WEBVTT - The Room with Barbara Gray

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<v Speaker 1>On the beck Dog Cast, the questions asked if movies

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<v Speaker 1>have women in them? Are all their discussions just boyfriends

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<v Speaker 1>and husbands? Do they have individualism? The patriarchy? Zef invest

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<v Speaker 1>start changing it with the beck Del Cast. Oh, welcome

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<v Speaker 1>to the beck Dodcast. I just did a can open

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<v Speaker 1>of Mike's heart that was almost as long as the

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<v Speaker 1>Tommy Wis sex scene. This is the Beckdel Cast. My

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<v Speaker 1>name is Jamie, my name is Caitlin. This is our

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<v Speaker 1>podcast that we have and we released on a weekly basis.

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<v Speaker 1>And we talked about the bridge rail of women in

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<v Speaker 1>movies and maybe you've seen them, maybe you haven't seen them.

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<v Speaker 1>As up to you which ones you listen to? We

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<v Speaker 1>don't know. We're not the police. I think you should

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<v Speaker 1>watch every movie we talk about. We are now your

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<v Speaker 1>new religion. You have to follow us. You have to

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<v Speaker 1>believe everything we say. And that is the Bechtel Cast.

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<v Speaker 1>My therapist is calling right now. Do you need to

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<v Speaker 1>answer the phone. Do I have to tell okay, beer,

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<v Speaker 1>let's pause. No, let's not. Pock let's not I'll be back, Okay,

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<v Speaker 1>I'll I'll just chat for a moment. We have a pocas.

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<v Speaker 1>It's inspired by the Bechtel Test, which is a test

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<v Speaker 1>that requires that movies have at least one scene where

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<v Speaker 1>there are two female characters. They have to talk to

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<v Speaker 1>each other. Those characters have to have names, and their

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<v Speaker 1>conversation has to be about something other than a man. Hey,

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<v Speaker 1>guess what, No movies pass. Not a single one has

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<v Speaker 1>ever passed the Bechtel test. Just kidding, but rarely they do. Anyway, Um,

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<v Speaker 1>Jamie is off talking to her therapist, which means there's

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<v Speaker 1>not much left to do except for me to introduce

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<v Speaker 1>our guest. She's one of the co hosts of the

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<v Speaker 1>Super Great Lady to Lady podcast, Barbara Gray. Hello, Hi Barbara,

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<v Speaker 1>Thank you for so much drama so far, the start

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<v Speaker 1>lemonade opening the therapy for own call. I feel like

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<v Speaker 1>Wizo would be proud of this, right. There's no rhyme

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<v Speaker 1>or reason and it's very complete nonsense. So talk about

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<v Speaker 1>your history with this movie. When did you first see it?

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<v Speaker 1>How many times have you seen it? I first saw it.

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<v Speaker 1>I grew up in Salt Lake City and we're hanging

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<v Speaker 1>out with my friends basement and my friend Bob was like,

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<v Speaker 1>you gotta see this movie. He kind of told us

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<v Speaker 1>about it and this was like this is a while ago.

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<v Speaker 1>I mean like fifth well came out an oh three.

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<v Speaker 1>By the way, we're talking about the room. I don't

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<v Speaker 1>know if that was ever. I guess this was maybe

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<v Speaker 1>like this must have been like two thousand five or

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<v Speaker 1>something there, two thousand and six. So he just shows

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<v Speaker 1>us the flower shop scene. That's all he shows us.

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<v Speaker 1>And then yeah, like the craziest scene of all time,

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<v Speaker 1>the weirdest timing you've ever seen in anything, like Hi,

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<v Speaker 1>you're my favorite customer. But it's just and I was like,

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<v Speaker 1>I need to see all of this immediately. I want

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<v Speaker 1>to see this movie. So we watched all of it.

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<v Speaker 1>So the first time I ever watched it was like

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<v Speaker 1>a basement with my friends. And then when I moved

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<v Speaker 1>to l A, we went to the five year and

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<v Speaker 1>versary screening of it and it was just like a

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<v Speaker 1>magical experience because people were doing all the interactive stuff

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<v Speaker 1>at the perfect time. We just had a really good

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<v Speaker 1>theater and it was all like really fun. And because

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<v Speaker 1>people like throws at you know something, there's so much

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<v Speaker 1>people have written like weird interactive stuff that works really well.

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<v Speaker 1>Like there's a scene the movie, you know, that scene

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<v Speaker 1>where She's like, I'm going to get you drunk, which

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<v Speaker 1>he's obviously never drank before, so he doesn't know what

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<v Speaker 1>alcohol is. So she brings out, no, I don't. Yeah,

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<v Speaker 1>she like brings out two glasses of what looks like

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<v Speaker 1>whiskey and then she puts vodka on top of it,

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<v Speaker 1>and he goes good, Like Eddie gets drunk immediately. It's

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<v Speaker 1>amazing use of symbolism because we're led to believe, oh,

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<v Speaker 1>they're drunk because there's a tie around someone's head. That's

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<v Speaker 1>the simple. And also they drink the entire ball box.

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<v Speaker 1>You would be like having alcohol poison at that point.

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<v Speaker 1>But I love you so much and I have wasted, wasted,

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<v Speaker 1>I love you. Yeah, you have nice flags, you have

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<v Speaker 1>nice pecks. It's weird. But the first time so I

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<v Speaker 1>saw that screening and this guy like stood up in

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<v Speaker 1>a robe and he was like, here's how you make

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<v Speaker 1>a Scotch gun. He had this whole thing. It was

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<v Speaker 1>just this really fun, interactive aspect to it. And I

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<v Speaker 1>have seen it so way too many times, Like I

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<v Speaker 1>hadn't seen it in a while. I watched it last

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<v Speaker 1>night and I was like, oh my god, Like I know,

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<v Speaker 1>I remember too much of this movie. Yeah, but I've

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<v Speaker 1>always let's you know, it's got a special place in

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<v Speaker 1>my heart for sure. Watching it with this intention was different.

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<v Speaker 1>Sure it was. I had to watch it two times.

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<v Speaker 1>I usually only watched it once before that. But it

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<v Speaker 1>was like, you can't. I hadn't seen it in years,

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<v Speaker 1>and so it's like I couldn't just watch it like, oh,

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<v Speaker 1>this time I'm watching the room for its female characters.

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<v Speaker 1>Like I just had to watch it once. Ye, fun,

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<v Speaker 1>and that was great, And then the second time was

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<v Speaker 1>almost like it was a totally different experience. Yeah. Well

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<v Speaker 1>I had never seen this before until a couple of

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<v Speaker 1>days ago, and I have since watched it four times. Yeah,

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<v Speaker 1>that makes me so happy to new record. So I

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<v Speaker 1>watched it once by myself. The next day, Jamie and

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<v Speaker 1>I watched it together. We were drinking cord. Yeah, we

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<v Speaker 1>were in bed. That's the way to do it. It

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<v Speaker 1>was sexy watch it in bed. Then I watched it

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<v Speaker 1>the following day again the Riff Tracks version of it.

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<v Speaker 1>And then I saw it again this morning because I

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<v Speaker 1>keep I'm like, I don't know what this movie is about.

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<v Speaker 1>You just are like what am I what? What? Where

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<v Speaker 1>am I going? I still feel unprepared. And I've watched

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<v Speaker 1>it four times in the past three days. So we

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<v Speaker 1>don't even need to talk about like how terrible it is.

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<v Speaker 1>It's already been discussed on a million different platforms. It's

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<v Speaker 1>going to be very hard to find something to say

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<v Speaker 1>about this movie that has not been said already. That

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<v Speaker 1>is an interesting challenge, but we at the Bechtel cast

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<v Speaker 1>are always challenging ourselves. We're always pushing it. We are wait,

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<v Speaker 1>we are challenged. We have a lot. I don't know.

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<v Speaker 1>I drag a Mike's heart before the episode started about therapist.

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<v Speaker 1>He's man, oh, no, I'm not doing what do not

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<v Speaker 1>show up to something? No, he's a phone therapist. He

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<v Speaker 1>lives inside my phone. And he was like, did you

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<v Speaker 1>go to the pharmacy. I was like no, and he

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<v Speaker 1>was like, well go. I was like, fine, what if

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<v Speaker 1>the character Peter from this movie was your therapist. We

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<v Speaker 1>don't be a psychologist Peter, even though in like two

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<v Speaker 1>seconds ago he was like, give me your opinion as

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<v Speaker 1>a psychologist. Yeah, he there's just no rhyme of reason

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<v Speaker 1>and like it's just everything he writes contradicts itself. Two

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<v Speaker 1>seconds later, so really quick, before I know we should

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<v Speaker 1>try to go into some sort of summary of this movie.

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<v Speaker 1>But I've seen this movie, I would guess six times

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<v Speaker 1>now because I've seen it twice in the past couple

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<v Speaker 1>of days. Is the guy in the flesh tone sweater

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<v Speaker 1>who shows up at the party scene. Is he supposed

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<v Speaker 1>to be He's supposed to be Peter. Yeah, concerned concerned

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<v Speaker 1>white shirt is what we always called him, and he

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<v Speaker 1>he definitely replaced Peter because I don't think Peter could

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<v Speaker 1>show up or something, and so that guy takes the

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<v Speaker 1>role of Peter, being like, you're ruining our circle of

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<v Speaker 1>friends and it's like, who are who are you? I

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<v Speaker 1>just come from absolutely nowhere. I registered with me for

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<v Speaker 1>the first time. On the last viewing I did this

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<v Speaker 1>morning of it. I was like, Oh, he's supposed to

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<v Speaker 1>be the guy that kept looking into the camera that

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<v Speaker 1>I thought was cute. It looks like David Wayne. I

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<v Speaker 1>feel like, David Wayne, you should play him? And I

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<v Speaker 1>don't know he well. We were talking about this when

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<v Speaker 1>we were watching the film in bed together, that that

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<v Speaker 1>guy was the most my type, and then I think

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<v Speaker 1>we decided that the guy who replaces that guy was

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<v Speaker 1>the most yours. I want to make it no one

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<v Speaker 1>in this movie. First of all, they're all what even Mark,

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<v Speaker 1>Mark is a Chode Brownie paper under study. He is

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<v Speaker 1>not rule out Chodes. I mean I wouldn't. I wouldn't

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<v Speaker 1>have any history. Yeah, I would still be a virgin

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<v Speaker 1>if there were. Don't count the sheds out this movie.

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<v Speaker 1>There's too many white people, and therefore none of them

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<v Speaker 1>are my type. Anyway, I guess was always white. I

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<v Speaker 1>honestly think he's an alien stuffed into even the sex scenes.

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<v Speaker 1>It's like there's like things moving under his skin. He's

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<v Speaker 1>literally a mannequin from the body's exhibiting. It's really so bad.

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<v Speaker 1>It's so bizarre. Well, he has such an alien's understanding

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<v Speaker 1>of like what masculinity is, and like, oh, I guess

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<v Speaker 1>men throw footballs around. Yeah, men throw footballs like love

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<v Speaker 1>means roses and chocolate. The chocolate scene is so weird.

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<v Speaker 1>When the two random people show up to make out,

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<v Speaker 1>they're like, they put a full pieces of chocolate like

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<v Speaker 1>a Snicker's bar in their mouth and then they make out.

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<v Speaker 1>Who has ever done that? My favorite part of that

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<v Speaker 1>scene don't judge I did that yesterday. My favorite part

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<v Speaker 1>of that thing is when they're burst in on by

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<v Speaker 1>Lisa and Lisa's mom, and then Liza's mom was like,

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<v Speaker 1>this is weird, this is gross, and then she sits

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<v Speaker 1>in what very well could be I didn't think about that,

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<v Speaker 1>and she's like, oh my god. I all I could

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<v Speaker 1>think of was with the maybe squishy noise that could

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<v Speaker 1>have happened. I want to hear a summer. Are you

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<v Speaker 1>gonna do? I want to hear you try, like, I

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<v Speaker 1>just want to hear what this This might be the

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<v Speaker 1>one that I don't interrupt, just to here we go.

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<v Speaker 1>Caitlin's famous recap The Room is about a man named

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<v Speaker 1>Johnny and his fiance Lisa. So far, so good. They

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<v Speaker 1>live in the room The Room, but also a lot

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<v Speaker 1>of the scenes take place on the roof. So I'm

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<v Speaker 1>waiting for a sequel called the Room. Oh my god, Yeah,

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<v Speaker 1>we should see what's happening on the roof during what's happening? Please? Yeah,

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<v Speaker 1>the roof is the roof of the room, right, Yes,

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<v Speaker 1>I guess they were living in an apartment building. Even

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<v Speaker 1>though they are always going directly outside, they're never going

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<v Speaker 1>into it. I mean it's not out of the question,

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<v Speaker 1>but they're always coming. They're always either in the room,

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<v Speaker 1>or emerging from a little shed on top of the roof,

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<v Speaker 1>the roof, weird aluminum shed that they all have to

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<v Speaker 1>like duck. If you're searching for logic or continuity, you

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<v Speaker 1>won't find it in this movie. Okay, but sorry, sorry.

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<v Speaker 1>So these two people have been in a relationship for

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<v Speaker 1>seven years between five and seven. This actress who plays

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<v Speaker 1>Lisa is twenty three when this movie is released, which

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<v Speaker 1>means crunch the number she's born in December was like,

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<v Speaker 1>when this movie is released, he's dating a literal child.

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<v Speaker 1>It's not good. They're in a relationship and they're engaged.

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<v Speaker 1>She's his future wife, is said in the movie eight thousands.

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<v Speaker 1>So they have sex is one of the first things.

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<v Speaker 1>And then in case you forget, they have the exact

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<v Speaker 1>they take the same footage from the same sex as

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<v Speaker 1>put it later. But even though they seem to be

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<v Speaker 1>in love, shortly after the first time they have sex,

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<v Speaker 1>Lisa talks to her mom and she's like, I don't

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<v Speaker 1>love him anymore. That was more life than you put

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<v Speaker 1>into that reading of that line. And her mom, Claudette,

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<v Speaker 1>is like, Johnny is good for you your financial security. Meanwhile,

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<v Speaker 1>she's calling this guy Mark who is Johnny's best friend. Again,

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<v Speaker 1>we only know this because it said in the movie Times.

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<v Speaker 1>But she has apparently been having this affair with Mark,

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<v Speaker 1>so she loves Mark and she doesn't love Johnny anymore.

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<v Speaker 1>But Johnny is busy. I'm not Johnny, Sorry, Mark busy,

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<v Speaker 1>I'm really busy right now. And then they also have

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<v Speaker 1>a little boy, flash college student thirty years old. His

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<v Speaker 1>name is Denny. Denny. He comes over and what likes

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<v Speaker 1>to watch them have pillow fights. Yeah, he's in love

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<v Speaker 1>with Lisa. He's in love with Lisa, but he also

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<v Speaker 1>has a girlfriend who he mentions and he's like, yeah,

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<v Speaker 1>I can't wait to marry her. Enough kids with her.

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<v Speaker 1>That's the idea any relationship. This premise of her not

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<v Speaker 1>being in love with Johnny anymore and instead of being

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<v Speaker 1>in love with Mark repeats itself for about forty five

0:12:22.880 --> 0:12:28.600
<v Speaker 1>minutes in a in a bunch of different vaudeville right.

