WEBVTT - EP 94 CLIP* "Conspiracy 101"

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<v Speaker 1>It's hard if this is your first conspiracy. So where

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<v Speaker 1>are you at just in terms of conspiracies in general? Like, um,

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<v Speaker 1>what conspiracy do you work with? A J? A J

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<v Speaker 1>Is my co host. She's basically saying, she's basically saying

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<v Speaker 1>that most you here is about conspiracies is from me.

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<v Speaker 1>What she's saying, No, no, I know she hears about.

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<v Speaker 1>I want to know which one do you believe in? Though? Right?

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<v Speaker 1>Which one do you be like? Oh yeah, yeah, no,

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<v Speaker 1>this one right here is real like the rest of

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<v Speaker 1>that ship. No, no, no, but I fox with which one?

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<v Speaker 1>Do you hear that? You like? You know what? I

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<v Speaker 1>can see this? I can't really think of none of

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<v Speaker 1>that ship right now? All right, let me ask you this.

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<v Speaker 1>Do you think that nineteam motherfucker's with turbans and butter

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<v Speaker 1>knives hijacked four planes and crashed them into two buildings,

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<v Speaker 1>two buildings, causing three buildings to fall. It's possible. Come on, wait, wait,

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<v Speaker 1>it's possible. It's possible. It's possible that it's not true,

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<v Speaker 1>but it's possible that it is. Did you hear how

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<v Speaker 1>he asked the question, Yeah, I did, right, So hold on, now,

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<v Speaker 1>do you know how they found out the identity of

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<v Speaker 1>those people. No, all right, so they found the passports.

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<v Speaker 1>Through all the rubble, all the fire, all the debris everything,

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<v Speaker 1>they found those passports. Does that make any sense? No?

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<v Speaker 1>But I'm sure maybe there were other passports that were

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<v Speaker 1>found too. Right. So remember so here what he said, Uh,

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<v Speaker 1>two planes crashed in the two separate buildings, right, the

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<v Speaker 1>buildings that are made of steel and concrete and brick

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<v Speaker 1>and all of this indestructible material. All of that ship

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<v Speaker 1>burned up. And yet in the debris they found two

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<v Speaker 1>paper passports. A paper passport. You get what I'm saying.

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<v Speaker 1>That makes sense to you. I hear what you're saying.

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<v Speaker 1>But I'm sure that other ship did not burn. That

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<v Speaker 1>was paper on that plane. But how would But if

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<v Speaker 1>they found thirty passports, how would they pick just the

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<v Speaker 1>two to know that those were the two on the plane.

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<v Speaker 1>Maybe there are some other intail that went into that

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<v Speaker 1>to narrow it down. Can I ask you a question?

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<v Speaker 1>As a matter fac I don't even got to ask

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<v Speaker 1>you a question. You buy your phone or your computer. Yes,

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<v Speaker 1>go on Google and type in um. Just go on

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<v Speaker 1>Google and type and picture of birds flying into a

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<v Speaker 1>plane and look at what that plane looks like from

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<v Speaker 1>birds flying into it? And then you tell me if

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<v Speaker 1>those planes could take down buildings? All right? So, um,

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<v Speaker 1>one of the things that we so we see planes

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<v Speaker 1>and they look like these big giant metal tubes, right,

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<v Speaker 1>but in real life planes I really really like especially

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<v Speaker 1>the nose. The nose of the plane is soft as ship.

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<v Speaker 1>To get what I'm saying, Like that made from aluminum. Um,

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<v Speaker 1>anybody like you drink coke cans, I mean you drink

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<v Speaker 1>cancer this ship? Right, you know how a pliable aluminium is.

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<v Speaker 1>Want you to think about, um, how soft that ship is.

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<v Speaker 1>And the architect of the buildings, um the Twin Towers,

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<v Speaker 1>said that he literally designed the buildings to withstand planes

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<v Speaker 1>crashing into it. And so what we saw on that day, right,

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<v Speaker 1>we saw two planes crash into two separate buildings. And

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<v Speaker 1>these buildings fail at free fall speed. I don't know.

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<v Speaker 1>So when I say free fall speed, I wanted to

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<v Speaker 1>think of it like this. Um, think about if you

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<v Speaker 1>drop something like you got your phone, whatever you drop it,

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<v Speaker 1>it drops with no resistance, right versus you going to

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<v Speaker 1>the ground yourself where you gotta collapse your legs and

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<v Speaker 1>then you kind of topple over a little bit. Those

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<v Speaker 1>buildings fell as if think was underneath them. You get

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<v Speaker 1>what I'm saying. They failed at free fall speed, the

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<v Speaker 1>speed at which something drops just out of that sky. Right,

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<v Speaker 1>that's physically impossible. Right, So there were things that happened

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<v Speaker 1>during that day that defied the laws of physics. Right.

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<v Speaker 1>And there have been many times when planes have hit buildings.

