WEBVTT - 6. Cold Pricklies

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<v Speaker 1>Pushkin. After Verna and Doug drowned off Santa Cruz Island

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<v Speaker 1>on January second, nineteen eighty one, their bodies were flown

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<v Speaker 1>by helicopter back to Ventura County, where they were declared dead.

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<v Speaker 1>The next day, January third, they were autopsied by the

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<v Speaker 1>county's acting medical examiner. He concluded that they drowned by accident.

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<v Speaker 1>But Santa Cruz Island is actually in the jurisdiction of

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<v Speaker 1>Santa Barbara County, so that's why when Candy Henman wanted

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<v Speaker 1>someone to investigate Fred, she called the Santa Barbara Sheriff's

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<v Speaker 1>Department and they took her call. Candy's tip put the

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<v Speaker 1>accidental drownings of Verna and Doug in a new, uncomfortable light.

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<v Speaker 1>What if their deaths were not an accident. Verna and

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<v Speaker 1>Doug were about to be cremated, so the Santa Barbara

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<v Speaker 1>Sheriff's Department put a hold on their cremations and brought

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<v Speaker 1>their bodies back to Santa Barbara to be autopsied again

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<v Speaker 1>in secret. The date is January nine, nineteen eighty one.

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<v Speaker 1>The location is the Cottage Hospital, Morgue. This is the

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<v Speaker 1>re autopsy examination of a white female adult identified as

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<v Speaker 1>Verna Joe Roller R O E H L E R.

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<v Speaker 1>The body has been previously autopsied on January three, nineteen

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<v Speaker 1>eighty one, by doctor Craig Duncan of the Ventura County

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<v Speaker 1>Medical Examiner Corners Office, commencing section of bone. There were

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<v Speaker 1>too many similarities to ignore. Two wives dead in the

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<v Speaker 1>water for no clear reason, and Fred the only witness

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<v Speaker 1>in both cases with a story that didn't really stand

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<v Speaker 1>up to interrogation. But this time there was a second victim,

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<v Speaker 1>a child. This will be the re autopsy examination of

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<v Speaker 1>a white male child identified as Douglas Johnson. What if

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<v Speaker 1>Fred had killed them all, Verna, Doug and Jean and

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<v Speaker 1>was about to get away with it again. I'm Dana

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<v Speaker 1>Goodyear and this is Lost Tells Episode six, Cold Prickles.

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<v Speaker 1>Three months after Vernon and Dog died, Fred was arrested

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<v Speaker 1>at home in Malibu. I was stunned. Here's Fred's recollection

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<v Speaker 1>of what happened that day. I got the kids off

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<v Speaker 1>the school, and I had taken a shower, and I

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<v Speaker 1>was in The phone rang and so I said hello,

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<v Speaker 1>and there was no answer. So then a little later

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<v Speaker 1>the doorbell rang, so I walked downstairs and opened the

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<v Speaker 1>door and there's three guys with guns aimed at beat

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<v Speaker 1>and they said, we're here to arrest you. They handcuffed

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<v Speaker 1>me and put me in the car and that was

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<v Speaker 1>basically it. They drove him to the Malibu station and

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<v Speaker 1>read him as rights. He was being held on two

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<v Speaker 1>counts of homicide, one for Verna, one for Doug. I

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<v Speaker 1>never thought it would get to that point, you know, because,

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<v Speaker 1>like I say, I had answered all their questions. I

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<v Speaker 1>had met with them three times. My family had talked

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<v Speaker 1>to them. The people on the boat had talked to them.

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<v Speaker 1>You know, I couldn't imagine anything that had been left unsaid.

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<v Speaker 1>You know, we didn't have fights, there were you know,

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<v Speaker 1>there was there was nothing going on. So when I

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<v Speaker 1>got to the substation, they put me in a tank

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<v Speaker 1>by myself. So then that night, Fairfield, my brother and

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<v Speaker 1>sister in law all showed up at the place at

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<v Speaker 1>the substation and were there when when I walked out,

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<v Speaker 1>and they said are you okay? And I said how

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<v Speaker 1>you know how the girls and Ron said, you know,

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<v Speaker 1>don't worry about it. We were taking care of that.