0:12:28.720 --> 0:12:33.200
<v Speaker 1>Sometimes these scenes are punctuated by men tossing a football

0:12:33.480 --> 0:12:36.440
<v Speaker 1>around or going to a flower shop. From what I

0:12:36.480 --> 0:12:38.280
<v Speaker 1>can tell, there is not a scene that takes place

0:12:38.280 --> 0:12:40.080
<v Speaker 1>on the roof where there is not a man with

0:12:40.240 --> 0:12:43.920
<v Speaker 1>a sports ball, because the first when we see Denny

0:12:44.000 --> 0:12:46.160
<v Speaker 1>on the roof and he's in trouble with the guy

0:12:46.200 --> 0:12:51.880
<v Speaker 1>in the tank top and the beanie which Chris name

0:12:52.040 --> 0:12:57.680
<v Speaker 1>official name Chris R. Chris R has a money and

0:12:57.720 --> 0:13:02.880
<v Speaker 1>then that really protracted scene between Claudet and and any

0:13:02.920 --> 0:13:06.240
<v Speaker 1>of like what kind of money Danny, And he's like,

0:13:06.520 --> 0:13:08.800
<v Speaker 1>I don't know, it doesn't matter, and then they're like

0:13:08.880 --> 0:13:11.320
<v Speaker 1>what kind of money? What kind? That's like, what are

0:13:11.320 --> 0:13:15.480
<v Speaker 1>you talking about? But you would be American dollars? But

0:13:15.720 --> 0:13:18.280
<v Speaker 1>less we forget at the beginning of this seed, before

0:13:18.360 --> 0:13:23.720
<v Speaker 1>Chris R. Enters with his gun and his body, Um,

0:13:23.880 --> 0:13:28.360
<v Speaker 1>Danny is on the roof alone dribbling a basketball, right,

0:13:28.480 --> 0:13:30.400
<v Speaker 1>and then later Mark's got the football. Yeah, you're right,

0:13:30.440 --> 0:13:32.800
<v Speaker 1>I think every single time. But I think when Mark

0:13:32.840 --> 0:13:37.839
<v Speaker 1>and Peter up there, it's just a joint Prop and Peter.

0:13:38.080 --> 0:13:42.439
<v Speaker 1>We chance out of Mark. But that's neither here nor

0:13:42.520 --> 0:13:47.000
<v Speaker 1>their love. Peter he's the only one who is not

0:13:47.200 --> 0:13:50.320
<v Speaker 1>because of his very tiny glasses. He's not like the

0:13:50.360 --> 0:13:54.880
<v Speaker 1>other guys. Hall like, I leave him alone, Okay, leave

0:13:54.880 --> 0:13:57.360
<v Speaker 1>Peter out of this. There is that great one in

0:13:57.440 --> 0:14:01.000
<v Speaker 1>the first part where Tommy and Peter are king. Peter

0:14:01.120 --> 0:14:03.400
<v Speaker 1>is such a bad actor. You know, Tommy is like

0:14:03.679 --> 0:14:08.600
<v Speaker 1>Lisa's cheating on me, and Peters like Lisa, and the

0:14:08.600 --> 0:14:10.719
<v Speaker 1>implication is supposed to be but Lisa is such a

0:14:10.760 --> 0:14:13.319
<v Speaker 1>good person. But with the way Peter says, it just

0:14:13.360 --> 0:14:16.199
<v Speaker 1>sounds like Lisa. Does someone else want to fuck Lisa?

0:14:16.960 --> 0:14:20.200
<v Speaker 1>Like the whole time, like you just like her? Could

0:14:20.240 --> 0:14:23.960
<v Speaker 1>he keep? Yeah? Where I was like, I don't know,

0:14:24.080 --> 0:14:27.840
<v Speaker 1>she is cheating on me with my and then it

0:14:27.880 --> 0:14:31.040
<v Speaker 1>cuts back to Peter again He's like, wait, Lisa, really,

0:14:31.880 --> 0:14:33.720
<v Speaker 1>I was like, Okay, we get it. You don't think

0:14:33.760 --> 0:14:40.440
<v Speaker 1>Lisa's egg exact exactly, but everyone else thinks Lisa's hot

0:14:40.480 --> 0:14:43.840
<v Speaker 1>because it's again said in the movie four times. Also,

0:14:43.880 --> 0:14:47.080
<v Speaker 1>if you're having a hard time following this recap, don't worry.

0:14:47.280 --> 0:14:50.240
<v Speaker 1>The movie is also impossible to follow. There's one of

0:14:50.240 --> 0:14:51.920
<v Speaker 1>my favorite parts I like seeing it live was that

0:14:51.960 --> 0:14:54.280
<v Speaker 1>there is a I can't remember what scene exactly it's after,

0:14:54.800 --> 0:14:59.560
<v Speaker 1>but there is about twenty minutes where absolutely no new

0:14:59.560 --> 0:15:02.280
<v Speaker 1>ine for me is given. It's when him and Mark

0:15:02.320 --> 0:15:04.440
<v Speaker 1>are playing football and and like there's a scene with

0:15:04.440 --> 0:15:06.120
<v Speaker 1>the mom again. And that was the part they called

0:15:06.120 --> 0:15:07.560
<v Speaker 1>the seventh thing and stretch where they were like, go

0:15:07.600 --> 0:15:09.960
<v Speaker 1>have a cigarette break, go to the bathroom. You will

0:15:10.000 --> 0:15:13.200
<v Speaker 1>find out nothing new for the next twenty minutes or

0:15:13.280 --> 0:15:16.080
<v Speaker 1>just like hang out, and then we finally get to

0:15:16.080 --> 0:15:17.920
<v Speaker 1>the birthday party that they've been talking about for like

0:15:18.080 --> 0:15:21.520
<v Speaker 1>the entire right, Okay, So yeah, so here's what happens. Basically,

0:15:22.040 --> 0:15:26.480
<v Speaker 1>she's cheating on Johnny with Mark. Johnny overhears her talking

0:15:26.480 --> 0:15:28.960
<v Speaker 1>about this with her mother. Lisa's like, I'm in love

0:15:29.000 --> 0:15:30.880
<v Speaker 1>with Mark and I had sex with him. So he's

0:15:30.920 --> 0:15:33.400
<v Speaker 1>also Lisa starts talking about Johnny hitting her. She starts

0:15:33.440 --> 0:15:36.600
<v Speaker 1>making her store, but then he does push her, and

0:15:36.600 --> 0:15:38.400
<v Speaker 1>then it's like, well, I guess this has become a

0:15:38.440 --> 0:15:43.120
<v Speaker 1>non issue. She was capable. But then she also makes up.

0:15:43.200 --> 0:15:46.000
<v Speaker 1>She tells him that she was pregnant, and she's like,

0:15:46.040 --> 0:15:48.120
<v Speaker 1>I just made that up to make things more interesting.

0:15:48.720 --> 0:15:52.320
<v Speaker 1>This this batoine never comes back, not even as spoiler

0:15:52.440 --> 0:15:55.480
<v Speaker 1>in the end, or Johnny kills himself, never knowing if

0:15:55.520 --> 0:15:59.360
<v Speaker 1>his girlfriend's actually pregnant or not. Right right there, So

0:15:59.840 --> 0:16:03.640
<v Speaker 1>he overhears Lisa being like, I'm I had sex with Mark,

0:16:04.040 --> 0:16:07.120
<v Speaker 1>and Johnny's like, well, okay, and then he taps his

0:16:07.160 --> 0:16:11.760
<v Speaker 1>own phone. Yeah, I'll recall everything, and then later on

0:16:12.400 --> 0:16:16.240
<v Speaker 1>the party has happened. He sees them canoodling, Like Johnny

0:16:16.240 --> 0:16:20.520
<v Speaker 1>sees Mark and Lisa. Yeah, they're like making out and

0:16:20.560 --> 0:16:24.520
<v Speaker 1>then he and Mark fight a couple of times. Everyone

0:16:24.640 --> 0:16:28.720
<v Speaker 1>leaves and Johnny's locked himself in the bathroom and Lisa

0:16:28.760 --> 0:16:31.400
<v Speaker 1>calls Mark and she's like, I love you, I can't

0:16:31.480 --> 0:16:35.520
<v Speaker 1>just bitch. Oh yeah, He's like calling a bitch you

0:16:35.600 --> 0:16:40.640
<v Speaker 1>and your stupid mother, and she's like oh, And Mark

0:16:40.720 --> 0:16:42.720
<v Speaker 1>takes a total turn and he's not Johnny for anymore.

0:16:42.720 --> 0:16:46.000
<v Speaker 1>He's like, why don't you leave that looser creep? That

0:16:46.120 --> 0:16:50.600
<v Speaker 1>crevations are so weird. My favorite part of Johnny setting

0:16:50.680 --> 0:16:53.400
<v Speaker 1>up that whole tape recorder in that protracted scene that

0:16:53.600 --> 0:16:56.360
<v Speaker 1>was for some reason not edited at all where he's

0:16:56.360 --> 0:16:59.000
<v Speaker 1>making weird kissy face as while setting up a tape

0:16:59.000 --> 0:17:02.080
<v Speaker 1>recorder in two thousand and three were taper like we're

0:17:02.120 --> 0:17:06.359
<v Speaker 1>also read anyways, he sets that up, but what is

0:17:06.359 --> 0:17:10.680
<v Speaker 1>he hoping to discover that hasn't just been stated that?

0:17:10.800 --> 0:17:12.719
<v Speaker 1>She was like, I'm cheating on you, and he's a

0:17:12.720 --> 0:17:14.640
<v Speaker 1>proof of like a murder, Like you could just say,

0:17:15.000 --> 0:17:18.760
<v Speaker 1>I heard you said you're cheating on me, Like and

0:17:18.840 --> 0:17:21.040
<v Speaker 1>now I'm going to set something up so I find

0:17:21.040 --> 0:17:23.199
<v Speaker 1>out if she's cheating. I was like, you just already

0:17:24.200 --> 0:17:26.160
<v Speaker 1>at the end, and this is like a fun part

0:17:26.160 --> 0:17:28.879
<v Speaker 1>of the riff tracks too. He sneaks back up the

0:17:29.000 --> 0:17:32.679
<v Speaker 1>stairs when he knows snow one is there. Well. He

0:17:32.720 --> 0:17:35.119
<v Speaker 1>also takes out the tape after like weeks of it

0:17:35.240 --> 0:17:41.000
<v Speaker 1>being recorded on one like this. This audio cassette automatically

0:17:41.240 --> 0:17:44.399
<v Speaker 1>fast forwards to the pertinent parts. Also, it's capable of

0:17:44.400 --> 0:17:47.040
<v Speaker 1>recording hundreds of hours of us. I mean, it knows

0:17:47.119 --> 0:17:51.639
<v Speaker 1>there's there's a I at work here. Let's bring into it.

0:17:52.400 --> 0:17:55.680
<v Speaker 1>Let's bring him And where where is he? I know

0:17:55.760 --> 0:18:02.520
<v Speaker 1>where story He's a near right now. Well, we'll be

0:18:02.520 --> 0:18:05.399
<v Speaker 1>there soon. We can hang out with him. He he

0:18:05.480 --> 0:18:07.080
<v Speaker 1>wants nothing to do with me. I just have to

0:18:07.119 --> 0:18:11.080
<v Speaker 1>accept it. Have you tried to contact him? Oh? Yes,

0:18:11.520 --> 0:18:13.840
<v Speaker 1>oh man. And at this point it's like, you have

0:18:14.000 --> 0:18:17.040
<v Speaker 1>very strange taste. I really love Haley Dog. You're like

0:18:17.119 --> 0:18:22.080
<v Speaker 1>Tommy Uzzo and he's Lisa. He's successible. If I feel

0:18:22.119 --> 0:18:24.520
<v Speaker 1>like you could find Peter pretty easily from the movie,

0:18:24.560 --> 0:18:27.359
<v Speaker 1>Peter's hundred percent around. I found recent pictures of him

0:18:27.400 --> 0:18:31.280
<v Speaker 1>and he looks the same. Oh good, well anyways, so

0:18:31.400 --> 0:18:35.960
<v Speaker 1>basically he lets press on. Johnny records this conversation where

0:18:36.040 --> 0:18:38.359
<v Speaker 1>Lisa calls Mark and it's like I love you and

0:18:38.440 --> 0:18:41.720
<v Speaker 1>Johnny sucks, and then he has this recording and then

0:18:41.720 --> 0:18:45.000
<v Speaker 1>he freaks out. He trashes a room. Lisa's like, I'm

0:18:45.080 --> 0:18:50.520
<v Speaker 1>leaving you. She leaves, Johnny kills himself. He sucks, he

0:18:50.600 --> 0:18:57.720
<v Speaker 1>humps her dress and then he and then he shoots

0:18:57.760 --> 0:19:01.480
<v Speaker 1>himself in the head. Mark, Lisa and Denny I'll come back.

0:19:01.520 --> 0:19:04.919
<v Speaker 1>They're like, is he asleep? Wake up? Wait? Is hest upset?

0:19:04.960 --> 0:19:08.639
<v Speaker 1>That like not the whole cast of the movie, because

0:19:08.640 --> 0:19:10.880
<v Speaker 1>like Claude to come in and just be like, what's

0:19:10.880 --> 0:19:16.600
<v Speaker 1>going on here? Like Claudette, she might be my favorite character. Yeah,

0:19:16.600 --> 0:19:21.159
<v Speaker 1>and that's the story. Uh, that was pretty concise. I know.

0:19:21.240 --> 0:19:22.800
<v Speaker 1>It feels like we spoiled the n by saying he

0:19:22.880 --> 0:19:24.679
<v Speaker 1>kills himself, But I forget every time I watch it

0:19:24.720 --> 0:19:26.720
<v Speaker 1>that that's what happens, because there's just so much. It

0:19:26.800 --> 0:19:29.040
<v Speaker 1>has almost no bearer. You did too when we were

0:19:29.080 --> 0:19:32.320
<v Speaker 1>watching it and you're like like two years and I

0:19:32.359 --> 0:19:33.760
<v Speaker 1>was I was like, oh, yeah, that is how it

0:19:34.480 --> 0:19:37.600
<v Speaker 1>well because it has no consequences. Then, like I guess

0:19:37.840 --> 0:19:42.600
<v Speaker 1>Mark is like, well, I don't actually, but that has

0:19:42.760 --> 0:19:45.879
<v Speaker 1>I mean, not that anyone's emotionally engaged with this story,

0:19:45.920 --> 0:19:48.959
<v Speaker 1>but like no one gives a funk that Mark takes

0:19:49.359 --> 0:19:53.080
<v Speaker 1>no responsibility at any point, Like it's it's so funny

0:19:53.119 --> 0:19:55.639
<v Speaker 1>how every point like after he and Lisa funk for

0:19:55.680 --> 0:19:58.479
<v Speaker 1>what we understand it's happened before. And then he's just like,

0:19:58.520 --> 0:20:01.800
<v Speaker 1>I can't believe that happened, And I was just like, you,

0:20:02.119 --> 0:20:08.640
<v Speaker 1>you're fucking his best friend. You willingly participated first of all, Marcus,

0:20:08.760 --> 0:20:11.160
<v Speaker 1>I got I got in there, I got mixed up,

0:20:12.080 --> 0:20:14.320
<v Speaker 1>but it was like it was like she he's acting

0:20:14.359 --> 0:20:16.359
<v Speaker 1>at every point where I was just like Lisa just

0:20:16.440 --> 0:20:19.240
<v Speaker 1>like tripped and fell on his deck, and he's just like,

0:20:19.280 --> 0:20:21.560
<v Speaker 1>I don't understand how this happened. Well, she's like she

0:20:21.640 --> 0:20:24.520
<v Speaker 1>seduces him like fourteen different times, and each time he's like,

0:20:24.640 --> 0:20:27.680
<v Speaker 1>what's going on. He's like, have you I don't even

0:20:27.680 --> 0:20:29.320
<v Speaker 1>know if he's a misogynist, he might just be dumb

0:20:29.320 --> 0:20:33.080
<v Speaker 1>as rocks. He's very stupid. He's very stupid. Everyone they're

0:20:33.080 --> 0:20:36.320
<v Speaker 1>all very stupid. And let's use this as an opportunity

0:20:36.520 --> 0:20:41.280
<v Speaker 1>to transition into the conversation about women. So we have

0:20:41.440 --> 0:20:47.200
<v Speaker 1>like three three Lisa the main character. We'll get into her,

0:20:47.760 --> 0:20:53.240
<v Speaker 1>then her mother Claudette, and her Michelle. I also like

0:20:53.359 --> 0:20:57.800
<v Speaker 1>a lot well Michelle. Michelle's like the best actress in

0:20:57.840 --> 0:21:01.119
<v Speaker 1>the entire Yes, yes, that's it. That is true. That

0:21:01.160 --> 0:21:03.840
<v Speaker 1>factors into it. Yeah, maybe it's just because she has

0:21:04.080 --> 0:21:06.840
<v Speaker 1>so little screen time. We don't, right, She's up against

0:21:06.920 --> 0:21:12.679
<v Speaker 1>a lot that has been said below a surface level.

