WEBVTT - Episode 351 "Roscoe Dash"

0:00:00.160 --> 0:00:01.680
<v Speaker 1>They get a little They called me.

0:00:06.680 --> 0:00:09.880
<v Speaker 2>Broadcasting live from Atlanta, Georgia. Welcome to the ball Alert Show.

0:00:09.960 --> 0:00:11.000
<v Speaker 2>I go by the name of Ferrari.

0:00:11.320 --> 0:00:13.440
<v Speaker 1>I go by to there, you know, bt Rosco Dash

0:00:13.480 --> 0:00:18.319
<v Speaker 1>of the buildings on Fellas. What's up, Bro? How y'all doing?

0:00:19.360 --> 0:00:21.680
<v Speaker 1>Long time? No man, but I'll be bumping into yall

0:00:21.680 --> 0:00:23.759
<v Speaker 1>and auto right, yeah, that's cool. Let me know. We

0:00:23.840 --> 0:00:26.279
<v Speaker 1>all doing we're supposed to be doing. So every time I.

0:00:26.280 --> 0:00:28.600
<v Speaker 2>See you, I just think about that that diamond record

0:00:28.640 --> 0:00:28.960
<v Speaker 2>you got.

0:00:29.000 --> 0:00:31.880
<v Speaker 1>You know what I'm saying, diamond real hand right, that's right,

0:00:31.920 --> 0:00:33.880
<v Speaker 1>that's right. I appreciate the people for that. Man, we

0:00:33.880 --> 0:00:35.560
<v Speaker 1>wouldn't have had that if it wentn't for everybody. Just

0:00:35.640 --> 0:00:38.040
<v Speaker 1>keep to me. The bigger part about it is that

0:00:38.440 --> 0:00:40.880
<v Speaker 1>it's had the longevity has had over the years. You

0:00:40.920 --> 0:00:42.760
<v Speaker 1>know what I'm saying, classic right now. You know what

0:00:42.800 --> 0:00:44.920
<v Speaker 1>I'm saying. Coming from an area that wasn't digital, going

0:00:44.960 --> 0:00:46.839
<v Speaker 1>into digital like that and just being able to have

0:00:46.880 --> 0:00:48.600
<v Speaker 1>that longevity is what makes it what it is. I

0:00:48.640 --> 0:00:50.559
<v Speaker 1>think to me, anyway, first of all, what the hell

0:00:50.600 --> 0:00:53.280
<v Speaker 1>you been bro? Tucked in, Bro, trying to get it together.

0:00:53.479 --> 0:00:54.960
<v Speaker 1>But I've been plotting over Bro I've been putting some

0:00:55.000 --> 0:00:57.800
<v Speaker 1>new music together. I've been doing some acting. Are you

0:00:57.880 --> 0:00:59.920
<v Speaker 1>acting there? I'm working on a documentary right now to

0:01:00.040 --> 0:01:02.280
<v Speaker 1>tell where I've been at. So just a lot of

0:01:02.360 --> 0:01:03.920
<v Speaker 1>good things, bro, A lot of stuff that I needed

0:01:03.920 --> 0:01:08.080
<v Speaker 1>to do to to kind of just re remind people, reintroduced,

0:01:08.120 --> 0:01:10.000
<v Speaker 1>and then you know, do my thing from there. So

0:01:10.120 --> 0:01:12.160
<v Speaker 1>is the mohawk you over coming back? It's actually under

0:01:12.200 --> 0:01:14.120
<v Speaker 1>these braids like this is this is really a long mohawk.

0:01:14.120 --> 0:01:14.920
<v Speaker 1>I just break it down.

0:01:15.800 --> 0:01:20.600
<v Speaker 2>I swear no, lie that when when you when you

0:01:20.720 --> 0:01:24.119
<v Speaker 2>had everything in the chokehold, I'd say, what two thousand

0:01:24.120 --> 0:01:28.120
<v Speaker 2>and nine and you know, going on for a couple

0:01:28.120 --> 0:01:30.760
<v Speaker 2>of years after that, But I remember two thousand and nine, Bro,

0:01:31.480 --> 0:01:33.800
<v Speaker 2>oh no way.

0:01:33.200 --> 0:01:37.520
<v Speaker 1>You said everybody had a mohawk. Everybody we had rosary

0:01:37.560 --> 0:01:39.319
<v Speaker 1>beads and all that. Yeah.

0:01:39.360 --> 0:01:43.120
<v Speaker 2>Man, yeah, even that flow your cadence, how you you know,

0:01:43.319 --> 0:01:45.400
<v Speaker 2>accentuated your your wordplay.

0:01:46.280 --> 0:01:49.360
<v Speaker 1>That was a that was a thing. Yeah, It's crazy, bro,

0:01:49.440 --> 0:01:51.920
<v Speaker 1>because I think what really sparked that was just what

0:01:51.960 --> 0:01:53.840
<v Speaker 1>I was listening to and how it was influenced growing up.

0:01:53.840 --> 0:01:55.920
<v Speaker 1>So I have so much influence from music, bro, Like

0:01:55.920 --> 0:01:58.800
<v Speaker 1>from Andre three thousand to like even the dmx is

0:01:58.840 --> 0:02:00.440
<v Speaker 1>and stuff like. I used to go get the booklets

0:02:00.480 --> 0:02:01.960
<v Speaker 1>and read the lyrics you know what I'm saying, and

0:02:02.000 --> 0:02:04.960
<v Speaker 1>like really see what's going on. So once I got

0:02:05.000 --> 0:02:06.800
<v Speaker 1>into like the t Pains. I think this was right

0:02:06.840 --> 0:02:09.560
<v Speaker 1>after Little John was started going Crazy. He was on

0:02:09.639 --> 0:02:11.640
<v Speaker 1>like his second or third album, going Nuts. So I

0:02:11.680 --> 0:02:13.600
<v Speaker 1>just wanted to take something and just kind of make

0:02:13.600 --> 0:02:15.040
<v Speaker 1>a hybrid you know what I'm saying or what was

0:02:15.080 --> 0:02:17.839
<v Speaker 1>going on. And Roscoe Dash came from that. So what'd

0:02:17.840 --> 0:02:19.680
<v Speaker 1>you get the name Roscoe Dash from? Dash?

0:02:19.680 --> 0:02:19.880
<v Speaker 3>Shit?

0:02:19.960 --> 0:02:20.080
<v Speaker 1>Bro?

0:02:20.160 --> 0:02:22.959
<v Speaker 2>Oh my gosh, Like, what's your real name?

0:02:23.080 --> 0:02:25.800
<v Speaker 1>My real name is Jeffrey got it? Johnson Junior. I'm

0:02:25.840 --> 0:02:28.600
<v Speaker 1>a junior too, Okay, Ballot, We're Roscoe Dash come from.

0:02:28.639 --> 0:02:29.960
<v Speaker 1>I went to the internet. Bro. I had a lot

0:02:30.000 --> 0:02:32.320
<v Speaker 1>of names before I had Roscoe Dash, honestly. And it's

0:02:32.360 --> 0:02:34.600
<v Speaker 1>funny because when I was moving around with with Travis Porter,

0:02:34.639 --> 0:02:36.040
<v Speaker 1>they used to try to give me names too, like

0:02:36.080 --> 0:02:37.880
<v Speaker 1>and I'm like, nah, that ain't it. Or I come

0:02:37.960 --> 0:02:39.120
<v Speaker 1>up with a name and they be like, nah, that

0:02:39.160 --> 0:02:41.320
<v Speaker 1>ain't it. But I went to the Internet ultimately, and

0:02:41.320 --> 0:02:43.359
<v Speaker 1>remember we used to have those two lists and two

0:02:43.360 --> 0:02:45.600
<v Speaker 1>column list of like mix and match you draw the

0:02:45.639 --> 0:02:47.480
<v Speaker 1>line to it or whatever. I literally went and found

0:02:47.480 --> 0:02:49.800
<v Speaker 1>like retro superheroes and they after the identities, and I

0:02:49.840 --> 0:02:51.519
<v Speaker 1>just mix and matched it till I found something network

0:02:51.960 --> 0:02:53.600
<v Speaker 1>and I was like, I needed something that's gonna stick.

0:02:53.680 --> 0:02:57.079
<v Speaker 1>So basically, you use the old AI. You feel what

0:02:57.120 --> 0:02:59.760
<v Speaker 1>I'm saying. Yeah, yeah, yeah, we've been We've been on

0:02:59.760 --> 0:03:01.600
<v Speaker 1>a a you know. Yeah.

0:03:01.680 --> 0:03:04.120
<v Speaker 2>Now I remember, I'm glad you brought up Travis Porter

0:03:04.200 --> 0:03:08.000
<v Speaker 2>one time for Travis Porter, but I do remember vividly.

0:03:08.919 --> 0:03:13.160
<v Speaker 2>Uh it was a version of the song all the

0:03:13.200 --> 0:03:16.639
<v Speaker 2>Way turned up, All the Way was all the Way

0:03:16.680 --> 0:03:19.160
<v Speaker 2>turned up, all the Way turned up, and then I

0:03:19.200 --> 0:03:21.240
<v Speaker 2>saw Roscoe Dash and Soldier Boy version.

