WEBVTT - I Am All In…Again: Paris for the Win (Season 2 E16 “There’s the Rub”) 0:00:00.680 --> 0:00:17.279 I am all in again. How that's just you? H? 0:00:17.280 --> 0:00:22.320 I am all in again with Scott Patterson and iHeartRadio Podcast. 0:00:22.920 --> 0:00:25.440 Hey everybody, Scott Patterson, I Am all and Podcast one 0:00:25.480 --> 0:00:31.040 eleven productions, iHeart Radio Media, iHeart Podcast. Special guest for 0:00:31.240 --> 0:00:34.519 our Recap Season two, episode sixteen, There's the Rub is 0:00:34.880 --> 0:00:39.760 the one and only Scout Taylor Compton. Welcome, Scout. How 0:00:39.880 --> 0:00:40.840 are you doing. 0:00:41.320 --> 0:00:45.040 I'm doing so good your face. 0:00:45.640 --> 0:00:47.600 It's good to see you too. You're the creator and 0:00:47.640 --> 0:00:51.040 writer of the Diaries of the Mortician's Daughter, a semi 0:00:51.080 --> 0:00:55.920 autobiographical coming of age dark comedy inspired by your unconventional 0:00:56.000 --> 0:00:59.520 upbringing in a funeral home. You also co host podcast 0:00:59.640 --> 0:01:02.560 talks to Be with Danielle Harris. In addition to your 0:01:02.600 --> 0:01:05.880 work on screen and behind the camera, Scout has been 0:01:05.920 --> 0:01:10.440 actively writing her own screenplays. Oh boy, don't I know 0:01:10.480 --> 0:01:13.760 what that's like, several of which are now in motion 0:01:14.280 --> 0:01:19.559 to be greenlit. Wow. Wow, yeah, look at you. 0:01:20.280 --> 0:01:22.440 I'm growing up, baby, Look at you go. 0:01:24.200 --> 0:01:28.560 Screenplays, man, it's like the kids, they take over, you know. 0:01:28.720 --> 0:01:30.440 There was a like I worked with a kid on 0:01:30.480 --> 0:01:33.800 Three Wishes in ninety five. Yeah, and he played my son. 0:01:33.920 --> 0:01:36.320 He was what eight or nine or something like that. 0:01:37.000 --> 0:01:42.800 He turned out to like he invented digital money, oh 0:01:42.840 --> 0:01:46.240 within video games and became insanely rich and on the 0:01:46.240 --> 0:01:49.800 cover of Forbes. Not only it was like, you're following 0:01:49.840 --> 0:01:51.560 the same path the kids grow up. 0:01:51.640 --> 0:01:55.520 That's also because we've had people in our lives I'm 0:01:55.560 --> 0:01:58.520 sure you you know like that we were able to 0:01:58.520 --> 0:02:01.520 look up to and admire be like, wow, look at 0:02:01.520 --> 0:02:04.520 that person what they're able to accomplish. And I feel 0:02:04.560 --> 0:02:08.080 like with my generation, at least for me, I feel 0:02:08.080 --> 0:02:10.440 like I'm such a late bloomber. I should have been 0:02:10.440 --> 0:02:14.200 doing this ten years ago, but right right now I'm 0:02:14.200 --> 0:02:14.600 doing it. 0:02:15.560 --> 0:02:17.920 Well, there's more to tell. 0:02:18.840 --> 0:02:21.040 Yeah, more more life, more life. 0:02:21.120 --> 0:02:26.720 Like you know Laurie Strode Rob Zombie's Halloween films you 0:02:26.760 --> 0:02:29.760 were in. It also started Halloween to the Runaways so 0:02:29.840 --> 0:02:32.680 much more. Gilmore Girls fan recognize you as Dean's younger 0:02:32.680 --> 0:02:36.119 sister Claria. Of course, all right, Scout, we're gonna talk 0:02:36.120 --> 0:02:39.680 about this episode. Emily wins a weekend spa trip and 0:02:39.720 --> 0:02:42.720 ask Laura La to join her for relaxing holiday. Meanwhile, 0:02:42.840 --> 0:02:47.040 Rory received some unexpected visitors when she you know what, 0:02:47.400 --> 0:02:51.280 very sort of like non eventful things happening in anybody's lives, 0:02:51.320 --> 0:02:55.720 but for somehow the show makes it compelling. Right, Yeah, 0:02:55.840 --> 0:02:59.120 A couple of people come over and study, and it's dinner. 0:02:58.840 --> 0:03:00.480 And it's not like house. 