WEBVTT - We'll Beg for Forgiveness, Because We Ain't Asking for Permission with Will Lucas

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<v Speaker 1>We'll luke you here Black Tech, Green Money. So pleasing

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<v Speaker 1>to be with you here in this new season Black Tech,

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<v Speaker 1>Green Money. It's going to be a special one because

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<v Speaker 1>I get to talk about something that's near and dear

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<v Speaker 1>to my heart on this episode. And this episode is

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<v Speaker 1>really about asking permission, and you need to ask permission

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<v Speaker 1>and doing things without permission. So but before we get

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<v Speaker 1>into that, we're gonna talk about Afro tech News. Shout

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<v Speaker 1>out to all the Black inventors. Lanny Smooth becomes the

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<v Speaker 1>second person from Disney since Walt Disney himself to get

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<v Speaker 1>inducted into the National Inventors Hall of Fame. He joined

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<v Speaker 1>the twenty twenty four class of recognized Inventors. Smooth who

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<v Speaker 1>was making history as the first Disney imagineer to receive

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<v Speaker 1>the honor. He's also the second person at Walt Disney

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<v Speaker 1>Company since Walt Disney to earn the recognition. His forty

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<v Speaker 1>five year career, he's been a theatrical technology creator, inventor,

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<v Speaker 1>electrical engineer, scientists, and researcher. He's a mass the collection

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<v Speaker 1>of over one hundred patents, seventy four of them created

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<v Speaker 1>during his twenty five year stint at all Disney Company

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<v Speaker 1>and is star shined long before he joined Disney. Graduated

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<v Speaker 1>with a bachelor's and master's degrees in electrical engineering from

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<v Speaker 1>Columbia University, developed multiple innovations such as video on demand technology,

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<v Speaker 1>video conferencing technologies, and specialized in television for remote locations,

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<v Speaker 1>just to name a few. He's been integral in creating

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<v Speaker 1>some of the most technically advanced special effects at Disney

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<v Speaker 1>theme parks and experiences, and if you've been some of these.

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<v Speaker 1>Examples of his special effect technologies include the Seance Room

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<v Speaker 1>at Disneyland's Haunted Mansion. He worked on the Madame Leotas

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<v Speaker 1>float there that I've not been there. Well, I've been there,

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<v Speaker 1>but I've not seen this particular thing. But Madam Leota's

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<v Speaker 1>floating in the Seience Room at Disney's Disneyland's Haunted Mansion,

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<v Speaker 1>he worked on that. Disney Live Entertainment's Extendable Lightsaber, he

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<v Speaker 1>worked on that. The Magic Playfloor interactive game experience on

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<v Speaker 1>Disney's Cruise Line, he worked on that. And the Fortress

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<v Speaker 1>Explorations adventure at Tokyo Disney c. He worked on that,

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<v Speaker 1>and he said in a statement as a lifelong as

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<v Speaker 1>a lifelong inventor. Let me start that over. As a

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<v Speaker 1>lifelong inventor, I am excited, delighted, and humbled to be

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<v Speaker 1>inducted into the National Inventors Hall of Fame. This is

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<v Speaker 1>he told this to Disney Parks. He said, to be

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<v Speaker 1>included alongside my childhood hero Thomas Edison and my lifelong

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<v Speaker 1>role model Jim West, the electreate microphone inventor who's also

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<v Speaker 1>a black man. It's exciting and humbling, and as someone

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<v Speaker 1>who's had the privilege of working at the Walt Disney Company,

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<v Speaker 1>it's especially meaningful to know that Walt Disney himself is

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<v Speaker 1>also an inductee, So big shout out to you, mister smooth.

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<v Speaker 1>Next up, Cole Trane Curtis. If you know him, you

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<v Speaker 1>know he's an icon for marketers like myself and he

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<v Speaker 1>makes Afro Tech News Today. Team Epiphany the company he

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<v Speaker 1>founded his black indigenous people of color founded marketing agency,

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<v Speaker 1>and they've worked with people like Easter Ray, companies like

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<v Speaker 1>American Express and more. They have been acquired by Stagwell.

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<v Speaker 1>Kudos to you, Coltrane, he said in a statement. We're

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<v Speaker 1>excited to become part of Stagwell and its constellation network

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<v Speaker 1>a company that shares our values and looks to further

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<v Speaker 1>Team epiphanies long standing commitment to aspirational marketing, embracing culture,

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<v Speaker 1>and impacting communities of influence through our work. As previously

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<v Speaker 1>reported by afro Tech, Curtis runs the business alongside his

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<v Speaker 1>why and fellow managing partner, Lisa Chu. The team works

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<v Speaker 1>to not only put culture at the forefront of the agency,

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<v Speaker 1>but also create community impact through its efforts. Team Epiphany's

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<v Speaker 1>clients include American Express, HBO, Max, Heineken Moore. For AMX,

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<v Speaker 1>the company worked on the company's campaigns for its AMX

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<v Speaker 1>one hundred for one hundred program, which invested two point

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<v Speaker 1>five million dollars in black female entrepreneurs part of their

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<v Speaker 1>press release and what's more, after creating launch campaigns for

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<v Speaker 1>the Insecure Fest for Easter Ray's show Insecure, Team Epiphany

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<v Speaker 1>went on to obtain a strategic partnership with Ray's Hooray

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<v Speaker 1>Media in twenty twenty three. Justin Lewis, who's chair of Constellation,

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<v Speaker 1>said in the statement, people tend to see Team Epiphany

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<v Speaker 1>and one to compartmentalize its offerings into multicultural or experiential,

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<v Speaker 1>but when I met the team, it became clear it

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<v Speaker 1>me that their deep appreciation and mastery of culture is

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<v Speaker 1>an essential ingredient for contemporary brands focused on forward looking growth.

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<v Speaker 1>I'm excited to welcome col Train, Lisa and the entire

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<v Speaker 1>team to the network. So much more afro tech news,

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<v Speaker 1>but I'll do one more for today, and that is

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<v Speaker 1>seven diverse brands will be shelved at Target stores thanks

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<v Speaker 1>to a woman owned tech platform prioritizing diverse led startups

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<v Speaker 1>and suppliers. This push is in part due to Diverse

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<v Speaker 1>Powered Brands of Business to Business Global digital catalog that

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<v Speaker 1>helps buyers connect with diverse supplies and brands. According to

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<v Speaker 1>his website, the efforts have led to victories for the

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<v Speaker 1>new business owners. According to a news release, thirteen suppliers

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<v Speaker 1>to partner a pitch competition moderated by Diverse Powered Brands

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<v Speaker 1>in last year at Target headquarters in Minneapolis, and suppliers

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<v Speaker 1>were able to pitch Target's wine team while founders interacted

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<v Speaker 1>with the executives from several wine distribution companies. And among

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<v Speaker 1>the companies who will be on this shelf soon is

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<v Speaker 1>Boyd Crew Wines, which has been talked about an afrotech

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<v Speaker 1>before it is a story on afrotech dot com entitled

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<v Speaker 1>the Boyds are behind the first Black family owned wine

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<v Speaker 1>company in Maryland, So check that story out on afrotech

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<v Speaker 1>dot com. It created out of a deep desire to

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<v Speaker 1>honor their families legacy. Matthew and jon El Boyd created

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<v Speaker 1>Boyd Crew Wines, which is a family owned winery crafting

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<v Speaker 1>locally made wines. Were also fostering community and connection. Jon

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<v Speaker 1>El said in the statement, as the old saying gohs,

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<v Speaker 1>representation matters, and although when considering entering the wine industry

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<v Speaker 1>and starting our own winery, we noticed there was a

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<v Speaker 1>lack of diversity, it was the innovation and history of

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<v Speaker 1>what our ancestors were able to accomplish and what that

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<v Speaker 1>stood for that gave us the faith and the courage

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<v Speaker 1>to move forward and launch our own wine company. They're

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<v Speaker 1>Wine reopened in twenty twenty three, and they said their

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<v Speaker 1>ultimate goal is to own and operate a standalone vineyard

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<v Speaker 1>with a community marketplace incubator for entrepreneurs and small businesses

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<v Speaker 1>who are just starting their business. So salute to you

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<v Speaker 1>and you guys, go look for them on a target

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<v Speaker 1>shelf soon. That's Shaffro Tech News, Black Tech green Money

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<v Speaker 1>will Lucas here another exciting episode. I'm excited about this

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<v Speaker 1>one because I could do by virtue of tell you

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<v Speaker 1>my story hopefully inspire you to take bigger steps in

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<v Speaker 1>your journey without the things that hold you back today.

