1 00:00:01,040 --> 00:00:04,720 Speaker 1: Hey, guys, welcome to I've never said this before with 2 00:00:04,880 --> 00:00:09,240 Speaker 1: me Tommy di Dario. Today's guest is the brilliantly talented 3 00:00:09,480 --> 00:00:13,480 Speaker 1: and may I add, quite a badass, Karen Fukuhara. Now Karen, 4 00:00:13,520 --> 00:00:17,000 Speaker 1: of course, stars in Amazon's Emmy nominated series The Boys, 5 00:00:17,079 --> 00:00:20,040 Speaker 1: which is well taking the world over by storm. The 6 00:00:20,079 --> 00:00:23,040 Speaker 1: finale of season four recently dropped. And get this, the 7 00:00:23,160 --> 00:00:26,360 Speaker 1: fourth season has had over fifty five million viewers and 8 00:00:26,480 --> 00:00:29,520 Speaker 1: counting since it premiered a few weeks ago. So if 9 00:00:29,520 --> 00:00:31,680 Speaker 1: you have not had the immense pleasure of watching The 10 00:00:31,680 --> 00:00:33,960 Speaker 1: Boys yet, the short version is that it's about a 11 00:00:34,000 --> 00:00:37,360 Speaker 1: group of vigilantes set out to take down corrupt superheroes 12 00:00:37,600 --> 00:00:41,199 Speaker 1: who abuse their superpowers. Karen plays Camiko and is the 13 00:00:41,240 --> 00:00:44,960 Speaker 1: show's only woman of vigilante. Considered well one of the boys, 14 00:00:45,360 --> 00:00:48,800 Speaker 1: her character is so damn cool. She has regenerative abilities 15 00:00:48,840 --> 00:00:51,920 Speaker 1: and superhuman strength, and simply put, she helps take down 16 00:00:51,960 --> 00:00:55,240 Speaker 1: the bad guys. She communicates through sign language and has 17 00:00:55,280 --> 00:00:58,800 Speaker 1: a journey that, oh quite often brings me to tears. Now, 18 00:00:58,800 --> 00:01:00,840 Speaker 1: I want to make it very clear that this episode 19 00:01:00,840 --> 00:01:03,760 Speaker 1: has loads of spoilers in it, So if you're not 20 00:01:03,840 --> 00:01:05,680 Speaker 1: caught up with the series. You may want to save 21 00:01:05,720 --> 00:01:08,360 Speaker 1: this conversation for another day, but make sure you come back. 22 00:01:08,400 --> 00:01:11,759 Speaker 1: It's really good. So let's see if today we can 23 00:01:11,800 --> 00:01:20,319 Speaker 1: get Karen to say something that she has never said before. Karen, 24 00:01:20,360 --> 00:01:22,240 Speaker 1: how are you, my friend? It is so good to 25 00:01:22,280 --> 00:01:22,640 Speaker 1: see you. 26 00:01:23,640 --> 00:01:25,679 Speaker 2: Hi. Thank you so much for having me. 27 00:01:26,319 --> 00:01:28,480 Speaker 1: Well, I have to tell you have been one of 28 00:01:28,520 --> 00:01:31,480 Speaker 1: the most requested guests to come on my show. Like, 29 00:01:31,480 --> 00:01:34,160 Speaker 1: people have been tweeting me and dming writing and yeah, 30 00:01:34,160 --> 00:01:36,240 Speaker 1: I'm not even kidding, They're like, you need to get 31 00:01:36,240 --> 00:01:38,520 Speaker 1: her on, Like what is wrong with you? So here 32 00:01:38,520 --> 00:01:38,880 Speaker 1: we are. 33 00:01:39,480 --> 00:01:41,440 Speaker 2: Oh my goodness, I can't believe that. 34 00:01:41,440 --> 00:01:45,560 Speaker 3: That's mind blowing, awesome, awesome, I'm really happy to be 35 00:01:45,640 --> 00:01:46,920 Speaker 3: chatting with you. Oh. 36 00:01:47,160 --> 00:01:51,520 Speaker 1: Likewise, likewise, clearly your role on The Boys means so 37 00:01:51,760 --> 00:01:53,960 Speaker 1: much to so many people. And I mean, I have 38 00:01:53,960 --> 00:01:56,200 Speaker 1: to tell you you're one of my favorite characters. Of course, 39 00:01:56,320 --> 00:01:59,960 Speaker 1: you know Kimiko is so powerful. Of course she's mute, 40 00:02:00,080 --> 00:02:04,000 Speaker 1: but you play her in all of these beautiful nonverbal ways, 41 00:02:04,040 --> 00:02:08,040 Speaker 1: the expressions, the slight eye movements. I mean, I'm not 42 00:02:08,120 --> 00:02:09,840 Speaker 1: kidding you, like I'm going to give you my bill 43 00:02:09,919 --> 00:02:13,040 Speaker 1: for Kleenex because you bring me to two multiple times 44 00:02:13,080 --> 00:02:15,120 Speaker 1: throughout the course of watching the show. So I guess 45 00:02:15,120 --> 00:02:18,200 Speaker 1: my first question is did you have any fears stepping 46 00:02:18,200 --> 00:02:21,680 Speaker 1: into a role that was so heavily nonverbal, because that's 47 00:02:21,680 --> 00:02:22,960 Speaker 1: a very different role for you. 48 00:02:24,080 --> 00:02:26,680 Speaker 3: That is the kindest opening. 49 00:02:27,120 --> 00:02:27,960 Speaker 2: Thank you so much. 50 00:02:29,200 --> 00:02:32,880 Speaker 3: Yeah, no, I love playing this character so so much. 51 00:02:33,000 --> 00:02:35,800 Speaker 3: I think in the beginning, when I first got the 52 00:02:35,840 --> 00:02:39,000 Speaker 3: email for my audition, I was a little confused because, 53 00:02:39,080 --> 00:02:45,560 Speaker 3: you know, the sides only consisted of me doing reading 54 00:02:45,600 --> 00:02:47,359 Speaker 3: the stage directions or acting out. 55 00:02:47,240 --> 00:02:48,120 Speaker 2: For the stage direction. 56 00:02:48,320 --> 00:02:51,799 Speaker 3: Then obviously there was no real dialogue from my end, 57 00:02:52,600 --> 00:02:57,280 Speaker 3: and my character was also not in the pilot episode, 58 00:02:57,320 --> 00:03:00,919 Speaker 3: so it was really confused. But I got to working 59 00:03:01,000 --> 00:03:05,040 Speaker 3: on it after reading that Beth Rogen's name was attached 60 00:03:05,080 --> 00:03:06,919 Speaker 3: to it, I knew that it would be a good 61 00:03:06,960 --> 00:03:10,320 Speaker 3: project and that it would be done well, and that 62 00:03:10,400 --> 00:03:14,360 Speaker 3: it'd be hilarious. So yeah, I kind of had I 63 00:03:14,440 --> 00:03:18,839 Speaker 3: kind of trusted the project itself, and then luckily got 64 00:03:18,840 --> 00:03:23,560 Speaker 3: through the auditioning process and was chosen. But honestly, like 65 00:03:24,120 --> 00:03:26,440 Speaker 3: really confused in the beginning. I think anyone would be, 66 00:03:26,680 --> 00:03:30,400 Speaker 3: you know, playing a mute character. It doesn't come across 67 00:03:30,400 --> 00:03:32,120 Speaker 3: your desk often. 68 00:03:31,960 --> 00:03:35,880 Speaker 1: Were you hoping that eventually the character would become verbal, Like, 69 00:03:36,080 --> 00:03:38,040 Speaker 1: was that a big thing for you in the initial 70 00:03:38,080 --> 00:03:41,040 Speaker 1: stages of reading for this role and going out for it. 71 00:03:41,320 --> 00:03:46,880 Speaker 3: Definitely was a big question throughout and at the top 72 00:03:46,920 --> 00:03:51,360 Speaker 3: of my mind, especially when the theories started in season one. 73 00:03:51,440 --> 00:03:57,160 Speaker 3: She doesn't speak at all, not even sign language, and yeah, 74 00:03:57,200 --> 00:04:01,080 Speaker 3: I think I had a conversation with Kripkey about it, 75 00:04:01,240 --> 00:04:03,920 Speaker 3: but we weren't sure what direction he was going to 76 00:04:03,960 --> 00:04:08,600 Speaker 3: take it in. Yeah, I had no idea. In the 77 00:04:08,640 --> 00:04:12,200 Speaker 3: original comic books, she really never speaks until the very 78 00:04:12,400 --> 00:04:16,040 Speaker 3: very end, and so I knew that it would be 79 00:04:16,560 --> 00:04:22,080 Speaker 3: like would have not happened. There was a high chance 80 00:04:22,480 --> 00:04:25,200 Speaker 3: that she would have never spoken in our version of 81 00:04:25,240 --> 00:04:28,320 Speaker 3: the show, and I was okay with that though, especially 82 00:04:28,360 --> 00:04:31,919 Speaker 3: after season two, when sign language was introduced and she 83 00:04:33,160 --> 00:04:38,080 Speaker 3: is building this connection with Frendsheet and also revisiting her past, 84 00:04:38,600 --> 00:04:42,719 Speaker 3: I quickly realized that sign language is a language and 85 00:04:43,279 --> 00:04:45,960 Speaker 3: those words can be powerful although not verbal. 