1 00:00:00,840 --> 00:00:01,600 Speaker 1: Kabooms. 2 00:00:02,440 --> 00:00:05,520 Speaker 2: If you thought four hours a day, twelve hundred minutes 3 00:00:05,559 --> 00:00:09,280 Speaker 2: a week was enough, think again. He's the last remnants 4 00:00:09,320 --> 00:00:12,600 Speaker 2: of the Old Republic, a sol fastion of fairness. He 5 00:00:12,720 --> 00:00:15,640 Speaker 2: treats crackheads in the ghetto gutter the same as the 6 00:00:15,760 --> 00:00:17,599 Speaker 2: rich pill poppers in the penthouse. 7 00:00:18,200 --> 00:00:18,480 Speaker 1: Wow. 8 00:00:18,720 --> 00:00:22,440 Speaker 2: The Clearinghouse of Hot takes break free for something special. 9 00:00:22,800 --> 00:00:29,720 Speaker 2: The Fifth Hour with Ben Mahler starts right now in. 10 00:00:29,440 --> 00:00:32,640 Speaker 1: The air everywhere. 11 00:00:32,840 --> 00:00:35,440 Speaker 3: The Fifth Hour with Me, Ben Mahler and Danny g 12 00:00:35,680 --> 00:00:39,280 Speaker 3: Radio celebrating World Pasta Day as we broadcast from the 13 00:00:39,320 --> 00:00:44,240 Speaker 3: remote studio somewhere in the bowels of the iHeartMedia Building, 14 00:00:44,520 --> 00:00:49,159 Speaker 3: unless it's not. As we're yapping away here celebrating pasta, 15 00:00:49,840 --> 00:00:53,000 Speaker 3: which has been around for five since five thousand BC 16 00:00:54,560 --> 00:00:57,240 Speaker 3: and came to America. We've talked about this before in 17 00:00:57,280 --> 00:00:59,280 Speaker 3: the podcast because I think we've been on during World 18 00:00:59,320 --> 00:01:02,640 Speaker 3: Pasta Day in the past. But President Jefferson was in 19 00:01:02,720 --> 00:01:07,560 Speaker 3: Perie back in the day and somebody served him some pasta. 20 00:01:07,680 --> 00:01:10,880 Speaker 3: He called it macaroni. He loved it so much. How 21 00:01:11,000 --> 00:01:14,000 Speaker 3: much did he love it? He brought back a ton 22 00:01:14,080 --> 00:01:15,520 Speaker 3: of it and He's like, I got to bring that 23 00:01:15,600 --> 00:01:16,520 Speaker 3: to America. 24 00:01:16,800 --> 00:01:18,200 Speaker 1: I mean, I love this macarona. 25 00:01:18,240 --> 00:01:19,720 Speaker 3: Of course it might not have actually been what we 26 00:01:19,840 --> 00:01:22,760 Speaker 3: call macaroni today, but he returned with a couple of 27 00:01:22,880 --> 00:01:26,440 Speaker 3: cases of this stuff, and then that helped spread the 28 00:01:27,080 --> 00:01:33,120 Speaker 3: joy of pasta. The big bumpety bump in mass production 29 00:01:33,280 --> 00:01:39,600 Speaker 3: of pasta was oh, you know the rest. Campbell's Soup 30 00:01:39,680 --> 00:01:48,440 Speaker 3: Company invented the canned pasta known as Spaghettio's, Oh Spaghettio, 31 00:01:49,600 --> 00:01:53,960 Speaker 3: and that became a big deal. Now as a kid, 32 00:01:54,160 --> 00:01:59,360 Speaker 3: it was in my rotation, and they determined the people 33 00:01:59,360 --> 00:02:03,000 Speaker 3: that may the pasta determined that kids could eat the 34 00:02:03,040 --> 00:02:07,320 Speaker 3: O shape rings without making a mess, and that was 35 00:02:07,360 --> 00:02:09,880 Speaker 3: bull crap. I was able to make a mess. My 36 00:02:09,919 --> 00:02:11,799 Speaker 3: mom's not here, but she would tell you she was 37 00:02:11,840 --> 00:02:15,240 Speaker 3: still around that I did make make a mess. Some 38 00:02:15,280 --> 00:02:17,680 Speaker 3: of the other ideas when they were making Spaghettio's, they 39 00:02:17,680 --> 00:02:19,720 Speaker 3: were like, well, let's make a little cowboys or you know, 40 00:02:19,840 --> 00:02:21,280 Speaker 3: coo cowboys. 41 00:02:20,919 --> 00:02:25,880 Speaker 1: And Indians racist. Well, they would have had to cancel 42 00:02:25,960 --> 00:02:27,160 Speaker 1: Campbells if they had done that. 43 00:02:27,520 --> 00:02:31,240 Speaker 3: They thought about maybe spacemen or stars, or shapes of 44 00:02:31,280 --> 00:02:35,480 Speaker 3: footballs and baseballs, but they determined that the oh was 45 00:02:35,560 --> 00:02:38,639 Speaker 3: good and it rhymes spaghetti Oh kind of flows and 46 00:02:38,680 --> 00:02:42,519 Speaker 3: the whole thing. And then a few years after Campbells 47 00:02:42,560 --> 00:02:47,040 Speaker 3: came around the chain restaurant, the Old Spaghetti Factory opened 48 00:02:47,040 --> 00:02:51,000 Speaker 3: its first location in Portland and they're still around. 49 00:02:51,080 --> 00:02:53,560 Speaker 1: There's still a few in my area. 50 00:02:53,960 --> 00:03:01,839 Speaker 3: So it is World pasta day celebrate appropriately on this podcast, 51 00:03:01,960 --> 00:03:05,000 Speaker 3: The Fifth Hour with Me and Danny g on this Saturday, 52 00:03:05,000 --> 00:03:09,000 Speaker 3: we've got in honor of National Past today we have 53 00:03:09,080 --> 00:03:13,320 Speaker 3: the Spaghetti Western, a story that has never before been told. 54 00:03:13,440 --> 00:03:15,200 Speaker 3: What you're about to hear the first time ever. This 55 00:03:15,280 --> 00:03:18,840 Speaker 3: story will be told on any microphone anywhere. And also 56 00:03:18,919 --> 00:03:23,200 Speaker 3: the odd ball Corner, which is our corner. It's our corner, 57 00:03:23,960 --> 00:03:28,920 Speaker 3: is what it is? Yes, all right, so listen. There 58 00:03:29,000 --> 00:03:33,639 Speaker 3: is a moment somewhere between the second Margarita and the 59 00:03:33,680 --> 00:03:37,560 Speaker 3: fourth rendition in your head of friends in low places, 60 00:03:38,720 --> 00:03:42,760 Speaker 3: when life stops pretending to be complicated, right, and you 61 00:03:42,280 --> 00:03:45,040 Speaker 3: just kind of tip your hat and you say, how 62 00:03:45,120 --> 00:03:49,880 Speaker 3: do partner and let the absurdity trot on through. So 63 00:03:49,920 --> 00:03:53,680 Speaker 3: that moment happened again recently in my life this past weekend, 64 00:03:54,200 --> 00:03:56,320 Speaker 3: a story that I've saved for this podcast. On the 65 00:03:56,400 --> 00:04:02,600 Speaker 3: far edges of Los Angeles County, a little place called Norco, California, 66 00:04:02,640 --> 00:04:05,279 Speaker 3: a town that has more saddles than Starbucks. 