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Speaker 1: Sound this is my level?

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Speaker 2: Is it your level?

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Speaker 1: This is why I'm looking at them at the dial

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Speaker 1: and the red is peaking at the right spot, So

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Speaker 1: sound this will be my level for today's podcast.

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Speaker 2: Is this really gonna be your level? Or are you

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Speaker 2: just saying this to mock me.

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Speaker 1: No, I'm just I'm getting my levels right. Let me

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Speaker 1: let me make sure that the sound pad is at

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Speaker 1: the right level.

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Speaker 2: Woo tank forever, wu tang forever. It is, it says,

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Speaker 2: it's always, it's infinite.

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Speaker 1: I think you've grown to like the sound pad, haven't you.

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Speaker 2: No, fuck your sound machine.

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Speaker 1: Your sound effects machine. By the way, Donald, I've never

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Speaker 1: been a guy who did legs at the gym, and

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Speaker 1: I've always been the guy who skipped legg day. I'm

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Speaker 1: walking around with sorera quads all the time.

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Speaker 3: Now.

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Speaker 2: Don't you like it?

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Speaker 3: But I like it.

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Speaker 1: I feel proud of myself.

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Speaker 2: It feels good.

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Speaker 1: But you know that point where you like, come on

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Speaker 1: from the gym, or you went on a giant hike

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Speaker 1: and then you walking up your stairs at home and

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Speaker 1: you're like, wow, look, but you're like kind of smiling.

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Speaker 2: Yeah, because you like it.

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Speaker 4: That's how I feel. That's that good feeling. Yeah, I'm proud,

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Speaker 4: but it should be as you should be good for

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Speaker 4: you are I'm well, how are you?

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Speaker 2: Man? This gloomy today? Man?

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Speaker 1: And it is like La gets a little crazy when

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Speaker 1: the sun's not out.

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Speaker 2: Yeah, man, people get sad and ship look outside. Yeah,

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Speaker 2: it's like a it's like a Josh Rayden song outside

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Speaker 2: right now.

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Speaker 1: He's living in my guest house right now. I should

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Speaker 1: have him come over and sing winter.

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Speaker 2: Yeah. I remember the.

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Speaker 1: Sound off You're November Downtown, down down, it's great. And

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Speaker 1: you know, a lot of people live where it's gray,

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Speaker 1: and we grew up where it gets gray in the Winner,

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Speaker 1: but we did a lot of people gravitate towards sunny

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Speaker 1: places because they feel better in their mental health where

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Speaker 1: the sun is out. And I'm one of those people.

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Speaker 1: So when it does get gray, it's a little bit

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Speaker 1: like what the hell's this?

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Speaker 2: It turned into like a melancholic emotional song.

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Speaker 1: I just want to get under a weighted blanket and

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Speaker 1: light a candle.

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Speaker 2: Maybe this is some shad day, have some.

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Speaker 1: Soup, cherish the day.

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Speaker 2: Well, catch me.

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Speaker 1: Run And by the way, there's a new doc on Netflix.

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Speaker 1: I know you don't watch things that aren't Star Wars.

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Speaker 1: But it's about the making of We Are the World,

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Speaker 1: and I think you'll really like it.

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Speaker 2: You hadden me up until you said we are the World.

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Speaker 2: It's about the making of I thought you were going

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Speaker 2: to say Star Wars, but then you said we are

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Speaker 2: the World.

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Speaker 1: It has it's all interviewed like Lionel Richie is like

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Speaker 1: the main interview. I didn't know that he wrote it

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Speaker 1: with Michael Jackson. I always thought.

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Speaker 2: Michael Jackson Quincy Jones, Rincy.

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Speaker 1: Jones did the orchestrations and the production, but it was

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Speaker 1: written the song was written by and Michael. I didn't

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Speaker 1: know that.

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Speaker 2: Mm hmm.

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Speaker 1: And Lionel does. There's lots of interviews, but Lionel is

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Speaker 1: the main interview, and he kind of tells you, walks

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Speaker 1: you through the whole story, how they did it overnight

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Speaker 1: after the American Music Awards, you know all this.

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Speaker 2: Yeah, of course, does he talk about does he talk

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Speaker 2: about how mad Michael Jackson was getting at somebody.

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Speaker 3: And they cut around that.

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Speaker 1: They cut around that because I know there's these really

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Speaker 1: funny gifts and memes of Michael Jackson giving people the

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Speaker 1: side when they're singing his song.

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Speaker 2: And they're fucking it up.

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Speaker 1: Yeah, but it's really amazing, man, I really audience watched this.

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Speaker 1: It's a new doc on Netflix. Joel, will you get

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Speaker 1: the title? I forgot what it's called, but it's it's

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Speaker 1: really worth your time and it's pretty amazing story about

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Speaker 1: how they did this and in one night made the song.

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Speaker 2: My favorite part about that whole thing is when Michael

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Speaker 2: Jackson is like, I got an idea for the hook,

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Speaker 2: so we gonna go we aut of World, Sharla, we

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Speaker 2: art at you Trent Sharing, and everybody's like, nah, nigga,

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Speaker 2: that's in there, but I know it's sitting there. But

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Speaker 2: that you know.

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Speaker 1: What happened was when you watch the doc Okay, Stevie

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Speaker 1: Wonder decided there should be I believe this is. It

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Speaker 1: was Swahili in the song because it was about raising

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Speaker 1: money for food in Africa, and they started, he started,

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Speaker 1: they started try and figure out some Swahili lyrics and

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Speaker 1: a lot of the artists were like, I'm not gonna

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Speaker 1: be able to sing in Swahili. And the problem was

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Speaker 1: that it's called the Greatest night in pop thank you.

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Speaker 1: And then but the problem was everyone's like, oh no,

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Speaker 1: you see Quincy Jones freaking out and Lon Richie, who

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Speaker 1: was kind of like loner. Richie's job on the night

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Speaker 1: of was to like keep all the stars happy and

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Speaker 1: like making jokes and like and when people start bugging

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Speaker 1: out because they're not gonna be able to sing Swahili,

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Speaker 1: and everyone respected Stevie so much. No one was gonna, like,

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Speaker 1: you know, say no to Stevie. But everyone's like, we

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Speaker 1: gotta get Stevie off this Swahili thing because people are

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Speaker 1: bugging out. And so then Michael Jackson will like, how

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Speaker 1: about if it's just something that's not necessarily Swahili, but

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Speaker 1: it's something that everyone can sing, that that that's that's that,

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Speaker 1: and he came up with that. First of all, one

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Speaker 1: of the most amazing things is Michael Jackson's voice is

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Speaker 1: so incredible, and when everyone else is singing, you're obviously

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Speaker 1: my experience in watching The Doctor is when everyone else

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Speaker 1: is singing, you're like, wow, everyone has said a unique thing.

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Speaker 1: Whether you're Huey Lewis or Cyndey Lauer or Bob Dylan

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Speaker 1: or Springsteen, everyone has their unique sound. They're all amazing.

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Speaker 1: But then you hear Michael Jackson singing, You're like, wow,

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Speaker 1: I kind of want to just hear him sing the

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Speaker 1: whole thing. His voice is so incredible.

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Speaker 2: He could sing his butt off. Man. When you listen

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Speaker 2: to it now now you appreciate it now that he's gone,

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Speaker 2: But you listen to him now, it's like, Wow, Man

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Speaker 2: in the Mirror, And there's that moment in Man in

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Speaker 2: the Mira where it's like, I gotta make that change today,

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Speaker 2: and he is so in the pocket for that, you know,

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Speaker 2: minute and a half of you know, him calling and

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Speaker 2: freaking the chorus calling back to him and everything. Make

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Speaker 2: that change. Man.

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Speaker 1: The man who Richie said he didn't do any instruments,

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Speaker 1: which I guess I knew in the back of my mind,

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Speaker 1: but not in the forefront. And so he said he

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Speaker 1: would have all these cassette tapes of just him humming, singing,

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Speaker 1: going like and like and doing all of the basically parts,

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Speaker 1: but just vocalizing it, and then musicians would then take

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Speaker 1: that and write the music. Isn't that crowd?

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Speaker 2: Yeah, he's fucking There's a doc that's out right now

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Speaker 2: on Michael Jackson as well that where it's like, you know,

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Speaker 2: it's there's a bunch of them out. We just got

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Speaker 2: into it recently because the kids somehow found it. Smooth criminal, man,

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Speaker 2: that that's all it takes, is smooth criminal, and then

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Speaker 2: you're hooked. And so now the kids are freaking although

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Speaker 2: this is hilarious. Okay, So because Mike's face changed so

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Speaker 2: much as he got older and stuff like that, wild

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Speaker 2: is like having nightmares about the motherfucking out right, She said, yeah,

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Speaker 2: like straight up nightmares, like straight up like Michael Jackson's

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Speaker 2: in my closet and me and Casey will laughing our

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Speaker 2: asses off, like because.

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Speaker 1: That was because of his plastic surgery.

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Speaker 2: Yeah, well yeah, man, and also Thriller and his face

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Speaker 2: changed and all that ship. But all I can think

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Speaker 2: of is Michael Jackson in the closet with the side

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Speaker 2: face look it up through shadow and while the running

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Speaker 2: out of her room like it scares her, dude, it

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Speaker 2: really really does.

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Speaker 1: Well, maybe don't shore it Thriller.

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Speaker 2: She's seen it all now because she wants to listen

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Speaker 2: to it. She just girl walks around her and Rocco,

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Speaker 2: you can hit bats. You've been struck bots a smooth

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Speaker 2: women dancing doing video game. They're not draggers either, By

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Speaker 2: the way, your.

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Speaker 1: Kids, there was a video game, right I play. I

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Speaker 1: feel like I played that mic I had.

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Speaker 2: That Yeah on Sega Genesis.

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Speaker 1: Wait Wilder can moonwalk?

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Speaker 2: Yeah? Wow, she's not a dragger either.

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Speaker 1: So audience, Donald is very good at moonwalking and I'm

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Speaker 1: I'm a bee and he makes fun of me for

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Speaker 1: not doing it as smoothly as he does it. That's

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Speaker 1: all I'll say for now, Shna. We are to children

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Speaker 1: charlinga watch that I just wish I could force you

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Speaker 1: to watch it sometimes. Well, audience, you'll you'll watch it

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Speaker 1: please because it's very entertaining and it's just a great story.

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Speaker 1: It's a great story how they pulled it all together,

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Speaker 1: and such a cool story about how long Richie and

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Speaker 1: Michael Jackson just wrote this song together. They had never

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Speaker 1: written together. And some of the funniest parts of the

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Speaker 1: documentary are Lownrichie talking about hanging out in Michael's house

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Speaker 1: and being like, what is going on in the kitchen?

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Speaker 1: Who's screaming at each other? And Michael's like, Oh, that's

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Speaker 1: that's my bird and my dog. They always argue. And

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Speaker 1: then he's like, hold bubbles and He's like, I don't

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Speaker 1: want to hold bubbles and uh, and then he says,

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Speaker 1: like Richie said, they're hanging out in this room and

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Speaker 1: he hears like and he's like, what the fuck is that?

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Speaker 1: Lionel tells it's so funny. And he turns to his

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Speaker 1: right and there's a giant fucking bowel constructor sneak and Michael's.

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Speaker 5: Like, there he is. We've been looking for him. He's

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Speaker 5: fucking zoo in his house.

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Speaker 1: There he is, lying. Oh, and he he called Lionel. Lionel.

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Speaker 1: I think we got here, Lie, Richie told the story.