86 00:04:46,240 --> 00:04:48,559 Speaker 1: You know, it's funny because being someone who of course 87 00:04:48,680 --> 00:04:52,440 Speaker 1: is verbal and is able to speak, and I imagine, 88 00:04:52,440 --> 00:04:54,120 Speaker 1: like for me, I'm an Italian from New Jersey that 89 00:04:54,160 --> 00:04:56,440 Speaker 1: never shuts up, So I feel like I would accidentally 90 00:04:56,680 --> 00:04:59,120 Speaker 1: be speaking when I'm not supposed to, Like did you 91 00:04:59,160 --> 00:05:01,280 Speaker 1: have moments for you let out a noise or a 92 00:05:01,320 --> 00:05:03,840 Speaker 1: sound or a word and you were like, oh shit, no, no, no, no, 93 00:05:03,880 --> 00:05:04,440 Speaker 1: we have to cut. 94 00:05:05,440 --> 00:05:09,400 Speaker 3: Yes, it usually happens when French she is saying a 95 00:05:09,440 --> 00:05:13,320 Speaker 3: funny line because to Mary usually has all of the 96 00:05:13,720 --> 00:05:17,680 Speaker 3: all of the funny moments in our scenes, and he's 97 00:05:17,720 --> 00:05:20,240 Speaker 3: genuinely like one of the funniest people I know and 98 00:05:20,320 --> 00:05:26,360 Speaker 3: so and his delivery is just like comedy gold. So yeah, 99 00:05:26,400 --> 00:05:29,719 Speaker 3: I do find myself laughing in some of the scenes. Yeah, 100 00:05:29,720 --> 00:05:33,800 Speaker 3: it's some of my favorite ones. Try to remember in 101 00:05:33,839 --> 00:05:36,719 Speaker 3: the earlier seasons, I couldn't stop laughing at his line 102 00:05:36,720 --> 00:05:40,640 Speaker 3: when he says catness, it's like Ketney's. And he couldn't 103 00:05:40,680 --> 00:05:43,600 Speaker 3: remember it too, because he had never I think he 104 00:05:43,640 --> 00:05:46,680 Speaker 3: had never seen The Hunger Games. And they added that 105 00:05:46,839 --> 00:05:50,400 Speaker 3: catness line at the very last minute on the day, 106 00:05:50,720 --> 00:05:54,680 Speaker 3: and I think it was maybe Krimky who was directing it. 107 00:05:55,480 --> 00:05:58,240 Speaker 3: He said, hey, can you add this line and to 108 00:05:58,279 --> 00:06:00,760 Speaker 3: where it comes up to me and he's like his catness, 109 00:06:00,920 --> 00:06:05,680 Speaker 3: like who is canness? And so he but yeah, it 110 00:06:05,760 --> 00:06:09,080 Speaker 3: was like a really funny moment because he also like 111 00:06:09,120 --> 00:06:13,640 Speaker 3: had no idea for min in Oh. Another one that 112 00:06:13,720 --> 00:06:16,800 Speaker 3: I've loved was he's trying to get in my asshole 113 00:06:19,160 --> 00:06:21,799 Speaker 3: with the termite theme. That was one of my favorites 114 00:06:21,880 --> 00:06:23,400 Speaker 3: of this That's. 115 00:06:23,200 --> 00:06:26,039 Speaker 1: So funny and that made you like slightly break character 116 00:06:26,080 --> 00:06:29,040 Speaker 1: and make a sounder a laugh or something for sure. 117 00:06:29,200 --> 00:06:32,440 Speaker 2: For sure. Luckily it's usually when I'm not on camera. 118 00:06:32,560 --> 00:06:37,599 Speaker 1: But yeah, so season three, you and French, who were 119 00:06:37,640 --> 00:06:39,960 Speaker 1: pretty much inseparable, I mean you were attached at the hip. 120 00:06:40,240 --> 00:06:43,400 Speaker 1: Season four, you know, there was a little rift between 121 00:06:43,440 --> 00:06:45,120 Speaker 1: the two of you, so it was very different for 122 00:06:45,200 --> 00:06:47,880 Speaker 1: the audience to see that. How was that changed for 123 00:06:47,960 --> 00:06:50,159 Speaker 1: you after being so close for so long? 124 00:06:50,960 --> 00:06:54,080 Speaker 3: Yeah, it was different, I think. You know, in season 125 00:06:54,160 --> 00:06:58,360 Speaker 3: three we really see them come together, and especially with 126 00:06:58,440 --> 00:07:01,880 Speaker 3: the musical sequence, not just in you know, character, but 127 00:07:02,560 --> 00:07:05,360 Speaker 3: offset as well till where and I got really close 128 00:07:05,720 --> 00:07:09,760 Speaker 3: because we did a ton of rehearsals together to get 129 00:07:09,800 --> 00:07:13,120 Speaker 3: the musical sequence right, and outside of the fact that 130 00:07:13,200 --> 00:07:16,320 Speaker 3: we also hang out just on a normal basis, so 131 00:07:16,480 --> 00:07:19,720 Speaker 3: we got really close and it was sad to shoot 132 00:07:19,720 --> 00:07:24,720 Speaker 3: so many scenes without him this season. You know, the 133 00:07:24,760 --> 00:07:29,040 Speaker 3: farm sequence, we were together, but emotionally, the characters were 134 00:07:29,080 --> 00:07:32,480 Speaker 3: not with one another or you know, tech night that 135 00:07:32,560 --> 00:07:36,160 Speaker 3: whole part. Friend. She was in jail, so a lot 136 00:07:36,200 --> 00:07:39,120 Speaker 3: of time with the other characters, which I appreciated. I 137 00:07:39,120 --> 00:07:44,080 Speaker 3: think Kimiko needed to build some friendships connections with the 138 00:07:44,120 --> 00:07:46,320 Speaker 3: rest of the boys, and so it gave her an 139 00:07:46,360 --> 00:07:47,560 Speaker 3: opportunity to do that. 140 00:07:47,720 --> 00:07:50,880 Speaker 2: But definitely sad. You know, friend, she's my guy. 141 00:07:51,040 --> 00:07:53,600 Speaker 3: So a lot happens then. 142 00:07:53,840 --> 00:07:57,000 Speaker 1: Yeah, well it all led up to that insane moment 143 00:07:57,040 --> 00:08:01,120 Speaker 1: at the end where after four season and people finally 144 00:08:01,200 --> 00:08:04,920 Speaker 1: got the profession of you know, love to each other 145 00:08:04,960 --> 00:08:07,360 Speaker 1: and that kiss and then you're ripped away and that's 146 00:08:07,360 --> 00:08:10,120 Speaker 1: when we hear your no and it's like this again, 147 00:08:10,280 --> 00:08:13,120 Speaker 1: Like give me the Kleenex. I can't handle it. That 148 00:08:13,280 --> 00:08:16,560 Speaker 1: moment was so damn powerful for you to be able 149 00:08:16,600 --> 00:08:20,679 Speaker 1: to finally vocalize something. Was that just an incredible moment 150 00:08:20,720 --> 00:08:21,440 Speaker 1: to film? 151 00:08:21,640 --> 00:08:21,880 Speaker 2: Yeah? 152 00:08:21,960 --> 00:08:25,440 Speaker 3: It was. I mean I was nervous leading up to it. 153 00:08:25,520 --> 00:08:29,200 Speaker 3: I you know, I spoke with speech therapists. I wanted 154 00:08:29,240 --> 00:08:33,000 Speaker 3: to accurately portray what that moment would be like for 155 00:08:33,280 --> 00:08:37,160 Speaker 3: a real life person. And yeah, I did a ton 156 00:08:37,240 --> 00:08:42,080 Speaker 3: of research and looked up a bunch of videos. Yeah, 157 00:08:42,120 --> 00:08:43,800 Speaker 3: I just wanted to get it right because I feel 158 00:08:43,800 --> 00:08:47,520 Speaker 3: like it was, you know, four seasons of work culminating 159 00:08:47,559 --> 00:08:50,520 Speaker 3: into this moment, and I know how excited the fans 160 00:08:50,760 --> 00:08:56,439 Speaker 3: would be for