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<v Speaker 1>So that was the last discussion I had with them

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<v Speaker 1>that night. Then they drove me to Santa Barbara. That night,

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<v Speaker 1>Fred was taken to the Santa Barbara County jail and

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<v Speaker 1>he never saw Sea Level drive again. Throughout the spring

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<v Speaker 1>of nineteen eighty one, the Malibu rumor mill was cranking.

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<v Speaker 1>The search warrant Affidavit was the hottest read in town,

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<v Speaker 1>and it was juicy, full of details about Jean and

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<v Speaker 1>her affair with Fred's sailing buddy Dick Fell, thawing about

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<v Speaker 1>guns and hot tubs, and especially Fred's explosive temper. Neighbors

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<v Speaker 1>were talking to each other and to the police. One

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<v Speaker 1>Malibu woman had seen Verna at the market basket a

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<v Speaker 1>month or two before she died, and Verna told her

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<v Speaker 1>she was unhappy in her marriage. Someone else had seen

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<v Speaker 1>Fred leaving Verna's house through the back door at eight am,

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<v Speaker 1>just weeks after Jean's death. The neighbor who drove the

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<v Speaker 1>kids home from school after Verna did said that when

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<v Speaker 1>she dropped them off, she saw Fred lurking when she

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<v Speaker 1>pulled up. This is Kathy Pullis, a Malibu mom whose son,

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<v Speaker 1>a friend of Dougs, was also coached by Fred. She's

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<v Speaker 1>being interviewed by a private detective hired by Fred's defense

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<v Speaker 1>team since January. This is the tip of the terror.

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<v Speaker 1>And immediately there was the division, No, who couldn't have

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<v Speaker 1>done that? Yeah, and yes he probably did, Yeah he

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<v Speaker 1>probably didn't. I mean I have those feelings. Some days

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<v Speaker 1>I think he couldn't, couldn't possibly. In another days I think,

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<v Speaker 1>but what if he did? You know? And everyone had

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<v Speaker 1>an opinion or three about Fred Rayler? Did he kill

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<v Speaker 1>Verna and Doug? What about Jean? Was it greed opportunism?

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<v Speaker 1>Or was he a psychopath masquerading as a Malibu dad?

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<v Speaker 1>And you have to understand Malibu is very very much

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<v Speaker 1>a small town. We also think you'd be very sophisticated.

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<v Speaker 1>But the fact is they were Nazi and this is

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<v Speaker 1>the talk of the town. Or it has been. The

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<v Speaker 1>allegation that Fred had murdered Verna and Doug, the investigator said,

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<v Speaker 1>was largely based on circumstantial evidence. Fred's character was going

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<v Speaker 1>to be a major topic. The arrest opened a rift

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<v Speaker 1>in Malibu. You are either with Fred or against him.

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<v Speaker 1>Fred's friend Mark Hatrick told me the divisions caused by

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<v Speaker 1>the case drove him and his wife Beth to leave Malibu.

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<v Speaker 1>All of the moms that are all you know of

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<v Speaker 1>a certain level economic level and involved in that. You know,

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<v Speaker 1>they all get together and they all talk, so there's

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<v Speaker 1>there's sort of a gossipy group, and you know, right

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<v Speaker 1>away they started all of these theories about well, you know,

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<v Speaker 1>Jane's first wife died, and you know, that's pretty suspicious.

