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Speaker 1: So it's me and Amy Tan on the table and

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Speaker 1: brock as Weiler.

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Speaker 2: Is doing cupping.

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Speaker 1: Yes, you remember during the Olympics they were all happy

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Speaker 1: about cupping to both of you. Yes, we're both getting cupping,

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Speaker 1: and we're sort of like gabbing and gossiping just about

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Speaker 1: like you know, it's typical sewing circle stuff. Yeah, you

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Speaker 1: know who's stooping hoom and who got the new you

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Speaker 1: know gardener?

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Speaker 2: Right?

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Speaker 1: And I suddenly asked, I go, Brock, you took all

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Speaker 1: the bugs out of the cups first, right, And he goes.

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Speaker 2: And I'm like, okay, that's why, because you had to

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Speaker 2: bring the cups. Well, I brought the cups, and of

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Speaker 2: course all the cups in my house are trapping used

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Speaker 2: for trapping the bugs. And uh so I brought the

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Speaker 2: cut I just assumed he knew you're going to heat

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Speaker 2: up the edge and sort of create you know, the

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Speaker 2: heat inside that's going to create the suction when you

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Speaker 2: throw it.

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Speaker 1: Against my skin. But don't have a mad bug trapped

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Speaker 1: in there, right, because it didn't feel the same way

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Speaker 1: it did the last time.

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Speaker 2: Brackass whither did coup? That's why you said? I started

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Speaker 2: to have a suspicion.

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Speaker 1: And I could see inside of Amy's there was mealipedes

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Speaker 1: and uh, centipedes and octopedes and not.

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Speaker 2: Dead because you don't care. That's why you trapped them,

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Speaker 2: because you want to kill them. I would never kill.

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Speaker 2: That's murder killing.

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Speaker 1: I don't kill. I consider it murder to kill. And

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Speaker 1: that's just you know, And I know there's a big

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Speaker 1: debate on this. Yeah, And I know that mister President

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Speaker 1: Trump doesn't necessarily agree. Yeah, and uh and I respect

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Speaker 1: his right to, uh, you know, legislate differently because that's

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Speaker 1: why we have all these checks and and and and

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Speaker 1: so forth.

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Speaker 2: And you could be convinced I think.

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Speaker 1: Oh god, yeah, I'm you know, I'm nothing if not

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Speaker 1: willing to learn. The one thing I know for certain

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Speaker 1: is that I don't know anything. But right now I

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Speaker 1: consider keeling to be murder.

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Speaker 2: So cupped with a hot bug. So I got cupped

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Speaker 2: with a hot bug.

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Speaker 1: Bug, go and signe me laid eggs in my lung

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Speaker 1: and I've been coughing up little baby bugs all week.

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Speaker 2: Hey, welcome to Hollywood Handbook and Insider's Guide to Kicking

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Speaker 2: button dropping a name the red carpet Linebacker Always industry,

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Speaker 2: We call shows. We love how having Alison Rich back

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Speaker 2: on the show We Love You and we're doing it today,

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Speaker 2: so one of our favorite because we want to have

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Speaker 2: her back on because so funny, nice, cool and sweet. Uh.

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Speaker 1: We decide, okay, what if we do some kind of

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Speaker 1: email or phone call to see a shill show up?

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Speaker 2: And I want to know what?

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Speaker 3: And so I'm at home doing my business, yes, taking

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Speaker 3: care of my medical needs.

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Speaker 1: Yes, yes, yes, all those three, changing all the bandages,

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Speaker 1: cleaning them, the whole ritual.

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Speaker 3: And honestly, some people don't like it when they have

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Speaker 3: a chronic, long term wound based disease. But I find

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Speaker 3: that it forces me to check in with myself multiple

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Speaker 3: times in the day.

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Speaker 2: To be aware of your body.

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Speaker 1: It's about having a ritual, you know, having a routine

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Speaker 1: were to be.

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Speaker 2: Able to pay attention to your breathing. And you're seeping.

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Speaker 1: Well, animals, the weeping and all the.

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Speaker 3: Weeping of my having wounds is your body can cry

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Speaker 3: from more than one place, is what I'm saying.

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Speaker 1: Which allows you to keep your eyes clean exactly right,

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Speaker 1: so you can see. It's very dangerous to cry when

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Speaker 1: there's maybe a.

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Speaker 4: Thing you need to see.

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Speaker 3: Yeah, jaguar, jaguar oncoming vehicle, your step.

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Speaker 2: Mom, your step mom, and a plane.

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Speaker 3: Oh yes, and one of those like flintstone type planes

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Speaker 3: where your feet are sort of kicking through them.

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Speaker 4: We're all there.

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Speaker 1: Yeah.

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Speaker 3: But so I was doing my business and my medical needs,

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Speaker 3: and I twice a day I look at my computer.

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Speaker 2: Sorry, are those two different things?

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Speaker 1: Your business and your medical needs or your medical needs

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Speaker 1: are your business.

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Speaker 3: I mean, my medical needs are my personal business. But

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Speaker 3: my business business for which I paid taxes and such,

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Speaker 3: is different. It's you know a bit. I'm an upholster primarily,

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Speaker 3: and so I.

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Speaker 2: Have been saying for a long time that you should

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Speaker 2: be getting more into that because I know it was

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Speaker 2: just kind of like a hobby for a while, but

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Speaker 2: now it's like full time.

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Speaker 3: Oh it's all that it is, because honestly, I feel

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Speaker 3: like my star shining brightest through the you know, various

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Speaker 3: couches I button toft and the different I mean it's

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Speaker 3: mostly couches.

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Speaker 4: What can you upholster beyond that?

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Speaker 2: I was gonna ask you, and you asking me.

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Speaker 1: I feel like that was a big question I had,

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Speaker 1: is like, is there somewhere else we can take this thing?

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Speaker 1: Because I've seen people of poster couches. But you are

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Speaker 1: so creative, said, and you're such a trailblazer.

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Speaker 4: You thought about trail.

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Speaker 2: Yeah, upholstering a microwave or.

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Speaker 3: Oh my goodness, you know I've only in my dreams

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Speaker 3: have I here and there thought about it. But really,

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Speaker 3: at this point I've kept myself to you know, couches, ottomans,

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Speaker 3: things like that.

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Speaker 4: But I mean that's the thing that I do.

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Speaker 3: Limit myself, you know, I go stay in your lane, just.

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Speaker 2: Follow the rule, because some things are too hard and

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Speaker 2: should be exactly softer.

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Speaker 1: Yes, now we're getting into something I've really wanted to

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Speaker 1: talk about, which is how hard these rocks are on

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Speaker 1: these mountains in Los Angeles.

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Speaker 4: They won't let up.

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Speaker 1: Have you tried going on a hike here, It's like

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Speaker 1: hiking on rocks.

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Speaker 4: Yeah, not carpet.

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Speaker 2: Maybe we put a little soft materially on some of these.

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Speaker 4: Rocks, challenging me to upholster a hiking race.

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Speaker 2: Race at the top of the mountain, up postering all

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Speaker 2: the rocks. And now we just have to find someone

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Speaker 2: else who does this.

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Speaker 1: Jackie Chan perhaps I know he's been involved in big

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Speaker 1: races like this, races. Yeah, he's been in some really

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Speaker 1: big races. One of the most popular ones.

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Speaker 3: Oh, I see, I am weird and that I know

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Speaker 3: him mostly from his martial arts and his movies.

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Speaker 1: Well, one of his movies are on the one days,

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Speaker 1: uh huh, and his race around the world.

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Speaker 2: Okay, but also like that just up it's up in

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Speaker 2: the world. But to the side, you're going a race

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Speaker 2: up the world.

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Speaker 1: And ideally doesn't take eighty days because I'd like to

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Speaker 1: go for a hike next week please, and not have

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Speaker 1: freaking rocks everywhere.

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Speaker 3: I mean, let's I mean, let's talk about the hard

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Speaker 3: stuff that gets in our way on the daily basis.

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Speaker 4: Rocks. Certain roads very hard.

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Speaker 2: Some of the ones.

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Speaker 1: Yeah, just to name one, I would say, La.

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Speaker 4: Joya, Lahoya, that whole la Joya road.

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Speaker 1: To name another one, Veda, I believe it's promounced. Yes,

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Speaker 1: that one is hard as an asphalt.

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Speaker 4: As it comes.

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Speaker 2: Toilet seat.

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Speaker 4: Toilet seats are so hard.

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Speaker 2: My toilet is very hard. Yeah.

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Speaker 3: I had an aunt who had a toilet seat that

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Speaker 3: had a cover on it, you know, sort of.

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Speaker 2: Like, oh, was she available?

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Speaker 4: Was she available? In the past? She was, and presently

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Speaker 4: she still is.

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Speaker 2: Oh wow, what a stroke of luck.

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Speaker 3: But yeah, I thought that was so classy, like a

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Speaker 3: cushiony toilet seat. For sometimes it would even have plastic

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Speaker 3: over that, and sometimes the toilet seed would be heated.

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Speaker 3: That's all I want my peepee when it comes out

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Speaker 3: to be warmed up, because it's.

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Speaker 4: Like peeing is like giving birth to your waist. Is

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Speaker 4: that what I think of it?

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Speaker 2: Yeah?

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Speaker 3: And so too instead of being like, oh, come out

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Speaker 3: into the cold you know, ceramic or whatever, porcelain bowl

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Speaker 3: you can't put a blank no, no, no, because it's

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Speaker 3: like a.

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Speaker 1: Lot of times we'll try to slap my peep when

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Speaker 1: it comes out, you know, just to get it breathing. Yes,

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Speaker 1: And and I find that it's not as receptive to that,

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Speaker 1: I think because it is so cold, right, it's shocked, Yeah,

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Speaker 1: exactly exactly, you know, so it freezes up a little bit.

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Speaker 1: But I like get that peepe warm and moving. Yes,

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Speaker 1: that's good idea.

