1 00:00:00,160 --> 00:00:03,520 Speaker 1: If you had to name one artist who fits this description, 2 00:00:03,600 --> 00:00:06,760 Speaker 1: who would it be? The most famous pop star that 3 00:00:06,840 --> 00:00:07,920 Speaker 1: no one has ever heard of. 4 00:00:08,360 --> 00:00:11,280 Speaker 2: Well, when I heard that, I was shocked. I was 5 00:00:11,320 --> 00:00:16,280 Speaker 2: shocked to hear that someone said that about our girl, Becky. 6 00:00:15,960 --> 00:00:18,880 Speaker 1: G, our girl, our hometown hero, La. 7 00:00:18,840 --> 00:00:30,000 Speaker 2: Girl born and raised. In Beckyg's documentary Rebecca, she opens 8 00:00:30,040 --> 00:00:32,839 Speaker 2: with this that someone said that about her, and I 9 00:00:32,880 --> 00:00:37,200 Speaker 2: think that it shows a really like humility. 10 00:00:37,920 --> 00:00:41,640 Speaker 1: Yeah, because that's sort of a that's a blow. It's 11 00:00:41,640 --> 00:00:46,240 Speaker 1: a little nasty, but I don't think it's entirely inaccurate. 12 00:00:46,760 --> 00:00:51,360 Speaker 1: Becky G came up in Inglewood on YouTube at local 13 00:00:51,560 --> 00:00:56,720 Speaker 1: talent shows and contests. She became a pop star very 14 00:00:56,800 --> 00:00:58,600 Speaker 1: much of her own making, and with the help of 15 00:00:58,600 --> 00:01:04,560 Speaker 1: her family and her community and her collaborators, and her personality, 16 00:01:04,600 --> 00:01:07,039 Speaker 1: her passion, and her work ethic and all of her 17 00:01:07,200 --> 00:01:11,679 Speaker 1: years of climbing really shine through in her documentary. We 18 00:01:11,760 --> 00:01:14,240 Speaker 1: went to go see it. I loved it. I was crying. 19 00:01:14,280 --> 00:01:17,920 Speaker 1: I was weeping in the theater. And that's what we're 20 00:01:17,920 --> 00:01:20,720 Speaker 1: talking about today. On this episode of Lokatra is Rebecca, 21 00:01:20,880 --> 00:01:22,160 Speaker 1: the Becky G documentary. 22 00:01:22,800 --> 00:01:26,760 Speaker 2: The Latino girlies are having a moment in the documentary space, 23 00:01:26,880 --> 00:01:30,520 Speaker 2: and I'm so here for it, and I'm really excited 24 00:01:30,560 --> 00:01:33,039 Speaker 2: to talk more about what we learned about Becky and 25 00:01:33,080 --> 00:01:36,800 Speaker 2: her journey and who Rebecca is, because that's also the 26 00:01:36,840 --> 00:01:37,880 Speaker 2: heart of the documentary. 27 00:01:38,200 --> 00:01:39,880 Speaker 1: So if you're interested and you want to know more 28 00:01:39,880 --> 00:01:42,600 Speaker 1: about Becky G. I learned a lot. Keep listening. For 29 00:01:42,680 --> 00:01:45,240 Speaker 1: those who maybe are not as familiar with Becky G. 30 00:01:45,640 --> 00:01:50,760 Speaker 1: Becky came onto the scene on YouTube with her raps. 31 00:01:50,880 --> 00:01:54,040 Speaker 1: She was rapping, she was putting out content, and I 32 00:01:54,120 --> 00:01:56,880 Speaker 1: remember the first time I heard of Becky G was 33 00:01:56,920 --> 00:01:58,960 Speaker 1: when she came out with that song Becky from the 34 00:01:59,040 --> 00:02:05,240 Speaker 1: Block and it's her like wrap remake cover of Jenny 35 00:02:05,240 --> 00:02:08,120 Speaker 1: from the Block famously by j Loo, and the music 36 00:02:08,200 --> 00:02:10,840 Speaker 1: video it's a very young Becky G. She's a teenager 37 00:02:11,080 --> 00:02:14,080 Speaker 1: and she's in Inglewood, in her hometown and in her 38 00:02:14,120 --> 00:02:17,079 Speaker 1: family home and surrounded by friends and family, and it's 39 00:02:17,080 --> 00:02:22,320 Speaker 1: a very very la very Inglewood video. And that's when 40 00:02:22,360 --> 00:02:26,160 Speaker 1: I first heard of Becky G. And now she's an 41 00:02:26,280 --> 00:02:31,480 Speaker 1: international pop star with a huge appeal and a big audience, 42 00:02:31,560 --> 00:02:34,040 Speaker 1: and she's touring and she's come out with this documentary 43 00:02:34,639 --> 00:02:37,520 Speaker 1: and I really grew to love her watching the film 44 00:02:37,560 --> 00:02:40,400 Speaker 1: in a way that I wasn't expecting walking in. 45 00:02:41,080 --> 00:02:43,280 Speaker 2: Yeah, I've been such a big fan of Becky G 46 00:02:43,720 --> 00:02:49,600 Speaker 2: for I would say the last five years. I remember 47 00:02:49,680 --> 00:02:53,079 Speaker 2: when early on in the podcast her song we were all 48 00:02:53,120 --> 00:02:56,320 Speaker 2: single at the time, and I think it was called 49 00:02:56,360 --> 00:02:59,680 Speaker 2: Mela oh Yeah, and that was such an anthem for 50 00:02:59,760 --> 00:03:01,560 Speaker 2: me for a while. It didn't last long. I didn't 51 00:03:01,560 --> 00:03:03,600 Speaker 2: stay single long, but that was definitely one of the 52 00:03:03,600 --> 00:03:06,440 Speaker 2: first songs that I heard from her, maybe seven years ago. 53 00:03:06,919 --> 00:03:08,880 Speaker 2: And then a couple of years ago she released her 54 00:03:08,919 --> 00:03:13,040 Speaker 2: album Esquinas Yes, and that was her first Mexican regional album. 55 00:03:13,919 --> 00:03:18,200 Speaker 2: I listened to that album start to finish, first song 56 00:03:18,360 --> 00:03:24,120 Speaker 2: to last song religiously. I did not grow up listening 57 00:03:24,120 --> 00:03:27,120 Speaker 2: to Mexican regional music, and it's not something I really 58 00:03:27,160 --> 00:03:31,160 Speaker 2: dive into even now as an adult, but that album, 59 00:03:31,440 --> 00:03:34,240 Speaker 2: it was I had this moment was like, oh my god, 60 00:03:34,280 --> 00:03:38,000 Speaker 2: it's Becky G. That's bringing me in to the genre. Wow, 61 00:03:38,120 --> 00:03:40,400 Speaker 2: it's been very male dominated right that. Yes, there are 62 00:03:40,440 --> 00:03:44,280 Speaker 2: women now, but I was like, Wow, it's a first 63 00:03:44,320 --> 00:03:47,760 Speaker 2: gen girl from La a Chicana that's bringing me into 64 00:03:47,840 --> 00:03:51,160 Speaker 2: the genre. And I think that speaks to the popularity 65 00:03:51,400 --> 00:03:55,240 Speaker 2: and why her fans feel so connected to her is 66 00:03:55,280 --> 00:04:00,920 Speaker 2: that she is creating music from a sense of pride 67 00:04:01,080 --> 00:04:04,560 Speaker 2: for her culture, her community, her roots, but doing it 68 00:04:04,640 --> 00:04:06,600 Speaker 2: in her way because she is first Jen and she 69 00:04:06,680 --> 00:04:10,120 Speaker 2: is from la and so there's so much of that overlap, 70 00:04:10,280 --> 00:04:13,880 Speaker 2: which I think is why she's a fan favorite. She's 71 00:04:14,080 --> 00:04:16,600 Speaker 2: a local girl for us, and she's I think really 72 00:04:16,640 --> 00:04:18,080 Speaker 2: special and really talented. 