that first word and yeah, so, and 161 00:08:56,520 --> 00:08:58,400 Speaker 3: leading up to it, I was super nervous. And then 162 00:08:58,440 --> 00:09:02,720 Speaker 3: on the day Kriki gave me some notes and I 163 00:09:02,760 --> 00:09:05,360 Speaker 3: felt good about it. But you also don't really know 164 00:09:05,440 --> 00:09:08,160 Speaker 3: what it's gonna look like in the end, right You 165 00:09:08,200 --> 00:09:10,959 Speaker 3: shoot everything on the day, but you don't know how 166 00:09:10,960 --> 00:09:15,600 Speaker 3: it's gonna come together. I must say it exceeded my expectations, 167 00:09:15,600 --> 00:09:20,120 Speaker 3: and I think it was because of the scenes previous 168 00:09:20,160 --> 00:09:24,920 Speaker 3: to that. You know, the moment where Butcher truly shows 169 00:09:25,000 --> 00:09:28,000 Speaker 3: the rest of the boys what he is and what 170 00:09:28,080 --> 00:09:35,400 Speaker 3: he's become, and the whole Homelander taking over the world sequence, and. 171 00:09:35,920 --> 00:09:38,880 Speaker 2: Yeah, and then you know Jack and Huey. 172 00:09:38,600 --> 00:09:43,200 Speaker 3: And Annie getting knocked out and getting taken away, and 173 00:09:43,240 --> 00:09:46,960 Speaker 3: then the music, the Nirvana, the song. It just I 174 00:09:47,040 --> 00:09:51,320 Speaker 3: love that song and I've seen people make clips out 175 00:09:51,320 --> 00:09:56,160 Speaker 3: of it where you know, Maddie's character Kate comes up 176 00:09:56,160 --> 00:09:58,880 Speaker 3: to Frenchie and whispers in his ear and like the 177 00:09:59,000 --> 00:10:01,400 Speaker 3: music he's in and then it's so bad ass, it's 178 00:10:01,760 --> 00:10:08,839 Speaker 3: low motion, and then the first word shouts out, Yeah, 179 00:10:08,080 --> 00:10:11,480 Speaker 3: I'm obsessed with it, not because I'm in it, but 180 00:10:11,679 --> 00:10:14,200 Speaker 3: just as like a fan of the show. I think 181 00:10:14,280 --> 00:10:18,640 Speaker 3: it crescendos into like a great cliffhanger beating. 182 00:10:18,400 --> 00:10:20,480 Speaker 1: Up to that scene. Were you like walking around your 183 00:10:20,520 --> 00:10:23,400 Speaker 1: house screaming no a million times, practicing in the mirror 184 00:10:23,520 --> 00:10:25,200 Speaker 1: or was it very minimal? Did you just kind of 185 00:10:25,240 --> 00:10:25,920 Speaker 1: go for it? 186 00:10:26,760 --> 00:10:26,960 Speaker 2: No? 187 00:10:27,040 --> 00:10:33,880 Speaker 3: I definitely practiced, but I think I practiced enough, but 188 00:10:34,520 --> 00:10:37,560 Speaker 3: I don't know. Something as gutturals that I kind of 189 00:10:37,600 --> 00:10:40,520 Speaker 3: wanted to feel it more on the day and there 190 00:10:40,520 --> 00:10:44,120 Speaker 3: were some softer versions that I had prepped, and I 191 00:10:44,120 --> 00:10:47,400 Speaker 3: thought that would be like more accurate because she hadn't 192 00:10:47,440 --> 00:10:50,480 Speaker 3: spoken in a really long time and maybe maybe her 193 00:10:50,559 --> 00:10:53,160 Speaker 3: vocal cords are not quite there yet. You know. I 194 00:10:53,200 --> 00:10:55,560 Speaker 3: got really in my head and then Krisky was just like, 195 00:10:55,600 --> 00:10:59,079 Speaker 3: go for it. So thank you Krisky for you made 196 00:10:59,120 --> 00:11:00,000 Speaker 3: me that piece of advice. 197 00:11:00,880 --> 00:11:01,120 Speaker 2: Yeah. 198 00:11:01,400 --> 00:11:04,439 Speaker 3: I feel like there's so much preparation that you can do, 199 00:11:04,559 --> 00:11:07,360 Speaker 3: but then at times you just need to like let 200 00:11:07,360 --> 00:11:07,640 Speaker 3: it fly. 201 00:11:08,160 --> 00:11:11,760 Speaker 1: Karen, you strike me as an extreme endpath, Is that right? 202 00:11:12,400 --> 00:11:12,840 Speaker 2: Yeah? 203 00:11:13,600 --> 00:11:17,439 Speaker 3: I would say that, Yeah, are you a fortune teller? 204 00:11:18,800 --> 00:11:20,760 Speaker 1: Maybe maybe I have a cybe career. I could be, 205 00:11:20,800 --> 00:11:22,280 Speaker 1: but I don't know. I just I feel it with 206 00:11:22,320 --> 00:11:24,280 Speaker 1: you when I see your work, when I see you acting, 207 00:11:24,360 --> 00:11:28,840 Speaker 1: especially acting through so much nonverbal communication, even talking to 208 00:11:28,840 --> 00:11:32,120 Speaker 1: you today, I get the feeling that you're so brilliant 209 00:11:32,160 --> 00:11:34,440 Speaker 1: in this role. Well because you're such a gifted artist, 210 00:11:34,520 --> 00:11:37,600 Speaker 1: but also because you really truly can feel and take 211 00:11:37,640 --> 00:11:40,600 Speaker 1: on like other people's emotions and feelings around you, which 212 00:11:40,640 --> 00:11:43,400 Speaker 1: not everybody has that. And sometimes it's a blessing. Sometimes 213 00:11:43,440 --> 00:11:45,280 Speaker 1: it's a curse because you feel all the time. But 214 00:11:45,360 --> 00:11:47,080 Speaker 1: I don't know, I kind of get that vibe with you. 215 00:11:47,400 --> 00:11:52,000 Speaker 3: Yeah, you're very spot on. Yeah I cry with all 216 00:11:52,120 --> 00:11:58,640 Speaker 3: emotional movies. In Japan has some great commercials that can 217 00:11:58,720 --> 00:12:02,800 Speaker 3: be really like it pulls that your heart strings. I 218 00:12:02,880 --> 00:12:05,800 Speaker 3: don't know why, but their commercials are great and I 219 00:12:05,880 --> 00:12:08,439 Speaker 3: can just cry off of like a thirty second ad 220 00:12:08,480 --> 00:12:09,160 Speaker 3: for something. 221 00:12:09,920 --> 00:12:11,679 Speaker 2: So, yeah, you're spot on. 222 00:12:12,559 --> 00:12:15,280 Speaker 3: I feel very deeply well, I feel. 223 00:12:15,000 --> 00:12:17,640 Speaker 1: You on that I'm the same exact way. And another 224 00:12:17,679 --> 00:12:19,600 Speaker 1: thing I love about this series is it takes on 225 00:12:19,720 --> 00:12:23,960 Speaker 1: a lot of kind of social and economical and you know, 226 00:12:24,440 --> 00:12:27,600 Speaker 1: pop culture issues, will say political that a lot of 227 00:12:27,640 --> 00:12:30,480 Speaker 1: shows or movies wouldn't take on, and they kind of 228 00:12:30,679 --> 00:12:33,080 Speaker 1: might shy away from because they don't want to go there. 229 00:12:33,120 --> 00:12:35,280 Speaker 1: But the way the show does that is so brilliant. 230 00:12:35,600 --> 00:12:37,560 Speaker 1: Is that part of the allure in doing a show 231 00:12:37,640 --> 00:12:38,240 Speaker 1: like this for you? 232 00:12:38,840 --> 00:12:39,600 Speaker 2: Absolutely? 233 00:12:39,800 --> 00:12:43,320 Speaker 3: I love all the social commentary that my show makes. 234 00:12:43,800 --> 00:12:48,520 Speaker 3: It's kind of amazing because it doesn't poke fun at 235 00:12:48,800 --> 00:12:52,880 Speaker 3: just one political party. It kind of, you know, pokes 236 00:12:52,880 --> 00:12:56,720 Speaker 3: fun at everyone and in a clever way, and you 237 00:12:56,840 --> 00:13:00,959 Speaker 3: get like, I mean, I'm laughing out loud. But even 238 00:13:01,120 --> 00:13:04,720 Speaker 3: for the smaller moments, there's just like little things here 239 00:13:04,720 --> 00:13:07,679 Speaker 3: and there that I smirk at. One of my favorite 240 00:13:07,760 --> 00:13:13,120 Speaker 3: scenes is when Early and it's actually not in this season, 241 00:13:13,200 --> 00:13:17,280 Speaker 3: but in a previous season. It's a scene between Starlight 242 00:13:17,440 --> 00:13:22,720 Speaker 3: and Jesse's character a train and I think I'm paraphrasing, 243 00:13:22,920 --> 00:13:26,240 Speaker 3: but Starlight tells the a train like why don't you 244 00:13:26,320 --> 00:13:29,400 Speaker 3: just leave? Or like why don't you just quit? Why 245 00:13:30,000 --> 00:13:33,760 Speaker 3: become this horrible person when you can do the right thing? 