1 00:00:00,400 --> 00:00:15,560 Speaker 1: The Alaska Welcome to Twesday showing morning. All right, let's 2 00:00:15,600 --> 00:00:19,400 Speaker 1: go around the room. He says he makes a lot 3 00:00:19,440 --> 00:00:22,239 Speaker 1: of money on Instagram reels, but the actual amount could 4 00:00:22,280 --> 00:00:24,600 Speaker 1: probably only cover a few meals. Here it is produce 5 00:00:24,600 --> 00:00:27,680 Speaker 1: a ready, everybody, you guys. I'm watching a good show 6 00:00:27,680 --> 00:00:30,840 Speaker 1: on Apple Plus called Dear Edward, and I guess it 7 00:00:30,920 --> 00:00:32,559 Speaker 1: was a novel. I didn't know anything about it, but 8 00:00:32,560 --> 00:00:34,120 Speaker 1: it had the name Edward in it, so I started 9 00:00:34,159 --> 00:00:36,839 Speaker 1: watching it, and Connie Britton's in it, and like some 10 00:00:37,120 --> 00:00:39,440 Speaker 1: there's a plane crash. It starts with a plane crash, 11 00:00:39,479 --> 00:00:41,839 Speaker 1: and then you know, maybe not everyone lives on it. 12 00:00:41,840 --> 00:00:44,040 Speaker 1: I don't want to spoil anything, but because of that, 13 00:00:44,320 --> 00:00:47,040 Speaker 1: but you just did. No, it's that's part of the synopsis. 14 00:00:47,040 --> 00:00:49,880 Speaker 1: I'm not spoiling it, Okay. So there's a loan survivor, 15 00:00:50,159 --> 00:00:52,479 Speaker 1: and because of this loan survivor, it brings a lot 16 00:00:52,520 --> 00:00:56,080 Speaker 1: of people families in that plane that died, all their 17 00:00:56,080 --> 00:00:58,600 Speaker 1: families get together. It's so cool and it almost reminds 18 00:00:58,640 --> 00:01:00,720 Speaker 1: me of like a this is a kind of feel. 19 00:01:01,120 --> 00:01:04,120 Speaker 1: Remember this is us on literally good for two seasons, 20 00:01:04,160 --> 00:01:07,120 Speaker 1: and I think they're still making that too. But I 21 00:01:07,200 --> 00:01:09,399 Speaker 1: loved it. The problem is I'm dozing off when I'm 22 00:01:09,400 --> 00:01:10,880 Speaker 1: watching it and then they say Eddie in it, and 23 00:01:10,920 --> 00:01:13,199 Speaker 1: I wake up. I'm like, well, who was that TV? 24 00:01:13,440 --> 00:01:15,640 Speaker 1: Let me get this straight. In the description of the show, 25 00:01:17,000 --> 00:01:20,080 Speaker 1: the plane crashes, correct, and only one person lives, correct, 26 00:01:20,360 --> 00:01:23,039 Speaker 1: And because of that one person, it's affecting a lot 27 00:01:23,080 --> 00:01:26,039 Speaker 1: of lives and family members of the people that died 28 00:01:26,080 --> 00:01:28,360 Speaker 1: on that plane. What does the one person have to 29 00:01:28,360 --> 00:01:31,759 Speaker 1: do with that? And you'll have to watch They held out? 30 00:01:31,800 --> 00:01:33,600 Speaker 1: You held out? It's so good and it's on Apple 31 00:01:33,640 --> 00:01:36,200 Speaker 1: Plus on Apple Bus. Yeah, I don't know if I 32 00:01:36,280 --> 00:01:40,440 Speaker 1: have that. Do you watch ted Lasso? And you also 33 00:01:40,480 --> 00:01:44,280 Speaker 1: watched that morning show the Layoff? So what's it called severance? Severance? 34 00:01:45,040 --> 00:01:46,520 Speaker 1: You're right, I guess I do have that. You got 35 00:01:46,520 --> 00:01:49,720 Speaker 1: it all right? Thank you? Moving on over. He's a 36 00:01:49,760 --> 00:01:51,480 Speaker 1: father of three and he tries to get as much 37 00:01:51,520 --> 00:01:53,960 Speaker 1: as he can for free. Here he is lunchbox everybody. 38 00:01:54,680 --> 00:01:57,000 Speaker 1: Something I didn't get for free, guys. But I booked 39 00:01:57,040 --> 00:02:01,280 Speaker 1: my second ever airbn B last summer. I stayed at 40 00:02:01,320 --> 00:02:04,400 Speaker 1: some random person's house in Georgia and it was amazing. 41 00:02:04,640 --> 00:02:06,440 Speaker 1: It was like your actual home and the person just 42 00:02:06,560 --> 00:02:09,560 Speaker 1: leaves whenever you come and I'm like, wow, that is awesome. 43 00:02:09,680 --> 00:02:12,080 Speaker 1: I booked another one. I'm going to Oklahoma City for 44 00:02:12,120 --> 00:02:13,960 Speaker 1: a wedding in about a month and a half and 45 00:02:14,000 --> 00:02:16,160 Speaker 1: they said, oh, here's our hotel block if you want 46 00:02:16,160 --> 00:02:18,239 Speaker 1: to stay at the hotel. It's like, no, I'm going 47 00:02:18,240 --> 00:02:20,960 Speaker 1: back and doing that Airbnb thing. What you like about 48 00:02:20,960 --> 00:02:22,560 Speaker 1: it? It It gets you so excited about it. You can 49 00:02:22,600 --> 00:02:25,400 Speaker 1: creep on people's lives like it's just interesting. They have 50 00:02:25,480 --> 00:02:27,880 Speaker 1: family pictures just hanging on the wall, like he had 51 00:02:27,919 --> 00:02:30,359 Speaker 1: a concert he was going to on you know, some 52 00:02:30,480 --> 00:02:34,320 Speaker 1: date the last time, and he graduated from Auburn University. Uh, 53 00:02:34,480 --> 00:02:36,440 Speaker 1: it was. It was awesome. So it's not about the 54 00:02:36,480 --> 00:02:40,880 Speaker 1: space or no front desk to check in or a 55 00:02:40,919 --> 00:02:45,080 Speaker 1: refrigerator and the full it's the someone else you can 56 00:02:45,080 --> 00:02:48,280 Speaker 1: creep on. It's someone else's house. It's just so fascinating 57 00:02:48,280 --> 00:02:50,079 Speaker 1: to me that they just opened their doors and say, 58 00:02:50,200 --> 00:02:52,040 Speaker 1: come in my house for a weekend. We'll go find 59 00:02:52,040 --> 00:02:54,720 Speaker 1: somewhere else to stay. That blows my mind. Well, the 60 00:02:54,760 --> 00:02:57,040 Speaker 1: house you're staying it couldn't be just an Airbnb house too. 61 00:02:57,639 --> 00:03:00,240 Speaker 1: Most that I stayed in I've just been how says 62 00:03:00,240 --> 00:03:03,600 Speaker 1: that are set for airbnb's. Yeah, when we moved somewhere 63 00:03:03,639 --> 00:03:06,079 Speaker 1: for a little bit, weren't at our house and we 64 00:03:06,200 --> 00:03:08,639 Speaker 1: airbnbt it. It was a great way to make extra 65 00:03:08,680 --> 00:03:11,919 Speaker 1: money or pay for that mortgage. Oh sadly, I don't 66 00:03:11,919 --> 00:03:13,560 Speaker 1: know if it's for sure. No, no, no no, mine was 67 00:03:13,800 --> 00:03:15,920 Speaker 1: for sure. The one you're going to, Oh yeah, I 68 00:03:16,000 --> 00:03:18,359 Speaker 1: have no idea, but I will report back. It is 69 00:03:18,400 --> 00:03:20,519 Speaker 1: gonna be awesome. I've already gotten a message from the 70 00:03:20,520 --> 00:03:22,840 Speaker 1: person saying, oh can't wait to have you. Why are 71 00:03:22,840 --> 00:03:24,760 Speaker 1: you coming? Where are you coming from? They're being so 72 00:03:24,840 --> 00:03:26,359 Speaker 1: nice to you. Right, I'm a good review by the way. 73 00:03:26,480 --> 00:03:29,079 Speaker 1: Oh is that why they need it? Because people will 74 00:03:29,080 --> 00:03:32,720 Speaker 1: go look at the reviews of the house. Oh well yeah, 75 00:03:32,720 --> 00:03:35,119 Speaker 1: here we go all the city. I'm coming for that AIRBBB. 76 00:03:35,560 --> 00:03:38,560 Speaker 1: Another reason is multiple rooms. You get a house if 77 00:03:38,560 --> 00:03:41,000 Speaker 1: you got you and your wife and kids, and I 78 00:03:41,120 --> 00:03:44,560 Speaker 1: and my parents. Yeah yeah, we got like my parents, 79 00:03:44,680 --> 00:03:46,600 Speaker 1: my sister or her kids. There's gonna be seven kids 80 00:03:46,600 --> 00:03:48,880 Speaker 1: in that house. Will you be disappointed if it's just 81 00:03:49,000 --> 00:03:51,480 Speaker 1: an Airbnb specific house, Yeah, it's gonna be a huge 82 00:03:51,560 --> 00:03:53,920 Speaker 1: letdown because you want to creep fund. Yeah, I want 83 00:03:53,960 --> 00:03:58,400 Speaker 1: to see their lifestyle. Yeah, okay, next up, she's pretty 84 00:03:58,440 --> 00:04:00,760 Speaker 1: proud of her kids school project that she made, and 85 00:04:00,800 --> 00:04:05,080 Speaker 1: now she's just waiting on the gray here she is. So, 86 00:04:05,120 --> 00:04:07,240 Speaker 1: I think I might need a book, a special appointment 87 00:04:07,240 --> 00:04:11,680 Speaker 1: with I don't know, maybe a bone doctor or a surgeon, 88 00:04:12,360 --> 00:04:16,520 Speaker 1: because my tailbone is really sticking out a lot, like 89 00:04:16,560 --> 00:04:23,000 Speaker 1: it's a tail and nobody else Faltro sounds familiar and 90 00:04:23,080 --> 00:04:26,440 Speaker 1: she has it, or oh and he has a tail, 91 00:04:26,640 --> 00:04:30,040 Speaker 1: but I don't know that. The Seinfeld George Costanza guy 92 00:04:30,080 --> 00:04:32,280 Speaker 1: has a tail and they find out. Yeah, so your 93 00:04:32,320 --> 00:04:34,359 Speaker 1: tailbone sticks out so much it's a tail, right, And 94 00:04:34,400 --> 00:04:37,200 Speaker 1: so it comes up every now and again when I'm 95 00:04:37,240 --> 00:04:40,640 Speaker 1: with friends, bizarre, and I mean, I'm sorry about that. 96 00:04:40,720 --> 00:04:43,719 Speaker 1: All our bodies are sacred. Yeah right, So I felt 97 00:04:43,760 --> 00:04:46,159 Speaker 1: like I'm somewhat normal until it comes up again, and 98 00:04:46,160 --> 00:04:48,800 Speaker 1: then I'm reminded by all my friends that thought's not normal. 99 00:04:48,880 --> 00:04:51,080 Speaker 1: And they've never felt that before because I make them 100 00:04:51,080 --> 00:04:55,000 Speaker 1: feel it and make them feel it. Yes, it's a tailbone. 101 00:04:55,320 --> 00:04:57,560 Speaker 1: I don't want to feel it. No, that's your butt. 102 00:04:57,880 --> 00:04:59,960 Speaker 1: No it's not your butt, it's your tailbone. It's still 103 00:05:00,040 --> 00:05:02,640 Speaker 1: it's the top. If you're touching your tailbone. You're really 104 00:05:02,680 --> 00:05:06,280 Speaker 1: close to your tail hole. What I mean, is it painful? Amy, 105 00:05:06,440 --> 00:05:12,640 Speaker 1: It's only painful off the table. It has stood out 106 00:05:12,640 --> 00:05:14,760 Speaker 1: to me before at yoga if I have to do 107 00:05:14,839 --> 00:05:17,320 Speaker 1: boat pose, which is kind of you balancing on your tailbone, 108 00:05:17,480 --> 00:05:20,080 Speaker 1: and I was always amazed at everybody in class being 109 00:05:20,120 --> 00:05:22,839 Speaker 1: able to hold it and I couldn't because I scratch 110 00:05:22,880 --> 00:05:24,400 Speaker 1: it behind your ear. Well, i'll see the back of 111 00:05:24,400 --> 00:05:27,640 Speaker 1: your pants go back and forth. I don't know. I 112 00:05:27,680 --> 00:05:29,320 Speaker 1: mean maybe one of the girls on the show could 113 00:05:29,360 --> 00:05:31,160 Speaker 1: touch it and she could tell y'all, get you touch 114 00:05:31,160 --> 00:05:33,279 Speaker 1: your tailbone? I mean, yeah, I could tell. Okay, okay, okay, 115 00:05:33,680 --> 00:05:38,440 Speaker 1: this is very strange. Here's the tail Wait wait can 116 00:05:38,440 --> 00:05:41,000 Speaker 1: I feel it? What the jeans on? Wait? Okay, okay, yeah, 117 00:05:41,080 --> 00:05:43,080 Speaker 1: leave your jeans, take my hand and you put it 118 00:05:43,080 --> 00:05:45,840 Speaker 1: where I should put it. What is going on? That's 119 00:05:45,839 --> 00:05:50,040 Speaker 1: an actual like she has an actual tale Like there's 120 00:05:50,160 --> 00:05:53,719 Speaker 1: it's like a little bone it comes out. Yeah, that's 121 00:05:53,760 --> 00:05:57,000 Speaker 1: so weird. What do I do? Well, you have a 122 00:05:57,080 --> 00:06:01,320 Speaker 1: jail step one? Never talk about it public but she 123 00:06:01,360 --> 00:06:04,359 Speaker 1: already should she call them to find a time machine 124 00:06:04,600 --> 00:06:07,600 Speaker 1: go back and never talk about it publicly. It's not 125 00:06:07,760 --> 00:06:11,040 Speaker 1: like a tail off. Get it looked at right. It's 126 00:06:11,080 --> 00:06:15,880 Speaker 1: like a little nub I did fall off a slide 127 00:06:15,880 --> 00:06:18,880 Speaker 1: when I was in like second grade. Break it though, Well, 128 00:06:18,880 --> 00:06:21,359 Speaker 1: I wonder if they just kind of like pushed it 129 00:06:21,400 --> 00:06:23,320 Speaker 1: out a little bit. It's like a pinky coming out 130 00:06:23,320 --> 00:06:27,520 Speaker 1: of her butt. Okay, Well, do you want to feel it? No? No, God, no, 131 00:06:27,680 --> 00:06:29,160 Speaker 1: I don't want to feel it at all. I don't 132 00:06:29,160 --> 00:06:33,480 Speaker 1: want to grossed out. A little bit of bone. It 133 00:06:33,520 --> 00:06:35,479 Speaker 1: ain't a little bit off. It's knocking things off the table. 