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Speaker 1: Thanks the chronic goals. This is not your average shows.

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Speaker 2: You're now tuned into the Reili Fell.

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Speaker 3: Streets. Welcome to the gainst the Chronicles podcast, the production

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Speaker 3: of iHeart Radio and Black Effect podcast Network. Make sure

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Speaker 3: you download the iHeart app and subscribe to Against the

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Speaker 3: Chronicles For my Apple users, hit the purple Michael on

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Speaker 3: your front screen. Subscribed to Against the Chronicles, leave of

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Speaker 3: five star rating the comment all rights, Agney, what's any y'all?

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Speaker 1: Man? Everything good, man, everything good on my end man

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Speaker 1: of playing?

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Speaker 3: Yeah, man, we got some real rapping ass niggas in

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Speaker 3: you to night. Man. We got a bean crook and

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Speaker 3: the only gee you got he you know gee she

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Speaker 3: got it man. He rolled in through the streets.

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Speaker 1: Lamb yeah yeah, yeah, yeah man, I'm hitting these corners.

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Speaker 2: Man, So you know, y'all excuse me if y'all you know,

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Speaker 2: I mean you hear any sirens and all that.

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Speaker 3: It's so good. I like the authenticity height. Yeah, coming

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Speaker 3: in here in a minute. His son just came home.

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Speaker 3: You know, ain't got a son wan to play on

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Speaker 3: football man eight son is pretty nice too. He made ESPN,

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Speaker 3: He made the future just PM play the game on

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Speaker 3: clips last.

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Speaker 1: Year oh sure, Hell yeah, And that's dope. Hell, that's

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Speaker 1: that's Joe.

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Speaker 3: Hell yeah, you're doing this thing.

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Speaker 1: Man.

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Speaker 3: I feel y'all been seeing these lists, right, yeah, you

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Speaker 3: know Complets been putting off their little list, man. Then

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Speaker 3: the one on in the one fat Nigga to be

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Speaker 3: getting niggas. Man, he put his list up with the homie's.

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Speaker 1: Name, Jihn. Yeah, yeah, yeah, yeah Dejohn.

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Speaker 3: He put his little list out. Do you think these

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Speaker 3: niggas be clowning when they do these lists?

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Speaker 1: I'm gonna let krust Dog fires, you know what I'm saying. Uh,

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Speaker 1: you know, I think they had a couple of suspicious

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Speaker 1: names in there, you know what I'm saying, to get

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Speaker 1: people engaged and to talk about it and bus and fight,

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Speaker 1: you know, because the more engagements the better. You know,

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Speaker 1: that's the more the more intentions the complex as a brand.

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Speaker 1: For instance, you know, so they might twish somebody that

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Speaker 1: they know, damn well, don't belong there, just throw the

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Speaker 1: conversation off. Or they might arranged it in a way

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Speaker 1: the outsiders of the culture arranged it, you know, and

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Speaker 1: who you know those lists, you know, like just let

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Speaker 1: me know how far they are await for really pops

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Speaker 1: Yeah for real, And I think, like you say, they

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Speaker 1: throw a lot of light. Sometimes you throw some random

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Speaker 1: names in there, but they're also I think some people

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Speaker 1: just not super in tune with the culture. And then

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Speaker 1: on the other flip side of it is the words

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Speaker 1: that they're using when you saying light top rapper, where

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Speaker 1: you saying top M Steve when staying top artist. All

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Speaker 1: that shit is different because when you get to saying

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Speaker 1: light rapper and MC and you think about bars list

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Speaker 1: would be way different. But when you're saying like maybe

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Speaker 1: artists and maybe talking about their main street success, and

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Speaker 1: then this didn't make sense for some of the people

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Speaker 1: to be in that position. You know what I'm saying,

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Speaker 1: think it straight. Still you might switch them numbers up

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Speaker 1: a little bit.

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Speaker 3: Yeah, well, you know what, they should come out and

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Speaker 3: say that then, because when I see some ship, like

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Speaker 3: I think Cardi would be a cool artist. I think

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Speaker 3: Cardi be do her thing, you know, carry being dressed

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Speaker 3: like a motherfucker me and talking about that. She she'll start,

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Speaker 3: you know. But when you see something, when you see

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Speaker 3: you know, the top a long time her over rock

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Speaker 3: him with some ship like it looks like.

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Speaker 1: As a fact, that's a fact, you know what I'm saying.

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Speaker 1: And I think that's the problem.

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Speaker 2: They don't they don't specify what criteria that they using

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Speaker 2: when they coming up with these lists.

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Speaker 1: You know what I'm saying. I think a criteria like

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Speaker 1: a it needs to be a you know, like a

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Speaker 1: global criteria that people can you know, can see that

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Speaker 1: they're using that they coming up with this ye with

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Speaker 1: real for real, Yeah, they thought about that. But what

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Speaker 1: they did was they said, if we do that, because

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Speaker 1: they do list some some you know, hey, cultural impact

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Speaker 1: on the culture since mainstream success. Sometimes they list a

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Speaker 1: couple of things, but they rather leave it mysterious because

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Speaker 1: that caused more conversations. If you're super to the points

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Speaker 1: and people look at it and say, oh, okay, I

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Speaker 1: can agree with that, they're gonna keep scrolling. Yeah, So

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Speaker 1: they have to make it to where everybody gonna engage

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Speaker 1: with it and have an opinions, so it could go viral,

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Speaker 1: you know what I mean. The list more thing, the

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Speaker 1: viral like aspects what you see. Yeah, they's doing it

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Speaker 1: for clicks more so than like being truthful. Yeah exactly,

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Speaker 1: and they getting what they want. You know what I'm saying,

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Speaker 1: because when you go in those complex office and broke.

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Speaker 1: You don't see a lot of us. Let's keep it real,

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Speaker 1: you know what I'm saying. So so we know what's

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Speaker 1: poppings and look at just look at the history of them.

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Speaker 1: They lost, They lost two of the biggest dudes in

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Speaker 1: the hip hop media. State academics. Academics a joke, but

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Speaker 1: they lost in there because they understand what they really have,

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Speaker 1: you know what I'm saying. So it's like, we don't

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Speaker 1: got ship to do when we get online, but talk

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Speaker 1: and have fun and complain and argue and debate, and

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Speaker 1: they're just giving us to do. You know what I'm saying.

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Speaker 1: They don't give them what complexity. We know that for show.

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Speaker 1: That's a fact, for sure. Fact.

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Speaker 3: I don't know why motherfuckers give them so much. Why

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Speaker 3: do you think people give them list so much validities?

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Speaker 3: When they put out a list, it does get it

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Speaker 3: does so viral, it gets spread around, it makes his rounds.

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Speaker 3: You know, we for damn sure still talking about this much.

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Speaker 4: For yeah, I think because I mean everybody looking for

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Speaker 4: whether they say it or not, a lot of people

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Speaker 4: be looking for some type of validation or some type

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Speaker 4: of recognition for what they do.

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Speaker 1: You know what I'm saying.

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Speaker 2: So a lot of times, you know, when you just

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Speaker 2: see somebody that they do got a platform, they putting

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Speaker 2: out a list.

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Speaker 1: If it's so if you number one, two, three, four, five,

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Speaker 1: of course you gonna fill away. You're gonna like it.

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Speaker 2: You know what I'm saying, Number fifty, you might be upset,

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Speaker 2: but like you still be glad to be acknowledged. So

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Speaker 2: it's gonna be a talking point because you're gonna have

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Speaker 2: some people that's that's reposting it because they happy with

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Speaker 2: the position. And you're gonna have people that's that's mad

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Speaker 2: they not on it. Are you gonna have people that's

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Speaker 2: mad at the number they is? So it's gonna it's

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Speaker 2: like you said, it's sparking the conversation. So it's just

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Speaker 2: enough to where it's like, even if people don't care

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Speaker 2: about the platform, they still care about the argument's sake

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Speaker 2: of it. You know what I'm saying, Like you feel

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Speaker 2: me like it's gonna be somebody that's like, man, what you.

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Speaker 1: Mean, Uh, Tupac is number one. He ain't from the

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Speaker 1: West coast. So now you got that argument. You know

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Speaker 1: what I'm seeing? What you want Doctor Dre is number

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Speaker 1: such as such, Man, he didn't write this, he didn't

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Speaker 1: write that, you know what I mean. So now you

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Speaker 1: get these type of arguments that starts spark than up because.

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Speaker 5: They knew that they you know, I like he said,

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Speaker 5: they knew what they was doing.

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Speaker 1: You know what I'm saying.

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Speaker 3: Yeah, I think definitely, man, and I ain't gonna stay

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Speaker 3: on it for too long because that ship is kind

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Speaker 3: of old. I think people like Gang do kind of

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Speaker 3: have a point. I think, you know, get is busy.

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Speaker 3: I think you know, I think shut is busy.

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Speaker 1: I think when you, I think when you uh, when

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Speaker 1: you when you when you're dealing with when you're dealing

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Speaker 1: with these artists I like better, like I like with

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Speaker 1: Game doing the list I see, I salute that. I

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Speaker 1: think sometimes seeing it from the piers and the rappers,

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Speaker 1: you get more respected though, you know what I'm saying.

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Speaker 1: You know what I mean, just hearing their perspective, whether

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Speaker 1: niggas agree with they listen or not, it's still be

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Speaker 1: dope when you see somebody like Gang take the time

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Speaker 1: out and main fifty rappers that he felt like was dope,

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Speaker 1: you know what I'm saying.

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Speaker 3: Yeah, But let me ask you all this now if

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Speaker 3: a mother fellas don't write his reps, should he be

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Speaker 3: called the best? Same thing? Because I've come from a

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Speaker 3: certain school of thought when it come to that.

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Speaker 1: Nah, yeah, I mean, I don't think you could be.

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Speaker 1: I don't think I mean I think you could be

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Speaker 1: a dope or just like you know what I'm saying,

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Speaker 1: the artistry of it, knowing how to perform it, you

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Speaker 1: know what I'm saying.

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Speaker 2: But if you I think, if you're gonna say I'm

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Speaker 2: I fucking the best rapper and best MC like a

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Speaker 2: motherfucking that, like lyricists and all that, when you start

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Speaker 2: breaking it down and who got more boards and like, nah,

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Speaker 2: you can't put you can't put dudes who didn't write

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Speaker 2: they raps over niggas who really pin in that ship.

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Speaker 1: That's just my opinion. You know what I'm saying. Our

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Speaker 1: second that offinis dog. Listen, bro. That's why I don't

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Speaker 1: talk too much. You know what I'm saying, Because I've

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Speaker 1: been in these studio sessions for thirty years, the teenagers,

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Speaker 1: and I know who writing and who ain't. And that's why.

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Speaker 1: And I ain't here to be the police about that,

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Speaker 1: you know what I'm saying.

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Speaker 3: But the fact I just I just kicked back. But

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Speaker 3: I already know.

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Speaker 1: That's why. I just I don't even say nothing. I'm like, dog,

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Speaker 1: I see, I see Hella that list be haunted. It's

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Speaker 1: Hella ghosts on them lift you feel me, Hella ghosts

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Speaker 1: on them list. So I just I just get back

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Speaker 1: and then they be having to put me somewhere near

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Speaker 1: the bottom. I've been pushing my own pin the whole time. No,

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Speaker 1: that's push my pin for niggas on the legs.

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Speaker 3: So for niggas that's in the top ten on the list.

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Speaker 1: Yo. Yeah, imagine pushing the imagine right show for niggas

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Speaker 1: that is getting rated higher than you and you all.

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Speaker 1: So that's why that's why I mean, I don't write

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Speaker 1: all this ship of course you know what I'm saying.

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Speaker 1: But I have been in but you've been here. But

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Speaker 1: you've been here, You've been able to be of a

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Speaker 1: few dudes pins, you know what I'm saying. So yeah,

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Speaker 1: so it's I I feel like I'm still old school.

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Speaker 1: If you if you push your own pins, we can

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Speaker 1: have a lyrics conversations. If you don't, we can have

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Speaker 1: the hardest conversation. Yes, plenty of people who I love

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Speaker 1: they don't write, but the way they deliver it, and

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Speaker 1: maybe they vocal songs, it's it's ill, you know what

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Speaker 1: I'm saying. Yeah, like we you know, we know Doctor

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Speaker 1: Dre don't write all his raps, Yeah, but he sounds

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Speaker 1: ill delivering his rap.

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Speaker 3: So end think Drake can't write a rap if he

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Speaker 3: had to.

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Speaker 6: Yeah, yeah, that's what people don't and needs to major

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Speaker 6: beat because we got we got that out there too.

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Speaker 6: He can make beat bro, like I think they want

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Speaker 6: to discredit our goats, our legends.

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Speaker 1: They want to do definitely, But you know what, No,

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Speaker 1: that's all good.

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Speaker 3: Well you know what though, Man, I'm gonna tell you

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Speaker 3: you take somebody like Snoop, right, Snoop and mentally don't

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Speaker 3: write all his own stuff, not no And I think

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Speaker 3: that's because Snoop where he is now history he too

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Speaker 3: doing TV shows, going on the road, doing this and

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Speaker 3: next you know, he's not got an album. But I think.

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Speaker 1: Snoop still you can still, you know.

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Speaker 3: Put fire on a motherfucker if you wanted to. You

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Speaker 3: feel what I'm saying, if you had to, man, I

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Speaker 3: think you both.

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Speaker 1: Snoop wrote almost half of the Chronic Bro, the first

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Speaker 1: Chronic That's what I'm saying. Snoopers do so, so it's like,

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Speaker 1: all right, he getting in there with songwriters. Like when

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Speaker 1: you get to icon status and you like Marvick Gay

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Speaker 1: and all these dudes, you got all these boat toown writers.

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Speaker 1: You know what I'm saying. I'm sitting around you. They

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Speaker 1: that's what they do. You get to the to a

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Speaker 1: point where you might have a room full of writers

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Speaker 1: coming up with ideas because it's a lot of pressure

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Speaker 1: on you since you are a global superstar. There's a

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Speaker 1: lot of pressure on that one mind to come up

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Speaker 1: with hell of material, especially that's gonna be successful. So

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Speaker 1: they go ahead and they throw you in the room

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Speaker 1: with a lot of writers. And I don't got no

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Speaker 1: problem with that, Like you know what I'm saying, And

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Speaker 1: I like, how honest Snoop is, Like SNOOPID tell you

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Speaker 1: straight up, Oh I didn't write that.

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Speaker 3: You don't know what I'm saying. That's why you gotta

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Speaker 3: give him a pass. Dog because Snoop and say I

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Speaker 3: didn't write that. Like everybody know bad Luck rope.

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Speaker 1: I want to rock.

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Speaker 3: You know what I'm saying. I think bad Luck broke.

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Speaker 3: I want to rock, right, But it was frenzy about

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Speaker 3: the rep shit. He is dog, you gotta have some

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Speaker 3: starr pa because the bad luck would have put I

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Speaker 3: gotta rock out on his own. It wouldn't have did

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Speaker 3: with Snoop stuff there. Budget. Yeah, So you can't just

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Speaker 3: you can't never just pready dog. You can't never just

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Speaker 3: preaty dog on what you do.

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Speaker 1: Nah. Hell nah hell And like he said, Nigga's no

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Speaker 1: dog for pinning that shit back in the day. You

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Speaker 1: know what I'm saying for motherfuckers shilling now and now

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Speaker 1: Nigga doing bigger records where it require all that, like,

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Speaker 1: motherfucker that that's different, you know what I'm saying. Like,

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Speaker 1: but like you know, we're talking like you say, like

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Speaker 1: like a motherfucker that just known for not having that,

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Speaker 1: not having no type of pin Like I'm not gonna

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Speaker 1: put them in front of some of them called as

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Speaker 1: mcs that we know that really can get in front

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Speaker 1: of that mic and just you know, you know, really

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Speaker 1: just rips ship up. Let me ask you this, bro,

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Speaker 1: Sometimes I see rumors getting spread about people in the

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Speaker 1: battle rap world that don't write their own rounds. Is that?

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Speaker 1: Is that any truth to that? Because I always thought

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Speaker 1: all the battle rappers on all they they ship.

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Speaker 3: Shout un too.