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<v Speaker 1>So I'm going to tell you two different stories today. One,

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<v Speaker 1>I'm going to tell you the story of afro Tech,

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<v Speaker 1>how I found my way at afro Tech. I've told

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<v Speaker 1>pieces of your story on previous episodes, but today I'm

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<v Speaker 1>going to tell it from like a slightly different perspective.

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<v Speaker 1>And I want to tell you the story of my

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<v Speaker 1>marketing company Creatio, which I was actually when I was

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<v Speaker 1>looking at the Afrotech News that I was going to

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<v Speaker 1>do today, it was so fitting to talk about what

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<v Speaker 1>col Trane Curtis did in the Afrotech News segment previous

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<v Speaker 1>to get into this section right here, because Cold Train

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<v Speaker 1>is such an inspiration to people like myself. So I'm

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<v Speaker 1>going to talk about two stories for my life and

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<v Speaker 1>give you, hopefully fodder to feed the spirit inside you

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<v Speaker 1>of going without permission. Okay, so the first one, let's

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<v Speaker 1>see I'll do I'll do Creatio first because that one

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<v Speaker 1>came first in my life. So Creatio is a full

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<v Speaker 1>service marketing production technology agency. We do everything from video production,

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<v Speaker 1>website development, communication, strategy design, more and we're situated in

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<v Speaker 1>Northwest Ohio and in my region, I have the only

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<v Speaker 1>full service agency that's run by a black person, that's

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<v Speaker 1>run by a minority. So we lean into that particular

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<v Speaker 1>niche and because we own it, there is no other

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<v Speaker 1>person doing it in our region. And so I'm like,

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<v Speaker 1>if I'm going to be the only person doing this,

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<v Speaker 1>and I'm the only minority that's doing this, then i

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<v Speaker 1>have a particular value proposition, a competitive advantage that every

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<v Speaker 1>other marketing company in the region does not have. So

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<v Speaker 1>I'm going to lean into the things that make us special. Well,

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<v Speaker 1>my company I started because I got an idea and

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<v Speaker 1>it's in sort of a way, well, it's truly a

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<v Speaker 1>way that if you're just paying attention to the way

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<v Speaker 1>that your life works, you will pay attention. I've given

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<v Speaker 1>you this quote before because it is my favorite quote.

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<v Speaker 1>It's that Steve Jobs quote, and it says, you can't

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<v Speaker 1>connect the dots looking forward, you can only connect the

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<v Speaker 1>dots looking backward. And what I get from that and

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<v Speaker 1>it's necessary to set this foundation, as I tell my

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<v Speaker 1>story is when you're in certain times of your life,

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<v Speaker 1>you may not always appreciate in the moment or understand

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<v Speaker 1>why in the moment you're doing the thing that you're

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<v Speaker 1>doing now, whether that is why am I in this

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<v Speaker 1>particular relationship, Why am I working at this particular job,

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<v Speaker 1>Why am I working this particular function at this particular job,

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<v Speaker 1>Why am I taking this class, et cetera, et cetera,

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<v Speaker 1>And you feel in the blank. And so I got

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<v Speaker 1>my idea for what we do at Creatio, not intentionally

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<v Speaker 1>on my part, but it was by virtue of the

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<v Speaker 1>dots connecting for me. And so I was wanting to

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<v Speaker 1>be in the music business growing up. I told you guys,

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<v Speaker 1>it's part of my story. Before I wanted to be

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<v Speaker 1>in the music business, I didn't necessarily want to be

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<v Speaker 1>an artist, because that wasn't my gift. I wanted to

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<v Speaker 1>be a songwriter, a producer. I wanted to be the

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<v Speaker 1>person behind the scenes helping the person make amazing music.

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<v Speaker 1>I will particularly write R and B songs. I could

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<v Speaker 1>write rock songs, things like this. I could produce R

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<v Speaker 1>and B beats, hip hop beats, etc. And I thought

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<v Speaker 1>it was pretty good at it, but The point in

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<v Speaker 1>telling you that part is that I'm from Toledo, Ohio,

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<v Speaker 1>and in Toledo there's not a music industry scene necessarily,

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<v Speaker 1>or at least the scene as we consider the music

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<v Speaker 1>industry to be. There is no scene for the music

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<v Speaker 1>business in Toledo if you want to be signed by

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<v Speaker 1>a record label or there's no record labels on the corner,

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<v Speaker 1>you know, and there's not a lot of studios, etc.

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<v Speaker 1>And so me, being a very ambitious teenager, I said,

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<v Speaker 1>you know, well, look well I live intele Ohio, not

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<v Speaker 1>moving yet, So what is how close can I get

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<v Speaker 1>to the music industry from where I'm at? And I've said,

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<v Speaker 1>you know, well, the radio is pretty close. And mind

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<v Speaker 1>you like this. This is years after having asked myself

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<v Speaker 1>that question first, which is why I learned how to

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<v Speaker 1>play the drums, because I was like, you know, I

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<v Speaker 1>wanted to be in the music business one day, let

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<v Speaker 1>me start learning some instruments. And so I started playing

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<v Speaker 1>the drums in church. But I wanted to give you

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<v Speaker 1>that so later in my teenage years, I'm like, you know,

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<v Speaker 1>the radio is the closest thing to the music business here,

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<v Speaker 1>And so I went to a teen summit which was

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<v Speaker 1>at least I'm not sure if it was produced by

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<v Speaker 1>or hosted by, but there was a program director from

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<v Speaker 1>a local radio station on the panel at this teen summit.

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<v Speaker 1>And this is before I graduated from high school. So

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<v Speaker 1>this program director is on stage at this teen Summit.

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<v Speaker 1>I'm there with a friend of mine and I'm like, Okay,

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<v Speaker 1>here's my chance, because I want to be in the

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<v Speaker 1>music business and he's in the radio, and I've already

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<v Speaker 1>determined that the radio is the best way for me

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<v Speaker 1>to find my way into the industry. And so at

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<v Speaker 1>the end of the teen Summit event, which was at

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<v Speaker 1>a local library, I walked up to him and I'm like, hey,

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<v Speaker 1>you know, my name is Will Lucas, and I want

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<v Speaker 1>to be in the music business. You know me me

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<v Speaker 1>as sixteen, seventeen year old kid, and I'm just like,

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<v Speaker 1>I don't you know how to make that sound any

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<v Speaker 1>you know, more professional or whatever. It's just like, this

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<v Speaker 1>is what I want, you know, tell me what to do.

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<v Speaker 1>And so at the end of that conversation he was like,

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<v Speaker 1>you know, well number one, there was like a bunch

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<v Speaker 1>of other people in line waiting to talk to him,

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<v Speaker 1>and so I'm like, one of ten kids at the

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<v Speaker 1>time waiting to talk to him and get some of

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<v Speaker 1>his attention. And so he's like, you know, the best

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<v Speaker 1>thing I can tell you to do is find an

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<v Speaker 1>internship somewhere. As a matter of fact, just come out

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<v Speaker 1>to the radio station and we'll talk some more. Because

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<v Speaker 1>again there was other students' kids. They're waiting to talk

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<v Speaker 1>to him. So he's like, just come out to the

0:14:05.640 --> 0:14:08.120
<v Speaker 1>radio station, we'll talk some more and I can spend

0:14:08.120 --> 0:14:11.320
<v Speaker 1>some more time with you. So that next day, because

0:14:11.360 --> 0:14:14.120
<v Speaker 1>that's just the kind of person that was in him,

0:14:14.480 --> 0:14:16.560
<v Speaker 1>next day, I drove out to the radio station, which

0:14:16.600 --> 0:14:20.840
<v Speaker 1>was like in this one of the suburbs of Toledo.

0:14:21.000 --> 0:14:23.600
<v Speaker 1>It was out in the country. So I drove out

0:14:23.640 --> 0:14:28.160
<v Speaker 1>there after going to school. That they drove out because

0:14:28.240 --> 0:14:32.080
<v Speaker 1>he had the afternoon drive radio program, so he was

0:14:32.120 --> 0:14:34.280
<v Speaker 1>on the air from three to eight. So I got

0:14:34.280 --> 0:14:36.440
<v Speaker 1>out of school at like three and then drove out

0:14:36.440 --> 0:14:41.440
<v Speaker 1>there to talk to them. So I like, I get

0:14:41.480 --> 0:14:44.440
<v Speaker 1>out there and he's like, you know again we number one.