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Speaker 1: He's well, Richie, yeah, he always called me Lionel to

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Speaker 1: be like, Lionel, don't be afraid of the snake. Just

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Speaker 1: holding Come on, Lionel, that's like freaking uh.

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Speaker 2: Dan Ackroyd and Eddie Murphy in trading places. Lionel.

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Speaker 1: Dan Akroyd's in the Weird of the World, as you recall, Yes,

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Speaker 1: he is, Oh my god. And Cindy, Cindy lauper Man.

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Speaker 1: She she really she was a belter. She could really

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Speaker 1: sing like she does. She was great too.

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Speaker 2: Lionel Joseph, Lionel Joseph's.

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Speaker 1: What does he say? Oh that's dan Aykroyd on the train.

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Speaker 2: Yes, oh my god.

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Speaker 1: Anyway, anyway, should we get on the show.

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Speaker 2: Oh, do we have to start this talk about well,

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Speaker 2: we're just so close to that.

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Speaker 1: You know how many we all loved you? Well in

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Speaker 1: season eight, there's two left. Oh my god, Donald, there's

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Speaker 1: two left. Charlie shallinga Cha le Inge Schalingay.

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Speaker 2: I think that's what he said, Charlinge shal Inge.

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Speaker 1: We've been looking for him, Lionel, Lionel hold him like

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Speaker 1: he's got a bull constructor just lost in his house,

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Speaker 1: Like there he is.

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Speaker 2: When you listen to listen. So we've been listening. Like

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Speaker 2: I said, we've been listening to Mike a lot lately,

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Speaker 2: and like I'm sorry to the Jackson's y'all was carried

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Speaker 2: straight up, like straight up that brother carried y'all because.

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Speaker 1: Well, weren't they very good musicians?

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Speaker 2: All I know is they sing and then Mike sings,

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Speaker 2: and you like, I just want to hear Mike sing.

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Speaker 1: I'm telling you, that's what That's why I'm watching We

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Speaker 1: Are the World, and I'm like, no disrespect. These are

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Speaker 1: some of the greatest voices in pop. But when they

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Speaker 1: cut to Michael Jackson's before while they're at the AMAS,

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Speaker 1: I think that's what it's called American Music Awards. Yeah,

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Speaker 1: Michael Jackson wasn't there. He was in the studio just

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Speaker 1: laying down tracks of the whole thing because because he

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Speaker 1: didn't he wasn't planning on the AMAS. Oh, it was

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Speaker 1: the whole thing about how Prince won't show up. And

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Speaker 1: they have Sheila e there because they're trying to lure

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Speaker 1: Prince to come, and she gets all pissed. She's like,

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Speaker 1: they said they were gonna give me a verse, but

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Speaker 1: I think it was bullshit because they were just trying

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Speaker 1: to get lure Prince here and Prince was like, I'll come,

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Speaker 1: but I'm only gonna play guitar, and they were like,

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Speaker 1: we don't need guitar, and so Prince didn't show up.

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Speaker 1: But anyway, I'm telling you, this thing's amazing. But anyway, Mike,

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Speaker 1: my point is Michael's there laying down tracks while they're

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Speaker 1: all at the AMAS in the empty studio. You and

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Speaker 1: I have been at this studio, by the way, it's

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Speaker 1: now the on the hen Jim Henson lot, and his

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Speaker 1: voice is just incredible, and they have interviews with like

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Speaker 1: the camera people, like you know, these guys were everyone's volunteering.

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Speaker 1: It was for charity, and this cameraman's like I just

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Speaker 1: couldn't believe it. I was alone in the studio just

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Speaker 1: filming Michael Jackson alone singing all of we Are the World.

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Speaker 1: It was so insane.

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Speaker 2: Anyway, And it's his part that they use when you're

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Speaker 2: dada out.

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Speaker 1: And it seems no hope at all. Oh, and then

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Speaker 1: it's Huey Lewis.

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Speaker 2: But if you just believe, and this is when the

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Speaker 2: sad eye comes in.

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Speaker 1: No, no, he he likes Hue.

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Speaker 2: This is where the sad act gets. That whole threesome

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Speaker 2: gets the side after.

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Speaker 1: Yeah, but you'll see in the dock that he's into

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Speaker 1: it at the end. And then when when Cindy Laufer

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Speaker 1: did that like riff and then let's realize who's that that's.

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Speaker 3: Oh no, I'm talking about a yea, yeah, yeah, she

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Speaker 3: riffed that.

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Speaker 1: And then they all see they were all like and

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Speaker 1: she was like, is that good? And they all they

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Speaker 1: were all super yea. They all liked it. Mike may

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Speaker 1: have given sideye at the beginning, but he ended up

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Speaker 1: liking it.

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Speaker 2: Oh.

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Speaker 1: The Prince spot that Sheli e was like a placeholder

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Speaker 1: and then she left because she was upset. That went

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Speaker 1: to that's the one that went to Huey Lewis I

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Speaker 1: think no, No, Kenny Longins, I don't remember anyway, it's

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Speaker 1: a great talk watch it.

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Speaker 2: All I know is he Prince and Mike should have

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Speaker 2: been the headliners of that ship.

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Speaker 1: And Prince trying to do it. They had like they

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Speaker 1: had a competition.

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Speaker 2: They got that competition ship.

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Speaker 1: Yeah, and then they were like they were begging Prince

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Speaker 1: to come up to come and he said he would

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Speaker 1: only come play guitar, and they were like, dude, we

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Speaker 1: don't need a guitar on the song. We need to say.

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Speaker 2: That would have worked for me too, if they would

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Speaker 2: have collapsed that way also, man, but now they both did,

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Speaker 2: and that shit can't ever happen. Man in heaven. Maybe

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Speaker 2: AI can do it, Dear Ai, can you make a

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Speaker 2: Prince Michael Jackson song? I'm sure you could ask Joe

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Speaker 2: Well's like, no, don't do that as well.

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Speaker 1: All right, Donald count of sid.

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Speaker 6: Stories show, we made about a bunch of said, he's

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Speaker 6: the Stories Natural.

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Speaker 2: So YadA YadA, sweet.

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Speaker 1: All right, very funny episode We're Back from the Bahamas,

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Speaker 1: directed by legendary TV director. Oh there's Daniel. Hello. Sorry

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Speaker 1: there was some scheduling misunderstanding Dan, but We're glad you're here.

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Speaker 3: Yeah, happy to happy to be here. I took my

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Speaker 3: first city bike adventure to get back here on time.

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Speaker 1: Well, how did your city bike go bad?

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Speaker 3: It has flat tires?

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Speaker 1: Oh, you gotta check. You're a New New Yorker and

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Speaker 1: it's a very very rookie mistake to check your city

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Speaker 1: bike tires. Most certainly you won't do that again.

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Speaker 3: Surely I will not.

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Speaker 1: Now, Dane, I suggest you get a helmet because I

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Speaker 1: have one. Oh good, Because I think even people that

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Speaker 1: ride city bikes who don't own a helmet and they

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Speaker 1: ride around, I'm always worried for their dome.

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Speaker 3: I know. I never ride a bike, any kind of

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Speaker 3: bike without a helmet, and mine was just at home

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Speaker 3: in Manhattan.

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Speaker 1: It's a pretty crazy the bicycling situation because the delivery

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Speaker 1: guys are now all on electric bikes and it's the

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Speaker 1: wild wild West because they don't care, they don't know.

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Speaker 1: The police don't have the bandwidth to ticket anyone, so

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Speaker 1: everyone's going every which way and it's really fucking dangerous.

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Speaker 1: I ride my bike on Manhattan, but I tried to

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Speaker 1: always rock my helmet because I think like there's some

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Speaker 1: crazy figure like one pedestrian dies a day.

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Speaker 2: I'm done. I'm done.

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Speaker 1: Do well look that up. I think like maybe it

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Speaker 1: maybe it works out in the Five Boroughs to like

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Speaker 1: three hundred and sixty five pedestrian deaths a year. So

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Speaker 1: that's why they say there's one pedestrian death of day

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Speaker 1: in the Five Boroughs. I'm not sure, but I remember

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Speaker 1: reading that and that's when I started rocking my helmet.

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Speaker 2: You know what sucks, there's been one of those deaths. Yeah, well,

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Speaker 2: if you can usually somebody hitting to you, Oh my god.

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Speaker 1: If you're getting out of a cab or an uber

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Speaker 1: in Manhattan. This is a public service announcement. You have

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Speaker 1: to look at the bike lane. People. These delivery guys

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Speaker 1: are going forty miles an hour or whatever. It is

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Speaker 1: so fast, and that's how people must die, because you

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Speaker 1: get just fucking mowed down by someone on an electric bike.

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Speaker 3: It's bad.

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Speaker 1: So Daniel, rock your helmet.

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Speaker 3: Oh, I trust me. I will. It's even a high

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Speaker 3: viz helmet. It's one of them like highlighter yellow ones too.

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Speaker 3: I go high viz, Joelle just wrote me in the chat.

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Speaker 3: Twenty twenty three is now the second deadliest year for

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Speaker 3: bike riders in New York City's recorded history audience. You're listening,

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Speaker 3: I'm giving you a more you know, public service announcement.

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Speaker 3: If you go to New York City or you live

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Speaker 3: in New York City, a be very careful getting out

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Speaker 3: of your ubers and cabs and always look to see

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Speaker 3: if a bicyclist is coming. And second, if you live there,

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Speaker 3: wear a helmet because people are dying and dun, dundun

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Speaker 3: all right, Donald Legendary TV director Linda Mendoza directed this episode,

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Speaker 3: written by Kevin Beegele. Elliott makes JD pull over for

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Speaker 3: car sex because she's jealous whenever Kim is touching JD.

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Speaker 2: Okay, So we should start off by saying JD and

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Speaker 2: Elliott and Kim have this relationship that's very similar to

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Speaker 2: an extended family. Oh where the three of them, you're good,

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Speaker 2: are raising a child together.

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Speaker 1: I wish there was a show on network TV about that,

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Speaker 1: maybe in front of a live studio audience. All right, So, yeah,

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Speaker 1: they have a situation where they go it's clear that

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Speaker 1: I forgot how far away.

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Speaker 2: She's like forty five minutes away on a car.

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Speaker 1: Okay, So JD goes over there he is child and

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Speaker 1: Elliott gets very very jealous whenever Kim even touches him,

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Speaker 1: even touches this collar.

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Speaker 2: Well, I mean, in a lot of ways, she can

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Speaker 2: get jealous of it. And you know, Kim and JD

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Speaker 2: didn't break up because they didn't like each other. They

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Speaker 2: broke up because it just didn't work. Like she tried,

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Speaker 2: he tried, you're great, You're great, it just doesn't work.

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Speaker 2: And if you're Elliott, and you know this because of

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Speaker 2: how close JD and her are, clearly they talk about

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Speaker 2: everything together. They talk about We'll talk about the the

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Speaker 2: sean of it all later, but they you know, they

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Speaker 2: talk about everything. She knows that if something doesn't happen

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Speaker 2: with this young lady at some point, she will be

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Speaker 2: she can be a threat because she does have something.

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Speaker 2: He's beautiful, yeah, but she also has his kid too.

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Speaker 1: She's beautiful and she has his kid, and so he

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Speaker 1: Elliott's nervous. Now, what JD we learned is JD uses

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Speaker 1: this to get car sex. Yes, I don't think car

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Speaker 1: sex is something to really be desired.

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Speaker 2: Do you you ever had car sex?