67 00:04:05,320 --> 00:04:07,240 Speaker 1: It does have a Starbucks, but it has more saddles. 68 00:04:07,680 --> 00:04:11,560 Speaker 3: They have wide things near the road, a little like 69 00:04:11,840 --> 00:04:15,360 Speaker 3: dirt things to walk your horse. There's more livestock than Tesla's, 70 00:04:15,360 --> 00:04:19,200 Speaker 3: which is odd in California. And the concept of an 71 00:04:19,440 --> 00:04:25,480 Speaker 3: HOA a homeowner's association likely involves actual horses, a stampede 72 00:04:25,520 --> 00:04:26,040 Speaker 3: of horses. 73 00:04:26,160 --> 00:04:28,599 Speaker 1: Now, I was not there as a gas bag. I 74 00:04:28,760 --> 00:04:29,280 Speaker 1: was visiting. 75 00:04:29,800 --> 00:04:33,080 Speaker 3: I was there by marriage, as we have pointed out. 76 00:04:33,360 --> 00:04:35,880 Speaker 3: And you know this if you're also married. That is 77 00:04:35,920 --> 00:04:38,760 Speaker 3: how these things work. When you say I do and 78 00:04:38,800 --> 00:04:41,240 Speaker 3: you sign the contract. At some point in the journey 79 00:04:41,279 --> 00:04:45,040 Speaker 3: of life, you find yourself in a newly purchased cowboy hat, 80 00:04:45,400 --> 00:04:49,159 Speaker 3: standing next to three goats, a fluffy cow named Jet 81 00:04:49,400 --> 00:04:53,640 Speaker 3: and timing a mechanical bull that people are riding on 82 00:04:53,960 --> 00:04:56,599 Speaker 3: like a man auditioning for some kind of endorsement deal 83 00:04:56,600 --> 00:05:00,160 Speaker 3: with a stopwatch company. We were there for my my 84 00:05:00,200 --> 00:05:06,240 Speaker 3: wife's longtime co workers fiftieth birthday bash. Nice Woman, Good House. 85 00:05:06,480 --> 00:05:11,200 Speaker 3: It was her home Western theme. It was a fandego, 86 00:05:11,240 --> 00:05:13,080 Speaker 3: as they said in the Old West. A shindig, a 87 00:05:13,160 --> 00:05:16,640 Speaker 3: real gudea up and go kind of party, and so 88 00:05:17,000 --> 00:05:18,760 Speaker 3: it's kind of walking through this. So I don't own 89 00:05:18,800 --> 00:05:20,840 Speaker 3: cowboy boots. I have very big feet. I don't own 90 00:05:20,920 --> 00:05:24,440 Speaker 3: cowboy boots. I don't own spurs. I have watched the 91 00:05:24,440 --> 00:05:28,200 Speaker 3: San Antonio Spurs play, but I don't own spurs. However, 92 00:05:28,360 --> 00:05:31,760 Speaker 3: I do own what can only be described as a 93 00:05:31,839 --> 00:05:34,800 Speaker 3: Canadian tuxedo. We've talked about this in the past, a 94 00:05:34,839 --> 00:05:39,720 Speaker 3: full denim ensemble acquired on my somewhat recent trip to Vancouver. 95 00:05:39,760 --> 00:05:43,560 Speaker 3: We talked about yesterday I did this love note to Toronto, 96 00:05:43,680 --> 00:05:46,000 Speaker 3: but I talked about Canada because the Dodgers and Blue 97 00:05:46,040 --> 00:05:48,520 Speaker 3: Jays playing, and I mentioned Nico and here we are again. 98 00:05:48,839 --> 00:05:51,719 Speaker 3: I got that when we went to Vancouver, the Canadian tuxedo, 99 00:05:51,960 --> 00:05:55,000 Speaker 3: when Nico rolled out the red carpet, and you know, 100 00:05:55,320 --> 00:05:57,520 Speaker 3: the red carpet in Canada is covered in maple syrup 101 00:05:57,920 --> 00:06:01,680 Speaker 3: and hospitality. But that outfit, I didn't think I'd ever 102 00:06:01,720 --> 00:06:02,960 Speaker 3: wear it again. I thought, well, this is the only 103 00:06:03,040 --> 00:06:05,320 Speaker 3: time I'm in Canada, I'm gonna wear the Canadian tuxedo. 104 00:06:05,360 --> 00:06:07,000 Speaker 1: And I had the bolo tie, the whole thing, and 105 00:06:07,000 --> 00:06:08,040 Speaker 1: I said, oh no, I want to do it. 106 00:06:08,480 --> 00:06:10,359 Speaker 3: And it's the kind of an outfit that makes you 107 00:06:10,440 --> 00:06:13,640 Speaker 3: feel like an extra and a B list spaghetti western, right, 108 00:06:13,680 --> 00:06:17,240 Speaker 3: the kind that ends up face down in a saloon 109 00:06:17,360 --> 00:06:20,160 Speaker 3: after the first scene that was me okay in the 110 00:06:20,200 --> 00:06:23,560 Speaker 3: spaghetti western on World pasta Day. 111 00:06:24,400 --> 00:06:25,799 Speaker 1: So I put on the tuxedo. 112 00:06:26,040 --> 00:06:28,400 Speaker 3: I topped it with the authentic cowboy hat which still 113 00:06:28,440 --> 00:06:31,040 Speaker 3: had the label on it, and just like that, poof, 114 00:06:31,120 --> 00:06:35,039 Speaker 3: I was no longer Benny from Benny versus the Penny 115 00:06:35,080 --> 00:06:37,039 Speaker 3: and the radio. No no no, I had a nickname change. 116 00:06:37,080 --> 00:06:43,680 Speaker 3: I was Benny Buckeroo Bennie Buckero, a man who, in 117 00:06:43,800 --> 00:06:49,360 Speaker 3: theory could lasso a calf, in reality could barely lasso 118 00:06:49,480 --> 00:06:53,799 Speaker 3: the TV remote control. That's just the reality. So Benny 119 00:06:53,880 --> 00:06:57,120 Speaker 3: Bucco Buckaroo or Buckeroo, Benny, whatever you want to call me. 120 00:06:57,320 --> 00:07:04,440 Speaker 3: So every true great party eventually involves a bad idea. 121 00:07:04,680 --> 00:07:07,640 Speaker 3: I'm not a big party guys, you know, I'm an introvert. 122 00:07:07,960 --> 00:07:10,040 Speaker 3: I try to limit it to mallard meet and greets, 123 00:07:10,080 --> 00:07:12,800 Speaker 3: and that's for bonding. 