WEBVTT - #210 - Blanco Brown on Original Title of “The Git Up” + Meeting Tim McGraw for the First Time + Being Discovered at 7 Years Old

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<v Speaker 1>M. Welcome to episode Blanco Brown. The first time I

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<v Speaker 1>met you was at the house where the house Now,

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<v Speaker 1>first I met the house whenever I mean, I mean

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<v Speaker 1>that seems like ages ago. Man, it went the alone

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<v Speaker 1>go with time to pay my face to me, that

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<v Speaker 1>seems like ages ago. So this is how and then

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<v Speaker 1>I want to get under your story. But this how

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<v Speaker 1>I found you, much like anyone else. I was just

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<v Speaker 1>on YouTube and it was like videos you may know,

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<v Speaker 1>and I was like, well, this this is interesting. Guys

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<v Speaker 1>out from a trailer doing a dance. I could probably

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<v Speaker 1>do that. And so then I watched the video of

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<v Speaker 1>you and Laney, who, by the way, that video actually

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<v Speaker 1>brought her an eye to be close. And so I

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<v Speaker 1>was like Laney, I said, Laney, can you come and

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<v Speaker 1>teach me how to do this dance? And she goes,

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<v Speaker 1>I'll just call Blanco. Next thing you know, you're driving

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<v Speaker 1>up with shooting back at the pool. You pushed me

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<v Speaker 1>in the pool. We got ten million viewers on ours.

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<v Speaker 1>You got like a billion on your man and they

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<v Speaker 1>get up as as blown up. Let me play at

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<v Speaker 1>it to get up first. Here it isn't you have

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<v Speaker 1>dance dance this thing? Do you think over five thousand times.

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<v Speaker 1>I don't even count. You're doing your sleep now. I

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<v Speaker 1>hadn't done it a lot of times your whole life.

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<v Speaker 1>You're gonna have to do it right. Yeah, it ain't

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<v Speaker 1>gonna ever go nowhere. It's gonna be a part of

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<v Speaker 1>my journey. You know, you're about the only guy I

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<v Speaker 1>look at right now and go I relate because I'm

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<v Speaker 1>traveling like crazy, trying to eat, trying to work. Oh yeah,

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<v Speaker 1>and I see last night. I saw you Sunday at

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<v Speaker 1>the Titans game singing the national anthem, and then you

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<v Speaker 1>were doing the dance in the end zone, and then

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<v Speaker 1>I see you at the World Series last night, and

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<v Speaker 1>then you're back here tonight. You're you're hitting hard. Man.

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<v Speaker 1>I'm telling you, I couldn't turn down them tickets. I

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<v Speaker 1>was like, this is an experience I've always wanted to

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<v Speaker 1>go to one, and this is bucket list. What's the

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<v Speaker 1>last six months been like for you? Uh? Non stop, busy, busy.

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<v Speaker 1>I mean I haven't been in Atlanta longer than three

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<v Speaker 1>days at a time, none stop. And are are you

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<v Speaker 1>in a mix of so appreciative but also so tired

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<v Speaker 1>and just going? Man? I can't wait for the holidays.

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<v Speaker 1>I mean not even that I'm tired, um holidays. I

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<v Speaker 1>may be working doing a holiday. We're gonna talk about

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<v Speaker 1>a couple of things. We'll talk about the album, which

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<v Speaker 1>it's out. I want to do a little bit about

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<v Speaker 1>you first. And your real name is where Blanco Brown

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<v Speaker 1>comes from, because I neither wanted those are in your

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<v Speaker 1>real life. I also used a pseudonym, so Blanco Brown

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<v Speaker 1>is from what people used call me ben in Blanco

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<v Speaker 1>from the Bronx. But I'm from Atlanta. Um, my real

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<v Speaker 1>name is Benny and Brown. I dedicated Brown to my

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<v Speaker 1>grandfather who was adopted. UM, and that was our original

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<v Speaker 1>last name. So that's how you got Blanco Brown. And

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<v Speaker 1>so you don't want to go by how do you

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<v Speaker 1>say your name? Benny? Benny Benny Yeah, Amy Amy? Are

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<v Speaker 1>there two other Benny Amy's ahead of you? Yeah, my

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<v Speaker 1>granddad and my dad. My granddad passed and so you

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<v Speaker 1>were like, Benny Amy, that's not a stage name because

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<v Speaker 1>I didn't use mine. My real name is Bobby. My

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<v Speaker 1>my real last name is Bobby Est. And I was like,

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<v Speaker 1>dang name. Yeah, I mean really, people started calling me

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<v Speaker 1>blanco and being calling me blanco for so long that.

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<v Speaker 1>That's what everybody called me in you know, in Atlanta,

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<v Speaker 1>l A, New York, it was just Blanco. You grew

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<v Speaker 1>up in Atlanta, but you have spent a lot of

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<v Speaker 1>time like in like rural parts of Georgia too, in

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<v Speaker 1>the country. Uh, during the summertime, I would go to

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<v Speaker 1>the country, but the Gioga which is Taylor County, and

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<v Speaker 1>I spent that time with my bunts and cousins and

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<v Speaker 1>family down there and learned the other side of the world.

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<v Speaker 1>And so growing up for you kind of talk to me,

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<v Speaker 1>talk to me about what it was like growing up

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<v Speaker 1>at like age ten, eleven, twelve years old. Um man,

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<v Speaker 1>I mean it was a lot going on in the world.

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<v Speaker 1>I hadn't seen so much by then and had been

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<v Speaker 1>through so much by then. Um, but I think I

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<v Speaker 1>was a sweet kid. You know, I was real chill.

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<v Speaker 1>You didn't really know my circumstances. Um, I just didn't

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<v Speaker 1>enjoy life. But even then, there was a lot of

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<v Speaker 1>rehearsals and uh, singing that talent shows, trying to win

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<v Speaker 1>some money back and then you know, help mom out.

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<v Speaker 1>Um yeah, I mean my childhood it's always been about music.

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<v Speaker 1>Let's talking a couple of things. I wanna talking about.

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<v Speaker 1>We'll get to the like the childhood performing because I'm

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<v Speaker 1>interested in that where that all started with you. But

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<v Speaker 1>you talk about your circumstances. Talk about that for a second,

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<v Speaker 1>because I'm not super familiar with your circumstances, Like what

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<v Speaker 1>you grew up in. Oh, I mean three bedroom apartment,

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<v Speaker 1>brick walls inside out, no soft landing, hard concrete floors. Um,

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<v Speaker 1>three families in one three bedroom apartment. It was me,

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<v Speaker 1>my aunt, my cousins. Uh. I mean my grandmother had

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<v Speaker 1>my other aunt older, so she was around my age

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<v Speaker 1>older hunt mother. I mean like it was deep and

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<v Speaker 1>you know, violence not in the household, but outside the household,

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<v Speaker 1>like every day. I mean gun shots and fights and

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<v Speaker 1>the better things to be remembered, uh, opening fire fire

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<v Speaker 1>hydrants and just being in front of the water with

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<v Speaker 1>everybody playing freeze cups. And I was, you know, I

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<v Speaker 1>was the type of person when I got the freeze cup,

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<v Speaker 1>I ain't like to eat it from the top. I

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<v Speaker 1>turned it on the back on the bottom. That was

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<v Speaker 1>the soft, good, sweet part of the freeze cup. And

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<v Speaker 1>um man, I mean the lightning bugs, catching the lightning

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<v Speaker 1>bugs playing not not zoom where you go to somebody

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<v Speaker 1>house you're not gonna do and you run um once

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<v Speaker 1>you through red, Like I mean, like the the goose,

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<v Speaker 1>how didn't go Seek? How didn't go get? I mean

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<v Speaker 1>like that was my childhood and those are the memories

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<v Speaker 1>and they're like I mean, just talking about them and

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<v Speaker 1>thinking about them, it's it's still up a moment in

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<v Speaker 1>the space I would do all over just the way

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<v Speaker 1>it was. It's funny you say that, because I grew

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<v Speaker 1>up a poverty kid too. I'm pretty proud of it

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<v Speaker 1>because and I say that often. It's funny that you

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<v Speaker 1>say that like I used to. I used to go,

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<v Speaker 1>I'm very resentful that I had to grow up and

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<v Speaker 1>eat a meal a day, hopefully, or I grew up

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<v Speaker 1>on food stamps or welfare. I used to be really resentful,

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<v Speaker 1>But as I got older, I started to go, man,

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<v Speaker 1>I'm so strong from that, and I also know what

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<v Speaker 1>it's like, so I can help other people now, because

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<v Speaker 1>I think there are so few of us that understand

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<v Speaker 1>and can do something about it. And so it sounds

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<v Speaker 1>like as you're telling your story and I'm watching on, oh,

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<v Speaker 1>I get that. I understand that. And when you say

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<v Speaker 1>you wouldn't change anything about it. I wouldn't either, man,

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<v Speaker 1>because as we rise, we're able to help others, like

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<v Speaker 1>others helped us at some point. Yeah, and you talk

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<v Speaker 1>about my grandma raised me, adopt me for a while,

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<v Speaker 1>and so your grandparents are a big part of your life. Um,

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<v Speaker 1>my grandmother's. My granddad was like never really around, and um,

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<v Speaker 1>as I got older, I could have spent more time

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<v Speaker 1>with him, but I just didn't. And then when he passed,

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<v Speaker 1>it was the most hurtful thing in the world, and

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<v Speaker 1>I just went back to that moment of Man, I

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<v Speaker 1>could have changed that situation on my own. I don't

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<v Speaker 1>know if he didn't want to be around, if it

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<v Speaker 1>was something that was going on within the family, you

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<v Speaker 1>know what I'm saying. I don't really know the details

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<v Speaker 1>of it, just know that I've badly seen him. When

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<v Speaker 1>all of you guys are in an apartment, I get

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<v Speaker 1>that too a little. All my cousins I used to live,

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<v Speaker 1>you just live where you can live, right, Like everybody's

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<v Speaker 1>trying to to to have enough money to pay rent.

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<v Speaker 1>Sometimes you got money to pay rents. You all moved together.

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<v Speaker 1>A bunch of us live in the trailer for a while.

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<v Speaker 1>A bunch of us an apartment, So like, I get

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<v Speaker 1>that and also know me, I was the kid in

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<v Speaker 1>the group that was I'm gonna get out and I'm

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<v Speaker 1>gonna use education like that was my thing. It sounds

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<v Speaker 1>like yours was music. Sound like you were doing music

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<v Speaker 1>way early. Yeah. Then my first deal and I was seven.