0:03:04.400 --> 0:03:07.720 Sheila Lawrence directed at Amy Sherman Palatino, The Great One, 0:03:09.680 --> 0:03:13.880 wrote it Emily and Laura. Emily been on a certificate 0:03:13.880 --> 0:03:16.520 for a weekend at a spa and offers it to Laura. 0:03:16.639 --> 0:03:19.920 Laurla shares her excitement about the offer, but then Emily 0:03:20.000 --> 0:03:23.320 decides she will join her. Oh, make sure all of 0:03:23.360 --> 0:03:26.400 her appointments all together. Are you surprised that Emily is 0:03:26.639 --> 0:03:28.400 not a spa person. 0:03:29.440 --> 0:03:32.480 No, I'm not because it's very much like my mother. 0:03:32.680 --> 0:03:37.160 This sort of dynamic reminds me so much of my 0:03:37.240 --> 0:03:40.480 mom and I so my mom is not a small person. 0:03:41.040 --> 0:03:45.200 And when this happened, I just thought of my own situation. 0:03:45.280 --> 0:03:47.960 I was like, would I ever want to go to 0:03:48.040 --> 0:03:51.960 a spa with my mother? No, because this is exactly 0:03:52.040 --> 0:03:56.600 what would happen. It's like these two, these two women 0:03:56.680 --> 0:03:59.000 doing the same thing. They're both trying to control the 0:03:59.080 --> 0:04:04.360 situation and not wanting to admit that they're trying to 0:04:04.400 --> 0:04:09.160 control the situation. Also, they're both looking for this love 0:04:09.200 --> 0:04:11.800 from one another, but both are not wanting to admit 0:04:12.000 --> 0:04:14.280 that there are looking for this love from one another. 0:04:14.320 --> 0:04:16.720 It's it's like one of those dynamics. 0:04:16.160 --> 0:04:19.200 Right, Emily's ulterior motive. 0:04:19.240 --> 0:04:21.840 Yeah, yeah, I mean to me, this episode, you know, 0:04:22.480 --> 0:04:26.039 this episode's really about like how trauma shapes or defenses 0:04:26.440 --> 0:04:28.920 or our defenses, you know, and like what might happen 0:04:28.960 --> 0:04:32.640 if we actually let those guards down, even for a second. 0:04:33.080 --> 0:04:36.040 So I think it's this episode's really important. 0:04:37.120 --> 0:04:40.280 Yeah, very honest talk they had on the bed. Emily 0:04:40.400 --> 0:04:43.880 was very vulnerable. Why can't we have the relationship you 0:04:43.920 --> 0:04:45.600 have with Rory she's jealous. 0:04:45.279 --> 0:04:49.440 Of Yeah, yeah, sad so too. The jealousy. 0:04:50.080 --> 0:04:53.080 Well, it seems like Laurel is always trying to or 0:04:53.160 --> 0:04:55.320 giving up with her mom. They you know, they tend 0:04:55.320 --> 0:04:57.720 to sort of like come together and then she gives up. 0:04:58.480 --> 0:05:02.360 Do you relate to that push pulled dynamic with family 0:05:02.480 --> 0:05:04.000 at all? Yeah? 0:05:04.240 --> 0:05:06.679 Yes, I do. I think I think I think. 0:05:06.480 --> 0:05:09.280 That's why I think most people do, right, Yeah. 0:05:09.040 --> 0:05:11.440 And I think that's why Gilmore Girls was so powerful, 0:05:11.480 --> 0:05:16.160 because it had all these layers of different dynamics with family, 0:05:16.720 --> 0:05:19.640 the one that you're in that's messy or the one 0:05:19.680 --> 0:05:22.520 that you like. At least for me, with Loralai and Rory, 0:05:22.600 --> 0:05:26.400 I was always like, God, I want that. I hope 0:05:26.440 --> 0:05:29.800 to be that with with my my child, you know. 0:05:31.000 --> 0:05:34.400 But there's there's there's pros and cons in both of them, 0:05:35.760 --> 0:05:38.400 I feel like. But I think that's what made Gilmore 0:05:38.440 --> 0:05:39.800 Girls so special. 0:05:40.160 --> 0:05:44.360 Here's a question. Would you are on the you know 0:05:44.720 --> 0:05:47.719 your child? Would you err on the side of Emily 0:05:47.880 --> 0:05:50.560 or on the side of Lorala and your relationship your 0:05:50.560 --> 0:05:51.640 closeness to your child? 