0:14:44.440 --> 0:14:47.320
<v Speaker 1>He gave me this catalog which is like this old

0:14:47.480 --> 0:14:53.160
<v Speaker 1>musician's friend catalog, which are these catalogs of instruments, keyboards,

0:14:53.320 --> 0:14:57.200
<v Speaker 1>you know, processors, beat machines, and et cetera. He gives

0:14:57.240 --> 0:14:59.640
<v Speaker 1>me this catalog and he's like, you know here. So

0:14:59.680 --> 0:15:02.160
<v Speaker 1>I'm like, you know, thank you. I didn't have the

0:15:02.160 --> 0:15:03.800
<v Speaker 1>money to buy none of that stuff anyway, So it

0:15:03.880 --> 0:15:05.440
<v Speaker 1>was strange that he gave him me. At least I

0:15:05.440 --> 0:15:07.360
<v Speaker 1>thought it was strange. It was the fleeting thought. But

0:15:08.760 --> 0:15:10.600
<v Speaker 1>so it gives me this catalog and it's like, you

0:15:10.640 --> 0:15:12.240
<v Speaker 1>know again, the best thing I can tell you to

0:15:12.280 --> 0:15:16.880
<v Speaker 1>do is find an internship somewhere. Matter of fact, we

0:15:16.920 --> 0:15:20.960
<v Speaker 1>need to intern here. And so my internship at the

0:15:21.080 --> 0:15:25.960
<v Speaker 1>radio station started that day and so three days. So

0:15:26.480 --> 0:15:30.400
<v Speaker 1>every day after going to school, I would get in

0:15:30.480 --> 0:15:34.119
<v Speaker 1>the car and drive out to the radio station immediately

0:15:34.160 --> 0:15:39.760
<v Speaker 1>after school. Three days into that internship. Because I don't

0:15:39.760 --> 0:15:41.800
<v Speaker 1>even it wasn't even like a structured internship. I would

0:15:41.840 --> 0:15:43.760
<v Speaker 1>just hang out with him and learn what he was doing.

0:15:44.520 --> 0:15:48.320
<v Speaker 1>And so I would go out there. Three days after

0:15:48.720 --> 0:15:51.160
<v Speaker 1>doing that, he put me on the air with him,

0:15:51.200 --> 0:15:54.240
<v Speaker 1>like on a whim during the five o'clock traffic jam,

0:15:54.280 --> 0:15:56.520
<v Speaker 1>because again he was on from three to eight, So

0:15:56.600 --> 0:15:58.640
<v Speaker 1>at five o'clock he puts me on the air with them.

0:15:58.680 --> 0:16:01.240
<v Speaker 1>Three days in and he's like you know, something to

0:16:01.280 --> 0:16:03.880
<v Speaker 1>the effect of like, hey, I'm out here. You know, well,

0:16:03.920 --> 0:16:06.480
<v Speaker 1>Lucas is in the studio with me, and we just

0:16:06.640 --> 0:16:09.320
<v Speaker 1>jamming for thirty minutes, which was the five o'clock traffic jam,

0:16:09.960 --> 0:16:13.200
<v Speaker 1>and so then I would come off the air. No,

0:16:13.360 --> 0:16:15.200
<v Speaker 1>I stayed on the air with him until eight o'clock

0:16:15.240 --> 0:16:17.840
<v Speaker 1>I would finish the show. And so I was on

0:16:18.200 --> 0:16:21.240
<v Speaker 1>every day after that, starting at five o'clock, because I

0:16:21.240 --> 0:16:23.640
<v Speaker 1>guess the chemistry was just really good until it's like

0:16:24.200 --> 0:16:28.160
<v Speaker 1>he's kept putting me on. Six months after that, they

0:16:28.200 --> 0:16:31.640
<v Speaker 1>gave me a Saturday night show on that station. I

0:16:31.680 --> 0:16:34.640
<v Speaker 1>was doing six to ten on Saturday nights, and it

0:16:34.680 --> 0:16:36.280
<v Speaker 1>happened to be pretty good at it because I was

0:16:36.280 --> 0:16:39.400
<v Speaker 1>beating all the big radio stations in town on Saturday nights.

0:16:40.160 --> 0:16:43.560
<v Speaker 1>And then six months after that he went to the

0:16:43.600 --> 0:16:46.640
<v Speaker 1>morning show and they gave me his drive time radio show.

0:16:47.560 --> 0:16:50.120
<v Speaker 1>But this story is not about me in the radio.

0:16:50.240 --> 0:16:52.840
<v Speaker 1>I just got to set a bed for the story

0:16:52.880 --> 0:16:56.840
<v Speaker 1>I actually want to talk about, and that is creatio.

0:16:57.040 --> 0:17:02.240
<v Speaker 1>And so again, I did not get into radio to

0:17:02.320 --> 0:17:04.600
<v Speaker 1>be in radio. I got into radio to be in

0:17:04.600 --> 0:17:08.639
<v Speaker 1>the music business. But I told you this. My favorite

0:17:08.680 --> 0:17:11.439
<v Speaker 1>quote from Steve Jobs about connecting the dots right, so

0:17:11.840 --> 0:17:16.200
<v Speaker 1>you know, keep that in your head. So I am

0:17:16.240 --> 0:17:21.760
<v Speaker 1>walking through a clothing store in my hometown. This is

0:17:21.800 --> 0:17:24.320
<v Speaker 1>after I had been on the radio maybe three years

0:17:24.440 --> 0:17:27.880
<v Speaker 1>or so. So I'm walking through a clothing store and

0:17:28.200 --> 0:17:31.960
<v Speaker 1>they're playing it's like a hood clothing store, so they

0:17:31.960 --> 0:17:35.760
<v Speaker 1>sell stuff very inexpensively. It's in the part of town,

0:17:35.920 --> 0:17:38.160
<v Speaker 1>in the inner city, et cetera. So I'm walking through

0:17:38.160 --> 0:17:40.960
<v Speaker 1>the clothing store at this time, I had had, you know,

0:17:41.000 --> 0:17:43.399
<v Speaker 1>two or three years of radio experience under my belt.

0:17:44.200 --> 0:17:48.920
<v Speaker 1>And this clothing store is playing FM radio over their

0:17:49.000 --> 0:17:53.879
<v Speaker 1>sound system as there in store music, so inevitably the

0:17:53.920 --> 0:17:57.679
<v Speaker 1>commercials come on and so you can hear it, like

0:17:58.000 --> 0:18:00.359
<v Speaker 1>on all the speakers in the store can hear the

0:18:00.400 --> 0:18:03.199
<v Speaker 1>commercials just like you can hear the music. And so

0:18:03.640 --> 0:18:08.520
<v Speaker 1>one of their competitors came on another clothing stores commercial

0:18:08.680 --> 0:18:12.160
<v Speaker 1>came on over the air inside the store that I'm

0:18:12.160 --> 0:18:16.719
<v Speaker 1>standing in, and I'm at the time, if I recall,

0:18:16.760 --> 0:18:19.200
<v Speaker 1>I was like the only person shopping at that time.

0:18:19.320 --> 0:18:21.080
<v Speaker 1>And it was a big store too, and so it's

0:18:21.119 --> 0:18:24.840
<v Speaker 1>like fifteen thousand square feet and so I'm the only

0:18:24.920 --> 0:18:30.639
<v Speaker 1>person in the store. At this particular moment and that

0:18:30.840 --> 0:18:33.119
<v Speaker 1>these commercials come on and one of their competitors come on,

0:18:33.240 --> 0:18:35.720
<v Speaker 1>and I'm looking at the I'm looking at the speaker.

0:18:35.760 --> 0:18:38.719
<v Speaker 1>I'm looking up at the roof the ceiling looking at

0:18:38.720 --> 0:18:40.640
<v Speaker 1>a speaker like I can't believe what I'm hearing because

0:18:40.640 --> 0:18:45.440
<v Speaker 1>it makes no sense. Why are they allowing another clothing

0:18:45.480 --> 0:18:48.359
<v Speaker 1>store to get airtime in their clothing store. It doesn't

0:18:48.359 --> 0:18:51.040
<v Speaker 1>make sense to me. And so in that moment, I'm like,

0:18:51.080 --> 0:18:54.600
<v Speaker 1>they need their own radio station that just talks about them.