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<v Speaker 1>This is the first time in history that a building

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<v Speaker 1>fell because of plane hit it. Right. There has only

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<v Speaker 1>been two times in history that called that that a

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<v Speaker 1>building failed because the plane hit it, and both one

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<v Speaker 1>was nine eleven. See what I'm saying. So there's a

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<v Speaker 1>lot of statistical do you So, what do you feel

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<v Speaker 1>like happens into the right, So right now we're just

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<v Speaker 1>talking science. I don't when we got into the real ship. Right.

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<v Speaker 1>So what happened and what you can see and what

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<v Speaker 1>the witnesses say on that day, because there are lots

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<v Speaker 1>of people who were there who survived, people who are

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<v Speaker 1>actually in the buildings, right, and all of them to

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<v Speaker 1>a man say we heard explosion, right, um, and the

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<v Speaker 1>buildings start to pancake, right, So they were boom boom boom,

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<v Speaker 1>boom boom. Right, So the buildings were laced with explosives, right,

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<v Speaker 1>and so they exploded the cores of the buildings. I

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<v Speaker 1>don't even so. One of the most iconic photos that

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<v Speaker 1>you see in the Twin Towers is of like one

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<v Speaker 1>of these still beams and then one of the beams

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<v Speaker 1>is cut like this. You know what I'm saying. It's

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<v Speaker 1>like a little slat cut on it. So that's how

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<v Speaker 1>demolition crews wired buildings with thurmite. They wrapped these thrmite

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<v Speaker 1>wires around and steal columns because when it explodes, the

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<v Speaker 1>they went the beam to slide off if they if

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<v Speaker 1>it's like this and then it explodes, it's not going nowhere.

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<v Speaker 1>So they wire it on a slant so that us

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<v Speaker 1>it burns through the still being it slides off. And

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<v Speaker 1>so that's why when you go back and look at

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<v Speaker 1>some of the pictures of the beginning of the beings

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<v Speaker 1>sticking up, you're seeing with this little slant. It is

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<v Speaker 1>because that's how they were white with thurmite. So they

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<v Speaker 1>put bombs in the building. Third light around the cores

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<v Speaker 1>exploded them. Use what you saw as a plane, because

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<v Speaker 1>we ain't even got to the fact that there were

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<v Speaker 1>no planes or not a letter again. That's next level ship.

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<v Speaker 1>That's next level ship. Right us again, hold on, you

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<v Speaker 1>give your speedball it again? Use again. Now I know

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<v Speaker 1>some damn planes. It's real people died on on planes.

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<v Speaker 1>Real people. You wait, wait wait, wait, wait wait wait,

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<v Speaker 1>I don't want to get too fast. Hold on. So

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<v Speaker 1>what happened was, um, it was explosions in the building.

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<v Speaker 1>Um that they used what you saw as a plane

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<v Speaker 1>going into it. Um, explosion goes off and then the

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<v Speaker 1>buildings collapse apps due to the thermite on the core,

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<v Speaker 1>like on the still beams. Right. So that's what happened, right.

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<v Speaker 1>What we were given after that was the propaganda around

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<v Speaker 1>the event. Right. Every video that we have of the

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<v Speaker 1>event shows the planes because it all comes from the

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<v Speaker 1>same people that put it on. Right. Um, there are

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<v Speaker 1>a few independent videos that got out right, um, and

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<v Speaker 1>you can see an explosion happened, but ain't no fucking plane.

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<v Speaker 1>It's like, yeah, where the fund is the plane? Right,

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<v Speaker 1>because this wasn't one of their videos. All the videos

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<v Speaker 1>that we have on nine eleven came from the people

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<v Speaker 1>that orchestrated the ship. Right. All the way, it looks

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<v Speaker 1>like it's just a random camera on the street that

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<v Speaker 1>somehow magically caught the fucking um plane that was there. Right,

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<v Speaker 1>All those people, that's that. All the interviews of people

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<v Speaker 1>that you saw on the street who say, oh I

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<v Speaker 1>saw the plane that was them, those are all people

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<v Speaker 1>in on the ship. You know what I'm saying. Oh oh,

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<v Speaker 1>it gets deep in this mother. I'm trying to tell you, right,

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<v Speaker 1>um so um. The reality is that there there's lots

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<v Speaker 1>of video that exists where you don't see fucking planes.

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<v Speaker 1>All you see is an explosion and then later on

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<v Speaker 1>you see the buildings fall, so you you feel like

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<v Speaker 1>none of the people that were said to have died

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<v Speaker 1>in the plane crash are real people. All right? Before

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<v Speaker 1>you answer that one, now, you gotta get to why

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<v Speaker 1>it happens so that she can understand why. Uh you

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<v Speaker 1>you're saying that there are no people and no planes.

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<v Speaker 1>You gotta get to why it happened. That's the important part.

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<v Speaker 1>And hold on before you respond, um chop, I'm actually

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<v Speaker 1>the one meeting you because you got y'all can hear

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<v Speaker 1>that in the background when I when I meet him,

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<v Speaker 1>is silent, but it's like you can hear like an air.