73 00:04:18,160 --> 00:04:21,520 Speaker 1: And that really I think was evident in the theater 74 00:04:21,800 --> 00:04:26,359 Speaker 1: because that audience. Every time she would shout out Inglewood, 75 00:04:26,800 --> 00:04:31,120 Speaker 1: people would clap, they would cheer, like people know her 76 00:04:31,160 --> 00:04:34,760 Speaker 1: story and where she comes from and are really proud 77 00:04:34,920 --> 00:04:37,440 Speaker 1: that she's repping the way that she is and she's 78 00:04:37,480 --> 00:04:40,560 Speaker 1: on the big screen and she's touring, and I think 79 00:04:40,560 --> 00:04:45,560 Speaker 1: it's really telling. Also the way her take on Mexican 80 00:04:45,600 --> 00:04:49,839 Speaker 1: regional music maybe was met with some criticism, and she 81 00:04:49,920 --> 00:04:52,680 Speaker 1: talks about this in the documentary that people sort of 82 00:04:53,040 --> 00:04:57,000 Speaker 1: were calling her fake or that she was only starting 83 00:04:57,040 --> 00:05:00,679 Speaker 1: to sing in Spanish or embrace her Mexican hair because 84 00:05:00,680 --> 00:05:05,920 Speaker 1: it was convenient to her, And she walks walks us 85 00:05:05,960 --> 00:05:09,760 Speaker 1: through that experience of seeing the negative comments online and 86 00:05:09,800 --> 00:05:14,440 Speaker 1: hearing the criticism and the whole you know, the accusation 87 00:05:14,680 --> 00:05:17,919 Speaker 1: of like not being Mexican enough, and she talks about 88 00:05:18,000 --> 00:05:23,200 Speaker 1: how Eskeina's is a commentary on that phenomenon exactly, and 89 00:05:23,240 --> 00:05:26,160 Speaker 1: what she says in the doc is that Esquinas is 90 00:05:26,200 --> 00:05:30,159 Speaker 1: all about celebrating both sides of the street that raised her. 91 00:05:30,680 --> 00:05:34,760 Speaker 2: She very much identifies as a two hundred percenter, which 92 00:05:34,760 --> 00:05:38,040 Speaker 2: I think is really interesting and I can definitely see 93 00:05:38,240 --> 00:05:41,839 Speaker 2: why that is so resonant with a lot of first 94 00:05:41,880 --> 00:05:46,839 Speaker 2: gen or even second gen of being one percent Mexican 95 00:05:47,000 --> 00:05:51,599 Speaker 2: or Latino, Latina, Latine and then being one hundred percent American. 96 00:05:52,040 --> 00:05:56,080 Speaker 2: I love that she embraces it in this way because 97 00:05:56,920 --> 00:05:59,640 Speaker 2: that is the experience for so many people where you're 98 00:05:59,680 --> 00:06:02,719 Speaker 2: not picking one, and there's this idea of being like, 99 00:06:03,240 --> 00:06:06,520 Speaker 2: you know, like we quantify our identity, Oh, I'm fifty 100 00:06:06,560 --> 00:06:10,159 Speaker 2: percent this, I'm fifty percent that right, and her very 101 00:06:10,200 --> 00:06:13,120 Speaker 2: standing on like, no, I'm both. And I think that 102 00:06:13,200 --> 00:06:16,160 Speaker 2: is also another reason why people identify with her so 103 00:06:16,160 --> 00:06:16,800 Speaker 2: so fiercely. 104 00:06:17,200 --> 00:06:20,760 Speaker 1: Oh yeah. So much of the concert footage had included 105 00:06:20,839 --> 00:06:23,800 Speaker 1: images of her fans holding up signs that said two 106 00:06:23,920 --> 00:06:27,839 Speaker 1: hundred percent soyveaki e vea yah. And I think that 107 00:06:27,960 --> 00:06:32,800 Speaker 1: she backed that up by showing so much like archival 108 00:06:33,200 --> 00:06:37,400 Speaker 1: family home videos from her time in Jalisco. She spent 109 00:06:37,440 --> 00:06:39,679 Speaker 1: a lot of time in Mexico growing up. It looked 110 00:06:39,720 --> 00:06:43,520 Speaker 1: like at her grandfather's house, and it seems like it 111 00:06:43,600 --> 00:06:46,719 Speaker 1: was there in Mexico where she was really tapping into 112 00:06:46,720 --> 00:06:50,640 Speaker 1: her Mexican heritage, into her relationship with her grandfather. That 113 00:06:50,839 --> 00:06:55,320 Speaker 1: was a very prominent character in the documentary was her 114 00:06:55,320 --> 00:06:58,360 Speaker 1: grandfather who has passed and how she dealt with the 115 00:06:58,400 --> 00:07:02,000 Speaker 1: passing of her grandfather. But her time in Mexico was 116 00:07:02,040 --> 00:07:06,440 Speaker 1: also definitely it looked like part of what launched her 117 00:07:06,480 --> 00:07:09,320 Speaker 1: singing because she was singing in front of her family 118 00:07:09,840 --> 00:07:13,960 Speaker 1: at family gatherings Injalisco. And so you can see that 119 00:07:14,720 --> 00:07:17,320 Speaker 1: in spite of this criticism that she's being like an 120 00:07:17,360 --> 00:07:21,480 Speaker 1: opportunist singing in Spanish, well, singing in Spanish in Mexico 121 00:07:21,640 --> 00:07:23,360 Speaker 1: has been a part of her life since she was 122 00:07:23,400 --> 00:07:26,720 Speaker 1: a little girl. It's very true to her and so 123 00:07:27,040 --> 00:07:30,600 Speaker 1: I really appreciate that she put out the work in 124 00:07:30,680 --> 00:07:34,200 Speaker 1: this way to also lay it out there for everyone 125 00:07:34,440 --> 00:07:36,360 Speaker 1: like this is who she is, this is where she's from. 126 00:07:36,440 --> 00:07:40,920 Speaker 1: It's not about writing a wave or cashing in or 127 00:07:41,320 --> 00:07:45,200 Speaker 1: singing in Spanish because it's convenient. It's actually her origins 128 00:07:45,280 --> 00:07:46,320 Speaker 1: and where she comes from. 129 00:07:46,640 --> 00:07:51,360 Speaker 2: And I think there's this reality for US Latino performing 130 00:07:51,520 --> 00:07:55,000 Speaker 2: artist where in some ways the music industry doesn't know 131 00:07:55,000 --> 00:07:57,600 Speaker 2: what to do with you because you're Latino and you're 132 00:07:57,640 --> 00:07:59,119 Speaker 2: not doing quote Latin music. 