0:18:54.760 --> 0:18:58.560
<v Speaker 1>And so this light bulb goes off like, hey, I

0:18:58.600 --> 0:19:02.479
<v Speaker 1>can build that. Because I had just had three years

0:19:02.480 --> 0:19:06.000
<v Speaker 1>so far of radio experience, I know how to make

0:19:06.040 --> 0:19:10.040
<v Speaker 1>a radio program. And so one of my mentors at

0:19:10.040 --> 0:19:13.439
<v Speaker 1>the time owned six McDonald's and I would DJ for

0:19:13.520 --> 0:19:17.720
<v Speaker 1>him because he also like hosted Wednesday night skate. I

0:19:17.760 --> 0:19:20.720
<v Speaker 1>think he still does in town. It's like forever ago,

0:19:20.800 --> 0:19:23.320
<v Speaker 1>but he was at least back then I think he

0:19:23.359 --> 0:19:26.760
<v Speaker 1>still does. Was the host of skating in our town

0:19:27.320 --> 0:19:30.800
<v Speaker 1>every Wednesday night, and so I DJ for him, and

0:19:30.880 --> 0:19:34.639
<v Speaker 1>so I went to skate. I went to DJ for

0:19:34.720 --> 0:19:37.280
<v Speaker 1>our skating that next Wednesday night, and I'm like glug

0:19:37.359 --> 0:19:40.960
<v Speaker 1>Glenn I got this idea, like, I want to build

0:19:40.960 --> 0:19:45.320
<v Speaker 1>these radio stations, these custom radio stations for brands, Like

0:19:45.800 --> 0:19:48.159
<v Speaker 1>the same music that you would listen to on the radio,

0:19:48.359 --> 0:19:51.920
<v Speaker 1>same music that's tailored for the audience that's going to

0:19:52.000 --> 0:19:55.840
<v Speaker 1>be in your store. But when the radio DJ comes on,

0:19:56.840 --> 0:20:00.600
<v Speaker 1>in between the songs, they're talking about that busines. So

0:20:01.400 --> 0:20:04.640
<v Speaker 1>imagine you know, me being like in it was called

0:20:04.720 --> 0:20:08.199
<v Speaker 1>VIP Clothing store, so imagine me it's called VIP Sports.

0:20:08.200 --> 0:20:12.119
<v Speaker 1>So imagine me being in VIP Sports. And in between

0:20:12.160 --> 0:20:15.960
<v Speaker 1>the songs, DJ comes on, like, yo, welcome to VIP Sports.

0:20:16.000 --> 0:20:20.600
<v Speaker 1>That was the latest song from this particular artist. Hey

0:20:20.680 --> 0:20:23.280
<v Speaker 1>make sure you check out in Asle two. We've got

0:20:23.320 --> 0:20:26.280
<v Speaker 1>a sale on hoodies and all backpacks are twenty five

0:20:26.280 --> 0:20:30.240
<v Speaker 1>percent off. Here's the latest song from this other artist.

0:20:30.960 --> 0:20:34.760
<v Speaker 1>You're listening to VIV Sports Radio. So that was the idea.

0:20:35.359 --> 0:20:39.280
<v Speaker 1>And so what I wanted to do was build this thing.

0:20:39.560 --> 0:20:41.240
<v Speaker 1>And at this time it's just an idea. But when

0:20:41.280 --> 0:20:44.520
<v Speaker 1>I told my mentor, Glenn, he's like his eyes got

0:20:44.560 --> 0:20:47.679
<v Speaker 1>big and he's like do it, and that's all he said.

0:20:47.880 --> 0:20:50.359
<v Speaker 1>And Glenn was not the kind of guy to just

0:20:50.440 --> 0:20:53.320
<v Speaker 1>have that particular kind of response to something. But then

0:20:53.440 --> 0:20:55.439
<v Speaker 1>he wasn't gonna like easily encourage you to go do

0:20:55.520 --> 0:20:58.040
<v Speaker 1>something that he didn't think had any merit. And so

0:20:58.240 --> 0:21:00.320
<v Speaker 1>him's you know, being looking at me to he was

0:21:00.359 --> 0:21:04.800
<v Speaker 1>looking at me and just like do it made it?

0:21:04.800 --> 0:21:07.200
<v Speaker 1>Gave me validation that it was something and if I

0:21:07.200 --> 0:21:08.920
<v Speaker 1>can make it something real, it could be something real.

0:21:10.000 --> 0:21:14.360
<v Speaker 1>So I go and I go to the studio, back

0:21:14.400 --> 0:21:17.200
<v Speaker 1>to the radio station, and I put together like this

0:21:17.280 --> 0:21:21.000
<v Speaker 1>demo of what it could sound like in a McDonald's restaurant,

0:21:21.000 --> 0:21:26.359
<v Speaker 1>because again he had six McDonald's that he owned. And

0:21:26.440 --> 0:21:28.960
<v Speaker 1>so I'm like, like, if I build this, like, would

0:21:28.960 --> 0:21:32.439
<v Speaker 1>you let me test it in one of your restaurants?

0:21:32.520 --> 0:21:35.240
<v Speaker 1>And so he gave me one restaurant I could test

0:21:35.240 --> 0:21:40.080
<v Speaker 1>it in. And what's interesting about what this particular restaurant

0:21:40.119 --> 0:21:43.240
<v Speaker 1>he allowed me to test this in. And this is

0:21:43.440 --> 0:21:46.359
<v Speaker 1>the actual point of this story to pay attention here.

0:21:47.600 --> 0:21:50.639
<v Speaker 1>So I go to this McDonald's restaurant Number one. I

0:21:50.680 --> 0:21:53.159
<v Speaker 1>didn't know how to stream over the internet. This is

0:21:53.760 --> 0:21:57.119
<v Speaker 1>you know, mid this is like not two thousand, but

0:21:57.640 --> 0:22:01.560
<v Speaker 1>it's not quite twenty ten, so it's it's mid two thousands,

0:22:02.240 --> 0:22:06.400
<v Speaker 1>and so I didn't know how to stream. At the time,

0:22:06.480 --> 0:22:09.919
<v Speaker 1>streaming was not like a huge thing back then. And

0:22:09.960 --> 0:22:12.399
<v Speaker 1>so I'm like, I'm gonna just burn a CD of

0:22:12.440 --> 0:22:15.159
<v Speaker 1>a radio program and I'm going to produce that and

0:22:15.200 --> 0:22:18.160
<v Speaker 1>then put it in his store. So I produced this thing.

0:22:18.680 --> 0:22:20.959
<v Speaker 1>The store doesn't have a CD player, so I find

0:22:21.320 --> 0:22:25.000
<v Speaker 1>a and I needed it to loop, and so I

0:22:25.080 --> 0:22:27.399
<v Speaker 1>didn't really know what I was doing. So I bought

0:22:28.000 --> 0:22:31.960
<v Speaker 1>a mini computer. It was a mini PC, and I

0:22:32.000 --> 0:22:35.240
<v Speaker 1>just programmed it to just loop continuously this one hundred

0:22:35.280 --> 0:22:38.080
<v Speaker 1>and twenty minute, ninety minute whatever it was CD, just

0:22:38.160 --> 0:22:41.440
<v Speaker 1>on a loop. And so I'm all ready to go.

0:22:41.680 --> 0:22:45.800
<v Speaker 1>I get to the store and the store does not

0:22:45.960 --> 0:22:51.840
<v Speaker 1>have speakers in the lobby area, and you have to

0:22:51.880 --> 0:22:57.040
<v Speaker 1>sit the actual media console, the hardware, the DVD player

0:22:57.119 --> 0:22:59.440
<v Speaker 1>or the CD player or in my case, the computer

0:23:00.200 --> 0:23:02.800
<v Speaker 1>in the back office. And so I've got to figure

0:23:02.840 --> 0:23:05.040
<v Speaker 1>out I've never run by this time, I had never

0:23:05.080 --> 0:23:07.359
<v Speaker 1>run any type of wires. Was like, I was a

0:23:07.480 --> 0:23:11.359
<v Speaker 1>very like interesting kid in the fact that I would

0:23:11.359 --> 0:23:14.439
<v Speaker 1>play with electronics, but I really I knew enough to

0:23:14.840 --> 0:23:16.760
<v Speaker 1>figure it out, but I had never done it. I

0:23:16.760 --> 0:23:19.159
<v Speaker 1>had never had any experience doing it, especially not in

0:23:19.160 --> 0:23:23.439
<v Speaker 1>a commercial environment. It has its own city code and

0:23:23.440 --> 0:23:27.280
<v Speaker 1>et cetera and laws, and so I've got to figure

0:23:27.320 --> 0:23:31.600
<v Speaker 1>out number one, what to buy speakers, wise to get

0:23:31.640 --> 0:23:37.399
<v Speaker 1>it appropriately designed for this restaurant, having never done this before.

0:23:37.920 --> 0:23:41.320
<v Speaker 1>Got to figure out how to get speaker wire from

0:23:41.359 --> 0:23:43.280
<v Speaker 1>the back of the restaurant to the front of the

0:23:43.280 --> 0:23:46.720
<v Speaker 1>restaurant where the speakers are, having never done that before.