134 00:06:35,720 --> 00:06:37,640 Speaker 1: Like you know this thing that's on your wrist, that 135 00:06:37,680 --> 00:06:39,279 Speaker 1: bone right there. That's kind of what it feels like, 136 00:06:39,279 --> 00:06:41,560 Speaker 1: but a little bit more sticking out. Yeah, that's what 137 00:06:41,600 --> 00:06:44,400 Speaker 1: it feels like, like a tail. Yeah. Well so nobody 138 00:06:44,400 --> 00:06:47,120 Speaker 1: else has this? No, no, shake your tail feather. No, 139 00:06:48,240 --> 00:06:51,680 Speaker 1: I'm good right now, just a check you know, I 140 00:06:51,720 --> 00:06:54,760 Speaker 1: got nothing there? All right, Amy, thank you? Cool? All 141 00:06:54,839 --> 00:06:58,800 Speaker 1: right ahead? From Mountain Pine, Arkansas. He doesn't take long 142 00:06:58,960 --> 00:07:03,240 Speaker 1: naps like lunch Bob, and I'm like Kansas, Arkansas rocks 143 00:07:03,240 --> 00:07:08,320 Speaker 1: Bobby Bones. Well, a little story from over the weekend 144 00:07:08,360 --> 00:07:10,600 Speaker 1: that I didn't have time to share. Yesterday, we went 145 00:07:10,640 --> 00:07:13,400 Speaker 1: to des Moines, Iowa. On Thursday of last week to 146 00:07:13,400 --> 00:07:17,360 Speaker 1: watch the Arkansas Illinois game. It was snowing. We could 147 00:07:17,360 --> 00:07:20,280 Speaker 1: find nowhere to park. So we pull up and I 148 00:07:20,320 --> 00:07:22,840 Speaker 1: said VIP parking and I just pull into the side 149 00:07:22,840 --> 00:07:24,920 Speaker 1: and I said, hey, how much to park here? She goes, no, 150 00:07:25,400 --> 00:07:29,000 Speaker 1: you had to have already bought a VIP pass. So 151 00:07:29,040 --> 00:07:31,400 Speaker 1: I said, okay, what if we had VIPs in the 152 00:07:31,480 --> 00:07:36,160 Speaker 1: car and she goes, I don't care. And I said, well, 153 00:07:36,960 --> 00:07:39,840 Speaker 1: as Brett Eldredge like, you want to put us in 154 00:07:39,840 --> 00:07:42,240 Speaker 1: the VIP and she goes, I don't care. And I 155 00:07:42,280 --> 00:07:46,840 Speaker 1: said what about mister Morgan Evans And she said I 156 00:07:46,880 --> 00:07:49,320 Speaker 1: don't care? And I was like, okay, fine, but I 157 00:07:49,360 --> 00:07:52,520 Speaker 1: get through one more name at you producer ready and 158 00:07:52,600 --> 00:07:56,680 Speaker 1: I swear to you. She goes, okay, I think we 159 00:07:56,720 --> 00:08:03,640 Speaker 1: have one spot open. Guys, he's not where. I don't 160 00:08:03,640 --> 00:08:05,600 Speaker 1: say me. I would never say me because I'm embarrassed 161 00:08:05,880 --> 00:08:08,600 Speaker 1: if they say no, it's humiliating. I never said me, 162 00:08:08,720 --> 00:08:10,320 Speaker 1: So who did she think he was? No? No No, No, 163 00:08:10,480 --> 00:08:12,320 Speaker 1: it could have been the timing. It really could have 164 00:08:12,360 --> 00:08:14,720 Speaker 1: been where like she did. Alright, bred Elder, I'm gonna 165 00:08:14,720 --> 00:08:18,640 Speaker 1: tell you. As we started laughing so hard, I laughed. 166 00:08:18,680 --> 00:08:20,760 Speaker 1: The heart is. I was like, guys, anytime you want 167 00:08:20,760 --> 00:08:23,440 Speaker 1: to use my name. He was like, that's what got 168 00:08:23,520 --> 00:08:27,080 Speaker 1: that's what let us in. That's hilarious. So I don't 169 00:08:27,120 --> 00:08:29,920 Speaker 1: know what the situation was. Maybe she's just a big 170 00:08:30,000 --> 00:08:31,800 Speaker 1: Eddie fan. A lot of people are trying to turn 171 00:08:31,840 --> 00:08:37,080 Speaker 1: that way, are they Eddie. I'm thinking of other Eddies 172 00:08:37,080 --> 00:08:41,920 Speaker 1: that are famous. Eddie van Halen. I said, producer Eddie. 173 00:08:42,040 --> 00:08:45,000 Speaker 1: You did say producer Eddie and she was like, maybe 174 00:08:45,040 --> 00:08:48,280 Speaker 1: she heard professor Eddie and she did. She did go along, 175 00:08:48,520 --> 00:08:52,440 Speaker 1: I have an extra spar she did. I'm telling you, 176 00:08:53,280 --> 00:08:56,719 Speaker 1: Eddie changed the world for us and it was hilarious. Yes, 177 00:08:56,760 --> 00:08:58,680 Speaker 1: it was awesome. I'd like to shout out, you know 178 00:08:58,720 --> 00:09:00,800 Speaker 1: what Earth for allowing that to happen. Yes, and for 179 00:09:00,960 --> 00:09:02,960 Speaker 1: Eddie for vance that's you, good dude that allowed that 180 00:09:03,000 --> 00:09:09,000 Speaker 1: to happen. You're welcome, guys. So Bobby Bones Show interviews 181 00:09:09,200 --> 00:09:12,280 Speaker 1: in case you didn't know, they're coming in right now 182 00:09:12,280 --> 00:09:14,920 Speaker 1: from the Hyundai green room. It's Brad the lead singer 183 00:09:14,960 --> 00:09:18,520 Speaker 1: of Three Doors Down, It's Kevin, the lead singer of Candlebox, 184 00:09:19,120 --> 00:09:21,920 Speaker 1: and just second we'll hear performed right here from the stage. 185 00:09:22,120 --> 00:09:28,080 Speaker 1: This song from Three Doors Down, but also they had Kryptonite, 186 00:09:28,080 --> 00:09:33,160 Speaker 1: which was the jam back in the Day or when 187 00:09:33,200 --> 00:09:39,440 Speaker 1: I'm Gone, which is massively so that was for your 188 00:09:39,480 --> 00:09:43,520 Speaker 1: early two thousands kids, but for like nineties kids. Candlebox 189 00:09:43,640 --> 00:09:46,280 Speaker 1: also coming in the lead singer Kevin's gonna perform. Maybe 190 00:09:46,280 --> 00:09:52,760 Speaker 1: you remember this song right here. They're gonna perform right 191 00:09:52,760 --> 00:09:54,760 Speaker 1: here in studio. They're coming in now, what up, guys, 192 00:09:54,760 --> 00:09:57,800 Speaker 1: come on in here. They are Brad from Three Doors 193 00:09:57,840 --> 00:10:02,320 Speaker 1: Down and Kevin from Candlebox on the Bobby Bones Show. 194 00:10:02,400 --> 00:10:05,320 Speaker 1: Now Brad Arnold of Three Doors Down and Kevin Martin 195 00:10:05,400 --> 00:10:07,920 Speaker 1: enough Candlebox. You know, guys, I know we're here today 196 00:10:07,960 --> 00:10:10,640 Speaker 1: to announce a tour and this is basically the only 197 00:10:10,679 --> 00:10:13,760 Speaker 1: tour I would ever pay money for. Yes, I just 198 00:10:13,800 --> 00:10:16,560 Speaker 1: want you guys to know, Like when I know Brad 199 00:10:17,440 --> 00:10:18,640 Speaker 1: Brad out said we're friends. Now, if I saw you 200 00:10:18,640 --> 00:10:19,800 Speaker 1: get the grocery store, I go up to and be like, 201 00:10:19,800 --> 00:10:23,040 Speaker 1: what U buddy? Absolutely, but Kevin, I had met you, Yeah, 202 00:10:23,040 --> 00:10:25,160 Speaker 1: but I grew up you know, listen to the Candlebox 203 00:10:25,160 --> 00:10:27,920 Speaker 1: like crazy. So it's really really great to spend time 204 00:10:27,960 --> 00:10:29,679 Speaker 1: with you here. When they said, you guys, we're willing 205 00:10:29,679 --> 00:10:31,800 Speaker 1: to come in. I said, how much will it costs me? 206 00:10:31,840 --> 00:10:33,800 Speaker 1: Like that's how big a fan I am? So Brad, 207 00:10:33,880 --> 00:10:36,360 Speaker 1: let's start with this three doors down going out doing 208 00:10:36,400 --> 00:10:39,720 Speaker 1: the tour and how do you find and Kevin and 209 00:10:39,800 --> 00:10:41,839 Speaker 1: Candle Box, Like, how did this tour come together? Well, 210 00:10:41,880 --> 00:10:44,560 Speaker 1: we actually played a show together last year. It was 211 00:10:45,160 --> 00:10:47,040 Speaker 1: last year, and I think we talked about it a 212 00:10:47,080 --> 00:10:50,079 Speaker 1: little bit then, and uh, the time and kind of 213 00:10:50,559 --> 00:10:53,840 Speaker 1: work definitely, and we're both going out this summer and 214 00:10:53,880 --> 00:10:56,800 Speaker 1: I couldn't think of a bitter combination. When they asked 215 00:10:56,800 --> 00:11:01,439 Speaker 1: me about it, I was like, yeah, because who's they who? Well, 216 00:11:01,960 --> 00:11:05,480 Speaker 1: I guess yeah, people got it? Are people called it? 217 00:11:05,520 --> 00:11:07,240 Speaker 1: Because whoever they are like it? Like, whoever they are, 218 00:11:07,280 --> 00:11:09,360 Speaker 1: I like it. And So when you guys go do 219 00:11:09,440 --> 00:11:12,439 Speaker 1: these shows, how are you playing any new music at all? 220 00:11:12,720 --> 00:11:15,000 Speaker 1: We all we actually are trying were playing. We have 221 00:11:15,080 --> 00:11:17,640 Speaker 1: one song that we put together just on the last tour, 222 00:11:17,840 --> 00:11:20,679 Speaker 1: and uh, we need to put a couple more together 223 00:11:20,679 --> 00:11:22,280 Speaker 1: between now and NIM will see how that goes. But 224 00:11:22,320 --> 00:11:24,040 Speaker 1: we will play a little bit of new music too 225 00:11:24,160 --> 00:11:26,199 Speaker 1: much though, that's my point. Yeah, not too much, you know, 226 00:11:26,400 --> 00:11:28,319 Speaker 1: just a little bit. If you got something exactly, but 227 00:11:28,400 --> 00:11:31,240 Speaker 1: you know one or two and then we nostalgia how exactly? 228 00:11:31,200 --> 00:11:33,960 Speaker 1: That's I mean, Kevin, So how you know we listen 229 00:11:34,000 --> 00:11:38,240 Speaker 1: to Candlebox growing up? Your voice to me was that 230 00:11:38,320 --> 00:11:42,200 Speaker 1: of like a quiet intensity, like together constantly didn't know 231 00:11:42,200 --> 00:11:43,840 Speaker 1: where I was gonna go. How in the world, because 232 00:11:43,840 --> 00:11:46,600 Speaker 1: I have so many friends that are now forty forty 233 00:11:46,600 --> 00:11:48,000 Speaker 1: five that used to sing and they have to like 234 00:11:48,120 --> 00:11:51,480 Speaker 1: not sing hard anymore. How are you not talking your 235 00:11:51,480 --> 00:11:55,280 Speaker 1: songs at this point? Um? I drink a lot of whiskey. Um, 236 00:11:55,320 --> 00:11:57,520 Speaker 1: And that's no lie. I mean I I years ago. 237 00:11:58,120 --> 00:12:00,839 Speaker 1: You know, I never did a lot of drugs or anything. 