WEBVTT - The Fifth Hour: People Are Strange

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<v Speaker 1>Kabooms.

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<v Speaker 2>If you thought four hours a day, twelve hundred minutes

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<v Speaker 2>a week was enough, think again. He's the last remnants

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<v Speaker 2>of the Old Republic, a sol fastion of fairness. He

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<v Speaker 2>treats crackheads in the ghetto gutter the same as the

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<v Speaker 2>rich pill poppers in the penthouse.

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<v Speaker 1>Wow.

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<v Speaker 2>The Clearinghouse of Hot takes break free for something special.

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<v Speaker 2>The Fifth Hour with Ben Mahler starts right now in.

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<v Speaker 1>The air everywhere.

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<v Speaker 3>The Fifth Hour with Me, Ben Mahler and Danny g

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<v Speaker 3>Radio celebrating World Pasta Day as we broadcast from the

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<v Speaker 3>remote studio somewhere in the bowels of the iHeartMedia Building,

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<v Speaker 3>unless it's not. As we're yapping away here celebrating pasta,

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<v Speaker 3>which has been around for five since five thousand BC

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<v Speaker 3>and came to America. We've talked about this before in

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<v Speaker 3>the podcast because I think we've been on during World

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<v Speaker 3>Pasta Day in the past. But President Jefferson was in

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<v Speaker 3>Perie back in the day and somebody served him some pasta.

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<v Speaker 3>He called it macaroni. He loved it so much. How

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<v Speaker 3>much did he love it? He brought back a ton

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<v Speaker 3>of it and He's like, I got to bring that

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<v Speaker 3>to America.

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<v Speaker 1>I mean, I love this macarona.

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<v Speaker 3>Of course it might not have actually been what we

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<v Speaker 3>call macaroni today, but he returned with a couple of

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<v Speaker 3>cases of this stuff, and then that helped spread the

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<v Speaker 3>joy of pasta. The big bumpety bump in mass production

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<v Speaker 3>of pasta was oh, you know the rest. Campbell's Soup

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<v Speaker 3>Company invented the canned pasta known as Spaghettio's, Oh Spaghettio,

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<v Speaker 3>and that became a big deal. Now as a kid,

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<v Speaker 3>it was in my rotation, and they determined the people

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<v Speaker 3>that may the pasta determined that kids could eat the

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<v Speaker 3>O shape rings without making a mess, and that was

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<v Speaker 3>bull crap. I was able to make a mess. My

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<v Speaker 3>mom's not here, but she would tell you she was

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<v Speaker 3>still around that I did make make a mess. Some

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<v Speaker 3>of the other ideas when they were making Spaghettio's, they

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<v Speaker 3>were like, well, let's make a little cowboys or you know,

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<v Speaker 3>coo cowboys.

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<v Speaker 1>And Indians racist. Well, they would have had to cancel

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<v Speaker 1>Campbells if they had done that.

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<v Speaker 3>They thought about maybe spacemen or stars, or shapes of

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<v Speaker 3>footballs and baseballs, but they determined that the oh was

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<v Speaker 3>good and it rhymes spaghetti Oh kind of flows and

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<v Speaker 3>the whole thing. And then a few years after Campbells

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<v Speaker 3>came around the chain restaurant, the Old Spaghetti Factory opened

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<v Speaker 3>its first location in Portland and they're still around.

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<v Speaker 1>There's still a few in my area.

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<v Speaker 3>So it is World pasta day celebrate appropriately on this podcast,

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<v Speaker 3>The Fifth Hour with Me and Danny g on this Saturday,

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<v Speaker 3>we've got in honor of National Past today we have

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<v Speaker 3>the Spaghetti Western, a story that has never before been told.

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<v Speaker 3>What you're about to hear the first time ever. This

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<v Speaker 3>story will be told on any microphone anywhere. And also

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<v Speaker 3>the odd ball Corner, which is our corner. It's our corner,

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<v Speaker 3>is what it is? Yes, all right, so listen. There

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<v Speaker 3>is a moment somewhere between the second Margarita and the

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<v Speaker 3>fourth rendition in your head of friends in low places,

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<v Speaker 3>when life stops pretending to be complicated, right, and you

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<v Speaker 3>just kind of tip your hat and you say, how

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<v Speaker 3>do partner and let the absurdity trot on through. So

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<v Speaker 3>that moment happened again recently in my life this past weekend,

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<v Speaker 3>a story that I've saved for this podcast. On the

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<v Speaker 3>far edges of Los Angeles County, a little place called Norco, California,

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<v Speaker 3>a town that has more saddles than Starbucks.

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<v Speaker 1>It does have a Starbucks, but it has more saddles.

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<v Speaker 3>They have wide things near the road, a little like

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<v Speaker 3>dirt things to walk your horse. There's more livestock than Tesla's,

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<v Speaker 3>which is odd in California. And the concept of an

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<v Speaker 3>HOA a homeowner's association likely involves actual horses, a stampede

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<v Speaker 3>of horses.

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<v Speaker 1>Now, I was not there as a gas bag. I

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<v Speaker 1>was visiting.

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<v Speaker 3>I was there by marriage, as we have pointed out.

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<v Speaker 3>And you know this if you're also married. That is

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<v Speaker 3>how these things work. When you say I do and

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<v Speaker 3>you sign the contract. At some point in the journey

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<v Speaker 3>of life, you find yourself in a newly purchased cowboy hat,

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<v Speaker 3>standing next to three goats, a fluffy cow named Jet

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<v Speaker 3>and timing a mechanical bull that people are riding on

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<v Speaker 3>like a man auditioning for some kind of endorsement deal

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<v Speaker 3>with a stopwatch company. We were there for my my

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<v Speaker 3>wife's longtime co workers fiftieth birthday bash. Nice Woman, Good House.