124 00:07:12,360 --> 00:07:13,360 Speaker 1: With you, the listener. 125 00:07:13,480 --> 00:07:16,320 Speaker 3: So I just don't go to too many parties. But 126 00:07:16,440 --> 00:07:18,360 Speaker 3: I do know from the times I've been to parties 127 00:07:18,400 --> 00:07:20,400 Speaker 3: that normally there's a bad idea that becomes a good thing. 128 00:07:20,720 --> 00:07:25,880 Speaker 3: So some involve trampolines, some involve karaoke. This one involved 129 00:07:25,880 --> 00:07:30,960 Speaker 3: a mechanical bull, the great equalizer of bravado and machismo 130 00:07:31,680 --> 00:07:32,360 Speaker 3: and balance. 131 00:07:33,400 --> 00:07:35,320 Speaker 1: Now, I last was at a bar. 132 00:07:35,360 --> 00:07:36,840 Speaker 3: There's a place and I don't even know it's still 133 00:07:36,840 --> 00:07:39,040 Speaker 3: there on Sunset in Hollywood. I used to go to 134 00:07:39,040 --> 00:07:41,360 Speaker 3: when I was younger, and they had a mechanical bull 135 00:07:41,560 --> 00:07:45,080 Speaker 3: and it was it was fun. I mean, most of 136 00:07:45,120 --> 00:07:46,600 Speaker 3: the people were there just to look at the hot 137 00:07:46,600 --> 00:07:48,080 Speaker 3: girls that would go on the mechanical bull and go 138 00:07:48,160 --> 00:07:51,600 Speaker 3: flying off the mechanical bull. But the mechanical bulls are 139 00:07:51,600 --> 00:07:57,480 Speaker 3: a fascinating invention. They were first introduced in the nineteen thirties. 140 00:07:58,080 --> 00:08:00,840 Speaker 3: Right the nineteen thirties. I thought, that's almost one hundred 141 00:08:00,920 --> 00:08:04,800 Speaker 3: years at an amusement park in New Jersey. And how 142 00:08:04,800 --> 00:08:06,200 Speaker 3: do I know that? Because I was like, I was 143 00:08:06,200 --> 00:08:07,880 Speaker 3: sitting there at this thing, and I was like, I 144 00:08:07,960 --> 00:08:10,200 Speaker 3: have mechanical bulls. I wonder how long they've been around. 145 00:08:10,440 --> 00:08:13,360 Speaker 3: So I guess since I started a Jersey, which I 146 00:08:13,360 --> 00:08:15,840 Speaker 3: guess means the original version likely tossed men in three 147 00:08:15,840 --> 00:08:18,360 Speaker 3: piece suits and women in floral dresses into the dirt 148 00:08:18,880 --> 00:08:23,680 Speaker 3: around Atlantic City. But the true pop culture coronation, as 149 00:08:23,680 --> 00:08:27,080 Speaker 3: I understand it, came in nineteen eighty when Urban Cowboy 150 00:08:27,640 --> 00:08:32,160 Speaker 3: turned this contraption at Gilly's Bar into a cinematic icon, 151 00:08:33,200 --> 00:08:36,439 Speaker 3: and that was John Travolta. Sissy Spacek was in that 152 00:08:36,520 --> 00:08:40,720 Speaker 3: movie Legends of that Era. However, the real star was 153 00:08:40,760 --> 00:08:44,839 Speaker 3: this rotating, bucking, ridiculous piece of machinery that has spent 154 00:08:44,880 --> 00:08:51,880 Speaker 3: the last four decades separating cowboys or fake cowboys from 155 00:08:52,000 --> 00:08:52,720 Speaker 3: their dignity. 156 00:08:53,400 --> 00:08:56,079 Speaker 1: Now, yours truly did not ride the ball. 157 00:08:56,080 --> 00:08:59,080 Speaker 3: I'd like to alert all the podcast affiliates there are 158 00:08:59,120 --> 00:09:01,320 Speaker 3: none that I did not ride the bull. So this 159 00:09:01,480 --> 00:09:05,280 Speaker 3: was not out of fear, well, not only out of fear. 160 00:09:05,840 --> 00:09:09,880 Speaker 3: My lovely wife, knowing full well that I could trip 161 00:09:09,960 --> 00:09:15,880 Speaker 3: over a cordless phone, benched me pre eminently, your klutz, 162 00:09:16,040 --> 00:09:18,880 Speaker 3: You're gonna hurt yourself. I'm not spending the night in 163 00:09:18,960 --> 00:09:21,480 Speaker 3: the er that kind of stuff. You know, need your 164 00:09:21,559 --> 00:09:24,560 Speaker 3: healthy now. She also announced that she wasn't going to 165 00:09:24,640 --> 00:09:26,560 Speaker 3: ride the bull either. She let me know right away, 166 00:09:26,640 --> 00:09:29,720 Speaker 3: I am not planning on riding the bull. But here's 167 00:09:29,720 --> 00:09:33,719 Speaker 3: the funny thing about declarations made before a few margaritas 168 00:09:33,800 --> 00:09:36,800 Speaker 3: at a party filled with friends. There's this thing called 169 00:09:36,920 --> 00:09:39,920 Speaker 3: peer pressure. You mix that with alcohol, and by the 170 00:09:39,960 --> 00:09:41,840 Speaker 3: end of the night, my wife had gone on the 171 00:09:41,880 --> 00:09:44,560 Speaker 3: mechanical bul not one, not two, not three, not four, 172 00:09:44,679 --> 00:09:47,720 Speaker 3: not five, how about six rides later, and you could 173 00:09:47,760 --> 00:09:51,600 Speaker 3: nickname her Calamity Jane reincarnated, clinging to the bull like 174 00:09:51,640 --> 00:09:57,520 Speaker 3: a rodeo legend. If mechanical bull riding ever made the Olympics, 175 00:09:57,559 --> 00:09:59,520 Speaker 3: and why not? They have all these other food, gazy 176 00:09:59,559 --> 00:10:02,600 Speaker 3: things in the My wife is bringing home the gold 177 00:10:03,200 --> 00:10:06,760 Speaker 3: and she'll wrap herself in the flag. It's gonna be great. 178 00:10:07,520 --> 00:10:09,840 Speaker 3: It canna win a gold medal. So there, I was 179 00:10:10,280 --> 00:10:12,079 Speaker 3: not riding the bull, but I was at the party 180 00:10:12,080 --> 00:10:13,920 Speaker 3: and I was socializing. 