0:23:46.800 --> 0:23:51.400
<v Speaker 1>And also the CD player or the PC in my condition,

0:23:53.480 --> 0:23:57.680
<v Speaker 1>how to get that to work. And so the challenge

0:23:57.720 --> 0:24:01.879
<v Speaker 1>on top of this was there was no ceiling tile

0:24:02.240 --> 0:24:06.640
<v Speaker 1>between the back office and the front of the restaurant.

0:24:07.600 --> 0:24:12.199
<v Speaker 1>It's drywall, so I can't run the speaker wire above

0:24:12.240 --> 0:24:15.359
<v Speaker 1>the ceiling to make it look appropriate and to be

0:24:15.440 --> 0:24:19.200
<v Speaker 1>safe like your kid. You can't just run speaker wire

0:24:20.119 --> 0:24:22.359
<v Speaker 1>without a conduit like you're supposed to put it in

0:24:22.440 --> 0:24:25.280
<v Speaker 1>something to protect it that I know now. I didn't

0:24:25.320 --> 0:24:28.639
<v Speaker 1>know this then. I knew what I was about to do,

0:24:28.680 --> 0:24:31.360
<v Speaker 1>which I'm about to tell you wasn't like the way

0:24:31.359 --> 0:24:34.040
<v Speaker 1>to do it, but it was all I knew. And

0:24:34.119 --> 0:24:38.680
<v Speaker 1>so I had this speaker wire which was not even

0:24:39.480 --> 0:24:41.560
<v Speaker 1>it was car speaker wire, like it was not even

0:24:41.640 --> 0:24:45.120
<v Speaker 1>commercial speaker wire. It was not because commercial with speaker wire.

0:24:45.320 --> 0:24:47.119
<v Speaker 1>I'm about to get way too technical for a second,

0:24:47.160 --> 0:24:51.600
<v Speaker 1>but commercial commercial speaker wire is wrapped in this gray cabling.

0:24:52.560 --> 0:24:56.720
<v Speaker 1>The speaker wire I was using is for guys and

0:24:56.920 --> 0:25:00.640
<v Speaker 1>guys who would notice. It's this transparent and you can

0:25:00.720 --> 0:25:03.000
<v Speaker 1>see the copper on the inside of it, and that's

0:25:03.320 --> 0:25:06.040
<v Speaker 1>what you're using cars. So the speaker wire I'm using

0:25:06.160 --> 0:25:08.359
<v Speaker 1>is the stuff that you're using cars. I didn't know

0:25:08.760 --> 0:25:11.280
<v Speaker 1>this at the time. I just knew speaker wire or

0:25:11.320 --> 0:25:16.040
<v Speaker 1>speaker wire. To make it worse again, I didn't have

0:25:16.080 --> 0:25:18.080
<v Speaker 1>a way to get it from the office in the

0:25:18.119 --> 0:25:22.320
<v Speaker 1>back to the front the lobby, and so I'm like, okay, well,

0:25:22.720 --> 0:25:25.240
<v Speaker 1>and I've got to go through a commercial kitchen to

0:25:25.320 --> 0:25:28.120
<v Speaker 1>do this, which you also have to be doubly safe

0:25:28.160 --> 0:25:31.200
<v Speaker 1>because it's all kinds of fire issues back there, fire

0:25:31.240 --> 0:25:35.600
<v Speaker 1>protection and fire prevention issues back there. But I didn't

0:25:35.640 --> 0:25:37.520
<v Speaker 1>know any of this stuff at this time, and so

0:25:38.280 --> 0:25:39.960
<v Speaker 1>all I know is I got to get the music

0:25:40.000 --> 0:25:41.439
<v Speaker 1>from the back of the store to the front of

0:25:41.440 --> 0:25:46.360
<v Speaker 1>the door. And so I take a staple gun and

0:25:46.400 --> 0:25:51.240
<v Speaker 1>I staple this speaker wire to the dry wall through

0:25:51.280 --> 0:25:54.800
<v Speaker 1>the kitchen from the back of the restaurant to the

0:25:54.840 --> 0:25:59.280
<v Speaker 1>front of the restaurant, clearly visible to anybody who walked through.

0:25:59.400 --> 0:26:02.080
<v Speaker 1>In the middle of the aisle, where in between the

0:26:02.119 --> 0:26:05.760
<v Speaker 1>grill and fry station, you look up and you can

0:26:05.760 --> 0:26:11.479
<v Speaker 1>see naked speaker wire running through this McDonald's restaurant. I

0:26:11.480 --> 0:26:13.800
<v Speaker 1>didn't know no other way. All I knew was I

0:26:13.840 --> 0:26:17.120
<v Speaker 1>was trying to get music to play, and so put

0:26:17.119 --> 0:26:20.119
<v Speaker 1>a book marked there because that's story number one. Story

0:26:20.200 --> 0:26:25.040
<v Speaker 1>number two was right here. So I went to afrotech,

0:26:25.280 --> 0:26:31.080
<v Speaker 1>my first afrotech in twenty seventeen. And again, if you're

0:26:31.119 --> 0:26:33.439
<v Speaker 1>listening of this podcast, you've heard this part of the story.

0:26:33.480 --> 0:26:36.600
<v Speaker 1>So I went to afrotech in twenty seventeen. I started

0:26:36.720 --> 0:26:41.520
<v Speaker 1>my first podcast in twenty sixteen, and it's called of

0:26:41.680 --> 0:26:44.320
<v Speaker 1>ten Podcasts. It's still on iTunes. If you go look

0:26:44.359 --> 0:26:48.320
<v Speaker 1>for it, you will hear the Will Lucas of eight

0:26:48.400 --> 0:26:52.640
<v Speaker 1>years ago. You will hear those podcast episodes and I'm

0:26:52.680 --> 0:26:57.119
<v Speaker 1>talking to black technologists. And at the end of the

0:26:57.160 --> 0:26:59.680
<v Speaker 1>first season of ofp ten Podcasts, I had heard about

0:26:59.680 --> 0:27:01.919
<v Speaker 1>this thing called afrotech, and I was like, how did

0:27:01.960 --> 0:27:05.719
<v Speaker 1>I not know that this thing happened? Because everybody I

0:27:05.760 --> 0:27:09.080
<v Speaker 1>had interviewed on my podcast of ten podcasts. The first

0:27:09.119 --> 0:27:12.919
<v Speaker 1>season was on stage at the first AFRO Tech and

0:27:12.960 --> 0:27:15.320
<v Speaker 1>I'm like, how did I miss this thing? And so

0:27:15.359 --> 0:27:18.639
<v Speaker 1>I'm like, I'm never going to miss another Afrotech And

0:27:18.680 --> 0:27:23.080
<v Speaker 1>so as twenty seventeen approaches, I positioned myself to go.

0:27:23.400 --> 0:27:26.280
<v Speaker 1>And I also knew at the time, like there was

0:27:26.400 --> 0:27:30.159
<v Speaker 1>no real home for black technologists. There was like no

0:27:30.280 --> 0:27:33.000
<v Speaker 1>homecoming for us, and so I knew I was going

0:27:33.040 --> 0:27:35.199
<v Speaker 1>to have a remarkable time because we were not on

0:27:35.240 --> 0:27:38.280
<v Speaker 1>the cover of tech Crunch back then, like we were

0:27:38.359 --> 0:27:43.560
<v Speaker 1>not getting placed in YC Y Combinator back then, and

0:27:43.600 --> 0:27:48.080
<v Speaker 1>so black people were very way more underrepresented in technology

0:27:48.480 --> 0:27:52.119
<v Speaker 1>back when Afrotech started. And so I'm like, I know,

0:27:52.200 --> 0:27:55.919
<v Speaker 1>I'm going to have a remarkable time. So and I

0:27:55.960 --> 0:27:58.440
<v Speaker 1>got this radio background, all the things I'm going to go,

0:27:58.600 --> 0:28:01.600
<v Speaker 1>and I got this podcast. I'm gonna go, and I'm

0:28:01.640 --> 0:28:06.520
<v Speaker 1>gonna vlog every day of this conference. And since I

0:28:06.560 --> 0:28:11.600
<v Speaker 1>got this podcast, I'm also gonna pass out flyers like

0:28:11.680 --> 0:28:17.000
<v Speaker 1>club flyers, but instead of being club flyers their podcasts advertisements,

0:28:17.000 --> 0:28:20.000
<v Speaker 1>they're like podcast flyers to let people know I got

0:28:20.000 --> 0:28:22.720
<v Speaker 1>a podcast, and here are the people that are on it.