246 00:13:34,400 --> 00:13:40,400 Speaker 3: And he says the only people I'm totally paraphrasing, look 247 00:13:40,480 --> 00:13:42,720 Speaker 3: this up and look the scene up. They do it 248 00:13:42,760 --> 00:13:46,000 Speaker 3: brilliantly he says, the only people that say that are 249 00:13:46,040 --> 00:13:47,680 Speaker 3: people that have grown up with money. 250 00:13:48,240 --> 00:13:49,360 Speaker 2: And I thought that was. 251 00:13:49,320 --> 00:13:56,960 Speaker 3: Such a good like commentary on class really, and sometimes 252 00:13:57,160 --> 00:14:01,280 Speaker 3: people are not in a great plazi to be making 253 00:14:02,200 --> 00:14:05,760 Speaker 3: heroic choices in their life, and you have to be 254 00:14:05,800 --> 00:14:09,959 Speaker 3: empathetic towards that. Although he was evil and a murderer, but. 255 00:14:10,800 --> 00:14:13,199 Speaker 1: You know, minor detail, Yeah. 256 00:14:12,840 --> 00:14:17,640 Speaker 3: Minor detail, minor detail. But you know, even the unlikable 257 00:14:17,720 --> 00:14:21,640 Speaker 3: characters on our show have moments of connection that you 258 00:14:21,680 --> 00:14:23,440 Speaker 3: can make with them. That's what I love. 259 00:14:23,600 --> 00:14:25,720 Speaker 1: Yeah, Well, that's what's so interesting. It's like you want 260 00:14:25,720 --> 00:14:27,560 Speaker 1: to hate and hate and hate on a character, and 261 00:14:27,560 --> 00:14:30,000 Speaker 1: then suddenly you see a moment where you're like, oh, 262 00:14:30,040 --> 00:14:33,600 Speaker 1: I'm not justifying that, but I could kind of see 263 00:14:33,600 --> 00:14:36,480 Speaker 1: why you that character might think or do something like that, 264 00:14:36,520 --> 00:14:38,760 Speaker 1: even though it's so wrong. So yeah, it's very interesting 265 00:14:38,800 --> 00:14:41,400 Speaker 1: how it really makes you think. It's a very very 266 00:14:41,400 --> 00:14:52,120 Speaker 1: smart show. Season five. Have you seen any scripts yet? 267 00:14:52,440 --> 00:14:56,240 Speaker 3: No, they're writing it right now as we speak, and 268 00:14:56,320 --> 00:15:00,360 Speaker 3: so I have no idea. All of us are, you know, 269 00:15:01,040 --> 00:15:03,800 Speaker 3: eager to find out what happens to all of our characters? 270 00:15:03,880 --> 00:15:07,760 Speaker 3: But no, we haven't. We haven't gotten any clues. I'm 271 00:15:07,800 --> 00:15:10,160 Speaker 3: trying to get clues from the gen V cast, but 272 00:15:10,640 --> 00:15:13,120 Speaker 3: they're tight list as well. And I also kind of 273 00:15:13,160 --> 00:15:16,160 Speaker 3: want to know when the show comes out too. I 274 00:15:16,480 --> 00:15:21,640 Speaker 3: you know, I love watching gen V and kind of 275 00:15:21,720 --> 00:15:24,920 Speaker 3: connecting the dots together between our shows. So yeah, I 276 00:15:24,960 --> 00:15:26,960 Speaker 3: don't want to know too much, but I also want 277 00:15:26,960 --> 00:15:31,280 Speaker 3: to know enough. Yeah, I'm right there with you, honestly. 278 00:15:32,000 --> 00:15:34,880 Speaker 3: Where do they go? Do I need to break friendshee out? 279 00:15:34,920 --> 00:15:37,080 Speaker 2: What's going to happen? Where did Starlight go? 280 00:15:37,360 --> 00:15:38,840 Speaker 3: Like? All good questions? 281 00:15:39,240 --> 00:15:42,840 Speaker 1: Yeah, for sure, for sure. If there's one thing that 282 00:15:42,960 --> 00:15:44,680 Speaker 1: you would want to see for your character, and I 283 00:15:44,720 --> 00:15:46,400 Speaker 1: know the writers are brilliant and they're going to take 284 00:15:46,440 --> 00:15:48,080 Speaker 1: care of it all, but if you could see one 285 00:15:48,120 --> 00:15:49,640 Speaker 1: thing and you're like, man, I really hope I get 286 00:15:49,680 --> 00:15:50,120 Speaker 1: to play this? 287 00:15:50,320 --> 00:15:50,840 Speaker 4: What is that? 288 00:15:51,480 --> 00:15:52,960 Speaker 2: Ooh? 289 00:15:53,320 --> 00:15:57,440 Speaker 3: I would love to see a Kimiko Homeland or face 290 00:15:57,480 --> 00:16:01,800 Speaker 3: off moment, but also be careful what I wish for, 291 00:16:02,000 --> 00:16:05,480 Speaker 3: because Homelander is very powerful and a face off might 292 00:16:05,520 --> 00:16:09,760 Speaker 3: not be a great idea for Kimiko. But I loved 293 00:16:10,040 --> 00:16:14,520 Speaker 3: Game of Thrones and I thought that the aris Dark 294 00:16:15,480 --> 00:16:19,000 Speaker 3: victory d against the White Walkers was just so like 295 00:16:19,360 --> 00:16:24,720 Speaker 3: unexpected and amazing. I just loved that that moment when 296 00:16:24,760 --> 00:16:27,360 Speaker 3: she she's the one to do it. You know, it's 297 00:16:27,480 --> 00:16:31,200 Speaker 3: very unexpected, and so I don't know. I'm maybe it's 298 00:16:31,320 --> 00:16:34,800 Speaker 3: Kimiko that day, that homelander who knows, or she might 299 00:16:34,880 --> 00:16:37,200 Speaker 3: die in the process, so knock on wood. I really 300 00:16:37,240 --> 00:16:37,760 Speaker 3: don't want that. 301 00:16:37,960 --> 00:16:40,080 Speaker 1: I'm like, you know what, I don't think maybe he's 302 00:16:40,080 --> 00:16:42,160 Speaker 1: gonna die. I don't think she's gonna die. My money 303 00:16:42,200 --> 00:16:45,440 Speaker 1: is on Kimiko, because you know what, Camiko fights smartly. 304 00:16:45,920 --> 00:16:51,120 Speaker 1: It's not just about like the ego move or acting rashly. 305 00:16:51,160 --> 00:16:53,320 Speaker 1: Like I feel like she's a very smart fighter. 306 00:16:53,920 --> 00:16:55,160 Speaker 2: I would like to think that too. 307 00:16:55,320 --> 00:16:57,360 Speaker 3: I would like to think that too. And I yeah, 308 00:16:57,440 --> 00:17:01,880 Speaker 3: I mean they always say that once you speak it 309 00:17:01,920 --> 00:17:07,200 Speaker 3: into existence, the writers won't write it so real. Yeah, yeah, yeah, 310 00:17:07,200 --> 00:17:09,640 Speaker 3: that's what the Actually, the writers on our show told 311 00:17:09,680 --> 00:17:12,240 Speaker 3: us that. They were like, yeah, if you have any ideas, 312 00:17:12,760 --> 00:17:15,000 Speaker 3: a lot of times, like when you say it out loud, 313 00:17:15,280 --> 00:17:18,479 Speaker 3: it never happens. Because that also means that it's something 314 00:17:18,520 --> 00:17:24,360 Speaker 3: that can be like imagined or other people will expect 315 00:17:24,480 --> 00:17:27,360 Speaker 3: this too, so it's not good enough. 316 00:17:27,400 --> 00:17:28,160 Speaker 2: You know, I don't know. 317 00:17:28,200 --> 00:17:30,640 Speaker 3: Maybe that's the reasoning, But yeah, I like to keep 318 00:17:30,640 --> 00:17:33,520 Speaker 3: my mouth shut with you know, like future prediction questions. 319 00:17:34,440 --> 00:17:35,920 Speaker 1: Well, I was going to ask you, is there anyone 320 00:17:35,960 --> 00:17:38,040 Speaker 1: you want to share more screen time with in the 321 00:17:38,080 --> 00:17:40,440 Speaker 1: next season, But I'm afraid for you to answer that 322 00:17:40,440 --> 00:17:41,320 Speaker 1: because it won't happen. 