0:05:52.120 --> 0:05:56.000 Oh man, you know I am. I don't have any kids, 0:05:56.080 --> 0:05:58.680 but I teach a lot of kids, and a lot 0:05:58.720 --> 0:06:01.800 of young adults grab towards me. I have a lot 0:06:01.839 --> 0:06:06.479 of kids in my in my circle, especially that I 0:06:06.720 --> 0:06:08.840 check on and you know, making sure that they're good, 0:06:08.920 --> 0:06:12.080 how are they progressing? All this stuff. But there's there's 0:06:12.120 --> 0:06:17.440 a happy medium, like being their friend, but also having structure. 0:06:18.440 --> 0:06:22.359 I think structure is so fucking important, really important. 0:06:22.520 --> 0:06:22.719 Yeah. 0:06:22.760 --> 0:06:24.480 I mean, I was just seeing a situation the other 0:06:24.560 --> 0:06:27.840 day where, you know, a kid was wanting to give 0:06:27.920 --> 0:06:30.400 up baseball, and I was like, oh, I was like, 0:06:30.440 --> 0:06:32.640 how many how many practices that they do? 0:06:32.920 --> 0:06:33.120 Oh? 0:06:33.279 --> 0:06:38.599 Just one like you bought all the stuff. He's like, yeah, 0:06:38.600 --> 0:06:41.719 but he doesn't want to do it. I'm like, they're pus, 0:06:41.720 --> 0:06:42.520 You're gidding a little bit. 0:06:43.440 --> 0:06:43.560 Right. 0:06:44.240 --> 0:06:46.480 You have to give them structure, a little bit of structure, 0:06:46.760 --> 0:06:48.919 you know, make sure a happy medium. 0:06:48.960 --> 0:06:52.120 I feel like right, structure is the thing that saves 0:06:52.160 --> 0:06:56.000 people one hundred. If they don't have it, they crumble. 0:06:56.120 --> 0:06:59.719 If they have it, they can hang on to that ladder. Yeah, 0:06:59.800 --> 0:07:01.920 and they can go down or up as slowly as 0:07:02.000 --> 0:07:04.120 quickly as they want, but at least. 0:07:03.960 --> 0:07:06.560 They have the option exactly exactly. 0:07:06.760 --> 0:07:08.240 That's what I try to give my boy. 0:07:08.640 --> 0:07:10.280 How are you as a dad? How are you? How 0:07:10.320 --> 0:07:14.560 are you? What's what? Who are you? Who are you? 0:07:14.560 --> 0:07:14.640 You? 0:07:14.760 --> 0:07:15.760 Lorli or Emily? 0:07:16.000 --> 0:07:19.640 I'm both both? Yeah, yeah, I'm both. But it's like, 0:07:19.960 --> 0:07:26.640 because he's so he doesn't need any discipline, I mean 0:07:26.960 --> 0:07:33.280 very little. He's very self motivated. He's extremely smart, and 0:07:35.440 --> 0:07:40.080 he's so hard working. He's got all of these characteristics 0:07:40.080 --> 0:07:46.920 that I wanted him to have. And he's you know, 0:07:47.000 --> 0:07:51.280 he's sensitive, and he's he's got a great heart. So 0:07:51.360 --> 0:07:55.080 he doesn't need me to ride him. He just does stuff. 0:07:55.320 --> 0:07:59.240 He knows what he is expected of him, and the 0:07:59.280 --> 0:08:04.160 feedback that I get from his instructors, his teachers, you know, 0:08:04.200 --> 0:08:06.920 he said camp now and his camp counselors and things 0:08:06.960 --> 0:08:10.000 like that. Is it that he's such a well mattered, polite, 0:08:11.040 --> 0:08:15.000 considerate young man and that that does me? I mean 0:08:15.000 --> 0:08:19.400 that really hits me in the heart, you know, just 0:08:19.520 --> 0:08:22.720 love hearing that. But it depends. I mean not every 0:08:22.840 --> 0:08:25.560 kid is like that. I mean there are difficult kids too, 0:08:26.520 --> 0:08:29.760 so then they need they need a whole different approach. 