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Speaker 1: I'm gonna go no comment, but I don't think that

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Speaker 1: it's something to be longed.

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Speaker 2: Why are you going to go. Now, why would you

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Speaker 2: go to no common It's not like you're saying I

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Speaker 2: had car sex.

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Speaker 1: With I'm having car sex right now.

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Speaker 2: Is that why your camera's off? Yes, okay, but no sincerely, Yeah,

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Speaker 2: like I would use anything that I could to get

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Speaker 2: sex at this age, at JD's age.

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Speaker 1: Well, I don't know. He's into it. That's the point everyone.

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Speaker 1: Everyone should be into their own thing, whatever it is.

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Speaker 1: And JD clearly is a fan of car sex. He's

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Speaker 1: also a fan of one step more kinky, and that

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Speaker 1: is he sort of seems to have this arrange with

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Speaker 1: a biker played by Neil Goldman when.

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Speaker 2: It created a lot of selfies in this one.

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Speaker 1: Of our writers who's actually the co showrunner with Bill

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Speaker 1: Lawrence on the hit show Shrinking Nice.

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Speaker 2: I like how you did that.

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Speaker 1: Neil Goldman plays the cyclist who takes a selfie of

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Speaker 1: watching j D and Elliott bang in the front seat, which,

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Speaker 1: without Elliott's consent, pretty Sketch already knows. But then she

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Speaker 1: admits later that she does know. Yeah, and she's down

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Speaker 1: with it. Well, this kind of harkens back to Elliott's

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Speaker 1: you know, kinky sex desires. You know, she's she's falling

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Speaker 1: back on her old ways. Dun dun, duh. Reveal. Kim

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Speaker 1: is dating Sean.

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Speaker 2: Played by Scott Poley, who was hilarious in this episode.

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Speaker 1: Way it's obnoxious how handsome he is.

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Speaker 2: Yeah, you know what, I don't understand why Scott. I mean,

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Speaker 2: it worked out for him obviously, but Scott went directly

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Speaker 2: into drama and fucking action after Scrubs. He could have

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Speaker 2: had a really long career in comedy.

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Speaker 1: His career is not over.

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Speaker 2: He's very funny, no doubt, because he was hilarious.

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Speaker 1: He keeps doing drama. But I would love to see

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Speaker 1: Scott Foley in a comedy. He's so fun of this

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Speaker 1: and he's such a good foil for JD because he

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Speaker 1: looks like a mannequin. I mean, he's just so handsome

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Speaker 1: and like he's the exact guy you don't want to

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Speaker 1: not only be your baby mama's new boyfriend, but your

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Speaker 1: ex boyfriend.

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Speaker 2: Let's take a break.

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Speaker 1: We'll be right back after these fine words. No Instagram

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Speaker 1: really knows how to target me with ads, guys, it's

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Speaker 1: fucked up. It's rare that I don't want what they're

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Speaker 1: trying to sell me.

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Speaker 3: They always know it's just everybody's selling each other their data.

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Speaker 3: I look something up on one computer, my Instagram is saying, oh,

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Speaker 3: do you want an automan?

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Speaker 1: Like I was just saying, Donald, how Instagram is so

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Speaker 1: good with their ad targeting, like eighty five percent of

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Speaker 1: the time. I'm like, I do want that?

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Speaker 2: How do you know it's your AI? It's whatever it

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Speaker 2: is in the phone collect You're.

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Speaker 1: Well, no, it's instant's scrolling Instagram and it knows. Instagram

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Speaker 1: knows even when you slow down on something and it's

437
00:23:21,680 --> 00:23:24,960
Speaker 1: like okay, they just constantly collecting NonStop data on you.

438
00:23:25,080 --> 00:23:27,879
Speaker 1: So then and they also look if you've bought things before,

439
00:23:27,920 --> 00:23:29,439
Speaker 1: and they go, well, if he bought that at this

440
00:23:29,560 --> 00:23:32,960
Speaker 1: price point and he slowed down to look at that thing,

441
00:23:33,440 --> 00:23:35,720
Speaker 1: then this is the most I mean, it's just, I mean,

442
00:23:35,760 --> 00:23:39,600
Speaker 1: the most advanced AI learning whatever it is to to

443
00:23:40,080 --> 00:23:40,680
Speaker 1: figure out what.

444
00:23:41,760 --> 00:23:43,840
Speaker 2: I always thought that the phone was recording what you

445
00:23:43,880 --> 00:23:46,120
Speaker 2: were saying, and so if you said something like damn,

446
00:23:46,160 --> 00:23:50,400
Speaker 2: I really do need to schedule my colonoscopy, You'll get

447
00:23:50,440 --> 00:23:52,240
Speaker 2: flooded with emails and stuff like that.

448
00:23:52,520 --> 00:23:55,080
Speaker 1: People think that Dan, what I mean, that's that's always

449
00:23:55,080 --> 00:23:57,879
Speaker 1: been an old wives tale. But it hasn't been proven.

450
00:23:58,320 --> 00:24:00,520
Speaker 3: Well, I mean it's there is some to it, but

451
00:24:00,560 --> 00:24:03,040
Speaker 3: I think the bigger thing is that every single company

452
00:24:03,080 --> 00:24:05,119
Speaker 3: is selling each other their ads. So if you search

453
00:24:05,160 --> 00:24:08,399
Speaker 3: something on Google Chrome or on Safari, they're selling that

454
00:24:08,520 --> 00:24:11,080
Speaker 3: information to Facebook, who is selling it to Amazon, who

455
00:24:11,119 --> 00:24:12,880
Speaker 3: is blah blah blah blah blah. So it's like every

456
00:24:12,920 --> 00:24:15,679
Speaker 3: piece of data that you enter into the Internet is

457
00:24:15,720 --> 00:24:18,520
Speaker 3: then being served to every other social media and whatnot

458
00:24:18,600 --> 00:24:21,280
Speaker 3: such that like I'm searching something on Amazon, I'm getting

459
00:24:21,280 --> 00:24:24,880
Speaker 3: an ad for it on Instagram full out. So that's

460
00:24:24,920 --> 00:24:27,040
Speaker 3: what it is. It's just a giant web of your information.

461
00:24:27,400 --> 00:24:31,520
Speaker 1: When you click allowed cookies, does that does that contribute

462
00:24:31,520 --> 00:24:31,720
Speaker 1: to it?

463
00:24:32,119 --> 00:24:32,320
Speaker 3: Yes?

464
00:24:32,960 --> 00:24:35,920
Speaker 1: Yeah, they just every time you click allow cookies now

465
00:24:36,000 --> 00:24:37,480
Speaker 1: on any site, and they won't let you use the

466
00:24:37,480 --> 00:24:39,760
Speaker 1: site without it. It's like learning more and more and

467
00:24:39,800 --> 00:24:42,080
Speaker 1: more ABOUUEMM.

468
00:24:47,760 --> 00:24:52,160
Speaker 2: Don't you find it weird that Sean and Kim date even.

469
00:24:51,960 --> 00:24:53,680
Speaker 1: Though Elliott set them up? Yeah?

470
00:24:53,760 --> 00:24:59,160
Speaker 2: Yeah, but they date Like this opens up this whole

471
00:25:00,480 --> 00:25:02,879
Speaker 2: finger cut Wiener Cousins.

472
00:25:03,040 --> 00:25:04,720
Speaker 1: Well, yeah, we're going to get into that. Don't jump

473
00:25:04,720 --> 00:25:05,800
Speaker 1: ahead to Wiener cousins.

474
00:25:06,920 --> 00:25:08,480
Speaker 2: You and I are not waianner cousins.

475
00:25:08,480 --> 00:25:10,639
Speaker 1: Bro, we're not wier cousins. No, I mean, as far

476
00:25:10,640 --> 00:25:13,000
Speaker 1: as we know, as far as we know, that's true,

477
00:25:13,200 --> 00:25:14,000
Speaker 1: there could be.

478
00:25:14,640 --> 00:25:17,960
Speaker 2: I don't think there's any overlap.

479
00:25:17,000 --> 00:25:19,639
Speaker 1: As far as we know, as far as we know,

480
00:25:21,760 --> 00:25:26,320
Speaker 1: I don't think that we have the right to link fingers. No,

481
00:25:27,280 --> 00:25:29,919
Speaker 1: but and I'm proud of that for us so much.

482
00:25:30,080 --> 00:25:31,359
Speaker 1: I don't want to be your wiener cousin.

483
00:25:31,400 --> 00:25:32,920
Speaker 2: I don't want to be your wiener cousin either.

484
00:25:33,160 --> 00:25:35,119
Speaker 1: I feel like you'd be a hard act to follow

485
00:25:35,880 --> 00:25:37,040
Speaker 1: because you like long ease.

486
00:25:37,880 --> 00:25:43,400
Speaker 2: I feel like you like quickies. Do you really like quickies?

487
00:25:44,000 --> 00:25:45,840
Speaker 1: I like all kinds of ease. But I feel like

488
00:25:45,960 --> 00:25:48,800
Speaker 1: you you would be he would be a hard act

489
00:25:48,800 --> 00:25:49,520
Speaker 1: to follow.

490
00:25:51,680 --> 00:25:53,359
Speaker 3: All kinds of these. That's a good one.

491
00:25:53,440 --> 00:25:56,240
Speaker 1: I feel like we've heard so much about your sexual

492
00:25:56,280 --> 00:25:59,240
Speaker 1: prowess on this podcast. I just feel like I wouldn't

493
00:25:59,280 --> 00:26:00,280
Speaker 1: want to be after you.

494
00:26:00,680 --> 00:26:03,879
Speaker 2: Well, they talk about JD's what you're gonna call it

495
00:26:03,960 --> 00:26:06,000
Speaker 2: his foreplay and what it's called.

496
00:26:06,160 --> 00:26:08,120
Speaker 1: Well, you're jumping ahead, bro, No what.

497
00:26:08,160 --> 00:26:11,120
Speaker 2: You just called the old kindsies and the long.

498
00:26:11,359 --> 00:26:13,800
Speaker 1: But let's get to that. Don't stop jumping ahead. We

499
00:26:13,840 --> 00:26:15,520
Speaker 1: have to save her. We were running out of episode.

500
00:26:15,600 --> 00:26:19,280
Speaker 1: You better save me. I'm saving Sabe, all right, So

501
00:26:19,400 --> 00:26:22,280
Speaker 1: Zeb puts fuzz in his hair. Kim's dating Sean. Oh,

502
00:26:22,359 --> 00:26:25,720
Speaker 1: all right, here's your storyline. Chief of surgery job is

503
00:26:25,840 --> 00:26:29,840
Speaker 1: up and Turk wants it, and Cox says, hell no.

504
00:26:30,600 --> 00:26:34,480
Speaker 1: He's really really dismissive of the idea of Turkleton.

505
00:26:34,960 --> 00:26:37,359
Speaker 2: But you know, when you have a strong woman in

506
00:26:37,400 --> 00:26:40,560
Speaker 2: your life who knows how to build you up just

507
00:26:40,600 --> 00:26:43,800
Speaker 2: the right way. Yep, the way Carla does. She goes

508
00:26:43,800 --> 00:26:45,200
Speaker 2: out there and you make it happen.

509
00:26:45,359 --> 00:26:46,400
Speaker 3: Yes, she does.

