Speaker 1: It's hard if this is your first conspiracy. So where
Speaker 1: are you at just in terms of conspiracies in general? Like, um,
Speaker 1: what conspiracy do you work with? A J? A J
Speaker 1: Is my co host. She's basically saying, she's basically saying
Speaker 1: that most you here is about conspiracies is from me.
Speaker 1: What she's saying, No, no, I know she hears about.
Speaker 1: I want to know which one do you believe in? Though? Right?
Speaker 1: Which one do you be like? Oh yeah, yeah, no,
Speaker 1: this one right here is real like the rest of
Speaker 1: that ship. No, no, no, but I fox with which one?
Speaker 1: Do you hear that? You like? You know what? I
Speaker 1: can see this? I can't really think of none of
Speaker 1: that ship right now? All right, let me ask you this.
Speaker 1: Do you think that nineteam motherfucker's with turbans and butter
Speaker 1: knives hijacked four planes and crashed them into two buildings,
Speaker 1: two buildings, causing three buildings to fall. It's possible. Come on, wait, wait,
Speaker 1: it's possible. It's possible. It's possible that it's not true,
Speaker 1: but it's possible that it is. Did you hear how
Speaker 1: he asked the question, Yeah, I did, right, So hold on, now,
Speaker 1: do you know how they found out the identity of
Speaker 1: those people. No, all right, so they found the passports.
Speaker 1: Through all the rubble, all the fire, all the debris everything,
Speaker 1: they found those passports. Does that make any sense? No?
Speaker 1: But I'm sure maybe there were other passports that were
Speaker 1: found too. Right. So remember so here what he said, Uh,
Speaker 1: two planes crashed in the two separate buildings, right, the
Speaker 1: buildings that are made of steel and concrete and brick
Speaker 1: and all of this indestructible material. All of that ship
Speaker 1: burned up. And yet in the debris they found two
Speaker 1: paper passports. A paper passport. You get what I'm saying.
Speaker 1: That makes sense to you. I hear what you're saying.
Speaker 1: But I'm sure that other ship did not burn. That
Speaker 1: was paper on that plane. But how would But if
Speaker 1: they found thirty passports, how would they pick just the
Speaker 1: two to know that those were the two on the plane.
Speaker 1: Maybe there are some other intail that went into that
Speaker 1: to narrow it down. Can I ask you a question?
Speaker 1: As a matter fac I don't even got to ask
Speaker 1: you a question. You buy your phone or your computer. Yes,
Speaker 1: go on Google and type in um. Just go on
Speaker 1: Google and type and picture of birds flying into a
Speaker 1: plane and look at what that plane looks like from
Speaker 1: birds flying into it? And then you tell me if
Speaker 1: those planes could take down buildings? All right? So, um,
Speaker 1: one of the things that we so we see planes
Speaker 1: and they look like these big giant metal tubes, right,
Speaker 1: but in real life planes I really really like especially
Speaker 1: the nose. The nose of the plane is soft as ship.
Speaker 1: To get what I'm saying, Like that made from aluminum. Um,
Speaker 1: anybody like you drink coke cans, I mean you drink
Speaker 1: cancer this ship? Right, you know how a pliable aluminium is.
Speaker 1: Want you to think about, um, how soft that ship is.
Speaker 1: And the architect of the buildings, um the Twin Towers,
Speaker 1: said that he literally designed the buildings to withstand planes
Speaker 1: crashing into it. And so what we saw on that day, right,
Speaker 1: we saw two planes crash into two separate buildings. And
Speaker 1: these buildings fail at free fall speed. I don't know.
Speaker 1: So when I say free fall speed, I wanted to
Speaker 1: think of it like this. Um, think about if you
Speaker 1: drop something like you got your phone, whatever you drop it,
Speaker 1: it drops with no resistance, right versus you going to
Speaker 1: the ground yourself where you gotta collapse your legs and
Speaker 1: then you kind of topple over a little bit. Those
Speaker 1: buildings fell as if think was underneath them. You get
Speaker 1: what I'm saying. They failed at free fall speed, the
Speaker 1: speed at which something drops just out of that sky. Right,
Speaker 1: that's physically impossible. Right, So there were things that happened
Speaker 1: during that day that defied the laws of physics. Right.
Speaker 1: And there have been many times when planes have hit buildings.