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<v Speaker 1>You what? Yeah, my first deal when I was seven

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<v Speaker 1>years old? And how did that come about? And how

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<v Speaker 1>did you get to a place where someone could see

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<v Speaker 1>you at seven to go? I like that, kid, man,

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<v Speaker 1>that's a good question. I never really got the answer.

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<v Speaker 1>I never asked that question. I just know that we

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<v Speaker 1>were we're recording and doing records like just like that.

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<v Speaker 1>I just remember who it's seven years old discovers you. Um.

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<v Speaker 1>It was New Star Records guy by the name of

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<v Speaker 1>Anthony Richardson. Um. And I don't know if he discovered us,

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<v Speaker 1>if somebody took us to him, you know what I'm saying.

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<v Speaker 1>I really can't remember how it happened. You're seven years old? Yeah,

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<v Speaker 1>I just know we were singing, recording, practicing, going to school.

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<v Speaker 1>Who's we by the way, me and my brothers? Okay,

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<v Speaker 1>so were you guys like in a singing group and

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<v Speaker 1>a group? How many were there called times three because

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<v Speaker 1>it was three of us, all brothers, and it was

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<v Speaker 1>just the X with depostrophe S three. I still got

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<v Speaker 1>the pictures. Now, where were you in the age group

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<v Speaker 1>of the three brothers? Um, I'm in the middle, okay,

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<v Speaker 1>And so you got with the goal of what I know,

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<v Speaker 1>you're only seven. But looking back, were they trying to

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<v Speaker 1>break you guys? As like the JA five? But the

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<v Speaker 1>X the three like what I think more so like

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<v Speaker 1>another bad creation meets some singing brothers because we were

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<v Speaker 1>we were like really singing, like you know what I'm saying.

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<v Speaker 1>But Jackson five, it was that would have been hard

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<v Speaker 1>to Jason five laden there. Man, they weren't legendary tal

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<v Speaker 1>after they were legendary though, Like they had to even

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<v Speaker 1>start at Yeah, what I'm just saying. Like by time

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<v Speaker 1>we were the eight, they were already like Jackson five

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<v Speaker 1>ABC is a good like another bad creation? All those

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<v Speaker 1>groups were around that time too. We're all you guys

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<v Speaker 1>just singing or you guys doing hip hop stuff too,

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<v Speaker 1>just singing. And I was the rapper in the group,

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<v Speaker 1>so wait where are you rapping? I was like the

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<v Speaker 1>the uh, but it's from immature who I was did

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<v Speaker 1>like the sexes talking. I did the sexest talking eight.

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<v Speaker 1>I'm telling you, yeah, girl, you know all this time

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<v Speaker 1>I've been playing around. I mean like, yeah, I've been

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<v Speaker 1>playing with my g I Joe's and POGs Girl, and

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<v Speaker 1>I've been thinking about you. I know, I'm nine, man,

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<v Speaker 1>that is hilarious. I know I'm a third grade girl,

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<v Speaker 1>but I'm drinking milk. Yeah. I mean so that's kind

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<v Speaker 1>of how you know, um growing up I was I

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<v Speaker 1>didn't have the confidence to sing, so they would give

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<v Speaker 1>me the parts where I was more like mellow talking,

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<v Speaker 1>kind of rapping kind of singing. I didn't find my

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<v Speaker 1>singing voice until like fifteen sixteen. So you're fifteen sixty.

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<v Speaker 1>Are you still in school? Yeah? Definitely, okayt you graduate

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<v Speaker 1>high school? Ye? Okay. So you're singing all the way

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<v Speaker 1>through high school all the way? Are you known as

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<v Speaker 1>that kid? The singing kid? In high school? Like we're

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<v Speaker 1>all known as something? I was a nerd. I wasn't

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<v Speaker 1>known as the singer. Okay. So you're singing all the

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<v Speaker 1>way through and as you go through up until about

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<v Speaker 1>twelfth grade at that point, is your biggest break before

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<v Speaker 1>you graduate high school? Uh? I mean we met with

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<v Speaker 1>a guy named Kada Masson Bird. He was over at

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<v Speaker 1>Motown and we were about to do a deal. Met

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<v Speaker 1>him at the Intercontinental UH in Buckhead, right by Lenny Small.

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<v Speaker 1>He looked me and my brothers and my mother in

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<v Speaker 1>the face said, y'all don't have no worries, Mama. They've

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<v Speaker 1>benna be able to take care of everything. We're gonna sign.

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<v Speaker 1>We didn't get signed, like two weeks later, found out

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<v Speaker 1>he was no longer with Motown. That was one of

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<v Speaker 1>the moments that was like a huge moment. And then

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<v Speaker 1>do you think he lied to you or do you

0:12:42.520 --> 0:12:44.640
<v Speaker 1>think he got fired in the process of signing you.

0:12:46.840 --> 0:12:48.720
<v Speaker 1>I don't know if he got fired, if he just

0:12:49.040 --> 0:12:52.200
<v Speaker 1>something happened the way he just left. Um, but I

0:12:52.320 --> 0:12:57.559
<v Speaker 1>just know the deal didn't happen, right And uh after

0:12:57.600 --> 0:13:01.720
<v Speaker 1>that Outcast we were doing a deal with Outcasts, and

0:13:01.760 --> 0:13:05.439
<v Speaker 1>you know they was you know, uh at that time

0:13:05.440 --> 0:13:07.800
<v Speaker 1>in my life, they was just a dope group. It

0:13:07.880 --> 0:13:13.240
<v Speaker 1>was from Atlanta, like guys from home. Um, and I

0:13:13.280 --> 0:13:16.320
<v Speaker 1>remember me with them, and they wanted to sign my

0:13:16.400 --> 0:13:21.079
<v Speaker 1>younger brother to a solo deal. So he's gonna do

0:13:21.120 --> 0:13:24.200
<v Speaker 1>a solo deal. And then you know, me and my

0:13:24.240 --> 0:13:26.520
<v Speaker 1>older brothers were like, okay, cool, let's that would be

0:13:26.559 --> 0:13:29.240
<v Speaker 1>fine once she get all the way a way he

0:13:29.280 --> 0:13:31.400
<v Speaker 1>needed to beat and then he'd bring us home. And

0:13:31.440 --> 0:13:34.440
<v Speaker 1>then that didn't go the way we planned it either,

0:13:34.520 --> 0:13:37.200
<v Speaker 1>you know what I'm saying. They send up signing him. Ah,

0:13:37.320 --> 0:13:40.679
<v Speaker 1>he ended up signing to a whole another deal and

0:13:40.760 --> 0:13:43.600
<v Speaker 1>he came out with a song or a few songs.

0:13:44.000 --> 0:13:48.560
<v Speaker 1>And yeah, I mean when you meet with outcasts, do

0:13:48.559 --> 0:13:52.000
<v Speaker 1>you actually meet with Andre and Big Boy like the

0:13:52.080 --> 0:13:53.559
<v Speaker 1>other guys who show up and they're like, all right,

0:13:53.559 --> 0:13:55.360
<v Speaker 1>this is the plan. So they were doing things outside

0:13:55.400 --> 0:13:57.960
<v Speaker 1>about cast away early even before they blew up. They

0:13:57.960 --> 0:14:01.840
<v Speaker 1>were they were purple label and gonna. My dad actually

0:14:01.920 --> 0:14:05.160
<v Speaker 1>just text me that picture like two days ago on

0:14:05.200 --> 0:14:08.800
<v Speaker 1>my phone, like of us in the same room with

0:14:08.880 --> 0:14:11.880
<v Speaker 1>him with our shirts on, taking pictures with him. Yeah,

0:14:12.240 --> 0:14:15.839
<v Speaker 1>so that didn't work out. You graduate high school? Yeah,

0:14:15.840 --> 0:14:18.559
<v Speaker 1>and what's the plan then for you musically? Because high

0:14:18.600 --> 0:14:20.920
<v Speaker 1>school it's probably big deal to graduate high school? What's

0:14:20.920 --> 0:14:24.160
<v Speaker 1>from me? Well, my whole my whole life. I was told,

0:14:24.240 --> 0:14:28.520
<v Speaker 1>you know, um, stick to my art. I went to

0:14:28.520 --> 0:14:31.200
<v Speaker 1>school for art. I got a basket of fine arts

0:14:31.360 --> 0:14:34.160
<v Speaker 1>and so we're not to college yet though. Yeah. From

0:14:34.240 --> 0:14:36.240
<v Speaker 1>high school to college. Okay, So then you decided to

0:14:36.280 --> 0:14:37.880
<v Speaker 1>go to school where you're gonna go to school? Where

0:14:37.880 --> 0:14:39.520
<v Speaker 1>did you go to school? I went to a I

0:14:39.720 --> 0:14:42.280
<v Speaker 1>U okay? And your thought when you go to college

0:14:42.400 --> 0:14:48.680
<v Speaker 1>is blank, finished college or learn music or make friends?

0:14:48.680 --> 0:14:53.640
<v Speaker 1>Like really my thought what college was be the person

0:14:53.760 --> 0:14:57.640
<v Speaker 1>that went to college. And if that don't work out,

0:14:57.720 --> 0:15:01.520
<v Speaker 1>just know that music is always number one either way.

0:15:02.040 --> 0:15:05.000
<v Speaker 1>I went down just there's you know, pretty much just

0:15:05.120 --> 0:15:07.880
<v Speaker 1>said I had a degree. And what you study in school?

0:15:08.360 --> 0:15:12.320
<v Speaker 1>All right? So you study art, but you're doing music. Okay,

0:15:12.440 --> 0:15:13.960
<v Speaker 1>so you studying what does it? What do you just

0:15:14.000 --> 0:15:16.000
<v Speaker 1>study art? Or what does that mean? I mean you

0:15:16.080 --> 0:15:21.960
<v Speaker 1>go through all like art theory and like paintings, like sculptures,

0:15:22.000 --> 0:15:24.320
<v Speaker 1>like the like, not even music, like you're a whole

0:15:24.320 --> 0:15:26.880
<v Speaker 1>different track. Yep, I did. I did all that, like

0:15:27.360 --> 0:15:31.040
<v Speaker 1>sculpturing and websites from dream weave it to mag went

0:15:31.120 --> 0:15:33.120
<v Speaker 1>three D and I do all that so even like

0:15:33.160 --> 0:15:35.800
<v Speaker 1>some digital art stuff too. And then if you were

0:15:35.840 --> 0:15:38.760
<v Speaker 1>to have let's just journey off a bit and let's

0:15:38.760 --> 0:15:41.320
<v Speaker 1>say the music stuff, you end up getting an art degree.