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<v Speaker 1>And I think in a whole lot of ways, that's

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<v Speaker 1>you know, a whole lot of ways. That's why we've

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<v Speaker 1>you know, we've we left is because we just that

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<v Speaker 1>was going to be an open wound with two sides

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<v Speaker 1>that forever. That's just in that town. By the spring

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<v Speaker 1>of nineteen eighty one, the gossip was so intense that

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<v Speaker 1>a group of Malibu people wrote a letter to the

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<v Speaker 1>editor of the Malibu Times begging for fellow residents to

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<v Speaker 1>withhold judgment until after Fred's trial. They signed it Neighbors

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<v Speaker 1>for Fairness to Fred Rayler. Carol, Jean's sister, told detectives

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<v Speaker 1>Fred could be quote a class a charmer, quote so

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<v Speaker 1>unbelievably charming at times, but Carol and others said Fred

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<v Speaker 1>also had a nasty side. His whole affect could change

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<v Speaker 1>in an instant. This is a colleague of Fred's from

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<v Speaker 1>the naval base at point magoo talking to an investigator

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<v Speaker 1>can be a very likable, charming individual, especially if I

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<v Speaker 1>think if he wants to be accusing to be charming

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<v Speaker 1>thoughts right off, very charming person. I think you can

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<v Speaker 1>also blank at you blank so he you know he

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<v Speaker 1>did this or that he has a capacity. Dennis O'Gorman

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<v Speaker 1>also worked with Fred. He told an investigator that went

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<v Speaker 1>Fred lost his temper look out and he just flew

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<v Speaker 1>off the handles, the nostrils flaring red in the face,

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<v Speaker 1>called me all kinds of four letter words, and he

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<v Speaker 1>started screaming and ranting and raving and yellow man his

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<v Speaker 1>like like a madman. He's going to completely office off

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<v Speaker 1>his tree, just completely out of control. He was literally

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<v Speaker 1>like a like a madman. Fred, he said, was so

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<v Speaker 1>loathed at work that one guy had a picture of

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<v Speaker 1>him blown up and turned into a dartboard. But he

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<v Speaker 1>also said that somehow it was hard to stay mad

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<v Speaker 1>at Fred. Even today, I can't dislike Fred. I mean,

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<v Speaker 1>even if I really worked out all day long and

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<v Speaker 1>I convinced myself of all the nancy things he did

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<v Speaker 1>and stuck myself with kin to remember all the things

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<v Speaker 1>he did to me, and I was just ready to

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<v Speaker 1>kill him as as he walked in the door. I know,

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<v Speaker 1>I know that when he walked from that door with

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<v Speaker 1>a big silence face a couple of woody remarks that

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<v Speaker 1>we could sit down in a beer together and and

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<v Speaker 1>not be friends, but I just couldn't. It's strange. It's

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<v Speaker 1>already having medium to understand what I'm saying, but he

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<v Speaker 1>can't use a real charmer and putting back of my mind,

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<v Speaker 1>I know I would never work with him again because

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<v Speaker 1>he hasn't changed to bid. He has no respect for anyone.

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<v Speaker 1>People are just pawned. They're just tools. So Fred was

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<v Speaker 1>smart and calculating, and he used people like pawns and

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<v Speaker 1>they didn't always even register the abuse. Among people in Malibu,

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<v Speaker 1>Fred Rayler was known to run a tight ship. This

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<v Speaker 1>is an interview Beth Hetrick gave an investigator. She taught

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<v Speaker 1>with Erna and is married to Fred's friend Mark. You

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<v Speaker 1>guys con siderally film of a guy in the journi

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<v Speaker 1>of music school Christopher Clover plays because it was their strictness,

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<v Speaker 1>but also that love and there's a lot of that

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<v Speaker 1>was bred with the kids. Not everyone in Malibu got

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<v Speaker 1>the Captain von Trapp thing. Sure they noticed how incredibly

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<v Speaker 1>well behaved Fred and Verna's kids were, but maybe they

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<v Speaker 1>were too well behaved. It was a little creepy. Fred

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<v Speaker 1>came from a pretty tight, disciplined family. I mean, he's

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<v Speaker 1>a Midwesterner really, and you know, we know what Midwesterners

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<v Speaker 1>are like. You know, they're a little bit up tight.