Speaker 1: This is the first time in history that a building
Speaker 1: fell because of plane hit it. Right. There has only
Speaker 1: been two times in history that called that that a
Speaker 1: building failed because the plane hit it, and both one
Speaker 1: was nine eleven. See what I'm saying. So there's a
Speaker 1: lot of statistical do you So, what do you feel
Speaker 1: like happens into the right, So right now we're just
Speaker 1: talking science. I don't when we got into the real ship. Right.
Speaker 1: So what happened and what you can see and what
Speaker 1: the witnesses say on that day, because there are lots
Speaker 1: of people who were there who survived, people who are
Speaker 1: actually in the buildings, right, and all of them to
Speaker 1: a man say we heard explosion, right, um, and the
Speaker 1: buildings start to pancake, right, So they were boom boom boom,
Speaker 1: boom boom. Right, So the buildings were laced with explosives, right,
Speaker 1: and so they exploded the cores of the buildings. I
Speaker 1: don't even so. One of the most iconic photos that
Speaker 1: you see in the Twin Towers is of like one
Speaker 1: of these still beams and then one of the beams
Speaker 1: is cut like this. You know what I'm saying. It's
Speaker 1: like a little slat cut on it. So that's how
Speaker 1: demolition crews wired buildings with thurmite. They wrapped these thrmite
Speaker 1: wires around and steal columns because when it explodes, the
Speaker 1: they went the beam to slide off if they if
Speaker 1: it's like this and then it explodes, it's not going nowhere.
Speaker 1: So they wire it on a slant so that us
Speaker 1: it burns through the still being it slides off. And
Speaker 1: so that's why when you go back and look at
Speaker 1: some of the pictures of the beginning of the beings
Speaker 1: sticking up, you're seeing with this little slant. It is
Speaker 1: because that's how they were white with thurmite. So they
Speaker 1: put bombs in the building. Third light around the cores
Speaker 1: exploded them. Use what you saw as a plane, because
Speaker 1: we ain't even got to the fact that there were
Speaker 1: no planes or not a letter again. That's next level ship.
Speaker 1: That's next level ship. Right us again, hold on, you
Speaker 1: give your speedball it again? Use again. Now I know
Speaker 1: some damn planes. It's real people died on on planes.
Speaker 1: Real people. You wait, wait wait, wait, wait wait wait,
Speaker 1: I don't want to get too fast. Hold on. So
Speaker 1: what happened was, um, it was explosions in the building.
Speaker 1: Um that they used what you saw as a plane
Speaker 1: going into it. Um, explosion goes off and then the
Speaker 1: buildings collapse apps due to the thermite on the core,
Speaker 1: like on the still beams. Right. So that's what happened, right.
Speaker 1: What we were given after that was the propaganda around
Speaker 1: the event. Right. Every video that we have of the
Speaker 1: event shows the planes because it all comes from the
Speaker 1: same people that put it on. Right. Um, there are
Speaker 1: a few independent videos that got out right, um, and
Speaker 1: you can see an explosion happened, but ain't no fucking plane.
Speaker 1: It's like, yeah, where the fund is the plane? Right,
Speaker 1: because this wasn't one of their videos. All the videos
Speaker 1: that we have on nine eleven came from the people
Speaker 1: that orchestrated the ship. Right. All the way, it looks
Speaker 1: like it's just a random camera on the street that
Speaker 1: somehow magically caught the fucking um plane that was there. Right,
Speaker 1: All those people, that's that. All the interviews of people
Speaker 1: that you saw on the street who say, oh I
Speaker 1: saw the plane that was them, those are all people
Speaker 1: in on the ship. You know what I'm saying. Oh oh,
Speaker 1: it gets deep in this mother. I'm trying to tell you, right,
Speaker 1: um so um. The reality is that there there's lots
Speaker 1: of video that exists where you don't see fucking planes.
Speaker 1: All you see is an explosion and then later on
Speaker 1: you see the buildings fall, so you you feel like
Speaker 1: none of the people that were said to have died
Speaker 1: in the plane crash are real people. All right? Before
Speaker 1: you answer that one, now, you gotta get to why
Speaker 1: it happens so that she can understand why. Uh you
Speaker 1: you're saying that there are no people and no planes.
Speaker 1: You gotta get to why it happened. That's the important part.
Speaker 1: And hold on before you respond, um chop, I'm actually
Speaker 1: the one meeting you because you got y'all can hear
Speaker 1: that in the background when I when I meet him,
Speaker 1: is silent, but it's like you can hear like an air.