0:15:41.360 --> 0:15:42.920
<v Speaker 1>If you were to pursue that. What would you have

0:15:43.000 --> 0:15:46.720
<v Speaker 1>done in art? Oh? Man, you know cartoon network or

0:15:46.720 --> 0:15:49.840
<v Speaker 1>something some voice over us with some animations. I can

0:15:49.880 --> 0:15:53.920
<v Speaker 1>talk just about like anything, and you can. Yeah, let's

0:15:53.960 --> 0:16:02.120
<v Speaker 1>just squirrel, just a squirrel, pretty good? That duck one warm? Okay,

0:16:02.240 --> 0:16:04.560
<v Speaker 1>let's do one more. That doesn't That isn't an easy one.

0:16:05.000 --> 0:16:07.200
<v Speaker 1>How about a platypus, because we have no idea what

0:16:07.240 --> 0:16:15.480
<v Speaker 1>a platypus sounds like. I don't know, maybe, but earnestly

0:16:16.760 --> 0:16:20.360
<v Speaker 1>um music was always the forefront, but I didn't have

0:16:20.440 --> 0:16:23.960
<v Speaker 1>confidence to do it. I didn't have the confidence in myself.

0:16:24.640 --> 0:16:26.880
<v Speaker 1>So I just wanted to figure out how to be

0:16:26.960 --> 0:16:30.520
<v Speaker 1>a part of it. I started engineering straight out of college.

0:16:30.520 --> 0:16:32.720
<v Speaker 1>I started engineering so like the sound engineering, so for

0:16:32.800 --> 0:16:34.560
<v Speaker 1>if you're listening right now, what that is is you're

0:16:34.600 --> 0:16:37.680
<v Speaker 1>at a computer and you're basically adjusting the levels of everything,

0:16:37.760 --> 0:16:39.160
<v Speaker 1>like to break it down like a five years old.

0:16:39.800 --> 0:16:42.040
<v Speaker 1>So you're you're engineering music. Where do you learn those

0:16:42.080 --> 0:16:44.800
<v Speaker 1>skills to be a music engineer? Uh? One of my

0:16:44.840 --> 0:16:48.680
<v Speaker 1>homies named Darryl showed me how to use the controls,

0:16:50.080 --> 0:16:53.080
<v Speaker 1>and I started messing around with it, and then next

0:16:53.080 --> 0:16:57.920
<v Speaker 1>thing you know, I was engineering recording for the Wild

0:16:57.960 --> 0:17:02.920
<v Speaker 1>Gospel compilations and stuff. Uh deep set. So I bet

0:17:02.960 --> 0:17:06.159
<v Speaker 1>self taught. Yeah, your friend just said here, there's the

0:17:06.200 --> 0:17:07.400
<v Speaker 1>kind of how to do it. Then you just took

0:17:07.440 --> 0:17:09.920
<v Speaker 1>it in digit thing. He gave me a um a

0:17:10.040 --> 0:17:14.280
<v Speaker 1>layout template. I started building from that, and then I

0:17:14.280 --> 0:17:17.120
<v Speaker 1>came up my own template and I just started making

0:17:17.119 --> 0:17:20.040
<v Speaker 1>money doing it. So it was just like one of

0:17:20.080 --> 0:17:22.440
<v Speaker 1>those situations. They kind of filling my lap and I

0:17:22.560 --> 0:17:25.720
<v Speaker 1>was just like, Okay, I get to start building relationships

0:17:25.760 --> 0:17:28.320
<v Speaker 1>with people and then hopefully they listened to some of

0:17:28.359 --> 0:17:30.639
<v Speaker 1>my writing one day because I was always writing. You

0:17:30.640 --> 0:17:33.240
<v Speaker 1>know what I'm saying, note here, note there. I was

0:17:33.280 --> 0:17:36.159
<v Speaker 1>a professional haiku writer. Can't nobody outright me in the

0:17:36.200 --> 0:17:39.720
<v Speaker 1>haiku format. You know what I'm saying? Wait, you got

0:17:39.960 --> 0:17:42.480
<v Speaker 1>you didn't You got paid right of haiku? No? No, no,

0:17:43.560 --> 0:17:47.240
<v Speaker 1>because if there was no money, I know it ain't

0:17:47.240 --> 0:17:48.800
<v Speaker 1>no money. And I'm just saying it was a good

0:17:48.840 --> 0:17:51.880
<v Speaker 1>That was a good start. I got the creative block

0:17:51.960 --> 0:17:58.600
<v Speaker 1>going um and I just built from there. After that,

0:17:58.680 --> 0:18:02.399
<v Speaker 1>I was like vocal reducing for free, but didn't know

0:18:02.560 --> 0:18:05.000
<v Speaker 1>that you can get paid more to vocal reduced. Thank you,

0:18:05.520 --> 0:18:08.320
<v Speaker 1>we're getting paid to engineering, said that all day. Why

0:18:08.320 --> 0:18:10.040
<v Speaker 1>are somebody to tell you what to do and what

0:18:10.119 --> 0:18:12.199
<v Speaker 1>not to do? What's the difference in vocal producing and

0:18:12.280 --> 0:18:16.040
<v Speaker 1>engineering engineering. I'm him buttons, I'm copying page and I'm

0:18:16.080 --> 0:18:20.640
<v Speaker 1>moving stuff vocal reduction. I'm telling the artist what't notes

0:18:20.720 --> 0:18:22.600
<v Speaker 1>to hit, how to take the song to the next level.

0:18:23.160 --> 0:18:26.919
<v Speaker 1>It needs a harmony. Here, go low, here, lead this blank,

0:18:27.040 --> 0:18:31.320
<v Speaker 1>it's it's it's producing. So I found the love and

0:18:31.359 --> 0:18:35.080
<v Speaker 1>that and realize I can get paid more in two hours.

0:18:35.720 --> 0:18:39.240
<v Speaker 1>They're sending in the studio for sixteen now. Just about

0:18:39.320 --> 0:18:42.600
<v Speaker 1>vocal producing. So I said, I was never engineering no more.

0:18:43.119 --> 0:18:44.560
<v Speaker 1>And you were good at it, like you felt like

0:18:44.600 --> 0:18:47.000
<v Speaker 1>you you kind of found your calling vocal producing. Yeah,

0:18:47.080 --> 0:18:50.080
<v Speaker 1>I was great at it. So who was one of

0:18:50.080 --> 0:18:52.600
<v Speaker 1>the first artists to come to you and go I'd

0:18:52.600 --> 0:18:54.120
<v Speaker 1>like for you to vocal produce me. And you're like, wow,

0:18:54.240 --> 0:18:56.240
<v Speaker 1>I'm actually moving up, Like somebody who's got some real

0:18:56.280 --> 0:18:59.200
<v Speaker 1>money on them is actually asking me to help them. Oh,

0:18:59.280 --> 0:19:03.080
<v Speaker 1>Christine and Milly, Yeah was the first, like Dippelow like

0:19:03.119 --> 0:19:07.040
<v Speaker 1>that just for those listening to Christian Millian thinks diplop songs. Yeah, yeah,

0:19:07.200 --> 0:19:09.600
<v Speaker 1>Like I was doing her stuff, and then I went

0:19:09.640 --> 0:19:13.800
<v Speaker 1>from her stuff to um, Kiki Palmer. Then I wore

0:19:13.880 --> 0:19:17.080
<v Speaker 1>him dad to like Selina Johnson. And so does words

0:19:17.119 --> 0:19:19.679
<v Speaker 1>start to spread then, like if you work with someone

0:19:19.800 --> 0:19:23.160
<v Speaker 1>and and Christie Milian goes, he's great and she chucking

0:19:23.240 --> 0:19:24.879
<v Speaker 1>her producers the producer talking, they're like, you know you

0:19:25.119 --> 0:19:27.320
<v Speaker 1>get shoulda blanco? Is that kind of how your word

0:19:27.359 --> 0:19:30.040
<v Speaker 1>came in? That's how it came in? And then before

0:19:30.080 --> 0:19:36.120
<v Speaker 1>you know it, I was voke reducing Monica and uh,

0:19:36.320 --> 0:19:41.320
<v Speaker 1>I mean different people. Uh Fergie, yeah, Fergie. Uh. I

0:19:41.359 --> 0:19:46.560
<v Speaker 1>did Chris Brown stuff, um, Childish Gumbano and Lloyd like

0:19:46.720 --> 0:19:50.280
<v Speaker 1>different records. All that just came all in one nutshell.

0:19:50.400 --> 0:19:52.840
<v Speaker 1>They came at me fast. Some of the stuff that

0:19:52.880 --> 0:19:55.159
<v Speaker 1>I went vocal reducing, I did the vocal reduction. I

0:19:55.200 --> 0:19:58.280
<v Speaker 1>mean I did the vocal arrangements on them, and they

0:19:58.320 --> 0:20:01.280
<v Speaker 1>were my backgrounds that I was singing for these records

0:20:01.280 --> 0:20:04.160
<v Speaker 1>that they didn't want to replace, so they paid me

0:20:04.560 --> 0:20:06.399
<v Speaker 1>and they just put you on the record. So you

0:20:06.480 --> 0:20:10.639
<v Speaker 1>were singing it as an example track, but it was

0:20:10.680 --> 0:20:12.639
<v Speaker 1>so good they said, hey, we're just gonna put this

0:20:12.760 --> 0:20:16.720
<v Speaker 1>on the record. So not only you're producing now you're

0:20:16.720 --> 0:20:24.840
<v Speaker 1>actively on background vocals too, Yeah, by mistake and um Man,

0:20:24.920 --> 0:20:36.120
<v Speaker 1>I mean you can't really guys work. So who did

0:20:36.119 --> 0:20:39.359
<v Speaker 1>you work with where you go wow? Like that is

0:20:39.400 --> 0:20:43.760
<v Speaker 1>a special vocalist? I mean plenty of dose. But who

0:20:43.800 --> 0:20:45.600
<v Speaker 1>comes to mind first thing where you you're in a

0:20:45.640 --> 0:20:47.440
<v Speaker 1>studio with them. We just talked about a big list

0:20:47.440 --> 0:20:51.560
<v Speaker 1>of names. He trying to get me in Trouble, No trouble.