510
00:26:46,640 --> 00:26:49,040
Speaker 2: Ye, she bigs him up. She goes, baby, because you

511
00:26:49,119 --> 00:26:51,800
Speaker 2: always make it happen. He's like, I do. She goes

512
00:26:52,840 --> 00:26:55,280
Speaker 2: When you first got to this hospital and you wanted

513
00:26:55,280 --> 00:26:56,720
Speaker 2: to date me, and there was no way that was

514
00:26:56,720 --> 00:26:59,560
Speaker 2: going to happen, would you do? I made it happen, right,

515
00:27:00,119 --> 00:27:01,840
Speaker 2: hmmm right.

516
00:27:02,400 --> 00:27:05,080
Speaker 1: But everyone needs a partner in their life that bigs

517
00:27:05,160 --> 00:27:08,560
Speaker 1: them up, like Carla biggs up Turk. That's goals.

518
00:27:08,880 --> 00:27:10,960
Speaker 2: I hope Turk is vice versa doing the same thing

519
00:27:10,960 --> 00:27:11,399
Speaker 2: for her.

520
00:27:11,840 --> 00:27:12,520
Speaker 1: I think he is.

521
00:27:13,359 --> 00:27:15,080
Speaker 2: I mean, in the last episode he was and he

522
00:27:15,119 --> 00:27:18,680
Speaker 2: was just trying to have sex. Turk is so Donald Faison,

523
00:27:18,800 --> 00:27:20,000
Speaker 2: Oh my god.

524
00:27:19,920 --> 00:27:22,800
Speaker 1: I know, I know what the hell I think? Eight

525
00:27:22,880 --> 00:27:26,359
Speaker 1: years in Bill was just writing you I wasn't even.

526
00:27:26,119 --> 00:27:31,760
Speaker 2: Married to Casey yet, what the heck is telling the future.

527
00:27:32,359 --> 00:27:35,879
Speaker 1: So Todd asked the jenitor, how's married life? And the

528
00:27:35,960 --> 00:27:39,439
Speaker 1: jenner says, you have to make compromises. My wife's allergic

529
00:27:39,480 --> 00:27:42,560
Speaker 1: to raccoons, so I had to throw away my comforter.

530
00:27:42,560 --> 00:27:47,520
Speaker 2: That raccoon comforter that he has. You know, it's interesting

531
00:27:47,560 --> 00:27:52,600
Speaker 2: that Kelso decided to stay in this story. Now, Kelso,

532
00:27:53,119 --> 00:27:57,040
Speaker 2: the janitor and lady spent the honeymoon together. That's who

533
00:27:57,040 --> 00:27:57,960
Speaker 2: their honeymoon was.

534
00:27:57,880 --> 00:28:00,760
Speaker 1: With, because Tulsa was just like on a down there.

535
00:28:00,960 --> 00:28:05,480
Speaker 1: But here's what's really crazy, bro Kelso. You know, look

536
00:28:05,520 --> 00:28:10,680
Speaker 1: who kicks Kelso out of the Bahamas. It's it's Randall.

537
00:28:10,680 --> 00:28:14,159
Speaker 1: But that's supposed to be Van Well, Van Lawrence. Bill's

538
00:28:14,200 --> 00:28:19,440
Speaker 1: dad is in the squad, Deontay Deonta. Here's what's confusing

539
00:28:20,200 --> 00:28:23,040
Speaker 1: in the Scrubs universe. I don't think many people play

540
00:28:23,359 --> 00:28:25,960
Speaker 1: multiple characters. This is Randall's third.

541
00:28:26,320 --> 00:28:30,960
Speaker 2: Character Bahamas guy. Well, same thing with Deontay Tho.

542
00:28:31,520 --> 00:28:34,480
Speaker 1: Yeah, I don't like I think Bill's starting to phone

543
00:28:34,520 --> 00:28:36,840
Speaker 1: it in because these were repeating characters. That was like

544
00:28:36,840 --> 00:28:38,760
Speaker 1: a Scrubs rule, like if you were somebody, you were

545
00:28:38,760 --> 00:28:39,640
Speaker 1: that person.

546
00:28:39,760 --> 00:28:42,160
Speaker 2: Not for Rando. But Randa was able to get away

547
00:28:42,160 --> 00:28:43,720
Speaker 2: with it at first because he had a mask on

548
00:28:43,800 --> 00:28:44,280
Speaker 2: his death.

549
00:28:44,480 --> 00:28:47,480
Speaker 1: He was death as you all know. And then he

550
00:28:47,680 --> 00:28:50,920
Speaker 1: was of course Leonard. Oh he is Mark the Orderly.

551
00:28:51,160 --> 00:28:54,280
Speaker 2: I think it was Big Sack and season four.

552
00:28:54,360 --> 00:29:00,160
Speaker 1: Oh Deontay's third role fig Sack, Mark the Orderly and

553
00:29:00,360 --> 00:29:02,120
Speaker 1: random Bahamas.

554
00:29:02,360 --> 00:29:03,880
Speaker 2: It means to be there from the beginning.

555
00:29:03,920 --> 00:29:07,560
Speaker 1: I guess he was there every single day. But I

556
00:29:07,640 --> 00:29:11,120
Speaker 1: really got thrown when I saw Leonard kicking kicking Kelso

557
00:29:11,200 --> 00:29:13,280
Speaker 1: off off the island, and then I realized, oh, he's

558
00:29:13,280 --> 00:29:15,680
Speaker 1: not Leonard. I was like, why is Leonard there? Because

559
00:29:15,680 --> 00:29:19,560
Speaker 1: he didn't have a hook hand and there was another

560
00:29:19,600 --> 00:29:23,880
Speaker 1: guy who was not recognizable but Kelso. What happened was

561
00:29:23,960 --> 00:29:28,560
Speaker 1: Kelso said, I thought it was a nude beach, and

562
00:29:28,600 --> 00:29:31,640
Speaker 1: they said it was a church. A church, So that's

563
00:29:31,640 --> 00:29:36,479
Speaker 1: how drunk he was. Yes, all right, So coffee box

564
00:29:36,520 --> 00:29:41,960
Speaker 1: has to close because their pastry chef has an intestinal virus.

565
00:29:41,840 --> 00:29:44,600
Speaker 2: Very a very contagious intestinal virus.

566
00:29:44,720 --> 00:29:46,560
Speaker 1: This doesn't make any sense because I don't think a

567
00:29:46,600 --> 00:29:51,960
Speaker 1: coffee chain has an in house pastry chef. But okay, sure, sure,

568
00:29:54,400 --> 00:29:56,800
Speaker 1: but Kelso has had so many muffins that he goes

569
00:29:56,840 --> 00:29:57,600
Speaker 1: down for the count.

570
00:29:58,000 --> 00:30:02,600
Speaker 2: He gets this virus, Yeah, and admits himself into the hospital.

571
00:30:03,000 --> 00:30:05,560
Speaker 1: Yes, because he knows he's very seasoned doctor and he

572
00:30:05,640 --> 00:30:07,960
Speaker 1: knows what's coming. So he decides it's best to just

573
00:30:08,040 --> 00:30:09,560
Speaker 1: check in, and he pukes.

574
00:30:09,920 --> 00:30:12,240
Speaker 2: And he's also in the hospital already.

575
00:30:12,040 --> 00:30:15,320
Speaker 1: Right, but he pukes at the check in desk admissions desk.

576
00:30:16,040 --> 00:30:18,960
Speaker 1: JAD puts on a cologne that Elliott hates in order

577
00:30:19,000 --> 00:30:22,680
Speaker 1: to punish her because he's what does he upset, Oh

578
00:30:22,720 --> 00:30:23,400
Speaker 1: for setting them up?

579
00:30:23,400 --> 00:30:27,920
Speaker 2: I forgot for hooking Sean and uh and Kim up.

580
00:30:28,280 --> 00:30:31,320
Speaker 1: Right and the cologne. I mean that's just okay, we

581
00:30:31,400 --> 00:30:34,840
Speaker 1: understand later why it's there, but it's weird plot point.

582
00:30:35,480 --> 00:30:38,280
Speaker 2: It's just but it's funny though, Like, how is this

583
00:30:38,360 --> 00:30:42,120
Speaker 2: relationship gonna work? Dude? This dude is always punishing her,

584
00:30:42,160 --> 00:30:44,760
Speaker 2: Like what the fuck, dude, you put a cologne on

585
00:30:44,840 --> 00:30:47,720
Speaker 2: because you know she hates it. She's talking about how

586
00:30:47,800 --> 00:30:53,920
Speaker 2: much better in bed Sean is, so yeah, Kelso's pranking.

587
00:30:54,040 --> 00:30:59,680
Speaker 2: The in turns also by pretending he's dead. Yeah, he's

588
00:30:59,720 --> 00:31:04,560
Speaker 2: also so he's also realized, look, I can get through

589
00:31:04,560 --> 00:31:07,240
Speaker 2: this a lot faster if I take care of this right.

590
00:31:07,840 --> 00:31:10,240
Speaker 2: Let me get rid of these fuckers and I'll handle

591
00:31:10,240 --> 00:31:12,720
Speaker 2: this all on my own, right, So he admits an IV.

592
00:31:13,560 --> 00:31:17,560
Speaker 2: He changes his chart to get the proper medication so

593
00:31:17,680 --> 00:31:19,480
Speaker 2: he can get out of the hospital and back to

594
00:31:19,560 --> 00:31:21,240
Speaker 2: the coffee box this quick.

595
00:31:21,320 --> 00:31:23,240
Speaker 1: Yeah. Well, he knows what he needs obviously, he's a

596
00:31:23,680 --> 00:31:26,400
Speaker 1: seasoned doctor and he doesn't have time for these interns

597
00:31:26,440 --> 00:31:28,360
Speaker 1: trying to start a line on his arm, and he's like,

598
00:31:28,400 --> 00:31:29,600
Speaker 1: just give it to me, I'll do it. And then

599
00:31:30,160 --> 00:31:32,680
Speaker 1: he's fucking with his chart and he just wants to

600
00:31:32,680 --> 00:31:34,560
Speaker 1: get it. He knows what he needs, but he's trying

601
00:31:34,600 --> 00:31:35,520
Speaker 1: to go around them.

602
00:31:35,800 --> 00:31:39,640
Speaker 2: Right the orange stitching, which is very important later on.

603
00:31:39,720 --> 00:31:43,480
Speaker 2: I thought at first, I was like, you know, that's interesting.

604
00:31:43,520 --> 00:31:46,960
Speaker 2: What is this something that surgeons do? I imagine it is.

605
00:31:47,320 --> 00:31:48,880
Speaker 1: It must be. I don't think we would have done

606
00:31:48,920 --> 00:31:52,000
Speaker 1: it if it wasn't something that's done. You got to

607
00:31:52,040 --> 00:31:53,400
Speaker 1: practice your stitches somewhere.

608
00:31:55,840 --> 00:31:58,240
Speaker 2: They did it on grades anatomy also, Oh so we

609
00:31:58,280 --> 00:31:59,040
Speaker 2: did it first too.

610
00:31:59,120 --> 00:32:00,720
Speaker 1: Well, you're watching other medical shows.

611
00:32:00,760 --> 00:32:01,400
Speaker 3: What the fuck.

612
00:32:02,720 --> 00:32:05,160
Speaker 2: We should totally do a rewatch of Gray's Anatomy.

613
00:32:05,240 --> 00:32:06,680
Speaker 1: Do you love Gray's Anatomye?

614
00:32:06,920 --> 00:32:12,000
Speaker 7: Uh yeah, I've been Grey's Anatomy since day one watching it.

