1
00:00:00,800 --> 00:00:02,520
Speaker 1: You can't reach me, you can't call me, you can't

2
00:00:02,520 --> 00:00:03,840
Speaker 1: do any of that. You just have to watch me

3
00:00:03,840 --> 00:00:05,720
Speaker 1: on Rap Shit. You have to watch me being great

4
00:00:05,720 --> 00:00:07,040
Speaker 1: and you have to listen to my music. You have

5
00:00:07,080 --> 00:00:09,560
Speaker 1: to see me on videos and TV and guess what

6
00:00:10,240 --> 00:00:10,799
Speaker 1: you played.

7
00:00:14,120 --> 00:00:14,800
Speaker 2: Stay tuned.

8
00:00:14,960 --> 00:00:18,360
Speaker 3: We'll get into my conversation with Chameleon right after these

9
00:00:18,440 --> 00:00:19,160
Speaker 3: quick ass.

10
00:00:29,160 --> 00:00:30,040
Speaker 2: Hey rain Drop.

11
00:00:30,720 --> 00:00:34,720
Speaker 3: So before I get into my interview with Chameleon from

12
00:00:34,840 --> 00:00:39,320
Speaker 3: Easter Ray's creative show Rap Shit on HBO Max, I

13
00:00:39,680 --> 00:00:45,479
Speaker 3: first have to dive into the Explodes season premiere of

14
00:00:45,600 --> 00:00:51,920
Speaker 3: The Real Housepots of Atomach and Baby. This is all

15
00:00:51,960 --> 00:00:53,920
Speaker 3: I have to say about that premiere.

16
00:00:58,480 --> 00:01:03,680
Speaker 2: Across the floor. The girls are back now.

17
00:01:04,040 --> 00:01:09,479
Speaker 3: That is how you do a season premiere. If you're

18
00:01:09,560 --> 00:01:14,720
Speaker 3: not watching The Real Housewives of Potomac, you are missing

19
00:01:14,760 --> 00:01:20,160
Speaker 3: out on the best Real Housewives series of all the franchises.

20
00:01:20,640 --> 00:01:23,640
Speaker 3: And just because I gave this show a compliment does

21
00:01:23,840 --> 00:01:28,520
Speaker 3: not mean I'm shading the others. So save your tweets,

22
00:01:29,120 --> 00:01:32,720
Speaker 3: save your comments. This is no shade. Just because you

23
00:01:32,760 --> 00:01:37,040
Speaker 3: get something a compliment does not mean you're dissing the rest.

24
00:01:37,760 --> 00:01:42,640
Speaker 3: Carlos King is saying on record, the Real Housewives of

25
00:01:42,800 --> 00:01:49,400
Speaker 3: Potomac as of right now is the best Real Housewives franchise.

26
00:01:50,120 --> 00:01:55,760
Speaker 3: That premiere gave me a the read thing I needed.

27
00:01:56,560 --> 00:02:02,640
Speaker 3: I loved it. It was perfect. It's an A plus

28
00:02:02,680 --> 00:02:06,080
Speaker 3: plus plus. It needs to be on the on the row,

29
00:02:06,640 --> 00:02:08,080
Speaker 3: on the Dean's List.

30
00:02:09,160 --> 00:02:12,560
Speaker 2: Give this a show. It's much needed.

31
00:02:12,639 --> 00:02:22,240
Speaker 3: Flowers. That premiere was everything. Let's get right into it. Oh, Carlos,

32
00:02:22,320 --> 00:02:27,720
Speaker 3: Calm down, girl, calm down, Calm down. And they're excited,

33
00:02:28,400 --> 00:02:29,160
Speaker 3: but calm down.

34
00:02:30,360 --> 00:02:32,280
Speaker 2: Yes, this is how much I just.

35
00:02:32,240 --> 00:02:35,880
Speaker 3: Love reality TV and how much I'm a fan of

36
00:02:35,919 --> 00:02:38,560
Speaker 3: other people's work because at the end of the day,

37
00:02:39,280 --> 00:02:42,480
Speaker 3: as someone who creates shows and produces shows and all

38
00:02:42,520 --> 00:02:44,440
Speaker 3: that stuff, it doesn't.

39
00:02:44,120 --> 00:02:47,840
Speaker 2: Mean that I think that, oh I'm the only one, honey,

40
00:02:47,919 --> 00:02:49,360
Speaker 2: who knows how to produce a show.

41
00:02:49,800 --> 00:02:52,480
Speaker 3: Y'all know they in my spirit, I call things out,

42
00:02:52,520 --> 00:02:55,520
Speaker 3: Like I said, good, bad of the Ugly, and this

43
00:02:55,680 --> 00:02:59,639
Speaker 3: baby was good. I just love how the show opened

44
00:02:59,720 --> 00:03:07,040
Speaker 3: up with the Force Multipliers, Gazelle and Karen going to

45
00:03:07,120 --> 00:03:12,040
Speaker 3: a cute old picnic baby. I love Karen and Giselle's

46
00:03:12,080 --> 00:03:16,760
Speaker 3: relationship because this is my opinion, I think they're in

47
00:03:16,840 --> 00:03:20,919
Speaker 3: on the joke. I think Karen and Giselle in real

48
00:03:20,960 --> 00:03:24,480
Speaker 3: life don't mind each other. I think they're like, we're cool.

49
00:03:24,919 --> 00:03:29,519
Speaker 3: Are they best friends? No? No, But I think they

50
00:03:29,600 --> 00:03:32,839
Speaker 3: have this camaraderie to where it's like, I see you,

51
00:03:32,840 --> 00:03:36,120
Speaker 3: you see me. Our beef is good for the show,

52
00:03:36,600 --> 00:03:39,400
Speaker 3: and it's good for the fans. And what I love

53
00:03:39,440 --> 00:03:43,480
Speaker 3: about Karen and Gazelle they don't take it home to them.

54
00:03:44,160 --> 00:03:48,200
Speaker 3: I feel like when Karen and Giselle have an argument,

55
00:03:49,480 --> 00:03:52,480
Speaker 3: I think they both leave the scene and they text

56
00:03:52,520 --> 00:03:57,840
Speaker 3: each other, bitch, that was good. That's how much they're

57
00:03:57,920 --> 00:04:02,880
Speaker 3: invested in making the show great. And that's why Potomac

58
00:04:03,000 --> 00:04:05,360
Speaker 3: is the best of the best, because you have a

59
00:04:05,480 --> 00:04:09,400
Speaker 3: cast of women who truly do understand the assignment and

60
00:04:09,480 --> 00:04:13,120
Speaker 3: regardless whether or not they agree call each other a

61
00:04:13,160 --> 00:04:17,680
Speaker 3: whore from Hampton, a funky box, or cheating on your

62
00:04:17,800 --> 00:04:23,280
Speaker 3: husband being drunk like they throw so many slanderous thinks

63
00:04:23,600 --> 00:04:28,719
Speaker 3: at each other, but the root of their friendship is

64
00:04:28,839 --> 00:04:34,160
Speaker 3: based on the respect that Karen and Giselle are the

65
00:04:34,200 --> 00:04:38,200
Speaker 3: force multipliers of the show and they believe, at the

66
00:04:38,320 --> 00:04:40,640
Speaker 3: end of the day, we're here for your entertainment.

67
00:04:40,960 --> 00:04:43,480
Speaker 2: And I love that about.

68
00:04:43,160 --> 00:04:47,520
Speaker 3: Them, Absolutely love it so in this picnic.

69
00:04:47,560 --> 00:04:49,679
Speaker 2: We learned that Miss.

70
00:04:49,680 --> 00:04:54,960
Speaker 3: Ashley looked great and she talked about getting a divorce

71
00:04:56,000 --> 00:04:59,800
Speaker 3: from Michael. Falling for a divorce from Michael. I was,

72
00:05:00,640 --> 00:05:03,400
Speaker 3: We're all confused. I love Ashley. I got a chance

73
00:05:03,440 --> 00:05:05,520
Speaker 3: to meet Ashley a few months ago, when I got

74
00:05:05,560 --> 00:05:08,679
Speaker 3: a chance to meet the rest of the Potomac Ladies guys,

75
00:05:09,320 --> 00:05:14,600
Speaker 3: Ashley is gorgeous, gorgeous. I see why Michael is like, no, bitch,

76
00:05:14,640 --> 00:05:15,359
Speaker 3: you gotta stay with me.

77
00:05:15,880 --> 00:05:20,240
Speaker 2: Ashley is fine. So the thing though, that's confusing.

78
00:05:19,760 --> 00:05:25,400
Speaker 3: Me based on this episode is I'm starting to think, like, Okay, Ashley,

79
00:05:25,440 --> 00:05:30,880
Speaker 3: what's t what's T? Is this a storyline that you're

80
00:05:30,960 --> 00:05:34,039
Speaker 3: creating because you didn't have one last season?

81
00:05:35,160 --> 00:05:37,480
Speaker 2: Are you and Michael really going through a divorce?

82
00:05:39,040 --> 00:05:42,599
Speaker 3: Are you saying this, Ashley because Michael is refusing to

83
00:05:42,680 --> 00:05:46,640
Speaker 3: film and in order for it to make sense why

84
00:05:46,680 --> 00:05:50,240
Speaker 3: Michael Darby isn't filming this season, because the word on

85
00:05:50,240 --> 00:05:52,560
Speaker 3: the street is Michael Darby did not film this season.

86
00:05:53,560 --> 00:05:58,080
Speaker 3: I believe that Ashley created this storyline so that it

87
00:05:58,120 --> 00:06:01,120
Speaker 3: can make sense why Michael Darby is not around.

88
00:06:02,040 --> 00:06:03,599
Speaker 2: Yes, that's what I believe.

89
00:06:03,880 --> 00:06:06,360
Speaker 3: I don't believe for a second they're getting a divorce,

90
00:06:06,520 --> 00:06:10,640
Speaker 3: filing for divorce. I think Michael is tired of being

91
00:06:11,839 --> 00:06:16,920
Speaker 3: called these names, these accusations that comes his way. I

92
00:06:16,960 --> 00:06:19,880
Speaker 3: think Michael Darby is like, I'm done with the show.

93
00:06:20,520 --> 00:06:25,680
Speaker 3: And Ashley knows that if Michael Darby told the network

94
00:06:26,320 --> 00:06:30,560
Speaker 3: and the production company that he wasn't filming, that more

95
00:06:30,640 --> 00:06:33,880
Speaker 3: than likely her job would be on the line. So

96
00:06:34,080 --> 00:06:39,520
Speaker 3: I believe that Michael Darby and Ashley conspired with each

97
00:06:39,520 --> 00:06:42,320
Speaker 3: other and said, let's come up with this storyline so

98
00:06:42,360 --> 00:06:44,919
Speaker 3: that it can make sense as to why I won't

99
00:06:44,960 --> 00:06:49,640
Speaker 3: be around, and let's just tell people you're trying to

100
00:06:49,720 --> 00:06:53,560
Speaker 3: divorce me get a divorce. Like all of that was weird,

101
00:06:53,800 --> 00:06:56,600
Speaker 3: And the reason why it was weird is when you

102
00:06:56,720 --> 00:07:01,720
Speaker 3: tell a lie allegedly, we have to remember the lie.

103
00:07:02,520 --> 00:07:07,719
Speaker 3: It's easier to remember the truth. When your story starts

104
00:07:07,920 --> 00:07:14,320
Speaker 3: becoming Harry Potter to where every chapter is a different

105
00:07:14,400 --> 00:07:19,080
Speaker 3: story and a different moment. That's because you're telling a

106
00:07:19,160 --> 00:07:24,560
Speaker 3: lie allegedly. And I don't believe anything about Ashley and

107
00:07:24,640 --> 00:07:26,239
Speaker 3: Michael darb beginning a divorce.

108
00:07:26,720 --> 00:07:28,280
Speaker 2: The story about you.

109
00:07:28,240 --> 00:07:32,640
Speaker 3: Guys being in Miami and there was a girl that

110
00:07:32,720 --> 00:07:36,679
Speaker 3: you liked and he wanted to take her home. Look,

111
00:07:36,960 --> 00:07:38,960
Speaker 3: the only thing I would say about that is this,

112
00:07:39,440 --> 00:07:42,320
Speaker 3: I do believe that Ashley is over the three psalmes

113
00:07:42,880 --> 00:07:46,840
Speaker 3: because she now is a mother of two. And for

114
00:07:46,960 --> 00:07:50,280
Speaker 3: all of my listeners to our mothers, you all can

115
00:07:50,280 --> 00:07:54,800
Speaker 3: attest to the fact that a baby changes a woman.

116
00:07:55,520 --> 00:07:59,239
Speaker 3: You know, she may not feel like being the happy

117
00:08:00,160 --> 00:08:05,000
Speaker 3: person that she was prior to having the baby. I

118
00:08:05,040 --> 00:08:09,480
Speaker 3: think Ashley is ready to put her you know, threesome

119
00:08:09,560 --> 00:08:12,480
Speaker 3: card down, and she wants to pick up the pacifier.

120
00:08:13,200 --> 00:08:15,880
Speaker 3: You know, she wants to use her breast to feed

121
00:08:15,920 --> 00:08:18,960
Speaker 3: her baby and not use her breast to feed another

122
00:08:19,000 --> 00:08:22,280
Speaker 3: woman or another man. Whatever flows shall boat at the

123
00:08:22,320 --> 00:08:26,400
Speaker 3: Derby household. So I do believe that, I do believe Darby,

124
00:08:27,920 --> 00:08:28,800
Speaker 3: not Darby Lord.

125
00:08:29,160 --> 00:08:31,880
Speaker 2: I do believe that Ashley.

126
00:08:32,320 --> 00:08:38,040
Speaker 3: Is done being you know, the fun, flirty, you know sexy,

127
00:08:38,400 --> 00:08:42,360
Speaker 3: you know, a wife to Michael you know. I believe

128
00:08:42,480 --> 00:08:46,480
Speaker 3: she's done with her Anna Nicole Smith ways. I think

129
00:08:46,520 --> 00:08:49,800
Speaker 3: Ashley wants more out of life. I think Ashley's looking

130
00:08:49,880 --> 00:08:54,440
Speaker 3: to be on her you know, Martha Stewart. I think

131
00:08:54,480 --> 00:08:57,160
Speaker 3: she wants to stay home, she wants to be a mom,

132
00:08:57,679 --> 00:09:01,599
Speaker 3: She wants to you know, bake cookie she wants to

133
00:09:01,640 --> 00:09:05,280
Speaker 3: put Michael to bid inject him and what he needs

134
00:09:05,280 --> 00:09:07,680
Speaker 3: from medication, you know, the night nurse.