238 00:12:00,840 --> 00:12:02,520 Speaker 1: And I started singing when I was six years old 239 00:12:02,520 --> 00:12:05,880 Speaker 1: and choir and I always sang all the way through 240 00:12:05,960 --> 00:12:07,480 Speaker 1: high school because you know, it's nice to have that 241 00:12:07,559 --> 00:12:09,480 Speaker 1: elective that you know, you don't really have to pay 242 00:12:09,480 --> 00:12:11,600 Speaker 1: attention to. But I never really wanted to be a 243 00:12:11,600 --> 00:12:14,400 Speaker 1: singing rock band and I was a drummer, And um, 244 00:12:14,400 --> 00:12:17,000 Speaker 1: I got kind of stuck with this gig with Counterbox, 245 00:12:17,040 --> 00:12:18,680 Speaker 1: And that's no lie, That's why I get there, stuck 246 00:12:18,720 --> 00:12:20,200 Speaker 1: with the gig. Yeah, I got stuck with the gig 247 00:12:20,200 --> 00:12:21,959 Speaker 1: as the lead singer of a rock and reluctant lead 248 00:12:21,960 --> 00:12:23,960 Speaker 1: singer of a rock and roll band. Um So, the 249 00:12:23,960 --> 00:12:25,840 Speaker 1: first record, I didn't really know what I was doing, 250 00:12:26,640 --> 00:12:28,680 Speaker 1: and I went through a lot of issues with my 251 00:12:28,760 --> 00:12:31,680 Speaker 1: voice because I just didn't understand how to perform live. 252 00:12:32,400 --> 00:12:35,440 Speaker 1: And then over the years getting used to what I 253 00:12:35,480 --> 00:12:37,640 Speaker 1: was capable of doing with it and understanding how it 254 00:12:37,679 --> 00:12:40,360 Speaker 1: worked and getting away from you know, liquors that are 255 00:12:40,400 --> 00:12:42,920 Speaker 1: like Vodkas or whatever that kind of draw your voice out. 256 00:12:43,480 --> 00:12:46,600 Speaker 1: I started drinking whiskey in like two nineteen ninety eight, 257 00:12:46,600 --> 00:12:49,120 Speaker 1: and it changed everything. Now I don't I'm joking like 258 00:12:49,120 --> 00:12:50,520 Speaker 1: with a lot of which making a note here, started 259 00:12:50,559 --> 00:12:52,760 Speaker 1: drinking whiskey today after the show, But I do I 260 00:12:52,800 --> 00:12:54,720 Speaker 1: have you know, I sip on it during during the 261 00:12:54,720 --> 00:12:56,600 Speaker 1: shows and I found that it helps. But I do 262 00:12:56,640 --> 00:12:58,120 Speaker 1: take care of it. Man. I don't smoke, I don't 263 00:12:58,160 --> 00:13:03,840 Speaker 1: do drugs, and I'm relatively healthy. Kevin, are you ever anywhere? 264 00:13:03,840 --> 00:13:05,760 Speaker 1: And because I know the answer for Brad, because I 265 00:13:05,800 --> 00:13:07,760 Speaker 1: hear it every time I'm in Kroger three doors down. 266 00:13:07,800 --> 00:13:09,559 Speaker 1: It's like rocking on time you ever somewhere and you 267 00:13:09,600 --> 00:13:12,360 Speaker 1: hear your a Cannabalks song, You're like, dang, this is 268 00:13:12,360 --> 00:13:14,280 Speaker 1: like a family place. Now. Back in the day, this 269 00:13:14,280 --> 00:13:17,280 Speaker 1: would never been playing it that John's Pizzeria. Yeah, I 270 00:13:17,320 --> 00:13:21,800 Speaker 1: heard it once in Walmart. Um, it's funny. It's always 271 00:13:21,800 --> 00:13:23,680 Speaker 1: far behind. I mean, you know, it's that's the song. 272 00:13:24,000 --> 00:13:25,920 Speaker 1: It's been paying my rent for thirty plus years now, 273 00:13:25,960 --> 00:13:28,800 Speaker 1: but um, yeah I do, and it's it still feels good. 274 00:13:28,800 --> 00:13:30,240 Speaker 1: I remember the first time I heard it. We were 275 00:13:30,240 --> 00:13:32,599 Speaker 1: outside of Seattle. We were in Las Vegas, and m 276 00:13:32,640 --> 00:13:34,880 Speaker 1: it came on the radio station, and you know, there's 277 00:13:34,920 --> 00:13:36,559 Speaker 1: nothing like that feeling when you hear your song on 278 00:13:36,559 --> 00:13:39,000 Speaker 1: the radio the first time and he's like, man, I've 279 00:13:39,000 --> 00:13:41,240 Speaker 1: made it. And even if you don't, it's just somebody 280 00:13:41,240 --> 00:13:44,240 Speaker 1: else is playing your song. And uh, it's a weird feeling. 281 00:13:44,280 --> 00:13:48,880 Speaker 1: But it's funny when you're in a grocery store. Yeah, yeah, 282 00:13:49,320 --> 00:13:52,000 Speaker 1: Ker you know Brad with three doors down. What were 283 00:13:52,000 --> 00:13:54,599 Speaker 1: the lean years like when it was I don't know 284 00:13:54,640 --> 00:13:56,719 Speaker 1: if we're gonna be able to do this, like or 285 00:13:56,920 --> 00:13:59,640 Speaker 1: how is the living were in a van. We were 286 00:13:59,679 --> 00:14:02,560 Speaker 1: pretty blessed always, you know, when Kryptonite came out, it 287 00:14:02,640 --> 00:14:05,559 Speaker 1: was successful pretty quick, you know, but at the same time, 288 00:14:05,600 --> 00:14:08,599 Speaker 1: you know, nine months from that, we were prepared to 289 00:14:08,679 --> 00:14:11,880 Speaker 1: quit because we had been a pretty successful little local band, 290 00:14:11,880 --> 00:14:13,800 Speaker 1: even though we never toured. We were from a little town. 291 00:14:14,280 --> 00:14:16,280 Speaker 1: We did really good around there. And when kind of 292 00:14:16,320 --> 00:14:18,120 Speaker 1: like you know, you go through phases and epend, it 293 00:14:18,160 --> 00:14:20,400 Speaker 1: kind of gets war out on it. You know, me 294 00:14:20,520 --> 00:14:23,120 Speaker 1: and Man, our original guitar player, we were both like 295 00:14:23,160 --> 00:14:25,040 Speaker 1: six months away, was like, all right, if we don't 296 00:14:25,080 --> 00:14:27,600 Speaker 1: do something pretty quick and we have something substantial happen, 297 00:14:27,680 --> 00:14:30,640 Speaker 1: we're gonna go to college. And because we were just teenagers, 298 00:14:30,960 --> 00:14:33,920 Speaker 1: and by the grace of God, within that time, like 299 00:14:34,920 --> 00:14:38,480 Speaker 1: CPRN down in Mississippi started playing the song and it 300 00:14:38,520 --> 00:14:41,560 Speaker 1: became a hit and we got signed and and I 301 00:14:41,560 --> 00:14:43,680 Speaker 1: mean but we were we were on the vertical of 302 00:14:43,760 --> 00:14:46,280 Speaker 1: giving up ourselves. You know, you don't hear your accent 303 00:14:46,320 --> 00:14:50,440 Speaker 1: when you sing, which is weird. British people too, for 304 00:14:50,440 --> 00:14:52,400 Speaker 1: the most part. They'll be like whit white got and 305 00:14:52,400 --> 00:14:55,680 Speaker 1: they're singing like hello here I am today. Do you 306 00:14:55,680 --> 00:14:56,880 Speaker 1: ever hear that? People talk to you? And there? Like 307 00:14:57,000 --> 00:14:58,960 Speaker 1: I didn't expect you to be so country all the time. 308 00:14:59,240 --> 00:15:00,680 Speaker 1: I feel like if you got came out now, you 309 00:15:00,680 --> 00:15:03,800 Speaker 1: would be like a country like a rock, like if 310 00:15:03,800 --> 00:15:05,760 Speaker 1: you existed right now it's three doors down brand new. 311 00:15:05,800 --> 00:15:09,680 Speaker 1: You'd be here. We would be absolutely absolutely well, Kevin, 312 00:15:09,720 --> 00:15:11,120 Speaker 1: that's not the case with you guys. You guys would 313 00:15:11,120 --> 00:15:14,120 Speaker 1: still be going. You're not You're from like the northwest though, right, well, 314 00:15:14,160 --> 00:15:15,800 Speaker 1: I was. I was born in Chicago, but I was 315 00:15:15,880 --> 00:15:17,840 Speaker 1: raised in the South. I grew up in San Antonio, Texas. 316 00:15:17,920 --> 00:15:19,520 Speaker 1: Oh you did. Yeah, So every now and then you'll 317 00:15:19,560 --> 00:15:21,240 Speaker 1: hear me slip into a little bit of y'all and 318 00:15:21,320 --> 00:15:23,480 Speaker 1: not not. But I moved to Seattle when I was 319 00:15:23,480 --> 00:15:26,320 Speaker 1: fourteen in nineteen eighty four, and um, and that was 320 00:15:26,400 --> 00:15:28,240 Speaker 1: my dad took a job with an old boss and 321 00:15:28,680 --> 00:15:30,920 Speaker 1: that was And at the first concert I saw, there 322 00:15:30,960 --> 00:15:33,560 Speaker 1: was Chris Cornell playing drums with Sound Garden as a 323 00:15:33,600 --> 00:15:35,680 Speaker 1: three piece, and he was singing like a banshee. And 324 00:15:35,680 --> 00:15:37,560 Speaker 1: I was like, man, what is going on in this city? 325 00:15:37,600 --> 00:15:40,000 Speaker 1: You know? And and that was it for me. I 326 00:15:40,040 --> 00:15:44,600 Speaker 1: was immediately enamored and inspired by just great music from 327 00:15:44,600 --> 00:15:46,680 Speaker 1: that beautiful little town. I feel like you guys came 328 00:15:46,680 --> 00:15:48,200 Speaker 1: out and you could correct me because that this is 329 00:15:48,200 --> 00:15:51,760 Speaker 1: not any note like after the whole grunge thing happened, 330 00:15:52,160 --> 00:15:53,760 Speaker 1: and I feel like you guys were kind of unfairly 331 00:15:53,760 --> 00:15:56,040 Speaker 1: compared to it because it wasn't really the exactly the 332 00:15:56,080 --> 00:15:57,920 Speaker 1: same time, but because you were from Seattle, people like 333 00:15:57,960 --> 00:16:00,920 Speaker 1: it's another Seattle band. Did you feel like that? Is 334 00:16:01,120 --> 00:16:03,920 Speaker 1: that observation? It is somewhat accurate, very accurate. I mean, 335 00:16:04,040 --> 00:16:06,320 Speaker 1: it was an easy label to throw on a band 336 00:16:06,320 --> 00:16:09,720 Speaker 1: like Candlebox because the whole city was considered grunge. Um. 337 00:16:10,360 --> 00:16:13,240 Speaker 1: You know, we're we're about five years in age, younger 338 00:16:13,280 --> 00:16:15,240 Speaker 1: than a lot of those guys as well. Um, so 339 00:16:15,440 --> 00:16:17,000 Speaker 1: you know, I was sixteen years old working in a 340 00:16:17,040 --> 00:16:19,160 Speaker 1: shoe store when Chris Cornell was coming in to get 341 00:16:19,200 --> 00:16:21,840 Speaker 1: flyers to hang up on the walls, you know. So, um, 342 00:16:22,120 --> 00:16:24,240 Speaker 1: we did come around a lot later than those guys, 343 00:16:24,280 --> 00:16:27,680 Speaker 1: so it hindered a little bit of our career. I mean, 344 00:16:27,800 --> 00:16:29,800 Speaker 1: you know, we were never media darlings like the rest 345 00:16:29,840 --> 00:16:31,760 Speaker 1: of the grunge band, so it kind of was like 346 00:16:31,800 --> 00:16:33,840 Speaker 1: we kind of had to beat our beat the door 347 00:16:33,880 --> 00:16:36,240 Speaker 1: down ourselves, which was fun, you know. I mean here 348 00:16:36,240 --> 00:16:37,960 Speaker 1: we are thirty years later, still doing it, but everything 349 00:16:38,000 --> 00:16:39,800 Speaker 1: but turned into a boy band though about that time too. 350 00:16:39,800 --> 00:16:41,920 Speaker 1: You could have easily flipped over it and learned to dance. 351 00:16:42,320 --> 00:16:44,520 Speaker 1: I should have did you, guys, do you ever sing 352 00:16:44,600 --> 00:16:47,520 Speaker 1: any other kind of music? Like growing up like inquired, 353 00:16:47,880 --> 00:16:50,960 Speaker 1: like you probably could have been a good stage singer. 