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Speaker 2: Yeah, nah, definitely, man, you know what I'm saying, like

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Speaker 2: like it's a lot of battles that's doing their thing.

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Speaker 1: I don't get a twisted that that's really cold. But

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Speaker 1: it definitely be rumor circulating around that motherfuckers be having

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Speaker 1: ghost riders and it be motherfuckers helping them and you know,

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Speaker 1: having uh people coming up with their biggest punch lines

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Speaker 1: and their biggest hate makers for them. You know what

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Speaker 1: I'm saying, ship like that.

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Speaker 3: You know what I mean?

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Speaker 1: Real for real, that's crazy who were getting the ship

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Speaker 1: wrote for them? Trying to go by No, I'm just

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Speaker 1: saying I want to know, Hey, look the Cold parties,

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Speaker 1: if I knew, I really expose they as to like yeah,

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Speaker 1: such and such reabity.

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Speaker 5: You know they don't want to like, hey, they don't

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Speaker 5: want me to find out righting them.

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Speaker 3: You know what, you don't.

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Speaker 5: Look, I just heard, I ain't seen, I ain't got

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Speaker 5: no proofs.

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Speaker 1: I can't put no names with no niggas. But when

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Speaker 1: I battled a Chilla Jones, if the battle ain't even

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Speaker 1: on YouTube, it's on the U r L TV app.

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Speaker 1: But when I battled Chilla Jones. He said something that

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Speaker 1: was similar to what Crow just said. He was like, like,

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Speaker 1: imagine being watching two of your favorite battlers uh on

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Speaker 1: on like on like the main stage and they and

295
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Speaker 1: they rapping, and they both rapping the ship you wrote

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Speaker 1: for him, Like you know what I'm saying.

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Speaker 3: So you know what I mean.

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Speaker 5: So he had a board seeing he he done ghost

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Speaker 5: rote for two dudes.

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Speaker 1: That was like the headline before when they saying ship

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Speaker 1: that he's saying for both of them, you know, so

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Speaker 1: you know that that's how big it go. You know,

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Speaker 1: you know what I'm saying.

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Speaker 3: And you know, one thing I do want to ask

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00:14:42,360 --> 00:14:45,200
Speaker 3: you touly off the subject of this of this rap shit,

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Speaker 3: this conversation. We haven't so Ringmys really left pet for

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Speaker 3: a battle reference if that one Nigga's a better reference.

308
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Speaker 3: He's really a better reference.

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Speaker 1: Yeah, he battled somebody recently.

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Speaker 3: Yeah you know the old boy that really left fat for.

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Speaker 1: Oh yeah yeah yeah yeah yeah yeah yeah, easy to

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Speaker 1: block captain.

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Speaker 3: Easy to black captain. Yeah I think I think.

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Speaker 1: Yeah yeah, hell yeah man that battle wow man, yeah,

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00:15:19,200 --> 00:15:22,520
Speaker 1: probably so, but he had come back, I know, got

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Speaker 1: he lit his hends up dog and battle rappers with

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Speaker 1: ghost writers. That ship is fucking crazy, bro, Like she's

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Speaker 1: think of business. Now everything is a business dog.

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Speaker 3: So if that's the case, crook, you might well expand

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Speaker 3: on your portfolio and start writing niggas some braces and

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Speaker 3: start writing some prices for niggas.

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Speaker 5: I mean, I know some battle rappers that say they

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Speaker 5: goes right for for for for for songs and all

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Speaker 5: that too.

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Speaker 2: Though, you know what I'm saying, there's definitely a lot

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Speaker 2: of battle rappers that say that they done wrote records

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Speaker 2: for for artists, because you know, that was one of

328
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Speaker 2: the stigmas they used to always say that battle rappers

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Speaker 2: can't make music and ship like that.

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Speaker 1: You know what I'm saying like.

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Speaker 3: That, You know what, I am mad that I'd be

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Speaker 3: mad if I found out certain niggas had somebody else

333
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Speaker 3: like that one nigga entertaining this hell, what's that nigga

334
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Speaker 3: from Philly's name? To be well, his mom is a

335
00:16:10,800 --> 00:16:14,360
Speaker 3: fat stanky hole. Did you saying a little stupid ship

336
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Speaker 3: like that? What's that nigga's name? One nigga brings three

337
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Speaker 3: niggas three.

338
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Speaker 1: Somebody's writing no solo ship.

339
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Speaker 3: Got a swabber? Yeah, that's the back now.

340
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Speaker 5: I think Solo coming up with that on his own show.

341
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Speaker 1: Is hard man. You like the Hey, you like the

342
00:16:41,160 --> 00:16:41,800
Speaker 1: humorous ship?

343
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Speaker 3: I still I like the humors ship when niggas get

344
00:16:44,720 --> 00:16:49,800
Speaker 3: up the bag niggas and yeah, yeah, whatever happened, Whatever

345
00:16:49,880 --> 00:16:51,360
Speaker 3: happened with that battle with you, crook?

346
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Speaker 5: You was supposed to battle did?

347
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Speaker 1: It didn't go down. It ended up like this business

348
00:16:54,320 --> 00:16:56,920
Speaker 1: falling through or something. It just didn't happen. Yeah, it

349
00:16:57,040 --> 00:16:59,200
Speaker 1: fell apart. The company that was putting it on. They

350
00:16:59,240 --> 00:17:02,600
Speaker 1: fell apart when they company was built on crypto. And

351
00:17:02,640 --> 00:17:08,840
Speaker 1: when crypto crash, they crashed. So all this shit fell apart.

352
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Speaker 1: No more bag, no more nothing, ye saying? The crazy

353
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Speaker 1: shit is that? Shit? Is? That?

354
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Speaker 3: Shit?

355
00:17:19,600 --> 00:17:22,240
Speaker 1: Is not easy? Battle rapping is not easy for a songwriter,

356
00:17:23,359 --> 00:17:25,239
Speaker 1: you know what I'm saying. A songwriter get up there

357
00:17:25,240 --> 00:17:27,600
Speaker 1: and try to rap acapella, but he still sound like

358
00:17:27,680 --> 00:17:30,240
Speaker 1: you hear a beat in his head, you know what

359
00:17:30,240 --> 00:17:32,359
Speaker 1: I'm saying. And that ain't ain't how you do it.

360
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Speaker 1: And I'll be watching these songwriters. They don't understand that

361
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Speaker 1: the mechanics for battle rap, you know what I mean,

362
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Speaker 1: So they be sounding crazy when they get up there

363
00:17:40,960 --> 00:17:44,760
Speaker 1: sometimes you know what I'm saying, Like like niggas be

364
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Speaker 1: thinking they hearing the beat in their head or something.

365
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Speaker 1: You feel me, Yeah, he sounding real crazy on the

366
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Speaker 1: battle rap stage. I like to me battle rappers like

367
00:17:53,200 --> 00:17:56,200
Speaker 1: doing Broadway theater, you know what I mean? And and

368
00:17:56,400 --> 00:17:58,680
Speaker 1: and rappers like doing a movie. You know what I'm saying,

369
00:17:58,720 --> 00:18:01,159
Speaker 1: That director say cutting you the scene over and all

370
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Speaker 1: that where you on the stage, on that big stage.

371
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Speaker 1: It ain't no cut you got you gotta go. It's

372
00:18:10,440 --> 00:18:13,920
Speaker 1: a it's a gladiator sports dogging for sure. That's why

373
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Speaker 1: I salute you. Get you because I remember several years

374
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Speaker 1: in a row people were saying you was the top battler.

375
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Speaker 3: No, for sure, do you know what that being?

376
00:18:27,560 --> 00:18:30,480
Speaker 1: For the West? I've always got to back up and

377
00:18:30,560 --> 00:18:33,720
Speaker 1: look at the West. Even though I'm hip hop all around,

378
00:18:35,160 --> 00:18:40,040
Speaker 1: I'm West Coast first, sure, sure, and I understand the

379
00:18:40,240 --> 00:18:44,359
Speaker 1: fight it is people to push their pen on the West.

380
00:18:45,119 --> 00:18:46,960
Speaker 1: They don't like to give a lot of credit to

381
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Speaker 1: lyricism on the West Coast. So career for what you

382
00:18:50,600 --> 00:18:54,720
Speaker 1: was doing, you gave us all the bragging rights in

383
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Speaker 1: the world.

384
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Speaker 5: No, that's a fact, and that's how I used to

385
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Speaker 5: go into the battles.

386
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Speaker 1: You know what I'm saying. I went into the battles

387
00:18:59,840 --> 00:19:01,480
Speaker 1: with that type of tip of Mushulders like man, like

388
00:19:01,560 --> 00:19:03,960
Speaker 1: I know they they don't think, you know what I'm saying.

389
00:19:03,960 --> 00:19:05,640
Speaker 1: I'm coming from com thing. You know what I'm saying,

390
00:19:05,680 --> 00:19:07,560
Speaker 1: I'm banging. They like, Man, this dude, he's just Finna

391
00:19:07,600 --> 00:19:10,200
Speaker 1: coming here with ABC boars. He can't you know what

392
00:19:10,200 --> 00:19:12,080
Speaker 1: I'm saying. Ain't Finna beat nobody in this shit, you

393
00:19:12,160 --> 00:19:13,840
Speaker 1: know what I'm saying. So I used to go in

394
00:19:13,920 --> 00:19:15,520
Speaker 1: there with that tipple mushore, Like now I gotta go

395
00:19:15,560 --> 00:19:17,359
Speaker 1: in here and really represent man, really put it off,

396
00:19:17,359 --> 00:19:18,720
Speaker 1: you know what i mean, put off for the coast

397
00:19:19,080 --> 00:19:20,560
Speaker 1: and really make sure you know what I mean. I'm

398
00:19:20,560 --> 00:19:22,359
Speaker 1: stepping on next when I'm in the building, like you

399
00:19:22,359 --> 00:19:24,600
Speaker 1: know what I'm saying, and putting all heavy boards, you

400
00:19:24,640 --> 00:19:26,560
Speaker 1: know what i mean, like submit my legacy of course,

401
00:19:26,600 --> 00:19:29,000
Speaker 1: but also knowing that, like you know, I'm coming from,

402
00:19:29,080 --> 00:19:32,159
Speaker 1: you know the background, all these legends before me that

403
00:19:32,520 --> 00:19:35,840
Speaker 1: probably didn't do it necessarily through the you are real ranks,

404
00:19:35,880 --> 00:19:37,800
Speaker 1: but like you know what I'm saying, MC's like yourself,

405
00:19:37,840 --> 00:19:39,600
Speaker 1: Snoop Dogg, all that you do is you know what

406
00:19:39,600 --> 00:19:41,560
Speaker 1: I mean, like was battling, was rapping, you know what

407
00:19:41,560 --> 00:19:42,399
Speaker 1: I mean to like in.

408
00:19:42,400 --> 00:19:44,760
Speaker 5: The same sense, have to go to New York and

409
00:19:44,840 --> 00:19:46,120
Speaker 5: get proved in the same way.

410
00:19:46,200 --> 00:19:47,159
Speaker 1: You know what I mean. I have to do this.

411
00:19:47,320 --> 00:19:49,080
Speaker 5: It was just in a different type of way, you

412
00:19:49,119 --> 00:19:50,920
Speaker 5: know what I mean. You still have to prove yourself.

413
00:19:51,160 --> 00:19:53,000
Speaker 1: Like Nigger, just think you was dope until you went

414
00:19:53,080 --> 00:19:55,280
Speaker 1: over there and you had to sing with you probably

415
00:19:55,320 --> 00:19:57,719
Speaker 1: being a part of Slaughterhouse at the time. It's like, man,

416
00:19:57,760 --> 00:20:00,479
Speaker 1: I got a rap with Joe and Joe. Well, I'm

417
00:20:00,680 --> 00:20:02,639
Speaker 1: I'm the Long West Coast Nigue. I gotta prove I

418
00:20:02,720 --> 00:20:04,760
Speaker 1: can I can rap with niggas. You know what I'm

419
00:20:04,760 --> 00:20:06,800
Speaker 1: saying on the rails. So you know the same ship

420
00:20:06,880 --> 00:20:09,520
Speaker 1: for sure? Sure? For sure? Yeah, Bro, you did that.

421
00:20:10,359 --> 00:20:12,240
Speaker 1: Yeah they all do that over there. Dog. When I

422
00:20:12,359 --> 00:20:15,520
Speaker 1: was on Death for a Records, we did High ninety seven.

423
00:20:15,600 --> 00:20:18,359
Speaker 1: We came out after the interview. The whole dobby was

424
00:20:18,440 --> 00:20:21,240
Speaker 1: packed with niggas that wanted the battle. You know what

425
00:20:21,320 --> 00:20:24,160
Speaker 1: I'm saying. You could you could do ninety two three

426
00:20:24,200 --> 00:20:26,480
Speaker 1: to beat bag in the day over here, you could

427
00:20:26,520 --> 00:20:28,600
Speaker 1: promote your ship. You get in your car you go

428
00:20:28,760 --> 00:20:32,200
Speaker 1: home over there, it's a. It was a. The whole

429
00:20:32,320 --> 00:20:37,280
Speaker 1: building was full of rappers that wanted to battle whoever

430
00:20:37,440 --> 00:20:39,639
Speaker 1: was up, whoever was there from the West coast. So

431
00:20:40,400 --> 00:20:43,520
Speaker 1: that's when I learned exactly. I called corrupt too after

432
00:20:43,640 --> 00:20:45,720
Speaker 1: that night because I was eating niggas up. But it

433
00:20:45,840 --> 00:20:47,800
Speaker 1: was this one nigga named Michael Wave. He was hard

434
00:20:47,840 --> 00:20:50,280
Speaker 1: as than motherfucker. Try to give me a run for

435
00:20:50,359 --> 00:20:52,560
Speaker 1: my money, you know what I'm saying. But you know,

436
00:20:52,840 --> 00:20:56,679
Speaker 1: Sug was like anybody who could beat Crooked in the battle.

437
00:20:56,720 --> 00:20:58,960
Speaker 1: I'll give him a record deal, you know what I'm saying.

438
00:20:59,200 --> 00:21:04,200
Speaker 1: The heart out they was, they was wrapping their heart out,

439
00:21:04,840 --> 00:21:06,560
Speaker 1: you know what I'm saying. So I had to cut

440
00:21:06,640 --> 00:21:09,680
Speaker 1: through them. And I called kra said I know what

441
00:21:09,920 --> 00:21:12,800
Speaker 1: you mean. The night I served two thousand m seeds.

442
00:21:12,840 --> 00:21:16,399
Speaker 1: When he said that, he told me the same, so

443
00:21:16,560 --> 00:21:20,080
Speaker 1: he said, should the same, And that's when I said

444
00:21:20,160 --> 00:21:22,560
Speaker 1: that the night I served two thousand m seeds on

445
00:21:22,680 --> 00:21:25,960
Speaker 1: that New York, New York, because that's crazy. They want

446
00:21:26,040 --> 00:21:30,280
Speaker 1: that's five bro, and that competition is good. It is good.

447
00:21:30,600 --> 00:21:34,840
Speaker 1: Definitely good man, definitely good real and they retreat Barns

448
00:21:34,920 --> 00:21:39,159
Speaker 1: over there, dog it don't make no sense like they

449
00:21:39,240 --> 00:21:41,120
Speaker 1: might respect you more than your own coach.

450
00:21:46,800 --> 00:21:51,480
Speaker 7: They ain't here with the ear I'm driving, yo, yo, good,

451
00:21:52,200 --> 00:21:55,879
Speaker 7: it's all good. Yeah, I'm just driving right now. I

452
00:21:56,000 --> 00:21:58,240
Speaker 7: just want to chime in with y'all for a second,

453
00:21:59,520 --> 00:22:03,879
Speaker 7: peasily ship ain't good or not to let you know

454
00:22:04,000 --> 00:22:04,919
Speaker 7: everything straight.

455
00:22:06,160 --> 00:22:12,359
Speaker 1: Wow. Sure, yeah, Nah, it was definitely.