0:08:30.400 --> 0:08:33.520 You did that, though, isn't that incredible? Like you did 0:08:33.520 --> 0:08:35.200 that well? 0:08:35.240 --> 0:08:37.040 I mean, my wife and I did that. I think 0:08:37.120 --> 0:08:38.920 I think a lot of it. And I read something 0:08:38.960 --> 0:08:42.920 where you know, your influence, your parents influence over a 0:08:43.000 --> 0:08:45.920 kid is minimal compared to their environment and their friends 0:08:46.000 --> 0:08:50.400 and their friends friends and their friends parents. And they're 0:08:50.559 --> 0:08:54.320 they're wiring how they're wired. They're they're predestined in some way, 0:08:54.320 --> 0:09:01.080 and I I don't know. I think it's some lanes 0:09:01.120 --> 0:09:03.040 of his life that's true to one other's not so much. 0:09:03.080 --> 0:09:10.160 But anyway, Okay, So, so Emily got Lorelei in her 0:09:10.240 --> 0:09:13.920 congining rooms at the hotel. At the couple's massages. That 0:09:14.000 --> 0:09:15.640 was one of the funniest lines of the whole time. 0:09:16.040 --> 0:09:16.600 So good? 0:09:17.080 --> 0:09:19.079 Like what mom? You know what people do after they 0:09:19.080 --> 0:09:21.040 get like they book a massage together? Right? 0:09:21.480 --> 0:09:24.280 Yeah? 0:09:24.320 --> 0:09:25.040 Oh good? 0:09:25.400 --> 0:09:27.080 But literally went over her head. 0:09:29.960 --> 0:09:31.880 I love how she gets up and she gets on 0:09:31.960 --> 0:09:35.120 an elbow and she's like, Mom, I gotta tell you something. 0:09:35.160 --> 0:09:37.960 You know what people do after these things? Right? 0:09:38.120 --> 0:09:41.679 I want to ask because I didn't really ever like 0:09:41.800 --> 0:09:46.120 see this dynamic. How is their dynamic as actors together 0:09:46.320 --> 0:09:46.840 those two? 0:09:47.440 --> 0:09:51.520 Oh it's great. Yeah, very powerful, very very they're very friendly, 0:09:51.679 --> 0:09:52.240 very close. 0:09:52.760 --> 0:09:54.960 No wonder, no wonder it shows. 0:09:54.600 --> 0:09:58.439 Oh yeah, oh it's no, it's it's it's that's what 0:09:58.559 --> 0:10:01.360 I miss so much about working with that cast. They 0:10:01.360 --> 0:10:05.880 were all so good. Yeah, you know you really had 0:10:05.880 --> 0:10:07.560 to come in with your a game where you were 0:10:07.600 --> 0:10:10.440 going to get your luve handed to you. Oh yeah, 0:10:10.520 --> 0:10:13.640 I mean it was just so great. I see, that's 0:10:13.679 --> 0:10:16.800 the environment I love to be in. It's like, bring it, 0:10:17.760 --> 0:10:19.560 let's see if you got it today. Yeah. 0:10:19.559 --> 0:10:21.680 A lot of people are just like I feel like 0:10:22.120 --> 0:10:23.960 a lot of these shows maybe just because there's so 0:10:24.240 --> 0:10:27.200 there's so many it's just like a coasting. It's like 0:10:27.240 --> 0:10:30.760 a coasting thing all around, not just like actors, but 0:10:30.800 --> 0:10:33.839 like even even what the show is written even when 0:10:33.840 --> 0:10:35.960 it's supposed to be. It just kind of just seems 0:10:35.960 --> 0:10:39.400 like just doing like the bare minimum, you. 0:10:39.320 --> 0:10:42.520 Know what I think has happened. And a friend of 0:10:42.520 --> 0:10:45.160 mine brought this up to me. It's very interesting observation 0:10:45.240 --> 0:10:49.679 about and certain people have stated this in interviews. So 0:10:49.920 --> 0:10:52.160 it must be a thing, right, it must be an algorithm, 0:10:52.280 --> 0:10:57.680 must be data that somebody somewhere is analyzing to make 0:10:57.760 --> 0:11:03.720 shows where they can sort of be background noise. Yeah, 0:11:03.800 --> 0:11:06.840 so it's not to ruffle anybody's feathers and not to 0:11:06.920 --> 0:11:10.800 be so you know, a certain type of show, and 0:11:10.880 --> 0:11:15.920 that not to challenge anybody, not to provoke in too 0:11:15.960 --> 0:11:20.400 many ways, but background noise where people can have it 0:11:20.440 --> 0:11:24.080 on and gain comfort from it. And it doesn't have 0:11:24.280 --> 0:11:28.040 to be you know, the requirements aren't that, you know, 0:11:28.080 --> 0:11:30.880 you really have to nail a performance or the