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<v Speaker 1>So you know, whenever you want to talk on mute,

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<v Speaker 1>so then we could just have like the little piece

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<v Speaker 1>of the background noise. Other than that, you sound clear,

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<v Speaker 1>but we can hear like a little buzz in the back. Yes,

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<v Speaker 1>oh yeah, that's better. Yes, okay, we got the closing

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<v Speaker 1>the door, all right. So so what I was saying was, um,

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<v Speaker 1>you gotta get to why it happened, Like you'll have

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<v Speaker 1>to look up who Donald Ramsfeld is and how I

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<v Speaker 1>think it was twenty eight trillion dollars that was on

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<v Speaker 1>accounting for um and the United States government came out

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<v Speaker 1>the day before on September ten, came out the day

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<v Speaker 1>before and was talking about all the money that they

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<v Speaker 1>couldn't account for. And what Lennelle is saying to you,

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<v Speaker 1>like two planes took down three buildings. He didn't explain

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<v Speaker 1>what the third building was. So everybody knows about the

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<v Speaker 1>twin towers going down, but a lot of people don't

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<v Speaker 1>know that Building seven was the financial building that had

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<v Speaker 1>the financial records. So you got the government coming out saying, hey,

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<v Speaker 1>twenty eight trillion dollars is missing, uh, the and people

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<v Speaker 1>wanting answers for it the next day. This tragic event

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<v Speaker 1>happens to where it occupies the minds of everybody. The

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<v Speaker 1>financial building goes down to where even if you know

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<v Speaker 1>you did want to come out as people and say, yo,

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<v Speaker 1>we demand to know what happened to twenty eight trillion dollars. Well,

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<v Speaker 1>we don't know what happened to it because the building

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<v Speaker 1>that the information was stored in is no longer there.

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<v Speaker 1>Then you gotta get to the war, the weapons of

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<v Speaker 1>mass destruction that were never found. You gotta get to

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<v Speaker 1>the to the um opioid crisis that the world is

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<v Speaker 1>currently going through. You gotta get to the poppy fields

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<v Speaker 1>that are n Iraq. You gotta get to the museums

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<v Speaker 1>and the artifacts that were stolen. You gotta get to

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<v Speaker 1>you know, UM cern and the lhc over in Switzerland,

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<v Speaker 1>like it's so much ship that transpired, as you know,

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<v Speaker 1>UM nine eleven exactly. Then you would have to get

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<v Speaker 1>to the Patriot Act and how they're able to spy

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<v Speaker 1>on you, Like it's so much ship that a lot

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<v Speaker 1>of these conspiracies, the way they work is not it's

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<v Speaker 1>not simple. It's not like hey, I can say hey,

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<v Speaker 1>nine level and it's cut and dry. You have to

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<v Speaker 1>talk about one conspiracy that's like a ten step thing

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<v Speaker 1>to get to the next part of the conspiracy. That's

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<v Speaker 1>another ten steps. And some people they just want everything

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<v Speaker 1>microwave and they want it, you know, uh, quickly given

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<v Speaker 1>to them so they can easily digest it. That Unfortunately,

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<v Speaker 1>it's just not how it works. So unfortunately, with this

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<v Speaker 1>nine eleven thing, like you got to talk about so

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<v Speaker 1>many different things and so many different steps that happened

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<v Speaker 1>and that you know are happening now as a result

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<v Speaker 1>of that, that is kind of hard to just give

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<v Speaker 1>you everything in you know, two minutes, you get what

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<v Speaker 1>I'm saying. So before we even get to the planes

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<v Speaker 1>and c G I and no people, we got to

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<v Speaker 1>talk about all of those little things. Well it sounds

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<v Speaker 1>like big things that don't sound like little things, And

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<v Speaker 1>there's some big things you're saying, which you know, I

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<v Speaker 1>feel like it's possible. All these things you're saying are

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<v Speaker 1>are very possible. And now you know, I don't believe

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<v Speaker 1>that our our government is just like you know, righteous

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<v Speaker 1>and everything that they tell us. You know, obviously otherwise

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<v Speaker 1>we wouldn't even be here. Let me ask you this,

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<v Speaker 1>um so, and I want to go to something more

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<v Speaker 1>in your wheelhouse, right, UM, do you believe that, um

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<v Speaker 1>the hip Our industry is controlled by corporations. Yes, okay, Yo,

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<v Speaker 1>that's a great place to start because now we're talking

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<v Speaker 1>about yo. All right, so how now how did that?

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<v Speaker 1>Why do they control? What's the purpose of the control?