181 00:10:13,240 --> 00:10:15,000 Speaker 1: And I had my. 182 00:10:15,040 --> 00:10:18,520 Speaker 3: Apple watch trapped on like some futuristic sheriff badge in 183 00:10:18,559 --> 00:10:22,480 Speaker 3: the Old West, Like what is that thing? And my 184 00:10:22,720 --> 00:10:24,400 Speaker 3: job I didn't know this when I showed up to 185 00:10:24,400 --> 00:10:27,280 Speaker 3: the party. My job was the timer. I was timing 186 00:10:27,320 --> 00:10:31,520 Speaker 3: each bull ride fifteen seconds here, thirty seconds here, one 187 00:10:31,559 --> 00:10:32,080 Speaker 3: minute there. 188 00:10:32,440 --> 00:10:34,199 Speaker 1: The crowd would go wild. 189 00:10:34,360 --> 00:10:37,720 Speaker 3: Is if someone was storming Normandy with a pair of 190 00:10:37,720 --> 00:10:41,560 Speaker 3: boots and a stubborn spring. So the mechanical bull riding 191 00:10:42,679 --> 00:10:48,440 Speaker 3: is an underrated metaphor for adulthood, like nobody actually looks 192 00:10:48,559 --> 00:10:49,480 Speaker 3: very good doing it. 193 00:10:49,480 --> 00:10:51,040 Speaker 1: You can't look graceful on a bull. 194 00:10:52,320 --> 00:10:58,000 Speaker 3: You're flailing away, you're trying to grip, you're making weird faces, 195 00:10:58,360 --> 00:11:01,200 Speaker 3: you know, and people are recording it with their phones 196 00:11:01,200 --> 00:11:05,600 Speaker 3: to use against you at future points in time. And 197 00:11:05,760 --> 00:11:09,280 Speaker 3: everyone's getting thrown off. No one survives the bull. Everyone 198 00:11:09,320 --> 00:11:12,000 Speaker 3: gets thrown off, and in many ways that's life. You 199 00:11:12,080 --> 00:11:14,480 Speaker 3: hold on you get tossed around in life, and if 200 00:11:14,520 --> 00:11:17,920 Speaker 3: you're lucky, someone's laughing with you and not at you 201 00:11:18,559 --> 00:11:22,080 Speaker 3: by the time it's all over. And there was something 202 00:11:22,360 --> 00:11:26,000 Speaker 3: almost cinematic about Norco. I haven't spent much time there. 203 00:11:26,480 --> 00:11:29,760 Speaker 3: It's just want to be clear, it's not la as 204 00:11:29,800 --> 00:11:33,280 Speaker 3: I said. There's no skyline, there's no bums over there, 205 00:11:33,360 --> 00:11:38,080 Speaker 3: there's no trash. It's just different. It's a California where 206 00:11:38,080 --> 00:11:45,080 Speaker 3: people have space. There's goats, there's pigs, there's turkeys, there's chickens. 207 00:11:45,600 --> 00:11:48,880 Speaker 3: The whole thing a fluffy cow named Jet that was 208 00:11:48,920 --> 00:11:53,800 Speaker 3: the birthday gift to my wife's friend. Beautiful black, fluffy 209 00:11:53,840 --> 00:11:56,720 Speaker 3: cow that seemed to be a little scared of all 210 00:11:56,720 --> 00:11:59,120 Speaker 3: the attention the cow was getting. Jet was running around 211 00:11:59,200 --> 00:12:02,760 Speaker 3: its little cage there, and he was the star though. 212 00:12:02,880 --> 00:12:05,200 Speaker 3: Jet was the star of the livestock show. And it 213 00:12:05,240 --> 00:12:11,120 Speaker 3: reminded me that some people's daily existence is so different 214 00:12:11,160 --> 00:12:13,080 Speaker 3: than mine. It's like a petting zo These people live 215 00:12:13,080 --> 00:12:17,440 Speaker 3: in like a petting zoo. Mine involves a microphone and 216 00:12:17,559 --> 00:12:19,760 Speaker 3: my bulldog named Moxie, who, by the way, I'm gonna 217 00:12:19,760 --> 00:12:21,920 Speaker 3: post some photos at some point today, so check out 218 00:12:21,960 --> 00:12:24,360 Speaker 3: the social media pages for the show, the Facebook page 219 00:12:24,360 --> 00:12:27,520 Speaker 3: and the Instagram page. I'm gonna post some photos. And 220 00:12:27,559 --> 00:12:33,280 Speaker 3: you gotta see this photo of Moxie, ourf who let's 221 00:12:33,360 --> 00:12:35,560 Speaker 3: just say she put it on thick when I put 222 00:12:35,559 --> 00:12:39,559 Speaker 3: on my cowboy costume to go to this event, and 223 00:12:39,600 --> 00:12:44,520 Speaker 3: she really really nailed it. Listen that these people that 224 00:12:44,640 --> 00:12:48,640 Speaker 3: live at this place, their morning involves like chicken feeds sunrises. 225 00:12:49,160 --> 00:12:51,240 Speaker 1: That's not my life. I go to bed when the 226 00:12:51,280 --> 00:12:52,000 Speaker 1: sun comes up. 227 00:12:52,440 --> 00:12:57,080 Speaker 3: And there's a particular sound of mechanical bull makes when 228 00:12:57,160 --> 00:13:01,720 Speaker 3: someone hits the ground around the bull, that thud, and 229 00:13:01,760 --> 00:13:04,680 Speaker 3: then there's little laughter and the clapter, and then there's 230 00:13:04,880 --> 00:13:09,319 Speaker 3: there's a groan and there's more laughter, and for this night, 231 00:13:09,400 --> 00:13:10,520 Speaker 3: that was the soundtrack. 232 00:13:10,640 --> 00:13:13,679 Speaker 1: Like, that's what we got, right, We got these people say, 233 00:13:13,720 --> 00:13:16,080 Speaker 1: I know there's people casually. These are my wife's friends. 234 00:13:16,400 --> 00:13:18,719 Speaker 1: I know them casually. They're nice people. They're good, they're 235 00:13:19,640 --> 00:13:20,400 Speaker 1: nice seeing. 236 00:13:20,160 --> 00:13:22,440 Speaker 3: Them, they always smile. They're nice to me. Even if 237 00:13:22,440 --> 00:13:24,040 Speaker 3: they don't like me, they pretend to like me. And 238 00:13:24,280 --> 00:13:28,679 Speaker 3: I imagine the next the next morning for these people 239 00:13:28,840 --> 00:13:32,800 Speaker 3: was less laughter and more pharmacy grade ibuprofen. Like alcohol 240 00:13:32,880 --> 00:13:36,080 Speaker 3: has a marvelous way of delaying pain, it does not 241 00:13:36,320 --> 00:13:38,199 Speaker 3: have a marvelous way of canceling it. 242 00:13:38,720 --> 00:13:40,600 Speaker 1: But in that moment under. 