135
00:09:08,320 --> 00:09:09,920
Speaker 2: I believe Ashley is done with that.

136
00:09:10,920 --> 00:09:14,000
Speaker 3: So this whole storyline to me is going to get

137
00:09:14,040 --> 00:09:17,520
Speaker 3: weirder and weirder because I just I'm not buying it

138
00:09:17,840 --> 00:09:23,480
Speaker 3: at all. What I am buying, though, is Candace and Chris.

139
00:09:23,679 --> 00:09:24,079
Speaker 2: Baby.

140
00:09:24,360 --> 00:09:26,600
Speaker 3: That gave me some good old love and marriage potomac

141
00:09:26,720 --> 00:09:30,200
Speaker 3: teas the way they argue in that car. When Ashley

142
00:09:30,400 --> 00:09:34,280
Speaker 3: said to Chris, who are you talking to?

143
00:09:35,760 --> 00:09:37,480
Speaker 2: Girl? Listen?

144
00:09:37,520 --> 00:09:40,240
Speaker 3: We all know Candy Gal has a mouth on her.

145
00:09:41,240 --> 00:09:46,000
Speaker 3: I did not know that Candace also.

146
00:09:45,880 --> 00:09:50,040
Speaker 2: Talks to her husband that way. That gagged me.

147
00:09:50,400 --> 00:09:53,439
Speaker 3: I never had arguments in the past. And Chris, by

148
00:09:53,480 --> 00:09:55,360
Speaker 3: the way, I love Chris. I think Chris is such

149
00:09:55,360 --> 00:09:58,600
Speaker 3: a good guy. I love Chris and Candace marriage. I

150
00:09:58,640 --> 00:10:01,320
Speaker 3: think they're made for each other. But your boy was

151
00:10:01,400 --> 00:10:05,079
Speaker 3: definitely gagging when Candace was like, who the fuck are

152
00:10:05,080 --> 00:10:05,560
Speaker 3: you talking to?

153
00:10:05,600 --> 00:10:08,200
Speaker 2: You're not cussing at me, bitch. I loved it. I

154
00:10:08,240 --> 00:10:08,560
Speaker 2: loved it.

155
00:10:08,640 --> 00:10:11,160
Speaker 3: Candas said, I'm a black woman and I would get

156
00:10:11,200 --> 00:10:14,280
Speaker 3: blackly black, black black on you. I don't care what

157
00:10:14,440 --> 00:10:17,040
Speaker 3: is going on you would not talk to me that way.

158
00:10:17,760 --> 00:10:18,319
Speaker 2: I love it.

159
00:10:18,400 --> 00:10:21,120
Speaker 3: I love it, and I'm hoping that based on what

160
00:10:21,200 --> 00:10:25,720
Speaker 3: we're seeing with Candace living out her dreams, being a

161
00:10:25,800 --> 00:10:30,839
Speaker 3: performer and just being on tour, opening up her faith,

162
00:10:31,000 --> 00:10:35,559
Speaker 3: Evans and SWV and how she says she's just saying

163
00:10:35,640 --> 00:10:40,200
Speaker 3: yes to all of these opportunities coming her way. That's big.

164
00:10:40,440 --> 00:10:44,080
Speaker 3: Like Kansas was on our podcast last week and she

165
00:10:44,160 --> 00:10:48,199
Speaker 3: did mention that listen, she prayed for this, She manifested this.

166
00:10:48,760 --> 00:10:52,480
Speaker 3: So I'm happy that she is, you know, living out

167
00:10:52,480 --> 00:10:55,440
Speaker 3: her dreams and the fact that she's smart enough to know,

168
00:10:55,920 --> 00:10:58,840
Speaker 3: let me freeze my eggs so that when I do

169
00:10:59,000 --> 00:11:02,160
Speaker 3: decide to have a kid later in life, at least

170
00:11:02,200 --> 00:11:05,720
Speaker 3: I got that side done. So I'm one hundred percent

171
00:11:06,240 --> 00:11:11,880
Speaker 3: looking forward to that. I'm also looking forward to seeing

172
00:11:11,920 --> 00:11:17,000
Speaker 3: more of cha Cha. Yeah, Cherise, Welcome back, Bitch, Cherise

173
00:11:17,640 --> 00:11:20,800
Speaker 3: aka cha Cha is back and.

174
00:11:22,480 --> 00:11:23,680
Speaker 2: Robin, who I love.

175
00:11:24,920 --> 00:11:29,760
Speaker 3: This is a call to action because I'm also wondering

176
00:11:30,000 --> 00:11:35,720
Speaker 3: if this alleged marriage between her and Yan is going

177
00:11:35,760 --> 00:11:40,240
Speaker 3: to happen. I'm concerned that this may have been a

178
00:11:40,280 --> 00:11:44,040
Speaker 3: storyline that was needed because at the end of the day,

179
00:11:45,400 --> 00:11:50,320
Speaker 3: you already married this man, so getting remarried to him

180
00:11:50,480 --> 00:11:54,480
Speaker 3: should be as easy as one, two, three and the

181
00:11:54,520 --> 00:11:58,640
Speaker 3: math a math in this is the father of your

182
00:11:58,679 --> 00:12:04,480
Speaker 3: two boys, is the love of your life. And yes,

183
00:12:04,600 --> 00:12:07,120
Speaker 3: I do get the prenup thing, Like, listen, I'm on,

184
00:12:07,640 --> 00:12:08,760
Speaker 3: y'all gonna read me.

185
00:12:09,360 --> 00:12:10,840
Speaker 2: I am a Robin's side.

186
00:12:11,440 --> 00:12:14,679
Speaker 3: Like if I, meaning Robin, had to sign a prenup

187
00:12:14,720 --> 00:12:17,280
Speaker 3: and I was okay with it, then one you should

188
00:12:17,280 --> 00:12:18,480
Speaker 3: be able to sign one too.

189
00:12:19,280 --> 00:12:19,720
Speaker 2: Period.

190
00:12:20,960 --> 00:12:24,720
Speaker 3: Whoever is the bread winner in the relationship, I think

191
00:12:24,760 --> 00:12:28,959
Speaker 3: a prenup is necessary. I think it's necessary because at

192
00:12:29,000 --> 00:12:32,240
Speaker 3: the end of the day, one thing I always tell

193
00:12:32,280 --> 00:12:36,920
Speaker 3: people when you are married to somebody, every ten years,

194
00:12:37,520 --> 00:12:40,480
Speaker 3: the husband and the wife, they both turn into different

195
00:12:40,520 --> 00:12:47,240
Speaker 3: people and you have to redate, relearn, reintroduce yourselves to

196
00:12:47,320 --> 00:12:51,640
Speaker 3: your partners because the person you married is not going

197
00:12:51,679 --> 00:12:54,240
Speaker 3: to be that same person ten years from now, or

198
00:12:54,280 --> 00:12:57,360
Speaker 3: the twenty years from now, or the thirty years from now.

199
00:12:57,640 --> 00:13:00,079
Speaker 3: So although right now you may not think he or

200
00:13:00,160 --> 00:13:03,640
Speaker 3: she wants your coins, baby, you don't know what's gonna happen.

201
00:13:03,640 --> 00:13:06,640
Speaker 3: Ten years from now. They could be a monster and

202
00:13:06,679 --> 00:13:08,600
Speaker 3: they can want all your money. And we've seen it

203
00:13:08,640 --> 00:13:12,439
Speaker 3: happen to so many celebrities. So I am with Robin

204
00:13:13,240 --> 00:13:16,640
Speaker 3: in terms of want signing a prenup. But of course,

205
00:13:16,720 --> 00:13:19,079
Speaker 3: Cha Cha on the Cha Chaw slide said, bitch, let

206
00:13:19,080 --> 00:13:19,960
Speaker 3: me slide in real.

207
00:13:19,880 --> 00:13:24,240
Speaker 2: Quick, because Cha Chaw was awarded.

208
00:13:27,120 --> 00:13:31,360
Speaker 3: Cha Chaw was awarded half of her husband's earnings. And

209
00:13:31,400 --> 00:13:33,480
Speaker 3: this may be a controversial statement, but I'll say it,

210
00:13:34,760 --> 00:13:40,080
Speaker 3: cha Cha, you did not deserve half of his money.

211
00:13:40,840 --> 00:13:42,960
Speaker 2: Deserve as a strong word.

212
00:13:43,840 --> 00:13:47,920
Speaker 3: You deserve to be compensated for, you know, the time

213
00:13:47,960 --> 00:13:53,480
Speaker 3: you spent, but half of this man's money. Yeah, I

214
00:13:53,480 --> 00:13:57,760
Speaker 3: would have to say that's a no, no at all,

215
00:13:58,880 --> 00:14:04,520
Speaker 3: no way, jose A Wan lookout for that, like yeah,

216
00:14:04,559 --> 00:14:07,959
Speaker 3: so look, I'm with Robin. Robin definitely get the prenup.

217
00:14:08,000 --> 00:14:08,240
Speaker 4: Girl.

218
00:14:08,840 --> 00:14:09,960
Speaker 2: We know that Wan.

219
00:14:11,240 --> 00:14:15,520
Speaker 3: Wan used to cheat on you, so I understand why

220
00:14:15,559 --> 00:14:17,880
Speaker 3: you want to be a little bit more careful because

221
00:14:17,920 --> 00:14:20,960
Speaker 3: if Wan slices his dick into another woman's.

222
00:14:20,960 --> 00:14:28,280
Speaker 2: But JJ, yeah, he don't deserve shit, Okay, Mama Mia.

223
00:14:29,720 --> 00:14:33,160
Speaker 3: Now, last season I told the girls after the first

224
00:14:33,240 --> 00:14:36,240
Speaker 3: episode that Mia was on her way of becoming a

225
00:14:36,280 --> 00:14:39,880
Speaker 3: formidable housewife, that she is going to be a star,

226
00:14:40,400 --> 00:14:43,200
Speaker 3: And I am happy to report that I was right.

227
00:14:45,240 --> 00:14:46,960
Speaker 2: I love seeing Mia.

228
00:14:47,360 --> 00:14:51,520
Speaker 3: MIA's gorgeous, she's funny, she's whimsical, she's a little cuckoo

229
00:14:51,560 --> 00:14:52,640
Speaker 3: in a good way, you.

230
00:14:52,560 --> 00:14:55,040
Speaker 2: Know, but she she's fun to watch.

231
00:14:55,200 --> 00:14:59,240
Speaker 3: And although she was giving me old Kim Zosiak vibes

232
00:14:59,280 --> 00:15:02,720
Speaker 3: with this whole ca answer story, like, I'm not really

233
00:15:02,840 --> 00:15:07,560
Speaker 3: understanding what's going on there. And I must admit that

234
00:15:07,920 --> 00:15:13,760
Speaker 3: I definitely was confused by the post because I do

235
00:15:13,800 --> 00:15:16,120
Speaker 3: follow Mia, I love Mia, I love g.

236
00:15:17,080 --> 00:15:18,240
Speaker 2: I was confused by it.

237
00:15:18,680 --> 00:15:23,280
Speaker 3: Cancer is such a very sensitive topic. A lot of people,

238
00:15:23,400 --> 00:15:27,560
Speaker 3: including me, have lost loved ones due to cancer, and

239
00:15:27,600 --> 00:15:30,200
Speaker 3: that's not a word you use lightly even if you

240
00:15:30,320 --> 00:15:32,960
Speaker 3: felt that, you know, look, it.

241
00:15:32,960 --> 00:15:33,680
Speaker 2: Was a scare.

242
00:15:34,280 --> 00:15:38,000
Speaker 3: I just think, wait until the full diagnosis results come

243
00:15:38,040 --> 00:15:41,400
Speaker 3: back before you let the entire world on social media

244
00:15:41,520 --> 00:15:44,880
Speaker 3: know about it. So that was something that I thought

245
00:15:45,080 --> 00:15:46,360
Speaker 3: was a little interesting.

246
00:15:46,840 --> 00:15:49,400
Speaker 2: I'm not saying Mia was lying or looking for attention.

247
00:15:50,680 --> 00:15:52,440
Speaker 3: I do feel like a lot of people run to

248
00:15:52,520 --> 00:15:55,800
Speaker 3: social media to tell their business before they tell people

249
00:15:55,840 --> 00:15:57,080
Speaker 3: in their own household.

250
00:15:57,120 --> 00:16:00,359
Speaker 2: Honey, remember Portia William.

251
00:16:00,240 --> 00:16:04,160
Speaker 3: Found out Cordell one of a divorce based on social media, bitch,

252
00:16:04,680 --> 00:16:06,640
Speaker 3: So that goes to show you a lot of people

253
00:16:06,720 --> 00:16:10,720
Speaker 3: run to social media to tell their business before really

254
00:16:10,920 --> 00:16:15,000
Speaker 3: having the opportunity to just, you know, sit still, dissect

255
00:16:15,120 --> 00:16:19,480
Speaker 3: it and figure it out. So we need to get

256
00:16:19,520 --> 00:16:24,200
Speaker 3: back to keeping some things private while we understand the

257
00:16:24,240 --> 00:16:28,560
Speaker 3: philoscope of what's going on. So that part was confusing

258
00:16:28,600 --> 00:16:30,920
Speaker 3: to me. But I was happy to see Mia back,

259
00:16:31,600 --> 00:16:36,440
Speaker 3: and I was so happy to see Patricia aka Peter Thomas.

260
00:16:37,080 --> 00:16:38,880
Speaker 2: Peter Thomas is like a roach.

261
00:16:39,240 --> 00:16:42,160
Speaker 3: No matter how many times you kill him, the motherfucker

262
00:16:42,200 --> 00:16:45,400
Speaker 3: is going to rise up a wall and make sure

263
00:16:45,440 --> 00:16:49,840
Speaker 3: he impregnates every single town that he's in. He truly

264
00:16:49,960 --> 00:16:53,560
Speaker 3: is the king of reality TV. It was nice seeing

265
00:16:53,560 --> 00:16:57,760
Speaker 3: Peter with doctor Wendy. Doctor Wendy, you look so gorgeous,

266
00:16:58,040 --> 00:17:01,520
Speaker 3: so beautiful. I love your new look, and you know

267
00:17:01,600 --> 00:17:03,520
Speaker 3: I love me some, Doctor Wendy, but I got to

268
00:17:03,600 --> 00:17:05,560
Speaker 3: keep it all the way real.