354 00:16:51,000 --> 00:16:52,760 Speaker 1: Did you do that at all? I'm a first tenor. Um, 355 00:16:52,840 --> 00:16:54,200 Speaker 1: I did a lot of I did a lot of 356 00:16:54,480 --> 00:16:57,120 Speaker 1: drama in high school because it was where the girls were. Um. 357 00:16:57,200 --> 00:17:00,240 Speaker 1: I always took the electives where there were girls. Big 358 00:17:00,240 --> 00:17:03,640 Speaker 1: fan of so UM. But yeah, I sang in drama 359 00:17:04,040 --> 00:17:06,439 Speaker 1: and I sang in choired I did. I've done pieces 360 00:17:06,440 --> 00:17:09,840 Speaker 1: in Italian French. I did a barbershop quartet with my brother, 361 00:17:09,840 --> 00:17:11,440 Speaker 1: which was a lot of fun for a couple of years. 362 00:17:11,440 --> 00:17:12,840 Speaker 1: You know, did you have to drop all that once 363 00:17:12,880 --> 00:17:16,440 Speaker 1: you guys got cool in Candlebox because you don't want to. 364 00:17:16,440 --> 00:17:18,480 Speaker 1: I don't want to see Candlebox sing a barbershop qutet. 365 00:17:18,520 --> 00:17:20,560 Speaker 1: I'll be out not that time, No I was. I 366 00:17:20,600 --> 00:17:24,119 Speaker 1: stopped that right around at the age of seventeen. Yeah, 367 00:17:24,160 --> 00:17:26,880 Speaker 1: when you are in a band that is coming from 368 00:17:26,920 --> 00:17:29,720 Speaker 1: Seattle and obviously you have all those influences around, you 369 00:17:29,720 --> 00:17:31,040 Speaker 1: were able to see them as a kid, like did 370 00:17:31,040 --> 00:17:33,359 Speaker 1: you ever see Nirvana play? What did? Yeah? So? I 371 00:17:33,400 --> 00:17:35,760 Speaker 1: saw them play Radio Shack The notorious video tape that's 372 00:17:35,760 --> 00:17:38,280 Speaker 1: going around. That was down in Tacoma. M saw a 373 00:17:38,280 --> 00:17:42,440 Speaker 1: lot of the early Screaming Trees, Gigs, Grunt Truck, Skinyard, 374 00:17:42,520 --> 00:17:44,440 Speaker 1: sound Garden, saw the movie. I was at the Mookie 375 00:17:44,440 --> 00:17:48,040 Speaker 1: Blaylock show when they Pearl Jam. Yeah, I mean it. 376 00:17:48,520 --> 00:17:50,159 Speaker 1: You know, at the time, a lot of people just 377 00:17:50,160 --> 00:17:52,560 Speaker 1: assumed that Seattle was this massive metropolis. It was a 378 00:17:52,600 --> 00:17:55,159 Speaker 1: tiny little town man, and it was like you know, you, 379 00:17:56,320 --> 00:17:58,720 Speaker 1: I think when I moved there maybe a million people 380 00:17:59,160 --> 00:18:03,200 Speaker 1: in the entire Seattle community. But all the venues were 381 00:18:03,320 --> 00:18:06,920 Speaker 1: within a mile of one another. So um, a lot 382 00:18:06,920 --> 00:18:09,199 Speaker 1: of them were all ages, venues which you could go 383 00:18:09,240 --> 00:18:10,560 Speaker 1: and see these bands play, and some of them that 384 00:18:10,600 --> 00:18:12,280 Speaker 1: were bars you'd have to have a fake ID to 385 00:18:12,280 --> 00:18:14,719 Speaker 1: sneak into. But yeah, I was. I was fortunate enough. 386 00:18:14,760 --> 00:18:17,080 Speaker 1: And like I said, I worked at Fluevog Shoes, which 387 00:18:17,119 --> 00:18:20,399 Speaker 1: was where Um Susan Silver who had Silver Management. She 388 00:18:20,480 --> 00:18:23,720 Speaker 1: was managing Alice and Chains, sound Garden, Um, Screaming Trees, 389 00:18:23,760 --> 00:18:25,920 Speaker 1: a bunch of those bands. I worked with her. So 390 00:18:25,920 --> 00:18:27,840 Speaker 1: those guys all come in to get flyers and stuff 391 00:18:27,880 --> 00:18:30,159 Speaker 1: for the shows. Um, And that's how I met a 392 00:18:30,200 --> 00:18:32,600 Speaker 1: lot of those musicians as well. Brad, you're putting us 393 00:18:32,600 --> 00:18:34,760 Speaker 1: towards the Three Doors Down, away from the Sun Anniversary 394 00:18:34,800 --> 00:18:39,280 Speaker 1: tour with Candlebox? How long who goes? Do you have 395 00:18:39,320 --> 00:18:42,320 Speaker 1: a like a baby that comes on first? Or does 396 00:18:42,359 --> 00:18:44,199 Speaker 1: it go straight Candlebox? That maybe too much for me. 397 00:18:44,359 --> 00:18:47,240 Speaker 1: It's a it's just it's us too. Wow, that's it. Huh, 398 00:18:47,240 --> 00:18:51,640 Speaker 1: that's it's straight, like let's go. Yeah, so they're early. Yeah, 399 00:18:51,640 --> 00:18:53,880 Speaker 1: so when the ticket says the show starting, you want 400 00:18:53,920 --> 00:18:56,919 Speaker 1: to be there for that part starting yea twenty five 401 00:18:56,920 --> 00:19:02,680 Speaker 1: minutes after you missed a babys are a day. Yeah. So, Brad, 402 00:19:02,680 --> 00:19:05,640 Speaker 1: you've been playing with these these guys, obviously with Three 403 00:19:05,680 --> 00:19:07,359 Speaker 1: Doors Down for a long time. Can you guys just 404 00:19:07,400 --> 00:19:09,640 Speaker 1: like look at each other and do a chin move 405 00:19:09,760 --> 00:19:11,840 Speaker 1: or an here and then you know, now you've communicated 406 00:19:11,880 --> 00:19:14,359 Speaker 1: so much over such a long period of time, a 407 00:19:14,400 --> 00:19:16,520 Speaker 1: little bit like or like you get them to look 408 00:19:16,520 --> 00:19:20,080 Speaker 1: like it was a wrong note, that's song, wrong note? Yeah, 409 00:19:20,160 --> 00:19:22,280 Speaker 1: there's more wrong notes. Does that ever happen where you 410 00:19:22,280 --> 00:19:24,240 Speaker 1: look like? What was that? Yeah? Are you are you 411 00:19:24,320 --> 00:19:28,960 Speaker 1: the alpha? Uh? No? I think we're all just kind 412 00:19:28,960 --> 00:19:31,919 Speaker 1: of Roger's kind of there. Yeah, if if there's an alpha, 413 00:19:31,960 --> 00:19:34,000 Speaker 1: I think in our band it's it's Greig, our drummer 414 00:19:34,080 --> 00:19:36,560 Speaker 1: who will just take a trophy has to Yes, yes, 415 00:19:36,760 --> 00:19:39,359 Speaker 1: he's We definitely looked at him to be the band leader. 416 00:19:39,880 --> 00:19:41,919 Speaker 1: Do they ever talk to you? Guys talk to each 417 00:19:41,960 --> 00:19:44,040 Speaker 1: other on the mic, not where the crowd can hear it. 418 00:19:44,080 --> 00:19:45,959 Speaker 1: I'm always concerned that microle you gonna put something out, 419 00:19:45,960 --> 00:19:47,919 Speaker 1: So we've stopped using that because I'd be like, hey, 420 00:19:48,000 --> 00:19:51,840 Speaker 1: eddie up fans, I can see a winner. I'm afraid 421 00:19:51,840 --> 00:19:53,760 Speaker 1: that I'll go over the top, so we stop using that. Now. 422 00:19:53,960 --> 00:19:55,919 Speaker 1: I have one back there by Gregg that I have 423 00:19:55,920 --> 00:19:57,520 Speaker 1: a little stump box that I can talk to my 424 00:19:57,520 --> 00:20:00,480 Speaker 1: monitor guy. The band guys can't hear me, but my 425 00:20:00,520 --> 00:20:02,480 Speaker 1: monitor guy and my front of house guy can hear me. 426 00:20:02,640 --> 00:20:05,199 Speaker 1: Because sometimes, um sometimes, you know, I have a lot 427 00:20:05,200 --> 00:20:06,760 Speaker 1: to say to my monitor guy sometimes. And I have 428 00:20:06,800 --> 00:20:08,840 Speaker 1: a new monitor guy, I have a lot of nice 429 00:20:08,880 --> 00:20:11,520 Speaker 1: things to say to him and I in the past 430 00:20:11,560 --> 00:20:13,840 Speaker 1: I've had some the less than nice things to say, 431 00:20:13,960 --> 00:20:17,359 Speaker 1: but I like sometimes I'm one of my pet peeves 432 00:20:17,440 --> 00:20:19,480 Speaker 1: is when my feet start vibrating. If the sub starts 433 00:20:19,560 --> 00:20:22,080 Speaker 1: running too hard, I can kind of it messes with 434 00:20:22,080 --> 00:20:24,639 Speaker 1: a die from the mic and sometimes its messes with 435 00:20:24,680 --> 00:20:27,639 Speaker 1: your vocal chords. You know, just so much vibration. So 436 00:20:27,640 --> 00:20:30,640 Speaker 1: if I can feel it through my feet, I'd be like, hey, hey, Curtis, 437 00:20:30,720 --> 00:20:32,800 Speaker 1: you want to back down a little bit, buddy, you know? 438 00:20:32,880 --> 00:20:35,080 Speaker 1: And he will and us that's the only people they 439 00:20:35,119 --> 00:20:37,440 Speaker 1: can hear through mine? What song does this? Does a 440 00:20:37,480 --> 00:20:41,320 Speaker 1: Three Doors Down crowd sing back the loudest um say 441 00:20:41,359 --> 00:20:45,760 Speaker 1: Here without You and Kryptonite? The thing about here without 442 00:20:45,840 --> 00:20:48,680 Speaker 1: you is who sings it back? Because here and there 443 00:20:48,840 --> 00:20:53,040 Speaker 1: we've got stuck on some shows and uh that really 444 00:20:53,119 --> 00:20:55,800 Speaker 1: if you just looked at the list, you're like, three 445 00:20:55,840 --> 00:20:58,520 Speaker 1: Doors Down is on that. But you know, on those 446 00:20:58,560 --> 00:21:00,280 Speaker 1: shows we play some of our deeper st up on 447 00:21:00,280 --> 00:21:02,239 Speaker 1: our records, some very deeper stuff, a little heavier than 448 00:21:02,280 --> 00:21:05,000 Speaker 1: stuff you hear, and so it we bit in those 449 00:21:05,040 --> 00:21:07,760 Speaker 1: shows just fine. But it's so awesome to see like 450 00:21:07,800 --> 00:21:12,000 Speaker 1: this big, gnarly like biker looking just like rip your arms, dude. 451 00:21:12,240 --> 00:21:15,679 Speaker 1: He will be the most fervent singer of here without 452 00:21:15,720 --> 00:21:22,439 Speaker 1: you in the crowd. Emo. It's amazing. Brad, Will you 453 00:21:22,440 --> 00:21:24,639 Speaker 1: play I'm here without you? We will, all right, Brad 454 00:21:24,760 --> 00:21:26,879 Speaker 1: Here Brad Arnold from Three Doors Down By the way, 455 00:21:26,880 --> 00:21:29,880 Speaker 1: we're announcing the big tour right now. It's the Three 456 00:21:29,880 --> 00:21:32,640 Speaker 1: Doors Down Away from the Sun Anniversary tour with Candlebox. 457 00:21:33,160 --> 00:21:37,000 Speaker 1: I will be there. Are you guys coming here? We are? Okay? Good? Yeah, 458 00:21:37,280 --> 00:21:39,880 Speaker 1: all right, yeah, I'll be there. I don't know where. 