456
00:22:12,400 --> 00:22:14,680
Speaker 2: It's definitely like a you know, like like it's just

457
00:22:14,800 --> 00:22:17,320
Speaker 2: like anything in the streets or anything like you know,

458
00:22:17,520 --> 00:22:19,560
Speaker 2: you know, motherfucker, I gotta gotta fight for it. And

459
00:22:19,640 --> 00:22:21,440
Speaker 2: then a nigga respect you afterwards, like you know what

460
00:22:21,440 --> 00:22:23,679
Speaker 2: I'm saying, after they so you can swing with him

461
00:22:23,760 --> 00:22:25,960
Speaker 2: like okay, like okay, now he he nice.

462
00:22:26,000 --> 00:22:26,640
Speaker 1: You know what I'm saying.

463
00:22:26,840 --> 00:22:30,520
Speaker 3: Yeah, let me because we never hear about this anybody

464
00:22:30,600 --> 00:22:32,560
Speaker 3: ever's go to town and get theirs tore up.

465
00:22:33,920 --> 00:22:35,600
Speaker 1: Like as far as going over there from the web,

466
00:22:36,119 --> 00:22:38,520
Speaker 1: I'm talking about like somebody coming up the station, the

467
00:22:38,640 --> 00:22:40,000
Speaker 1: niggas rapping waiting.

468
00:22:40,040 --> 00:22:42,879
Speaker 5: You ever seen a niggas get cooked, It been some

469
00:22:43,000 --> 00:22:44,760
Speaker 5: niggas that got cooked. If it's some niggas that got

470
00:22:44,840 --> 00:22:46,200
Speaker 5: cooked for shure, you know what I mean. Nigga ain't

471
00:22:46,320 --> 00:22:47,720
Speaker 5: act like we just win every battle.

472
00:22:47,720 --> 00:22:48,320
Speaker 1: You know what I'm saying.

473
00:22:50,119 --> 00:22:56,000
Speaker 3: Crook over there looking like, Yeah, some niggas, niggas get cooked,

474
00:22:56,040 --> 00:22:58,239
Speaker 3: bro Like who got cooked out there?

475
00:22:58,320 --> 00:23:03,080
Speaker 1: Crew out out there on the New York Who.

476
00:23:02,640 --> 00:23:03,760
Speaker 3: Got cooked out of New York?

477
00:23:08,680 --> 00:23:10,560
Speaker 1: We're trying to figure like you talk about just like

478
00:23:10,680 --> 00:23:12,000
Speaker 1: what in a cipher or some ship.

479
00:23:12,080 --> 00:23:14,360
Speaker 3: Ye're like on some cipher ship Like this nigga out

480
00:23:14,400 --> 00:23:16,720
Speaker 3: there just giving me like you said, the only microwave,

481
00:23:17,119 --> 00:23:18,720
Speaker 3: Try to give you a round for your money.

482
00:23:18,520 --> 00:23:25,240
Speaker 1: If you said correct. Yeah, that nigga was rapping truck

483
00:23:25,400 --> 00:23:27,640
Speaker 1: was holding it down though trigger Trusch was holding us down.

484
00:23:27,720 --> 00:23:31,760
Speaker 1: Thought let nothing move. He got the whole king shout there.

485
00:23:31,800 --> 00:23:33,600
Speaker 1: You know what I'm saying. Like, that's the thing, Like

486
00:23:34,440 --> 00:23:37,480
Speaker 1: I don't know who got Like I can't even I

487
00:23:37,520 --> 00:23:40,040
Speaker 1: ain't really been in no situation where I've seen niggas

488
00:23:40,040 --> 00:23:44,680
Speaker 1: get cooked unless I was doing the cooking. But you

489
00:23:44,800 --> 00:23:48,320
Speaker 1: know I have seen situations of unity between the East

490
00:23:48,359 --> 00:23:52,679
Speaker 1: and the West. Mind blowing to me because of all

491
00:23:52,760 --> 00:23:56,520
Speaker 1: the propaganda that we was, we was programmed with, you

492
00:23:56,600 --> 00:23:58,240
Speaker 1: know what I'm saying, And then you go out there

493
00:23:59,119 --> 00:24:01,280
Speaker 1: and you being a proud Jason niggas and they love you.

494
00:24:01,359 --> 00:24:05,119
Speaker 1: You know, the New York niggas is some of the

495
00:24:05,200 --> 00:24:09,360
Speaker 1: coolest niggas of the ells. Fat that's a fact. That's

496
00:24:09,400 --> 00:24:12,480
Speaker 1: a fact. And like you say, it be the proper ganda.

497
00:24:12,560 --> 00:24:15,680
Speaker 1: So like, until you go somewhere and see it for yourself,

498
00:24:15,760 --> 00:24:17,119
Speaker 1: you don't really know, you know what I'm saying. I

499
00:24:17,160 --> 00:24:19,000
Speaker 1: think it's the same for a lot of them. They

500
00:24:19,119 --> 00:24:21,240
Speaker 1: hear how it is until they really come over here

501
00:24:21,520 --> 00:24:23,399
Speaker 1: and they tap in with some real good people that

502
00:24:23,560 --> 00:24:25,320
Speaker 1: really rock with them, and it's like, oh, damn, nigga,

503
00:24:25,320 --> 00:24:27,680
Speaker 1: ain't even niggas ain't tripping like how you thought somebody

504
00:24:27,760 --> 00:24:30,080
Speaker 1: said they was tripping on line and all that bullshit.

505
00:24:30,160 --> 00:24:32,080
Speaker 1: You know what I'm saying That niggas on online, I

506
00:24:32,160 --> 00:24:35,000
Speaker 1: feel like real recognized real pretty much anywhere. So when

507
00:24:35,000 --> 00:24:37,000
Speaker 1: you're moving with respect, you moving with honor, you know

508
00:24:37,040 --> 00:24:39,440
Speaker 1: what I'm saying, Like you gonna your spirit gonna line

509
00:24:39,480 --> 00:24:41,320
Speaker 1: you with niggas that's moving that way as well, you

510
00:24:41,359 --> 00:24:41,920
Speaker 1: know what I'm saying.

511
00:24:44,240 --> 00:24:46,440
Speaker 3: And I ain't trying to keep going back on there,

512
00:24:47,600 --> 00:24:49,160
Speaker 3: but really got a little bit of faith.

513
00:24:49,080 --> 00:24:51,920
Speaker 2: Don't she rem mind? I mean, sid she a fucking

514
00:24:52,000 --> 00:24:54,359
Speaker 2: the millionaire. I'm sure you family got to hit records,

515
00:24:54,440 --> 00:24:55,439
Speaker 2: mayn't conceded and.

516
00:24:56,000 --> 00:24:57,960
Speaker 5: All the way up and all that hell is you got.

517
00:25:00,040 --> 00:25:02,680
Speaker 3: Watch nigga got some money. Like what is his background?

518
00:25:03,400 --> 00:25:05,439
Speaker 1: I mean, I don't know about him personally, about them

519
00:25:05,480 --> 00:25:07,240
Speaker 1: having like no money or what his background is. I

520
00:25:07,320 --> 00:25:09,040
Speaker 1: just know Heim from battle rapping, you know what I'm saying.

521
00:25:09,080 --> 00:25:11,320
Speaker 1: So like, you know, like me and him, we we

522
00:25:11,440 --> 00:25:13,320
Speaker 1: had a battle before, and I ain't gonna say we

523
00:25:13,440 --> 00:25:15,639
Speaker 1: like the best of friends, but we not know enemies

524
00:25:15,720 --> 00:25:16,600
Speaker 1: or nothing like, you know what I'm saying.

525
00:25:16,680 --> 00:25:19,200
Speaker 3: Cool dude, you know you know, I'm just curious because

526
00:25:19,200 --> 00:25:22,080
Speaker 3: I'm like, man, it seems like that nigga Path did

527
00:25:22,160 --> 00:25:24,359
Speaker 3: the most for women. Man, she left that niggas man

528
00:25:24,440 --> 00:25:26,160
Speaker 3: for a nigga. Look like he working burger.

529
00:25:26,000 --> 00:25:28,920
Speaker 1: King his nigga still drip starts and ship.

530
00:25:29,040 --> 00:25:33,560
Speaker 3: Man, you don't look like that. I know that they

531
00:25:33,560 --> 00:25:36,879
Speaker 3: don't have a little something going on. Still gonna get.

532
00:25:38,280 --> 00:25:41,200
Speaker 1: What I will say is relationships.

533
00:25:41,280 --> 00:25:42,160
Speaker 5: Man, you know what I'm saying.

534
00:25:42,560 --> 00:25:44,440
Speaker 1: That shit just be tricky. Like I don't know what

535
00:25:44,960 --> 00:25:47,720
Speaker 1: Remy and Path personal, how they made them split up,

536
00:25:47,760 --> 00:25:50,359
Speaker 1: what they really business was on him getting with Clariss

537
00:25:50,400 --> 00:25:53,320
Speaker 1: saying her messing with uh with the nigga easy or whatnot.

538
00:25:53,320 --> 00:25:55,920
Speaker 1: You know what I'm saying, but that relationship should be tricky.

539
00:25:55,960 --> 00:25:57,320
Speaker 5: Man, you never know what he really going on.

540
00:25:59,440 --> 00:26:01,840
Speaker 3: That's why talking so much shit about the nigga, because

541
00:26:01,840 --> 00:26:02,840
Speaker 3: she hurt and he her.

542
00:26:03,280 --> 00:26:06,560
Speaker 1: Yeah. Yeah, what I'm saying. You know, like you say

543
00:26:06,600 --> 00:26:08,440
Speaker 1: when my fucker is hurt. You know what I'm saying,

544
00:26:08,440 --> 00:26:09,840
Speaker 1: ain't really nothing you can do about that. You know

545
00:26:09,880 --> 00:26:10,280
Speaker 1: what I'm saying.

546
00:26:10,280 --> 00:26:12,160
Speaker 2: That'sh it bigger than that shit, bigger than wrap. That's

547
00:26:12,400 --> 00:26:13,959
Speaker 2: they got kids and shit involved.

548
00:26:13,960 --> 00:26:16,440
Speaker 1: You know what I'm saying. That rap say.

549
00:26:16,560 --> 00:26:19,480
Speaker 3: You know what, do I saw really is real good?

550
00:26:19,560 --> 00:26:21,399
Speaker 3: When she take off all that nigga and ship, she

551
00:26:21,520 --> 00:26:23,440
Speaker 3: looks like she fleeed it from the block like a mother,

552
00:26:24,000 --> 00:26:28,280
Speaker 3: Like she's just swumbles on it right now. No, I'm not.

553
00:26:30,600 --> 00:26:35,400
Speaker 1: Like, hey, Remy gonna pop your ass man and a guy, Yes,

554
00:26:35,440 --> 00:26:38,600
Speaker 1: that really got better on the for the nigga. What

555
00:26:38,680 --> 00:26:41,720
Speaker 1: you say about me, Yeah, he donna pull out, you'll

556
00:26:41,800 --> 00:26:42,199
Speaker 1: pull up.

557
00:26:42,280 --> 00:26:44,200
Speaker 5: Hey, I will tell you that he'll pull out. I

558
00:26:44,200 --> 00:26:47,000
Speaker 5: don't see her pull some niggas to the side. You

559
00:26:47,080 --> 00:26:47,600
Speaker 5: know what I'm saying.

560
00:26:47,640 --> 00:26:49,480
Speaker 1: That had some ship to say, body, I don't seen

561
00:26:49,520 --> 00:26:52,040
Speaker 1: her in the building or something like say tight vibes.

562
00:26:52,080 --> 00:26:55,640
Speaker 3: I ain't gonna hey man, be funny the mother fucker remy.

563
00:26:56,080 --> 00:26:57,840
Speaker 3: You know you're like nigga, what was she trying to do?

564
00:26:57,960 --> 00:26:58,840
Speaker 1: What you're trying to see?

565
00:26:59,160 --> 00:27:00,360
Speaker 3: Oh wait, got yeah?

566
00:27:00,440 --> 00:27:04,800
Speaker 1: Really engaged man? You know what th man?

567
00:27:05,720 --> 00:27:11,720
Speaker 3: What really is a beast? At what she do?

568
00:27:11,840 --> 00:27:16,720
Speaker 1: You know too? She another one. She come from the

569
00:27:16,760 --> 00:27:19,200
Speaker 1: battle rap background. People remember her battle with Lady Looked

570
00:27:19,200 --> 00:27:21,000
Speaker 1: that was viral years ago and all that. You know

571
00:27:21,040 --> 00:27:23,960
Speaker 1: what I'm saying, so like, but when you know what

572
00:27:24,000 --> 00:27:25,600
Speaker 1: I'm saying, so and so, when I did that in

573
00:27:25,680 --> 00:27:27,399
Speaker 1: that battle, you know a lot of people thought she

574
00:27:27,520 --> 00:27:29,200
Speaker 1: took it to heart. I mean, you know what I'm saying.

575
00:27:29,240 --> 00:27:31,399
Speaker 1: But for the most part, man like, we was always

576
00:27:31,440 --> 00:27:33,960
Speaker 1: still chopping. Everything was good. I've seen her ganguitars after that.

577
00:27:34,359 --> 00:27:35,879
Speaker 1: It always was. It was always you know, it was

578
00:27:35,880 --> 00:27:38,480
Speaker 1: always loved. She understood that. You know, she understood what

579
00:27:38,560 --> 00:27:40,240
Speaker 1: battle Rat was. You know what I'm saying. At the moment,

580
00:27:40,280 --> 00:27:42,760
Speaker 1: like a battle Rappers to you know, to do anything

581
00:27:42,800 --> 00:27:46,480
Speaker 1: you can at that moment, you got it like so

582
00:27:46,600 --> 00:27:49,920
Speaker 1: she but I'm gonna tell you what I really think.

583
00:27:52,400 --> 00:27:54,800
Speaker 3: What's the pet's new old girl? That the one that box?

584
00:27:55,600 --> 00:27:57,679
Speaker 1: Yeah, yeah, yeah, yeah yeah. She was Larissa.

585
00:27:58,480 --> 00:28:01,280
Speaker 3: I think Larissa, And really you think guys in the swaggle,

586
00:28:01,320 --> 00:28:02,720
Speaker 3: I think if it was on some streets, shit, I'm

587
00:28:02,720 --> 00:28:04,680
Speaker 3: gonna give it to me because Remy probably gonna pust

588
00:28:04,720 --> 00:28:08,000
Speaker 3: her her head or something, you know what I'm saying.

589
00:28:08,400 --> 00:28:12,440
Speaker 1: Probably, man, Probably she probably can't even fight somebody on

590
00:28:12,480 --> 00:28:15,199
Speaker 1: the streets though them gloves and probably got them hands registered. Men,

591
00:28:15,280 --> 00:28:17,720
Speaker 1: she gonna jail hit somebody on the streets anyway, you

592
00:28:17,760 --> 00:28:18,240
Speaker 1: know what I'm saying.

593
00:28:18,480 --> 00:28:20,280
Speaker 3: But I think Remy just seemed like one of them

594
00:28:20,320 --> 00:28:23,320
Speaker 3: types is gonna put the venice lean on somebody here.

595
00:28:23,320 --> 00:28:24,440
Speaker 1: You don't want to run it to her in the

596
00:28:24,480 --> 00:28:26,359
Speaker 1: back streets she fucking around, probably hit you over the

597
00:28:26,400 --> 00:28:28,440
Speaker 1: head with them Hontie bottles and leave right there. You

598
00:28:28,480 --> 00:28:31,800
Speaker 1: know what I'm saying. Man, I fucked with Remy though,

599
00:28:31,800 --> 00:28:35,000
Speaker 1: because she she held it down for a long time.

600
00:28:35,280 --> 00:28:36,520
Speaker 3: On for the females.

601
00:28:36,560 --> 00:28:39,840
Speaker 1: You know, she a real spitter. She was doing her thing,

602
00:28:39,920 --> 00:28:41,760
Speaker 1: and she was getting on some hits too, you know

603
00:28:41,800 --> 00:28:44,640
Speaker 1: what I mean. And it's not easy to be in

604
00:28:44,720 --> 00:28:48,240
Speaker 1: the game as as a woman. Well know so she

605
00:28:48,520 --> 00:28:51,160
Speaker 1: she was really doing her She's really doing her one too. Man,

606
00:28:51,240 --> 00:28:56,320
Speaker 1: I got a lot of respect for Remy. When you

607
00:28:56,520 --> 00:28:59,920
Speaker 1: having your relationship in the front of the world, dog,

608
00:29:00,080 --> 00:29:05,720
Speaker 1: that's a tough thing to do and hip twice. Yeah,

609
00:29:06,000 --> 00:29:09,080
Speaker 1: back in the day in my HEYJ and I got daughters,

610
00:29:09,120 --> 00:29:13,560
Speaker 1: I said, I ain't doing that ship. Yeah, my daughters

611
00:29:13,600 --> 00:29:16,040
Speaker 1: watching all that shit. You know what I'm saying.