269
00:17:06,560 --> 00:17:07,320
Speaker 2: Doctor Wendy.

270
00:17:07,440 --> 00:17:11,439
Speaker 3: I'm also concerned you're giving us a storyline with no merit.

271
00:17:12,160 --> 00:17:15,360
Speaker 3: I mean, your first season you was a doctor, your

272
00:17:15,480 --> 00:17:18,720
Speaker 3: second season, you was a candle maker.

273
00:17:19,560 --> 00:17:22,320
Speaker 2: Now your third season your restaurant.

274
00:17:21,760 --> 00:17:26,720
Speaker 3: Toa like I, honey, I need to be able to

275
00:17:26,920 --> 00:17:31,120
Speaker 3: hone in and marvel in one business before you hop

276
00:17:31,160 --> 00:17:34,920
Speaker 3: on another So doctor Wendy, you know I love you,

277
00:17:35,320 --> 00:17:37,640
Speaker 3: but we need to focus on.

278
00:17:37,440 --> 00:17:38,879
Speaker 2: One business at a time.

279
00:17:39,720 --> 00:17:42,600
Speaker 3: Thank you so much for the candles you provided the King.

280
00:17:43,160 --> 00:17:46,439
Speaker 2: I love it. It'smel good. I really wanted you to

281
00:17:46,480 --> 00:17:47,400
Speaker 2: be Martha Stewart.

282
00:17:48,119 --> 00:17:51,920
Speaker 3: So one thing about me and my audience, we really

283
00:17:51,960 --> 00:17:55,040
Speaker 3: do follow people's storylines that they set up and we

284
00:17:55,080 --> 00:17:58,000
Speaker 3: want to see the full picture of it, the end result,

285
00:17:58,160 --> 00:18:03,000
Speaker 3: if you will. So doctor Wendy is giving Barry dereet

286
00:18:03,440 --> 00:18:07,520
Speaker 3: in terms of this business. How Dereed was wanted to

287
00:18:07,640 --> 00:18:12,040
Speaker 3: own a restaurant and miss thing fucking decorated the corner

288
00:18:12,680 --> 00:18:15,360
Speaker 3: of an Italian restaurant, and then the next season she's

289
00:18:15,359 --> 00:18:20,160
Speaker 3: doing wedding dresses, and then this season she's of Kyle's ass. So,

290
00:18:21,480 --> 00:18:25,800
Speaker 3: doctor Wendy, I wanted to see you be the Martha

291
00:18:25,840 --> 00:18:29,800
Speaker 3: Steward who had a candle line. Maybe you know, somebody

292
00:18:29,840 --> 00:18:35,800
Speaker 3: scrub maybe vegan deorderant, maybe bidding, you know.

293
00:18:35,800 --> 00:18:38,000
Speaker 2: Like I wanted to see more of that.

294
00:18:38,240 --> 00:18:41,840
Speaker 3: So I'm a little confused with the restaurant business.

295
00:18:42,480 --> 00:18:44,400
Speaker 2: But it is the first episode.

296
00:18:45,320 --> 00:18:48,280
Speaker 3: Thank you for bringing Peter Thomas back to our screens, though,

297
00:18:48,840 --> 00:18:52,399
Speaker 3: But do not be like de Rea where the end

298
00:18:52,440 --> 00:18:55,679
Speaker 3: of the season, all we saw was a fucking corner

299
00:18:55,960 --> 00:18:58,600
Speaker 3: of a restaurant. Okay, if you're gonna do this shit,

300
00:18:59,280 --> 00:19:03,679
Speaker 3: doctor Wendy, I need the full fruition to come to

301
00:19:03,800 --> 00:19:05,440
Speaker 3: life before the finale.

302
00:19:06,080 --> 00:19:10,680
Speaker 2: Okay, Now, Gazelle.

303
00:19:12,440 --> 00:19:17,960
Speaker 3: Gasell Bryant, who I like to call Gisel Kobe Bryant.

304
00:19:18,640 --> 00:19:20,040
Speaker 2: Yap, I said it.

305
00:19:21,040 --> 00:19:25,120
Speaker 3: Jasell Bryant is the Kobe Bryant of Housewives.

306
00:19:27,400 --> 00:19:28,439
Speaker 2: Yep, I said it.

307
00:19:28,560 --> 00:19:30,200
Speaker 3: I don't care, y'all could be mad at me ying

308
00:19:30,240 --> 00:19:34,840
Speaker 3: two in terms of who's activating right now on all

309
00:19:34,920 --> 00:19:39,360
Speaker 3: cylinders on every single Housewives franchise that's currently airing.

310
00:19:39,760 --> 00:19:41,119
Speaker 2: I'm not saying of all time.

311
00:19:41,800 --> 00:19:46,760
Speaker 3: I'm saying, based on the most recent season, on every

312
00:19:46,840 --> 00:19:53,840
Speaker 3: single Housewives, Giselle is the Kobe Bryant of Housewives. Okay, currently,

313
00:19:54,640 --> 00:20:01,320
Speaker 3: thank you. Currently so Gazelle Kobe Bryant. She's going to work.

314
00:20:02,840 --> 00:20:04,000
Speaker 2: She is the.

315
00:20:03,840 --> 00:20:09,560
Speaker 3: Executive producer, the consulting the producer. She's the gaffer, she's

316
00:20:09,600 --> 00:20:14,879
Speaker 3: the lighting director, she's a production assistant, she caters the meals.

317
00:20:21,119 --> 00:20:25,240
Speaker 3: At this point, based on the first episode, and yes,

318
00:20:26,600 --> 00:20:31,320
Speaker 3: breaking news, I am going to recap every single episode

319
00:20:31,400 --> 00:20:33,639
Speaker 3: of Potomac because I can already tell you guys, it's

320
00:20:33,640 --> 00:20:38,320
Speaker 3: gonna be good. So as of the first episode, the

321
00:20:38,400 --> 00:20:41,520
Speaker 3: name of the show needs to be Giselle Kobe Bryant

322
00:20:41,720 --> 00:20:45,560
Speaker 3: featuring the real house spots of Potomac, because for this

323
00:20:45,640 --> 00:20:50,120
Speaker 3: woman to be all up in everybody's business in one episode,

324
00:20:50,560 --> 00:20:52,720
Speaker 3: I cannot wait to see.

325
00:20:52,520 --> 00:20:54,600
Speaker 2: What you're going to give us for the rest of

326
00:20:54,680 --> 00:20:55,159
Speaker 2: the season.

327
00:20:55,800 --> 00:20:59,719
Speaker 3: Not only is she questioning as she's divorce rightfully, So

328
00:21:00,440 --> 00:21:03,480
Speaker 3: when Ashley walked in, like, what y'all talking about? Here

329
00:21:03,480 --> 00:21:11,600
Speaker 3: goes Gazelle Kobe Bryant, Girl, we're talking about you. I

330
00:21:11,720 --> 00:21:15,080
Speaker 3: know that's right, Gaselle. You said, look, bitch, the clock

331
00:21:15,200 --> 00:21:18,520
Speaker 3: is technique. The camera guy has thirty minutes before he

332
00:21:18,560 --> 00:21:20,439
Speaker 3: has to go on the lush break, so let me

333
00:21:20,480 --> 00:21:23,120
Speaker 3: get this seed in. And I know some of y'all think,

334
00:21:23,160 --> 00:21:26,119
Speaker 3: like Carlos, that's not great, like you need to be

335
00:21:26,160 --> 00:21:26,719
Speaker 3: in the moment.

336
00:21:27,240 --> 00:21:28,000
Speaker 2: I disagree.

337
00:21:28,560 --> 00:21:31,320
Speaker 3: I like it when a cast member clocks in and

338
00:21:31,440 --> 00:21:34,720
Speaker 3: knows that baby, I have a certain amount of time

339
00:21:34,720 --> 00:21:38,919
Speaker 3: to make a good team that's rooted in reality, and

340
00:21:39,000 --> 00:21:41,399
Speaker 3: that's what she was doing. So the fact that she

341
00:21:41,600 --> 00:21:44,040
Speaker 3: told Ashley, yeah, we're talking about you, bitch, and this

342
00:21:44,160 --> 00:21:45,560
Speaker 3: weird divorce, what's going on?

343
00:21:46,080 --> 00:21:46,480
Speaker 2: Love that.

344
00:21:47,560 --> 00:21:50,480
Speaker 3: Then she goes to the bar to speak to another woman.

345
00:21:51,200 --> 00:21:54,200
Speaker 3: Doctor Wendy, looking gorgeous.

346
00:21:54,440 --> 00:22:03,320
Speaker 5: Tries to speak to Gizelle, where Gazelle said, don't touch me,

347
00:22:03,680 --> 00:22:04,639
Speaker 5: you can't touch me.

348
00:22:05,280 --> 00:22:08,919
Speaker 2: I'm amazing, I feel good. I love that.

349
00:22:09,480 --> 00:22:12,679
Speaker 3: I love that because on no day, and I'm on

350
00:22:12,760 --> 00:22:14,080
Speaker 3: Gazelle's side with this one.

351
00:22:14,880 --> 00:22:18,399
Speaker 2: If I have a problem with you and the beef

352
00:22:18,440 --> 00:22:21,240
Speaker 2: that we have is really deep, there.

353
00:22:21,119 --> 00:22:24,840
Speaker 3: Is no way you can even touch my skin, I

354
00:22:24,880 --> 00:22:28,199
Speaker 3: am going to back that ass up like juvenile and

355
00:22:28,320 --> 00:22:28,960
Speaker 3: step away.

356
00:22:29,840 --> 00:22:31,760
Speaker 2: So the fact that gazelle.

357
00:22:31,680 --> 00:22:35,919
Speaker 3: Immediate reaction is bitch, get away from me.

358
00:22:36,280 --> 00:22:37,159
Speaker 2: You can't touch me.

359
00:22:37,680 --> 00:22:39,560
Speaker 3: All that shit you said about me and my family,

360
00:22:39,800 --> 00:22:41,359
Speaker 3: girl by I loved it.

361
00:22:41,560 --> 00:22:42,160
Speaker 2: I loved it.

362
00:22:42,400 --> 00:22:45,320
Speaker 3: There's no way anybody is able to touch you or

363
00:22:45,400 --> 00:22:49,280
Speaker 3: hug you if you have a problem with that, especially

364
00:22:49,640 --> 00:22:53,280
Speaker 3: for the stuff that was said. So Gazelle, I'm with

365
00:22:53,400 --> 00:22:57,880
Speaker 3: you there. But because Gazelle awesome knew Okay, I clocked

366
00:22:57,920 --> 00:23:01,960
Speaker 3: Ashley's tea, I just would do way Wendy, and you

367
00:23:01,960 --> 00:23:05,080
Speaker 3: would think that after that, the EP of the show

368
00:23:05,080 --> 00:23:05,639
Speaker 3: would think.

369
00:23:05,560 --> 00:23:06,879
Speaker 2: Like, Okay, my job is done.

370
00:23:07,359 --> 00:23:12,360
Speaker 3: But no, because when you're Gazelle Kobe Bryant, you want

371
00:23:12,440 --> 00:23:15,960
Speaker 3: to always win. You want to shoot another three point shot.

372
00:23:16,800 --> 00:23:22,199
Speaker 3: And then Mama Mia walked in, and Giselle loved Gazelle,

373
00:23:22,280 --> 00:23:24,080
Speaker 3: you need to get a raise. If I were you,

374
00:23:24,119 --> 00:23:27,080
Speaker 3: I would tell them to make sure you get a

375
00:23:27,200 --> 00:23:34,960
Speaker 3: raise because yeah, okay. Anyways, so when Mama Miah walked in,

376
00:23:36,280 --> 00:23:45,400
Speaker 3: Giselle Kobe Bryant says, it's not funny, but it is. Buddy, Oh,

377
00:23:45,480 --> 00:23:49,320
Speaker 3: you look good for I have cancer. I don't have cancer, bitch, bitch,

378
00:23:49,640 --> 00:23:53,720
Speaker 3: I passed out. I passed out from Mariah Carey's exhaustion

379
00:23:53,840 --> 00:24:00,439
Speaker 3: tees like I was done. Who says that this is

380
00:24:00,480 --> 00:24:02,840
Speaker 3: what cancer or no cancer looks like.

381
00:24:03,480 --> 00:24:10,320
Speaker 2: Gazelle, you are a fucking fool. Who says that, Giselle,

382
00:24:10,520 --> 00:24:13,640
Speaker 2: what is wrong with you?

383
00:24:13,640 --> 00:24:18,560
Speaker 3: You are nothing short of aspective like you're you're amazing,

384
00:24:19,480 --> 00:24:24,520
Speaker 3: You're amazing, You're amazing, You're amazing, You're amazing to all

385
00:24:24,520 --> 00:24:28,680
Speaker 3: of the current Housewives. Please watch Zelle Brian in this episode.

386
00:24:29,280 --> 00:24:33,399
Speaker 3: And that's how you do a scene. That's how you

387
00:24:33,440 --> 00:24:38,359
Speaker 3: make a season premiere epic. Who says that this is

388
00:24:38,359 --> 00:24:41,920
Speaker 3: what cancer no cancer looks like? And Mama Mia caught

389
00:24:42,000 --> 00:24:43,960
Speaker 3: that shade and said, bitch, I'm gonna check you, so

390
00:24:44,080 --> 00:24:44,480
Speaker 3: fuck you.

391
00:24:45,000 --> 00:24:48,160
Speaker 2: And I'm pretty sure Jazelle parpers like Okay.

