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Speaker 1: Hey, everybody who you talking to the people right there? Okay,

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Speaker 1: the ones looking right there? This camera, that camera straight ahead?

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Speaker 2: Got it?

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Speaker 1: So these are exclusive tortis that will only be available

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Speaker 1: at our live shows this year would be Toronto, La London,

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Speaker 1: and New York. Get your tickets now at New royalmul

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Speaker 1: dot com and come get some shirts, man, really good shirts,

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Speaker 1: the really good designs. Four Whole Cities exclusive. Look at

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Speaker 1: all these colors.

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Speaker 3: Colors, colors worldwide, world.

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Speaker 1: That's color it they have world.

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Speaker 2: But this is how we look. If you like walking,

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Speaker 2: that's a good walk.

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Speaker 1: Oh yeah, looks pretty good. That's I mean, that's a

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Speaker 1: wild hip. Hips start moving.

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Speaker 2: Notice like when you pretty aggress the shirt, you can

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Speaker 2: give a t shirt like to walk around the house.

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Speaker 1: That's true.

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Speaker 2: Yomi just fell some Yeah no, keep all this.

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Speaker 1: Get your tickets at New roymaal dot com. Subscribe to

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Speaker 1: our Patreon. We also have our regular merch available as

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Speaker 1: well there. But if you come to our shows, you

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Speaker 1: get this shirt only at the show, and your girl

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Speaker 1: boy or they can all walk with their hips like

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Speaker 1: that in the shirt.

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Speaker 3: Limited edition, limited, very limited.

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Speaker 2: Very limited, limited, no worrying. The money speaking for itself.

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Speaker 4: I call it Fortune Tail five top from their work

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Speaker 4: at corporate sales, Chinchilla You shank O skiing out at

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Speaker 4: court Chavelle breaking news. They try to kill them, but

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Speaker 4: the boy prevails. I leave the tour and I go

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Speaker 4: to jail. Preaching to the dogs by wanting more for themselves.

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Speaker 4: It's wayhing heavy on my moral scale, knowing they gonna

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Speaker 4: sell another citizen Kinge. They think they wants some in

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Speaker 4: Whales Welcome.

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Speaker 1: We'll just starting, thank you, No more countdowns for Eden.

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Speaker 1: That's how we're beginning these episodes. I can't count well,

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Speaker 1: I haven't been home and I only had slides. So yeah,

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Speaker 1: here I am today with slides on another grea buzzy

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Speaker 1: vans and new tortis.

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Speaker 2: Look at that.

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Speaker 1: We are on tour Corons and we will see you

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Speaker 1: October twelfth with these new snazzy tortis for the camera

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Speaker 1: four Whole Cities mos is on backwards.

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Speaker 2: Well, you know I had to shout out social def

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Speaker 2: Jamaine the pre thirty anniversary shout Crisscross.

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Speaker 1: Yeah, I mean I wanted you to commit a little

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Speaker 1: bit more pants backwards, hat backwards.

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Speaker 2: We ain't gonna do all that, but why not just

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Speaker 2: to show the shirt.

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Speaker 1: Well, it's a great shirt and it will be for

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Speaker 1: sale only exclusively at our live shows my way for

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Speaker 1: a week straight New roymaul dot com to get tickets Toronto, La.

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Speaker 2: So if you see me all week in this shirt,

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Speaker 2: just mining business like the same shirt, the same exact shirt.

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Speaker 1: I hope you carry a tide stick with it though

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Speaker 1: it's a very white shirt only cleaning.

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Speaker 3: You don't take it off to like drink your green

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Speaker 3: juices though.

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Speaker 2: Just leave it on. You gotta come become the merchant,

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Speaker 2: live the merch.

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Speaker 1: Why didn't tide sticks like really take it?

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Speaker 2: It don't work.

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Speaker 5: They don't really relate that.

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Speaker 2: They don't want.

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Speaker 1: They were underrated.

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Speaker 5: I felt like they're still existent.

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Speaker 6: They're a good pre treatment.

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Speaker 1: I just don't thought they would be. Thought everyone would

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Speaker 1: carry around with the stick is crazy. I think everyone

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Speaker 1: should have a tied stick in our purse. That's don't

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Speaker 1: even they get to carry a purseon around. I hate

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Speaker 1: a lot of stuff we.

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Speaker 2: Men don't even have to person.

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Speaker 5: We actually have pockets.

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Speaker 2: Okay, if I'm paying, you want them to have a

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Speaker 2: tide stick.

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Speaker 1: If I'm paying for dinner, give me a tide stick

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Speaker 1: in case I stick my shirt.

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Speaker 2: Man, why are you coming out with demeris like that.

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Speaker 2: I'm not coming at demeriics. I'm just saying women Americans

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Speaker 2: to speak for women.

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Speaker 3: But in that case, what you said is accurate. She

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Speaker 3: doesn't have a wallet.

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Speaker 2: She no, she doesn't know she has a wallet.

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Speaker 6: Do you have a wallet while I got stolen that Beyonce,

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Speaker 6: I have not.

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Speaker 1: It was like six months, I have place and then

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Speaker 1: you realize you didn't need one. At least have a

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Speaker 1: tide stick then and we're back. We're back, Welcome to

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Speaker 1: a new episode.

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Speaker 2: Look, how women could not have a purse for six

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Speaker 2: months in life is just as chilling. Whatever and up, Yeah,

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Speaker 2: I got my I D That's all I need. Did

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Speaker 2: you get your I D back?

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Speaker 4: No?

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Speaker 6: I have a passport, so I just use that.

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Speaker 7: But I'm manifesting like money towards me, like being that

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Speaker 7: I'm not so quick to pay for things now like

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Speaker 7: things have been like because you were before it.

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Speaker 2: And I feel like the how do you manifest money

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Speaker 2: towards you?

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Speaker 1: Anytime the bill collector comes and late, notice, I should

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Speaker 1: tell them to manifest the money.

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Speaker 2: Yeah, close your eyes. Yeah, God will make away, God

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Speaker 2: will make away.

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Speaker 1: I'm want to pro rate my next dinner.

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Speaker 2: What about Yeah, tell us listen, listen to it.

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Speaker 1: Manifested this food, you brought it, manifest the money exactly.

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Speaker 2: Rory sent me a DM at like two thirty in

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Speaker 2: the morning. What the fuck? And I was I was

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Speaker 2: scared because when whatever Rory hits me after like midnight,

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Speaker 2: I'm scared. I don't know why. Yeah, just getting nervous.

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Speaker 1: Somebody died.

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Speaker 2: So I opened my GM and it was it was

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Speaker 2: a DM of was it was it the Drakes? Did

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Speaker 2: you send me the Drake thing? No?

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Speaker 1: I sent you the AMP thing, and then I sent

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Speaker 1: you the uh, the Drake thing. And we'll get to

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Speaker 1: AMP later. But Drake did the scary hours three am,

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Speaker 1: let me post something on Instagram, and about fifteen minutes

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Speaker 1: later we get eight am and Charlotte, I Julian has

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Speaker 1: not slept.

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Speaker 5: I know Maul was beside.

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Speaker 1: Himself, even though I'm sure Maul was in Charlotte when

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Speaker 1: this was recorded, so this wasn't really a shock to him.

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Speaker 1: I think he applied to my DM with oh, y'all

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Speaker 1: are finally getting that one.

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Speaker 3: I take back everything bad I said about Charlotte. Great city,

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Speaker 3: that's grat favorite on tour last year Charlotte.

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Speaker 1: Though, before we get into the record, I do want

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Speaker 1: to give a shout out to Charlotte for making the

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Speaker 1: Time Stamp list, right.

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Speaker 3: Congrats, Yeah he is Charlotte.

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Speaker 1: Charlotte is a great city. But if you go through Toronto,

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Speaker 1: calabas Is, New York, the Bridle Path, Dallas. I'm not

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Speaker 1: trying to shit on Charlotte. I promise you want to be.

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Speaker 2: I didn't think it wouldn't be.

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Speaker 1: I don't think your hubs.

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Speaker 2: I didn't think Charlotte was a tom Stamp. I didn't

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Speaker 2: I didn't realize. I didn't think Drake would tom stamp Charlotte.

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Speaker 2: But obviously just had a showty, I think two weeks ago.

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Speaker 1: And you know, since you guys shut down all the

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Speaker 1: clubs out there, he had time to go to the studio,

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Speaker 1: like rag, you's o stuff. You guys the reason we

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Speaker 1: got following our tour route, Like it's like we.

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Speaker 2: Did Charlotte first. Nobody did Charlotte before we did.

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Speaker 1: I don't think anyone's ever done.

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Speaker 2: And it's like, here come Drake with eight am and Charlotte.

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Speaker 2: Now you want to be in Charlotte at eight o'clock

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Speaker 2: in the morning.

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Speaker 1: I was in Charlotte at eight am once too. Drake

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Speaker 1: crazy before Drake, I've been there.

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Speaker 3: It's like Drake's version of giving out a Michelin star.

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Speaker 5: Maybe maybe that's actually if he blesses.

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Speaker 3: Your city with the timestamp record like this has to

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Speaker 3: inflate the economy in Charlotte.

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Speaker 7: I feel like y'all kind of sleeping on Charlotte a

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Speaker 7: little bit like y'all not giving shar Is just got

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Speaker 7: all the bad thick ass, like traveling nurses, all the

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Speaker 7: real estate, all the real.

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Speaker 2: How many travel how many traveling nurses you know, sho,

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Speaker 2: don't worry about that, and how many of them have

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Speaker 2: walle throwing it out there? You know they got traveling nurses.

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Speaker 2: I'm sure they have hospitals. I'm sure they have traveling nurses.

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Speaker 1: There is a lot of ex drug dealers from New

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Speaker 1: York that went to North Carolina and South Carolina. How

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Speaker 1: do you know that theory?

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Speaker 5: Yeah, we'll get to that as well.

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Speaker 1: Rad in theory X drug dealers make bad daughters, all right.

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Speaker 1: I've never seen a rod that has a drug dealer file,

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Speaker 1: like a real drug dealer, not like some handed but

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Speaker 1: that had a drug dealer father that isn't gorgeous.

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Speaker 2: Oh bad the in the look thought you meant like

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Speaker 2: like not good too much? They're pretty? Yes, well that

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Speaker 2: means usually when you are a big time drug dealer,

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Speaker 2: you have access to pretty women. Pretty women generally make

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Speaker 2: pretty children.

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Speaker 1: And I'm saying most of the king didn't go to jail,

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Speaker 1: went to the Carolinas and just made beautiful daughters that

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Speaker 1: became nurses.

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Speaker 2: Okay, we got to study that.

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Speaker 1: It's big pharma in one circle. You didn't You didn't connect.

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Speaker 2: I did not until you said that I'd never come.

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Speaker 1: And now the sins of their father they are now

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Speaker 1: trying to save the community.

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Speaker 2: Got you. Well, Drake dropped this eight am Charlotte at

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Speaker 2: fucking two am.

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Speaker 1: It's talking about it Eastern Standard time.

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Speaker 2: Yes, I don't know where he was at in the world,

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Speaker 2: but not Charlotte. Why would Drake do this? Why would

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Speaker 2: he drop this record at two in the morning or

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Speaker 2: drop this video because on the songs that on DSP yet,

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Speaker 2: but why would he put this video up?

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Speaker 1: Well, he put a post up return of Scary Hours

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Speaker 1: or whatever it said. And remember when used to do

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Speaker 1: those two packs at like two o'clock, and he's eluded

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Speaker 1: that this album is the quote unquote old Drake and

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Speaker 1: the Drake that people want. Yeah, so he's giving us

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Speaker 1: reminisces of Timestamp records, scary hours dropping just freestyles in

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Speaker 1: the middle of the night, like this is everything we

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Speaker 1: loved about Drake and wanted from him. He's now giving

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Speaker 1: us and people are still planing.

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Speaker 2: So Drake gave us which seems to be what it

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Speaker 2: may be the either the outro the intro to his

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Speaker 2: new album. Usually when he does his time stamp, it's

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Speaker 2: usually the outro.

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Speaker 3: I don't think this is going to be on the album.

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Speaker 1: My guess is it's not on the album.

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Speaker 5: Okay, let's go.

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Speaker 1: I don't know if you can go on.

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Speaker 3: None of no timetame records are on a Drake album.

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Speaker 1: That's not true. Six PM in New York is.

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Speaker 2: Yeah, Okay, we'll fine, except that twenty.

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Speaker 1: Fifteen and seven of him and bron Faft is on.

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Speaker 2: That's two right there. I mean, I mean in regards

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Speaker 2: to the.

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Speaker 1: And if you do not Disturb, that's on More Life.

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Speaker 3: I'm talking about the pre release records, like he doesn't

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Speaker 3: leak them and then put him on the album.

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Speaker 1: Oh definitely before that. That don't make the project all

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Speaker 1: his time stamps for the or.

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Speaker 2: I can't I cannot. I can't not see this on

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Speaker 2: being on the don't think it will. I think this

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Speaker 2: is on it. I think this is just the way

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Speaker 2: of him the album comes out. Obviously, if you listen

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Speaker 2: to this now, albums out, but it comes out to

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Speaker 2: night as we'll recording Thursday. I think this will just

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Speaker 2: eight am. Charlotte will be on album.

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Speaker 1: Well then, okay, I wouldn't be surprised if it was,

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Speaker 1: but why is it not on DSPs? Then the fact

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Speaker 1: that it's not on DSPs makes me feel like it's

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Speaker 1: not on the album.

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Speaker 2: Well, I think this is just Drake's I think this

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Speaker 2: is a new way of him just rolling out his album.

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Speaker 2: I think he wanted to put out a little visual

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Speaker 2: for it, maybe twelve twenty four hours before the album drops,

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Speaker 2: just to kind of get the internet, you know, going

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Speaker 2: and buzzing, letting them know that the album play from it.

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Speaker 2: But I do think this will be on an album.

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Speaker 1: I like.

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Speaker 2: I like this though. I like putting out a visual

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Speaker 2: for your time stamp. Obviously, Drakes knows how people feel

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Speaker 2: about his time Stamp songs. Putting a visual to it

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Speaker 2: was was definitely dope, because you know, he's saying some things.

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Speaker 2: He got some bars in there. Was like he's he's

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Speaker 2: going at a few people. He's letting people know, like,

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Speaker 2: you know, the beef is still on. Just because I'm

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Speaker 2: not talking about it or I'm not addressing it, don't

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Speaker 2: think that it's over. But I like this. This was unexpected.

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Speaker 2: I didn't expect him to drop this video. But let's

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Speaker 2: get to the fact that Conductor, the fact that he

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Speaker 2: has Conductor a Conductor record. Shout out to Conductor. This

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Speaker 2: gives me hope that we are indeed getting a real

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Speaker 2: full rap or not.

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Speaker 3: He already put a song out that's not rap, okay,

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Speaker 3: but I.

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Speaker 2: Mean he was rapping on it.

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Speaker 1: I think a majority of it will be raped. But

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Speaker 1: as Drake said, and I believe him, he'll never put

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Speaker 1: out a full straight rap project. I think it'll just

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Speaker 1: be reminiscent of the older Drake that we liked, and

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Speaker 1: the singing records will be more like Days in the

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Speaker 1: East type shit, and the rapping will be similar to

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Speaker 1: the Timestamp stuff. I think he's going to try to

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Speaker 1: give us the best of what I think he kind

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Speaker 1: of tried to do with CLB he's going to do

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Speaker 1: that in a more concise way. I don't think this

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Speaker 1: is going to have more than ten records, eleven records.

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Speaker 1: I don't think it's gonna be one of those eighteen

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Speaker 1: track Drake Jos. I think even CLB had records that

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Speaker 1: were like four or five years old that had like

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Speaker 1: sort oflyked. I think all these records are very very new.

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Speaker 1: I don't think it's anything he's been sitting on like

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Speaker 1: his previous projects. And I think it's gonna be reminiscent

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Speaker 1: of the Drake We used to.

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Speaker 2: Like, how do you feel about how do you feel

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Speaker 2: about the ADM? Charlotte? Because when I heard it, I

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Speaker 2: was like, Okay, this is Drake, this is a tom stamp.

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Speaker 2: This falls right in line with all of the other

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Speaker 2: time stamps. But I'm seeing the internet react to it,

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Speaker 2: and some people are saying this is the best one.

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Speaker 2: I don't know if I'm ready to say all of that.

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Speaker 2: I'm not gonna say this is the best time.

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Speaker 5: I hasn't even been twelve, is that what I'm saying.

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Speaker 2: I ain't gonna say. I'm not gonna run and say

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Speaker 2: it's the greatest time stamp.

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Speaker 1: Well, Mondulian well, I ranked. I ranked my time stamp

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Speaker 1: records on the way here.

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Speaker 2: Okay, let me shoot on the gud.

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Speaker 1: Okay, number one, five am in Toronto. Hold, okay, okay,

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Speaker 1: I have at number one. I don't know if people count,

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Speaker 1: do not disturb? Because it was originally called seven am

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Speaker 1: in Germany as a timestamp record Love Germany. So is

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Speaker 1: it an asterisk? Am I allowed to count that?

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Speaker 2: One?

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Speaker 1: Think that's asking?

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Speaker 2: I think it's a tom.

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Speaker 5: I will count it.

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Speaker 2: Yeah, I count. I know there's a renaming.

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Speaker 3: We'll acknowledge it. Yeah, as such.

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Speaker 1: Then I have that at number two, okay. Interesting, Then

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Speaker 1: at number three at four pm in Calabasas, number four

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Speaker 1: six pm in New York, number five not em in

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Speaker 1: Dallas six seven am, seven eight a m. And Charlotte.

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Speaker 1: I have this ranked last.

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Speaker 2: That's hate?

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Speaker 1: How is it hate? There's a Drake record.

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Speaker 5: I mean, I feel like even a ranking right now

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Speaker 5: you hate when it's yeah, you got old record can

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Speaker 5: come and last.

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Speaker 2: That's well, that's.

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Speaker 1: Why I haven't ranked this low is because it's only

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Speaker 1: been out for six hours exactly, and I wasn't so

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Speaker 1: blown away that I was like, this has to be somewhere.

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Speaker 2: See that I'm not gonna lie though. He has a

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Speaker 2: bar on this record where I heard that bar and

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Speaker 2: I kind of like looked at the phone, like, I

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Speaker 2: don't think Drake is slowing down anytime soon. What did

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Speaker 2: he say the silence in the lamb part he was

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Speaker 2: wrapping on? That was silence in the lamb like the

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Speaker 2: horror flip horror flick? Is that what he said? Yeah?

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Speaker 3: Thats right? Yeah, that was hard. I mean that was

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Speaker 3: hard for me.

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Speaker 2: That was one of those bars where I was like,

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Speaker 2: you know, everybody listens to shit differently, but to hear

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Speaker 2: Drake and at this point in his career, you know,

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Speaker 2: all he has going on right now, still on tour,

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Speaker 2: take time to shoot this visual, take time to obviously

330
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Speaker 2: cool this this record, and still be able to talk

331
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Speaker 2: slick and have certain bars like that at this point

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Speaker 2: in his career is very impressive.

333
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Speaker 1: What do you think he was talking to in the

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Speaker 1: last verse? And was it one person?

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Speaker 2: No, it wasn't just one person, but.

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Speaker 1: You don't think it was in general, not all rapper specific.

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Speaker 2: It was maybe three or four people.

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Speaker 1: Can you tell me who you thought those three or

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Speaker 1: four people maybe, and which bars were specifically for them?

340
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Speaker 2: Obviously he's still talking to Pusher.

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Speaker 1: Kanye, I heard way more Yea in this. I think

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Speaker 1: the grudge line was for Ya and Pusher, but I

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Speaker 1: think you know your friends deserting you. I got you

344
00:13:40,200 --> 00:13:42,680
Speaker 1: on camera bowing down. The footage is safe. I don't

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Speaker 1: know if that's Yay. I doubt there's a clip of

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Speaker 1: Pusher bowing down to Drake. But we've seen Kanye a

347
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Speaker 1: few times say how much he revers Drake, So that's

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Speaker 1: where I was also confused. I was like, there's plenty

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Speaker 1: of clips of Kanye saying Drake is the fucking best.

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Speaker 2: Yeah, so that's not.

351
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Speaker 1: Something you have Todde. That one threw me off a

352
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Speaker 1: little bit. Kendrick, I remember remember they met for lunch

353
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Speaker 1: in Toronto and Kendrick was annoyed he filmed the lunch. Yeah,

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Speaker 1: you know in the second half of Marvin's Room when

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Speaker 1: Kendrick gets on.

356
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Speaker 2: His Alienhman lunch is you know somebody started recording you

357
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Speaker 2: guys film the lunch.

358
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Speaker 5: With logic that is that was dinner and he gave

359
00:14:22,600 --> 00:14:23,880
Speaker 5: you a ring whoa, whoa.

360
00:14:24,200 --> 00:14:26,480
Speaker 2: That is true, Yeah, but it wasn't. And the waves

361
00:14:26,520 --> 00:14:28,640
Speaker 2: are crashing that's the ship from there.

362
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Speaker 1: Oh, that was missing, was it, Leah, don't say that again?

363
00:14:31,920 --> 00:14:35,120
Speaker 3: No ever hers the impression want to want to be

364
00:14:35,160 --> 00:14:38,040
Speaker 3: alien so bad. That's how Kendrick talked on that song,

365
00:14:38,120 --> 00:14:40,760
Speaker 3: They want to Kendrick wanted to be alien so bad?

366
00:14:41,240 --> 00:14:44,480
Speaker 2: If he is an alien? What if Kendrick is really

367
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Speaker 2: an alien? You never just thought about that? What if

368
00:14:46,680 --> 00:14:48,320
Speaker 2: he's No, it never crossed my mind.

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Speaker 1: He dances If you never seen him dance, you've seen

370
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Speaker 1: Kendrick dan.

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Speaker 3: No, when he does that little march step ship on stage,

372
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Speaker 3: that's alien.

373
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Speaker 2: I don't know what you just did with don't do that?

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Speaker 1: And I wish you would have done that when Knights

375
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Speaker 1: and Keys was here. What your impression of them?

376
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Speaker 3: You want me to There's so much I didn't say

377
00:15:03,760 --> 00:15:04,280
Speaker 3: when he was here.

378
00:15:04,560 --> 00:15:07,080
Speaker 1: Here we go, Yeah, But can I talk about anyways?

379
00:15:08,600 --> 00:15:11,960
Speaker 1: Who do we think? Julian's shirt is just really wants

380
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Speaker 1: to ride this record? We get it, literally love it.

381
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Speaker 1: I would like to talk about Charlotte talking about on

382
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Speaker 1: this though.

383
00:15:16,640 --> 00:15:16,960
Speaker 5: We get it.

384
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Speaker 1: It's the greatest song.

385
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Speaker 3: You've let me just say, let me just say a

386
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Speaker 3: quick thing here, let me let me glaze real quick.

387
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Speaker 2: And before I do this, you said, let you what

388
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Speaker 2: real quick. I got news for you.

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Speaker 5: Yeah, oh what the fuck? Oh my god, you motherfucker

390
00:15:31,800 --> 00:15:32,360
Speaker 5: YouTube dot.

391
00:15:32,880 --> 00:15:34,880
Speaker 1: Rake shirt that shows your nipples might be the craziest thing.

392
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Speaker 5: This is wild, they're not and you cut it that way.

393
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Speaker 2: So I bought this when I went.

394
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Speaker 1: I don't know what would be worse, you buying a

395
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Speaker 1: cut like that or you cutting a drinks.

396
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Speaker 5: Really quick before anything. Anyone who's just listening. Julian has

397
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Speaker 5: a sleeveless six God shirt on.

398
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Speaker 3: I'm religious.

399
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Speaker 1: It's past sleeveless though. It's like one of those that cuts.

400
00:15:53,080 --> 00:15:54,040
Speaker 5: It's armless.

401
00:15:54,120 --> 00:15:55,640
Speaker 3: Yeah, because you gotta work out in it, so you

402
00:15:55,720 --> 00:15:56,600
Speaker 3: need like to be mobile.

403
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Speaker 2: You work out in that? What do you think? I yeah,

404
00:15:59,040 --> 00:15:59,760
Speaker 2: what do you think I do with this?

405
00:16:04,600 --> 00:16:04,640
Speaker 1: No?

406
00:16:04,880 --> 00:16:06,480
Speaker 2: So I got this at the What a time show?

407
00:16:07,600 --> 00:16:10,120
Speaker 1: Highest workout? Once you look like really start sweating around

408
00:16:10,160 --> 00:16:10,520
Speaker 1: the oyster.

409
00:16:10,600 --> 00:16:12,000
Speaker 3: You ever been in to bluoy I don't know what

410
00:16:12,080 --> 00:16:13,160
Speaker 3: the Blue Oyster you look like?

411
00:16:13,200 --> 00:16:14,160
Speaker 2: You bart in at the Blue Oys?

412
00:16:14,240 --> 00:16:15,840
Speaker 3: You do, but I'll take that as a compliment. Sure

413
00:16:16,200 --> 00:16:17,240
Speaker 3: six the Blue Oyster.

414
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Speaker 2: So okay.

415
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Speaker 3: So the way Drake wraps in my mind, it's the way.

416
00:16:21,840 --> 00:16:23,160
Speaker 3: And I was thinking about this this morning in the

417
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Speaker 3: sauna when when no no, no.

418
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Speaker 2: No, no no no, just shut up, all right. So

419
00:16:33,040 --> 00:16:35,400
Speaker 2: the fact that he has a record with Conductor back

420
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Speaker 2: to that, because to me, that was the biggest surprise.

421
00:16:38,560 --> 00:16:40,760
Speaker 2: Like the eight Am the Tom Stamp record is not

422
00:16:41,200 --> 00:16:45,080
Speaker 2: a surprise. The fact that Drake linked with Conductor, who

423
00:16:45,200 --> 00:16:48,040
Speaker 2: is known for his you know, the boom bat beads.

424
00:16:48,080 --> 00:16:50,520
Speaker 2: It's like that to me is why I said, Okay,

425
00:16:50,600 --> 00:16:53,120
Speaker 2: Drake is really going to approach this album this is rap,

426
00:16:53,200 --> 00:16:55,200
Speaker 2: this is hip hop. Because I never expected to hear

427
00:16:55,680 --> 00:16:57,640
Speaker 2: Drake on the Conductor, but I love that for Conductor.

428
00:16:57,720 --> 00:16:59,560
Speaker 2: Shout out to him, that's a great look. And shout

429
00:16:59,560 --> 00:17:01,040
Speaker 2: out to Drake for just you know, tapping in with

430
00:17:01,120 --> 00:17:03,040
Speaker 2: the guys that can deliver that type of sound for him.

431
00:17:04,359 --> 00:17:07,480
Speaker 2: But I'm not blown away by ADM Charlotte.

432
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Speaker 5: Are you putting in last the list hypothetically, even though

433
00:17:10,119 --> 00:17:11,119
Speaker 5: it's I'm not.

434
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Speaker 2: I would have to sit and listen to all the

435
00:17:13,000 --> 00:17:14,760
Speaker 2: time stamps to really, like, you know what I mean,

436
00:17:15,560 --> 00:17:18,679
Speaker 2: kind of put them in the order. But this one

437
00:17:18,800 --> 00:17:21,640
Speaker 2: is good. He's rapping, he's talking slick, you know. Again,

438
00:17:21,640 --> 00:17:23,359
Speaker 2: it's still it's impressive for Drake to still be in

439
00:17:23,440 --> 00:17:26,879
Speaker 2: this type of his own But I'm not as crazy

440
00:17:27,000 --> 00:17:28,879
Speaker 2: as up in arms as the internet seems to be

441
00:17:28,960 --> 00:17:31,240
Speaker 2: about it. But he is getting the ship off on

442
00:17:31,320 --> 00:17:31,600
Speaker 2: it though.

443
00:17:31,840 --> 00:17:33,520
Speaker 5: So why why do you guys think he didn't put

444
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Speaker 5: it on DSPs.