Speaker 1: So you know, whenever you want to talk on mute,
Speaker 1: so then we could just have like the little piece
Speaker 1: of the background noise. Other than that, you sound clear,
Speaker 1: but we can hear like a little buzz in the back. Yes,
Speaker 1: oh yeah, that's better. Yes, okay, we got the closing
Speaker 1: the door, all right. So so what I was saying was, um,
Speaker 1: you gotta get to why it happened, Like you'll have
Speaker 1: to look up who Donald Ramsfeld is and how I
Speaker 1: think it was twenty eight trillion dollars that was on
Speaker 1: accounting for um and the United States government came out
Speaker 1: the day before on September ten, came out the day
Speaker 1: before and was talking about all the money that they
Speaker 1: couldn't account for. And what Lennelle is saying to you,
Speaker 1: like two planes took down three buildings. He didn't explain
Speaker 1: what the third building was. So everybody knows about the
Speaker 1: twin towers going down, but a lot of people don't
Speaker 1: know that Building seven was the financial building that had
Speaker 1: the financial records. So you got the government coming out saying, hey,
Speaker 1: twenty eight trillion dollars is missing, uh, the and people
Speaker 1: wanting answers for it the next day. This tragic event
Speaker 1: happens to where it occupies the minds of everybody. The
Speaker 1: financial building goes down to where even if you know
Speaker 1: you did want to come out as people and say, yo,
Speaker 1: we demand to know what happened to twenty eight trillion dollars. Well,
Speaker 1: we don't know what happened to it because the building
Speaker 1: that the information was stored in is no longer there.
Speaker 1: Then you gotta get to the war, the weapons of
Speaker 1: mass destruction that were never found. You gotta get to
Speaker 1: the to the um opioid crisis that the world is
Speaker 1: currently going through. You gotta get to the poppy fields
Speaker 1: that are n Iraq. You gotta get to the museums
Speaker 1: and the artifacts that were stolen. You gotta get to
Speaker 1: you know, UM cern and the lhc over in Switzerland,
Speaker 1: like it's so much ship that transpired, as you know,
Speaker 1: UM nine eleven exactly. Then you would have to get
Speaker 1: to the Patriot Act and how they're able to spy
Speaker 1: on you, Like it's so much ship that a lot
Speaker 1: of these conspiracies, the way they work is not it's
Speaker 1: not simple. It's not like hey, I can say hey,
Speaker 1: nine level and it's cut and dry. You have to
Speaker 1: talk about one conspiracy that's like a ten step thing
Speaker 1: to get to the next part of the conspiracy. That's
Speaker 1: another ten steps. And some people they just want everything
Speaker 1: microwave and they want it, you know, uh, quickly given
Speaker 1: to them so they can easily digest it. That Unfortunately,
Speaker 1: it's just not how it works. So unfortunately, with this
Speaker 1: nine eleven thing, like you got to talk about so
Speaker 1: many different things and so many different steps that happened
Speaker 1: and that you know are happening now as a result
Speaker 1: of that, that is kind of hard to just give
Speaker 1: you everything in you know, two minutes, you get what
Speaker 1: I'm saying. So before we even get to the planes
Speaker 1: and c G I and no people, we got to
Speaker 1: talk about all of those little things. Well it sounds
Speaker 1: like big things that don't sound like little things, And
Speaker 1: there's some big things you're saying, which you know, I
Speaker 1: feel like it's possible. All these things you're saying are
Speaker 1: are very possible. And now you know, I don't believe
Speaker 1: that our our government is just like you know, righteous
Speaker 1: and everything that they tell us. You know, obviously otherwise
Speaker 1: we wouldn't even be here. Let me ask you this,
Speaker 1: um so, and I want to go to something more
Speaker 1: in your wheelhouse, right, UM, do you believe that, um
Speaker 1: the hip Our industry is controlled by corporations. Yes, okay, Yo,
Speaker 1: that's a great place to start because now we're talking
Speaker 1: about yo. All right, so how now how did that?
Speaker 1: Why do they control? What's the purpose of the control?