writing 0:11:31.760 --> 0:11:34.200 doesn't have to be great, and it doesn't even have 0:11:34.280 --> 0:11:37.840 to make sense. Really, there can be huge logic holes 0:11:38.160 --> 0:11:42.199 throughout the whole thing, but as long as it's comforting 0:11:42.600 --> 0:11:46.160 right now, Gilmore never had that issue. I mean, every 0:11:46.160 --> 0:11:48.400 once in a while there's a logic thing or whatever, 0:11:48.440 --> 0:11:53.160 but it's so rare, right, it's so rare. Yeah, but 0:11:53.200 --> 0:11:55.240 that had all of the elements. It's like a lot 0:11:55.240 --> 0:11:57.080 of shows that imitate that show because there were a 0:11:57.080 --> 0:12:01.559 lot of you know, copycat shows after Gilmore is that 0:12:01.760 --> 0:12:03.200 they just don't have well. 0:12:03.120 --> 0:12:10.560 They don't have any d Yeah, clean herself, right, that's crazy. 0:12:10.760 --> 0:12:13.120 Background noise, background noise. 0:12:13.240 --> 0:12:13.559 Uh huh. 0:12:14.240 --> 0:12:18.280 It's because we have too much distractions, because it literally 0:12:18.480 --> 0:12:20.319 is that. I mean, could you imagine that. I'm just 0:12:20.440 --> 0:12:23.319 going into Like as you were saying that, my mind 0:12:23.400 --> 0:12:27.080 went to, you know, turning the TV guide and finding 0:12:27.160 --> 0:12:30.400 out when the episode would air and having to be 0:12:30.520 --> 0:12:34.040 in front of the TV to see that episode or 0:12:34.200 --> 0:12:37.520 you'd miss it. Or then then now you have VHS 0:12:37.559 --> 0:12:39.079 tape three, you can record it and what do you 0:12:39.120 --> 0:12:41.480 know what I'm saying? Like everything she was so excited 0:12:41.520 --> 0:12:47.400 to come together and like escape together. Now it's like 0:12:47.440 --> 0:12:50.680 we're just like disassociating ourselves from one another. 0:12:51.200 --> 0:12:56.320 In our shows, right all right, So after the facial, 0:12:56.400 --> 0:12:59.000 Anily sneaks into louralizing to chat about all the robes, 0:13:00.080 --> 0:13:03.520 what's next on the our Tinneraries, which is a couples 0:13:03.559 --> 0:13:05.840 of stash, which we talk about. After not being impressed 0:13:05.840 --> 0:13:09.520 by the vegetarian memory. They go to a chop house. 0:13:10.600 --> 0:13:13.800 It's kind of a nice steakhouse. Yeah, that was hilarious. 0:13:14.480 --> 0:13:14.959 I love that. 0:13:15.080 --> 0:13:18.760 That was not that was not up her. Ally, she 0:13:18.920 --> 0:13:21.880 was like and she's just mortified by everything, right, and 0:13:21.960 --> 0:13:24.560 she kind of slowly started to like let her guard down, 0:13:24.640 --> 0:13:26.720 which is really nice to see. I love it when 0:13:26.800 --> 0:13:30.640 Emily lets her guard down. It's like the cutest thing 0:13:30.960 --> 0:13:32.240 to watch, it really is. 0:13:32.640 --> 0:13:35.800 Right, So now she's getting eyeballed by Halandon. I think 0:13:35.840 --> 0:13:39.439 that was hall Lindon. Hallandon was a big star in 0:13:39.559 --> 0:13:41.599 the set of duc at his own shows and that 0:13:41.760 --> 0:13:45.040 kind of thing. Yeah, he played a guy named Chad 0:13:47.240 --> 0:13:49.680 and he invites them later to dance and she does. 0:13:50.840 --> 0:13:52.320 God, there's such a beautiful moment. 0:13:52.640 --> 0:13:52.920 It was. 0:13:53.200 --> 0:13:55.480 It was really such a beautiful moment watching that. Even 0:13:56.160 --> 0:13:58.480 even with them at the bar, you know, like they laugh, 0:13:58.600 --> 0:14:01.360 they talk, it's almost like we were I don't know. 0:14:01.360 --> 0:14:03.520 I was seeing a glimpse of the relationship that they 0:14:03.840 --> 0:14:06.280 could have had if they both, like I said, let 0:14:06.320 --> 0:14:09.480 their cards down. And then boom, it just like falls 0:14:09.480 --> 0:14:10.000 apart again. 