445
00:17:35,000 --> 00:17:37,200
Speaker 1: Because I don't think it's part of the album. I

446
00:17:37,240 --> 00:17:39,080
Speaker 1: think it's that's just a rollout and it was cool

447
00:17:39,119 --> 00:17:42,119
Speaker 1: like when Drake said just put certain records just on SoundCloud,

448
00:17:42,119 --> 00:17:44,639
Speaker 1: they weren't on DSP even when DSPs is around. Like

449
00:17:44,720 --> 00:17:46,960
Speaker 1: I said, everything in this rollout, I think he's trying

450
00:17:47,080 --> 00:17:49,840
Speaker 1: to do quote unquote old Drake stuff that we used

451
00:17:49,840 --> 00:17:52,280
Speaker 1: to like. Yeah, so that's that's why I think it is.

452
00:17:52,320 --> 00:17:55,159
Speaker 1: It could be on DSPs with with the album. But

453
00:17:55,280 --> 00:17:56,760
Speaker 1: you don't have any opinion of my list.

454
00:17:56,800 --> 00:18:00,240
Speaker 2: At least I'm not mad at it. I don't think

455
00:18:00,240 --> 00:18:02,520
Speaker 2: there's a right or wrong way to do this. I

456
00:18:02,600 --> 00:18:05,000
Speaker 2: think there is definitely right wrong all of these songs,

457
00:18:05,040 --> 00:18:07,200
Speaker 2: all of these time stamps. Again, we've said it before.

458
00:18:07,240 --> 00:18:10,400
Speaker 2: I feel like you take this these six time stamp

459
00:18:10,520 --> 00:18:12,720
Speaker 2: songs and take this to a versus. I think anybody

460
00:18:12,760 --> 00:18:13,440
Speaker 2: has a hard time.

461
00:18:13,640 --> 00:18:15,680
Speaker 1: I think I could put seven AM on Bridal Path

462
00:18:15,720 --> 00:18:18,200
Speaker 1: above nine AM in Dallas. But because nine am in

463
00:18:18,280 --> 00:18:21,240
Speaker 1: Dallas has like nostalgic purposes, That's why I have it

464
00:18:21,320 --> 00:18:21,680
Speaker 1: at five.

465
00:18:22,600 --> 00:18:25,040
Speaker 2: I'm surprised you have nine am in Dallas. Fourth, I

466
00:18:25,119 --> 00:18:25,960
Speaker 2: thought that would be higher.

467
00:18:26,720 --> 00:18:30,760
Speaker 1: Technically five in Toronto is insane. And then four pm

468
00:18:30,800 --> 00:18:32,800
Speaker 1: and Calabas six pm in New York are like undeniable

469
00:18:33,200 --> 00:18:35,359
Speaker 1: to me. Those are if you don't count, do not disturb.

470
00:18:36,280 --> 00:18:37,879
Speaker 1: Those are the first three. I don't care what order

471
00:18:37,920 --> 00:18:40,440
Speaker 1: you put those three in. Those are the three best

472
00:18:40,520 --> 00:18:40,840
Speaker 1: by far.

473
00:18:40,920 --> 00:18:43,000
Speaker 5: Fuck the order, what would you have put number one?

474
00:18:43,080 --> 00:18:47,680
Speaker 2: More? Four Pm and Calabass is tough, some of his

475
00:18:47,760 --> 00:18:48,400
Speaker 2: best rapping ever.

476
00:18:48,560 --> 00:18:51,240
Speaker 1: Yeah, But that moment when five AM in Toronto came out,

477
00:18:51,600 --> 00:18:55,119
Speaker 1: I think was the exact moment where like Drake became

478
00:18:55,320 --> 00:19:00,280
Speaker 1: Drake that freeze, like everything changed. He was pure dominant point.

479
00:19:00,320 --> 00:19:03,840
Speaker 1: He was already number one, and there was other debates.

480
00:19:04,359 --> 00:19:09,480
Speaker 1: He made a clear separation from people when that video dropped.

481
00:19:09,560 --> 00:19:11,639
Speaker 2: I think, for me, what's the song he got with you?

482
00:19:12,920 --> 00:19:13,720
Speaker 2: From time time?

483
00:19:14,040 --> 00:19:14,240
Speaker 5: Yeah?

484
00:19:14,480 --> 00:19:17,160
Speaker 2: That record? When that record came out, I think that's

485
00:19:17,240 --> 00:19:20,920
Speaker 2: when everybody started looking at Drake like, all right, this

486
00:19:21,119 --> 00:19:22,800
Speaker 2: dude is this dude is serious?

487
00:19:23,520 --> 00:19:26,600
Speaker 1: And before we get off this. I do have somewhat

488
00:19:26,720 --> 00:19:29,440
Speaker 1: of a theory on the last verse. We keep talking

489
00:19:29,440 --> 00:19:35,439
Speaker 1: about Kendrick Pusher, yeah or whatever. I thought maybe at

490
00:19:35,480 --> 00:19:37,280
Speaker 1: the I got you on camera bound down, but the

491
00:19:37,320 --> 00:19:40,600
Speaker 1: footage is safe as to a girl. Maybe we're maybe

492
00:19:40,640 --> 00:19:43,960
Speaker 1: we're viewing this drastically different and it's not to any

493
00:19:44,000 --> 00:19:46,600
Speaker 1: of these rappers. This is about a girl that's maybe

494
00:19:46,640 --> 00:19:51,000
Speaker 1: trying to expose him or something, and he's just taking

495
00:19:51,040 --> 00:19:51,320
Speaker 1: a shot.

496
00:19:51,359 --> 00:19:51,520
Speaker 2: There.

497
00:19:51,520 --> 00:19:54,000
Speaker 1: I have you on camera bound down, and.

498
00:19:54,000 --> 00:19:54,760
Speaker 2: You know what that could mean?

499
00:19:56,160 --> 00:19:57,440
Speaker 1: All right? Then how come at the end of it,

500
00:19:57,600 --> 00:20:00,119
Speaker 1: Steady crying to my daddy? What what rapper went to

501
00:20:00,200 --> 00:20:00,760
Speaker 1: Drake's dad?

502
00:20:00,840 --> 00:20:01,640
Speaker 2: This is what I'm saying.

503
00:20:02,040 --> 00:20:03,119
Speaker 1: I could see a girl going.

504
00:20:03,000 --> 00:20:03,560
Speaker 2: To Drake's dad.

505
00:20:04,200 --> 00:20:06,840
Speaker 1: Well, obviously, But that's why I think there's a case

506
00:20:06,920 --> 00:20:08,879
Speaker 1: that maybe the last part of this record is not

507
00:20:09,080 --> 00:20:12,200
Speaker 1: about Yay Pusher or anyway, it's just about a girl.

508
00:20:12,960 --> 00:20:13,800
Speaker 6: Or he could be lying.

509
00:20:15,320 --> 00:20:16,120
Speaker 2: Drake doesn't lie.

510
00:20:19,200 --> 00:20:20,879
Speaker 1: I don't ever want to listen to a rapper that

511
00:20:20,920 --> 00:20:24,280
Speaker 1: doesn't lie. But yeah, all honest rappers get away lie

512
00:20:24,560 --> 00:20:26,520
Speaker 1: just fine. It's an honest rapper.

513
00:20:26,640 --> 00:20:29,200
Speaker 2: So you think that he's lying about having somebody bow down?

514
00:20:29,520 --> 00:20:31,359
Speaker 7: I don't think that he's lying, but I think there's

515
00:20:31,359 --> 00:20:33,640
Speaker 7: a strong possibility that he could be. I don't think

516
00:20:33,680 --> 00:20:36,440
Speaker 7: everything exaggerating. Yeah, no, he could just be lying.

517
00:20:37,040 --> 00:20:37,760
Speaker 6: Like he's a rapper.

518
00:20:37,800 --> 00:20:39,919
Speaker 5: You don't think there's rappers that him.

519
00:20:39,960 --> 00:20:40,919
Speaker 6: I'm sure there are.

520
00:20:41,520 --> 00:20:44,359
Speaker 3: Every artist embellishes, that's the whole point is.

521
00:20:44,960 --> 00:20:47,600
Speaker 6: But trying to figure out that who could it be?

522
00:20:47,760 --> 00:20:50,440
Speaker 2: It could I think him dedicated. I think him dedicating

523
00:20:50,480 --> 00:20:53,240
Speaker 2: bars on the conductive beat to a Girl Bow that

524
00:20:53,480 --> 00:20:54,840
Speaker 2: it's just's.

525
00:20:54,400 --> 00:20:56,560
Speaker 1: Very Drake is that he did it with it just

526
00:20:56,600 --> 00:20:58,760
Speaker 1: bade one of the best just blaze beats ever. He

527
00:20:58,840 --> 00:20:59,919
Speaker 1: went through a person when she went to the.

528
00:21:00,200 --> 00:21:03,160
Speaker 2: There well, that was sick. But either way, the album

529
00:21:03,280 --> 00:21:06,960
Speaker 2: is out. Now, what are your prediction predictions on? Like

530
00:21:07,160 --> 00:21:09,880
Speaker 2: is we will rank amongst the rest of the I want.

531
00:21:09,760 --> 00:21:11,560
Speaker 5: To hear Julian. I just want to hear Dan glaze

532
00:21:11,560 --> 00:21:12,160
Speaker 5: over real quick.

533
00:21:12,920 --> 00:21:14,560
Speaker 2: No, I was really going to make a good point.

534
00:21:14,640 --> 00:21:17,879
Speaker 3: I think we are in a space where it's very

535
00:21:17,960 --> 00:21:20,920
Speaker 3: particular to Drake, where the way in which we saw

536
00:21:21,160 --> 00:21:24,440
Speaker 3: Kobe shoot a fade away Tiger Woods swing a golf

537
00:21:24,480 --> 00:21:27,600
Speaker 3: club like Aaron Judge hit a home run, We're there's

538
00:21:28,119 --> 00:21:31,639
Speaker 3: there's pros and then there's a step of excellence that

539
00:21:31,800 --> 00:21:35,639
Speaker 3: so few people achieve consistently across their career, where it's

540
00:21:35,720 --> 00:21:38,840
Speaker 3: like Kobe never took a game off. He was always

541
00:21:38,880 --> 00:21:41,000
Speaker 3: going to put up thirty plus whatever the case may be.

542
00:21:41,920 --> 00:21:45,120
Speaker 3: Drake people, the few people that I've seen talking about

543
00:21:45,160 --> 00:21:48,919
Speaker 3: this record, not negatively, but you know, critiquing it. Uh,

544
00:21:49,600 --> 00:21:52,960
Speaker 3: it's his auto pilot is at a level that so

545
00:21:53,119 --> 00:21:55,959
Speaker 3: few people achieve ever in their career. And I think

546
00:21:56,119 --> 00:22:00,879
Speaker 3: Drake is functioning at such a higher level artistically and

547
00:22:01,320 --> 00:22:03,320
Speaker 3: where we can see that in glimpses with other artists,

548
00:22:03,359 --> 00:22:05,520
Speaker 3: Like you can name an artist that we love, other greats,

549
00:22:05,600 --> 00:22:07,439
Speaker 3: but they have that one song that stands out, They

550
00:22:07,480 --> 00:22:10,800
Speaker 3: have that one moment that reigns supreme. We can't pinpoint

551
00:22:10,840 --> 00:22:13,399
Speaker 3: that with Drake because all of it, his caliber is

552
00:22:13,520 --> 00:22:13,880
Speaker 3: just there.

553
00:22:14,000 --> 00:22:14,920
Speaker 2: He is that bar.

554
00:22:15,400 --> 00:22:17,320
Speaker 3: So we always talk about Kobe the Mama mentality. I

555
00:22:17,359 --> 00:22:19,520
Speaker 3: think what Drake has done in hip hop is the

556
00:22:19,560 --> 00:22:22,240
Speaker 3: equivalent of that to his craft, and I think it's

557
00:22:22,320 --> 00:22:27,480
Speaker 3: so underestimated and underrated because we've been spoiled in hip hop.

558
00:22:27,680 --> 00:22:30,560
Speaker 3: We went from Jay and then that kind of you know,

559
00:22:30,680 --> 00:22:35,560
Speaker 3: trickled into that now, this Drake era, where hip hop

560
00:22:35,640 --> 00:22:38,200
Speaker 3: is so young and we've been so fortunate to see

561
00:22:38,840 --> 00:22:43,840
Speaker 3: such good, good artists, good mcs just rise to the top.

562
00:22:44,359 --> 00:22:47,680
Speaker 3: This isn't normal. I don't think something like this is normal,

563
00:22:47,720 --> 00:22:49,520
Speaker 3: and I really think people hate it because he makes

564
00:22:49,560 --> 00:22:52,000
Speaker 3: it look easy. But that's what greatness is. I went

565
00:22:52,040 --> 00:22:53,760
Speaker 3: into Yankee Stadium said I could probably hit a home

566
00:22:53,800 --> 00:22:56,280
Speaker 3: run here because I'm watching these guys in batting practice

567
00:22:56,320 --> 00:22:58,560
Speaker 3: swing that shit like it's a toothpick and they're cranking

568
00:22:58,600 --> 00:23:01,800
Speaker 3: the fence. It's You're looking at a level of greatness

569
00:23:01,840 --> 00:23:03,919
Speaker 3: that's so effortless to them that you think you can

570
00:23:03,960 --> 00:23:06,040
Speaker 3: do it. This ship is so fucking difficult to do,

571
00:23:06,040 --> 00:23:07,879
Speaker 3: and he's been doing it for fifteen years. That's all

572
00:23:07,920 --> 00:23:08,320
Speaker 3: I had to say.

573
00:23:08,480 --> 00:23:11,200
Speaker 2: So you call him, he's up there. Yes, he's in

574
00:23:11,280 --> 00:23:12,400
Speaker 2: a class of his own.

575
00:23:12,520 --> 00:23:14,200
Speaker 3: I really don't think it's fair to compare him to

576
00:23:14,280 --> 00:23:17,680
Speaker 3: anyone of his peers, because we joke about what's Kendricks.

577
00:23:18,000 --> 00:23:20,560
Speaker 3: Drake can sing and fucking make you cry and you

578
00:23:20,600 --> 00:23:23,480
Speaker 3: can sleep to an R and B record. Kendricks alter

579
00:23:23,640 --> 00:23:25,359
Speaker 3: ego is an alien voice that we all.

580
00:23:26,080 --> 00:23:26,520
Speaker 2: Don't hate on.

581
00:23:26,840 --> 00:23:29,600
Speaker 3: Come on, yes record, But Drake. Yeah, I've cried to

582
00:23:29,680 --> 00:23:31,520
Speaker 3: a Drake record? Yeah, which record?

583
00:23:31,760 --> 00:23:32,240
Speaker 5: Which record?

584
00:23:32,359 --> 00:23:32,719
Speaker 2: Jungle?

585
00:23:33,400 --> 00:23:34,480
Speaker 5: That is a fire ass record?

586
00:23:34,640 --> 00:23:34,920
Speaker 2: Stop?

587
00:23:35,440 --> 00:23:38,680
Speaker 1: What was her name? My mom?

588
00:23:38,720 --> 00:23:42,240
Speaker 2: And I my mom is a huge Drake face. We've played.

589
00:23:45,720 --> 00:23:50,600
Speaker 1: Fuck you guys, take someone else's uber to cry to undercover.

590
00:23:50,440 --> 00:23:52,480
Speaker 3: Song cry that's the one that gets you, guys there.

591
00:23:52,800 --> 00:23:54,760
Speaker 2: I've never cried to a jay Z record or so

592
00:23:55,320 --> 00:23:58,680
Speaker 2: Julia just sat here and just basically explain that Drake

593
00:23:58,800 --> 00:23:59,360
Speaker 2: is a goat.

594
00:23:59,359 --> 00:24:03,399
Speaker 3: Like yeah, more than he's okay, yeah, yes, but like

595
00:24:03,560 --> 00:24:06,479
Speaker 3: with good reasoning, I think we're so spoiled because he's

596
00:24:06,520 --> 00:24:08,080
Speaker 3: so good at this that he makes it look easy

597
00:24:08,359 --> 00:24:10,680
Speaker 3: that we undervalue how good he actually is.

598
00:24:11,040 --> 00:24:12,160
Speaker 2: But that's what I'm arguing.

599
00:24:12,200 --> 00:24:14,560
Speaker 3: It happens with everyone knows he's good. We're not arguing

600
00:24:14,600 --> 00:24:17,240
Speaker 3: that we're good, But what I'm saying we look for

601
00:24:17,320 --> 00:24:18,080
Speaker 3: the flaws, like.

602
00:24:18,359 --> 00:24:20,200
Speaker 1: That with Will Smith and his acting career, like he's

603
00:24:20,200 --> 00:24:21,320
Speaker 1: still Will Who Smith?

604
00:24:21,880 --> 00:24:22,679
Speaker 3: I think that's different.

605
00:24:23,160 --> 00:24:25,680
Speaker 1: No, it's not people ship on the greats. Yeah, it

606
00:24:25,800 --> 00:24:26,679
Speaker 1: just eventually happens.

607
00:24:26,760 --> 00:24:29,480
Speaker 2: I think it's just I understand what Julian's saying. It

608
00:24:29,560 --> 00:24:32,600
Speaker 2: still amazes me that a lot of people still really

609
00:24:32,720 --> 00:24:36,240
Speaker 2: don't either one like Drake, the doubt or just I

610
00:24:36,320 --> 00:24:39,520
Speaker 2: don't even know if it's you can't doubt. You can't

611
00:24:39,560 --> 00:24:41,720
Speaker 2: doubt an artist like this that that you're just trying

612
00:24:41,720 --> 00:24:44,280
Speaker 2: to look hardly doing that. There's no doubt.

613
00:24:44,480 --> 00:24:47,280
Speaker 3: Saying he's corny, because you can't say anything. You can

614
00:24:47,320 --> 00:24:48,960
Speaker 3: say so now it just come out the character.

615
00:24:49,760 --> 00:24:51,600
Speaker 2: Ninety seven percent of these rappers are corn You could

616
00:24:51,600 --> 00:24:52,800
Speaker 2: say that he's got that's true.

617
00:24:52,880 --> 00:24:55,560
Speaker 3: Yeah, But like now we're in a phase especially in

618
00:24:55,720 --> 00:24:58,600
Speaker 3: hip hop, well, I guess just in the celebrity in general.

619
00:24:59,280 --> 00:25:01,040
Speaker 3: If the person is to this level, you can no

620
00:25:01,160 --> 00:25:05,080
Speaker 3: longer attack their craft, you attack their personal choices and

621
00:25:05,160 --> 00:25:07,920
Speaker 3: the qualities and their personality traits. Drake's corny, he doesn't

622
00:25:07,920 --> 00:25:11,040
Speaker 3: know how to dress, so fucking what you put out

623
00:25:11,080 --> 00:25:12,520
Speaker 3: some of the best music you've ever heard.

624
00:25:12,680 --> 00:25:13,159
Speaker 2: Shut up.

625
00:25:13,440 --> 00:25:15,640
Speaker 1: But a lot a lot of people, and this kind

626
00:25:15,680 --> 00:25:18,680
Speaker 1: of ties into the Charlot Magne conversation we're having about Drake.

627
00:25:19,040 --> 00:25:22,000
Speaker 1: A lot of people committed to hating him in the beginning,

628
00:25:22,680 --> 00:25:24,800
Speaker 1: to the point that they could never even give the

629
00:25:24,880 --> 00:25:27,000
Speaker 1: great music a chance. Like there's plenty of people that

630
00:25:27,080 --> 00:25:29,200
Speaker 1: I think hated Drake the moment he came out and

631
00:25:29,960 --> 00:25:32,400
Speaker 1: maybe listen to thank me later committed to the hate

632
00:25:32,440 --> 00:25:35,680
Speaker 1: train and haven't even really given if you're reading this

633
00:25:35,840 --> 00:25:37,240
Speaker 1: is too late a try when they would like it,

634
00:25:37,600 --> 00:25:40,600
Speaker 1: they've just committed to hating him. Yeah, that's plenty of people.

635
00:25:40,760 --> 00:25:44,160
Speaker 1: That's sad now, which I always find weird with music,

636
00:25:44,240 --> 00:25:46,240
Speaker 1: like it's always gonna go with with athletics, I get it,

637
00:25:46,280 --> 00:25:49,280
Speaker 1: there's teams and shit, but music like you're just depriving yourself.

638
00:25:49,520 --> 00:25:51,480
Speaker 3: Yeah, there's no ring at the end of the season.

639
00:25:51,720 --> 00:25:54,040
Speaker 1: Like there's artists that I dislike, But if I do

640
00:25:54,160 --> 00:25:57,080
Speaker 1: see a lot of people that I respect their music opinion,

641
00:25:57,200 --> 00:25:58,800
Speaker 1: I will go give it a try. Like why would

642
00:25:58,840 --> 00:26:01,480
Speaker 1: I deprive I don't hate these people as people. Yeah,

643
00:26:01,520 --> 00:26:03,000
Speaker 1: I don't deprive myself of a good album.

644
00:26:03,160 --> 00:26:06,280
Speaker 2: I think that at this point, what Drake has done

645
00:26:06,280 --> 00:26:09,280
Speaker 2: in his career and what he's still doing is we've

646
00:26:09,400 --> 00:26:12,520
Speaker 2: never seen anything like this as far as from just

647
00:26:12,680 --> 00:26:14,800
Speaker 2: rap a rapper, because he is, you know, even though

648
00:26:14,800 --> 00:26:17,200
Speaker 2: he's a he's bigging rap. He's a complete artist. But

649
00:26:18,040 --> 00:26:20,600
Speaker 2: just from a rapper standpoint, I don't think we've seen

650
00:26:20,800 --> 00:26:23,760
Speaker 2: a run like this. I don't think we've seen consistency

651
00:26:23,880 --> 00:26:27,200
Speaker 2: like this. I don't think we've seen, you know, somebody

652
00:26:27,240 --> 00:26:30,000
Speaker 2: that just demands all the attention as soon as he

653
00:26:30,680 --> 00:26:33,440
Speaker 2: puts anything out as much as Drake has done throughout

654
00:26:33,480 --> 00:26:37,200
Speaker 2: his career. So that's something alone to salute and just applaud.

655
00:26:38,440 --> 00:26:42,159
Speaker 1: We've we've never seen a superstar put out this amount

656
00:26:42,160 --> 00:26:43,840
Speaker 1: of music at this point in their career. No, and

657
00:26:44,119 --> 00:26:45,920
Speaker 1: the ones that we have seen and this isn't like

658
00:26:45,960 --> 00:26:51,240
Speaker 1: an m slide or anything we've just seen declines they

659
00:26:51,280 --> 00:26:52,359
Speaker 1: are It's just it's a.

660
00:26:52,400 --> 00:26:56,240
Speaker 2: Huge decline in performance. It's a huge decline in demand.

661
00:26:56,320 --> 00:26:59,240
Speaker 2: It's a huge decline. Even even Hove had some projects

662
00:26:59,280 --> 00:27:01,360
Speaker 2: that I was like, this is you saw you saw,

663
00:27:01,560 --> 00:27:04,040
Speaker 2: you saw it taper off a little bit. I mean,

664
00:27:04,080 --> 00:27:06,480
Speaker 2: obviously when the jay Z still drops, it still demands

665
00:27:06,520 --> 00:27:09,359
Speaker 2: a certain presence. It's a certain amount of attention that

666
00:27:09,440 --> 00:27:12,000
Speaker 2: people pay attention to because it's one of the greatest

667
00:27:12,040 --> 00:27:12,520
Speaker 2: to ever do it.

668
00:27:12,600 --> 00:27:15,159
Speaker 1: But went through it too. Yeah, but they declined and

669
00:27:15,200 --> 00:27:15,720
Speaker 1: then came back.

670
00:27:15,840 --> 00:27:19,240
Speaker 2: But Drake is you know, this is this is beyond impressive.

671
00:27:19,400 --> 00:27:23,320
Speaker 2: This is absolutely just you know, amazing to watch and

672
00:27:23,440 --> 00:27:25,159
Speaker 2: again just to see him still be able to perform

673
00:27:25,359 --> 00:27:27,760
Speaker 2: and write at such a high level. And the fact

674
00:27:27,760 --> 00:27:29,720
Speaker 2: that Drake went through that whole thing of having a

675
00:27:29,760 --> 00:27:33,080
Speaker 2: ghost right, most are most rappers wouldn't have been able

676
00:27:33,119 --> 00:27:36,760
Speaker 2: to bounce back from a situation like that. That was

677
00:27:36,800 --> 00:27:38,760
Speaker 2: the best thing that could have came back better. That

678
00:27:39,000 --> 00:27:41,440
Speaker 2: was something like that, right, there is something that's in

679
00:27:41,600 --> 00:27:44,800
Speaker 2: hip hop because you know it's rappers are held to

680
00:27:44,920 --> 00:27:46,600
Speaker 2: like yo, if you didn't write that, it's that's like

681
00:27:46,680 --> 00:27:49,880
Speaker 2: the biggest that's almost like in parallel to like being

682
00:27:49,920 --> 00:27:52,080
Speaker 2: a snitch in the streets. It's like you can't come

683
00:27:52,160 --> 00:27:54,359
Speaker 2: back from that. You can't get that off of your

684
00:27:54,440 --> 00:27:56,480
Speaker 2: name as a rapper, Like you don't write your own ship.

685
00:27:56,920 --> 00:27:58,800
Speaker 2: So for him to walk through that the way he

686
00:27:58,880 --> 00:28:00,800
Speaker 2: did and to be and the land where he is

687
00:28:00,880 --> 00:28:03,639
Speaker 2: today and still demand the attention that he gets and

688
00:28:03,760 --> 00:28:07,280
Speaker 2: people paytents to the bars, that just speaks to, you know,

689
00:28:07,480 --> 00:28:09,960
Speaker 2: just the type of artist that he is. And people

690
00:28:10,000 --> 00:28:11,560
Speaker 2: don't even the patents that shit.

691
00:28:11,640 --> 00:28:13,399
Speaker 1: Yeah, best thing that could have ever happened to him,

692
00:28:13,400 --> 00:28:17,439
Speaker 1: because no one likes a just an upward A success

693
00:28:17,480 --> 00:28:19,440
Speaker 1: story is only cool in the beginning. Yeah, then people

694
00:28:19,440 --> 00:28:21,040
Speaker 1: start to hate you. What there needs to be a

695
00:28:21,080 --> 00:28:22,440
Speaker 1: story there needs to be a fall. There needs to

696
00:28:22,480 --> 00:28:24,479
Speaker 1: be up and down people. He needs to be an

697
00:28:24,520 --> 00:28:27,200
Speaker 1: underdog again. He needs to prove things again and shout

698
00:28:27,240 --> 00:28:29,520
Speaker 1: out to Meek Mills Twitter fingers like. It may have

699
00:28:29,600 --> 00:28:31,040
Speaker 1: looked weird at the time, but I don't think there

700
00:28:31,080 --> 00:28:33,280
Speaker 1: could have been a better thing to happen to Drake

701
00:28:33,520 --> 00:28:36,000
Speaker 1: during that time. And before we close, I just want

702
00:28:36,080 --> 00:28:39,880
Speaker 1: to tell Drake please give Oliver North like some vacation time.

703
00:28:40,560 --> 00:28:45,520
Speaker 1: Every verse Oliver is just working his asses locked in everywhere. Yeah, Like, Oliver,

704
00:28:45,880 --> 00:28:46,960
Speaker 1: come on, take a vacation day.

705
00:28:47,600 --> 00:28:49,320
Speaker 2: He's working with I'm sure he's having fun out there

706
00:28:49,360 --> 00:28:49,880
Speaker 2: on the road.

707
00:28:49,840 --> 00:28:53,080
Speaker 1: All Drake's other friends. He says, all this amazing stuff

708
00:28:53,120 --> 00:28:57,480
Speaker 1: that they're doing and turks with women, bottles money. Oliver

709
00:28:57,640 --> 00:29:00,040
Speaker 1: North is just locked in at work every day in

710
00:29:00,080 --> 00:29:00,480
Speaker 1: the office.

711
00:29:00,520 --> 00:29:02,240
Speaker 2: No, that's what you gotta test. You know, he's working.