0:21:13.840 --> 0:21:16.440
<v Speaker 1>So she does fine. Right, But if we're just sort

0:21:16.480 --> 0:21:20.200
<v Speaker 1>of giving an overview of these characters, Lisa is like,

0:21:20.960 --> 0:21:24.040
<v Speaker 1>I mean, Lisa's probably like so they call her a

0:21:24.080 --> 0:21:28.200
<v Speaker 1>sociopath in it, yes, but her character arc makes no sense.

0:21:28.960 --> 0:21:33.719
<v Speaker 1>I guess she's like she's actively right exactly. So, I mean, again,

0:21:34.040 --> 0:21:36.639
<v Speaker 1>this is like a crazy movie to talk about because

0:21:37.040 --> 0:21:40.320
<v Speaker 1>usually we're discussing movies that have like gone through a

0:21:40.359 --> 0:21:44.680
<v Speaker 1>couple of drafts. They've attempted like a full character for her.

0:21:45.000 --> 0:21:47.960
<v Speaker 1>Draft of this movie was a six hundred page book.

0:21:49.720 --> 0:21:51.960
<v Speaker 1>I'm not surprised because he doesn't cut. I don't think

0:21:51.960 --> 0:21:55.040
<v Speaker 1>he cuts anything. The deleted scenes on the DVD are

0:21:55.160 --> 0:21:57.600
<v Speaker 1>just the same scenes that were shot somewhere else, So

0:21:57.640 --> 0:22:01.080
<v Speaker 1>he did not anybody was shot in thirty five millimeter

0:22:01.200 --> 0:22:04.399
<v Speaker 1>and digital digital at the same time, cameras next to

0:22:04.440 --> 0:22:08.119
<v Speaker 1>each other, and there are some shots where apparently neither

0:22:08.200 --> 0:22:13.560
<v Speaker 1>of the shots are focused being turned in. It's a boy.

0:22:14.080 --> 0:22:18.600
<v Speaker 1>So Lisa is, yeah, I suppose a sociopath, even though

0:22:18.640 --> 0:22:21.760
<v Speaker 1>it just sort of seems like she doesn't love Johnny

0:22:21.760 --> 0:22:25.040
<v Speaker 1>anymore and she'd rather be with Mark, but she's manipulating

0:22:25.440 --> 0:22:29.560
<v Speaker 1>definitely Johnny. But either way, her character is poised. Is

0:22:29.560 --> 0:22:32.679
<v Speaker 1>this like very she's bored and she's just trying to

0:22:32.840 --> 0:22:35.080
<v Speaker 1>mix it up, I mean, and she would be bored

0:22:35.080 --> 0:22:37.399
<v Speaker 1>because she we never see her outside of that house.

0:22:37.480 --> 0:22:40.040
<v Speaker 1>Literally the only information we get about her outside world

0:22:40.119 --> 0:22:43.480
<v Speaker 1>is that she says, you're right, the computer business is tough,

0:22:43.720 --> 0:22:46.680
<v Speaker 1>and that's what apparently her job is trying to get.

0:22:46.840 --> 0:22:49.919
<v Speaker 1>She's trying to break into the computer business because she's like,

0:22:50.000 --> 0:22:52.960
<v Speaker 1>I didn't talk to anybody today, Like, yeah, she's very isolated,

0:22:53.320 --> 0:22:56.680
<v Speaker 1>and Denny and Johnny are like her, only Denny. Did

0:22:56.680 --> 0:23:01.240
<v Speaker 1>They find Denny just like masturbating in a librari somewhere

0:23:01.400 --> 0:23:06.960
<v Speaker 1>and they're just like, you're aiming and he's like, I'm fourteen,

0:23:07.040 --> 0:23:09.640
<v Speaker 1>but he's clearly like twenty eight she's like, oh, yeah,

0:23:09.720 --> 0:23:11.639
<v Speaker 1>you just got the little penis haircut that goes a

0:23:11.680 --> 0:23:15.920
<v Speaker 1>long way down the middle in the middle like old

0:23:15.920 --> 0:23:21.040
<v Speaker 1>school JT two the point I'm trying to middle. It's

0:23:21.080 --> 0:23:24.200
<v Speaker 1>a big old middle part. Yeah. All of the female

0:23:24.240 --> 0:23:28.399
<v Speaker 1>characters are either so like Lisa, she's selfish, she's a freeloader.

0:23:28.440 --> 0:23:31.400
<v Speaker 1>She's callous with people's feelings. She's very conniving and scheming,

0:23:31.440 --> 0:23:37.120
<v Speaker 1>she's manipulating everyone. Meanwhile, her mom is like controlling, she's overbearing,

0:23:37.359 --> 0:23:42.000
<v Speaker 1>she's judgmental. And then Michelle again like doesn't really have

0:23:42.200 --> 0:23:44.600
<v Speaker 1>a personality. She sort of is. She also doesn't come

0:23:44.640 --> 0:23:47.560
<v Speaker 1>into like kind of right, and she has like three

0:23:47.960 --> 0:23:51.960
<v Speaker 1>scenes only handful of lines, like she's trying to handle

0:23:52.000 --> 0:23:54.640
<v Speaker 1>the she's trying to be like Lisa. What. Yeah, she's

0:23:54.680 --> 0:23:56.760
<v Speaker 1>kind of the moral center for She's like but she

0:23:56.880 --> 0:24:00.400
<v Speaker 1>also fluctuates in the space of one scene where Lisa's

0:24:00.480 --> 0:24:03.400
<v Speaker 1>he's hitting me, and then two seconds later she's like, oh,

0:24:03.480 --> 0:24:06.960
<v Speaker 1>but no, you can't break his heart, and it's like, Michell,

0:24:07.760 --> 0:24:10.400
<v Speaker 1>she just said even though it wasn't true until it

0:24:10.520 --> 0:24:13.320
<v Speaker 1>was later, and then I mean, your friend just said

0:24:13.400 --> 0:24:16.399
<v Speaker 1>that her fiance's hitting right, He's like but you Ke's

0:24:16.440 --> 0:24:20.520
<v Speaker 1>so excited for the wedding. It's like, man, everyone sucks

0:24:19.880 --> 0:24:25.600
<v Speaker 1>every Yeah, that's basically the everyone sucks is that everyone? Yeah,

0:24:25.640 --> 0:24:28.000
<v Speaker 1>the men and the women. But the women are poised

0:24:28.080 --> 0:24:34.240
<v Speaker 1>as these evil succubis, controlling, manipulative beings, which is pretty

0:24:34.240 --> 0:24:39.400
<v Speaker 1>clearly how Tommy women who broke his heart. I want

0:24:39.400 --> 0:24:42.119
<v Speaker 1>to meet her. Oh my god, who this could have

0:24:42.160 --> 0:24:44.520
<v Speaker 1>been in the Victorian era, because no one knows how

0:24:44.520 --> 0:24:48.320
<v Speaker 1>old he is. Yeah, he's very mysterious figure what he knows,

0:24:48.320 --> 0:24:50.360
<v Speaker 1>where he's from. It turns out the birthday I turned

0:24:50.440 --> 0:24:53.880
<v Speaker 1>up for him is strictly speculative. He won't tell anyone else.

0:24:55.560 --> 0:24:59.160
<v Speaker 1>The one I found on Wikipedia apparently is like not confirmed.

0:24:59.320 --> 0:25:02.399
<v Speaker 1>It's this speculated. If I had to in this movie

0:25:02.560 --> 0:25:04.440
<v Speaker 1>looking at him, if I had to guess, I would

0:25:04.440 --> 0:25:09.240
<v Speaker 1>say he's fifty two. But he looks this exactly the same. Now, Yeah,

0:25:09.480 --> 0:25:12.400
<v Speaker 1>an alien. I do think he's name. I think honestly,

0:25:12.440 --> 0:25:16.000
<v Speaker 1>he might just be like a bunch of sentience, like

0:25:16.080 --> 0:25:20.119
<v Speaker 1>sewn together chicken cutlets. Yeah, it just snakes stuff into

0:25:20.359 --> 0:25:25.719
<v Speaker 1>people's We're doing an episode I think pretty soon of

0:25:25.800 --> 0:25:28.880
<v Speaker 1>Men in Black. I think he's like like a little

0:25:28.960 --> 0:25:33.080
<v Speaker 1>alien creature. He's like operating a giant what they think

0:25:33.200 --> 0:25:35.320
<v Speaker 1>is a human god. That would be so if he

0:25:35.400 --> 0:25:37.280
<v Speaker 1>showed up in a Men in Black like sequel, that

0:25:37.280 --> 0:25:42.240
<v Speaker 1>would be so funny. Will Smith get on that? Yeah, Basically,

0:25:42.400 --> 0:25:46.679
<v Speaker 1>Tommy does not see women as good people, nice people,

0:25:46.760 --> 0:25:50.320
<v Speaker 1>maybe not even people. He definitely sees himself as very perfect.

0:25:50.480 --> 0:25:54.280
<v Speaker 1>Like it's like I'm a provider and he's the victim

0:25:54.359 --> 0:25:57.880
<v Speaker 1>of this scheme and he's like he has all these things,

0:25:57.920 --> 0:26:01.919
<v Speaker 1>just like I'm an incredible lover. Like he's like, I

0:26:01.960 --> 0:26:04.200
<v Speaker 1>love I love you Danny. I want to adopt Danny.

0:26:04.240 --> 0:26:07.000
<v Speaker 1>You know. He's always trying to give these weird speeches

0:26:07.040 --> 0:26:09.400
<v Speaker 1>about how like how if everybody just loved each other

0:26:09.520 --> 0:26:12.719
<v Speaker 1>the world would be a better place that. And then

0:26:12.760 --> 0:26:15.879
<v Speaker 1>there's a scene between um Lisa and her mom where

0:26:16.240 --> 0:26:19.560
<v Speaker 1>for the first few beats of that, Lisa's like, oh,

0:26:19.840 --> 0:26:22.080
<v Speaker 1>Johnny hit me, and I don't love him anymore and

0:26:22.119 --> 0:26:25.280
<v Speaker 1>he's boring and I hate him. And then Danny shows

0:26:25.359 --> 0:26:27.919
<v Speaker 1>up and her mom's like, what's this kid's deal? And

0:26:27.960 --> 0:26:31.040
<v Speaker 1>then Lisa like does a complete one eighteen and she's like,

0:26:31.800 --> 0:26:34.680
<v Speaker 1>Johnny is so generous and he's paying for his college

0:26:34.680 --> 0:26:38.280
<v Speaker 1>tuition and he's a really caring person. Why why Like

0:26:38.760 --> 0:26:41.520
<v Speaker 1>there's no consistency, of course there's not in this movie.

0:26:41.640 --> 0:26:44.320
<v Speaker 1>But Tommy is always like my character is the best

0:26:44.440 --> 0:26:50.840
<v Speaker 1>because I I'm the best gay. There's a bunch of

0:26:51.080 --> 0:26:54.320
<v Speaker 1>lines that I wrote down, Like when Lisa's doing her

0:26:54.400 --> 0:26:58.240
<v Speaker 1>weird whatever it is she's doing, there's like several times

0:26:58.240 --> 0:27:01.440
<v Speaker 1>where she makes these broad statements of all women. Meanwhile,

0:27:01.480 --> 0:27:04.360
<v Speaker 1>every time Marcus ownscreeny is like, I don't understand when

0:27:04.880 --> 0:27:08.760
<v Speaker 1>they're so confusing and women are dress I'm so busy.

0:27:08.960 --> 0:27:11.159
<v Speaker 1>What does he say? He's like, they're either psychos out there.

0:27:11.160 --> 0:27:15.520
<v Speaker 1>I wrote it. I just can't figure women out. Sometimes

0:27:15.520 --> 0:27:19.000
<v Speaker 1>they're too smart, sometimes they're just flat out stupid. Other

0:27:19.080 --> 0:27:22.480
<v Speaker 1>times they're dressed evil, which is just like, oh, this

0:27:22.600 --> 0:27:25.320
<v Speaker 1>is just a thesis statement of how Tommy was so

0:27:26.600 --> 0:27:30.000
<v Speaker 1>understands women. And then later on Lisa when she's having

0:27:30.040 --> 0:27:34.080
<v Speaker 1>her crazy moments, you know, Tommy comes in when Michelle

0:27:34.680 --> 0:27:37.480
<v Speaker 1>is you know, they're drinking wine and their wax fruit

0:27:37.720 --> 0:27:40.440
<v Speaker 1>is on the table and they have like an above

0:27:40.680 --> 0:27:43.440
<v Speaker 1>they have a shot from like teetering above them like

0:27:43.440 --> 0:27:47.280
<v Speaker 1>this in the fucking war room, and Michelle's like, poison

0:27:47.359 --> 0:27:51.160
<v Speaker 1>this weird thing, and Tommy comes into what secrets are

0:27:51.160 --> 0:27:54.600
<v Speaker 1>you thinking about? And then Lisa's like, it's between us

0:27:54.720 --> 0:27:59.400
<v Speaker 1>women like these like it's girl secrets. Yeah, it's girl talk.

0:27:59.520 --> 0:28:01.879
<v Speaker 1>I just told you that. And then what do you

0:28:01.920 --> 0:28:06.159
<v Speaker 1>think women change their minds all the time? It's just

0:28:06.200 --> 0:28:11.520
<v Speaker 1>like and then then I guess I also wrote down

0:28:12.160 --> 0:28:14.760
<v Speaker 1>how people view women or how like whenever someone's like,

0:28:14.840 --> 0:28:20.919
<v Speaker 1>this is how women are, right, it happens eight thousand times.

0:28:20.960 --> 0:28:23.439
<v Speaker 1>One of the first times it happens is where Lisa

0:28:23.800 --> 0:28:26.800
<v Speaker 1>is talking about her mom, I think to Mark and

0:28:26.880 --> 0:28:29.080
<v Speaker 1>she's like, she's a stupid bitch and she wants to

0:28:29.080 --> 0:28:32.840
<v Speaker 1>control my life. And then Johnny and Peter, and then

0:28:32.920 --> 0:28:35.560
<v Speaker 1>later Mark comes into the scene. But Johnny is like,

0:28:36.119 --> 0:28:40.280
<v Speaker 1>I don't understand women, do you, Peter? And then Peter says,

0:28:40.320 --> 0:28:46.400
<v Speaker 1>what man does in my professional opinion and my professional

0:28:46.400 --> 0:28:52.320
<v Speaker 1>opinion as a trained psychologist, what man? And then Johnny says,

0:28:52.600 --> 0:28:55.480
<v Speaker 1>they never say what they mean and they always play games.

0:28:55.880 --> 0:28:59.640
<v Speaker 1>And then Mark shows up. And then Mark and he

0:28:59.720 --> 0:29:03.920
<v Speaker 1>was like, women are confused. Women confused me? And then

0:29:03.920 --> 0:29:05.840
<v Speaker 1>he sort of mentions that he has a woman, and

0:29:05.920 --> 0:29:08.320
<v Speaker 1>Johnny wants to meet her, and then Mark's like, no,

0:29:08.480 --> 0:29:11.760
<v Speaker 1>it's an awkward situation. Johnny says, do you mean she's

0:29:11.760 --> 0:29:14.040
<v Speaker 1>too old? Or you think I would take her away

0:29:14.040 --> 0:29:19.720
<v Speaker 1>from you? The only two options that a woman, A

0:29:20.000 --> 0:29:24.360
<v Speaker 1>living gargoyle was like, is she do all? That's a

0:29:24.480 --> 0:29:27.440
<v Speaker 1>perfect Like, yeah, that that's all women can be to me.