0:03:21.320 --> 0:03:21.959
<v Speaker 1>Yeah.

0:03:22.000 --> 0:03:24.200
<v Speaker 2>I want to talk about that because I don't know

0:03:24.600 --> 0:03:27.919
<v Speaker 2>if the right clarity was ever addressed.

0:03:28.919 --> 0:03:34.560
<v Speaker 1>What happened, honestly, bro a lot a lot of stuff happened.

0:03:35.320 --> 0:03:38.440
<v Speaker 1>Whose song was it first? But everybody thought it was

0:03:38.440 --> 0:03:40.160
<v Speaker 1>the song? Yeah yeah, but that's because they were popping.

0:03:40.160 --> 0:03:41.520
<v Speaker 1>They were they were already look like I was going

0:03:41.520 --> 0:03:43.080
<v Speaker 1>to the club trying to get my song played when

0:03:43.080 --> 0:03:45.040
<v Speaker 1>they were doing Badness, Bitch in the World and ship

0:03:45.160 --> 0:03:46.920
<v Speaker 1>like that. So like respecting them for that because they've

0:03:46.920 --> 0:03:48.839
<v Speaker 1>been doing it before then, and they were black mind

0:03:48.840 --> 0:03:50.720
<v Speaker 1>before then. A lot of people don't know that hard

0:03:50.760 --> 0:03:52.400
<v Speaker 1>hitters or whatever it was. So I've been on them.

0:03:52.440 --> 0:03:54.080
<v Speaker 1>I've been on like black Man versus the fan stuff

0:03:54.080 --> 0:03:57.520
<v Speaker 1>sit like that. So nonetheless, I made the song. I

0:03:57.520 --> 0:03:59.480
<v Speaker 1>think my mom had just moved to Like it was

0:03:59.480 --> 0:04:01.320
<v Speaker 1>like a really bad time for America, like we was

0:04:01.320 --> 0:04:03.040
<v Speaker 1>in a recession and shit like that, and so my

0:04:03.040 --> 0:04:05.240
<v Speaker 1>mom had just got laid off and they relocated her

0:04:05.280 --> 0:04:07.760
<v Speaker 1>to Seattle, and so I was in the crib by myself,

0:04:08.120 --> 0:04:10.280
<v Speaker 1>and I went and got like some U Haul blankets

0:04:10.280 --> 0:04:11.880
<v Speaker 1>and shit, like I'm literally fitting for myself at like

0:04:11.880 --> 0:04:14.040
<v Speaker 1>seventeen eighteen. Okay, So I went and got some U

0:04:14.080 --> 0:04:15.640
<v Speaker 1>Haul blankets. I set them up in the corner of

0:04:15.680 --> 0:04:19.760
<v Speaker 1>the room, got a microphone, wrapped a washcloth around it

0:04:19.760 --> 0:04:21.600
<v Speaker 1>with a rubber band. I think I was recording on

0:04:21.600 --> 0:04:23.599
<v Speaker 1>like Adobe Audition's three point zero, which was like not

0:04:23.680 --> 0:04:26.080
<v Speaker 1>even some recording software for real, playing it off a

0:04:26.080 --> 0:04:28.240
<v Speaker 1>boombox like it was really put together, you know what

0:04:28.279 --> 0:04:29.880
<v Speaker 1>I'm saying. Like I really kind of nigga rigged it

0:04:29.920 --> 0:04:32.920
<v Speaker 1>a little bit. But nonetheless, I came up with the record.

0:04:33.000 --> 0:04:34.640
<v Speaker 1>I knew I needed to re record the record, so

0:04:34.680 --> 0:04:38.080
<v Speaker 1>I went to who was sire the Kids now? But

0:04:38.120 --> 0:04:40.800
<v Speaker 1>it was his arrogant music studios off of Wendy Hill.

0:04:41.040 --> 0:04:43.080
<v Speaker 1>I went and re recorded that song, and I did

0:04:43.120 --> 0:04:45.039
<v Speaker 1>another song called crunch Time, but it was just the

0:04:45.080 --> 0:04:48.200
<v Speaker 1>hook in the first verse for turned up so fast forward.

0:04:48.200 --> 0:04:50.520
<v Speaker 1>My cousin had a good relationship with them from school

0:04:50.600 --> 0:04:52.920
<v Speaker 1>or whatever, from Miller Grove or whatever. So we went

0:04:52.960 --> 0:04:55.560
<v Speaker 1>to this club, just Jamaking Club off South Harriston one night,

0:04:55.640 --> 0:04:57.960
<v Speaker 1>and we was with Strap and I played the CD

0:04:58.120 --> 0:05:00.520
<v Speaker 1>in the car and he heard it and was like, oh,

0:05:00.520 --> 0:05:02.240
<v Speaker 1>this shit hard. I was like, I actually wanted I

0:05:02.320 --> 0:05:03.800
<v Speaker 1>need somebody to get us still some open spots on

0:05:03.839 --> 0:05:05.400
<v Speaker 1>here with you with the woop. So he was like, man,

0:05:05.400 --> 0:05:07.320
<v Speaker 1>I'm definitely gonna do it woo woop. So a couple

0:05:07.360 --> 0:05:09.960
<v Speaker 1>of days later we went over to CEO Charlie's Mama

0:05:09.960 --> 0:05:12.120
<v Speaker 1>crib to spitch your game office or whatever and cut

0:05:12.120 --> 0:05:14.360
<v Speaker 1>the record in his totality for what the Travis Porter

0:05:14.440 --> 0:05:16.160
<v Speaker 1>version was. A couple of weeks later they put out

0:05:16.160 --> 0:05:18.200
<v Speaker 1>the Differenter album and it ended up on there from

0:05:18.200 --> 0:05:20.840
<v Speaker 1>whoever however, it just ended up on their project as

0:05:21.080 --> 0:05:23.839
<v Speaker 1>Travis Porter featuring I was ATL at that time, young ATL,

0:05:24.200 --> 0:05:26.240
<v Speaker 1>so nobody knew who Roscoe Dash was, you know what

0:05:26.279 --> 0:05:28.240
<v Speaker 1>I'm saying. Until they heard the first verse and they

0:05:28.279 --> 0:05:30.359
<v Speaker 1>heard me actually do it, then it's like okay. So

0:05:30.400 --> 0:05:32.000
<v Speaker 1>I went and moved around with them for a little bit,

0:05:32.360 --> 0:05:34.080
<v Speaker 1>and I actually was open to get in a situation

0:05:34.200 --> 0:05:36.839
<v Speaker 1>with I guess. I don't know what the name of

0:05:36.880 --> 0:05:39.000
<v Speaker 1>the Porterhouse label was before it was Porterhouse, but they

0:05:39.000 --> 0:05:40.960
<v Speaker 1>were in they were on their way to building that

0:05:41.120 --> 0:05:43.360
<v Speaker 1>in print or whatever, and so I talked to the CEO,

0:05:43.440 --> 0:05:45.120
<v Speaker 1>Charlie about it, but he wanted me to be included

0:05:45.120 --> 0:05:46.680
<v Speaker 1>in the group. And I'm like, Nigga, I can go

0:05:46.720 --> 0:05:49.760
<v Speaker 1>move around with them, you know what I'm saying, because

0:05:49.800 --> 0:05:51.920
<v Speaker 1>it just made sense for them already putting the record

0:05:51.920 --> 0:05:53.280
<v Speaker 1>out as their record. Now they don't have to tell

0:05:53.279 --> 0:05:54.840
<v Speaker 1>anybody that it's not their record, you know what I'm saying.

0:05:54.839 --> 0:05:56.760
<v Speaker 1>That's what I think from his perspective, he was thinking

0:05:56.839 --> 0:05:58.520
<v Speaker 1>the boys didn't know nothing about that. They just being

0:05:58.560 --> 0:06:00.240
<v Speaker 1>the boys, you know what I'm saying. So, and we

0:06:00.279 --> 0:06:02.040
<v Speaker 1>had the conversation too, and I told him, I'm like, bro,

0:06:02.080 --> 0:06:03.799
<v Speaker 1>you know I got kids, just like I think Strat

0:06:03.839 --> 0:06:05.520
<v Speaker 1>was the only other person that had kids at that time. Like, Bro,

0:06:05.520 --> 0:06:06.880
<v Speaker 1>I gotta you know what I'm saying, it's my shot.

0:06:07.160 --> 0:06:08.680
<v Speaker 1>So they was like, Bro, do whatever you gotta do.

0:06:08.920 --> 0:06:10.960
<v Speaker 1>And ultimately it just led to being done that way,

0:06:11.000 --> 0:06:13.200
<v Speaker 1>which is partially boommn fault. Really that was a boom

0:06:13.200 --> 0:06:15.160
<v Speaker 1>man and K moved not the throw K in the

0:06:15.160 --> 0:06:16.720
<v Speaker 1>hot seat too, But it worked out, you know what

0:06:16.760 --> 0:06:18.360
<v Speaker 1>I'm saying. And we gave a credit to the original

0:06:18.360 --> 0:06:21.800
<v Speaker 1>producer for the remake and just took off. Soldier did

0:06:21.800 --> 0:06:23.360
<v Speaker 1>that shit in like forty five minutes because of what

0:06:23.440 --> 0:06:23.800
<v Speaker 1>was going on.