459 00:21:39,880 --> 00:21:42,919 Speaker 1: I'll be under the stage, drinking the sweat of my 460 00:21:42,960 --> 00:21:46,239 Speaker 1: favorite artists. All right, here we go. This is m Ray. 461 00:21:46,320 --> 00:21:48,800 Speaker 1: We good. Now we are still snip into the second verse, 462 00:21:51,320 --> 00:21:55,119 Speaker 1: still intense as ever. Come on, so good. I'm worried 463 00:21:55,119 --> 00:21:56,639 Speaker 1: to ask you that, guys. Just seeing this early in 464 00:21:56,640 --> 00:21:58,560 Speaker 1: the morning, I was like, I'll just talk to him. 465 00:21:58,600 --> 00:22:02,360 Speaker 1: You give me goosebumps. Man, when you crazy? Killing it dude, 466 00:22:02,400 --> 00:22:03,960 Speaker 1: I'm saying it like four times in the car on 467 00:22:03,960 --> 00:22:05,960 Speaker 1: the way in it down. That's what I did. Have 468 00:22:06,000 --> 00:22:07,760 Speaker 1: a warning driving into the show. I mean, like talking 469 00:22:07,760 --> 00:22:10,200 Speaker 1: to myself. People I think I'm crazy because I'm also 470 00:22:10,720 --> 00:22:12,520 Speaker 1: loosening up. I got hours and hours of a show 471 00:22:12,560 --> 00:22:14,239 Speaker 1: to do. All right, there he is Brad Arnold from 472 00:22:14,240 --> 00:22:18,119 Speaker 1: Three Doors Down. A nice shot. Okay, Kevin, let's switch 473 00:22:18,160 --> 00:22:21,240 Speaker 1: it up. It's your turn now. Baby. That's what I 474 00:22:21,240 --> 00:22:24,639 Speaker 1: call him, baby, Baby, Listen, I grew up. It's the 475 00:22:24,640 --> 00:22:28,080 Speaker 1: first time we've had Kevin in from Candlebox, and Brad's 476 00:22:28,119 --> 00:22:30,440 Speaker 1: been so gracious to play like shows with us and 477 00:22:30,520 --> 00:22:32,280 Speaker 1: be on this show, and we did that. You've been 478 00:22:32,359 --> 00:22:34,040 Speaker 1: so gracious to have me. We did the Three Doors 479 00:22:34,040 --> 00:22:36,920 Speaker 1: Down anniversary of the album together. We shot that. So 480 00:22:37,080 --> 00:22:39,120 Speaker 1: I'm a I'm a big big Brad fan, big three 481 00:22:39,160 --> 00:22:42,199 Speaker 1: Doors Down fan, big big Bobby's fan. To Kevin, I 482 00:22:42,200 --> 00:22:43,800 Speaker 1: need you to be a big Bobby fan. Now, I 483 00:22:44,600 --> 00:22:46,040 Speaker 1: tell you what I think I'm marketing, all right, So 484 00:22:46,119 --> 00:22:50,240 Speaker 1: I like to hear so well you do? Um? Can 485 00:22:50,280 --> 00:22:53,200 Speaker 1: you do like a verse and course a far behind? Absolutely? Absolutely, 486 00:22:55,080 --> 00:22:58,440 Speaker 1: mon I'd have dropped that like five times. I'd got 487 00:22:58,440 --> 00:23:03,239 Speaker 1: like me, no fear, no fear man, jump right in, 488 00:23:03,359 --> 00:23:06,040 Speaker 1: Hey Kevin, are you O C D type guy? I am. 489 00:23:06,080 --> 00:23:08,920 Speaker 1: I'm very I very much am so where I'm trying 490 00:23:08,920 --> 00:23:12,040 Speaker 1: to fix it a little bit. So with you and 491 00:23:12,160 --> 00:23:16,280 Speaker 1: your ocity tendencies. Are they cleaning? Are they straightening? What 492 00:23:16,480 --> 00:23:20,080 Speaker 1: is it that's affecting you? It's pretty much everything for me. 493 00:23:20,160 --> 00:23:22,400 Speaker 1: Like I on the bus, I don't know about y'all, 494 00:23:22,440 --> 00:23:25,879 Speaker 1: but like we have I send out specific rules, no 495 00:23:26,000 --> 00:23:28,320 Speaker 1: shoes in the hallway, nothing left on account. Are you 496 00:23:28,359 --> 00:23:30,199 Speaker 1: a full meme? All? Yeah, it's it's full on like 497 00:23:30,280 --> 00:23:32,760 Speaker 1: and I have a special glass cleaner spray that I 498 00:23:32,840 --> 00:23:35,480 Speaker 1: use on countertops and everything. It's like disinfectant stuff. Like 499 00:23:35,520 --> 00:23:37,880 Speaker 1: I'm I'm super paranoid. We have ionizers on the bus 500 00:23:37,880 --> 00:23:40,119 Speaker 1: to keep people from getting sick. It's good for you. 501 00:23:40,400 --> 00:23:44,280 Speaker 1: I'm super super crazy. I'm a bigger fang fan. Um 502 00:23:44,280 --> 00:23:46,520 Speaker 1: So Lunchbucks here doesn't know a lot about music, doesn't 503 00:23:46,520 --> 00:23:49,400 Speaker 1: even like music really in general. I've heard that song before. Yeah, 504 00:23:50,600 --> 00:23:52,520 Speaker 1: he doesn't care about music. He's like when he runs, 505 00:23:52,560 --> 00:23:57,560 Speaker 1: he runs to nothing. He's just it's just bizarres. Just beautiful, man. 506 00:23:57,640 --> 00:24:01,639 Speaker 1: I had him watched the What Stock Sick? Nine? Yes, 507 00:24:01,920 --> 00:24:05,359 Speaker 1: and then you watched the one on was it not? 508 00:24:05,480 --> 00:24:07,520 Speaker 1: What did you watch ninety nine? I've watched part of it, 509 00:24:08,400 --> 00:24:11,440 Speaker 1: which was the crazy were you at ninety nine? You 510 00:24:11,520 --> 00:24:13,960 Speaker 1: were ninety four? So what was ninety four? Like? It 511 00:24:14,000 --> 00:24:16,840 Speaker 1: was amazing? It was awesome. Yeah, it was beautiful man. Well, 512 00:24:16,880 --> 00:24:18,840 Speaker 1: we we were on tour with Metallic at the time, 513 00:24:18,880 --> 00:24:21,160 Speaker 1: so we we had to get there from because they 514 00:24:21,200 --> 00:24:24,040 Speaker 1: added Friday Night at the last minute. So it was 515 00:24:24,600 --> 00:24:26,960 Speaker 1: like bands like Collector Soul Live US and then the 516 00:24:27,040 --> 00:24:29,400 Speaker 1: Violent Films. We were the headliners on Friday night, so 517 00:24:29,440 --> 00:24:31,879 Speaker 1: we had to get from Kansas City to um to 518 00:24:32,640 --> 00:24:34,840 Speaker 1: wherever that I think it was not Woodstock, New York, 519 00:24:34,880 --> 00:24:37,800 Speaker 1: but we I think it was even further north um 520 00:24:37,920 --> 00:24:40,440 Speaker 1: by Friday from a Wednesday, and then Metallic was playing 521 00:24:40,480 --> 00:24:43,920 Speaker 1: Saturday night, so we kind of had to rush ourselves there. 522 00:24:43,920 --> 00:24:46,400 Speaker 1: But I remember I stayed up most of the two 523 00:24:46,480 --> 00:24:49,159 Speaker 1: day drive because I was so excited. I mean, it 524 00:24:49,240 --> 00:24:51,399 Speaker 1: was exciting touring with Metallica, but like I knew I 525 00:24:51,440 --> 00:24:54,760 Speaker 1: was going to play this amazing three hundred thousand people show. 526 00:24:54,920 --> 00:24:57,199 Speaker 1: Like I couldn't sleep, man, I was. I was so 527 00:24:57,240 --> 00:24:59,840 Speaker 1: excited to get there. And we got there and they 528 00:25:00,000 --> 00:25:01,560 Speaker 1: woudn't let you watch you other bands because the stage 529 00:25:01,560 --> 00:25:04,440 Speaker 1: would turn and they wanted you to experience the three 530 00:25:04,560 --> 00:25:07,680 Speaker 1: hundred thousand people wave of excitement. Man, it was one time. 531 00:25:07,960 --> 00:25:11,280 Speaker 1: It was beyond Yeah. I will never ever ever forget it. 532 00:25:11,560 --> 00:25:13,920 Speaker 1: Did you have any friends that played the Disaster ninety 533 00:25:14,000 --> 00:25:16,320 Speaker 1: nine one? Well, yeah, a lot of a lot of 534 00:25:16,320 --> 00:25:18,520 Speaker 1: the bands that played it, we were close to What 535 00:25:18,520 --> 00:25:20,639 Speaker 1: did they call you and be like, Yo, dude, be 536 00:25:20,720 --> 00:25:23,479 Speaker 1: glad you aren't here. No, but if you'd run into 537 00:25:23,560 --> 00:25:25,440 Speaker 1: him on the road afterwards, like you know, months later, 538 00:25:25,520 --> 00:25:27,760 Speaker 1: to be dude, that was a mess, you know. But 539 00:25:28,359 --> 00:25:30,440 Speaker 1: I think it was just you know, when you're when 540 00:25:30,480 --> 00:25:32,560 Speaker 1: you're greedy like that and you're going for the money 541 00:25:32,720 --> 00:25:34,600 Speaker 1: and you're charging what they were charging, like ten dollars 542 00:25:34,640 --> 00:25:37,200 Speaker 1: for bottles of water or something, there's something stupid, as 543 00:25:37,320 --> 00:25:39,400 Speaker 1: they do now at every NFL game. We're like, no, man, 544 00:25:39,400 --> 00:25:43,080 Speaker 1: that's yeah. But it was. Yeah. I did the guys 545 00:25:43,080 --> 00:25:45,159 Speaker 1: in the Offspring. We played a show with them about 546 00:25:45,200 --> 00:25:47,240 Speaker 1: six months after and they were like, man, it was 547 00:25:47,240 --> 00:25:50,840 Speaker 1: a mess. Well let's talk about the tour and so Brad, 548 00:25:51,720 --> 00:25:53,840 Speaker 1: you put this together. You're all over the place. Tickets 549 00:25:53,840 --> 00:25:56,760 Speaker 1: go on sale on Friday this week. What do you 550 00:25:56,760 --> 00:25:59,080 Speaker 1: want people to know, Brad, If they're on the fence 551 00:25:59,119 --> 00:26:03,000 Speaker 1: about this tour, come come to this, get off the 552 00:26:03,000 --> 00:26:05,080 Speaker 1: fence coming out. It's gonna be a great it's gonna 553 00:26:05,080 --> 00:26:07,919 Speaker 1: be a great time. I'm excited about this. I really 554 00:26:08,119 --> 00:26:10,040 Speaker 1: this is gonna be a great show. It's gonna be 555 00:26:10,160 --> 00:26:12,320 Speaker 1: a show that you leave on the way back to 556 00:26:12,359 --> 00:26:15,959 Speaker 1: the parking lot with you buddies high five. And I think, man, 557 00:26:15,960 --> 00:26:17,760 Speaker 1: I think it's gonna be a great show. I'm excited 558 00:26:17,760 --> 00:26:20,440 Speaker 1: about it. Are you playing all the hits? We are? Yeah? 559 00:26:20,760 --> 00:26:22,880 Speaker 1: I can honestly say I haven't been this excited about 560 00:26:22,880 --> 00:26:24,439 Speaker 1: a tour in a while, because if you said no, 561 00:26:24,480 --> 00:26:26,840 Speaker 1: I wasn't coming. He's like, you know, we're playing no hits, 562 00:26:28,320 --> 00:26:31,320 Speaker 1: deep cuts. Nobody knows if we're thinking about maybe, of 563 00:26:31,320 --> 00:26:33,919 Speaker 1: course playing the hits and stuff. But last year and 564 00:26:33,920 --> 00:26:35,760 Speaker 1: we're not gonna do it quite like we did one 565 00:26:35,760 --> 00:26:38,359 Speaker 1: of the Better Life twentieth year anniversary. We played the 566 00:26:38,480 --> 00:26:41,200 Speaker 1: entire record just front to back. We played other stuff too, 567 00:26:41,600 --> 00:26:46,000 Speaker 1: thinking about doing that in some dimension maybe like playing 568 00:26:46,040 --> 00:26:48,359 Speaker 1: the whole record but just slicing some other stuff in 569 00:26:48,400 --> 00:26:50,119 Speaker 1: there as well. But just it's kind of fun to 570 00:26:50,200 --> 00:26:53,240 Speaker 1: do it like that. Um, it's kind of weird sometimes too. 571 00:26:53,240 --> 00:26:55,560 Speaker 1: We'll see how it goes. Well. Look, thank you guys 572 00:26:55,600 --> 00:26:57,560 Speaker 1: for coming in and playing awesome. Big fans of you, 573 00:26:57,640 --> 00:26:59,800 Speaker 1: both Brady and all of you and Kevin. We'll get there. 574 00:27:00,800 --> 00:27:02,560 Speaker 1: We're off on the right foot though, That's what I say. Yeah, 575 00:27:02,560 --> 00:27:04,560 Speaker 1: that's right, So go check it out. Tickets on sell 576 00:27:04,640 --> 00:27:10,240 Speaker 1: this Friday. And the Song TV series. Tell me about that, Oh, 577 00:27:10,280 --> 00:27:13,520 Speaker 1: the Song TV Series. We just film that. It's uh, 578 00:27:13,560 --> 00:27:15,440 Speaker 1: it should air. I'm not really sure when it airs. 579 00:27:15,440 --> 00:27:18,480 Speaker 1: When we came out and film it. H tgo forms 580 00:27:18,800 --> 00:27:22,040 Speaker 1: just recently acoustic see it and the first time we've 581 00:27:22,080 --> 00:27:24,200 Speaker 1: done anything like that in a little while. Turned out 582 00:27:24,240 --> 00:27:26,240 Speaker 1: really good. I'm excited for that today. Hear mean too, 583 00:27:26,280 --> 00:27:27,280 Speaker 1: What if you said, you know, we did it and 584 00:27:27,280 --> 00:27:30,240 Speaker 1: it didn't turn out very good? Of course it's gonna 585 00:27:30,240 --> 00:27:32,680 Speaker 1: be good, all right. I'm always worried about things like that. Man, 586 00:27:33,000 --> 00:27:36,080 Speaker 1: Three Doors Down Candlebox tickets go on sell this Friday. 587 00:27:36,240 --> 00:27:39,520 Speaker 1: Go to three Doors Down website, go to Brad Socials. 