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Speaker 4: Yeah, yeah, yeah. So rocks and roads and toilets hard stuff.

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Speaker 1: Yeah, those are the three hard things that we see.

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Speaker 1: Do we want to talk about three soft things?

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Speaker 3: And you know it really goes hand in hand because

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Speaker 3: you say toilets are hard, but poops are soft.

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Speaker 2: Yeah, stuff, You can downholster? Do you do any of.

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Speaker 3: That down holster? It took me a second, but then

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Speaker 3: I was right there. You know, I do downholster, which

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Speaker 3: for the uninitiated basically means you rip a layer off something.

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Speaker 3: When you up ulster something, you're putting a thing on,

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Speaker 3: maybe some stuffing downholster you remove.

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Speaker 4: You're skinning a surface.

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Speaker 2: If it's too soft. Yeah.

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Speaker 3: Yeah, yeah, you get even, you get to the meat

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Speaker 3: and juices of the thing, you know, So I could

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Speaker 3: I mean.

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Speaker 1: You really like to think of it as skinning like

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Speaker 1: that is that is the only way it really works

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Speaker 1: for you, is that it's like skinning or because it's all.

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Speaker 3: An exchange of power, right, yes, And so when you

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Speaker 3: come and you I mean skin something, you're saying, whoop,

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Speaker 3: I made you a layer more vulnerable.

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Speaker 1: Yeah, yeah, you know, and maybe you're so big on

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Speaker 1: everything is in exchange of power exactly.

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Speaker 2: And now the skin is just kind of around whatever

201
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Speaker 2: it is not being used. Maybe somebody could put it

202
00:10:03,360 --> 00:10:05,439
Speaker 2: on and get more power, yes.

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Speaker 4: Yes, yes, where it does a coat.

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Speaker 1: Every interaction you have, you are either gaining or losing power.

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Speaker 3: All yeah, what is like that's some love thermodynamics or

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Speaker 3: like you can't create destroy energy, can only.

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Speaker 4: Move it around.

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Speaker 2: Yeah you know, yeah, no, that's such a like a

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Speaker 2: like a life philosophy. I thought this would be more

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Speaker 2: thought out.

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Speaker 3: For you, but who has time, you know, to like

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Speaker 3: to work out all the nooks and crannies of your

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Speaker 3: own brain.

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Speaker 1: No, you want to get the basic idea and you

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Speaker 1: want to get to start moving, get all the world

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Speaker 1: you know.

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Speaker 3: Yes, yes, yeah, yes, and now I mean which brings

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Speaker 3: us back to an earlier topic, which is, yes, I

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Speaker 3: was I am of the Hollywood as an actor, as

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Speaker 3: a star, but really this year I've been called to

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Speaker 3: the upholstery lifestyle, which many people don't know is a

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Speaker 3: very big part of Los Angeles you know.

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Speaker 1: Yeah, no, many people don't know that myself and Hayes included.

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Speaker 4: Yeah.

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Speaker 3: Well here I am to give you the whole update

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Speaker 3: about it.

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Speaker 2: Sure, yeah, so anything else you could tell us?

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Speaker 3: So there is twice a year a huge upholstery fair,

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Speaker 3: the winter one and the summer one. Okay, because you can,

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Speaker 3: if you're really you know, on this scene, you can

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Speaker 3: sort of redo all your furniture twice a year for

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Speaker 3: a winter theme, summer theme.

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Speaker 4: Did it?

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Speaker 2: Spring and fall? Fuck yourself? Have seen I feel like,

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Speaker 2: did I did I see this in a subway car once?

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Speaker 2: Is that where this is happening?

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Speaker 4: Oh, yep, yep, yep.

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Speaker 5: Yeah.

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Speaker 3: And that's another thing is people rarely are using the

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Speaker 3: Los Angeles public transportation.

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Speaker 2: So you can just have a fair and fair.

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Speaker 1: When you said subway car, I thought you were talking

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Speaker 1: about my cousin's car that has like I love, sid

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Speaker 1: has like a yeah, it has a subway sort of wrap.

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Speaker 3: Because your cousin was like, hey, Subway, I'll do deliveries

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Speaker 3: for you, please let me, and Subway said no, but

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Speaker 3: he had already gone.

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Speaker 1: He said, we don't do delivery, and so what he

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Speaker 1: did was sort of an early version of Posts right

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Speaker 1: where he would just hang out at Subway and he

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Speaker 1: would go, hey, are you taking this to go?

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Speaker 2: And they'd go yeah, and he'd say, I'll follow you. Yeah,

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Speaker 2: just here, give it to me.

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Speaker 1: I'll follow you, because then your car won't necessarily smell

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Speaker 1: like this, yeah.

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Speaker 3: Because subway is so I mean, you walk by a

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Speaker 3: subway on the street of the store and you can

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Speaker 3: smell that bread stink coming at you. Yeah, right, and

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Speaker 3: it's like, now I'm gonna have it in my car.

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Speaker 2: And we're all pretty sure that's not I smell that

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Speaker 2: stink and I'm Yogi bear. Oh yeah, I'm transforming into

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Speaker 2: Yogi Bear. I'm floating into the by the nose in

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Speaker 2: their bunking up against the window contant bunk. Yeah.

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Speaker 1: And I don't think that's necessarily bread, you know what?

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Speaker 1: I think it might be what crack? Because it's so addictive?

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Speaker 4: Yeah? Yeah, yeah, yeah.

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Speaker 3: You know The thing about bread is you if you

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Speaker 3: you know, have you ever done one of those cracker

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Speaker 3: bread challenges where you're trying to eat like six saltine crackers.

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Speaker 2: Only a million times?

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Speaker 1: Right?

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Speaker 2: I did it today.

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Speaker 4: Did you succeed?

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Speaker 1: Oh? No, No, because that's why I keep doing I

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Speaker 1: keep doing it because when I do finally get the victory,

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Speaker 1: I'm going to make so much back. I always have

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Speaker 1: a big, healthy wager.

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Speaker 4: On the line.

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Speaker 2: And do you just keep doubling up?

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Speaker 1: Yes, I've been doubling it for a long time, but

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Speaker 1: I will ultimately when I finish it, eat all the

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Speaker 1: saltine and the bread.

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Speaker 2: Like you said, Mama does pay day? Do you want

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Speaker 2: to get a bigger take of you the first time

285
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Speaker 2: you said crack? Do you want to get like a bigger.

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Speaker 4: We could go again.

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Speaker 2: Version of that, Oh you just rank? Can we cut

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Speaker 2: that in later? Because I feel like the first, the

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Speaker 2: initial like swing you took was like a sort of

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Speaker 2: soft Okay.

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Speaker 4: I didn't even really know what was.

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Speaker 2: Yes, what was? Yes? Exactly? Yeah, So just to put

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Speaker 2: it later. So but but but you can set it

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Speaker 2: up again.

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Speaker 1: Yeah, sure, sure, sure, And I think you know, I'm

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Speaker 1: pretty convinced that's not even bread. You know what I

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Speaker 1: think it is what.

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Speaker 2: Crack cocaine?

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Speaker 1: You know, I mean, that's how addictive this stuff is.

300
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Speaker 1: I think it's crack.

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Speaker 2: That's good. That'll stitch into the other stuff, right, Yes,

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00:14:14,160 --> 00:14:18,320
Speaker 2: that'll match up, Allison. I love it, loving this. What

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Speaker 2: do you want to talk about? We usually sometimes we'll

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Speaker 2: have a discussion, right and we'll say, whoa we talk

305
00:14:25,440 --> 00:14:27,360
Speaker 2: about this? Yeah, it's usually like what do we talk

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Speaker 2: about the books?

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Speaker 1: Or like pre show will go like, let's have a

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Speaker 1: talk about books, or we'll talk about we already talked

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Speaker 1: about books.

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Speaker 4: We already did it.

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Speaker 1: We did books a long time ago, and we're kind

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Speaker 1: of out of things.

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Speaker 3: Yeah yeah, yeah, no, I mean it's called Hollywood hand book,

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Speaker 3: but you're really just the Hollywood hand boys. You know, humans,

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Speaker 3: and you don't always need to be talking about literature.

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Speaker 2: We don't always have to be talking about books. No, no, thank.

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Speaker 4: You, I'll shout it from the rooftops.

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Speaker 2: Yeah, but we do need to say something.

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Speaker 3: I mean, what's on my mind the most these days

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Speaker 3: is transsicians. Okay, transition glasses lenses, but for your life exactly.

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Speaker 2: Okay, So you go out into this song.

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Speaker 3: Can I say, I don't know if this is to

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Speaker 3: forward of me, but I feel like when I bring

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Speaker 3: something up, Shawn's going real literal and Hayes is going

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Speaker 3: real deep and I love both.

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Speaker 1: Okay, you know, and you're asking if you can say that.

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Speaker 3: I mean, I'm asking in a way that I'm not

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Speaker 3: really asking where I'm just gonna you started. Can I say, right,

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Speaker 3: it's this thing that I do to make myself seem

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Speaker 3: like less aggressive, but it's it's really passive aggressive.

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Speaker 4: I'll be honest, I know that about myself because.

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Speaker 2: My answer would be not yet, not yet? Can you

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Speaker 2: say that we can do it?

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Speaker 4: I mean, do we want to stitch in later?

335
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Speaker 2: Yeah, we'll get a take of that later.

336
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Speaker 1: I think it's going to come in handy for right now,

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00:15:53,560 --> 00:15:57,480
Speaker 1: I would say when you are talking transitions, you're talking

338
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Speaker 1: about what exactly.

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00:16:00,160 --> 00:16:02,880
Speaker 4: I'm talking about stages of life.

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Speaker 3: You know, we're all butterflies, except the thing is that

341
00:16:06,200 --> 00:16:08,720
Speaker 3: you think, Okay, a caterpillar becomes a butterfly, but then

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00:16:08,760 --> 00:16:11,680
Speaker 3: what if the butterfly becomes a bird or.