0:20:52.119 --> 0:20:55.040
<v Speaker 1>I'm looking for a good one where you walk in

0:20:55.480 --> 0:20:57.520
<v Speaker 1>and you're just not bad, but one where it's just

0:20:57.560 --> 0:20:59.840
<v Speaker 1>like oh wow, like your eyes open, because everybody's good

0:21:00.160 --> 0:21:03.800
<v Speaker 1>at the major league level, everybody's good. Man. There's so

0:21:03.880 --> 0:21:06.480
<v Speaker 1>many great vocalists, you know, you know who blew you

0:21:06.520 --> 0:21:09.359
<v Speaker 1>away blackout where you're like wow, it's a lot of

0:21:09.400 --> 0:21:13.760
<v Speaker 1>great ones. Fergie, it was a lot of great ones. Um,

0:21:13.800 --> 0:21:15.600
<v Speaker 1>I mean it still is a lot of great ones.

0:21:16.280 --> 0:21:19.520
<v Speaker 1>I mean from Monica to Ki going Monica that was

0:21:19.520 --> 0:21:23.080
<v Speaker 1>the first one you mentioned, Monica Special. It's a lot

0:21:23.119 --> 0:21:28.160
<v Speaker 1>of special ones, you know. Hey, diplomatic ancer, how did

0:21:28.160 --> 0:21:31.920
<v Speaker 1>you work with Kane Brown? Uh? A producer that I

0:21:32.040 --> 0:21:35.080
<v Speaker 1>met and I was doing some Voger production for some

0:21:35.280 --> 0:21:38.600
<v Speaker 1>other artists that he was working with. Um Kane was

0:21:38.640 --> 0:21:42.960
<v Speaker 1>working with him, and he become the studio every day

0:21:43.200 --> 0:21:46.240
<v Speaker 1>and like he was like, I want this guy to

0:21:46.359 --> 0:21:49.560
<v Speaker 1>Voger produce me. I like, what do you do? And

0:21:49.640 --> 0:21:51.679
<v Speaker 1>we got in the studio and I started them are

0:21:51.800 --> 0:21:54.720
<v Speaker 1>records for him by singing them, and he would get

0:21:54.720 --> 0:21:58.880
<v Speaker 1>in the booth and just put this thing on and

0:21:58.920 --> 0:22:02.680
<v Speaker 1>we just built like I mean, it's some records that

0:22:03.400 --> 0:22:05.760
<v Speaker 1>note the world I haven't heard yet. I mean we

0:22:05.840 --> 0:22:11.199
<v Speaker 1>did a good eight nine records. Yeah that he's just

0:22:11.200 --> 0:22:14.120
<v Speaker 1>sitting on right now. Yeah, they just sit there. They

0:22:14.200 --> 0:22:17.639
<v Speaker 1>jamming too. I've heard about people and I talked to

0:22:17.720 --> 0:22:22.360
<v Speaker 1>John Mayor about this where people can see colors when

0:22:22.359 --> 0:22:24.480
<v Speaker 1>they hear music, And even John Mayer said he wasn't

0:22:24.520 --> 0:22:26.720
<v Speaker 1>so advanced, and he's very advanced musically, but he's like,

0:22:26.720 --> 0:22:28.720
<v Speaker 1>I don't I can't see colors. Like I don't have that.

0:22:29.280 --> 0:22:31.360
<v Speaker 1>But do you have that where you can hear colors,

0:22:31.400 --> 0:22:35.160
<v Speaker 1>see colors from music like a certain note? Yeah, definitely,

0:22:35.880 --> 0:22:38.720
<v Speaker 1>I see him colors their shapes. Talk to me about

0:22:38.760 --> 0:22:41.440
<v Speaker 1>that for a second. How does that work? I don't

0:22:41.480 --> 0:22:45.120
<v Speaker 1>know how it worked, but like, if you hear like

0:22:45.160 --> 0:22:51.920
<v Speaker 1>a ge, is that a color to you? I mean,

0:22:52.720 --> 0:22:57.480
<v Speaker 1>it's the melodies that paint the pizzas from me. And

0:22:57.520 --> 0:23:00.199
<v Speaker 1>can you memorize the colors? Yeah, I mean I know

0:23:00.280 --> 0:23:05.160
<v Speaker 1>what what each color makes me feel? Um, And then

0:23:05.440 --> 0:23:11.040
<v Speaker 1>at points it's so sporadic that I see colors, don't

0:23:11.040 --> 0:23:14.280
<v Speaker 1>think about the process, and but I just go with

0:23:14.359 --> 0:23:17.040
<v Speaker 1>the art that is presented at the time. And is

0:23:17.080 --> 0:23:18.840
<v Speaker 1>that where the ear came from? You? In the ear?

0:23:19.119 --> 0:23:22.879
<v Speaker 1>The ear the ability to listen down one time to

0:23:22.920 --> 0:23:28.520
<v Speaker 1>a record and tell you exactly what it's missing. And

0:23:28.560 --> 0:23:30.920
<v Speaker 1>they trusted you to listen one time and go, this

0:23:30.960 --> 0:23:33.840
<v Speaker 1>is what I feel, and you had so much success,

0:23:33.840 --> 0:23:37.159
<v Speaker 1>they were like, let's hire of the ear. Hey, you

0:23:37.240 --> 0:23:40.440
<v Speaker 1>know uh, they kind of just put their name on them.

0:23:40.960 --> 0:23:45.200
<v Speaker 1>After doing it so much and being known to listen

0:23:45.240 --> 0:23:47.320
<v Speaker 1>to records and tell you how to take them to

0:23:47.320 --> 0:23:51.800
<v Speaker 1>the next level, it kind of came to get up.

0:23:51.800 --> 0:23:55.320
<v Speaker 1>Whenever that that that you kind of stumble into a

0:23:55.600 --> 0:23:57.679
<v Speaker 1>smash because no one ever picks us smack, no one

0:23:57.680 --> 0:23:59.320
<v Speaker 1>ever goes this is for sure gonna be a smash.

0:23:59.320 --> 0:24:01.840
<v Speaker 1>Any smash of talk to anybody, it's like, well, I

0:24:01.840 --> 0:24:03.840
<v Speaker 1>remember thinking about it, we recorded it. You kind of

0:24:03.840 --> 0:24:05.679
<v Speaker 1>don't know, you know it starts to pick up and

0:24:05.680 --> 0:24:07.720
<v Speaker 1>you're like, holy crap, can't believe the traction is getting

0:24:08.040 --> 0:24:10.560
<v Speaker 1>So the infancy of the get up, let's let's start back.

0:24:11.280 --> 0:24:13.119
<v Speaker 1>Did you go I think I'm gonna do a song?

0:24:13.720 --> 0:24:16.080
<v Speaker 1>Wear they dances? Or did it just kind of come

0:24:16.119 --> 0:24:21.280
<v Speaker 1>and phases? Um? I did a song, and I said,

0:24:21.320 --> 0:24:24.600
<v Speaker 1>people gonna love this record. It's gonna bring a lot

0:24:24.640 --> 0:24:27.480
<v Speaker 1>of smiles to people faces. It feels like a two

0:24:27.560 --> 0:24:30.040
<v Speaker 1>dound nineteen two twenty eight can break your heart. To me,

0:24:30.640 --> 0:24:36.080
<v Speaker 1>it can be next level. And I just remember telling

0:24:36.119 --> 0:24:40.560
<v Speaker 1>myself this is special. I put out a one minute

0:24:40.600 --> 0:24:46.000
<v Speaker 1>clip in April on TikTok or just on another platform,

0:24:46.600 --> 0:24:52.160
<v Speaker 1>not even on YouTube. Um and five maiden views first week,

0:24:53.160 --> 0:24:56.280
<v Speaker 1>and then the gas from TikTok. What before we get

0:24:56.280 --> 0:24:58.400
<v Speaker 1>to take it? What? What clip did you put up? Though?

0:24:58.400 --> 0:25:01.399
<v Speaker 1>There was one me dancing in front of the door. Okay,

0:25:01.440 --> 0:25:06.120
<v Speaker 1>so it was visual and it was okay, so it's

0:25:06.119 --> 0:25:09.000
<v Speaker 1>you dancing. The dance was like like the hook or

0:25:09.040 --> 0:25:11.360
<v Speaker 1>do you verse? Okay? So I gonna do the two

0:25:13.000 --> 0:25:15.800
<v Speaker 1>this part here and you're doing the dance in front

0:25:15.800 --> 0:25:19.080
<v Speaker 1>of the door in the house. Yeah, with some basketball shouts.

0:25:19.119 --> 0:25:26.280
<v Speaker 1>Song a Western black shirt, a cap and some church socks.

0:25:27.040 --> 0:25:30.560
<v Speaker 1>I was just really messing around um with the dance

0:25:30.640 --> 0:25:32.520
<v Speaker 1>and said, I want to record it because the floor

0:25:32.680 --> 0:25:36.639
<v Speaker 1>kind of feels slippery. Rear Groovy had already came up

0:25:36.640 --> 0:25:38.880
<v Speaker 1>with the dance, but I did the dance and sent

0:25:38.960 --> 0:25:42.199
<v Speaker 1>it to Zach Cat's John Loeban, my homie Jasper Cameraon

0:25:43.000 --> 0:25:47.840
<v Speaker 1>and my brother and it was just like, man, this

0:25:48.040 --> 0:25:50.639
<v Speaker 1>is out of here. Were you surprised to see that

0:25:50.680 --> 0:25:53.760
<v Speaker 1>many people watch that video that first week? Yeah, I

0:25:53.800 --> 0:25:55.840
<v Speaker 1>was shocked. You're just like what, there are a lot

0:25:55.880 --> 0:25:58.640
<v Speaker 1>of videos. How came minds getting five millions? It blew

0:25:58.720 --> 0:26:04.439
<v Speaker 1>upon this guy name DJ Big Shaka page first, and

0:26:04.440 --> 0:26:06.720
<v Speaker 1>he started hearing me like in boss and me keeping

0:26:06.720 --> 0:26:10.359
<v Speaker 1>me updated like on like what it was actually doing,

0:26:10.800 --> 0:26:13.520
<v Speaker 1>the impressions and everything on it. He was like, man,

0:26:13.520 --> 0:26:16.080
<v Speaker 1>this is crazy. I never had anything like this many

0:26:16.160 --> 0:26:19.400
<v Speaker 1>views and this demand on my page. And then other

0:26:19.400 --> 0:26:23.040
<v Speaker 1>people started posting my video on their page and they're

0:26:23.040 --> 0:26:26.560
<v Speaker 1>started getting one Magan two million, three million views, and

0:26:26.800 --> 0:26:31.119
<v Speaker 1>by then, I mean before I realized it was on TikTok,

0:26:31.640 --> 0:26:34.960
<v Speaker 1>he had already had like close to sixty million views.