133 00:07:59,280 --> 00:08:02,360 Speaker 1: And I think what's interesting too is she started rapping 134 00:08:02,840 --> 00:08:05,720 Speaker 1: right like that. That's kind of how she popped out 135 00:08:05,720 --> 00:08:08,559 Speaker 1: on the scene. And then in the documentary, her mom 136 00:08:08,720 --> 00:08:13,320 Speaker 1: identifies her first big hit, her first smash hit, as Shower, 137 00:08:14,320 --> 00:08:18,000 Speaker 1: which is a pop song. It's a straight up English 138 00:08:18,160 --> 00:08:22,640 Speaker 1: American top forty pop song. And then eventually she comes 139 00:08:22,680 --> 00:08:28,080 Speaker 1: out with Esquinas. And I think the automatic instinct to 140 00:08:28,160 --> 00:08:32,760 Speaker 1: say like, oh, you're just genre hopping is so narrow minded, 141 00:08:33,240 --> 00:08:36,440 Speaker 1: where instead we can say like, wow, what range that 142 00:08:36,760 --> 00:08:42,400 Speaker 1: a singer, songwriter, vocalist can rap and singcr ridos Mexican 143 00:08:42,440 --> 00:08:45,880 Speaker 1: regional in Spanish and can do top forty pop Like 144 00:08:45,920 --> 00:08:46,640 Speaker 1: that's range. 145 00:08:47,120 --> 00:08:52,320 Speaker 2: It is range. It is range. And I think what 146 00:08:52,400 --> 00:08:55,600 Speaker 2: I love about also the documentary, and you already mentioned, 147 00:08:55,720 --> 00:09:00,480 Speaker 2: is the archival footage and it just reminds me again 148 00:09:01,080 --> 00:09:05,160 Speaker 2: continuously from the Selena documentary now to the beckyg documentary. 149 00:09:05,360 --> 00:09:09,839 Speaker 2: How important archival footage is. The current life that you're 150 00:09:09,880 --> 00:09:14,080 Speaker 2: living will be archival footage years from now. And to 151 00:09:14,240 --> 00:09:18,400 Speaker 2: know that that really informed this story and her story 152 00:09:18,440 --> 00:09:22,200 Speaker 2: and how it informed the documentary, I think is so incredible. 153 00:09:22,720 --> 00:09:26,359 Speaker 2: And not only that, but also hearing from her family firsthand, 154 00:09:26,840 --> 00:09:30,560 Speaker 2: from her mother, her siblings, eventually her father, which is 155 00:09:30,679 --> 00:09:34,079 Speaker 2: I think a whole piece that I definitely did not 156 00:09:34,280 --> 00:09:35,360 Speaker 2: know anything about. 157 00:09:35,920 --> 00:09:42,439 Speaker 1: Oh my god, I mean, gut wrenching, really really painful 158 00:09:42,920 --> 00:09:45,959 Speaker 1: family history in a lot of ways that Becky G 159 00:09:46,240 --> 00:09:50,800 Speaker 1: lived through a while becoming Becky G while launching her 160 00:09:50,840 --> 00:09:55,040 Speaker 1: own career, and her mother Alex total. 161 00:09:54,679 --> 00:09:57,120 Speaker 2: Battie gorgeous, stunning. 162 00:09:56,840 --> 00:10:01,439 Speaker 1: Beautiful lady. And Becky is the oldest of of four siblings, 163 00:10:02,200 --> 00:10:04,160 Speaker 1: and she's part of this big family and they all 164 00:10:04,200 --> 00:10:06,720 Speaker 1: seem to just be very tight and they like really 165 00:10:06,760 --> 00:10:10,480 Speaker 1: support her. And it's clear that she was always like 166 00:10:10,559 --> 00:10:12,680 Speaker 1: the little girl who was singing. She was the singing 167 00:10:12,679 --> 00:10:15,960 Speaker 1: little girl in the family and at school, she was 168 00:10:16,000 --> 00:10:18,840 Speaker 1: getting up at the pep rallies and the talent shows, 169 00:10:19,000 --> 00:10:21,240 Speaker 1: and she was the girl who would sing and she 170 00:10:21,400 --> 00:10:25,040 Speaker 1: just always had that passion and that flare and that fire, 171 00:10:25,320 --> 00:10:31,400 Speaker 1: and she loved to perform, and it's incredible that so 172 00:10:31,600 --> 00:10:35,760 Speaker 1: much of it is on video. Yeah, it's really awesome. 173 00:10:35,920 --> 00:10:38,400 Speaker 1: And I think that like if you are that person. 174 00:10:38,600 --> 00:10:41,040 Speaker 1: I know sometimes i'm that person who's like always filming 175 00:10:41,480 --> 00:10:44,800 Speaker 1: in the moment, it's like annoying, like, oh, you're always filming, 176 00:10:45,280 --> 00:10:47,880 Speaker 1: But like you said, years later, it's oh, my god, 177 00:10:48,320 --> 00:10:51,200 Speaker 1: so so happy that we have that, that those moments 178 00:10:51,240 --> 00:10:54,240 Speaker 1: that we can now treasure them because we documented them. 179 00:10:54,679 --> 00:10:57,880 Speaker 2: Yeah, and you know, not to get too tangential and existential, 180 00:10:58,120 --> 00:11:03,440 Speaker 2: but there's this notion that we're always online, we're always documenting. 181 00:11:03,640 --> 00:11:07,199 Speaker 2: We as in the current society that is online and 182 00:11:07,280 --> 00:11:11,280 Speaker 2: creating content. But if we think back on our families 183 00:11:11,480 --> 00:11:16,880 Speaker 2: and our family parties, the VHS camera yeah was everywhere. 184 00:11:17,200 --> 00:11:22,160 Speaker 2: You know that documenting is not something new, and there's 185 00:11:22,240 --> 00:11:24,560 Speaker 2: now we look down on it in some ways because 186 00:11:24,600 --> 00:11:27,200 Speaker 2: I think it's so accessible, like go, put your phone down, 187 00:11:27,320 --> 00:11:29,840 Speaker 2: be in the moment. But when I look back and 188 00:11:29,880 --> 00:11:32,520 Speaker 2: I think back on family parties and growing up and 189 00:11:32,559 --> 00:11:34,880 Speaker 2: seeing all the pictures, there was always someone with a 190 00:11:34,960 --> 00:11:38,959 Speaker 2: video cam, a cam quarterer, you know, yes, the big 191 00:11:39,000 --> 00:11:40,480 Speaker 2: old cam quarters. 192 00:11:40,600 --> 00:11:43,080 Speaker 1: Yeah, my grandpa had a huge one that you brought 193 00:11:43,080 --> 00:11:44,600 Speaker 1: out for every holiday. 194 00:11:44,240 --> 00:11:45,760 Speaker 2: And that was just part of it. And no one 195 00:11:45,960 --> 00:11:48,520 Speaker 2: was making a fuss about it. Nobody was saying be present. 