1 00:00:04,120 --> 00:00:06,560 Speaker 1: Hey, and welcome to the Short Stuff. I'm Josh, there's Chuck, 2 00:00:06,600 --> 00:00:10,280 Speaker 1: There's Jerry. This is Short Stuff, the creeps Fill Halloween 3 00:00:10,480 --> 00:00:15,040 Speaker 1: Week edition, that's right. And before people get started with 4 00:00:15,080 --> 00:00:16,960 Speaker 1: this one, if you're in a place where you are 5 00:00:17,000 --> 00:00:20,200 Speaker 1: not going to endanger the life of someone else because 6 00:00:20,200 --> 00:00:23,200 Speaker 1: you're driving a car, just pull out the old phone 7 00:00:23,320 --> 00:00:27,320 Speaker 1: or the old laptop or the old tablet, the old Newton, 8 00:00:27,520 --> 00:00:31,400 Speaker 1: the old Newton, and just do a little image search 9 00:00:31,480 --> 00:00:35,360 Speaker 1: for Robert the doll mhm, because I just think knowing 10 00:00:35,400 --> 00:00:40,120 Speaker 1: what Robert looks like going into this is kind of nice, yeah, 11 00:00:40,280 --> 00:00:42,240 Speaker 1: for sure. And you're gonna be presented with a couple 12 00:00:42,240 --> 00:00:45,080 Speaker 1: of different images because they made a movie based on Robert. 13 00:00:45,240 --> 00:00:48,400 Speaker 1: Yeah yeah, yeah. One of them is like so overly 14 00:00:48,440 --> 00:00:51,519 Speaker 1: stylized it's not at all scary creepy looking, sure, But 15 00:00:51,640 --> 00:00:54,320 Speaker 1: the one that's like, holy cow, no one could ever 16 00:00:54,400 --> 00:00:57,520 Speaker 1: come up with that, like like like it's just too 17 00:00:57,520 --> 00:01:00,680 Speaker 1: scary and creepy on its own, that's the Robert, the 18 00:01:00,720 --> 00:01:03,800 Speaker 1: one with just part of a face basically. Yeah. The 19 00:01:03,840 --> 00:01:07,960 Speaker 1: modern one looks like a Ventriloquis dummy and is clearly 20 00:01:08,000 --> 00:01:11,600 Speaker 1: more modern. The other one looks like an antique sort 21 00:01:11,640 --> 00:01:16,880 Speaker 1: of faceless, uh death child. Yeah, And indeed he is 22 00:01:16,880 --> 00:01:19,440 Speaker 1: not necessarily a death child, but he is an antique 23 00:01:19,920 --> 00:01:24,800 Speaker 1: because um Robert was the toy and actually lifelong friend 24 00:01:24,840 --> 00:01:30,039 Speaker 1: and companion of a boy named Robert Eugene Otto. And 25 00:01:30,240 --> 00:01:33,080 Speaker 1: Robert Eugene Otto, who went by Jean, moved with his 26 00:01:33,200 --> 00:01:35,960 Speaker 1: family right before the turn of the twentieth century to 27 00:01:36,160 --> 00:01:39,360 Speaker 1: Key West, Florida, and he brought with him his doll, 28 00:01:40,000 --> 00:01:45,080 Speaker 1: this three foot straw filled cork faced doll named Robert Um, 29 00:01:45,080 --> 00:01:48,520 Speaker 1: which had been a gift from his grandfather. Right, that's right. 30 00:01:49,200 --> 00:01:53,560 Speaker 1: His granddad thought it would be funny and fun I guess, 31 00:01:53,680 --> 00:01:57,960 Speaker 1: much like the father in Gremlins to rek havoc on 32 00:01:58,000 --> 00:02:00,200 Speaker 1: a family by bringing home a gift from some place 33 00:02:00,280 --> 00:02:03,040 Speaker 1: far away. And I believe he went on a trip 34 00:02:03,080 --> 00:02:06,840 Speaker 1: to Germany and got this doll that was manufactured by 35 00:02:06,880 --> 00:02:11,240 Speaker 1: the Steve Company, who the maker of Teddy Bears. But 36 00:02:11,360 --> 00:02:13,399 Speaker 1: this was not a toy that was ever sold, So 37 00:02:13,800 --> 00:02:15,680 Speaker 1: the best they can reckon is that it might have 38 00:02:15,720 --> 00:02:18,280 Speaker 1: been something that they made to like put in a 39 00:02:18,320 --> 00:02:22,080 Speaker 1: window display or something. Um, maybe to help selt Teddy Bears. 