615
00:32:12,320 --> 00:32:16,280
Speaker 2: Drama and hot interns and bombs. What's not to love? Yeah,

616
00:32:16,480 --> 00:32:19,480
Speaker 2: Like everything happens at that hospital. Dude, they had a

617
00:32:19,520 --> 00:32:22,720
Speaker 2: fucking they had a fucking hostage like that. Shit would

618
00:32:22,880 --> 00:32:27,280
Speaker 2: die hard on Gray's Anatomy. Like that's everything happens on

619
00:32:27,320 --> 00:32:30,680
Speaker 2: that ship. I think one of them got kidnapped and

620
00:32:30,760 --> 00:32:34,000
Speaker 2: molested by the dude behind the in the arcade.

621
00:32:33,960 --> 00:32:35,840
Speaker 1: Whudy just keeps going.

622
00:32:36,360 --> 00:32:38,560
Speaker 2: Just everything happens. I think one of them got their

623
00:32:38,560 --> 00:32:41,840
Speaker 2: hair turned green because of the rain. It's just like

624
00:32:41,920 --> 00:32:44,760
Speaker 2: different strokes everything these people, you.

625
00:32:44,840 --> 00:32:47,120
Speaker 1: Understand where you're going. All I heard was Dudley and

626
00:32:47,160 --> 00:32:52,040
Speaker 1: then the arcade. The molistation totally didn't get molested. He

627
00:32:52,080 --> 00:32:53,560
Speaker 1: was about to be wanted and it was at the

628
00:32:53,560 --> 00:32:54,120
Speaker 1: bike shop.

629
00:32:55,080 --> 00:32:56,560
Speaker 2: Where was that? The arcades don't.

630
00:32:56,440 --> 00:32:57,720
Speaker 1: Challenge my different strokes.

631
00:32:58,000 --> 00:33:01,120
Speaker 2: I love that you knew that, let's take a break.

632
00:33:00,880 --> 00:33:11,280
Speaker 1: We'll be right back after these fine words, and we're

633
00:33:11,280 --> 00:33:14,800
Speaker 1: back in. So there's a moment where they're going good, good, good,

634
00:33:15,000 --> 00:33:17,640
Speaker 1: and then Jad says, stop saying good, Sean, you sound

635
00:33:17,720 --> 00:33:21,480
Speaker 1: like an ass. Nobody cares Sean.

636
00:33:21,800 --> 00:33:25,120
Speaker 2: You said good, but he said good, He said good good.

637
00:33:25,120 --> 00:33:27,000
Speaker 1: You know they're having all these awkward moments that it

638
00:33:27,040 --> 00:33:29,000
Speaker 1: was a funny moment when we're all when we go

639
00:33:29,040 --> 00:33:30,320
Speaker 1: over their house, so we can't figure out how to

640
00:33:30,320 --> 00:33:33,120
Speaker 1: sit who's gonna sit on the couch and we're all

641
00:33:33,200 --> 00:33:35,000
Speaker 1: kind of standing up and then we keep sitting down

642
00:33:35,000 --> 00:33:36,840
Speaker 1: because like this is a cringe moment.

643
00:33:36,920 --> 00:33:40,760
Speaker 2: We don't know what you guys pass out on the couch? Actually, right?

644
00:33:41,000 --> 00:33:44,200
Speaker 2: Is that what happened? And they walk in what happens

645
00:33:44,240 --> 00:33:47,120
Speaker 2: in the beginning where he says, this is like something

646
00:33:47,200 --> 00:33:51,040
Speaker 2: from a boyfriend and girlfriend passed or something like that.

647
00:33:51,080 --> 00:33:52,960
Speaker 2: Did you guys fall asleep on the couch? Is that

648
00:33:53,000 --> 00:33:53,520
Speaker 2: what happened?

649
00:33:54,080 --> 00:33:55,440
Speaker 1: I don't think. I think we were just hanging on

650
00:33:55,440 --> 00:33:58,040
Speaker 1: the couch. But they make some comment like oh, it's

651
00:33:58,080 --> 00:34:01,040
Speaker 1: like a I don't know, like deja vu? What's the

652
00:34:01,040 --> 00:34:03,560
Speaker 1: expression or something a girlfriend's past.

653
00:34:03,800 --> 00:34:06,280
Speaker 2: Yeah, And then you guys switch up and then but.

654
00:34:06,240 --> 00:34:08,720
Speaker 1: Then there's a funny like awkward lover like you said, no,

655
00:34:08,760 --> 00:34:11,759
Speaker 1: that's weird. No, I thought that was pretty funny. Yeah,

656
00:34:11,800 --> 00:34:17,480
Speaker 1: so peer recommendations. Everyone's coming to rally for Turk to

657
00:34:17,640 --> 00:34:20,000
Speaker 1: get this position because.

658
00:34:19,719 --> 00:34:22,279
Speaker 2: T versus the Todd is in there, and what does

659
00:34:22,320 --> 00:34:24,680
Speaker 2: he say. He gives a bunch of reasons why.

660
00:34:25,200 --> 00:34:27,160
Speaker 1: What's the main one he will.

661
00:34:27,080 --> 00:34:31,400
Speaker 2: One is because he's a great surgeon. He has great hands,

662
00:34:31,800 --> 00:34:36,080
Speaker 2: he's very smart, he has a great dog. Awesome, he

663
00:34:36,920 --> 00:34:41,200
Speaker 2: has an awesome dog. He's the best surgeon in the hospital.

664
00:34:42,120 --> 00:34:45,440
Speaker 2: Could you go back two or three more? He has

665
00:34:45,560 --> 00:34:46,320
Speaker 2: great hands.

666
00:34:49,160 --> 00:34:51,759
Speaker 1: Todd is being interviewed for whether his friend should get

667
00:34:51,800 --> 00:34:55,760
Speaker 1: the chief of Surgery position, and he mentions that said

668
00:34:55,800 --> 00:34:57,719
Speaker 1: friend has an amazing dong.

669
00:34:57,920 --> 00:35:00,880
Speaker 2: Yeah, and then he goes, it's not just me, and

670
00:35:00,920 --> 00:35:04,600
Speaker 2: then everybody comes in, including the janitor.

671
00:35:05,320 --> 00:35:05,600
Speaker 3: Yeah.

672
00:35:05,719 --> 00:35:09,640
Speaker 1: The janitor wants to know if Turk will get like

673
00:35:09,719 --> 00:35:15,359
Speaker 1: a special hat. No, first he just mentions he wants

674
00:35:15,360 --> 00:35:17,279
Speaker 1: to know, because he's chief of surgery, if he's going

675
00:35:17,360 --> 00:35:19,920
Speaker 1: to have like a police chief style hat. And then

676
00:35:19,960 --> 00:35:22,640
Speaker 1: it goes down a wormhole of really being invested in

677
00:35:22,680 --> 00:35:24,560
Speaker 1: you having some sort of special hat.

678
00:35:24,600 --> 00:35:26,520
Speaker 2: And he because he thinks he's going to punish him

679
00:35:26,680 --> 00:35:30,640
Speaker 2: by making him wear a silly hat, and so he gives.

680
00:35:30,160 --> 00:35:31,000
Speaker 3: That I thought it was.

681
00:35:31,440 --> 00:35:32,359
Speaker 1: It was a punishment thing.

682
00:35:32,440 --> 00:35:35,720
Speaker 2: Yeah, he's trying to make Turk feel silly by giving

683
00:35:35,800 --> 00:35:38,759
Speaker 2: him this stupid hat to wear, and so that's why

684
00:35:38,800 --> 00:35:40,560
Speaker 2: it has all of these weird things in it.

685
00:35:40,960 --> 00:35:42,640
Speaker 1: Oh, I didn't know that. I thought he was just

686
00:35:42,640 --> 00:35:45,040
Speaker 1: trying to He never works, this fucking guy. I mean,

687
00:35:45,040 --> 00:35:48,760
Speaker 1: it's amazing that he The whole hospital isn't being cleaned,

688
00:35:49,000 --> 00:35:53,040
Speaker 1: at least by him, and he's spending his days trying

689
00:35:53,040 --> 00:35:55,560
Speaker 1: to make a special hat for Turk in case he

690
00:35:55,600 --> 00:36:01,040
Speaker 1: becomes chief of medicine surgery surgery. Okay, Elliot dreams about

691
00:36:01,200 --> 00:36:02,279
Speaker 1: Kim dying.

692
00:36:02,440 --> 00:36:04,760
Speaker 2: But it's all right because Kim admits that she dreams

693
00:36:04,800 --> 00:36:06,000
Speaker 2: about Elliott dying.

694
00:36:06,080 --> 00:36:09,120
Speaker 1: Right, and then she also admits that she knows about

695
00:36:09,360 --> 00:36:12,000
Speaker 1: the cyclists, and she's okay with it.

696
00:36:12,560 --> 00:36:12,839
Speaker 3: All right.

697
00:36:12,880 --> 00:36:15,560
Speaker 1: So here are some of the names for JD's for play.

698
00:36:15,640 --> 00:36:20,200
Speaker 1: Elliott and Kim share their experience hooking up with j

699
00:36:20,320 --> 00:36:24,799
Speaker 1: E and he takes the play part of four play

700
00:36:24,920 --> 00:36:28,520
Speaker 1: very seriously and makes sort of games. Here are some

701
00:36:28,560 --> 00:36:32,160
Speaker 1: of the titles I wrote them down, Nooks and Crannies,

702
00:36:33,120 --> 00:36:39,240
Speaker 1: Upsy Daisy, Who's in there? And what's in there? What's

703
00:36:39,280 --> 00:36:42,280
Speaker 1: in there, and then mister Peep tries on hats.

704
00:36:48,040 --> 00:36:50,440
Speaker 2: I want to know mister Peep tries on hats is.

705
00:36:51,239 --> 00:36:54,480
Speaker 1: I think he probably fashions as very as a hat

706
00:36:54,719 --> 00:36:57,800
Speaker 1: motive in this episode, but he probably fashions small hats

707
00:36:57,800 --> 00:36:59,719
Speaker 1: that will fit on the on the head of his people.

708
00:37:00,200 --> 00:37:00,640
Speaker 2: Peeps.

709
00:37:00,760 --> 00:37:02,880
Speaker 1: Yeah, the weirdo.

710
00:37:03,239 --> 00:37:04,239
Speaker 2: That's that's four fla.

711
00:37:05,080 --> 00:37:07,200
Speaker 1: Yeah. Well, I mean to each their own, Donald, I mean,

712
00:37:08,480 --> 00:37:11,800
Speaker 1: you know, it obviously works for some very beautiful, amazing

713
00:37:12,040 --> 00:37:16,560
Speaker 1: women like these two. I wonder what nooks and crannies is.

714
00:37:17,680 --> 00:37:20,160
Speaker 2: I know what nooks and cranny's. Everybody knows what nooks

715
00:37:20,200 --> 00:37:21,000
Speaker 2: and cranny's is.

716
00:37:21,760 --> 00:37:24,000
Speaker 1: That seis, what's who's in there?

717
00:37:25,120 --> 00:37:27,640
Speaker 2: Well? I thought that's what mister Peeps tries on hats

718
00:37:27,840 --> 00:37:28,440
Speaker 2: was too.

719
00:37:28,800 --> 00:37:31,360
Speaker 1: No, mister peep trion hats. I just assumed was that

720
00:37:31,440 --> 00:37:34,239
Speaker 1: he fashions like he grabs something that could be a

721
00:37:34,320 --> 00:37:35,240
Speaker 1: hat for his people.