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<v Speaker 1>When hip hop? They want us dead? That's what I'm

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<v Speaker 1>starting to believe right now. They want black people to

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<v Speaker 1>be annihilated because why are they Why are they letting

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<v Speaker 1>us put out this dark as music. It's okay for

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<v Speaker 1>us to just make this violent music towards each other

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<v Speaker 1>and music that degrades black women. And they're like, yeah,

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<v Speaker 1>that's good, that's good stuff. Let's promote that to these

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<v Speaker 1>black people, to all people. So I agree there, yeah, yeah, yeah, no, no, no,

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<v Speaker 1>go with that right um. And so that's a good

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<v Speaker 1>place to start. So the reason I ask you about

0:12:47.480 --> 0:12:50.080
<v Speaker 1>nine eleven like I would ask you about jfk Um

0:12:50.120 --> 0:12:52.600
<v Speaker 1>and I think for you because it's something that I

0:12:52.640 --> 0:12:55.080
<v Speaker 1>think because you're in the industry, right, this kind of

0:12:55.120 --> 0:12:59.200
<v Speaker 1>hits closer, right, Um, how old are you? We're having

0:12:59.240 --> 0:13:12.360
<v Speaker 1>a good time? So no, all right, okay, I got you,

0:13:12.480 --> 0:13:14.320
<v Speaker 1>I got you. I'm trying to figure out are you

0:13:14.400 --> 0:13:18.760
<v Speaker 1>old enough to where you can recognize the transition um

0:13:18.800 --> 0:13:22.880
<v Speaker 1>from music, the musical content, the musical sound, from where

0:13:22.880 --> 0:13:25.559
<v Speaker 1>it was when it was kind of when it was authentic,

0:13:25.920 --> 0:13:28.600
<v Speaker 1>when even though we didn't control the business side, we

0:13:28.679 --> 0:13:31.840
<v Speaker 1>controlled the art that came out right where the industry

0:13:31.840 --> 0:13:34.160
<v Speaker 1>there was a lot of balance in the music right

0:13:34.160 --> 0:13:37.040
<v Speaker 1>where it wasn't all bullshit. It wasn't no bullshit, right.

0:13:37.040 --> 0:13:39.000
<v Speaker 1>So a lot of mother fuckers like to romantic size

0:13:39.400 --> 0:13:42.160
<v Speaker 1>um or the old days, like it wasn't no bullshit, No, no, no,

0:13:42.240 --> 0:13:44.719
<v Speaker 1>it wasn't the fact that it wasn't no bullshit. It's

0:13:44.760 --> 0:13:47.880
<v Speaker 1>just that it was balanced, right. And so just as

0:13:48.000 --> 0:13:50.000
<v Speaker 1>much good ship you had bad ship, you had ship

0:13:50.040 --> 0:13:51.920
<v Speaker 1>in the middle, like it was a ride variety of

0:13:52.000 --> 0:13:55.760
<v Speaker 1>fucking music, right, And so slowly there's been this transition

0:13:56.280 --> 0:13:59.880
<v Speaker 1>from balanced music coming from the culture to music that's

0:14:00.000 --> 0:14:03.400
<v Speaker 1>out that doesn't represent who we are, you know, Like,

0:14:03.440 --> 0:14:05.199
<v Speaker 1>are you old enough to see that? I feel like

0:14:05.720 --> 0:14:09.560
<v Speaker 1>the the music still is like that, there's good ship

0:14:09.600 --> 0:14:11.480
<v Speaker 1>and there's bad ship, but the good ship don't get

0:14:11.520 --> 0:14:13.880
<v Speaker 1>promoted like the bad ship. There's a lot of people

0:14:13.960 --> 0:14:17.679
<v Speaker 1>making good quality, positive music, but we just don't get

0:14:17.720 --> 0:14:20.200
<v Speaker 1>to hear. That's what I'm talking when I say I'm

0:14:20.200 --> 0:14:22.440
<v Speaker 1>talking about the ship now. I wanted to add that

0:14:23.160 --> 0:14:27.000
<v Speaker 1>even though these people are monopolizing and making money off

0:14:27.120 --> 0:14:30.440
<v Speaker 1>of the music that we are producing, let us not

0:14:30.520 --> 0:14:34.680
<v Speaker 1>forget that we are producing the music. So what if

0:14:34.680 --> 0:14:36.560
<v Speaker 1>we stopped producing the music, but they'd be able to

0:14:36.600 --> 0:14:38.920
<v Speaker 1>take advantage and make money off of it, they wouldn't

0:14:38.920 --> 0:14:41.920
<v Speaker 1>be able to. So it also comes with the community

0:14:42.000 --> 0:14:47.360
<v Speaker 1>as a collective being complicit on the bad murder music making.

0:14:47.680 --> 0:14:54.640
<v Speaker 1>Let's be clear, That's what I'm gonna say. Um yeah,

0:14:54.800 --> 0:14:57.400
<v Speaker 1>so I agree that we're definitely making the music. However,

0:14:57.800 --> 0:15:01.400
<v Speaker 1>and every fucking community, it's always sellouts, and there's always

0:15:01.400 --> 0:15:06.040
<v Speaker 1>people willing to do anything right. And what we're seeing

0:15:06.360 --> 0:15:09.840
<v Speaker 1>are those people, right, Um, the people who because a

0:15:09.880 --> 0:15:12.120
<v Speaker 1>lot of them. So there are some who recognize that

0:15:12.200 --> 0:15:14.120
<v Speaker 1>what they're doing is bullshit and that it's part of

0:15:14.120 --> 0:15:15.760
<v Speaker 1>the agenda, and they're like, yeah, I'm here for it

0:15:15.880 --> 0:15:17.520
<v Speaker 1>as long as I get paid. I'm looking at me.