40 00:02:22,680 --> 00:02:26,880 Speaker 1: And the thing with Robert is he you know, he 41 00:02:27,080 --> 00:02:29,560 Speaker 1: kind of looks kind of creepy in his little sailor's outfit. 42 00:02:29,600 --> 00:02:33,400 Speaker 1: It's it's all about that that nothingness of the face though. Really. Yeah, 43 00:02:33,440 --> 00:02:35,640 Speaker 1: they think that collection of dolls he was a part 44 00:02:35,680 --> 00:02:38,320 Speaker 1: of where clowns and jesters, so they think he actually 45 00:02:38,400 --> 00:02:41,919 Speaker 1: originally was a harlequin jester. And I read a nine 46 00:02:42,560 --> 00:02:45,560 Speaker 1: nine Palm Beach Post article about him, and they made 47 00:02:45,639 --> 00:02:48,800 Speaker 1: reference to a photograph from I guess the early nineteen 48 00:02:48,880 --> 00:02:52,000 Speaker 1: hundreds and they describe him as dressed up as like 49 00:02:52,040 --> 00:02:54,880 Speaker 1: a harlequin jester. So and they said, it's not a 50 00:02:55,000 --> 00:02:59,480 Speaker 1: very pleasant photograph. Right. You mentioned he's wearing a sailor's suit, 51 00:02:59,520 --> 00:03:02,000 Speaker 1: and he in, he definitely is, and he's been wearing 52 00:03:02,000 --> 00:03:05,320 Speaker 1: that sailor's suit for over a hundred years now. But 53 00:03:05,400 --> 00:03:08,799 Speaker 1: the sailor suit originally belonged to Jean. Jean said, here, Robert, 54 00:03:08,840 --> 00:03:10,720 Speaker 1: this is a hamm me down. I'm not wearing this anymore. 55 00:03:10,760 --> 00:03:12,600 Speaker 1: I want you to be sailor boy for the rest 56 00:03:12,639 --> 00:03:15,440 Speaker 1: of our lives. Yeah. So, I mean, I think that 57 00:03:15,480 --> 00:03:19,800 Speaker 1: demonstrates the kind of closeness that Jean had with Robert Um. 58 00:03:19,919 --> 00:03:21,960 Speaker 1: Jean has all the hallmarks of an only child, but 59 00:03:22,000 --> 00:03:26,640 Speaker 1: apparently did have siblings because Jean, like you know, I 60 00:03:26,680 --> 00:03:29,280 Speaker 1: think a lot of times only only children have a 61 00:03:30,360 --> 00:03:35,120 Speaker 1: can have a more rich imaginary life when they're little, um, 62 00:03:35,160 --> 00:03:38,320 Speaker 1: making up imaginary friends and things like that. And in 63 00:03:38,400 --> 00:03:41,160 Speaker 1: Jean's case, he it was kind of a combination of both. 64 00:03:41,200 --> 00:03:44,120 Speaker 1: He made up an imaginary friend in a way, but 65 00:03:44,280 --> 00:03:47,520 Speaker 1: it actually had a physical manner infestation in and Robert. 