343
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Speaker 2: Kalfka Kalfa what a trickster?

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Speaker 1: You know?

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Speaker 3: And so I feel like in my life, yes, Andy Kalfka,

346
00:16:22,600 --> 00:16:24,360
Speaker 3: Man on the Moon played by Jim.

347
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Speaker 2: Carrey, Andy Kefka.

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Speaker 3: Yeah, And I just feel like right now, if I'm

349
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Speaker 3: being if I can be vulnerable, I am going through

350
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Speaker 3: a transition.

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Speaker 2: Out of Hollywood, because this is something I would like

352
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Speaker 2: to potentially talk about. You're transitioning into up and down holster. Yeah,

353
00:16:47,120 --> 00:16:52,280
Speaker 2: what like, how do you do find another career? Right?

354
00:16:53,000 --> 00:16:53,120
Speaker 1: Uh?

355
00:16:53,640 --> 00:16:57,760
Speaker 2: Not because of anything going wrong with your initial career

356
00:16:58,000 --> 00:17:02,000
Speaker 2: and you're doing good, but you just get curious about

357
00:17:02,120 --> 00:17:04,959
Speaker 2: other stuff, in fact, how to make money.

358
00:17:05,119 --> 00:17:08,000
Speaker 3: It's in fact because I'm doing so good that I'm

359
00:17:08,040 --> 00:17:11,200
Speaker 3: becoming curious because I'm like, Hi, hello, Hollywood, here I am.

360
00:17:11,520 --> 00:17:14,359
Speaker 3: This is easy, this is peasy, this is no problem.

361
00:17:14,560 --> 00:17:16,000
Speaker 3: I came here for a challenge.

362
00:17:16,080 --> 00:17:16,320
Speaker 6: Yeah.

363
00:17:16,440 --> 00:17:17,840
Speaker 2: It's been there, done that.

364
00:17:17,920 --> 00:17:19,320
Speaker 4: All the time. Every day.

365
00:17:19,880 --> 00:17:22,720
Speaker 1: You know, I just been there, done that, win there,

366
00:17:22,800 --> 00:17:25,040
Speaker 1: fun that, and now we're already.

367
00:17:25,040 --> 00:17:27,480
Speaker 2: Yeah, what else is new? What else will I be

368
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Speaker 2: allowed to do?

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00:17:28,840 --> 00:17:29,119
Speaker 5: Yes?

370
00:17:29,200 --> 00:17:33,320
Speaker 1: Because I am doing so good and definitely am making money.

371
00:17:33,080 --> 00:17:34,760
Speaker 4: Oh too much? Almost?

372
00:17:35,600 --> 00:17:36,600
Speaker 2: Yeah? Yeah?

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00:17:36,640 --> 00:17:39,840
Speaker 1: And uh so I'm going like, can I do something else?

374
00:17:39,920 --> 00:17:43,000
Speaker 2: Does it make a different amount of money or something? Yeah?

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00:17:43,040 --> 00:17:47,760
Speaker 1: Because I am curious, Like, so, what.

376
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Speaker 2: Do you think would be a good idea for a

377
00:17:51,560 --> 00:17:53,639
Speaker 2: new job? Yeah?

378
00:17:53,720 --> 00:17:56,040
Speaker 3: Well, I feel like I have been lucky that I

379
00:17:56,040 --> 00:17:59,080
Speaker 3: am finding that it's in the down and upholstering world

380
00:17:59,200 --> 00:18:01,639
Speaker 3: of like for at your makeovers.

381
00:18:02,160 --> 00:18:03,960
Speaker 4: You know, but but that's le's Yeah.

382
00:18:04,000 --> 00:18:08,400
Speaker 3: For you guys, I think it's about identifying, like what

383
00:18:08,520 --> 00:18:11,600
Speaker 3: is the type of thing that you're drawn too but

384
00:18:11,720 --> 00:18:14,639
Speaker 3: scared of? You know, I am comfortable being uncomfortable, and

385
00:18:14,680 --> 00:18:16,600
Speaker 3: you guys need to be there too, you know what

386
00:18:16,680 --> 00:18:17,119
Speaker 3: I'm saying.

387
00:18:17,400 --> 00:18:19,720
Speaker 1: Drawn to draw scared.

388
00:18:19,880 --> 00:18:23,240
Speaker 2: I like to work without my hands.

389
00:18:23,119 --> 00:18:26,560
Speaker 3: Okay, okay, so like foot stuff or torso.

390
00:18:26,320 --> 00:18:30,399
Speaker 2: Stuff or mind I'll use any other part.

391
00:18:30,359 --> 00:18:34,840
Speaker 3: Okay, no hand, Okay, so maybe pottery, because that you

392
00:18:34,880 --> 00:18:35,439
Speaker 3: would think.

393
00:18:35,359 --> 00:18:37,800
Speaker 2: These are you're looking at these it.

394
00:18:37,760 --> 00:18:40,320
Speaker 4: Looks like I'm looking at the roots of trees, you know.

395
00:18:40,800 --> 00:18:44,439
Speaker 2: Yeah, and sometimes trees are seemingly trying to connect with

396
00:18:44,480 --> 00:18:47,080
Speaker 2: them as well, yes, to take their news.

397
00:18:47,160 --> 00:18:49,440
Speaker 3: Have you ever seen that man who I maybe is

398
00:18:49,480 --> 00:18:51,960
Speaker 3: in Africa who has like skin that's like tree bark?

399
00:18:52,560 --> 00:18:52,800
Speaker 1: Oh?

400
00:18:52,840 --> 00:18:53,240
Speaker 2: Wow?

401
00:18:53,280 --> 00:18:55,040
Speaker 1: And is it okay that you said you thought he

402
00:18:55,080 --> 00:18:59,360
Speaker 1: was in Africa that we just assumed, especially if he's

403
00:18:59,480 --> 00:19:02,480
Speaker 1: not an Africa. The fact that you just thought, I

404
00:19:02,520 --> 00:19:06,920
Speaker 1: think it is okay, okay, good good, that'll be good

405
00:19:06,920 --> 00:19:09,399
Speaker 1: for our show. Then if it's okay, if it's not,

406
00:19:10,720 --> 00:19:12,400
Speaker 1: I don't think you're the one who's going to bear

407
00:19:12,440 --> 00:19:13,040
Speaker 1: the brunt of this.

408
00:19:13,480 --> 00:19:16,840
Speaker 3: And I feel okay about that because you know, you

409
00:19:16,880 --> 00:19:19,439
Speaker 3: put a thing out that gets comments. I think my

410
00:19:19,520 --> 00:19:22,280
Speaker 3: life doesn't get comments, you know what I'm saying.

411
00:19:22,359 --> 00:19:23,320
Speaker 2: Yeah, I don't.

412
00:19:23,320 --> 00:19:25,119
Speaker 3: Even, Like I said way earlier, I look at my

413
00:19:25,119 --> 00:19:27,560
Speaker 3: computer twice a day. Only one of those times is

414
00:19:27,600 --> 00:19:30,119
Speaker 3: to look at emails, and even then half of them

415
00:19:30,119 --> 00:19:33,000
Speaker 3: I don't open. So I really have created a little

416
00:19:33,200 --> 00:19:35,440
Speaker 3: personal fortress where you can't get you like to.

417
00:19:35,320 --> 00:19:37,840
Speaker 1: Open your life up to a couple comments. Now, though

418
00:19:37,840 --> 00:19:40,240
Speaker 1: maybe you could get some comments on your life. I mean,

419
00:19:40,320 --> 00:19:43,000
Speaker 1: you're mentioning it. It seems like, maybe you're curious.

420
00:19:43,640 --> 00:19:45,679
Speaker 2: About some gamers comments.

421
00:19:46,640 --> 00:19:47,159
Speaker 4: What is that?

422
00:19:47,240 --> 00:19:47,400
Speaker 5: Eas?

423
00:19:47,600 --> 00:19:48,639
Speaker 2: Do you like gamers?

424
00:19:48,720 --> 00:19:51,199
Speaker 3: Do I like gamers? I mean I don't know if

425
00:19:51,240 --> 00:19:52,679
Speaker 3: I like them, but I have dated a couple.

426
00:19:52,840 --> 00:19:53,720
Speaker 4: Let's just say that.

427
00:19:54,400 --> 00:19:58,439
Speaker 1: Okay, oh but maybe so here's a comment I'll make

428
00:19:58,480 --> 00:20:02,159
Speaker 1: on your life. Okay, maybe it was just me, but

429
00:20:02,280 --> 00:20:04,639
Speaker 1: this life felt like it had like a weird vibe

430
00:20:04,640 --> 00:20:07,320
Speaker 1: around it. Was there some tension happening during this life?

431
00:20:07,440 --> 00:20:09,440
Speaker 4: Mine? Mine life?

432
00:20:09,800 --> 00:20:10,600
Speaker 2: Yeah?

433
00:20:10,640 --> 00:20:11,679
Speaker 4: Well, you know, I.

434
00:20:11,720 --> 00:20:13,120
Speaker 2: Have to think people like the Karmas.

435
00:20:14,800 --> 00:20:17,280
Speaker 1: What was Allison going for with this life? I'm not

436
00:20:17,320 --> 00:20:21,159
Speaker 1: sure I really got what she was talking about.

437
00:20:21,320 --> 00:20:24,760
Speaker 3: Yeah, yeah, I mean the to speak Hollywood. The third

438
00:20:24,840 --> 00:20:27,480
Speaker 3: act of my life was a little like what you

439
00:20:27,520 --> 00:20:28,360
Speaker 3: didn't plant the.

440
00:20:28,280 --> 00:20:30,919
Speaker 4: Seeds through that earlier on where you Going?

441
00:20:31,760 --> 00:20:32,000
Speaker 3: You know?