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<v Speaker 3>It was her home Western theme. It was a fandego,

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<v Speaker 3>as they said in the Old West. A shindig, a

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<v Speaker 3>real gudea up and go kind of party, and so

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<v Speaker 3>it's kind of walking through this. So I don't own

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<v Speaker 3>cowboy boots. I have very big feet. I don't own

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<v Speaker 3>cowboy boots. I don't own spurs. I have watched the

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<v Speaker 3>San Antonio Spurs play, but I don't own spurs. However,

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<v Speaker 3>I do own what can only be described as a

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<v Speaker 3>Canadian tuxedo. We've talked about this in the past, a

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<v Speaker 3>full denim ensemble acquired on my somewhat recent trip to Vancouver.

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<v Speaker 3>We talked about yesterday I did this love note to Toronto,

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<v Speaker 3>but I talked about Canada because the Dodgers and Blue

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<v Speaker 3>Jays playing, and I mentioned Nico and here we are again.

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<v Speaker 3>I got that when we went to Vancouver, the Canadian tuxedo,

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<v Speaker 3>when Nico rolled out the red carpet, and you know,

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<v Speaker 3>the red carpet in Canada is covered in maple syrup

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<v Speaker 3>and hospitality. But that outfit, I didn't think I'd ever

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<v Speaker 3>wear it again. I thought, well, this is the only

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<v Speaker 3>time I'm in Canada, I'm gonna wear the Canadian tuxedo.

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<v Speaker 1>And I had the bolo tie, the whole thing, and

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<v Speaker 1>I said, oh no, I want to do it.

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<v Speaker 3>And it's the kind of an outfit that makes you

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<v Speaker 3>feel like an extra and a B list spaghetti western, right,

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<v Speaker 3>the kind that ends up face down in a saloon

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<v Speaker 3>after the first scene that was me okay in the

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<v Speaker 3>spaghetti western on World pasta Day.

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<v Speaker 1>So I put on the tuxedo.

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<v Speaker 3>I topped it with the authentic cowboy hat which still

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<v Speaker 3>had the label on it, and just like that, poof,

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<v Speaker 3>I was no longer Benny from Benny versus the Penny

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<v Speaker 3>and the radio. No no no, I had a nickname change.

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<v Speaker 3>I was Benny Buckeroo Bennie Buckero, a man who, in

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<v Speaker 3>theory could lasso a calf, in reality could barely lasso

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<v Speaker 3>the TV remote control. That's just the reality. So Benny

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<v Speaker 3>Bucco Buckaroo or Buckeroo, Benny, whatever you want to call me.

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<v Speaker 3>So every true great party eventually involves a bad idea.

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<v Speaker 3>I'm not a big party guys, you know, I'm an introvert.

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<v Speaker 3>I try to limit it to mallard meet and greets,

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<v Speaker 3>and that's for bonding.

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<v Speaker 1>With you, the listener.

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<v Speaker 3>So I just don't go to too many parties. But

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<v Speaker 3>I do know from the times I've been to parties

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<v Speaker 3>that normally there's a bad idea that becomes a good thing.

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<v Speaker 3>So some involve trampolines, some involve karaoke. This one involved

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<v Speaker 3>a mechanical bull, the great equalizer of bravado and machismo

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<v Speaker 3>and balance.

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<v Speaker 1>Now, I last was at a bar.

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<v Speaker 3>There's a place and I don't even know it's still

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<v Speaker 3>there on Sunset in Hollywood. I used to go to

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<v Speaker 3>when I was younger, and they had a mechanical bull

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<v Speaker 3>and it was it was fun. I mean, most of

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<v Speaker 3>the people were there just to look at the hot

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<v Speaker 3>girls that would go on the mechanical bull and go

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<v Speaker 3>flying off the mechanical bull. But the mechanical bulls are

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<v Speaker 3>a fascinating invention. They were first introduced in the nineteen thirties.

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<v Speaker 3>Right the nineteen thirties. I thought, that's almost one hundred

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<v Speaker 3>years at an amusement park in New Jersey. And how

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<v Speaker 3>do I know that? Because I was like, I was

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<v Speaker 3>sitting there at this thing, and I was like, I

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<v Speaker 3>have mechanical bulls. I wonder how long they've been around.

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<v Speaker 3>So I guess since I started a Jersey, which I

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<v Speaker 3>guess means the original version likely tossed men in three

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<v Speaker 3>piece suits and women in floral dresses into the dirt

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<v Speaker 3>around Atlantic City. But the true pop culture coronation, as

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<v Speaker 3>I understand it, came in nineteen eighty when Urban Cowboy

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<v Speaker 3>turned this contraption at Gilly's Bar into a cinematic icon,

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<v Speaker 3>and that was John Travolta. Sissy Spacek was in that

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<v Speaker 3>movie Legends of that Era. However, the real star was

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<v Speaker 3>this rotating, bucking, ridiculous piece of machinery that has spent

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<v Speaker 3>the last four decades separating cowboys or fake cowboys from

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<v Speaker 3>their dignity.

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<v Speaker 1>Now, yours truly did not ride the ball.

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<v Speaker 3>I'd like to alert all the podcast affiliates there are

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<v Speaker 3>none that I did not ride the bull. So this

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<v Speaker 3>was not out of fear, well, not only out of fear.