66 00:03:47,600 --> 00:03:51,160 Speaker 1: But Robert, you know, he would apparently they would uh 67 00:03:51,360 --> 00:03:54,160 Speaker 1: his family and then people that would that worked with 68 00:03:54,200 --> 00:03:58,200 Speaker 1: them would hear them, well not them hear him in 69 00:03:58,240 --> 00:04:02,800 Speaker 1: the room. Jean having both sides of a conversation as 70 00:04:02,880 --> 00:04:08,440 Speaker 1: Gene and Robert quite often, or was it Jeane exactly? So, Yeah, 71 00:04:08,520 --> 00:04:11,000 Speaker 1: And the reason why stuff like that started to be 72 00:04:11,040 --> 00:04:15,400 Speaker 1: reported to the Auto family parents I also read like 73 00:04:15,440 --> 00:04:19,719 Speaker 1: a plumber heard um, Robert giggle um. The people would 74 00:04:19,720 --> 00:04:21,920 Speaker 1: say that he could make things move on his own 75 00:04:22,360 --> 00:04:24,800 Speaker 1: and you never saw him doing it. It's just like, hey, 76 00:04:25,160 --> 00:04:28,560 Speaker 1: that Robert was not sitting in that chair, you know 77 00:04:28,960 --> 00:04:32,640 Speaker 1: this morning. The plumber heard Robert. Yes, that's what he said. 78 00:04:33,000 --> 00:04:40,760 Speaker 1: That's what the plumber claimed. Sure, that's why Robert giggle so. Um. 79 00:04:40,880 --> 00:04:43,480 Speaker 1: The reason people were talking about Robert like this because 80 00:04:43,480 --> 00:04:45,520 Speaker 1: he had already gained a reputation as being kind of 81 00:04:45,839 --> 00:04:49,240 Speaker 1: playfully mischievous, right. Um. And part of the reason he 82 00:04:49,279 --> 00:04:52,200 Speaker 1: got that reputation is because whatever Jean did wrong that 83 00:04:52,279 --> 00:04:56,279 Speaker 1: he would get caught doing, he would blame Robert for. Yeah, 84 00:04:56,320 --> 00:04:58,840 Speaker 1: which is it's also very cute too write. But then 85 00:04:58,880 --> 00:05:01,920 Speaker 1: there were stories about how, you know, Jean's parents heard 86 00:05:02,000 --> 00:05:03,720 Speaker 1: him screaming in the middle of the night one night 87 00:05:03,720 --> 00:05:06,279 Speaker 1: and came running in to find the whole room trashed, 88 00:05:06,279 --> 00:05:09,720 Speaker 1: and Jean curled up in a ball in the corner. Um, 89 00:05:09,760 --> 00:05:13,640 Speaker 1: and he blamed Robert for trashing the room. Um, so 90 00:05:14,240 --> 00:05:19,000 Speaker 1: quickly escalated as far as the legend goes, um from 91 00:05:19,040 --> 00:05:21,359 Speaker 1: you know, hey, Robert wasn't sitting in that chair to 92 00:05:21,800 --> 00:05:23,760 Speaker 1: Robert snow costing us mind because we're gonna have to 93 00:05:23,760 --> 00:05:28,440 Speaker 1: replace that night's to all right, I think that's a 94 00:05:28,440 --> 00:05:32,200 Speaker 1: good break, because we're gonna pick up with time passing 95 00:05:32,320 --> 00:05:35,480 Speaker 1: an adult Gene who surely doesn't have the stall anymore 96 00:05:35,560 --> 00:05:38,160 Speaker 1: after he grows up, Right, we're going to cover that 97 00:05:38,400 --> 00:06:08,560 Speaker 1: right after this. Okay, we've gone forward in time now. 98 00:06:08,720 --> 00:06:12,520 Speaker 1: I think that it seems to have because Jean looks 99 00:06:12,520 --> 00:06:15,840 Speaker 1: way older and paunchier than he did when he was 100 00:06:15,880 --> 00:06:18,560 Speaker 1: a boy. So yes, I think we're too somewhere in 101 00:06:18,640 --> 00:06:22,479 Speaker 1: like maybe the nineteen fifties. And by this time Jean 102 00:06:22,600 --> 00:06:26,000 Speaker 1: has super grown up. Um. He has gone off to 103 00:06:26,560 --> 00:06:31,520 Speaker 1: Chicago and Europe Paris even to study becoming a painter. 