442
00:20:32,400 --> 00:20:33,680
Speaker 4: So I'll own up to that.

443
00:20:34,240 --> 00:20:36,399
Speaker 3: This life was a little like it was sort of

444
00:20:36,480 --> 00:20:40,239
Speaker 3: like throwing things not even at the wall, at like

445
00:20:40,320 --> 00:20:42,080
Speaker 3: the side of the wall.

446
00:20:42,000 --> 00:20:43,600
Speaker 2: Missing missing the wall.

447
00:20:43,920 --> 00:20:45,840
Speaker 4: I wouldn't say missing through.

448
00:20:45,720 --> 00:20:46,720
Speaker 2: An open doorway.

449
00:20:46,920 --> 00:20:47,360
Speaker 4: Yeah.

450
00:20:47,560 --> 00:20:50,080
Speaker 2: Yeah? Was this life aimed at Pete Holmes?

451
00:20:50,760 --> 00:20:51,960
Speaker 4: Was it aimed at peel Home? Yeah?

452
00:20:52,040 --> 00:20:54,080
Speaker 2: Was it making fun of him?

453
00:20:54,200 --> 00:20:56,720
Speaker 3: I do find that making fun of people is a

454
00:20:56,760 --> 00:20:59,160
Speaker 3: way to get them to respond, so I'd say, sure,

455
00:20:59,200 --> 00:21:01,800
Speaker 3: I'm making fun of him. Am, I'm making fun of

456
00:21:02,520 --> 00:21:04,760
Speaker 3: I'm seeing a macaroni picture of what looks like Paul F.

457
00:21:04,800 --> 00:21:05,320
Speaker 4: Tompkins.

458
00:21:05,840 --> 00:21:10,879
Speaker 1: So oh no, please don't roast Paul. Yeah, please don't.

459
00:21:11,160 --> 00:21:12,760
Speaker 2: Please don't put him in the roaster.

460
00:21:13,240 --> 00:21:16,280
Speaker 4: Here it comes bow ties.

461
00:21:17,160 --> 00:21:18,280
Speaker 1: He hates hearing that.

462
00:21:19,320 --> 00:21:24,240
Speaker 4: Sorry I say this about himself. He's got to I'm

463
00:21:24,240 --> 00:21:25,000
Speaker 4: ready to tell.

464
00:21:24,920 --> 00:21:29,720
Speaker 1: Him a roasters going to be so mad we'll never

465
00:21:29,800 --> 00:21:33,280
Speaker 1: go back on spont what's a job for you?

466
00:21:33,359 --> 00:21:35,399
Speaker 4: To transition to something I can do?

467
00:21:35,520 --> 00:21:39,119
Speaker 2: Just kind of hanging out, I can come up with ideas.

468
00:21:39,320 --> 00:21:42,520
Speaker 1: Yeah, I've been blinking really fast lately.

469
00:21:44,720 --> 00:21:45,480
Speaker 2: That seems like is.

470
00:21:45,480 --> 00:21:47,040
Speaker 4: Your mind like a human camera?

471
00:21:47,200 --> 00:21:49,800
Speaker 3: You know, like don't like, I don't know how photography works,

472
00:21:49,880 --> 00:21:50,640
Speaker 3: but isn't it like.

473
00:21:50,920 --> 00:21:52,680
Speaker 4: Aperture or something.

474
00:21:52,440 --> 00:21:54,000
Speaker 2: Like your mind could be a human camera.

475
00:21:54,160 --> 00:21:57,479
Speaker 1: If my mind is human camera, is that potentially an

476
00:21:57,560 --> 00:22:01,960
Speaker 1: a financial Yeah, not too much money to perhaps leaving

477
00:22:02,080 --> 00:22:07,439
Speaker 1: my kick ass basement condo that I live in in

478
00:22:07,520 --> 00:22:14,160
Speaker 1: my you know, father's home, which I love. But at

479
00:22:14,240 --> 00:22:16,120
Speaker 1: some point I'm thinking.

480
00:22:16,320 --> 00:22:20,159
Speaker 2: Is there another world out there? Just even we dominates?

481
00:22:20,280 --> 00:22:23,720
Speaker 2: So hard and crush it even as much or more

482
00:22:23,760 --> 00:22:24,280
Speaker 2: as you are.

483
00:22:24,480 --> 00:22:26,520
Speaker 4: Now, do you want to live in.

484
00:22:26,560 --> 00:22:29,920
Speaker 3: A mansion or a regular house? And apart me, you

485
00:22:29,960 --> 00:22:33,080
Speaker 3: guys ever played that game Mash where you one of

486
00:22:33,119 --> 00:22:34,879
Speaker 3: the options is what kind of house do you want to?

487
00:22:35,400 --> 00:22:37,760
Speaker 1: Yeah, Radar and Hot Lips Pola Hand.

488
00:22:37,880 --> 00:22:40,480
Speaker 3: Yeah yeah, yeah, so it's always like mansion or like

489
00:22:40,640 --> 00:22:41,840
Speaker 3: dumpster is a bad one.

490
00:22:41,960 --> 00:22:42,720
Speaker 4: If you didn't know.

491
00:22:43,160 --> 00:22:44,440
Speaker 2: Radar is such a weenie.

492
00:22:44,720 --> 00:22:47,400
Speaker 4: Oh yeah, and Hot Lips.

493
00:22:47,080 --> 00:22:49,400
Speaker 2: Hoola hand is such a fox.

494
00:22:49,680 --> 00:22:49,920
Speaker 4: Yeah.

495
00:22:50,000 --> 00:22:53,520
Speaker 2: That was a laughter my time. Oh yeah when that

496
00:22:53,640 --> 00:22:55,639
Speaker 2: was coming around, I was just like, what you know,

497
00:22:55,760 --> 00:22:59,920
Speaker 2: what is this? We're making fun of war? Hawky? Yeah no,

498
00:23:00,119 --> 00:23:02,080
Speaker 2: it was like I was like, worst of you guys

499
00:23:02,119 --> 00:23:05,240
Speaker 2: like smoking doobies and stuff. It's supposed to be doing war. Yeah,

500
00:23:05,240 --> 00:23:05,919
Speaker 2: I'm like, I'm.

501
00:23:05,760 --> 00:23:08,119
Speaker 3: Gonna say, I am lost about what this is, but

502
00:23:08,200 --> 00:23:11,000
Speaker 3: I'm gonna participate in the conversation.

503
00:23:12,000 --> 00:23:13,720
Speaker 2: It might have been you might have missed it too.

504
00:23:13,840 --> 00:23:16,760
Speaker 1: It might have been there was a show called Mash.

505
00:23:16,880 --> 00:23:19,680
Speaker 2: Remember, like everyone was excited about the show Mash.

506
00:23:19,800 --> 00:23:19,960
Speaker 3: Yeah.

507
00:23:20,000 --> 00:23:21,800
Speaker 2: We were all sort of like, what's the story.

508
00:23:21,880 --> 00:23:24,439
Speaker 1: Yeah, all the kids were into mass like this my

509
00:23:24,600 --> 00:23:27,320
Speaker 1: little so, my little nephew got me to watch a

510
00:23:27,320 --> 00:23:29,800
Speaker 1: couple of them, which is how But I, of course

511
00:23:29,840 --> 00:23:31,399
Speaker 1: in the same age as you guys, were all a

512
00:23:31,440 --> 00:23:35,640
Speaker 1: little bit old to have been into Mash the game

513
00:23:35,680 --> 00:23:40,919
Speaker 1: that I play, Uh, that is like Mash. It is

514
00:23:41,000 --> 00:23:45,480
Speaker 1: called mush mush. Yeah, is that like the And it's

515
00:23:45,480 --> 00:23:46,040
Speaker 1: for food?

516
00:23:47,240 --> 00:23:48,560
Speaker 4: What food you'll you when you grow up?

517
00:23:49,560 --> 00:23:52,840
Speaker 2: Just when I get my dude, whet it? I gotta

518
00:23:54,040 --> 00:23:55,040
Speaker 2: what to do with it.

519
00:23:55,119 --> 00:23:58,240
Speaker 1: I gotta moves it into one like sort of one

520
00:23:58,280 --> 00:23:58,879
Speaker 1: big food.

521
00:23:59,359 --> 00:24:03,520
Speaker 3: Yeah, you're getting like pizza and fries and ice cream

522
00:24:03,720 --> 00:24:04,600
Speaker 3: for a fun dinner.

523
00:24:04,800 --> 00:24:07,760
Speaker 1: You're gonna mosh it has to I would have to

524
00:24:08,119 --> 00:24:13,400
Speaker 1: just a paste, yeah, fry, pizza, cream, you know. And

525
00:24:13,480 --> 00:24:15,720
Speaker 1: so that's just one motion and I have to be

526
00:24:15,760 --> 00:24:17,400
Speaker 1: able to do it in one bite or else I'm

527
00:24:17,440 --> 00:24:17,960
Speaker 1: not allowed.

528
00:24:19,520 --> 00:24:20,040
Speaker 4: That's hard.

529
00:24:20,880 --> 00:24:24,600
Speaker 2: Is that a job? Is that a job? Motion to food? Well,

530
00:24:24,640 --> 00:24:26,479
Speaker 2: there was that place court for a king or something.

531
00:24:26,600 --> 00:24:29,440
Speaker 3: Yeah, there was that cold Stone Creamery. You've ever been there?

532
00:24:29,480 --> 00:24:31,960
Speaker 3: It's an ice cream too loud?

533
00:24:32,840 --> 00:24:36,400
Speaker 2: Too loud? No no no, no, no, yes, but no Colstone

534
00:24:36,400 --> 00:24:36,879
Speaker 2: too loud.

535
00:24:37,440 --> 00:24:39,359
Speaker 1: If you're in there and I've been in there, and

536
00:24:39,440 --> 00:24:43,480
Speaker 1: I do get scared like a dog that might get

537
00:24:43,520 --> 00:24:44,680
Speaker 1: scared and just.