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<v Speaker 3>My lovely wife, knowing full well that I could trip

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<v Speaker 3>over a cordless phone, benched me pre eminently, your klutz,

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<v Speaker 3>You're gonna hurt yourself. I'm not spending the night in

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<v Speaker 3>the er that kind of stuff. You know, need your

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<v Speaker 3>healthy now. She also announced that she wasn't going to

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<v Speaker 3>ride the bull either. She let me know right away,

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<v Speaker 3>I am not planning on riding the bull. But here's

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<v Speaker 3>the funny thing about declarations made before a few margaritas

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<v Speaker 3>at a party filled with friends. There's this thing called

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<v Speaker 3>peer pressure. You mix that with alcohol, and by the

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<v Speaker 3>end of the night, my wife had gone on the

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<v Speaker 3>mechanical bul not one, not two, not three, not four,

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<v Speaker 3>not five, how about six rides later, and you could

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<v Speaker 3>nickname her Calamity Jane reincarnated, clinging to the bull like

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<v Speaker 3>a rodeo legend. If mechanical bull riding ever made the Olympics,

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<v Speaker 3>and why not? They have all these other food, gazy

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<v Speaker 3>things in the My wife is bringing home the gold

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<v Speaker 3>and she'll wrap herself in the flag. It's gonna be great.

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<v Speaker 3>It canna win a gold medal. So there, I was

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<v Speaker 3>not riding the bull, but I was at the party

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<v Speaker 3>and I was socializing.

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<v Speaker 1>And I had my.

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<v Speaker 3>Apple watch trapped on like some futuristic sheriff badge in

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<v Speaker 3>the Old West, Like what is that thing? And my

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<v Speaker 3>job I didn't know this when I showed up to

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<v Speaker 3>the party. My job was the timer. I was timing

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<v Speaker 3>each bull ride fifteen seconds here, thirty seconds here, one

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<v Speaker 3>minute there.

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<v Speaker 1>The crowd would go wild.

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<v Speaker 3>Is if someone was storming Normandy with a pair of

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<v Speaker 3>boots and a stubborn spring. So the mechanical bull riding

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<v Speaker 3>is an underrated metaphor for adulthood, like nobody actually looks

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<v Speaker 3>very good doing it.

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<v Speaker 1>You can't look graceful on a bull.

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<v Speaker 3>You're flailing away, you're trying to grip, you're making weird faces,

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<v Speaker 3>you know, and people are recording it with their phones

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<v Speaker 3>to use against you at future points in time. And

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<v Speaker 3>everyone's getting thrown off. No one survives the bull. Everyone

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<v Speaker 3>gets thrown off, and in many ways that's life. You

0:11:12.080 --> 0:11:14.480
<v Speaker 3>hold on you get tossed around in life, and if

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<v Speaker 3>you're lucky, someone's laughing with you and not at you

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<v Speaker 3>by the time it's all over. And there was something

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<v Speaker 3>almost cinematic about Norco. I haven't spent much time there.

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<v Speaker 3>It's just want to be clear, it's not la as

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<v Speaker 3>I said. There's no skyline, there's no bums over there,

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<v Speaker 3>there's no trash. It's just different. It's a California where

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<v Speaker 3>people have space. There's goats, there's pigs, there's turkeys, there's chickens.

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<v Speaker 3>The whole thing a fluffy cow named Jet that was

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<v Speaker 3>the birthday gift to my wife's friend. Beautiful black, fluffy

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<v Speaker 3>cow that seemed to be a little scared of all

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<v Speaker 3>the attention the cow was getting. Jet was running around

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<v Speaker 3>its little cage there, and he was the star though.

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<v Speaker 3>Jet was the star of the livestock show. And it

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<v Speaker 3>reminded me that some people's daily existence is so different

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<v Speaker 3>than mine. It's like a petting zo These people live

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<v Speaker 3>in like a petting zoo. Mine involves a microphone and

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<v Speaker 3>my bulldog named Moxie, who, by the way, I'm gonna

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<v Speaker 3>post some photos at some point today, so check out

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<v Speaker 3>the social media pages for the show, the Facebook page

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<v Speaker 3>and the Instagram page. I'm gonna post some photos. And

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<v Speaker 3>you gotta see this photo of Moxie, ourf who let's

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<v Speaker 3>just say she put it on thick when I put

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<v Speaker 3>on my cowboy costume to go to this event, and

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<v Speaker 3>she really really nailed it. Listen that these people that

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<v Speaker 3>live at this place, their morning involves like chicken feeds sunrises.

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<v Speaker 1>That's not my life. I go to bed when the

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<v Speaker 1>sun comes up.

0:12:52.440 --> 0:12:57.080
<v Speaker 3>And there's a particular sound of mechanical bull makes when

0:12:57.160 --> 0:13:01.720
<v Speaker 3>someone hits the ground around the bull, that thud, and

0:13:01.760 --> 0:13:04.680
<v Speaker 3>then there's little laughter and the clapter, and then there's

0:13:04.880 --> 0:13:09.319
<v Speaker 3>there's a groan and there's more laughter, and for this night,

0:13:09.400 --> 0:13:10.520
<v Speaker 3>that was the soundtrack.

0:13:10.640 --> 0:13:13.679
<v Speaker 1>Like, that's what we got, right, We got these people say,

0:13:13.720 --> 0:13:16.080
<v Speaker 1>I know there's people casually. These are my wife's friends.

0:13:16.400 --> 0:13:18.719
<v Speaker 1>I know them casually. They're nice people. They're good, they're

0:13:19.640 --> 0:13:20.400
<v Speaker 1>nice seeing.

0:13:20.160 --> 0:13:22.440
<v Speaker 3>Them, they always smile. They're nice to me. Even if

0:13:22.440 --> 0:13:24.040
<v Speaker 3>they don't like me, they pretend to like me. And

0:13:24.280 --> 0:13:28.679
<v Speaker 3>I imagine the next the next morning for these people

0:13:28.840 --> 0:13:32.800
<v Speaker 3>was less laughter and more pharmacy grade ibuprofen. Like alcohol

0:13:32.880 --> 0:13:36.080
<v Speaker 3>has a marvelous way of delaying pain, it does not

0:13:36.320 --> 0:13:38.199
<v Speaker 3>have a marvelous way of canceling it.