104 00:06:32,200 --> 00:06:34,760 Speaker 1: He's developed quite a name for himself and Key West 105 00:06:34,800 --> 00:06:37,599 Speaker 1: where he's stuck around. And he also got married to 106 00:06:37,920 --> 00:06:42,440 Speaker 1: a very understanding woman named Ann Parker. Well why was 107 00:06:42,480 --> 00:06:47,240 Speaker 1: she understanding? She was understanding, Chuck, Because one of the 108 00:06:47,320 --> 00:06:50,479 Speaker 1: things that was a constant in Jean's life is Robert. 109 00:06:50,839 --> 00:06:54,400 Speaker 1: Jean's still hung out with Robert, Robert Jean's best friend, 110 00:06:55,279 --> 00:06:58,720 Speaker 1: still hanging out with Robert gets married to Anne Parker, 111 00:06:59,600 --> 00:07:03,200 Speaker 1: who was I think a jazz pianist, and you know, 112 00:07:03,279 --> 00:07:05,880 Speaker 1: she's a creative sort. He was a painter. She's like 113 00:07:06,320 --> 00:07:11,000 Speaker 1: a little eccentric, is my husband, And that's fine. I 114 00:07:11,040 --> 00:07:13,720 Speaker 1: don't love Robert being around, but this is our lot 115 00:07:13,760 --> 00:07:17,320 Speaker 1: in life. Uh. He inherited Jeane, I guess, and Robert 116 00:07:17,360 --> 00:07:21,920 Speaker 1: inherited the house on Eton Street in Key West, and 117 00:07:21,960 --> 00:07:24,960 Speaker 1: they called it, they renamed it the Artist House, and 118 00:07:25,040 --> 00:07:26,960 Speaker 1: it was just it was sort of a well known 119 00:07:27,040 --> 00:07:28,760 Speaker 1: and still is kind of a well known house in 120 00:07:28,880 --> 00:07:31,200 Speaker 1: Key West, because, like you said, he did make a 121 00:07:31,280 --> 00:07:33,600 Speaker 1: name for himself. Like if you if you look up 122 00:07:34,200 --> 00:07:36,760 Speaker 1: Jane auto Art like it, you know, there's there's stuff 123 00:07:36,760 --> 00:07:40,080 Speaker 1: out there. Yeah, I get the impression that Robert really 124 00:07:40,120 --> 00:07:43,800 Speaker 1: helped push along the same gene though too. You know, 125 00:07:43,840 --> 00:07:47,200 Speaker 1: I'm not sure it was the other way around. Yeah, 126 00:07:47,280 --> 00:07:49,920 Speaker 1: but you can tell, like Jeane clearly loved his childhood 127 00:07:49,960 --> 00:07:53,119 Speaker 1: because he he stayed in his boyhood home. He kept 128 00:07:53,160 --> 00:07:56,960 Speaker 1: his boyhood best friend Robert the doll um. But he 129 00:07:57,040 --> 00:07:58,840 Speaker 1: managed to add a wife to the mix. Two and 130 00:07:59,400 --> 00:08:02,640 Speaker 1: you know, yes, she was definitely she would put up 131 00:08:03,000 --> 00:08:05,520 Speaker 1: with the fact that Robert was a part of their life. 132 00:08:05,520 --> 00:08:08,800 Speaker 1: But there's a couple of stories. Um. One is that 133 00:08:08,880 --> 00:08:11,760 Speaker 1: she was like, Okay, Robert can live here, but can 134 00:08:11,800 --> 00:08:14,720 Speaker 1: we just like keep him in the attic, and Geene 135 00:08:14,720 --> 00:08:19,680 Speaker 1: agreed to that, and they started keeping Robert in the attic. Okay, 136 00:08:19,840 --> 00:08:22,840 Speaker 1: well then you're gonna like this alternative story. The other 