538
00:24:44,640 --> 00:24:45,719
Speaker 2: Start running around.

539
00:24:46,480 --> 00:24:50,200
Speaker 1: And so it would be very dangerous to be back

540
00:24:50,240 --> 00:24:51,480
Speaker 1: there with all the equipment.

541
00:24:52,000 --> 00:24:55,399
Speaker 2: The sound is crashing off the stone, and really what's happening?

542
00:24:55,480 --> 00:25:00,360
Speaker 1: Yeah, and I would just start going nutso and ration

543
00:25:00,560 --> 00:25:04,800
Speaker 1: through maybe the front plate glass window. So that's not

544
00:25:04,880 --> 00:25:10,560
Speaker 1: a good idea unless there's a silent version of cold stone, right, Okay,

545
00:25:10,680 --> 00:25:11,800
Speaker 1: Well and you have that for me.

546
00:25:12,480 --> 00:25:14,520
Speaker 2: Any of these jobs is going to have to be silent.

547
00:25:14,560 --> 00:25:15,200
Speaker 2: I got to say this.

548
00:25:15,160 --> 00:25:16,160
Speaker 1: About the stone as well.

549
00:25:16,240 --> 00:25:21,040
Speaker 2: Too hard? Bad mind me going on somebody these hikes

550
00:25:21,080 --> 00:25:21,600
Speaker 2: in this town?

551
00:25:21,800 --> 00:25:22,080
Speaker 4: Right?

552
00:25:23,040 --> 00:25:25,000
Speaker 3: I mean, would you I guess if you need a

553
00:25:25,080 --> 00:25:27,199
Speaker 3: quiet thing you want to be any kind of librarian?

554
00:25:28,440 --> 00:25:30,119
Speaker 2: Is there a no hands version of that?

555
00:25:30,400 --> 00:25:30,800
Speaker 1: Mm hmm.

556
00:25:30,960 --> 00:25:33,000
Speaker 4: Well, so you need quiet and you need no hands.

557
00:25:33,080 --> 00:25:34,760
Speaker 2: Well, we do want to still be friends.

558
00:25:35,000 --> 00:25:38,280
Speaker 4: We do your job with no hands and friendship.

559
00:25:38,440 --> 00:25:39,560
Speaker 2: I'll do the hand stuff.

560
00:25:39,600 --> 00:25:42,360
Speaker 1: But a lot of these books I don't agree with, okay,

561
00:25:42,440 --> 00:25:45,440
Speaker 1: And I'd have a tough time letting people read these

562
00:25:45,480 --> 00:25:45,879
Speaker 1: around me.

563
00:25:46,040 --> 00:25:48,080
Speaker 4: Right, you're big, You're into censorship.

564
00:25:48,960 --> 00:25:55,200
Speaker 1: It's not censorship, it's protection from dangerous ideas, right, right,

565
00:25:55,640 --> 00:26:00,800
Speaker 1: Because some of these books are saying something like, uh that.

566
00:26:02,280 --> 00:26:04,439
Speaker 2: You know, like, what's some of the books they have

567
00:26:04,560 --> 00:26:05,000
Speaker 2: out there?

568
00:26:06,240 --> 00:26:10,320
Speaker 4: They have The Little Mermaid is a book.

569
00:26:10,720 --> 00:26:14,600
Speaker 1: Okay, so that Mermaid to me appears to be essentially

570
00:26:14,680 --> 00:26:15,520
Speaker 1: regular size.

571
00:26:16,000 --> 00:26:20,480
Speaker 3: Yeah, do you think of mermaids as the fish.

572
00:26:21,320 --> 00:26:25,600
Speaker 6: She's much bigger than even that, right then she would

573
00:26:25,600 --> 00:26:28,000
Speaker 6: be huge, But like, what's a little about it. She's

574
00:26:28,000 --> 00:26:30,159
Speaker 6: the same size as the guy she winds up dating,

575
00:26:30,640 --> 00:26:31,920
Speaker 6: which makes her kind of tall.

576
00:26:32,040 --> 00:26:35,040
Speaker 4: Actually, yeah, well, is she the youngest?

577
00:26:35,160 --> 00:26:37,960
Speaker 3: Is it really the youngest Mermaid of the family of Mermaids,

578
00:26:38,119 --> 00:26:39,199
Speaker 3: Baby Mermaid? Is it?

579
00:26:39,280 --> 00:26:41,440
Speaker 1: Like? Okay, then call it the youngest Mermaid? I mean

580
00:26:41,480 --> 00:26:43,640
Speaker 1: it's not fucking rocket Science and Harry are.

581
00:26:43,520 --> 00:26:45,840
Speaker 2: Talking about books again. The one thing that we are

582
00:26:45,880 --> 00:26:50,960
Speaker 2: not supposed to talk about everywhere the problem is if

583
00:26:50,960 --> 00:26:53,360
Speaker 2: there is a trash can of the library Sean is

584
00:26:53,480 --> 00:26:57,160
Speaker 2: going to when he's holding a book, he often has

585
00:26:57,160 --> 00:27:00,639
Speaker 2: an instinct to make a three pointer Michael Jordan style.

586
00:27:00,800 --> 00:27:04,040
Speaker 2: I've heard it into the trash can, and then after

587
00:27:04,080 --> 00:27:04,760
Speaker 2: the fact that.

588
00:27:04,600 --> 00:27:09,560
Speaker 1: That's three points share of all time Michael Jordan, I

589
00:27:09,720 --> 00:27:11,199
Speaker 1: just fucking step up.

590
00:27:11,240 --> 00:27:14,800
Speaker 2: I cross them up this way. That will dribble at once,

591
00:27:14,880 --> 00:27:17,480
Speaker 2: which the path and he has to kind of pick

592
00:27:17,480 --> 00:27:17,800
Speaker 2: it up.

593
00:27:18,600 --> 00:27:23,440
Speaker 1: Yeah, one dribble, set my feet and one.

594
00:27:23,320 --> 00:27:26,680
Speaker 4: Dribble A drib like isn't dribbled.

595
00:27:26,240 --> 00:27:30,440
Speaker 2: By nature challenging me.

596
00:27:30,880 --> 00:27:33,480
Speaker 4: Here, I am to do nothing else but challenge.

597
00:27:33,600 --> 00:27:37,679
Speaker 2: Yeah. Wow, dribble definitely sounds like a plural word.

598
00:27:38,000 --> 00:27:43,159
Speaker 1: Yeah yeah, yeah, sorry, No, No, it's not something to

599
00:27:43,240 --> 00:27:46,320
Speaker 1: apologize for. It's something to be celebrated that you never

600
00:27:46,480 --> 00:27:48,359
Speaker 1: just take it at face value and go okay, I

601
00:27:48,440 --> 00:27:51,240
Speaker 1: accept this like some people do with like.

602
00:27:51,200 --> 00:27:53,960
Speaker 2: The Little Mermaid as a title, like a zombie sheep.

603
00:27:54,400 --> 00:27:57,000
Speaker 3: Right right, or just like when I have friends and peers,

604
00:27:57,040 --> 00:28:00,520
Speaker 3: I'm always like, look at you, your tapestry of character sticks.

605
00:28:00,640 --> 00:28:02,120
Speaker 3: Some of them are good, some of them are bad,

606
00:28:02,240 --> 00:28:03,840
Speaker 3: and I'm gonna make you aware of the bad ones.

607
00:28:04,000 --> 00:28:06,600
Speaker 3: Kind of like how you guys were commenting on my life.

608
00:28:07,280 --> 00:28:08,680
Speaker 3: I wanted to do the same.

609
00:28:10,200 --> 00:28:10,760
Speaker 2: Comments.

610
00:28:11,560 --> 00:28:16,919
Speaker 1: Oh oh no, okay, we were afraid this might happen.

611
00:28:17,760 --> 00:28:25,520
Speaker 1: Captain Creepshot is here to give us another uh freaky experience.

612
00:28:26,520 --> 00:28:30,280
Speaker 1: He's taken to trying to get in really close with

613
00:28:30,320 --> 00:28:32,840
Speaker 1: all his photos, Like he used to sort of stand

614
00:28:32,920 --> 00:28:35,840
Speaker 1: back and try to be invisible, but now he wants

615
00:28:35,920 --> 00:28:38,840
Speaker 1: you to feel the discomfort of him almost penetrating you

616
00:28:38,920 --> 00:28:39,479
Speaker 1: with the camera.

617
00:28:39,520 --> 00:28:43,600
Speaker 2: He's he addresses nicer and nicer every episode, to the

618
00:28:43,640 --> 00:28:45,479
Speaker 2: point where I feel like the next time he comes out,

619
00:28:45,520 --> 00:28:49,520
Speaker 2: he's gonna be wearing a fancy masking. Golled just kind

620
00:28:49,520 --> 00:28:51,880
Speaker 2: of glided holding his camera.

621
00:28:53,200 --> 00:28:55,920
Speaker 4: I'm just gonna look right at him.

622
00:28:56,400 --> 00:28:59,400
Speaker 2: See that is you would think that challenging him would

623
00:28:59,440 --> 00:29:03,960
Speaker 2: make him nervous or something like that. He's become very bold.

624
00:29:04,040 --> 00:29:06,080
Speaker 2: They're aware of me. What am I doing now? There

625
00:29:06,160 --> 00:29:07,800
Speaker 2: is not like he likes.

626
00:29:07,920 --> 00:29:10,920
Speaker 1: It's now become part of it for him.

627
00:29:11,320 --> 00:29:12,760
Speaker 2: Well, but this is a job.

628
00:29:13,560 --> 00:29:15,520
Speaker 3: This is a job perhaps, I mean, you couldn't do

629
00:29:15,560 --> 00:29:16,800
Speaker 3: it because it involves hands.