0:13:38.720 --> 0:13:40.600
<v Speaker 1>But in that moment under.

0:13:40.400 --> 0:13:44.599
<v Speaker 3>The string lights, you know, the old Western themed the

0:13:44.720 --> 0:13:48.439
<v Speaker 3>set up there, the cowboy hats, as the bull bucked,

0:13:49.040 --> 0:13:52.000
<v Speaker 3>the turkeys gobbled off to the side, the chickens were

0:13:52.000 --> 0:13:55.040
<v Speaker 3>doing their thing, and it just it was like the simplest,

0:13:55.120 --> 0:13:56.840
<v Speaker 3>dumbest night.

0:13:57.160 --> 0:13:59.439
<v Speaker 1>It was fun, you know, the moment just kind of

0:13:59.480 --> 0:13:59.920
<v Speaker 1>stuck there.

0:14:00.000 --> 0:14:02.679
<v Speaker 3>There people drinking margaritas, there was plenty of food. They

0:14:02.679 --> 0:14:05.280
<v Speaker 3>had a taco guy there because you think Old West,

0:14:05.320 --> 0:14:06.239
<v Speaker 3>you think tacos.

0:14:06.720 --> 0:14:11.280
<v Speaker 1>It was just good and anyway, maybe this was what

0:14:11.320 --> 0:14:13.880
<v Speaker 1>we're we're all doing. Think about it.

0:14:14.000 --> 0:14:15.960
<v Speaker 3>As I was leaving and I was kind of like

0:14:16.240 --> 0:14:18.480
<v Speaker 3>processing everything that happened, and I wrote a few.

0:14:18.360 --> 0:14:21.720
<v Speaker 1>Notes down as I was leaving this.

0:14:20.600 --> 0:14:23.880
<v Speaker 3>This party, and in some way writing a mechanical bull.

0:14:25.200 --> 0:14:27.680
<v Speaker 3>We obviously didn't build it, it just showed up.

0:14:27.720 --> 0:14:28.240
<v Speaker 1>You rent it.

0:14:28.240 --> 0:14:29.960
<v Speaker 3>It's like a couple grand to rent. They didn't even

0:14:29.960 --> 0:14:33.640
<v Speaker 3>can rent these things. Imagine the liability on that. And

0:14:33.680 --> 0:14:35.560
<v Speaker 3>so I think, wow, we you know, we got this

0:14:35.760 --> 0:14:38.720
<v Speaker 3>under control. And you know, trying to last just a

0:14:38.760 --> 0:14:41.320
<v Speaker 3>few more seconds before gravity wins, and you want to

0:14:41.360 --> 0:14:43.760
<v Speaker 3>impress everyone, and you cling to it and you wobble

0:14:44.440 --> 0:14:47.680
<v Speaker 3>and wobble, wobble, wobble, and you laugh and people clap

0:14:47.760 --> 0:14:50.880
<v Speaker 3>and cheer, and then people dust you off and somebody

0:14:50.960 --> 0:14:53.480
<v Speaker 3>hand you a drink, and you.

0:14:53.440 --> 0:14:54.520
<v Speaker 1>Know that's it. Here you go.

0:14:54.600 --> 0:14:57.560
<v Speaker 3>You almost made it. You almost survive right right there. Congratulations,

0:14:57.600 --> 0:15:00.720
<v Speaker 3>And if you're lucky, someone's there like me with an

0:15:00.760 --> 0:15:06.160
<v Speaker 3>apple watch keeping time, not to measure how long you

0:15:06.240 --> 0:15:11.480
<v Speaker 3>stayed on, but to remember, for a brief, ridiculous moment

0:15:11.520 --> 0:15:14.240
<v Speaker 3>in time, we were both in the arena, and I

0:15:14.320 --> 0:15:15.960
<v Speaker 3>was the man in the arena. I was the timekeeper

0:15:16.000 --> 0:15:17.240
<v Speaker 3>in the arena, but I was in the arena. So

0:15:17.920 --> 0:15:20.120
<v Speaker 3>if you need a timekeeper. If you're planning on having

0:15:20.120 --> 0:15:23.600
<v Speaker 3>a Western party, I will travel, I do weddings, I

0:15:23.640 --> 0:15:26.000
<v Speaker 3>do bar mitzvah's, I do birthday parties obviously, and I

0:15:26.040 --> 0:15:31.600
<v Speaker 3>do Western theme events. So saddle up, my friend. Life

0:15:31.880 --> 0:15:34.640
<v Speaker 3>does not stop. It does not stop. It does not stop.

0:15:34.680 --> 0:15:37.880
<v Speaker 3>Bucking the whole thing. I am Buckeroo, Benny or Benny

0:15:37.960 --> 0:15:38.600
<v Speaker 3>the Buckeroo.

0:15:39.240 --> 0:15:39.840
<v Speaker 1>Now turning the.

0:15:39.760 --> 0:15:42.880
<v Speaker 3>Page on that, we had a great mitzvah that took

0:15:42.920 --> 0:15:44.600
<v Speaker 3>place on the radio show this weekend.

0:15:44.640 --> 0:15:46.400
<v Speaker 1>I want to I want to share it with you.

0:15:46.480 --> 0:15:47.920
<v Speaker 1>It happened the other day and I don't know if

0:15:47.960 --> 0:15:48.360
<v Speaker 1>you were listening.

0:15:48.400 --> 0:15:50.560
<v Speaker 3>I think this goes way back to We debuted it

0:15:51.400 --> 0:15:54.000
<v Speaker 3>on Monday into.