323 00:17:42,160 --> 00:17:45,399 Speaker 3: I know. Well, I you know, this season, Jack and 324 00:17:45,440 --> 00:17:49,679 Speaker 3: I really fought for some screen time together. And I 325 00:17:49,720 --> 00:17:53,600 Speaker 3: also think it was, you know, good for the characters 326 00:17:53,680 --> 00:17:56,560 Speaker 3: to connects. I thought it was really important for Kimiko 327 00:17:56,680 --> 00:18:00,119 Speaker 3: not to just have scenes with Fremche because you know, 328 00:18:00,280 --> 00:18:02,879 Speaker 3: she's really decided at the end of season three that 329 00:18:03,240 --> 00:18:06,160 Speaker 3: she's becoming a part of this family and she's decided 330 00:18:06,160 --> 00:18:08,840 Speaker 3: to stay on her own accord, and so I wanted 331 00:18:08,840 --> 00:18:13,200 Speaker 3: her to have more experiences with some of the other characters. 332 00:18:13,240 --> 00:18:15,719 Speaker 3: And obviously, you know she has that like Annie kin 333 00:18:15,800 --> 00:18:19,840 Speaker 3: of they sure there her strength together and then she's 334 00:18:19,880 --> 00:18:22,360 Speaker 3: taught Hugh we had to fight, and I think MM 335 00:18:22,400 --> 00:18:25,600 Speaker 3: and her are have like a secret like friendship where 336 00:18:25,800 --> 00:18:31,679 Speaker 3: she's looking out for him and he is reluctantly taking 337 00:18:31,720 --> 00:18:34,760 Speaker 3: her help. But yeah, it's important for me to like 338 00:18:35,400 --> 00:18:40,560 Speaker 3: find those pockets of moments for her. Again, I would 339 00:18:40,600 --> 00:18:43,320 Speaker 3: love to shoot with aunt. It would be fun. Homelander 340 00:18:43,920 --> 00:18:46,640 Speaker 3: or the Deep the Deepest one of my favorite characters, 341 00:18:46,800 --> 00:18:50,680 Speaker 3: and he is hilarious. I don't know what they would do, though, 342 00:18:50,800 --> 00:18:53,800 Speaker 3: I feel like that was that would be an interesting match. 343 00:18:54,720 --> 00:18:56,399 Speaker 3: What would they do in the scene. I'm not sure, 344 00:18:56,520 --> 00:18:57,359 Speaker 3: but I don't know either. 345 00:18:57,400 --> 00:18:59,399 Speaker 1: But you're giving us a lot to think about for 346 00:18:59,440 --> 00:19:01,560 Speaker 1: the next season, and I'm here for all those scenes, 347 00:19:01,600 --> 00:19:04,320 Speaker 1: so hopefully we can see it happen. And another thing 348 00:19:04,359 --> 00:19:06,919 Speaker 1: that's so cool about your character and how much it 349 00:19:06,960 --> 00:19:09,120 Speaker 1: means to so many people is I see all over 350 00:19:09,160 --> 00:19:14,120 Speaker 1: the internet that fans want a spinoff. They're like, we 351 00:19:14,240 --> 00:19:18,000 Speaker 1: need to see Kamiko in a whole other show. We 352 00:19:18,040 --> 00:19:20,199 Speaker 1: don't know what it is, we want it. We're not 353 00:19:20,280 --> 00:19:22,919 Speaker 1: ready to say goodbye at the end of season five. Like, 354 00:19:23,000 --> 00:19:25,320 Speaker 1: does that just make you feel so damn cool when 355 00:19:25,359 --> 00:19:27,400 Speaker 1: you hear that. I imagine you've read that yourself. 356 00:19:27,880 --> 00:19:28,640 Speaker 2: I love that. 357 00:19:29,240 --> 00:19:32,000 Speaker 3: I haven't read it, but I feel like I meet 358 00:19:32,200 --> 00:19:34,520 Speaker 3: fans in person and they're like, you need a spin 359 00:19:34,600 --> 00:19:37,840 Speaker 3: off with freend Sheheet, and I am here for it. 360 00:19:38,160 --> 00:19:40,360 Speaker 3: I feel like they would get into a lot of 361 00:19:40,400 --> 00:19:44,520 Speaker 3: like weird situations, especially if freend She's the one that's 362 00:19:44,560 --> 00:19:46,000 Speaker 3: like leading this adventure. 363 00:19:46,200 --> 00:19:48,639 Speaker 2: You know, he's lived so many. 364 00:19:48,400 --> 00:19:50,160 Speaker 3: Lives and he has like, oh I have a guy 365 00:19:50,240 --> 00:19:51,240 Speaker 3: for this, or like I. 366 00:19:51,119 --> 00:19:51,720 Speaker 2: Can do this. 367 00:19:52,240 --> 00:19:55,720 Speaker 3: I have yet to see freend Scheet fight to the 368 00:19:55,760 --> 00:19:58,480 Speaker 3: death with the get, so we need to make that happen. 369 00:19:58,960 --> 00:19:59,960 Speaker 3: Maybe in the sin Off. 370 00:20:00,840 --> 00:20:03,160 Speaker 1: Yes, that would be amazing. I also kind of feel 371 00:20:03,200 --> 00:20:05,679 Speaker 1: like a Mister and Missus Smith vibe could be really 372 00:20:05,720 --> 00:20:06,200 Speaker 1: good too. 373 00:20:06,480 --> 00:20:10,240 Speaker 3: Oh yeah, yes, yes, yes, I would love that. Or 374 00:20:10,359 --> 00:20:13,800 Speaker 3: like a cooking show like Hell's Kitchen, you know, oh, 375 00:20:13,880 --> 00:20:17,080 Speaker 3: they love to cook. So I don't know, make it happen. 376 00:20:17,119 --> 00:20:18,240 Speaker 3: Gordon ramsayat it up. 377 00:20:19,480 --> 00:20:22,200 Speaker 1: That's awesome. Well, there's a lot of options, and who 378 00:20:22,240 --> 00:20:25,159 Speaker 1: knows what the future will bring. Fingers crossed that can happen. 379 00:20:25,680 --> 00:20:28,440 Speaker 1: It's so crazy to think that season five is the 380 00:20:28,520 --> 00:20:31,680 Speaker 1: last season, because again, it's been such an important show 381 00:20:31,720 --> 00:20:34,439 Speaker 1: in the history of pop culture, and I imagine for 382 00:20:34,520 --> 00:20:37,160 Speaker 1: you it's a show that I feel like you're very 383 00:20:37,160 --> 00:20:41,000 Speaker 1: connected to. Are you already starting to feel like I 384 00:20:41,000 --> 00:20:42,840 Speaker 1: don't want this to end? Like how do you how 385 00:20:42,840 --> 00:20:45,159 Speaker 1: do you go into a new season knowing it's your last? 386 00:20:45,240 --> 00:20:46,920 Speaker 1: Like have you even processed that yet? 387 00:20:47,560 --> 00:20:52,399 Speaker 3: I am gutted. I am gutted. I love being on 388 00:20:52,400 --> 00:20:56,520 Speaker 3: this show, not only because it's a great show. The 389 00:20:56,600 --> 00:21:01,960 Speaker 3: writing is fantastic. The showrunner Kripkey is like a dream 390 00:21:02,200 --> 00:21:06,200 Speaker 3: to work with. I just love everyone on the show. 391 00:21:06,280 --> 00:21:09,760 Speaker 3: You know, it's we've kind of grown into this family. 392 00:21:10,000 --> 00:21:12,760 Speaker 3: We went through COVID, we went through the strike together, 393 00:21:12,880 --> 00:21:15,200 Speaker 3: and so although we only have four seasons, I think 394 00:21:15,240 --> 00:21:17,800 Speaker 3: we've been together for maybe six. 395 00:21:18,119 --> 00:21:24,320 Speaker 4: Five six, probably six, and I just like want to 396 00:21:24,359 --> 00:21:28,200 Speaker 4: stick with this crew forever, and I'm just so sad 397 00:21:28,240 --> 00:21:29,119 Speaker 4: that it's our last. 398 00:21:29,280 --> 00:21:33,040 Speaker 3: But I also know that Kryskey knows what he's doing. 399 00:21:33,800 --> 00:21:36,840 Speaker 3: He's kind of a genius, so I trust that if 400 00:21:36,840 --> 00:21:39,399 Speaker 3: he's saying it's going to be five, I think like 401 00:21:39,440 --> 00:21:42,080 Speaker 3: the story ends at like a good place there, and 402 00:21:42,119 --> 00:21:44,240 Speaker 3: you don't want to drag it on, you know, we 403 00:21:44,320 --> 00:21:47,640 Speaker 3: want to end on like a good note. And yeah, 404 00:21:47,840 --> 00:21:51,320 Speaker 3: but like gutted, seriously gutted. We're going to go shoot 405 00:21:51,320 --> 00:21:55,840 Speaker 3: in November and Toronto again, and you know, it's really bittersweet. 