630
00:29:17,200 --> 00:29:19,120
Speaker 2: Is there no hands? Way to do this?

631
00:29:19,360 --> 00:29:20,040
Speaker 4: What you're doing?

632
00:29:20,240 --> 00:29:21,040
Speaker 5: No hands?

633
00:29:21,160 --> 00:29:23,480
Speaker 3: Yeah, Hayes is looking at transition to a new career,

634
00:29:23,600 --> 00:29:26,400
Speaker 3: but that one one that does not require his hands.

635
00:29:26,320 --> 00:29:30,080
Speaker 2: His hand and the one for my friend to be there.

636
00:29:30,320 --> 00:29:33,080
Speaker 4: Yeah, Sean needs quiet, yeah.

637
00:29:34,320 --> 00:29:36,240
Speaker 2: Head, Oh that could be fun.

638
00:29:36,320 --> 00:29:39,280
Speaker 1: Okay, So for anyone who needs someone to talk into

639
00:29:39,280 --> 00:29:41,680
Speaker 1: a microphone to hear them when they listen to a podcast,

640
00:29:41,800 --> 00:29:45,040
Speaker 1: what Kevin just said was put like a GoPro on

641
00:29:45,160 --> 00:29:47,720
Speaker 1: his head. Now I don't know who he was. I

642
00:29:47,760 --> 00:29:52,360
Speaker 1: don't know what the gopro's doing, but that was his idea.

643
00:29:53,080 --> 00:29:55,680
Speaker 2: I think it was me. We're talking about me doing

644
00:29:55,720 --> 00:29:58,360
Speaker 2: the job, okay, great, and so I think he was saying,

645
00:29:58,360 --> 00:30:00,120
Speaker 2: I could put a GoPro on my head and then

646
00:30:00,120 --> 00:30:02,080
Speaker 2: I won't have to use my hands, and then I'm

647
00:30:02,120 --> 00:30:04,120
Speaker 2: being Kevin and that's my new job.

648
00:30:04,520 --> 00:30:07,680
Speaker 1: Oh okay, okay, Kevin, maybe get one of these from me.

649
00:30:08,600 --> 00:30:12,640
Speaker 3: He's doing like a very casual, excited sort of like

650
00:30:12,640 --> 00:30:15,080
Speaker 3: he thinks he's in a gift, but he is not.

651
00:30:15,160 --> 00:30:16,840
Speaker 3: Because there's a lot of movement.

652
00:30:17,960 --> 00:30:20,600
Speaker 2: And two peace signs? Was it blurry? Two peace signs

653
00:30:20,600 --> 00:30:23,560
Speaker 2: and a big smile? Is it blurry? You need another one?

654
00:30:23,480 --> 00:30:26,560
Speaker 4: Yeah? He's saying peace be with the world, and my

655
00:30:26,680 --> 00:30:27,400
Speaker 4: mouth is big.

656
00:30:28,760 --> 00:30:34,440
Speaker 1: There we go, So that'll be a good photo for everyone. Yeah, Kevin,

657
00:30:34,440 --> 00:30:36,640
Speaker 1: do you want to get in and maybe make a

658
00:30:36,760 --> 00:30:39,440
Speaker 1: comment on Allison's life like an internet.

659
00:30:39,200 --> 00:30:42,120
Speaker 3: Style like if you were a YouTube commenter for my life,

660
00:30:42,240 --> 00:30:42,960
Speaker 3: what would it be?

661
00:30:44,360 --> 00:30:45,280
Speaker 5: Your life is dope?

662
00:30:45,320 --> 00:30:49,720
Speaker 1: Af Okay okay, And that's got to feel pretty good.

663
00:30:50,160 --> 00:30:52,080
Speaker 2: Yeah, yeah, even from.

664
00:30:51,920 --> 00:30:55,440
Speaker 4: A Yeah, it made my voice shine.

665
00:30:55,600 --> 00:30:57,920
Speaker 2: Yeah, just sorry.

666
00:30:58,280 --> 00:31:02,680
Speaker 3: Sometimes when I get so complimented and my whole body

667
00:31:02,680 --> 00:31:03,600
Speaker 3: and voice gets small.

668
00:31:03,760 --> 00:31:06,080
Speaker 1: It's funny to me that AF took off as hard

669
00:31:06,120 --> 00:31:08,520
Speaker 1: as it did. When at the drug store, there's tons

670
00:31:08,560 --> 00:31:11,240
Speaker 1: of stuff that says AF on it and it's all

671
00:31:11,280 --> 00:31:13,960
Speaker 1: anti fungal. H.

672
00:31:14,440 --> 00:31:17,959
Speaker 3: I didn't know at all what was happening in your logic,

673
00:31:18,080 --> 00:31:19,880
Speaker 3: but then I explained it.

674
00:31:20,440 --> 00:31:23,600
Speaker 2: Yeah, it's everywhere. Yeah, there's a lot.

675
00:31:23,400 --> 00:31:26,760
Speaker 1: Of stuff and all says like lotrimen AF.

676
00:31:27,560 --> 00:31:28,360
Speaker 4: Yeah.

677
00:31:28,680 --> 00:31:31,560
Speaker 2: Well say that does remind me that for whatever job

678
00:31:31,640 --> 00:31:35,760
Speaker 2: that we have, it does have to be a no soccer.

679
00:31:35,560 --> 00:31:38,400
Speaker 4: Shoe, no soccer shoe thing.

680
00:31:38,520 --> 00:31:40,960
Speaker 1: Oh yeah, I can't have any I can't have a

681
00:31:41,000 --> 00:31:41,680
Speaker 1: closed toe.

682
00:31:42,120 --> 00:31:44,640
Speaker 3: Okay, maybe like, well it's gonna say a sous, but

683
00:31:44,720 --> 00:31:45,840
Speaker 3: then you got to use your hands.

684
00:31:46,200 --> 00:31:48,400
Speaker 4: Hmmm, something that's really not involving.

685
00:31:48,600 --> 00:31:50,160
Speaker 2: I don't think they like the term masuse.

686
00:31:50,720 --> 00:31:52,280
Speaker 4: Is that a true thing? They don't like that.

687
00:31:52,400 --> 00:31:55,680
Speaker 1: I think probably they would be a licensed massage therapist. Okay,

688
00:31:55,800 --> 00:31:57,760
Speaker 1: I think messous implies prostitute.

689
00:31:57,840 --> 00:32:01,800
Speaker 4: I see, I got to stop calling certain people that.

690
00:32:03,080 --> 00:32:06,520
Speaker 2: Yeah, oh gosh, I mean maybe.

691
00:32:06,240 --> 00:32:07,440
Speaker 1: You know leaving so soon?

692
00:32:07,600 --> 00:32:10,600
Speaker 4: Kevin, did we make you uncomfortable?

693
00:32:12,680 --> 00:32:18,480
Speaker 2: Sure? Kelly, are you talking about Kevin? You can stay?

694
00:32:18,560 --> 00:32:21,040
Speaker 1: Yeah, Kevin, you can stay today. Yeah, this is a

695
00:32:21,080 --> 00:32:23,640
Speaker 1: special treat day for Kevin. He gets to stay.

696
00:32:23,800 --> 00:32:24,880
Speaker 4: So, Kevin, who are you?

697
00:32:25,200 --> 00:32:31,360
Speaker 3: What's your age? Are you a college person? How's your

698
00:32:31,520 --> 00:32:34,720
Speaker 3: facial hair coming? Seems like in a transitional.

699
00:32:34,320 --> 00:32:35,880
Speaker 5: Different colors and I don't like it.

700
00:32:36,000 --> 00:32:36,240
Speaker 2: Yeah.

701
00:32:36,760 --> 00:32:40,000
Speaker 3: It always upsets me when men have like hair on

702
00:32:40,040 --> 00:32:42,240
Speaker 3: their face that's not their other head.

703
00:32:42,800 --> 00:32:45,480
Speaker 4: Oh yeah yeah. How don't you feel insecure?

704
00:32:45,520 --> 00:32:46,720
Speaker 2: How do you feel about mine?

705
00:32:47,600 --> 00:32:50,560
Speaker 3: It looks like it matches, but it's also like doesn't

706
00:32:50,600 --> 00:32:52,640
Speaker 3: know boundaries. You know what I'm saying, because it's like

707
00:32:53,440 --> 00:32:56,480
Speaker 3: just like all it looks like a coastline, you know.

708
00:32:57,800 --> 00:33:00,520
Speaker 2: That's right? Very natural? Mm hmm.

709
00:33:01,040 --> 00:33:02,160
Speaker 5: So my name is Kevin.

710
00:33:02,280 --> 00:33:03,160
Speaker 2: Yeah, they're natural.

711
00:33:03,320 --> 00:33:04,680
Speaker 5: I'm twenty four years old.

712
00:33:05,000 --> 00:33:08,160
Speaker 4: I'm the bad age, bad age, right.

713
00:33:08,400 --> 00:33:10,600
Speaker 1: Yeah, you couldn't pay me to go back to being

714
00:33:10,640 --> 00:33:14,640
Speaker 1: twenty four. It's all the money in Egypt.

715
00:33:15,200 --> 00:33:15,680
Speaker 4: Bodies.

716
00:33:15,920 --> 00:33:21,040
Speaker 3: Your body's changing, you know, you're you have your hormonic

717
00:33:21,160 --> 00:33:25,520
Speaker 3: going crazyzy, all those the mood swings.

718
00:33:25,800 --> 00:33:28,160
Speaker 4: Yeah, yeah, you're hot all the time.

719
00:33:28,200 --> 00:33:30,719
Speaker 2: It's the time when you get a stinky pit. It's

720
00:33:30,760 --> 00:33:33,400
Speaker 2: the time when you want to look.

721
00:33:33,200 --> 00:33:35,080
Speaker 4: Your best, but you look your worst.