0:15:53.760 --> 0:15:56.200
<v Speaker 1>Tuesdays, so I guess it was early Tuesday. And this

0:15:56.240 --> 0:15:56.880
<v Speaker 1>is one of those things.

0:15:56.880 --> 0:16:00.640
<v Speaker 3>There's moments when you do this job, when the universe

0:16:01.560 --> 0:16:05.640
<v Speaker 3>gives you the thumbs up. It just does not the

0:16:05.680 --> 0:16:09.240
<v Speaker 3>corporate memo. You're not allowed to talk about. That not

0:16:09.360 --> 0:16:12.560
<v Speaker 3>the engagement metrics that are you must be in the

0:16:12.560 --> 0:16:13.920
<v Speaker 3>twenty five to fifty four demo.

0:16:15.160 --> 0:16:16.840
<v Speaker 1>Got to be in the twenty five to fifty four demo.

0:16:17.280 --> 0:16:17.880
<v Speaker 1>Wink wink.

0:16:18.320 --> 0:16:22.240
<v Speaker 3>Now I'm talking about the real thing, the out of nowhere,

0:16:23.000 --> 0:16:26.880
<v Speaker 3>middle of the night, lightning in a bottle, kind of

0:16:26.920 --> 0:16:30.760
<v Speaker 3>a sign from the gods, and it happens quite a bit.

0:16:31.640 --> 0:16:35.720
<v Speaker 3>It happened again, a little audio care package sent from

0:16:35.760 --> 0:16:38.520
<v Speaker 3>the Buckeye State. A man who is well known in

0:16:38.560 --> 0:16:41.240
<v Speaker 3>the mal Ard Militia. One of the great songwriters. You

0:16:41.240 --> 0:16:43.400
<v Speaker 3>think of the legends and the Malam Militia, he's right

0:16:43.480 --> 0:16:46.560
<v Speaker 3>up there with Jay Scoop and Just Josh and all

0:16:46.640 --> 0:16:49.000
<v Speaker 3>the others are Buddy and Richmond that have sent songs in.

0:16:49.080 --> 0:16:53.280
<v Speaker 3>We're talking about Ohio Al and Ohio Al. If you

0:16:53.320 --> 0:16:55.440
<v Speaker 3>listen to this podcast, you know he has often featured

0:16:55.480 --> 0:16:58.400
<v Speaker 3>here with the little vignettes that we use Ohio Al.

0:16:59.840 --> 0:17:01.880
<v Speaker 1>I don't know much about what.

0:17:02.080 --> 0:17:04.640
<v Speaker 3>Makes him working all about IIOWI often spends his nights

0:17:04.960 --> 0:17:10.160
<v Speaker 3>in my head, futzing around in his garage with his guitar, and.

0:17:09.720 --> 0:17:10.880
<v Speaker 1>He's got all his toys.

0:17:10.880 --> 0:17:13.280
<v Speaker 3>He's got, you know, kind of a raspy voice at times,

0:17:13.960 --> 0:17:20.080
<v Speaker 3>and he's got this supernatural understanding of a very particular,

0:17:20.160 --> 0:17:23.080
<v Speaker 3>very strange community of radio listeners and callers.

0:17:23.200 --> 0:17:24.840
<v Speaker 1>Not listeners. The listeners are normal.

0:17:24.880 --> 0:17:28.040
<v Speaker 3>The callers are a little on the edge on the spectrum,

0:17:28.240 --> 0:17:29.160
<v Speaker 3>as we like to say.

0:17:29.760 --> 0:17:31.840
<v Speaker 1>And so he sent in a song and I'm gonna

0:17:31.840 --> 0:17:32.240
<v Speaker 1>play it.

0:17:32.640 --> 0:17:34.440
<v Speaker 3>I want to talk about it here first and set

0:17:34.480 --> 0:17:37.879
<v Speaker 3>it up as a DJ one oh two point seven

0:17:38.040 --> 0:17:42.320
<v Speaker 3>kiss f M or something like that. So I'm gonna

0:17:42.320 --> 0:17:44.159
<v Speaker 3>play it, I promise you. And you guys have been

0:17:44.160 --> 0:17:46.120
<v Speaker 3>say employed some of these songs. All right, we're gonna

0:17:46.119 --> 0:17:48.960
<v Speaker 3>play this on the podcast, and we've got it cued up.

0:17:49.560 --> 0:17:51.960
<v Speaker 3>This is not just any song. Okay, I'm gonna set

0:17:51.960 --> 0:17:53.520
<v Speaker 3>this up and then you're gonna hear it and you'd

0:17:53.520 --> 0:17:54.360
<v Speaker 3>be like, oh, that was.

0:17:54.480 --> 0:17:55.640
<v Speaker 1>You know, that's everything.

0:17:55.920 --> 0:17:59.520
<v Speaker 3>So this is a Doors knockoff that would make Jim

0:17:59.600 --> 0:18:03.920
<v Speaker 3>Morris and sit up from wherever leather pants wearing poets

0:18:03.960 --> 0:18:04.879
<v Speaker 3>go when they leave.

0:18:04.800 --> 0:18:06.520
<v Speaker 1>Us behind the pearly gates. You know what I'm saying.

0:18:06.520 --> 0:18:11.679
<v Speaker 1>I don't know. Just the tune was people are Strange,

0:18:11.720 --> 0:18:14.119
<v Speaker 1>which is perfect. I don't know if I said this

0:18:14.200 --> 0:18:15.840
<v Speaker 1>on the air or not. Maybe I did.

0:18:17.000 --> 0:18:19.600
<v Speaker 3>I know that I was talking to some friends about

0:18:19.920 --> 0:18:21.960
<v Speaker 3>the show and I think this was off.