0:06:23.839 --> 0:06:27.640
<v Speaker 3>He sent it right back, so you so boy like, oh,

0:06:27.800 --> 0:06:29.640
<v Speaker 3>like yo, we need to get you on this record

0:06:29.800 --> 0:06:31.320
<v Speaker 3>so that you know the brand.

0:06:32.160 --> 0:06:34.080
<v Speaker 1>He didn't even know, Bro, I didn't even know until

0:06:34.080 --> 0:06:36.160
<v Speaker 1>it came back. Like he just put the play in

0:06:36.160 --> 0:06:38.240
<v Speaker 1>motion because he was like he already had the I

0:06:38.240 --> 0:06:40.440
<v Speaker 1>think he did turn my Swag on and some other

0:06:40.440 --> 0:06:42.120
<v Speaker 1>shit for Soldiers, so they already was locked in, you

0:06:42.160 --> 0:06:44.080
<v Speaker 1>know what I'm saying. So he got him to send

0:06:44.080 --> 0:06:45.880
<v Speaker 1>it back. I recut the vocals on the new beat

0:06:45.880 --> 0:06:48.240
<v Speaker 1>that K had win his stitch together or whatever, and

0:06:48.240 --> 0:06:49.760
<v Speaker 1>the rest was history. After that, we did like four

0:06:49.839 --> 0:06:53.400
<v Speaker 1>or five records show out Maximum Stories stuff. You did

0:06:53.400 --> 0:06:56.040
<v Speaker 1>all that with k it was like a trip to Valdost.

0:06:56.080 --> 0:06:57.479
<v Speaker 1>I used to go like every other weekend and just

0:06:57.480 --> 0:07:00.240
<v Speaker 1>go down to take Valdosta was leading.

0:07:01.880 --> 0:07:04.400
<v Speaker 3>You had the I feel like you were just going

0:07:04.440 --> 0:07:06.640
<v Speaker 3>like back back to back back with hits.

0:07:06.880 --> 0:07:09.400
<v Speaker 1>Yeah, so we was. We was creating a style then,

0:07:09.440 --> 0:07:10.560
<v Speaker 1>you know what I'm saying. So it was easy to

0:07:10.600 --> 0:07:12.920
<v Speaker 1>kind of just keep redoing the footprint that we was

0:07:12.960 --> 0:07:14.520
<v Speaker 1>laying at that time, you know what I'm saying. So

0:07:14.800 --> 0:07:16.440
<v Speaker 1>once Kay heard me on the horns, he was like,

0:07:16.520 --> 0:07:22.880
<v Speaker 1>we're doing horns on everything. I don't get. So, yeah,

0:07:22.880 --> 0:07:25.840
<v Speaker 1>that's how it happened. Not but there wasn't any bad

0:07:25.880 --> 0:07:29.000
<v Speaker 1>blood between There was at some point in time, because

0:07:29.000 --> 0:07:30.280
<v Speaker 1>I mean like it was times we were bumping to

0:07:30.280 --> 0:07:31.680
<v Speaker 1>each other at shows, bro we was about to hit,

0:07:31.720 --> 0:07:33.520
<v Speaker 1>like we was outside like it was like bad. Like

0:07:33.560 --> 0:07:35.480
<v Speaker 1>they'll tell you this why they was bad at you

0:07:35.520 --> 0:07:37.200
<v Speaker 1>if it was your song. I think it was just

0:07:37.280 --> 0:07:38.800
<v Speaker 1>how it was being portrayed, you know what I'm saying.

0:07:38.800 --> 0:07:40.320
<v Speaker 1>They probably felt a little played. I ain't gonna lie.

0:07:40.320 --> 0:07:41.760
<v Speaker 1>I probably would too if I took somebody on the

0:07:41.800 --> 0:07:43.360
<v Speaker 1>road and this, that and the third because they didn't know.

0:07:43.560 --> 0:07:45.360
<v Speaker 1>I don't think they really knew the perspective of what

0:07:45.440 --> 0:07:47.680
<v Speaker 1>Charlie was trying to do. Oh like the business behind

0:07:47.760 --> 0:07:50.160
<v Speaker 1>the scenes really what blew up their relationship because we

0:07:50.160 --> 0:07:51.880
<v Speaker 1>had a relationship, you know what I'm saying, Like we

0:07:51.880 --> 0:07:52.960
<v Speaker 1>was kicking it. We was going to the club, we

0:07:52.960 --> 0:07:54.040
<v Speaker 1>going to the studio. I used to go on the

0:07:54.080 --> 0:07:55.280
<v Speaker 1>road with them a little bit. We did all and

0:07:55.520 --> 0:07:58.119
<v Speaker 1>we did all these other you know, Southeast region shows

0:07:58.160 --> 0:07:59.360
<v Speaker 1>and ship like that where I was just coming out

0:07:59.360 --> 0:08:02.080
<v Speaker 1>of them. Yeah, you know what I'm saying. So, but

0:08:02.120 --> 0:08:04.240
<v Speaker 1>it just got like that because I think from the

0:08:04.240 --> 0:08:06.960
<v Speaker 1>public perspective, I feel like people were trying to figure

0:08:06.960 --> 0:08:08.720
<v Speaker 1>out what's what and I got I got mad too

0:08:08.760 --> 0:08:10.360
<v Speaker 1>when people were saying, oh, no, it was really their

0:08:10.360 --> 0:08:11.920
<v Speaker 1>song and they're telling the story like it was them

0:08:11.960 --> 0:08:13.800
<v Speaker 1>and I'm like, bro, that's not how it happened. Sold

0:08:13.960 --> 0:08:15.680
<v Speaker 1>boy really blew the song up. He went crazy.

0:08:16.280 --> 0:08:18.880
<v Speaker 3>I think that's how you know, everything happens for a

0:08:18.920 --> 0:08:20.600
<v Speaker 3>reason because he was the hottest wrapper out.

0:08:20.800 --> 0:08:24.960
<v Speaker 1>But but but that no hands my boy. Yeah, so

0:08:25.280 --> 0:08:28.000
<v Speaker 1>how did that happen? Man? So was on the Walk

0:08:28.040 --> 0:08:29.920
<v Speaker 1>of fo We was on the road. And it's funny

0:08:29.920 --> 0:08:31.800
<v Speaker 1>because the stories kind of correlated because I think we

0:08:31.880 --> 0:08:34.120
<v Speaker 1>all been cool since like Mariachi Mondays and stuff like

0:08:34.160 --> 0:08:35.520
<v Speaker 1>that that we was doing way back in the gap

0:08:35.559 --> 0:08:38.200
<v Speaker 1>for the open mics with et and them, and so uh,

0:08:38.679 --> 0:08:40.400
<v Speaker 1>when we started moving around, we used to get booked

0:08:40.400 --> 0:08:41.920
<v Speaker 1>for a lot of the same gigs. So literally, when

0:08:41.960 --> 0:08:43.640
<v Speaker 1>I'm about to like hit with Travis Porter and we

0:08:43.640 --> 0:08:46.200
<v Speaker 1>about to fight or whatever outside for whatever reason, Walker's

0:08:46.240 --> 0:08:47.880
<v Speaker 1>like the mediator and this ship because he's like, bro,

0:08:47.920 --> 0:08:49.120
<v Speaker 1>I don't want to get in you know what I mean?

0:08:49.360 --> 0:08:55.600
<v Speaker 1>Walker was the mediator mediator and it's crazy wow yah yeah,

0:08:55.600 --> 0:08:59.360
<v Speaker 1>so if you know, you know boom. So anyway, long

0:08:59.400 --> 0:09:01.040
<v Speaker 1>story short, we came off the road from doing like

0:09:01.080 --> 0:09:03.600
<v Speaker 1>a little stamp doing a couple of shows together or whatever.

0:09:03.760 --> 0:09:06.320
<v Speaker 1>I think this was around the time when Gucci had

0:09:06.320 --> 0:09:10.120
<v Speaker 1>just got out of jail from the second I want

0:09:10.120 --> 0:09:11.880
<v Speaker 1>to get you know, one of them times. So boom,

0:09:12.600 --> 0:09:16.000
<v Speaker 1>we all at patchwork and Reese shout out to Recie Recye,

0:09:16.000 --> 0:09:18.600
<v Speaker 1>the one who kind of made it happen. She put

0:09:18.600 --> 0:09:20.880
<v Speaker 1>the session together between Drummer Boy in the b room

0:09:21.080 --> 0:09:23.679
<v Speaker 1>and and Waka, So I guess Gucci was in the

0:09:23.720 --> 0:09:25.640
<v Speaker 1>A room. Everybody was showing up for Gucci, but Druma

0:09:25.679 --> 0:09:27.240
<v Speaker 1>snuck out of there. He dropped his back off the

0:09:27.240 --> 0:09:28.679
<v Speaker 1>Gucci and then went and worked in the B room

0:09:28.679 --> 0:09:31.320
<v Speaker 1>with Waka. So when I went in there, he was

0:09:31.320 --> 0:09:32.560
<v Speaker 1>just making it. He was actually about to do something

0:09:32.559 --> 0:09:34.560
<v Speaker 1>completely different, like a whole different style of record that

0:09:34.640 --> 0:09:36.640
<v Speaker 1>nobody hit her before. It's called like trap step or

0:09:36.640 --> 0:09:38.280
<v Speaker 1>something was about to get ready to create. That's something

0:09:38.280 --> 0:09:41.000
<v Speaker 1>that I don't think nobody ever knew. But I heard

0:09:41.080 --> 0:09:42.800
<v Speaker 1>that beat and I was like yo. I was like, yo,

0:09:43.120 --> 0:09:44.920
<v Speaker 1>chicks love you. You know what I'm saying. Where this for be?