588 00:27:39,640 --> 00:27:41,880 Speaker 1: Tickets are everywhere. You can find all the links up there. 589 00:27:42,000 --> 00:27:44,919 Speaker 1: And we will see you guys soon. All right, they 590 00:27:44,920 --> 00:27:57,399 Speaker 1: are thanks, It's time for the good news. Mark and 591 00:27:57,480 --> 00:28:00,560 Speaker 1: Cynthia Rutlers. They live in California in the in Bernardido 592 00:28:00,600 --> 00:28:02,399 Speaker 1: Mountain area, and they've gotten a lot of snowfall in 593 00:28:02,400 --> 00:28:04,880 Speaker 1: the fast few days and their house was just covered 594 00:28:04,880 --> 00:28:07,960 Speaker 1: in snow that they were actually snowed in for eighteen days. 595 00:28:08,040 --> 00:28:09,399 Speaker 1: They thought they were never going to be able to 596 00:28:09,400 --> 00:28:11,359 Speaker 1: get out of there, but one of their neighbors walked 597 00:28:11,400 --> 00:28:14,160 Speaker 1: around and got video of their neighborhood posted on social media, 598 00:28:14,240 --> 00:28:16,120 Speaker 1: and it actually got attention. Here. He was talking about 599 00:28:16,119 --> 00:28:18,320 Speaker 1: it if this street was just forgotten, and it was 600 00:28:18,359 --> 00:28:21,320 Speaker 1: pretty much forgotten until our friend and our new best 601 00:28:21,320 --> 00:28:24,200 Speaker 1: friend up here on the mountains, Julie, started putting things 602 00:28:24,200 --> 00:28:27,760 Speaker 1: into the social media. So then what happens, Yeah, sees 603 00:28:27,800 --> 00:28:29,320 Speaker 1: it and goes, hey, let's go save that. I think 604 00:28:29,320 --> 00:28:31,720 Speaker 1: there was so much going on that the authorities didn't 605 00:28:31,760 --> 00:28:33,800 Speaker 1: even know about what was going on up there until 606 00:28:33,840 --> 00:28:35,600 Speaker 1: they saw that that video, and so they went in 607 00:28:35,640 --> 00:28:39,920 Speaker 1: and the house, that little thing, that little all the 608 00:28:39,960 --> 00:28:45,560 Speaker 1: battering yattering round. I think they plowed the streets. I caught. 609 00:28:46,160 --> 00:28:49,240 Speaker 1: But in the end they're good. Yes, they're talking. Yeah, 610 00:28:49,240 --> 00:28:52,040 Speaker 1: it's so cute. I love that, he said. The social media, Well, 611 00:28:52,080 --> 00:28:55,320 Speaker 1: the social media, I know, I love it. That's good, 612 00:28:55,320 --> 00:28:57,760 Speaker 1: all right, that's what it's all about. That was tell 613 00:28:57,840 --> 00:29:01,920 Speaker 1: me something good. I on Nashville put up the power 614 00:29:01,960 --> 00:29:05,240 Speaker 1: rankings and country music artists like the ranking like college 615 00:29:05,280 --> 00:29:08,160 Speaker 1: basketball teams. Nice, who do you think is number one? 616 00:29:08,160 --> 00:29:09,880 Speaker 1: And I'll get to it number one, because you know 617 00:29:09,880 --> 00:29:14,640 Speaker 1: it's gonna be basically one of two people. Yeah, who 618 00:29:14,640 --> 00:29:17,320 Speaker 1: do you think is number one? Looke comes or more. Yeah, 619 00:29:17,360 --> 00:29:19,760 Speaker 1: we'll pick one. You gotta pick one, Amy, you know 620 00:29:19,800 --> 00:29:23,560 Speaker 1: it's gonna be two. It's right, Okay, Okay, I'll go 621 00:29:23,760 --> 00:29:30,000 Speaker 1: Looke comes Morgan Wallen, Morgan Wallen, Morgan Wallen, Dang, Amy, Dang. 622 00:29:30,600 --> 00:29:34,280 Speaker 1: You did try to pick both, respect At number ten, 623 00:29:34,520 --> 00:29:42,560 Speaker 1: Ashley McBride, Oh, so this top ten like college basketball 624 00:29:42,600 --> 00:29:53,000 Speaker 1: rankings at number nine, Jordan Davis Staple to the eight. Wow. Probably, 625 00:29:54,200 --> 00:29:56,840 Speaker 1: And I don't know the writers, Hank Scorpio, I don't 626 00:29:56,880 --> 00:30:00,720 Speaker 1: know why. I'm assuming. I think some of this too 627 00:30:00,880 --> 00:30:03,680 Speaker 1: is like what's happening currently as well as forever, because 628 00:30:03,680 --> 00:30:09,480 Speaker 1: it's definitely a relevant pole here Kane Cody Johnson at seven, 629 00:30:11,600 --> 00:30:15,440 Speaker 1: Kane Brown at six. Now we're in the top five 630 00:30:17,520 --> 00:30:21,560 Speaker 1: the Country Music Power Rankings at number five. Who else 631 00:30:21,560 --> 00:30:22,840 Speaker 1: do you think is in the top five? Because so 632 00:30:23,000 --> 00:30:26,040 Speaker 1: obviously the two you guys pick got Luke, Luke come, 633 00:30:26,080 --> 00:30:27,520 Speaker 1: Morgan Wallan. Who else do you think is in there? 634 00:30:28,520 --> 00:30:34,000 Speaker 1: Luke Bryan Garth Brooks, Laney Wilson. You say Laney Wilson, 635 00:30:34,040 --> 00:30:38,880 Speaker 1: that's good. Luke Bryan, Garth Brooks go okay, Luke Bryan. 636 00:30:39,920 --> 00:30:42,560 Speaker 1: And so again, it's all people that have stuff going 637 00:30:42,640 --> 00:30:45,440 Speaker 1: right now. So Garth Brooks did not make it. Number five, 638 00:30:45,520 --> 00:30:49,880 Speaker 1: Carrie Underwood, oh god, she got a big towour right now, 639 00:30:50,120 --> 00:30:57,280 Speaker 1: they're single, Zach Bryan at number four, Laney Wilson at three, 640 00:30:57,800 --> 00:31:11,640 Speaker 1: I got him, true, and the number two Luke Combs, okay, 641 00:31:10,680 --> 00:31:20,160 Speaker 1: number one, Travis Tritt, Morgan Walla. So that's the top 642 00:31:20,160 --> 00:31:22,400 Speaker 1: five according to this guy right now. Morgan Walla and 643 00:31:22,480 --> 00:31:27,200 Speaker 1: Luke Combs, Laney Wilson, Zach Bryan, and Carrie Underwood. Okay, 644 00:31:27,280 --> 00:31:30,440 Speaker 1: any argument there? Anybody you put over them? No, I 645 00:31:30,440 --> 00:31:33,560 Speaker 1: mean I'd probably put Kane I'd put Kane Brown into 646 00:31:33,560 --> 00:31:36,479 Speaker 1: the top five. Definitely. I put Kane Brown up there 647 00:31:36,560 --> 00:31:38,640 Speaker 1: right now. Otherwise I don't only have a problem with 648 00:31:38,680 --> 00:31:41,040 Speaker 1: the top five. I mean Luke Brian, why so I 649 00:31:41,040 --> 00:31:42,280 Speaker 1: didn't have a single on the radio right now? No, 650 00:31:42,560 --> 00:31:43,760 Speaker 1: But I mean he's on TV. I don't think he's 651 00:31:43,800 --> 00:31:46,840 Speaker 1: touring either right now. And I don't think he's on 652 00:31:47,120 --> 00:31:48,760 Speaker 1: TV right now. He's taping, but I don't think he's 653 00:31:48,760 --> 00:31:52,320 Speaker 1: on TV right now. True? True, Okay, still working though, 654 00:31:52,360 --> 00:31:56,560 Speaker 1: you know, bad argument? What crush my player last month? 655 00:31:56,640 --> 00:31:58,760 Speaker 1: Or yeah? Listen, no one's saying he's not a superstar. 656 00:31:58,800 --> 00:32:01,320 Speaker 1: But this is like I'm lazy man. No, no, no, 657 00:32:01,720 --> 00:32:04,440 Speaker 1: this is like saying, well, Kentucky's always been a terrible 658 00:32:04,440 --> 00:32:06,720 Speaker 1: basketball team. No, no, no, there they are massive and 659 00:32:06,760 --> 00:32:08,080 Speaker 1: have been for a long time with the last few years, 660 00:32:08,120 --> 00:32:09,600 Speaker 1: haven't the last a couple of months, he hasn't been 661 00:32:09,680 --> 00:32:11,520 Speaker 1: up there to make the list, but I'm sure he 662 00:32:11,560 --> 00:32:17,960 Speaker 1: will coming early next month. And then Bailey like, I'm sorry, 663 00:32:17,960 --> 00:32:21,760 Speaker 1: I'm sorry. Zach Bryant, Oh yeah, everything, that's crazy, man. 664 00:32:22,320 --> 00:32:25,280 Speaker 1: I mean Zach Bryan was a guy that blew up 665 00:32:25,280 --> 00:32:28,400 Speaker 1: on YouTube and then took YouTube over to TikTok and 666 00:32:28,440 --> 00:32:31,320 Speaker 1: then turned TikTok into massive mainstream success. It's been really 667 00:32:31,360 --> 00:32:35,080 Speaker 1: cool to see. All right, well I on Nashville. I 668 00:32:35,080 --> 00:32:37,560 Speaker 1: can't wait till they release it. It's like every week 669 00:32:37,560 --> 00:32:39,720 Speaker 1: we wait for the polls. I was number one this week. 670 00:32:41,560 --> 00:32:45,680 Speaker 1: It's signed to play never gonna get it? About four 671 00:32:45,720 --> 00:32:48,480 Speaker 1: and ten Americans don't know how to do this and 672 00:32:48,560 --> 00:32:50,640 Speaker 1: the number grows every year. What is it? By the way, 673 00:32:50,640 --> 00:32:52,720 Speaker 1: I was surprised at the stat I was like, dang, 674 00:32:53,000 --> 00:32:55,080 Speaker 1: four and ten. I did not think that would be 675 00:32:55,080 --> 00:32:56,760 Speaker 1: the ratio. I'm not telling you high or low, but 676 00:32:56,840 --> 00:33:00,160 Speaker 1: it was surprising to me. Wow, four in ten Americans 677 00:33:00,280 --> 00:33:01,920 Speaker 1: they don't know how to do this. Now we have 678 00:33:01,960 --> 00:33:04,719 Speaker 1: Billy on in Missouri. Hey, Billy, good morning. How are you. 679 00:33:06,080 --> 00:33:08,040 Speaker 1: I'm good. How are you doing? We're doing pretty good. 680 00:33:08,160 --> 00:33:11,160 Speaker 1: Up for grabs? Now a fifty dollars Sonic gift card. 681 00:33:11,760 --> 00:33:15,600 Speaker 1: That'd be pretty good, right, little fifty dollars treat Oh yeah, okay, 682 00:33:15,640 --> 00:33:18,680 Speaker 1: So Billy, you get to answer the question first, and 683 00:33:18,720 --> 00:33:19,960 Speaker 1: then if you don't get it, you get to go 684 00:33:20,040 --> 00:33:21,360 Speaker 1: to one member of the show, and if they don't 685 00:33:21,360 --> 00:33:22,960 Speaker 1: get it, we play wild card round where you have 686 00:33:23,000 --> 00:33:25,960 Speaker 1: one more shot. Billy, four out of ten Americans don't 687 00:33:26,000 --> 00:33:27,800 Speaker 1: know how to do this. The number grows every year. 688 00:33:28,000 --> 00:33:30,600 Speaker 1: What do you think it is or other ten Americans 689 00:33:30,600 --> 00:33:36,280 Speaker 1: on how to do this? That is corked? Tie our shoes. 690 00:33:37,240 --> 00:33:39,360 Speaker 1: That's a good guess. That's really good. No, it's not. 691 00:33:39,640 --> 00:33:41,600 Speaker 1: That's a good guess. I'll like their people out there. 692 00:33:41,640 --> 00:33:45,080 Speaker 1: They don't growing. Yeah, people are tying the shoes a 693 00:33:45,080 --> 00:33:47,760 Speaker 1: lot less more people are going bell crow boots, some boot. 694 00:33:47,760 --> 00:33:49,280 Speaker 1: You have to tell you this pool A lot of 695 00:33:49,280 --> 00:33:50,720 Speaker 1: the shoes out by Now you don't tie the strings 696 00:33:50,760 --> 00:33:52,320 Speaker 1: at all. You just took them in the side. Okay, 697 00:33:52,640 --> 00:33:54,480 Speaker 1: all right, I'll just tell her it's wrong, that's wrong. 698 00:33:56,040 --> 00:33:57,720 Speaker 1: But I would say I tie far less on my 699 00:33:57,760 --> 00:34:02,120 Speaker 1: shoes than I used to. Okay, I gets wrong. But now, Bellie, 700 00:34:02,120 --> 00:34:03,200 Speaker 1: what we're gonna do here is you get to go 701 00:34:03,240 --> 00:34:05,960 Speaker 1: around the room and you get to pick one of these. Heck, 702 00:34:06,040 --> 00:34:09,000 Speaker 1: I'll let's pick two. I'm generous that it's nice. Julie 703 00:34:09,040 --> 00:34:12,319 Speaker 1: need one? You have Amy, Lunchbox, Eddie, and Morgan. They've 704 00:34:12,320 --> 00:34:13,960 Speaker 1: all written their answer down. None of them even knew 705 00:34:13,960 --> 00:34:17,080 Speaker 1: the question until I write it out loud. Four all right. 