712
00:29:03,160 --> 00:29:05,520
Speaker 2: He's having a fucking great time in Italy somewhere. Man,

713
00:29:05,640 --> 00:29:08,400
Speaker 2: He's not just working. Yeah, but how do we feel

714
00:29:08,440 --> 00:29:11,840
Speaker 2: about because Yaddy and Jake Cole released a record and

715
00:29:12,280 --> 00:29:14,160
Speaker 2: the internet was going crazy a few days ago to

716
00:29:14,600 --> 00:29:18,960
Speaker 2: the Jake Cole Verse, and now days later Drake, Drake

717
00:29:19,120 --> 00:29:24,080
Speaker 2: drops Aam and Charlotte, and you know you see people

718
00:29:24,160 --> 00:29:27,440
Speaker 2: talking or Drake shitting on Cole. Nobody's even talking about

719
00:29:27,440 --> 00:29:29,440
Speaker 2: this Cole verse. Now that Just a Am and Charlotte

720
00:29:29,440 --> 00:29:32,920
Speaker 2: is out, it's only been a week. Do we feel

721
00:29:33,000 --> 00:29:36,680
Speaker 2: like there may be some Because obviously Cole and Drake

722
00:29:36,680 --> 00:29:39,000
Speaker 2: are cool. They always show each other, you know, supreme

723
00:29:39,080 --> 00:29:42,960
Speaker 2: love on stage, nothing but admiration for each other. But

724
00:29:43,120 --> 00:29:45,520
Speaker 2: ja Cole has to be feeling some type of way.

725
00:29:45,600 --> 00:29:48,440
Speaker 1: Why Yady has been very vocal that he's gonna put

726
00:29:48,440 --> 00:29:51,080
Speaker 1: out a song per week or a couple songs a month.

727
00:29:51,120 --> 00:29:55,240
Speaker 1: I forgot what he said the schedule would be, but

728
00:29:55,360 --> 00:29:56,960
Speaker 1: this is just part of the Lucy's that Yachti has

729
00:29:56,960 --> 00:29:59,920
Speaker 1: been promising. And everyone knows Drake was already doing this rollout,

730
00:30:00,080 --> 00:30:02,120
Speaker 1: and I'm sure Yachti reached out to Cole and in

731
00:30:02,120 --> 00:30:04,520
Speaker 1: that relationship and cold said, y I'll give you a

732
00:30:04,600 --> 00:30:06,480
Speaker 1: verse because Cole's active now too. He just did the

733
00:30:06,480 --> 00:30:08,440
Speaker 1: Gucci Man thing. He's already been talking about the fall

734
00:30:08,480 --> 00:30:12,200
Speaker 1: off like everyone I think is actually really working right

735
00:30:12,240 --> 00:30:15,800
Speaker 1: now and is locked in at the same At the

736
00:30:15,840 --> 00:30:17,880
Speaker 1: same time, his fol quote is gonna be interesting and

737
00:30:18,600 --> 00:30:20,440
Speaker 1: listen say what you will about Yachti's music. I'm not

738
00:30:20,480 --> 00:30:22,880
Speaker 1: here to talk about that. He's had one of the

739
00:30:22,960 --> 00:30:26,360
Speaker 1: best years in hip hop. He had a solid album,

740
00:30:26,360 --> 00:30:29,640
Speaker 1: he's been putting out eight A music, putting out content,

741
00:30:29,680 --> 00:30:32,840
Speaker 1: he's putting out visuals like Yati had a really active year,

742
00:30:32,840 --> 00:30:34,560
Speaker 1: and I just want to give him his flowers. And

743
00:30:34,680 --> 00:30:37,160
Speaker 1: I like the song, even though you know the pitch

744
00:30:37,320 --> 00:30:39,680
Speaker 1: was a little threw me off a bit. I don't

745
00:30:39,720 --> 00:30:43,400
Speaker 1: hate Yachti's verse, just like, you know, use your voice.

746
00:30:43,920 --> 00:30:47,520
Speaker 5: What do you mean the tune like the warmth the warmth?

747
00:30:47,640 --> 00:30:50,880
Speaker 1: Yes, no, he just he put up a filter in

748
00:30:50,920 --> 00:30:53,600
Speaker 1: his voice that he doesn't usually used like. And he

749
00:30:53,760 --> 00:30:56,360
Speaker 1: wasn't rapping too bad for Yachti standards. But what did

750
00:30:56,400 --> 00:30:58,320
Speaker 1: you think of Cole's verse? What did you think about

751
00:30:58,320 --> 00:30:58,960
Speaker 1: the activist line?

752
00:31:00,720 --> 00:31:03,480
Speaker 2: Uh? How does the line go? Again?

753
00:31:05,320 --> 00:31:07,920
Speaker 1: Fake progressive and woke? I started saying less. I had

754
00:31:07,920 --> 00:31:11,960
Speaker 1: to stop peep tally profit of racial stress. Some activists

755
00:31:12,000 --> 00:31:14,040
Speaker 1: got so rich they probably wish we'd stay oppressed.

756
00:31:18,120 --> 00:31:21,080
Speaker 2: I mean he throws shots at every like activist on

757
00:31:21,320 --> 00:31:24,000
Speaker 2: social media at that point. Yeah, because we do know

758
00:31:24,160 --> 00:31:26,640
Speaker 2: that that whole activist thing now is money is a

759
00:31:26,720 --> 00:31:29,440
Speaker 2: big money behind that. It was before but now but

760
00:31:29,560 --> 00:31:31,000
Speaker 2: you know a lot of people didn't know that. Now.

761
00:31:31,040 --> 00:31:33,000
Speaker 2: I think it's a it's we see it. You can

762
00:31:33,040 --> 00:31:35,320
Speaker 2: see like, oh okay, we get it. This is money

763
00:31:35,320 --> 00:31:38,160
Speaker 2: behind this is funding, it's you know, tax right off,

764
00:31:38,360 --> 00:31:40,800
Speaker 2: all of these things behind that. And you know, Jake

765
00:31:40,840 --> 00:31:42,880
Speaker 2: Cole is one of those people that are very aware

766
00:31:42,880 --> 00:31:45,640
Speaker 2: of what's going on. He's highly intelligent, dude, these Pan

767
00:31:45,720 --> 00:31:49,160
Speaker 2: attention to all of the shit, and he's using his

768
00:31:49,320 --> 00:31:51,560
Speaker 2: voice in his platform to address certain things. He's not

769
00:31:51,640 --> 00:31:54,479
Speaker 2: big on social media. He doesn't do you know, quotes

770
00:31:54,560 --> 00:31:57,240
Speaker 2: and quote tweets and all this other shit. So this

771
00:31:57,360 --> 00:31:58,880
Speaker 2: is his way of just letting people know, like, yeah,

772
00:31:59,080 --> 00:32:01,320
Speaker 2: Pan attends all this shit going on. This is what

773
00:32:01,440 --> 00:32:05,960
Speaker 2: I think. But I just think that Jake Cole where

774
00:32:06,000 --> 00:32:09,520
Speaker 2: he's at right now. I know him and Drake will

775
00:32:09,560 --> 00:32:12,000
Speaker 2: never go back and forth, but I want to see it.

776
00:32:13,000 --> 00:32:14,960
Speaker 1: No, but I think I think him and No Name

777
00:32:15,200 --> 00:32:18,160
Speaker 1: may go back and forth again. Please, I don't think.

778
00:32:18,200 --> 00:32:20,080
Speaker 1: I don't think No Name is fake progressive and woke

779
00:32:20,080 --> 00:32:24,080
Speaker 1: and is even profiting off oppression at all. But they

780
00:32:24,160 --> 00:32:25,959
Speaker 1: had their back and forth, and I could see why

781
00:32:26,000 --> 00:32:28,040
Speaker 1: a lot of people thought this may be a shot

782
00:32:28,080 --> 00:32:29,920
Speaker 1: at no name, though, I just think it's a general

783
00:32:29,960 --> 00:32:32,160
Speaker 1: statement for so many people after the last few years

784
00:32:32,200 --> 00:32:34,520
Speaker 1: that that we've had. And I was even I was

785
00:32:35,040 --> 00:32:37,280
Speaker 1: talking with Fonte and he had something similar to say, said,

786
00:32:37,920 --> 00:32:41,920
Speaker 1: everyone's professional panelists now, and if we fix what we're

787
00:32:41,960 --> 00:32:44,560
Speaker 1: paneling about, we can't panel anymore. We're not going to

788
00:32:44,600 --> 00:32:47,640
Speaker 1: try to fix anything. How could we panel? And yeah,

789
00:32:47,640 --> 00:32:51,760
Speaker 1: that's what the ship is. It's more profitable if nothing

790
00:32:51,920 --> 00:32:53,640
Speaker 1: changes because we can continue to talk about how we

791
00:32:53,680 --> 00:32:54,920
Speaker 1: need to change things and get paid for it.

792
00:32:55,080 --> 00:32:59,040
Speaker 2: So now that the the part about or the line,

793
00:32:59,120 --> 00:33:00,880
Speaker 2: is he FaceTime that for a feature and sort of

794
00:33:00,920 --> 00:33:03,320
Speaker 2: face of death, I'm on your song you streams going up?

795
00:33:03,440 --> 00:33:06,240
Speaker 2: Not quite the Drake effect? Do we feel like that

796
00:33:06,520 --> 00:33:09,680
Speaker 2: was a bar directed to young Boy? I know Cole

797
00:33:09,720 --> 00:33:11,600
Speaker 2: spoke about it and the next day after the verse

798
00:33:11,640 --> 00:33:15,840
Speaker 2: came out said it wasn't. But I find it hard

799
00:33:15,920 --> 00:33:19,040
Speaker 2: who else because we know that nbing Young Boy says

800
00:33:19,160 --> 00:33:21,240
Speaker 2: Jayah that Nigga played it cold like he was gonna

801
00:33:21,240 --> 00:33:23,640
Speaker 2: do a feature so Texas line and muscle sign so

802
00:33:23,800 --> 00:33:27,000
Speaker 2: it's gonna be nice to meet you. It probably was.

803
00:33:27,520 --> 00:33:29,840
Speaker 1: I think it was is the story actually true that

804
00:33:29,920 --> 00:33:31,400
Speaker 1: Cole was waiting for eight hours for young boy and

805
00:33:31,400 --> 00:33:33,400
Speaker 1: he never showed up when Cold was supposed to do

806
00:33:33,440 --> 00:33:35,200
Speaker 1: a future for him. I don't want a young boy

807
00:33:35,280 --> 00:33:37,760
Speaker 1: even be mad at Cole. Cole should be the one.

808
00:33:37,680 --> 00:33:39,760
Speaker 2: That's hot, absolutely, but don't. I don't know if J.

809
00:33:39,920 --> 00:33:42,680
Speaker 2: Cole is waiting eight hours anywhere for anybody. I think

810
00:33:42,720 --> 00:33:44,680
Speaker 2: after hour two, J Cole's like, listen, man, call me

811
00:33:44,720 --> 00:33:45,600
Speaker 2: if you show up, them out.

812
00:33:46,280 --> 00:33:47,800
Speaker 1: Or there was a case where he was already in

813
00:33:47,880 --> 00:33:49,800
Speaker 1: the studio for eight hours that day and told young

814
00:33:49,880 --> 00:33:50,600
Speaker 1: boy to pull up.

815
00:33:50,640 --> 00:33:52,680
Speaker 3: Because he that day does he book sessions like that,

816
00:33:52,760 --> 00:33:53,520
Speaker 3: He'll be there all day.

817
00:33:53,600 --> 00:33:56,080
Speaker 2: Young boy can't pull up to Young boy can't even

818
00:33:56,160 --> 00:33:56,880
Speaker 2: leave the state he's in.

819
00:33:59,000 --> 00:34:01,760
Speaker 3: Maybe even prior to when did the boy a young

820
00:34:01,840 --> 00:34:04,720
Speaker 3: boy get on house arrest? It's been a while, theoretically,

821
00:34:04,840 --> 00:34:05,600
Speaker 3: say this happened before.

822
00:34:05,640 --> 00:34:06,000
Speaker 2: Let's stay.

823
00:34:06,120 --> 00:34:10,239
Speaker 1: I can see that Utah and Utah so we well, no, wonder,

824
00:34:10,239 --> 00:34:12,319
Speaker 1: all right, didn't I get it? Young boy? Why would

825
00:34:12,360 --> 00:34:16,279
Speaker 1: cob be upset? How the fun could I pull up?

826
00:34:16,320 --> 00:34:17,759
Speaker 1: But that's gonna take me more than eight hours to

827
00:34:17,800 --> 00:34:18,319
Speaker 1: get at Utah.

828
00:34:18,480 --> 00:34:20,040
Speaker 2: That's what I'm saying if this was before the house

829
00:34:20,120 --> 00:34:20,879
Speaker 2: arrest thing, then.

830
00:34:21,080 --> 00:34:23,680
Speaker 1: I'm sure it was unless Cold was in Utah. No,

831
00:34:23,960 --> 00:34:25,040
Speaker 1: it's just in a session then.

832
00:34:25,040 --> 00:34:26,920
Speaker 2: He wasn't it. Well maybe for All Star weekend it

833
00:34:27,000 --> 00:34:28,560
Speaker 2: was just there last year.

834
00:34:29,080 --> 00:34:29,800
Speaker 1: Actually not matter that.

835
00:34:29,840 --> 00:34:31,040
Speaker 3: Think last year it lines up.

836
00:34:31,480 --> 00:34:34,400
Speaker 2: Maybe, yeah, I could see that. Actually maybe that's when

837
00:34:34,440 --> 00:34:34,880
Speaker 2: it happened.

838
00:34:35,280 --> 00:34:37,920
Speaker 1: Well, I do think that is about young Boy, and

839
00:34:38,040 --> 00:34:40,040
Speaker 1: I think the line after that, I don't think it's

840
00:34:40,080 --> 00:34:42,560
Speaker 1: a shot at Derek. I think it's just a general

841
00:34:42,880 --> 00:34:44,400
Speaker 1: statement that when he gets on your song and the

842
00:34:44,400 --> 00:34:46,879
Speaker 1: streams go up crazy, I mean, just not the way

843
00:34:47,040 --> 00:34:47,880
Speaker 1: they do with Drake.

844
00:34:48,040 --> 00:34:51,520
Speaker 2: Not quite the Drake effect. But ya, I don't know, man,

845
00:34:51,760 --> 00:34:53,680
Speaker 2: I think it's some great music coming out Fourth Court.

846
00:34:53,719 --> 00:34:54,560
Speaker 2: I'm looking forward to this.

847
00:34:54,760 --> 00:34:58,200
Speaker 1: Oh yeah, but then don't complain, bitch, take what you get. Cut.

848
00:34:58,239 --> 00:35:03,480
Speaker 1: The label check was through a young Boy Drake situation

849
00:35:04,239 --> 00:35:08,000
Speaker 1: because of someone with j Prince that Drake could not

850
00:35:08,120 --> 00:35:10,200
Speaker 1: do the young boy feature that young Boy wanted. So

851
00:35:10,360 --> 00:35:13,440
Speaker 1: Cole was saying, stop complaining, like you're getting me. I

852
00:35:13,560 --> 00:35:15,279
Speaker 1: know you you wanted Drake, but you got me now.

853
00:35:15,760 --> 00:35:16,840
Speaker 2: Not quite the Drake effect.

854
00:35:17,360 --> 00:35:19,120
Speaker 1: I'm on your song and streams going up. Not quite

855
00:35:19,120 --> 00:35:21,520
Speaker 1: the Drake effect, but don't complain, bitch, take what you

856
00:35:21,640 --> 00:35:24,839
Speaker 1: get and cut the libs. Well, I mean a young

857
00:35:24,920 --> 00:35:26,800
Speaker 1: boy called him pussy like.

858
00:35:26,880 --> 00:35:29,319
Speaker 2: It's a fair at that point, we're just exchanging blows now.

859
00:35:29,960 --> 00:35:32,759
Speaker 1: But no, I believe there was there was some discrepancies

860
00:35:32,760 --> 00:35:35,040
Speaker 1: with Young Boy and Drake, and Drake not being able

861
00:35:36,200 --> 00:35:39,360
Speaker 1: to do anything with Young Boy because of some affiliation

862
00:35:39,520 --> 00:35:40,000
Speaker 1: of Drake's.

863
00:35:45,200 --> 00:35:48,279
Speaker 2: Well, back to a feature and collab that we we've

864
00:35:48,360 --> 00:35:51,919
Speaker 2: seen a lot that I was happy to see happen again.

865
00:35:52,280 --> 00:35:55,720
Speaker 2: Shaq and Kobe heard the record, not exactly this record,

866
00:35:55,760 --> 00:35:58,080
Speaker 2: but we've heard this energy from these two before. We've

867
00:35:58,120 --> 00:36:00,480
Speaker 2: heard this type of song before, so I'm not mad

868
00:36:00,520 --> 00:36:02,440
Speaker 2: at it. It's uh, it falls right in line with

869
00:36:02,520 --> 00:36:04,719
Speaker 2: a bunch of the other songs they did. But I

870
00:36:04,840 --> 00:36:07,480
Speaker 2: am happy that Ross and Meek are in the studio

871
00:36:07,560 --> 00:36:09,880
Speaker 2: that do have an album coming because they do compliment

872
00:36:09,920 --> 00:36:12,120
Speaker 2: each other well, they sound great together. I think that

873
00:36:12,200 --> 00:36:17,160
Speaker 2: Meek should have Ross executive produce his next album, because.

874
00:36:17,000 --> 00:36:19,000
Speaker 1: Sure he probably went to Ross to do that and

875
00:36:19,080 --> 00:36:20,640
Speaker 1: Ross said, let's just do a joint project. I can

876
00:36:20,640 --> 00:36:23,759
Speaker 1: see the world where that happens. The record's cool, I don't.

877
00:36:23,920 --> 00:36:25,840
Speaker 2: It's cool. We've heard it's it's it's a record that

878
00:36:25,920 --> 00:36:28,720
Speaker 2: with the sound of energy, it's it's very familiar. It's MMG,

879
00:36:28,880 --> 00:36:33,040
Speaker 2: it's it's classic Ross and Meek. But I'm just glad

880
00:36:33,040 --> 00:36:35,000
Speaker 2: to see that they're working together because it was a

881
00:36:35,120 --> 00:36:36,399
Speaker 2: time where it was, like, you know, I mean, it's

882
00:36:36,400 --> 00:36:39,040
Speaker 2: been some little tension between them, and you know, they

883
00:36:39,080 --> 00:36:40,880
Speaker 2: looked like they weren't working together as much as they

884
00:36:40,960 --> 00:36:42,640
Speaker 2: used to. So to see them back together, to see

885
00:36:42,640 --> 00:36:44,960
Speaker 2: them shoot the video, to know that they did a

886
00:36:45,040 --> 00:36:47,840
Speaker 2: press when they was hearing New York with Flex, to

887
00:36:47,920 --> 00:36:50,840
Speaker 2: see that they are, you know, actively back in the

888
00:36:50,840 --> 00:36:53,080
Speaker 2: studio and putting out a project, I'm fucking with it

889
00:36:53,120 --> 00:36:55,080
Speaker 2: because they make some of the best music in both

890
00:36:55,080 --> 00:36:56,279
Speaker 2: of their careers when they work together.

891
00:36:56,360 --> 00:36:58,600
Speaker 1: I'm excited for it, but I think there is a ceiling,

892
00:36:59,719 --> 00:37:01,520
Speaker 1: and it's it's not a bad ceiling, but a ceiling

893
00:37:01,600 --> 00:37:03,479
Speaker 1: of what these two can do as far as making

894
00:37:03,600 --> 00:37:06,480
Speaker 1: music together. I'm gonna enjoy it, but I pretty much

895
00:37:06,520 --> 00:37:08,040
Speaker 1: know exactly what it's going to sound like, and I

896
00:37:08,160 --> 00:37:10,120
Speaker 1: like that sound. Yeah, but I don't think it's going

897
00:37:10,200 --> 00:37:13,920
Speaker 1: to be anything groundbreaking. It's gonna be what we like.

898
00:37:14,120 --> 00:37:16,160
Speaker 2: It's wrong with that. But no, it's like going to

899
00:37:16,239 --> 00:37:18,080
Speaker 2: your favorite restaurant. You know what you want to order.

900
00:37:18,200 --> 00:37:19,840
Speaker 2: You don't need to see the menu, you know what

901
00:37:19,880 --> 00:37:21,879
Speaker 2: I mean. It's just like it's just that's where Meek

902
00:37:21,960 --> 00:37:25,080
Speaker 2: and Ross are right now. Like it's just consistencies together.

903
00:37:25,160 --> 00:37:28,560
Speaker 2: They just make good fucking music, good quality music, and

904
00:37:28,600 --> 00:37:29,520
Speaker 2: they compliment each other.

905
00:37:29,600 --> 00:37:34,200
Speaker 1: Well, they just don't overly like not lack of better term,

906
00:37:34,239 --> 00:37:36,319
Speaker 1: young boy, not that artist, but just put a bunch

907
00:37:36,360 --> 00:37:38,000
Speaker 1: of young rappers on it. I just hope they don't

908
00:37:38,000 --> 00:37:40,600
Speaker 1: do that as far as features. Both of them fuck

909
00:37:40,640 --> 00:37:43,400
Speaker 1: with the young guys, and I just hope that they

910
00:37:43,520 --> 00:37:45,520
Speaker 1: give us the project we want from us. No no, no,

911
00:37:45,960 --> 00:37:48,400
Speaker 1: I don't need them, just an auto tuned raps. No no, no,

912
00:37:48,480 --> 00:37:49,640
Speaker 1: no no from a bunch of people.

913
00:37:49,880 --> 00:37:50,759
Speaker 2: I just want Meek.

914
00:37:51,040 --> 00:37:53,319
Speaker 1: I just want Meek from Wilet somewhere in the mix.

915
00:37:53,480 --> 00:37:56,120
Speaker 2: If it's shacking Kobe, let it be shocking co. Don't

916
00:37:56,160 --> 00:37:58,600
Speaker 2: give me Derek Fisher. I love it and he hit

917
00:37:58,680 --> 00:38:02,200
Speaker 2: that big, don't but don't. If that's Co, Let's run

918
00:38:02,280 --> 00:38:04,680
Speaker 2: this fucking pick and roll a fucking night because.

919
00:38:04,440 --> 00:38:07,440
Speaker 1: Because Gun plays Robert Dorry. Yeah, the one shot we need.

920
00:38:07,440 --> 00:38:10,080
Speaker 2: No, no, no. I love a gun player, but if

921
00:38:10,120 --> 00:38:12,560
Speaker 2: it's shocking, Cob, like, let us get this, like, don't

922
00:38:12,600 --> 00:38:15,080
Speaker 2: give us too many features. I don't want to hear

923
00:38:15,120 --> 00:38:17,520
Speaker 2: anybody else try to jump in this sound. And it's

924
00:38:17,640 --> 00:38:20,279
Speaker 2: like with Ross and Meek, do let them do that

925
00:38:20,480 --> 00:38:23,480
Speaker 2: by themselves to hold up? What do you mean the

926
00:38:23,560 --> 00:38:26,200
Speaker 2: Shack and Kobe? Who's the Shock and who's the Kobe

927
00:38:26,280 --> 00:38:26,719
Speaker 2: of that? Dude?

928
00:38:26,960 --> 00:38:31,719
Speaker 3: Shack is definitely Ross. We're talking about size, yeah, I.

929
00:38:31,760 --> 00:38:35,360
Speaker 2: Mean not only just size, just you know, presence, energy,

930
00:38:35,680 --> 00:38:36,120
Speaker 2: you know what I mean.

931
00:38:36,520 --> 00:38:37,040
Speaker 5: But the.

932
00:38:39,400 --> 00:38:40,800
Speaker 3: Kobe, which is kind of crazy.

933
00:38:41,440 --> 00:38:43,360
Speaker 2: I mean, listen in the in the in the.

934
00:38:43,520 --> 00:38:45,879
Speaker 1: Terms, and I didn't want to be the one to say,

935
00:38:45,960 --> 00:38:47,040
Speaker 1: but that's that's what I'm saying.

936
00:38:47,160 --> 00:38:47,920
Speaker 2: They have to hold this.

937
00:38:48,360 --> 00:38:51,360
Speaker 1: I was thinking maybe Steve Francis Yaming like not a

938
00:38:51,400 --> 00:38:56,280
Speaker 1: bad combo John both are all stars. I was that offensive.

939
00:38:56,840 --> 00:39:00,320
Speaker 5: But Celtic Shock, I feel like that's more like Areson

940
00:39:00,400 --> 00:39:02,280
Speaker 5: and Youing. That's more like Embid and Simmons.

941
00:39:03,239 --> 00:39:06,680
Speaker 2: Why are you being now you're being disrespectful being now now.

942
00:39:08,719 --> 00:39:10,319
Speaker 5: That man Simmons maybe, but that's still Philly.

943
00:39:10,440 --> 00:39:12,360
Speaker 2: Now when we catch you DJing somewhere and slap the

944
00:39:12,360 --> 00:39:17,520
Speaker 2: gorilla glue. Then you go, you're gonna be texting outline

945
00:39:17,600 --> 00:39:19,279
Speaker 2: like hey guys, you guys know me? Can you call

946
00:39:19,360 --> 00:39:23,560
Speaker 2: them and tell the girl the glue out of his head? Like,

947
00:39:24,800 --> 00:39:27,399
Speaker 2: how you gonna call me? And Joel? What's your name?

948
00:39:28,480 --> 00:39:30,960
Speaker 1: Ben Simmons, He's gonna knock the dreams out your head?

949
00:39:31,320 --> 00:39:38,800
Speaker 2: Like, ain't called meet no Ben Simmons, You know I do.

950
00:39:39,400 --> 00:39:41,200
Speaker 2: I am happy that they are back together in the

951
00:39:41,239 --> 00:39:42,279
Speaker 2: studio and putting the ship out.

952
00:39:42,640 --> 00:39:45,680
Speaker 6: So what's your favorite collab from them? Obviously it's not.

953
00:39:45,680 --> 00:39:48,120
Speaker 2: This record and I got I would have to pull

954
00:39:48,160 --> 00:39:50,080
Speaker 2: up the records they got together, but they just have

955
00:39:50,600 --> 00:39:52,640
Speaker 2: They just compliment each other and they work. They work

956
00:39:52,680 --> 00:39:55,120
Speaker 2: well together. It's certain certain artists that just sound great

957
00:39:55,200 --> 00:39:57,360
Speaker 2: together and that just you know, work well. And this

958
00:39:57,440 --> 00:39:59,160
Speaker 2: ship and Ross and me because just that's just what

959
00:39:59,280 --> 00:40:01,319
Speaker 2: it is, and this is good for both of them.

960
00:40:01,320 --> 00:40:03,239
Speaker 2: They both need this right now. They both need this

961
00:40:03,440 --> 00:40:06,120
Speaker 2: this energy. It was dope to see them at Flex.

962
00:40:06,120 --> 00:40:08,759
Speaker 2: They didn't freestyle Aflex, so today not that that's that

963
00:40:08,760 --> 00:40:10,560
Speaker 2: would have been you know, that would have been dope

964
00:40:10,600 --> 00:40:14,239
Speaker 2: to see Ross freestyle and at Flex but the album

965
00:40:14,320 --> 00:40:16,640
Speaker 2: is coming. I don't know when it's dropping, but fourth quarter,

966
00:40:16,680 --> 00:40:18,200
Speaker 2: for sure, This fourth quarter is gonna be dope. There's

967
00:40:18,200 --> 00:40:19,600
Speaker 2: a lot of artists coming up the fourth court.

968
00:40:19,480 --> 00:40:20,960
Speaker 3: And say what you want about Meek, but he's very

969
00:40:21,000 --> 00:40:24,359
Speaker 3: good at ending beefs. He makes good with a lot

970
00:40:24,400 --> 00:40:25,520
Speaker 3: of people that were once.

971
00:40:25,960 --> 00:40:28,720
Speaker 2: Because you know why, because Meek has been in real beefs.

972
00:40:28,920 --> 00:40:30,920
Speaker 2: He's from the streets. You know what, real real beefs

973
00:40:31,320 --> 00:40:32,120
Speaker 2: like this rap shit.

974
00:40:32,200 --> 00:40:32,560
Speaker 1: This is not.

975
00:40:32,800 --> 00:40:34,560
Speaker 2: This is not you know, we here to make money,

976
00:40:34,640 --> 00:40:37,480
Speaker 2: we hit to entertain We had to, you know, live life,

977
00:40:37,520 --> 00:40:37,879
Speaker 2: have fun.

978
00:40:38,000 --> 00:40:38,360
Speaker 5: This is not.