612
00:29:16,880 --> 00:29:21,560
Speaker 8: All that for in the world so far, for the

613
00:29:21,640 --> 00:29:24,880
Speaker 8: average person, it's just like, like you say, it's content

614
00:29:24,960 --> 00:29:27,000
Speaker 8: and something for them to chime in on.

615
00:29:27,200 --> 00:29:29,440
Speaker 1: But it's something when when the cameras is off, they

616
00:29:29,520 --> 00:29:31,400
Speaker 1: really gotta deal with. They gotta explain that to they

617
00:29:31,440 --> 00:29:32,760
Speaker 1: baby girl, you know what I mean. They got to

618
00:29:32,800 --> 00:29:35,360
Speaker 1: talk today to they family members. That's like, man, what's

619
00:29:35,400 --> 00:29:37,239
Speaker 1: up with bro? You know she or what's up with her?

620
00:29:37,320 --> 00:29:39,480
Speaker 1: You know all that type of ship that niggas don't see.

621
00:29:39,520 --> 00:29:41,240
Speaker 1: So that's why I say, like I left it in

622
00:29:41,320 --> 00:29:43,240
Speaker 1: the battle, Like I said what I said in the battle,

623
00:29:43,520 --> 00:29:45,520
Speaker 1: which more so was like you know all in the battle.

624
00:29:45,560 --> 00:29:47,960
Speaker 2: But man, you never like I got too much respect

625
00:29:48,000 --> 00:29:50,000
Speaker 2: for her and Pep, like I ain't never got on

626
00:29:50,080 --> 00:29:52,840
Speaker 2: no interview, literally literally talking no craziness about him because

627
00:29:52,840 --> 00:29:54,160
Speaker 2: I really don't know the ends and out, so they

628
00:29:54,200 --> 00:29:56,240
Speaker 2: sit out. But for all I know, all that shit

629
00:29:56,280 --> 00:29:58,200
Speaker 2: could be fake, Nigga, they could still be together and

630
00:29:58,600 --> 00:30:00,200
Speaker 2: acting like you know, you know.

631
00:30:02,760 --> 00:30:04,800
Speaker 5: I don't know what they got going on, you said me,

632
00:30:04,920 --> 00:30:05,160
Speaker 5: So I.

633
00:30:06,640 --> 00:30:09,480
Speaker 1: Gave out the way dog and I love Pat, I

634
00:30:09,600 --> 00:30:14,280
Speaker 1: love here to Papa real m C too, like the

635
00:30:14,880 --> 00:30:18,440
Speaker 1: definition of a New York m C. You know that

636
00:30:18,560 --> 00:30:21,360
Speaker 1: Nigga wraps for sure, he rapped, you know what I'm saying,

637
00:30:22,120 --> 00:30:22,440
Speaker 1: right up?

638
00:30:23,160 --> 00:30:27,920
Speaker 3: Busy sure that wos Wood's definitely just busy man.

639
00:30:29,400 --> 00:30:33,360
Speaker 1: He was on the freshman cover with me still we did.

640
00:30:33,680 --> 00:30:36,160
Speaker 1: That's how old I am. We did the first freshman

641
00:30:36,280 --> 00:30:38,480
Speaker 1: cover that they ever did. Dang, you know what I'm

642
00:30:38,480 --> 00:30:40,720
Speaker 1: saying That Nigga Pap was on there.

643
00:30:42,840 --> 00:30:44,840
Speaker 3: That's crazy. What year was that, crook?

644
00:30:45,280 --> 00:30:47,640
Speaker 1: I think that was old seven or something like that.

645
00:30:48,440 --> 00:30:53,680
Speaker 1: Oh hey, something like that. They get almost twenty were

646
00:30:53,720 --> 00:30:57,560
Speaker 1: almost working on twenty years. That they were gonna make

647
00:30:57,600 --> 00:31:00,200
Speaker 1: a noise for a long time. The nigga been You're

648
00:31:00,240 --> 00:31:02,040
Speaker 1: putting in work for a minute, man, you know what

649
00:31:02,080 --> 00:31:07,240
Speaker 1: I'm saying, put me in work for a minute. Ye,

650
00:31:08,360 --> 00:31:09,800
Speaker 1: And that's the type of shit I feel like, you

651
00:31:09,840 --> 00:31:11,880
Speaker 1: know what I'm saying like that I like to see, man,

652
00:31:11,920 --> 00:31:13,920
Speaker 1: you know what I'm saying, just highlighting, Like you said,

653
00:31:14,160 --> 00:31:15,760
Speaker 1: when you talk about them listen and all that.

654
00:31:15,920 --> 00:31:18,800
Speaker 2: You know, all that shit is subjective, but like when

655
00:31:18,840 --> 00:31:20,360
Speaker 2: you know that you've been putting in work and you

656
00:31:20,560 --> 00:31:23,760
Speaker 2: know that the your peers and the other rappers respect you.

657
00:31:23,840 --> 00:31:26,440
Speaker 2: You know what I'm saying, Like, that's the list. You

658
00:31:26,480 --> 00:31:27,960
Speaker 2: know what I'm saying, Like, that's the list. You know

659
00:31:28,000 --> 00:31:29,160
Speaker 2: what I'm saying, like you know.

660
00:31:30,360 --> 00:31:32,320
Speaker 1: You feel me like somebody like Chris being able to

661
00:31:32,360 --> 00:31:33,880
Speaker 1: say like nah, geecha, I know you nice. You know

662
00:31:33,920 --> 00:31:35,680
Speaker 1: what I'm saying. That means something me being able to

663
00:31:35,960 --> 00:31:37,880
Speaker 1: say that back and we both know we spinners and

664
00:31:37,960 --> 00:31:39,840
Speaker 1: we can that's that's that's the nods, you know what

665
00:31:39,880 --> 00:31:42,440
Speaker 1: I'm saying, Like somebody sitting in the office coming up

666
00:31:42,480 --> 00:31:45,200
Speaker 1: with names because they putting together YouTube streams and all

667
00:31:45,240 --> 00:31:48,040
Speaker 1: this different little stuff and then seales that ain't gonna matter.

668
00:31:48,120 --> 00:31:49,520
Speaker 1: Then you know what I mean, Like you said, you

669
00:31:49,600 --> 00:31:52,320
Speaker 1: can name somebody like Pat Pools who probably haven't sold

670
00:31:52,360 --> 00:31:54,200
Speaker 1: as many records as some of the biggest artists in

671
00:31:54,280 --> 00:31:54,600
Speaker 1: New York.

672
00:31:54,640 --> 00:31:56,400
Speaker 5: But everybody in New York know he's Spinner, and they

673
00:31:56,480 --> 00:31:57,640
Speaker 5: gonna respect him off that.

674
00:31:57,800 --> 00:31:57,960
Speaker 1: You know.

675
00:31:58,320 --> 00:31:59,920
Speaker 2: You know, earn't that right because of what he does

676
00:32:00,040 --> 00:32:01,600
Speaker 2: did on them records. When you put him on there

677
00:32:01,640 --> 00:32:04,080
Speaker 2: with certain certain other rappers, you know it so like

678
00:32:04,200 --> 00:32:06,480
Speaker 2: you know, you know what I'm saying.

679
00:32:06,560 --> 00:32:09,920
Speaker 3: I think some of this stuff, man is. I was

680
00:32:09,960 --> 00:32:12,640
Speaker 3: having a conversation with this one catch day and I

681
00:32:12,800 --> 00:32:15,280
Speaker 3: was telling him because he brought up Should's name and

682
00:32:15,760 --> 00:32:18,480
Speaker 3: how you can't move the industry beating up people.

683
00:32:18,280 --> 00:32:19,000
Speaker 5: And doing this no more.

684
00:32:19,040 --> 00:32:21,560
Speaker 3: And I said, man, let me tell you something. This

685
00:32:21,720 --> 00:32:24,000
Speaker 3: is what people don't say about Should Go. I've had

686
00:32:24,120 --> 00:32:26,840
Speaker 3: my interactions for Should. He ain't been enohing to cool

687
00:32:26,880 --> 00:32:29,920
Speaker 3: with me. Yeah, he say he was hundreds or nothing,

688
00:32:29,920 --> 00:32:31,480
Speaker 3: But I don't been with him a couple of times

689
00:32:31,520 --> 00:32:35,560
Speaker 3: and it was always just all love. You know, I'm

690
00:32:35,560 --> 00:32:37,840
Speaker 3: gonna tell you what I do. You know, all my

691
00:32:37,960 --> 00:32:41,280
Speaker 3: hommies that messed with Should, like my big bro DJ

692
00:32:41,480 --> 00:32:44,120
Speaker 3: Podcast said, Should gave him the most money ever for

693
00:32:44,200 --> 00:32:48,160
Speaker 3: a track. Dang, you feel what I'm saying. He gave

694
00:32:48,240 --> 00:32:50,400
Speaker 3: him the most funkyful holler at me gave him like

695
00:32:50,680 --> 00:32:55,440
Speaker 3: like like almost you know, on some big ship. You're

696
00:32:55,480 --> 00:32:57,400
Speaker 3: looking out for him. Mom, I don't heard about him

697
00:32:57,440 --> 00:33:00,680
Speaker 3: saving people's mama's houses. And you know, we gotta get

698
00:33:00,720 --> 00:33:03,000
Speaker 3: to the thing. Man on these platforms where we start

699
00:33:03,080 --> 00:33:05,840
Speaker 3: big uping our brothers. Man, we just you know, not

700
00:33:06,000 --> 00:33:08,440
Speaker 3: out there trying to just make everybody look bad. She'll

701
00:33:08,480 --> 00:33:10,800
Speaker 3: be trying to entertain what was fucker's dog, But you gotta,

702
00:33:10,840 --> 00:33:13,760
Speaker 3: you know, speak life and ship sometimes dog like, she'll

703
00:33:13,920 --> 00:33:16,400
Speaker 3: get a lot of great ship for niggas dog a

704
00:33:16,440 --> 00:33:18,880
Speaker 3: lot of good. And I'm gonna tell you this, with

705
00:33:19,040 --> 00:33:21,640
Speaker 3: the way this industry years, y'all both know some of them,

706
00:33:21,680 --> 00:33:23,880
Speaker 3: sometimes you gotta have a nigga like that. Sometimes you

707
00:33:23,960 --> 00:33:26,720
Speaker 3: gotta come through that for the elbow niggas top.

708
00:33:27,720 --> 00:33:30,320
Speaker 1: And there's a reason that they got elevator key cards

709
00:33:30,400 --> 00:33:32,560
Speaker 1: that the labels, you know what I'm saying, They go

710
00:33:32,800 --> 00:33:35,680
Speaker 1: up there, you know what I mean, and and just

711
00:33:35,800 --> 00:33:39,640
Speaker 1: be on a mission. You feel me. The game is

712
00:33:39,720 --> 00:33:42,280
Speaker 1: designed has always been designed to street artists over since

713
00:33:42,280 --> 00:33:46,720
Speaker 1: fath Cook was singing you feel like, so you gonna

714
00:33:46,760 --> 00:33:48,720
Speaker 1: have some people say hold up, you ain't gonna play

715
00:33:48,800 --> 00:33:50,520
Speaker 1: me going.

716
00:33:52,760 --> 00:33:56,000
Speaker 3: If everybody can always make the homie just It's like

717
00:33:56,160 --> 00:33:58,960
Speaker 3: they say something about somebody but telling what them niggas.

718
00:33:58,680 --> 00:34:03,120
Speaker 1: Did get that. You know, niggas can find that Spotify

719
00:34:03,320 --> 00:34:06,200
Speaker 1: nigga that the CEO Spotify. You don't think nobody got

720
00:34:06,240 --> 00:34:10,280
Speaker 1: the words for him. They gonna have more than words, homie,

721
00:34:10,280 --> 00:34:14,000
Speaker 1: They have stands for that problem. He gonna says zero zero,

722
00:34:14,160 --> 00:34:17,160
Speaker 1: zero point three cents, you know what I mean? Like

723
00:34:17,880 --> 00:34:20,240
Speaker 1: the cold part is they say that, they say Jimmy

724
00:34:20,280 --> 00:34:23,760
Speaker 1: I been, They say Jimmy I Been. Had a conversation

725
00:34:23,920 --> 00:34:27,360
Speaker 1: with Steve Jobs when Steve Jobs was still living and

726
00:34:27,560 --> 00:34:30,240
Speaker 1: told Steve Jobs, if you come out with that iPod,

727
00:34:30,360 --> 00:34:33,319
Speaker 1: you're gonna fuck up the whole music in it. He'sai,

728
00:34:33,360 --> 00:34:35,399
Speaker 1: because you're gonna take it from where you gotta pep

729
00:34:35,480 --> 00:34:39,200
Speaker 1: somebody buying a thousand albums and spending money for each

730
00:34:39,280 --> 00:34:42,120
Speaker 1: one to go into having a thousand albums in their

731
00:34:42,200 --> 00:34:45,200
Speaker 1: pocket on the iPod. And he said that you're gonna

732
00:34:45,239 --> 00:34:49,280
Speaker 1: you're gonna fuck up the money ecosystem. And Steve Jobs

733
00:34:49,400 --> 00:34:52,239
Speaker 1: was like, y'all better catch up because I'm doing it. Man.

734
00:34:52,280 --> 00:34:59,400
Speaker 1: I'm from home. It's tough out here, you know what

735
00:34:59,480 --> 00:35:01,840
Speaker 1: I'm saying, if I had the time the.

736
00:35:01,840 --> 00:35:04,120
Speaker 3: Shining Dog, I'd probably go back and shoot that nigga.

737
00:35:05,400 --> 00:35:06,839
Speaker 1: You'd be manning him up for God.

738
00:35:07,600 --> 00:35:11,280
Speaker 3: I'm serious, man, because they fucked up a lot of giche.

739
00:35:11,440 --> 00:35:14,399
Speaker 3: I tell like young cats like you glasses all the time.

740
00:35:15,640 --> 00:35:18,080
Speaker 3: It was some serious paper being made, dog niggas. That's

741
00:35:18,080 --> 00:35:20,160
Speaker 3: why when niggas talk about this streaming shit, I don't

742
00:35:20,200 --> 00:35:22,800
Speaker 3: believe me because I'd be like, Man, I knew niggas

743
00:35:22,840 --> 00:35:25,040
Speaker 3: and the Bay Dog. I knew niggas in Detroit. Man,

744
00:35:25,080 --> 00:35:30,880
Speaker 3: What's what's my nigga? Uh? What's my nigga? From Detroit? Man? Guilty?

745
00:35:30,960 --> 00:35:35,680
Speaker 3: Simpson guilty, Simpson guilty. Simpson might sell five six thousand

746
00:35:35,760 --> 00:35:38,239
Speaker 3: c these dog, but that nigga is rich, dog like

747
00:35:38,400 --> 00:35:41,319
Speaker 3: like he puts out a bunch of stuff to sell

748
00:35:41,480 --> 00:35:44,000
Speaker 3: six ten thousand. You feel what I'm saying? And he

749
00:35:44,120 --> 00:35:47,759
Speaker 3: getting shows it was catch because you had a physical product, right,

750
00:35:48,400 --> 00:35:50,520
Speaker 3: It's always getting when you got a physical product. You

751
00:35:50,600 --> 00:35:53,279
Speaker 3: got something you can sell somebody, a tangible product. And

752
00:35:53,719 --> 00:35:56,640
Speaker 3: I'm gonna tell you my distribution deal I had over

753
00:35:56,680 --> 00:35:58,800
Speaker 3: in the United Kingdom. Dog, That's how I bought my

754
00:35:58,960 --> 00:36:02,040
Speaker 3: house dog because I was getting something like, I had

755
00:36:02,080 --> 00:36:04,240
Speaker 3: this change rate when I was getting something like twelve

756
00:36:04,280 --> 00:36:06,400
Speaker 3: dollars a CD dog. So if I say all the

757
00:36:06,440 --> 00:36:10,239
Speaker 3: motherfucking two thousand units and a lot of times with

758
00:36:10,360 --> 00:36:12,719
Speaker 3: any shit shit ship out, they can only send forty

759
00:36:12,760 --> 00:36:13,839
Speaker 3: percent of that ship back.