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<v Speaker 1>They have their own somewhat blinkered vision of life. I mean,

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<v Speaker 1>I'm not saying this in a derogatory fashion. I'm saying

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<v Speaker 1>this in the fashion of the let it all hang

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<v Speaker 1>out Malibu crowd viewed it. This is our chival tape

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<v Speaker 1>of Ivor Davis, a British journalist who was friends with

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<v Speaker 1>Fred and Malibu. They coaches kids soccer together and he

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<v Speaker 1>was one of the neighbors. For fairness to Fred Rayler.

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<v Speaker 1>It seemed to him that Fred was the victim of

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<v Speaker 1>a cultural misunderstanding my evaluation if you like, which I mean,

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<v Speaker 1>here is a man Fred who didn't quite fit in Malibu,

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<v Speaker 1>in newly affluent community where you do your own thing, okay,

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<v Speaker 1>And he disciplined his children and people, you know, people said,

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<v Speaker 1>my god, discipline your children, that's you know, you don't

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<v Speaker 1>do that. He alienated some people, I think from my observations,

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<v Speaker 1>who had been friendly with Werner by kind of pushing

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<v Speaker 1>them out when he married her, and and by edging

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<v Speaker 1>these people out, they took an instant dislike to him,

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<v Speaker 1>or they bluted dislike him. So something like this comes along,

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<v Speaker 1>a terrible tragedy like this, and people say, well, Fred

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<v Speaker 1>was kind of weird anyway, and this is what happened

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<v Speaker 1>justifies our impression. He was not the run of the

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<v Speaker 1>mill guy, and the fact that he did discipline his

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<v Speaker 1>kids was believable or not something of a negative factor

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<v Speaker 1>in that community. Fred's approach to parenting set him apart

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<v Speaker 1>and made him vulnerable to criticism, and it was a

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<v Speaker 1>bit extreme. When I visited Fred's daughters in Colorado over

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<v Speaker 1>the summer, they were full of stories about Fred's unusual discipline.

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<v Speaker 1>Heidi pulled out a brick wrapped in a piece of

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<v Speaker 1>paper with a little monster face drawn on it and

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<v Speaker 1>the words cold Prickly in Fred's handwriting. The brick was

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<v Speaker 1>part of Fred's punishment system, how he kept those kids

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<v Speaker 1>so perfectly in line. It was the flip side of

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<v Speaker 1>the warm fuzzies, the rewards you got for good behavior.

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<v Speaker 1>The sisters explained how it worked. So I told you

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<v Speaker 1>there was an actual story, like a book about cold

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<v Speaker 1>prickles and warm fuzzies and how you feel when you

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<v Speaker 1>like punch your sister in podsicleed prickly or whatever. And

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<v Speaker 1>so he took this brick like a house red brick

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<v Speaker 1>and covered it in brown paper and drew a cold

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<v Speaker 1>prickly on it. And then the punishment was he would

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<v Speaker 1>dole out how much time you had to spend carrying

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<v Speaker 1>this brick around. And I only have a memory of

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<v Speaker 1>having it one time, and Heidi had to take it

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<v Speaker 1>to like soccer practice. That was the punishment. You had

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<v Speaker 1>to carry it and you couldn't set it down. It

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<v Speaker 1>was just that it was a concrete reminder of what

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<v Speaker 1>you did. I remember going to the bathroom with it

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<v Speaker 1>on my lap, like I can't put it down. I'm

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<v Speaker 1>gonna get in trouble if I put it down. The

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<v Speaker 1>other thing the kids had to do when they were

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<v Speaker 1>bad was run. So those idyllic runs on the beach,

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<v Speaker 1>some of those were done under duress. Like inside our

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<v Speaker 1>kitchen cover there was our names and then there'd be

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<v Speaker 1>tick marks, and for every tick mark, you had to run,

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<v Speaker 1>and we ran as a family. But then if you

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<v Speaker 1>had tick marks, you had to like run afterr tick marks.

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<v Speaker 1>They'd run up and down. Let choose a beach, rain

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<v Speaker 1>or shine. There is a story of me being out

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<v Speaker 1>there by myself, running crying, and the neighbor called dad

0:16:22.516 --> 0:16:24.476
<v Speaker 1>and was like, Fred, do you know Kirsten's out on

0:16:24.516 --> 0:16:28.156
<v Speaker 1>the beach And she's like, yeah, she's working off her punishment.