979
00:40:38,640 --> 00:40:40,880
Speaker 2: You can't bring that shit, even though it happens unfortunately

980
00:40:40,960 --> 00:40:43,520
Speaker 2: we see it. But Meek has been in real beefs.

981
00:40:43,600 --> 00:40:45,600
Speaker 2: This this rap beef shit. A lot of the times

982
00:40:45,640 --> 00:40:49,600
Speaker 2: it is just ego miscommunication. I thought that bar was

983
00:40:49,640 --> 00:40:53,040
Speaker 2: about me. The sleeping with the same women. That's a

984
00:40:53,080 --> 00:40:55,400
Speaker 2: big part of having issues with each other as far

985
00:40:55,400 --> 00:40:58,120
Speaker 2: as well thanks. I don't understand why they would, but yeah,

986
00:40:58,160 --> 00:40:58,960
Speaker 2: that's a big part of it.

987
00:40:59,040 --> 00:41:00,880
Speaker 1: I think I think some Meeks was more on the

988
00:41:01,160 --> 00:41:03,320
Speaker 1: business side with it. Was the no no no not

989
00:41:03,760 --> 00:41:05,719
Speaker 1: I think was aut of Ross's hands that meets didn't

990
00:41:05,760 --> 00:41:06,520
Speaker 1: understand Ross.

991
00:41:06,400 --> 00:41:09,080
Speaker 2: And Meek didn't have beef, Like, yeah, they had this.

992
00:41:10,440 --> 00:41:12,480
Speaker 2: Ross is not going to beef with Meek, Like he's

993
00:41:12,520 --> 00:41:13,640
Speaker 2: not that He's not gonna do it.

994
00:41:13,680 --> 00:41:15,879
Speaker 1: Does meet Does Meek get a one up on Drake here?

995
00:41:17,080 --> 00:41:17,799
Speaker 2: How Yeah?

996
00:41:17,840 --> 00:41:20,880
Speaker 1: Where Drake has been talking about a joint Ross album

997
00:41:21,080 --> 00:41:23,279
Speaker 1: for over a decade that Foss has been saying the

998
00:41:23,320 --> 00:41:24,440
Speaker 1: same thing, that's the collapse.

999
00:41:25,040 --> 00:41:27,399
Speaker 3: Yeah that would be great, But like, that'd be cool

1000
00:41:27,400 --> 00:41:29,080
Speaker 3: if Drake was a feature on one of these records.

1001
00:41:29,440 --> 00:41:29,960
Speaker 1: I could see that.

1002
00:41:30,560 --> 00:41:33,879
Speaker 2: I could definitely say Drake and Ross have some fine, great,

1003
00:41:34,080 --> 00:41:35,520
Speaker 2: great some of the best collabs ever.

1004
00:41:35,760 --> 00:41:37,040
Speaker 1: But I think I think it was in the back

1005
00:41:37,040 --> 00:41:39,759
Speaker 1: of Meek's mind. I think they get along. But of

1006
00:41:39,840 --> 00:41:41,600
Speaker 1: course there's probably still some spy you thought he was

1007
00:41:41,640 --> 00:41:44,240
Speaker 1: just trying to rapper. I think Drake probably still feels

1008
00:41:44,280 --> 00:41:46,440
Speaker 1: the same way towards Meek in that regard. Yeah, he

1009
00:41:46,560 --> 00:41:48,239
Speaker 1: was like, yeah, all right, I got my Ross joint

1010
00:41:48,280 --> 00:41:49,799
Speaker 1: album before you, and that was supposed to be your ship.

1011
00:41:50,320 --> 00:41:55,200
Speaker 3: Frake Meek song Drake Meek the Going Bad, Going Bad.

1012
00:41:55,440 --> 00:41:58,239
Speaker 3: That was the last one probably, and then the last

1013
00:41:58,360 --> 00:42:01,960
Speaker 3: Drake Ross was that was it? Gold Roses or was

1014
00:42:02,000 --> 00:42:06,120
Speaker 3: the lemon pepper after that? Peppers after that? Yeah, they've

1015
00:42:06,600 --> 00:42:07,479
Speaker 3: all their records together.

1016
00:42:07,760 --> 00:42:11,960
Speaker 1: Ross and Drake do not fucking miss at all. Well,

1017
00:42:11,960 --> 00:42:14,480
Speaker 1: speaking of actual beef and that rap beef beef that

1018
00:42:15,480 --> 00:42:17,320
Speaker 1: had a rapper involved in it. But this is what

1019
00:42:17,400 --> 00:42:18,160
Speaker 1: real beef looks like.

1020
00:42:18,320 --> 00:42:21,040
Speaker 2: I owe you flowers or see the difference between me

1021
00:42:21,040 --> 00:42:21,160
Speaker 2: and you.

1022
00:42:21,360 --> 00:42:24,600
Speaker 1: I'll tell you when the past three episodes, I've given

1023
00:42:24,640 --> 00:42:25,880
Speaker 1: you flowers every single.

1024
00:42:25,680 --> 00:42:27,560
Speaker 2: Time, but I had to ask the flowers though. It's

1025
00:42:27,640 --> 00:42:28,960
Speaker 2: like when the girl asked for you to take her

1026
00:42:29,000 --> 00:42:30,279
Speaker 2: to dinner, like I had to ask. I had to

1027
00:42:30,520 --> 00:42:32,120
Speaker 2: true you do be like that. You know what I'm saying.

1028
00:42:32,160 --> 00:42:34,480
Speaker 2: So it's like, now I'm going to give you a flower.

1029
00:42:34,520 --> 00:42:37,120
Speaker 3: Does want us to read your default deforestation over there?

1030
00:42:37,160 --> 00:42:37,919
Speaker 3: You burn all of them.

1031
00:42:37,960 --> 00:42:40,680
Speaker 1: Because I you know, we record these things right like

1032
00:42:40,800 --> 00:42:43,279
Speaker 1: we can go back. And I was saying, I'm here

1033
00:42:43,320 --> 00:42:43,920
Speaker 1: to give you flowers.

1034
00:42:44,280 --> 00:42:47,480
Speaker 6: Listen, listen, speaking from a girls se the flowers don't

1035
00:42:47,480 --> 00:42:48,600
Speaker 6: mean the same. If I have to ask you to

1036
00:42:48,640 --> 00:42:50,959
Speaker 6: buy the flower, I am not asked.

1037
00:42:51,000 --> 00:42:53,000
Speaker 1: There maybe have been a few times have been asked,

1038
00:42:53,040 --> 00:42:54,000
Speaker 1: but I took heed to that.

1039
00:42:54,120 --> 00:42:57,879
Speaker 2: Well give me I'm giving you your flowers because maybe

1040
00:42:57,920 --> 00:43:00,520
Speaker 2: a week or two ago you did bring up uh

1041
00:43:00,920 --> 00:43:04,600
Speaker 2: do I do? I think kefd would be arrested for

1042
00:43:04,719 --> 00:43:06,719
Speaker 2: the Tupac thing. And I was like, you know, they

1043
00:43:06,800 --> 00:43:09,600
Speaker 2: searched his house for bullets and all of that shit

1044
00:43:09,600 --> 00:43:11,160
Speaker 2: a few weeks ago, and I was like, listen, if

1045
00:43:11,160 --> 00:43:13,600
Speaker 2: they didn't lock him up yet, I don't see it

1046
00:43:14,000 --> 00:43:17,440
Speaker 2: ever happening. And here we are two weeks later and

1047
00:43:17,600 --> 00:43:22,240
Speaker 2: Ked has been arrested in the in the Tupac murder case.

1048
00:43:22,520 --> 00:43:26,080
Speaker 1: Yes it was not Ked's confession. It was behind the pay,

1049
00:43:26,200 --> 00:43:30,600
Speaker 1: it was after the cops. You're big, you think he'll

1050
00:43:30,640 --> 00:43:32,480
Speaker 1: get arrested And I don't even these are like fake

1051
00:43:32,560 --> 00:43:34,640
Speaker 1: flowers because I didn't think it was that crazy with

1052
00:43:34,800 --> 00:43:36,919
Speaker 1: prediction a few weeks ago that I wasn't.

1053
00:43:37,040 --> 00:43:39,279
Speaker 2: He couldn't even accept the flowers. It wasn't but I

1054
00:43:39,320 --> 00:43:40,080
Speaker 2: want real flowers.

1055
00:43:40,160 --> 00:43:42,799
Speaker 1: This is like, this was easy to call.

1056
00:43:42,920 --> 00:43:44,080
Speaker 5: This was like edible arrangings.

1057
00:43:44,480 --> 00:43:46,400
Speaker 2: Well, no, I will say this. When they when they

1058
00:43:46,440 --> 00:43:49,080
Speaker 2: searched his home and they didn't lock him up that day,

1059
00:43:49,680 --> 00:43:52,560
Speaker 2: I didn't think anything what else would come of it.

1060
00:43:52,600 --> 00:43:54,799
Speaker 2: I didn't think they found anything, so obviously, why would

1061
00:43:54,800 --> 00:43:57,480
Speaker 2: he be arrested. But here we are today and he

1062
00:43:57,640 --> 00:43:59,919
Speaker 2: is indeed arrested in the Tupac murder case.

1063
00:44:00,160 --> 00:44:05,040
Speaker 1: I'm sure most people know Keith d. Dwayne Davis was

1064
00:44:05,400 --> 00:44:09,399
Speaker 1: charged with murder for the murder of Tubac. He went

1065
00:44:09,440 --> 00:44:11,719
Speaker 1: to court two days ago said he needs two more

1066
00:44:11,760 --> 00:44:14,120
Speaker 1: weeks for his lawyer to get to Nevada and then

1067
00:44:14,200 --> 00:44:17,560
Speaker 1: they can go on with the case. If he's gonna

1068
00:44:17,560 --> 00:44:20,439
Speaker 1: plead guilty or not guilty. I assume he's gonna plead

1069
00:44:20,520 --> 00:44:24,279
Speaker 1: not guilty. But I think this case could go in

1070
00:44:24,320 --> 00:44:25,800
Speaker 1: a million different ways.

1071
00:44:26,239 --> 00:44:29,200
Speaker 2: You know, the thing, the thing the thing about us

1072
00:44:29,239 --> 00:44:32,000
Speaker 2: situations like this, Rory. You know, when you when you

1073
00:44:32,160 --> 00:44:35,959
Speaker 2: want answers and you want you know, clarity on certain

1074
00:44:36,000 --> 00:44:38,040
Speaker 2: situations things, you gotta be careful when you ask for

1075
00:44:38,120 --> 00:44:42,279
Speaker 2: that because you uncover a lot of things that can

1076
00:44:42,360 --> 00:44:45,560
Speaker 2: really really like fuck you up. Like now with this case,

1077
00:44:45,600 --> 00:44:49,399
Speaker 2: we're gonna hear some things. You know, things are gonna

1078
00:44:49,400 --> 00:44:53,600
Speaker 2: be brought to trut that might have us looking at

1079
00:44:53,719 --> 00:44:57,400
Speaker 2: people very different. Now I'm a little older than y'allt

1080
00:44:57,600 --> 00:45:00,960
Speaker 2: so you know this Tupac case. To me, I grew

1081
00:45:01,040 --> 00:45:04,200
Speaker 2: up with this case like I was young when it happened.

1082
00:45:04,239 --> 00:45:06,000
Speaker 2: I was probably a freshman in high school when all

1083
00:45:06,040 --> 00:45:06,640
Speaker 2: of this happened.

1084
00:45:07,120 --> 00:45:08,040
Speaker 1: Damn right.

1085
00:45:08,360 --> 00:45:10,919
Speaker 2: So so now so now for it to be where

1086
00:45:10,920 --> 00:45:13,959
Speaker 2: it's at today, you know, it's like, Okay, you're hearing

1087
00:45:14,000 --> 00:45:15,840
Speaker 2: things online. You're hearing things and the internet people that

1088
00:45:15,920 --> 00:45:19,640
Speaker 2: may be involved, people that may be behind certain things. Now,

1089
00:45:20,000 --> 00:45:23,200
Speaker 2: you know, for Tupac and his family, you want justice

1090
00:45:23,239 --> 00:45:25,879
Speaker 2: and you want the case to be solved. But now

1091
00:45:25,920 --> 00:45:27,719
Speaker 2: it's somebody that you know grew up a fan of

1092
00:45:27,760 --> 00:45:31,000
Speaker 2: the culture and again you know can remember exactly when

1093
00:45:31,080 --> 00:45:34,160
Speaker 2: this happened. You're going to start finding out things and

1094
00:45:34,200 --> 00:45:36,440
Speaker 2: getting information on things. That's going to kind of like,

1095
00:45:37,400 --> 00:45:40,320
Speaker 2: you know, like oh shit, like I didn't even know

1096
00:45:40,520 --> 00:45:42,719
Speaker 2: that this person was in Vegas when that happened, or

1097
00:45:42,760 --> 00:45:44,319
Speaker 2: this person was a part of it, or this person

1098
00:45:44,440 --> 00:45:47,920
Speaker 2: was behind this. So it's a very interesting time in

1099
00:45:48,000 --> 00:45:51,120
Speaker 2: hip hop. It's a very interesting time for anybody that

1100
00:45:51,239 --> 00:45:53,239
Speaker 2: you know is involved in this situation because again, a

1101
00:45:53,320 --> 00:45:55,840
Speaker 2: lot of things are going to be uncovered and exposed

1102
00:45:55,840 --> 00:45:58,560
Speaker 2: about this case that I'm not sure too many people

1103
00:45:58,600 --> 00:45:59,640
Speaker 2: are really ready to hear.

1104
00:46:00,160 --> 00:46:03,760
Speaker 1: I think whatever the discovery is going to be because

1105
00:46:03,800 --> 00:46:06,960
Speaker 1: as we know, the confession he did with Greg Caating

1106
00:46:07,480 --> 00:46:09,720
Speaker 1: cannot be used because I believe it was illegally recorded.

1107
00:46:12,200 --> 00:46:15,440
Speaker 1: So they don't have much outside of what we know,

1108
00:46:15,560 --> 00:46:19,840
Speaker 1: which was on Vlad's channel, The Art of Dialogue cam Capone.

1109
00:46:19,880 --> 00:46:21,439
Speaker 1: All the people that have been covering this for years

1110
00:46:21,480 --> 00:46:24,360
Speaker 1: and years and years. I want to know what the

1111
00:46:24,400 --> 00:46:26,960
Speaker 1: discovery is because I think they'll give KIVD a plea deal,

1112
00:46:28,719 --> 00:46:31,319
Speaker 1: and if they don't, it's because they're trying to get

1113
00:46:31,400 --> 00:46:37,160
Speaker 1: somebody else that's not KIVD and it's ditty. If they

1114
00:46:37,200 --> 00:46:40,040
Speaker 1: don't offer KEVD a plea deal, I think it's because

1115
00:46:40,040 --> 00:46:40,600
Speaker 1: they want puff.

1116
00:46:41,520 --> 00:46:45,359
Speaker 2: Yeah, but I understand that that's yeah, no, they want

1117
00:46:45,360 --> 00:46:47,279
Speaker 2: to close it. That's been a name that's been thrown

1118
00:46:47,320 --> 00:46:50,719
Speaker 2: around in this and having some involvement. But I'm gonna

1119
00:46:50,719 --> 00:46:52,799
Speaker 2: be honest, I don't I don't think that's I think

1120
00:46:52,840 --> 00:46:54,960
Speaker 2: that's more so just talk than it is facts.

1121
00:46:55,000 --> 00:46:57,480
Speaker 1: I don't think that it's very tough to prove. Yeah,

1122
00:46:57,760 --> 00:47:01,799
Speaker 1: and even KVZ himself said under oath that he never

1123
00:47:01,880 --> 00:47:04,279
Speaker 1: got the money. Yeah, it was just said in like

1124
00:47:04,320 --> 00:47:05,640
Speaker 1: a meeting. It's just people talk that.

1125
00:47:05,760 --> 00:47:10,839
Speaker 2: But even if even if that's the case, though, people

1126
00:47:10,840 --> 00:47:12,360
Speaker 2: are gonna start looking at Puff differently.

1127
00:47:12,960 --> 00:47:18,600
Speaker 1: Remember years and years ago, whenever Vlad first interviewed KVD,

1128
00:47:19,440 --> 00:47:21,040
Speaker 1: I had said on the old pod, I came in

1129
00:47:21,560 --> 00:47:23,880
Speaker 1: one clip it came out, and I said, I think

1130
00:47:23,920 --> 00:47:26,040
Speaker 1: Puff is gonna get Vlad killed. I was just saying

1131
00:47:26,080 --> 00:47:29,200
Speaker 1: it just because I thought it was about to bring

1132
00:47:29,320 --> 00:47:31,839
Speaker 1: a lot of fucking attention to Puff, whether anyone gets

1133
00:47:31,920 --> 00:47:34,960
Speaker 1: arrested or not. Having this guy because I had heard

1134
00:47:35,000 --> 00:47:38,160
Speaker 1: the confession years ago. Like, if he gets on Vlad's channel,

1135
00:47:38,160 --> 00:47:40,440
Speaker 1: even though he had done interviews just on lower YouTube

1136
00:47:40,480 --> 00:47:44,320
Speaker 1: channels with Vlad and he starts talking about Puff, Puff

1137
00:47:44,440 --> 00:47:47,399
Speaker 1: is gonna feel it. Even if it's not criminal, He's

1138
00:47:47,440 --> 00:47:47,960
Speaker 1: gonna feel it.

1139
00:47:48,320 --> 00:47:49,920
Speaker 2: Now, let me ask you something. Do you think that

1140
00:47:50,040 --> 00:47:54,480
Speaker 2: if Puff is named as the person who ordered this hit,

1141
00:47:55,920 --> 00:47:57,640
Speaker 2: paid for this hit, whatever you want to call it,

1142
00:47:59,480 --> 00:48:01,560
Speaker 2: what do you think think that does for Puff's legacy?

1143
00:48:03,480 --> 00:48:06,280
Speaker 2: And do you think that anybody cares?

1144
00:48:07,200 --> 00:48:10,640
Speaker 1: I don't think it changes Puff's legacy much shit all.

1145
00:48:10,719 --> 00:48:17,640
Speaker 1: To be honest with you, I think what really I disagree, like,

1146
00:48:17,719 --> 00:48:20,480
Speaker 1: how do you how do you feel like he's not arrested?

1147
00:48:20,520 --> 00:48:20,840
Speaker 2: Correct?

1148
00:48:21,000 --> 00:48:26,520
Speaker 1: And we don't know that's another is not a viable witness. Like,

1149
00:48:26,719 --> 00:48:28,440
Speaker 1: that's why this trial is gonna be really hard. He's

1150
00:48:28,520 --> 00:48:30,520
Speaker 1: changed his story in a bunch of different interviews, his

1151
00:48:30,640 --> 00:48:33,560
Speaker 1: book does not match his confession. Everything's fucked up, so

1152
00:48:33,640 --> 00:48:35,160
Speaker 1: he's not really a viable witness. That's why I know

1153
00:48:35,200 --> 00:48:38,000
Speaker 1: Puff is gonna be fucking fine. But so let's speak

1154
00:48:38,040 --> 00:48:40,480
Speaker 1: as if Puff will never be arrested, never indiceted, never

1155
00:48:40,520 --> 00:48:41,400
Speaker 1: even really investigated.

1156
00:48:41,480 --> 00:48:43,959
Speaker 2: No, but but it comes out even if he's named

1157
00:48:44,000 --> 00:48:44,960
Speaker 2: as having something to do with.

1158
00:48:45,040 --> 00:48:47,640
Speaker 1: Him saying it. Let's say TVD takes the stands or

1159
00:48:48,320 --> 00:48:50,560
Speaker 1: they take a plea and that paperwork comes out eventually

1160
00:48:50,600 --> 00:48:52,759
Speaker 1: of what he said during his confession and the plea

1161
00:48:52,800 --> 00:48:56,000
Speaker 1: deal again and Puff's name comes up. No, I don't

1162
00:48:56,160 --> 00:48:56,839
Speaker 1: what would change.

1163
00:48:57,600 --> 00:48:59,360
Speaker 2: I think a lot changes. I think a lot of

1164
00:48:59,400 --> 00:49:02,080
Speaker 2: people look at totally different because it's like all these years,

1165
00:49:02,800 --> 00:49:05,759
Speaker 2: you know, everybody, this is one of the biggest stories

1166
00:49:05,800 --> 00:49:08,920
Speaker 2: in hip hop history, Puff Big, you know, getting killed

1167
00:49:08,920 --> 00:49:11,719
Speaker 2: in Vegas, getting killed in LA Like, who did it?

1168
00:49:12,080 --> 00:49:15,880
Speaker 2: It's a thousand documentaries on this shit. It's lifetime movies

1169
00:49:15,920 --> 00:49:17,800
Speaker 2: on this. It's this shit has been everywhere. This is

1170
00:49:17,880 --> 00:49:20,279
Speaker 2: if you grew up in the hip hop you know

1171
00:49:20,480 --> 00:49:24,400
Speaker 2: about this Puff and Pop and big shit like you

1172
00:49:24,520 --> 00:49:26,680
Speaker 2: know about this shit. So for now for Puff to

1173
00:49:26,719 --> 00:49:28,640
Speaker 2: be named years later as somebody that may have had

1174
00:49:28,640 --> 00:49:32,600
Speaker 2: a hand in this shit, that changes a lot for

1175
00:49:32,680 --> 00:49:35,480
Speaker 2: people for how they look at Puff. It's fucked up

1176
00:49:35,480 --> 00:49:39,160
Speaker 2: because it's, however, twenty some years later. But still it's like,

1177
00:49:39,280 --> 00:49:41,400
Speaker 2: all of these years you knew you was directly involved in.

1178
00:49:41,400 --> 00:49:43,319
Speaker 1: This, Okay, but how would you say, how would you say?

1179
00:49:43,560 --> 00:49:47,759
Speaker 1: How would you say about executives? And this is I'm

1180
00:49:47,760 --> 00:49:51,480
Speaker 1: talking about things that have been documented, like stuff involving babies,

1181
00:49:51,520 --> 00:49:56,439
Speaker 1: past with his family, stuff with Jay Prince Sug as well.

1182
00:49:56,960 --> 00:49:57,360
Speaker 2: Separately.

1183
00:49:58,440 --> 00:50:01,719
Speaker 1: Do we look at their legaciestically different because they were

1184
00:50:01,880 --> 00:50:05,080
Speaker 1: involved in probably some unnecessary crimes.

1185
00:50:06,400 --> 00:50:07,840
Speaker 2: I think people look at Shug differently.

1186
00:50:08,880 --> 00:50:10,960
Speaker 3: What type of crimes though, because if you're equating those

1187
00:50:11,040 --> 00:50:13,600
Speaker 3: crimes to the death of Poc, those are two different ballples.

1188
00:50:13,640 --> 00:50:14,319
Speaker 2: It's different things.

1189
00:50:14,440 --> 00:50:17,759
Speaker 1: I think there's been execs we're looking at that have

1190
00:50:17,880 --> 00:50:20,600
Speaker 1: been tied I'm just saying tied just by word of mouth,

1191
00:50:20,719 --> 00:50:26,160
Speaker 1: tied to other rappers, murders. Puff being a young kid

1192
00:50:26,280 --> 00:50:30,600
Speaker 1: in that situation where people had already died and he

1193
00:50:30,840 --> 00:50:34,040
Speaker 1: was at risk. Everyone was at risk. I can see

1194
00:50:34,080 --> 00:50:37,760
Speaker 1: a twenty something year old with money who's friends murdered

1195
00:50:37,800 --> 00:50:41,040
Speaker 1: somebody else and they're after him to say yes to that.

1196
00:50:42,280 --> 00:50:45,040
Speaker 1: I don't think it's that crazy. We don't think Puff

1197
00:50:45,120 --> 00:50:46,880
Speaker 1: is a street guy. I don't think Puff would even

1198
00:50:46,920 --> 00:50:48,480
Speaker 1: say he's a street guy. But if your back is

1199
00:50:48,560 --> 00:50:49,960
Speaker 1: to the wall and you've now been put in a

1200
00:50:50,000 --> 00:50:52,759
Speaker 1: situation where people on both sides have already died, and

1201
00:50:52,920 --> 00:50:54,680
Speaker 1: you know that they're already after you as well, you

1202
00:50:54,760 --> 00:50:56,400
Speaker 1: have to get security every single time you go to

1203
00:50:56,440 --> 00:50:58,600
Speaker 1: the West Coast. That's a huge market for you. You'll

1204
00:50:58,640 --> 00:51:01,040
Speaker 1: never not have to go there for your care. Yeah,

1205
00:51:01,280 --> 00:51:04,600
Speaker 1: I might ask someone to protect me the same way

1206
00:51:04,640 --> 00:51:06,399
Speaker 1: they're doing it to him. But we did you think

1207
00:51:06,800 --> 00:51:08,600
Speaker 1: there was not the same on the other side.

1208
00:51:09,120 --> 00:51:11,920
Speaker 2: No, no, But what I'm saying is this Rory Puff

1209
00:51:12,000 --> 00:51:15,040
Speaker 2: being who he is in our culture, Pac being who

1210
00:51:15,120 --> 00:51:19,080
Speaker 2: he is in our culture, people having the revered that

1211
00:51:19,120 --> 00:51:20,680
Speaker 2: they have for Pac, the love that they have for Pac.

1212
00:51:20,800 --> 00:51:23,879
Speaker 2: Years later, for it to come out that Puff had

1213
00:51:23,960 --> 00:51:28,239
Speaker 2: something to do with Pac getting killed, that changes a

1214
00:51:28,440 --> 00:51:30,200
Speaker 2: lot in our culture. That changes a lot in the

1215
00:51:30,320 --> 00:51:31,840
Speaker 2: history of our culture. That changes a lot in the

1216
00:51:31,880 --> 00:51:33,280
Speaker 2: way we look at people on our coulture.

1217
00:51:33,480 --> 00:51:35,200
Speaker 1: Has that not been this has not How would I

1218
00:51:35,239 --> 00:51:35,759
Speaker 1: look at Buff?

1219
00:51:35,840 --> 00:51:38,800
Speaker 6: Yeah, I was gonna say, that's like I'm telling you, no, no,

1220
00:51:39,160 --> 00:51:39,480
Speaker 6: that was.

1221
00:51:39,640 --> 00:51:42,040
Speaker 1: Just like if Puff had nothing, if we never heard

1222
00:51:42,120 --> 00:51:44,520
Speaker 1: Puff's name involved in this ever, and there was no

1223
00:51:44,719 --> 00:51:47,320
Speaker 1: like real crazy bad boy verus death row thing. And

1224
00:51:47,440 --> 00:51:51,000
Speaker 1: then in the discovery twenty thirty years later, Keith d

1225
00:51:51,280 --> 00:51:54,239
Speaker 1: was like, Yo, Puff Daddy hired me. Yes, that would

1226
00:51:54,280 --> 00:51:56,600
Speaker 1: be fucking crazy. But this has been a stigma for

1227
00:51:56,719 --> 00:51:57,120
Speaker 1: quite something.

1228
00:51:57,160 --> 00:51:58,759
Speaker 2: But this, that's what I'm asking you. I'm saying, has

1229
00:51:58,760 --> 00:52:01,759
Speaker 2: an effect. I'm saying If Kify the in court lays

1230
00:52:01,800 --> 00:52:03,440
Speaker 2: it out and says basically like Puff was the one

1231
00:52:03,520 --> 00:52:06,480
Speaker 2: that pushed his button and sent this, that changes everything

1232
00:52:07,120 --> 00:52:08,080
Speaker 2: the way people look at Puff.

1233
00:52:08,200 --> 00:52:11,400
Speaker 1: He did under oath to a police officer for a

1234
00:52:11,560 --> 00:52:12,920
Speaker 1: profit agreement. He did it already.

1235
00:52:13,000 --> 00:52:15,279
Speaker 2: Yeah, no, no, no, But that's it's that same as court.

1236
00:52:15,320 --> 00:52:16,720
Speaker 1: It just can't be used because they did illegally.

1237
00:52:16,760 --> 00:52:18,920
Speaker 2: But this is what I'm saying, that's different. Now we're

1238
00:52:18,960 --> 00:52:21,280
Speaker 2: talking about this is going to trial, This is an indictment.