0:15:17.680 --> 0:15:20.000
<v Speaker 1>There are lots of people like that, right. Then there

0:15:20.000 --> 0:15:22.440
<v Speaker 1>are some people who they see, all right, well I

0:15:22.480 --> 0:15:24.280
<v Speaker 1>just want to be famous, I just want to be rich,

0:15:24.480 --> 0:15:26.360
<v Speaker 1>so I'll just do whatever it takes to get rich,

0:15:26.760 --> 0:15:29.440
<v Speaker 1>right And so, um, the people that are doing this

0:15:30.120 --> 0:15:33.760
<v Speaker 1>capitalize off those two groups of people, right, And so

0:15:34.080 --> 0:15:36.760
<v Speaker 1>what I wanna and so I want to take this right,

0:15:36.840 --> 0:15:39.440
<v Speaker 1>take that thought process where you have this this group

0:15:39.440 --> 0:15:42.880
<v Speaker 1>of people who promote because like you said, Tam, right there,

0:15:43.040 --> 0:15:47.520
<v Speaker 1>good music is made. However it's not promoted. We don't

0:15:47.560 --> 0:15:49.680
<v Speaker 1>have access to it. It's not on the radio, it's

0:15:49.680 --> 0:15:52.440
<v Speaker 1>not on the TV. Those artists aren't given the platform

0:15:52.640 --> 0:15:55.960
<v Speaker 1>to put out music that has quality content, quality sound. Right,

0:15:55.960 --> 0:15:58.360
<v Speaker 1>that doesn't take you into it into your lower chakras. Right,

0:15:58.640 --> 0:16:02.160
<v Speaker 1>that that's not being given to us because the avenues

0:16:02.160 --> 0:16:04.680
<v Speaker 1>about which music gets to us or about which any

0:16:04.720 --> 0:16:08.200
<v Speaker 1>media gets to us is contrained. I'm saying, we're getting

0:16:08.240 --> 0:16:11.720
<v Speaker 1>to the point where the Internet, this wide open that's

0:16:11.760 --> 0:16:15.640
<v Speaker 1>fucking Internet, is getting controlled. Right. They've been trying to

0:16:15.640 --> 0:16:18.600
<v Speaker 1>put forth bills to control the Internet where they can

0:16:18.640 --> 0:16:21.120
<v Speaker 1>either um speed up or slow down the speeds of

0:16:21.200 --> 0:16:23.960
<v Speaker 1>what you connect, right, depending on which website you go

0:16:23.960 --> 0:16:25.600
<v Speaker 1>to and what service you got. Like they're trying they're

0:16:25.640 --> 0:16:28.280
<v Speaker 1>literally trying to control what you can cert like, what

0:16:28.400 --> 0:16:31.240
<v Speaker 1>you can see on the internot or um what you

0:16:31.280 --> 0:16:33.360
<v Speaker 1>have access to. And let me give an example of

0:16:33.400 --> 0:16:36.760
<v Speaker 1>that like say first like like TikTok right now, my

0:16:36.880 --> 0:16:39.880
<v Speaker 1>zip cold to nine zero seven, My TikTok may look

0:16:39.960 --> 0:16:42.760
<v Speaker 1>this way, your zip colde, your TikTok is gonna look

0:16:42.920 --> 0:16:49.240
<v Speaker 1>another way. Like they literally, uh, they basically market program exactly.

0:16:49.280 --> 0:16:54.360
<v Speaker 1>It's programming. So China, their TikTok is totally different. They don't, right,

0:16:54.400 --> 0:16:56.880
<v Speaker 1>That's what I saw that. I saw that they promote

0:16:56.920 --> 0:17:02.040
<v Speaker 1>like education, happy things, good things, right, beautiful thing aith

0:17:03.160 --> 0:17:05.600
<v Speaker 1>on the music, on the music part of things. How

0:17:05.760 --> 0:17:07.680
<v Speaker 1>an easy way for you to see how music, how

0:17:07.760 --> 0:17:10.480
<v Speaker 1>music is controlled. Are you a little baby fan? Tammy?

0:17:11.920 --> 0:17:15.760
<v Speaker 1>All right? So you know that throughout little babies existence,

0:17:15.760 --> 0:17:21.000
<v Speaker 1>he only made one song uh that uh that brought

0:17:21.040 --> 0:17:25.920
<v Speaker 1>together generations and that spoke about topics that are taboo

0:17:26.160 --> 0:17:28.840
<v Speaker 1>in his lane a rap like he's not drill rap,

0:17:29.320 --> 0:17:36.120
<v Speaker 1>but he's not um uh what's the word rap? He's

0:17:36.160 --> 0:17:38.880
<v Speaker 1>not conscious rap, but he's not also not drill rap.