Speaker 1: When hip hop? They want us dead? That's what I'm
Speaker 1: starting to believe right now. They want black people to
Speaker 1: be annihilated because why are they Why are they letting
Speaker 1: us put out this dark as music. It's okay for
Speaker 1: us to just make this violent music towards each other
Speaker 1: and music that degrades black women. And they're like, yeah,
Speaker 1: that's good, that's good stuff. Let's promote that to these
Speaker 1: black people, to all people. So I agree there, yeah, yeah, yeah, no, no, no,
Speaker 1: go with that right um. And so that's a good
Speaker 1: place to start. So the reason I ask you about
Speaker 1: nine eleven like I would ask you about jfk Um
Speaker 1: and I think for you because it's something that I
Speaker 1: think because you're in the industry, right, this kind of
Speaker 1: hits closer, right, Um, how old are you? We're having
Speaker 1: a good time? So no, all right, okay, I got you,
Speaker 1: I got you. I'm trying to figure out are you
Speaker 1: old enough to where you can recognize the transition um
Speaker 1: from music, the musical content, the musical sound, from where
Speaker 1: it was when it was kind of when it was authentic,
Speaker 1: when even though we didn't control the business side, we
Speaker 1: controlled the art that came out right where the industry
Speaker 1: there was a lot of balance in the music right
Speaker 1: where it wasn't all bullshit. It wasn't no bullshit, right.
Speaker 1: So a lot of mother fuckers like to romantic size
Speaker 1: um or the old days, like it wasn't no bullshit, No, no, no,
Speaker 1: it wasn't the fact that it wasn't no bullshit. It's
Speaker 1: just that it was balanced, right. And so just as
Speaker 1: much good ship you had bad ship, you had ship
Speaker 1: in the middle, like it was a ride variety of
Speaker 1: fucking music, right, And so slowly there's been this transition
Speaker 1: from balanced music coming from the culture to music that's
Speaker 1: out that doesn't represent who we are, you know, Like,
Speaker 1: are you old enough to see that? I feel like
Speaker 1: the the music still is like that, there's good ship
Speaker 1: and there's bad ship, but the good ship don't get
Speaker 1: promoted like the bad ship. There's a lot of people
Speaker 1: making good quality, positive music, but we just don't get
Speaker 1: to hear. That's what I'm talking when I say I'm
Speaker 1: talking about the ship now. I wanted to add that
Speaker 1: even though these people are monopolizing and making money off
Speaker 1: of the music that we are producing, let us not
Speaker 1: forget that we are producing the music. So what if
Speaker 1: we stopped producing the music, but they'd be able to
Speaker 1: take advantage and make money off of it, they wouldn't
Speaker 1: be able to. So it also comes with the community
Speaker 1: as a collective being complicit on the bad murder music making.
Speaker 1: Let's be clear, That's what I'm gonna say. Um yeah,
Speaker 1: so I agree that we're definitely making the music. However,
Speaker 1: and every fucking community, it's always sellouts, and there's always
Speaker 1: people willing to do anything right. And what we're seeing
Speaker 1: are those people, right, Um, the people who because a
Speaker 1: lot of them. So there are some who recognize that
Speaker 1: what they're doing is bullshit and that it's part of
Speaker 1: the agenda, and they're like, yeah, I'm here for it
Speaker 1: as long as I get paid. I'm looking at me.
Speaker 1: There are lots of people like that, right. Then there
Speaker 1: are some people who they see, all right, well I
Speaker 1: just want to be famous, I just want to be rich,
Speaker 1: so I'll just do whatever it takes to get rich,
Speaker 1: right And so, um, the people that are doing this
Speaker 1: capitalize off those two groups of people, right, And so
Speaker 1: what I wanna and so I want to take this right,
Speaker 1: take that thought process where you have this this group
Speaker 1: of people who promote because like you said, Tam, right there,
Speaker 1: good music is made. However it's not promoted. We don't
Speaker 1: have access to it. It's not on the radio, it's
Speaker 1: not on the TV. Those artists aren't given the platform
Speaker 1: to put out music that has quality content, quality sound. Right,
Speaker 1: that doesn't take you into it into your lower chakras. Right,
Speaker 1: that that's not being given to us because the avenues
Speaker 1: about which music gets to us or about which any
Speaker 1: media gets to us is contrained. I'm saying, we're getting
Speaker 1: to the point where the Internet, this wide open that's
Speaker 1: fucking Internet, is getting controlled. Right. They've been trying to
Speaker 1: put forth bills to control the Internet where they can
Speaker 1: either um speed up or slow down the speeds of
Speaker 1: what you connect, right, depending on which website you go
Speaker 1: to and what service you got. Like they're trying they're
Speaker 1: literally trying to control what you can cert like, what
Speaker 1: you can see on the internot or um what you
Speaker 1: have access to. And let me give an example of
Speaker 1: that like say first like like TikTok right now, my
Speaker 1: zip cold to nine zero seven, My TikTok may look
Speaker 1: this way, your zip colde, your TikTok is gonna look
Speaker 1: another way. Like they literally, uh, they basically market program exactly.