0:29:27.640 --> 0:29:29.800
<v Speaker 1>They're too old or I have to have the chance

0:29:29.840 --> 0:29:33.640
<v Speaker 1>to steal them. But I love that. Okay. So it

0:29:33.760 --> 0:29:38.520
<v Speaker 1>is repeatedly vaguely referenced that Johnny works at a bank, right,

0:29:39.000 --> 0:29:42.280
<v Speaker 1>and I think he works as a gargoyle on this

0:29:42.360 --> 0:29:47.840
<v Speaker 1>side of Oh my God, he's totally a gargoyle and

0:29:47.880 --> 0:29:52.520
<v Speaker 1>he just crawls out of the third story when because

0:29:52.560 --> 0:29:54.240
<v Speaker 1>he says, there's a part where they're like, oh, did

0:29:54.280 --> 0:29:56.440
<v Speaker 1>you get the promotion? He's like, no, but they've already

0:29:56.480 --> 0:29:59.760
<v Speaker 1>put my ideas into practice. So it probably means like, yeah,

0:30:00.080 --> 0:30:02.080
<v Speaker 1>I came up with ideas to get the pigeons away

0:30:02.120 --> 0:30:10.400
<v Speaker 1>from from the bank from crawling after. How would you

0:30:10.520 --> 0:30:15.000
<v Speaker 1>promote a guard I don't know, but a garboil in

0:30:15.040 --> 0:30:19.840
<v Speaker 1>a tie, now that's fuckable. That's amazing, especially if the

0:30:19.960 --> 0:30:23.280
<v Speaker 1>tie ends up on the hell ladies head. You have

0:30:23.400 --> 0:30:27.120
<v Speaker 1>great legs, you have great pigs. I love that scene

0:30:27.240 --> 0:30:29.640
<v Speaker 1>where they're where all the guys are talking about women

0:30:29.760 --> 0:30:32.120
<v Speaker 1>is one of my favorites because they are like, how

0:30:32.120 --> 0:30:35.960
<v Speaker 1>did you meet Lisa meet? And it's the story is like, well,

0:30:36.000 --> 0:30:37.880
<v Speaker 1>I moved to San Francisco, I had no money, and

0:30:37.920 --> 0:30:40.560
<v Speaker 1>I had a two thousand dollars check and I couldn't

0:30:40.600 --> 0:30:44.600
<v Speaker 1>cash it. And anyway, I saw Lisa sitting she was

0:30:44.640 --> 0:30:47.440
<v Speaker 1>having a coffee. She's so beautiful, and that's how we met.

0:30:47.720 --> 0:30:49.400
<v Speaker 1>And they're like, what, but what was weird about? And

0:30:49.440 --> 0:30:52.160
<v Speaker 1>she's like, oh, on the first date she paid yea,

0:30:52.800 --> 0:30:58.160
<v Speaker 1>so good for Lisa. Yeah, autonomy, she I know, but

0:30:58.240 --> 0:31:01.720
<v Speaker 1>also he could be her, Like, okay, if I didn't

0:31:01.720 --> 0:31:03.680
<v Speaker 1>deal like she was that young in it, right, if

0:31:03.680 --> 0:31:05.720
<v Speaker 1>she's twenty two, I don't. We don't know how old

0:31:05.800 --> 0:31:09.880
<v Speaker 1>Lisa's supposed to be, but the actress is twenty two.

0:31:10.040 --> 0:31:12.440
<v Speaker 1>And at the end, at some point in the middle

0:31:12.440 --> 0:31:15.120
<v Speaker 1>of the movie they do say five years, but then

0:31:15.160 --> 0:31:18.040
<v Speaker 1>by the end they're saying seven years. It feels like

0:31:18.080 --> 0:31:20.680
<v Speaker 1>the movie last for two years. So I guess, yeah,

0:31:20.720 --> 0:31:24.440
<v Speaker 1>we don't know the timeline for sure, but with that logic,

0:31:24.720 --> 0:31:27.960
<v Speaker 1>Tommy Wise, who is at least a hundred years old,

0:31:28.040 --> 0:31:30.800
<v Speaker 1>has been dating her since she was fifteen years old

0:31:31.040 --> 0:31:34.480
<v Speaker 1>when he first spotted her in that coffee shop. It's

0:31:34.520 --> 0:31:37.520
<v Speaker 1>the whole Edward Cullen bella swan thing all over again,

0:31:38.360 --> 0:31:43.400
<v Speaker 1>but worse. But that's with a cadaver and he's not

0:31:43.480 --> 0:31:48.840
<v Speaker 1>even hot. It's okay anytime somewhere like a guy with

0:31:48.960 --> 0:31:51.920
<v Speaker 1>long hair dyes that hair jet black. It is the

0:31:52.040 --> 0:31:57.960
<v Speaker 1>most off putting thing I can possibly think of. It's wait,

0:31:58.000 --> 0:32:01.200
<v Speaker 1>here are a few more mentions of how women are

0:32:02.920 --> 0:32:06.960
<v Speaker 1>women be confusing. There's a scene where Mark and Johnny

0:32:07.120 --> 0:32:10.720
<v Speaker 1>are in a what I can only assume is a

0:32:10.800 --> 0:32:17.400
<v Speaker 1>cheesecake shop. Everyone's and Mark talk about Lisa's pizza order.

0:32:17.520 --> 0:32:21.800
<v Speaker 1>So yeah, Mark goes, I'm so tired of girls. Games,

0:32:22.040 --> 0:32:25.800
<v Speaker 1>relationships never work. It's interesting because I do want to know.

0:32:25.960 --> 0:32:27.280
<v Speaker 1>I mean, obviously there's a lot I want to know

0:32:27.320 --> 0:32:29.200
<v Speaker 1>about Tommy Rozo, but I would love to know his

0:32:29.200 --> 0:32:33.320
<v Speaker 1>history with women, because he obviously is very off putting,

0:32:33.400 --> 0:32:36.360
<v Speaker 1>is a human being, and I think pursues women, probably

0:32:36.440 --> 0:32:38.880
<v Speaker 1>very intensely, and they're like fuck no into him. He's like, oh,

0:32:38.960 --> 0:32:41.960
<v Speaker 1>she's playing a game. It's like no, you're fucking terrified.

0:32:42.200 --> 0:32:44.840
<v Speaker 1>She genuinely it does not want to be around you.

0:32:44.840 --> 0:32:50.160
<v Speaker 1>And he's like, oh, the process in he's like doing

0:32:50.360 --> 0:32:53.520
<v Speaker 1>a dozen red roses or whatever. He's probably dropped off

0:32:53.560 --> 0:32:56.800
<v Speaker 1>so many roses to so many women. He's spending eighteen

0:32:56.840 --> 0:32:59.160
<v Speaker 1>dollars all over the place. Do you think I feel

0:32:59.160 --> 0:33:02.400
<v Speaker 1>like he took that weird? Okay, here's our here's our

0:33:02.480 --> 0:33:05.040
<v Speaker 1>Fantom of the Opera Tuno thousand four Joel Schumacher efforts

0:33:05.080 --> 0:33:07.760
<v Speaker 1>of the episode. They have a weird Phantom of the

0:33:07.800 --> 0:33:12.959
<v Speaker 1>Opera candelabra in the bedrooms, very Phantom of the Opera, like, yeah,

0:33:13.000 --> 0:33:16.400
<v Speaker 1>and it's always lit, like when even when their ship

0:33:16.520 --> 0:33:19.959
<v Speaker 1>drunk on whiskey vodka, the Phantom of the Opera candelabra,

0:33:20.360 --> 0:33:25.440
<v Speaker 1>all forty five candles are lit. And they also have

0:33:25.560 --> 0:33:29.920
<v Speaker 1>that like rain window machine. Yeah, it's very like Pier

0:33:30.040 --> 0:33:35.120
<v Speaker 1>One set lots of candles and like weird waterfalls and

0:33:35.200 --> 0:33:38.680
<v Speaker 1>the canopy bed The budget for this movie was six

0:33:38.800 --> 0:33:43.920
<v Speaker 1>million dollars. What six million dollars? Which and that's one

0:33:43.960 --> 0:33:46.120
<v Speaker 1>of the other big mysteries, as no one knows that

0:33:46.320 --> 0:33:48.640
<v Speaker 1>he has gotten Tommy Wiou said that he might have

0:33:49.080 --> 0:33:53.320
<v Speaker 1>raised it through a leather jacket business. But that's as

0:33:53.360 --> 0:33:55.920
<v Speaker 1>close as anyone's gotten to finding out. I wonder he

0:33:56.080 --> 0:33:58.720
<v Speaker 1>must have just been like independently wealthy. Also, he could

0:33:58.720 --> 0:34:01.560
<v Speaker 1>have been working a minimum wage job for three hundred years.

0:34:01.680 --> 0:34:04.520
<v Speaker 1>We don't know. That's probably we've just been saving his

0:34:04.640 --> 0:34:08.160
<v Speaker 1>pennies for this master pook. Yeah, all this money. I

0:34:08.200 --> 0:34:10.520
<v Speaker 1>would like to say that if I had been given

0:34:10.760 --> 0:34:13.279
<v Speaker 1>this draft of the script, I would have written great

0:34:13.320 --> 0:34:15.279
<v Speaker 1>coverage on it. I could have found ways to make

0:34:15.320 --> 0:34:18.279
<v Speaker 1>it into something that resembles a movie. Could you have

0:34:18.280 --> 0:34:22.400
<v Speaker 1>punched up the line me underwears you know what? I

0:34:22.400 --> 0:34:24.960
<v Speaker 1>would have left that exactly as is. I love that too.

0:34:25.080 --> 0:34:26.719
<v Speaker 1>This is one of the only movies I've seen where

0:34:26.719 --> 0:34:29.440
<v Speaker 1>you see an entire scene play out and then someone

0:34:29.560 --> 0:34:31.960
<v Speaker 1>describes the entire scene later. I don't think I have

0:34:32.160 --> 0:34:34.719
<v Speaker 1>ever seen that happen in a movie, right, because it's

0:34:34.719 --> 0:34:37.919
<v Speaker 1>not supposed to know you know what? Repeaid information eight

0:34:37.960 --> 0:34:42.040
<v Speaker 1>thousand times the underwears that guy? What is that guy's deal?

0:34:42.239 --> 0:34:44.960
<v Speaker 1>He was plugged out of a UCB three oh one

0:34:45.080 --> 0:34:48.080
<v Speaker 1>class and frosted tips from two thousand three, which, like

0:34:48.120 --> 0:34:50.560
<v Speaker 1>I feel like was over by then. But I think so.

0:34:50.840 --> 0:34:54.279
<v Speaker 1>It guys well, at least where I where I was living,

0:34:54.320 --> 0:34:57.719
<v Speaker 1>frost tips were thriving into the late I guess they

0:34:57.760 --> 0:35:01.279
<v Speaker 1>were still. It just feels, well, what using about him

0:35:01.320 --> 0:35:03.480
<v Speaker 1>and his character and how we meet him is that

0:35:03.560 --> 0:35:08.279
<v Speaker 1>he and Michelle come into the room and it's room

0:35:08.360 --> 0:35:10.480
<v Speaker 1>that we're talking about, the room or is it the

0:35:10.560 --> 0:35:13.200
<v Speaker 1>upstairs room? Bad things that's in the room. I think

0:35:13.200 --> 0:35:18.160
<v Speaker 1>it's I think it's the main downstairs, Yeah, the downstairs pictures. Honestly,

0:35:18.200 --> 0:35:21.080
<v Speaker 1>the movie should have been called The Apartment, which leads

0:35:21.080 --> 0:35:28.560
<v Speaker 1>me to, well, Mike and Michelle come into that apartment

0:35:28.680 --> 0:35:30.920
<v Speaker 1>to have sex. But it's like, do they have some

0:35:31.000 --> 0:35:37.319
<v Speaker 1>sort of arrangement where they the room out sitting Well,

0:35:37.360 --> 0:35:40.120
<v Speaker 1>that's another thing. It's like when Lisa comes in from

0:35:40.400 --> 0:35:44.200
<v Speaker 1>a more lit area, we don't know exactly where she

0:35:44.360 --> 0:35:47.719
<v Speaker 1>reacts to them fucking on her couch the same way

0:35:47.719 --> 0:35:50.200
<v Speaker 1>as she reacts to finding out her mother has cancer,

0:35:50.239 --> 0:35:53.279
<v Speaker 1>which is don't worry about it. Yeah, people say, don't

0:35:53.280 --> 0:35:56.000
<v Speaker 1>worry about it so much. He never I realized he

0:35:56.040 --> 0:35:59.160
<v Speaker 1>never answers a question in the movie, Like even when

0:35:59.360 --> 0:36:01.480
<v Speaker 1>one time when Denny says, what movie are we going

0:36:01.520 --> 0:36:03.640
<v Speaker 1>to see? He goes, don't worry about it. He couldn't

0:36:03.680 --> 0:36:08.120
<v Speaker 1>even bother to write the movie title, Like things don't

0:36:08.160 --> 0:36:11.919
<v Speaker 1>always work out as plant, Like what do you don't

0:36:11.920 --> 0:36:14.440
<v Speaker 1>want to date this movie in time at all? And

0:36:14.600 --> 0:36:17.880
<v Speaker 1>like but people have frosty tips and flesh colored sweaters.

0:36:17.880 --> 0:36:20.680
<v Speaker 1>We know when this is taking place. I do think

0:36:20.719 --> 0:36:22.960
<v Speaker 1>like talking about red and coverage and like helping it

0:36:23.000 --> 0:36:25.799
<v Speaker 1>become a better movie. It is because it's obviously very

0:36:25.840 --> 0:36:28.920
<v Speaker 1>like lifetime movie esque and you know all those kind

0:36:28.920 --> 0:36:30.840
<v Speaker 1>of like older Lifetime movies where the woman was like

0:36:30.880 --> 0:36:33.480
<v Speaker 1>this manipulative you know, woman who's kind of like taking

0:36:33.480 --> 0:36:35.759
<v Speaker 1>over and like it like has that essence that it

0:36:35.840 --> 0:36:39.320
<v Speaker 1>could have been that if somebody had taken the reins

0:36:39.520 --> 0:36:42.520
<v Speaker 1>and fixed it right, Because so what do we know

0:36:42.600 --> 0:36:46.200
<v Speaker 1>about because I didn't do any research about the development

0:36:46.320 --> 0:36:48.759
<v Speaker 1>or production or anything on this movie. Was Tommy? Was

0:36:50.320 --> 0:36:54.600
<v Speaker 1>he like an authoritarian sort of? Yes, he was authoritarian

0:36:54.600 --> 0:36:58.040
<v Speaker 1>and he also couldn't do anything like so The Disaster Artist,

0:36:58.080 --> 0:37:00.239
<v Speaker 1>which is coming out as a movie, is a bookten

0:37:00.239 --> 0:37:03.319
<v Speaker 1>by Greg Cistero, who plays Mark, but also if you

0:37:03.320 --> 0:37:06.400
<v Speaker 1>look in the credits, is the line producer and assistant

0:37:06.480 --> 0:37:09.080
<v Speaker 1>to Tommy. Was right, like he had to wake Tommy

0:37:09.200 --> 0:37:12.239
<v Speaker 1>was up every day. Yeah, so he like, I didn't

0:37:12.239 --> 0:37:15.120
<v Speaker 1>manage the butt. He basically became friends with Greg Cicero

0:37:15.200 --> 0:37:16.719
<v Speaker 1>and was like, I want to make this movie blah

0:37:16.719 --> 0:37:20.279
<v Speaker 1>blah blah, and yeah we just totally like I think,

0:37:20.600 --> 0:37:22.799
<v Speaker 1>you know, had his hands in every single part. Would

0:37:22.840 --> 0:37:25.120
<v Speaker 1>never you know, had to have it his way, but

0:37:25.160 --> 0:37:27.360
<v Speaker 1>also a terrible actor who made everything go like that

0:37:27.360 --> 0:37:29.040
<v Speaker 1>scene where he comes out on the roof and it's like,

0:37:29.080 --> 0:37:31.440
<v Speaker 1>I did not hit her. I did not. They apparently

0:37:31.480 --> 0:37:34.520
<v Speaker 1>had they had to do like dozens and dozens of

0:37:34.560 --> 0:37:36.880
<v Speaker 1>times because he could not do the line, but it

0:37:37.000 --> 0:37:39.240
<v Speaker 1>still seems to be eighty and then it's still dubbed

0:37:39.239 --> 0:37:42.719
<v Speaker 1>over she like when the line could have just been

0:37:42.760 --> 0:37:50.480
<v Speaker 1>like I didn't hit her, like assistance and over complicating

0:37:50.520 --> 0:37:54.080
<v Speaker 1>all the dialogue is hilarious. And then I love how

0:37:54.360 --> 0:37:56.680
<v Speaker 1>like eight percent of the dialogue in this movie is

0:37:56.760 --> 0:38:00.839
<v Speaker 1>just like unnecessary throat clearing, high are you? I'm good?