0:14:11.400 --> 0:14:15.280 Well, hell, Lindon got a little close there with the 0:14:15.360 --> 0:14:20.040 slow Dance number two and Emily freaked and left and 0:14:20.160 --> 0:14:23.360 blamed Laura l I and said, I'm a how dare 0:14:23.440 --> 0:14:27.480 you get me in this situation like this, I'm somebody's 0:14:27.560 --> 0:14:31.480 wife and I can't do this? She was out there. 0:14:31.720 --> 0:14:33.920 Can't blame her, right, yeah, I. 0:14:33.920 --> 0:14:36.760 Mean, but what's so heartbreaking is, like, you know, Emily's 0:14:37.320 --> 0:14:39.960 you know, she tries like her way of showing love 0:14:40.160 --> 0:14:44.840 is deeply flawed. Sure, but it's like wrapped up in 0:14:44.920 --> 0:14:50.000 this like expectations and this passive aggressiveness. But she does, 0:14:50.200 --> 0:14:52.240 I mean, she does want a relationship with her daughter. 0:14:52.320 --> 0:14:53.680 You can just see it so bad. 0:14:53.880 --> 0:14:56.840 You can just yeah, you know, you think it's cheating 0:14:57.040 --> 0:14:58.880 if you slow danced with a guy named Chaf. 0:15:00.040 --> 0:15:04.640 And then the guy's name is Chad, it's cheating, just kidding. 0:15:13.960 --> 0:15:17.520 So still Emily and Laura were, you know, they're finally 0:15:17.520 --> 0:15:21.240 getting law. Something always goes wrong. That's the purity of 0:15:21.240 --> 0:15:22.840 the relationship, that's the beauty of the writing. 0:15:23.280 --> 0:15:28.160 Yeah, she's also like Laurla, you know understandably she's she's 0:15:28.200 --> 0:15:31.960 still carrying a lot of scars, you know, from childhood 0:15:32.040 --> 0:15:36.520 with her mom and her upbringing. I just recently did 0:15:36.800 --> 0:15:41.160 a TV show and and the writer we we we 0:15:41.280 --> 0:15:43.680 went to his family home and the script that he 0:15:43.840 --> 0:15:46.240 wrote was kind of based on his family, and I 0:15:46.320 --> 0:15:50.320 remember having a conversation with him. I was like, hey, like, 0:15:50.440 --> 0:15:52.760 this is going to bring up some stuff, you know, 0:15:53.520 --> 0:15:55.960 but you think you field those things until you're like 0:15:56.880 --> 0:15:59.960 brought on these situations and you're like, oh, I actually 0:16:00.080 --> 0:16:03.400 have not gotten over ABC and D and they come 0:16:03.480 --> 0:16:05.560 out with glimpses you know, trauma. 0:16:07.440 --> 0:16:11.080 Yeah, alright, let's go to Rory's Friday night. Paris shows up, 0:16:11.520 --> 0:16:16.920 Panic study, and then another guest shows up, Jess. 0:16:17.840 --> 0:16:21.560 Okay, Scott, can we just talk about Jess in Paris 0:16:22.880 --> 0:16:28.440 having this surprising, like spark filled conversation about literature and 0:16:28.680 --> 0:16:32.960 fast food. It was so good. It's such a good 0:16:33.240 --> 0:16:35.880 and I thought, now that I watched it as like 0:16:35.920 --> 0:16:40.000 an adult, I thought, wouldn't it have been interesting if 0:16:40.080 --> 0:16:42.040 Paris and Jess ended up together? 0:16:45.080 --> 0:16:45.640 Did they not? 0:16:46.280 --> 0:16:49.800 I know, all these people are like what na, but 0:16:50.000 --> 0:16:54.720 they're dynamic with each other, killed each other. It's kind 0:16:54.840 --> 0:16:59.000 of interesting, But sometimes you need that sort of that 0:16:59.080 --> 0:16:59.880 sort of person. 0:16:59.720 --> 0:17:04.520 In your life, you know, I'm saying I thought I 0:17:04.640 --> 0:17:07.399 thought their book Chat Is I don't know. I think 0:17:07.440 --> 0:17:13.240 it was considered one of the best literature dialogue the series. 