0:28:22.720 --> 0:28:25.720
<v Speaker 1>Because it's the same people that's at on stage at

0:28:25.760 --> 0:28:31.480
<v Speaker 1>this conference. So I'm walking around with like you've seen

0:28:31.520 --> 0:28:33.560
<v Speaker 1>like a selfie stick like this is. I didn't even

0:28:33.560 --> 0:28:35.159
<v Speaker 1>have a selfie stick. I'm just walking around with a

0:28:35.240 --> 0:28:40.040
<v Speaker 1>camera looking at myself, you know, selfie talking to the

0:28:40.080 --> 0:28:44.920
<v Speaker 1>camera all day long at afro Tech twenty seventeen. And

0:28:44.960 --> 0:28:47.200
<v Speaker 1>so I'm like, I need to get this content out

0:28:47.280 --> 0:28:50.360
<v Speaker 1>quickly because my whole intent was to give people FOMO

0:28:50.400 --> 0:28:52.160
<v Speaker 1>because I knew I was gonna have a good time.

0:28:52.200 --> 0:28:53.880
<v Speaker 1>And I'm like, if I'm going to have a good time,

0:28:54.200 --> 0:28:57.040
<v Speaker 1>I want the world to know that they missed out

0:28:57.040 --> 0:29:02.200
<v Speaker 1>on this afro Tech. So I would record all day

0:29:02.240 --> 0:29:05.239
<v Speaker 1>and if I recall, afro Tech twenty seventeen was like

0:29:05.280 --> 0:29:07.520
<v Speaker 1>three days long. It was like all day Thursday, all

0:29:07.600 --> 0:29:10.480
<v Speaker 1>day Friday, all day maybe partial of the day Saturday.

0:29:11.320 --> 0:29:16.000
<v Speaker 1>So I get there probably Wednesday night, and I've logged

0:29:16.040 --> 0:29:20.440
<v Speaker 1>my experience going to the airport, being at afro Tech

0:29:20.520 --> 0:29:23.360
<v Speaker 1>all day Thursday, and I'm like, Okay, I'm gonna edit

0:29:23.400 --> 0:29:28.480
<v Speaker 1>this video in my hotel room tonight. And so Thursday,

0:29:28.640 --> 0:29:31.320
<v Speaker 1>I edit the video that night and I publish it

0:29:31.320 --> 0:29:36.600
<v Speaker 1>to YouTube that night. And so Friday, a few people

0:29:36.640 --> 0:29:38.600
<v Speaker 1>walk up to me like, yo, I saw your video

0:29:38.600 --> 0:29:41.800
<v Speaker 1>from yesterday. That was pretty sweet. So I do the

0:29:41.800 --> 0:29:44.960
<v Speaker 1>same thing Friday. But my intent, Remember, it's just to

0:29:44.960 --> 0:29:48.400
<v Speaker 1>get people, fomo, That's all my intent is. And so

0:29:49.120 --> 0:29:51.800
<v Speaker 1>all day Friday, I record, walk around with a camera

0:29:52.680 --> 0:29:56.800
<v Speaker 1>and edit the video that night in my hotel room

0:29:56.800 --> 0:29:59.680
<v Speaker 1>and I publish it to YouTube that night. So Saturday

0:29:59.720 --> 0:30:03.000
<v Speaker 1>I will around and way more people are like, yo,

0:30:03.280 --> 0:30:05.560
<v Speaker 1>I saw your video from yesterday, and the one before

0:30:05.640 --> 0:30:08.280
<v Speaker 1>the day before that, like that's doe, Like how are

0:30:08.320 --> 0:30:13.560
<v Speaker 1>you doing this that fast? And so unintentionally I was

0:30:13.600 --> 0:30:16.920
<v Speaker 1>building a name for myself because again I was trying

0:30:16.920 --> 0:30:20.320
<v Speaker 1>to get people from mo but I was becoming the

0:30:20.360 --> 0:30:23.000
<v Speaker 1>Will Lucas who does this podcast today and I didn't.

0:30:23.040 --> 0:30:25.880
<v Speaker 1>But that was not the intent. I knew. I wanted

0:30:25.920 --> 0:30:28.560
<v Speaker 1>to contribute something to the conversation and contribute something to

0:30:28.600 --> 0:30:32.120
<v Speaker 1>the culture. And so in my innocence of doing that,

0:30:32.360 --> 0:30:39.400
<v Speaker 1>I was doing the work. So today these blessings are apparent.

0:30:39.920 --> 0:30:44.880
<v Speaker 1>So I'm the brand manager Afrotech today. All right, So

0:30:45.000 --> 0:30:47.000
<v Speaker 1>let me actually it makes sense to tell you just

0:30:47.440 --> 0:30:49.959
<v Speaker 1>one minute on that. And so I took my wife

0:30:49.960 --> 0:30:52.960
<v Speaker 1>with me in twenty eighteen, I'm like, you've got to

0:30:53.000 --> 0:30:57.240
<v Speaker 1>see this conference. This is the most remarkable thing. You

0:30:57.280 --> 0:30:59.000
<v Speaker 1>got to see all these black people in San Francisco.

0:30:59.120 --> 0:31:01.200
<v Speaker 1>So I took my wife to two eighteen. I did

0:31:01.240 --> 0:31:03.240
<v Speaker 1>not vlog that year, but at the end of that

0:31:03.360 --> 0:31:08.600
<v Speaker 1>conference of twenty eighteen, she's like, that was remarkable. I'm like,

0:31:08.720 --> 0:31:11.760
<v Speaker 1>wasn't it remarkable? That was remarkable. You should not come

0:31:11.760 --> 0:31:17.000
<v Speaker 1>back unless you're on stage. And I'm like, how am

0:31:17.040 --> 0:31:18.360
<v Speaker 1>I gonna get on this stage? Did you see the

0:31:18.400 --> 0:31:19.920
<v Speaker 1>people on that stage? How am I going to get

0:31:19.960 --> 0:31:23.080
<v Speaker 1>on that stage? But I'm like, challenge accepted. I don't

0:31:23.080 --> 0:31:24.680
<v Speaker 1>know how I'm gonna do it, because if people on

0:31:24.720 --> 0:31:27.400
<v Speaker 1>that stage are doing it, I don't know how I'm

0:31:27.400 --> 0:31:30.080
<v Speaker 1>gonna get on that stage. But if you say I

0:31:30.080 --> 0:31:31.880
<v Speaker 1>should be on that stage, I want to figure out

0:31:31.880 --> 0:31:36.320
<v Speaker 1>how to be on that stage. And so I found

0:31:36.360 --> 0:31:39.320
<v Speaker 1>a photo of somebody else, I think it was an

0:31:39.400 --> 0:31:41.680
<v Speaker 1>war bay I would find. I found a photo of

0:31:41.720 --> 0:31:44.920
<v Speaker 1>an war on the Afro Tech stage and I put

0:31:44.960 --> 0:31:49.000
<v Speaker 1>it on my vision board. And so every day from

0:31:49.760 --> 0:31:54.360
<v Speaker 1>December to March April, because there's a reason that it stopped.

0:31:54.360 --> 0:31:57.120
<v Speaker 1>In March April, I was wake up and I would

0:31:57.160 --> 0:31:59.280
<v Speaker 1>see this picture that one day I'm going to get

0:31:59.280 --> 0:32:02.320
<v Speaker 1>on this afro Tech stage and this next time they

0:32:02.360 --> 0:32:04.520
<v Speaker 1>open up a call for speakers, I'm going to apply.

0:32:05.360 --> 0:32:07.400
<v Speaker 1>And so they open up a call for speakers in

0:32:07.440 --> 0:32:12.000
<v Speaker 1>like February March. And so around that time I told

0:32:12.040 --> 0:32:14.040
<v Speaker 1>you guys this story before I get an email and

0:32:14.080 --> 0:32:18.440
<v Speaker 1>it says, hey, my name is and I'll work for

0:32:19.400 --> 0:32:22.200
<v Speaker 1>and we're going in a new direction for afro Tech.

0:32:22.800 --> 0:32:26.880
<v Speaker 1>And Morgan Debon, who's the CEO of Blavity, says we

0:32:26.920 --> 0:32:30.360
<v Speaker 1>should talk to you about running it. And I'm like,

0:32:31.880 --> 0:32:34.320
<v Speaker 1>I cannot believe what I'm reading right now. This is

0:32:34.320 --> 0:32:37.920
<v Speaker 1>an email. I'm sitting at a red light in Toledo,

0:32:38.040 --> 0:32:41.840
<v Speaker 1>and I'm like, I'm being asked to have a conversation

0:32:41.880 --> 0:32:44.000
<v Speaker 1>about running afro Tech as the brand man mis year.