0:09:45.000 --> 0:09:46.680
<v Speaker 1>Motherfuckers up in the club or whatever you're doing? Like,

0:09:46.720 --> 0:09:48.959
<v Speaker 1>they love you for whatever persona they see you as

0:09:49.000 --> 0:09:50.679
<v Speaker 1>or whatever. So I said, you do a song for them, bro,

0:09:51.000 --> 0:09:52.439
<v Speaker 1>It's gonna carry you for the rest of your life.

0:09:52.559 --> 0:09:54.440
<v Speaker 1>I said, matter of fact, just write the verse. Bro,

0:09:54.480 --> 0:09:55.680
<v Speaker 1>I'm gonna do it. You know what I'm saying, like

0:09:55.720 --> 0:09:58.800
<v Speaker 1>this rite the verse. Drama must have been listening to me,

0:09:58.880 --> 0:10:00.559
<v Speaker 1>listen to him making the beat and saying what I'm

0:10:00.559 --> 0:10:02.320
<v Speaker 1>saying to him, because he started putting that shit together

0:10:02.360 --> 0:10:04.400
<v Speaker 1>and guess what happened. Them horns came on. When the

0:10:04.440 --> 0:10:11.840
<v Speaker 1>horns came on, when the horse came, Roscoe came to man.

0:10:12.160 --> 0:10:14.240
<v Speaker 1>So the rest was history. But it's crazy because while

0:10:14.280 --> 0:10:15.920
<v Speaker 1>they ended up being in a room through recy two,

0:10:16.000 --> 0:10:17.200
<v Speaker 1>you know what I'm saying. So this is my first

0:10:17.200 --> 0:10:18.679
<v Speaker 1>time meeting him. I knew of him before because I

0:10:18.720 --> 0:10:21.280
<v Speaker 1>saw him with the on BT jams and all this

0:10:21.280 --> 0:10:22.600
<v Speaker 1>other stuff when I was in the studio from the

0:10:22.720 --> 0:10:24.199
<v Speaker 1>song he had about the shoes and shit. That's the

0:10:24.240 --> 0:10:25.719
<v Speaker 1>only song I knew at that time, though, you know

0:10:25.760 --> 0:10:29.120
<v Speaker 1>what I'm saying. So I think like halfway through the

0:10:29.120 --> 0:10:30.720
<v Speaker 1>record rec he came and tapped this and was like, hey,

0:10:31.360 --> 0:10:33.440
<v Speaker 1>while they had something, I'm like telling to get on

0:10:33.520 --> 0:10:35.080
<v Speaker 1>us to go in a booth, bro, get him on

0:10:35.120 --> 0:10:37.120
<v Speaker 1>the song. So he went and later and the rest

0:10:37.200 --> 0:10:39.880
<v Speaker 1>was history, bro honestly, and it just took off from that.

0:10:39.920 --> 0:10:41.600
<v Speaker 1>I think we put it out on his More About

0:10:41.760 --> 0:10:43.840
<v Speaker 1>Nothing mixtape like a day after we cut it or

0:10:43.840 --> 0:10:48.040
<v Speaker 1>something like that, and it was out of here. Damn. Yeah,

0:10:48.440 --> 0:10:50.160
<v Speaker 1>that's the time.

0:10:50.200 --> 0:10:52.440
<v Speaker 2>That's one of those timeless hip hop songs, especially, it

0:10:52.480 --> 0:10:55.640
<v Speaker 2>represents a time period place it's just man, it's one

0:10:55.640 --> 0:10:59.920
<v Speaker 2>of the biggest records ever. It's almost to me is perfect.

0:11:00.040 --> 0:11:01.400
<v Speaker 1>It's a perfect so I appreciate that.

0:11:01.480 --> 0:11:05.439
<v Speaker 2>Yeah, okay, So now what happens next, because I feel

0:11:05.440 --> 0:11:10.400
<v Speaker 2>like we're at the height right now and I don't

0:11:10.520 --> 0:11:13.720
<v Speaker 2>really remember anything else after this nobody.

0:11:15.120 --> 0:11:17.679
<v Speaker 1>Yeah, yeah, what really happened. I was in a bad

0:11:17.760 --> 0:11:19.360
<v Speaker 1>label situation. So I'm gonna say IM gonna say this

0:11:19.440 --> 0:11:21.160
<v Speaker 1>just to set the record straight because I really don't beat.

0:11:21.200 --> 0:11:22.640
<v Speaker 1>I'll be waiting for the right time to say what

0:11:22.679 --> 0:11:25.240
<v Speaker 1>I need to say about certain stuff. So originally when

0:11:25.280 --> 0:11:28.360
<v Speaker 1>I went and did my deal, I did a management

0:11:28.400 --> 0:11:30.880
<v Speaker 1>deal with boom Man right from h M M I.

0:11:31.000 --> 0:11:32.880
<v Speaker 1>At the time, he was going crazy in Valdosta. He

0:11:32.920 --> 0:11:34.400
<v Speaker 1>had it going on up here too. He just kind

0:11:34.400 --> 0:11:37.200
<v Speaker 1>of knew how to market it and put it together right.

0:11:37.400 --> 0:11:39.240
<v Speaker 1>So he connects me to try to get me a

0:11:39.280 --> 0:11:40.640
<v Speaker 1>deal and take me. Once we put that record out

0:11:40.640 --> 0:11:42.040
<v Speaker 1>and start going crazy, He's like, Okay, now I need

0:11:42.080 --> 0:11:44.560
<v Speaker 1>to get it. Get the situation. Which record was all

0:11:44.559 --> 0:11:47.079
<v Speaker 1>the way turned down, so we had show out and

0:11:47.080 --> 0:11:48.920
<v Speaker 1>all that stuff. We had like a five pack and

0:11:48.960 --> 0:11:50.240
<v Speaker 1>all the way turned up and show. I was in

0:11:50.240 --> 0:11:51.800
<v Speaker 1>that five pack so we already knew we had the

0:11:51.800 --> 0:11:53.600
<v Speaker 1>first and second record. We was just marketing it as

0:11:53.640 --> 0:11:55.040
<v Speaker 1>all five so that when they go listen to it

0:11:55.080 --> 0:11:57.120
<v Speaker 1>on YouTube, they got a foundation. That's a that's free game.

0:11:57.360 --> 0:11:59.360
<v Speaker 1>They get foundation of how to you know what I'm saying,

0:11:59.440 --> 0:12:01.079
<v Speaker 1>what you sound like with the next record, gonna sound

0:12:01.080 --> 0:12:03.160
<v Speaker 1>like whatever? Whatever? So boom he goes and gets me

0:12:03.200 --> 0:12:04.800
<v Speaker 1>this deal or tries to give me this deal with

0:12:04.800 --> 0:12:07.400
<v Speaker 1>deaf Jam. The situation with Travis Porter and whose record

0:12:07.400 --> 0:12:09.199
<v Speaker 1>it is messed up the deal with deaf Jam through

0:12:09.200 --> 0:12:11.080
<v Speaker 1>Tony Neil. Tony Niel like put out this is what

0:12:11.160 --> 0:12:14.120
<v Speaker 1>I heard, allegedly put out a Neil hit me too,

0:12:14.559 --> 0:12:15.840
<v Speaker 1>want to come on the show. Yeah, he put it.

0:12:15.880 --> 0:12:17.600
<v Speaker 1>He hit me like last week too. We're cool now.