0:18:21.800 --> 0:18:25.160
<v Speaker 1>The air, and they're like, well, what song sums up

0:18:25.160 --> 0:18:25.480
<v Speaker 1>the show?

0:18:25.480 --> 0:18:28.600
<v Speaker 3>And I was like, oh, the Doors people are Strange

0:18:28.800 --> 0:18:31.720
<v Speaker 3>and this is people are strange, but it's reimagined, repurposed,

0:18:31.720 --> 0:18:37.920
<v Speaker 3>and rebranded into a malar militia anthem. It's catchy, it's clever.

0:18:37.960 --> 0:18:40.000
<v Speaker 3>I think you'll agree, but you'll be the judge of that.

0:18:40.720 --> 0:18:44.840
<v Speaker 3>It will become for my purposes the Halloween theme soundtrack

0:18:44.880 --> 0:18:49.280
<v Speaker 3>of overnight sports talk radio, the oddball corner of the

0:18:49.400 --> 0:18:53.199
<v Speaker 3>American media landscape, which is not mainstream because we're on

0:18:53.280 --> 0:18:56.119
<v Speaker 3>at night. If we were on during the day, that

0:18:56.160 --> 0:18:58.400
<v Speaker 3>would be different. Not on six am to six pm.

0:18:58.440 --> 0:19:00.399
<v Speaker 3>Those are mainstream shows, those of corporate shows.

0:19:00.720 --> 0:19:03.160
<v Speaker 1>We are the afterthought.

0:19:03.680 --> 0:19:07.440
<v Speaker 3>We are where insomniacs, the night shift workers, the degenerates,

0:19:07.480 --> 0:19:12.200
<v Speaker 3>the dreamers, and we're there for things that go bump

0:19:12.200 --> 0:19:16.359
<v Speaker 3>in the night when the goblins are out running around

0:19:16.440 --> 0:19:20.119
<v Speaker 3>and their spaceships were on. So this was not just music.

0:19:20.160 --> 0:19:22.240
<v Speaker 3>This was us and that's why I'm excited to play

0:19:22.240 --> 0:19:25.560
<v Speaker 3>it for you. Over the years, the Ben Malor Show

0:19:25.560 --> 0:19:29.880
<v Speaker 3>has become less and less of a sports show and

0:19:29.960 --> 0:19:33.160
<v Speaker 3>more and more of it's a radio program, but it's

0:19:33.240 --> 0:19:36.520
<v Speaker 3>kind of more just a late night speak easy where

0:19:36.560 --> 0:19:41.520
<v Speaker 3>the weird and wonderful show up in full technicolor, and

0:19:41.600 --> 0:19:44.560
<v Speaker 3>the way each hour starts out Normally we start out

0:19:44.560 --> 0:19:47.440
<v Speaker 3>with a Malard monologue, which is typically sporty, normally complaining

0:19:47.480 --> 0:19:51.000
<v Speaker 3>about something that is ridiculous or ripping someone that lost

0:19:51.000 --> 0:19:54.600
<v Speaker 3>the game. And then we open up the phones in

0:19:54.640 --> 0:19:56.520
<v Speaker 3>the B block and the B blocks about the calls,

0:19:56.560 --> 0:19:58.560
<v Speaker 3>and then we have a game or something goofy. We'd

0:19:58.560 --> 0:20:00.560
<v Speaker 3>be in we do in the C block. That's normally

0:20:00.560 --> 0:20:03.919
<v Speaker 3>how the show goes. And you know the characters in

0:20:03.960 --> 0:20:07.440
<v Speaker 3>the show. You got blind Scott from Boston, Hurricane who's

0:20:07.600 --> 0:20:10.000
<v Speaker 3>in a Red Sox cap unless he's not because he

0:20:10.000 --> 0:20:12.840
<v Speaker 3>doesn't know he's wearing. You got Marcella and Brooklyn with

0:20:12.920 --> 0:20:17.679
<v Speaker 3>his morning food picks, who thinks he's reinventing radio. My

0:20:17.840 --> 0:20:20.359
<v Speaker 3>man Lucky Tony, who's been dumped more than anyone on

0:20:20.400 --> 0:20:22.000
<v Speaker 3>the show the last couple of years. He was always

0:20:22.040 --> 0:20:24.800
<v Speaker 3>got a jab at that hater of the show, David Veasse.

0:20:25.440 --> 0:20:28.360
<v Speaker 3>You've got hollering James, whose nickname is as literal as

0:20:28.400 --> 0:20:31.480
<v Speaker 3>a nickname cats. You've got Jet who fled Dick and

0:20:31.640 --> 0:20:34.879
<v Speaker 3>Dayton weed Man who's the big star now with Asco

0:20:34.920 --> 0:20:39.280
<v Speaker 3>weed Man, Mike the Leprechaun, obviously, the characters that work

0:20:39.320 --> 0:20:40.639
<v Speaker 3>on the show behind the scenes.

0:20:40.640 --> 0:20:41.800
<v Speaker 1>You've got a rogue gallery.

0:20:41.800 --> 0:20:44.480
<v Speaker 3>There's some other names as well, but it's a Vaughtvillian

0:20:44.560 --> 0:20:47.360
<v Speaker 3>act as what it is. It's like a midnight opera company,

0:20:48.000 --> 0:20:50.800
<v Speaker 3>and I love it. I didn't start out trying to

0:20:50.800 --> 0:20:52.399
<v Speaker 3>do this kind of show. It just kind of morphed

0:20:52.400 --> 0:20:58.359
<v Speaker 3>into that in Ohio, al somehow, some way fit nearly

0:20:58.480 --> 0:21:02.760
<v Speaker 3>all of those characters, the big stars on the mallad Militia.