722
00:33:35,320 --> 00:33:38,040
Speaker 1: You but you do because you're always trying to ask

723
00:33:38,080 --> 00:33:41,720
Speaker 1: someone to prom you know, but you can't because you've

724
00:33:41,720 --> 00:33:42,680
Speaker 1: got stinky pits and.

725
00:33:42,680 --> 00:33:43,600
Speaker 2: Pop and zits.

726
00:33:43,800 --> 00:33:46,760
Speaker 4: Mm hmmm. So Kevin, I'm sorry. Continue you're twenty four.

727
00:33:47,800 --> 00:33:48,840
Speaker 5: That's all I have to say.

728
00:33:48,920 --> 00:33:49,960
Speaker 4: And where are you from?

729
00:33:50,080 --> 00:33:53,040
Speaker 2: That's kind of Kevin's main thing, that's his age four.

730
00:33:53,200 --> 00:33:56,520
Speaker 5: Yeah, yeah, yeah, it's kind of my interesting fact.

731
00:33:58,200 --> 00:34:01,720
Speaker 3: And to think about it, it's not very interesting because millions,

732
00:34:01,760 --> 00:34:04,680
Speaker 3: if not billions, millions if people in this world.

733
00:34:04,400 --> 00:34:06,800
Speaker 2: Are twenty four, I'd say billions.

734
00:34:06,600 --> 00:34:08,840
Speaker 3: No, because there's only like seven billion people in the world,

735
00:34:08,920 --> 00:34:12,040
Speaker 3: and twenty four year olds don't make up a seventh

736
00:34:12,080 --> 00:34:12,840
Speaker 3: of the world.

737
00:34:13,120 --> 00:34:15,440
Speaker 2: Yeah. No, I think that you are wrong when you

738
00:34:15,480 --> 00:34:16,280
Speaker 2: said what you said.

739
00:34:16,680 --> 00:34:20,279
Speaker 3: Yeah, and see, it's all part of the developing twenty

740
00:34:20,320 --> 00:34:22,440
Speaker 3: four year old brain is that you can't like, yeah,

741
00:34:22,480 --> 00:34:25,000
Speaker 3: if you are in a consulting interview right now where

742
00:34:25,000 --> 00:34:27,120
Speaker 3: you had to guess, like, oh, a plane goes to

743
00:34:27,200 --> 00:34:30,800
Speaker 3: Starbucks in San Francisco, how many ice lattes could it

744
00:34:31,239 --> 00:34:34,600
Speaker 3: fit in its hull or something, you'd be really bad

745
00:34:34,640 --> 00:34:35,440
Speaker 3: at answering that.

746
00:34:35,480 --> 00:34:39,000
Speaker 1: Brutal brutal age to be because you can't answer that

747
00:34:39,080 --> 00:34:42,920
Speaker 1: question about ice Lates. And I wouldn't go back to

748
00:34:42,960 --> 00:34:46,120
Speaker 1: that age for basically all freaking money in Egypt.

749
00:34:47,280 --> 00:34:49,120
Speaker 2: Yeah, I'll tell you what, keV.

750
00:34:50,160 --> 00:34:52,880
Speaker 1: I just I wouldn't want to switch places with you, buddy.

751
00:34:52,960 --> 00:34:55,680
Speaker 1: Like let's say this was vice versa with Jude Reinhold

752
00:34:55,719 --> 00:35:01,360
Speaker 1: and Fred Savage. I'd be like, oh no, because that

753
00:35:01,440 --> 00:35:03,120
Speaker 1: movie they switch places and.

754
00:35:03,080 --> 00:35:05,080
Speaker 2: Look, I would like to do it the sense of

755
00:35:05,520 --> 00:35:06,480
Speaker 2: taking your job.

756
00:35:07,400 --> 00:35:09,840
Speaker 1: Oh yeah, we're trying to like if it could do

757
00:35:09,880 --> 00:35:12,000
Speaker 1: it without hands, and if we could have an open.

758
00:35:11,760 --> 00:35:15,839
Speaker 2: Toe shoe and it's it's actually quieter than it is

759
00:35:15,920 --> 00:35:16,680
Speaker 2: right now, keV.

760
00:35:17,640 --> 00:35:20,439
Speaker 5: Opening doors would be tough, like getting into the room.

761
00:35:20,880 --> 00:35:23,120
Speaker 2: Well, that's what the open toes would be helpful for.

762
00:35:24,160 --> 00:35:26,759
Speaker 5: Oh gross, wow, So is that what you guys are

763
00:35:26,760 --> 00:35:27,279
Speaker 5: trying to do.

764
00:35:27,560 --> 00:35:32,080
Speaker 3: We're talking about transitions as going from being Hollywood moguls

765
00:35:32,160 --> 00:35:35,320
Speaker 3: to another thing where it's like not so much success,

766
00:35:35,400 --> 00:35:38,200
Speaker 3: not so much money, not so much like oh we're

767
00:35:38,239 --> 00:35:38,960
Speaker 3: so good at this.

768
00:35:39,040 --> 00:35:42,200
Speaker 2: Right, but it is some money that would be Yeah,

769
00:35:42,280 --> 00:35:45,960
Speaker 2: that would be good. Take what my job then? And

770
00:35:46,080 --> 00:35:47,560
Speaker 2: what do you want to do? You know what job?

771
00:35:47,600 --> 00:35:53,080
Speaker 1: Will you want you know, Kevin riding would be needle

772
00:35:54,160 --> 00:35:58,400
Speaker 1: like signs, signs like a horse riding.

773
00:36:00,080 --> 00:36:02,600
Speaker 4: Got to your ds aer ts so we can know

774
00:36:02,719 --> 00:36:03,239
Speaker 4: and help you.

775
00:36:03,440 --> 00:36:07,160
Speaker 1: If you're that, you should go out to like a

776
00:36:07,239 --> 00:36:08,080
Speaker 1: sort of rodeo.

777
00:36:08,239 --> 00:36:10,440
Speaker 4: Are just go find a horse to put your body on.

778
00:36:10,760 --> 00:36:12,040
Speaker 5: I don't need my hands too.

779
00:36:12,840 --> 00:36:14,040
Speaker 2: Oh just jump?

780
00:36:14,239 --> 00:36:16,440
Speaker 1: Oh yeah, no reins, not going to use the reins

781
00:36:16,840 --> 00:36:17,680
Speaker 1: you use.

782
00:36:18,840 --> 00:36:22,359
Speaker 3: You must have strong adductor muscles where your thighs, just

783
00:36:22,440 --> 00:36:23,320
Speaker 3: keeping you glued.

784
00:36:23,120 --> 00:36:23,680
Speaker 2: To that horse.

785
00:36:23,760 --> 00:36:25,400
Speaker 5: I put my hands above my head like it's a

786
00:36:25,480 --> 00:36:26,080
Speaker 5: roller coaster.

787
00:36:27,000 --> 00:36:31,799
Speaker 1: Yes, that seems very dangerous to me. Kevin, is the

788
00:36:31,840 --> 00:36:32,760
Speaker 1: horse going to jump?

789
00:36:34,120 --> 00:36:36,319
Speaker 5: No? We stay flat on their Do you.

790
00:36:36,280 --> 00:36:40,840
Speaker 4: Do drausage usage? Are you familiar? Dressage is a type

791
00:36:40,840 --> 00:36:45,840
Speaker 4: of horse dancing. This is real and.

792
00:36:46,480 --> 00:36:47,400
Speaker 5: Like two steps forward.

793
00:36:47,520 --> 00:36:49,839
Speaker 4: It's like they don't do It's like I don't know.

794
00:36:49,920 --> 00:36:51,440
Speaker 3: A horse is there and people are watching them when

795
00:36:51,440 --> 00:36:53,800
Speaker 3: they're doing tricks, but none of them involve like jumping.

796
00:36:54,680 --> 00:36:57,480
Speaker 4: That's a thing. I had a friend who tried to start.

797
00:36:57,880 --> 00:36:59,560
Speaker 3: Yeah, I had a friend who tried to start a

798
00:36:59,640 --> 00:37:03,560
Speaker 3: dress But it's much money, is what It's too much

799
00:37:03,600 --> 00:37:04,080
Speaker 3: to get off?

800
00:37:04,480 --> 00:37:06,080
Speaker 2: Yeah, cost all money in Egypt.

801
00:37:06,280 --> 00:37:09,759
Speaker 4: Yeah, but twenty is in Egypt. Just so I'm getting this.

802
00:37:09,920 --> 00:37:15,200
Speaker 2: Oh my, he s they have this gold think about it.

803
00:37:15,200 --> 00:37:18,760
Speaker 2: They have this gold cat over there, a freaking million

804
00:37:18,840 --> 00:37:20,320
Speaker 2: dollars giant gold cat.

805
00:37:21,120 --> 00:37:24,160
Speaker 1: Freaking uh kick toot was a dude so bad.

806
00:37:24,719 --> 00:37:28,879
Speaker 3: There's horses in Egypt, right, Kevin, I don't fucking know.

807
00:37:29,840 --> 00:37:31,640
Speaker 2: Jesus Christ, Kevin, we're talking about money.

808
00:37:31,640 --> 00:37:34,640
Speaker 4: Wow, mood swing Okay, hormones baby swing.

809
00:37:34,960 --> 00:37:37,520
Speaker 2: Yeah, I look at it. He's about to popish.

810
00:37:40,320 --> 00:37:43,080
Speaker 4: God, you know what, Maybe enough twenty four year old

811
00:37:43,080 --> 00:37:43,600
Speaker 4: for right now?

812
00:37:43,760 --> 00:37:47,440
Speaker 2: Yeah, that might be enough. See you later. Jack Bauer

813
00:37:52,360 --> 00:37:56,479
Speaker 2: got him. I can't believe I got him. What time

814
00:37:56,560 --> 00:37:59,759
Speaker 2: is it? You have to go to the airport and uh,

815
00:38:00,120 --> 00:38:01,440
Speaker 2: never come back? Is that correct?