0:32:45.280 --> 0:32:47.560
<v Speaker 1>And so I'm like, I went from just trying to

0:32:47.760 --> 0:32:50.160
<v Speaker 1>figure out a way to get five minutes on stage

0:32:50.640 --> 0:32:54.840
<v Speaker 1>to being a part of the conversation about running afro Tech.

0:32:55.960 --> 0:32:59.920
<v Speaker 1>Now to culminate these two stories, the reason I told

0:33:00.120 --> 0:33:04.640
<v Speaker 1>these two stories is because you, my friend, are waiting

0:33:04.840 --> 0:33:07.000
<v Speaker 1>for somebody to tell you when it's time to go,

0:33:07.640 --> 0:33:10.680
<v Speaker 1>when it's time to do the thing, and that's a mistake.

0:33:13.120 --> 0:33:19.200
<v Speaker 1>We're waiting for you to get tired enough of being

0:33:19.280 --> 0:33:21.760
<v Speaker 1>tired in the role that you're in, or in the

0:33:21.880 --> 0:33:24.120
<v Speaker 1>role or not in the role that you want to

0:33:24.160 --> 0:33:27.440
<v Speaker 1>be in. We're waiting for you to get tired of that,

0:33:29.200 --> 0:33:32.680
<v Speaker 1>tired enough that you do something about it. Because there

0:33:32.720 --> 0:33:37.480
<v Speaker 1>is nobody coming to save you. There is nobody coming

0:33:37.520 --> 0:33:40.560
<v Speaker 1>to tap you on the shoulder and say it's go time.

0:33:42.400 --> 0:33:45.480
<v Speaker 1>So because there's nobody coming to do that, I'm gonna

0:33:45.520 --> 0:33:50.040
<v Speaker 1>say it it's go time. So whether or not you

0:33:50.160 --> 0:33:52.720
<v Speaker 1>decide to go it is completely up to you. But

0:33:52.760 --> 0:33:56.480
<v Speaker 1>I'm telling you the only way to go is to

0:33:56.560 --> 0:34:03.000
<v Speaker 1>take the limits off yourself dream again and do something.

0:34:05.400 --> 0:34:11.120
<v Speaker 1>When I was doing creatio stapling speaker car speaker wire

0:34:11.520 --> 0:34:17.080
<v Speaker 1>to a commercial kitchen's roof ceiling that was not legal.

0:34:17.160 --> 0:34:20.200
<v Speaker 1>Number one, I'm not telling me you do something that's illegal.

0:34:20.800 --> 0:34:24.160
<v Speaker 1>But what I'm saying is in my innocence, I'm like,

0:34:24.680 --> 0:34:28.080
<v Speaker 1>let's go, LFG like we just going because I'm going

0:34:28.160 --> 0:34:30.799
<v Speaker 1>to figure this thing out. All I know to do

0:34:30.920 --> 0:34:32.319
<v Speaker 1>is what I know to do, and I'm gonna do

0:34:32.360 --> 0:34:34.720
<v Speaker 1>what I know to do until I know to do better.

0:34:35.800 --> 0:34:37.839
<v Speaker 1>But what I know to do I'm want to do it.

0:34:40.640 --> 0:34:43.759
<v Speaker 1>That's the only difference between people who make it and

0:34:43.760 --> 0:34:49.920
<v Speaker 1>people who don't go. Regardless. When I was going to

0:34:50.000 --> 0:34:54.880
<v Speaker 1>Afrotech twenty seventeen, and the thing about like doing this,

0:34:55.320 --> 0:34:59.000
<v Speaker 1>like going without permission. Sometimes people go and it's innocent,

0:34:59.040 --> 0:35:03.120
<v Speaker 1>like they don't even know that there being ambitious. They

0:35:03.200 --> 0:35:07.359
<v Speaker 1>just go. But it's still ambitious. So when I went

0:35:07.400 --> 0:35:11.799
<v Speaker 1>to twenty seventeen, my whole point was to contribute to

0:35:11.800 --> 0:35:15.360
<v Speaker 1>the conversation. I wasn't going to be the brand manager

0:35:15.360 --> 0:35:17.160
<v Speaker 1>of Afrotech. I didn't even know what the experience was

0:35:17.200 --> 0:35:19.320
<v Speaker 1>going to be. Like, I had never been to Afrotech.

0:35:19.800 --> 0:35:24.040
<v Speaker 1>I wasn't going to, you know, develop a name for myself.

0:35:24.239 --> 0:35:27.960
<v Speaker 1>That happened because I was doing the work period and

0:35:28.000 --> 0:35:31.799
<v Speaker 1>it was honest and it was authentic. But I went

0:35:32.360 --> 0:35:35.240
<v Speaker 1>and I didn't ask permission for somebody to let me record.

0:35:35.280 --> 0:35:36.760
<v Speaker 1>I didn't even know if you could bring a camera,

0:35:37.320 --> 0:35:39.960
<v Speaker 1>you know, and start set up shop. You know. I'm

0:35:40.000 --> 0:35:43.160
<v Speaker 1>just out here recording y'all footage. I'm recording, taking clips.

0:35:43.160 --> 0:35:44.880
<v Speaker 1>I'm gonna publish it to my YouTube. I don't even

0:35:44.960 --> 0:35:48.319
<v Speaker 1>know if that's allowed, But not an ass I'm just

0:35:48.400 --> 0:35:53.320
<v Speaker 1>doing it. I'm showing up, I'm recording, I'm publishing YouTube.

0:35:53.440 --> 0:35:55.759
<v Speaker 1>Come see me. It's still on These videos are still

0:35:55.760 --> 0:35:57.719
<v Speaker 1>on YouTube. If you Google, or if you go to

0:35:57.760 --> 0:36:00.640
<v Speaker 1>YouTube and you start Will Lucas afrotech, you will see

0:36:00.640 --> 0:36:07.280
<v Speaker 1>these videos. And they were done with innocence. Stapling speaker

0:36:07.320 --> 0:36:11.200
<v Speaker 1>wire to the ceiling of a McDonald's kitchen was done

0:36:11.239 --> 0:36:15.400
<v Speaker 1>from innocence, but also ambition and also like, look, nobody's

0:36:15.400 --> 0:36:17.600
<v Speaker 1>gonna give me a playbook on how to be successful.

0:36:18.120 --> 0:36:20.640
<v Speaker 1>I've got to figure it out for myself and write

0:36:20.640 --> 0:36:24.160
<v Speaker 1>the playbook for my story. Nobody was gonna give me

0:36:24.200 --> 0:36:26.719
<v Speaker 1>a playbook and say, here's what you do. You go

0:36:26.760 --> 0:36:28.799
<v Speaker 1>to afro Tech. You find a big conference to go

0:36:28.880 --> 0:36:32.520
<v Speaker 1>to afrotext, the one you take a video camera and

0:36:32.560 --> 0:36:35.400
<v Speaker 1>you go record every day and also make You're not

0:36:35.480 --> 0:36:37.760
<v Speaker 1>just recording every day. You also go into your hotel

0:36:37.840 --> 0:36:40.520
<v Speaker 1>room every night and you're gonna edit the video that night,

0:36:40.600 --> 0:36:42.799
<v Speaker 1>publish it that night, and then walk around the next day.

0:36:42.800 --> 0:36:47.200
<v Speaker 1>And meanwhile you're also taking flyers and everybody you interviewed

0:36:47.200 --> 0:36:50.240
<v Speaker 1>on your podcast, and you're gonna go Kinko's fedexx office

0:36:50.520 --> 0:36:52.359
<v Speaker 1>and print them and then you're gonna print them. You're

0:36:52.360 --> 0:36:54.719
<v Speaker 1>gonna print five hundred copies, and then you're gonna go

0:36:54.760 --> 0:36:57.359
<v Speaker 1>to AFRO Tech, you go on video camera, you gonna

0:36:57.480 --> 0:37:00.160
<v Speaker 1>edit that night, you're gonna publish the YouTube that I

0:37:00.280 --> 0:37:03.400
<v Speaker 1>also walk around with five hundred flyers talking about your podcast.

0:37:03.560 --> 0:37:07.200
<v Speaker 1>And then also that as also also there was no playbook.