Speaker 1: It's programming. So China, their TikTok is totally different. They don't, right,
Speaker 1: That's what I saw that. I saw that they promote
Speaker 1: like education, happy things, good things, right, beautiful thing aith
Speaker 1: on the music, on the music part of things. How
Speaker 1: an easy way for you to see how music, how
Speaker 1: music is controlled. Are you a little baby fan? Tammy?
Speaker 1: All right? So you know that throughout little babies existence,
Speaker 1: he only made one song uh that uh that brought
Speaker 1: together generations and that spoke about topics that are taboo
Speaker 1: in his lane a rap like he's not drill rap,
Speaker 1: but he's not um uh what's the word rap? He's
Speaker 1: not conscious rap, but he's not also not drill rap.
Speaker 1: He's in his own little little lane. It's so when
Speaker 1: he made the song The Bigger Picture. You remember that song,
Speaker 1: it's bigger than black. You want to know why he
Speaker 1: never made another song like the Bigger Picture because the
Speaker 1: label came to him and said we're not doing this.
Speaker 1: They it was a single, they delisted it from being
Speaker 1: a single, which I've never heard happening. You still find
Speaker 1: it on streaming services, but it came out as a
Speaker 1: single and they refused to let that be the single
Speaker 1: for the album that was coming out. So things as
Speaker 1: little as that where you got a rapper that you know, um,
Speaker 1: I was born at eighty nine, So you got a
Speaker 1: rapper that's influential on my age group, the age group
Speaker 1: before me, and definitely the age group under me, and
Speaker 1: as well as the age group under them. Like he
Speaker 1: transcedes generations because he's like this, he's that generation's uh,
Speaker 1: I guess you could call him that generation is jay
Speaker 1: Z not comparing it too, but as far as influence
Speaker 1: and as far as rapping ability, he's that generation jay Z.
Speaker 1: The fact that he made a song like that and
Speaker 1: the label said no, we're not doing this, but that
Speaker 1: song was so big that alone tells you that that
Speaker 1: that's going against the agenda that they want to push.
Speaker 1: That makes sense, right, So now all you here is
Speaker 1: you know all this bang bang shoot them up shit
Speaker 1: if they the ops go do that? You hear the
Speaker 1: City Girls ship like you hear a bunch of ship
Speaker 1: that's destructive to the younger and quessionable generation. You get
Speaker 1: what I'm saying. And you know, you've got people like
Speaker 1: Kanye that to come out and he'll tell you, like yo,
Speaker 1: the reason music is the way it is is because
Speaker 1: of the eight O weights and what they did to it.
Speaker 1: They pretty much demonized it to where controls your lower chakra.
Speaker 1: And you get what I'm saying. He was just talking
Speaker 1: about energy in the first Drink Champs interview. Kanye dropped
Speaker 1: a lot of gems in that first Drink Champs interview
Speaker 1: as far as what's going on with the industry, and
Speaker 1: a lot of people overlooked it because of the slick
Speaker 1: ship that he was saying. But if you go re
Speaker 1: listen to that, you'll see, like yo, everything he was
Speaker 1: talking about music is exactly what's playing out now. And
Speaker 1: you know people are still oblivious to that. So and
Speaker 1: you know there, oh sorry, So I feel like, um,
Speaker 1: I don't know, maybe two years ago, I swear to god,
Speaker 1: I read an article that was saying that Avid Avid
Speaker 1: that makes pro tools that was created by the government,
Speaker 1: and I can't find that article nowhere. So they take
Speaker 1: up exactly so y'all took away the acoustic instruments. A
Speaker 1: y'all let it literally put the devil into this fucking program.
Speaker 1: And this is what nigga now pro tools. Yeah. So, um,
Speaker 1: have y'all heard about when I know you're seeing articles
Speaker 1: and they talked about the meetings that were had in
Speaker 1: hip hop sex um, like the people who control like
Speaker 1: the prisons and the liquor companies and clothing companies met
Speaker 1: with like the music exex you know. Actually talked to
Speaker 1: somebody who was in one of those meetings and he
Speaker 1: told me, he told me exactly what then they were
Speaker 1: talking about, and it was a weed out session, he
Speaker 1: said pretty much. They came in right, they invited all
Speaker 1: these influence people do uh into the music because it
Speaker 1: wasn't just one meeting. There was like a series of
Speaker 1: meetings that they were holding around the country, right to
Speaker 1: get all the influence influence with people in right, and
Speaker 1: so they were weeding people out. So they said, Yo,
Speaker 1: this is what we're gonna do, and anybody who objected
Speaker 1: was never invited back to another meeting and they were
Speaker 1: subsequently ushered out the music industry. Right. So um, now
Speaker 1: I want to take that all, right, Tammy. I'm sorry, Tamba.