0:16:28.556 --> 0:16:31.316
<v Speaker 1>But he could see me from the porch or whatever.

0:16:31.356 --> 0:16:34.036
<v Speaker 1>And also that was back in the seventies when parents

0:16:34.076 --> 0:16:40.316
<v Speaker 1>weren't helicopter parents. Kim, the sisters agreed, was misperfect. Here's Kirsten.

0:16:41.076 --> 0:16:44.796
<v Speaker 1>Kim never had the brick. Kirsten was the baby, so

0:16:45.036 --> 0:16:48.436
<v Speaker 1>not in trouble as often Hidie and Doug they were

0:16:48.476 --> 0:16:50.756
<v Speaker 1>the middle kids. And then Hide and Doug had the

0:16:50.796 --> 0:16:53.596
<v Speaker 1>brick a lot, and let's just say the two of

0:16:53.636 --> 0:16:59.196
<v Speaker 1>them became excellent runners. Doug especially was spirited, all boy.

0:16:59.276 --> 0:17:03.116
<v Speaker 1>Fred once said, full of energy. Go go go tell

0:17:03.156 --> 0:17:06.356
<v Speaker 1>about Doug's mischief a little bit. I mean, I can't

0:17:06.396 --> 0:17:08.476
<v Speaker 1>I do remember one time it was funny. He was

0:17:08.556 --> 0:17:13.036
<v Speaker 1>like decided to run away and he's like, okay, you know,

0:17:13.116 --> 0:17:17.276
<v Speaker 1>my dad said okay, and he packed some stuff. I

0:17:17.276 --> 0:17:19.996
<v Speaker 1>don't even think he made it very far, but like

0:17:20.036 --> 0:17:22.076
<v Speaker 1>they would just they just loved us. They're like, all

0:17:22.156 --> 0:17:26.916
<v Speaker 1>right Sea, you know, because of course he didn't run away,

0:17:26.956 --> 0:17:30.756
<v Speaker 1>like walking the beaches of Malibu, poor me, you know,

0:17:31.436 --> 0:17:33.236
<v Speaker 1>and he did. I think it just went down to

0:17:33.276 --> 0:17:36.996
<v Speaker 1>our friend's house and then you know, came back. But

0:17:37.676 --> 0:17:41.636
<v Speaker 1>I don't know. It wasn't you know, we were just argumented.

0:17:41.756 --> 0:17:44.596
<v Speaker 1>It was just kids stuff, Like there was no brawls

0:17:44.716 --> 0:17:48.916
<v Speaker 1>or anything major. It was just silly stuff. So sass.

0:17:49.156 --> 0:17:52.596
<v Speaker 1>Like I think there was a lot of sass, and

0:17:52.636 --> 0:17:56.036
<v Speaker 1>there was a little bit of I mean, Dad's told

0:17:56.076 --> 0:17:59.676
<v Speaker 1>stories about how I would even be sassy or braddy

0:17:59.716 --> 0:18:03.636
<v Speaker 1>to Verna and it would and Doug would give Dad

0:18:03.756 --> 0:18:07.196
<v Speaker 1>attitude and they would have this like, well your little

0:18:07.716 --> 0:18:10.516
<v Speaker 1>you know, Angel did this, and well you're a little

0:18:10.556 --> 0:18:13.116
<v Speaker 1>I just did this. But so there was a bit

0:18:13.156 --> 0:18:18.556
<v Speaker 1>of sass. Go. It wasn't any that was a specific dynamic.