243 00:13:40,400 --> 00:13:44,599 Speaker 3: The string lights, you know, the old Western themed the 244 00:13:44,720 --> 00:13:48,439 Speaker 3: set up there, the cowboy hats, as the bull bucked, 245 00:13:49,040 --> 00:13:52,000 Speaker 3: the turkeys gobbled off to the side, the chickens were 246 00:13:52,000 --> 00:13:55,040 Speaker 3: doing their thing, and it just it was like the simplest, 247 00:13:55,120 --> 00:13:56,840 Speaker 3: dumbest night. 248 00:13:57,160 --> 00:13:59,439 Speaker 1: It was fun, you know, the moment just kind of 249 00:13:59,480 --> 00:13:59,920 Speaker 1: stuck there. 250 00:14:00,000 --> 00:14:02,679 Speaker 3: There people drinking margaritas, there was plenty of food. They 251 00:14:02,679 --> 00:14:05,280 Speaker 3: had a taco guy there because you think Old West, 252 00:14:05,320 --> 00:14:06,239 Speaker 3: you think tacos. 253 00:14:06,720 --> 00:14:11,280 Speaker 1: It was just good and anyway, maybe this was what 254 00:14:11,320 --> 00:14:13,880 Speaker 1: we're we're all doing. Think about it. 255 00:14:14,000 --> 00:14:15,960 Speaker 3: As I was leaving and I was kind of like 256 00:14:16,240 --> 00:14:18,480 Speaker 3: processing everything that happened, and I wrote a few. 257 00:14:18,360 --> 00:14:21,720 Speaker 1: Notes down as I was leaving this. 258 00:14:20,600 --> 00:14:23,880 Speaker 3: This party, and in some way writing a mechanical bull. 259 00:14:25,200 --> 00:14:27,680 Speaker 3: We obviously didn't build it, it just showed up. 260 00:14:27,720 --> 00:14:28,240 Speaker 1: You rent it. 261 00:14:28,240 --> 00:14:29,960 Speaker 3: It's like a couple grand to rent. They didn't even 262 00:14:29,960 --> 00:14:33,640 Speaker 3: can rent these things. Imagine the liability on that. And 263 00:14:33,680 --> 00:14:35,560 Speaker 3: so I think, wow, we you know, we got this 264 00:14:35,760 --> 00:14:38,720 Speaker 3: under control. And you know, trying to last just a 265 00:14:38,760 --> 00:14:41,320 Speaker 3: few more seconds before gravity wins, and you want to 266 00:14:41,360 --> 00:14:43,760 Speaker 3: impress everyone, and you cling to it and you wobble 267 00:14:44,440 --> 00:14:47,680 Speaker 3: and wobble, wobble, wobble, and you laugh and people clap 268 00:14:47,760 --> 00:14:50,880 Speaker 3: and cheer, and then people dust you off and somebody 269 00:14:50,960 --> 00:14:53,480 Speaker 3: hand you a drink, and you. 270 00:14:53,440 --> 00:14:54,520 Speaker 1: Know that's it. Here you go. 271 00:14:54,600 --> 00:14:57,560 Speaker 3: You almost made it. You almost survive right right there. Congratulations, 272 00:14:57,600 --> 00:15:00,720 Speaker 3: And if you're lucky, someone's there like me with an 273 00:15:00,760 --> 00:15:06,160 Speaker 3: apple watch keeping time, not to measure how long you 274 00:15:06,240 --> 00:15:11,480 Speaker 3: stayed on, but to remember, for a brief, ridiculous moment 275 00:15:11,520 --> 00:15:14,240 Speaker 3: in time, we were both in the arena, and I 276 00:15:14,320 --> 00:15:15,960 Speaker 3: was the man in the arena. I was the timekeeper 277 00:15:16,000 --> 00:15:17,240 Speaker 3: in the arena, but I was in the arena. So 278 00:15:17,920 --> 00:15:20,120 Speaker 3: if you need a timekeeper. If you're planning on having 279 00:15:20,120 --> 00:15:23,600 Speaker 3: a Western party, I will travel, I do weddings, I 280 00:15:23,640 --> 00:15:26,000 Speaker 3: do bar mitzvah's, I do birthday parties obviously, and I 281 00:15:26,040 --> 00:15:31,600 Speaker 3: do Western theme events. So saddle up, my friend. Life 282 00:15:31,880 --> 00:15:34,640 Speaker 3: does not stop. It does not stop. It does not stop. 283 00:15:34,680 --> 00:15:37,880 Speaker 3: Bucking the whole thing. I am Buckeroo, Benny or Benny 284 00:15:37,960 --> 00:15:38,600 Speaker 3: the Buckeroo. 285 00:15:39,240 --> 00:15:39,840 Speaker 1: Now turning the. 286 00:15:39,760 --> 00:15:42,880 Speaker 3: Page on that, we had a great mitzvah that took 287 00:15:42,920 --> 00:15:44,600 Speaker 3: place on the radio show this weekend. 288 00:15:44,640 --> 00:15:46,400 Speaker 1: I want to I want to share it with you. 289 00:15:46,480 --> 00:15:47,920 Speaker 1: It happened the other day and I don't know if 290 00:15:47,960 --> 00:15:48,360 Speaker 1: you were listening. 291 00:15:48,400 --> 00:15:50,560 Speaker 3: I think this goes way back to We debuted it 292 00:15:51,400 --> 00:15:54,000 Speaker 3: on Monday into. 293 00:15:53,760 --> 00:15:56,200 Speaker 1: Tuesdays, so I guess it was early Tuesday. And this 294 00:15:56,240 --> 00:15:56,880 Speaker 1: is one of those things. 295 00:15:56,880 --> 00:16:00,640 Speaker 3: There's moments when you do this job, when the universe 296 00:16:01,560 --> 00:16:05,640 Speaker 3: gives you the thumbs up. It just does not the 297 00:16:05,680 --> 00:16:09,240 Speaker 3: corporate memo. You're not allowed to talk about. That not 298 00:16:09,360 --> 00:16:12,560 Speaker 3: the engagement metrics that are you must be in the 299 00:16:12,560 --> 00:16:13,920 Speaker 3: twenty five to fifty four demo. 300 00:16:15,160 --> 00:16:16,840 Speaker 1: Got to be in the twenty five to fifty four demo. 301 00:16:17,280 --> 00:16:17,880 Speaker 1: Wink wink. 302 00:16:18,320 --> 00:16:22,240 Speaker 3: Now I'm talking about the real thing, the out of nowhere, 303 00:16:23,000 --> 00:16:26,880 Speaker 3: middle of the night, lightning in a bottle, kind of 304 00:16:26,920 --> 00:16:30,760 Speaker 3: a sign from the gods, and it happens quite a bit. 305 00:16:31,640 --> 00:16:35,720 Speaker 3: It happened again, a little audio care package sent from 306 00:16:35,760 --> 00:16:38,520 Speaker 3: the Buckeye State. A man who is well known in 307 00:16:38,560 --> 00:16:41,240 Speaker 3: the mal Ard Militia. One of the great songwriters. You 308 00:16:41,240 --> 00:16:43,400 Speaker 3: think of the legends and the Malam Militia, he's right 309 00:16:43,480 --> 00:16:46,560 