137 00:08:22,960 --> 00:08:28,360 Speaker 1: story is that um Geen built a room for Robert 138 00:08:28,440 --> 00:08:31,640 Speaker 1: in the attic and furnished it with Robert sized toys 139 00:08:31,760 --> 00:08:35,000 Speaker 1: and furniture, and it was Robert's room, like this attic 140 00:08:35,040 --> 00:08:39,959 Speaker 1: was Robert. Now, technically those two stories are not mutually exclusive, 141 00:08:40,160 --> 00:08:42,440 Speaker 1: and I'm guessing if you put them together you probably 142 00:08:42,520 --> 00:08:44,680 Speaker 1: come close to the truth. Yeah, that makes a lot 143 00:08:44,720 --> 00:08:47,640 Speaker 1: more sense, um, because I definitely don't see Jean just 144 00:08:47,679 --> 00:08:50,560 Speaker 1: being like, sure, I'll just junk him in the attic. Yeah, 145 00:08:50,720 --> 00:08:54,480 Speaker 1: but if I built him a very special place, that's 146 00:08:54,480 --> 00:08:57,960 Speaker 1: a whole different story. So the and you know, a 147 00:08:58,000 --> 00:09:01,000 Speaker 1: lot of this is obviously legend and or because some 148 00:09:01,120 --> 00:09:04,880 Speaker 1: really spooky things that don't make sense continue to happen 149 00:09:04,880 --> 00:09:07,839 Speaker 1: with Robert the Doll. Like people walk by and they 150 00:09:07,840 --> 00:09:10,960 Speaker 1: see Robert the Doll sitting kindly in a rocking chair 151 00:09:11,000 --> 00:09:15,600 Speaker 1: in the original bedroom window. Uh. And apparently Jean would 152 00:09:15,600 --> 00:09:19,240 Speaker 1: come downstairs and be like, Robert, you're not supposed to 153 00:09:19,240 --> 00:09:22,920 Speaker 1: be down here, and then would take Robert back up 154 00:09:22,960 --> 00:09:26,960 Speaker 1: into the fashioned attic room. Yeah, and then again he'd 155 00:09:27,000 --> 00:09:29,320 Speaker 1: find Robert sitting in the rocking chair in the window 156 00:09:29,360 --> 00:09:35,240 Speaker 1: of his bedroom. Again. Yeah. So um, this is just 157 00:09:35,320 --> 00:09:37,600 Speaker 1: kind of how life was in the Artist's house. And 158 00:09:37,640 --> 00:09:42,680 Speaker 1: then Jean passed, and um, Anne continued living there um 159 00:09:42,720 --> 00:09:46,600 Speaker 1: with Robert uh until a little before she died. She 160 00:09:46,679 --> 00:09:49,880 Speaker 1: sold the house before she died in nineteen to a 161 00:09:49,880 --> 00:09:53,960 Speaker 1: woman named Myrtle Reuter. And um, this is why I 162 00:09:54,000 --> 00:09:56,680 Speaker 1: think Anne is actually a good person. As part of 163 00:09:56,679 --> 00:10:00,640 Speaker 1: the sale, Jean's dead. As part of the sale, Uh, 164 00:10:00,920 --> 00:10:04,200 Speaker 1: Myrtle was required to leave Robert and the attic room. 165 00:10:04,280 --> 00:10:08,079 Speaker 1: That alone, that was part of the real estate deal. 166 00:10:08,600 --> 00:10:12,320 Speaker 1: And um, and what's even cooler is that Myrtle or 167 00:10:12,400 --> 00:10:15,080 Speaker 1: Myrtle said all right, I can do that and actually 168 00:10:15,120 --> 00:10:18,600 Speaker 1: abided by it. Yeah, and I think abided by it 169 00:10:18,640 --> 00:10:20,720 Speaker 1: because you know, part of the legend we didn't really 170 00:10:20,760 --> 00:10:25,080 Speaker 1: talk much about is that, um, Robert like if you like, 171 