1239
00:52:21,320 --> 00:52:23,719
Speaker 2: This is great to go to trial. If Keithy d

1240
00:52:23,880 --> 00:52:27,600
Speaker 2: Set stands on trial and tells jurors in the courts that, yeah,

1241
00:52:27,960 --> 00:52:30,400
Speaker 2: Puff is the one that was behind this ship. That

1242
00:52:30,760 --> 00:52:33,040
Speaker 2: fucking changes I don't know what I believe in this

1243
00:52:33,160 --> 00:52:35,840
Speaker 2: culture anymore. If that happens, how I look at everything?

1244
00:52:36,600 --> 00:52:39,160
Speaker 2: Change your perception of Puff? What do you mean, how

1245
00:52:39,200 --> 00:52:42,480
Speaker 2: does that change my perception? You can't You had you

1246
00:52:42,600 --> 00:52:45,000
Speaker 2: had it. You had a direct role in something that

1247
00:52:45,280 --> 00:52:49,560
Speaker 2: completely shifted and changed changed the entire culture and landscape.

1248
00:52:49,440 --> 00:52:52,400
Speaker 3: Of god hip hop. With that being said, Howard you

1249
00:52:52,800 --> 00:52:53,280
Speaker 3: you Puff?

1250
00:52:54,320 --> 00:52:56,800
Speaker 2: Like that's that's fucked up? All these years, like it

1251
00:52:56,920 --> 00:52:59,239
Speaker 2: was you behind the ship and you never like we

1252
00:52:59,360 --> 00:53:01,080
Speaker 2: never knew, and he was walking around in these rooms

1253
00:53:01,080 --> 00:53:03,040
Speaker 2: acting like, yeah, look but you're this guy now? Was

1254
00:53:03,120 --> 00:53:05,680
Speaker 2: love and all these other things like, bro, you single

1255
00:53:05,719 --> 00:53:08,280
Speaker 2: handedly had a hand in something that could have caused

1256
00:53:08,320 --> 00:53:11,440
Speaker 2: a lot of deaths on both sides of the culture.

1257
00:53:12,000 --> 00:53:15,040
Speaker 1: But here, here's where I would give Puff bail that

1258
00:53:15,800 --> 00:53:18,239
Speaker 1: based off what we know was going to happen, whether

1259
00:53:18,360 --> 00:53:19,759
Speaker 1: or not Puff.

1260
00:53:20,360 --> 00:53:21,160
Speaker 2: Was alive or not.

1261
00:53:21,360 --> 00:53:22,560
Speaker 5: What do you mean what was gonna happen?

1262
00:53:23,239 --> 00:53:25,439
Speaker 1: That shooting was going to take place, whether Puff Daddy

1263
00:53:25,480 --> 00:53:26,120
Speaker 1: exists on this earth.

1264
00:53:26,160 --> 00:53:27,279
Speaker 2: No, we don't do it. No, you can't say that.

1265
00:53:27,320 --> 00:53:28,600
Speaker 2: I can't say that. You can't say that.

1266
00:53:29,200 --> 00:53:32,280
Speaker 1: Listen, I'm just a civilian. I'm going off the documents

1267
00:53:32,320 --> 00:53:33,600
Speaker 1: of the people that were involved in it and what

1268
00:53:33,719 --> 00:53:34,879
Speaker 1: they have said happened.

1269
00:53:35,160 --> 00:53:35,759
Speaker 5: It was gonna happen.

1270
00:53:35,840 --> 00:53:38,080
Speaker 1: There was something at a mall with a death row

1271
00:53:38,160 --> 00:53:42,440
Speaker 1: chain getting taken by Orlando Anderson. When they went to Vegas,

1272
00:53:42,520 --> 00:53:45,319
Speaker 1: they saw Orlando Anderson said that's the guy that stole

1273
00:53:45,400 --> 00:53:48,799
Speaker 1: my chain. So the rival gang and Tupac went over

1274
00:53:48,840 --> 00:53:52,239
Speaker 1: there and jumped him. You don't think those guys that

1275
00:53:52,280 --> 00:53:53,759
Speaker 1: are already killers and that beef with you are not

1276
00:53:53,840 --> 00:53:55,480
Speaker 1: going to come back and shoot you. But see that

1277
00:53:55,680 --> 00:53:57,840
Speaker 1: that's not a puff. You could take Puff off the planet.

1278
00:53:57,920 --> 00:54:00,160
Speaker 1: That's still happening. Yeah, but sure if Tupac pun which

1279
00:54:00,160 --> 00:54:02,600
Speaker 1: is Orlando Puff Daddy, is not the deciding for.

1280
00:54:02,760 --> 00:54:04,800
Speaker 5: Fact to Mao's point, which is like if Puff is

1281
00:54:04,800 --> 00:54:06,800
Speaker 5: over here promoting piece and shit like that, But you

1282
00:54:06,880 --> 00:54:09,560
Speaker 5: were the one that sent out the hit. That's different

1283
00:54:09,760 --> 00:54:11,200
Speaker 5: regardless off the hit was gonna happen or not.

1284
00:54:11,960 --> 00:54:14,760
Speaker 1: I mean, how many people on Earth have been involved

1285
00:54:14,800 --> 00:54:18,200
Speaker 1: in murders, crime, everything and now practice peace convert to Islam.

1286
00:54:18,280 --> 00:54:21,719
Speaker 2: Yeah, but that's actually no, no, no, no, no. But yeah,

1287
00:54:21,840 --> 00:54:23,920
Speaker 2: well we're talking about somebody that is one of the

1288
00:54:24,000 --> 00:54:27,719
Speaker 2: biggest hip hop moguls in the world. Great Marketer too.

1289
00:54:27,760 --> 00:54:30,600
Speaker 2: By the way, this is totally different. I'm not saying

1290
00:54:30,680 --> 00:54:33,080
Speaker 2: this doesn't happen. I'm not saying this. I'm not saying

1291
00:54:33,160 --> 00:54:35,480
Speaker 2: this does not happen. I'm saying when you have one

1292
00:54:35,520 --> 00:54:39,239
Speaker 2: of the biggest figures in hip hop history a piece

1293
00:54:39,280 --> 00:54:42,080
Speaker 2: of it, that's a part of that ship that pushed

1294
00:54:42,120 --> 00:54:45,120
Speaker 2: a button behind that ship, that sent that bro, that

1295
00:54:45,320 --> 00:54:46,400
Speaker 2: changes everything.

1296
00:54:46,520 --> 00:54:50,240
Speaker 1: Well, the theory by the la PD and the Biggie situation,

1297
00:54:50,360 --> 00:54:53,920
Speaker 1: that's the LAPD and they were up against the case already,

1298
00:54:54,000 --> 00:54:56,720
Speaker 1: so who we can't really believe everything they say. Mm

1299
00:54:57,560 --> 00:55:01,560
Speaker 1: they have facts that Shug got Biggie killed or Puff

1300
00:55:01,640 --> 00:55:04,399
Speaker 1: was the intended target, but Sug put the money down

1301
00:55:04,880 --> 00:55:07,200
Speaker 1: and that was way more direct than what happened with POC.

1302
00:55:07,719 --> 00:55:09,080
Speaker 2: Yeah, but I think, I think, I think.

1303
00:55:09,000 --> 00:55:12,719
Speaker 1: That we already viewed Sug a little differently than we did, right, Right,

1304
00:55:13,040 --> 00:55:14,520
Speaker 1: It's still the same thing at the end of the day,

1305
00:55:14,520 --> 00:55:16,600
Speaker 1: and one actually has probably more evidence than the other.

1306
00:55:17,600 --> 00:55:19,320
Speaker 1: So yeah, Shug did the same.

1307
00:55:19,120 --> 00:55:21,920
Speaker 2: We kind of we kind of feel, but with Sugar

1308
00:55:21,960 --> 00:55:24,239
Speaker 2: is different, though I agree with Sugar is different. It's

1309
00:55:24,239 --> 00:55:26,600
Speaker 2: a lot. Sugar is not the hip hop mogul that

1310
00:55:26,680 --> 00:55:29,080
Speaker 2: Puff is. Sugar is not the artist that Puff is.

1311
00:55:29,120 --> 00:55:31,520
Speaker 2: Sugar is not the figure that Puff is. So he

1312
00:55:31,680 --> 00:55:33,840
Speaker 2: has he had the energy with him already that this

1313
00:55:34,000 --> 00:55:36,920
Speaker 2: is some street gangster dude. Everybody scared of him. You

1314
00:55:37,040 --> 00:55:39,239
Speaker 2: know every comedian that made jokes about when Sugar walking on,

1315
00:55:39,320 --> 00:55:41,000
Speaker 2: how everybody gets scared, like, so we know that that

1316
00:55:41,200 --> 00:55:43,680
Speaker 2: energy came with him. Puff was the guy the shiny

1317
00:55:43,760 --> 00:55:46,360
Speaker 2: suits having fun dancing ladies man like.

1318
00:55:46,719 --> 00:55:50,800
Speaker 1: But Puff and Sugar are both just genius marketers and

1319
00:55:51,120 --> 00:55:54,840
Speaker 1: one marketed one differently like all the Sugars. Yeah, but

1320
00:55:54,960 --> 00:55:56,839
Speaker 1: death Row would say he was he was a football player.

1321
00:55:56,880 --> 00:55:58,439
Speaker 1: He was from the neighborhood. He was a football player,

1322
00:55:58,680 --> 00:56:01,200
Speaker 1: good kid, went to college, try to do the NFL,

1323
00:56:02,400 --> 00:56:04,279
Speaker 1: and then joined He joined a gang when he was

1324
00:56:04,360 --> 00:56:06,640
Speaker 1: like twenty five. But at the same he just marketed

1325
00:56:06,719 --> 00:56:07,719
Speaker 1: himself as this guy.

1326
00:56:07,960 --> 00:56:10,879
Speaker 2: Well had him. But the difference is one marketed death

1327
00:56:11,000 --> 00:56:14,160
Speaker 2: Row and one marketed shiny suits having fun, drinking champagne

1328
00:56:14,320 --> 00:56:15,160
Speaker 2: point with chicks.

1329
00:56:15,800 --> 00:56:19,160
Speaker 1: So my point, my point is Puff and Sugar are

1330
00:56:19,239 --> 00:56:22,560
Speaker 1: similar people. One market himself as that because he had it.

1331
00:56:22,680 --> 00:56:25,000
Speaker 1: Puff market himself as the party guy. Does not mean

1332
00:56:25,040 --> 00:56:25,799
Speaker 1: he didn't have it too.

1333
00:56:26,239 --> 00:56:27,719
Speaker 2: I'm not. I'm not saying he didn't, but.

1334
00:56:27,719 --> 00:56:29,800
Speaker 1: They just marketed differently. But the fact they're both the

1335
00:56:29,840 --> 00:56:33,400
Speaker 1: same people with the same backing, I don't know if

1336
00:56:33,440 --> 00:56:34,000
Speaker 1: they're the same.

1337
00:56:33,840 --> 00:56:37,960
Speaker 3: People because we've seen, even I guess in more contemporary

1338
00:56:38,000 --> 00:56:41,520
Speaker 3: like the Thug case, we've seen the public perception lead

1339
00:56:41,640 --> 00:56:43,799
Speaker 3: drastically different than how you act in your private life.

1340
00:56:44,320 --> 00:56:47,360
Speaker 3: You can you can play two sides, I think, yeah, But.

1341
00:56:47,360 --> 00:56:49,759
Speaker 2: I'm just saying that you can. But to know that

1342
00:56:50,360 --> 00:56:52,840
Speaker 2: it's like definite that yeah, not Puff was behind this,

1343
00:56:53,800 --> 00:56:55,040
Speaker 2: that shakes the entire industry.

1344
00:56:56,000 --> 00:56:58,919
Speaker 1: Speaking of Sugar, Shug called in the TMZ and said

1345
00:56:59,200 --> 00:57:01,479
Speaker 1: Orlando wasn't the shooter and that there's only two people

1346
00:57:01,480 --> 00:57:03,399
Speaker 1: in the car. That's why he's never said a bad

1347
00:57:03,440 --> 00:57:06,080
Speaker 1: word about Orlando. But facts of matter is, we know

1348
00:57:06,200 --> 00:57:08,480
Speaker 1: he paid Orlando to testify in his behalf and they

1349
00:57:08,520 --> 00:57:13,640
Speaker 1: had somewhat of a relationship after that shooting. Then you know,

1350
00:57:13,719 --> 00:57:15,479
Speaker 1: weeks later Orlando was shot at.

1351
00:57:15,719 --> 00:57:18,040
Speaker 2: Sugar Keefy did have a relationship, they played football together.

1352
00:57:18,080 --> 00:57:21,000
Speaker 2: They were playing football together. Like, So that's what I'm saying,

1353
00:57:21,040 --> 00:57:22,760
Speaker 2: this is a lot deeper. You're gonna start, you know,

1354
00:57:22,880 --> 00:57:25,400
Speaker 2: uncovering some things and getting some information about shit that

1355
00:57:26,040 --> 00:57:27,920
Speaker 2: you know, it's gonna shake shit up. It's not. I

1356
00:57:27,960 --> 00:57:29,800
Speaker 2: don't know if you know, people are prepared to hear

1357
00:57:29,920 --> 00:57:31,720
Speaker 2: what they may hear in the coming weeks, you know

1358
00:57:31,720 --> 00:57:34,040
Speaker 2: what I'm saying. Like, it's it's a lot at stake here,

1359
00:57:34,160 --> 00:57:37,040
Speaker 2: And you know, on one hand, I'm happy that the

1360
00:57:37,160 --> 00:57:39,960
Speaker 2: family will finally probably get you know, some some some

1361
00:57:40,120 --> 00:57:43,760
Speaker 2: resolve and some of the questions answered. But at the

1362
00:57:43,800 --> 00:57:45,680
Speaker 2: same time, some of these answers I think we get

1363
00:57:45,680 --> 00:57:48,240
Speaker 2: ready to get is going to really really change how

1364
00:57:48,280 --> 00:57:48,919
Speaker 2: we view people.

1365
00:57:49,080 --> 00:57:51,800
Speaker 1: I think the only way Keithy doesn't get life in

1366
00:57:51,880 --> 00:57:56,960
Speaker 1: prison is if he gives a confession that's different than

1367
00:57:57,040 --> 00:58:01,120
Speaker 1: what he's been giving to interviews, his book and Greg Kating,

1368
00:58:01,440 --> 00:58:05,000
Speaker 1: because all that stuff can't really be used and that

1369
00:58:05,120 --> 00:58:08,560
Speaker 1: information is already out there. If he tells a different

1370
00:58:08,640 --> 00:58:12,120
Speaker 1: story of who because there's already being conspiracy that Orlando

1371
00:58:12,160 --> 00:58:15,320
Speaker 1: wasn't the shooter, the gentleman Dre was the real shooter,

1372
00:58:15,880 --> 00:58:18,520
Speaker 1: or KVD was a shooter. If he tells the real

1373
00:58:18,640 --> 00:58:21,000
Speaker 1: story all the way through and doesn't change it the

1374
00:58:21,040 --> 00:58:24,760
Speaker 1: way he's been changing everything, maybe they would give him

1375
00:58:24,760 --> 00:58:28,160
Speaker 1: a deal. But he's got to give up people. I mean,

1376
00:58:28,200 --> 00:58:29,760
Speaker 1: everyone's dead besides Puff.

1377
00:58:29,960 --> 00:58:32,560
Speaker 2: So how do you feel about Shug sand If he's

1378
00:58:32,600 --> 00:58:35,400
Speaker 2: called to testify against KVD, he's not gonna do it.

1379
00:58:36,880 --> 00:58:39,120
Speaker 1: I mean, it's a little hypocritical to what I said

1380
00:58:39,160 --> 00:58:44,200
Speaker 1: of Sug kind of becoming that part. But even if

1381
00:58:44,240 --> 00:58:46,360
Speaker 1: he wasn't that part growing up, he's that part now.

1382
00:58:46,520 --> 00:58:51,680
Speaker 1: I think Sug for years has stood tall on the

1383
00:58:51,680 --> 00:58:54,280
Speaker 1: whole thing. I don't think. I don't think Sug will

1384
00:58:54,320 --> 00:58:57,520
Speaker 1: ever testify against anyone. I do think you can have

1385
00:58:57,600 --> 00:59:00,000
Speaker 1: your opinions about Sug. I think he sticks to that code.

1386
00:59:00,120 --> 00:59:01,760
Speaker 1: I don't think he's saying a fucking word now.

1387
00:59:01,800 --> 00:59:04,000
Speaker 2: Obviously him and kievd ever, you know, they know each other,

1388
00:59:04,040 --> 00:59:08,919
Speaker 2: they grew up together. But we can say that Poc

1389
00:59:09,000 --> 00:59:13,680
Speaker 2: and Shug's relationship was probably more important than KEEVD in

1390
00:59:13,760 --> 00:59:18,560
Speaker 2: Shug's relationship, of course. So as to PAC's family, do

1391
00:59:18,640 --> 00:59:20,280
Speaker 2: you think they have a right to feel a way

1392
00:59:20,840 --> 00:59:25,000
Speaker 2: no about Sug not testifying on behalf of POC.

1393
00:59:25,880 --> 00:59:32,640
Speaker 1: Pac decided to align himself and actively participate with in

1394
00:59:32,720 --> 00:59:36,120
Speaker 1: a culture that doesn't well, it's not supposed to do that,

1395
00:59:36,440 --> 00:59:39,920
Speaker 1: so he played the game. It's just I mean, you

1396
00:59:39,960 --> 00:59:41,720
Speaker 1: can feel a way, but Pop put himself in a

1397
00:59:41,760 --> 00:59:44,160
Speaker 1: position with people and participated in it. He's not part

1398
00:59:44,200 --> 00:59:47,600
Speaker 1: of that world. And that world of course people snitch,

1399
00:59:47,680 --> 00:59:50,240
Speaker 1: but you're not supposed to. And Sug hasn't done that,

1400
00:59:50,800 --> 00:59:52,680
Speaker 1: so I can't see him doing that or him even

1401
00:59:52,720 --> 00:59:56,760
Speaker 1: really being caught because all of them are not viable witnesses, Like, yeah,

1402
00:59:57,120 --> 01:00:00,200
Speaker 1: they have no credibility because they all constantly lie. And

1403
01:00:00,320 --> 01:00:03,000
Speaker 1: even Sugar after Pop died, I forgot it was a letterman.

1404
01:00:03,040 --> 01:00:06,040
Speaker 1: It was something when they asked him, would you ever

1405
01:00:06,400 --> 01:00:08,720
Speaker 1: say who killed Tupac? If you knew? I would never

1406
01:00:08,960 --> 01:00:09,360
Speaker 1: ever say.

1407
01:00:10,800 --> 01:00:13,120
Speaker 2: Well, I mean, you know, we gotta wait and see.

1408
01:00:13,160 --> 01:00:15,680
Speaker 2: But again, man, I'm just you know, I'm just thinking

1409
01:00:15,920 --> 01:00:18,200
Speaker 2: ahead here a little bit and what may or may

1410
01:00:18,280 --> 01:00:19,840
Speaker 2: not come on this shit, But I just feel like

1411
01:00:19,880 --> 01:00:22,680
Speaker 2: we're gonna get some answers that you know, just really

1412
01:00:22,760 --> 01:00:25,680
Speaker 2: going kind of shakes it up in our culture and.

1413
01:00:25,720 --> 01:00:28,680
Speaker 1: We can close. But that first press conference of Vegas

1414
01:00:28,760 --> 01:00:31,160
Speaker 1: PD being so proud of themselves was one of the

1415
01:00:31,200 --> 01:00:31,760
Speaker 1: funniest things.

1416
01:00:31,760 --> 01:00:34,160
Speaker 2: That's ridiculous. That shit is ridiculous.

1417
01:00:34,160 --> 01:00:37,120
Speaker 1: They were really proud of themselves. Yeah, so you y'all

1418
01:00:37,160 --> 01:00:40,120
Speaker 1: did not give a fuck for so long. No, all

1419
01:00:40,120 --> 01:00:42,200
Speaker 1: of a sudden you got your back against the wall

1420
01:00:42,360 --> 01:00:44,800
Speaker 1: because this guy's been running around doing interviews and people

1421
01:00:44,880 --> 01:00:47,080
Speaker 1: are like, all right, guys, at this point, can you

1422
01:00:47,200 --> 01:00:47,640
Speaker 1: do something?

1423
01:00:47,720 --> 01:00:49,120
Speaker 2: They're interesting. They didn't know work.

1424
01:00:49,680 --> 01:00:54,160
Speaker 1: You should think Vlad Greg cating or the dialogue cam,

1425
01:00:54,320 --> 01:00:56,160
Speaker 1: like the Vegas PD did nothing here.

1426
01:00:56,880 --> 01:00:58,520
Speaker 2: The thing about this case too, that people are not

1427
01:00:58,560 --> 01:01:01,000
Speaker 2: paying attention to is that this I think is gonna

1428
01:01:01,000 --> 01:01:04,040
Speaker 2: be a domino effect with the Biggie case because I

1429
01:01:04,080 --> 01:01:05,560
Speaker 2: think a lot of people that are involved in this

1430
01:01:05,720 --> 01:01:08,320
Speaker 2: situation know a lot about what happened with the Biggie situation.

1431
01:01:09,520 --> 01:01:11,200
Speaker 2: So again, that's what I'm saying, It's gonna be someth

1432
01:01:11,240 --> 01:01:13,160
Speaker 2: We're gonna get some answers, and we're gonna get some shit.

1433
01:01:13,200 --> 01:01:14,120
Speaker 1: Who's alive.

1434
01:01:15,400 --> 01:01:17,000
Speaker 2: Puff, We don't know. We don't know who else, We

1435
01:01:17,000 --> 01:01:18,960
Speaker 2: don't know, who else knows anything, who else is involved?

1436
01:01:19,000 --> 01:01:21,320
Speaker 2: We don't know. You said, who's allied? We don't know,

1437
01:01:22,560 --> 01:01:24,600
Speaker 2: And That's my whole point, Like there's gonna be names

1438
01:01:24,640 --> 01:01:26,000
Speaker 2: thrown out here that we're gonna be like, who the

1439
01:01:26,040 --> 01:01:27,520
Speaker 2: fuck is that? It's like, Oh, that's the person that

1440
01:01:27,600 --> 01:01:29,760
Speaker 2: was right there when it happened. It's I'm like, oh shit.

1441
01:01:30,160 --> 01:01:33,240
Speaker 1: I mean everyone that was in the car with Big

1442
01:01:33,880 --> 01:01:36,840
Speaker 1: from Seeds to gene deal to everyone has publicly spoken

1443
01:01:36,880 --> 01:01:41,320
Speaker 1: on a million interviews. Uh yeah, everyone that's been around it,

1444
01:01:41,400 --> 01:01:42,560
Speaker 1: I feel like has spoken.

1445
01:01:42,320 --> 01:01:45,040
Speaker 2: About it publicly. Mm hmm. I'm talking about the alleged

1446
01:01:45,080 --> 01:01:45,760
Speaker 2: shooter is dead.

1447
01:01:46,480 --> 01:01:49,000
Speaker 1: Sug is never gonna say a word. They wouldn't diut himself.

1448
01:01:49,000 --> 01:01:52,400
Speaker 1: Even more so, I don't know who would be unless

1449
01:01:52,440 --> 01:01:55,040
Speaker 1: there is a wild conspiracy, which there could be.

1450
01:01:55,120 --> 01:01:57,560
Speaker 2: That's all I'm saying is just gotta pay attention to

1451
01:01:57,640 --> 01:01:57,960
Speaker 2: this ship.

1452
01:01:58,000 --> 01:01:59,760
Speaker 1: You know, I'm a conspiracy theorist, and I just think

1453
01:01:59,800 --> 01:02:02,200
Speaker 1: this straight up pop punched the wrong guy.

1454
01:02:02,920 --> 01:02:05,200
Speaker 2: Oh no, but that was from day one that we

1455
01:02:05,400 --> 01:02:06,480
Speaker 2: tied at the biggie.

1456
01:02:06,200 --> 01:02:09,640
Speaker 1: And that's, you know, the most unfortunate, pointless situation.

1457
01:02:09,800 --> 01:02:11,880
Speaker 2: But you know, let'son learn here. You niggas keep going

1458
01:02:11,920 --> 01:02:14,680
Speaker 2: on VLAT and you know, sitting down with that drum

1459
01:02:14,720 --> 01:02:17,800
Speaker 2: set behind you, No, and and and see where it

1460
01:02:17,840 --> 01:02:19,880
Speaker 2: gets you. That's all I'm gonna say. Because y'all going

1461
01:02:19,920 --> 01:02:23,200
Speaker 2: on there and people say, no, if Blad ain't the police, look, look,

1462
01:02:23,280 --> 01:02:25,200
Speaker 2: look he may not be the police, but the police

1463
01:02:25,280 --> 01:02:27,280
Speaker 2: is definitely watching every one of his interviews.

1464
01:02:27,880 --> 01:02:29,480
Speaker 1: How can you really blame Lad at this point?

1465
01:02:29,560 --> 01:02:30,320
Speaker 3: Yeah, you can't blame that.

1466
01:02:30,600 --> 01:02:32,760
Speaker 2: I'm not saying. I'm not saying tell the book.

1467
01:02:32,800 --> 01:02:34,200
Speaker 1: I'm not saying reading from the book.

1468
01:02:34,280 --> 01:02:36,800
Speaker 2: I'm not I'm not saying I'm blamed Flat. I'm saying

1469
01:02:37,040 --> 01:02:40,680
Speaker 2: these people that keep going on Vlad, sitting down talking

1470
01:02:40,720 --> 01:02:43,920
Speaker 2: to Vlad about things that they probably shouldn't be talking about,

1471
01:02:44,360 --> 01:02:46,720
Speaker 2: and saying like, oh no, Flat is not police, he

1472
01:02:46,880 --> 01:02:49,360
Speaker 2: don't have to be police. That doesn't mean police ain't

1473
01:02:49,360 --> 01:02:52,560
Speaker 2: paying attention to Vlad's platform. That's all I'm saying. I'm

1474
01:02:52,560 --> 01:02:54,560
Speaker 2: not blaming Glad. Vlad is turning on lights and the

1475
01:02:54,600 --> 01:02:56,560
Speaker 2: microphone and just telling you to sit down and kick

1476
01:02:56,600 --> 01:02:58,440
Speaker 2: it whatever you decide to tell him and get off.

1477
01:02:58,680 --> 01:03:00,880
Speaker 2: That's on you. But at the same time, we can't

1478
01:03:00,880 --> 01:03:03,080
Speaker 2: see it in act like we don't know and don't

1479
01:03:03,080 --> 01:03:06,040
Speaker 2: see that. Okay, the police are actively paying attention to

1480
01:03:06,160 --> 01:03:07,080
Speaker 2: this guy's platform.

1481
01:03:07,440 --> 01:03:10,800
Speaker 1: I just and we could wrap. But even in the book,

1482
01:03:10,960 --> 01:03:14,160
Speaker 1: you're saying new people involved. KEVD said big Meach was

1483
01:03:14,200 --> 01:03:16,720
Speaker 1: with him, and then flat ass big Meach with was

1484
01:03:16,760 --> 01:03:18,840
Speaker 1: with you the night pocked. He was like, nah, it's

1485
01:03:18,880 --> 01:03:21,080
Speaker 1: some other guy from Detroit, and flats like, well, let

1486
01:03:21,120 --> 01:03:23,160
Speaker 1: me read from the book. So big Meach was with us.

1487
01:03:24,520 --> 01:03:27,160
Speaker 1: That's a KVD has no credibility. Everything's changed. So I

1488
01:03:27,160 --> 01:03:28,680
Speaker 1: don't know. I think I'll just do life. I don't know.

1489
01:03:28,760 --> 01:03:30,800
Speaker 1: We've learned too much more, you.

1490
01:03:30,840 --> 01:03:33,480
Speaker 2: Know, is what it is. So Rory dm me another

1491
01:03:33,680 --> 01:03:35,480
Speaker 2: uh comline.

1492
01:03:37,160 --> 01:03:38,080
Speaker 5: No, let's not do that.