0:26:35.280 --> 0:26:37.160
<v Speaker 1>So it goes over to TikTok was the first big

0:26:37.200 --> 0:26:39.119
<v Speaker 1>TikTok video? Or that kid puts his arms out like

0:26:39.160 --> 0:26:40.840
<v Speaker 1>this he does like that? Is that is that the

0:26:40.880 --> 0:26:45.640
<v Speaker 1>first really big one. It's probably been the first really

0:26:45.680 --> 0:26:51.280
<v Speaker 1>big one that everybody know of. But by time he

0:26:51.320 --> 0:26:55.560
<v Speaker 1>did it, it already had like so many millian views. Um,

0:26:55.680 --> 0:27:01.040
<v Speaker 1>this guy named a journey I saw my video and

0:27:02.359 --> 0:27:06.320
<v Speaker 1>did a dance on TikTok and that your dance. He

0:27:06.359 --> 0:27:08.760
<v Speaker 1>did his own version. He did his own thing, and

0:27:08.800 --> 0:27:12.960
<v Speaker 1>that's the version that Harvard did. They got problem with

0:27:13.040 --> 0:27:16.000
<v Speaker 1>the arms out? Who you later put your video? And

0:27:16.119 --> 0:27:18.480
<v Speaker 1>a Johnny is in my video too? Oh yeah, they

0:27:18.640 --> 0:27:20.880
<v Speaker 1>in it. I got a little a little running note.

0:27:20.920 --> 0:27:24.000
<v Speaker 1>I'll take it, run it. We're good. So when you

0:27:24.040 --> 0:27:26.359
<v Speaker 1>travel and listen, when you travel all the time, that happens,

0:27:28.400 --> 0:27:31.760
<v Speaker 1>you got it. You wash? I wash my hands all

0:27:32.400 --> 0:27:34.840
<v Speaker 1>the like. I am obsessed with hand washing because I'm

0:27:34.880 --> 0:27:36.800
<v Speaker 1>on the road so much that I start like my

0:27:36.920 --> 0:27:41.520
<v Speaker 1>hands are raw from all the washington that I do.

0:27:41.560 --> 0:27:47.639
<v Speaker 1>You got to Yeah, I'm just not a lotioner. I

0:27:47.640 --> 0:27:50.240
<v Speaker 1>don't evenink I owned lotion, Like anywhere in my house

0:27:50.240 --> 0:27:53.960
<v Speaker 1>do I have lotion? I think when I was like eleven.

0:27:54.960 --> 0:27:56.280
<v Speaker 1>I want to do it a little back up, and

0:27:57.640 --> 0:28:02.240
<v Speaker 1>you have a big booger in your nose right on it.

0:28:04.400 --> 0:28:10.560
<v Speaker 1>So it's blowing up on TikTok. And it's only TikTok

0:28:10.680 --> 0:28:13.760
<v Speaker 1>sixty seconds fifteen seconds, two versions, which which was blown

0:28:13.800 --> 0:28:16.479
<v Speaker 1>up for your fifteen or sixties. Okay, So they're doing

0:28:16.520 --> 0:28:19.399
<v Speaker 1>fifteen second clubs of TikTok. And this is the infancy

0:28:19.840 --> 0:28:23.640
<v Speaker 1>of TikTok where unless you're like fourteen, you don't even

0:28:23.640 --> 0:28:28.160
<v Speaker 1>have TikTok. Yeah, but that ain't true. Wow, listen, I'm

0:28:28.200 --> 0:28:30.520
<v Speaker 1>on it now. It's uncomfortably a lot of fourteen year olds.

0:28:30.520 --> 0:28:32.800
<v Speaker 1>I'll be honest with you. I posted on TikTok. It's

0:28:32.840 --> 0:28:34.760
<v Speaker 1>my favorite platform, by the way, because there's so much

0:28:34.760 --> 0:28:37.119
<v Speaker 1>funny content. But these four year old girls gonna never

0:28:37.160 --> 0:28:39.280
<v Speaker 1>start dancing and shaking there. But I'm like, not next,

0:28:39.560 --> 0:28:47.200
<v Speaker 1>it's like all all kids, okay, most most, I don't know.

0:28:47.280 --> 0:28:49.960
<v Speaker 1>There's a lot of four on TikTok. I don't know

0:28:50.040 --> 0:28:55.240
<v Speaker 1>what section you being good listen. Then there's that four

0:28:55.320 --> 0:28:58.080
<v Speaker 1>you sexually keep sending me those videos. I don't know

0:28:58.120 --> 0:29:02.720
<v Speaker 1>what it says about that. Hey man, When I go

0:29:02.800 --> 0:29:04.840
<v Speaker 1>on TikTok, it's not okay, let me pull out my

0:29:04.840 --> 0:29:06.720
<v Speaker 1>TikTok and let's just see what happens, and let me

0:29:06.800 --> 0:29:09.760
<v Speaker 1>let me pull out my mind. So I'll pull up

0:29:09.800 --> 0:29:13.800
<v Speaker 1>my first How old this girl right here? It would

0:29:13.800 --> 0:29:16.640
<v Speaker 1>be yeah, the first one that pops. I don't follow

0:29:16.680 --> 0:29:21.840
<v Speaker 1>her and so she look what I get? You got

0:29:21.840 --> 0:29:24.120
<v Speaker 1>an old man? He has like ganded off the grade

0:29:24.160 --> 0:29:25.640
<v Speaker 1>I have like a fifteen year old girl. All right,

0:29:25.720 --> 0:29:28.560
<v Speaker 1>let me swipe another one. I'll go my turn, swipe.

0:29:29.680 --> 0:29:33.400
<v Speaker 1>This is a how old is this boy? Here? He's

0:29:33.400 --> 0:29:40.280
<v Speaker 1>probably okay, you swipe yours up. Now, let's see what

0:29:40.320 --> 0:29:45.040
<v Speaker 1>you get another adult? I mean, he's alright, My phone

0:29:45.120 --> 0:29:47.360
<v Speaker 1>is not. I don't like the algorithm that my TikTok

0:29:47.440 --> 0:29:55.800
<v Speaker 1>is giving me. Oh everybody that will, Yeah, Wilsmon's funny

0:29:55.800 --> 0:29:58.040
<v Speaker 1>on TikTok. Look at this the hold this girl next

0:29:58.080 --> 0:30:04.040
<v Speaker 1>nuf one about seventeen eighteen. Yeah, well, I don't like

0:30:04.120 --> 0:30:05.720
<v Speaker 1>what mine showing me. I need to have a talk.

0:30:07.200 --> 0:30:13.520
<v Speaker 1>My TikTok's all I never see. Um. I don't like them.

0:30:13.520 --> 0:30:16.200
<v Speaker 1>I don't know why they keep giving them to me. Yeah,

0:30:16.240 --> 0:30:19.720
<v Speaker 1>it's the algorithm thing, probably, But maybe you've got special

0:30:19.720 --> 0:30:23.160
<v Speaker 1>tiktoks that you No, I ain't got no special TikTok.

0:30:23.320 --> 0:30:30.360
<v Speaker 1>You know, TikTok, TikTok, TikTok. So it does the thing,

0:30:30.480 --> 0:30:32.640
<v Speaker 1>it does the thing of TikTok, and that world it

0:30:32.640 --> 0:30:36.120
<v Speaker 1>blows up. That took it to the next level because

0:30:36.160 --> 0:30:39.200
<v Speaker 1>so many people are on the platform and it's just

0:30:39.360 --> 0:30:42.840
<v Speaker 1>one click, you know you yeah, slap slash slap, keep going,

0:30:43.800 --> 0:30:46.600
<v Speaker 1>and a lot of people were doing it. Yeah. I

0:30:46.640 --> 0:30:52.000
<v Speaker 1>mean like over three points some million people have done

0:30:52.080 --> 0:30:58.600
<v Speaker 1>the dance just on that platform alone, but across every platform.

0:30:58.760 --> 0:31:01.680
<v Speaker 1>It's Yeah. I was reading and you don't have to

0:31:01.800 --> 0:31:05.760
<v Speaker 1>comment on this that you have made somewhere from about

0:31:05.800 --> 0:31:10.160
<v Speaker 1>a million dollars in YouTube and TikTok out money money

0:31:10.160 --> 0:31:13.520
<v Speaker 1>from the playing your videos about a million dollars. I'm

0:31:13.520 --> 0:31:15.120
<v Speaker 1>saying anything. I'm saying that out loud. That's just what

0:31:15.160 --> 0:31:18.600
<v Speaker 1>it says. Estimated different things from YouTube channel alone ranges

0:31:18.600 --> 0:31:21.240
<v Speaker 1>around one million dollars. I look at that. Good on you.

0:31:21.400 --> 0:31:26.640
<v Speaker 1>I was reading the YouTube comments. I'm saying anything back.

0:31:26.680 --> 0:31:28.840
<v Speaker 1>I'm just saying I'm just saying that out loud. Good

0:31:28.840 --> 0:31:30.800
<v Speaker 1>on you, and on you. I don't know if you

0:31:30.840 --> 0:31:33.480
<v Speaker 1>ever read the YouTube comments. I tend to not but

0:31:34.160 --> 0:31:37.080
<v Speaker 1>that your number one comment is actually super positive. That

0:31:37.200 --> 0:31:39.560
<v Speaker 1>when a guy named Jonathan Baker, he says, this is

0:31:39.600 --> 0:31:41.760
<v Speaker 1>so refreshing to see a dance video without half naked

0:31:41.760 --> 0:31:43.800
<v Speaker 1>women and instead of a dude and a trailer park

0:31:43.880 --> 0:31:47.080
<v Speaker 1>wearing jeans, epic. You're the man. So rare that a

0:31:47.120 --> 0:31:50.200
<v Speaker 1>top YouTube comment will be positive and yours is. And

0:31:50.640 --> 0:31:52.800
<v Speaker 1>I was drawn to it because in the video or

0:31:52.880 --> 0:31:54.600
<v Speaker 1>you're teaching it, which is why watching first, you're standing

0:31:54.600 --> 0:31:57.760
<v Speaker 1>outside because your your friends like a trailer park. You

0:31:57.760 --> 0:32:00.200
<v Speaker 1>guys live by. Oh yeah, he stay right. He used

0:32:00.240 --> 0:32:03.200
<v Speaker 1>to stay right beside it, and his name Cavin, y'all.