0:38:00.880 --> 0:38:02.560
<v Speaker 1>How are you? And then the rest of it is

0:38:02.600 --> 0:38:07.400
<v Speaker 1>like insanely on the nose kind of funny what or

0:38:08.239 --> 0:38:10.960
<v Speaker 1>definitely he had he's my best friend. Oh you're my

0:38:11.040 --> 0:38:14.400
<v Speaker 1>future wife? Right, I have cancer, don't worry about it

0:38:15.080 --> 0:38:18.080
<v Speaker 1>that I got the results of the test back. Definitely.

0:38:19.800 --> 0:38:23.839
<v Speaker 1>I love Claudette. Claudet is great. She lists that up

0:38:24.120 --> 0:38:28.279
<v Speaker 1>like any of her fours. I got the test back.

0:38:28.560 --> 0:38:31.560
<v Speaker 1>I I definitely have breast cancer. I'm so glad I

0:38:31.760 --> 0:38:34.520
<v Speaker 1>divorced that other guy. And then later on the movie

0:38:34.520 --> 0:38:37.680
<v Speaker 1>she's like, I'm tired. I'm blah blah blah. I was like, yeah,

0:38:37.719 --> 0:38:42.879
<v Speaker 1>because you have cancer, but it's never been a tough time. Well,

0:38:43.080 --> 0:38:46.319
<v Speaker 1>I feel like Tommy was like, we gotta throw more

0:38:46.520 --> 0:38:49.600
<v Speaker 1>drama into this. Make the mom have breast cancer, make

0:38:49.840 --> 0:38:55.600
<v Speaker 1>Denny be involved in some drug scheme, like yeahs off

0:38:55.640 --> 0:38:59.160
<v Speaker 1>but yeah, but he's like, I know there should be drama,

0:38:59.200 --> 0:39:02.600
<v Speaker 1>So I'm just gonna like he just like threw the

0:39:02.600 --> 0:39:05.360
<v Speaker 1>plots of every just like scrambled around a bunch of

0:39:05.360 --> 0:39:10.280
<v Speaker 1>words and we're like, okay, drugs, cancer, cheating, Diana Beanie

0:39:10.360 --> 0:39:15.960
<v Speaker 1>psychologist And even that shot where it seems like Mark

0:39:16.080 --> 0:39:21.440
<v Speaker 1>might throw Peter off off and it makes eye contact

0:39:21.440 --> 0:39:24.600
<v Speaker 1>with the camera and then it's like, oh no, he's fine,

0:39:25.560 --> 0:39:31.560
<v Speaker 1>and then Mark sorry that into a fight with a

0:39:31.560 --> 0:39:40.000
<v Speaker 1>friend and almost throwing them off. Don't worry about it anyways.

0:39:40.320 --> 0:39:43.200
<v Speaker 1>I will say, Okay, for some more background, I was

0:39:43.200 --> 0:39:47.920
<v Speaker 1>doing research and the actress who plays Lisa, and she

0:39:48.080 --> 0:39:53.680
<v Speaker 1>has done her darnedist to try, yeah, but at least

0:39:53.680 --> 0:39:57.200
<v Speaker 1>to hopefully like because a lot of like the early

0:39:57.280 --> 0:39:59.720
<v Speaker 1>stuff for this movie, from what from what I was reading,

0:39:59.800 --> 0:40:03.239
<v Speaker 1>was like, I mean, people were making fun of her obviously,

0:40:03.280 --> 0:40:04.959
<v Speaker 1>but they were also like making fun of her body

0:40:04.960 --> 0:40:07.240
<v Speaker 1>and all this stuff, and she was like, I hope

0:40:07.280 --> 0:40:10.360
<v Speaker 1>that I can turn this into a thing about body.

0:40:11.200 --> 0:40:13.880
<v Speaker 1>Did she try to do that? She did. I wouldn't

0:40:13.880 --> 0:40:17.000
<v Speaker 1>say she was necessarily successful, but I would like to

0:40:17.040 --> 0:40:20.080
<v Speaker 1>cite the fact that she did attempt to say, hey,

0:40:20.560 --> 0:40:23.600
<v Speaker 1>my body is not the worst part of this movie

0:40:24.600 --> 0:40:27.879
<v Speaker 1>by a long shot, because I guess like the very

0:40:27.920 --> 0:40:31.879
<v Speaker 1>early early early people to this movie were like, especially

0:40:31.960 --> 0:40:33.880
<v Speaker 1>I think the screen yeah there it was like some

0:40:33.960 --> 0:40:38.239
<v Speaker 1>mean stuff at the screen people yellow. Yeah. I can

0:40:38.239 --> 0:40:39.879
<v Speaker 1>see it both ways, where it's like there being no

0:40:39.960 --> 0:40:42.000
<v Speaker 1>meaner to her than they would be to Tommy wise. Oh,

0:40:42.040 --> 0:40:45.520
<v Speaker 1>but also like she's she's just on screen. It's not

0:40:45.600 --> 0:40:48.160
<v Speaker 1>like she's not sucking up, she's just being there, and

0:40:48.400 --> 0:40:54.440
<v Speaker 1>she's basically a kid being humped by this fucking stone

0:40:54.600 --> 0:40:59.120
<v Speaker 1>ghool I would love to see her like in something else,

0:40:59.200 --> 0:41:02.399
<v Speaker 1>because when I watch it again, like her acting isn't great,

0:41:02.440 --> 0:41:05.279
<v Speaker 1>but she's given such bad stuff that sometimes her acting

0:41:05.360 --> 0:41:07.680
<v Speaker 1>is okay in the movie, it's just like the material

0:41:07.800 --> 0:41:09.200
<v Speaker 1>is so bad that I would like to see her

0:41:09.280 --> 0:41:15.479
<v Speaker 1>in something she moved back a long time ago. I'm sure, yeah,

0:41:15.520 --> 0:41:17.719
<v Speaker 1>this this wrecked her. I did see so like the

0:41:17.800 --> 0:41:19.040
<v Speaker 1>last time I looked her up, which was a few

0:41:19.080 --> 0:41:20.880
<v Speaker 1>years ago, so probably happening where she was trying to

0:41:20.920 --> 0:41:25.680
<v Speaker 1>sell paintings of spoons and footballs and stuff she was

0:41:25.719 --> 0:41:30.560
<v Speaker 1>making of the room related. I guess, I mean, I

0:41:30.600 --> 0:41:35.200
<v Speaker 1>guess if like Greg is it Cistero. If Greg Cistero

0:41:35.280 --> 0:41:38.040
<v Speaker 1>can sell a book to James Franco, sure sell a

0:41:38.120 --> 0:41:43.520
<v Speaker 1>painting of a spoon, why not Jesus Chris Well. One

0:41:43.560 --> 0:41:45.920
<v Speaker 1>of my favorite parts of the movie is when it's

0:41:45.920 --> 0:41:49.040
<v Speaker 1>either the first or second time that Johnny and Mark

0:41:49.120 --> 0:41:53.040
<v Speaker 1>get into a fist fight at the same party, but

0:41:53.440 --> 0:41:56.080
<v Speaker 1>something gets knocked over or broken or glass gets broken

0:41:56.160 --> 0:41:58.160
<v Speaker 1>or something like that, and then they sort of calmed

0:41:58.160 --> 0:42:01.560
<v Speaker 1>down and then Johnny goes to Lisa. Lisa clean that up,

0:42:01.800 --> 0:42:07.880
<v Speaker 1>because like, that's that is in the story. Women be cleaning,

0:42:08.360 --> 0:42:11.880
<v Speaker 1>women be scheming, and that's all women are going for.

0:42:12.040 --> 0:42:14.400
<v Speaker 1>And then we already kind of touched on this, but

0:42:14.880 --> 0:42:17.520
<v Speaker 1>like eight different characters throughout the course of the movie,

0:42:17.960 --> 0:42:20.160
<v Speaker 1>some of them more than once would be like, Lisa,

0:42:20.440 --> 0:42:22.920
<v Speaker 1>you're so beautiful, she's looking so hot tonight. You look

0:42:22.920 --> 0:42:26.200
<v Speaker 1>great in a red dress, which is like, okay, fine,

0:42:27.280 --> 0:42:33.040
<v Speaker 1>but red means she's bad. Sorry. Um, it's fine to

0:42:33.080 --> 0:42:36.879
<v Speaker 1>tell a woman she's beautiful, I suppose, but if that's

0:42:36.920 --> 0:42:40.680
<v Speaker 1>the only thing about her that they're ever commenting on,

0:42:40.840 --> 0:42:43.680
<v Speaker 1>to be fair, she provides something, nothing else other than

0:42:43.800 --> 0:42:47.120
<v Speaker 1>she might be seeking a job in the computer business.

0:42:48.320 --> 0:42:50.560
<v Speaker 1>But you're right, because Tommy is like, oh, he's provides,

0:42:50.640 --> 0:42:52.600
<v Speaker 1>he's got he's listening this to this, and she's got

0:42:52.600 --> 0:42:55.840
<v Speaker 1>nothing besides right, okay. So it's established early on, and

0:42:55.880 --> 0:43:00.080
<v Speaker 1>then it keeps being repeated, especially by Claudette. The it

0:43:00.360 --> 0:43:04.279
<v Speaker 1>Lisa can't provide for herself. We don't know why or

0:43:04.320 --> 0:43:09.440
<v Speaker 1>why Cloud believes this is true, so vehemently run it's

0:43:09.480 --> 0:43:12.320
<v Speaker 1>getting divorced. Like what are you doing, Claude up, Yeah,

0:43:12.520 --> 0:43:18.040
<v Speaker 1>besides purchasing cream colored pants. But like, sure, maybe Lisa's

0:43:18.160 --> 0:43:21.680
<v Speaker 1>struggling to find work in the computer business, but also

0:43:22.320 --> 0:43:27.759
<v Speaker 1>like she seems perfectly capable to find work elsewhere, you know,

0:43:27.960 --> 0:43:34.680
<v Speaker 1>some other flower shops, at the shops. Tommy's got friends everywhere.

0:43:34.760 --> 0:43:41.640
<v Speaker 1>Johnny's like trying at the flower shop, but instead she

0:43:41.840 --> 0:43:45.200
<v Speaker 1>stays in the room all day, And it's like, why

0:43:45.239 --> 0:43:49.840
<v Speaker 1>would you? Like I was like, are you just sweeping?

0:43:49.920 --> 0:43:54.560
<v Speaker 1>Your friends come around, like what are you sweeping? Clearly filthy,

0:43:54.840 --> 0:43:59.880
<v Speaker 1>like it's a filthy place. She also can't unload grocery

0:44:00.200 --> 0:44:02.520
<v Speaker 1>and talk at the same time. She has to pull

0:44:02.680 --> 0:44:05.400
<v Speaker 1>something out of a bag and I'm looking out for

0:44:05.600 --> 0:44:10.400
<v Speaker 1>number one pulls out of another bag of chips, wouldn't you?

0:44:12.239 --> 0:44:15.960
<v Speaker 1>But it's so it's just unclear why the choice was made,

0:44:16.280 --> 0:44:19.640
<v Speaker 1>as with any choice in this movie, why she is

0:44:19.840 --> 0:44:23.960
<v Speaker 1>incapable of providing for herself or holding down a job

0:44:24.040 --> 0:44:26.279
<v Speaker 1>or anything like that. But it's like the whole thing

0:44:26.320 --> 0:44:28.359
<v Speaker 1>is like she has to stay with Johnny because he

0:44:28.440 --> 0:44:31.640
<v Speaker 1>provides for her at his gargoyle job at the bank.

0:44:32.960 --> 0:44:35.080
<v Speaker 1>So she's just been with him for so long since

0:44:35.080 --> 0:44:39.320
<v Speaker 1>she was fifteen, that she's just used to him providing

0:44:39.360 --> 0:44:42.279
<v Speaker 1>her with all the necessary carbs and plastic apple she

0:44:42.320 --> 0:44:45.320
<v Speaker 1>needs to survive, and she just I guess does the

0:44:46.239 --> 0:44:49.360
<v Speaker 1>vodka there's bottles of whiskey, there's I think she found

0:44:49.360 --> 0:44:54.640
<v Speaker 1>the bottle of vodka outside it was Denny's. There's a

0:44:54.680 --> 0:44:57.800
<v Speaker 1>good fan theory where Denny is Lisa's dad, and that's

0:44:57.840 --> 0:45:02.680
<v Speaker 1>why saying I went back and every scene between Denny

0:45:02.719 --> 0:45:06.439
<v Speaker 1>and Lisa's mom, for some reason, is very contentious and

0:45:07.200 --> 0:45:10.200
<v Speaker 1>like she she's like, who's that? And then he's like,

0:45:10.280 --> 0:45:13.040
<v Speaker 1>you're not my mom and she's like, my fucking mom, right,

0:45:13.280 --> 0:45:17.360
<v Speaker 1>You're not my fucking mom. It's like because she's his whoa.

0:45:18.280 --> 0:45:20.319
<v Speaker 1>Also she's like, don't you have a kitchen in your

0:45:20.320 --> 0:45:22.799
<v Speaker 1>own house? Because he comes into borrow half a cup

0:45:22.840 --> 0:45:28.600
<v Speaker 1>of sugar and butter, do you obviously turn into some

0:45:28.800 --> 0:45:32.040
<v Speaker 1>sinister sex instrument? I really like I like that scene

0:45:32.040 --> 0:45:34.560
<v Speaker 1>a lot because like Denny comes in this right after

0:45:34.560 --> 0:45:36.680
<v Speaker 1>they find Mike and Michelle making out, and then Denny

0:45:36.719 --> 0:45:40.000
<v Speaker 1>comes in and Clauda is like, this is worse than

0:45:40.040 --> 0:45:43.279
<v Speaker 1>Grand Central Station, and you know that Tommy thought that

0:45:43.320 --> 0:45:46.960
<v Speaker 1>was the funniest line he had ever written. He was like,

0:45:47.000 --> 0:45:50.160
<v Speaker 1>now this is and it was just like if you

0:45:50.200 --> 0:45:52.320
<v Speaker 1>were I were a burglar, you'd be my best friend.

0:45:52.440 --> 0:45:56.120
<v Speaker 1>Like I feel like I'd never even occurred to me

0:45:56.160 --> 0:45:58.279
<v Speaker 1>that those were supposed to be funny. I think I

0:45:58.320 --> 0:46:01.279
<v Speaker 1>think it's supposed to be funny. And then but then

0:46:01.360 --> 0:46:04.120
<v Speaker 1>the response to like, what is this Grand Central's Asia,

0:46:04.200 --> 0:46:08.439
<v Speaker 1>Like Danny's sort of like, oh, because I'll come back

0:46:08.480 --> 0:46:12.320
<v Speaker 1>for this man. I would pay so much money to

0:46:12.320 --> 0:46:15.680
<v Speaker 1>see between them. I love. That was the only one

0:46:15.719 --> 0:46:18.000
<v Speaker 1>that jumped out of me, as like, we don't know

0:46:18.040 --> 0:46:21.120
<v Speaker 1>how all Denny is. We just don't know it. He's

0:46:21.160 --> 0:46:23.359
<v Speaker 1>like the he's like the opposite of Tommy on the

0:46:23.960 --> 0:46:26.279
<v Speaker 1>on the Benjamin Button scale. They're both kind of just

0:46:26.440 --> 0:46:30.319
<v Speaker 1>like exactly crossing each other with the body. And then

0:46:30.400 --> 0:46:33.520
<v Speaker 1>Danny's first scene, he's just like, but I wouldn't want

0:46:33.560 --> 0:46:39.560
<v Speaker 1>you guys fun And then they're like, oh Denny, Denny,

0:46:39.760 --> 0:46:42.320
<v Speaker 1>Johnny goes to was great, but three is a crowd,

0:46:42.480 --> 0:46:46.840
<v Speaker 1>you know that famous saying it goes exactly like that.