1493
01:03:38,480 --> 01:03:40,280
Speaker 1: First of all, First of all, don't try to paint

1494
01:03:40,280 --> 01:03:43,760
Speaker 1: it this way. I d m you the headline. I

1495
01:03:43,800 --> 01:03:44,800
Speaker 1: didn't DM you a video.

1496
01:03:44,880 --> 01:03:46,400
Speaker 2: This is a headline, he said the dropbox.

1497
01:03:46,560 --> 01:03:48,480
Speaker 1: No, he sent me the headline, he told me, acting

1498
01:03:48,560 --> 01:03:49,520
Speaker 1: like I sent you the video.

1499
01:03:49,560 --> 01:03:50,840
Speaker 2: No, no, no, no, no no no. I didn't even

1500
01:03:50,840 --> 01:03:52,440
Speaker 2: see the video, but you send me the headline that

1501
01:03:52,600 --> 01:03:56,120
Speaker 2: Sexy Read's uh sex tape leaked on her ig story.

1502
01:03:56,280 --> 01:03:57,720
Speaker 1: Yes, I did not send you the No.

1503
01:03:57,760 --> 01:03:59,360
Speaker 2: You didn't send me the video. I didn't see the video,

1504
01:03:59,520 --> 01:04:00,920
Speaker 2: but you sent me the headline.

1505
01:04:00,920 --> 01:04:02,160
Speaker 1: And I was like, oh, well, that would have been

1506
01:04:02,200 --> 01:04:04,960
Speaker 1: the sickest two am DM exchange between me and you.

1507
01:04:05,240 --> 01:04:06,520
Speaker 1: Here's a Drake freestyle and.

1508
01:04:06,880 --> 01:04:09,400
Speaker 3: Sexy Red sex the capture on the sex around when

1509
01:04:09,440 --> 01:04:11,120
Speaker 3: he said, A least she doesn't lie in her apps. Yeah,

1510
01:04:11,200 --> 01:04:13,720
Speaker 3: she keeps it thorough, thinking Brown.

1511
01:04:13,880 --> 01:04:15,760
Speaker 2: This was something that that that that came out. I

1512
01:04:15,760 --> 01:04:17,360
Speaker 2: didn't see the tape. I didn't. I don't want to

1513
01:04:17,360 --> 01:04:18,880
Speaker 2: see the tape. I don't care to see the tape.

1514
01:04:19,320 --> 01:04:22,960
Speaker 2: But so Sexy reds sex tape allegedly leaked to her

1515
01:04:23,080 --> 01:04:27,520
Speaker 2: I g story correct the mars Yes, now so she

1516
01:04:27,720 --> 01:04:30,880
Speaker 2: realased statement. She says, I'm so heartbroken. Anybody that knows

1517
01:04:30,920 --> 01:04:32,840
Speaker 2: me knows I wouldn't do no goofy shit like that

1518
01:04:33,360 --> 01:04:39,560
Speaker 2: heartbreak emoji, crying emoji. Now, I'm not sure about it.

1519
01:04:39,720 --> 01:04:43,560
Speaker 2: If I believe somebody, uh now, I could say it

1520
01:04:43,680 --> 01:04:45,400
Speaker 2: was leaked in a way where somebody may have got

1521
01:04:45,440 --> 01:04:48,160
Speaker 2: her phone and posted it. But if she is she's

1522
01:04:48,160 --> 01:04:51,480
Speaker 2: saying she accidentally posted it or somebody got access to her.

1523
01:04:52,160 --> 01:04:53,480
Speaker 6: She hasn't said anything, so.

1524
01:04:53,520 --> 01:04:55,240
Speaker 2: Then I could I could see somebody getting to her

1525
01:04:55,280 --> 01:04:58,280
Speaker 2: phone and doing that. I can't see her actively on

1526
01:04:58,400 --> 01:05:01,760
Speaker 2: her Instagram story. Yeah, and accidentally posting that. I don't

1527
01:05:02,000 --> 01:05:05,440
Speaker 2: I don't think. I think it's impossible. Also, you have

1528
01:05:05,520 --> 01:05:07,080
Speaker 2: to do too much ship to post the video, like

1529
01:05:07,120 --> 01:05:09,480
Speaker 2: to send it through so it goes through and post like,

1530
01:05:09,560 --> 01:05:11,520
Speaker 2: how is that accident? It's not that hard. That's not

1531
01:05:11,600 --> 01:05:12,160
Speaker 2: not that hard.

1532
01:05:12,200 --> 01:05:15,120
Speaker 6: I've accidentally posted that was in my camera roll video.

1533
01:05:15,800 --> 01:05:18,560
Speaker 1: Yes, I can see the accident more. If someone leaked

1534
01:05:19,280 --> 01:05:21,520
Speaker 1: or someone hacked her phone and wanted to leak that,

1535
01:05:21,640 --> 01:05:24,600
Speaker 1: I think they would have posted it, not like through

1536
01:05:24,680 --> 01:05:27,160
Speaker 1: it in a story. If someone had a militia point

1537
01:05:27,360 --> 01:05:29,920
Speaker 1: where they really hacked her phone, found that video and

1538
01:05:30,240 --> 01:05:32,040
Speaker 1: had access to her Instagram, I think they would have

1539
01:05:32,120 --> 01:05:34,240
Speaker 1: posted that video posting a story. I can see someone

1540
01:05:34,360 --> 01:05:35,560
Speaker 1: accidentally posting.

1541
01:05:35,640 --> 01:05:38,080
Speaker 2: You literally have to go to the arrow on the bottom,

1542
01:05:38,160 --> 01:05:40,560
Speaker 2: press it for it to you could say, you could swipe,

1543
01:05:40,680 --> 01:05:44,240
Speaker 2: you can swipe to the right.

1544
01:05:44,560 --> 01:05:47,560
Speaker 5: It could literally like press the fucking album and just

1545
01:05:47,640 --> 01:05:49,000
Speaker 5: hit like it. I don't know.

1546
01:05:49,040 --> 01:05:51,880
Speaker 2: I don't know. I think somebody may have. She her

1547
01:05:51,960 --> 01:05:53,760
Speaker 2: phone was unlocked and I could see somebody doing that.

1548
01:05:53,840 --> 01:05:55,160
Speaker 2: I don't think she did it accidentally.

1549
01:05:56,440 --> 01:05:58,520
Speaker 1: If your first first person was probably the guy that

1550
01:05:58,600 --> 01:06:00,240
Speaker 1: she was sleeping with, Yeah, I don't know.

1551
01:06:00,240 --> 01:06:01,320
Speaker 2: I feel like that I want to put that on it.

1552
01:06:01,720 --> 01:06:02,200
Speaker 2: That's what I'm saying.

1553
01:06:02,200 --> 01:06:04,320
Speaker 5: I feel like that would make it too easy if

1554
01:06:04,360 --> 01:06:06,160
Speaker 5: it was him, If it was him, like, why would

1555
01:06:06,160 --> 01:06:06,480
Speaker 5: he do that?

1556
01:06:06,960 --> 01:06:09,080
Speaker 2: Either way? Does does sex tape affect you?

1557
01:06:09,480 --> 01:06:09,960
Speaker 1: Is it? Is it?

1558
01:06:10,160 --> 01:06:10,200
Speaker 8: Like?

1559
01:06:10,640 --> 01:06:14,000
Speaker 2: What do people care about sex tapes anymore in twenty

1560
01:06:14,040 --> 01:06:14,520
Speaker 2: twenty three?

1561
01:06:14,680 --> 01:06:15,160
Speaker 1: No, I don't think.

1562
01:06:15,600 --> 01:06:18,480
Speaker 2: I think it depends on who it is. It does, Like,

1563
01:06:20,560 --> 01:06:22,320
Speaker 2: I would like to see India Love make that mistake.

1564
01:06:22,360 --> 01:06:25,480
Speaker 1: Oh my god, what if India Love did not want

1565
01:06:25,520 --> 01:06:27,240
Speaker 1: to make that mistake, did not want to post, not

1566
01:06:27,280 --> 01:06:28,160
Speaker 1: accedentally post her.

1567
01:06:28,040 --> 01:06:30,280
Speaker 2: Second I'm saying I would, I would. I would like

1568
01:06:30,320 --> 01:06:30,640
Speaker 2: to see that.

1569
01:06:30,760 --> 01:06:32,880
Speaker 1: You would like her to intentionally post her sex tape

1570
01:06:32,880 --> 01:06:35,240
Speaker 1: and say, okay everyone, I want you to see.

1571
01:06:35,120 --> 01:06:40,720
Speaker 2: That, or somebody stole my phone and did it gotcha again?

1572
01:06:41,920 --> 01:06:43,760
Speaker 2: That's a good one. See, I mean, that's a good mistake.

1573
01:06:43,800 --> 01:06:45,320
Speaker 5: I'm going back to what that's what you're saying.

1574
01:06:45,320 --> 01:06:49,200
Speaker 2: That's called hitting a lotto jack. She wanted to do that.

1575
01:06:49,400 --> 01:06:52,400
Speaker 1: Yeah, you guys are gonna make me have to clean

1576
01:06:52,480 --> 01:06:55,640
Speaker 1: all this. You guys want them to purposely post No no, no, no, no, no,

1577
01:06:56,000 --> 01:06:59,520
Speaker 1: you want you want someone to accidentally show a private

1578
01:06:59,760 --> 01:07:00,320
Speaker 1: video of them?

1579
01:07:00,440 --> 01:07:04,000
Speaker 2: Oh, I want whatever tragedy. I want whatever tragedy that

1580
01:07:04,160 --> 01:07:05,840
Speaker 2: just happened to sexy Red happened.

1581
01:07:05,600 --> 01:07:08,440
Speaker 3: To some tragedy other I'm disagreeing with that part, and I.

1582
01:07:08,520 --> 01:07:11,560
Speaker 2: Said, I want to see that happen to some other people.

1583
01:07:11,640 --> 01:07:14,320
Speaker 2: Maybe sexy Reddit is kind of like, oh, okay.

1584
01:07:14,160 --> 01:07:16,960
Speaker 3: Like DeMars, have you ever like accidentally sent a nude

1585
01:07:17,040 --> 01:07:18,040
Speaker 3: or shared that something like.

1586
01:07:18,120 --> 01:07:22,320
Speaker 7: I've accidentally sent was recording a video, a very embarrassing

1587
01:07:22,960 --> 01:07:24,920
Speaker 7: naked video of me, and I accidentally posted it to

1588
01:07:25,000 --> 01:07:27,560
Speaker 7: my Snapchat and I had absolutely no idea that it

1589
01:07:27,640 --> 01:07:28,000
Speaker 7: was on there.

1590
01:07:28,240 --> 01:07:29,080
Speaker 2: How does that happen?

1591
01:07:29,120 --> 01:07:30,480
Speaker 6: I got so many girl, girl.

1592
01:07:30,360 --> 01:07:32,240
Speaker 1: I followed you that year, like twenty fifteen.

1593
01:07:32,320 --> 01:07:34,560
Speaker 2: Maybe are you like recording it through Snapchat?

1594
01:07:34,920 --> 01:07:38,440
Speaker 7: So Snapchat and Instagram have filters on them, so sometimes

1595
01:07:38,480 --> 01:07:42,360
Speaker 7: people will record in those apps, and sometimes you can

1596
01:07:42,440 --> 01:07:44,480
Speaker 7: accident Okay, that's what you mean. You go to save

1597
01:07:44,600 --> 01:07:46,880
Speaker 7: and you accidentally post, or you get distracted, you put

1598
01:07:46,920 --> 01:07:49,520
Speaker 7: your phone down, and you know when your phone isn't locked,

1599
01:07:49,720 --> 01:07:51,960
Speaker 7: and like you can sometimes be pressing shit on your

1600
01:07:52,040 --> 01:07:53,919
Speaker 7: phone and talk to text and all types of shit.

1601
01:07:54,200 --> 01:07:56,600
Speaker 7: So sometimes things like that happen, and I thought what

1602
01:07:56,760 --> 01:07:59,520
Speaker 7: I was doing was saving it, and I wasn't paying attention.

1603
01:07:59,600 --> 01:08:02,520
Speaker 6: I was talking to somebody and I accidentally sent it

1604
01:08:02,720 --> 01:08:03,400
Speaker 6: on Snapchat.

1605
01:08:03,480 --> 01:08:05,160
Speaker 7: So it was on my Snapchat story for like a

1606
01:08:05,240 --> 01:08:07,920
Speaker 7: good five to ten minutes until I started getting a

1607
01:08:07,960 --> 01:08:10,560
Speaker 7: bunch of notifications and I was like, oh fuck, and

1608
01:08:10,600 --> 01:08:10,880
Speaker 7: I had it.

1609
01:08:11,040 --> 01:08:13,800
Speaker 6: It was a heart attack. Yeah, but that it's not

1610
01:08:13,920 --> 01:08:14,400
Speaker 6: a good.

1611
01:08:14,360 --> 01:08:18,559
Speaker 3: Feeling, Like, that's not she math follows it was crazy.

1612
01:08:18,600 --> 01:08:19,400
Speaker 6: It's not a good feeling.

1613
01:08:19,680 --> 01:08:21,760
Speaker 1: Just actually got to be even worse feeling if it

1614
01:08:21,920 --> 01:08:23,280
Speaker 1: was like a bad representation.

1615
01:08:23,680 --> 01:08:25,240
Speaker 6: Oh, it was awful. I had a Batman capeon.

1616
01:08:25,360 --> 01:08:26,360
Speaker 5: It was bad, my sister.

1617
01:08:27,800 --> 01:08:29,479
Speaker 1: That's where I felt bad from that. You heard like

1618
01:08:29,560 --> 01:08:32,040
Speaker 1: Black China outside of the obvious of having someone since

1619
01:08:32,040 --> 01:08:34,800
Speaker 1: they leaked that they didn't want to leap like that.

1620
01:08:34,920 --> 01:08:37,000
Speaker 1: Black China was she. I feel like her head game

1621
01:08:37,040 --> 01:08:38,880
Speaker 1: is probably better than what was leaked.

1622
01:08:39,760 --> 01:08:42,200
Speaker 5: That's like, that's a double I want to talk about

1623
01:08:42,560 --> 01:08:44,439
Speaker 5: China's a head game. Request, why did you have a

1624
01:08:44,479 --> 01:08:45,160
Speaker 5: Batman cable?

1625
01:08:45,800 --> 01:08:48,320
Speaker 2: We in some cosplay? Shit, you was naked with a

1626
01:08:48,360 --> 01:08:50,519
Speaker 2: Batman cab on. Yeah, I'm sorry you guys walked over that.

1627
01:08:50,600 --> 01:08:52,240
Speaker 3: You guys completely missed that line.

1628
01:08:52,800 --> 01:08:54,840
Speaker 5: Yes, that was was it Halloween time?

1629
01:08:54,920 --> 01:08:56,880
Speaker 2: I see why you were embarrassed, Like it's the cake,

1630
01:08:56,920 --> 01:09:00,880
Speaker 2: It's not that naked it was. It was just the cape,

1631
01:09:01,560 --> 01:09:03,560
Speaker 2: like party City. I'm gonna keep it a hundred. I

1632
01:09:03,560 --> 01:09:06,439
Speaker 2: don't know if I've even seeing a Batman cap. I've

1633
01:09:06,479 --> 01:09:08,400
Speaker 2: seen Superman capes like costumes.

1634
01:09:08,439 --> 01:09:11,640
Speaker 7: I don't know if it was from six Flags like

1635
01:09:11,680 --> 01:09:13,360
Speaker 7: they had, you know, like ship you could like win

1636
01:09:13,520 --> 01:09:14,439
Speaker 7: it was from six Flags?

1637
01:09:14,520 --> 01:09:16,120
Speaker 2: You were butt ass in a six Flag cap?

1638
01:09:16,240 --> 01:09:17,960
Speaker 1: Were you the hero that he wanted or the hero

1639
01:09:18,080 --> 01:09:18,400
Speaker 1: you needed?

1640
01:09:18,680 --> 01:09:22,000
Speaker 6: Definitely the one, yeah, definitely the one they needed, not

1641
01:09:22,040 --> 01:09:22,400
Speaker 6: the one they.

1642
01:09:22,320 --> 01:09:24,400
Speaker 3: Did in front of mine in college, got blackout drunk

1643
01:09:24,560 --> 01:09:28,320
Speaker 3: and similar mistake on Snapchat, accidentally uploaded a picture of

1644
01:09:28,400 --> 01:09:32,680
Speaker 3: his dick to his story sleep passed out, so that

1645
01:09:32,840 --> 01:09:34,160
Speaker 3: was on his story for like ten hours.

1646
01:09:35,800 --> 01:09:38,360
Speaker 7: Now that's the fear or the fear I think. I

1647
01:09:38,360 --> 01:09:40,000
Speaker 7: don't know if this is just a fear that girls have.

1648
01:09:40,320 --> 01:09:42,320
Speaker 7: When I wake up from like a nap or like

1649
01:09:42,479 --> 01:09:45,240
Speaker 7: sleep and my text messages and calls have been going crazy,

1650
01:09:45,360 --> 01:09:47,760
Speaker 7: the first thing I think is either someone died or

1651
01:09:47,800 --> 01:09:49,600
Speaker 7: my nudes leaked, like please and let it.

1652
01:09:49,680 --> 01:09:51,680
Speaker 6: Let it be somebody had died, Please don't let it

1653
01:09:51,880 --> 01:09:52,240
Speaker 6: be my news.

1654
01:09:52,640 --> 01:09:55,439
Speaker 2: My sister posted a video a picture of her naked

1655
01:09:55,520 --> 01:09:57,680
Speaker 2: on her Instagram before an older sister and didn't know

1656
01:09:57,760 --> 01:09:59,200
Speaker 2: how to take it down. My niece had to drive

1657
01:09:59,280 --> 01:10:01,600
Speaker 2: to my sisters how house and literally so it was

1658
01:10:01,680 --> 01:10:04,320
Speaker 2: like living up there for like fifteen minutes and we

1659
01:10:04,439 --> 01:10:06,439
Speaker 2: all saw it and I'm like you through somebody. She

1660
01:10:06,520 --> 01:10:08,800
Speaker 2: came across my time like why is a naked picture

1661
01:10:08,800 --> 01:10:12,080
Speaker 2: of my sister on her page? She had no idea,

1662
01:10:12,160 --> 01:10:14,040
Speaker 2: So we hit the group chat like yo, you I right,

1663
01:10:14,280 --> 01:10:16,639
Speaker 2: like what's up with you? And she had no idea

1664
01:10:16,800 --> 01:10:17,280
Speaker 2: what do you mean?

1665
01:10:17,720 --> 01:10:18,080
Speaker 5: She's like what?

1666
01:10:18,200 --> 01:10:20,360
Speaker 2: I was like, yo this, My brother said, yo, take

1667
01:10:20,439 --> 01:10:23,000
Speaker 2: that picture? What are you doing? So then my niece

1668
01:10:23,080 --> 01:10:25,200
Speaker 2: had to drive to her house because she didn't even

1669
01:10:25,240 --> 01:10:27,439
Speaker 2: know how to like she don't know how to do Instagram.

1670
01:10:27,880 --> 01:10:29,360
Speaker 2: My niece had to drive to the house and show

1671
01:10:29,400 --> 01:10:31,800
Speaker 2: her how to delete the picture off on Instagram. So

1672
01:10:31,920 --> 01:10:33,400
Speaker 2: all the time she's getting in the car on it's

1673
01:10:33,520 --> 01:10:37,639
Speaker 2: like bacon all her timeline like makeing awful. I'm like yo,

1674
01:10:37,960 --> 01:10:40,160
Speaker 2: like it was funny, but it wasn't funny, like we

1675
01:10:40,320 --> 01:10:41,680
Speaker 2: was all laughing in the group check. It's like, now

1676
01:10:41,720 --> 01:10:43,559
Speaker 2: what you none you can do about it? Like everybody's

1677
01:10:43,600 --> 01:10:44,120
Speaker 2: seen your ass.

1678
01:10:44,960 --> 01:10:47,400
Speaker 7: It's very awful. I feel bad for Sexy rad. Y'all

1679
01:10:47,400 --> 01:10:49,080
Speaker 7: don't think she posted on accident though y'all think she

1680
01:10:49,080 --> 01:10:49,679
Speaker 7: did not purpose.

1681
01:10:50,360 --> 01:10:51,400
Speaker 3: I don't think could be an accident.

1682
01:10:51,920 --> 01:10:55,000
Speaker 2: I mean sex tapes of knowing their help. She's trending

1683
01:10:55,120 --> 01:10:56,920
Speaker 2: in the in the country now.

1684
01:10:56,880 --> 01:10:58,479
Speaker 1: So y'all mean, just showed me something real quick and

1685
01:10:58,479 --> 01:11:00,800
Speaker 1: it was fun and I can definitely see them taking

1686
01:11:00,920 --> 01:11:04,480
Speaker 1: the genius of the sex tape world that Kim Kardashian

1687
01:11:04,720 --> 01:11:08,320
Speaker 1: didn't add that in women rappers world. I'm not saying

1688
01:11:08,360 --> 01:11:10,000
Speaker 1: that's the case here, but I wouldn't shock me.

1689
01:11:10,200 --> 01:11:11,599
Speaker 2: She was right.

1690
01:11:11,760 --> 01:11:13,599
Speaker 3: Yeah, you have the Trump comments on Theo's pod.

1691
01:11:13,600 --> 01:11:19,040
Speaker 5: Okay, so you want someone selling theory that apparently that

1692
01:11:19,240 --> 01:11:22,320
Speaker 5: happened on purpose, so people would like get distracted from

1693
01:11:22,320 --> 01:11:23,040
Speaker 5: her Trump comments.

1694
01:11:23,120 --> 01:11:25,439
Speaker 3: Not anyone too much about her political affiliates.

1695
01:11:25,560 --> 01:11:28,000
Speaker 6: No one cares about what she know. She does not

1696
01:11:28,160 --> 01:11:28,439
Speaker 6: need to.

1697
01:11:28,439 --> 01:11:32,080
Speaker 2: Clean that up with nobody cares. Nobody gives a fuck.

1698
01:11:32,160 --> 01:11:34,280
Speaker 2: It does not once you hit refresh, is gone.

1699
01:11:34,320 --> 01:11:35,720
Speaker 1: Yeah, I don't know if there's a line I draw

1700
01:11:35,840 --> 01:11:37,839
Speaker 1: with sexy Red where it's like never mind.

1701
01:11:37,720 --> 01:11:39,879
Speaker 2: Nobody giving nobody.

1702
01:11:40,000 --> 01:11:42,040
Speaker 1: I don't know if her Trump comments really made me like, oh,

1703
01:11:42,080 --> 01:11:44,680
Speaker 1: I can't now wrapping that knowledge right now.

1704
01:11:44,760 --> 01:11:46,599
Speaker 2: I can see her being mad because maybe she wanted

1705
01:11:46,600 --> 01:11:47,680
Speaker 2: to start a OnlyFans.

1706
01:11:48,439 --> 01:11:49,920
Speaker 3: I mean, this would be the listen.

1707
01:11:50,600 --> 01:11:53,400
Speaker 1: Isn't this her side? Dude that's been like leaking photos

1708
01:11:53,439 --> 01:11:55,160
Speaker 1: and bragging about sucking her. I don't know already, So

1709
01:11:55,280 --> 01:11:56,720
Speaker 1: that's why I didn't want to put it on this

1710
01:11:56,800 --> 01:11:59,760
Speaker 1: guy's jacket. But he's already had this behavior already, Okay,

1711
01:12:00,000 --> 01:12:01,639
Speaker 1: so I could totally see him having access.

1712
01:12:02,520 --> 01:12:04,240
Speaker 2: So he took pictures, he took a video when she

1713
01:12:04,280 --> 01:12:10,280
Speaker 2: was asleep, right yo. Yeah, that's corny, that's you know,

1714
01:12:11,439 --> 01:12:12,960
Speaker 2: I understand a girl, may I be fucking with you

1715
01:12:13,040 --> 01:12:15,640
Speaker 2: the more she cuts you off, but that's not how

1716
01:12:15,680 --> 01:12:17,360
Speaker 2: you get back at her and kind of that. That's

1717
01:12:17,439 --> 01:12:20,639
Speaker 2: just corny, is stupid, And isn't that a crime? Yeah?

1718
01:12:21,479 --> 01:12:24,080
Speaker 6: Yeah, yes, revenge porn is a crime.

1719
01:12:24,880 --> 01:12:27,280
Speaker 1: That's wild. Well, I mean, if Sexy Red, if that

1720
01:12:27,560 --> 01:12:29,880
Speaker 1: had nothing to do with you, and you're embarrassed, we

1721
01:12:29,960 --> 01:12:32,240
Speaker 1: feel for you. Help that has been scrubbed from the internet.

1722
01:12:32,920 --> 01:12:35,120
Speaker 3: It's not, it's not it's not still the story.

1723
01:12:35,439 --> 01:12:43,000
Speaker 2: Yeah, it's it's twenty hours left. She uploaded it. She

1724
01:12:43,120 --> 01:12:44,479
Speaker 2: had to add a filter over the video.

1725
01:12:45,280 --> 01:12:47,639
Speaker 1: I mean, I do think we're going to get that's

1726
01:12:47,760 --> 01:12:51,800
Speaker 1: the next step wrap. I really think it's going to

1727
01:12:51,800 --> 01:12:55,240
Speaker 1: be porn star wrapp. We've gotten so far with sexual rap.

1728
01:12:55,880 --> 01:13:00,200
Speaker 1: The next step we've seen it was taboo when Aman

1729
01:13:00,240 --> 01:13:03,000
Speaker 1: that was a rapper showed her ass, that was wild.

1730
01:13:03,800 --> 01:13:06,040
Speaker 1: Now you have to be damn near butt ass to

1731
01:13:06,120 --> 01:13:09,599
Speaker 1: be a rapper. The next there's only one other step

1732
01:13:09,640 --> 01:13:09,960
Speaker 1: after this.

1733
01:13:10,439 --> 01:13:10,800
Speaker 5: I hope that.

1734
01:13:11,800 --> 01:13:14,240
Speaker 2: Yes, yeah, I hope I'm allowed for that.

1735
01:13:14,360 --> 01:13:15,960
Speaker 1: Can you what would be the next step? We've seen

1736
01:13:16,000 --> 01:13:19,479
Speaker 1: the progression? What would be the next step in the

1737
01:13:19,680 --> 01:13:22,400
Speaker 1: female rapp worlds that specific female wrap world?

1738
01:13:22,720 --> 01:13:27,880
Speaker 2: Mmm, fucking on camera X rating music videos, that's what

1739
01:13:28,120 --> 01:13:29,000
Speaker 2: I think. That's already a thing.

1740
01:13:29,640 --> 01:13:31,480
Speaker 1: But like with them really two minutes.

1741
01:13:31,360 --> 01:13:33,560
Speaker 3: As the artists like not how rappers would have like

1742
01:13:33,720 --> 01:13:35,040
Speaker 3: naked women bagging up coke.

1743
01:13:35,080 --> 01:13:37,080
Speaker 2: I don't like the actual artists that actually gauge the

1744
01:13:37,200 --> 01:13:39,560
Speaker 2: artists being naked. Well, Suki is leading the front and

1745
01:13:39,600 --> 01:13:43,720
Speaker 2: that ship Ski trying to break down all barriers of

1746
01:13:43,760 --> 01:13:45,400
Speaker 2: that ship. She don't give a fuck.

1747
01:13:45,840 --> 01:13:46,760
Speaker 5: She's leading the charge.

1748
01:13:46,840 --> 01:13:49,040
Speaker 2: She's leading the charge in that category. Suki is she

1749
01:13:49,479 --> 01:13:52,120
Speaker 2: put her own scort video out all kind of that.

1750
01:13:52,840 --> 01:13:55,320
Speaker 1: And I'm not talking about the foreign star only fan

1751
01:13:55,479 --> 01:13:59,960
Speaker 1: girl that becomes a rapper and just continue about the rapper. Rappers,

1752
01:14:00,080 --> 01:14:02,040
Speaker 1: you only fans rather than only fans the rapper. That's

1753
01:14:02,120 --> 01:14:03,320
Speaker 1: the only next step I can think of.

1754
01:14:03,520 --> 01:14:06,400
Speaker 3: Yeah, so you're calling bad Baby a pioneer, Yeah, because

1755
01:14:06,439 --> 01:14:07,000
Speaker 3: that's what she's sure.