00:10:25,120 --> 00:10:27,520 Speaker 1: if you cross Robert, bad things might come your way. 172 00:10:28,320 --> 00:10:30,679 Speaker 1: And there aren't any like huge examples of you know, 173 00:10:30,720 --> 00:10:33,640 Speaker 1: because he was more mischievous and supposedly not a truly 174 00:10:33,679 --> 00:10:37,080 Speaker 1: evil doll. But for instance, in the mid nineties, Robert 175 00:10:37,120 --> 00:10:41,000 Speaker 1: finally moved to a museum, the East Martello Museum. And 176 00:10:41,160 --> 00:10:43,640 Speaker 1: you would, uh, as as you know, sort of the 177 00:10:43,640 --> 00:10:46,280 Speaker 1: fund of visiting, you were supposed to ask permission to 178 00:10:46,320 --> 00:10:49,920 Speaker 1: take a photograph of Robert before you did so, and 179 00:10:49,960 --> 00:10:53,960 Speaker 1: then if you didn't, then bad things might happen. And uh, 180 00:10:54,000 --> 00:10:56,000 Speaker 1: there was a who was that person was that just 181 00:10:56,080 --> 00:11:02,080 Speaker 1: like a historian, the director of the the Artist's House, 182 00:11:02,120 --> 00:11:05,320 Speaker 1: Bed and Breakfast. Okay, so this person went uh shrink 183 00:11:05,400 --> 00:11:08,760 Speaker 1: and ghost not a bad name for this story, goes 184 00:11:08,800 --> 00:11:11,560 Speaker 1: by and says basically like, Hey, I couldn't even ask 185 00:11:11,600 --> 00:11:13,959 Speaker 1: the stall for permission because it was you know, I 186 00:11:14,000 --> 00:11:16,400 Speaker 1: felt kind of silly, so I didn't do it. I 187 00:11:16,440 --> 00:11:20,040 Speaker 1: took a picture with my digital camera and the pictures, 188 00:11:20,840 --> 00:11:23,320 Speaker 1: uh did not come out, only a few pictures that 189 00:11:23,360 --> 00:11:26,240 Speaker 1: I took her even on it, and then I was 190 00:11:26,400 --> 00:11:30,160 Speaker 1: not able to say pictures anymore ever again on this camera? Yes, 191 00:11:30,320 --> 00:11:34,400 Speaker 1: so was it Robert? Right, But that's one of the 192 00:11:34,440 --> 00:11:36,760 Speaker 1: main reasons they tell you to ask his permission first 193 00:11:36,840 --> 00:11:41,400 Speaker 1: or else he's gonna mes your camera. Right, So you, 194 00:11:41,480 --> 00:11:43,400 Speaker 1: me and I actually did that. We've we've been there. 195 00:11:43,400 --> 00:11:45,920 Speaker 1: We've met Robert befour years ago. No, I didn't went 196 00:11:45,960 --> 00:11:48,480 Speaker 1: to Key West. Yeah, and we asked his picture. We 197 00:11:48,480 --> 00:11:52,520 Speaker 1: asked his permission to take his picture, and good thing. Yeah. Um. 198 00:11:52,559 --> 00:11:54,800 Speaker 1: But the one of the neat things I think is 199 00:11:54,840 --> 00:11:57,680 Speaker 1: that that in the four East Martello Museum, where he's 200 00:11:57,920 --> 00:12:01,720 Speaker 1: resided since and just getting more and more famous, the 201 00:12:01,760 --> 00:12:05,120 Speaker 1: person who donated him was Myrtle Reuter, who even after 202 00:12:05,200 --> 00:12:07,880 Speaker 1: she sold the Artist House, took Robert with her and 203 00:12:07,920 --> 00:12:10,240 Speaker 1: then just took care of him for the next twenty 204 00:12:10,280 --> 00:12:13,440 Speaker 1: years until she handed him off to the museum. You 205 00:12:13,480 --> 00:12:16,880 