0:37:08.000 --> 0:37:13.759
<v Speaker 1>I was just doing stuff in furtherance and hopeful furtherance

0:37:14.360 --> 0:37:17.960
<v Speaker 1>of the mission, which was to contribute to the conversation

0:37:18.840 --> 0:37:22.400
<v Speaker 1>with creatiol. The mission was to figure out how to

0:37:22.440 --> 0:37:27.520
<v Speaker 1>make a business be said, to know how. There was

0:37:27.600 --> 0:37:32.279
<v Speaker 1>no playbook for my story. You can get clues and

0:37:32.360 --> 0:37:36.400
<v Speaker 1>tidbits and advice and etcetera from other people and books

0:37:36.480 --> 0:37:39.920
<v Speaker 1>and podcasts and etcetera. And I think you should. But

0:37:40.040 --> 0:37:44.720
<v Speaker 1>you also just have to learn by movement, get active,

0:37:47.239 --> 0:37:50.520
<v Speaker 1>get about it like you gotta just go, and you

0:37:50.600 --> 0:37:53.520
<v Speaker 1>got to figure it out along the way. Well, too

0:37:53.520 --> 0:37:57.879
<v Speaker 1>many of us wait for is the permission number one?

0:37:58.560 --> 0:38:02.520
<v Speaker 1>And to have certainty that the destination we plug into

0:38:03.360 --> 0:38:08.279
<v Speaker 1>navigation is the place we're going to arrive at. I'm

0:38:08.320 --> 0:38:12.640
<v Speaker 1>telling you the destination is the goal, but the place

0:38:12.680 --> 0:38:15.160
<v Speaker 1>where you will actually land up will be better than

0:38:15.200 --> 0:38:18.880
<v Speaker 1>you could have imagined because you don't even know what

0:38:19.080 --> 0:38:23.080
<v Speaker 1>opportunities are available to you. We have a limited view

0:38:23.200 --> 0:38:26.919
<v Speaker 1>of what our opportunities are. But when you get about it,

0:38:27.200 --> 0:38:30.480
<v Speaker 1>and when you get active, a world opens up to

0:38:30.520 --> 0:38:34.360
<v Speaker 1>you things that you had not even imagined you wanted

0:38:34.400 --> 0:38:37.160
<v Speaker 1>to do. As you learn and as you grow, as

0:38:37.200 --> 0:38:40.239
<v Speaker 1>you see more things, as you get more experiences, as

0:38:40.280 --> 0:38:44.200
<v Speaker 1>you meet more people, your desires will change. They will

0:38:44.440 --> 0:38:48.879
<v Speaker 1>get bigger. The scope of things that become at your

0:38:48.920 --> 0:38:54.480
<v Speaker 1>grasp get enhanced. But none of this happens if you

0:38:54.640 --> 0:38:57.560
<v Speaker 1>sitting there in your car on your way to a

0:38:57.680 --> 0:39:01.120
<v Speaker 1>job that you hate, with people you don't even want

0:39:01.160 --> 0:39:04.680
<v Speaker 1>to be that don't actually pour into your life. If

0:39:04.719 --> 0:39:09.040
<v Speaker 1>you're sitting there waiting for something to happen, something will

0:39:09.080 --> 0:39:12.759
<v Speaker 1>happen because you know, I firmly believe some people jump

0:39:12.800 --> 0:39:19.120
<v Speaker 1>and some people are pushed. Firmly believe that something will happen.

0:39:20.120 --> 0:39:22.799
<v Speaker 1>What I'm saying is what you want to happen, you

0:39:22.840 --> 0:39:28.560
<v Speaker 1>can actually get about it. There is no playbook, there

0:39:28.600 --> 0:39:32.360
<v Speaker 1>is no prescribed way you're going to find your success.

0:39:33.320 --> 0:39:37.239
<v Speaker 1>The only objective is to get active in doing the

0:39:37.239 --> 0:39:41.520
<v Speaker 1>work that you know to do. Don't stay focused on

0:39:41.600 --> 0:39:44.439
<v Speaker 1>the big goal, the big dream. Yeah, write it down,

0:39:44.760 --> 0:39:47.000
<v Speaker 1>have a picture of it, keep it, you know in

0:39:47.040 --> 0:39:48.480
<v Speaker 1>your mind when you wake up in the morning and

0:39:48.600 --> 0:39:50.799
<v Speaker 1>have a visual of it, et cetera, et cetera, et cetera.

0:39:51.080 --> 0:39:53.799
<v Speaker 1>But the only thing you need to focus on is

0:39:53.960 --> 0:39:57.640
<v Speaker 1>what to do next, Not what to do ten steps

0:39:57.680 --> 0:40:00.000
<v Speaker 1>from now, not what to do one hundred steps from now,

0:40:00.120 --> 0:40:02.360
<v Speaker 1>Not what you're gonna do when you got this big company,

0:40:02.360 --> 0:40:05.120
<v Speaker 1>when you live in this big influencer's dream, when you're

0:40:05.160 --> 0:40:08.080
<v Speaker 1>the CEO of this big foundation, et cetera, et cetera.

0:40:08.520 --> 0:40:12.240
<v Speaker 1>The only thing that matters is the very next step.

0:40:12.840 --> 0:40:15.759
<v Speaker 1>That next step could be as simple as sending an

0:40:15.800 --> 0:40:21.120
<v Speaker 1>email to somebody who could be key key contact for

0:40:21.280 --> 0:40:25.560
<v Speaker 1>your thing. That next step could be going to your

0:40:25.600 --> 0:40:29.040
<v Speaker 1>state's website to find out if they have dollars or

0:40:29.080 --> 0:40:33.080
<v Speaker 1>training programs to support retraining for people who have worked

0:40:33.080 --> 0:40:34.920
<v Speaker 1>in certain jobs and now need to figure out how

0:40:34.920 --> 0:40:37.399
<v Speaker 1>to do coding and software development and AI and etc.

0:40:38.040 --> 0:40:42.399
<v Speaker 1>Many states have programs for this, many universities. Maybe your

0:40:42.440 --> 0:40:45.880
<v Speaker 1>next step is going to your local university community college's

0:40:46.120 --> 0:40:48.880
<v Speaker 1>website to figure out if they have training program certificate

0:40:48.920 --> 0:40:51.280
<v Speaker 1>programs to help you figure out how to do AI,

0:40:52.520 --> 0:40:55.960
<v Speaker 1>or do software development, or build a website, or do

0:40:56.080 --> 0:41:00.880
<v Speaker 1>video production intro to video production. Maybe your next step

0:41:01.000 --> 0:41:02.920
<v Speaker 1>is just going to the website and seeing if you

0:41:03.239 --> 0:41:07.239
<v Speaker 1>can apply for a class, not figuring out how you're

0:41:07.239 --> 0:41:09.560
<v Speaker 1>gonna pay for it. The next step is just figuring

0:41:09.600 --> 0:41:12.480
<v Speaker 1>out what's available to you, and then once you know

0:41:12.520 --> 0:41:15.279
<v Speaker 1>what's available to you, then the next step changes. It's

0:41:15.320 --> 0:41:18.880
<v Speaker 1>actually writing an application and submitting it to the school.

0:41:19.239 --> 0:41:22.239
<v Speaker 1>Maybe it's applying for financial aid. Whatever it may be,

0:41:22.560 --> 0:41:24.719
<v Speaker 1>the next step is the only thing you should be

0:41:24.760 --> 0:41:30.240
<v Speaker 1>thinking about, is the point? What is the next step?

0:41:33.680 --> 0:41:36.160
<v Speaker 1>Too many of us are waiting for somebody to tell

0:41:36.239 --> 0:41:44.160
<v Speaker 1>us the steps. When I'm saying, just get active, Just

0:41:44.239 --> 0:41:48.919
<v Speaker 1>get around the conversation, Just get around people who are

0:41:48.920 --> 0:41:52.240
<v Speaker 1>doing things, and the next step will become a parent.

0:41:53.840 --> 0:41:57.000
<v Speaker 1>Start listening to the right things, get around the right people,

0:41:57.360 --> 0:42:01.480
<v Speaker 1>Consume things that help you stay far focused on your dream.

0:42:01.760 --> 0:42:04.759
<v Speaker 1>It's possible. I don't care what you're dreaming about, the

0:42:04.800 --> 0:42:06.879
<v Speaker 1>thing that you've been delaying, the thing that you've been

0:42:07.360 --> 0:42:13.120
<v Speaker 1>discouraged about. Get active, stop waiting for permission. The answers

0:42:13.160 --> 0:42:20.399
<v Speaker 1>are found when you get in motion. If you got

0:42:20.400 --> 0:42:23.839
<v Speaker 1>something out of this episode, Share with somebody I appreciate it,