392
00:24:48,200 --> 00:24:52,120
Speaker 3: Rap cameras, you guys can go home because ladies and gentlemen,

393
00:24:52,640 --> 00:24:58,480
Speaker 3: we have a scene. Yes, So I cannot wait until

394
00:24:58,480 --> 00:25:04,960
Speaker 3: the next episode. My favorite Housewives franchise is back, and

395
00:25:05,960 --> 00:25:10,200
Speaker 3: this giddy boy is going to give some great recaps

396
00:25:10,720 --> 00:25:14,000
Speaker 3: as long as these women continue to give us some

397
00:25:14,040 --> 00:25:21,959
Speaker 3: great scenes. So my thanks goes to Giselle, Karen, Ashley, Robin, Candice,

398
00:25:22,520 --> 00:25:27,720
Speaker 3: doctor Wendy, Mia and the production. Thank you, thank you,

399
00:25:27,880 --> 00:25:34,640
Speaker 3: thank you, thank you. That is how you clear a bitch. Okay,

400
00:25:35,320 --> 00:25:39,879
Speaker 3: And now, without further ado, here is my conversation with Chameleon.

401
00:25:46,280 --> 00:25:50,359
Speaker 2: We got Chamellion in the building, rain drops. What up doo?

402
00:25:51,400 --> 00:25:51,960
Speaker 2: That's good?

403
00:25:53,000 --> 00:25:57,159
Speaker 3: You tell me you're giving me very nineties hip hop.

404
00:25:57,600 --> 00:26:01,280
Speaker 3: Oh to the greatest female mcs of all time, Little

405
00:26:01,400 --> 00:26:04,840
Speaker 3: Kim Foxy Brown Baby, how you doing, Chameleon?

406
00:26:05,400 --> 00:26:08,240
Speaker 4: You know iconic legendary things. Only you know.

407
00:26:10,800 --> 00:26:15,800
Speaker 3: Speaking of iconic and legendary, your character Mia on rap

408
00:26:15,800 --> 00:26:19,280
Speaker 3: shit is just that I love the show. I got

409
00:26:19,280 --> 00:26:22,520
Speaker 3: a chance to binge the whole thing because I like

410
00:26:22,600 --> 00:26:26,720
Speaker 3: to bene shows in one setting because I'm very impatient.

411
00:26:27,240 --> 00:26:29,800
Speaker 3: So I was like, uneast a racist, you can't drop

412
00:26:30,119 --> 00:26:32,840
Speaker 3: an episode two every Thursday night o'clock says like a

413
00:26:32,960 --> 00:26:36,080
Speaker 3: girl has to like sit in one setting and binge

414
00:26:36,119 --> 00:26:38,639
Speaker 3: all of the episodes. And I did just that. And

415
00:26:38,720 --> 00:26:45,960
Speaker 3: the show is phenomenal, And so are you. So talk

416
00:26:46,040 --> 00:26:49,840
Speaker 3: to me about the character Mia and how you were

417
00:26:49,920 --> 00:26:52,760
Speaker 3: able to be a part of this phenomenal series.

418
00:26:53,200 --> 00:26:57,760
Speaker 1: Oh my gosh. The character Mia, She's just she is life.

419
00:26:57,840 --> 00:27:00,760
Speaker 1: She gives what is supposed to be gay. She is

420
00:27:02,080 --> 00:27:07,080
Speaker 1: I think a relatable character on the show. You know,

421
00:27:07,160 --> 00:27:10,280
Speaker 1: she brings the spice, she brings the party, she brings life.

422
00:27:10,440 --> 00:27:14,480
Speaker 4: She also, you know, shows the vulnerability, you know.

423
00:27:15,119 --> 00:27:18,240
Speaker 1: And I just think that this character that was written

424
00:27:18,240 --> 00:27:21,560
Speaker 1: and created by Issa was very much needed, you know.

425
00:27:21,880 --> 00:27:24,320
Speaker 1: And we don't find these type of characters in this

426
00:27:24,440 --> 00:27:25,040
Speaker 1: type of space.

427
00:27:25,080 --> 00:27:28,000
Speaker 3: So yeah, no, And what I love about it is

428
00:27:28,040 --> 00:27:30,280
Speaker 3: we don't really see a lot of scripted shows talk

429
00:27:30,320 --> 00:27:34,320
Speaker 3: about the history of the city of Miami, especially as

430
00:27:34,359 --> 00:27:38,280
Speaker 3: relates to hip hop. We know about New York, even Detroit,

431
00:27:38,320 --> 00:27:41,199
Speaker 3: which is my hometown, but you don't really hear about

432
00:27:41,480 --> 00:27:44,440
Speaker 3: the essence of hip hop as it relates to the

433
00:27:44,440 --> 00:27:47,720
Speaker 3: city of Miami. And I know you are Floridian, so

434
00:27:47,920 --> 00:27:50,879
Speaker 3: talk to me about the importance of you not only

435
00:27:50,960 --> 00:27:53,720
Speaker 3: tapping into this character Mia, but also making sure that

436
00:27:54,119 --> 00:27:56,720
Speaker 3: the essence of Miami hip hop was at the forefront

437
00:27:56,760 --> 00:27:57,480
Speaker 3: tier well.

438
00:27:57,520 --> 00:28:01,199
Speaker 1: For me, like even to be able to represent a

439
00:28:01,320 --> 00:28:05,399
Speaker 1: character from Florida was like phenomenal to me because you know,

440
00:28:05,480 --> 00:28:07,680
Speaker 1: of course, like the greats of hip hop, you know,

441
00:28:07,800 --> 00:28:11,680
Speaker 1: they're from up north, but we have a heavy, rich

442
00:28:12,160 --> 00:28:15,840
Speaker 1: history in music as well, you know, just from Florida,

443
00:28:15,960 --> 00:28:19,200
Speaker 1: especially in Miami, and some people who were really unsung,

444
00:28:19,320 --> 00:28:21,879
Speaker 1: who have you know, haven't gotten their chances, who have

445
00:28:22,280 --> 00:28:25,560
Speaker 1: influenced the people who people know popularly that have come

446
00:28:25,640 --> 00:28:28,840
Speaker 1: from the city of Miami, you know. So it's like

447
00:28:29,440 --> 00:28:31,080
Speaker 1: for the viewers because I have a lot of family

448
00:28:31,119 --> 00:28:34,560
Speaker 1: in Miami, so for the viewers to see like certain

449
00:28:34,680 --> 00:28:38,080
Speaker 1: places in certain neighborhoods that were highlighted, that.

450
00:28:38,040 --> 00:28:39,880
Speaker 4: Gets you know, no attention.

451
00:28:40,480 --> 00:28:42,080
Speaker 1: No, you know a lot of people don't know that

452
00:28:42,120 --> 00:28:44,200
Speaker 1: when they come to Miami and they go across the bridge.

453
00:28:44,320 --> 00:28:46,720
Speaker 1: It's not about South Beach you know all the time,

454
00:28:46,880 --> 00:28:49,880
Speaker 1: Like Miami is like a like a it's like a gumbo,

455
00:28:50,080 --> 00:28:51,680
Speaker 1: you know, it's it's a real gumbo.

456
00:28:51,840 --> 00:28:55,880
Speaker 4: And we we have a rich history. So I just

457
00:28:55,880 --> 00:28:56,880
Speaker 4: think it was really cool.

458
00:28:56,920 --> 00:28:59,320
Speaker 1: And I saw even on Twitter, like a lot of

459
00:28:59,320 --> 00:29:01,920
Speaker 1: people applau and Issa for doing so. And even if

460
00:29:01,920 --> 00:29:04,920
Speaker 1: she didn't know, she sourced out the people who know

461
00:29:05,720 --> 00:29:06,600
Speaker 1: what the fuck's going on.

462
00:29:07,880 --> 00:29:11,080
Speaker 3: Oh we know, honey and Chameleon, you're what the fuck

463
00:29:11,160 --> 00:29:11,560
Speaker 3: is going on?

464
00:29:11,640 --> 00:29:11,960
Speaker 2: Honey?

465
00:29:12,320 --> 00:29:16,880
Speaker 3: Because period, bitch. Because the thing about is this. I

466
00:29:16,920 --> 00:29:20,320
Speaker 3: am a city girl fan. I do consider myself a

467
00:29:20,360 --> 00:29:24,120
Speaker 3: city boy. I don't like scam anybody I'm in a relationship.

468
00:29:24,360 --> 00:29:27,320
Speaker 3: But you know, back in the dayDay day, when I

469
00:29:27,480 --> 00:29:34,040
Speaker 3: was a young Tenderoni, my elliots name was Cortes. Oh yeah,

470
00:29:34,280 --> 00:29:38,800
Speaker 3: so my alter ego cortest I was in the streets

471
00:29:38,800 --> 00:29:40,440
Speaker 3: of New York.

472
00:29:43,680 --> 00:29:45,600
Speaker 1: Oh my god, I just shed a tear.

473
00:29:45,360 --> 00:29:48,520
Speaker 4: In these glasses. This is funny. This is hilarious.

474
00:29:48,880 --> 00:29:52,240
Speaker 2: So look, Chamelion, this was your boy.

475
00:29:52,520 --> 00:29:54,960
Speaker 3: So you know this back I was about twenties girl,

476
00:29:55,040 --> 00:29:59,040
Speaker 3: so I was like, really like that that boy? So

477
00:30:00,160 --> 00:30:03,360
Speaker 3: oh no, so like take your man, you know was

478
00:30:03,400 --> 00:30:06,640
Speaker 3: a theme song that I now know. That's what we

479
00:30:06,640 --> 00:30:08,880
Speaker 3: were doing. We will only talk to guys that have

480
00:30:09,000 --> 00:30:12,920
Speaker 3: a coin sometime. He was an older gentleman who you know,

481
00:30:13,080 --> 00:30:15,000
Speaker 3: was divorced from his wife and came out the closet

482
00:30:15,080 --> 00:30:19,360
Speaker 3: later in life. So knowing that City Girls, Okay, Young

483
00:30:19,400 --> 00:30:24,360
Speaker 3: Miami and JT are both EPs of the show, what

484
00:30:24,440 --> 00:30:26,200
Speaker 3: was it like to have them a part of it?

485
00:30:26,280 --> 00:30:29,680
Speaker 3: Like did you model yourself after one of them? Young

486
00:30:29,720 --> 00:30:32,960
Speaker 3: Miami in particularly, do they give your advice or what

487
00:30:33,000 --> 00:30:34,960
Speaker 3: was that process of having them be a part of the.

488
00:30:35,000 --> 00:30:39,320
Speaker 1: Show for Young Miami and JT to have themselves attached

489
00:30:39,360 --> 00:30:44,640
Speaker 1: to this, I think just for you know, the hip

490
00:30:44,680 --> 00:30:47,520
Speaker 1: hop community to really first of all tune in and

491
00:30:47,560 --> 00:30:50,360
Speaker 1: be like hold up, like what like the City Girls

492
00:30:50,640 --> 00:30:54,160
Speaker 1: are doing something other than music, Like okay, they got

493
00:30:54,160 --> 00:30:57,200
Speaker 1: their hand in TV. And then when you see the

494
00:30:57,240 --> 00:31:02,120
Speaker 1: story being told, it's it's not like the complete life

495
00:31:02,120 --> 00:31:05,160
Speaker 1: story of them, but it's like, you know what the

496
00:31:05,160 --> 00:31:08,560
Speaker 1: City Girls have gone through from being locked up from Kresha,

497
00:31:08,640 --> 00:31:11,320
Speaker 1: you know, losing her baby daddy or just being you know,

498
00:31:11,320 --> 00:31:14,360
Speaker 1: a single mother seeing her work and climbing the charts,

499
00:31:14,400 --> 00:31:16,480
Speaker 1: you know, having a son and you know, so it

500
00:31:16,560 --> 00:31:19,560
Speaker 1: was very loosely based, like you know, the situations that

501
00:31:19,600 --> 00:31:22,080
Speaker 1: the characters went through loosely based around their lives, and

502
00:31:22,120 --> 00:31:24,880
Speaker 1: I think it bought some validity, you know, and it

503
00:31:25,000 --> 00:31:27,840
Speaker 1: kind of made you know, you get you use the comparison,

504
00:31:28,040 --> 00:31:30,800
Speaker 1: you know. So and even people who were gonna watch TV,

505
00:31:30,880 --> 00:31:33,400
Speaker 1: they're like, oh, the city girls, let's tune in, you know.

506
00:31:33,600 --> 00:31:35,880
Speaker 1: So I think that was important for them to be

507
00:31:35,960 --> 00:31:38,200
Speaker 1: involved in the project, even just with a story about

508
00:31:38,240 --> 00:31:40,680
Speaker 1: two girls in this generation. And I think that was

509
00:31:40,720 --> 00:31:44,200
Speaker 1: so smart of Issa to really, you know, tap them

510
00:31:44,360 --> 00:31:45,600
Speaker 1: to be a part of this project.

511
00:31:45,960 --> 00:31:48,440
Speaker 3: Speaking of Issa, one thing that was smart of her

512
00:31:48,680 --> 00:31:52,080
Speaker 3: is she recently went on Drink Champs and you know, girls,

513
00:31:52,080 --> 00:31:54,840
Speaker 3: sometimes you on drink Champs, they get you liquored up, says,

514
00:31:54,960 --> 00:31:57,360
Speaker 3: and they make you say some crazy things. But our

515
00:31:57,360 --> 00:32:01,640
Speaker 3: good sense is a professional and she kept it together, honey.

516
00:32:01,720 --> 00:32:02,120
Speaker 2: Okay.

517
00:32:02,920 --> 00:32:07,080
Speaker 3: During that interview though, Chameleon, she said that you are

518
00:32:07,160 --> 00:32:11,680
Speaker 3: a star. How did it feel for you to hear

519
00:32:11,800 --> 00:32:16,480
Speaker 3: that from somebody that is really becoming you know, this

520
00:32:16,680 --> 00:32:20,760
Speaker 3: media mogo on her own right knowing that she tapped

521
00:32:20,760 --> 00:32:24,960
Speaker 3: into you cast you for this show and she really

522
00:32:25,000 --> 00:32:27,320
Speaker 3: does think you are like a star.

523
00:32:27,840 --> 00:32:30,560
Speaker 2: Like to know that that word is being used with

524
00:32:30,600 --> 00:32:31,120
Speaker 2: your name.

525
00:32:31,600 --> 00:32:35,280
Speaker 1: Well, when I got the information, it's like when I

526
00:32:35,320 --> 00:32:37,520
Speaker 1: woke up, like my artist relations person, he hit me.