0:46:46.840 --> 0:46:49.799
<v Speaker 1>That's how I get out, So you want me to leave?

0:46:49.960 --> 0:46:55.240
<v Speaker 1>And he was like, ha, ha, that's the idea, the idea. Oh.

0:46:55.320 --> 0:46:58.520
<v Speaker 1>My favorite line in the entire movie is when Michelle

0:46:58.520 --> 0:47:01.520
<v Speaker 1>comes in and Lisa and Mark were about to have

0:47:01.600 --> 0:47:05.560
<v Speaker 1>sex and his like pants are undone and she goes hey,

0:47:05.880 --> 0:47:07.839
<v Speaker 1>X Y Z and he's like, what are you talking about?

0:47:07.920 --> 0:47:12.920
<v Speaker 1>And she's like, examine your zipper. That is, which totally

0:47:12.920 --> 0:47:15.399
<v Speaker 1>goes against what you would say earlier, which was like,

0:47:15.719 --> 0:47:20.160
<v Speaker 1>don't cheat on Johnny. But then she's like, well, I mean,

0:47:20.200 --> 0:47:21.560
<v Speaker 1>if they're already going to do it, she's got to

0:47:21.600 --> 0:47:25.040
<v Speaker 1>help her friends. I think she was saying examine your zipper,

0:47:25.080 --> 0:47:27.640
<v Speaker 1>like about their whole thing. She was like, the zipper

0:47:27.680 --> 0:47:32.440
<v Speaker 1>is your life, and your zipper zipper of your soul.

0:47:33.239 --> 0:47:37.640
<v Speaker 1>You know. I love Michelle. She were so much pleather.

0:47:38.000 --> 0:47:41.560
<v Speaker 1>I love her. I love her. My other favorite scene

0:47:41.600 --> 0:47:45.439
<v Speaker 1>is when they're at the cheesecake factory and Johnny's like, oh, yeah,

0:47:45.440 --> 0:47:47.319
<v Speaker 1>we got this new client to the bank. I can't

0:47:47.360 --> 0:47:50.560
<v Speaker 1>talk about it as confidential anyway, how's your sex life?

0:47:51.080 --> 0:47:55.280
<v Speaker 1>Just like the most insane. I would love to copy

0:47:55.360 --> 0:47:56.799
<v Speaker 1>a bunch of those lines and just go on a

0:47:56.920 --> 0:48:06.439
<v Speaker 1>date and like completely used all of those just free.

0:48:06.520 --> 0:48:08.640
<v Speaker 1>I think I will. My favorite line is in that

0:48:08.760 --> 0:48:13.280
<v Speaker 1>same scene between Michelle and Lisa, where Lisa's just saying

0:48:13.280 --> 0:48:16.800
<v Speaker 1>like I love cheating on Johnny blah blah blah, Mark's hot,

0:48:16.840 --> 0:48:19.120
<v Speaker 1>and then Michelle says, your point of view is so

0:48:19.200 --> 0:48:23.719
<v Speaker 1>different from mine. And then these two scenes back to

0:48:23.760 --> 0:48:26.520
<v Speaker 1>back are amazing because it's like the scene of what

0:48:26.680 --> 0:48:29.920
<v Speaker 1>Tommy was that thinks female friendship is like, which is

0:48:30.360 --> 0:48:33.880
<v Speaker 1>a woman being like, I'm terrible, aren't we all ands?

0:48:33.920 --> 0:48:39.640
<v Speaker 1>Like secret? And then cut to Tommy was this version

0:48:39.680 --> 0:48:42.000
<v Speaker 1>of what he thinks male friendship is like, which is

0:48:42.160 --> 0:48:48.600
<v Speaker 1>jogging around talking about stocks with Mark. That's the thing

0:48:48.600 --> 0:48:52.319
<v Speaker 1>about this movie, like, women are not portrayed well by

0:48:52.400 --> 0:48:57.440
<v Speaker 1>any stretch. However, neither are the male except one portrayed

0:48:57.600 --> 0:49:00.200
<v Speaker 1>except for Johnny's character, who was like put in this

0:49:00.320 --> 0:49:03.280
<v Speaker 1>pedestal and it's like, I'm just the victim, I'm the provider,

0:49:03.320 --> 0:49:05.920
<v Speaker 1>I'm a great guy, and I'm all I'm caring for everyone,

0:49:06.000 --> 0:49:10.640
<v Speaker 1>but everyone portrayed me apart from that, which is like, man,

0:49:10.760 --> 0:49:16.800
<v Speaker 1>I gotta love that self indulgent bullshit from a male writer, director, producer, actor,

0:49:17.400 --> 0:49:19.720
<v Speaker 1>But I mean, he clearly has no understanding of character

0:49:19.760 --> 0:49:24.239
<v Speaker 1>development or storytelling in general. So it's hard to be like, well,

0:49:24.280 --> 0:49:27.160
<v Speaker 1>the women aren't portrayed well, because well, neither are the men.

0:49:27.680 --> 0:49:31.320
<v Speaker 1>But he doesn't seem to have an extremely limited understanding

0:49:31.320 --> 0:49:35.399
<v Speaker 1>of how women think and interact. And relate to each

0:49:35.400 --> 0:49:39.239
<v Speaker 1>other and to other people. Right, exactly. Again, he is

0:49:39.440 --> 0:49:44.080
<v Speaker 1>an alien and he does not understand human interaction in general.

0:49:44.440 --> 0:49:48.000
<v Speaker 1>He said, so many millennia to observe humans, it's amazing

0:49:48.040 --> 0:49:53.040
<v Speaker 1>he doesn't understand them better. True, he's perched up there

0:49:53.680 --> 0:49:56.160
<v Speaker 1>seeing him in person or anything. No, does he live

0:49:56.160 --> 0:49:58.600
<v Speaker 1>in l A. I think so. I mean he's I

0:49:58.640 --> 0:50:00.480
<v Speaker 1>don't think they do the midnight screens anymore. But he

0:50:00.560 --> 0:50:02.560
<v Speaker 1>used to be there every week and he wears like

0:50:02.680 --> 0:50:06.200
<v Speaker 1>five belts at once. It's very weird. He wears like

0:50:06.320 --> 0:50:09.200
<v Speaker 1>five different studded belts, all kind of like criss crossing

0:50:09.239 --> 0:50:12.040
<v Speaker 1>over his body. I've heard, I've seen like pictures of him.

0:50:12.120 --> 0:50:15.320
<v Speaker 1>I I almost saw him once many years ago in Boston,

0:50:15.400 --> 0:50:19.399
<v Speaker 1>but then I didn't. But like he has toured with it, right, Yeah,

0:50:19.400 --> 0:50:21.359
<v Speaker 1>he's gone aroun with it. I just once I was

0:50:21.400 --> 0:50:24.040
<v Speaker 1>like home once, I was about to settle in and

0:50:24.080 --> 0:50:26.640
<v Speaker 1>like show the guy I was dating Friday Night Lights

0:50:26.640 --> 0:50:28.880
<v Speaker 1>for the first time. We were about to like get in.

0:50:29.000 --> 0:50:30.560
<v Speaker 1>It's like a big commitment. And then I got a

0:50:30.600 --> 0:50:33.080
<v Speaker 1>text from Test who's my coast and ladies lady that's

0:50:33.120 --> 0:50:35.000
<v Speaker 1>like I'm at a party that Tommy was a was

0:50:35.040 --> 0:50:37.480
<v Speaker 1>at and I was like, this is a fucking crossroads.

0:50:37.600 --> 0:50:39.719
<v Speaker 1>Do I go to this party right now? Wait? Did

0:50:39.760 --> 0:50:41.960
<v Speaker 1>you go? Yeah? Okay, of course I had to, and

0:50:41.960 --> 0:50:43.479
<v Speaker 1>it was we were like, we have to go Frida

0:50:43.560 --> 0:50:45.960
<v Speaker 1>Atlantes will be yeah. Yeah, But we just showed up

0:50:45.960 --> 0:50:48.400
<v Speaker 1>to this random party, like did shot to Tommy was

0:50:48.440 --> 0:50:51.200
<v Speaker 1>own two pictures of him and then left. Do you

0:50:51.280 --> 0:50:54.879
<v Speaker 1>have the pictures? Yeah, you guys can put it on

0:50:55.800 --> 0:50:58.600
<v Speaker 1>out of those. It's really funny. Um, I wish I

0:50:58.600 --> 0:51:00.359
<v Speaker 1>had hung out. Now in retrospect, we should hung out

0:51:00.360 --> 0:51:01.719
<v Speaker 1>the party and tried to get drunk with him, but

0:51:01.880 --> 0:51:05.200
<v Speaker 1>I didn't. I was focused on getting back. I mean,

0:51:07.360 --> 0:51:10.000
<v Speaker 1>does anyone have any other thoughts about the portrayal of

0:51:10.000 --> 0:51:12.920
<v Speaker 1>women in the movie? I will say, see it like,

0:51:13.040 --> 0:51:15.080
<v Speaker 1>I feel bad if you haven't seen it, because it's

0:51:15.120 --> 0:51:17.480
<v Speaker 1>it's very obviously like you said, it's like very confused,

0:51:17.880 --> 0:51:19.799
<v Speaker 1>hard to follow us if you have, but you have,

0:51:19.960 --> 0:51:22.239
<v Speaker 1>just see it. Just sucking. Give it to watch, Give

0:51:22.280 --> 0:51:24.320
<v Speaker 1>a watch with your friends. It's a really fun, stupid

0:51:24.320 --> 0:51:27.440
<v Speaker 1>movie to watch. Enjoyed watching this more than I enjoyed really,

0:51:28.200 --> 0:51:30.880
<v Speaker 1>So yeah, it's one of the most fun bad movies

0:51:30.920 --> 0:51:35.520
<v Speaker 1>of all time, I think so, speaking of really bad movies,

0:51:35.640 --> 0:51:39.600
<v Speaker 1>I saw most of the movie called Titanic Too last night,

0:51:39.640 --> 0:51:43.680
<v Speaker 1>which I break it down, is it like a Titanic

0:51:43.719 --> 0:51:45.680
<v Speaker 1>to like to the James Cameron movie or just to

0:51:45.800 --> 0:51:50.080
<v Speaker 1>the event to the event, although there are many different

0:51:50.520 --> 0:51:53.479
<v Speaker 1>visuals and lines of dialogue that are directly lifted from

0:51:54.080 --> 0:51:58.840
<v Speaker 1>James Cameron's Titanic, where the story is like there's a

0:51:58.880 --> 0:52:01.200
<v Speaker 1>group of like coast guard people in scientists who are

0:52:01.440 --> 0:52:04.400
<v Speaker 1>sort of tracking this giant glacier and like ships falling

0:52:04.400 --> 0:52:06.400
<v Speaker 1>off of it, like big chunks of ice are falling

0:52:06.400 --> 0:52:11.080
<v Speaker 1>off of it and creating these tsunami tsunamis, that's the

0:52:11.200 --> 0:52:16.560
<v Speaker 1>technical term. They're creating these tsunamis that are sucking everything

0:52:16.600 --> 0:52:21.320
<v Speaker 1>up in the Atlantic Ocean. Meanwhile, Titanic to a ship

0:52:21.480 --> 0:52:25.480
<v Speaker 1>that was created to sail across the ocean? Who's going

0:52:25.560 --> 0:52:28.160
<v Speaker 1>to get on that? By the way, we're really gonna

0:52:28.160 --> 0:52:30.000
<v Speaker 1>be like, yeah, let me buy a fucking ticket to

0:52:30.320 --> 0:52:35.640
<v Speaker 1>Titanic too. There were a more ominous name for any fuck,

0:52:36.160 --> 0:52:42.839
<v Speaker 1>the Challenger, the Challenge Challenges. So there's this all these

0:52:42.840 --> 0:52:46.840
<v Speaker 1>people on board the Titanic two and the icebergs start

0:52:46.920 --> 0:52:49.960
<v Speaker 1>to fall off into the water, but it's not really

0:52:50.040 --> 0:52:53.560
<v Speaker 1>the The ship hits an iceberg, but that's not really

0:52:53.600 --> 0:52:56.440
<v Speaker 1>the threat. Seems to be more of the tsunamis that

0:52:56.520 --> 0:52:59.560
<v Speaker 1>are happening anyways. Is like a sci fi Channel movie,

0:52:59.560 --> 0:53:03.239
<v Speaker 1>like what it's like, Oh, Shane van Dyke, which I

0:53:03.239 --> 0:53:06.480
<v Speaker 1>think might be Dick Van Dyke's offspring or grandson or

0:53:06.520 --> 0:53:09.640
<v Speaker 1>something like that, directed it. And then it's like a

0:53:09.840 --> 0:53:16.680
<v Speaker 1>very like da most yeah, exactly, like most of the

0:53:16.719 --> 0:53:20.399
<v Speaker 1>ship is like c G. I'ed very poorly, but it's

0:53:20.440 --> 0:53:22.920
<v Speaker 1>a It's incredible. It's my new favorite movie. Check out

0:53:22.960 --> 0:53:26.720
<v Speaker 1>Titanic too, and uh borrow it at your local library today.

0:53:26.840 --> 0:53:29.399
<v Speaker 1>I will say, um, I watched The Room last night

0:53:29.480 --> 0:53:32.160
<v Speaker 1>with a guy, and uh, I didn't want. I didn't

0:53:32.160 --> 0:53:34.439
<v Speaker 1>want to start making out during it because I'm so

0:53:34.520 --> 0:53:38.280
<v Speaker 1>worried about one of the fucking sex scenes starting because

0:53:38.320 --> 0:53:40.960
<v Speaker 1>in the movie all the sex scenes have moaning put

0:53:41.000 --> 0:53:46.200
<v Speaker 1>over them. Yeah, r moaning of Mark going like four

0:53:46.280 --> 0:53:51.080
<v Speaker 1>months later. Yeah, And I was like, I can't afford

0:53:51.080 --> 0:53:53.080
<v Speaker 1>to start making out with this guy and having like

0:53:53.120 --> 0:53:55.800
<v Speaker 1>one of these weird sex scenes start because they happened

0:53:55.800 --> 0:53:58.680
<v Speaker 1>every few minutes when you at least expect it because

0:53:58.719 --> 0:54:01.640
<v Speaker 1>it's always like, oh, finally one ended. We have at

0:54:01.719 --> 0:54:04.360
<v Speaker 1>least twenty minutes, but you never do. I mean that

0:54:04.480 --> 0:54:07.480
<v Speaker 1>the first one is three minutes in and then at

0:54:07.560 --> 0:54:10.919
<v Speaker 1>lasts for like seven minutes. And I tweeted last night

0:54:11.040 --> 0:54:13.719
<v Speaker 1>that I was like, oh, what's the opposite of an awakening?

0:54:13.800 --> 0:54:15.600
<v Speaker 1>Because I just saw the room for the first time

0:54:15.640 --> 0:54:19.120
<v Speaker 1>and now I'm in a sexual coma. So there's a

0:54:19.120 --> 0:54:24.960
<v Speaker 1>great tweet. Follow me on Twitter at Caitlin Darante. Anyway, Oh,

0:54:25.000 --> 0:54:26.960
<v Speaker 1>should we talk about whether or not the movie passes

0:54:27.160 --> 0:54:31.839
<v Speaker 1>the Bechdel test amazingly? Yeah? It does, right? Did they

0:54:31.840 --> 0:54:34.280
<v Speaker 1>talk about that she talks with Claude about like work

0:54:34.320 --> 0:54:37.720
<v Speaker 1>and business, and there's there's I I say, it passes

0:54:37.760 --> 0:54:40.880
<v Speaker 1>surely on the amount of filler dialogue in this movie.