706 00:34:17,160 --> 00:34:19,239 Speaker 1: Out of ten Americans don't know how to do this. 707 00:34:19,239 --> 00:34:21,919 Speaker 1: The number grows every year. Which two show members would 708 00:34:21,920 --> 00:34:26,759 Speaker 1: you like to partner with? Um? Let's do Amy and 709 00:34:28,320 --> 00:34:32,560 Speaker 1: what other name you have? Lunchbox, Eddie and Morgan? You 710 00:34:32,680 --> 00:34:36,640 Speaker 1: better pick me? Yeah, you got it. Okay, Eddie, what 711 00:34:36,680 --> 00:34:38,960 Speaker 1: do you have? Oh? Mine's easy. It's changed the tire 712 00:34:39,719 --> 00:34:41,600 Speaker 1: foreign ten Americans don't know how to do this, correct, 713 00:34:41,680 --> 00:34:44,719 Speaker 1: They change the tire, good Morgan. The growing every year 714 00:34:45,000 --> 00:34:47,160 Speaker 1: is what sparks me to this because it's something that's 715 00:34:47,200 --> 00:34:50,359 Speaker 1: like going away and it's right a check. People don't 716 00:34:50,400 --> 00:34:54,160 Speaker 1: really write checks anymore. Interesting and you got there too. Yeah, okay, 717 00:34:54,160 --> 00:34:58,880 Speaker 1: they're both wrong. Oh really, now Amy, on lunchbox, you 718 00:34:58,960 --> 00:35:01,560 Speaker 1: have a chance to actually make her day. Do you 719 00:35:01,560 --> 00:35:03,360 Speaker 1: guys have their answer at all? No? No, I have 720 00:35:03,400 --> 00:35:05,719 Speaker 1: a version of Morgan's. But it's not right a check. 721 00:35:06,760 --> 00:35:11,200 Speaker 1: It's pron out a check. Oh you okay, Lunchbox read 722 00:35:11,239 --> 00:35:14,880 Speaker 1: a map. That's okay. That's good because you pulled the 723 00:35:14,920 --> 00:35:17,280 Speaker 1: paper map out. No know how to use a paper map, 724 00:35:17,640 --> 00:35:22,160 Speaker 1: Amy Cook? Oh wait, that's pretty good. Amy, it's not bad. 725 00:35:22,200 --> 00:35:23,680 Speaker 1: But which one of them do you think is right? 726 00:35:23,800 --> 00:35:26,279 Speaker 1: Eddie Cook? Or not use a map? I'm leaning towards 727 00:35:26,400 --> 00:35:28,799 Speaker 1: Lunchbox because the maps are going away. Well, both are wrong, 728 00:35:29,239 --> 00:35:33,439 Speaker 1: so no one's right there. So that's okay. Billy, you're 729 00:35:33,520 --> 00:35:36,080 Speaker 1: oh for two, but you have one more shot here. 730 00:35:36,360 --> 00:35:39,000 Speaker 1: Now here's what I'm gonna do. All right, Yeah, all right, 731 00:35:39,600 --> 00:35:44,000 Speaker 1: here's what I'm gonna do. You get to pick that 732 00:35:44,160 --> 00:35:47,040 Speaker 1: either one of them get it or none of them 733 00:35:47,080 --> 00:35:48,800 Speaker 1: get it, and they're gonna come up with a new answer. 734 00:35:48,880 --> 00:35:52,040 Speaker 1: You guys, think about it. About four and ten Americans 735 00:35:52,160 --> 00:35:54,919 Speaker 1: don't know how to do this, and the number grows 736 00:35:54,960 --> 00:35:57,720 Speaker 1: every single year. Let me know when you're in doesn't 737 00:35:57,800 --> 00:36:00,360 Speaker 1: know how to, and Billy, you'll go, oh yeah, I 738 00:36:00,360 --> 00:36:01,919 Speaker 1: think one of the four gets it, or I think 739 00:36:02,000 --> 00:36:04,080 Speaker 1: none of the forget it, and if you're correct on that, 740 00:36:04,800 --> 00:36:06,480 Speaker 1: you will win the prize. But hold on one second. 741 00:36:07,120 --> 00:36:08,799 Speaker 1: They're all thinking. Eddie's got his hand on his chin, 742 00:36:08,840 --> 00:36:11,840 Speaker 1: Morgan has got her two hands classic as she's praying, 743 00:36:11,880 --> 00:36:17,400 Speaker 1: and she's looking down. All right, I got it, grows. 744 00:36:17,719 --> 00:36:20,239 Speaker 1: Every lunchbox is writing stuff down, but I have no 745 00:36:20,280 --> 00:36:22,880 Speaker 1: idea what he's writing. It looks like a lot. I 746 00:36:22,920 --> 00:36:26,719 Speaker 1: think he's writing the question down. You're right there, you 747 00:36:26,800 --> 00:36:29,719 Speaker 1: just scratched it out whatever. He's right now, all right, 748 00:36:29,800 --> 00:36:32,080 Speaker 1: I'll just go with this in and write. But what Eddie, 749 00:36:32,160 --> 00:36:34,880 Speaker 1: Morgan and everybody good? Yeah, yeah, we're good. All right, Billy, 750 00:36:34,960 --> 00:36:36,879 Speaker 1: do you think one of the four get or none 751 00:36:36,880 --> 00:36:41,600 Speaker 1: of the four get out? I think oh I like it. 752 00:36:41,680 --> 00:36:50,880 Speaker 1: So I'm talking, Wow, lunchbox use an answering machine? No, correct, 753 00:36:51,840 --> 00:36:54,880 Speaker 1: it's a weird pause there we I was thinking, does 754 00:36:54,920 --> 00:36:58,480 Speaker 1: anyone use an answering machine at all anymore? That I know, period? Ever? Anywhere? 755 00:36:58,560 --> 00:37:00,000 Speaker 1: And I can't think of one. I was really just going, 756 00:37:00,600 --> 00:37:02,560 Speaker 1: my parents got one. You leave a message, they'll call 757 00:37:02,600 --> 00:37:04,359 Speaker 1: you back. Yeah, yeah, yeah, yeah, we used to ice 758 00:37:04,400 --> 00:37:06,120 Speaker 1: have one. That's what I'm saying. Four in ten Americas. 759 00:37:06,120 --> 00:37:08,320 Speaker 1: That goes less and less every year. Yeah. Four be 760 00:37:08,400 --> 00:37:12,040 Speaker 1: hot lot though, Amy. Oh yeah, so mine has to 761 00:37:12,080 --> 00:37:14,439 Speaker 1: do with phones. Two. But it's phone numbers. I don't 762 00:37:14,440 --> 00:37:18,480 Speaker 1: know how to Oh yeah, I know nobody's numbers. Yeah, 763 00:37:18,920 --> 00:37:22,719 Speaker 1: that's a good one. It's not it than you got 764 00:37:22,800 --> 00:37:25,719 Speaker 1: two shots here, Billy, Bill, I will let you change 765 00:37:25,719 --> 00:37:27,120 Speaker 1: your answer if you'd like to go that. You don't 766 00:37:27,120 --> 00:37:30,719 Speaker 1: think Morgan or Eddie get it, or you do think 767 00:37:30,719 --> 00:37:37,120 Speaker 1: one of the two get it. I think they'll get it. Okay, Okay, Morgan, 768 00:37:37,400 --> 00:37:41,880 Speaker 1: I don't feel good. Um so people don't really sew anymore. 769 00:37:41,880 --> 00:37:47,799 Speaker 1: It's good. Oh man, I'm gonna go. I have three 770 00:37:47,840 --> 00:37:51,200 Speaker 1: written down, but I'm gonna go with set up an 771 00:37:51,200 --> 00:37:54,160 Speaker 1: email account. They don't know how to set up an 772 00:37:54,160 --> 00:37:57,000 Speaker 1: email account. I think more and more people know how 773 00:37:57,040 --> 00:37:59,040 Speaker 1: to use that. Like that might be the opposite of 774 00:38:00,000 --> 00:38:01,600 Speaker 1: It's like, fine, what else did you have on there? 775 00:38:02,040 --> 00:38:05,040 Speaker 1: I had check out a library book. Pretty good. You 776 00:38:05,080 --> 00:38:09,920 Speaker 1: just go to the library and cancel a subscription. Oh gosh, Billy, 777 00:38:10,000 --> 00:38:13,000 Speaker 1: are they all bad? Ye? All bad? They're wrong, all 778 00:38:13,000 --> 00:38:16,319 Speaker 1: the wrong. Billy. You did not win. Billy. Give us 779 00:38:16,320 --> 00:38:18,960 Speaker 1: a hint. Well, I thought when Morgan I thought she 780 00:38:19,000 --> 00:38:23,600 Speaker 1: was gonna say it, she didn't. Balanced book, No sween 781 00:38:24,280 --> 00:38:30,560 Speaker 1: starts the nest sail, sleeping paper. I can't say that. 782 00:38:33,040 --> 00:38:44,799 Speaker 1: Give us one more hint. So physical activity, oh, squatting, swimming, swim? 783 00:38:47,320 --> 00:38:50,160 Speaker 1: Why are people have swimming anymore? It's so confusing, less 784 00:38:50,239 --> 00:38:53,640 Speaker 1: lest lifeguards. You've heard the need, so if people can 785 00:38:53,680 --> 00:38:56,399 Speaker 1: get a swim as much, Billy, I'm sorry you did 786 00:38:56,400 --> 00:38:58,280 Speaker 1: not win. I tried every way to make it possible. 787 00:38:58,560 --> 00:39:02,200 Speaker 1: I appreciate your calling. Thank you for listening. Yeah, thank 788 00:39:02,200 --> 00:39:08,200 Speaker 1: you guys. All right, there she has Billy. Everybody. Here's 789 00:39:08,200 --> 00:39:11,680 Speaker 1: a voicemail from Kolbe in Austin, Texas. Scrolling through Instagram, 790 00:39:11,719 --> 00:39:14,480 Speaker 1: and I see lunchboxes post about why haven't y'all bit 791 00:39:14,840 --> 00:39:18,120 Speaker 1: on the yeasies? Everybody wants the fair yeasies? Right? So 792 00:39:18,200 --> 00:39:21,480 Speaker 1: I click on his Instagram link takes into the eBay page. 793 00:39:21,200 --> 00:39:28,200 Speaker 1: See Bobby, he is charging fifty four dollars and seventy 794 00:39:28,200 --> 00:39:36,080 Speaker 1: cents for shipping on a ninety dollars item. How insane 795 00:39:36,200 --> 00:39:39,560 Speaker 1: is that? It's me four dollars and seventy cents to 796 00:39:39,680 --> 00:39:45,759 Speaker 1: ship a pair of shoes? Is that true people are idiots? 797 00:39:45,760 --> 00:39:48,840 Speaker 1: Like literally, it says anywhere from eleven dollars to fifty 798 00:39:48,840 --> 00:39:51,080 Speaker 1: four dollars, because if it goes overseas, you have to 799 00:39:51,160 --> 00:39:54,000 Speaker 1: charge overseas shipping. If your local, it could be as 800 00:39:54,040 --> 00:39:56,680 Speaker 1: little as eleven dollars. Like, I don't know, he's just 801 00:39:56,880 --> 00:39:59,400 Speaker 1: reading it wrong. The only reason I haven't wondered if 802 00:39:59,400 --> 00:40:02,239 Speaker 1: that was real because you've messed up every part of this. Yeah, 803 00:40:02,320 --> 00:40:04,120 Speaker 1: I mean I put I put it up there and 804 00:40:04,200 --> 00:40:06,799 Speaker 1: eBay says and it has when I click on it 805 00:40:06,800 --> 00:40:09,560 Speaker 1: says anywhere from eleven to fifty four dollars. I don't 806 00:40:09,600 --> 00:40:11,400 Speaker 1: know what they see when they click it. That's up 807 00:40:11,440 --> 00:40:13,640 Speaker 1: to eBay. I don't handle that, but you can click 808 00:40:13,719 --> 00:40:15,840 Speaker 1: through it as well just to see what But I do, 809 00:40:15,920 --> 00:40:17,560 Speaker 1: and when I click on it, it says eleven to 810 00:40:17,640 --> 00:40:19,480 Speaker 1: fifty four dollars. I'm sure that could be right. But 811 00:40:19,719 --> 00:40:21,400 Speaker 1: you understand, since you've messed up every part of this 812 00:40:21,440 --> 00:40:22,919 Speaker 1: and have cost me a lot of money. And I've 813 00:40:22,920 --> 00:40:24,640 Speaker 1: had numerous people reach out and say, why are you 814 00:40:24,760 --> 00:40:27,000 Speaker 1: charging so much for shipping? And I'm like guys, if 815 00:40:27,000 --> 00:40:28,719 Speaker 1: you're putting in your address and that's what it says, 816 00:40:28,840 --> 00:40:31,120 Speaker 1: I don't know. Maybe that's the rate I waved the shoes. 817 00:40:31,160 --> 00:40:32,960 Speaker 1: I know how much they weigh. It was a disaster 818 00:40:33,040 --> 00:40:34,880 Speaker 1: to get into business with it. It was a disaster. 