722
00:37:43,440 --> 00:37:46,239
Speaker 2: Who's in there? Wait, what's in there? And who's in there?

723
00:37:46,400 --> 00:37:48,520
Speaker 1: Who's in there? Is first? Who's in there? And what's

724
00:37:48,560 --> 00:37:48,919
Speaker 1: in there?

725
00:37:54,200 --> 00:37:56,240
Speaker 2: That can be looked at us so many different ways.

726
00:37:58,280 --> 00:37:59,200
Speaker 2: Who's in there?

727
00:37:59,480 --> 00:38:01,480
Speaker 1: Who's in there? What's in there?

728
00:38:01,680 --> 00:38:03,600
Speaker 2: Let's sit there, all.

729
00:38:03,560 --> 00:38:06,960
Speaker 1: Right, so Sean and j D they say they're going

730
00:38:07,000 --> 00:38:09,720
Speaker 1: to say something nice about each other, and JD says,

731
00:38:09,719 --> 00:38:12,560
Speaker 1: you're a beautiful man, And now you.

732
00:38:12,600 --> 00:38:20,000
Speaker 2: Go and said, I never agreed to that beautiful son of.

733
00:38:19,960 --> 00:38:25,520
Speaker 1: A bitch, your beautiful seventh He is beautiful.

734
00:38:25,560 --> 00:38:30,040
Speaker 2: That's very handsome. My goodness, Scott Foley, Wow, I can

735
00:38:30,080 --> 00:38:33,200
Speaker 2: see why you were the heart throb on Felicity all

736
00:38:33,239 --> 00:38:34,640
Speaker 2: those years and Scandal?

737
00:38:34,680 --> 00:38:36,160
Speaker 1: Wasn't you a heart throb on Scandal?

738
00:38:36,360 --> 00:38:39,160
Speaker 2: Wish right? He had Olivia Pope's ear?

739
00:38:39,560 --> 00:38:41,840
Speaker 1: Was it a love triangle between him and Tony Goldwyn?

740
00:38:42,160 --> 00:38:43,960
Speaker 2: You got to be a handsome motherfucker to be in

741
00:38:44,000 --> 00:38:47,480
Speaker 2: a love triangle with Tony Goldwin and Carrie Washington.

742
00:38:47,760 --> 00:38:51,240
Speaker 1: Yeah, that is a prime time Shonda Rhymes love triangle

743
00:38:51,360 --> 00:38:51,719
Speaker 1: right there.

744
00:38:52,239 --> 00:38:53,799
Speaker 2: I love the way you rhyme that. That is a

745
00:38:53,880 --> 00:38:59,959
Speaker 2: prime rhyme. Yeah, I love love trying.

746
00:39:00,440 --> 00:39:03,960
Speaker 1: By the way, I know all three of them, and

747
00:39:04,120 --> 00:39:06,719
Speaker 1: I have to say all three of them are very

748
00:39:06,880 --> 00:39:10,520
Speaker 1: very very nice people and very beautiful and of course

749
00:39:10,640 --> 00:39:14,200
Speaker 1: very beautiful. Tony's just the best. He's the sweetest person

750
00:39:14,239 --> 00:39:14,640
Speaker 1: on earth.

751
00:39:14,960 --> 00:39:16,879
Speaker 2: Didn't he direct a movie you were in?

752
00:39:17,080 --> 00:39:18,719
Speaker 1: Yeah? Last Kiss. That's how I know him well, he

753
00:39:18,760 --> 00:39:20,560
Speaker 1: directed The Last Kiss, But I just love him as

754
00:39:20,560 --> 00:39:23,719
Speaker 1: a person. He's just he. I had an early he

755
00:39:23,760 --> 00:39:27,560
Speaker 1: came to my premiere in New York of a Good

756
00:39:27,600 --> 00:39:30,040
Speaker 1: Person and he was just so lovely. And I don't

757
00:39:30,040 --> 00:39:32,560
Speaker 1: know anyone who in the business who's ever worked or

758
00:39:32,600 --> 00:39:35,000
Speaker 1: met Tony Goldwin will tell you he's just the sweetest,

759
00:39:35,080 --> 00:39:38,680
Speaker 1: nicest man. And he's ripped by the way he rose.

760
00:39:38,719 --> 00:39:41,880
Speaker 1: That's his thing. He rose on a rowing machine.

761
00:39:42,480 --> 00:39:46,520
Speaker 2: There are a couple of spirits that I don't like

762
00:39:46,600 --> 00:39:48,680
Speaker 2: him when they pulled him into.

763
00:39:48,440 --> 00:39:51,800
Speaker 1: The oh a ghost reference, Yes it is.

764
00:39:52,760 --> 00:39:54,560
Speaker 2: For those of you who don't know, he's amazing.

765
00:39:54,719 --> 00:39:57,600
Speaker 1: He's the bad guy from Ghosts. Guys, he's the bad

766
00:39:56,680 --> 00:39:59,920
Speaker 1: when I worked with him. How you always joked that

767
00:40:00,040 --> 00:40:01,759
Speaker 1: people see you when they're like clue this, But people

768
00:40:01,800 --> 00:40:06,160
Speaker 1: see him they're like bad guy from ghost Yeah, guy

769
00:40:06,239 --> 00:40:09,399
Speaker 1: from Ghost back in the day, back in the day.

770
00:40:10,080 --> 00:40:12,880
Speaker 1: This is like two thousand and six from Ghosts.

771
00:40:13,840 --> 00:40:16,960
Speaker 2: Oh shit, yo, back guy from Ghosts up and bad

772
00:40:17,000 --> 00:40:21,160
Speaker 2: guy from ghost What's off? Oh shit? Yo? What other

773
00:40:21,280 --> 00:40:23,520
Speaker 2: movies you'd be in? Bad Guy from Ghosts?

774
00:40:23,560 --> 00:40:26,320
Speaker 1: So many movies? All right, Wiener, He's in Oppenheimer Actually,

775
00:40:26,640 --> 00:40:28,759
Speaker 1: you don't watch that Guy from ghosts in Bad Guy

776
00:40:28,800 --> 00:40:31,799
Speaker 1: from ghost is in Oppenheimer. I know you don't watch things.

777
00:40:32,080 --> 00:40:36,839
Speaker 2: Is Gone Girl in Oppenheimer? What is Gone Girl in Oppenheimer?

778
00:40:37,520 --> 00:40:40,120
Speaker 1: No, Gone Girl is not an Oppenheimer. Gone Girl is

779
00:40:40,160 --> 00:40:41,600
Speaker 1: in Sulburn.

780
00:40:42,239 --> 00:40:45,560
Speaker 2: Gongoes in Sulburn. Got it, got it? Got it?

781
00:40:47,360 --> 00:40:49,759
Speaker 1: Oh my god? Speaking of Gone Girl, the most insane

782
00:40:50,400 --> 00:40:54,560
Speaker 1: docu sriies that your wife told me to watch American Nightmare.

783
00:40:54,600 --> 00:40:57,200
Speaker 1: Have you seen that, guys, Joelle, you've seen it? Yeah,

784
00:40:57,680 --> 00:41:01,440
Speaker 1: Oh my gosh. It's an insane story that you have

785
00:41:01,480 --> 00:41:04,000
Speaker 1: to watch. It's on Netflix. It's called American Nightmare, twenty

786
00:41:04,000 --> 00:41:06,960
Speaker 1: three episodes. Casey told me to watch it. It's insane.

787
00:41:07,760 --> 00:41:08,839
Speaker 3: Can they get the elevator pitch?

788
00:41:09,520 --> 00:41:13,560
Speaker 1: The elevator pitch is a woman is kidnapped and I

789
00:41:13,560 --> 00:41:15,840
Speaker 1: don't want to ruin anything because it's an insane story.

790
00:41:16,040 --> 00:41:19,760
Speaker 1: But basically the police things she's she and her boyfriend

791
00:41:19,800 --> 00:41:22,920
Speaker 1: are lying that she's been kidnapped. And I won't say

792
00:41:22,920 --> 00:41:25,239
Speaker 1: anymore because the story is so insane. You have to

793
00:41:25,239 --> 00:41:26,040
Speaker 1: watch it unravel.

794
00:41:29,200 --> 00:41:29,640
Speaker 3: Okay.

795
00:41:29,960 --> 00:41:31,719
Speaker 1: It's so good. Someone's gonna make a movie out of

796
00:41:31,719 --> 00:41:33,839
Speaker 1: it because it's that good. It deserves to be made

797
00:41:33,880 --> 00:41:38,200
Speaker 1: into a feature true story. Yeah, yeah, it's a doc.

798
00:41:38,600 --> 00:41:41,319
Speaker 1: Oh sorry I missed the bark out and then sorry,

799
00:41:41,400 --> 00:41:43,040
Speaker 1: let me get Donald back. And then the storm trober

800
00:41:43,080 --> 00:41:45,239
Speaker 1: shoot and everyone dies and they come back and they

801
00:41:45,239 --> 00:41:47,440
Speaker 1: win and they and they save the Death Star. Is

802
00:41:47,480 --> 00:41:47,839
Speaker 1: that right?

803
00:41:48,280 --> 00:41:48,560
Speaker 3: Nice?

804
00:41:48,760 --> 00:41:50,280
Speaker 2: There's a documentary about Star Wars.

805
00:41:50,520 --> 00:41:52,560
Speaker 1: Yeah, yeah, we just wanted to bull you back.

806
00:41:53,040 --> 00:41:55,399
Speaker 2: Okay, when where can I find the said doc?

807
00:41:55,880 --> 00:41:59,040
Speaker 1: Said doc? All right, So then now we're finally into

808
00:41:59,160 --> 00:42:00,880
Speaker 1: the idea of Wien. You're cousins, and.

809
00:42:01,200 --> 00:42:03,880
Speaker 2: Uh, there are a lot of them in the hospital,

810
00:42:04,120 --> 00:42:09,720
Speaker 2: stronger than fat and and and Mark and Turker Wiener cousins.

811
00:42:09,719 --> 00:42:14,720
Speaker 1: Before you you're jumping ahead all episode today, you're skipping Beard,

812
00:42:14,719 --> 00:42:15,919
Speaker 1: Fussay and Snoop Dogg.

813
00:42:16,000 --> 00:42:18,759
Speaker 2: Resident that's right there, Wiener cousins too.

814
00:42:19,320 --> 00:42:22,359
Speaker 1: And then we learned that it was Nurse Roberts.

815
00:42:23,880 --> 00:42:26,279
Speaker 2: God bless the dead, and both of them on.

816
00:42:26,239 --> 00:42:29,799
Speaker 1: The same night. And then I say, may she rest

817
00:42:29,880 --> 00:42:33,360
Speaker 1: in peace? Yes, so beards. This this must have been

818
00:42:33,600 --> 00:42:35,080
Speaker 1: one of her above ground pool parties.

819
00:42:35,080 --> 00:42:38,439
Speaker 2: But but the is it mister Roberts at these parties too?

820
00:42:38,800 --> 00:42:41,000
Speaker 1: Maybe he's down, you know, we as we know from

821
00:42:41,000 --> 00:42:42,320
Speaker 1: the podcast some people are.

822
00:42:42,280 --> 00:42:44,880
Speaker 2: Just saying, mister Roberts is a cok Is that what

823
00:42:44,880 --> 00:42:45,799
Speaker 2: you're saying right now?

824
00:42:45,960 --> 00:42:48,560
Speaker 1: I think a cock is derogatory, right, I don't know,

825
00:42:48,880 --> 00:42:50,160
Speaker 1: is it, Daniel Joelle?