0:18:18.996 --> 0:18:22.516
<v Speaker 1>Kirston as sassing Verna and Doug assassing Fred, and it

0:18:22.596 --> 0:18:26.356
<v Speaker 1>came out of another dynamic that Kirston was Fred's favorite

0:18:27.276 --> 0:18:36.476
<v Speaker 1>and Doug was Verna's. Doddie Menville, one of the family's

0:18:36.476 --> 0:18:40.356
<v Speaker 1>neighbors in Malibu said that Kirston's privileged position with Fred

0:18:40.756 --> 0:18:43.316
<v Speaker 1>and Dougs with Verna was a thing in the marriage.

0:18:44.356 --> 0:18:48.836
<v Speaker 1>She talked about it with an investigator. Yeah, they they

0:18:49.716 --> 0:18:56.996
<v Speaker 1>had so two initial thing prime kid or pek or

0:18:57.036 --> 0:18:59.076
<v Speaker 1>something like that. She may have shared that was somebody else.

0:18:59.076 --> 0:19:02.476
<v Speaker 1>It was some initial that an ears while I guess

0:19:02.596 --> 0:19:05.076
<v Speaker 1>even when kids are a moment might go PK or

0:19:05.116 --> 0:19:07.116
<v Speaker 1>something like that if they felt the other one was

0:19:07.196 --> 0:19:15.436
<v Speaker 1>being joy to their own favorite child. Fred even complained

0:19:15.476 --> 0:19:18.436
<v Speaker 1>about Verna's relationship with Doug when he was at work.

0:19:19.036 --> 0:19:22.956
<v Speaker 1>This is Dennis O'Gorman in an archival interview. From time

0:19:22.996 --> 0:19:24.836
<v Speaker 1>to time he'd make mention, I say, of the boy,

0:19:24.916 --> 0:19:27.076
<v Speaker 1>you know, but the boy didn't want to eat that

0:19:27.356 --> 0:19:29.596
<v Speaker 1>or whatever, And then she'd make a special meal for him,

0:19:29.756 --> 0:19:32.476
<v Speaker 1>or he always got some sort of special treatment, or

0:19:32.796 --> 0:19:34.956
<v Speaker 1>sometimes he would get on the boy's case because the

0:19:34.956 --> 0:19:37.996
<v Speaker 1>boy was spoiled so damned Lott and she'd be if

0:19:38.036 --> 0:19:39.516
<v Speaker 1>she stood up for any of the kids. She would

0:19:39.516 --> 0:19:41.356
<v Speaker 1>stand up for the boy before she was snapping the

0:19:41.396 --> 0:19:45.556
<v Speaker 1>rest of them. The caeral thing. All these stories, they

0:19:45.556 --> 0:19:48.316
<v Speaker 1>were starting to paint a picture of Fred, one that

0:19:48.356 --> 0:19:52.836
<v Speaker 1>would be presented to the jury. Carol Jean's sister even

0:19:52.876 --> 0:19:55.636
<v Speaker 1>got in on this. She felt moved to write a

0:19:55.716 --> 0:19:59.636
<v Speaker 1>letter to the Santa Barbara Detectives. In it, she said

0:19:59.676 --> 0:20:04.876
<v Speaker 1>that Fred often humiliated Doug. Once Doug disobeyed him by

0:20:04.956 --> 0:20:07.196
<v Speaker 1>jumping out of their inflatable before it was all the

0:20:07.236 --> 0:20:10.876
<v Speaker 1>way to shore. When Fred got hold of Doug, he

0:20:11.076 --> 0:20:16.436
<v Speaker 1>kicked him. Doug, Jean's sister wrote to the detectives was

0:20:16.596 --> 0:20:41.996
<v Speaker 1>quote a tortured little boy. This fall, I met up

0:20:42.036 --> 0:20:45.996
<v Speaker 1>with a childhood friend of Dougs in Malibu. We met

0:20:46.036 --> 0:20:48.876
<v Speaker 1>at the parking lot of the Trncus Market, an upscale

0:20:48.876 --> 0:20:53.636
<v Speaker 1>mini mall on pH Okay, my name's John Lytell. I

0:20:53.676 --> 0:20:57.836
<v Speaker 1>grew up with Dougie Johnson and there are all the

0:20:57.876 --> 0:21:01.716
<v Speaker 1>families out here in Malibu until about nineteen Fan of