760
00:36:14,160 --> 00:36:15,040
Speaker 1: So you're getting paid.

761
00:36:15,080 --> 00:36:16,560
Speaker 3: And he said six o'locks when they got to.

762
00:36:16,600 --> 00:36:19,000
Speaker 1: Dump your reserves off you talk about, man.

763
00:36:18,880 --> 00:36:22,279
Speaker 3: I was forgetting forty fifty thousand dollars off city the

764
00:36:22,640 --> 00:36:24,920
Speaker 3: last Night show over the last ship one thing. He said, Bro,

765
00:36:25,320 --> 00:36:27,000
Speaker 3: why you're not doing this shit? And I'm want, I said,

766
00:36:27,000 --> 00:36:29,640
Speaker 3: them motherfuckers with that Streamian shit fuck, and I remember

767
00:36:29,680 --> 00:36:31,319
Speaker 3: when that shit happened. I'm gonna tell you the first

768
00:36:31,400 --> 00:36:35,480
Speaker 3: thing they did the niggas. I remember, Dog, I was

769
00:36:35,480 --> 00:36:38,120
Speaker 3: supposed to getting shaked two fifty dogs in this company,

770
00:36:38,239 --> 00:36:41,879
Speaker 3: right fifty. I just got braided off like three months before.

771
00:36:42,000 --> 00:36:44,960
Speaker 3: So you know, I'm driving the big powder of white escalade, man,

772
00:36:45,040 --> 00:36:48,120
Speaker 3: ask stit. I'm driving a big powder of white escalade,

773
00:36:48,239 --> 00:36:49,840
Speaker 3: man with the gold datings on them. You know what

774
00:36:49,840 --> 00:36:52,319
Speaker 3: I'm saying. I had some flying ship, right, I asked

775
00:36:52,400 --> 00:36:56,439
Speaker 3: it about that shit? Right, I'm looking at TV because

776
00:36:56,440 --> 00:36:59,200
Speaker 3: I got a TV putting my motherfucking escalade to walk

777
00:36:59,239 --> 00:37:01,400
Speaker 3: and watch, and they was showing some sugar, bought.

778
00:37:01,239 --> 00:37:04,400
Speaker 1: The homies whiskey of DJ Homies, the niggas in Atlanta, the.

779
00:37:04,600 --> 00:37:10,480
Speaker 3: Fans raising their ship for mixtapes DJ Drama. Now I'm

780
00:37:10,560 --> 00:37:13,960
Speaker 3: looking at that and in real time I'm taller to

781
00:37:14,040 --> 00:37:16,399
Speaker 3: the niggas in England because my money ain't came yet

782
00:37:16,440 --> 00:37:18,120
Speaker 3: and I was supposed to get that, and I was

783
00:37:18,200 --> 00:37:19,840
Speaker 3: a young nigga back there, so I wanted. I was

784
00:37:19,880 --> 00:37:22,120
Speaker 3: spent the whole bunch of shit, like get.

785
00:37:22,040 --> 00:37:22,680
Speaker 1: The court nigga.

786
00:37:22,760 --> 00:37:25,560
Speaker 3: Nigga was buck really go climb. I had the motherfucking

787
00:37:25,600 --> 00:37:29,520
Speaker 3: car being guilty them my nigga, and man, they wouldn't

788
00:37:29,560 --> 00:37:32,080
Speaker 3: give them my money because the fares are putting freeze

789
00:37:32,120 --> 00:37:35,120
Speaker 3: and anything that had samples in it unclear. At first,

790
00:37:35,160 --> 00:37:37,880
Speaker 3: it's all kind of shit. I was mad, motherfuckers, but

791
00:37:37,920 --> 00:37:40,440
Speaker 3: couldn't do nothing. But then I had to like it's

792
00:37:40,520 --> 00:37:42,320
Speaker 3: one of them things, dog like kind of like you

793
00:37:42,440 --> 00:37:44,359
Speaker 3: see the dope I was getting busted and you got

794
00:37:44,480 --> 00:37:47,839
Speaker 3: ten fifteen keys in that motherfucker and you like, damn man,

795
00:37:47,920 --> 00:37:49,919
Speaker 3: all the bread gone, we go. You know it could

796
00:37:49,920 --> 00:37:50,200
Speaker 3: be fun.

797
00:37:50,280 --> 00:37:52,080
Speaker 1: We gonna over to connect. But then you like, at

798
00:37:52,160 --> 00:37:52,920
Speaker 1: least I didn't.

799
00:37:52,680 --> 00:37:54,800
Speaker 3: Go to Chick, but them mother niggas gonna tell a

800
00:37:54,960 --> 00:38:00,000
Speaker 3: long time at right, and man, they just shut down

801
00:38:00,160 --> 00:38:03,239
Speaker 3: ship down. So it was almost like it was strategic, man.

802
00:38:04,520 --> 00:38:06,880
Speaker 3: And I'm gonna take the cold thing about that mixtape

803
00:38:06,880 --> 00:38:09,440
Speaker 3: ship when it happened, where do you think Drahma them

804
00:38:09,600 --> 00:38:14,920
Speaker 3: was getting all the songs from nigga. Come on, Ladis

805
00:38:15,000 --> 00:38:17,359
Speaker 3: was getting niggas them songs, probably getting pay for him.

806
00:38:17,400 --> 00:38:22,000
Speaker 3: Everything was somewhere and the niggas. Everybody go, yeah, Andy

807
00:38:22,080 --> 00:38:24,279
Speaker 3: sometimes they tell the flood the street with them up

808
00:38:24,320 --> 00:38:26,719
Speaker 3: for us, get that nigga. Hope they us getting niggas hot,

809
00:38:27,160 --> 00:38:33,000
Speaker 3: will win mixtape wing, Oh yeah for shot so s.

810
00:38:35,120 --> 00:38:37,279
Speaker 1: Dangs the girls mixtapes with niggas was getting them. There

811
00:38:37,280 --> 00:38:39,160
Speaker 1: was the hottest sits in the streets back there. Everybody.

812
00:38:39,160 --> 00:38:42,879
Speaker 1: You know what I'm saying. You know something trunk went

813
00:38:42,920 --> 00:38:44,520
Speaker 1: out like the Bay Area.

814
00:38:45,640 --> 00:38:52,279
Speaker 3: It was niggas making money back then. Dogs them baby

815
00:38:52,360 --> 00:38:54,319
Speaker 3: niggas was really getting it. I'm gonna tell you all

816
00:38:54,360 --> 00:38:57,720
Speaker 3: something about the homie too Short. Too Short was selling

817
00:38:57,840 --> 00:39:00,640
Speaker 3: independent music. Dog with nineteen eighty he won. He was

818
00:39:00,680 --> 00:39:04,160
Speaker 3: coming down here to IP records, Dog getting Alvin told

819
00:39:04,200 --> 00:39:09,359
Speaker 3: me he was giving he was given time between seven

820
00:39:09,440 --> 00:39:11,799
Speaker 3: and eight dollars. And this is way back in the eighties, Dog,

821
00:39:11,840 --> 00:39:13,239
Speaker 3: between seven eight dollars a tape.

822
00:39:13,280 --> 00:39:19,040
Speaker 1: My nigga, nigga too short. Niggas should look at too short?

823
00:39:19,080 --> 00:39:20,480
Speaker 1: How they look at ll cool jack?

824
00:39:21,080 --> 00:39:23,440
Speaker 3: Oh for sure, for sure. Do you know what I

825
00:39:23,560 --> 00:39:26,160
Speaker 3: tell niggas and y'all go trick on this, I tell

826
00:39:26,320 --> 00:39:29,520
Speaker 3: niggas too short? To me is the braggest rap room

827
00:39:29,600 --> 00:39:35,279
Speaker 3: for all the time. I'll tell you why career from

828
00:39:35,360 --> 00:39:36,640
Speaker 3: nineteen eighty to nine.

829
00:39:37,840 --> 00:39:39,359
Speaker 1: Can you never switched his ship out? Now?

830
00:39:42,480 --> 00:39:45,560
Speaker 3: His heat changed for the times? Right, well, he kept

831
00:39:45,600 --> 00:39:47,600
Speaker 3: the thing flow and he kept saying the same ship.

832
00:39:48,080 --> 00:39:50,440
Speaker 3: He never went and did one because he went and

833
00:39:50,480 --> 00:39:53,480
Speaker 3: did commercials and theah only thing he did was minute

834
00:39:53,520 --> 00:39:58,480
Speaker 3: to society. He staying right, he lived, he said, don't

835
00:39:58,520 --> 00:40:02,040
Speaker 3: stop rapping, call me those fuckings bitches. And this nigga, now,

836
00:40:02,160 --> 00:40:04,359
Speaker 3: I swear he put off the white ship. He cook

837
00:40:04,360 --> 00:40:05,279
Speaker 3: around her to hit the thing.

838
00:40:05,600 --> 00:40:06,120
Speaker 1: Niggas just.

839
00:40:07,600 --> 00:40:08,000
Speaker 3: How it is.

840
00:40:08,320 --> 00:40:10,000
Speaker 9: You can't sing at the boat and it wasn't nigg

841
00:40:10,840 --> 00:40:15,680
Speaker 9: eighty that's a fact too, sure. It's still a legend man.

842
00:40:15,840 --> 00:40:17,960
Speaker 9: Still you still I mean legendary man. We got a

843
00:40:18,000 --> 00:40:19,800
Speaker 9: lot of legendary niggas like that though.

844
00:40:21,239 --> 00:40:23,520
Speaker 1: From the coast, from the coach that just don't get

845
00:40:23,560 --> 00:40:25,840
Speaker 1: their proper flowers, you know what I'm saying. Like, but

846
00:40:26,000 --> 00:40:27,520
Speaker 1: but like you know, like you say, man, like you

847
00:40:27,520 --> 00:40:31,320
Speaker 1: should be looking at short like that DJ Quick, you know,

848
00:40:34,160 --> 00:40:36,920
Speaker 1: like you said, Ship with Niggas, m C eight BG knockouts,

849
00:40:36,960 --> 00:40:39,200
Speaker 1: the drains of the gangs, like these dudes who was

850
00:40:39,320 --> 00:40:41,719
Speaker 1: back in the day a part of some big, big

851
00:40:41,840 --> 00:40:43,960
Speaker 1: records and doing big things. You know what I'm saying,

852
00:40:44,000 --> 00:40:46,480
Speaker 1: some some some unfortunate some, you know what I mean.

853
00:40:46,560 --> 00:40:48,600
Speaker 1: Then the career didn't go like like like some of

854
00:40:48,680 --> 00:40:51,120
Speaker 1: the greats, like like Snoops and Drains. But niggas still

855
00:40:51,200 --> 00:40:53,399
Speaker 1: have big careers and still did a lot and still

856
00:40:53,560 --> 00:40:56,040
Speaker 1: say might make a stamp. You know what I'm saying.

857
00:40:56,040 --> 00:40:57,560
Speaker 1: In this ship, you know what I mean, real for

858
00:40:57,680 --> 00:41:00,400
Speaker 1: real soundtracks and all kinds of shit. You know what

859
00:41:00,440 --> 00:41:04,040
Speaker 1: I'm saying. I hit records that's still timeless records, sugar Free,

860
00:41:04,120 --> 00:41:05,480
Speaker 1: you know what I'm saying, Like that's one of my

861
00:41:06,040 --> 00:41:08,200
Speaker 1: favorite rappers right there. You know what I'm saying, like.

862
00:41:08,280 --> 00:41:10,959
Speaker 3: Just one nigga one, that's my homeboy man.

863
00:41:12,920 --> 00:41:14,719
Speaker 1: Talking that peak talk on that shit. That nigga be

864
00:41:14,840 --> 00:41:18,719
Speaker 1: gassing though. You know what I'm saying, Oh.

865
00:41:18,719 --> 00:41:20,880
Speaker 3: He's a rapping his nigga. Dog. I'm gonna tell you

866
00:41:20,880 --> 00:41:25,000
Speaker 3: you talked about that ship fucking rappers up. We was

867
00:41:25,120 --> 00:41:28,359
Speaker 3: up in Oregon. There was a niggas trying to wrap

868
00:41:28,480 --> 00:41:30,400
Speaker 3: up there, dog with sugar Free letting the me. You know,

869
00:41:30,480 --> 00:41:32,800
Speaker 3: sugar Free back there. He you have, sugar Free is

870
00:41:32,920 --> 00:41:34,319
Speaker 3: just like that uncle that you got.

871
00:41:34,360 --> 00:41:34,480
Speaker 1: You know.

872
00:41:34,640 --> 00:41:36,560
Speaker 3: Niggas were their hair slicked back in that little tight

873
00:41:36,640 --> 00:41:37,400
Speaker 3: ass ponytail.

874
00:41:37,400 --> 00:41:38,520
Speaker 1: He went back the right.

875
00:41:39,160 --> 00:41:41,520
Speaker 3: So niggas up there wrapping and this nigga got on

876
00:41:41,719 --> 00:41:43,759
Speaker 3: like a silk shirt. You had nigga be having a

877
00:41:43,840 --> 00:41:48,719
Speaker 3: silk shirts with like some slack songs like fucking hoofers. Yeah.

878
00:41:49,719 --> 00:41:53,360
Speaker 3: This nigga grabbed the magazine and was rapping about everybody

879
00:41:53,520 --> 00:42:02,319
Speaker 3: on the magazine. Man, like cold he was gonna pick.

880
00:42:02,800 --> 00:42:05,279
Speaker 3: He told him some nigga he was gonna do something

881
00:42:05,360 --> 00:42:07,680
Speaker 3: with his brawl, And I swear to the nigga had

882
00:42:07,719 --> 00:42:08,759
Speaker 3: this brawl the wrong.

883
00:42:08,840 --> 00:42:12,160
Speaker 1: The same nigga he told him to walking behind him

884
00:42:12,239 --> 00:42:17,800
Speaker 1: like this. It's a real character. Grow the fact.

885
00:42:18,080 --> 00:42:19,560
Speaker 3: It's a little Ciga free man.

886
00:42:20,000 --> 00:42:22,239
Speaker 1: That man. That's what I'm saying. There's a lot of

887
00:42:22,320 --> 00:42:24,319
Speaker 1: legendary ship man that's on this West coast.

888
00:42:24,640 --> 00:42:28,160
Speaker 3: You know he's from contin you know, but he's from Comfort.

889
00:42:28,160 --> 00:42:32,200
Speaker 1: By way of the city. Yeah yeah, yeah, yeah, from Compton. Uh.

890
00:42:32,960 --> 00:42:36,280
Speaker 1: I think like Brooklyn, Yeah.

891
00:42:37,840 --> 00:42:40,960
Speaker 5: Yeah, a lot of a lot of a lot of

892
00:42:41,000 --> 00:42:43,480
Speaker 5: stars and cobs like not.

893
00:42:44,719 --> 00:42:48,480
Speaker 1: They got like Brooklyn got Jay and Biggie and they

894
00:42:48,640 --> 00:42:53,320
Speaker 1: got Cought. That's like Brooky. Yeah, niggas Compon is for

895
00:42:53,440 --> 00:42:55,800
Speaker 1: it to be such a small city when I be crazy,

896
00:42:55,840 --> 00:42:57,560
Speaker 1: when you go out of town and people, but you

897
00:42:57,680 --> 00:43:00,440
Speaker 1: hear about Compon and you think it's it's biggas some

898
00:43:00,520 --> 00:43:03,279
Speaker 1: of them cities like an Atlanta or Detroit. You know

899
00:43:03,320 --> 00:43:05,600
Speaker 1: what I'm saying. It's like it made such a big

900
00:43:05,760 --> 00:43:08,440
Speaker 1: impact on hip hop though through the rappers and and

901
00:43:08,560 --> 00:43:10,439
Speaker 1: stuff that and that came up out of that city.