0:12:17.600 --> 0:12:20.599
<v Speaker 1>But he uh he put a petition out that like

0:12:20.720 --> 0:12:22.040
<v Speaker 1>was saying that they're not going to play the record

0:12:22.080 --> 0:12:23.960
<v Speaker 1>because it's not my record. They're gonna only gonna play

0:12:23.960 --> 0:12:27.719
<v Speaker 1>the Travis Porter version or whatever. So that kind of

0:12:27.760 --> 0:12:31.000
<v Speaker 1>sparked the height of the Soldier Boy version. We started

0:12:31.000 --> 0:12:33.319
<v Speaker 1>really mashing the gas. Then we got Interscopes Attention through

0:12:33.320 --> 0:12:35.199
<v Speaker 1>a furnishing deal, so I really was signed to Polo

0:12:35.240 --> 0:12:37.520
<v Speaker 1>to don and this other group called music Line at

0:12:37.520 --> 0:12:40.040
<v Speaker 1>the time. So how'd you get signed to Polo to

0:12:40.080 --> 0:12:44.320
<v Speaker 1>don through Chubby Baby? Shout out to Chubby Baby. Let

0:12:44.320 --> 0:12:46.520
<v Speaker 1>me tell you when I tell you, Bro, Chubby really

0:12:46.559 --> 0:12:48.960
<v Speaker 1>went to bat for me, Bro, and like I didn't

0:12:48.960 --> 0:12:50.440
<v Speaker 1>even know this was happening. I don't even know how

0:12:50.480 --> 0:12:52.240
<v Speaker 1>Chubby got winded me or whatever, but he went on

0:12:52.320 --> 0:12:53.679
<v Speaker 1>V V one O three, got Polo to go on

0:12:53.760 --> 0:12:54.960
<v Speaker 1>V one O three. I got the sound bite from

0:12:54.960 --> 0:12:56.679
<v Speaker 1>this too, It's gonna be in my documentary where he

0:12:56.720 --> 0:12:58.199
<v Speaker 1>told him like, yeah, we just signed this new kid,

0:12:58.280 --> 0:13:00.439
<v Speaker 1>Roscoe Dash with the all the way turned up woo.

0:13:00.640 --> 0:13:02.720
<v Speaker 1>I found out then. I didn't even know, like they

0:13:02.800 --> 0:13:05.280
<v Speaker 1>passing my shit around, Like I don't know, Bro swear.

0:13:05.600 --> 0:13:08.040
<v Speaker 1>So little did I know boom Man had I think

0:13:08.040 --> 0:13:09.319
<v Speaker 1>I went in there that I was doing but just

0:13:09.400 --> 0:13:11.360
<v Speaker 1>signed the boom Man on the men on the management.

0:13:11.360 --> 0:13:12.640
<v Speaker 1>But I didn't know it was a three sixty, you

0:13:12.640 --> 0:13:14.120
<v Speaker 1>know what I'm saying. So he really had me on

0:13:14.160 --> 0:13:16.520
<v Speaker 1>the management and the artist side of the recording side too,

0:13:16.559 --> 0:13:18.160
<v Speaker 1>But I didn't know that at the time, eighteen years old,

0:13:18.200 --> 0:13:21.079
<v Speaker 1>I ain't know, you know what I'm saying. So boom.

0:13:21.320 --> 0:13:25.120
<v Speaker 1>When we get to the next situation with the furnishing

0:13:25.160 --> 0:13:27.960
<v Speaker 1>company furnishing me to Interscope, he had already sold my contract.

0:13:28.000 --> 0:13:29.400
<v Speaker 1>I think I was working on kn' cash the lambou

0:13:29.440 --> 0:13:31.600
<v Speaker 1>at this time or demolition of twenty twenty. He sold

0:13:31.640 --> 0:13:34.559
<v Speaker 1>my contract to that furnishing company and got out the way.

0:13:34.600 --> 0:13:36.080
<v Speaker 1>But he had already hit my publishing too, so it

0:13:36.120 --> 0:13:38.240
<v Speaker 1>just created a bad situation for everybody.

0:13:38.440 --> 0:13:42.040
<v Speaker 3>Oh, he didn't got the publishing, the deal with the

0:13:42.160 --> 0:13:44.200
<v Speaker 3>with the labels, so he didn't already made his money,

0:13:44.280 --> 0:13:45.560
<v Speaker 3>so he like, here, y'all can have them.

0:13:45.600 --> 0:13:47.439
<v Speaker 1>That's why MMI is not MI no more, because he

0:13:47.440 --> 0:13:48.959
<v Speaker 1>even fell out with the business partner. You see what

0:13:48.960 --> 0:13:51.440
<v Speaker 1>I'm saying. That's why I changed the Authentic Empire. That's

0:13:51.480 --> 0:13:53.360
<v Speaker 1>really Roscoe Dash money that he would have started that

0:13:53.400 --> 0:13:55.640
<v Speaker 1>label with, you know what I'm saying. Yeah, So, and

0:13:55.640 --> 0:13:58.400
<v Speaker 1>that that's when the whole like trajectory of what he

0:13:58.480 --> 0:14:00.240
<v Speaker 1>was doing changed a little bit. You know what I'm saying.

0:14:00.240 --> 0:14:01.920
<v Speaker 1>I'm kind of to the wolves at that point because

0:14:01.920 --> 0:14:03.560
<v Speaker 1>I'm with some new people that I just met through

0:14:03.559 --> 0:14:05.800
<v Speaker 1>a furnishing company. I'm signed to a deal with a

0:14:05.840 --> 0:14:07.560
<v Speaker 1>major label. So this is really my shot that I

0:14:07.600 --> 0:14:09.559
<v Speaker 1>wanted as a kid dreaming of getting a record deal,

0:14:09.679 --> 0:14:11.360
<v Speaker 1>But it's tied to some other bullshit too, you know

0:14:11.400 --> 0:14:13.360
<v Speaker 1>what I'm saying? And do you know what's going on

0:14:13.440 --> 0:14:15.920
<v Speaker 1>at this particular no idea? Like I found out from

0:14:15.960 --> 0:14:17.240
<v Speaker 1>asking how I was like, I want to shoot the

0:14:17.280 --> 0:14:20.600
<v Speaker 1>video for whatever song off my mixtape to help, you know,

0:14:20.760 --> 0:14:22.480
<v Speaker 1>drive to whatever we're doing for that shit. He was like, oh,

0:14:22.520 --> 0:14:24.080
<v Speaker 1>we don't handle that no more. I found out in

0:14:24.080 --> 0:14:25.760
<v Speaker 1>the studio bro in the booth, like in this booth

0:14:25.760 --> 0:14:28.120
<v Speaker 1>that we sitting next to. I found out like that swear.

0:14:29.200 --> 0:14:31.040
<v Speaker 1>So did that drive you to start looking at like

0:14:31.080 --> 0:14:34.640
<v Speaker 1>the business situation? Said? You sound very educated now?

0:14:35.000 --> 0:14:37.760
<v Speaker 3>Yeah, yeah, now, but at that particular time, did you

0:14:37.800 --> 0:14:40.960
<v Speaker 3>did you when you experienced that situation in the studio,

0:14:41.440 --> 0:14:43.200
<v Speaker 3>did it kind of spark your mind and saying like,

0:14:43.440 --> 0:14:44.200
<v Speaker 3>you know, I need.

0:14:44.080 --> 0:14:45.880
<v Speaker 1>To I start looking around. Yeah, you got to look

0:14:45.920 --> 0:14:48.280
<v Speaker 1>around and see what's going on because now I'm already

0:14:48.320 --> 0:14:51.120
<v Speaker 1>in bed. Paul's with these other people that I don't know,

0:14:51.240 --> 0:14:53.920
<v Speaker 1>you know what. I'm with the big label and they're

0:14:53.960 --> 0:14:55.760
<v Speaker 1>tied to the situation with the big label, and I

0:14:55.800 --> 0:14:58.320
<v Speaker 1>got another person, Polo who's not even probably not even

0:14:58.360 --> 0:15:00.000
<v Speaker 1>tied to none of this bullshit that's going on over here.

0:15:00.120 --> 0:15:01.400
<v Speaker 1>He just wants to give me a shot as a

0:15:01.560 --> 0:15:03.760
<v Speaker 1>you know, being a talent instead. You see what I'm saying.

0:15:03.920 --> 0:15:06.080
<v Speaker 1>So it kind of was a rotten egg and a

0:15:06.080 --> 0:15:06.560
<v Speaker 1>cart in that.

0:15:06.800 --> 0:15:11.720
<v Speaker 2>So this is all happening as all hands is out,

0:15:12.000 --> 0:15:13.720
<v Speaker 2>oh man, But you're making show money.

0:15:14.760 --> 0:15:17.400
<v Speaker 1>That's what's keeping it cool. That's all honestly between us. Bro.

0:15:17.520 --> 0:15:20.320
<v Speaker 1>That's that's up until about like maybe a year so ago.

0:15:20.520 --> 0:15:22.200
<v Speaker 1>I didn't even know where the publishing money was going

0:15:22.200 --> 0:15:25.120
<v Speaker 1>because the deal that he sold or created and did whatever,

0:15:25.120 --> 0:15:26.560
<v Speaker 1>I didn't even know. I had to track all that shit.

0:15:26.640 --> 0:15:28.880
<v Speaker 1>That took me fifteen years, Bro to figure that out.