0:17:38.880 --> 0:17:42.560
<v Speaker 1>He's in his own little little lane. It's so when

0:17:42.600 --> 0:17:45.040
<v Speaker 1>he made the song The Bigger Picture. You remember that song,

0:17:45.080 --> 0:17:47.560
<v Speaker 1>it's bigger than black. You want to know why he

0:17:47.640 --> 0:17:51.080
<v Speaker 1>never made another song like the Bigger Picture because the

0:17:51.160 --> 0:17:53.320
<v Speaker 1>label came to him and said we're not doing this.

0:17:53.840 --> 0:17:57.800
<v Speaker 1>They it was a single, they delisted it from being

0:17:57.800 --> 0:18:00.600
<v Speaker 1>a single, which I've never heard happening. You still find

0:18:00.600 --> 0:18:03.240
<v Speaker 1>it on streaming services, but it came out as a

0:18:03.280 --> 0:18:06.560
<v Speaker 1>single and they refused to let that be the single

0:18:06.720 --> 0:18:09.760
<v Speaker 1>for the album that was coming out. So things as

0:18:09.840 --> 0:18:14.040
<v Speaker 1>little as that where you got a rapper that you know, um,

0:18:14.080 --> 0:18:15.760
<v Speaker 1>I was born at eighty nine, So you got a

0:18:15.840 --> 0:18:18.680
<v Speaker 1>rapper that's influential on my age group, the age group

0:18:18.720 --> 0:18:21.360
<v Speaker 1>before me, and definitely the age group under me, and

0:18:21.520 --> 0:18:23.760
<v Speaker 1>as well as the age group under them. Like he

0:18:23.800 --> 0:18:29.280
<v Speaker 1>transcedes generations because he's like this, he's that generation's uh,

0:18:29.359 --> 0:18:31.080
<v Speaker 1>I guess you could call him that generation is jay

0:18:31.160 --> 0:18:33.920
<v Speaker 1>Z not comparing it too, but as far as influence

0:18:34.040 --> 0:18:36.760
<v Speaker 1>and as far as rapping ability, he's that generation jay Z.

0:18:37.160 --> 0:18:38.840
<v Speaker 1>The fact that he made a song like that and

0:18:38.880 --> 0:18:40.879
<v Speaker 1>the label said no, we're not doing this, but that

0:18:40.960 --> 0:18:44.399
<v Speaker 1>song was so big that alone tells you that that

0:18:44.400 --> 0:18:46.800
<v Speaker 1>that's going against the agenda that they want to push.

0:18:46.840 --> 0:18:51.200
<v Speaker 1>That makes sense, right, So now all you here is

0:18:51.720 --> 0:18:53.920
<v Speaker 1>you know all this bang bang shoot them up shit

0:18:54.000 --> 0:18:55.760
<v Speaker 1>if they the ops go do that? You hear the

0:18:55.800 --> 0:18:57.640
<v Speaker 1>City Girls ship like you hear a bunch of ship

0:18:57.680 --> 0:19:01.400
<v Speaker 1>that's destructive to the younger and quessionable generation. You get

0:19:01.400 --> 0:19:03.679
<v Speaker 1>what I'm saying. And you know, you've got people like

0:19:03.760 --> 0:19:05.720
<v Speaker 1>Kanye that to come out and he'll tell you, like yo,

0:19:05.760 --> 0:19:08.240
<v Speaker 1>the reason music is the way it is is because

0:19:08.320 --> 0:19:10.159
<v Speaker 1>of the eight O weights and what they did to it.

0:19:10.440 --> 0:19:13.719
<v Speaker 1>They pretty much demonized it to where controls your lower chakra.

0:19:13.880 --> 0:19:15.680
<v Speaker 1>And you get what I'm saying. He was just talking

0:19:15.680 --> 0:19:18.639
<v Speaker 1>about energy in the first Drink Champs interview. Kanye dropped

0:19:18.680 --> 0:19:21.479
<v Speaker 1>a lot of gems in that first Drink Champs interview

0:19:21.520 --> 0:19:23.760
<v Speaker 1>as far as what's going on with the industry, and

0:19:23.800 --> 0:19:25.880
<v Speaker 1>a lot of people overlooked it because of the slick

0:19:25.920 --> 0:19:28.080
<v Speaker 1>ship that he was saying. But if you go re

0:19:28.160 --> 0:19:30.440
<v Speaker 1>listen to that, you'll see, like yo, everything he was

0:19:30.480 --> 0:19:33.639
<v Speaker 1>talking about music is exactly what's playing out now. And

0:19:33.760 --> 0:19:37.640
<v Speaker 1>you know people are still oblivious to that. So and

0:19:38.040 --> 0:19:41.160
<v Speaker 1>you know there, oh sorry, So I feel like, um,

0:19:41.200 --> 0:19:43.960
<v Speaker 1>I don't know, maybe two years ago, I swear to god,

0:19:44.200 --> 0:19:47.560
<v Speaker 1>I read an article that was saying that Avid Avid

0:19:47.640 --> 0:19:51.200
<v Speaker 1>that makes pro tools that was created by the government,

0:19:51.280 --> 0:19:54.960
<v Speaker 1>and I can't find that article nowhere. So they take

0:19:55.040 --> 0:19:59.840
<v Speaker 1>up exactly so y'all took away the acoustic instruments. A

0:20:00.040 --> 0:20:02.880
<v Speaker 1>y'all let it literally put the devil into this fucking program.