902
00:43:10,520 --> 00:43:12,800
Speaker 1: The athletes, you know what I mean, The actors and

903
00:43:12,880 --> 00:43:14,400
Speaker 1: actresses that came up out of there too.

904
00:43:14,480 --> 00:43:17,120
Speaker 3: You know what I'm saying. I had a big thing.

905
00:43:18,400 --> 00:43:19,920
Speaker 1: I think it's only Channel two world.

906
00:43:20,800 --> 00:43:24,240
Speaker 3: I told him, I said man Compton is probably remember

907
00:43:24,280 --> 00:43:27,160
Speaker 3: when City for Rep. I would have to give up

908
00:43:27,160 --> 00:43:32,040
Speaker 3: the Long Beach too. But Compton from store Gold, when

909
00:43:32,080 --> 00:43:34,279
Speaker 3: you think for all the ship he was came up here,

910
00:43:34,320 --> 00:43:36,880
Speaker 3: I'm told about all the day from Swaying Easy.

911
00:43:38,320 --> 00:43:41,360
Speaker 1: You know they've always had the monster really five or

912
00:43:41,400 --> 00:43:50,800
Speaker 1: six years old. Forget about her gig show show the

913
00:43:50,920 --> 00:43:59,160
Speaker 1: shore nigga comforting his motherfucking nigger, the seapin. That's like

914
00:43:59,280 --> 00:44:03,840
Speaker 1: the tree, the n w A tree. Yeah, and you

915
00:44:03,960 --> 00:44:08,800
Speaker 1: know I'm part of that tree by way of you know,

916
00:44:09,040 --> 00:44:12,200
Speaker 1: fucking with Sloop and the dog poun do you know

917
00:44:12,400 --> 00:44:18,080
Speaker 1: death bro, and fucking with Drake. Like people don't understand

918
00:44:18,200 --> 00:44:21,800
Speaker 1: Doctor Dre had three motherfucking dynasties, nigga, not one. He

919
00:44:21,920 --> 00:44:27,080
Speaker 1: had ruthless death Row Aftermath. That's three dynasty. Them niggas

920
00:44:27,120 --> 00:44:29,120
Speaker 1: got one dynasty. You know what I'm saying.

921
00:44:31,480 --> 00:44:34,200
Speaker 3: He produced doll three in his motherfuckers. He's the one

922
00:44:34,239 --> 00:44:40,600
Speaker 3: that was instrumental from the songs. Bro, That shit is legendary.

923
00:44:40,920 --> 00:44:42,439
Speaker 3: What he did, you know what I'm saying.

924
00:44:43,040 --> 00:44:47,399
Speaker 1: But they all did, easy friend. They can compass most

925
00:44:47,520 --> 00:44:52,400
Speaker 1: wanted motherfucking quick. You know what I'm saying, like it

926
00:44:52,640 --> 00:45:00,600
Speaker 1: just goes on and on, you know what I mean? Wait,

927
00:45:00,719 --> 00:45:05,680
Speaker 1: and so all records, so the records game. So so

928
00:45:05,880 --> 00:45:10,920
Speaker 1: you're what you got Kendrick, you got y G, you

929
00:45:11,000 --> 00:45:13,000
Speaker 1: got Roddy Rich. You know what I'm saying, Like even

930
00:45:13,040 --> 00:45:15,399
Speaker 1: in this newer generation, you know what I'm saying, that's

931
00:45:15,880 --> 00:45:19,680
Speaker 1: Hendrick Y G, Roddy Rich. You know what I'm saying,

932
00:45:20,000 --> 00:45:22,640
Speaker 1: that's that's you. If they just had that, they be

933
00:45:22,760 --> 00:45:23,359
Speaker 1: talking ship.

934
00:45:23,840 --> 00:45:29,240
Speaker 3: You know what I'm saying, be in the mother fucking battle,

935
00:45:29,320 --> 00:45:30,799
Speaker 3: rep Bro. My niggas.

936
00:45:36,600 --> 00:45:42,080
Speaker 1: Like that real Topton always got something to shape. That's

937
00:45:42,120 --> 00:45:45,439
Speaker 1: a fact. You know what I'm saying. That's that's that's

938
00:45:45,480 --> 00:45:48,200
Speaker 1: a fact. Like if you don't know that fact, you

939
00:45:48,280 --> 00:45:50,120
Speaker 1: know what I mean, tell you We don't know what

940
00:45:50,160 --> 00:45:50,520
Speaker 1: to tell you.

941
00:45:50,640 --> 00:45:51,640
Speaker 3: I don't know if you tell you.

942
00:45:52,160 --> 00:45:54,799
Speaker 1: Know what glasses claiming the glass.

943
00:45:54,680 --> 00:45:55,520
Speaker 3: Is from compting Dog.

944
00:45:56,920 --> 00:45:59,640
Speaker 1: Yeah, you know what, hundred seventeenth right there, that's the boy.

945
00:45:59,520 --> 00:46:04,839
Speaker 3: All right, glass from coffee it all and all these

946
00:46:04,920 --> 00:46:10,320
Speaker 3: niggas don't have movements like the shit in the street.

947
00:46:11,040 --> 00:46:15,920
Speaker 1: Yeah. In fact, what's up? Hell yeah, you know watch

948
00:46:16,320 --> 00:46:20,719
Speaker 1: then everybody migrated, got a cool job, went over here.

949
00:46:24,200 --> 00:46:26,000
Speaker 1: You know, we got a great we got a great

950
00:46:26,160 --> 00:46:30,480
Speaker 1: history over here Coolio that is not known much. We

951
00:46:30,600 --> 00:46:34,120
Speaker 1: got our own Grand Master Flash and Africa Bad Boys

952
00:46:34,200 --> 00:46:40,279
Speaker 1: and keep Yeah. We got Kid, DJ Pool and Miss

953
00:46:40,400 --> 00:46:45,920
Speaker 1: Man and you know what I'm saying. We got battle

954
00:46:46,040 --> 00:46:52,799
Speaker 1: Chat and Army and we got we got history Ice Tea.

955
00:46:53,560 --> 00:46:56,040
Speaker 1: We got a real even before I got in the

956
00:46:56,080 --> 00:46:58,040
Speaker 1: Battle rep game. And like you say, my nigga spit

957
00:46:58,160 --> 00:47:01,279
Speaker 1: fire Man, we ran through the whole battle.

958
00:47:03,040 --> 00:47:04,600
Speaker 2: Before that shit even was you know what I mean,

959
00:47:04,640 --> 00:47:06,359
Speaker 2: it was even a big thing, went through that whole

960
00:47:06,440 --> 00:47:07,839
Speaker 2: guy living ran the niggas man.

961
00:47:07,880 --> 00:47:12,000
Speaker 1: You know what I'm saying, Like Damn Ben spinners Man.

962
00:47:12,520 --> 00:47:19,000
Speaker 10: Real Yeah, if I remember Spit Fire too, So yeah,

963
00:47:20,719 --> 00:47:22,800
Speaker 10: ricords to these records.

964
00:47:24,239 --> 00:47:25,240
Speaker 3: You know what's so crazy?

965
00:47:27,000 --> 00:47:31,600
Speaker 1: Yeah av too. You know what I'm saying, problem problem,

966
00:47:32,000 --> 00:47:36,520
Speaker 1: you know what I mean, keep going, Nigga's going, Let's

967
00:47:36,840 --> 00:47:43,759
Speaker 1: go bro niggas, brogs. You know That's why I liked

968
00:47:43,800 --> 00:47:46,000
Speaker 1: it what Kendrick did. I always saluted that when the

969
00:47:46,000 --> 00:47:48,160
Speaker 1: motherfuckers asked me about it. Because I didn't get to

970
00:47:48,200 --> 00:47:49,080
Speaker 1: make it to the popart.

971
00:47:49,120 --> 00:47:51,000
Speaker 2: I was actually like around my birthday last year, my

972
00:47:51,040 --> 00:47:52,440
Speaker 2: birthday in the twenty seconds, so they get it on.

973
00:47:52,600 --> 00:47:55,319
Speaker 1: Joe tep I was already headed to Houston. I had

974
00:47:55,320 --> 00:47:58,320
Speaker 1: a I was out there, so but I saluted it

975
00:47:58,320 --> 00:48:00,680
Speaker 1: because I'm like, you know what, that's something that other

976
00:48:00,760 --> 00:48:03,440
Speaker 1: regions I always felt was ahead of the game with

977
00:48:03,600 --> 00:48:06,719
Speaker 1: on us. It's just tying everything together.

978
00:48:06,560 --> 00:48:09,040
Speaker 2: And you know what I mean and doing big events

979
00:48:09,200 --> 00:48:12,280
Speaker 2: like that, like we so divided through these street politics

980
00:48:12,360 --> 00:48:13,920
Speaker 2: and all this other little different shit that they'd be

981
00:48:14,040 --> 00:48:15,960
Speaker 2: hard to you know what I mean, Like the rappers

982
00:48:16,080 --> 00:48:18,040
Speaker 2: kind of know how to get along. But then it's like, well,

983
00:48:18,120 --> 00:48:19,840
Speaker 2: I can't really bring him and him because if he

984
00:48:19,960 --> 00:48:21,600
Speaker 2: bring him and him, and he bring him and him,

985
00:48:22,000 --> 00:48:23,880
Speaker 2: he never now is now is a problem, you know

986
00:48:23,920 --> 00:48:24,399
Speaker 2: what I'm saying.

987
00:48:24,480 --> 00:48:26,279
Speaker 1: So you know, and that's just how it is.

988
00:48:26,360 --> 00:48:28,719
Speaker 2: But I felt like when he did that, it showed, like,

989
00:48:28,840 --> 00:48:32,200
Speaker 2: you know what, like motherfucker's is growing and understanding a

990
00:48:32,200 --> 00:48:34,160
Speaker 2: little bit. This shit bigger, you know what I mean,

991
00:48:34,200 --> 00:48:35,719
Speaker 2: This shit bigger than what it you know what I mean.

992
00:48:35,760 --> 00:48:37,719
Speaker 1: And when niggas used to look at it ass like

993
00:48:37,800 --> 00:48:39,799
Speaker 1: you know, like, nah, man, there's a lot of dudes

994
00:48:39,840 --> 00:48:42,919
Speaker 1: from different sections putting on putting money in their hood,

995
00:48:42,960 --> 00:48:45,040
Speaker 1: putting putting putting hope in they hood. You know what

996
00:48:45,080 --> 00:48:47,359
Speaker 1: I'm saying, putting hope in their hood for the next

997
00:48:47,400 --> 00:48:49,600
Speaker 1: generation to want to do this ship niggas from everywhere.

998
00:48:49,640 --> 00:48:51,879
Speaker 1: You know what I'm saying, blood crip and say whatever.

999
00:48:52,000 --> 00:48:53,560
Speaker 1: You know what I'm saying, Like, I think that pop

1000
00:48:53,640 --> 00:48:56,480
Speaker 1: out man with some big and something that that niggas

1001
00:48:56,880 --> 00:48:58,719
Speaker 1: pick the ball up and keep going, you know what

1002
00:48:58,760 --> 00:49:00,160
Speaker 1: I'm saying, Like you.

1003
00:49:02,239 --> 00:49:07,120
Speaker 3: Like you know when you start talking about TD this period, man,

1004
00:49:07,200 --> 00:49:09,720
Speaker 3: you know that nigga dude dog really from watching my nigga,

1005
00:49:09,800 --> 00:49:12,120
Speaker 3: you know it was somebody else, you know what I'm saying,

1006
00:49:12,200 --> 00:49:15,440
Speaker 3: And he's one of the top executives like it.

1007
00:49:17,239 --> 00:49:23,200
Speaker 1: And though it's like and he's a regular nigga, I

1008
00:49:23,239 --> 00:49:25,359
Speaker 1: think that you think you're right about that prop out

1009
00:49:25,440 --> 00:49:28,919
Speaker 1: though I think I think the world when they've seen

1010
00:49:29,000 --> 00:49:31,160
Speaker 1: some bloods and crips up there, they was like, oh yeah,

1011
00:49:31,200 --> 00:49:34,320
Speaker 1: that's cool. But I don't think they really understood this,

1012
00:49:34,560 --> 00:49:39,120
Speaker 1: understood the maga was going on and that's some king ship.

1013
00:49:39,360 --> 00:49:42,640
Speaker 1: Like the last time I really seen somebody do it

1014
00:49:42,719 --> 00:49:46,160
Speaker 1: on an album, tip was all eyes on me. When

1015
00:49:46,480 --> 00:49:49,560
Speaker 1: you know what I'm saying, Magnavelly. When you listen to

1016
00:49:49,640 --> 00:49:51,960
Speaker 1: that album, all Eyes on Me, you hear niggas from

1017
00:49:52,000 --> 00:49:53,960
Speaker 1: the Bay, you hear niggas from l A and you.

1018
00:49:54,480 --> 00:49:59,120
Speaker 1: It's all together while he and his crime go wait

1019
00:49:59,239 --> 00:50:02,560
Speaker 1: till You Fall. They try to start working with people

1020
00:50:02,719 --> 00:50:07,200
Speaker 1: out when your crime hot, so they could get hot,

1021
00:50:07,320 --> 00:50:10,120
Speaker 1: you know what I'm saying. So it was really that

1022
00:50:10,280 --> 00:50:13,480
Speaker 1: pop out Man was really a great, great, great event.

1023
00:50:14,239 --> 00:50:17,680
Speaker 1: And you know, to hear them dudes on that g

1024
00:50:17,840 --> 00:50:21,279
Speaker 1: n X because gn X felt like to pop out

1025
00:50:21,400 --> 00:50:24,640
Speaker 1: the album version album version. Yeah, so you know me

1026
00:50:24,800 --> 00:50:27,959
Speaker 1: and that and here to hear them young guys going

1027
00:50:28,080 --> 00:50:31,800
Speaker 1: on there man, and and watching them on on social media.

1028
00:50:31,920 --> 00:50:35,239
Speaker 1: Pull out the plaques in the in the charts, you

1029
00:50:35,320 --> 00:50:39,200
Speaker 1: know they first they first number one song on Build Man.

1030
00:50:39,239 --> 00:50:43,719
Speaker 1: That ship is just legendary is and I hope that

1031
00:50:43,960 --> 00:50:47,680
Speaker 1: people can't keep that energy going to just dude, it's

1032
00:50:48,400 --> 00:50:51,360
Speaker 1: it's too many people that's dope that don't even have

1033
00:50:51,680 --> 00:50:55,600
Speaker 1: songs together, you know what I mean, Like they don't

1034
00:50:55,640 --> 00:50:59,759
Speaker 1: even got joints together. Like that's that don't make no sense.

1035
00:51:00,160 --> 00:51:05,600
Speaker 1: We got a click up this power unity. Yeah, yeah,

1036
00:51:05,640 --> 00:51:07,279
Speaker 1: he said he did a great thing. I think he

1037
00:51:07,320 --> 00:51:11,360
Speaker 1: shifted the culture a little bit too. Nah, definitely definitely

1038
00:51:11,600 --> 00:51:17,960
Speaker 1: because the party died that other party. Definitely definitely. We

1039
00:51:18,080 --> 00:51:20,759
Speaker 1: even kind of like piggybacked off. It meant I had

1040
00:51:20,800 --> 00:51:25,839
Speaker 1: a battle in December last year downtown in LA said,

1041
00:51:25,840 --> 00:51:28,520
Speaker 1: I'm onna Kelly plugging them. They put it together, our

1042
00:51:28,560 --> 00:51:31,680
Speaker 1: battle of a rapper that was a power rapper and

1043
00:51:31,760 --> 00:51:36,640
Speaker 1: then we had uh counting crip rappers, power rappers, La Cribs,

1044
00:51:36,680 --> 00:51:38,759
Speaker 1: bloods all on the court as far as like doing

1045
00:51:38,840 --> 00:51:39,400
Speaker 1: their music.

1046
00:51:39,920 --> 00:51:43,640
Speaker 2: Had the building packed with all type of different hoods,

1047
00:51:43,719 --> 00:51:46,920
Speaker 2: different gangs, no drama, no nobody got hurt, nobody went

1048
00:51:46,960 --> 00:51:49,359
Speaker 2: to gail, everybody performed and all that shit.