0:21:02.480 --> 0:21:04.880
<v Speaker 1>Right now into the song that I'm about to.

0:21:04.800 --> 0:21:09.160
<v Speaker 3>Play, like a musical role call of your audio family

0:21:09.200 --> 0:21:11.680
<v Speaker 3>that doesn't quite fit anywhere else, and you don't really

0:21:11.680 --> 0:21:15.000
<v Speaker 3>want anyone to know about them. They're just for your

0:21:15.080 --> 0:21:19.760
<v Speaker 3>late night alone time. And that's one of the cool

0:21:19.800 --> 0:21:23.959
<v Speaker 3>things about people are strange. When Jim Morrison wrote it

0:21:24.680 --> 0:21:28.200
<v Speaker 3>before I was Alive in the nineteen sixty nineteen sixty seven,

0:21:29.320 --> 0:21:33.320
<v Speaker 3>it wasn't about the trip. It was about being the stranger,

0:21:33.440 --> 0:21:37.000
<v Speaker 3>being the one on the outside looking in, feeling like

0:21:37.200 --> 0:21:40.679
<v Speaker 3>you're walking through the rain while the rest of the

0:21:40.680 --> 0:21:41.640
<v Speaker 3>world dries off.

0:21:41.720 --> 0:21:45.439
<v Speaker 1>And when you don't know someone, people do give you

0:21:45.640 --> 0:21:47.720
<v Speaker 1>very odd looks. I get more odd looks than anyone

0:21:47.720 --> 0:21:49.040
<v Speaker 1>because I'm a very big guy.

0:21:49.160 --> 0:21:52.719
<v Speaker 3>I'm tall guy, and I'm intimidating to little people.

0:21:53.400 --> 0:21:54.560
<v Speaker 1>I rotate nuts.

0:21:55.800 --> 0:21:55.960
<v Speaker 2>Well.

0:21:56.000 --> 0:21:57.760
<v Speaker 3>Women always give strange looks, so they try not to

0:21:57.760 --> 0:21:59.440
<v Speaker 3>look at you at all. But men in general also

0:21:59.440 --> 0:22:01.000
<v Speaker 3>with me. Oh man, you're a big guy. I'm gon

0:22:01.119 --> 0:22:05.760
<v Speaker 3>leave you alone. But it's the same energy that we get,

0:22:05.800 --> 0:22:10.280
<v Speaker 3>you know, late at night, overnight, two in the morning,

0:22:10.359 --> 0:22:12.399
<v Speaker 3>three in the morning, whatever it might be. The lights

0:22:12.400 --> 0:22:15.320
<v Speaker 3>are out, the highways are empty. The only sound is

0:22:15.359 --> 0:22:19.800
<v Speaker 3>some lunatic with a big mouth barking into a microphone

0:22:19.840 --> 0:22:23.639
<v Speaker 3>in a darkened radio studio in Sherman Oaks talking about

0:22:23.800 --> 0:22:27.399
<v Speaker 3>Dave Roberts and his Shenanigans. It's that space for the

0:22:27.440 --> 0:22:32.159
<v Speaker 3>misfits who couldn't get on in the daylight, wouldn't be

0:22:32.200 --> 0:22:35.639
<v Speaker 3>a loud in polite society in the daylight, but have

0:22:35.720 --> 0:22:41.679
<v Speaker 3>found a home together. I'm the general. You are in

0:22:41.760 --> 0:22:44.359
<v Speaker 3>the malad militia. You're part of the darkness. We had

0:22:44.840 --> 0:22:47.520
<v Speaker 3>our buddy, our box car guy, call up this week

0:22:48.080 --> 0:22:52.919
<v Speaker 3>in Iowa and do the oath. But how there's an

0:22:52.960 --> 0:22:56.560
<v Speaker 3>old line from this guy. I've used the line from

0:22:56.640 --> 0:22:58.840
<v Speaker 3>the man that shot Liberty Balance. But there's this guy

0:22:58.880 --> 0:23:01.479
<v Speaker 3>named Tony Wilson who also gave a version of that quote,

0:23:02.240 --> 0:23:06.640
<v Speaker 3>this is a myth making a guy behind the legendary

0:23:06.680 --> 0:23:08.960
<v Speaker 3>factory records back in the day, and his quote, which

0:23:09.000 --> 0:23:11.679
<v Speaker 3>is very similar to the man that shot Liberty Valance quote.

0:23:12.240 --> 0:23:15.560
<v Speaker 3>If it's a choice between the truth and the legend,

0:23:16.200 --> 0:23:19.199
<v Speaker 3>you print the legend, you go with the legend. And

0:23:19.240 --> 0:23:23.600
<v Speaker 3>that's what happens on the Ben Mahler Show Overnight. It's

0:23:23.640 --> 0:23:25.720
<v Speaker 3>been the secret sauce.

0:23:26.040 --> 0:23:26.720
<v Speaker 1>Of the show.

0:23:26.920 --> 0:23:31.000
<v Speaker 3>Right, legends have been born in our little world in

0:23:31.119 --> 0:23:34.560
<v Speaker 3>the dead hours of the night. They say, nothing good

0:23:34.600 --> 0:23:38.159
<v Speaker 3>happens after midnight unless you're on overnight sports radio. Nobody's

0:23:38.200 --> 0:23:42.119
<v Speaker 3>fact checking Cowboy and windsor nobody's work shopping weed man's

0:23:42.200 --> 0:23:44.280
<v Speaker 3>ramblings in a focus group.

0:23:44.400 --> 0:23:45.800
<v Speaker 1>It just happens.

0:23:46.760 --> 0:23:52.879
<v Speaker 3>They exist, They become part of the fabric of what

0:23:53.040 --> 0:23:53.479
<v Speaker 3>this is.