0:15:29.120 --> 0:15:31.240
<v Speaker 1>Fifteen years of track. So it's like it's like either

0:15:31.960 --> 0:15:33.520
<v Speaker 1>do I keep riding a wave and put That's why

0:15:33.520 --> 0:15:34.560
<v Speaker 1>I said, for a minute, I was like, I ain't

0:15:34.560 --> 0:15:36.520
<v Speaker 1>doing hook no more shit because I knew that was

0:15:36.560 --> 0:15:38.200
<v Speaker 1>gonna shut them down from doing what they was doing,

0:15:38.200 --> 0:15:40.240
<v Speaker 1>so I could figure out how to get to what

0:15:40.280 --> 0:15:42.680
<v Speaker 1>was going on. So you were in silent and I

0:15:42.680 --> 0:15:44.200
<v Speaker 1>went and started focusing on the other stuff. I had my

0:15:44.200 --> 0:15:45.760
<v Speaker 1>second daughter around that time too. It was just a

0:15:45.760 --> 0:15:47.840
<v Speaker 1>lot going on. Lost my best friend the day before

0:15:47.840 --> 0:15:49.200
<v Speaker 1>my second daughter was born. It was a lot of

0:15:49.240 --> 0:15:51.840
<v Speaker 1>shit going on at one time. So for me being

0:15:51.880 --> 0:15:53.320
<v Speaker 1>twenty two years old at the time, I'm kind of

0:15:53.320 --> 0:15:54.840
<v Speaker 1>trying to figure it. I'm looking at the lawyers who

0:15:54.840 --> 0:15:56.200
<v Speaker 1>helped me do the deal. I'm looking at like, who

0:15:56.200 --> 0:15:57.520
<v Speaker 1>can I even look? You know what I mean, Like,

0:15:57.640 --> 0:15:59.800
<v Speaker 1>how do you even navigate that type of situation, you

0:15:59.880 --> 0:16:02.560
<v Speaker 1>know what I'm saying. And then come to find out,

0:16:02.880 --> 0:16:04.800
<v Speaker 1>you know, I didn't know the business of like producer

0:16:04.840 --> 0:16:06.960
<v Speaker 1>agreements or like side all disagreements and shit like that.

0:16:07.040 --> 0:16:08.800
<v Speaker 1>So all these things are going untouched. Like so the

0:16:08.880 --> 0:16:11.120
<v Speaker 1>relationships I'm having with the wala's, the dramas, the people

0:16:11.120 --> 0:16:13.360
<v Speaker 1>who I'm giving these records to. They situation is messed

0:16:13.400 --> 0:16:15.120
<v Speaker 1>up too because the paperwork an't getting signed, you know

0:16:15.160 --> 0:16:16.600
<v Speaker 1>what I'm saying. So it's like a lot of different

0:16:16.640 --> 0:16:18.720
<v Speaker 1>things that's going on at one time that's just kind

0:16:18.720 --> 0:16:20.800
<v Speaker 1>of hindering me from being who I am. In that moment.

0:16:21.000 --> 0:16:22.600
<v Speaker 1>All I had was to keep doing the music and

0:16:22.680 --> 0:16:24.960
<v Speaker 1>keep giving out what I had with so many girls

0:16:24.960 --> 0:16:26.400
<v Speaker 1>the other you know what I'm saying to the world

0:16:26.440 --> 0:16:28.520
<v Speaker 1>with r Kelly and Kanye I found out I was

0:16:28.520 --> 0:16:30.600
<v Speaker 1>a songwriter in that same moment. That's what really gave

0:16:30.600 --> 0:16:33.560
<v Speaker 1>me the longevity to keep going. In my opinion, now,

0:16:33.600 --> 0:16:37.280
<v Speaker 1>that's damn yes, that is a lot.

0:16:37.320 --> 0:16:40.000
<v Speaker 3>I couldn't even imagine going through something like that and

0:16:40.360 --> 0:16:42.640
<v Speaker 3>why you were going through that. Did you ever think

0:16:42.680 --> 0:16:46.280
<v Speaker 3>about like did you ever have a conversation with Polo, like,

0:16:46.320 --> 0:16:47.840
<v Speaker 3>hey man, what's going on with this?

0:16:47.920 --> 0:16:49.360
<v Speaker 1>Yeah? We tried to sit at the table. He tried

0:16:49.360 --> 0:16:50.720
<v Speaker 1>to sit at the table and actually talk to him

0:16:50.760 --> 0:16:52.400
<v Speaker 1>about it, and that shit blew up too. We met

0:16:52.440 --> 0:16:54.280
<v Speaker 1>at Houston's one night, my mom came and everything. We

0:16:54.280 --> 0:16:55.960
<v Speaker 1>tried to like work it out and they ended up

0:16:56.000 --> 0:16:58.760
<v Speaker 1>getting into it cause with the label, Yeah, because Polo

0:16:58.840 --> 0:17:00.760
<v Speaker 1>was kind of like trying to say he's a star, bro,

0:17:00.840 --> 0:17:02.080
<v Speaker 1>we need to be doing this out of the third

0:17:02.120 --> 0:17:04.639
<v Speaker 1>Like he wanted to buy me the lambeau Go sign

0:17:04.680 --> 0:17:06.320
<v Speaker 1>some other artists that he had to all to write.

0:17:06.359 --> 0:17:08.680
<v Speaker 1>You know what I'm saying. Took me to the right parties.

0:17:08.760 --> 0:17:10.840
<v Speaker 1>I was out with the right people. I met like

0:17:10.920 --> 0:17:12.680
<v Speaker 1>Chris Brown. We doing I got Chris Brown records and

0:17:12.680 --> 0:17:15.080
<v Speaker 1>all kinds of niggas never hear bro swear because the

0:17:15.119 --> 0:17:17.840
<v Speaker 1>situation imploded. But I was knocking him out, you know

0:17:17.880 --> 0:17:19.639
<v Speaker 1>what I'm saying. So it was just a lot of

0:17:19.640 --> 0:17:21.320
<v Speaker 1>different stuff that was going on at one time. Bro,

0:17:21.359 --> 0:17:22.600
<v Speaker 1>I can't say that or not. I know, you just

0:17:22.600 --> 0:17:24.960
<v Speaker 1>be riding in the car like that. Yeah, like you

0:17:25.000 --> 0:17:27.400
<v Speaker 1>listen to these records. Yea, I'm saying. For time to time,

0:17:27.440 --> 0:17:29.680
<v Speaker 1>I got like computers, bro, with just like all kinds

0:17:29.640 --> 0:17:31.000
<v Speaker 1>of stuff. And don't get me wrong, like I still

0:17:31.040 --> 0:17:33.600
<v Speaker 1>was getting my shit off. I still got like other placements.

0:17:33.600 --> 0:17:36.080
<v Speaker 1>But this is like for Roscoe Dash, I could have

0:17:36.119 --> 0:17:38.400
<v Speaker 1>been like on some floor ride and shit at twenty

0:17:38.440 --> 0:17:40.960
<v Speaker 1>two instead of waiting till I'm twenty eight thirty to

0:17:41.000 --> 0:17:41.879
<v Speaker 1>do it. You know what I'm saying.

0:17:42.680 --> 0:17:45.120
<v Speaker 3>And at that point did you just did you say said, man,

0:17:45.119 --> 0:17:47.919
<v Speaker 3>hold on, I just need to take a break stop

0:17:48.320 --> 0:17:51.160
<v Speaker 3>because I don't know where my money's going. I don't

0:17:51.240 --> 0:17:53.040
<v Speaker 3>know the business what's going on. I just know I

0:17:53.119 --> 0:17:56.399
<v Speaker 3>got these hit records. I'm super famous right now. I

0:17:56.520 --> 0:17:58.280
<v Speaker 3>think I just need to stop.

0:17:58.680 --> 0:18:00.639
<v Speaker 1>Yeah. Well, I mean I kept doing the music, but

0:18:00.680 --> 0:18:03.240
<v Speaker 1>I knew that even in putting the music out and

0:18:03.280 --> 0:18:05.000
<v Speaker 1>it was something new, I didn't know where that was going.

0:18:05.040 --> 0:18:06.720
<v Speaker 1>I didn't know if it was still whatever was happening

0:18:06.800 --> 0:18:08.920
<v Speaker 1>was still happening, you know what I'm saying. So it's

0:18:09.000 --> 0:18:12.120
<v Speaker 1>like it's like putting some uploading something into a black

0:18:12.119 --> 0:18:13.960
<v Speaker 1>hole and just hoping it do what it need to do.