Speaker 3: up there with Jay Scoop and Just Josh and all 310 00:16:46,640 --> 00:16:49,000 Speaker 3: the others are Buddy and Richmond that have sent songs in. 311 00:16:49,080 --> 00:16:53,280 Speaker 3: We're talking about Ohio Al and Ohio Al. If you 312 00:16:53,320 --> 00:16:55,440 Speaker 3: listen to this podcast, you know he has often featured 313 00:16:55,480 --> 00:16:58,400 Speaker 3: here with the little vignettes that we use Ohio Al. 314 00:16:59,840 --> 00:17:01,880 Speaker 1: I don't know much about what. 315 00:17:02,080 --> 00:17:04,640 Speaker 3: Makes him working all about IIOWI often spends his nights 316 00:17:04,960 --> 00:17:10,160 Speaker 3: in my head, futzing around in his garage with his guitar, and. 317 00:17:09,720 --> 00:17:10,880 Speaker 1: He's got all his toys. 318 00:17:10,880 --> 00:17:13,280 Speaker 3: He's got, you know, kind of a raspy voice at times, 319 00:17:13,960 --> 00:17:20,080 Speaker 3: and he's got this supernatural understanding of a very particular, 320 00:17:20,160 --> 00:17:23,080 Speaker 3: very strange community of radio listeners and callers. 321 00:17:23,200 --> 00:17:24,840 Speaker 1: Not listeners. The listeners are normal. 322 00:17:24,880 --> 00:17:28,040 Speaker 3: The callers are a little on the edge on the spectrum, 323 00:17:28,240 --> 00:17:29,160 Speaker 3: as we like to say. 324 00:17:29,760 --> 00:17:31,840 Speaker 1: And so he sent in a song and I'm gonna 325 00:17:31,840 --> 00:17:32,240 Speaker 1: play it. 326 00:17:32,640 --> 00:17:34,440 Speaker 3: I want to talk about it here first and set 327 00:17:34,480 --> 00:17:37,879 Speaker 3: it up as a DJ one oh two point seven 328 00:17:38,040 --> 00:17:42,320 Speaker 3: kiss f M or something like that. So I'm gonna 329 00:17:42,320 --> 00:17:44,159 Speaker 3: play it, I promise you. And you guys have been 330 00:17:44,160 --> 00:17:46,120 Speaker 3: say employed some of these songs. All right, we're gonna 331 00:17:46,119 --> 00:17:48,960 Speaker 3: play this on the podcast, and we've got it cued up. 332 00:17:49,560 --> 00:17:51,960 Speaker 3: This is not just any song. Okay, I'm gonna set 333 00:17:51,960 --> 00:17:53,520 Speaker 3: this up and then you're gonna hear it and you'd 334 00:17:53,520 --> 00:17:54,360 Speaker 3: be like, oh, that was. 335 00:17:54,480 --> 00:17:55,640 Speaker 1: You know, that's everything. 336 00:17:55,920 --> 00:17:59,520 Speaker 3: So this is a Doors knockoff that would make Jim 337 00:17:59,600 --> 00:18:03,920 Speaker 3: Morris and sit up from wherever leather pants wearing poets 338 00:18:03,960 --> 00:18:04,879 Speaker 3: go when they leave. 339 00:18:04,800 --> 00:18:06,520 Speaker 1: Us behind the pearly gates. You know what I'm saying. 340 00:18:06,520 --> 00:18:11,679 Speaker 1: I don't know. Just the tune was people are Strange, 341 00:18:11,720 --> 00:18:14,119 Speaker 1: which is perfect. I don't know if I said this 342 00:18:14,200 --> 00:18:15,840 Speaker 1: on the air or not. Maybe I did. 343 00:18:17,000 --> 00:18:19,600 Speaker 3: I know that I was talking to some friends about 344 00:18:19,920 --> 00:18:21,960 Speaker 3: the show and I think this was off. 345 00:18:21,800 --> 00:18:25,160 Speaker 1: The air, and they're like, well, what song sums up 346 00:18:25,160 --> 00:18:25,480 Speaker 1: the show? 347 00:18:25,480 --> 00:18:28,600 Speaker 3: And I was like, oh, the Doors people are Strange 348 00:18:28,800 --> 00:18:31,720 Speaker 3: and this is people are strange, but it's reimagined, repurposed, 349 00:18:31,720 --> 00:18:37,920 Speaker 3: and rebranded into a malar militia anthem. It's catchy, it's clever. 350 00:18:37,960 --> 00:18:40,000 Speaker 3: I think you'll agree, but you'll be the judge of that. 351 00:18:40,720 --> 00:18:44,840 Speaker 3: It will become for my purposes the Halloween theme soundtrack 352 00:18:44,880 --> 00:18:49,280 Speaker 3: of overnight sports talk radio, the oddball corner of the 353 00:18:49,400 --> 00:18:53,199 Speaker 3: American media landscape, which is not mainstream because we're on 354 00:18:53,280 --> 00:18:56,119 Speaker 3: at night. If we were on during the day, that 355 00:18:56,160 --> 00:18:58,400 Speaker 3: would be different. Not on six am to six pm. 356 00:18:58,440 --> 00:19:00,399 Speaker 3: Those are mainstream shows, those of corporate shows. 357 00:19:00,720 --> 00:19:03,160 Speaker 1: We are the afterthought. 358 00:19:03,680 --> 00:19:07,440 Speaker 3: We are where insomniacs, the night shift workers, the degenerates, 359 00:19:07,480 --> 00:19:12,200 Speaker 3: the dreamers, and we're there for things that go bump 360 00:19:12,200 --> 00:19:16,359 Speaker 3: in the night when the goblins are out running around 361 00:19:16,440 --> 00:19:20,119 Speaker 3: and their spaceships were on. So this was not just music. 362 00:19:20,160 --> 00:19:22,240 Speaker 3: This was us and that's why I'm excited to play 363 00:19:22,240 --> 00:19:25,560 Speaker 3: it for you. Over the years, the Ben Malor Show 364 00:19:25,560 --> 00:19:29,880 Speaker 3: has become less and less of a sports show and 365 00:19:29,960 --> 00:19:33,160 Speaker 3: more and more of it's a radio program, but it's 366 00:19:33,240 --> 00:19:36,520 Speaker 3: kind of more just a late night speak easy where 367 00:19:36,560 --> 00:19:41,520 Speaker 3: the weird and wonderful show up in full technicolor, and 368 00:19:41,600 --> 00:19:44,560 Speaker 3: the way each hour starts out Normally we start out 369 00:19:44,560 --> 00:19:47,440 Speaker 3: with a Malard monologue, which is typically sporty, normally complaining 370 00:19:47,480 --> 00:19:51,000 Speaker 3: about something that is ridiculous or ripping someone that lost 371 00:19:51,000 --> 00:19:54,600 Speaker 3: the game. And then we open