker 3: I want to ask you both one last question if 913 00:42:42,600 --> 00:42:43,200 Speaker 3: you could. 914 00:42:43,239 --> 00:42:46,840 Speaker 1: This is from Jerkual from Florida. If you could create 915 00:42:46,840 --> 00:42:50,120 Speaker 1: a theme night for Dancing with the Stars, what would 916 00:42:50,120 --> 00:42:50,360 Speaker 1: it be? 917 00:42:51,440 --> 00:42:51,800 Speaker 2: Wow? 918 00:42:52,560 --> 00:42:57,040 Speaker 4: So the theme nights are usually either like song selection based. 919 00:42:56,960 --> 00:43:00,279 Speaker 1: Yep, like rock and roll, Hall of Fame, right, like 920 00:43:00,320 --> 00:43:03,040 Speaker 1: personal narrative like anthem right, you know? 921 00:43:03,160 --> 00:43:04,160 Speaker 4: Oh you know what I would. 922 00:43:04,120 --> 00:43:10,160 Speaker 5: Okay, I have a series of songs I think. 923 00:43:10,640 --> 00:43:11,200 Speaker 2: Are gonna say I. 924 00:43:11,400 --> 00:43:14,080 Speaker 5: I always have a playlist that I call memory songs, 925 00:43:14,640 --> 00:43:17,560 Speaker 5: and so there's songs from my life that relate to 926 00:43:17,640 --> 00:43:21,319 Speaker 5: a specific memory or like a summer or whatever. And 927 00:43:21,360 --> 00:43:23,200 Speaker 5: sometimes they're not even like the best songs, but they 928 00:43:23,200 --> 00:43:25,880 Speaker 5: make me, they take me, they transport me back, and 929 00:43:25,920 --> 00:43:28,160 Speaker 5: they just capture a time. So I would love to 930 00:43:28,160 --> 00:43:31,720 Speaker 5: see everybody's memory song like it's a song from your life, 931 00:43:31,880 --> 00:43:34,080 Speaker 5: because then it would combine the personal narrative, but then 932 00:43:34,120 --> 00:43:37,000 Speaker 5: probably be a hit song from the nineties or you know, 933 00:43:37,000 --> 00:43:38,640 Speaker 5: because it's usually a song that was on the radio 934 00:43:38,680 --> 00:43:40,600 Speaker 5: when something was happening. I don't know, so I would 935 00:43:40,640 --> 00:43:42,520 Speaker 5: love to just leave that one open and be like, 936 00:43:42,719 --> 00:43:45,200 Speaker 5: it's kind of like dedication Night, but not just about 937 00:43:45,200 --> 00:43:47,319 Speaker 5: one relationship, about a memory from your life. 938 00:43:47,840 --> 00:43:48,920 Speaker 4: I would love to see that. 939 00:43:49,080 --> 00:43:56,280 Speaker 2: Right, says they used to do your Most Memorable Year night, similar. 940 00:43:56,320 --> 00:43:59,520 Speaker 1: Memory Memory Night's really good, writer, I like that. Well, 941 00:43:59,560 --> 00:44:00,879 Speaker 1: would you do Whoskerdoo Doo? 942 00:44:01,000 --> 00:44:03,040 Speaker 2: I would I would do and hoody Gourz. 943 00:44:03,120 --> 00:44:03,160 Speaker 8: No. 944 00:44:04,000 --> 00:44:06,640 Speaker 2: I'm sure they've done this, so I imagine they had 945 00:44:06,640 --> 00:44:08,440 Speaker 2: to have done Movie score Night. They had to have 946 00:44:08,480 --> 00:44:11,920 Speaker 2: done famous, famous songs from movies. I mean, that's great 947 00:44:11,960 --> 00:44:13,520 Speaker 2: that they had to have done that at some. 948 00:44:13,480 --> 00:44:15,480 Speaker 4: Point, right, because then everybody could do an olauge to 949 00:44:15,520 --> 00:44:16,520 Speaker 4: a movie they love. 950 00:44:20,840 --> 00:44:22,400 Speaker 2: Or any of these movies. So if they haven't done 951 00:44:22,440 --> 00:44:24,239 Speaker 2: that yet, I don't know why they wouldn't do a 952 00:44:24,239 --> 00:44:27,879 Speaker 2: movie score night, So that would be somebody dancing. Other 953 00:44:27,960 --> 00:44:32,120 Speaker 2: one I would do would be first Love Night. Oh, 954 00:44:32,160 --> 00:44:34,120 Speaker 2: and it's the music that you were listening to the 955 00:44:34,120 --> 00:44:35,200 Speaker 2: first time you fell in love. 956 00:44:35,600 --> 00:44:36,600 Speaker 3: Oh, that's a good one. 957 00:44:36,640 --> 00:44:38,359 Speaker 2: That would I would do that as well. 958 00:44:39,040 --> 00:44:41,520 Speaker 3: I love that you guys both had really good ones. 959 00:44:41,600 --> 00:44:44,240 Speaker 2: Thanks. Hey, are any of the dancers and their partners 960 00:44:44,239 --> 00:44:44,719 Speaker 2: hooking up? 961 00:44:45,480 --> 00:44:50,280 Speaker 1: No, damn it, gosh, No, there are no showmances between 962 00:44:50,400 --> 00:44:51,719 Speaker 1: prose and partners. 