Speaker 1: All right, so I want to so I want you
Speaker 1: to take that process, right, that that thought process. What
Speaker 1: we understand, we can agree that Um, at some point
Speaker 1: in time, some people came together for the purpose of
Speaker 1: controlling the music industry to for an agenda, right, Um,
Speaker 1: And what we see it looks like the agenda to
Speaker 1: destroy what we would consider a healthy black community, right
Speaker 1: because we see it directed at us. Right. We don't
Speaker 1: see this um directed at right exactly. So they want
Speaker 1: to destabilize um so that they can control us as
Speaker 1: a people. Okay, So, UM, that same thing happens in
Speaker 1: other industries. Right, It's not just in music, right, it's
Speaker 1: a that they copy and paste the same format, the
Speaker 1: same strategies in different sectors. Right. They control every sect
Speaker 1: of human activity. Right. So this even goes to science. Right,
Speaker 1: this even goes to your doctor. Right. So we haven't
Speaker 1: so when you start looking at why medicine is the
Speaker 1: way it is, why they don't cure anything anymore. They
Speaker 1: used to cure stuff, right. They used to They used
Speaker 1: to go to the doctor and they'll be like, now
Speaker 1: you take this, take this, you're cured. Right. They used
Speaker 1: to use natural stuff. To cure you. The medicine they
Speaker 1: gave you didn't make you sicker or didn't have all
Speaker 1: these different side effects. Right. That's gone right because that
Speaker 1: industry was controlled. It was taken over by what we
Speaker 1: now call we have allopathic medicine. Right there used to
Speaker 1: be homeopathic, natural pathic, you know what I'm saying, medicine.
Speaker 1: They used to have these doctors right who used herbs
Speaker 1: and tonics and things of that nature that was natural.
Speaker 1: They got ran out the business, they got qualified, meaning
Speaker 1: they the media was used to label these people as quacks.
Speaker 1: Politicians then came in putting on laws to make you say,
Speaker 1: all right, in order to practice medicine or to cure people,
Speaker 1: you have to be part of this system. Right. So
Speaker 1: they systemize everything. Right. You've got the music industry, right,
Speaker 1: that's a system, the medical industry, that's a system. Right.
Speaker 1: So everything has a system to it, including science, okay,
Speaker 1: and the things that you see right that are science, right, um,
Speaker 1: do not are not really science for the most part.
Speaker 1: And so what they'll do is they'll take something that's
Speaker 1: actual science and then mix it with some pseudo science.
Speaker 1: Pseudo science all right. So there's there's two different things.
Speaker 1: Is that the two different methods of science. You have
Speaker 1: science which can pours to the scientific method. At the
Speaker 1: crux of the scientific method is things that you can
Speaker 1: um that observable, testable, and repeatable, right, meaning that we
Speaker 1: can do an experiment, right, we come up with an outcome,
Speaker 1: and then I can tell you what I did, and
Speaker 1: then you can go without me, get your own materials,
Speaker 1: redo the same experiment, and get the same thing I got. Right.
Speaker 1: That's a scientific method, right, that's perfect. I love that ship. Right.
Speaker 1: Pseudo science is when you already have the outcome you
Speaker 1: want and then you construct a narrative, right, or an
Speaker 1: experiment or thought process to get you to the to
Speaker 1: the the end already. And so what people call science,
Speaker 1: um is really pseudo science. Right. A lot of the
Speaker 1: things that we see and we think are science scientific
Speaker 1: are really masquerading as science, but they're really pseudo science.
Speaker 1: One of the things, and I guess to the topic
Speaker 1: of what we're talking about here are the pictures of
Speaker 1: the earth that you see, right, None of those are
Speaker 1: actual photographs throughout images, right, And I can give you
Speaker 1: an image of anything. I have an image of two
Speaker 1: crabs playing poker. Right, does that make it does that
Speaker 1: mean that it really happened. No, it could have happened.
Speaker 1: I did get crab with a knife like trying did
Speaker 1: die too, I don't care. Yeah, yeah, he's trying to
Speaker 1: fight back, so they might know how to play space.
Speaker 1: I don't know.