1049
00:51:49,400 --> 00:51:51,279
Speaker 1: That shit went down December last year. You know what

1050
00:51:51,280 --> 00:51:53,319
Speaker 1: I'm saying. It was called King of the County, had

1051
00:51:53,320 --> 00:51:55,480
Speaker 1: a gang of members in there. Everybody was in there

1052
00:51:55,560 --> 00:51:58,000
Speaker 1: for the same purpose and calls probably now on the

1053
00:51:58,080 --> 00:52:00,799
Speaker 1: biggest skill as far as like doing it on prime

1054
00:52:00,960 --> 00:52:02,920
Speaker 1: video and all that. But within that same you know

1055
00:52:02,960 --> 00:52:06,480
Speaker 1: what I mean, energy, like yeah, within that same energy

1056
00:52:06,560 --> 00:52:09,399
Speaker 1: of just niggas in the streets like understanding, like man,

1057
00:52:09,440 --> 00:52:11,319
Speaker 1: put that bullshit to the side. Man, these niggas over

1058
00:52:11,360 --> 00:52:13,080
Speaker 1: here raping. It's a nigga from this hood that rap,

1059
00:52:13,320 --> 00:52:15,279
Speaker 1: his homi'es finna be in here supporting on this hood

1060
00:52:15,320 --> 00:52:18,040
Speaker 1: that rap. Everybody finished support each other and going home.

1061
00:52:18,120 --> 00:52:19,600
Speaker 1: You know what I'm saying, because at the end of

1062
00:52:19,640 --> 00:52:22,040
Speaker 1: the day, they like you get to start looking around

1063
00:52:22,080 --> 00:52:23,920
Speaker 1: and you're like, man, some of this shit be all

1064
00:52:23,960 --> 00:52:26,000
Speaker 1: the all niggas be wont is a little bit of support,

1065
00:52:26,120 --> 00:52:28,000
Speaker 1: you know what I'm saying. And if you start seeing

1066
00:52:28,000 --> 00:52:29,759
Speaker 1: that that that that niggas can and kind of like

1067
00:52:29,840 --> 00:52:32,120
Speaker 1: he said, man, like you stop seeing dudes being able

1068
00:52:32,160 --> 00:52:34,880
Speaker 1: to do songs with each other, do the little bullshit,

1069
00:52:35,120 --> 00:52:36,719
Speaker 1: and they be like, man, that shit might be the

1070
00:52:36,800 --> 00:52:38,440
Speaker 1: nigga that's gonna have that hit with you. That might

1071
00:52:38,520 --> 00:52:40,200
Speaker 1: be that you know what I mean, Your song might

1072
00:52:40,239 --> 00:52:41,960
Speaker 1: be hot over here in this neighborhood if you get

1073
00:52:41,960 --> 00:52:43,480
Speaker 1: an opportunity just to let a nigga, you know what

1074
00:52:43,480 --> 00:52:45,600
Speaker 1: I'm saying. That's what was so dope to me about

1075
00:52:45,680 --> 00:52:47,719
Speaker 1: Nipsey Rest in peace. I want to make sure I

1076
00:52:47,800 --> 00:52:49,160
Speaker 1: say this for we got out. That was always one

1077
00:52:49,239 --> 00:52:51,439
Speaker 1: was so dope to me about a nigga like nip

1078
00:52:51,840 --> 00:52:54,480
Speaker 1: because nip transcended just like of course he was a

1079
00:52:54,560 --> 00:52:57,080
Speaker 1: six so crip, but like he was just looked at

1080
00:52:57,160 --> 00:52:58,959
Speaker 1: like a like a like nigga no matter. He felt

1081
00:52:58,960 --> 00:53:01,080
Speaker 1: like he was from everybody who you know what I mean,

1082
00:53:03,640 --> 00:53:05,840
Speaker 1: took that Nipsey Like, Man, this nigga hard Bro't the

1083
00:53:05,920 --> 00:53:08,080
Speaker 1: fun where this nigga from. I'm banging this ship. You

1084
00:53:08,120 --> 00:53:09,680
Speaker 1: know what I'm saying, Nigga, I'm pretty so it's in

1085
00:53:09,760 --> 00:53:11,960
Speaker 1: and the banged whatever. You know what I'm saying, All

1086
00:53:12,040 --> 00:53:14,000
Speaker 1: that type of ship like and that that's the energy

1087
00:53:14,320 --> 00:53:15,880
Speaker 1: that that I think we you know, like like we

1088
00:53:16,040 --> 00:53:18,200
Speaker 1: missing on that west and I think Kendrick you know,

1089
00:53:18,280 --> 00:53:19,840
Speaker 1: brung that back with that pop out. You know what

1090
00:53:19,840 --> 00:53:23,160
Speaker 1: I'm saying, we missing that absolutely. I'm saying, you remember

1091
00:53:23,280 --> 00:53:27,120
Speaker 1: banging on wax still Hell, Yeah, you know what I'm saying.

1092
00:53:27,480 --> 00:53:29,439
Speaker 3: He was an a fourtant album. You know, Battle can't

1093
00:53:29,480 --> 00:53:29,920
Speaker 3: produced that.

1094
00:53:31,280 --> 00:53:35,759
Speaker 1: Yeah, that was an important album. Dog Banking ain't gonna

1095
00:53:35,800 --> 00:53:37,160
Speaker 1: take how many copies of that ship?

1096
00:53:37,239 --> 00:53:41,160
Speaker 3: So Man, the people x X label to prove that.

1097
00:53:41,280 --> 00:53:43,320
Speaker 3: I forget the name of that label, but there was

1098
00:53:43,360 --> 00:53:46,360
Speaker 3: a little in the label. Them people made millions of dollars, Dog.

1099
00:53:47,200 --> 00:53:48,799
Speaker 1: I believe millions of dollars. Bro.

1100
00:53:49,680 --> 00:53:52,840
Speaker 3: I believe that that ship is crazy.

1101
00:53:53,040 --> 00:53:59,480
Speaker 1: Domino was on there, but I think class powerful music,

1102
00:54:00,040 --> 00:54:02,520
Speaker 1: awful bro Like I remember when I was like eighteen,

1103
00:54:02,600 --> 00:54:06,200
Speaker 1: I had to move to the Jungle because it was

1104
00:54:06,280 --> 00:54:08,480
Speaker 1: a section eight apartment. I you know, I was clear

1105
00:54:08,560 --> 00:54:13,719
Speaker 1: with his kids, got to move. Dog. They was upping

1106
00:54:13,800 --> 00:54:16,200
Speaker 1: the fuck out of motherfucking Snoop album in the Jungle.

1107
00:54:16,360 --> 00:54:25,520
Speaker 1: Dog like every Snoop You Snoop nothing, Nigga like Snoop

1108
00:54:25,600 --> 00:54:31,000
Speaker 1: good everywhere in America, everywhere in the world. That boat

1109
00:54:31,520 --> 00:54:34,319
Speaker 1: he the biggest crip ever was what nobody what I'm saying,

1110
00:54:34,400 --> 00:54:36,440
Speaker 1: that's the biggest I want to hear.

1111
00:54:37,160 --> 00:54:39,120
Speaker 3: I want to hear y'all boats them before we get

1112
00:54:39,160 --> 00:54:43,760
Speaker 3: out of here. Man, Both of y'all is from neighborhoods

1113
00:54:44,000 --> 00:54:46,680
Speaker 3: like like Cook ain't no game banger, but he you know,

1114
00:54:46,800 --> 00:54:49,560
Speaker 3: he's from somewhere. He you know, he got niggas that

1115
00:54:50,120 --> 00:54:51,680
Speaker 3: if he called you gonna come to show up. You

1116
00:54:51,719 --> 00:54:55,719
Speaker 3: feel what I'm saying, you from where you're from, right.

1117
00:54:56,640 --> 00:54:59,680
Speaker 3: Do you think y'all having that dynamic? Man, do you

1118
00:54:59,800 --> 00:55:02,960
Speaker 3: think that that sometimes may have stopped some incredible music

1119
00:55:03,000 --> 00:55:05,439
Speaker 3: that could have been made the show?

1120
00:55:06,000 --> 00:55:08,880
Speaker 1: In my in my and my side of it, I'm

1121
00:55:08,920 --> 00:55:11,440
Speaker 1: pretty sore at half, you know what I'm saying, just

1122
00:55:11,560 --> 00:55:14,080
Speaker 1: off of the simple fact, especially me, like like I'm

1123
00:55:14,160 --> 00:55:15,120
Speaker 1: like I'm a little older now.

1124
00:55:15,160 --> 00:55:15,680
Speaker 3: You know what I'm saying.

1125
00:55:15,719 --> 00:55:17,360
Speaker 2: I just turned thirty seven other day. You know what

1126
00:55:17,400 --> 00:55:22,839
Speaker 2: I'm saying, You feelish? Yeah, yeah, I'm a cancer man.

1127
00:55:22,880 --> 00:55:24,960
Speaker 2: The first day of that shit man I started off. Man,

1128
00:55:25,040 --> 00:55:27,000
Speaker 2: so I'm like on the cut stay statement. You know

1129
00:55:27,040 --> 00:55:29,640
Speaker 2: what I'm saying, I I'm cancer man, six twenty two.

1130
00:55:29,760 --> 00:55:32,759
Speaker 2: You feel regulations birthday, my nigga.

1131
00:55:32,680 --> 00:55:33,440
Speaker 1: I appreciate it.

1132
00:55:33,719 --> 00:55:36,200
Speaker 2: So I can say, you know, even myself probably as

1133
00:55:36,239 --> 00:55:38,880
Speaker 2: a younger, as a younger, uh, you know what I'm saying,

1134
00:55:39,600 --> 00:55:42,239
Speaker 2: I had that type of mindset too. You know what

1135
00:55:42,280 --> 00:55:45,080
Speaker 2: I'm saying, just being you know what i mean younger

1136
00:55:45,120 --> 00:55:48,360
Speaker 2: when I was rapping and just hearing dudes different areas

1137
00:55:48,400 --> 00:55:50,520
Speaker 2: that probably was cold, and I just already had it

1138
00:55:50,520 --> 00:55:51,680
Speaker 2: in my mind like niggas cold.

1139
00:55:51,719 --> 00:55:53,360
Speaker 1: But I ain't doing no music with no niggas. You

1140
00:55:53,360 --> 00:55:55,440
Speaker 1: know what I'm saying, Like niggas like probably ain't like

1141
00:55:55,600 --> 00:55:57,279
Speaker 1: hating on them or stopping them, but just in my

1142
00:55:57,400 --> 00:55:59,480
Speaker 1: mind like if they ever send me a record, it

1143
00:55:59,480 --> 00:56:01,600
Speaker 1: wouldn't have and I ain't thinking about it, so I

1144
00:56:01,640 --> 00:56:03,839
Speaker 1: can only imagine that party everywhere, you know what I mean,

1145
00:56:03,920 --> 00:56:05,840
Speaker 1: Niggas that probably felt the same way when they seen me,

1146
00:56:05,960 --> 00:56:08,120
Speaker 1: like you got he tight, but from over there, you

1147
00:56:08,120 --> 00:56:09,600
Speaker 1: know what I'm saying, I can't really do it now

1148
00:56:09,640 --> 00:56:12,280
Speaker 1: I'm a little older, so that shit like in my past,

1149
00:56:12,320 --> 00:56:12,680
Speaker 1: I do it.

1150
00:56:12,840 --> 00:56:15,920
Speaker 2: I do a song with the motherfuckers, and that's what

1151
00:56:16,040 --> 00:56:18,600
Speaker 2: it is. Definitely I could say in my past. Hell yeah,

1152
00:56:18,600 --> 00:56:21,239
Speaker 2: that party handed a lot of you know what the fuck?

1153
00:56:21,320 --> 00:56:26,560
Speaker 3: That part about it is y'all from probably in y'all

1154
00:56:26,640 --> 00:56:29,680
Speaker 3: prospective cities, from the biggest neighborhoods and the perspective cities.

1155
00:56:30,560 --> 00:56:33,640
Speaker 3: So it's like niggas is really scared when place front,

1156
00:56:33,760 --> 00:56:35,480
Speaker 3: Like I know niggas that won't even go over there

1157
00:56:37,719 --> 00:56:42,000
Speaker 3: near ny near nowhere with no insane is that? You

1158
00:56:42,040 --> 00:56:42,520
Speaker 3: know what I'm saying.

1159
00:56:44,719 --> 00:56:47,560
Speaker 1: Well, some of them niggas, you know it be like

1160
00:56:47,600 --> 00:56:49,560
Speaker 1: I ain't fucking with that long beach nigga when when

1161
00:56:49,560 --> 00:56:52,120
Speaker 1: I was young, you know what I'm saying. But you know,

1162
00:56:52,360 --> 00:56:57,279
Speaker 1: and but no matter where I went their music, I

1163
00:56:57,440 --> 00:56:59,719
Speaker 1: was the long beach nigga, you know what I'm saying,

1164
00:56:59,840 --> 00:57:03,360
Speaker 1: Like like I was on the dead end. We're gaming

1165
00:57:03,440 --> 00:57:06,200
Speaker 1: them in Black Wall Street way, He's back. You know

1166
00:57:06,280 --> 00:57:10,960
Speaker 1: what I'm saying, pull up doing music back on, Big

1167
00:57:11,040 --> 00:57:15,680
Speaker 1: Face was around and ge Rye and all them dog

1168
00:57:16,200 --> 00:57:18,240
Speaker 1: be over there making music. Then I go, fuck with

1169
00:57:18,320 --> 00:57:21,040
Speaker 1: Big Why resting? You know what I'm saying. I go,

1170
00:57:21,720 --> 00:57:26,960
Speaker 1: why we're doing music? Then by Nigga g red Rum.

1171
00:57:27,640 --> 00:57:30,560
Speaker 1: You know what I'm saying. We're doing music, you know,

1172
00:57:30,720 --> 00:57:35,360
Speaker 1: and it's like they accepted everything, Like Nigga, we already

1173
00:57:35,520 --> 00:57:39,160
Speaker 1: know all your family it is this and we we

1174
00:57:39,320 --> 00:57:44,240
Speaker 1: know what it is. But Nigga, we making music and unifier.

1175
00:57:44,360 --> 00:57:48,640
Speaker 1: You know what I'm saying, that big unifier building. It's

1176
00:57:48,760 --> 00:57:52,360
Speaker 1: I even did music with essays Man that that that

1177
00:57:52,600 --> 00:57:56,960
Speaker 1: that that BA had to catch run fade for rapping

1178
00:57:57,000 --> 00:58:02,520
Speaker 1: with black rappers. Yeah, you know this ship, this ship

1179
00:58:02,680 --> 00:58:04,880
Speaker 1: is is deep over here. It's deep over here on

1180
00:58:04,920 --> 00:58:07,920
Speaker 1: the West here, deep on the West Coach. You know

1181
00:58:07,960 --> 00:58:10,320
Speaker 1: what I'm saying, you like to be to be a

1182
00:58:10,400 --> 00:58:12,440
Speaker 1: real strict rapper, you gotta really stand on what you

1183
00:58:12,520 --> 00:58:14,400
Speaker 1: believe in, really standing in that, you know what I'm saying.

1184
00:58:14,480 --> 00:58:16,800
Speaker 1: Because you're gonna have you gonna have niggas that oppose it,

1185
00:58:16,880 --> 00:58:18,080
Speaker 1: like you know what I'm saying, Like you say you

1186
00:58:18,120 --> 00:58:20,000
Speaker 1: feel me, that might be like, oh damn, you're doing that.

1187
00:58:20,400 --> 00:58:22,280
Speaker 1: You know what I'm saying. It's like yo, yeah, hell yeah,

1188
00:58:22,320 --> 00:58:24,280
Speaker 1: he's he over there. Yeah, that's my niggas with me.

1189
00:58:24,360 --> 00:58:24,960
Speaker 1: You know what I'm saying.

1190
00:58:25,000 --> 00:58:26,680
Speaker 2: You gotta be able to you know, have you know

1191
00:58:26,680 --> 00:58:28,320
Speaker 2: what I mean, be with some niggas that's gonna really

1192
00:58:28,360 --> 00:58:29,920
Speaker 2: stand in it too, you know what I'm saying, Like

1193
00:58:30,000 --> 00:58:33,280
Speaker 2: to really really uphold what they be rapping about around

1194
00:58:33,320 --> 00:58:34,080
Speaker 2: this motherfucker too.