196 00:11:48,640 --> 00:11:50,520 Speaker 2: Maybe you didn't want to be recorded, but it would 197 00:11:50,520 --> 00:11:53,960 Speaker 2: definitely wasn't looked down upon. And so watching the documentary 198 00:11:54,040 --> 00:11:57,760 Speaker 2: gave me that perspective. Of course, after watching Selena's documentary 199 00:11:57,800 --> 00:12:01,120 Speaker 2: a couple of weeks ago and the our couple footage 200 00:12:01,120 --> 00:12:04,760 Speaker 2: being used there, it just is making me reframe the 201 00:12:04,800 --> 00:12:08,280 Speaker 2: way we think about documenting and the way we being 202 00:12:08,360 --> 00:12:10,840 Speaker 2: resistant to that to looking down on it. You're not 203 00:12:10,880 --> 00:12:14,880 Speaker 2: being present, You're documenting everything. Stop recording. Actually no, I'm 204 00:12:14,880 --> 00:12:15,760 Speaker 2: gonna keep doing it. 205 00:12:15,880 --> 00:12:19,960 Speaker 1: Keep doing it. And it's not only the good, happy, 206 00:12:19,960 --> 00:12:24,920 Speaker 1: fun times that were recorded. Because I was so I 207 00:12:24,920 --> 00:12:27,960 Speaker 1: don't know even the word to use, not impressed, not shocked, 208 00:12:28,040 --> 00:12:31,000 Speaker 1: but I was just really kind of an awe of 209 00:12:31,040 --> 00:12:37,200 Speaker 1: how much of like her father's addiction was captured on 210 00:12:37,679 --> 00:12:41,400 Speaker 1: like old home videos. And this is something that was 211 00:12:41,480 --> 00:12:46,680 Speaker 1: a big through line in the documentary was her father 212 00:12:47,480 --> 00:12:54,520 Speaker 1: and his struggles with alcoholism, with hard, hard, hard drugs 213 00:12:54,559 --> 00:12:58,880 Speaker 1: that only got harder actually as Becky got older, and 214 00:12:59,040 --> 00:13:02,080 Speaker 1: some of that some of those memories of him being 215 00:13:02,160 --> 00:13:05,320 Speaker 1: drunk and him being out of his mind, or him 216 00:13:05,360 --> 00:13:10,000 Speaker 1: being just unable to be fully present. They had captured 217 00:13:10,440 --> 00:13:14,720 Speaker 1: on camera and played it back in the documentary, which 218 00:13:14,760 --> 00:13:17,120 Speaker 1: was also very wild to see that they had so 219 00:13:17,320 --> 00:13:20,200 Speaker 1: much of it. And then we meet her dad, who 220 00:13:20,240 --> 00:13:24,600 Speaker 1: I think now is like in Recovery, but Becky talks 221 00:13:24,640 --> 00:13:27,800 Speaker 1: about basically becoming the breadwinner for the family at a 222 00:13:27,840 --> 00:13:30,440 Speaker 1: young age as her career was taking off and she 223 00:13:30,520 --> 00:13:35,640 Speaker 1: was gigging and becoming a star, and how her support 224 00:13:35,679 --> 00:13:39,840 Speaker 1: of the family eventually had to be modified so that 225 00:13:39,960 --> 00:13:42,800 Speaker 1: she wasn't paying for her dad's life anymore, but only 226 00:13:42,800 --> 00:13:45,880 Speaker 1: paying for his treatment, and then they eventually had to 227 00:13:45,920 --> 00:13:48,960 Speaker 1: stage like an intervention and cut him off and became 228 00:13:49,360 --> 00:13:52,559 Speaker 1: basically estranged from their father, which you can see in 229 00:13:52,600 --> 00:13:56,120 Speaker 1: the documentary impacted her greatly. 230 00:13:56,280 --> 00:14:00,360 Speaker 2: I thought it was a really beautiful narrative that were 231 00:14:00,400 --> 00:14:04,320 Speaker 2: able to respectfully craft. The narrative itself is not beautiful. 232 00:14:04,320 --> 00:14:07,720 Speaker 2: I should restate that that they were able to capture 233 00:14:07,760 --> 00:14:12,600 Speaker 2: this really complex, nuanced reality that her father was living 234 00:14:12,640 --> 00:14:16,520 Speaker 2: through and by way they were all experiencing, and they 235 00:14:16,559 --> 00:14:23,280 Speaker 2: were able to tell this story without villainizing him, without 236 00:14:24,440 --> 00:14:27,240 Speaker 2: it was very much he was struggling. This is how 237 00:14:27,240 --> 00:14:29,400 Speaker 2: it affected him, this is how it affected us, and 238 00:14:29,440 --> 00:14:31,960 Speaker 2: this is what it looks like now. And so I 239 00:14:31,960 --> 00:14:35,920 Speaker 2: thought it was a very respectful way of talking about 240 00:14:36,000 --> 00:14:40,640 Speaker 2: substance abuse and how it can really impact a family. 241 00:14:41,520 --> 00:14:46,000 Speaker 2: And I thought that that journey was a really powerful 242 00:14:46,040 --> 00:14:48,680 Speaker 2: thing and a very vulnerable thing for them to all 243 00:14:49,560 --> 00:14:50,240 Speaker 2: put out there. 244 00:14:50,800 --> 00:14:55,880 Speaker 1: Yeah, and her mom, Becky's mom, Alex, talks about how 245 00:14:57,600 --> 00:15:02,640 Speaker 1: her husband's addiction was substances and her addiction was to him, 246 00:15:03,680 --> 00:15:07,240 Speaker 1: and how the marriage lasted for twenty five years, but 247 00:15:07,360 --> 00:15:12,080 Speaker 1: eventually she had to choose the family and the kids 248 00:15:12,160 --> 00:15:15,440 Speaker 1: and being a mother over the relationship with the father 249 00:15:15,520 --> 00:15:18,680 Speaker 1: of her children and her husband, and that was very 250 00:15:18,720 --> 00:15:23,920 Speaker 1: powerful as well. And so the documentary also started to 251 00:15:24,000 --> 00:15:28,120 Speaker 1: veer into the concept of not only addiction and mental health, 252 00:15:28,200 --> 00:15:33,080 Speaker 1: but love and relationships and going from the relationship between 253 00:15:33,480 --> 00:15:37,240 Speaker 1: Becky's parents and Becky says in the documentary, like the 254 00:15:37,280 --> 00:15:42,080 Speaker 1: first heartbreak that she experienced was from her father through 255 00:15:42,120 --> 00:15:45,520 Speaker 1: the eyes of her mother, and because of his addiction, 256 00:15:46,040 --> 00:15:48,480 Speaker 1: Mom chose the kids and the family, and in a way, 257 00:15:48,520 --> 00:15:52,400 Speaker 1: he chose his addiction. And so then you have a 258 00:15:52,400 --> 00:15:56,320 Speaker 1: moment where Becky's mom says that she doesn't expect perfection 259 00:15:56,560 --> 00:16:00,640 Speaker 1: from her kids, and she also doesn't expect perfect from 260 00:16:00,680 --> 00:16:05,720 Speaker 1: the people who love her kids. So now enters Sebastian, 261 00:16:06,080 --> 00:16:10,440 Speaker 1: Becky's long term partner, and the audience booze right away, 262 00:16:10,600 --> 00:16:13,160 Speaker 1: I mean immediately when Sebastian comes onto the screen. 