0:54:41.120 --> 0:54:44.200
<v Speaker 1>But it does pass on the first scene with two women. Yeah,

0:54:44.600 --> 0:54:48.000
<v Speaker 1>there are. Honestly, I am very surprised. I was. I

0:54:48.080 --> 0:54:51.439
<v Speaker 1>counted all the scenes where women are interacting, and there

0:54:51.440 --> 0:54:55.040
<v Speaker 1>are like ten or eleven scenes where when you edit

0:54:55.160 --> 0:54:58.120
<v Speaker 1>nothing out of your movie, ye pass the Bechdel test

0:54:58.160 --> 0:55:00.120
<v Speaker 1>if you leave absolutely over the A lot of them

0:55:00.120 --> 0:55:03.080
<v Speaker 1>are duplicate, exactly like Lisa and her mom have the

0:55:03.160 --> 0:55:06.160
<v Speaker 1>same conversation where Lisa's like, I don't love Johnny anymore

0:55:06.160 --> 0:55:07.560
<v Speaker 1>and her mom's like, well, you need to stay with

0:55:07.640 --> 0:55:11.560
<v Speaker 1>him for some financial security. That conversation happens like four times.

0:55:11.800 --> 0:55:14.400
<v Speaker 1>So most of the scenes they are talking about a

0:55:14.440 --> 0:55:17.840
<v Speaker 1>whole flew of men, either Johnny or Mark or Denny

0:55:18.120 --> 0:55:22.200
<v Speaker 1>or one of her mom's sex husband or her brother. Yeah,

0:55:22.400 --> 0:55:25.120
<v Speaker 1>men get talked about a lot, but yeah. The first scene,

0:55:25.280 --> 0:55:28.080
<v Speaker 1>Lisa's mom comes in and Lisa's like, hi, Mom, how

0:55:28.120 --> 0:55:33.799
<v Speaker 1>are you. She's like fine, how are you? Okay, let's

0:55:33.800 --> 0:55:40.319
<v Speaker 1>go sit on the couch less actor and she's like, well, now,

0:55:40.320 --> 0:55:42.839
<v Speaker 1>what's happening with you? Oh? Nothing much? Do you want

0:55:42.880 --> 0:55:46.680
<v Speaker 1>some coffee? What's wrong? I don't feel good today? And

0:55:46.680 --> 0:55:49.440
<v Speaker 1>then they start talking about how she doesn't love Johnny anymore.

0:55:49.640 --> 0:55:53.479
<v Speaker 1>But the first few those exchanges of first few lines

0:55:53.480 --> 0:55:56.799
<v Speaker 1>of dialogue, past the backdo test, and then pretty much

0:55:56.840 --> 0:55:58.920
<v Speaker 1>every scene after that where women are talking, because then

0:55:58.960 --> 0:56:01.439
<v Speaker 1>Lisa talks to her mom a bunch more times, leads

0:56:01.440 --> 0:56:04.080
<v Speaker 1>the talks to Michelle a bunch of times. They almost

0:56:04.120 --> 0:56:08.160
<v Speaker 1>always are talking about some combination of Johnny or Denny

0:56:08.360 --> 0:56:12.960
<v Speaker 1>or Mark, but like very barely passes. Barely. Yeah, but

0:56:13.160 --> 0:56:16.080
<v Speaker 1>it's crazy to think that The Room, the best movie

0:56:16.120 --> 0:56:19.640
<v Speaker 1>ever made, passes the Bechdel test. It really and and

0:56:19.840 --> 0:56:23.080
<v Speaker 1>like multiple times, right, because there's a few other like

0:56:23.760 --> 0:56:26.799
<v Speaker 1>scenes that will there either be talking about a guy

0:56:26.920 --> 0:56:29.960
<v Speaker 1>and then the topic shifts to then they started talking

0:56:29.960 --> 0:56:31.719
<v Speaker 1>about Lisa, and then they have a pillow fight out

0:56:31.760 --> 0:56:35.000
<v Speaker 1>of nowhere, or they start talking about something else and

0:56:35.040 --> 0:56:38.560
<v Speaker 1>then they transition into talking about Johnny or something. But yeah,

0:56:38.600 --> 0:56:41.600
<v Speaker 1>it happens a few different times where they're not talking

0:56:41.719 --> 0:56:45.320
<v Speaker 1>about a man the whole time. And also, to be fair,

0:56:45.880 --> 0:56:48.359
<v Speaker 1>while most of the time, if there are women talking

0:56:48.360 --> 0:56:49.759
<v Speaker 1>to each other, they are talking about one of the

0:56:49.760 --> 0:56:52.480
<v Speaker 1>male characters, but the reverse of that is when the

0:56:52.520 --> 0:56:55.480
<v Speaker 1>men are talking to each other, they're often talking about Lisa.

0:56:55.880 --> 0:57:01.600
<v Speaker 1>It's either stocks or mostly Lisa, and are to qualify

0:57:01.680 --> 0:57:07.080
<v Speaker 1>the qualification talking about either how confusing or what a bit? Yeah,

0:57:07.120 --> 0:57:10.800
<v Speaker 1>she gets called a bitch, a tramp, all different names,

0:57:12.080 --> 0:57:15.439
<v Speaker 1>but I would also say she'd called confusing just as

0:57:15.480 --> 0:57:17.840
<v Speaker 1>many times. It's just I feel like it's just like

0:57:17.840 --> 0:57:22.880
<v Speaker 1>a weird mirror. He just doesn't Yeah, he's like so confusing, right,

0:57:22.960 --> 0:57:25.640
<v Speaker 1>He's like she's a bitch, But also I don't get it,

0:57:25.760 --> 0:57:30.560
<v Speaker 1>and I wish I understood. He used to take like

0:57:30.760 --> 0:57:35.000
<v Speaker 1>some gender studies classes. Yeah, yeah, go to the college

0:57:35.080 --> 0:57:39.640
<v Speaker 1>that Denny's at taking class. You're paying, might as well

0:57:39.720 --> 0:57:44.680
<v Speaker 1>sit it. You can see you can. God, I don't

0:57:44.720 --> 0:57:49.800
<v Speaker 1>know words what it is. Denny majoring in. I think

0:57:50.120 --> 0:57:52.560
<v Speaker 1>I think baking. The baking that they had to borrow

0:57:52.600 --> 0:57:56.680
<v Speaker 1>all the sugar and the butter for homework. Yeah, for homework.

0:57:57.280 --> 0:58:00.800
<v Speaker 1>I mean he's he bought drugs to sell drugs so

0:58:00.840 --> 0:58:03.120
<v Speaker 1>that he could make money. Even though Johnny's paying for

0:58:03.240 --> 0:58:07.080
<v Speaker 1>small business arts. He's studying business. He knows all about

0:58:07.440 --> 0:58:10.640
<v Speaker 1>he get it. Whatever happened to Chris are though, Um,

0:58:10.680 --> 0:58:13.000
<v Speaker 1>I mean, I feel like he's definitely started a rapping

0:58:13.120 --> 0:58:16.400
<v Speaker 1>career because he was very he was very eminem inspired.

0:58:16.680 --> 0:58:19.160
<v Speaker 1>He was provided with the wardrobe to start a wrapping

0:58:19.200 --> 0:58:22.919
<v Speaker 1>career in two thousand and three. He and the gun

0:58:22.960 --> 0:58:26.000
<v Speaker 1>that he pulls on Denny is the same gun that

0:58:26.160 --> 0:58:29.680
<v Speaker 1>Johnny shoots himself with. They clearly had one prop gun

0:58:29.920 --> 0:58:32.360
<v Speaker 1>on set and they're like, well, well, I mean Chris

0:58:32.360 --> 0:58:35.760
<v Speaker 1>did get arrested apparently, like we'll take him to the police,

0:58:35.800 --> 0:58:37.400
<v Speaker 1>so maybe they just were like, man, we'll just keep

0:58:37.440 --> 0:58:40.960
<v Speaker 1>us around, you know, because burglars obviously want to come

0:58:40.960 --> 0:58:42.880
<v Speaker 1>in and out of the room. You gonna have a gun.

0:58:42.960 --> 0:58:45.760
<v Speaker 1>But they have a way of getting up to the roof. Right.

0:58:46.440 --> 0:58:48.680
<v Speaker 1>I made a list of things I thought the room

0:58:48.760 --> 0:58:52.400
<v Speaker 1>might smell, like, oh no, well that's the upstas the

0:58:52.400 --> 0:58:55.560
<v Speaker 1>bedroom is the room the bedroom when all the room

0:58:55.600 --> 0:58:57.600
<v Speaker 1>is downstairs. But also I guess they could probably could

0:58:57.600 --> 0:58:59.960
<v Speaker 1>be connected because they're connected by a spiral staircase. By

0:59:00.040 --> 0:59:04.280
<v Speaker 1>don't think there's a door. I don't think it is. Well,

0:59:04.320 --> 0:59:05.840
<v Speaker 1>now there is a door, because we see when he

0:59:06.320 --> 0:59:09.480
<v Speaker 1>that seem me like see his dick. Basically he gets one.

0:59:09.920 --> 0:59:11.520
<v Speaker 1>He's going into the bathroom, though I think he went

0:59:11.560 --> 0:59:16.920
<v Speaker 1>into the bathroom. I made a list of cat food, jerky,

0:59:17.160 --> 0:59:22.080
<v Speaker 1>curdled gravy. There's a cat in there somewhere, it's living

0:59:22.200 --> 0:59:26.160
<v Speaker 1>or dead, uh, spilled laundry, detergent that someone spills cereal,

0:59:26.320 --> 0:59:31.720
<v Speaker 1>and the floor is to nails. A dog visited this

0:59:31.800 --> 0:59:35.720
<v Speaker 1>apartment three years ago and ship somewhere. There's at least

0:59:35.720 --> 0:59:39.360
<v Speaker 1>four chain wallets somewhere in this apartment. Someone at one

0:59:39.400 --> 0:59:44.040
<v Speaker 1>point spilled a vat of vinegar and somewhere. Oh, and

0:59:44.120 --> 0:59:45.720
<v Speaker 1>this was something we talked about when we were watching

0:59:45.760 --> 0:59:48.840
<v Speaker 1>the movie together. All of the furniture in this movie

0:59:49.160 --> 0:59:53.960
<v Speaker 1>is covered in brown sheets, and I presume underneath plastic sheet.

0:59:55.360 --> 0:59:59.480
<v Speaker 1>In Kids, someone just has someone himself over. They rent

0:59:59.520 --> 1:00:04.560
<v Speaker 1>out that couples to come in and fuck everything the apartment.

1:00:05.000 --> 1:00:06.800
<v Speaker 1>But they were but which At first I was like, oh,

1:00:06.880 --> 1:00:09.560
<v Speaker 1>low budget, they're probably renting the furniture. But then it

1:00:09.640 --> 1:00:11.600
<v Speaker 1>was like you find out there's a six million dollar

1:00:11.720 --> 1:00:15.520
<v Speaker 1>budget and they were filming these cow just covered in

1:00:15.600 --> 1:00:20.400
<v Speaker 1>sheets and digital like, Yeah, that was a deliberate choice

1:00:20.400 --> 1:00:22.200
<v Speaker 1>for some reason. And also I said it might smell

1:00:22.280 --> 1:00:26.680
<v Speaker 1>like misty Mental one twenties, which is the cheapest but

1:00:26.880 --> 1:00:34.400
<v Speaker 1>most fami form of cigarettes. Fun fact, my mom's I

1:00:34.440 --> 1:00:36.840
<v Speaker 1>feel like also a lot of dead flowers. Well, obviously

1:00:38.400 --> 1:00:42.680
<v Speaker 1>the row pedals all over the place. There's certainly not

1:00:42.720 --> 1:00:46.000
<v Speaker 1>an air conditioner in this place. What about We didn't

1:00:46.040 --> 1:00:49.280
<v Speaker 1>talk about the music the place soundtrack the plays during

1:00:49.320 --> 1:00:53.959
<v Speaker 1>the sex scenes vaguely Eastern. I own the soundtrack someone

1:00:54.360 --> 1:00:55.919
<v Speaker 1>someone gave it to me as a gift. They found

1:00:55.960 --> 1:00:58.440
<v Speaker 1>it like goodwill. But I get the songs in my head,

1:00:58.440 --> 1:01:02.160
<v Speaker 1>the rose one is get like I was singing to

1:01:02.240 --> 1:01:03.720
<v Speaker 1>it last night next to that guy. I think he

1:01:03.760 --> 1:01:10.720
<v Speaker 1>thought I was sucking insane. The music is like, yeah,

1:01:10.880 --> 1:01:12.520
<v Speaker 1>I want to know about the soundtracks. I want to

1:01:12.560 --> 1:01:14.800
<v Speaker 1>know if you hired like one band to write at

1:01:14.800 --> 1:01:18.920
<v Speaker 1>all or what impossible to say impossible, I don't care

1:01:19.040 --> 1:01:22.400
<v Speaker 1>enough to do the research. It's out there. If you

1:01:22.440 --> 1:01:24.400
<v Speaker 1>want to find it, go find it. To find it,

1:01:24.880 --> 1:01:28.160
<v Speaker 1>find it, get finger to that song, go crazy? Why not?

1:01:28.640 --> 1:01:31.000
<v Speaker 1>Or finger someone to that song? Right right, let's not

1:01:31.040 --> 1:01:35.480
<v Speaker 1>limit you. You're simultaneous. It's the finger yourself. I've never

1:01:35.600 --> 1:01:37.800
<v Speaker 1>pulled that off. Usually, when it's like we're going to

1:01:37.880 --> 1:01:39.560
<v Speaker 1>do it at the same time, one person is like,

1:01:39.800 --> 1:01:42.320
<v Speaker 1>I'm not really going to do it though, But you know,

1:01:42.360 --> 1:01:45.439
<v Speaker 1>maybe you're not like me. Maybe you can actually pull

1:01:45.480 --> 1:01:48.320
<v Speaker 1>off your end of the bargain. Yeah, yeah, at least

1:01:48.440 --> 1:01:54.160
<v Speaker 1>push yourself for Tommy's sake, right, Challenge yourself, just as

1:01:54.360 --> 1:01:59.160
<v Speaker 1>Tommy is challenged by the English language and human behavior.

1:01:59.640 --> 1:02:04.640
<v Speaker 1>Challenge yourself. Shall we write the movie, Oh my god, million,

1:02:04.960 --> 1:02:08.480
<v Speaker 1>Let's write the movie on our nipple scale. We determine

1:02:08.480 --> 1:02:11.400
<v Speaker 1>how the movie fares based on its portrayal of women

1:02:12.160 --> 1:02:14.880
<v Speaker 1>zero to five nipples. I mean, there are two nipples

1:02:14.920 --> 1:02:17.280
<v Speaker 1>in the well, two female nipples in the movie. Wee

1:02:18.840 --> 1:02:22.440
<v Speaker 1>bundle of nipples and but it's really just Lisa's nipples

1:02:22.480 --> 1:02:28.520
<v Speaker 1>feel and um, and Mike figures out how to put

1:02:28.520 --> 1:02:33.960
<v Speaker 1>a Mike nimples Mike Frosty tips nipples. So we see

1:02:34.160 --> 1:02:36.360
<v Speaker 1>eight nipples, which is the number of nipples a single

1:02:36.400 --> 1:02:39.200
<v Speaker 1>cat has. There, it is there, it is cat facts

1:02:39.200 --> 1:02:42.600
<v Speaker 1>with Caitlin. Anyway, I'm gonna give it. I mean, I

1:02:42.680 --> 1:02:46.840
<v Speaker 1>can't give it any more than zero, Like it's zero's nipples.

1:02:46.840 --> 1:02:51.120
<v Speaker 1>Like it's no, okay, you do whatever you want. I'm

1:02:51.120 --> 1:02:54.880
<v Speaker 1>gonna give it zero nipples. Um. We can't even really

1:02:55.160 --> 1:02:59.320
<v Speaker 1>seriously discuss this movie in any way because it barely

1:02:59.480 --> 1:03:03.120
<v Speaker 1>is a movie. Fee but it's clear that the creator

1:03:03.160 --> 1:03:08.840
<v Speaker 1>of this movie does not see women is dynamic, multidimensional people.