0:32:03.280 --> 0:32:07.160
<v Speaker 1>He did like this picture right here. Um he did

0:32:07.200 --> 0:32:11.120
<v Speaker 1>to get up cover. I mean that was that was

0:32:11.200 --> 0:32:14.440
<v Speaker 1>like another thing that wasn't gonna be a cover. We

0:32:14.440 --> 0:32:17.600
<v Speaker 1>was standing in the same trailer park and I took

0:32:17.600 --> 0:32:21.520
<v Speaker 1>a picture on the steps and I looked down like this.

0:32:21.600 --> 0:32:24.080
<v Speaker 1>He said, make that face again. I said, you got it.

0:32:24.560 --> 0:32:26.840
<v Speaker 1>I did like two shots with the sky behind me.

0:32:27.360 --> 0:32:33.160
<v Speaker 1>It became the cover. Um. I went back to his house.

0:32:33.240 --> 0:32:35.560
<v Speaker 1>We was hoping doing some stuff. I said, hey, man,

0:32:35.680 --> 0:32:38.320
<v Speaker 1>I want to shoot a vertical video in front of

0:32:38.320 --> 0:32:41.920
<v Speaker 1>that trailer. It was an abandoned trailer and um, he

0:32:41.960 --> 0:32:45.360
<v Speaker 1>said cool. So we went down there. It was kind

0:32:45.360 --> 0:32:51.680
<v Speaker 1>of sprinkling outside like sprinkling. We pulled out a little generator, shot,

0:32:51.920 --> 0:32:54.960
<v Speaker 1>did two passes. You put oh two paths together and

0:32:55.160 --> 0:32:59.040
<v Speaker 1>uploaded and then boom again. At that point, so many

0:32:59.080 --> 0:33:01.840
<v Speaker 1>of so much to the content and the song is

0:33:01.880 --> 0:33:05.040
<v Speaker 1>blowing up that you have to go, there's something here, like,

0:33:05.120 --> 0:33:07.800
<v Speaker 1>you can't blow up this many times and get this

0:33:08.080 --> 0:33:10.959
<v Speaker 1>it's not luck. After the third time it blows up

0:33:11.680 --> 0:33:13.400
<v Speaker 1>and you have to go, all right, there's something here.

0:33:13.640 --> 0:33:18.200
<v Speaker 1>It was organic, no money behind it, no radio behind it.

0:33:18.200 --> 0:33:23.680
<v Speaker 1>It was straight consumers, people going clicking on the song

0:33:23.920 --> 0:33:27.280
<v Speaker 1>listening to it. I mean, like twenty million plus views

0:33:27.360 --> 0:33:29.720
<v Speaker 1>on that trailer part before then I think it's like

0:33:29.880 --> 0:33:33.720
<v Speaker 1>fifty something now something. It's never actually in the song

0:33:33.840 --> 0:33:37.320
<v Speaker 1>that the words to get up, never a dedicated to

0:33:37.400 --> 0:33:40.040
<v Speaker 1>title to my grandmother. She's come early in the my owner,

0:33:40.080 --> 0:33:42.760
<v Speaker 1>she vasseling on me and my stibiling face, my cousin,

0:33:42.880 --> 0:33:46.000
<v Speaker 1>everybody that was in the house in a loving manner,

0:33:46.000 --> 0:33:48.840
<v Speaker 1>though you know what I'm saying, and and say get up.

0:33:48.960 --> 0:33:51.200
<v Speaker 1>That just meant being vertical with the world of finding purpose,

0:33:51.280 --> 0:33:54.760
<v Speaker 1>finding joy, finding happiness. Um, you couldn't do that laying down,

0:33:55.720 --> 0:33:59.400
<v Speaker 1>and she meant that both grandmothers. Was there ever a

0:33:59.480 --> 0:34:03.560
<v Speaker 1>title of the song before they get Up? Yeah? We

0:34:03.800 --> 0:34:06.880
<v Speaker 1>was there a working title? Yeah, Um, I actually look

0:34:06.920 --> 0:34:10.719
<v Speaker 1>like I guess, let me guess Cowboy Buggie. Nope, too,

0:34:10.920 --> 0:34:16.760
<v Speaker 1>Now I can't be two steps because cow that's bad.

0:34:17.120 --> 0:34:20.400
<v Speaker 1>Hold down, hold down. It had then to do with

0:34:20.440 --> 0:34:24.480
<v Speaker 1>the song, ain't I ain't the title of the session

0:34:24.560 --> 0:34:29.000
<v Speaker 1>God's Gift, and that was gonna be the the working

0:34:29.080 --> 0:34:31.120
<v Speaker 1>name of the song. Yeah, that was never the name

0:34:31.160 --> 0:34:33.239
<v Speaker 1>of the song. It was just when I created it, it

0:34:33.120 --> 0:34:36.280
<v Speaker 1>it felt like there was God's gift to me, and

0:34:36.560 --> 0:34:38.719
<v Speaker 1>that's the original title of the session. I have it.

0:34:39.560 --> 0:34:43.400
<v Speaker 1>I have it on my laptop like right now. So

0:34:43.840 --> 0:34:48.040
<v Speaker 1>the get up starts to blow up? And what what's

0:34:48.080 --> 0:34:50.879
<v Speaker 1>like the big first crazy call you God where it's like, Wow,

0:34:50.880 --> 0:34:54.920
<v Speaker 1>I get to go do this now? Oh the c

0:34:55.120 --> 0:34:58.880
<v Speaker 1>m A fest I dreamed the performer there the year before.

0:34:59.480 --> 0:35:00.799
<v Speaker 1>A lot of people didn't even know it, but I

0:35:00.800 --> 0:35:03.560
<v Speaker 1>had already done my deal with Broken Bowl Records and

0:35:03.680 --> 0:35:06.960
<v Speaker 1>BMG a year prior to me putting out a one

0:35:07.000 --> 0:35:10.799
<v Speaker 1>minute video clip. So they get Up didn't get you

0:35:10.840 --> 0:35:16.200
<v Speaker 1>a deal. You had already signed talked, worked out a

0:35:16.200 --> 0:35:19.040
<v Speaker 1>deal with the record. I didn't know that I signed

0:35:19.040 --> 0:35:27.239
<v Speaker 1>the deal, uh eighteen and uh mayor June and the

0:35:27.400 --> 0:35:32.799
<v Speaker 1>get Up I wrote September two thousand eighteen. When you

0:35:32.840 --> 0:35:34.960
<v Speaker 1>sent it off to John Loebo, for example, what's his

0:35:35.040 --> 0:35:38.960
<v Speaker 1>response back? It was like, man, this right here is impressive.

0:35:39.920 --> 0:35:44.800
<v Speaker 1>That is strong, you know, John, that's that is strong.

0:35:46.600 --> 0:35:48.040
<v Speaker 1>And then you go out and you have to do

0:35:48.160 --> 0:35:52.560
<v Speaker 1>radio tour. Yep, Well set out the radio tour two

0:35:52.600 --> 0:35:54.600
<v Speaker 1>and a half, three months after the song had already

0:35:54.640 --> 0:35:57.640
<v Speaker 1>been out. It had already done what it was doing,

0:35:58.040 --> 0:36:00.840
<v Speaker 1>and then um decided to take it to radio. But

0:36:00.920 --> 0:36:03.040
<v Speaker 1>you you have pop stations playing you, you have country

0:36:03.080 --> 0:36:06.480
<v Speaker 1>stations playing your little bit. Were they like, oh, we

0:36:06.719 --> 0:36:08.160
<v Speaker 1>kind of don't know what to do with it, so

0:36:08.200 --> 0:36:10.160
<v Speaker 1>we're gonna let everybody go with it. Like what was

0:36:10.200 --> 0:36:12.520
<v Speaker 1>the plan? Oh? I don't I really don't even know.

0:36:12.640 --> 0:36:19.239
<v Speaker 1>I think, Uh, I really don't know. Grandma would taught

0:36:19.280 --> 0:36:21.799
<v Speaker 1>me and my mama. See I don't say my mama

0:36:21.760 --> 0:36:24.600
<v Speaker 1>a lot, but she taught me a whole bunch. I

0:36:24.840 --> 0:36:28.480
<v Speaker 1>used to saying my grandmother. But look, if you don't

0:36:28.480 --> 0:36:31.000
<v Speaker 1>know what to say, just don't say nothing, because I

0:36:31.040 --> 0:36:34.400
<v Speaker 1>don't know the process of that. UM. When they decided

0:36:34.480 --> 0:36:37.200
<v Speaker 1>to pisit to the radio, I just went on the

0:36:37.280 --> 0:36:40.239
<v Speaker 1>radio tour, and I told them that I wanted to

0:36:40.280 --> 0:36:42.560
<v Speaker 1>go on the radio tour and I wanted to be

0:36:43.560 --> 0:36:46.440
<v Speaker 1>and the people faces and getting to meet them and

0:36:46.480 --> 0:36:50.960
<v Speaker 1>greet them, and and that was like priority to me

0:36:51.120 --> 0:36:53.640
<v Speaker 1>to go on the radio tour. So John said, let's

0:36:53.680 --> 0:36:56.200
<v Speaker 1>make it happen. Where's the weirdest place you did the dance?

0:36:57.800 --> 0:36:59.920
<v Speaker 1>Not even radio touris in general because you've done it.

0:36:59.920 --> 0:37:02.040
<v Speaker 1>I see like on local news. I see you at

0:37:02.120 --> 0:37:06.080
<v Speaker 1>zoos yell. I just did it yesterday at the uh

0:37:06.800 --> 0:37:10.720
<v Speaker 1>the World Series game during the ninth ending and somebody

0:37:10.840 --> 0:37:12.680
<v Speaker 1>was getting struck out. I was just in the middle

0:37:12.680 --> 0:37:18.000
<v Speaker 1>of the out doing a dance. Cooler celebrity you've seen

0:37:18.040 --> 0:37:23.279
<v Speaker 1>do the dance. I mean it's a it's a lot

0:37:23.280 --> 0:37:25.440
<v Speaker 1>of people. Name one. I can't even don't start with

0:37:25.520 --> 0:37:30.279
<v Speaker 1>Monica again, No, I can't even one celebrity ain't seen

0:37:30.320 --> 0:37:32.160
<v Speaker 1>how do the dance? No, but one name one celebrity

0:37:32.200 --> 0:37:39.719
<v Speaker 1>is seen to the dance. So it's pretty cool, man.