406 00:21:56,000 --> 00:21:58,560 Speaker 3: I try not to think about it because it is 407 00:21:58,600 --> 00:22:01,080 Speaker 3: the beginning of the end and although we shoot for 408 00:22:01,119 --> 00:22:03,919 Speaker 3: a very long time, Yeah, it's just going to be 409 00:22:04,000 --> 00:22:07,840 Speaker 3: very bittersweet. It's like bidding a de to like just 410 00:22:08,119 --> 00:22:10,720 Speaker 3: not just a cast and the group, but also Toronto 411 00:22:10,760 --> 00:22:11,399 Speaker 3: as a city. 412 00:22:11,880 --> 00:22:12,520 Speaker 2: Have you been there? 413 00:22:12,600 --> 00:22:16,040 Speaker 3: It's a lovely, lovely place to live. Yeah. 414 00:22:16,119 --> 00:22:19,160 Speaker 1: Yeah, I love Toronto. My best friend is moving there soon, 415 00:22:19,280 --> 00:22:21,600 Speaker 1: so I plan to be there a lot next year. 416 00:22:21,720 --> 00:22:23,240 Speaker 2: Yeah that's awesome. 417 00:22:23,640 --> 00:22:26,320 Speaker 3: Yeah, no, that's so funny. My good friend just moved 418 00:22:26,320 --> 00:22:28,679 Speaker 3: there three months ago as well, and it seems to 419 00:22:28,720 --> 00:22:31,360 Speaker 3: be the hot spot. I don't know, maybe we all 420 00:22:31,359 --> 00:22:33,480 Speaker 3: got to try it for like a few years. 421 00:22:33,760 --> 00:22:36,600 Speaker 1: Yeah, I'm not against that. It's beautiful. I love it 422 00:22:36,680 --> 00:22:39,719 Speaker 1: so much. And what's cool is the show. I mean, 423 00:22:39,720 --> 00:22:40,920 Speaker 1: you have a lot more time with it, so you 424 00:22:40,920 --> 00:22:43,720 Speaker 1: don't have to worry about that just yet. But the 425 00:22:44,320 --> 00:22:46,720 Speaker 1: family you seem to have built from this show will 426 00:22:46,760 --> 00:22:48,560 Speaker 1: forever be a part of your life, which is the 427 00:22:48,600 --> 00:22:50,680 Speaker 1: best part of I think anything that we all get 428 00:22:50,680 --> 00:22:52,080 Speaker 1: to do in our lives is who we get to 429 00:22:52,119 --> 00:22:53,959 Speaker 1: meet in the community. Do y' all have like a 430 00:22:54,040 --> 00:22:56,600 Speaker 1: mean group text going, oh my gosh. 431 00:22:56,440 --> 00:22:59,639 Speaker 2: We have so many, you know, we have one that 432 00:22:59,680 --> 00:23:00,280 Speaker 2: I'm not in. 433 00:23:00,440 --> 00:23:04,000 Speaker 3: I think the soups have a thread and then the 434 00:23:04,080 --> 00:23:07,400 Speaker 3: boys have a WhatsApp and then we also have like 435 00:23:07,640 --> 00:23:11,600 Speaker 3: the LA Crew, So whenever we're not shooting in LA 436 00:23:11,920 --> 00:23:14,639 Speaker 3: and like want to have a hang that's who Like, 437 00:23:14,880 --> 00:23:17,280 Speaker 3: that's the LA one. And then and then we have 438 00:23:17,359 --> 00:23:19,920 Speaker 3: one with Kripke, and then we have like a girls 439 00:23:19,960 --> 00:23:23,600 Speaker 3: one and it's called the Estrogen Nights because whenever we 440 00:23:23,720 --> 00:23:24,360 Speaker 3: hang out. 441 00:23:24,800 --> 00:23:26,639 Speaker 2: We're like, should we have another Estrogen Night? 442 00:23:26,760 --> 00:23:31,480 Speaker 3: And which involves like ordering takeout and just chatting away 443 00:23:31,640 --> 00:23:33,800 Speaker 3: with a wine in hand, and it is like the 444 00:23:33,840 --> 00:23:39,440 Speaker 3: most lovely I don't know, it like really fills your heart, 445 00:23:40,240 --> 00:23:42,600 Speaker 3: you know, when you can be in like comfy clothes 446 00:23:42,640 --> 00:23:45,520 Speaker 3: at home and having good chats. 447 00:23:45,880 --> 00:23:48,840 Speaker 1: So who texts the most? Like there's always one person 448 00:23:48,880 --> 00:23:50,680 Speaker 1: in a group chat you're like, all right, you're you're 449 00:23:50,960 --> 00:23:53,240 Speaker 1: we love you. But it's a little over the top, 450 00:23:54,040 --> 00:23:54,240 Speaker 1: you know. 451 00:23:54,400 --> 00:23:56,760 Speaker 3: I don't think I don't think we have anyone like that. 452 00:23:57,080 --> 00:23:59,920 Speaker 3: I will say that everyone in the group chat respond, 453 00:24:00,320 --> 00:24:03,880 Speaker 3: which is like on heard, there's always like a few 454 00:24:03,920 --> 00:24:08,520 Speaker 3: people that leave the chat, you know, they're like yeah, yeah. 455 00:24:08,480 --> 00:24:09,120 Speaker 2: Yeah yeah. 456 00:24:09,119 --> 00:24:10,919 Speaker 3: And whenever you're going on in a group trip or 457 00:24:10,960 --> 00:24:13,439 Speaker 3: something or like a wedding and like you get like 458 00:24:13,480 --> 00:24:16,560 Speaker 3: fifty messages, there's someone that's like so and so has 459 00:24:16,680 --> 00:24:22,399 Speaker 3: just left the chat, but no, everyone's in it, you know, 460 00:24:22,560 --> 00:24:26,400 Speaker 3: whenever someone asks something, everyone So. 461 00:24:27,119 --> 00:24:30,200 Speaker 1: Yeah, I love that that family vibe that always makes it. 462 00:24:30,480 --> 00:24:33,000 Speaker 1: I think as an audience member that much more rewarding 463 00:24:33,040 --> 00:24:35,480 Speaker 1: to watch shows that you get really invested in because 464 00:24:35,480 --> 00:24:37,760 Speaker 1: it's like, oh cool, they're actually like all really good friends, 465 00:24:37,760 --> 00:24:39,560 Speaker 1: because we all know not everyone you work with all 466 00:24:39,600 --> 00:24:42,680 Speaker 1: the time becomes family. That's just the way of life. 467 00:24:42,720 --> 00:24:45,280 Speaker 1: So it's it's cool to hear that. I think that's amazing. 468 00:24:45,800 --> 00:24:48,800 Speaker 1: Do you ever need to take a minute after filming 469 00:24:48,840 --> 00:24:52,080 Speaker 1: this series? Because it is pretty dark at times, and 470 00:24:52,119 --> 00:24:56,159 Speaker 1: it is pretty intense and mentally, I imagine it can be 471 00:24:56,200 --> 00:24:58,280 Speaker 1: a lot. So I guess my question is how do 472 00:24:58,359 --> 00:25:00,720 Speaker 1: you take care of your mental health when you're going 473 00:25:00,760 --> 00:25:03,959 Speaker 1: through such an intense and rigorous process that's dealing with 474 00:25:04,040 --> 00:25:05,760 Speaker 1: such heavy subject matter too? 475 00:25:06,400 --> 00:25:07,320 Speaker 2: Totally totally. 476 00:25:07,480 --> 00:25:10,879 Speaker 3: I think therapy is a big thing. I started it 477 00:25:10,920 --> 00:25:15,640 Speaker 3: maybe two years ago and on and off. But I'm 478 00:25:15,720 --> 00:25:20,280 Speaker 3: lucky in that my process doesn't really take home the work. 479 00:25:20,880 --> 00:25:23,920 Speaker 3: I know that a lot of actors have a hard 480 00:25:23,960 --> 00:25:29,520 Speaker 3: time separating, you know, the emotional moments of the character 481 00:25:29,720 --> 00:25:32,760 Speaker 3: with their personal life. But I can usually like snap 482 00:25:32,880 --> 00:25:36,439 Speaker 3: right out of it once the Venus shot. One moment 483 00:25:36,480 --> 00:25:41,480 Speaker 3: that was difficult for me was when a spoiler alert 484 00:25:42,480 --> 00:25:48,919 Speaker 3: when Butcher truly reveals who he is by uh in 485 00:25:48,960 --> 00:25:51,679 Speaker 3: the last episode, by kind of I'll just say it. 486 00:25:51,840 --> 00:25:52,719 Speaker 2: My killing Newman. 