1:03:09.000 --> 1:03:15.520
<v Speaker 1>He's just like they confusing. They're confusing, manipulative, traitors, shrews.

1:03:16.280 --> 1:03:19.640
<v Speaker 1>I only care about taking my money. They're too smart,

1:03:19.640 --> 1:03:25.600
<v Speaker 1>they're too dumb, or they're just crazy or yeah. I

1:03:25.640 --> 1:03:28.880
<v Speaker 1>mean that. Plus the movie being easily the one of

1:03:28.920 --> 1:03:31.560
<v Speaker 1>the worst movies I've ever seen. Four times and one

1:03:32.080 --> 1:03:35.720
<v Speaker 1>part times. You love this movie it goes without saying

1:03:35.760 --> 1:03:38.960
<v Speaker 1>that it's the worst thing ever, and it does not

1:03:39.120 --> 1:03:43.560
<v Speaker 1>treat women well. It doesn't treat men well either. But

1:03:44.000 --> 1:03:47.760
<v Speaker 1>it's just a stupid, stupid movie. And it gets zero nipples,

1:03:47.880 --> 1:03:52.800
<v Speaker 1>and those nipples belong to oh there aren't any, so

1:03:52.840 --> 1:03:57.080
<v Speaker 1>they don't belong to anybody. I'll say three nipples this well,

1:03:57.120 --> 1:03:59.200
<v Speaker 1>and I'll say two nipples, and like a few like

1:03:59.240 --> 1:04:02.760
<v Speaker 1>aerial bumps. Is that a thing? A couple of aerial

1:04:02.920 --> 1:04:05.840
<v Speaker 1>goose bumps? All these I don't know, I think, so

1:04:06.000 --> 1:04:08.040
<v Speaker 1>whatever they are, you know what I mean? Um, so

1:04:08.200 --> 1:04:13.200
<v Speaker 1>to full nipples and a few little bumpies? Why so many?

1:04:13.360 --> 1:04:16.960
<v Speaker 1>Because in this movie it's just a personal thing. It's

1:04:17.000 --> 1:04:19.120
<v Speaker 1>it's like I've had a lot of really really fun

1:04:19.160 --> 1:04:21.680
<v Speaker 1>experiences in my life with this movie, and so I

1:04:21.720 --> 1:04:24.560
<v Speaker 1>can't help but relate it to that, you know, lots

1:04:24.560 --> 1:04:28.280
<v Speaker 1>of different experiences of friends and like some good nostalgia

1:04:28.360 --> 1:04:31.400
<v Speaker 1>for me with this movie, and just it's unlike anything

1:04:31.400 --> 1:04:33.600
<v Speaker 1>I've ever seen. I can't you know, I mean, obviously

1:04:33.640 --> 1:04:37.000
<v Speaker 1>related to the point of the podcast, it's not it

1:04:37.080 --> 1:04:40.200
<v Speaker 1>does not probably get any nipples, but it's so hard

1:04:40.200 --> 1:04:43.840
<v Speaker 1>to qualify because it's such nonsense that I'll give it

1:04:43.880 --> 1:04:46.080
<v Speaker 1>a pass in that point, I'm going to give it

1:04:46.120 --> 1:04:49.240
<v Speaker 1>a nipple and a half. And this is I will

1:04:49.280 --> 1:04:53.560
<v Speaker 1>acknowledge apologist to an extent. But I don't think that

1:04:53.640 --> 1:04:58.720
<v Speaker 1>Tommy was Out does not want to understand women. I

1:04:58.760 --> 1:05:02.000
<v Speaker 1>think that he does. He would, like in a perfect world,

1:05:02.040 --> 1:05:06.720
<v Speaker 1>he would understand how women work, but the way it's

1:05:06.720 --> 1:05:10.080
<v Speaker 1>portrayed in this movie is not. But like he just

1:05:10.160 --> 1:05:12.640
<v Speaker 1>doesn't anything. But I feel like at least he expresses

1:05:12.680 --> 1:05:16.960
<v Speaker 1>through every male character and what are women like? It's confusing?

1:05:17.280 --> 1:05:24.320
<v Speaker 1>What isn't confusing? Jogging, sports balls, roofs, banking, like these

1:05:24.360 --> 1:05:27.600
<v Speaker 1>things he understands. It does pass the Backtel test a

1:05:27.680 --> 1:05:30.440
<v Speaker 1>number of times, which probably says more to the flaws

1:05:30.440 --> 1:05:34.320
<v Speaker 1>of the Battel test than anything else. But I think

1:05:34.400 --> 1:05:38.480
<v Speaker 1>Tommyzzo would like to understand how women are. He never will.

1:05:38.920 --> 1:05:41.040
<v Speaker 1>It won't happen. It's crazy because he will live at

1:05:41.120 --> 1:05:46.520
<v Speaker 1>least another five years. Never will. But men don't understand women.

1:05:46.600 --> 1:05:52.560
<v Speaker 1>What man does? What my boyfriend, that's Peter, that's the

1:05:52.640 --> 1:05:57.600
<v Speaker 1>name of Peter's like book. He was like, what man does? Like, yeah,

1:05:57.800 --> 1:06:02.240
<v Speaker 1>understanding women? He appears on Oprah time. I'll give it

1:06:02.320 --> 1:06:04.520
<v Speaker 1>a nipple and a half. One I'm going to give

1:06:04.600 --> 1:06:07.320
<v Speaker 1>to Lisa's just because I can summon the image of

1:06:07.360 --> 1:06:10.479
<v Speaker 1>it to my mind so quickly. And then the other

1:06:10.560 --> 1:06:16.080
<v Speaker 1>half I'm gonna give to Peter because we never get

1:06:16.080 --> 1:06:20.000
<v Speaker 1>to see his nipples, but you know, they're weird. I

1:06:20.040 --> 1:06:21.640
<v Speaker 1>feel like they look just like his face, like a

1:06:21.680 --> 1:06:24.880
<v Speaker 1>miniature version of this. Yeah, like it's yeah, it's a

1:06:24.920 --> 1:06:28.920
<v Speaker 1>mirror version of his face, just like a receding hairline

1:06:28.960 --> 1:06:32.680
<v Speaker 1>at the top. He is a receding nipple hairline. I

1:06:32.720 --> 1:06:38.480
<v Speaker 1>love him. He's cute. Anyways, you're tarrying me apart, Jamie.

1:06:39.600 --> 1:06:45.880
<v Speaker 1>Peter's cute. Well, that just about does it for the room. Amazing.

1:06:46.520 --> 1:06:51.479
<v Speaker 1>Watch it if you haven't seen it truly experience, Yeah,

1:06:51.640 --> 1:06:54.120
<v Speaker 1>no one can. But Barbara, thank you so much for

1:06:54.160 --> 1:06:57.280
<v Speaker 1>being here. It's been a delight. Thanks for choosing this one.

1:06:57.360 --> 1:07:00.960
<v Speaker 1>I'm glad. I'm glad to put you through that. Yeah,

1:07:01.200 --> 1:07:03.600
<v Speaker 1>well you had also you were like total recall, and

1:07:03.640 --> 1:07:06.080
<v Speaker 1>I was like, that would be fun. Total recall three

1:07:06.160 --> 1:07:08.840
<v Speaker 1>nipples at once. You have to get total three reading

1:07:08.960 --> 1:07:12.240
<v Speaker 1>three nipples, I mean, no matter what exactly. Yeah, I

1:07:12.280 --> 1:07:13.760
<v Speaker 1>just like I said, I was just like yeah, what

1:07:13.800 --> 1:07:15.600
<v Speaker 1>are movies I've seen a million times, so feel like, yeah,

1:07:15.640 --> 1:07:17.680
<v Speaker 1>total recall would be an interesting one, but I don't

1:07:17.720 --> 1:07:20.080
<v Speaker 1>think it would pass at all. I don't know how

1:07:20.160 --> 1:07:23.440
<v Speaker 1>most movies we talked about. I don't don't except for

1:07:23.480 --> 1:07:26.240
<v Speaker 1>The Room, which now joins the Hall of Fame of movies,

1:07:26.320 --> 1:07:31.440
<v Speaker 1>we've done that. Yeah, inevitably, somehow, usually by mistake past

1:07:31.520 --> 1:07:34.840
<v Speaker 1>the factal tests. I mean, I'm surprised that there were

1:07:34.840 --> 1:07:38.840
<v Speaker 1>more than one female character in the movie. There's three, three,

1:07:38.960 --> 1:07:42.800
<v Speaker 1>and like they all seem to get along pretty well. So, hey,

1:07:42.960 --> 1:07:45.760
<v Speaker 1>Tommy did something right, I guess. I mean, also, if

1:07:45.800 --> 1:07:48.520
<v Speaker 1>you count the interactions with the cheesecake waitress and the

1:07:48.560 --> 1:07:52.560
<v Speaker 1>other woman ordering cheesecake, there's a whole cheesecake scene. But

1:07:52.640 --> 1:07:56.400
<v Speaker 1>we don't we don't know their names. You're not, hey,

1:07:56.880 --> 1:08:01.120
<v Speaker 1>I like as woke as women can be flower Shop

1:08:01.360 --> 1:08:07.480
<v Speaker 1>Tommy will play, women can be trying to break into

1:08:07.560 --> 1:08:10.880
<v Speaker 1>stem but they can't quite figure it out. Well, yeah,

1:08:10.920 --> 1:08:14.440
<v Speaker 1>but they're trying business and they're that dog at the

1:08:14.480 --> 1:08:19.679
<v Speaker 1>flower shops a woman. And then I want to add

1:08:19.720 --> 1:08:22.240
<v Speaker 1>the dougie. I want to have a sex scene as

1:08:22.240 --> 1:08:25.679
<v Speaker 1>efficient as the flower shop scene. That's right, my like,

1:08:25.840 --> 1:08:29.200
<v Speaker 1>they're like fun fun in and out by Doggie. I

1:08:29.240 --> 1:08:32.320
<v Speaker 1>do like though that you see Johnny both go into

1:08:32.360 --> 1:08:34.920
<v Speaker 1>the flower shop and come out of for a scene

1:08:34.920 --> 1:08:37.599
<v Speaker 1>that didn't need to be there at all. You do

1:08:37.680 --> 1:08:41.599
<v Speaker 1>see every step, every step. Yeah, at least now I've

1:08:41.600 --> 1:08:44.320
<v Speaker 1>seen this movie. And Shane Van Dyke, by the way,

1:08:44.520 --> 1:08:47.920
<v Speaker 1>is Dick Van Dyke's grandson. Okay, well check out Titanic,

1:08:47.960 --> 1:08:50.840
<v Speaker 1>to check out Lady to Lady where I think we're

1:08:50.840 --> 1:08:54.280
<v Speaker 1>interviewing Dick Vandyke soon really, no way, I don't know,

1:08:54.439 --> 1:08:57.040
<v Speaker 1>but we're supposed to. He came to a comedy show

1:08:57.080 --> 1:09:01.280
<v Speaker 1>that I did in Malibu. Shout out Chris Crofton's Boo

1:09:01.360 --> 1:09:04.320
<v Speaker 1>comedy show. I did it recently. I got yelled at

1:09:05.160 --> 1:09:07.840
<v Speaker 1>by Dick Van Dyke, by Shane Van Dyke, by a

1:09:07.880 --> 1:09:11.479
<v Speaker 1>Malibu drunk. That'll happen at that show. Yeah, kind like

1:09:11.600 --> 1:09:14.200
<v Speaker 1>was one of like six people in the audience that

1:09:14.560 --> 1:09:16.519
<v Speaker 1>in the other four were a bunch of drunk people

1:09:16.520 --> 1:09:20.080
<v Speaker 1>who heckled everyone the entire time. Anyway, Um, Barbara, where

1:09:20.080 --> 1:09:23.479
<v Speaker 1>can people find you online? Where can people follow you? Um?

1:09:24.080 --> 1:09:27.960
<v Speaker 1>My Twitter is at Bab's Gray. I probably don't pass

1:09:28.000 --> 1:09:30.320
<v Speaker 1>the Bechdel test on there, and most of my regular

1:09:30.360 --> 1:09:33.120
<v Speaker 1>life with myself and my website is my jokes are

1:09:33.200 --> 1:09:36.120
<v Speaker 1>up here dot com. You can find me there and yeah,

1:09:36.160 --> 1:09:38.919
<v Speaker 1>Lady to Lady podcast. I have a show every Friday

1:09:39.200 --> 1:09:43.360
<v Speaker 1>called Sauce at the Sano Pizza in Hollywood, California. Yeah.

1:09:44.600 --> 1:09:47.519
<v Speaker 1>I used to do paint night events there anyway. Oh yeah,

1:09:47.520 --> 1:09:51.280
<v Speaker 1>and then you hooked me up with that paint job.

1:09:51.600 --> 1:09:53.519
<v Speaker 1>I gave you the best paint job that you're like,

1:09:54.000 --> 1:09:56.800
<v Speaker 1>Oh no, you looked me up with that Painton night

1:09:56.880 --> 1:09:59.200
<v Speaker 1>job before we were real friends, I know. Yeah, and

1:09:59.240 --> 1:10:01.200
<v Speaker 1>then I trained in It was like this jump sex

1:10:01.800 --> 1:10:04.479
<v Speaker 1>and I never did it. Hey. You can follow us

1:10:04.600 --> 1:10:09.320
<v Speaker 1>on Twitter at dactel Cast, also on Instagram, also on Facebook.

1:10:10.080 --> 1:10:18.200
<v Speaker 1>Also also on our new new new website babelcast dot com. Yes,

1:10:18.439 --> 1:10:23.360
<v Speaker 1>sectelcast dot com period you can go there for information

1:10:23.439 --> 1:10:26.519
<v Speaker 1>about live shows that we have coming up, including a

1:10:26.600 --> 1:10:29.439
<v Speaker 1>show at the cinder Block Comedy Festival in Brooklyn, New York.

1:10:29.439 --> 1:10:33.599
<v Speaker 1>On September nine. We're gonna be talking to Ray Sonny

1:10:33.720 --> 1:10:38.160
<v Speaker 1>about the movie get Out and we're gonna go to Boston.

1:10:38.360 --> 1:10:41.479
<v Speaker 1>That's right. The next day, on September tenth, we bought

1:10:41.479 --> 1:10:43.400
<v Speaker 1>our mega bus. Oh I have to vemmo you from

1:10:44.880 --> 1:10:48.000
<v Speaker 1>Oh my god. This is so embarrassing. But we have

1:10:48.040 --> 1:10:51.960
<v Speaker 1>another show on September ten in Boston at Improv Boston

1:10:52.080 --> 1:10:55.400
<v Speaker 1>for the Boston Comedy Arts Festival. How many more times

1:10:55.400 --> 1:10:58.599
<v Speaker 1>can I say Boston and one sentence? We have guests

1:10:58.640 --> 1:11:01.840
<v Speaker 1>Sam Mike very fun, a comedian talking about men in

1:11:01.920 --> 1:11:05.479
<v Speaker 1>black baby Yeah. Check out our website. You can also

1:11:06.400 --> 1:11:09.200
<v Speaker 1>thank you so much welcome. Check out back to ocast

1:11:09.240 --> 1:11:12.240
<v Speaker 1>dot com. You can also um donate money to us there.

1:11:12.439 --> 1:11:17.280
<v Speaker 1>Please do all kinds I mean, but please please please mark,

1:11:17.760 --> 1:11:23.000
<v Speaker 1>please please pleuri check out Twitter for the latest of

1:11:23.560 --> 1:11:25.439
<v Speaker 1>whether Alfred Molina is going to hang out with us

1:11:25.479 --> 1:11:30.639
<v Speaker 1>or not. Yes, yes, anyway, oh bye, oh bye, oh

1:11:30.680 --> 1:11:31.280
<v Speaker 1>by Doggie