0:21:01.796 --> 0:21:05.276
<v Speaker 1>nineteen eighty nineteen eighty one, and then John is Patty's son,

0:21:05.636 --> 0:21:08.876
<v Speaker 1>so he literally grew up with Doug sharing Vernas Duplex

0:21:08.956 --> 0:21:12.636
<v Speaker 1>on Broadbeach Road. He's a surfer and a sailor and

0:21:12.796 --> 0:21:16.676
<v Speaker 1>now and La County Sheriff's deputy. I've been a sheriff

0:21:16.716 --> 0:21:20.476
<v Speaker 1>for twenty over twenty one years, since June twenty one

0:21:20.556 --> 0:21:23.236
<v Speaker 1>years and with the county for La for twenty two years.

0:21:24.236 --> 0:21:26.676
<v Speaker 1>But in nineteen eighty one, he was eight years old

0:21:26.876 --> 0:21:29.916
<v Speaker 1>and Doug's best friend. I'd asked him to take me

0:21:29.956 --> 0:21:33.116
<v Speaker 1>around his old neighborhood. He got into my car, which

0:21:33.156 --> 0:21:37.276
<v Speaker 1>is a Volvo Total Mom car. This fun a little

0:21:37.636 --> 0:21:39.116
<v Speaker 1>and it's like one of the best cars ever to

0:21:39.116 --> 0:21:44.356
<v Speaker 1>smuggle in smuggle drugs because this farrior. So there's my

0:21:44.396 --> 0:21:46.796
<v Speaker 1>finger there, yeah, and that my foot. My other hand

0:21:46.836 --> 0:21:49.756
<v Speaker 1>is about foot below it. It's like all foam in there,

0:21:50.196 --> 0:21:52.316
<v Speaker 1>and they'd scrape it out and load it with happy

0:21:52.356 --> 0:21:56.076
<v Speaker 1>stuff happy. We pulled onto pH and stopped at the

0:21:56.116 --> 0:22:00.996
<v Speaker 1>intersection with Broadbeach Road. So is this like your turn

0:22:01.076 --> 0:22:03.676
<v Speaker 1>into your childhood? Yeah, Broadreach and then there's one at

0:22:03.676 --> 0:22:05.876
<v Speaker 1>the north end too. The Starbucks is in here, that's

0:22:05.916 --> 0:22:08.916
<v Speaker 1>for sure. And trinkets didn't look that nice to market.

0:22:09.596 --> 0:22:13.436
<v Speaker 1>It's kind of junky old store. There's no surf shop.

0:22:13.516 --> 0:22:17.476
<v Speaker 1>There's no of these boutique shops there. We found a

0:22:17.476 --> 0:22:20.676
<v Speaker 1>parking spot on the side of Broadbeach Road, just past

0:22:20.836 --> 0:22:24.236
<v Speaker 1>where a private security guard was posted up. Down the

0:22:24.316 --> 0:22:27.236
<v Speaker 1>road on the left was Verna's old house, where John

0:22:27.316 --> 0:22:31.636
<v Speaker 1>had lived as a kid through the slats of the fence.

0:22:31.676 --> 0:22:34.396
<v Speaker 1>You could see a big grassy yard edged with flowers

0:22:34.396 --> 0:22:37.476
<v Speaker 1>and trees, and the ocean sparkling in the near distance.

0:22:40.676 --> 0:22:44.036
<v Speaker 1>Sea Level Drive plunges off Broadbeach Road toward the ocean.