0:18:14.200 --> 0:18:16.800
<v Speaker 1>So at that point, all I had was the fame

0:18:16.840 --> 0:18:18.480
<v Speaker 1>that I had for people knowing what I do, you

0:18:18.520 --> 0:18:20.000
<v Speaker 1>know what I'm saying, to carry people to go do

0:18:20.040 --> 0:18:22.320
<v Speaker 1>the records because now I got released from Interscope once

0:18:22.320 --> 0:18:23.760
<v Speaker 1>they got wind of what was going on, they were like,

0:18:24.040 --> 0:18:25.360
<v Speaker 1>you can just come back to us whenever you get

0:18:25.359 --> 0:18:27.360
<v Speaker 1>all this other stuff out the way. But fifteen years later,

0:18:27.400 --> 0:18:29.320
<v Speaker 1>it's just now getting to that point where it's like,

0:18:29.359 --> 0:18:30.919
<v Speaker 1>you see what I'm saying, So I can go move

0:18:30.960 --> 0:18:32.680
<v Speaker 1>around and do those types of things. So I just

0:18:32.760 --> 0:18:34.919
<v Speaker 1>kind of sat with and it went independent. Started building

0:18:34.920 --> 0:18:36.879
<v Speaker 1>the other parts of the brand to kind of be

0:18:36.960 --> 0:18:39.040
<v Speaker 1>my foundation because I know I can always do the music,

0:18:39.080 --> 0:18:40.400
<v Speaker 1>like the music is always going to have been given

0:18:40.400 --> 0:18:41.920
<v Speaker 1>out records to other people ever since, you know what

0:18:41.920 --> 0:18:43.800
<v Speaker 1>I mean. I never stopped doing that part. So when

0:18:43.800 --> 0:18:46.359
<v Speaker 1>I do my documentary and people see that list the Lotus,

0:18:46.400 --> 0:18:49.920
<v Speaker 1>flower Bombs, the Tanache, it feels like Vegas, the all

0:18:49.920 --> 0:18:51.720
<v Speaker 1>these other records that I've been doing this whole time

0:18:51.760 --> 0:18:53.159
<v Speaker 1>home with Travis Scott. I've been doing like a lot

0:18:53.200 --> 0:18:56.040
<v Speaker 1>of different stuff. I just ain't been publicizing it. What

0:18:56.080 --> 0:18:57.879
<v Speaker 1>makes you what makes you not want to publicize? I

0:18:57.920 --> 0:18:59.919
<v Speaker 1>do now, But I just knew the other thing was

0:19:00.400 --> 0:19:02.119
<v Speaker 1>in that time, In that fifteen year time frame, you know,

0:19:02.119 --> 0:19:03.680
<v Speaker 1>people gonna fall out when they catch wind of what's

0:19:03.720 --> 0:19:05.080
<v Speaker 1>going on. People gonna go tuck in, do this, that,

0:19:05.119 --> 0:19:07.000
<v Speaker 1>and the ThReD. You gotta track people down with the woop.

0:19:07.119 --> 0:19:09.480
<v Speaker 1>So for me, it was just about making sure the

0:19:09.520 --> 0:19:12.439
<v Speaker 1>time was right and knowing that when I do what,

0:19:12.440 --> 0:19:13.800
<v Speaker 1>I'm gonna get the shot. I need to have to

0:19:14.119 --> 0:19:15.280
<v Speaker 1>to go where it needs to go, you know what

0:19:15.320 --> 0:19:16.840
<v Speaker 1>I'm saying. So once they caught win and they're like, oh,

0:19:16.840 --> 0:19:18.280
<v Speaker 1>he's still right, that's more my nigga. But let me

0:19:18.280 --> 0:19:19.600
<v Speaker 1>go check the bank account and see if the money

0:19:19.640 --> 0:19:21.440
<v Speaker 1>they came in, you know what I'm saying. So I'm

0:19:21.440 --> 0:19:23.880
<v Speaker 1>trying to navigate all that ship. Because when you're dealing

0:19:23.920 --> 0:19:25.959
<v Speaker 1>with labels bro Universal, they got an agreement. Let's say

0:19:25.960 --> 0:19:28.240
<v Speaker 1>if y'all, if you're the artist and you're the manager,

0:19:28.320 --> 0:19:29.879
<v Speaker 1>or whatever. If you go do a deal with me,

0:19:30.280 --> 0:19:31.680
<v Speaker 1>it don't matter what he if. He can be like,

0:19:31.720 --> 0:19:33.800
<v Speaker 1>oh I'm such and such, I am Ferrari Simmons. I'm

0:19:33.880 --> 0:19:35.800
<v Speaker 1>trying to see what my publishing that. Woooo. Well, you

0:19:35.800 --> 0:19:37.679
<v Speaker 1>gotta go holler at BT because BT we got an

0:19:37.720 --> 0:19:39.560
<v Speaker 1>agreement with him based off of your admin rights to

0:19:39.560 --> 0:19:40.760
<v Speaker 1>this that of the third and you don't really have

0:19:40.840 --> 0:19:42.440
<v Speaker 1>no power in that situation. You see what I'm saying.

0:19:44.280 --> 0:19:46.840
<v Speaker 1>You give out a lot of game. Yeah, the documentary

0:19:46.800 --> 0:19:48.840
<v Speaker 1>is gonna be give it out a lot of game.

0:19:48.880 --> 0:19:49.520
<v Speaker 1>Seem gonna be a.

0:19:49.520 --> 0:19:51.840
<v Speaker 2>Lot of replay value in this interview.

0:19:53.080 --> 0:19:55.960
<v Speaker 1>Wow. Yeah, I appreciate y'all. Yeah, we gotta have you

0:19:56.000 --> 0:19:57.160
<v Speaker 1>come back to sure.

0:19:57.240 --> 0:19:59.560
<v Speaker 2>Okay, so let's uh, you know, before we wrap, let's

0:19:59.560 --> 0:20:02.520
<v Speaker 2>talk about what you currently have going on now.

0:20:02.800 --> 0:20:05.040
<v Speaker 1>Yeah, so right now, man, I've been I just did

0:20:05.040 --> 0:20:09.439
<v Speaker 1>the BT Hip Hop Awards with Soldiers, Big fine. I

0:20:09.560 --> 0:20:11.520
<v Speaker 1>just gave us the footing. We need to do what

0:20:11.560 --> 0:20:12.719
<v Speaker 1>I need to do for people to be like, oh

0:20:12.720 --> 0:20:14.399
<v Speaker 1>that's what he looked like. Oh that's what's going on.

0:20:14.480 --> 0:20:16.440
<v Speaker 1>Oh that is he did do these songs with the wool.

0:20:16.520 --> 0:20:18.320
<v Speaker 1>So right now, what I'm doing is. I'm doing a

0:20:18.359 --> 0:20:20.760
<v Speaker 1>documentary that should be out first quarter, first or second

0:20:20.840 --> 0:20:24.080
<v Speaker 1>quarter on the major publication or what is call the Scenes.

0:20:24.560 --> 0:20:26.399
<v Speaker 1>We haven't decided what it's gonna be called yet, and

0:20:26.760 --> 0:20:28.840
<v Speaker 1>I'm kind of between like two names. I'm trying to

0:20:28.840 --> 0:20:30.119
<v Speaker 1>figure out what I'm gonna do. But it's gonna be

0:20:30.160 --> 0:20:33.000
<v Speaker 1>on some like Amazon or you know, Hulu, whatever type shit.

0:20:33.119 --> 0:20:35.120
<v Speaker 1>So we got that. I got a project I'm working

0:20:35.119 --> 0:20:36.640
<v Speaker 1>on call Let's Have Fun. I really want to bring

0:20:36.680 --> 0:20:38.679
<v Speaker 1>fun back to music, to the clubs and shit like that.

0:20:38.720 --> 0:20:40.520
<v Speaker 1>So I got a project that I'm curating with some

0:20:40.560 --> 0:20:44.000
<v Speaker 1>new and old talents smart. Yeah, it just kind of

0:20:44.000 --> 0:20:45.480
<v Speaker 1>bridged the gap. Bro. I feel like I'm a bridge.

0:20:45.480 --> 0:20:48.240
<v Speaker 1>I'm a young og, so I'm not I'm not as

0:20:48.359 --> 0:20:51.240
<v Speaker 1>as up there as decorated as like a juvenile or

0:20:51.400 --> 0:20:54.199
<v Speaker 1>whoever else, right, but I'm still a young og that

0:20:54.280 --> 0:20:55.919
<v Speaker 1>can talk to the young kids and get them on

0:20:55.960 --> 0:20:58.120
<v Speaker 1>them records to be you know, all on the same

0:20:58.160 --> 0:21:00.120
<v Speaker 1>page or whatever. So that's kind of what I've been doing.

0:21:00.040 --> 0:21:01.800
<v Speaker 1>And then, like I said, I've been doing the independent films.

0:21:01.800 --> 0:21:04.159
<v Speaker 1>I'm on my third independent film now, uh that just

0:21:04.200 --> 0:21:07.240
<v Speaker 1>came out two weeks ago called make it Rain. That's

0:21:07.240 --> 0:21:09.919
<v Speaker 1>on to b and Netflix. I think I got for

0:21:10.000 --> 0:21:11.800
<v Speaker 1>the Gram that's out, and I got rack Case that's

0:21:11.840 --> 0:21:14.080
<v Speaker 1>out as well, on t being some other peacock I

0:21:14.080 --> 0:21:14.920
<v Speaker 1>think or something like that.

0:21:15.320 --> 0:21:19.119
<v Speaker 3>So thats got that business right.

0:21:19.440 --> 0:21:21.840
<v Speaker 1>Get it together, man, I'll be telling people all the time, bro,

0:21:21.880 --> 0:21:23.560
<v Speaker 1>It's about spreading it out, you know what I'm saying.

0:21:23.600 --> 0:21:25.199
<v Speaker 1>Like you, when you start to get that fame and

0:21:25.240 --> 0:21:27.080
<v Speaker 1>the song isn't bigger than you and people know who

0:21:27.080 --> 0:21:28.680
<v Speaker 1>you are, you got to start spreading that stuff out

0:21:28.720 --> 0:21:30.359
<v Speaker 1>because you never know. It could be some lifestyle stuff.