816
00:38:01,560 --> 00:38:02,360
Speaker 4: Never come back?

817
00:38:02,480 --> 00:38:06,640
Speaker 3: Because again, anytime I'm stepping in Hollywood, people are like jobs, money,

818
00:38:06,680 --> 00:38:08,800
Speaker 3: and I'm like, yes, please give me a break.

819
00:38:09,040 --> 00:38:09,200
Speaker 2: Yes.

820
00:38:09,360 --> 00:38:10,320
Speaker 4: So I'm just trying to get.

821
00:38:10,160 --> 00:38:12,719
Speaker 2: Away, raditioning out of California and.

822
00:38:12,719 --> 00:38:14,040
Speaker 4: Maybe the jobs won't follow me.

823
00:38:14,480 --> 00:38:16,080
Speaker 2: Yeah. Where to?

824
00:38:17,040 --> 00:38:18,800
Speaker 4: I'm going to Washington, d C.

825
00:38:19,080 --> 00:38:21,640
Speaker 3: Because I have a nephew and he's there and he

826
00:38:21,880 --> 00:38:23,960
Speaker 3: is a year older than he was when.

827
00:38:23,800 --> 00:38:26,439
Speaker 4: He was born here. Yeah, okay, and so I'm saying

828
00:38:26,480 --> 00:38:27,920
Speaker 4: hi to him for that, and maybe.

829
00:38:27,760 --> 00:38:31,360
Speaker 2: You can be washing tons of sofas over there or something. Yeah, yeah,

830
00:38:31,880 --> 00:38:36,600
Speaker 2: washing tons of d C. Pearson. Yeah, maybe shampoo him

831
00:38:36,680 --> 00:38:37,040
Speaker 2: or something.

832
00:38:37,400 --> 00:38:38,080
Speaker 4: Yeah.

833
00:38:38,239 --> 00:38:41,480
Speaker 2: Is he a little too hard? Is he too hard?

834
00:38:41,680 --> 00:38:43,479
Speaker 1: And can he get some poulstry on him?

835
00:38:43,840 --> 00:38:49,160
Speaker 3: Mm hmmm yeah, or to be down polstered because it's like,

836
00:38:49,440 --> 00:38:51,600
Speaker 3: just remove a layer of his skin so he's softer.

837
00:38:52,040 --> 00:38:55,480
Speaker 2: Oh right, Oh God, to have peers and power? Oh yeah,

838
00:38:55,520 --> 00:38:57,160
Speaker 2: I mean, is that kind of what you're imagining.

839
00:38:58,760 --> 00:39:02,160
Speaker 1: Well, I feel like we were starting to end this

840
00:39:02,280 --> 00:39:04,279
Speaker 1: thing when we were talking about how you had to fly,

841
00:39:04,600 --> 00:39:06,600
Speaker 1: and then we got right back into this.

842
00:39:06,880 --> 00:39:07,759
Speaker 4: Very That's how I am.

843
00:39:07,840 --> 00:39:09,280
Speaker 2: That's what Juicy.

844
00:39:09,719 --> 00:39:15,840
Speaker 1: Plum of an idea of skinning PC, which he's actually

845
00:39:15,840 --> 00:39:16,879
Speaker 1: a really good friend of mine.

846
00:39:16,960 --> 00:39:20,000
Speaker 2: I really, you don't know if you don't like, yeah

847
00:39:20,080 --> 00:39:20,640
Speaker 2: talking about it.

848
00:39:20,920 --> 00:39:24,600
Speaker 1: I don't necessarily want to take a layer of him off.

849
00:39:24,640 --> 00:39:27,600
Speaker 2: You don't want anyone adding a layer. Okay, Well that's

850
00:39:27,600 --> 00:39:30,680
Speaker 2: what I was saying. I was saying he was too hard.

851
00:39:31,360 --> 00:39:33,759
Speaker 3: I guess you know, sometimes the answer when something is

852
00:39:33,760 --> 00:39:35,640
Speaker 3: too hard is to put a layer of softness on.

853
00:39:35,760 --> 00:39:38,120
Speaker 3: But also sometimes it's to remove, so I went the

854
00:39:38,160 --> 00:39:40,719
Speaker 3: remove direction, but we could like somebody just to wait

855
00:39:40,760 --> 00:39:41,480
Speaker 3: a few minutes.

856
00:39:42,440 --> 00:39:46,360
Speaker 4: Yeah, I know what that is, and don't think I

857
00:39:46,400 --> 00:39:46,759
Speaker 4: don't know.

858
00:39:47,000 --> 00:39:51,520
Speaker 1: Yeah, like if you made a cake or something and

859
00:39:51,560 --> 00:39:54,800
Speaker 1: it's like a really hard cake something, just wait a

860
00:39:54,840 --> 00:40:01,200
Speaker 1: little bit. Yeah, Well I am and a bit of

861
00:40:01,239 --> 00:40:05,759
Speaker 1: a bind here. I don't want to do this anymore.

862
00:40:07,120 --> 00:40:08,080
Speaker 4: You want this to be over?

863
00:40:08,360 --> 00:40:11,239
Speaker 2: Yeah, but you know what's what you do? But how

864
00:40:11,280 --> 00:40:12,400
Speaker 2: do I bring that up?

865
00:40:12,640 --> 00:40:14,840
Speaker 1: That's gonna hurt out?

866
00:40:15,239 --> 00:40:20,560
Speaker 2: It's honestly, I don't even know.

867
00:40:21,680 --> 00:40:23,680
Speaker 1: Look like, I don't know what I want.

868
00:40:24,080 --> 00:40:25,680
Speaker 2: I just know it's not this.

869
00:40:26,320 --> 00:40:28,759
Speaker 1: And it's the same as the job stuff we ran

870
00:40:28,800 --> 00:40:30,880
Speaker 1: into where it's like I definitely don't want to do

871
00:40:30,920 --> 00:40:31,560
Speaker 1: this job anymore.

872
00:40:31,600 --> 00:40:34,480
Speaker 2: And I think I'm doing good at the podcast too. Yeah,

873
00:40:34,640 --> 00:40:36,719
Speaker 2: and I'm making a lot of money. And you don't

874
00:40:36,760 --> 00:40:39,359
Speaker 2: want to go You want to get out of here,

875
00:40:39,480 --> 00:40:41,120
Speaker 2: but you don't want to go home. But I don't

876
00:40:41,120 --> 00:40:43,040
Speaker 2: know where I want to go. I want to go somewhere.

877
00:40:42,800 --> 00:40:45,080
Speaker 3: Quiet, and you want to get out of this even

878
00:40:45,120 --> 00:40:47,839
Speaker 3: though it's going really well. It's just like if this,

879
00:40:48,080 --> 00:40:50,560
Speaker 3: if you gave money to this situation, you'd be a

880
00:40:50,600 --> 00:40:51,759
Speaker 3: lot because this is a.

881
00:40:51,680 --> 00:40:53,360
Speaker 2: Good episode, you guys.

882
00:40:53,600 --> 00:40:56,960
Speaker 1: Yeah, so I'm it's not about that, Yeah, because I've

883
00:40:57,000 --> 00:40:58,680
Speaker 1: wanted to get out of bad episode it's just a

884
00:40:58,680 --> 00:41:03,920
Speaker 1: couple of weeks ago, but this one it's good. And

885
00:41:03,960 --> 00:41:05,879
Speaker 1: that's maybe even why I want to get out, Yeah,

886
00:41:05,880 --> 00:41:08,160
Speaker 1: because I don't want to spoil it, and right.

887
00:41:08,560 --> 00:41:10,200
Speaker 4: You know, I will.

888
00:41:10,320 --> 00:41:13,839
Speaker 3: My feelings will and currently are hurt. But the thing

889
00:41:13,840 --> 00:41:16,400
Speaker 3: about me is that, like I don't really let that

890
00:41:16,440 --> 00:41:19,200
Speaker 3: come to the surface for like years down the line,

891
00:41:19,680 --> 00:41:22,160
Speaker 3: and by that point you might not even be around

892
00:41:22,400 --> 00:41:24,600
Speaker 3: me to experience those feelings.

893
00:41:24,640 --> 00:41:27,719
Speaker 1: Are like cicados, aren't they right, Like seventeen they bury

894
00:41:27,760 --> 00:41:29,120
Speaker 1: themselves down underneath.

895
00:41:29,280 --> 00:41:33,399
Speaker 3: Yeah, yeah, those are my feelings, like an exoskeleton seventeen years.

896
00:41:33,480 --> 00:41:36,319
Speaker 2: You remember that song by Ratitat and when they come

897
00:41:36,360 --> 00:41:39,000
Speaker 2: out the cica I guess the cicada's like the feelings

898
00:41:39,040 --> 00:41:41,200
Speaker 2: that kind of it's time to breed.

899
00:41:41,239 --> 00:41:42,200
Speaker 4: It's time to breed.

900
00:41:42,360 --> 00:41:44,880
Speaker 3: Yeah yeah, yeah, so it is like feelings of anger

901
00:41:44,920 --> 00:41:46,800
Speaker 3: but also like sexy no passion.

902
00:41:46,960 --> 00:41:50,680
Speaker 1: Yeah, passion and anger are so closely related. Yeah, Big

903
00:41:50,719 --> 00:41:53,040
Speaker 1: Little Lies is exploring that a bit, right.

904
00:41:59,640 --> 00:42:01,160
Speaker 2: I'm horny girl, Wolf.

905
00:42:01,480 --> 00:42:05,240
Speaker 1: This has been an Earwold production, executive produced by Scott Ackerman,

906
00:42:05,360 --> 00:42:08,720
Speaker 1: Collin Anderson, and Chris Bannon. For more information and content,

907
00:42:08,840 --> 00:42:11,760
Speaker 1: visit earwolf dot com ow