Speaker 1: can definitely like, go see Robert at this museum. There's 206 00:12:17,080 --> 00:12:19,520 Speaker 1: it's actually a really neat museum on your way into 207 00:12:19,520 --> 00:12:21,720 Speaker 1: her out of Key West. Yeah. And as far as 208 00:12:21,760 --> 00:12:25,240 Speaker 1: the movies go, uh, they're very low budge that was 209 00:12:25,600 --> 00:12:28,440 Speaker 1: they started out. I say they because somehow there have 210 00:12:28,520 --> 00:12:33,440 Speaker 1: been four sequels, but they start out with just Robert. Uh, 211 00:12:33,480 --> 00:12:36,640 Speaker 1: and very seemingly loosely based on the story. I think 212 00:12:36,679 --> 00:12:40,720 Speaker 1: the the autos are in the story, but it's not. Um. 213 00:12:40,960 --> 00:12:43,960 Speaker 1: I don't think it's a period thing. And again they 214 00:12:44,040 --> 00:12:46,240 Speaker 1: you know, it's a little it's way more like Chucky 215 00:12:46,280 --> 00:12:50,200 Speaker 1: the Doll or something than this sort of antique looking guy, 216 00:12:50,760 --> 00:12:53,240 Speaker 1: just not as charming as Chucky. Yeah, and then three 217 00:12:53,240 --> 00:12:56,400 Speaker 1: more sequels to follow. I did watch and encourage anyone 218 00:12:56,440 --> 00:12:59,800 Speaker 1: to watch the latest sequel trailer from just a few 219 00:12:59,840 --> 00:13:03,520 Speaker 1: years ago called Robert Reborn, because it just goes the 220 00:13:03,559 --> 00:13:08,760 Speaker 1: story goes in some crazy directions, is all I'll say. Um. 221 00:13:08,840 --> 00:13:12,679 Speaker 1: So I saw on Culture Crypt their initial m review 222 00:13:12,679 --> 00:13:17,040 Speaker 1: of the first movie Robert. They said that, um that 223 00:13:17,120 --> 00:13:20,800 Speaker 1: the production company responsible has budgets barely bigger than the 224 00:13:20,800 --> 00:13:27,720 Speaker 1: cost of a Chipotle burrito. So unkind but so true. 225 00:13:27,760 --> 00:13:29,959 Speaker 1: It is very clearly low budget. But there. I mean, 226 00:13:30,000 --> 00:13:33,680 Speaker 1: they made these sequels, so somebody's watching this stuff for sure, 227 00:13:34,240 --> 00:13:38,080 Speaker 1: for sure, or at the very at least somebody's financing them. Well, yeah, 228 00:13:38,120 --> 00:13:41,840 Speaker 1: I guess that's true. Uh, big ups to Alison Troutner 229 00:13:42,240 --> 00:13:44,439 Speaker 1: and house works dot com for some help with this, 230 00:13:44,559 --> 00:13:48,360 Speaker 1: along with other great things and Josh's own lived experience. Yeah, 231 00:13:48,600 --> 00:13:50,360 Speaker 1: and if you ever get a chance, go down to 232 00:13:50,440 --> 00:13:53,240 Speaker 1: the Fort East Martella Museum on your way in or 233 00:13:53,280 --> 00:13:57,120 Speaker 1: out of Key West and go visit Robert. And since 234 00:13:57,280 --> 00:14:00,520 Speaker 1: uh we talked everything we could about Robert or done 235 00:14:00,800 --> 00:14:06,000 Speaker 1: and short stuff is that stuff you should know is 236 00:14:06,000 --> 00:14:08,880 Speaker 1: a production of I Heart Radio. For more podcasts My 237 00:14:08,920 --> 00:14:12,200 Speaker 1: Heart Radio, visit the I Heart Radio app, Apple Podcasts, 238 00:14:12,320 --> 00:14:16,800 Speaker 1: or wherever you listen to your favorite shows. H