1195
00:58:34,120 --> 00:58:38,120
Speaker 1: You know what I'm saying. Yeah, yeah, but you know,

1196
00:58:39,120 --> 00:58:41,240
Speaker 1: I know still you was talking about the state of

1197
00:58:41,320 --> 00:58:45,480
Speaker 1: hip hop and I just feel like Doug, I had

1198
00:58:45,520 --> 00:58:50,800
Speaker 1: to take a break from social media because niggas with

1199
00:58:50,920 --> 00:58:53,680
Speaker 1: big platforms don't know what the fuck they be talking about.

1200
00:58:54,960 --> 00:58:57,920
Speaker 1: They don't be talking about the music. They talk about

1201
00:58:58,000 --> 00:59:02,160
Speaker 1: everything but the music. But the music, and what's the jossip?

1202
00:59:02,240 --> 00:59:06,440
Speaker 1: Colum and we got we got like the young kid LOIZI.

1203
00:59:07,880 --> 00:59:12,040
Speaker 1: He got an album called Louisiana Volume one. The kid

1204
00:59:12,120 --> 00:59:14,800
Speaker 1: could go, he's real hip hop, you know what I'm saying.

1205
00:59:14,840 --> 00:59:18,000
Speaker 1: We got lo Russell doing this thing. You know, we

1206
00:59:18,120 --> 00:59:20,760
Speaker 1: got Geechee doing his thing, like when you make your

1207
00:59:20,840 --> 00:59:24,160
Speaker 1: munic ship's house. Really, I think that's I think that's

1208
00:59:24,200 --> 00:59:27,800
Speaker 1: the West though, Like we got a good formula over

1209
00:59:27,880 --> 00:59:30,280
Speaker 1: here when it come to get down and making songs.

1210
00:59:30,040 --> 00:59:35,600
Speaker 11: And goddamn right, you know if once we get over

1211
00:59:35,680 --> 00:59:37,840
Speaker 11: that hump, some of the executives got to get over

1212
00:59:37,920 --> 00:59:41,040
Speaker 11: that hump and start really reaching out some of the

1213
00:59:41,280 --> 00:59:43,320
Speaker 11: podcasts and gotta start.

1214
00:59:43,120 --> 00:59:46,040
Speaker 1: Reaching out more and puts in the promoting the product

1215
00:59:46,320 --> 00:59:50,320
Speaker 1: over here to dog. Everybody else is doing it, you

1216
00:59:50,400 --> 00:59:52,680
Speaker 1: know what. Everybody we look at do it too, so

1217
00:59:52,800 --> 00:59:55,640
Speaker 1: we could keep this thing going for the next generation.

1218
00:59:56,800 --> 00:59:57,400
Speaker 3: Well, that's hard.

1219
00:59:57,400 --> 01:00:00,320
Speaker 1: I make conversations like this happened because when I ask you,

1220
01:00:00,400 --> 01:00:00,960
Speaker 1: I said, man.

1221
01:00:00,960 --> 01:00:01,480
Speaker 3: You ain't give a.

1222
01:00:04,920 --> 01:00:07,080
Speaker 1: No interviews? Yeah, no, no interview.

1223
01:00:07,160 --> 01:00:08,520
Speaker 3: No, that's crazy.

1224
01:00:09,040 --> 01:00:14,560
Speaker 1: Yep. But we we done been in many places topped

1225
01:00:14,600 --> 01:00:15,760
Speaker 1: to them. So he doesn't been at some of my

1226
01:00:15,880 --> 01:00:19,920
Speaker 1: battles and ship yeah, bro, Yeah, they had a battle

1227
01:00:20,000 --> 01:00:22,960
Speaker 1: in Long Beach and a lot of people didn't even

1228
01:00:23,000 --> 01:00:24,840
Speaker 1: know a lot of people in the city didn't even

1229
01:00:24,920 --> 01:00:30,800
Speaker 1: know it was right across street from Glomos. So every time, Yeah,

1230
01:00:32,000 --> 01:00:34,960
Speaker 1: it's crazy. That's the last time I said search Yep,

1231
01:00:35,160 --> 01:00:41,360
Speaker 1: yep the way, yeah, bro, And that's another thing. They

1232
01:00:41,440 --> 01:00:43,400
Speaker 1: need to start putting some battle rapping on some of

1233
01:00:43,440 --> 01:00:48,080
Speaker 1: these listens. We're talking about lyrics because they try not

1234
01:00:48,200 --> 01:00:51,720
Speaker 1: to like it's it's upside down. Bro. I'm in these offices.

1235
01:00:52,480 --> 01:00:55,520
Speaker 1: These people ain't other culture half of me. They don't care.

1236
01:00:55,600 --> 01:00:58,960
Speaker 1: It's all about numbers and data and we gotta we

1237
01:00:59,040 --> 01:01:02,880
Speaker 1: gotta bring it back. Well, if the ship gonna run

1238
01:01:02,920 --> 01:01:06,840
Speaker 1: into a brick wall in my opinion, because right you

1239
01:01:06,960 --> 01:01:09,200
Speaker 1: go on the tour, dog, You'll see how bad it is.

1240
01:01:09,960 --> 01:01:13,320
Speaker 1: You know what I'm saying. You'll see I'm trying to

1241
01:01:13,360 --> 01:01:15,800
Speaker 1: I'm trying to create platforms, dog Like. That's one of

1242
01:01:15,840 --> 01:01:19,880
Speaker 1: my missions for this chapter of my life is to

1243
01:01:20,000 --> 01:01:25,120
Speaker 1: create platforms or create checks the indie artists. Yeah, so

1244
01:01:25,240 --> 01:01:27,280
Speaker 1: they can so they can live their fucking dreams. Bro.

1245
01:01:27,640 --> 01:01:30,600
Speaker 3: Well the detle Rep.

1246
01:01:30,800 --> 01:01:32,880
Speaker 1: As far as Battle Rep, you go your own league,

1247
01:01:33,480 --> 01:01:35,560
Speaker 1: Yeah yeah, I gotta league the Riot Man me and

1248
01:01:35,640 --> 01:01:37,800
Speaker 1: my brother Kevin Parks. You know what I'm saying.

1249
01:01:37,840 --> 01:01:38,880
Speaker 5: We got the league the Riot.

1250
01:01:38,960 --> 01:01:41,520
Speaker 1: We got an event going down in Orange County, Santa Ana,

1251
01:01:42,200 --> 01:01:45,520
Speaker 1: Uh July the fifth, some dope battles going down that

1252
01:01:45,680 --> 01:01:48,600
Speaker 1: day Coffee Brown out of Sam Bernardino versus I god

1253
01:01:48,720 --> 01:01:51,919
Speaker 1: a Ward, Kansas City, and a bunch of other dope

1254
01:01:51,960 --> 01:01:54,120
Speaker 1: West Coast artists and artists from all over the world

1255
01:01:54,160 --> 01:01:57,240
Speaker 1: on there. Then the following weekend we're gonna be in Jackson,

1256
01:01:57,280 --> 01:02:00,560
Speaker 1: Florida with another big event vixing us ass In out

1257
01:02:00,600 --> 01:02:03,960
Speaker 1: of Milwaukee versus ass out of Northron, Virginia, and a

1258
01:02:04,000 --> 01:02:06,280
Speaker 1: bunch of other dope artists men from from Florida in

1259
01:02:06,360 --> 01:02:09,240
Speaker 1: different places. So yeah, man, yeah, I definitely. You know,

1260
01:02:09,280 --> 01:02:12,040
Speaker 1: I've been putting all the battle rap events. You know

1261
01:02:12,080 --> 01:02:14,680
Speaker 1: what I'm saying. They look on the YouTube Ryan Rap Battles,

1262
01:02:15,040 --> 01:02:17,040
Speaker 1: see all the battles we've been putting all throughout the years.

1263
01:02:17,080 --> 01:02:18,360
Speaker 1: A lot of dope, a lot of dope battles that

1264
01:02:18,480 --> 01:02:21,440
Speaker 1: happened on the platform. For sure, that's dope.

1265
01:02:22,480 --> 01:02:25,240
Speaker 3: I'm gonna ask you something gets you. I'm about to

1266
01:02:26,080 --> 01:02:28,720
Speaker 3: I'm about to relaunch my relaunch. I'm about to launch

1267
01:02:29,920 --> 01:02:33,560
Speaker 3: my Man Digital soap box right all right, And I

1268
01:02:33,600 --> 01:02:36,040
Speaker 3: already got it on. I already got some ship going

1269
01:02:36,080 --> 01:02:37,720
Speaker 3: with there, and I've been like working on that for

1270
01:02:37,760 --> 01:02:42,000
Speaker 3: a while. Launch not you know, been talking to just

1271
01:02:42,120 --> 01:02:45,400
Speaker 3: different people as far as like different platforms, like you know,

1272
01:02:45,560 --> 01:02:48,720
Speaker 3: to the y I'm gonna talk to you about your

1273
01:02:48,760 --> 01:02:51,680
Speaker 3: better web. Maybe we can maybe we can do something

1274
01:02:51,720 --> 01:02:56,720
Speaker 3: to work people works that something's gonna be for real

1275
01:02:56,840 --> 01:02:58,720
Speaker 3: for the coaching man. It's like you see how we

1276
01:02:58,800 --> 01:02:59,440
Speaker 3: do their stuff we.

1277
01:02:59,480 --> 01:03:02,200
Speaker 1: Don't do Yeah, I know for here, I know I

1278
01:03:02,240 --> 01:03:04,080
Speaker 1: already know it's gonna be done right when it's.

1279
01:03:05,160 --> 01:03:08,880
Speaker 3: That authentic man, because me right now, this conversation we

1280
01:03:09,000 --> 01:03:09,880
Speaker 3: have and it is authentic.

1281
01:03:10,240 --> 01:03:16,840
Speaker 1: Yeah, for sure, when you're on dog till I'm hoping

1282
01:03:17,280 --> 01:03:19,240
Speaker 1: in the corner of my bed, one dog and we

1283
01:03:19,440 --> 01:03:25,120
Speaker 1: just have the conversation Dog, we represent the coaching bro

1284
01:03:25,320 --> 01:03:31,040
Speaker 1: like you know that that that total slaughter was my idea. Yeah,

1285
01:03:31,080 --> 01:03:33,600
Speaker 1: you know what I'm saying. We're not gonna get into it,

1286
01:03:33,760 --> 01:03:35,960
Speaker 1: but you know I came up with that idea and

1287
01:03:37,240 --> 01:03:41,160
Speaker 1: it was just because I wanted to unite battle rap

1288
01:03:41,720 --> 01:03:45,320
Speaker 1: hip hop on a big platform. You know what I'm saying.

1289
01:03:46,120 --> 01:03:51,280
Speaker 1: Because dog niggas like m so three hundred million records

1290
01:03:51,840 --> 01:03:55,360
Speaker 1: and he cut from that battle clump, there's a lot

1291
01:03:55,400 --> 01:03:58,120
Speaker 1: of success to be had. You know how to play

1292
01:03:58,160 --> 01:04:00,160
Speaker 1: with your words, you know what I'm saying. Yeah, real

1293
01:04:00,240 --> 01:04:04,040
Speaker 1: ship and uh you know we're just about the coach

1294
01:04:04,120 --> 01:04:06,720
Speaker 1: and still you know what it is, broke. We we

1295
01:04:06,920 --> 01:04:08,840
Speaker 1: love this, We breathe this. You know what I'm saying.

1296
01:04:09,600 --> 01:04:13,040
Speaker 3: You know what man? Yeah, man, guys, we gonna chop

1297
01:04:13,080 --> 01:04:13,320
Speaker 3: it up.

1298
01:04:13,400 --> 01:04:15,800
Speaker 1: Man in the chopping man like yeah, off this you

1299
01:04:15,880 --> 01:04:18,640
Speaker 1: already know. Man, make sure I get crooked number two. Man,

1300
01:04:18,680 --> 01:04:23,800
Speaker 1: and we just keep you don't lock you we on

1301
01:04:23,880 --> 01:04:24,240
Speaker 1: that thread.

1302
01:04:24,280 --> 01:04:24,960
Speaker 5: I'm gonna lock you in.

1303
01:04:25,160 --> 01:04:28,560
Speaker 1: And yeah, he keep getting I'm getting them. I got you.

1304
01:04:28,680 --> 01:04:31,120
Speaker 2: You know I'm locked in anytime, man, for any of

1305
01:04:31,160 --> 01:04:33,080
Speaker 2: these conferences right here, still is nothing.

1306
01:04:33,120 --> 01:04:34,720
Speaker 1: Man, you let me know what they ahead of time. Man,

1307
01:04:34,760 --> 01:04:36,520
Speaker 1: I could pull up any time and chop this game

1308
01:04:36,560 --> 01:04:38,120
Speaker 1: with y'all. Man, that's beautiful, I'm saying.

1309
01:04:38,120 --> 01:04:41,360
Speaker 3: I'm gonna tell you all that before you go.

1310
01:04:41,600 --> 01:04:41,800
Speaker 1: Dog.

1311
01:04:42,040 --> 01:04:43,840
Speaker 3: Oh yeah, we can have to talk about this off.

1312
01:04:43,920 --> 01:04:45,840
Speaker 3: There's too many ears out here, you know. Niggas.

1313
01:04:46,240 --> 01:04:47,120
Speaker 1: You have ideas.

1314
01:04:47,120 --> 01:04:51,280
Speaker 3: You see any thing next nigga, next week, so much.

1315
01:04:52,960 --> 01:04:57,360
Speaker 1: Nigga. They got that for me. Say one shot twenty

1316
01:04:57,440 --> 01:05:02,760
Speaker 1: fifteen for the b T y See Collins, he ran off,

1317
01:05:03,120 --> 01:05:05,080
Speaker 1: ran off, So we had to go to court over

1318
01:05:05,160 --> 01:05:09,160
Speaker 1: rhythm and so yeah, you know, they'll really they'll really

1319
01:05:09,240 --> 01:05:13,160
Speaker 1: try you on that level. But culture, we could come

1320
01:05:13,200 --> 01:05:18,440
Speaker 1: up with a million ideas really good culture, bro. And

1321
01:05:18,600 --> 01:05:21,400
Speaker 1: I love what hundred's doing. I love what you're doing.

1322
01:05:21,560 --> 01:05:25,440
Speaker 1: Get you still always keeping it on the culture. So yeah,

1323
01:05:26,040 --> 01:05:29,440
Speaker 1: it is what it is, bro. Yeah, man, I appreciate

1324
01:05:29,520 --> 01:05:35,240
Speaker 1: your brothers being falling through man, salut and we out

1325
01:05:35,280 --> 01:05:36,600
Speaker 1: of here people, y'all.

1326
01:05:38,120 --> 01:05:41,080
Speaker 3: Well, that concludes another episode of The Gainst the Chronicles podcast.

1327
01:05:41,200 --> 01:05:43,440
Speaker 3: Be sure to download the iHeart app and subscribe to

1328
01:05:43,520 --> 01:05:46,720
Speaker 3: The Gangst Chronicles podcast For Apple users, find a purple

1329
01:05:46,800 --> 01:05:48,800
Speaker 3: micae on the front of your screen, subscribe to the show,

1330
01:05:48,920 --> 01:05:51,760
Speaker 3: leave of comment and rating. Executive producers for The Gangst

1331
01:05:51,880 --> 01:05:55,280
Speaker 3: Chronicles podcast Norman Still, Aaron M c a Tyler. Our

1332
01:05:55,400 --> 01:05:58,200
Speaker 3: visual media director is Brian Whatt, and all your editors

1333
01:05:58,280 --> 01:06:00,600
Speaker 3: tell it Hey. The Gainst the Chronicles is a production

1334
01:06:00,680 --> 01:06:04,040
Speaker 3: of iHeartMedia Network and The Black Effect Podcast Network. For

1335
01:06:04,200 --> 01:06:08,200
Speaker 3: more podcasts from iHeartRadio, visit the iHeartRadio app Apple podcasts

1336
01:06:08,280 --> 01:06:09,760
Speaker 3: wherever you're listening to your podcasts