527
00:32:37,600 --> 00:32:40,160
Speaker 4: He was like look at this, and I clicked the.

528
00:32:40,200 --> 00:32:42,920
Speaker 1: Link and I was like, oh my god, Like not

529
00:32:43,000 --> 00:32:46,720
Speaker 1: only is she, you know, telling the world about me,

530
00:32:46,800 --> 00:32:48,880
Speaker 1: but she thinks I'm a start and she's talking about

531
00:32:48,880 --> 00:32:49,880
Speaker 1: me on these platforms.

532
00:32:50,080 --> 00:32:51,680
Speaker 4: This is the lady that I look up to. This

533
00:32:51,760 --> 00:32:54,040
Speaker 4: is a woman who is like the new Opera.

534
00:32:53,840 --> 00:32:57,960
Speaker 1: Of our generation, you know, even bigger, Like she's really

535
00:32:58,440 --> 00:33:02,080
Speaker 1: employing people, putting on and really walking the walk, not

536
00:33:02,160 --> 00:33:04,520
Speaker 1: talking to talk. And so for her to say to

537
00:33:04,600 --> 00:33:07,240
Speaker 1: single me out and say, you know, Comunion is a

538
00:33:07,280 --> 00:33:08,960
Speaker 1: star that meant the world to me.

539
00:33:09,320 --> 00:33:11,520
Speaker 4: Like that meant the world to me, you know.

540
00:33:11,600 --> 00:33:15,000
Speaker 1: And I just recently met Nori at the BT Awards

541
00:33:15,360 --> 00:33:18,160
Speaker 1: this weekend and I got a chance to actually meet

542
00:33:18,240 --> 00:33:20,360
Speaker 1: him and he was just saying the same thing, and

543
00:33:20,400 --> 00:33:23,360
Speaker 1: it's just it's surreal, like he's a legend of hip hop,

544
00:33:23,440 --> 00:33:26,440
Speaker 1: you know. So it's just like wow, like girl, and

545
00:33:26,480 --> 00:33:28,320
Speaker 1: it really just makes me be like keep going, like

546
00:33:28,360 --> 00:33:30,880
Speaker 1: I gotta do. I gotta keep putting points on the

547
00:33:30,920 --> 00:33:33,280
Speaker 1: war because you know, a lot of people get comfortable

548
00:33:33,560 --> 00:33:35,560
Speaker 1: when they feel like they made it or they feel like.

549
00:33:35,720 --> 00:33:37,640
Speaker 4: You know, Okay, yeah, I'm a star.

550
00:33:38,120 --> 00:33:40,760
Speaker 1: But now I got to keep shining, you know, now

551
00:33:40,800 --> 00:33:43,560
Speaker 1: to Shane, gotta get crazier. I got to create constellations

552
00:33:43,600 --> 00:33:45,240
Speaker 1: with this shit. I got to be a now, I

553
00:33:45,280 --> 00:33:46,720
Speaker 1: got to be a planet. I got to be a

554
00:33:46,720 --> 00:33:48,160
Speaker 1: solar system like you know.

555
00:33:48,240 --> 00:33:50,760
Speaker 4: So it just really inspires me to keep going.

556
00:33:50,960 --> 00:33:54,600
Speaker 2: You know, no, and you're listen, honey, You're going places.

557
00:33:54,640 --> 00:33:57,080
Speaker 3: And one of the things I love about your Chameleon

558
00:33:57,200 --> 00:33:59,280
Speaker 3: is the fact that you know, a lot of us

559
00:33:59,640 --> 00:34:01,520
Speaker 3: met you for the first time being a Love and

560
00:34:01,600 --> 00:34:05,240
Speaker 3: Hip Hop Miami. You know, this reality show that had

561
00:34:05,440 --> 00:34:10,000
Speaker 3: legends like Trick Daddy and Trina and we saw you,

562
00:34:10,000 --> 00:34:12,080
Speaker 3: you know, come out of your shell and really show

563
00:34:12,200 --> 00:34:17,000
Speaker 3: us your personality. What made you want to get into

564
00:34:17,080 --> 00:34:19,880
Speaker 3: that show? Was it because you saw the success of

565
00:34:19,960 --> 00:34:23,319
Speaker 3: Cardi B and Ky Michelle that you thought like, if

566
00:34:23,360 --> 00:34:25,600
Speaker 3: I'm able to be part of this franchise, maybe my

567
00:34:25,719 --> 00:34:28,440
Speaker 3: career can be skyrocketed like theirs.

568
00:34:28,880 --> 00:34:32,040
Speaker 1: To be honest, like I never wanted to be on

569
00:34:32,360 --> 00:34:35,040
Speaker 1: Love and Hip Hop even like before then they wanted

570
00:34:35,080 --> 00:34:38,800
Speaker 1: to bring me on the show, and I'm a cancer,

571
00:34:38,880 --> 00:34:43,960
Speaker 1: I'm very proud of it, Like you know, sometimes you know,

572
00:34:44,080 --> 00:34:46,719
Speaker 1: for like I always say to people, I'm not for everybody,

573
00:34:47,040 --> 00:34:50,520
Speaker 1: you know, So it's like to be on a reality show,

574
00:34:51,040 --> 00:34:53,920
Speaker 1: everybody's you know, getting a chance to form these opinions

575
00:34:53,960 --> 00:34:54,439
Speaker 1: about you.

576
00:34:54,440 --> 00:34:54,600
Speaker 4: You know.

577
00:34:54,760 --> 00:34:56,560
Speaker 1: So when I got the opportunity to be on there,

578
00:34:56,600 --> 00:34:58,880
Speaker 1: it was during the time where I had my records

579
00:34:58,880 --> 00:35:01,720
Speaker 1: work for me. It was getting it kept getting snatched

580
00:35:01,719 --> 00:35:04,360
Speaker 1: down from like streaming platforms because they didn't want to like,

581
00:35:05,239 --> 00:35:09,040
Speaker 1: you know, approve the interpolation from the song for me.

582
00:35:09,239 --> 00:35:10,480
Speaker 4: But you know, I continue to go.

583
00:35:10,560 --> 00:35:12,440
Speaker 1: I was on tour, so it was like it was

584
00:35:12,440 --> 00:35:15,960
Speaker 1: a perfect time. I had something really valid that I

585
00:35:16,000 --> 00:35:18,239
Speaker 1: wanted people to know, like, Hey, I'm this girl out

586
00:35:18,280 --> 00:35:21,120
Speaker 1: of Florida. I'm still an independent artist. I'm still making

587
00:35:21,160 --> 00:35:23,040
Speaker 1: these big waves and moves. People think that I have

588
00:35:23,080 --> 00:35:25,680
Speaker 1: a whole team behind me, but it's really me and

589
00:35:25,760 --> 00:35:27,920
Speaker 1: a couple of people that support me, and this is

590
00:35:27,920 --> 00:35:30,160
Speaker 1: how we did it. So it was like that was

591
00:35:30,560 --> 00:35:32,880
Speaker 1: really like my story at the time, and I just

592
00:35:32,880 --> 00:35:33,959
Speaker 1: thought it was, you know, a good.

593
00:35:33,880 --> 00:35:34,680
Speaker 4: Opportunity to do that.

594
00:35:34,719 --> 00:35:36,600
Speaker 1: But even when we were filming, a lot of things

595
00:35:36,640 --> 00:35:38,760
Speaker 1: were going on. I made sure that I was never

596
00:35:39,160 --> 00:35:42,080
Speaker 1: really tied up in a whole bunch of crazy ass

597
00:35:42,120 --> 00:35:46,160
Speaker 1: drama because I know that my platform would one day

598
00:35:46,239 --> 00:35:49,200
Speaker 1: be bigger, you know. And I'm not a messy ast

599
00:35:49,280 --> 00:35:52,080
Speaker 1: bitch like I'm just I just do me, and you know,

600
00:35:52,239 --> 00:35:54,320
Speaker 1: people come for me or you know, things happen, you

601
00:35:54,400 --> 00:35:56,200
Speaker 1: know we're gonna we're gonna handle it head on. But

602
00:35:56,320 --> 00:36:00,000
Speaker 1: like for me, it's about the art, it's about entertained,

603
00:36:00,360 --> 00:36:03,319
Speaker 1: it's about making my family proud, and it's about making

604
00:36:03,320 --> 00:36:05,439
Speaker 1: a living. You know, it's not about making another black

605
00:36:05,480 --> 00:36:07,960
Speaker 1: woman look crazy or none of that. And now if

606
00:36:08,000 --> 00:36:09,960
Speaker 1: that happens in the midst was going on, I'm gonna

607
00:36:09,960 --> 00:36:13,399
Speaker 1: always stand my ground. But you know that's not what

608
00:36:13,480 --> 00:36:15,040
Speaker 1: I got on TV to do because at the end

609
00:36:15,040 --> 00:36:16,439
Speaker 1: of the day, I still got to live a life

610
00:36:16,520 --> 00:36:20,120
Speaker 1: and I know I have a bigger blessing coming, and

611
00:36:20,239 --> 00:36:23,799
Speaker 1: so you know, that's how I mentally always kept in.

612
00:36:23,760 --> 00:36:26,279
Speaker 4: Mind even when I went on the show.

613
00:36:26,760 --> 00:36:28,279
Speaker 3: When you were on the show, we saw a lot

614
00:36:28,320 --> 00:36:30,839
Speaker 3: of ups and downs in regards to your personal life,

615
00:36:31,080 --> 00:36:34,480
Speaker 3: and one of those situations was with the Brisco and

616
00:36:34,560 --> 00:36:38,319
Speaker 3: you publicly talked about obviously being pregnant by him and

617
00:36:38,400 --> 00:36:40,600
Speaker 3: making a tough decision of having an abortion. You know,

618
00:36:40,600 --> 00:36:43,680
Speaker 3: you're very honest about that when you were going through that,

619
00:36:44,080 --> 00:36:47,120
Speaker 3: especially being tied to this show. Was it difficult for

620
00:36:47,160 --> 00:36:49,359
Speaker 3: you to talk about that publicly and to show the

621
00:36:49,400 --> 00:36:51,200
Speaker 3: world what that was like for you?

622
00:36:51,600 --> 00:36:56,080
Speaker 1: Well, I felt like I always feel like if you

623
00:36:56,120 --> 00:36:58,839
Speaker 1: start something, you got to finish it. You can't act

624
00:36:58,880 --> 00:37:01,760
Speaker 1: like it's not an elephant in the room. So it's like, Okay,

625
00:37:01,800 --> 00:37:03,960
Speaker 1: if we were going to bring it to the reunion

626
00:37:04,640 --> 00:37:09,000
Speaker 1: and people are coming to my page, you know, asking

627
00:37:09,000 --> 00:37:12,000
Speaker 1: me all kind of questions, at the end of the day, I'm.

628
00:37:11,840 --> 00:37:13,120
Speaker 4: Not gonna I know how it did.

629
00:37:13,320 --> 00:37:16,520
Speaker 1: Like if I was watching somebody's life on television and

630
00:37:16,560 --> 00:37:19,080
Speaker 1: they and they left a cliffhanger, I'm gonna want to

631
00:37:19,120 --> 00:37:21,239
Speaker 1: know what's going on because now I'm invested in your

632
00:37:21,239 --> 00:37:23,799
Speaker 1: business because you brought it to a platform, you know,

633
00:37:24,440 --> 00:37:27,239
Speaker 1: and the day that it came on TV, like I

634
00:37:27,280 --> 00:37:30,279
Speaker 1: had found out so many other things, like about these men,

635
00:37:30,440 --> 00:37:33,440
Speaker 1: Like even though it's so crazy, I never knew I

636
00:37:33,480 --> 00:37:37,400
Speaker 1: never equated like brisco to like the guy who made

637
00:37:37,640 --> 00:37:39,760
Speaker 1: the songs in from Miami that.

638
00:37:40,200 --> 00:37:41,400
Speaker 4: People that were legendary.

639
00:37:41,440 --> 00:37:42,880
Speaker 1: You know what I'm saying, I was just hearing that,

640
00:37:42,920 --> 00:37:46,000
Speaker 1: you know, all these other things about him, but you know,

641
00:37:46,080 --> 00:37:47,560
Speaker 1: I got to know him and he was cool, you

642
00:37:47,600 --> 00:37:51,960
Speaker 1: know what I'm saying. But it's just a real situation

643
00:37:52,040 --> 00:37:54,640
Speaker 1: because girls go through it, like things happen, like girls

644
00:37:54,680 --> 00:37:58,279
Speaker 1: have abortions, like and it's even right now with what's

645
00:37:58,320 --> 00:38:01,520
Speaker 1: going on, you know, with the government trying to tell

646
00:38:01,560 --> 00:38:04,799
Speaker 1: women what to do with their bodies, like certain situations

647
00:38:04,800 --> 00:38:08,040
Speaker 1: are not right to bring children in the world, you know.

648
00:38:08,200 --> 00:38:11,080
Speaker 1: And even though I didn't want to do that, it

649
00:38:11,160 --> 00:38:13,120
Speaker 1: was just like I waited out the time to have

650
00:38:13,160 --> 00:38:15,840
Speaker 1: a kid, and I'm not with the guy. I'm finding

651
00:38:15,840 --> 00:38:18,280
Speaker 1: out all kinds of stuff you know about him personally

652
00:38:18,719 --> 00:38:21,120
Speaker 1: that I don't agree with. I'm not just trying to

653
00:38:21,160 --> 00:38:23,360
Speaker 1: be no, we're not gonna do that. So you know,

654
00:38:23,440 --> 00:38:26,120
Speaker 1: I did it was best for me. He didn't agree

655
00:38:26,160 --> 00:38:27,960
Speaker 1: with it. He did not want He actually just had

656
00:38:28,000 --> 00:38:31,160
Speaker 1: a baby last year, and it's so crazy because I'm like,

657
00:38:31,200 --> 00:38:31,879
Speaker 1: how is she doing?

658
00:38:31,880 --> 00:38:36,239
Speaker 4: Her name is Brazil And you know he's all that.

659
00:38:36,320 --> 00:38:38,120
Speaker 1: He who called me like randomly and he'd be like,

660
00:38:38,120 --> 00:38:39,480
Speaker 1: you ain't checked up on your girl yet.

661
00:38:39,520 --> 00:38:41,440
Speaker 4: I'm like, I hope y'all doing good, you know.