0:20:03.560 --> 0:20:09.640
<v Speaker 1>And this is what nigga now pro tools. Yeah. So, um,

0:20:10.160 --> 0:20:13.240
<v Speaker 1>have y'all heard about when I know you're seeing articles

0:20:13.280 --> 0:20:14.960
<v Speaker 1>and they talked about the meetings that were had in

0:20:15.040 --> 0:20:19.159
<v Speaker 1>hip hop sex um, like the people who control like

0:20:19.200 --> 0:20:21.960
<v Speaker 1>the prisons and the liquor companies and clothing companies met

0:20:21.960 --> 0:20:24.399
<v Speaker 1>with like the music exex you know. Actually talked to

0:20:24.440 --> 0:20:27.040
<v Speaker 1>somebody who was in one of those meetings and he

0:20:27.080 --> 0:20:29.000
<v Speaker 1>told me, he told me exactly what then they were

0:20:29.040 --> 0:20:32.080
<v Speaker 1>talking about, and it was a weed out session, he

0:20:32.160 --> 0:20:34.760
<v Speaker 1>said pretty much. They came in right, they invited all

0:20:34.800 --> 0:20:37.359
<v Speaker 1>these influence people do uh into the music because it

0:20:37.400 --> 0:20:39.199
<v Speaker 1>wasn't just one meeting. There was like a series of

0:20:39.240 --> 0:20:42.240
<v Speaker 1>meetings that they were holding around the country, right to

0:20:42.280 --> 0:20:44.720
<v Speaker 1>get all the influence influence with people in right, and

0:20:44.760 --> 0:20:47.159
<v Speaker 1>so they were weeding people out. So they said, Yo,

0:20:47.240 --> 0:20:50.240
<v Speaker 1>this is what we're gonna do, and anybody who objected

0:20:50.960 --> 0:20:53.560
<v Speaker 1>was never invited back to another meeting and they were

0:20:53.680 --> 0:21:00.119
<v Speaker 1>subsequently ushered out the music industry. Right. So um, now

0:21:00.160 --> 0:21:02.959
<v Speaker 1>I want to take that all, right, Tammy. I'm sorry, Tamba.

0:21:05.480 --> 0:21:07.080
<v Speaker 1>All right, so I want to so I want you

0:21:07.160 --> 0:21:09.320
<v Speaker 1>to take that process, right, that that thought process. What

0:21:09.440 --> 0:21:12.600
<v Speaker 1>we understand, we can agree that Um, at some point

0:21:12.600 --> 0:21:16.520
<v Speaker 1>in time, some people came together for the purpose of

0:21:16.560 --> 0:21:20.880
<v Speaker 1>controlling the music industry to for an agenda, right, Um,

0:21:20.920 --> 0:21:23.639
<v Speaker 1>And what we see it looks like the agenda to

0:21:24.119 --> 0:21:27.840
<v Speaker 1>destroy what we would consider a healthy black community, right

0:21:27.880 --> 0:21:30.040
<v Speaker 1>because we see it directed at us. Right. We don't

0:21:30.080 --> 0:21:36.840
<v Speaker 1>see this um directed at right exactly. So they want

0:21:36.840 --> 0:21:40.640
<v Speaker 1>to destabilize um so that they can control us as

0:21:40.640 --> 0:21:46.960
<v Speaker 1>a people. Okay, So, UM, that same thing happens in

0:21:47.160 --> 0:21:50.800
<v Speaker 1>other industries. Right, It's not just in music, right, it's

0:21:50.840 --> 0:21:53.879
<v Speaker 1>a that they copy and paste the same format, the

0:21:53.960 --> 0:21:58.200
<v Speaker 1>same strategies in different sectors. Right. They control every sect

0:21:58.200 --> 0:22:02.960
<v Speaker 1>of human activity. Right. So this even goes to science. Right,

0:22:03.119 --> 0:22:06.879
<v Speaker 1>this even goes to your doctor. Right. So we haven't

0:22:06.920 --> 0:22:09.359
<v Speaker 1>so when you start looking at why medicine is the

0:22:09.359 --> 0:22:12.440
<v Speaker 1>way it is, why they don't cure anything anymore. They

0:22:12.520 --> 0:22:15.280
<v Speaker 1>used to cure stuff, right. They used to They used

0:22:15.280 --> 0:22:16.359
<v Speaker 1>to go to the doctor and they'll be like, now

0:22:16.520 --> 0:22:18.959
<v Speaker 1>you take this, take this, you're cured. Right. They used

0:22:19.000 --> 0:22:21.840
<v Speaker 1>to use natural stuff. To cure you. The medicine they

0:22:21.880 --> 0:22:24.280
<v Speaker 1>gave you didn't make you sicker or didn't have all

0:22:24.280 --> 0:22:27.760
<v Speaker 1>these different side effects. Right. That's gone right because that

0:22:27.880 --> 0:22:31.159
<v Speaker 1>industry was controlled. It was taken over by what we

0:22:31.240 --> 0:22:34.119
<v Speaker 1>now call we have allopathic medicine. Right there used to

0:22:34.119 --> 0:22:37.560
<v Speaker 1>be homeopathic, natural pathic, you know what I'm saying, medicine.