487 00:25:54,280 --> 00:25:57,440 Speaker 3: There was a moment while we were shooting where Carl 488 00:25:57,720 --> 00:26:02,960 Speaker 3: really he was the character. He was Butcher in that moment, 489 00:26:03,040 --> 00:26:07,119 Speaker 3: and it was even though it was my friend Carl 490 00:26:07,240 --> 00:26:10,879 Speaker 3: Urban playing the character and I know in my brain 491 00:26:10,960 --> 00:26:16,240 Speaker 3: that that's Carl. For like that one take, I truly 492 00:26:16,640 --> 00:26:21,080 Speaker 3: really saw someone else there that was completely unbeknownst to me, 493 00:26:22,560 --> 00:26:25,520 Speaker 3: just pure I don't know, it's just someone you know, 494 00:26:25,520 --> 00:26:28,480 Speaker 3: when you like see someone that you haven't seen in 495 00:26:28,520 --> 00:26:33,320 Speaker 3: a while and unfortunately they've just like become someone completely 496 00:26:33,359 --> 00:26:35,639 Speaker 3: different and you don't know them. And sometimes it's a 497 00:26:35,640 --> 00:26:37,679 Speaker 3: good thing, and sometimes it's like good change, but like 498 00:26:37,920 --> 00:26:41,120 Speaker 3: sometimes there's a bad change. I felt that in that 499 00:26:41,160 --> 00:26:43,800 Speaker 3: scene and I was shaken for the rest of the 500 00:26:43,920 --> 00:26:47,480 Speaker 3: night and then snapped right back into be careen. But 501 00:26:47,680 --> 00:26:51,520 Speaker 3: like it shook me, honestly, and that's just a true 502 00:26:51,560 --> 00:26:55,280 Speaker 3: testament to how good of an actor Carl is. Yeah, 503 00:26:55,320 --> 00:26:58,000 Speaker 3: that was a that was a big moment in the 504 00:26:58,080 --> 00:26:58,879 Speaker 3: last episode. 505 00:26:59,200 --> 00:27:01,920 Speaker 1: I imagine it's pretty intense, so it's good to hear that, 506 00:27:02,320 --> 00:27:05,040 Speaker 1: you know, you take time to focus on yourself and 507 00:27:05,080 --> 00:27:07,600 Speaker 1: your mental health, whether it's therapy off and on, or 508 00:27:08,119 --> 00:27:10,920 Speaker 1: just kind of detaching from the work of the day, which, 509 00:27:10,960 --> 00:27:12,919 Speaker 1: by the way, I think in any profession it's so 510 00:27:13,040 --> 00:27:15,600 Speaker 1: important to do that. You got to go home and 511 00:27:15,680 --> 00:27:15,960 Speaker 1: kind of. 512 00:27:15,920 --> 00:27:21,440 Speaker 2: Unwind, right, totally, totally, totally. I love therapy. A lot 513 00:27:21,440 --> 00:27:22,520 Speaker 2: of times you just like. 514 00:27:23,000 --> 00:27:27,000 Speaker 3: Want someone to tell you if you're fucking up. You know, 515 00:27:28,160 --> 00:27:31,320 Speaker 3: I need someone to like put me in check, like hey, 516 00:27:31,640 --> 00:27:34,240 Speaker 3: you need to calm down, or like you need to 517 00:27:34,560 --> 00:27:36,840 Speaker 3: think about this a different way. And it's always good 518 00:27:36,840 --> 00:27:39,800 Speaker 3: to have a different perspective. So there's great. 519 00:27:40,200 --> 00:27:49,040 Speaker 1: Yeah, for sure, for sure. And I know that through 520 00:27:49,080 --> 00:27:52,480 Speaker 1: the show, having the representation of being one of the 521 00:27:52,520 --> 00:27:56,760 Speaker 1: first female Asian superheroes is super important to you when 522 00:27:56,760 --> 00:28:00,679 Speaker 1: you're opening the door for many people to come, you know, 523 00:28:00,760 --> 00:28:03,719 Speaker 1: behind you and kick through that door as well. So 524 00:28:04,520 --> 00:28:07,119 Speaker 1: I imagine that you have a lot of pride not just 525 00:28:07,160 --> 00:28:08,639 Speaker 1: being part of a show that means so much to 526 00:28:08,680 --> 00:28:13,440 Speaker 1: so many people, but also for representing such an underrepresented community, right. 527 00:28:13,800 --> 00:28:17,160 Speaker 3: Yeah, one hundred percent. You know, in the beginning of 528 00:28:18,400 --> 00:28:23,280 Speaker 3: my career, I got to play a Japanese superhero named 529 00:28:23,359 --> 00:28:28,399 Speaker 3: Katana for DC Comics, and I think that was the 530 00:28:28,440 --> 00:28:34,600 Speaker 3: first time I experienced being sort of a representative right 531 00:28:34,760 --> 00:28:40,520 Speaker 3: of Asians in media, Asians in Hollywood, And it came 532 00:28:40,560 --> 00:28:42,480 Speaker 3: as a shock to me in the beginning because I 533 00:28:42,520 --> 00:28:45,360 Speaker 3: didn't really think about it right up until that point. 534 00:28:45,360 --> 00:28:48,200 Speaker 3: I was just trying to like get work and be 535 00:28:48,320 --> 00:28:51,880 Speaker 3: an actor, be a working actor, and so I didn't 536 00:28:51,920 --> 00:28:56,800 Speaker 3: realize that that it meant that me playing characters like 537 00:28:56,840 --> 00:29:00,800 Speaker 3: these actually like means something to anyone else there other 538 00:29:00,880 --> 00:29:04,560 Speaker 3: than the world that the story was in. And so 539 00:29:04,680 --> 00:29:07,480 Speaker 3: from then on, I just I just hope that I'm 540 00:29:07,520 --> 00:29:11,760 Speaker 3: doing my people just I think it's always good to 541 00:29:11,760 --> 00:29:15,719 Speaker 3: have representation, and there's still not enough of it, but 542 00:29:16,400 --> 00:29:21,000 Speaker 3: the industry is moving toward a better direction, I think 543 00:29:21,040 --> 00:29:24,880 Speaker 3: for us. And yeah, it's it's really really touching when 544 00:29:25,480 --> 00:29:29,760 Speaker 3: I get to meet people that actually care that I'm 545 00:29:29,760 --> 00:29:31,320 Speaker 3: in these things. 546 00:29:31,680 --> 00:29:32,760 Speaker 2: Yeah, it's special. 547 00:29:33,280 --> 00:29:37,000 Speaker 3: I'm super, super super grateful that I'm in this position, 548 00:29:37,640 --> 00:29:41,040 Speaker 3: and I'm hoping that, you know, because the show is 549 00:29:41,520 --> 00:29:47,520 Speaker 3: successful and studios see that the character is also beloved. 550 00:29:47,800 --> 00:29:51,360 Speaker 3: Maybe it opens doors for even more superheroes that are 551 00:29:51,400 --> 00:29:52,480 Speaker 3: Asian future. 552 00:29:52,840 --> 00:29:55,080 Speaker 1: Yeah, I definitely think it will, and I think it 553 00:29:55,080 --> 00:29:57,280 Speaker 1: will open up a door for your spin off. So yep, 554 00:29:57,360 --> 00:29:59,240 Speaker 1: that's going to happen as well all of the game. 555 00:30:00,000 --> 00:30:02,000 Speaker 3: Well, let's hope that would be great. 