662
00:38:41,560 --> 00:38:43,799
Speaker 1: But you know, yeah, I had to do what's best

663
00:38:43,800 --> 00:38:46,240
Speaker 1: for me, you know, And I had a whole different

664
00:38:46,280 --> 00:38:48,560
Speaker 1: journey and a whole different mission. And when I do

665
00:38:48,640 --> 00:38:51,040
Speaker 1: decide to have my child, I know it's going to

666
00:38:51,120 --> 00:38:53,319
Speaker 1: be the best situation for me with the best man

667
00:38:53,360 --> 00:38:56,000
Speaker 1: that's going to be the best father for my kid, and.

668
00:38:55,920 --> 00:38:56,719
Speaker 4: The best situation.

669
00:38:56,960 --> 00:38:59,360
Speaker 1: So but I definitely had to I had to speak

670
00:38:59,360 --> 00:39:01,240
Speaker 1: on it because girl, us go through it all the time.

671
00:39:01,440 --> 00:39:03,920
Speaker 4: You know. It's not something that doesn't happen.

672
00:39:03,880 --> 00:39:05,319
Speaker 3: No, And that's the reason why I wanted to bring

673
00:39:05,320 --> 00:39:07,000
Speaker 3: it up, only because I know you talked about it.

674
00:39:07,040 --> 00:39:09,680
Speaker 3: But in addition to the fact that you're right, you know,

675
00:39:09,680 --> 00:39:12,919
Speaker 3: where we're adding this world with Robie Wade being overturned

676
00:39:13,560 --> 00:39:16,440
Speaker 3: and now in certain states you have to travel to

677
00:39:16,520 --> 00:39:19,480
Speaker 3: other places in abortion because it's not legal in those states.

678
00:39:19,520 --> 00:39:22,160
Speaker 4: Like what, it's crazy? That is so crazy.

679
00:39:22,239 --> 00:39:24,600
Speaker 2: Yeah, No, it's a very scary time for women.

680
00:39:24,760 --> 00:39:27,319
Speaker 3: And one thing I love about you, love is the

681
00:39:27,360 --> 00:39:31,600
Speaker 3: fact that you are so super transparent with who you are.

682
00:39:31,640 --> 00:39:33,360
Speaker 3: And I think that's the reason why a lot of

683
00:39:33,400 --> 00:39:36,400
Speaker 3: people relate to you and support you and love you.

684
00:39:36,960 --> 00:39:39,000
Speaker 2: Because what we saw in love and hip hop Miami.

685
00:39:39,400 --> 00:39:42,680
Speaker 3: Was this hustler that was going through, like I said earlier,

686
00:39:43,160 --> 00:39:46,680
Speaker 3: a very tumultuous relationship with this guy. But we all

687
00:39:46,719 --> 00:39:50,240
Speaker 3: saw this ambition that you had and it's no surprise

688
00:39:50,280 --> 00:39:53,200
Speaker 3: to us that you are not making it. And I'm

689
00:39:53,200 --> 00:39:55,200
Speaker 3: pretty sure he has a lot of regrets.

690
00:39:55,680 --> 00:39:56,520
Speaker 4: It's so funny.

691
00:39:56,600 --> 00:39:59,120
Speaker 1: Like two months ago, I got this text mesage from

692
00:39:59,120 --> 00:39:59,800
Speaker 1: a random number.

693
00:39:59,800 --> 00:40:01,600
Speaker 4: He was and it was like, why you don't call

694
00:40:01,640 --> 00:40:03,120
Speaker 4: me no more? Why you don't check in on me?

695
00:40:03,440 --> 00:40:06,799
Speaker 1: And I'm like looking, I'm like who is this? And

696
00:40:06,920 --> 00:40:10,400
Speaker 1: he was like brisk And I was like what we

697
00:40:10,480 --> 00:40:12,919
Speaker 1: don't keep in touch? Like we talk when we talk,

698
00:40:13,040 --> 00:40:19,240
Speaker 1: but like, but you must see what's going on, usb

699
00:40:19,400 --> 00:40:20,759
Speaker 1: seeing what's going on, you know.

700
00:40:20,800 --> 00:40:22,319
Speaker 4: But I wish him the best, Like we have no

701
00:40:22,400 --> 00:40:24,440
Speaker 4: bad blood at all. But it was just like, boy,

702
00:40:24,520 --> 00:40:25,200
Speaker 4: come on now.

703
00:40:26,560 --> 00:40:27,600
Speaker 2: No, I love I love it.

704
00:40:27,640 --> 00:40:29,840
Speaker 3: One thing I always tell people chameleon, and I'm going

705
00:40:29,920 --> 00:40:33,320
Speaker 3: to give this to you because you know, I've broken

706
00:40:33,400 --> 00:40:36,520
Speaker 3: up with guys before and I've been dumped to and

707
00:40:37,000 --> 00:40:39,520
Speaker 3: one thing I always say is, at the end of

708
00:40:39,520 --> 00:40:42,120
Speaker 3: the day, all by exes get the CBO TV.

709
00:40:45,920 --> 00:40:46,240
Speaker 4: Listen.

710
00:40:46,400 --> 00:40:48,480
Speaker 1: You don't have the pleasure of being able to call me,

711
00:40:48,560 --> 00:40:50,839
Speaker 1: no more of being able to access me. The only

712
00:40:50,880 --> 00:40:52,319
Speaker 1: way you're going to be able to see me is

713
00:40:52,320 --> 00:40:55,680
Speaker 1: if you turn on HBO Max every Thursday. So you

714
00:40:55,680 --> 00:40:57,480
Speaker 1: can't see me right now, but next season you'll be

715
00:40:57,520 --> 00:40:59,440
Speaker 1: able to see me. Oh, go to my Instagram page,

716
00:40:59,480 --> 00:41:01,920
Speaker 1: cause that's it. The access is denied.

717
00:41:02,080 --> 00:41:09,000
Speaker 3: Yes, no, look it says that's the best thing about

718
00:41:09,000 --> 00:41:10,800
Speaker 3: this game and just the game of life.

719
00:41:11,239 --> 00:41:15,520
Speaker 2: You never know how those tables, bitch are going to turn,

720
00:41:16,080 --> 00:41:16,800
Speaker 2: and they have.

721
00:41:23,160 --> 00:41:23,560
Speaker 4: Indeed.

722
00:41:23,719 --> 00:41:30,759
Speaker 3: Yeah, So let me ask you this, do you have

723
00:41:30,840 --> 00:41:32,440
Speaker 3: any regrets doing that show?

724
00:41:32,800 --> 00:41:34,720
Speaker 4: I don't. I don't.

725
00:41:35,040 --> 00:41:37,800
Speaker 1: I think Love and hip hop is hip hop culture.

726
00:41:38,400 --> 00:41:40,320
Speaker 1: At the end of the day, hip it bought Cardi

727
00:41:40,400 --> 00:41:44,400
Speaker 1: b k Michelle. You know you got dreamed all you

728
00:41:44,480 --> 00:41:47,680
Speaker 1: got me. You know you got so many people Spice

729
00:41:48,560 --> 00:41:52,040
Speaker 1: that people just discovered that they fell in love with.

730
00:41:52,239 --> 00:41:54,760
Speaker 1: That are that are mobiles right now that are making

731
00:41:54,800 --> 00:41:57,759
Speaker 1: money and inspiring the culture. So at the end of

732
00:41:57,760 --> 00:42:00,560
Speaker 1: the day, like, it's not easy to get on TV

733
00:42:00,640 --> 00:42:03,719
Speaker 1: and put your life on the line because see some

734
00:42:03,719 --> 00:42:06,160
Speaker 1: of the people in the comments, they be talking shit

735
00:42:06,280 --> 00:42:08,919
Speaker 1: and they are going through worse things and they would

736
00:42:09,040 --> 00:42:12,239
Speaker 1: go crazy if anybody ever find out the dust that

737
00:42:12,560 --> 00:42:15,319
Speaker 1: is hanging on the skeletons in their closet, you know.

738
00:42:15,440 --> 00:42:17,440
Speaker 1: So for people to be able to make this a

739
00:42:17,480 --> 00:42:21,080
Speaker 1: show and turn it, turn those things into millions of dollars,

740
00:42:21,520 --> 00:42:25,880
Speaker 1: multimillions of dollars, and to get on platforms and become something,

741
00:42:26,160 --> 00:42:27,840
Speaker 1: I think it's so great, you know what I'm saying.

742
00:42:27,920 --> 00:42:30,160
Speaker 4: So everybody can do love and hip hop?

743
00:42:31,440 --> 00:42:35,520
Speaker 3: Everybody can't do it, No, no, no, it's listen.

744
00:42:35,560 --> 00:42:37,440
Speaker 2: Not everyone can do reality television.

745
00:42:37,560 --> 00:42:45,080
Speaker 3: As the king of Reality TV, who right crown legacy ownership.

746
00:42:46,920 --> 00:42:52,000
Speaker 2: Period. Yes, But I always tell people.

747
00:42:52,280 --> 00:42:56,680
Speaker 3: I am very protective of my reality stars because it's

748
00:42:56,760 --> 00:43:01,880
Speaker 3: not easy to give the world your life, your authentic personality,

749
00:43:02,760 --> 00:43:06,120
Speaker 3: and you're shooting twelve hours a day, six days a week.

750
00:43:06,160 --> 00:43:07,480
Speaker 2: It's a long as schedule.

751
00:43:07,680 --> 00:43:10,680
Speaker 3: So I just love the fact that you were able

752
00:43:10,840 --> 00:43:15,200
Speaker 3: to use the platform of reality TV and then transition

753
00:43:16,000 --> 00:43:18,760
Speaker 3: into starring in an Eastern ray production, a scripted show.

754
00:43:19,560 --> 00:43:21,879
Speaker 2: Was it difficult for you to.

755
00:43:21,920 --> 00:43:26,040
Speaker 3: Transition into unscripted to scripted?

756
00:43:26,640 --> 00:43:28,080
Speaker 4: No, it wasn't.

757
00:43:28,880 --> 00:43:32,840
Speaker 1: And I think that the character helped a lot. This

758
00:43:32,880 --> 00:43:35,600
Speaker 1: is who the character was, and I feel like this

759
00:43:35,719 --> 00:43:37,920
Speaker 1: is what I was supposed to be doing, you know,

760
00:43:38,040 --> 00:43:39,040
Speaker 1: this was my destiny.

761
00:43:39,520 --> 00:43:41,800
Speaker 4: So it felt really like it felt like water.

762
00:43:41,960 --> 00:43:46,200
Speaker 1: It felt and it was no pressure like working around

763
00:43:46,280 --> 00:43:48,839
Speaker 1: like East of the environment that she creates, the people that.

764
00:43:48,840 --> 00:43:51,320
Speaker 4: Are around her, like if you ever just hung around her.

765
00:43:51,560 --> 00:43:55,000
Speaker 1: Everybody around her or is somebody that she's known from

766
00:43:55,000 --> 00:43:57,919
Speaker 1: her past, like her friends, you know, and then even

767
00:43:57,960 --> 00:44:01,120
Speaker 1: from there, like the people from Insecure or these are

768
00:44:01,120 --> 00:44:02,240
Speaker 1: people who've've seen.

769
00:44:02,040 --> 00:44:04,480
Speaker 4: On screen that she brings back for other projects.

770
00:44:04,880 --> 00:44:07,520
Speaker 1: So it's like the work atmosphere that she creates is

771
00:44:07,640 --> 00:44:11,959
Speaker 1: very it's not a stressful atmosphere. So even the first

772
00:44:12,040 --> 00:44:13,719
Speaker 1: day that I came on set, and I don't know

773
00:44:13,719 --> 00:44:15,360
Speaker 1: if you guys remember this and rap shit, I was

774
00:44:15,360 --> 00:44:17,040
Speaker 1: on my lunch break. Mea was on her lunch break

775
00:44:17,080 --> 00:44:18,640
Speaker 1: and she had on the black and she was like,

776
00:44:18,640 --> 00:44:20,000
Speaker 1: did I tell y'all about that one time?

777
00:44:20,080 --> 00:44:24,160
Speaker 4: This nigga tried to what am I to say it?

778
00:44:24,200 --> 00:44:25,320
Speaker 4: Basically she was talking.

779
00:44:25,080 --> 00:44:28,120
Speaker 1: About a dude trying to marry her with having that,

780
00:44:28,560 --> 00:44:30,440
Speaker 1: And that was my first scene. And we were on

781
00:44:30,560 --> 00:44:32,880
Speaker 1: South Beach and it was like a whole bunch of

782
00:44:32,920 --> 00:44:35,120
Speaker 1: people walking by, and I was like, oh shit, East's

783
00:44:35,120 --> 00:44:37,120
Speaker 1: gonna be watching us, so I'm like staying in my

784
00:44:37,160 --> 00:44:39,480
Speaker 1: lines and I'm forgetting them and I'm like, oh my god,

785
00:44:39,680 --> 00:44:42,520
Speaker 1: Like what am I going to do? Like I'm so sorry.

786
00:44:42,800 --> 00:44:45,239
Speaker 1: She's like, girl stops staying sorry. She's like, you're good,

787
00:44:45,360 --> 00:44:48,319
Speaker 1: just relax, just do you. And I was like, all right,

788
00:44:49,120 --> 00:44:51,000
Speaker 1: let me tell you about this one time this nigga

789
00:44:51,040 --> 00:44:52,879
Speaker 1: tried to marry me with and it just like came

790
00:44:52,920 --> 00:44:55,759
Speaker 1: and I'm like, okay, this is like they're waiting on me.

791
00:44:55,960 --> 00:44:58,120
Speaker 4: This is my moment, girl, do your thing.

792
00:44:58,280 --> 00:45:00,680
Speaker 1: And from that I never had a problem no more

793
00:45:00,760 --> 00:45:02,520
Speaker 1: on set, like it was smooth.

794
00:45:03,680 --> 00:45:04,680
Speaker 2: No sis.

795
00:45:04,760 --> 00:45:08,120
Speaker 3: This is me telling you this number one. No one

796
00:45:08,400 --> 00:45:12,320
Speaker 3: could play that role but you. I cannot picture anyone

797
00:45:12,560 --> 00:45:15,960
Speaker 3: playing Mia but you. It was literally like isso watched

798
00:45:16,000 --> 00:45:18,920
Speaker 3: Love and Hipo Miami and said, let me take this bitch,

799
00:45:19,239 --> 00:45:20,920
Speaker 3: create a scripted show from.