1756
01:14:08,600 --> 01:14:10,360
Speaker 5: She went from rap to well, she went from doctor

1757
01:14:10,400 --> 01:14:11,960
Speaker 5: Phil to rap to only fans.

1758
01:14:12,320 --> 01:14:14,120
Speaker 2: But is she naked or only fans? I don't know.

1759
01:14:14,200 --> 01:14:18,479
Speaker 3: I think it's it's probably just nudes, probably like photos.

1760
01:14:18,479 --> 01:14:19,519
Speaker 3: I don't think she's getting rammed.

1761
01:14:19,520 --> 01:14:21,800
Speaker 2: I thought she was doing like a bikini that type

1762
01:14:21,840 --> 01:14:25,040
Speaker 2: of thing, like long bikini type of thing on my content.

1763
01:14:25,320 --> 01:14:27,160
Speaker 1: Either way, she launched it on her eighteenth birthday, so

1764
01:14:27,240 --> 01:14:29,000
Speaker 1: those photos had to be conduct.

1765
01:14:29,600 --> 01:14:32,760
Speaker 3: She took them all that day. Ry she had a shoot, Yeah,

1766
01:14:32,920 --> 01:14:35,040
Speaker 3: shooting backlog photos when she was sixteen?

1767
01:14:35,439 --> 01:14:38,920
Speaker 1: Oh god, anyways, can we get to voicemails? Prayers to

1768
01:14:39,080 --> 01:14:40,760
Speaker 1: everyone involved in sex?

1769
01:14:41,040 --> 01:14:41,519
Speaker 2: Right? Yeah?

1770
01:14:41,640 --> 01:14:46,280
Speaker 1: Okay, okay, Wait is that a violation of that guy's

1771
01:14:46,280 --> 01:14:47,320
Speaker 1: PAROLEA has ankle monolo?

1772
01:14:49,160 --> 01:14:50,880
Speaker 2: He might get if she presses charges.

1773
01:14:51,680 --> 01:14:53,400
Speaker 1: There's been photos of her in bed with that guy

1774
01:14:53,439 --> 01:14:56,160
Speaker 1: and he has an ankle monolo. That's a violation of.

1775
01:14:56,280 --> 01:14:58,280
Speaker 2: But she would have to press those charges. She and

1776
01:14:58,400 --> 01:15:00,200
Speaker 2: she's not going to and she ain't doing it. She

1777
01:15:00,320 --> 01:15:01,920
Speaker 2: from the streets, she's standing tall. She might have some

1778
01:15:02,000 --> 01:15:05,000
Speaker 2: niggas go at him though she ain't gonna go to court.

1779
01:15:06,120 --> 01:15:08,000
Speaker 2: And then who knows, like she she might be cool

1780
01:15:08,000 --> 01:15:10,200
Speaker 2: with it. She might laughed at it, like, yo, don't

1781
01:15:10,240 --> 01:15:10,679
Speaker 2: do that again.

1782
01:15:11,680 --> 01:15:14,360
Speaker 6: He could have her Instagram password. I didn't even think about.

1783
01:15:14,160 --> 01:15:17,240
Speaker 7: That because I've had guys who've had my Instagram.

1784
01:15:16,920 --> 01:15:21,200
Speaker 6: Passwords sometimes can I have? You might sign it on there.

1785
01:15:21,360 --> 01:15:23,360
Speaker 6: Anything can happen. He might sign in on their followood.

1786
01:15:23,400 --> 01:15:25,439
Speaker 2: What would need somebody.

1787
01:15:26,720 --> 01:15:28,680
Speaker 3: With somebody's Why would you ever need to sign it

1788
01:15:28,760 --> 01:15:29,400
Speaker 3: on someone's phone?

1789
01:15:29,439 --> 01:15:31,040
Speaker 6: Things happen sometimes, like what?

1790
01:15:31,479 --> 01:15:33,880
Speaker 1: But it'd be so scared to have an ankle monitor

1791
01:15:33,960 --> 01:15:36,280
Speaker 1: on and have beef, Like there's only so many places

1792
01:15:36,320 --> 01:15:40,920
Speaker 1: you can go, but everyone knows where you are. Like

1793
01:15:40,960 --> 01:15:42,960
Speaker 1: I'm thinking about she wants to get some guys to

1794
01:15:43,000 --> 01:15:45,200
Speaker 1: handle that, like, there's only one hundred feet that that

1795
01:15:45,240 --> 01:15:47,000
Speaker 1: guy can go. Like, yeah, yo, he had red lobster

1796
01:15:47,120 --> 01:15:52,240
Speaker 1: right now the way, Yeah, like listen, even if he

1797
01:15:52,320 --> 01:15:54,360
Speaker 1: has like supervised release, like he has to be home

1798
01:15:54,400 --> 01:15:54,920
Speaker 1: at six.

1799
01:15:54,920 --> 01:15:58,759
Speaker 2: Yeah, he'll be back. You just know he'll be there, exactly.

1800
01:15:59,040 --> 01:16:01,720
Speaker 1: He has to be back here to be let's just

1801
01:16:01,840 --> 01:16:02,439
Speaker 1: climate right.

1802
01:16:02,479 --> 01:16:03,960
Speaker 2: Show up. When he shows up, y'all pull up at

1803
01:16:04,000 --> 01:16:04,400
Speaker 2: the same time.

1804
01:16:04,680 --> 01:16:13,640
Speaker 1: Holy shit, you've got mail, but yeah, voicemails.

1805
01:16:14,080 --> 01:16:17,800
Speaker 3: It's music for once, we can't escape Taylor swifts out

1806
01:16:17,840 --> 01:16:18,080
Speaker 3: here we go.

1807
01:16:19,840 --> 01:16:21,800
Speaker 8: Hey man, I fucked with the pie. But I'm just

1808
01:16:21,840 --> 01:16:24,519
Speaker 8: gonna get straight to the question. Which one of these

1809
01:16:24,600 --> 01:16:27,640
Speaker 8: songs is more hip hop? Britney Spirits, Oops, I.

1810
01:16:27,640 --> 01:16:28,240
Speaker 5: Did it again?

1811
01:16:29,120 --> 01:16:32,120
Speaker 2: Or Tailors with Bad Blood Britney Spirits.

1812
01:16:32,200 --> 01:16:34,840
Speaker 8: She played the dude the whole song, even had him

1813
01:16:34,880 --> 01:16:37,720
Speaker 8: go down to the Titanic and get a necklace, and

1814
01:16:37,840 --> 01:16:42,559
Speaker 8: all she said was all you shouldn't have got bad blood.

1815
01:16:43,160 --> 01:16:47,759
Speaker 8: That's straight beef and low key bandade, don't fix bullet holes,

1816
01:16:48,200 --> 01:16:48,800
Speaker 8: that's a bar.

1817
01:16:49,120 --> 01:16:51,160
Speaker 2: So which one do y'all think is more hip hop?

1818
01:16:51,760 --> 01:16:54,920
Speaker 3: I'm rolling with the Tailors with record same I don't know.

1819
01:16:55,040 --> 01:16:57,880
Speaker 1: Oops, I did it again. Hip Hop never takes accountability.

1820
01:16:58,439 --> 01:17:00,880
Speaker 1: Britney took no accountability. She said, Oops, I did it again.

1821
01:17:00,960 --> 01:17:03,720
Speaker 2: Yeah, but the lyrics in a sarcastic way, the lyricism

1822
01:17:03,880 --> 01:17:06,800
Speaker 2: and and the Taylor record is is just it's hip hop.

1823
01:17:06,880 --> 01:17:09,519
Speaker 3: Those are like bars and Kendrick is in it. If

1824
01:17:09,520 --> 01:17:11,559
Speaker 3: you want actual rap ours yeah yeah.

1825
01:17:11,840 --> 01:17:14,479
Speaker 2: So that's like, that's that's definitely hip hop. That bad

1826
01:17:14,479 --> 01:17:15,479
Speaker 2: Blood record is definitely hit.

1827
01:17:15,720 --> 01:17:16,439
Speaker 6: I'm gonna have to go with it.

1828
01:17:16,560 --> 01:17:18,640
Speaker 2: And you can't have blood in the song and it

1829
01:17:18,760 --> 01:17:19,439
Speaker 2: not be hip hop.

1830
01:17:19,560 --> 01:17:21,280
Speaker 5: Like right, it's not bad crip.

1831
01:17:21,400 --> 01:17:23,559
Speaker 1: I mean, but if you think about pretty much every

1832
01:17:23,680 --> 01:17:27,719
Speaker 1: rap record up until this newest generation, it is anytime

1833
01:17:27,800 --> 01:17:29,799
Speaker 1: a girl record comes on, it is pretty much oopsid

1834
01:17:29,840 --> 01:17:32,320
Speaker 1: did it again? I play with your heart? Yeah, like

1835
01:17:32,439 --> 01:17:35,439
Speaker 1: it is all no accountability, Like I'm a piece of shit. Yeah,

1836
01:17:35,560 --> 01:17:36,719
Speaker 1: And I don't care.

1837
01:17:36,680 --> 01:17:38,200
Speaker 5: That h Taylor was going on her.

1838
01:17:38,320 --> 01:17:39,280
Speaker 1: It was just another hoe.

1839
01:17:39,880 --> 01:17:41,120
Speaker 2: Taylor was going out of ops.

1840
01:17:41,800 --> 01:17:44,120
Speaker 3: I mean, she had the cameos in this for incredible.

1841
01:17:44,240 --> 01:17:48,839
Speaker 3: Selena Gomez obviously Kendricks on the song, Uh Gigi hadid

1842
01:17:48,960 --> 01:17:52,120
Speaker 3: Ela Golding. There's just a bunch of white women.

1843
01:17:52,200 --> 01:17:54,160
Speaker 1: Well, who's Who's Bad Blood supposed to be about who's

1844
01:17:54,160 --> 01:17:54,559
Speaker 1: who's the op?

1845
01:17:55,439 --> 01:17:57,320
Speaker 5: Who is the I thought it was Selina Gomez in

1846
01:17:57,400 --> 01:17:59,200
Speaker 5: this case, but I'm she's in the video.

1847
01:17:59,240 --> 01:17:59,320
Speaker 1: I know.

1848
01:17:59,360 --> 01:18:00,639
Speaker 5: That's what I'm saying. I'm I'm not up to date

1849
01:18:00,680 --> 01:18:01,839
Speaker 5: with my Taylor beef.

1850
01:18:01,840 --> 01:18:05,479
Speaker 1: Because if I if I have my timeline correct, wasn't Oops,

1851
01:18:05,479 --> 01:18:07,760
Speaker 1: I did it again A shot at h Justin when

1852
01:18:07,800 --> 01:18:10,519
Speaker 1: he was trying to act all tough after their breakup

1853
01:18:11,160 --> 01:18:13,760
Speaker 1: and she was trying to reverse it like you was

1854
01:18:13,840 --> 01:18:16,920
Speaker 1: really the one that was hurting? Not so that's that's

1855
01:18:16,960 --> 01:18:17,559
Speaker 1: hip hop to me.

1856
01:18:17,680 --> 01:18:20,439
Speaker 2: Spicy and then when and then Justin responded, was crime river?

1857
01:18:20,479 --> 01:18:23,599
Speaker 2: After that? Yes? I think six songs.

1858
01:18:23,360 --> 01:18:24,680
Speaker 5: Love that that was?

1859
01:18:24,880 --> 01:18:26,160
Speaker 1: That was actually a crazy rap.

1860
01:18:27,520 --> 01:18:28,880
Speaker 2: That song he won that battle.

1861
01:18:28,960 --> 01:18:30,920
Speaker 3: I love that song is hard one of the best

1862
01:18:31,280 --> 01:18:31,519
Speaker 3: beat it.

1863
01:18:31,640 --> 01:18:36,479
Speaker 2: She still hasn't recovered. She's slapping as I feel for Brittany,

1864
01:18:36,560 --> 01:18:38,559
Speaker 2: but we all need to apologize to her father.

1865
01:18:38,760 --> 01:18:40,719
Speaker 6: No, we don't know, we don't.

1866
01:18:42,120 --> 01:18:42,160
Speaker 5: Know.

1867
01:18:44,120 --> 01:18:44,960
Speaker 2: They made her like that.

1868
01:18:45,240 --> 01:18:46,920
Speaker 3: She's swinging them knives like a hibachi chef.

1869
01:18:47,200 --> 01:18:47,840
Speaker 2: I'm not saying that.

1870
01:18:48,640 --> 01:18:50,880
Speaker 7: She's in her house, even if she is mentally ill,

1871
01:18:50,960 --> 01:18:54,320
Speaker 7: she's in her house, not harming anybody, not harming herself her.

1872
01:18:54,360 --> 01:18:54,760
Speaker 2: No, she's not.

1873
01:18:54,920 --> 01:18:57,040
Speaker 7: She's doing her That doesn't mean that somebody should have

1874
01:18:57,120 --> 01:18:58,640
Speaker 7: control of all of her money in what she.

1875
01:18:58,720 --> 01:18:59,400
Speaker 5: Does with her life.

1876
01:19:00,160 --> 01:19:00,800
Speaker 2: Well not not too.

1877
01:19:01,560 --> 01:19:03,080
Speaker 1: She needs some supervision, That's what I'm saying.

1878
01:19:03,439 --> 01:19:05,280
Speaker 2: She needs somebody. She needs somebody to be there to

1879
01:19:05,360 --> 01:19:08,200
Speaker 2: kind of be like yo, not why we may not

1880
01:19:08,320 --> 01:19:10,840
Speaker 2: be able to make sound decisions with her money and with.

1881
01:19:10,920 --> 01:19:14,120
Speaker 1: Her Where did you get that from her Instagram today?

1882
01:19:14,200 --> 01:19:16,280
Speaker 6: Because she likes dancing on Instagram.

1883
01:19:16,400 --> 01:19:19,679
Speaker 2: It's not about don't do that. Joy's on Instagram dancing.

1884
01:19:19,720 --> 01:19:23,120
Speaker 2: I ass off, okay, nobody, but nobody thinks she's mentally ill.

1885
01:19:23,760 --> 01:19:26,920
Speaker 2: Brittany is doing things and moving in ways, and it's

1886
01:19:29,120 --> 01:19:31,439
Speaker 2: it's not it's that, don't do that because if that

1887
01:19:31,560 --> 01:19:34,040
Speaker 2: was a Zilia Banks doing that, we would be killing

1888
01:19:34,080 --> 01:19:35,080
Speaker 2: her right now. So don't do that.

1889
01:19:35,200 --> 01:19:35,880
Speaker 5: It's odd behavior.

1890
01:19:37,160 --> 01:19:39,519
Speaker 7: Amelia doesn't have to do that. And people already say

1891
01:19:39,560 --> 01:19:40,880
Speaker 7: that Azilia is mentally ill.

1892
01:19:40,920 --> 01:19:43,280
Speaker 2: Okay, but this is my thing.

1893
01:19:43,479 --> 01:19:46,240
Speaker 7: Even if she is mentally ill, there are multiple people

1894
01:19:46,280 --> 01:19:49,840
Speaker 7: in this room, right why why No? Just because she

1895
01:19:49,920 --> 01:19:51,960
Speaker 7: shows it in a different way doesn't make her mental

1896
01:19:51,960 --> 01:19:53,200
Speaker 7: illness any worse than y'all.

1897
01:19:53,320 --> 01:19:53,920
Speaker 2: This is dangerous.

1898
01:19:53,920 --> 01:19:55,280
Speaker 3: She's dancing with two butcher knives.

1899
01:19:55,320 --> 01:19:57,920
Speaker 5: But like it's concerning when it's out in the public

1900
01:19:58,040 --> 01:20:00,400
Speaker 5: like that, when you're putting this content out, there's two

1901
01:20:00,439 --> 01:20:01,280
Speaker 5: different things, like what.

1902
01:20:01,400 --> 01:20:02,360
Speaker 2: Is what is this? Dude?

1903
01:20:02,400 --> 01:20:05,120
Speaker 1: Because she can't dance, I don't understand why, y'all that

1904
01:20:05,200 --> 01:20:06,200
Speaker 1: choreograshy is kind of ill.

1905
01:20:06,280 --> 01:20:06,800
Speaker 5: You're hating.

1906
01:20:07,000 --> 01:20:08,920
Speaker 6: I'm hating because that's I'm saying that she can't.

1907
01:20:09,200 --> 01:20:10,759
Speaker 3: First of all, she's smoking lobster.

1908
01:20:12,320 --> 01:20:14,120
Speaker 1: Yeah, I can't lie. This one's actually pretty dope.

1909
01:20:14,280 --> 01:20:16,320
Speaker 5: Yeah, now there's been some other shop.

1910
01:20:16,320 --> 01:20:17,800
Speaker 1: If you saw this in like Vegas at one of

1911
01:20:17,840 --> 01:20:19,000
Speaker 1: those shows, you think it was ill.

1912
01:20:19,280 --> 01:20:21,719
Speaker 2: I would ask for I would ask for a refund,

1913
01:20:21,920 --> 01:20:23,600
Speaker 2: Like listen, give me get my money back. This is

1914
01:20:23,640 --> 01:20:25,320
Speaker 2: the word show I've ever been to in my fucking life.

1915
01:20:27,920 --> 01:20:31,280
Speaker 7: If Brittany was going live, cutting herself or doing like

1916
01:20:31,439 --> 01:20:33,920
Speaker 7: self destructive ship, then I could understand that.

1917
01:20:34,439 --> 01:20:36,960
Speaker 6: But she's actually just dancing on the internet.

1918
01:20:37,000 --> 01:20:38,640
Speaker 1: I know we're not allowed to say this, but you

1919
01:20:38,680 --> 01:20:41,080
Speaker 1: don't think that this may be like the breadcrumb trail

1920
01:20:41,160 --> 01:20:43,240
Speaker 1: to maybe that happening. I mean, yeah, like this could

1921
01:20:43,240 --> 01:20:44,120
Speaker 1: be the early science.

1922
01:20:44,520 --> 01:20:47,000
Speaker 7: Because she's dancing on the internet with knives like this.

1923
01:20:47,520 --> 01:20:50,080
Speaker 7: Somebody she danced once with knives. Their girl dances every day.

1924
01:20:50,160 --> 01:20:51,879
Speaker 7: She happen to bring out knives for the celebration.

1925
01:20:52,040 --> 01:20:52,160
Speaker 5: Hot.

1926
01:20:52,240 --> 01:20:54,400
Speaker 2: I know god it does this the street every day

1927
01:20:54,400 --> 01:20:57,479
Speaker 2: and he has mental illness. Yeah, he dances every day, Okay.

1928
01:20:57,520 --> 01:20:59,160
Speaker 7: And I know white girls who do this ship in

1929
01:20:59,200 --> 01:21:01,640
Speaker 7: their room all day every day, or on TikTok all

1930
01:21:01,720 --> 01:21:02,160
Speaker 7: day every day.

1931
01:21:02,200 --> 01:21:03,519
Speaker 6: They just happened to not be famous.

1932
01:21:03,680 --> 01:21:05,559
Speaker 2: Oh, mental illness is ramping on TikTok.

1933
01:21:05,840 --> 01:21:08,880
Speaker 6: So dancing makes you have That's what I'm trying to share.

1934
01:21:09,000 --> 01:21:11,080
Speaker 1: You're right for saying the same thing because we're on

1935
01:21:11,120 --> 01:21:13,240
Speaker 1: a microphone. But please look me in the eyes right

1936
01:21:13,280 --> 01:21:15,080
Speaker 1: now and tell me there's not something wrong with that girl.

1937
01:21:15,800 --> 01:21:18,320
Speaker 6: Even if I'm not saying that there's nothing wrong with Brittany.

1938
01:21:19,320 --> 01:21:22,160
Speaker 1: No, that's not so you're saying the right thing. But

1939
01:21:22,280 --> 01:21:23,479
Speaker 1: look me in my eye and tell me you don't

1940
01:21:23,479 --> 01:21:24,479
Speaker 1: think there's something wrong with that girl.

1941
01:21:24,560 --> 01:21:26,519
Speaker 6: There is. You know what I think is wrong with Brittany.

1942
01:21:26,560 --> 01:21:29,000
Speaker 7: I feel like Brittany's been held I think that Brittany

1943
01:21:29,000 --> 01:21:30,720
Speaker 7: has been held in a cage for so long and

1944
01:21:30,840 --> 01:21:33,439
Speaker 7: not allowed to fucking interact with people and have control

1945
01:21:33,479 --> 01:21:34,080
Speaker 7: over her life.

1946
01:21:34,360 --> 01:21:36,240
Speaker 6: That's how you get socially fucked up. And I think

1947
01:21:36,280 --> 01:21:37,560
Speaker 6: that that is the result of that.

1948
01:21:37,920 --> 01:21:41,360
Speaker 2: I don't think agree disagree with that.

1949
01:21:41,560 --> 01:21:43,599
Speaker 7: You don't get to say that her father was right

1950
01:21:43,920 --> 01:21:46,040
Speaker 7: for what he did when I think that she is

1951
01:21:46,160 --> 01:21:48,160
Speaker 7: doing this that is because of what her father did,

1952
01:21:49,120 --> 01:21:50,080
Speaker 7: not the other way around.

1953
01:21:50,160 --> 01:21:51,760
Speaker 1: Okay, I was saying her father had a point of

1954
01:21:51,840 --> 01:21:53,720
Speaker 1: maybe she needs supervision. I'm not saying she should have

1955
01:21:53,760 --> 01:21:55,760
Speaker 1: had all of her money and controlled every decision that

1956
01:21:55,840 --> 01:21:57,840
Speaker 1: she made. Clearly, that's probably how she got to the state.

1957
01:21:58,280 --> 01:22:01,160
Speaker 1: But can we please all agree that maybe he was

1958
01:22:01,240 --> 01:22:03,240
Speaker 1: right that she was not mentally stable, even if he

1959
01:22:03,360 --> 01:22:05,640
Speaker 1: was the cause of that, which is extremely fucked up,

1960
01:22:06,080 --> 01:22:10,000
Speaker 1: But let's deal with the reality it happened. She doesn't

1961
01:22:10,040 --> 01:22:12,080
Speaker 1: look stable, someone should look after her.

1962
01:22:12,479 --> 01:22:12,760
Speaker 2: I don't know.

1963
01:22:13,160 --> 01:22:15,479
Speaker 1: I don't think her father should, but somebody should.

1964
01:22:15,640 --> 01:22:17,880
Speaker 7: I think Brittany just doesn't give a fuck anymore. Honestly,

1965
01:22:17,920 --> 01:22:19,439
Speaker 7: I think Brittany just does not give a fuck. She

1966
01:22:19,439 --> 01:22:21,800
Speaker 7: doesn't care what people think about her, and we be

1967
01:22:21,880 --> 01:22:23,960
Speaker 7: trolling too she I don't think. I don't even think

1968
01:22:23,960 --> 01:22:24,519
Speaker 7: that she's trolling.

1969
01:22:24,560 --> 01:22:26,040
Speaker 2: I just don't think I think she's definitely, I.

1970
01:22:26,040 --> 01:22:28,600
Speaker 6: Think she misses attention. I think she's I think she

1971
01:22:28,680 --> 01:22:29,400
Speaker 6: misses attention.

1972
01:22:30,840 --> 01:22:31,840
Speaker 2: Still follow me on Twitter?

1973
01:22:32,120 --> 01:22:32,599
Speaker 6: But I don't.

1974
01:22:32,720 --> 01:22:34,639
Speaker 5: I don't think that weird flex.

1975
01:22:34,720 --> 01:22:36,679
Speaker 6: I don't think I want to sit around and watch

1976
01:22:36,760 --> 01:22:38,519
Speaker 6: Brittany and have control.

1977
01:22:38,640 --> 01:22:40,679
Speaker 1: Do you remember the day that Brittany follows you control?

1978
01:22:40,680 --> 01:22:43,080
Speaker 2: It was the tweet that you were you wearing no?

1979
01:22:43,280 --> 01:22:44,320
Speaker 1: I mean I and did you.

1980
01:22:44,320 --> 01:22:47,280
Speaker 2: Announce to the room because I would No, I didn't

1981
01:22:47,280 --> 01:22:49,240
Speaker 2: announce it. I just looked at one day. She is

1982
01:22:49,360 --> 01:22:49,840
Speaker 2: following me.

1983
01:22:50,439 --> 01:22:51,400
Speaker 1: That's cool, DMR.

1984
01:22:51,760 --> 01:22:54,800
Speaker 2: But but she follows three hundred and fifty thousand people.

1985
01:22:55,000 --> 01:22:56,840
Speaker 5: We should okay, but one of them is you remember

1986
01:22:56,840 --> 01:22:57,559
Speaker 5: a little bit of basics?

1987
01:22:58,720 --> 01:23:01,280
Speaker 1: It still does. We should dm or we should show

1988
01:23:01,320 --> 01:23:03,040
Speaker 1: up her house as the cutcoe knife.

1989
01:23:03,240 --> 01:23:05,679
Speaker 3: Yes, great sketch cut a shoe in half.

1990
01:23:06,240 --> 01:23:08,720
Speaker 2: We'll bring the rope and try to cut its past.

1991
01:23:08,760 --> 01:23:11,320
Speaker 2: Gangster Britney Spears followed me. I didn't follow her back, Gangster,

1992
01:23:11,479 --> 01:23:15,240
Speaker 2: I'm telling you like follow her back, all right, industry following.

1993
01:23:15,280 --> 01:23:17,679
Speaker 5: You're not following her back. You won't smash that follow

1994
01:23:17,720 --> 01:23:19,080
Speaker 5: Britty your team follow.

1995
01:23:18,920 --> 01:23:21,000
Speaker 2: Back, you followed you I'm a DMO though, and say

1996
01:23:21,040 --> 01:23:22,639
Speaker 2: what are you good?

1997
01:23:24,080 --> 01:23:25,000
Speaker 3: Send her money back?

1998
01:23:28,200 --> 01:23:29,000
Speaker 2: Say yo you good?

1999
01:23:29,120 --> 01:23:30,760
Speaker 1: Dot Dot want to come on the pod.

2000
01:23:30,840 --> 01:23:31,800
Speaker 5: I want to collib.

2001
01:23:33,280 --> 01:23:34,000
Speaker 1: It'd be great to have.

2002
01:23:34,600 --> 01:23:36,799
Speaker 2: I got to give her like, what's what's the nickname

2003
01:23:36,840 --> 01:23:41,800
Speaker 2: for Britney Spears bratt her? What's her fans called the loyal?

2004
01:23:43,320 --> 01:23:47,280
Speaker 2: I think you look me in my eyes? I don't know, yo,

2005
01:23:47,479 --> 01:23:48,040
Speaker 2: be you good?

2006
01:23:48,439 --> 01:23:55,160
Speaker 5: The Britney Army or Spears Spearman Spearman's lines, big spear Yeah.

2007
01:23:54,960 --> 01:23:57,240
Speaker 6: Don't do that, don't ever write, don't ever dm me

2008
01:23:57,320 --> 01:23:58,080
Speaker 6: by my baby father.

2009
01:23:58,280 --> 01:24:00,360
Speaker 2: Hey, Britt, they had Kida.

2010
01:24:01,840 --> 01:24:03,120
Speaker 5: We're gonna in the live reaction. Huh.

2011
01:24:03,479 --> 01:24:06,799
Speaker 2: I just saw your latest release.

2012
01:24:07,120 --> 01:24:09,960
Speaker 3: You could just comment on the video show.

2013
01:24:09,960 --> 01:24:13,679
Speaker 2: Your latest release choreography was slamming, looked just like Shakira.

2014
01:24:14,560 --> 01:24:17,519
Speaker 2: You cut an icon looking. That's true. Though she has

2015
01:24:17,520 --> 01:24:22,360
Speaker 2: an icon icon, you are an icon beyond looking sharp

2016
01:24:23,040 --> 01:24:29,080
Speaker 2: measure words. You are an icon beyond words. Would love

2017
01:24:29,479 --> 01:24:31,280
Speaker 2: to talk to.

2018
01:24:31,400 --> 01:24:36,120
Speaker 3: You, okay about Okay Drake's album of Drake's album?

2019
01:24:40,360 --> 01:24:42,959
Speaker 1: Do you want to talk about the Drake release? Britney spear.

2020
01:24:45,320 --> 01:24:46,719
Speaker 2: You want to talk about Drake's album?