up the phones in 372 00:19:54,640 --> 00:19:56,520 Speaker 3: the B block and the B blocks about the calls, 373 00:19:56,560 --> 00:19:58,560 Speaker 3: and then we have a game or something goofy. We'd 374 00:19:58,560 --> 00:20:00,560 Speaker 3: be in we do in the C block. That's normally 375 00:20:00,560 --> 00:20:03,919 Speaker 3: how the show goes. And you know the characters in 376 00:20:03,960 --> 00:20:07,440 Speaker 3: the show. You got blind Scott from Boston, Hurricane who's 377 00:20:07,600 --> 00:20:10,000 Speaker 3: in a Red Sox cap unless he's not because he 378 00:20:10,000 --> 00:20:12,840 Speaker 3: doesn't know he's wearing. You got Marcella and Brooklyn with 379 00:20:12,920 --> 00:20:17,679 Speaker 3: his morning food picks, who thinks he's reinventing radio. My 380 00:20:17,840 --> 00:20:20,359 Speaker 3: man Lucky Tony, who's been dumped more than anyone on 381 00:20:20,400 --> 00:20:22,000 Speaker 3: the show the last couple of years. He was always 382 00:20:22,040 --> 00:20:24,800 Speaker 3: got a jab at that hater of the show, David Veasse. 383 00:20:25,440 --> 00:20:28,360 Speaker 3: You've got hollering James, whose nickname is as literal as 384 00:20:28,400 --> 00:20:31,480 Speaker 3: a nickname cats. You've got Jet who fled Dick and 385 00:20:31,640 --> 00:20:34,879 Speaker 3: Dayton weed Man who's the big star now with Asco 386 00:20:34,920 --> 00:20:39,280 Speaker 3: weed Man, Mike the Leprechaun, obviously, the characters that work 387 00:20:39,320 --> 00:20:40,639 Speaker 3: on the show behind the scenes. 388 00:20:40,640 --> 00:20:41,800 Speaker 1: You've got a rogue gallery. 389 00:20:41,800 --> 00:20:44,480 Speaker 3: There's some other names as well, but it's a Vaughtvillian 390 00:20:44,560 --> 00:20:47,360 Speaker 3: act as what it is. It's like a midnight opera company, 391 00:20:48,000 --> 00:20:50,800 Speaker 3: and I love it. I didn't start out trying to 392 00:20:50,800 --> 00:20:52,399 Speaker 3: do this kind of show. It just kind of morphed 393 00:20:52,400 --> 00:20:58,359 Speaker 3: into that in Ohio, al somehow, some way fit nearly 394 00:20:58,480 --> 00:21:02,760 Speaker 3: all of those characters, the big stars on the mallad Militia. 395 00:21:02,480 --> 00:21:04,880 Speaker 1: Right now into the song that I'm about to. 396 00:21:04,800 --> 00:21:09,160 Speaker 3: Play, like a musical role call of your audio family 397 00:21:09,200 --> 00:21:11,680 Speaker 3: that doesn't quite fit anywhere else, and you don't really 398 00:21:11,680 --> 00:21:15,000 Speaker 3: want anyone to know about them. They're just for your 399 00:21:15,080 --> 00:21:19,760 Speaker 3: late night alone time. And that's one of the cool 400 00:21:19,800 --> 00:21:23,959 Speaker 3: things about people are strange. When Jim Morrison wrote it 401 00:21:24,680 --> 00:21:28,200 Speaker 3: before I was Alive in the nineteen sixty nineteen sixty seven, 402 00:21:29,320 --> 00:21:33,320 Speaker 3: it wasn't about the trip. It was about being the stranger, 403 00:21:33,440 --> 00:21:37,000 Speaker 3: being the one on the outside looking in, feeling like 404 00:21:37,200 --> 00:21:40,679 Speaker 3: you're walking through the rain while the rest of the 405 00:21:40,680 --> 00:21:41,640 Speaker 3: world dries off. 406 00:21:41,720 --> 00:21:45,439 Speaker 1: And when you don't know someone, people do give you 407 00:21:45,640 --> 00:21:47,720 Speaker 1: very odd looks. I get more odd looks than anyone 408 00:21:47,720 --> 00:21:49,040 Speaker 1: because I'm a very big guy. 409 00:21:49,160 --> 00:21:52,719 Speaker 3: I'm tall guy, and I'm intimidating to little people. 410 00:21:53,400 --> 00:21:54,560 Speaker 1: I rotate nuts. 411 00:21:55,800 --> 00:21:55,960 Speaker 2: Well. 412 00:21:56,000 --> 00:21:57,760 Speaker 3: Women always give strange looks, so they try not to 413 00:21:57,760 --> 00:21:59,440 Speaker 3: look at you at all. But men in general also 414 00:21:59,440 --> 00:22:01,000 Speaker 3: with me. Oh man, you're a big guy. I'm gon 415 00:22:01,119 --> 00:22:05,760 Speaker 3: leave you alone. But it's the same energy that we get, 416 00:22:05,800 --> 00:22:10,280 Speaker 3: you know, late at night, overnight, two in the morning, 417 00:22:10,359 --> 00:22:12,399 Speaker 3: three in the morning, whatever it might be. The lights 418 00:22:12,400 --> 00:22:15,320 Speaker 3: are out, the highways are empty. The only sound is 419 00:22:15,359 --> 00:22:19,800 Speaker 3: some lunatic with a big mouth barking into a microphone 420 00:22:19,840 --> 00:22:23,639 Speaker 3: in a darkened radio studio in Sherman Oaks talking about 421 00:22:23,800 --> 00:22:27,399 Speaker 3: Dave Roberts and his Shenanigans. It's that space for the 422 00:22:27,440 --> 00:22:32,159 Speaker 3: misfits who couldn't get on in the daylight, wouldn't be 423 00:22:32,200 --> 00:22:35,639 Speaker 3: a loud in polite society in the daylight, but have 424 00:22:35,720 --> 00:22:41,679 Speaker 3: found a home together. I'm the general. You are in 425 00:22:41,760 --> 00:22:44,359 Speaker 3: the malad militia. You're part of the darkness. We had 426 00:22:44,840 --> 00:22:47,520 Speaker 3: our buddy, our box car guy, call up this week 427 00:22:48,080 --> 00:22:52,919 Speaker 3: in Iowa and do the oath. But how there's an 428 00:22:52,960 --> 00:22:56,560 Speaker 3: old line from this guy. I've used the line from 429 00:22:56,640 --> 00:22:58,840 Speaker 3: the man that shot Liberty Balance. But there's this guy 430 00:22:58,880 --> 00:23:01,479 Speaker 3: named Tony Wilson who also gave a version of that quote, 431 00:23:02,240 --> 00:23:06,640 Speaker 3: this is a myth making a guy behind the legendary 432 00:23:06,680 --> 00:23:08,960 Speaker 3: factory records back in the day, and his quote, which 433 00:23:09,000 --> 00:23:11,679 Speaker 3: is very similar to the man that shot Liberty Valance quote. 