0:21:30.359 --> 0:21:32.520
<v Speaker 1>I've been playing celebrity basketball games, football games, during the

0:21:32.520 --> 0:21:34.879
<v Speaker 1>Super Bowl halftime shows, all kind of stuff just from

0:21:35.160 --> 0:21:37.480
<v Speaker 1>showing the lifestyle, you know what I'm saying, Telling people,

0:21:37.520 --> 0:21:39.280
<v Speaker 1>I'm vegetariing I can get some other ship going for that,

0:21:39.320 --> 0:21:39.760
<v Speaker 1>you know what I mean.

0:21:39.880 --> 0:21:42.239
<v Speaker 3>So just all kinds of different things and people. Uh,

0:21:42.440 --> 0:21:47.119
<v Speaker 3>just just for the record, we all are friends in

0:21:47.160 --> 0:21:47.920
<v Speaker 3>the group chat.

0:21:48.760 --> 0:21:51.119
<v Speaker 1>Everybody, So I don't want to think, you know, it's

0:21:51.160 --> 0:21:55.080
<v Speaker 1>still any issues or anything like that come up here too. No,

0:21:55.240 --> 0:21:57.000
<v Speaker 1>for sure, I want to do a tour, bro. Like

0:21:57.000 --> 0:21:58.800
<v Speaker 1>I'm really trying to get to the position where I

0:21:58.840 --> 0:22:01.480
<v Speaker 1>can put a tour together that kind of features all

0:22:01.520 --> 0:22:02.960
<v Speaker 1>the people that kind of paid the way and that

0:22:03.160 --> 0:22:04.720
<v Speaker 1>not just in the era where I came out, but

0:22:04.800 --> 0:22:06.199
<v Speaker 1>you know since then too, Like I want to do

0:22:06.280 --> 0:22:09.639
<v Speaker 1>a real some real millennium turned up stuff. You know

0:22:09.680 --> 0:22:10.400
<v Speaker 1>what I'm saying, Like.

0:22:10.400 --> 0:22:13.280
<v Speaker 2>So well, look, I want to give your flowers, man,

0:22:14.080 --> 0:22:17.800
<v Speaker 2>because I remember the time I went a little That's

0:22:17.800 --> 0:22:18.480
<v Speaker 2>when I was.

0:22:18.960 --> 0:22:20.240
<v Speaker 1>Becoming Ferrari Simmons.

0:22:20.240 --> 0:22:22.280
<v Speaker 2>I was in them clubs with DJ Holliday and all

0:22:22.320 --> 0:22:24.680
<v Speaker 2>them boys, and we was in them strip clubs.

0:22:24.320 --> 0:22:29.960
<v Speaker 1>And ran around. He gave us some bangers. You know,

0:22:29.960 --> 0:22:31.119
<v Speaker 1>We've been on plenty of stages.

0:22:32.160 --> 0:22:33.720
<v Speaker 3>A lot of people don't even know. Manhi used to

0:22:33.760 --> 0:22:35.760
<v Speaker 3>be on the road together. This when I this when

0:22:35.760 --> 0:22:37.040
<v Speaker 3>I lived in Arkansas.

0:22:37.440 --> 0:22:39.400
<v Speaker 1>He had that ship going crazy. Like man, he used

0:22:39.400 --> 0:22:40.639
<v Speaker 1>to travel everywhere.

0:22:40.720 --> 0:22:43.480
<v Speaker 3>Man, when I tell you this, dude is never going

0:22:43.520 --> 0:22:48.760
<v Speaker 3>to be without a job because people love Roscoe.

0:22:48.440 --> 0:22:51.680
<v Speaker 1>Dash love your music bro to this day.

0:22:52.000 --> 0:22:54.959
<v Speaker 3>And it's like your music, it's so crazy because your

0:22:55.040 --> 0:22:57.639
<v Speaker 3>music is being passed down from like generation, especially with

0:22:57.720 --> 0:23:01.680
<v Speaker 3>the college he got the college market on Smash I got.

0:23:01.720 --> 0:23:03.239
<v Speaker 1>I got a couple of people that's been hitting me up.

0:23:03.240 --> 0:23:05.960
<v Speaker 1>That's like you know they the million or billion stream

0:23:06.280 --> 0:23:07.879
<v Speaker 1>rap people or whatever. Right now it's like, Yo, we

0:23:07.880 --> 0:23:10.440
<v Speaker 1>want to redoce sexy girl, we want to redo. And

0:23:10.440 --> 0:23:13.199
<v Speaker 1>I'm like, hell you Like I I'm blessed to be

0:23:13.200 --> 0:23:16.600
<v Speaker 1>in a position for you have the catalog or that.

0:23:16.480 --> 0:23:19.840
<v Speaker 3>To you definitely got the catalog because your music is

0:23:19.880 --> 0:23:22.720
<v Speaker 3>like being passed down a generation. Because I looked at

0:23:22.720 --> 0:23:25.199
<v Speaker 3>the like we used to do the colleges together and

0:23:25.240 --> 0:23:27.600
<v Speaker 3>I was like, man, he got the colleges on smash.

0:23:28.000 --> 0:23:30.880
<v Speaker 3>And then think about it when they graduate college. Now,

0:23:30.960 --> 0:23:33.280
<v Speaker 3>the new people, they're going to be listening to Roscoe

0:23:33.600 --> 0:23:34.400
<v Speaker 3>Like it's crazy.

0:23:34.440 --> 0:23:36.159
<v Speaker 1>It's the other that's the other gym that people don't know.

0:23:36.200 --> 0:23:37.600
<v Speaker 1>I'll be telling them like it's the clubs and all

0:23:37.600 --> 0:23:41.240
<v Speaker 1>that shit. Cool, bro, you getting them college market college.

0:23:41.320 --> 0:23:43.560
<v Speaker 1>I always felt like you k camp and a couple

0:23:43.560 --> 0:23:47.120
<v Speaker 1>of the Kevin is another one. Yeah, Camp is another one.

0:23:47.119 --> 0:23:48.560
<v Speaker 1>Don't get me wrong. I want to say this too, bro,

0:23:48.560 --> 0:23:49.840
<v Speaker 1>because I remember it was times when we was at

0:23:49.880 --> 0:23:51.439
<v Speaker 1>the Aragon Music Studio and I think it was like

0:23:51.880 --> 0:23:55.600
<v Speaker 1>Shawn Teezy was popping around this time. Yeah, like this

0:23:55.680 --> 0:23:58.159
<v Speaker 1>is this is some real Camp was around, Bro, and

0:23:58.160 --> 0:24:00.840
<v Speaker 1>he was like the young you know what I mean.

0:24:01.200 --> 0:24:03.040
<v Speaker 1>But I'm just so proud of watching them people that

0:24:03.119 --> 0:24:04.920
<v Speaker 1>really stayed down and stuck to the ground. Sunny Digital

0:24:04.920 --> 0:24:06.280
<v Speaker 1>is another one. I was just talking about him earlier.

0:24:06.440 --> 0:24:08.560
<v Speaker 1>People that just always been in the right rooms and

0:24:08.840 --> 0:24:10.439
<v Speaker 1>don't have to be in the front to lead, And

0:24:10.480 --> 0:24:12.120
<v Speaker 1>now they're getting their time to do all the things

0:24:12.119 --> 0:24:14.200
<v Speaker 1>they ever felt, and even the unfathomable stuff too, because

0:24:14.200 --> 0:24:15.879
<v Speaker 1>those the best blessings to me, in my opinion, stuff

0:24:15.920 --> 0:24:18.119
<v Speaker 1>because you're to see yourself doing so Shout out to them, man,

0:24:18.119 --> 0:24:19.880
<v Speaker 1>Shot out to anybody who've been just holding it down

0:24:19.920 --> 0:24:22.080
<v Speaker 1>and just persevering, you know what I'm saying, and being

0:24:22.080 --> 0:24:23.680
<v Speaker 1>resilient so it's hard.

0:24:24.400 --> 0:24:25.760
<v Speaker 2>Before we get out of here, I need you to

0:24:25.760 --> 0:24:27.919
<v Speaker 2>look at that camera. It's called the mental health check in.

0:24:28.000 --> 0:24:29.480
<v Speaker 1>Oh yeah, man, what to do? What to do with

0:24:29.560 --> 0:24:32.280
<v Speaker 1>your boy, mister Rosco yourself, Roscoe dash this is the

0:24:32.359 --> 0:24:34.840
<v Speaker 1>mental health check in. If I was you, man, my

0:24:35.280 --> 0:24:37.320
<v Speaker 1>word of advice for the day would be to stop

0:24:37.359 --> 0:24:38.760
<v Speaker 1>by that mirror. Man, don't forget to stop by that

0:24:38.840 --> 0:24:40.879
<v Speaker 1>mirror and tell that person that's looking back at you

0:24:40.960 --> 0:24:42.320
<v Speaker 1>to day that shit bro and that they got it

0:24:42.400 --> 0:24:45.400
<v Speaker 1>under control. You never lose the best thing you ever had,

0:24:45.600 --> 0:24:47.439
<v Speaker 1>and you's about one hundred percent of your worst days.

0:24:47.520 --> 0:24:50.680
<v Speaker 1>So keep on trucking. Keep the man upstairs first