263 00:16:15,120 --> 00:16:22,400 Speaker 2: Don't go anywhere, look amotives. We'll be right back, yeah, 264 00:16:22,480 --> 00:16:27,400 Speaker 2: I mean. And in case you haven't been following this polemika, 265 00:16:27,520 --> 00:16:32,640 Speaker 2: basically between Becky G and her fiance, we don't actually 266 00:16:32,680 --> 00:16:35,560 Speaker 2: know if they're still engaged or if they're even still together, 267 00:16:35,680 --> 00:16:40,920 Speaker 2: but definitely the documentary implies that they are working on 268 00:16:41,000 --> 00:16:48,240 Speaker 2: things that it's really hard to work through something in 269 00:16:48,280 --> 00:16:50,800 Speaker 2: your private life when you are a public person, and 270 00:16:50,840 --> 00:16:55,800 Speaker 2: they're both public. He's an athlete, he is soccer player, 271 00:16:56,600 --> 00:17:00,440 Speaker 2: and they had a very very public relationship. They were 272 00:17:00,720 --> 00:17:05,119 Speaker 2: adorable together. They shared their engagement online and then there 273 00:17:05,160 --> 00:17:09,440 Speaker 2: were rumors of him cheating and he released a statement 274 00:17:09,440 --> 00:17:12,879 Speaker 2: and apology. This was a couple of years ago, and 275 00:17:13,760 --> 00:17:17,359 Speaker 2: Becky G's approach was actually not to release a statement 276 00:17:17,359 --> 00:17:20,680 Speaker 2: and actually not to say anything. As we know, being 277 00:17:20,720 --> 00:17:22,600 Speaker 2: a woman is really challenging. 278 00:17:22,720 --> 00:17:25,800 Speaker 1: Yes, period, Yes, point blank. 279 00:17:26,119 --> 00:17:30,639 Speaker 2: And no matter the decision you make, there's going to 280 00:17:30,640 --> 00:17:32,959 Speaker 2: be someone that has something to say about it. And 281 00:17:33,119 --> 00:17:36,080 Speaker 2: especially if you're online, especially if you're in the public. 282 00:17:36,520 --> 00:17:40,119 Speaker 2: If she stayed with him, there was negative feelings. If 283 00:17:40,160 --> 00:17:44,880 Speaker 2: she didn't, there were also negative feelings about it. And 284 00:17:45,200 --> 00:17:47,360 Speaker 2: you know, I don't really have an opinion on that, 285 00:17:47,560 --> 00:17:49,600 Speaker 2: and I don't I think that we should all touch 286 00:17:49,640 --> 00:17:53,800 Speaker 2: grass when it comes to that. But how many of 287 00:17:53,800 --> 00:17:58,760 Speaker 2: our homegirls are mothers Arthias or primas have stayed you 288 00:17:58,880 --> 00:18:03,040 Speaker 2: know many and it is not an indication, it's not 289 00:18:03,080 --> 00:18:08,080 Speaker 2: a character flaw of our moms, ur pritty Masardias and 290 00:18:08,119 --> 00:18:11,240 Speaker 2: in this case, potentially Becky. We don't know. I think 291 00:18:11,280 --> 00:18:17,159 Speaker 2: she says a lot without saying too much in the documentary. 292 00:18:16,520 --> 00:18:21,880 Speaker 1: And in the documentary they display some of the comments, yeah, 293 00:18:22,160 --> 00:18:25,320 Speaker 1: that people were posting with regards to the cheating scandal 294 00:18:25,600 --> 00:18:31,600 Speaker 1: and Sebastian, and she talks about how there were people 295 00:18:31,640 --> 00:18:34,919 Speaker 1: who claimed that Becky didn't know her own worth or 296 00:18:34,960 --> 00:18:39,560 Speaker 1: her value because she stayed with him after the revelation 297 00:18:39,840 --> 00:18:42,960 Speaker 1: that he cheated after he had proposed to her. And 298 00:18:43,000 --> 00:18:45,280 Speaker 1: I think that was like a big part of it too, 299 00:18:45,400 --> 00:18:48,119 Speaker 1: is he proposed to her. It's interesting too that like 300 00:18:49,359 --> 00:18:53,280 Speaker 1: folks would then take that, which is so tragic for 301 00:18:53,400 --> 00:18:55,879 Speaker 1: someone if you've if you've just been proposed to, and 302 00:18:55,960 --> 00:18:59,920 Speaker 1: now cheating has taken place. I mean, what a mind fuck, 303 00:19:00,080 --> 00:19:03,960 Speaker 1: what a whirlwind. I wouldn't wish that on anyone, But 304 00:19:04,200 --> 00:19:08,240 Speaker 1: to then turn it around and somehow make it about 305 00:19:08,240 --> 00:19:12,280 Speaker 1: Becky not loving herself enough is really horrible and unfair. 306 00:19:12,640 --> 00:19:15,439 Speaker 1: And relationships are very very complicated, and it sounds like 307 00:19:15,520 --> 00:19:18,480 Speaker 1: Becky has been with Sebastian since she was like nineteen, 308 00:19:19,960 --> 00:19:23,200 Speaker 1: like her whole adulthood. So I can see how it 309 00:19:23,240 --> 00:19:26,720 Speaker 1: would be very difficult, especially as someone who is in 310 00:19:26,760 --> 00:19:29,440 Speaker 1: the place that she's in her career and she's touring 311 00:19:29,600 --> 00:19:35,600 Speaker 1: and she is a public figure. It's probably very scary 312 00:19:36,040 --> 00:19:38,639 Speaker 1: to think about letting go of that relationship that she 313 00:19:38,760 --> 00:19:39,399 Speaker 1: grew up. 314 00:19:39,240 --> 00:19:42,640 Speaker 2: In, and it probably I can imagine that relationship feeling 315 00:19:42,760 --> 00:19:46,880 Speaker 2: very grounding to her, and that also being part of 316 00:19:47,000 --> 00:19:50,080 Speaker 2: maybe why would potentially be hard to let go of 317 00:19:50,760 --> 00:19:54,679 Speaker 2: then dating now you are who you are, yes, I 318 00:19:54,720 --> 00:19:58,359 Speaker 2: mean at this point I would imagine you would have 319 00:19:58,400 --> 00:20:01,320 Speaker 2: to date another celebt, celeb artist. 320 00:20:01,160 --> 00:20:05,679 Speaker 1: Pop star, yeah, or like a Joe Schmoes with an 321 00:20:05,680 --> 00:20:08,720 Speaker 1: office job. Yes, there's only two options, which is great, 322 00:20:08,760 --> 00:20:11,240 Speaker 1: which is honestly amazing, which is fabulous. 