0:22:37.600 --> 0:22:40.680
<v Speaker 1>They used to have these doctors right who used herbs

0:22:41.040 --> 0:22:43.359
<v Speaker 1>and tonics and things of that nature that was natural.

0:22:43.680 --> 0:22:47.119
<v Speaker 1>They got ran out the business, they got qualified, meaning

0:22:47.200 --> 0:22:50.719
<v Speaker 1>they the media was used to label these people as quacks.

0:22:51.400 --> 0:22:55.359
<v Speaker 1>Politicians then came in putting on laws to make you say,

0:22:55.600 --> 0:22:59.040
<v Speaker 1>all right, in order to practice medicine or to cure people,

0:22:59.320 --> 0:23:01.800
<v Speaker 1>you have to be part of this system. Right. So

0:23:01.840 --> 0:23:05.280
<v Speaker 1>they systemize everything. Right. You've got the music industry, right,

0:23:05.320 --> 0:23:08.880
<v Speaker 1>that's a system, the medical industry, that's a system. Right.

0:23:08.960 --> 0:23:14.240
<v Speaker 1>So everything has a system to it, including science, okay,

0:23:14.359 --> 0:23:20.320
<v Speaker 1>and the things that you see right that are science, right, um,

0:23:20.520 --> 0:23:23.160
<v Speaker 1>do not are not really science for the most part.

0:23:23.560 --> 0:23:26.200
<v Speaker 1>And so what they'll do is they'll take something that's

0:23:26.280 --> 0:23:30.280
<v Speaker 1>actual science and then mix it with some pseudo science.

0:23:30.960 --> 0:23:34.000
<v Speaker 1>Pseudo science all right. So there's there's two different things.

0:23:34.119 --> 0:23:37.280
<v Speaker 1>Is that the two different methods of science. You have

0:23:37.480 --> 0:23:40.520
<v Speaker 1>science which can pours to the scientific method. At the

0:23:40.520 --> 0:23:43.080
<v Speaker 1>crux of the scientific method is things that you can

0:23:43.200 --> 0:23:47.639
<v Speaker 1>um that observable, testable, and repeatable, right, meaning that we

0:23:47.640 --> 0:23:50.760
<v Speaker 1>can do an experiment, right, we come up with an outcome,

0:23:51.080 --> 0:23:53.439
<v Speaker 1>and then I can tell you what I did, and

0:23:53.480 --> 0:23:57.000
<v Speaker 1>then you can go without me, get your own materials,

0:23:57.240 --> 0:24:00.480
<v Speaker 1>redo the same experiment, and get the same thing I got. Right.

0:24:00.520 --> 0:24:04.360
<v Speaker 1>That's a scientific method, right, that's perfect. I love that ship. Right.

0:24:05.440 --> 0:24:08.679
<v Speaker 1>Pseudo science is when you already have the outcome you

0:24:08.720 --> 0:24:13.280
<v Speaker 1>want and then you construct a narrative, right, or an

0:24:13.280 --> 0:24:16.359
<v Speaker 1>experiment or thought process to get you to the to

0:24:16.440 --> 0:24:21.560
<v Speaker 1>the the end already. And so what people call science,

0:24:22.640 --> 0:24:26.040
<v Speaker 1>um is really pseudo science. Right. A lot of the

0:24:26.119 --> 0:24:28.880
<v Speaker 1>things that we see and we think are science scientific

0:24:29.119 --> 0:24:32.879
<v Speaker 1>are really masquerading as science, but they're really pseudo science.

0:24:33.040 --> 0:24:35.080
<v Speaker 1>One of the things, and I guess to the topic

0:24:35.080 --> 0:24:37.199
<v Speaker 1>of what we're talking about here are the pictures of

0:24:37.240 --> 0:24:40.520
<v Speaker 1>the earth that you see, right, None of those are

0:24:40.560 --> 0:24:44.200
<v Speaker 1>actual photographs throughout images, right, And I can give you

0:24:44.240 --> 0:24:47.160
<v Speaker 1>an image of anything. I have an image of two

0:24:47.160 --> 0:24:50.119
<v Speaker 1>crabs playing poker. Right, does that make it does that

0:24:50.160 --> 0:24:54.679
<v Speaker 1>mean that it really happened. No, it could have happened.

0:24:56.840 --> 0:25:00.200
<v Speaker 1>I did get crab with a knife like trying did

0:25:00.200 --> 0:25:07.760
<v Speaker 1>die too, I don't care. Yeah, yeah, he's trying to

0:25:07.760 --> 0:25:09.840
<v Speaker 1>fight back, so they might know how to play space.

0:25:09.920 --> 0:25:10.280
<v Speaker 1>I don't know.