819 00:40:35,280 --> 00:40:38,000 Speaker 1: We bought a storage unit and everything inside it without 820 00:40:38,000 --> 00:40:40,120 Speaker 1: knowing what was inside of it. I paid for seventy 821 00:40:40,120 --> 00:40:41,440 Speaker 1: five percent of it, and he was going to do 822 00:40:41,480 --> 00:40:44,600 Speaker 1: the work. I've been doing the work and it's been hard. 823 00:40:44,920 --> 00:40:47,600 Speaker 1: And Scuba did even come to me and goes, dude, 824 00:40:47,719 --> 00:40:49,319 Speaker 1: I clicked on your link and it says fifty four 825 00:40:49,360 --> 00:40:51,600 Speaker 1: dollars for shipping. So you thought that, Tim Scuba. Yeah, 826 00:40:51,600 --> 00:40:53,160 Speaker 1: and I know how to use Ebaye and using it 827 00:40:53,200 --> 00:40:55,760 Speaker 1: since the nineties. It says fifty four dollars for shipping. 828 00:40:55,760 --> 00:40:57,440 Speaker 1: I don't know what he's talking. Maybe that's why nobody's 829 00:40:57,440 --> 00:41:00,680 Speaker 1: buying the shoes. Probably, yeah, But then I showed Scooba 830 00:41:00,760 --> 00:41:03,439 Speaker 1: how I haven't listened as eleven dollars, Like I don't 831 00:41:03,480 --> 00:41:06,239 Speaker 1: know how eBay works, Like I don't know their algorithm. 832 00:41:06,280 --> 00:41:08,680 Speaker 1: Thing I'm a bomber, but thing, I'm a bomber. If 833 00:41:08,719 --> 00:41:10,600 Speaker 1: they're charging fifty board of Scooba can you work with 834 00:41:10,600 --> 00:41:13,759 Speaker 1: you today? Just see what's up? Just see what's up? 835 00:41:13,800 --> 00:41:17,719 Speaker 1: All right, here's Amy from North Carolina Morning studio. What 836 00:41:17,920 --> 00:41:22,640 Speaker 1: do you call people who take care of chicken chicken tenders? Nice? 837 00:41:22,719 --> 00:41:25,920 Speaker 1: Ammy's Morning Corny comes up in fifteen twenty minutes or so. 838 00:41:26,600 --> 00:41:31,760 Speaker 1: You're Amy's pile of stories. We talk about flipping people 839 00:41:31,800 --> 00:41:33,719 Speaker 1: off on the road and how it's just not nice 840 00:41:33,880 --> 00:41:36,560 Speaker 1: we shouldn't do it. So it's gross. Yes, it's not 841 00:41:36,640 --> 00:41:40,000 Speaker 1: from being not nice. It's just gross. I don't like 842 00:41:40,120 --> 00:41:46,240 Speaker 1: that finger in general, even not at all. Solidarity Go ahead, Okay, 843 00:41:46,280 --> 00:41:50,120 Speaker 1: So some millennials and gen's ears are all about giving 844 00:41:50,160 --> 00:41:54,239 Speaker 1: the thumbs down. Oh, all thumbs down if somebody is 845 00:41:54,280 --> 00:41:57,760 Speaker 1: a bad driver, not if I'm not so middle fingers, 846 00:41:57,800 --> 00:42:00,160 Speaker 1: if you're mad, thumped down, as if you're not that mad, 847 00:42:00,160 --> 00:42:02,840 Speaker 1: but you're like you're just a bad driver. All thumbs 848 00:42:02,880 --> 00:42:05,080 Speaker 1: down somebody. You know, if you thumbs down me, I 849 00:42:05,080 --> 00:42:08,080 Speaker 1: wouldn't get mad. I'd be like, oh oh wow, exactly, 850 00:42:08,080 --> 00:42:10,520 Speaker 1: it's supposed to be like, you know, I'm not mad. 851 00:42:10,520 --> 00:42:12,880 Speaker 1: I'm disappointed. Yeah, that's what thumbs down is to me, 852 00:42:12,920 --> 00:42:17,480 Speaker 1: because all thumbs down somebody, I'm just like yo. Yeah, yeah, 853 00:42:17,600 --> 00:42:19,799 Speaker 1: just what to do. That's exactly it. It's like, hey, yeah, 854 00:42:19,840 --> 00:42:22,200 Speaker 1: I'm not mad, I'm just disappointed. Let's be better, Let's 855 00:42:22,239 --> 00:42:24,160 Speaker 1: be better than this. Yeah, that's me judging you instead 856 00:42:24,200 --> 00:42:26,640 Speaker 1: of me just not liking you. Yeah, that's cool. Yeah. Sorry, 857 00:42:26,680 --> 00:42:29,000 Speaker 1: when you're when you're irritated and you want to use 858 00:42:29,040 --> 00:42:32,360 Speaker 1: the finger, use the thumb. But no, they mean different 859 00:42:32,520 --> 00:42:35,839 Speaker 1: different things, right, No, No, they're they're saying that they're 860 00:42:35,840 --> 00:42:39,480 Speaker 1: transitioning to this. They're not about the finger. They're out 861 00:42:39,840 --> 00:42:41,799 Speaker 1: thumbs down as if you really are like you have 862 00:42:41,840 --> 00:42:44,040 Speaker 1: disappointed me. You're a bad driver. You shouldn't be on 863 00:42:44,080 --> 00:42:45,920 Speaker 1: the road. Don't do double thumbs down though, because then 864 00:42:45,920 --> 00:42:48,120 Speaker 1: you'll wreck. Oh man, have no hands on the Okay, 865 00:42:48,160 --> 00:42:52,560 Speaker 1: what else? So more than half of Americans are waiting 866 00:42:52,640 --> 00:42:54,920 Speaker 1: for a show to totally end, Like if an episode 867 00:42:54,920 --> 00:42:58,080 Speaker 1: comes out on Sunday, they let all eight Sundays come 868 00:42:58,080 --> 00:43:00,440 Speaker 1: out before they even start watching the show so that 869 00:43:00,520 --> 00:43:03,600 Speaker 1: they can watch it all as quickly as possible. Yeah. 870 00:43:03,600 --> 00:43:06,359 Speaker 1: I did that sort of with Last of Us, which 871 00:43:06,440 --> 00:43:08,719 Speaker 1: is the best show I've seen it a long time, well, 872 00:43:08,800 --> 00:43:10,239 Speaker 1: especially I've ever seen him my whole life. In the 873 00:43:10,280 --> 00:43:13,719 Speaker 1: last six months. So I love it. But I waited 874 00:43:13,760 --> 00:43:15,239 Speaker 1: for like four or five episodes because I knew I 875 00:43:15,280 --> 00:43:17,279 Speaker 1: just didn't want to always sit waiting for the next one. 876 00:43:17,560 --> 00:43:24,240 Speaker 1: That's annoying. Great cliffhanger, Oh seven days, that's a sneaky feeling. 877 00:43:24,520 --> 00:43:26,480 Speaker 1: So I'll do that some. I haven't watched any of 878 00:43:26,560 --> 00:43:28,560 Speaker 1: Yellowstone this last season. After the I guess I watched 879 00:43:28,560 --> 00:43:30,560 Speaker 1: first two. Then I was like, I'm out till it's over, 880 00:43:31,440 --> 00:43:35,680 Speaker 1: and then Severn or not seven but come back next year. 881 00:43:35,800 --> 00:43:39,000 Speaker 1: Succession comes back this week, I think, oh yes, And 882 00:43:39,040 --> 00:43:41,560 Speaker 1: so I probably won't watch it the first episode the 883 00:43:41,600 --> 00:43:43,479 Speaker 1: last season. I'll wait a little bit. Yeah, oh gosh. 884 00:43:43,480 --> 00:43:46,600 Speaker 1: And ted Lasso's coming out either for the same reason 885 00:43:46,760 --> 00:43:48,520 Speaker 1: I need, like I need to go forty before I 886 00:43:48,520 --> 00:43:52,320 Speaker 1: can hit it. Landy Wilson was on The Kelly Clarkson 887 00:43:52,360 --> 00:43:54,279 Speaker 1: Show and she was talking about the first song that 888 00:43:54,320 --> 00:43:56,439 Speaker 1: she ever wrote and she was only nine years old, 889 00:43:56,480 --> 00:43:58,880 Speaker 1: and Kelly was like, hey, well, sing us some of that. 890 00:43:58,920 --> 00:44:02,920 Speaker 1: It's called lucky Me. Lucky Me, I feel free. Anna 891 00:44:03,280 --> 00:44:06,000 Speaker 1: can't to night that he loves me, which I know 892 00:44:06,480 --> 00:44:10,719 Speaker 1: that he does, so he is the one lucky me. Oh, 893 00:44:10,760 --> 00:44:15,720 Speaker 1: I said, Oh, I'm on one four hand wow nine? 894 00:44:16,640 --> 00:44:21,000 Speaker 1: Who is Lanny's blowing up in a a yellowstone like, it's 895 00:44:21,000 --> 00:44:23,879 Speaker 1: really cool to see. Okay, I made that's my pile. 896 00:44:24,800 --> 00:44:28,200 Speaker 1: That was Amy's Kyle of stories. It's time to the 897 00:44:28,280 --> 00:44:37,360 Speaker 1: good news. It was a cold, dark night and Grand Rapids, Michigan, 898 00:44:37,560 --> 00:44:40,440 Speaker 1: and Gabe is out delivering pizzas at three am and 899 00:44:40,520 --> 00:44:43,759 Speaker 1: it's kind of cold and snowy and he drives and 900 00:44:43,760 --> 00:44:46,279 Speaker 1: he's goes, man, that looks like a little girl that's 901 00:44:46,320 --> 00:44:49,600 Speaker 1: out in the freezing cold, maybe three years old. He's like, 902 00:44:49,800 --> 00:44:52,279 Speaker 1: that's not right, So what's he doing? Does he pull 903 00:44:52,320 --> 00:44:55,319 Speaker 1: over and help her? No. Gabe rushes and delivers the 904 00:44:55,320 --> 00:44:57,400 Speaker 1: pizza into the house that he was supposed to deliver too, 905 00:44:57,440 --> 00:44:59,640 Speaker 1: and he's like, man, I'm a father of seven. There's 906 00:44:59,680 --> 00:45:02,400 Speaker 1: something up right, goes back looking for the girl, can't 907 00:45:02,440 --> 00:45:05,359 Speaker 1: find her. He finds her behind the building, curled up 908 00:45:05,360 --> 00:45:08,080 Speaker 1: next to some bricks. She had gotten out of her 909 00:45:08,080 --> 00:45:10,080 Speaker 1: house and gotten lost. She went to bed, her mom 910 00:45:10,080 --> 00:45:11,759 Speaker 1: put her to bed. She woke up the middle night 911 00:45:11,800 --> 00:45:14,200 Speaker 1: and just went for a walk and luckily he came back, 912 00:45:14,239 --> 00:45:15,759 Speaker 1: found her, called police and they were able to track 913 00:45:15,800 --> 00:45:17,640 Speaker 1: down the mall. First of all, how lucky that he 914 00:45:17,640 --> 00:45:20,879 Speaker 1: found her that he went back to. Second of all, yeah, 915 00:45:20,880 --> 00:45:23,719 Speaker 1: I don't think that's a parenting fault and those at all. 916 00:45:23,760 --> 00:45:25,960 Speaker 1: She put her to bed and then she still gets up. 917 00:45:26,000 --> 00:45:27,440 Speaker 1: And three's probably at age where you start to be 918 00:45:27,440 --> 00:45:29,400 Speaker 1: able to open doors and like actually move around. I 919 00:45:29,440 --> 00:45:31,399 Speaker 1: can see my son doing this. And that's what she said. 920 00:45:31,400 --> 00:45:33,080 Speaker 1: She goes, I thought she was asleep in her room. 921 00:45:33,280 --> 00:45:36,839 Speaker 1: But my thing is Gabe, great job. He's just out 922 00:45:36,840 --> 00:45:39,160 Speaker 1: the first time. Yeah, But like, I mean, I know, 923 00:45:39,160 --> 00:45:42,680 Speaker 1: you got to deliver pizza. It's three. I can't say, 924 00:45:42,920 --> 00:45:45,960 Speaker 1: tell me something hateful. He had a job to do well. Still, 925 00:45:46,000 --> 00:45:47,560 Speaker 1: I mean she could have gone on the pizza delivery 926 00:45:47,600 --> 00:45:50,239 Speaker 1: with him. I mean he's conscious, probably got him. We 927 00:45:50,320 --> 00:45:52,000 Speaker 1: like that. That means you're a good person. You got 928 00:45:52,000 --> 00:45:55,279 Speaker 1: something in there and in the end everything worked out. Yeah. 929 00:45:55,320 --> 00:45:57,440 Speaker 1: And it also sounded like you were doing regulate when 930 00:45:57,440 --> 00:46:00,480 Speaker 1: you started. Did you like that it wasn't clear like 931 00:46:00,560 --> 00:46:03,440 Speaker 1: a clear white moon. Warringy was on the streets trying 932 00:46:03,480 --> 00:46:07,160 Speaker 1: to consume. That's good. That's what it's all about. That 933 00:46:07,560 --> 00:46:08,600 Speaker 1: was tell me something good.