800
00:45:20,760 --> 00:45:23,160
Speaker 2: Her right and do it.

801
00:45:23,200 --> 00:45:26,480
Speaker 3: Because when I watch rap shit, the moment you are

802
00:45:26,480 --> 00:45:30,560
Speaker 3: on screen, something happens to where it's just like it's

803
00:45:30,600 --> 00:45:34,920
Speaker 3: the Mia show and I'm just stuck on Mia, and

804
00:45:34,960 --> 00:45:38,720
Speaker 3: I'm stuck on what you're bringing because you just remind

805
00:45:38,760 --> 00:45:40,720
Speaker 3: me of the girls I grew up with you remind

806
00:45:40,760 --> 00:45:42,319
Speaker 3: me of the girls that are up right now in

807
00:45:42,400 --> 00:45:45,480
Speaker 3: terms of you know, you played this single mom who's

808
00:45:45,520 --> 00:45:48,839
Speaker 3: just trying to make it and you're hustling, and then

809
00:45:48,920 --> 00:45:51,480
Speaker 3: you're dibbling down with your baby daddy because you're like,

810
00:45:52,000 --> 00:45:54,520
Speaker 3: you know, that's my baby daddy. There's a connection there,

811
00:45:55,080 --> 00:45:57,840
Speaker 3: Like you're just so relatable and fun to watch.

812
00:46:00,280 --> 00:46:00,920
Speaker 2: Who y'all know.

813
00:46:00,960 --> 00:46:03,319
Speaker 3: I hate to interrupt, but we'll get back into my

814
00:46:03,440 --> 00:46:12,239
Speaker 3: conversation with Chameleon right after this quick break. This is

815
00:46:12,320 --> 00:46:15,399
Speaker 3: reality with the King, and I'm Carlos King. Let's get

816
00:46:15,440 --> 00:46:21,640
Speaker 3: back into my conversation with Chameleon. So congratulations on a

817
00:46:21,680 --> 00:46:26,600
Speaker 3: second season. The first season had a cliffhanger, sist, we

818
00:46:26,719 --> 00:46:30,000
Speaker 3: saw something maybe going off with the group, and something

819
00:46:30,160 --> 00:46:32,200
Speaker 3: may be going on with you and the baby daddy.

820
00:46:32,239 --> 00:46:35,000
Speaker 3: So I don't want Eastern Ray to call my phone

821
00:46:35,000 --> 00:46:38,400
Speaker 3: and tell me to not air this interview because you

822
00:46:38,440 --> 00:46:42,520
Speaker 3: gave too many seekers away. So what can you tell

823
00:46:43,560 --> 00:46:48,399
Speaker 3: the listeners and the fans of rap shit? What can

824
00:46:48,480 --> 00:46:50,840
Speaker 3: we expect second season from me?

825
00:46:51,600 --> 00:46:52,279
Speaker 2: Let's start there.

826
00:46:52,480 --> 00:46:55,759
Speaker 4: What I can tell you is the she gonna be

827
00:46:55,840 --> 00:47:01,120
Speaker 4: h okay, it's gonna be high, the the mess is

828
00:47:01,160 --> 00:47:04,160
Speaker 4: gonna roll and the rate isn't gonna be higher than

829
00:47:04,200 --> 00:47:07,359
Speaker 4: the first season. That's what I can't tell you, but

830
00:47:07,719 --> 00:47:08,480
Speaker 4: don't tell me about it.

831
00:47:08,520 --> 00:47:12,200
Speaker 3: So okay, we want we want so talk to us

832
00:47:12,239 --> 00:47:15,280
Speaker 3: about what's next for you because I'm telling you says

833
00:47:15,840 --> 00:47:19,160
Speaker 3: you are on your way, and I really do want

834
00:47:19,200 --> 00:47:22,560
Speaker 3: you to take that in and understand that. I mean

835
00:47:22,600 --> 00:47:25,000
Speaker 3: that from the heart. And one thing my listeners know,

836
00:47:26,600 --> 00:47:30,920
Speaker 3: I don't lie. I really I see stardom in your future.

837
00:47:31,000 --> 00:47:33,240
Speaker 3: So is there other projects.

838
00:47:32,840 --> 00:47:33,480
Speaker 2: You got going on?

839
00:47:33,600 --> 00:47:35,799
Speaker 3: Says Can we expect some new music from you, girl?

840
00:47:35,800 --> 00:47:37,200
Speaker 3: Because you can wrap your ass off?

841
00:47:37,680 --> 00:47:37,960
Speaker 5: Yes.

842
00:47:38,320 --> 00:47:41,840
Speaker 1: Actually, I have two new film projects coming up that

843
00:47:41,840 --> 00:47:42,920
Speaker 1: I'm about to be a part of.

844
00:47:44,160 --> 00:47:45,799
Speaker 4: Yeah, I'm so excited about that.

845
00:47:46,120 --> 00:47:50,960
Speaker 1: And in one of them, I'm actually co creating uh

846
00:47:51,000 --> 00:47:54,000
Speaker 1: with the company who's already Yeah, the story is already there.

847
00:47:54,880 --> 00:47:56,160
Speaker 4: We're just getting ready to pitch it.

848
00:47:56,600 --> 00:47:58,680
Speaker 1: And I'm just like, wow, they saw me on rap

849
00:47:58,719 --> 00:48:01,040
Speaker 1: shit and then like we want this black woman's voice

850
00:48:01,120 --> 00:48:04,640
Speaker 1: and we also want you to start in it. So yeah,

851
00:48:04,680 --> 00:48:07,400
Speaker 1: and there's another another universal. It's just a lot of

852
00:48:07,440 --> 00:48:09,600
Speaker 1: stuff going on, Like God is really good and opening

853
00:48:09,680 --> 00:48:12,080
Speaker 1: up doors for me, and I just want to be

854
00:48:12,760 --> 00:48:16,879
Speaker 1: the example for the girls in Jacksonville, like from where

855
00:48:16,880 --> 00:48:20,000
Speaker 1: I'm from, because like like Woody Woody came out of

856
00:48:20,239 --> 00:48:23,239
Speaker 1: Jacksonville as well, you know, and but we've never had

857
00:48:23,280 --> 00:48:25,640
Speaker 1: like a female to come out and just really go

858
00:48:25,760 --> 00:48:27,760
Speaker 1: from like the streets.

859
00:48:27,360 --> 00:48:32,160
Speaker 4: To like Hollywood, you know. So I'm definitely excited about that.

860
00:48:32,400 --> 00:48:34,640
Speaker 1: I'm working on my I just finished my new album

861
00:48:34,920 --> 00:48:37,319
Speaker 1: to get ready to release the new single, and.

862
00:48:37,360 --> 00:48:38,200
Speaker 4: I can't wait.

863
00:48:38,920 --> 00:48:41,960
Speaker 1: And this project is like my lip back because I

864
00:48:41,960 --> 00:48:44,439
Speaker 1: feel like I've been I've been like a postal child

865
00:48:44,440 --> 00:48:47,799
Speaker 1: for the underdogs, and it's like it's underdog season right now,

866
00:48:48,200 --> 00:48:50,919
Speaker 1: and I'm finna talk my shit and I'm gonna pop

867
00:48:50,960 --> 00:48:54,280
Speaker 1: my shit. And you know, it's like, I'm very humble,

868
00:48:54,320 --> 00:48:56,799
Speaker 1: and I think sometimes when you're too humble, sometimes you

869
00:48:56,800 --> 00:48:59,919
Speaker 1: get overlooked, you know. But it's like you gotta pop

870
00:49:00,040 --> 00:49:02,000
Speaker 1: your own shit sometimes. If the girls ain't gonna talk

871
00:49:02,000 --> 00:49:04,960
Speaker 1: to Foy, you got to talk your own shit. So yeah, I'm.

872
00:49:04,760 --> 00:49:07,080
Speaker 4: Doing all of that in this new album.

873
00:49:07,400 --> 00:49:10,680
Speaker 1: And my lip back to all my exes who you know,

874
00:49:10,760 --> 00:49:13,080
Speaker 1: who played with me, to the people who never gave

875
00:49:13,120 --> 00:49:14,960
Speaker 1: me an opportunity and look down on me and they

876
00:49:15,080 --> 00:49:15,640
Speaker 1: overlooked me.

877
00:49:15,960 --> 00:49:21,160
Speaker 4: This is for you. You know, congratulations.

878
00:49:20,680 --> 00:49:23,440
Speaker 1: You are finally you don't have any more, you know.

879
00:49:23,640 --> 00:49:25,520
Speaker 1: You know you can't reach me, you can't call me,

880
00:49:25,560 --> 00:49:26,840
Speaker 1: you can't do any of that. You just have to

881
00:49:26,880 --> 00:49:28,480
Speaker 1: watch me on rap shit. You have to watch me

882
00:49:28,600 --> 00:49:30,200
Speaker 1: being great. You have to listen to my music.

883
00:49:30,239 --> 00:49:32,160
Speaker 4: You have to see me on videos and TV and

884
00:49:32,520 --> 00:49:37,600
Speaker 4: just what made And that's all say.

885
00:49:38,040 --> 00:49:42,040
Speaker 3: Well to all your excess who are listening now, y'all

886
00:49:42,080 --> 00:49:43,520
Speaker 3: should have never played with my girl.

887
00:49:44,640 --> 00:49:45,960
Speaker 2: Now you gotta watch her every.

888
00:49:45,760 --> 00:49:48,839
Speaker 3: Thursday nine o'clock when season two comes back out, Rap Shit,

889
00:49:49,000 --> 00:49:52,520
Speaker 3: HBO Max, two movies in the works, Honey one she's

890
00:49:52,520 --> 00:49:55,480
Speaker 3: co creating, and a new album Honey It's gonna be

891
00:49:55,520 --> 00:50:03,200
Speaker 3: the the hip hop version of Lemonade. Yes, So I

892
00:50:03,239 --> 00:50:06,719
Speaker 3: need to do this before you go. I and this

893
00:50:06,840 --> 00:50:08,919
Speaker 3: is true, Tea. I don't think a lot of people

894
00:50:09,040 --> 00:50:13,560
Speaker 3: know this about me. I am a female hip hop connoisseur,

895
00:50:14,000 --> 00:50:20,880
Speaker 3: no cap I love female rappers, love the first album

896
00:50:21,080 --> 00:50:23,360
Speaker 3: this is so funny. The first hip hop album I

897
00:50:23,400 --> 00:50:27,640
Speaker 3: ever purchased was Little Kim's Hardcore and Here I am Sis.

898
00:50:27,680 --> 00:50:32,080
Speaker 3: I'm seventeen years old, just graspating in high school, and

899
00:50:32,160 --> 00:50:35,960
Speaker 3: before then I was popping Brandy, Ali, Almonica and Destney Child.

900
00:50:36,680 --> 00:50:40,279
Speaker 3: But honey, little Kim came and I was like, my

901
00:50:40,400 --> 00:50:44,280
Speaker 3: world turned upside down. So I love Kim, Foxy, Eve,

902
00:50:44,480 --> 00:50:49,600
Speaker 3: Queen Latifa, Light, Nikki Cardi. You know Meg, I love

903
00:50:49,800 --> 00:50:54,120
Speaker 3: I love female rappers. So we gotta do this before I.

904
00:50:54,080 --> 00:50:54,480
Speaker 2: Let you go.

905
00:50:55,040 --> 00:50:57,400
Speaker 3: In no particular order because I don't need the girls

906
00:50:57,400 --> 00:50:59,759
Speaker 3: to be trying to throw shade, So in no particular order,

907
00:51:00,000 --> 00:51:01,759
Speaker 3: I'm gonna do it two sis, so you and I

908
00:51:01,800 --> 00:51:06,279
Speaker 3: gonna do this together. Top five greatest female mcs of

909
00:51:06,320 --> 00:51:11,319
Speaker 3: all time and no particular order, Lauren Hill Okay.

910
00:51:11,640 --> 00:51:18,080
Speaker 4: N c Elliott mm hmm, Blue, Kim, Nicki Minaj and Chameleon.

911
00:51:22,360 --> 00:51:26,040
Speaker 3: Yeah, I love it.

912
00:51:25,680 --> 00:51:29,600
Speaker 2: I Mount Rushmore, Okay, I love that. I love that.

913
00:51:29,640 --> 00:51:33,319
Speaker 3: So that's Chameleon's top five, no particular order of the

914
00:51:33,320 --> 00:51:36,560
Speaker 3: greatest female mcs, and of course my sister have herself

915
00:51:36,600 --> 00:51:39,000
Speaker 3: in it, and I stand for that.

916
00:51:39,520 --> 00:51:42,759
Speaker 2: Okay. So here's my and no particular order.

917
00:51:42,960 --> 00:51:52,200
Speaker 3: You ready, Yeah, Okay, Nikki, Kim, Foxy, Lauren.

918
00:51:54,280 --> 00:51:54,960
Speaker 2: And Eve.

919
00:51:57,760 --> 00:51:58,120
Speaker 4: Yeah.

920
00:51:58,840 --> 00:52:02,680
Speaker 1: You know why I love because how she transitioned from

921
00:52:03,480 --> 00:52:08,640
Speaker 1: from from music to TV and then she married a billionaire,

922
00:52:09,160 --> 00:52:10,600
Speaker 1: and she said, fuck y'all.

923
00:52:11,960 --> 00:52:19,520
Speaker 2: The bitch with ghosts. She said, bye, sure, I'm just.

924
00:52:19,440 --> 00:52:21,479
Speaker 4: Gonna be over here with my Richard cousin. You're gonna

925
00:52:21,520 --> 00:52:23,760
Speaker 4: have to you know, stream.

926
00:52:23,440 --> 00:52:26,960
Speaker 2: Me shut off.