323 00:20:11,640 --> 00:20:14,879 Speaker 3: Yeah, maybe maybe try, maybe, maybe try, maybe try. 324 00:20:15,040 --> 00:20:19,040 Speaker 2: I think that definitely with the relationship, with the release 325 00:20:19,080 --> 00:20:23,119 Speaker 2: of her album, she definitely shows us what it's like 326 00:20:23,280 --> 00:20:29,080 Speaker 2: to be a public figure, an artist and be online 327 00:20:29,920 --> 00:20:33,640 Speaker 2: because she is. Also, it appears in the documentary that 328 00:20:33,680 --> 00:20:38,200 Speaker 2: she is still someone who posts for herself, who reads 329 00:20:38,200 --> 00:20:38,919 Speaker 2: her comments. 330 00:20:39,240 --> 00:20:40,479 Speaker 1: Oh yeah, she reads the comments. 331 00:20:40,480 --> 00:20:44,399 Speaker 2: She sees. You know, there are celebs. I can imagine 332 00:20:44,440 --> 00:20:47,440 Speaker 2: Beyonce has a posting team and like that's it. They 333 00:20:47,480 --> 00:20:50,720 Speaker 2: post and she does not know anything, right, But Becky 334 00:20:50,760 --> 00:20:53,359 Speaker 2: Gee is definitely still reading the comments. She's like, twenty 335 00:20:53,359 --> 00:20:56,840 Speaker 2: eight you grew up online too, So she's definitely still online. 336 00:20:57,119 --> 00:20:59,080 Speaker 2: And so she shows us what it's like to be 337 00:20:59,119 --> 00:21:01,560 Speaker 2: on the receiving end of the comments. And it's not 338 00:21:01,600 --> 00:21:05,359 Speaker 2: a couple comments, it's thousands of comments. Also, it shows 339 00:21:05,440 --> 00:21:07,439 Speaker 2: us like, you never know if your comment is going 340 00:21:07,480 --> 00:21:10,679 Speaker 2: to end up in a documentary. It's true names were 341 00:21:10,720 --> 00:21:13,879 Speaker 2: blurred out, no names were actually shown, but the comment 342 00:21:13,960 --> 00:21:14,440 Speaker 2: is shown. 343 00:21:14,760 --> 00:21:16,359 Speaker 1: Yeah, your nasty little. 344 00:21:16,080 --> 00:21:18,240 Speaker 2: Comment could be in a documentary. 345 00:21:18,359 --> 00:21:24,440 Speaker 1: Could be a regal cinemas. It's true, and you can 346 00:21:24,480 --> 00:21:26,800 Speaker 1: see the frustration that Beggy feels. She says at one 347 00:21:26,800 --> 00:21:29,360 Speaker 1: point like, oh my god, I hate the Internet, like 348 00:21:29,800 --> 00:21:31,960 Speaker 1: get this away from me. I can't read any more 349 00:21:32,000 --> 00:21:34,840 Speaker 1: of this. But it also seems to fuel her and 350 00:21:34,880 --> 00:21:38,240 Speaker 1: it doesn't seem to stop her. And I think there's 351 00:21:38,280 --> 00:21:41,080 Speaker 1: something to that as well. And I think this piece 352 00:21:41,240 --> 00:21:45,439 Speaker 1: also about her age. You know, she talks about how 353 00:21:45,880 --> 00:21:48,399 Speaker 1: now she's in her late twenties, but when she entered 354 00:21:48,440 --> 00:21:52,320 Speaker 1: into her contract, she was very very young, and she 355 00:21:52,359 --> 00:21:56,080 Speaker 1: doesn't come at least in the documentary, it doesn't sound 356 00:21:56,119 --> 00:21:58,960 Speaker 1: like she comes from a performing arts family or like 357 00:21:59,000 --> 00:22:02,959 Speaker 1: a showbiz family, an industry family. She is like the first. 358 00:22:03,280 --> 00:22:07,159 Speaker 1: She is paving the way. And so that also means 359 00:22:08,320 --> 00:22:11,680 Speaker 1: I think that maybe she didn't have all of the rights, 360 00:22:11,840 --> 00:22:16,040 Speaker 1: support or protections when she started signing contracts and when 361 00:22:16,040 --> 00:22:19,719 Speaker 1: she entered into her current contract, because Becky said just 362 00:22:19,960 --> 00:22:23,840 Speaker 1: enough about her contract without saying too much, and her 363 00:22:23,960 --> 00:22:26,919 Speaker 1: main piece of advice was, if you want to do 364 00:22:27,000 --> 00:22:29,560 Speaker 1: this and you want to work in this industry, you 365 00:22:29,680 --> 00:22:33,640 Speaker 1: need to talk to an entertainment attorney, not your cousin's 366 00:22:33,720 --> 00:22:38,800 Speaker 1: neighbor's Prima's real estate attorney friend, like, who's doing it 367 00:22:38,800 --> 00:22:41,479 Speaker 1: as a favor? You need to talk to a real 368 00:22:41,560 --> 00:22:45,040 Speaker 1: attorney to help you review your contracts. And then she says, 369 00:22:45,600 --> 00:22:48,800 Speaker 1: what was industry standard then when I signed? Is not 370 00:22:48,960 --> 00:22:52,520 Speaker 1: industry standard now? So I think that she was dropping 371 00:22:52,520 --> 00:22:55,480 Speaker 1: some hints for us that maybe she's not getting paid 372 00:22:55,480 --> 00:22:59,439 Speaker 1: what she should be getting paid at this point. Maybe 373 00:22:59,480 --> 00:23:02,360 Speaker 1: she entered into a contract without the best legal advice, 374 00:23:02,520 --> 00:23:05,359 Speaker 1: and maybe that is now impacting her at this stage 375 00:23:05,359 --> 00:23:06,040 Speaker 1: of her career. 376 00:23:06,280 --> 00:23:08,760 Speaker 2: And I think this goes back to the top of 377 00:23:08,960 --> 00:23:11,560 Speaker 2: the conversation and the top of the documentary the biggest 378 00:23:11,600 --> 00:23:14,000 Speaker 2: pop star You've never heard of? And this has been 379 00:23:14,119 --> 00:23:17,680 Speaker 2: my big question as someone who's followed Becky g her 380 00:23:17,760 --> 00:23:21,280 Speaker 2: music career for several years now, is why is she 381 00:23:21,320 --> 00:23:24,399 Speaker 2: not at the height of gottle G. Why is she 382 00:23:24,440 --> 00:23:27,040 Speaker 2: not at the height of Nati Natasha like the other 383 00:23:27,480 --> 00:23:32,480 Speaker 2: pop stars or artists in Latin music that have come 384 00:23:32,600 --> 00:23:35,080 Speaker 2: up kind of around the same time. Why is she 385 00:23:35,160 --> 00:23:38,639 Speaker 2: not reached that height because she's so talented. It's not 386 00:23:38,760 --> 00:23:41,040 Speaker 2: for lack of talent, it's not for lack of work, ethic, 387 00:23:41,760 --> 00:23:45,879 Speaker 2: lack of support, or drive, and it makes me question 388 00:23:46,000 --> 00:23:50,000 Speaker 2: if it is a label issue, if it's something in 389 00:23:50,040 --> 00:23:53,800 Speaker 2: her contract. We don't know, but it for me answered 390 00:23:53,840 --> 00:23:57,800 Speaker 2: that question that doubt of well, why hasn't she reached 391 00:23:57,960 --> 00:24:00,800 Speaker 