434 00:23:12,240 --> 00:23:15,560 Speaker 3: If it's a choice between the truth and the legend, 435 00:23:16,200 --> 00:23:19,199 Speaker 3: you print the legend, you go with the legend. And 436 00:23:19,240 --> 00:23:23,600 Speaker 3: that's what happens on the Ben Mahler Show Overnight. It's 437 00:23:23,640 --> 00:23:25,720 Speaker 3: been the secret sauce. 438 00:23:26,040 --> 00:23:26,720 Speaker 1: Of the show. 439 00:23:26,920 --> 00:23:31,000 Speaker 3: Right, legends have been born in our little world in 440 00:23:31,119 --> 00:23:34,560 Speaker 3: the dead hours of the night. They say, nothing good 441 00:23:34,600 --> 00:23:38,159 Speaker 3: happens after midnight unless you're on overnight sports radio. Nobody's 442 00:23:38,200 --> 00:23:42,119 Speaker 3: fact checking Cowboy and windsor nobody's work shopping weed man's 443 00:23:42,200 --> 00:23:44,280 Speaker 3: ramblings in a focus group. 444 00:23:44,400 --> 00:23:45,800 Speaker 1: It just happens. 445 00:23:46,760 --> 00:23:52,879 Speaker 3: They exist, They become part of the fabric of what 446 00:23:53,040 --> 00:23:53,479 Speaker 3: this is. 447 00:23:54,800 --> 00:23:56,280 Speaker 1: And then, if you're lucky. 448 00:23:56,240 --> 00:23:59,440 Speaker 3: Somebody like Ohio I'll picks up a guitar and starts 449 00:23:59,440 --> 00:24:02,600 Speaker 3: futzing around on his garage and next thing you know, 450 00:24:03,600 --> 00:24:06,919 Speaker 3: we have a song, so we're about to play it. 451 00:24:06,920 --> 00:24:10,320 Speaker 3: I did want to remind you to listen and watch 452 00:24:10,400 --> 00:24:13,760 Speaker 3: Benny Versus the Penny. It's week eight, already Week eight 453 00:24:13,800 --> 00:24:15,639 Speaker 3: in the NFL season. We would love to have you 454 00:24:15,720 --> 00:24:18,560 Speaker 3: consume our product there Week eight of the NFL season, 455 00:24:19,000 --> 00:24:20,560 Speaker 3: all the games, myself and Tom Looney. 456 00:24:20,520 --> 00:24:24,000 Speaker 1: It's on YouTube at Benny Vspenny. 457 00:24:24,080 --> 00:24:27,560 Speaker 3: That's at Benny Vspenny if you would like to consume 458 00:24:28,280 --> 00:24:32,720 Speaker 3: the product there, and we'll have a mail bag tomorrow. 459 00:24:32,840 --> 00:24:38,280 Speaker 3: I will be back from Nevada into a SoCal at 460 00:24:38,280 --> 00:24:39,680 Speaker 3: some point later today. 461 00:24:39,880 --> 00:24:42,280 Speaker 1: I'll be set up. There have some things to do 462 00:24:43,040 --> 00:24:43,960 Speaker 1: in La La. 463 00:24:43,920 --> 00:24:46,600 Speaker 3: Land when I get back to town, my home base, 464 00:24:47,359 --> 00:24:50,280 Speaker 3: and and're going to try to watch some college football, 465 00:24:50,280 --> 00:24:51,720 Speaker 3: a little bit of college football, obviously the. 466 00:24:53,200 --> 00:24:54,840 Speaker 1: Big event at the big event of that, you know 467 00:24:54,840 --> 00:24:55,159 Speaker 1: what that is. 468 00:24:55,240 --> 00:24:58,240 Speaker 3: Anyway, I have a wonderful rest of your day, and 469 00:24:58,280 --> 00:24:59,960 Speaker 3: I'm just gonna leave you with Ohio. I'm going to 470 00:25:00,040 --> 00:25:03,040 Speaker 3: play the song here and enjoy it. I just did 471 00:25:03,080 --> 00:25:06,879 Speaker 3: about ten minutes on how great the song is. So 472 00:25:07,000 --> 00:25:12,119 Speaker 3: without further ado, we now hand the powerful microphones of 473 00:25:12,160 --> 00:25:14,440 Speaker 3: the Fifth Hour Podcast with Ben Maler and Danny g 474 00:25:14,680 --> 00:25:22,159 Speaker 3: Radio two ohioal for a little knockoff version of People 475 00:25:22,240 --> 00:25:29,040 Speaker 3: Are Strange, the Malard Militia version. Asta pasta. See what 476 00:25:29,080 --> 00:25:32,840 Speaker 3: I did there, Danny, I said, Asta pasta, And here 477 00:25:32,840 --> 00:25:34,400 Speaker 3: it is Ohio. 478 00:25:34,560 --> 00:25:43,440 Speaker 4: Aw Black Scott is foot fifth, three different calls leaving 479 00:25:43,640 --> 00:25:45,639 Speaker 4: mysel old days, de. 480 00:25:45,800 --> 00:25:52,320 Speaker 5: Confuse Love Get Tone's dumping on the best say Halo 481 00:25:52,520 --> 00:25:55,440 Speaker 5: and James is taking a Susie. 482 00:25:55,600 --> 00:25:56,760 Speaker 1: They're all strange. 483 00:25:58,480 --> 00:26:05,480 Speaker 5: The malliblish you can't change because that's strange. And then 484 00:26:05,520 --> 00:26:09,879 Speaker 5: they're remembers the names because it's strange. 485 00:26:11,000 --> 00:26:14,720 Speaker 1: They're all strange. 486 00:26:16,520 --> 00:26:20,919 Speaker 6: Jed who bleeds proud and the redneck rivi Era, the 487 00:26:21,040 --> 00:26:25,680 Speaker 6: Dixter so proud of his calling show win a weed 488 00:26:25,800 --> 00:26:31,240 Speaker 6: man is Wine and the bagging full Moon and leprecnspew 489 00:26:31,359 --> 00:26:33,400 Speaker 6: and his crab jokes again. 490 00:26:33,520 --> 00:26:37,040 Speaker 5: They're all strange, Hage Coop. 491 00:26:36,880 --> 00:26:39,760 Speaker 1: De loop screen and their calls. 492 00:26:40,080 --> 00:26:48,080 Speaker 5: Because that's strange. Lorena is busting their balls because that strange. 493 00:26:48,840 --> 00:26:51,000 Speaker 5: They're all strange. 494 00:27:00,080 --> 00:27:00,439 Speaker 2: M h. 495 00:27:02,119 --> 00:27:03,240 Speaker 1: They're all strange. 496 00:27:03,760 --> 00:27:11,840 Speaker 5: Has balor militia. Can't change because this strange. It's been 497 00:27:11,960 --> 00:27:20,119 Speaker 5: a remembers and names because it dram They're all strange. 498 00:27:22,040 --> 00:27:25,520 Speaker 1: Hell yeah, my Felicia m