927
00:52:27,200 --> 00:52:30,520
Speaker 1: Yes, yes, she she listens. She first of all, let

928
00:52:30,520 --> 00:52:33,120
Speaker 1: me say Trina. Let me just let me just speak

929
00:52:33,160 --> 00:52:38,240
Speaker 1: on Trina real quick. Trina is my mentor, Like she's

930
00:52:38,280 --> 00:52:42,240
Speaker 1: one of the first and really like the the only

931
00:52:42,360 --> 00:52:46,800
Speaker 1: legends that really like if I ever had a down moment,

932
00:52:46,960 --> 00:52:49,120
Speaker 1: if I ever needed to talk to her whatever I'm

933
00:52:49,160 --> 00:52:52,319
Speaker 1: going through, like she always is like, girl, you got it,

934
00:52:52,360 --> 00:52:54,640
Speaker 1: gir you can make it. Like and I just even

935
00:52:54,760 --> 00:52:57,600
Speaker 1: like this past weekend they honor her at the BT Awards,

936
00:52:57,640 --> 00:52:59,759
Speaker 1: like she so deserved that because she's and.

937
00:52:59,800 --> 00:53:01,320
Speaker 4: Then she's never been caddy.

938
00:53:01,680 --> 00:53:04,480
Speaker 1: She's even when girls have talked about her and continue

939
00:53:04,520 --> 00:53:06,200
Speaker 1: to have her name in her mouse, she never spoke

940
00:53:06,239 --> 00:53:08,239
Speaker 1: on it because at the end of the day, when

941
00:53:08,280 --> 00:53:09,680
Speaker 1: you were a queen and you and Jolane and you

942
00:53:09,760 --> 00:53:12,960
Speaker 1: doing you, you ain't looking at what's on somebody else's plate.

943
00:53:13,080 --> 00:53:16,760
Speaker 1: She always welcomes the new girls. And I love Trina

944
00:53:16,840 --> 00:53:18,759
Speaker 1: for that, like, and she the baddest beech and she

945
00:53:18,800 --> 00:53:21,920
Speaker 1: will always be in Florida like us girls coming up,

946
00:53:21,960 --> 00:53:24,040
Speaker 1: That's what we looked at, like like you know, like

947
00:53:24,440 --> 00:53:28,360
Speaker 1: sexual empowerment, don't It don't always mean having sex and

948
00:53:28,400 --> 00:53:31,200
Speaker 1: slunting yourself out, Like sexuality has nothing to do with that,

949
00:53:31,280 --> 00:53:32,840
Speaker 1: because a lot of women.

950
00:53:33,000 --> 00:53:35,000
Speaker 4: They have sexuality, but they don't know how to control.

951
00:53:35,040 --> 00:53:36,399
Speaker 1: They don't know what to do with it, they don't

952
00:53:36,440 --> 00:53:40,759
Speaker 1: know how to put that energy into like you know,

953
00:53:40,920 --> 00:53:44,120
Speaker 1: videos and stuff like that. And just she did that

954
00:53:44,280 --> 00:53:47,160
Speaker 1: like she was, she was. She was our example, the

955
00:53:47,200 --> 00:53:49,359
Speaker 1: girls from the South, like she was our example. And

956
00:53:49,400 --> 00:53:50,480
Speaker 1: I love Trina for that.

957
00:53:51,160 --> 00:53:51,919
Speaker 2: No, I do too.

958
00:53:52,120 --> 00:53:56,680
Speaker 3: I love trying training much love to you, and I

959
00:53:56,800 --> 00:54:03,320
Speaker 3: need for us Chameleon to do a quick freestyle because

960
00:54:03,360 --> 00:54:06,640
Speaker 3: I love being my rappers. I consider myself to be

961
00:54:07,360 --> 00:54:08,080
Speaker 3: you know, an MC.

962
00:54:08,440 --> 00:54:08,840
Speaker 2: I could do.

963
00:54:09,400 --> 00:54:17,319
Speaker 3: I could do a high sixteen. But Chameleon, you need

964
00:54:17,360 --> 00:54:18,880
Speaker 3: to give me a rap name. So if I was

965
00:54:18,920 --> 00:54:21,760
Speaker 3: a rapper, Okay, I'm the king of reality TV.

966
00:54:21,920 --> 00:54:24,560
Speaker 2: But if I was a rapper, what should my rap

967
00:54:24,640 --> 00:54:24,960
Speaker 2: name be?

968
00:54:25,360 --> 00:54:25,440
Speaker 4: Mis?

969
00:54:30,880 --> 00:54:37,320
Speaker 3: Okay, So really quickly, I'm going to spit a few bars. Okay,

970
00:54:37,320 --> 00:54:38,600
Speaker 3: you want to go first, you want you want to

971
00:54:38,600 --> 00:54:42,240
Speaker 3: go first, So listen, I'm gonna.

972
00:54:42,040 --> 00:54:49,200
Speaker 2: Try my best. Okay. So that's just like you know, Okay,

973
00:54:49,200 --> 00:54:52,880
Speaker 2: hold on, h.

974
00:54:56,000 --> 00:55:01,399
Speaker 3: Okay, okay, let me get to be it's missed popular ship.

975
00:55:01,719 --> 00:55:02,440
Speaker 2: Uh huh uh.

976
00:55:02,480 --> 00:55:09,439
Speaker 1: Huh okay, I started, I'll start.

977
00:55:09,480 --> 00:55:12,319
Speaker 2: Sorry, go ahead, I said.

978
00:55:14,080 --> 00:55:18,120
Speaker 4: That ship lay that tech saw me on rep shit. Yeah,

979
00:55:18,200 --> 00:55:19,239
Speaker 4: I got my leak back.

980
00:55:20,160 --> 00:55:27,640
Speaker 2: Yeah, okay, can you a spot okay, m m yeah.

981
00:55:27,920 --> 00:55:31,399
Speaker 3: Uh huh uh huh I missed a popular ship.

982
00:55:31,680 --> 00:55:32,240
Speaker 4: Uh huh.

983
00:55:32,440 --> 00:55:35,520
Speaker 2: All I do is make its uh huh. I'm a

984
00:55:35,680 --> 00:55:39,919
Speaker 2: king of reality baby, uh huh. That's why I'm Carlos King.

985
00:55:40,040 --> 00:55:40,360
Speaker 4: Baby.

986
00:55:40,719 --> 00:55:40,839
Speaker 3: Huh.

987
00:55:41,239 --> 00:55:44,120
Speaker 2: You can't see me, uh huh not adult. You want

988
00:55:44,160 --> 00:55:47,200
Speaker 2: to be me? Uh uh uh you better see me?

989
00:55:47,760 --> 00:55:51,200
Speaker 2: Uh uh. Not in the streets. No, no, because I'm

990
00:55:51,280 --> 00:55:54,440
Speaker 2: in the industry. Uh huh uh huh. You want to

991
00:55:54,440 --> 00:55:57,280
Speaker 2: be me? I know. But guess what. You can't fuck

992
00:55:57,400 --> 00:55:58,319
Speaker 2: up with this glow?

993
00:55:58,680 --> 00:56:05,760
Speaker 1: Yeah, Carlo King, the glow stop playing?

994
00:56:08,120 --> 00:56:14,040
Speaker 2: Oh my god, my cherry has it popped? Let's go

995
00:56:14,120 --> 00:56:21,320
Speaker 2: to the studio. Yes, yes, yo, it cot the check Lisa, Lisa,

996
00:56:21,360 --> 00:56:23,719
Speaker 2: I know you listen it. You got the motherfuck your

997
00:56:23,719 --> 00:56:25,920
Speaker 2: record label. What's good? Issa?

998
00:56:26,080 --> 00:56:28,719
Speaker 3: I mean Saya boy, I want to guest star on

999
00:56:28,920 --> 00:56:33,320
Speaker 3: Rap Shit, so listen season two Carlos Keen needs to

1000
00:56:33,360 --> 00:56:35,839
Speaker 3: make a guest appearance because he is going to give

1001
00:56:35,880 --> 00:56:39,360
Speaker 3: me a reality show that's part of her storyline, and

1002
00:56:39,400 --> 00:56:42,440
Speaker 3: I'm gonna be there producing her in episode three. So Issa,

1003
00:56:42,800 --> 00:56:46,200
Speaker 3: if you're listening HBO, I know you want her two sisters,

1004
00:56:46,239 --> 00:56:51,520
Speaker 3: so make it happen. Okay, So, Chameleon, all jokes aside,

1005
00:56:51,640 --> 00:56:54,320
Speaker 3: this was a very fun interview.

1006
00:56:54,880 --> 00:56:56,759
Speaker 2: Oh my god, Chameleon.

1007
00:56:57,120 --> 00:57:01,040
Speaker 3: Look, I am so happy that you got a chance

1008
00:57:01,120 --> 00:57:07,000
Speaker 3: to pop my mc cherry. You're the first to ever

1009
00:57:07,080 --> 00:57:09,480
Speaker 3: do it. Okay, you know, so thank you for that.

1010
00:57:10,160 --> 00:57:13,200
Speaker 3: But all jumps aside, thank you so much for coming on.

1011
00:57:13,120 --> 00:57:14,279
Speaker 2: Reality with the King.

1012
00:57:15,120 --> 00:57:18,480
Speaker 3: Rap Shit new season coming out soon on HBO Max.

1013
00:57:18,880 --> 00:57:22,360
Speaker 3: But tell my listeners my rain drops where they can

1014
00:57:22,400 --> 00:57:24,280
Speaker 3: find you, follow you and support you.

1015
00:57:24,680 --> 00:57:29,000
Speaker 1: Yes, I enjoyed myself with you kicking it. You know

1016
00:57:30,160 --> 00:57:33,080
Speaker 1: you can find me on Apple Music, makes you stream

1017
00:57:33,120 --> 00:57:39,240
Speaker 1: my music, Spotify, especially Instagram. I'm always on Instagram at

1018
00:57:39,240 --> 00:57:41,560
Speaker 1: I T S K A M I L L I

1019
00:57:41,600 --> 00:57:45,520
Speaker 1: O N. I'm on TikTok, I'm on Twitter. Now I'm

1020
00:57:45,560 --> 00:57:48,320
Speaker 1: on HBO Max. You know, if you want to catch up,

1021
00:57:49,880 --> 00:57:55,080
Speaker 1: I'm everywhere BT Hip Hop Awards this weekend, and I

1022
00:57:55,200 --> 00:57:59,000
Speaker 1: just I'm so looking forward to twenty twenty three, and

1023
00:57:59,360 --> 00:58:01,440
Speaker 1: you know, I feel like we're gonna get Emmy's, We're

1024
00:58:01,440 --> 00:58:04,320
Speaker 1: gonna get Oscars, We're gonna get Grammy's, You're gonna get.

1025
00:58:04,160 --> 00:58:04,960
Speaker 4: All kind of stuff.

1026
00:58:05,000 --> 00:58:07,440
Speaker 1: So just make sure y'all tap in, tune in, and

1027
00:58:07,480 --> 00:58:10,080
Speaker 1: stay and stay locked to the boras to beach out

1028
00:58:10,080 --> 00:58:11,160
Speaker 1: of Florida period.

1029
00:58:11,480 --> 00:58:16,480
Speaker 3: Yes, HBO Max Rap Shit Season two coming out soon.

1030
00:58:17,400 --> 00:58:26,920
Speaker 2: Not Yes, I bust a Free Style taught me mc

1031
00:58:27,600 --> 00:58:31,400
Speaker 2: lows or big Lows. I gotta figure out my rap name. Guys.

1032
00:58:31,800 --> 00:58:35,040
Speaker 3: You must help me out with what my rap name

1033
00:58:35,120 --> 00:58:37,520
Speaker 3: is going to be. So make sure y'all tweak me

1034
00:58:37,880 --> 00:58:41,960
Speaker 3: and hashtag reality with the King and let me know

1035
00:58:42,280 --> 00:58:46,000
Speaker 3: what rap name should I go by? And is Ray

1036
00:58:46,200 --> 00:58:49,960
Speaker 3: If you're listening, Yes, honey, I'm serious. I would like

1037
00:58:50,040 --> 00:58:53,560
Speaker 3: the guest star on season two Rap Shit, and I

1038
00:58:53,560 --> 00:58:57,680
Speaker 3: would like to play myself as Carlos King gives the

1039
00:58:57,800 --> 00:59:04,160
Speaker 3: character Mia her own reality show. Yes, and if you

1040
00:59:04,280 --> 00:59:07,520
Speaker 3: haven't watched Bapshit yet, make sure to bingch all eight

1041
00:59:07,680 --> 00:59:11,280
Speaker 3: episodes on HBO Max and keep an eye out on

1042
00:59:11,360 --> 00:59:15,720
Speaker 3: her album that's coming out. She's going on tour. Baby

1043
00:59:16,160 --> 00:59:19,520
Speaker 3: Chameleon is going places, and I'm so happy she decided

1044
00:59:19,960 --> 00:59:22,840
Speaker 3: to stop by Reality with the King to chop it

1045
00:59:22,960 --> 00:59:26,120
Speaker 3: up with us. Thank you for listening to Reality with

1046
00:59:26,200 --> 00:59:34,480
Speaker 3: the King. New episodes drop every Wednesday and Friday. Share, comment, follow,

1047
00:59:35,040 --> 00:59:38,760
Speaker 3: and subscribe to Reality with the King. Wherever you get

1048
00:59:38,840 --> 00:59:43,400
Speaker 3: your podcast, visit Reality withthe King dot com and be

1049
00:59:43,520 --> 00:59:47,760
Speaker 3: sure to follow me at the Carlos King Underscore on

1050
00:59:47,880 --> 00:59:52,080
Speaker 3: Instagram and Twitter. Tweak me your thoughts and hot takes

1051
00:59:52,200 --> 00:59:57,200
Speaker 3: about this episode using the hashtag Reality with the King.

1052
00:59:58,280 --> 01:00:01,120
Speaker 2: Reality with the King is a product of More Sauce

1053
01:00:01,280 --> 01:00:01,960
Speaker 2: by Stitcher.

1054
01:00:02,760 --> 01:00:06,560
Speaker 3: It is exactive produced by Me, Carlos King, and Jasmine

1055
01:00:06,560 --> 01:00:10,960
Speaker 3: Henley Brown. We are also produced by lashiqu Lotus Lee

1056
01:00:11,200 --> 01:00:16,440
Speaker 3: and la Portia Thomas. Additional production support by Coaren Wallace

1057
01:00:16,640 --> 01:00:18,080
Speaker 3: and Alexis Williams.

1058
01:00:18,240 --> 01:00:30,760
Speaker 2: Engineering and music by Marcus Hang More Sauce