963 00:44:52,400 --> 00:44:54,160 Speaker 2: But a lot of the pros are dating each other 964 00:44:54,280 --> 00:44:56,040 Speaker 2: or with each other to each other. 965 00:44:56,920 --> 00:45:00,160 Speaker 1: So Alan and Emma are together, Jenna and Va all 966 00:45:00,200 --> 00:45:03,800 Speaker 1: are together, Danny and Pasha are married. 967 00:45:04,360 --> 00:45:06,800 Speaker 4: Did they all meet on the show or did they come. 968 00:45:06,920 --> 00:45:10,360 Speaker 1: No, Danny and Pasha have been together. They've been married 969 00:45:10,400 --> 00:45:12,640 Speaker 1: for eleven years. Wow, and they've only been on the 970 00:45:12,760 --> 00:45:14,520 Speaker 1: He's been on the show for seven so they've been 971 00:45:14,520 --> 00:45:17,840 Speaker 1: married for eleven years. Alan Emma did meet on the show. 972 00:45:18,320 --> 00:45:22,560 Speaker 1: Jenna and Val did meet on the show. I'm trying 973 00:45:22,600 --> 00:45:26,040 Speaker 1: to think of of who else. But yeah, so no, 974 00:45:26,160 --> 00:45:31,919 Speaker 1: everybody's everybody's like married and stable and just having a 975 00:45:32,040 --> 00:45:32,600 Speaker 1: great time. 976 00:45:32,719 --> 00:45:34,520 Speaker 3: That doesn't mean I don't think people have some grudges. 977 00:45:35,000 --> 00:45:37,399 Speaker 2: Well, of course, I mean it's it's so intimate. I mean, 978 00:45:37,400 --> 00:45:39,960 Speaker 2: it's just so intimate you and your partner. It's how 979 00:45:39,960 --> 00:45:41,920 Speaker 2: could you not I mean, obviously wouldn't go anywhere and 980 00:45:41,960 --> 00:45:43,719 Speaker 2: do anything but there. He's got to be moments of 981 00:45:43,840 --> 00:45:46,560 Speaker 2: like you're you have to be sensual with somebody, you 982 00:45:46,560 --> 00:45:48,319 Speaker 2: know what I mean, and since got to be for 983 00:45:48,320 --> 00:45:50,520 Speaker 2: for hours at a time. Yeah, it's got to be crazy. 984 00:45:50,800 --> 00:45:54,800 Speaker 1: Yeah, the amount of Listine strips Pasha and I consume 985 00:45:54,920 --> 00:45:56,680 Speaker 1: on a daily basis, as a matter. 986 00:45:56,560 --> 00:45:58,640 Speaker 3: Of fact, write in each other's faces. 987 00:45:58,760 --> 00:46:00,799 Speaker 1: Right before we did a right before we did our 988 00:46:00,880 --> 00:46:03,120 Speaker 1: Urgentine Tango, we were like in the backwarming up and 989 00:46:03,120 --> 00:46:04,600 Speaker 1: I said, do you have any Listine strips? And he 990 00:46:04,680 --> 00:46:06,320 Speaker 1: was like, your breath is totally fine, don't worry about it. 991 00:46:06,360 --> 00:46:07,759 Speaker 1: And I went, no, I don't think I know how 992 00:46:07,760 --> 00:46:09,600 Speaker 1: to do this dance without it that taste. 993 00:46:12,360 --> 00:46:17,160 Speaker 2: It's literally at this point it's Pavlov's Dog Argentine Tango, 994 00:46:17,200 --> 00:46:19,480 Speaker 2: brought to you by Dancing with the Stars, brought to 995 00:46:19,480 --> 00:46:21,680 Speaker 2: you by ginger ittis nice. 996 00:46:24,320 --> 00:46:26,080 Speaker 1: Thank you all for joining us for this episode of 997 00:46:26,080 --> 00:46:28,320 Speaker 1: Pod Meets World. It was our Q and a episode 998 00:46:28,320 --> 00:46:30,880 Speaker 1: for Pod Meats World and Danielle with as always, you 999 00:46:30,880 --> 00:46:33,040 Speaker 1: can follow us on Instagram pod Meets World Show. 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Executive in charge of production, Danielle Rome, 1009 00:47:00,360 --> 00:47:04,000 Speaker 9: producer and editor, Taras Sudbach, producer, Maddy Moore, engineer and 1010 00:47:04,040 --> 00:47:07,040 Speaker 9: Boy Meets World superman Easton Allen. Our theme song is 1011 00:47:07,080 --> 00:47:10,239 Speaker 9: by Kyle Morton of Typhoon. Follow us on Instagram at 1012 00:47:10,239 --> 00:47:13,680 Speaker 9: Podmets World Show or email us at Podmeats Worldshow at 1013 00:47:13,760 --> 00:47:18,040 Speaker 9: gmail dot com