556 00:30:02,320 --> 00:30:04,160 Speaker 1: Oh, I'm putting it out there. I am putting it 557 00:30:04,200 --> 00:30:07,200 Speaker 1: out there, Karen. I could talk to you for hours, 558 00:30:07,240 --> 00:30:10,360 Speaker 1: but it's time to wrap up with the final question 559 00:30:10,520 --> 00:30:12,560 Speaker 1: of this interview, which is a question I ask every 560 00:30:12,600 --> 00:30:14,760 Speaker 1: single guest who comes on based off the title of 561 00:30:14,800 --> 00:30:18,920 Speaker 1: the show, which is what is one thing that you 562 00:30:19,040 --> 00:30:21,560 Speaker 1: have never said before. I know you've done a million 563 00:30:21,600 --> 00:30:24,479 Speaker 1: interviews up to this point, but I'm curious if anything 564 00:30:24,520 --> 00:30:25,200 Speaker 1: comes to mind. 565 00:30:26,160 --> 00:30:28,479 Speaker 3: I debated whether I wanted to talk about this, but 566 00:30:28,520 --> 00:30:32,960 Speaker 3: I think it is really important for people to know 567 00:30:33,080 --> 00:30:38,040 Speaker 3: about I just went through an egg freezing process. It's 568 00:30:38,080 --> 00:30:42,640 Speaker 3: like a medical thing, and you know, you can freeze 569 00:30:42,680 --> 00:30:48,640 Speaker 3: your eggs and ensure life later. And I think it's 570 00:30:48,640 --> 00:30:52,400 Speaker 3: really important for women to have enough resources and information 571 00:30:52,560 --> 00:30:56,720 Speaker 3: on this subject, whether you're freezing eggs or freething embryos 572 00:30:56,760 --> 00:31:01,080 Speaker 3: with a partner. I personally did not realize how it 573 00:31:01,080 --> 00:31:03,000 Speaker 3: can be an easy process, but it can also be 574 00:31:03,080 --> 00:31:06,120 Speaker 3: like a longer process for some and for me it 575 00:31:06,160 --> 00:31:10,040 Speaker 3: was longer. And I just think it's super important for 576 00:31:10,200 --> 00:31:14,920 Speaker 3: women out there to understand what their choices are because 577 00:31:15,640 --> 00:31:19,640 Speaker 3: it is time sensitive. And if I had known all 578 00:31:19,640 --> 00:31:21,240 Speaker 3: the things I know now, I think I would have 579 00:31:21,280 --> 00:31:25,600 Speaker 3: done it a couple of years before. So yeah, theoretics 580 00:31:25,720 --> 00:31:30,440 Speaker 3: if you can, and yeah, and even if you don't, 581 00:31:30,840 --> 00:31:34,400 Speaker 3: it's always good to think about those things because options 582 00:31:34,440 --> 00:31:38,080 Speaker 3: are available more when you're younger. 583 00:31:38,360 --> 00:31:41,400 Speaker 1: So you've clearly always wanted to have a family, right. 584 00:31:42,200 --> 00:31:43,200 Speaker 2: No, not always? 585 00:31:43,240 --> 00:31:48,760 Speaker 3: Actually, yeah, I didn't really think about it until a 586 00:31:48,760 --> 00:31:51,720 Speaker 3: few years back, and it was like a big thought. 587 00:31:52,360 --> 00:31:58,440 Speaker 3: I never dated to marry, to be honest, I just 588 00:31:58,440 --> 00:32:00,880 Speaker 3: feel like when you're in your early twenties, you don't 589 00:32:00,920 --> 00:32:04,080 Speaker 3: really think about like, oh is the marriage material? Is 590 00:32:04,120 --> 00:32:06,960 Speaker 3: the father material? I just never thought about it, like 591 00:32:07,240 --> 00:32:11,480 Speaker 3: this is fun, I'm dating someone that I like, but yeah, 592 00:32:11,560 --> 00:32:13,920 Speaker 3: I like recently I went through a breakup and now 593 00:32:13,960 --> 00:32:15,360 Speaker 3: I don't have a partner, so I was like, okay, 594 00:32:15,400 --> 00:32:16,280 Speaker 3: well maybe he. 595 00:32:16,280 --> 00:32:17,200 Speaker 2: Should freeze my eyes. 596 00:32:17,520 --> 00:32:20,840 Speaker 3: But long story short, without getting too far deep into it, 597 00:32:20,960 --> 00:32:22,560 Speaker 3: I think look into. 598 00:32:22,360 --> 00:32:24,840 Speaker 1: That, and if you are a woman, that's really cool 599 00:32:24,880 --> 00:32:27,160 Speaker 1: to share because I think a lot of women out there, 600 00:32:27,320 --> 00:32:28,920 Speaker 1: and there are a lot of women I know as 601 00:32:28,920 --> 00:32:31,840 Speaker 1: well who debate it, right, And for whatever reason, sometimes 602 00:32:32,120 --> 00:32:34,720 Speaker 1: they don't and I'm not sure why, and I've had 603 00:32:34,760 --> 00:32:36,560 Speaker 1: a few people in my life regret that. So I 604 00:32:36,560 --> 00:32:38,640 Speaker 1: think it's an important message to put out because it 605 00:32:38,760 --> 00:32:41,640 Speaker 1: just gives you the option, right, It's like you, you 606 00:32:41,640 --> 00:32:42,760 Speaker 1: don't have to decide anything. 607 00:32:43,320 --> 00:32:45,320 Speaker 3: Yeah, no, and I think that I'm going to have 608 00:32:45,360 --> 00:32:48,400 Speaker 3: a natural birth, but it's always good to have insurance 609 00:32:48,720 --> 00:32:52,680 Speaker 3: as well, just in case there's no one that pops up. 610 00:32:55,760 --> 00:32:57,720 Speaker 1: Yeah, that's a good way to put it. Well, cool, 611 00:32:57,800 --> 00:32:59,920 Speaker 1: thank you. That's something that I think is really interesting 612 00:33:00,080 --> 00:33:02,280 Speaker 1: and no one's ever shared that before with me, and 613 00:33:02,320 --> 00:33:04,920 Speaker 1: I think that's clearly a very personal thing that you 614 00:33:05,000 --> 00:33:07,600 Speaker 1: decided to do. So I appreciate you sharing that the 615 00:33:08,040 --> 00:33:09,840 Speaker 1: for the good of women out there who might be 616 00:33:09,880 --> 00:33:14,280 Speaker 1: considering it themselves. Karen, Like I said, I could talk 617 00:33:14,320 --> 00:33:16,880 Speaker 1: to you for hours. I so enjoyed this conversation. I 618 00:33:16,880 --> 00:33:19,320 Speaker 1: think you are such a light. I think you were 619 00:33:19,400 --> 00:33:22,040 Speaker 1: so gifted in what you do, and you bring so 620 00:33:22,120 --> 00:33:24,840 Speaker 1: much joy to so many people, and I really appreciated 621 00:33:24,880 --> 00:33:28,000 Speaker 1: you taking the time to hang out today and talk 622 00:33:28,040 --> 00:33:30,320 Speaker 1: about the boys, but also dive into some other real 623 00:33:30,320 --> 00:33:32,800 Speaker 1: life conversation as well that I think a lot of 624 00:33:32,800 --> 00:33:35,160 Speaker 1: people will be helped by. So thanks for hanging man. 625 00:33:35,200 --> 00:33:35,960 Speaker 1: This was awesome. 626 00:33:36,640 --> 00:33:38,400 Speaker 2: Oh my goodness, thank you so much. 627 00:33:38,480 --> 00:33:42,360 Speaker 3: I mean I've never had an interview or like message 628 00:33:42,400 --> 00:33:44,880 Speaker 3: me before just to like give me this feel and 629 00:33:45,000 --> 00:33:48,600 Speaker 3: be so friendly, and you know, meeting you today like 630 00:33:48,720 --> 00:33:51,320 Speaker 3: just bring this like calming energy and so it's so 631 00:33:51,600 --> 00:33:54,400 Speaker 3: easy talking to you, and yeah, thank you for creating 632 00:33:54,440 --> 00:33:55,080 Speaker 3: that environment. 633 00:33:55,520 --> 00:33:58,280 Speaker 1: Oh, thank you, thank you. And I'm raising my hand 634 00:33:58,440 --> 00:34:01,040 Speaker 1: for the next girl's night. I think gay men should 635 00:34:01,040 --> 00:34:03,880 Speaker 1: be allowed to be invited. So I'm down fors and 636 00:34:04,040 --> 00:34:07,280 Speaker 1: bacon and wine and gossip. 637 00:34:06,880 --> 00:34:09,520 Speaker 3: And all the things you are invited on. 638 00:34:11,760 --> 00:34:14,480 Speaker 1: Thank you, my friend. So good hanging out and we'll 639 00:34:14,520 --> 00:34:15,800 Speaker 1: talk again soon, I hope. 640 00:34:16,360 --> 00:34:17,760 Speaker 2: Awesome. Thank you so much. 641 00:34:21,160 --> 00:34:24,680 Speaker 1: I've Never Said This Before is hosted by Me Tommy Dedario. 642 00:34:25,400 --> 00:34:29,640 Speaker 1: This podcast is executive produced by Andrew Puglisi at iHeartRadio 643 00:34:29,760 --> 00:34:34,080 Speaker 1: and by Me Tommy, with editing by Joshua Colaudney. I've 644 00:34:34,120 --> 00:34:36,480 Speaker 1: Never Said This Before is part of the Elvis Duran 645 00:34:36,600 --> 00:34:40,840 Speaker 1: Podcast Network on iHeart Podcasts for more rate, review and 646 00:34:40,960 --> 00:34:43,880 Speaker 1: subscribe to our show. And if you liked this episode, 647 00:34:44,080 --> 00:34:47,440 Speaker 1: tell your friends. Until next time, I'm Tommy de Dario