0:17:13.520 --> 0:17:15.760 Yeah, it was a great piece of television. There's there's 0:17:15.800 --> 0:17:18.280 no to bring these characters together like that. It was. 0:17:18.400 --> 0:17:21.040 It was. It was wonderful to watch, and you want 0:17:21.160 --> 0:17:23.400 more of it, right, you wanted? I was thinking, God, 0:17:23.480 --> 0:17:26.120 this this is the spinoff. This should have been the spinoff. 0:17:26.800 --> 0:17:29.080 You know, she should have been involved. I think Amy 0:17:29.160 --> 0:17:32.280 just didn't want to lose too many you know, players 0:17:32.400 --> 0:17:36.119 on her on her show to a spinoff, you know 0:17:36.160 --> 0:17:39.560 what I mean. Okay, Paris was the obvious candidate. You know, 0:17:40.080 --> 0:17:41.120 their chemistry is great. 0:17:41.240 --> 0:17:44.800 What was Amy like? I mean because I obviously dealt 0:17:44.840 --> 0:17:48.880 with her as a young child, and she left such 0:17:48.960 --> 0:17:52.600 a such a mark for me at that age. 0:17:52.800 --> 0:17:56.760 But I just I think she was so happy to 0:17:56.920 --> 0:17:59.560 come on set and direct an episode to be with 0:17:59.680 --> 0:18:04.280 Pete that she loved, who loved her back fiercely, who 0:18:04.520 --> 0:18:11.159 she fought for to get those roles, and because she 0:18:11.359 --> 0:18:14.560 was fighting so many battles, you know, off the court 0:18:14.760 --> 0:18:17.240 as it were, she loved being in there and playing 0:18:17.320 --> 0:18:19.280 with us because she knew that it was going to 0:18:19.320 --> 0:18:26.440 be this wonderful, supportive, hysterically funny experience. Yeah, and she 0:18:26.600 --> 0:18:28.720 did that four times a year. Or something like that. 0:18:29.080 --> 0:18:31.200 And every time she came on set, it was just like, 0:18:32.320 --> 0:18:33.960 you know, the level just went way out. 0:18:34.720 --> 0:18:39.439 Everybody just was there every time I came to play, right, 0:18:39.640 --> 0:18:42.600 really every time. And I mean I have pictures of 0:18:43.560 --> 0:18:51.679 her and I like playing hacky Sack like it's so wild, 0:18:52.200 --> 0:18:53.880 Like I remember her vividly. 0:18:54.520 --> 0:18:57.240 Yeah, well, yeah, she's you can't forget her, you know, 0:18:57.880 --> 0:19:01.840 she makes that impression. Yeah, but yeah, I mean, always 0:19:03.440 --> 0:19:05.920 just there to make things better for everybody. You know, 0:19:07.880 --> 0:19:09.560 a great listener, great friend. 0:19:13.400 --> 0:19:13.919 All right, so. 0:19:16.200 --> 0:19:18.080 Just tells Ry that Luke sent him off to drop 0:19:18.160 --> 0:19:22.320 food off because she was alone. Rory asked serious questions, 0:19:22.520 --> 0:19:26.600 trying to finally used the lead. Yeah, and then stay 0:19:27.560 --> 0:19:31.119 he ate. He sat down Laura. I request Lauria to 0:19:31.240 --> 0:19:36.560 something bad while she's gone bikers and low lives. What 0:19:36.680 --> 0:19:39.200 would you do if your parents left you alone? And 0:19:39.320 --> 0:19:39.920 what did you do? 0:19:40.359 --> 0:19:42.679 And what did I do? My parents left me alone? 0:19:42.960 --> 0:19:47.399 I probably did as much as Rory did. Unfortunately, I 0:19:48.640 --> 0:19:50.840 lived in a mortuary, so not a lot of people 0:19:50.880 --> 0:19:56.440 wanted to come over anything. So it was not because 0:19:56.440 --> 0:19:58.920 I wanted to fold laundry just because I had dead 0:19:58.960 --> 0:20:03.560 people downstairs. I really wanted to egg out at my 0:20:03.720 --> 0:20:08.280 house at the Cemetery. So I went, and I I 0:20:08.320 --> 0:20:12.800 would just watch my favorite show, which was the Sixth 0:20:12.840 --> 0:20:16.479 Sense is that's Sixth Sense movie? And then well, uh, 0:20:17.320 --> 0:20:20.520 I don't know. I was like a big like Rugrats 0:20:20.640 --> 0:20:24.600 fan as a kid, okay, like all those Nickelodeon shows 0:20:25.640 --> 0:20:29.760 and then ma Maury and then Jerry Springer gotcha. 