2: the success of that her peers have. She's definitely in 392 00:24:00,800 --> 00:24:03,760 Speaker 2: that circle, we know that, but we see some of 393 00:24:03,760 --> 00:24:07,760 Speaker 2: her creative peers at different heights. I think also there's 394 00:24:07,840 --> 00:24:10,240 Speaker 2: this like, I want to root for the local girl. 395 00:24:10,400 --> 00:24:13,000 Speaker 2: Oh yeah, I want to root for the girl who's 396 00:24:13,000 --> 00:24:18,119 Speaker 2: still going to Randy's Donuts and who is hiring or 397 00:24:18,160 --> 00:24:22,359 Speaker 2: working with the middle school choir and taking them to 398 00:24:22,400 --> 00:24:24,480 Speaker 2: the oscars to perform with her. You know, That's what 399 00:24:24,600 --> 00:24:27,240 Speaker 2: I want to root for. And so for me, it 400 00:24:27,320 --> 00:24:31,000 Speaker 2: definitely brought that full circle of biggest pop store, you've 401 00:24:31,000 --> 00:24:35,359 Speaker 2: never heard of, my contract and industry standard is not 402 00:24:35,760 --> 00:24:37,800 Speaker 2: the same that it was then that it is now. 403 00:24:38,160 --> 00:24:40,000 Speaker 2: So to me, it was a really big circle in 404 00:24:40,040 --> 00:24:44,800 Speaker 2: that way. Don't go anywhere, Lokomotives. 405 00:24:44,880 --> 00:24:49,919 Speaker 1: We'll be right back, and we're back with more of 406 00:24:49,960 --> 00:24:54,080 Speaker 1: our episode. Yeah. I really appreciate that it was a 407 00:24:54,200 --> 00:24:57,520 Speaker 1: very grounded documentary. I thought she was very realistic. I 408 00:24:57,600 --> 00:25:01,600 Speaker 1: thought that she really highlighted struggles to not only get 409 00:25:01,640 --> 00:25:06,000 Speaker 1: to where she is, but to go beyond where she is. 410 00:25:06,480 --> 00:25:09,280 Speaker 1: And this question I think that we hear so often 411 00:25:09,280 --> 00:25:11,320 Speaker 1: of like what happened to so and so? They were 412 00:25:11,320 --> 00:25:13,640 Speaker 1: a one hit wonder, they were so talented, why aren't 413 00:25:13,680 --> 00:25:17,159 Speaker 1: they bigger? Well, because it's it goes beyond the talent 414 00:25:17,280 --> 00:25:19,760 Speaker 1: of the artists. It's not enough, like you need a 415 00:25:19,840 --> 00:25:22,240 Speaker 1: machine behind you. 416 00:25:22,240 --> 00:25:24,560 Speaker 2: You need like sometimes you can have a machine and 417 00:25:24,600 --> 00:25:26,320 Speaker 2: they're still not working for you. 418 00:25:26,600 --> 00:25:31,159 Speaker 1: For you, like you really have to have luck and 419 00:25:31,240 --> 00:25:34,480 Speaker 1: the right resources and the right contract and the right 420 00:25:34,520 --> 00:25:38,679 Speaker 1: forward momentum. And I think that Becky g like for her, 421 00:25:38,720 --> 00:25:42,080 Speaker 1: this guy's the limit. I think that the documentary also 422 00:25:42,200 --> 00:25:45,840 Speaker 1: highlights that she can really sing and she's she's working 423 00:25:45,840 --> 00:25:48,240 Speaker 1: with her vocal coach and doing her vocal. 424 00:25:47,920 --> 00:25:50,320 Speaker 2: Exercise training and training. 425 00:25:50,760 --> 00:25:54,080 Speaker 1: Yeah, and I think that when you hear her singing 426 00:25:54,280 --> 00:25:58,600 Speaker 1: that her voice sounds like it's a very poppy voice. 427 00:25:58,920 --> 00:26:02,159 Speaker 1: But yeah, she does have the perfect voice for pop music. 428 00:26:02,280 --> 00:26:05,639 Speaker 1: And I think it's just very natural. That's her tone. 429 00:26:05,760 --> 00:26:08,760 Speaker 1: That's just what she sounds like. And you hear her 430 00:26:08,840 --> 00:26:12,280 Speaker 1: singing like off the record but on camera, and that's 431 00:26:12,320 --> 00:26:15,359 Speaker 1: how she sounds. That is her voice and so I 432 00:26:15,400 --> 00:26:17,280 Speaker 1: think that she has a lot of range. I think 433 00:26:17,280 --> 00:26:19,719 Speaker 1: that she could do whatever she wants musically, Like she 434 00:26:19,760 --> 00:26:23,919 Speaker 1: can definitely genre bend. I love that she's leaning into 435 00:26:23,920 --> 00:26:27,000 Speaker 1: the Spanish language, and I think like sky's a limit 436 00:26:27,160 --> 00:26:29,479 Speaker 1: for her. So as long as she keeps pushing and 437 00:26:29,520 --> 00:26:32,919 Speaker 1: her fans continue to support and she's able to like 438 00:26:34,000 --> 00:26:37,760 Speaker 1: get out of whatever limited contract she's in, I think 439 00:26:37,840 --> 00:26:39,200 Speaker 1: that she can go really, really far. 440 00:26:39,880 --> 00:26:43,200 Speaker 2: The documentary has a limited screening, so we were able 441 00:26:43,280 --> 00:26:45,960 Speaker 2: to watch it this past week. By the time y'all 442 00:26:45,960 --> 00:26:48,439 Speaker 2: are listening, and will not be in theaters. But my 443 00:26:48,480 --> 00:26:51,280 Speaker 2: hope is that it's going to get acquired or bought 444 00:26:51,320 --> 00:26:54,199 Speaker 2: by a streamer or released to more theaters so that 445 00:26:54,240 --> 00:26:56,760 Speaker 2: more people can see it because it is such a 446 00:26:56,760 --> 00:27:00,920 Speaker 2: beautiful documentary. And I think, regardless if you're in the industry, 447 00:27:01,440 --> 00:27:07,800 Speaker 2: her story just relates. It's universal. It's the hard working girl, 448 00:27:08,080 --> 00:27:12,040 Speaker 2: the hardworking young adult, the hardworking woman who is trying 449 00:27:12,080 --> 00:27:15,440 Speaker 2: to bring her family up with her who is still 450 00:27:15,480 --> 00:27:18,719 Speaker 2: grounded and connected to her family, to her culture, to 451 00:27:18,760 --> 00:27:22,400 Speaker 2: her roots. Take the pop star out of it, right, 452 00:27:22,600 --> 00:27:25,439 Speaker 2: Like that is a universal story. And it's a latinas story, 453 00:27:25,760 --> 00:27:27,920 Speaker 2: so many of us are the first in our family 454 00:27:27,960 --> 00:27:32,760 Speaker 2: to do something or thinking making decisions, career decisions based 455 00:27:32,840 --> 00:27:35,520 Speaker 2: on how it will affect the family. Will it benefit 456 00:27:35,560 --> 00:27:37,639 Speaker 2: the family good or bad? 457 00:27:37,840 --> 00:27:38,040 Speaker 3: Right? 