826
00:42:50,880 --> 00:42:54,040
Speaker 3: It's just a it's just a practice of watching your partner.

827
00:42:53,960 --> 00:42:56,560
Speaker 1: Be Okay, But I thought, okay, but if you're down

828
00:42:56,640 --> 00:42:57,120
Speaker 1: with it.

829
00:42:57,719 --> 00:43:00,000
Speaker 3: Yeah, I mean that's a technical word. But I think

830
00:43:00,000 --> 00:43:03,640
Speaker 3: think we have seen the word cuck be transformed by

831
00:43:04,000 --> 00:43:05,560
Speaker 3: a certain demographic of people.

832
00:43:05,719 --> 00:43:08,440
Speaker 1: Okay, I just didn't know. In the Let's say someone's

833
00:43:08,480 --> 00:43:10,600
Speaker 1: listening and they're super into this, I don't want them

834
00:43:10,640 --> 00:43:12,560
Speaker 1: to feel like we're dissing them if that's their seas.

835
00:43:13,440 --> 00:43:16,080
Speaker 3: Cuckold stuff is totally a It's a kink on its own.

836
00:43:16,360 --> 00:43:18,959
Speaker 1: Okay, Dann, you seem quite knowledgeable anyway, So.

837
00:43:22,360 --> 00:43:23,920
Speaker 3: I was once a teenager on the internet.

838
00:43:24,719 --> 00:43:29,399
Speaker 2: Anyway, Deontae, so, Mark and Turk guess what they are?

839
00:43:29,920 --> 00:43:32,319
Speaker 1: Yeah, they're wien your cousins. We never heard this story

840
00:43:32,360 --> 00:43:32,759
Speaker 1: about that.

841
00:43:33,440 --> 00:43:35,759
Speaker 2: Kelso and the janitor Guess what they are?

842
00:43:36,080 --> 00:43:40,640
Speaker 1: Weien your cousins. Yep, but wait, that's deep. We learned

843
00:43:40,640 --> 00:43:44,520
Speaker 1: that it was twenty years ago. But the janitor says,

844
00:43:44,880 --> 00:43:48,400
Speaker 1: I'll honor the code. That's how deep the Wien your

845
00:43:48,440 --> 00:43:49,239
Speaker 1: cousin code is.

846
00:43:49,640 --> 00:43:52,320
Speaker 2: Yeah, you're gonna honor it forever.

847
00:43:52,840 --> 00:43:55,000
Speaker 1: I'm worried that there's a bond that we don't have

848
00:43:55,160 --> 00:43:57,880
Speaker 1: in our life. We are so close on so many ways,

849
00:43:57,920 --> 00:43:59,919
Speaker 1: and this is this is an area where we're.

850
00:44:00,680 --> 00:44:04,200
Speaker 2: There's no way. Just don't even don't do it. Don't

851
00:44:04,840 --> 00:44:05,080
Speaker 2: do it.

852
00:44:05,200 --> 00:44:05,719
Speaker 7: I know it.

853
00:44:06,640 --> 00:44:10,360
Speaker 2: Don't you do it. Don't you fucking do it. You

854
00:44:10,400 --> 00:44:12,880
Speaker 2: knew I was reaching for the bokne I know the

855
00:44:13,320 --> 00:44:13,879
Speaker 2: reaching for.

856
00:44:18,560 --> 00:44:21,239
Speaker 1: All Right, let's get back. Oh Bejingo sisters, we learn

857
00:44:21,280 --> 00:44:25,920
Speaker 1: as the female term for weener cousins, good sisters.

858
00:44:26,160 --> 00:44:30,080
Speaker 2: I would love to be in a Bajingo's sister sandwich

859
00:44:31,080 --> 00:44:32,000
Speaker 2: when I was younger.

860
00:44:32,200 --> 00:44:33,239
Speaker 1: You may have been, you don't know.

861
00:44:33,880 --> 00:44:37,719
Speaker 2: So look here's the question. Now, do women like it

862
00:44:37,760 --> 00:44:43,360
Speaker 2: when men brag about being Wiener cousins? Because I would

863
00:44:43,360 --> 00:44:48,960
Speaker 2: imagine men wouldn't mind if women bragged about being Bajingo sisters.

864
00:44:49,719 --> 00:44:52,799
Speaker 3: You mean like in front of the said person.

865
00:44:53,160 --> 00:44:55,800
Speaker 2: If somebody, if somebody, I would feel a little awkward

866
00:44:56,000 --> 00:44:56,759
Speaker 2: me personally.

867
00:44:57,160 --> 00:44:59,920
Speaker 3: Yeah, Like if two women who had sex with you,

868
00:45:00,160 --> 00:45:01,840
Speaker 3: we're like, oh, you had it. I had it, you

869
00:45:01,880 --> 00:45:04,080
Speaker 3: had I had it, and so we both had you and.

870
00:45:04,000 --> 00:45:08,120
Speaker 2: They were like, we're Virginia, We're Virginia sisters. I think

871
00:45:08,160 --> 00:45:11,720
Speaker 2: i'd laugh, you wouldn't laugh, Okay, now vice versa.

872
00:45:12,400 --> 00:45:14,800
Speaker 1: I would imagine the women wouldn't like that. That's my guess.

873
00:45:15,680 --> 00:45:18,800
Speaker 1: I don't know Joelle, Joelle as our resident woman.

874
00:45:21,960 --> 00:45:22,319
Speaker 2: A little bit.

875
00:45:22,880 --> 00:45:27,680
Speaker 1: Yeah, I told you, yeah, yeah, you know, you may.

876
00:45:27,520 --> 00:45:29,840
Speaker 2: Be like, yo, yeah, I had that.

877
00:45:29,880 --> 00:45:32,759
Speaker 7: It was great one time you want done dope and

878
00:45:32,800 --> 00:45:35,120
Speaker 7: then you know, it's a fun story you share with

879
00:45:35,160 --> 00:45:40,520
Speaker 7: your friend, or to be a horrifying meltdown of a relationship, the.

880
00:45:40,360 --> 00:45:41,640
Speaker 2: Death of a relationship.

881
00:45:41,719 --> 00:45:44,640
Speaker 1: I think it depends on the context. For sure.

882
00:45:45,120 --> 00:45:46,480
Speaker 2: I don't want to know. I don't want to be

883
00:45:46,520 --> 00:45:48,240
Speaker 2: wiener cousins with any people.

884
00:45:48,800 --> 00:45:50,600
Speaker 1: Like, do you know anyone in your life that you

885
00:45:50,640 --> 00:45:52,120
Speaker 1: are for sure a wean your cousin with.

886
00:45:52,440 --> 00:45:55,359
Speaker 2: I'm sure there are several people that we grew up

887
00:45:55,360 --> 00:45:58,239
Speaker 2: in New York City. I grew up in Hollywood. This

888
00:45:58,360 --> 00:46:03,799
Speaker 2: is Hollywood, dude, Are you kidding me? Yeah, I'll tell

889
00:46:04,520 --> 00:46:05,239
Speaker 2: Let's take a break.

890
00:46:05,360 --> 00:46:14,880
Speaker 1: We'll be right back after these fine words. All right,

891
00:46:14,960 --> 00:46:18,000
Speaker 1: let's move on from wing your cousins. Kelso's doctoring is file.

892
00:46:18,080 --> 00:46:20,640
Speaker 1: We talked about that, then we talked about the flashback

893
00:46:20,680 --> 00:46:23,800
Speaker 1: to the Bahamas. Oh, this was really random. The JD

894
00:46:24,239 --> 00:46:28,560
Speaker 1: searches Sean's peach, so the baby's always crying when he's

895
00:46:28,600 --> 00:46:33,560
Speaker 1: around JD, and JD has the humiliating thing to deal

896
00:46:33,600 --> 00:46:36,560
Speaker 1: with that the second the baby is held by Sean,

897
00:46:36,719 --> 00:46:40,600
Speaker 1: his own baby stops crying. So this is understandably horrible

898
00:46:40,680 --> 00:46:44,200
Speaker 1: for JD. And he thinks that Sean has a remote

899
00:46:44,280 --> 00:46:47,840
Speaker 1: shocking device on baby and that the device might be

900
00:46:47,920 --> 00:46:51,960
Speaker 1: hidden at the bottom of Sean's peach yogurgert, so he

901
00:46:52,520 --> 00:46:59,400
Speaker 1: inspects with his fingers the peach yogurt for said device.

902
00:47:00,239 --> 00:47:02,920
Speaker 2: Okay, I want to give a shout out to all

903
00:47:02,960 --> 00:47:06,439
Speaker 2: of the background actors in this episode because I don't

904
00:47:06,440 --> 00:47:09,759
Speaker 2: know if you were particularly paying any attention to them,

905
00:47:09,800 --> 00:47:11,520
Speaker 2: but they all had a lot to do, not that

906
00:47:11,560 --> 00:47:14,319
Speaker 2: they always don't have a lot to do, but in

907
00:47:14,360 --> 00:47:18,879
Speaker 2: this one particular, that Wunner with Kelso and Cox where

908
00:47:18,960 --> 00:47:23,400
Speaker 2: Kelso's butt is out and everybody's admiring. If you watch

909
00:47:23,480 --> 00:47:26,239
Speaker 2: the background in the back, they all do such a

910
00:47:26,280 --> 00:47:28,920
Speaker 2: really good job. And this isn't the only thing that

911
00:47:28,960 --> 00:47:32,840
Speaker 2: they do this in. But this was a highlight for

912
00:47:32,960 --> 00:47:35,560
Speaker 2: the fun They were all very very funny.

913
00:47:35,640 --> 00:47:37,920
Speaker 1: Yeah, all the background actors were very funny in that moment.

914
00:47:37,960 --> 00:47:39,480
Speaker 1: And what about Mickhead taking a.

915
00:47:39,440 --> 00:47:42,360
Speaker 2: Picture taking the picture? Yeah, with his cell phone.

916
00:47:43,440 --> 00:47:48,400
Speaker 1: So Carla begins working Cox to get Turkeleton the job.

917
00:47:48,920 --> 00:47:50,319
Speaker 2: He's the only one for the child.

918
00:47:50,360 --> 00:47:53,040
Speaker 1: You know, it's weird that Cox has such a blind

919
00:47:53,040 --> 00:47:56,120
Speaker 1: spot to the genius of the who's the best surgeon

920
00:47:56,160 --> 00:47:56,360
Speaker 1: in the.

921
00:47:56,840 --> 00:48:00,439
Speaker 2: Hospital, especially after everyone's gone to bat for them too.

922
00:48:00,920 --> 00:48:02,080
Speaker 1: Yeah, even Todd.

923
00:48:02,680 --> 00:48:07,360
Speaker 2: Yeah, bring up that old feud a lot over Carlo.

924
00:48:07,880 --> 00:48:10,120
Speaker 1: Mm all right, here's a weird thing.

925
00:48:10,560 --> 00:48:10,800
Speaker 6: G D.

926
00:48:11,680 --> 00:48:14,480
Speaker 1: I guess tells Sam a lot of stories about unicorns.

927
00:48:14,719 --> 00:48:15,840
Speaker 2: There's so many of them.

928
00:48:16,000 --> 00:48:17,839
Speaker 1: He there's a lot of them, And he goes, they

929
00:48:17,960 --> 00:48:20,480
Speaker 1: just come to me, and I gotta get them out there.

930
00:48:20,560 --> 00:48:21,360
Speaker 1: They're magical.