0:37:39.760 --> 0:37:41.960
<v Speaker 1>It's it's the one of the one of the one

0:37:42.040 --> 0:37:47.160
<v Speaker 1>that took me out was Howie Howie? Who's Howie? You

0:37:47.160 --> 0:37:49.160
<v Speaker 1>don't know? How We? How We? How are the duck?

0:37:49.160 --> 0:37:51.880
<v Speaker 1>How are we? From back Street Boys? How We? Who's

0:37:51.920 --> 0:37:55.560
<v Speaker 1>how We? I'm gonna let you figure it out. Who

0:37:55.600 --> 0:37:59.600
<v Speaker 1>took you out? I'm saying that. That made me like, laugh, Mike,

0:37:59.600 --> 0:38:06.080
<v Speaker 1>do you how he is? Howie Mandel? Howie Mandel? Okay? Okay?

0:38:06.080 --> 0:38:07.600
<v Speaker 1>Would have been my fourth how we pack? You just

0:38:07.600 --> 0:38:10.279
<v Speaker 1>said how we like I don't look he go out

0:38:10.280 --> 0:38:12.279
<v Speaker 1>at the first one. I was just like, I'm I'm

0:38:12.280 --> 0:38:13.920
<v Speaker 1>gonna I'm gonna play a little game and let you

0:38:13.920 --> 0:38:16.120
<v Speaker 1>guess this one since you don't want to say Monica again.

0:38:17.000 --> 0:38:19.920
<v Speaker 1>It was Howie Okay. Um, you've been all over the

0:38:20.000 --> 0:38:25.120
<v Speaker 1>world language barriers with the song weird or now uh.

0:38:25.280 --> 0:38:31.200
<v Speaker 1>I haven't had any issues there. I see people just

0:38:31.520 --> 0:38:37.279
<v Speaker 1>enjoying it, laughing, enjoying themselves and funny accents. I'm going

0:38:37.400 --> 0:38:40.480
<v Speaker 1>to do the two staff bad. I'm trying to think,

0:38:40.560 --> 0:38:43.080
<v Speaker 1>if you know what, let me let me do something

0:38:43.120 --> 0:38:45.359
<v Speaker 1>right quick. But as you look at up, I'm gonna

0:38:45.360 --> 0:38:47.400
<v Speaker 1>do something here. So the album is called Honeysuck on

0:38:47.480 --> 0:38:50.800
<v Speaker 1>Lightning Bugs obviously, to get Up. Here's some of Georgia

0:38:50.840 --> 0:39:06.319
<v Speaker 1>power right here. Thank God, Yeah, yeah yeah. Any miny

0:39:06.360 --> 0:39:08.440
<v Speaker 1>miny miny miny mode. I'll never ever ever let it

0:39:08.520 --> 0:39:10.880
<v Speaker 1>take my soul. Any miny miny miny miny mode. I

0:39:10.880 --> 0:39:13.640
<v Speaker 1>don't ain't, dude. I don't see any many many miny

0:39:13.680 --> 0:39:17.480
<v Speaker 1>miny mode. Everything that the world a little bit of

0:39:17.880 --> 0:39:23.800
<v Speaker 1>let's tennessee whiskey. Tell me not say you're are glass

0:39:23.880 --> 0:39:33.880
<v Speaker 1>of shipping and understand, I see game. Tell me what

0:39:34.080 --> 0:39:38.040
<v Speaker 1>about to do? And here is a little bit of

0:39:38.880 --> 0:39:47.960
<v Speaker 1>temporary insanity from the record I feel so cold. You

0:39:48.000 --> 0:39:51.160
<v Speaker 1>look out for this one. Players. You love this one, man,

0:39:51.200 --> 0:39:53.279
<v Speaker 1>I'm gonna tell you like that was one of those

0:39:53.280 --> 0:39:57.040
<v Speaker 1>records like to get Up. I wrote it right before

0:39:57.080 --> 0:40:00.239
<v Speaker 1>I was done with my album. I'm actually playing good

0:40:00.239 --> 0:40:04.920
<v Speaker 1>turn there too. I played in these keys and I

0:40:05.000 --> 0:40:06.680
<v Speaker 1>tuned to a certain way to make sure they had

0:40:06.719 --> 0:40:09.120
<v Speaker 1>that dark texture, so I didn't tune it in like

0:40:10.120 --> 0:40:16.040
<v Speaker 1>you know, the regular standard tune um and it has

0:40:16.080 --> 0:40:21.399
<v Speaker 1>a dullness about it. It felt magical to me. Here's

0:40:21.400 --> 0:40:24.840
<v Speaker 1>some more of this turn it out, like everything and

0:40:24.960 --> 0:40:32.160
<v Speaker 1>anything that broke me and took it away and you

0:40:32.239 --> 0:40:36.200
<v Speaker 1>feel my pain. Proud of this one? And that was

0:40:36.239 --> 0:40:41.880
<v Speaker 1>me talking to myself. Everything that was a little bard.

0:40:43.440 --> 0:40:51.200
<v Speaker 1>I was putting my poppy sing away. He ain't how

0:40:51.200 --> 0:40:54.160
<v Speaker 1>many times to take the single this one down? I

0:40:54.160 --> 0:40:58.680
<v Speaker 1>mean I sung it like two times through kidding me,

0:40:59.000 --> 0:41:00.800
<v Speaker 1>you know what I know. I'm gonna tell you the

0:41:00.840 --> 0:41:03.400
<v Speaker 1>first experience. So we have met at the house. He

0:41:03.480 --> 0:41:05.480
<v Speaker 1>came over and then I said, hey, you should come

0:41:05.520 --> 0:41:07.920
<v Speaker 1>up and do the show and play. And I figured

0:41:07.920 --> 0:41:10.520
<v Speaker 1>you'd be good. And we were in a temporary studio

0:41:10.600 --> 0:41:12.560
<v Speaker 1>because we're building a new studio, and everything was kind

0:41:12.560 --> 0:41:13.919
<v Speaker 1>of a mess. And you walked in and you had

0:41:14.640 --> 0:41:20.920
<v Speaker 1>the guys from Parmally Matt came in with Parmaly's right

0:41:21.640 --> 0:41:25.480
<v Speaker 1>and you started singing, and I was like, oh my god,

0:41:25.600 --> 0:41:28.000
<v Speaker 1>you may you And again I don't have a system,

0:41:28.000 --> 0:41:31.040
<v Speaker 1>but you maybe, if not the one of the best

0:41:31.080 --> 0:41:35.640
<v Speaker 1>singers ever being just sing straightforward. I was blown away.

0:41:35.680 --> 0:41:37.480
<v Speaker 1>And I don't throw out compliments like that very often

0:41:37.560 --> 0:41:39.920
<v Speaker 1>unless I mean it. And again I don't have a

0:41:39.920 --> 0:41:41.879
<v Speaker 1>full ranking system, but you may be the best singer

0:41:41.920 --> 0:41:43.560
<v Speaker 1>I've ever had in that room. And we have a

0:41:43.560 --> 0:41:46.800
<v Speaker 1>lot of great singers in that room. It's my eyeballs

0:41:46.800 --> 0:41:49.600
<v Speaker 1>were so big. I was like, oh, this is it

0:41:49.719 --> 0:41:56.400
<v Speaker 1>right here. It was crazy, man. That comes from trying

0:41:56.400 --> 0:41:59.719
<v Speaker 1>to be hurt for so long, going through the hurt,

0:42:00.440 --> 0:42:06.200
<v Speaker 1>not being accepted, uh, wanting to never fit in but

0:42:06.360 --> 0:42:11.759
<v Speaker 1>stand out. And you can just hear the pain in

0:42:11.800 --> 0:42:15.480
<v Speaker 1>my voice when you started, I was born a real

0:42:15.600 --> 0:42:19.840
<v Speaker 1>I was like as soon as you started, hm and

0:42:20.000 --> 0:42:23.000
<v Speaker 1>you left, and we were all like, well, nobody needs

0:42:23.040 --> 0:42:24.400
<v Speaker 1>to come in the next couple of days because they

0:42:24.440 --> 0:42:26.359
<v Speaker 1>can't do that, Like, you gotta start the concert over.

0:42:26.400 --> 0:42:28.480
<v Speaker 1>You gotta have a new show. No one needs to

0:42:28.520 --> 0:42:32.200
<v Speaker 1>follow that. People surprise when you because you're the get

0:42:32.239 --> 0:42:34.920
<v Speaker 1>Up such a dance song. Are they surprised when you

0:42:35.000 --> 0:42:38.480
<v Speaker 1>just blow the place with your vocals? Yeah? I mean

0:42:38.640 --> 0:42:40.719
<v Speaker 1>you know you go from to the left to the left,

0:42:40.800 --> 0:42:44.520
<v Speaker 1>now to the ride to the ride. It's different from

0:42:45.200 --> 0:42:49.319
<v Speaker 1>built in. You know what I'm saying, to get up

0:42:49.320 --> 0:42:52.000
<v Speaker 1>start the purpose for what it is and what I'll

0:42:52.080 --> 0:42:57.160
<v Speaker 1>forever will be. Um the get up is like you

0:42:57.400 --> 0:43:01.879
<v Speaker 1>hear it, and you see this house when you dig

0:43:01.880 --> 0:43:06.360
<v Speaker 1>into like the album, you end the house. Now you

0:43:06.400 --> 0:43:09.760
<v Speaker 1>see how I decorated everything you get to enjoy the furnishing.

0:43:10.280 --> 0:43:14.800
<v Speaker 1>What handles did he choose? How did his kissing come together?

0:43:14.960 --> 0:43:18.480
<v Speaker 1>Why is there marble in the middle? You know what

0:43:18.520 --> 0:43:22.359
<v Speaker 1>I'm saying. Why is there this? You kind of paint

0:43:22.360 --> 0:43:26.280
<v Speaker 1>the picture. Honeysuck on lining bugs the album ten songs,

0:43:26.920 --> 0:43:29.400
<v Speaker 1>You're right on all the songs. It's important to you

0:43:30.840 --> 0:43:33.400
<v Speaker 1>to be a writer. Um if somebody give me a

0:43:33.440 --> 0:43:36.160
<v Speaker 1>record that just touches my heart, then I definitely cut it.