458 00:27:38,320 --> 00:27:41,960 Speaker 2: That can definitely impact you. But I think that is 459 00:27:42,000 --> 00:27:44,399 Speaker 2: also why it's such a beautiful story and why we 460 00:27:44,480 --> 00:27:48,119 Speaker 2: felt it really deeply, because aside from the music and 461 00:27:48,160 --> 00:27:52,639 Speaker 2: the artistry of it, there is definitely the universal piece 462 00:27:52,680 --> 00:27:55,679 Speaker 2: of it where she's talking about her mental health and 463 00:27:55,680 --> 00:27:58,280 Speaker 2: the tools that she's had to developed of having a 464 00:27:58,320 --> 00:28:01,639 Speaker 2: father with substance abuse, her grandfather and the grief of 465 00:28:01,680 --> 00:28:06,880 Speaker 2: it and being bicultural. So definitely like so many beautiful 466 00:28:06,920 --> 00:28:08,200 Speaker 2: things that you could walk away with. 467 00:28:08,920 --> 00:28:11,639 Speaker 1: So I really feel like this documentary is not just 468 00:28:11,960 --> 00:28:15,760 Speaker 1: a documentary about a pop star. This is a very 469 00:28:16,119 --> 00:28:24,040 Speaker 1: la story. I mean Englewood family, culture, grief, mental health work, 470 00:28:24,920 --> 00:28:28,040 Speaker 1: all of it shows up in a big way in 471 00:28:28,119 --> 00:28:29,159 Speaker 1: Beckyg's story. 472 00:28:29,359 --> 00:28:32,280 Speaker 2: I've been saying this for years. I would love for 473 00:28:32,320 --> 00:28:35,240 Speaker 2: Beckyg to join us on Look at Radio. 474 00:28:35,440 --> 00:28:36,840 Speaker 1: Oh my god, yes please. 475 00:28:36,920 --> 00:28:39,880 Speaker 2: I'm putting that out there. I've been putting it out 476 00:28:39,920 --> 00:28:42,960 Speaker 2: there with our team for years now, but I'm putting 477 00:28:43,000 --> 00:28:46,040 Speaker 2: it out there to the listener. Would love, love, love 478 00:28:46,120 --> 00:28:49,480 Speaker 2: to have beckyg on to talk about one anything she wants, 479 00:28:50,000 --> 00:28:54,080 Speaker 2: two anything she wants, anything from the documentary. There's so 480 00:28:54,200 --> 00:28:57,400 Speaker 2: much she I'm definitely rooting for her, will continue to 481 00:28:57,480 --> 00:29:01,000 Speaker 2: root for her. And if you are able to still 482 00:29:01,000 --> 00:29:04,760 Speaker 2: catch the documentary maybe at a future date, definitely do. 483 00:29:06,040 --> 00:29:08,280 Speaker 2: And I've just been loving that we've been we've been 484 00:29:08,280 --> 00:29:12,960 Speaker 2: covering these documentaries these last couple of weeks, from the 485 00:29:13,000 --> 00:29:18,840 Speaker 2: Selena Losinos now to the Becky g documentary. Gottlege's documentary 486 00:29:18,880 --> 00:29:23,480 Speaker 2: came out over the summer. There's just documentaries are definitely 487 00:29:23,560 --> 00:29:26,040 Speaker 2: having a moment. And you told me that there's also 488 00:29:26,080 --> 00:29:28,240 Speaker 2: some industry insight to why that is. 489 00:29:28,400 --> 00:29:33,760 Speaker 1: Also documentary is booming, and I think Netflix with it's 490 00:29:33,840 --> 00:29:41,280 Speaker 1: it's venturing into documentary series and putting out documentaries episode 491 00:29:41,280 --> 00:29:45,920 Speaker 1: by episode with Tiger King and Chimp Crazy, and I 492 00:29:45,920 --> 00:29:50,280 Speaker 1: mean there's been a whole, a whole array of documentaries 493 00:29:50,360 --> 00:29:53,200 Speaker 1: and I mean it was what was that. Making a murderer? 494 00:29:53,640 --> 00:29:56,520 Speaker 1: Making a Murderer really put Netflix, I think, on the 495 00:29:56,680 --> 00:30:00,840 Speaker 1: map because I remember tuning in episode by ep and 496 00:30:01,480 --> 00:30:05,239 Speaker 1: it really set Netflix apart as a streaming platform. And 497 00:30:05,280 --> 00:30:08,840 Speaker 1: I think that there's some overlap between our interest in 498 00:30:09,760 --> 00:30:14,240 Speaker 1: vlogging and social media and following everyday people in their 499 00:30:14,280 --> 00:30:19,760 Speaker 1: lives on their channels online and reality TV and streaming 500 00:30:20,080 --> 00:30:24,120 Speaker 1: documentary series that are like overlapping. There's an overlap taking place, 501 00:30:24,200 --> 00:30:27,600 Speaker 1: So we want to watch a story on screen, but 502 00:30:28,040 --> 00:30:31,160 Speaker 1: we are less interested, I think, in things that are 503 00:30:31,200 --> 00:30:37,320 Speaker 1: fabricated and AI generated, and more interested in the raw 504 00:30:37,760 --> 00:30:41,280 Speaker 1: human experience. We want to see real people on our screens, 505 00:30:41,320 --> 00:30:44,120 Speaker 1: whether it's on our phones or on the big screen 506 00:30:44,320 --> 00:30:47,680 Speaker 1: in a theater. So I think that documentaries really having 507 00:30:47,680 --> 00:30:50,800 Speaker 1: a moment, a moment. I love that Latinas are showing 508 00:30:50,920 --> 00:30:55,280 Speaker 1: up in documentary and I hope to see more of it. 509 00:30:55,720 --> 00:30:57,440 Speaker 2: Our documentary next. 510 00:30:57,400 --> 00:31:00,360 Speaker 1: The Lookout Thought documentary is next. We haven't talked about 511 00:31:00,360 --> 00:31:03,040 Speaker 1: a look at a documentary for years. Yes, and we 512 00:31:03,120 --> 00:31:06,120 Speaker 1: have our own archival footage. We have been documenting ourselves 513 00:31:06,680 --> 00:31:09,320 Speaker 1: on the mic on camera for a long time now. 514 00:31:09,480 --> 00:31:14,000 Speaker 1: We have tons of material and we are always like ideating, ideating, 515 00:31:14,040 --> 00:31:17,320 Speaker 1: ideating and putting it out there. So yes, maybe you'll 516 00:31:17,320 --> 00:31:21,080 Speaker 1: see a doc series about Latinas in podcasting one day soon. 517 00:31:21,040 --> 00:31:23,440 Speaker 2: One day soon. All right, locomot is, thank you for 518 00:31:23,480 --> 00:31:27,440 Speaker 2: tuning in to another Capital Radio We'll catch you next time. 519 00:31:27,800 --> 00:31:34,640 Speaker 3: Bessitos lok Ata Radio is executive produced and hosted by 520 00:31:34,720 --> 00:32:08,880 Speaker 3: me Bosa and me Mala, also edited by me Viosa 521 00:32:10,520 --> 00:32:11,680 Speaker 2: Logal Landi