931
00:48:22,440 --> 00:48:22,799
Speaker 2: They're not.

932
00:48:25,160 --> 00:48:28,920
Speaker 1: That's all his unicorns story is for Sam.

933
00:48:29,120 --> 00:48:30,680
Speaker 2: She goes, they're not, they're not.

934
00:48:31,360 --> 00:48:34,560
Speaker 1: That's when we learned that the cologne is the source

935
00:48:34,680 --> 00:48:39,560
Speaker 1: of what's annoying and irritating the baby. Eureka, And then

936
00:48:39,560 --> 00:48:41,600
Speaker 1: he gets the shower problems solved.

937
00:48:41,880 --> 00:48:45,480
Speaker 2: Yeah, he takes a shower and puts on new clothes.

938
00:48:46,080 --> 00:48:49,960
Speaker 1: Yes, and he borrows Sean's. And then towards the end,

939
00:48:50,040 --> 00:48:54,439
Speaker 1: we realize that Kelso really misses his job, missus being

940
00:48:54,480 --> 00:48:58,560
Speaker 1: in the hospital, and we learned that Cox relents and

941
00:48:58,680 --> 00:49:01,400
Speaker 1: awards the position.

942
00:49:01,880 --> 00:49:05,480
Speaker 2: And the janitor awards Turk with the hat.

943
00:49:06,000 --> 00:49:06,880
Speaker 1: Oh is that a tag?

944
00:49:07,600 --> 00:49:07,920
Speaker 2: Yeah?

945
00:49:08,000 --> 00:49:09,200
Speaker 1: Oh I missed the tag.

946
00:49:09,600 --> 00:49:13,160
Speaker 2: And Turk likes the hat, and the Janitor's pissed because

947
00:49:13,239 --> 00:49:15,239
Speaker 2: now the janitor the janitor was trying to make him

948
00:49:15,239 --> 00:49:15,880
Speaker 2: feel stupid.

949
00:49:16,239 --> 00:49:18,480
Speaker 1: Oh I missed the tag. I forgot. I always forget

950
00:49:18,480 --> 00:49:22,400
Speaker 1: that this season as those tags, I forgot to watch it.

951
00:49:23,480 --> 00:49:27,319
Speaker 2: Yeah, So he gives him the hat, he puts it on,

952
00:49:28,480 --> 00:49:31,960
Speaker 2: decides he likes it, and now the janitor regrets giving

953
00:49:32,040 --> 00:49:36,520
Speaker 2: him the hat because the janitor likes the hat too.

954
00:49:38,600 --> 00:49:40,560
Speaker 1: And then the big dug dundn that we know is

955
00:49:40,600 --> 00:49:43,080
Speaker 1: going to set up the finale of season eight, the

956
00:49:43,080 --> 00:49:47,120
Speaker 1: true finale of the TV show Scrubs is JD feeling

957
00:49:47,200 --> 00:49:50,600
Speaker 1: like he's only a part time father and that he's

958
00:49:50,600 --> 00:49:52,600
Speaker 1: going to miss too much of his son's life. And

959
00:49:52,680 --> 00:49:55,320
Speaker 1: he says, I think I'm gonna move here, meaning where

960
00:49:55,400 --> 00:49:56,000
Speaker 1: Kim lives.

961
00:49:56,719 --> 00:50:00,719
Speaker 7: Undone don question if the show does take place in

962
00:50:00,760 --> 00:50:05,879
Speaker 7: southern California, I think there's are the thirty seven minutes apart.

963
00:50:06,280 --> 00:50:07,879
Speaker 7: Does this require a giant move?

964
00:50:09,080 --> 00:50:13,799
Speaker 2: Well, it depends on your I would say thirty seven

965
00:50:13,840 --> 00:50:19,239
Speaker 2: minutes apart without traffic. So yeah, in the morning after work,

966
00:50:19,280 --> 00:50:21,840
Speaker 2: you don't want to necessarily travel thirty seven minutes to

967
00:50:21,840 --> 00:50:23,040
Speaker 2: get home from the hospital.

968
00:50:23,040 --> 00:50:25,160
Speaker 1: I just think of towns. Okay, just let's just talk

969
00:50:25,160 --> 00:50:27,880
Speaker 1: about the cities a right. Let's say let's say that

970
00:50:28,080 --> 00:50:30,240
Speaker 1: she lives in Santa Monica.

971
00:50:30,719 --> 00:50:32,239
Speaker 2: No, I would say she lives in like I would

972
00:50:32,239 --> 00:50:33,440
Speaker 2: say she lives in like Huntington.

973
00:50:34,200 --> 00:50:37,719
Speaker 1: Okay, let's say she lives in Huntington Beach and he

974
00:50:38,120 --> 00:50:43,360
Speaker 1: works in West Hollywood or the Valley, the Valley, the Valley.

975
00:50:44,160 --> 00:50:44,799
Speaker 1: That's far.

976
00:50:45,200 --> 00:50:45,959
Speaker 2: That's a good track.

977
00:50:46,200 --> 00:50:48,799
Speaker 1: That's to go get your kid. What, Dawn, You don't think?

978
00:50:48,840 --> 00:50:50,160
Speaker 3: So that's not that bad.

979
00:50:50,200 --> 00:50:51,840
Speaker 1: I mean, I know a lot of people have it worse.

980
00:50:52,120 --> 00:50:54,480
Speaker 3: Yeah, it's a trek, that's a trick, but it's not

981
00:50:54,800 --> 00:50:57,360
Speaker 3: you know, we're not talking La to San Diego.

982
00:50:57,680 --> 00:50:58,000
Speaker 1: No.

983
00:50:58,000 --> 00:51:00,000
Speaker 2: No, And I know a lot if he wants to

984
00:51:00,040 --> 00:51:01,319
Speaker 2: spend more time, for.

985
00:51:01,480 --> 00:51:03,799
Speaker 1: Sure, I know that a lot of people listening, have

986
00:51:03,880 --> 00:51:05,879
Speaker 1: it a whole lot worse than that. I'm just saying,

987
00:51:05,920 --> 00:51:08,640
Speaker 1: this is a guy who's going, who's going, don't. I

988
00:51:08,640 --> 00:51:10,960
Speaker 1: don't want this. I want to choose something different.

989
00:51:11,280 --> 00:51:11,680
Speaker 3: Totally.

990
00:51:12,280 --> 00:51:14,400
Speaker 1: Well anyway, funny episode.

991
00:51:14,080 --> 00:51:17,560
Speaker 2: Very funny. It's sad though, because it's coming to an end,

992
00:51:18,120 --> 00:51:20,239
Speaker 2: and it feels like it's coming to an end now too,

993
00:51:20,560 --> 00:51:23,920
Speaker 2: Like you can feel the the traps being laid for

994
00:51:24,040 --> 00:51:27,960
Speaker 2: all of us to cry in the final five minutes

995
00:51:28,000 --> 00:51:31,320
Speaker 2: of the show being they're being set now.

996
00:51:31,920 --> 00:51:33,880
Speaker 1: Absolutely what else?

997
00:51:33,960 --> 00:51:40,879
Speaker 7: Joelle thoughts, Uh, yeah, great episode. Really appreciate the way

998
00:51:40,880 --> 00:51:43,040
Speaker 7: they were trying to bring season eight two clothes. But

999
00:51:43,200 --> 00:51:46,120
Speaker 7: I gotta be honest, I know this is the spiritual

1000
00:51:46,239 --> 00:51:47,880
Speaker 7: end of the show, but I'm really excited to like

1001
00:51:47,920 --> 00:51:52,759
Speaker 7: explore like what didn't didn't work in season nine, and like, have.

1002
00:51:52,760 --> 00:51:54,919
Speaker 1: You been getting a lot of submissions from people talking

1003
00:51:54,920 --> 00:51:55,760
Speaker 1: about these in nine?

1004
00:51:56,000 --> 00:51:58,520
Speaker 7: Yeah, they're rolling in you know you guys, please keep

1005
00:51:58,560 --> 00:52:03,160
Speaker 7: submitting them. They're very funny. It's gotten excited to watch SOUN,

1006
00:52:03,480 --> 00:52:06,719
Speaker 7: especially the first episode. I think that's probably what I've

1007
00:52:06,719 --> 00:52:07,800
Speaker 7: gotten the most.

1008
00:52:09,480 --> 00:52:10,400
Speaker 1: I'm very interested.

1009
00:52:10,840 --> 00:52:13,360
Speaker 3: I'm excited to rewatch it. I haven't watched season nine

1010
00:52:13,680 --> 00:52:14,719
Speaker 3: in a long time.

1011
00:52:14,840 --> 00:52:18,120
Speaker 1: I've never watched it. I remember that. I remember the

1012
00:52:18,160 --> 00:52:19,280
Speaker 1: big security guarden.

1013
00:52:20,360 --> 00:52:23,920
Speaker 2: He was away like the metal of high life guy

1014
00:52:23,960 --> 00:52:24,399
Speaker 2: as some shit.

1015
00:52:24,560 --> 00:52:26,960
Speaker 1: He was a replacement for the janitor in sort of

1016
00:52:27,000 --> 00:52:30,439
Speaker 1: like a you know, and he had his partner. Yeah,

1017
00:52:30,440 --> 00:52:31,719
Speaker 1: I don't remember much of it at all.

1018
00:52:32,480 --> 00:52:35,160
Speaker 2: Was the partner was actually a writer on the staff.

1019
00:52:36,080 --> 00:52:37,360
Speaker 2: The guy who played his partner.

1020
00:52:38,080 --> 00:52:42,319
Speaker 1: And I remember Carrie Basha. Of course, I remember all

1021
00:52:42,360 --> 00:52:44,840
Speaker 1: the all the young folk, but any it'll be interesting

1022
00:52:44,840 --> 00:52:49,040
Speaker 1: to watch, of course. I love you guys, love you,

1023
00:52:49,040 --> 00:52:49,239
Speaker 1: you know.

1024
00:52:49,520 --> 00:52:51,920
Speaker 2: I I'm very fond of you. Guys.

1025
00:52:52,560 --> 00:52:54,160
Speaker 1: Oh you're just fond of us, or you love us.

1026
00:52:54,480 --> 00:52:56,319
Speaker 2: I'm just bullshit and I love you guys. It's just

1027
00:52:56,400 --> 00:52:58,640
Speaker 2: a line from the show that I'm on Extended Family,

1028
00:52:58,640 --> 00:53:03,680
Speaker 2: which comes, Oh my god. Uh and Tuesday Nights, Yeah,

1029
00:53:03,880 --> 00:53:07,560
Speaker 2: Tuesday Nights eight thirty. Yeah, all the plugs in today, guys.

1030
00:53:07,560 --> 00:53:08,239
Speaker 2: I'm so proud of it.

1031
00:53:08,800 --> 00:53:12,880
Speaker 1: All right, guys, thank you, audience. Until next time. Donald

1032
00:53:12,960 --> 00:53:13,600
Speaker 1: count us out.

1033
00:53:13,880 --> 00:53:19,640
Speaker 6: By six seven eight stories about show we made about

1034
00:53:19,640 --> 00:53:23,880
Speaker 6: a bunch of talks and nurses in Canada. I said,

1035
00:53:23,880 --> 00:53:29,920
Speaker 6: here's the stories next all s no so YadA round

1036
00:53:29,960 --> 00:53:33,759
Speaker 6: you here, up yeada around you here, ups for me.

1037
00:53:34,000 --> 00:53:36,440
Speaker 2: Watch show Wednesday, No