0:23:54.800 --> 0:23:56.280
<v Speaker 1>And then, if you're lucky.

0:23:56.240 --> 0:23:59.440
<v Speaker 3>Somebody like Ohio I'll picks up a guitar and starts

0:23:59.440 --> 0:24:02.600
<v Speaker 3>futzing around on his garage and next thing you know,

0:24:03.600 --> 0:24:06.919
<v Speaker 3>we have a song, so we're about to play it.

0:24:06.920 --> 0:24:10.320
<v Speaker 3>I did want to remind you to listen and watch

0:24:10.400 --> 0:24:13.760
<v Speaker 3>Benny Versus the Penny. It's week eight, already Week eight

0:24:13.800 --> 0:24:15.639
<v Speaker 3>in the NFL season. We would love to have you

0:24:15.720 --> 0:24:18.560
<v Speaker 3>consume our product there Week eight of the NFL season,

0:24:19.000 --> 0:24:20.560
<v Speaker 3>all the games, myself and Tom Looney.

0:24:20.520 --> 0:24:24.000
<v Speaker 1>It's on YouTube at Benny Vspenny.

0:24:24.080 --> 0:24:27.560
<v Speaker 3>That's at Benny Vspenny if you would like to consume

0:24:28.280 --> 0:24:32.720
<v Speaker 3>the product there, and we'll have a mail bag tomorrow.

0:24:32.840 --> 0:24:38.280
<v Speaker 3>I will be back from Nevada into a SoCal at

0:24:38.280 --> 0:24:39.680
<v Speaker 3>some point later today.

0:24:39.880 --> 0:24:42.280
<v Speaker 1>I'll be set up. There have some things to do

0:24:43.040 --> 0:24:43.960
<v Speaker 1>in La La.

0:24:43.920 --> 0:24:46.600
<v Speaker 3>Land when I get back to town, my home base,

0:24:47.359 --> 0:24:50.280
<v Speaker 3>and and're going to try to watch some college football,

0:24:50.280 --> 0:24:51.720
<v Speaker 3>a little bit of college football, obviously the.

0:24:53.200 --> 0:24:54.840
<v Speaker 1>Big event at the big event of that, you know

0:24:54.840 --> 0:24:55.159
<v Speaker 1>what that is.

0:24:55.240 --> 0:24:58.240
<v Speaker 3>Anyway, I have a wonderful rest of your day, and

0:24:58.280 --> 0:24:59.960
<v Speaker 3>I'm just gonna leave you with Ohio. I'm going to

0:25:00.040 --> 0:25:03.040
<v Speaker 3>play the song here and enjoy it. I just did

0:25:03.080 --> 0:25:06.879
<v Speaker 3>about ten minutes on how great the song is. So

0:25:07.000 --> 0:25:12.119
<v Speaker 3>without further ado, we now hand the powerful microphones of

0:25:12.160 --> 0:25:14.440
<v Speaker 3>the Fifth Hour Podcast with Ben Maler and Danny g

0:25:14.680 --> 0:25:22.159
<v Speaker 3>Radio two ohioal for a little knockoff version of People

0:25:22.240 --> 0:25:29.040
<v Speaker 3>Are Strange, the Malard Militia version. Asta pasta. See what

0:25:29.080 --> 0:25:32.840
<v Speaker 3>I did there, Danny, I said, Asta pasta, And here

0:25:32.840 --> 0:25:34.400
<v Speaker 3>it is Ohio.

0:25:34.560 --> 0:25:43.440
<v Speaker 4>Aw Black Scott is foot fifth, three different calls leaving

0:25:43.640 --> 0:25:45.639
<v Speaker 4>mysel old days, de.

0:25:45.800 --> 0:25:52.320
<v Speaker 5>Confuse Love Get Tone's dumping on the best say Halo

0:25:52.520 --> 0:25:55.440
<v Speaker 5>and James is taking a Susie.

0:25:55.600 --> 0:25:56.760
<v Speaker 1>They're all strange.

0:25:58.480 --> 0:26:05.480
<v Speaker 5>The malliblish you can't change because that's strange. And then

0:26:05.520 --> 0:26:09.879
<v Speaker 5>they're remembers the names because it's strange.

0:26:11.000 --> 0:26:14.720
<v Speaker 1>They're all strange.

0:26:16.520 --> 0:26:20.919
<v Speaker 6>Jed who bleeds proud and the redneck rivi Era, the

0:26:21.040 --> 0:26:25.680
<v Speaker 6>Dixter so proud of his calling show win a weed

0:26:25.800 --> 0:26:31.240
<v Speaker 6>man is Wine and the bagging full Moon and leprecnspew

0:26:31.359 --> 0:26:33.400
<v Speaker 6>and his crab jokes again.

0:26:33.520 --> 0:26:37.040
<v Speaker 5>They're all strange, Hage Coop.

0:26:36.880 --> 0:26:39.760
<v Speaker 1>De loop screen and their calls.

0:26:40.080 --> 0:26:48.080
<v Speaker 5>Because that's strange. Lorena is busting their balls because that strange.

0:26:48.840 --> 0:26:51.000
<v Speaker 5>They're all strange.

0:27:00.080 --> 0:27:00.439
<v Speaker 2>M h.

0:27:02.119 --> 0:27:03.240
<v Speaker 1>They're all strange.

0:27:03.760 --> 0:27:11.840
<v Speaker 5>Has balor militia. Can't change because this strange. It's been

0:27:11.960 --> 0:27:20.119
<v Speaker 5>a remembers and names because it dram They're all strange.

0:27:22.040 --> 0:27:25.520
<v Speaker 1>Hell yeah, my Felicia m