0:20:30.280 --> 0:20:32.800 Yeah all right? So Paris drives all the way to 0:20:32.880 --> 0:20:36.840 stars Hall from hard for to say with Riy Scout 0:20:36.960 --> 0:20:39.480 what kind of high school or of roy or Paris 0:20:39.680 --> 0:20:41.000 or maybe a Luise? What word? 0:20:41.760 --> 0:20:43.640 I was none of them. I was like a Jess. 0:20:45.600 --> 0:20:48.680 I was very much a Jess, just like trying to 0:20:48.720 --> 0:20:51.480 figure it out. Had a lot to a lot of 0:20:51.560 --> 0:20:54.119 my past, and I was just trying to navigate. I 0:20:54.320 --> 0:20:57.480 really wanted like people to like me, but I didn't 0:20:57.520 --> 0:20:59.320 know how to. I didn't know how to do it. 0:20:59.600 --> 0:21:05.200 And yeah, I was very much Jess. Sorry, Mom and Dad, No, 0:21:05.400 --> 0:21:09.560 I was just too There's good things about being as 0:21:09.600 --> 0:21:12.440 we figure it out, We figure it out. It just 0:21:12.560 --> 0:21:13.680 takes as a bit of time. 0:21:14.320 --> 0:21:18.640 Yeah, those days, all right. So he shows up, it's 0:21:18.680 --> 0:21:20.720 clear that he wants to spend time with Rory, but 0:21:22.160 --> 0:21:27.680 you know, is why does he always teases her about 0:21:27.880 --> 0:21:29.000 wanting to be around him? 0:21:29.600 --> 0:21:33.600 You know, you know, well he's a little boy still, 0:21:34.200 --> 0:21:37.840 you know, he's a little, little, little confused little boy. 0:21:38.080 --> 0:21:38.240 You know. 0:21:38.359 --> 0:21:41.080 It's like you poke the girl at recess and that 0:21:41.119 --> 0:21:49.440 you run away. His flirting is flirting. Chops weren't really 0:21:49.560 --> 0:21:51.639 up to par but I mean they worked for they 0:21:51.720 --> 0:21:54.320 worked for Rory. They were very endearing for sure. I 0:21:54.359 --> 0:21:56.080 mean it's even like if you went back to the 0:21:56.080 --> 0:22:00.520 beginning of the episode, even with like the the umbrella, 0:22:01.040 --> 0:22:08.160 you know, going over like there's there's there's this like softness, 0:22:08.600 --> 0:22:11.440 you know, that that tiny gesture that was like his 0:22:11.640 --> 0:22:12.040 version of. 0:22:12.040 --> 0:22:18.280 Affection, tending to her needs, anticipating that's what That's what 0:22:18.440 --> 0:22:22.399 a good guy does with somebody who cares does and. 0:22:22.640 --> 0:22:25.520 Rory saw it, she sees it. She's not you know, 0:22:25.600 --> 0:22:30.200 she's not used to that. You know, there's so much 0:22:30.280 --> 0:22:34.000 battle going between her and her and Dean. They're inner 0:22:34.119 --> 0:22:38.840 dialogue is obviously like you know, they're they're slipping away 0:22:38.880 --> 0:22:42.800 from one another. But yeah's relationship. You don't want to 0:22:43.200 --> 0:22:44.919 identify yourself as separate. 0:22:45.520 --> 0:22:53.359 He's just blow Yeah, it's so paris is so excited 0:22:53.359 --> 0:22:57.200 when Ry invites her to eat with them. Do you 0:22:57.240 --> 0:22:59.880 feel sorry for parents? I do feel like I do too. 0:23:00.240 --> 0:23:00.400 Here. 0:23:02.760 --> 0:23:04.560 I did it when I first watched the show, But 0:23:04.720 --> 0:23:07.560 now I'm like, yeah, I get it, Like I get it, 0:23:07.720 --> 0:23:11.000 poor Paris. It's like this, It's like the same dynamic 0:23:11.080 --> 0:23:13.520 that Jess has, just a little. It's just just different. 0:23:14.800 --> 0:23:17.280 Her dad comes to her. Dad cancels a divorce when 0:23:17.320 --> 0:23:19.600 he realizes how much is going to cost him, and 0:23:19.720 --> 0:23:22.240 he allows his wife to redecorate the whole house. 0:23:24.520 --> 0:23:26.400 That house as a child. 0:23:27.040 --> 0:23:29.359 That's crazy house. That's not good. That's not good. 0:23:30.040 --> 0:23:32.800