0:43:36.440 --> 0:43:39.480
<v Speaker 1>And uh, I have a couple that I've cut that

0:43:39.520 --> 0:43:42.279
<v Speaker 1>I've probably go on the second album. You already working

0:43:42.280 --> 0:43:46.960
<v Speaker 1>on the second album? Yeah? I mean I chose ten

0:43:47.080 --> 0:43:52.880
<v Speaker 1>records for this album from like an eighty song catalog,

0:43:53.120 --> 0:43:56.400
<v Speaker 1>straight trailer's wrap and the rest of your life. You

0:43:56.440 --> 0:43:58.000
<v Speaker 1>what we're doing to get up and you're good with that.

0:43:58.520 --> 0:44:06.160
<v Speaker 1>I'm good with that. The last movie you saw in theaters? Yeah,

0:44:06.200 --> 0:44:08.880
<v Speaker 1>I can't do a while. Yeah, I ain't been in

0:44:08.880 --> 0:44:16.880
<v Speaker 1>a minute. Last concert you bought tickets for um that

0:44:17.080 --> 0:44:22.880
<v Speaker 1>I personally bought. Yeah, they didn't give you. Mumford and

0:44:23.000 --> 0:44:28.239
<v Speaker 1>Science where l a one? One more question? What's superstition?

0:44:28.280 --> 0:44:37.320
<v Speaker 1>Do you believe is true? Will you walk under a ladder?

0:44:38.320 --> 0:44:40.080
<v Speaker 1>And I don't believe in that. Okay, so you walk

0:44:40.160 --> 0:44:41.480
<v Speaker 1>under a ladder, I will too. I don't believe that.

0:44:41.520 --> 0:44:43.480
<v Speaker 1>Will you break a mirror? Someone said, you're tin bucks,

0:44:43.520 --> 0:44:46.319
<v Speaker 1>break that mirror? Yeah, break all right? If a black

0:44:48.200 --> 0:44:52.319
<v Speaker 1>I need them, tim, But I'm not a superstition guy either. Well,

0:44:52.320 --> 0:44:54.120
<v Speaker 1>it's it's it, it's a it's a really interesting story.

0:44:54.120 --> 0:44:56.000
<v Speaker 1>I'm glad that we could, we can talk about it

0:44:56.000 --> 0:44:57.719
<v Speaker 1>shared a little bit. I appreciate that. Thank you for

0:44:57.760 --> 0:45:00.640
<v Speaker 1>you evory thing. Yeah no, I just such a fan,

0:45:00.920 --> 0:45:03.000
<v Speaker 1>such a fan. I hope everybody listening to this check

0:45:03.040 --> 0:45:05.200
<v Speaker 1>that honeysuck on loney bugs. I'm gonna go back and

0:45:05.200 --> 0:45:07.560
<v Speaker 1>really listen to temper Insanity because I see, like that's

0:45:07.640 --> 0:45:09.680
<v Speaker 1>your favorite, like that not but that's something you're really

0:45:09.680 --> 0:45:11.520
<v Speaker 1>proud of. Like I want to go spend more because

0:45:11.520 --> 0:45:12.759
<v Speaker 1>I listen to the record a couple of times. I

0:45:12.880 --> 0:45:15.480
<v Speaker 1>really like it. I mean the first line like I

0:45:15.600 --> 0:45:18.600
<v Speaker 1>never meant to break your broken heart. These lonely nights

0:45:18.719 --> 0:45:21.439
<v Speaker 1>keep me staying awake hoping that my phone we ring.

0:45:22.520 --> 0:45:26.680
<v Speaker 1>All my life, I've been chasing charts. Never felt like

0:45:26.800 --> 0:45:29.320
<v Speaker 1>you know what I'm saying, Like it's getting into the

0:45:29.800 --> 0:45:34.040
<v Speaker 1>depths of things, because now it's all reversed. Now that

0:45:34.080 --> 0:45:37.440
<v Speaker 1>I'm doing my own music, I could care less about

0:45:37.640 --> 0:45:40.239
<v Speaker 1>looking at the charts every week blood Persson going up

0:45:40.280 --> 0:45:43.239
<v Speaker 1>and down. I just want to make music that's purposeful,

0:45:43.480 --> 0:45:46.480
<v Speaker 1>that people can relate to, that people can feel. And

0:45:46.520 --> 0:45:50.680
<v Speaker 1>I'm not looking for one big old combustion, one big boom.

0:45:50.719 --> 0:45:52.960
<v Speaker 1>I want people to go along a journey and wrap

0:45:53.040 --> 0:45:55.000
<v Speaker 1>with me and get to know and grow with me.

0:45:55.840 --> 0:45:58.799
<v Speaker 1>I'm thutty folk. I'm not trying to fast forward nothing.

0:45:59.560 --> 0:46:03.439
<v Speaker 1>It's still the same process. I'm doing everything one step

0:46:03.440 --> 0:46:05.960
<v Speaker 1>at a time, as if the get up don't exist.

0:46:06.719 --> 0:46:08.799
<v Speaker 1>It's just a blessing to be here. I saw the

0:46:08.840 --> 0:46:12.200
<v Speaker 1>Timber Girl story two in the tweet you intended to

0:46:12.200 --> 0:46:16.520
<v Speaker 1>don't take the girl? Yes, that was like, so how

0:46:16.560 --> 0:46:21.040
<v Speaker 1>did that come together that I never knew could happen? Um,

0:46:21.160 --> 0:46:26.959
<v Speaker 1>we had a show in Australia together and John told

0:46:26.960 --> 0:46:30.279
<v Speaker 1>me that he wanted to meet me. He said, Hey,

0:46:30.480 --> 0:46:32.359
<v Speaker 1>don't get your hopes up. I don't know what's gonna

0:46:32.360 --> 0:46:35.040
<v Speaker 1>happen when you meet him. He may get too busy,

0:46:36.640 --> 0:46:40.440
<v Speaker 1>you say, But y'all are being the same place at

0:46:40.480 --> 0:46:44.840
<v Speaker 1>the same time, so more than likely would happened. I

0:46:44.920 --> 0:46:48.279
<v Speaker 1>walked in the room one of the nicest guys I've

0:46:48.280 --> 0:46:54.080
<v Speaker 1>ever met. Uh. They had a good talk and some keys.

0:46:55.280 --> 0:46:58.400
<v Speaker 1>I said, oh, it's about to go down. I went

0:46:58.480 --> 0:47:02.479
<v Speaker 1>to sweating and he was like, you know the song right?

0:47:03.640 --> 0:47:06.160
<v Speaker 1>I said, of course? And I said I got one

0:47:06.200 --> 0:47:10.239
<v Speaker 1>fact for you that you probably ain't thought about. Johnny

0:47:10.560 --> 0:47:15.280
<v Speaker 1>would be thirty three today. His son would be Tim.

0:47:15.320 --> 0:47:18.040
<v Speaker 1>In the song. They had him at twenty three, and

0:47:18.080 --> 0:47:21.160
<v Speaker 1>when Johnny was eight, I was nine. So I know

0:47:21.239 --> 0:47:23.920
<v Speaker 1>Johnny age. You know what I'm saying. He was just like,

0:47:24.920 --> 0:47:27.919
<v Speaker 1>that's a good one. We saw in the song. Where

0:47:27.920 --> 0:47:31.520
<v Speaker 1>did you sing the song? Uh? In the green room?

0:47:31.560 --> 0:47:33.480
<v Speaker 1>And so that record, I'll play it right here. So

0:47:33.600 --> 0:47:38.200
<v Speaker 1>this this don't take the girl? You and Tim, you

0:47:38.239 --> 0:47:41.960
<v Speaker 1>guys are just playing in the green room. Was that

0:47:42.760 --> 0:47:47.200
<v Speaker 1>it was like surreal? I mean I still look like

0:47:47.200 --> 0:47:51.880
<v Speaker 1>at the video and like this is really happy. I mean,

0:47:51.960 --> 0:47:54.000
<v Speaker 1>it ain't a moment that can make up for that

0:47:54.040 --> 0:47:59.200
<v Speaker 1>reason that has its own shelf, is own book. And

0:47:59.239 --> 0:48:01.120
<v Speaker 1>you get to play the ring your debut November nine.

0:48:01.600 --> 0:48:04.759
<v Speaker 1>What are you gonna do? I'm going there and give

0:48:04.800 --> 0:48:08.960
<v Speaker 1>it my all. Do you know what you're gonna sing yet, Yeah, yeah,

0:48:09.120 --> 0:48:12.359
<v Speaker 1>you don't say huh, I mean I'm I mean, you're

0:48:12.400 --> 0:48:15.640
<v Speaker 1>definitely gonna hear temporary insanity. Yeah, you're gonna hear to

0:48:15.680 --> 0:48:21.359
<v Speaker 1>get up. Yeah, you're gonna hear jowls to power Tian whiskey.

0:48:21.680 --> 0:48:26.439
<v Speaker 1>You know, might have another one. Congratulations, Thank you so much.

0:48:27.280 --> 0:48:29.439
<v Speaker 1>I appreciate the time there is. Check it out the record,

0:48:29.480 --> 0:48:32.879
<v Speaker 1>honeystuck on Lightning Bugs Blanco Brown and on Instagram at

0:48:32.920 --> 0:48:35.040
<v Speaker 1>Blanco Brown and if you do the dancing tag him

0:48:35.080 --> 0:48:39.400
<v Speaker 1>here I post it. Okay, you're always watching, always watching

0:48:39.400 --> 0:48:42.640
<v Speaker 1>the stories, and I'm working on some secret things. Well

0:48:42.640 --> 0:48:44.640
<v Speaker 1>that does nothing for me. You're rolling your hands all right.

0:48:45.400 --> 0:48:46.840
<v Speaker 1>You know, I don't know what a secret thing is,

0:48:46.880 --> 0:48:52.120
<v Speaker 1>but some some great things coming. Just remember you heard it.

0:48:52.880 --> 0:48:55.359
<v Speaker 1>We heard that you're working on a secret thing. Yeah,

0:48:55.400 --> 0:48:58.400
<v Speaker 1>guess what. I also I'm working on a couple of

0:48:58.400 --> 0:49:00.560
<v Speaker 1>secret things. But I will give you anything else and

0:49:00.600 --> 0:49:05.360
<v Speaker 1>then feel good? Does it holding? Alright, that's an episode

0:49:05.360 --> 0:49:08.279
<v Speaker 1>two and nine with Blanco Brown. Uh, check out the

0:49:08.280 --> 0:49:10.440
<v Speaker 1>whole record. It's been a few minutes with it. Alright.

0:49:10.440 --> 0:49:15.200
<v Speaker 1>Good to see you. Thank you. H