2021
01:24:47,479 --> 01:24:49,000
Speaker 3: What are your thoughts on the Donnas.

2022
01:24:50,160 --> 01:24:53,040
Speaker 2: Would love to talk to you about your thoughts.

2023
01:24:54,800 --> 01:24:57,240
Speaker 5: Okay, love on.

2024
01:24:59,520 --> 01:25:01,120
Speaker 2: The Yankee. He's not making the playoffs.

2025
01:25:01,960 --> 01:25:04,720
Speaker 1: And then say, because I too am at a crossroads.

2026
01:25:05,640 --> 01:25:06,120
Speaker 5: Good movie.

2027
01:25:06,720 --> 01:25:09,840
Speaker 3: The movie's great, because, like prime, Brittany was fucking great.

2028
01:25:10,040 --> 01:25:12,719
Speaker 1: It's a really shitty plot, but it's it's a good movie.

2029
01:25:12,880 --> 01:25:13,160
Speaker 6: Just like it.

2030
01:25:13,400 --> 01:25:15,400
Speaker 3: Just as a celebrity, she was a great celebrity.

2031
01:25:15,840 --> 01:25:17,680
Speaker 5: Yeah, yeah, it's just too bad everything ruined her.

2032
01:25:18,200 --> 01:25:21,200
Speaker 6: Yeah yeah, I mean, y'all want to have a plant conversation, but.

2033
01:25:21,920 --> 01:25:24,040
Speaker 5: Oh, you think Brittany is a plant? Of course, I

2034
01:25:24,080 --> 01:25:25,080
Speaker 5: mean all pomp stars are.

2035
01:25:25,200 --> 01:25:27,040
Speaker 2: We're not gonna we had the play conversation.

2036
01:25:27,200 --> 01:25:28,640
Speaker 1: I said, it's changed from when they used to just

2037
01:25:28,680 --> 01:25:30,360
Speaker 1: pick the girl out of the Disney lineup and try

2038
01:25:30,400 --> 01:25:33,439
Speaker 1: to make her. Uh yeah, Brinnan was definitely one of them.

2039
01:25:33,479 --> 01:25:36,559
Speaker 3: Back to the voicemail real quick, we all agree bad blood.

2040
01:25:36,640 --> 01:25:38,880
Speaker 3: But these I was on oops, I'm on oops, okay

2041
01:25:39,920 --> 01:25:41,880
Speaker 3: four to one. But both these songs are produced by

2042
01:25:42,080 --> 01:25:44,599
Speaker 3: Max Martin, So the legend has been in the games

2043
01:25:45,560 --> 01:25:48,360
Speaker 3: a very long time. Produce that is it's actually crazy, Yeah,

2044
01:25:48,439 --> 01:25:51,320
Speaker 3: that's crazy. Two thousand and what was Taylor bad Blood

2045
01:25:51,439 --> 01:25:55,679
Speaker 3: was what twenty thirteen? Yeah, around there and there fifteen fifteen.

2046
01:25:55,800 --> 01:25:57,080
Speaker 1: Yeah, I don't know just why I have oops, I

2047
01:25:57,160 --> 01:26:00,479
Speaker 1: did it again? Is y'all ether takeover? This is my

2048
01:26:00,600 --> 01:26:01,320
Speaker 1: pop version of that.

2049
01:26:02,080 --> 01:26:06,240
Speaker 5: That's that's Justin is jay Z and Primeier River pop.

2050
01:26:07,840 --> 01:26:09,800
Speaker 2: I think we have Justin to blame for this mental

2051
01:26:10,840 --> 01:26:12,120
Speaker 2: He has a parkability.

2052
01:26:13,040 --> 01:26:15,599
Speaker 1: I think she's I think that that was years past

2053
01:26:15,680 --> 01:26:17,920
Speaker 1: where she was still nah bro he Now.

2054
01:26:17,960 --> 01:26:20,000
Speaker 2: I think once Justin dropped Crimey River. I think that's

2055
01:26:20,000 --> 01:26:21,679
Speaker 2: when she showed up with the ball head and the umbrella.

2056
01:26:21,920 --> 01:26:25,479
Speaker 1: Right after that in the bathroom, that was Kevin.

2057
01:26:26,560 --> 01:26:28,720
Speaker 7: But I also think Britney's ship comes from, you know,

2058
01:26:28,880 --> 01:26:31,519
Speaker 7: just being famous, and she's been like poper razzi.

2059
01:26:32,520 --> 01:26:35,160
Speaker 1: Do you remember when you know Justin's been famous?

2060
01:26:35,200 --> 01:26:35,719
Speaker 2: This is longer?

2061
01:26:36,240 --> 01:26:37,439
Speaker 5: Yeah, what about it?

2062
01:26:37,600 --> 01:26:39,240
Speaker 2: Yeah, he seems to be doing far.

2063
01:26:39,479 --> 01:26:42,120
Speaker 1: Do you guys remember when the game it seems to

2064
01:26:42,160 --> 01:26:44,679
Speaker 1: be Kevin fetter Line onto his freestyle for a drop.

2065
01:26:45,360 --> 01:26:45,960
Speaker 2: I remember that.

2066
01:26:46,720 --> 01:26:49,160
Speaker 1: I just want to note that game pivotal moment and

2067
01:26:49,280 --> 01:26:52,479
Speaker 1: over at jay Z Kevin fetter Line.

2068
01:26:53,080 --> 01:26:55,559
Speaker 7: So Justin was not as famous as Brittany at one point,

2069
01:26:55,840 --> 01:26:58,080
Speaker 7: like at most of the points of Brittany's career.

2070
01:26:58,120 --> 01:26:59,920
Speaker 2: And I'm just saying they started out like around the same.

2071
01:27:00,800 --> 01:27:03,160
Speaker 2: He had a different level of that's objective.

2072
01:27:02,680 --> 01:27:05,360
Speaker 1: Too, though, that's subjective if you count in Sync and

2073
01:27:05,479 --> 01:27:07,320
Speaker 1: sinc was just as popular as Britney at the same time.

2074
01:27:08,040 --> 01:27:10,479
Speaker 1: If they were in sync, Justin was the lead in

2075
01:27:10,600 --> 01:27:13,160
Speaker 1: Sync and Sync to Britney Spears were on the same level.

2076
01:27:13,240 --> 01:27:15,840
Speaker 2: Yeah, like they started out. There's Disney Channel all of that.

2077
01:27:15,920 --> 01:27:17,639
Speaker 2: She's like they came from that. They the same they came.

2078
01:27:18,280 --> 01:27:20,400
Speaker 7: When I'm talking about when I say fame, I'm not

2079
01:27:20,520 --> 01:27:23,479
Speaker 7: talking about their music careers. I'm talking about the way

2080
01:27:23,520 --> 01:27:26,759
Speaker 7: that the paparazzi lived up Britney spirit.

2081
01:27:26,960 --> 01:27:28,720
Speaker 1: Okay, No, you're right, You're right there for sure.

2082
01:27:28,840 --> 01:27:32,360
Speaker 6: It's her. Her fame was a lot different than Justine's

2083
01:27:32,360 --> 01:27:33,840
Speaker 6: and it was a harder road for her.

2084
01:27:33,920 --> 01:27:36,640
Speaker 1: Today, they were equally famous, but they handled her fame well.

2085
01:27:36,680 --> 01:27:36,920
Speaker 2: Women.

2086
01:27:37,120 --> 01:27:39,000
Speaker 3: Yeah, women at that time were over.

2087
01:27:39,120 --> 01:27:41,080
Speaker 1: It was like the introduction of paparazzi.

2088
01:27:41,240 --> 01:27:45,000
Speaker 7: Yeah, the error of like pedophilia and like oo, that's

2089
01:27:45,120 --> 01:27:47,920
Speaker 7: so that's when I said, like, I think her her

2090
01:27:48,040 --> 01:27:50,320
Speaker 7: being famous for that long and how she what she

2091
01:27:50,479 --> 01:27:52,640
Speaker 7: dealt with definitely a lot health.

2092
01:27:52,760 --> 01:27:53,040
Speaker 5: I don't.

2093
01:27:53,080 --> 01:27:53,479
Speaker 6: Yeah, I don't.

2094
01:27:53,479 --> 01:27:56,000
Speaker 1: Regardless, they would have win more towards Brittany because she's

2095
01:27:56,000 --> 01:27:57,680
Speaker 1: a woman. But at the end of the day, she

2096
01:27:57,800 --> 01:28:01,160
Speaker 1: did give them more to what Justin kind of minded

2097
01:28:01,200 --> 01:28:03,639
Speaker 1: his business until he took Jennie to the album.

2098
01:28:03,840 --> 01:28:05,280
Speaker 2: Yeah, don't do that.

2099
01:28:07,400 --> 01:28:07,519
Speaker 1: Well.

2100
01:28:07,520 --> 01:28:09,680
Speaker 2: Shout out to Brittany Spears. Hopefully she's okay and she's

2101
01:28:09,720 --> 01:28:11,800
Speaker 2: feeling well. We just keep us joking. Yeah, I'm gonna

2102
01:28:11,800 --> 01:28:15,400
Speaker 2: hopefully let she'll respond to this. No, I didn't dive

2103
01:28:15,439 --> 01:28:18,000
Speaker 2: with love mall. You did the knife for Mooji. No,

2104
01:28:18,160 --> 01:28:20,479
Speaker 2: I should have. No, you should have punch back in.

2105
01:28:21,439 --> 01:28:23,920
Speaker 2: Shout out to Brittany Spears though all jokes asid. Hopefully

2106
01:28:23,960 --> 01:28:26,519
Speaker 2: she is well and doing good. Shout out to Nick

2107
01:28:26,560 --> 01:28:28,639
Speaker 2: Grant Man Nick Grant, he dropped the album last week,

2108
01:28:28,720 --> 01:28:31,880
Speaker 2: Sunday Dinner. Great album, uh, Nick Grant been one of

2109
01:28:31,960 --> 01:28:33,760
Speaker 2: my favorite rappers, one of my favorite MC's for a

2110
01:28:33,800 --> 01:28:36,759
Speaker 2: lot of years. If you have not listened to Sunday

2111
01:28:36,800 --> 01:28:40,160
Speaker 2: Dinner by Nick Grant, do yourself a favorite. If you

2112
01:28:40,240 --> 01:28:41,519
Speaker 2: are a fan of hip hop, if you are a

2113
01:28:41,560 --> 01:28:45,800
Speaker 2: fan of rap, download stream listen to that. Nick Grant

2114
01:28:45,880 --> 01:28:48,480
Speaker 2: Sunday Dinner album. I promise you will not be disappointed.

2115
01:28:48,520 --> 01:28:51,080
Speaker 2: That's his high level rap. This is high level hip hop.

2116
01:28:51,439 --> 01:28:53,160
Speaker 2: And I'm happy to see that Nick Grant is finally

2117
01:28:53,200 --> 01:28:55,000
Speaker 2: in the space where he's producing this type of music,

2118
01:28:55,040 --> 01:28:57,360
Speaker 2: putting it out and people are being very receptive to it.

2119
01:28:57,400 --> 01:28:59,840
Speaker 2: But he's been rapping his motherfucking ass off for a

2120
01:29:00,040 --> 01:29:02,200
Speaker 2: lot of years. Shout out and salute the Nick Grant.

2121
01:29:02,320 --> 01:29:05,040
Speaker 1: And while we're while we're quickly on new music, that

2122
01:29:05,240 --> 01:29:08,400
Speaker 1: Earth Gang and Spillage Village eph Rest in Peace to

2123
01:29:08,520 --> 01:29:12,679
Speaker 1: human Art is incredible yet Rapot.

2124
01:29:12,560 --> 01:29:13,760
Speaker 2: You have played it in the car the day we

2125
01:29:13,840 --> 01:29:14,880
Speaker 2: was in the car and I was like, damn, it

2126
01:29:15,000 --> 01:29:15,760
Speaker 2: just sounds really good.

2127
01:29:15,920 --> 01:29:18,320
Speaker 1: No Earth Gang that they smoke that, And it's.

2128
01:29:18,200 --> 01:29:19,840
Speaker 2: A lot of good wrap out right now. I know

2129
01:29:20,080 --> 01:29:22,080
Speaker 2: rap kind of gets the you know, because they push

2130
01:29:22,120 --> 01:29:24,559
Speaker 2: a lot of the the rap that we really don't

2131
01:29:24,640 --> 01:29:26,840
Speaker 2: want to hear about, or you know, not the type

2132
01:29:26,880 --> 01:29:28,920
Speaker 2: of energy we like to hear. But there's a lot

2133
01:29:28,960 --> 01:29:30,640
Speaker 2: of good wrap out right now, a lot of good

2134
01:29:30,720 --> 01:29:32,200
Speaker 2: rap out right now. So shout out to Nick Grant,

2135
01:29:32,680 --> 01:29:36,560
Speaker 2: shout out the Earth Gang. Uh did Drake album is

2136
01:29:36,600 --> 01:29:38,559
Speaker 2: out now? If you're listening to this. If you're listening

2137
01:29:38,600 --> 01:29:43,000
Speaker 2: to this, it's too late. It's already out them. Somebody

2138
01:29:43,000 --> 01:29:46,320
Speaker 2: else going west Side Gun is coming pause. Yes, pray

2139
01:29:46,400 --> 01:29:48,679
Speaker 2: for Paris and then you pray for me. He already

2140
01:29:48,720 --> 01:29:51,160
Speaker 2: said this album of the year. He's never said that,

2141
01:29:51,240 --> 01:29:53,280
Speaker 2: but he's never not said that, So shout out, shout

2142
01:29:53,280 --> 01:29:55,439
Speaker 2: out the Gun. But it's a lot of it's a

2143
01:29:55,479 --> 01:29:57,519
Speaker 2: lot of rap coming out, man. Fourth quarter is gonna

2144
01:29:57,520 --> 01:29:58,240
Speaker 2: be very interesting.

2145
01:29:59,479 --> 01:30:02,519
Speaker 6: And yeah, I'm looking forward to offsets album a lot

2146
01:30:03,120 --> 01:30:04,240
Speaker 6: off set Yeah.

2147
01:30:04,240 --> 01:30:08,040
Speaker 2: Track, Cardi says she's dropping February. No, that's I don't

2148
01:30:08,080 --> 01:30:09,040
Speaker 2: I don't know. That was real?

2149
01:30:09,560 --> 01:30:09,640
Speaker 5: Real?

2150
01:30:09,680 --> 01:30:14,360
Speaker 2: Why y'all keep playing with me? I keep fucking with me, man,

2151
01:30:14,560 --> 01:30:16,519
Speaker 2: all I want is a Cardi album, and y'all keep

2152
01:30:16,560 --> 01:30:19,040
Speaker 2: fucking with me like us right, Yeah, it's our fault.

2153
01:30:19,160 --> 01:30:21,000
Speaker 2: Who said that the album was coming out for It's

2154
01:30:21,040 --> 01:30:23,519
Speaker 2: like a fake Twitter page, was it? Yeah? I saw

2155
01:30:23,600 --> 01:30:26,400
Speaker 2: that post. She was hacked. It was even from her page,

2156
01:30:27,160 --> 01:30:28,840
Speaker 2: so we didn't we don't have. Fan page was hacked,

2157
01:30:29,040 --> 01:30:30,600
Speaker 2: so we don't have it. Does have a feature on

2158
01:30:30,680 --> 01:30:33,120
Speaker 2: off Sets album. I would hope she has featured off

2159
01:30:33,160 --> 01:30:34,400
Speaker 2: Sets light, but I think one is out.

2160
01:30:34,280 --> 01:30:36,479
Speaker 7: Already, Yeah, one is out, and then there's another one

2161
01:30:36,720 --> 01:30:37,839
Speaker 7: coming out called Freaky.

2162
01:30:38,120 --> 01:30:39,760
Speaker 6: Do y'all think off Sets album is gonna do better

2163
01:30:39,760 --> 01:30:40,360
Speaker 6: than Quevos?

2164
01:30:42,000 --> 01:30:42,120
Speaker 8: Uh?

2165
01:30:42,520 --> 01:30:45,800
Speaker 1: Sales wise, it probably will, but that Quabo album is

2166
01:30:45,800 --> 01:30:48,680
Speaker 1: pretty good. I was actually kind of surprised. I went

2167
01:30:48,760 --> 01:30:50,800
Speaker 1: into it thinking I may not like it that much

2168
01:30:50,840 --> 01:30:54,559
Speaker 1: and surprised me. I think Quevo's album is better than

2169
01:30:54,600 --> 01:30:56,840
Speaker 1: off Sets. I think Offset was something more though, Rory.

2170
01:30:57,120 --> 01:30:59,280
Speaker 2: I listened to that Fuck the Girl's record again? How

2171
01:30:59,360 --> 01:31:01,960
Speaker 2: did you think that was pop record? On DOJ's album?

2172
01:31:03,439 --> 01:31:04,960
Speaker 1: I said, I mean, I still think it's pop record.

2173
01:31:05,120 --> 01:31:06,760
Speaker 2: How what did you hear that was pop? That is

2174
01:31:06,800 --> 01:31:09,920
Speaker 2: a rap record? Okay, did you know what song to

2175
01:31:10,000 --> 01:31:11,120
Speaker 2: You might not know what song I'm talking about?

2176
01:31:11,280 --> 01:31:12,800
Speaker 1: Fuck the Girls? Yeah, I know song.

2177
01:31:13,760 --> 01:31:17,600
Speaker 2: That's a pop record to you? How just explain it

2178
01:31:17,640 --> 01:31:17,800
Speaker 2: to me?

2179
01:31:18,400 --> 01:31:22,240
Speaker 1: The pop parody rap records. It's a it's try to

2180
01:31:22,280 --> 01:31:22,920
Speaker 1: make pop rap.

2181
01:31:24,760 --> 01:31:26,840
Speaker 2: I don't know if I agree with you on that. No,

2182
01:31:27,040 --> 01:31:28,519
Speaker 2: actually I don't agree with you on that. It's not

2183
01:31:28,560 --> 01:31:29,800
Speaker 2: a pop record, that's a rap record.

2184
01:31:29,960 --> 01:31:32,439
Speaker 3: Any final thoughts before we take a callback on Patreon?

2185
01:31:33,560 --> 01:31:36,920
Speaker 1: I think the pete Davidson, Ice Spice SNL return will

2186
01:31:37,400 --> 01:31:39,960
Speaker 1: keep those rumors going that they're dating. I think they're

2187
01:31:39,960 --> 01:31:44,320
Speaker 1: going to continue, and I think this is another way

2188
01:31:44,400 --> 01:31:47,920
Speaker 1: to just keep Pete Davidson relevant and the people around

2189
01:31:47,960 --> 01:31:50,680
Speaker 1: him relevant, and it's going to be a sad monologue

2190
01:31:50,760 --> 01:31:51,920
Speaker 1: about his life.

2191
01:31:52,880 --> 01:31:56,000
Speaker 2: So the rumors is Pete Davidson and Ice Spice are dating.

2192
01:31:56,200 --> 01:31:58,680
Speaker 1: Well, like months ago, I think it was still down

2193
01:31:58,680 --> 01:31:59,760
Speaker 1: on the NBA season. I think they were both in

2194
01:31:59,760 --> 01:32:02,360
Speaker 1: a scam or some ship. So this this is gonna

2195
01:32:02,360 --> 01:32:06,200
Speaker 1: be people there and mal was there, so maybe Mall

2196
01:32:06,280 --> 01:32:09,400
Speaker 1: is dating Ice Spice. But man, this this Pete Ice

2197
01:32:09,400 --> 01:32:11,760
Speaker 1: Spice thing, I see where they're going with this. I

2198
01:32:11,800 --> 01:32:15,000
Speaker 1: don't think they paired these by accident, is all I'm saying.

2199
01:32:15,320 --> 01:32:17,880
Speaker 5: I think this timestamp Drake is fooling us and that

2200
01:32:17,960 --> 01:32:19,360
Speaker 5: album is gonna be mid as fuck.

2201
01:32:19,920 --> 01:32:22,240
Speaker 2: Wow, I'm a smack ship out of you. Try it.

2202
01:32:22,360 --> 01:32:24,880
Speaker 1: I think I think Paula, especially if it's mid He's

2203
01:32:24,880 --> 01:32:25,559
Speaker 1: gonna smack the ship.

2204
01:32:27,000 --> 01:32:29,040
Speaker 7: I think Paul Wall's new album that's coming out next

2205
01:32:29,120 --> 01:32:30,439
Speaker 7: week is gonna be album of the year.

2206
01:32:30,640 --> 01:32:33,840
Speaker 1: Some cool features on there. I'm excited for the pole album, y'all.

2207
01:32:33,840 --> 01:32:35,640
Speaker 2: Getting some six ship off right now. Just we'll let

2208
01:32:35,720 --> 01:32:38,200
Speaker 2: y'all know that what we said, Drake album's gonna be mad?

2209
01:32:38,680 --> 01:32:42,240
Speaker 2: She said, Paul have album of the year. What the

2210
01:32:42,320 --> 01:32:43,240
Speaker 2: fuck are y'all talking about?

2211
01:32:43,439 --> 01:32:43,479
Speaker 5: What?

2212
01:32:43,720 --> 01:32:47,000
Speaker 1: You don't think Paul Wall could have album of the year.

2213
01:32:47,280 --> 01:32:48,599
Speaker 1: What year did People's Champ come out?

2214
01:32:48,680 --> 01:32:49,400
Speaker 2: What year is this?

2215
01:32:50,160 --> 01:32:52,080
Speaker 1: He maybe an album of the year that year.

2216
01:32:52,600 --> 01:32:56,320
Speaker 3: No, People's Champ was two thousand and five platinum.

2217
01:32:57,120 --> 01:32:59,160
Speaker 1: Probably in five. Probably wasn't not with you, No, I

2218
01:32:59,200 --> 01:33:01,400
Speaker 1: can promise you that was always it's a it's a

2219
01:33:01,439 --> 01:33:03,160
Speaker 1: great uh great album.

2220
01:33:03,200 --> 01:33:05,559
Speaker 2: Though, good album, but it was an album of the year.

2221
01:33:05,560 --> 01:33:06,160
Speaker 2: That's what I'm thinking.

2222
01:33:06,400 --> 01:33:07,960
Speaker 1: This album you had the Internet going nuts.

2223
01:33:09,320 --> 01:33:10,320
Speaker 2: Shout out the poor wall man.

2224
01:33:10,360 --> 01:33:11,360
Speaker 5: Y'all can be tight with this album?

2225
01:33:11,439 --> 01:33:14,800
Speaker 2: Is quick? Shut up and quick question before we switch over?

2226
01:33:15,400 --> 01:33:17,559
Speaker 2: What it is for all the dogs? Is dog season?

2227
01:33:18,360 --> 01:33:19,080
Speaker 2: What dogs?

2228
01:33:19,400 --> 01:33:20,840
Speaker 5: You really had a deep throw back? Huh?

2229
01:33:21,400 --> 01:33:23,519
Speaker 3: What dogs would you be? If you were a dog?

2230
01:33:23,600 --> 01:33:24,439
Speaker 3: What kind of dog would you be?

2231
01:33:25,600 --> 01:33:26,439
Speaker 2: All right? So gay?

2232
01:33:28,400 --> 01:33:31,280
Speaker 1: First of all, she's in multi pool multi you got money.

2233
01:33:31,280 --> 01:33:33,479
Speaker 2: I'm sorry, my bad, I get my pos I get

2234
01:33:33,520 --> 01:33:41,559
Speaker 2: my poos mixed up with the Yorks. Mm hm, pit

2235
01:33:41,680 --> 01:33:45,640
Speaker 2: Bull I think it's pit bulls up. They get a

2236
01:33:45,720 --> 01:33:48,680
Speaker 2: bad rep and they're really like sweet, sweet animals to

2237
01:33:48,720 --> 01:33:49,040
Speaker 2: their own.

2238
01:33:49,520 --> 01:33:56,120
Speaker 5: Not call you. Yeah, i'd be a bagel a beagle

2239
01:33:56,360 --> 01:33:57,240
Speaker 5: you look like ale.

2240
01:33:58,160 --> 01:34:00,200
Speaker 2: You kind of are I was gonna say American old,

2241
01:34:00,200 --> 01:34:01,920
Speaker 2: though I would, I would take another one.

2242
01:34:02,040 --> 01:34:04,880
Speaker 1: Yeah, but beagle, you kind of have pug vibes too.

2243
01:34:06,600 --> 01:34:10,040
Speaker 5: Fat breath you breathe like because I'm fat, breathe like

2244
01:34:10,040 --> 01:34:10,559
Speaker 5: au bro.

2245
01:34:10,960 --> 01:34:13,479
Speaker 2: They call me a fat I share I shared a

2246
01:34:13,520 --> 01:34:15,800
Speaker 2: room with you. You breathe show me.

2247
01:34:15,880 --> 01:34:17,840
Speaker 5: You said I'm ugly cute, which is a comple right.

2248
01:34:18,280 --> 01:34:21,120
Speaker 2: I don't know. Yeah, they are ugly.

2249
01:34:21,760 --> 01:34:23,679
Speaker 6: They're so ugly that they're cute. That's what they're saying.

2250
01:34:23,760 --> 01:34:25,320
Speaker 2: You have them long enough to become cute.

2251
01:34:25,400 --> 01:34:27,120
Speaker 3: What do you think the ma we've had in long

2252
01:34:27,200 --> 01:34:27,880
Speaker 3: enough we did?

2253
01:34:28,840 --> 01:34:29,360
Speaker 5: That's crazy.

2254
01:34:30,280 --> 01:34:31,599
Speaker 6: I think I would be a Rott Waller.

2255
01:34:32,479 --> 01:34:37,080
Speaker 2: All right, man, your listen, yeah, listen, man, let's finish.

2256
01:34:39,200 --> 01:34:43,639
Speaker 2: You would be a got a strong jaw. That that's

2257
01:34:43,720 --> 01:34:44,639
Speaker 2: what makes it valid.

2258
01:34:44,680 --> 01:34:47,400
Speaker 6: You got a strong They're like and they're like cute

2259
01:34:47,439 --> 01:34:49,080
Speaker 6: and soft, but like I shouldn't.

2260
01:34:49,520 --> 01:34:51,600
Speaker 5: People don't sleep on that.

2261
01:34:51,760 --> 01:34:55,040
Speaker 2: That's valid. How you how you how you get a

2262
01:34:55,080 --> 01:34:56,679
Speaker 2: strong Joe? Like, how you know your Joe is strong?

2263
01:34:57,160 --> 01:34:57,600
Speaker 5: Look at her?

2264
01:34:58,200 --> 01:34:59,559
Speaker 2: You mean frozen snakes balls?

2265
01:34:59,840 --> 01:35:00,360
Speaker 5: You yo.

2266
01:35:07,280 --> 01:35:10,240
Speaker 2: Yo, man. We're gonna finish this on Patreon. What about Julians?

2267
01:35:11,080 --> 01:35:11,360
Speaker 2: About me?

2268
01:35:13,360 --> 01:35:17,240
Speaker 5: Get the you are definitely not a look at her?

2269
01:35:17,240 --> 01:35:19,080
Speaker 2: You would be like, I don't know what I would be.

2270
01:35:19,360 --> 01:35:21,160
Speaker 2: I was just more excited to ask you guys that question.

2271
01:35:21,320 --> 01:35:24,840
Speaker 1: What's a Canadian dog? He'd be one of those grehound he.

2272
01:35:24,800 --> 01:35:26,479
Speaker 2: Would not be no greyhound.

2273
01:35:26,960 --> 01:35:28,599
Speaker 3: Yeah, I'd want to be in the sporting breed.

2274
01:35:29,040 --> 01:35:30,679
Speaker 2: Like you don't like black people? You a German shepherd.

2275
01:35:30,720 --> 01:35:33,040
Speaker 2: We'll talk to y'all next week. Wait, wait, we do.

2276
01:35:33,160 --> 01:35:34,800
Speaker 1: We have a callback, so we should go right to

2277
01:35:34,840 --> 01:35:35,680
Speaker 1: patron with our call back.

2278
01:35:35,720 --> 01:35:36,800
Speaker 5: Okay, yeah right, all.

2279
01:35:36,720 --> 01:35:41,040
Speaker 2: Right, let's do that. Yeah, let's pace. No worrying now