0:22:44.716 --> 0:22:47.676
<v Speaker 1>It's blocked from car traffic by an electric fence, but

0:22:47.756 --> 0:22:52.276
<v Speaker 1>there's a pedestrian gate. I think see that tree right there, Yeah,

0:22:52.396 --> 0:22:54.116
<v Speaker 1>it's just the top of it. That's when we climbed

0:22:54.156 --> 0:22:56.076
<v Speaker 1>all the time, and my dad had to come get

0:22:56.156 --> 0:22:59.356
<v Speaker 1>us out of the tree. So that story gets told

0:22:59.396 --> 0:23:02.556
<v Speaker 1>so many times at my at any of our family gatherings,

0:23:02.556 --> 0:23:05.836
<v Speaker 1>because whenever we talk about Deuggie, my sister always brings

0:23:05.836 --> 0:23:07.636
<v Speaker 1>it up. How my dad had We had like a

0:23:07.676 --> 0:23:10.436
<v Speaker 1>stuck up in the tree, and Dougie is like telling

0:23:10.556 --> 0:23:13.516
<v Speaker 1>us to our helper. We were saying help because we

0:23:13.516 --> 0:23:16.636
<v Speaker 1>could climb up, but we couldn't climb down it. We

0:23:16.756 --> 0:23:19.956
<v Speaker 1>followed Sea Level down as it turned parallel to the shore.

0:23:20.636 --> 0:23:23.756
<v Speaker 1>The waves crashed against the wild beach where Fred and

0:23:23.836 --> 0:23:29.756
<v Speaker 1>Verna's children used to do their runs. We're looking for

0:23:29.836 --> 0:23:34.076
<v Speaker 1>three one, six, eight five. John was having a moment.

0:23:34.596 --> 0:23:38.036
<v Speaker 1>It was almost like he was dreaming, like I don't

0:23:38.276 --> 0:23:41.516
<v Speaker 1>remember the house as being this big. And that's funny

0:23:41.516 --> 0:23:43.476
<v Speaker 1>because do you think as a little kid everything would

0:23:43.516 --> 0:23:47.916
<v Speaker 1>be bigger now? But now it's it's everything just looks

0:23:48.076 --> 0:23:55.236
<v Speaker 1>gigantic to me. This is weird. I haven't been down

0:23:55.236 --> 0:23:57.396
<v Speaker 1>here since though I've never I've been down to this street,

0:23:57.516 --> 0:24:02.756
<v Speaker 1>even on duty or anything like that. We stopped in

0:24:02.796 --> 0:24:05.916
<v Speaker 1>front of a large contemporary house with an agave garden

0:24:06.036 --> 0:24:11.796
<v Speaker 1>and board formed concrete retaining walls. So I remember this

0:24:11.916 --> 0:24:13.876
<v Speaker 1>yard though. This yard was here and there was like

0:24:13.916 --> 0:24:18.916
<v Speaker 1>a there's like a kid play structure. And then this

0:24:19.236 --> 0:24:22.916
<v Speaker 1>John said Doug's death traumatized him and altered the course

0:24:22.916 --> 0:24:26.196
<v Speaker 1>of his life. When his dad told him the news,

0:24:26.436 --> 0:24:30.516
<v Speaker 1>he didn't understand at first. I don't think I talked

0:24:30.516 --> 0:24:33.436
<v Speaker 1>for three days. It was weird. I don't think I

0:24:33.556 --> 0:24:35.356
<v Speaker 1>ate for a bunch too. It's just weird because it

0:24:35.396 --> 0:24:38.436
<v Speaker 1>was like Kevin, like part of your soul ripped out.

0:24:39.036 --> 0:24:40.796
<v Speaker 1>They lived here and then they lived in that house

0:24:40.796 --> 0:24:42.436
<v Speaker 1>with us up at l unit, so it was almost

0:24:42.436 --> 0:24:44.036
<v Speaker 1>like you was a little brother, or like a brother,

0:24:44.156 --> 0:24:47.356
<v Speaker 1>not even a little brother. Yeah, do you feel like

0:24:47.596 --> 0:24:50.876
<v Speaker 1>you think about him or talk about him now? I've

0:24:50.876 --> 0:24:52.876
<v Speaker 1>had a couple of days where like if I hear

0:24:52.916 --> 0:24:55.236
<v Speaker 1>a song, I'll end up crying. It would be like

0:24:55.236 --> 0:24:57.956
<v Speaker 1>a John Denver song, maybe Country Road or something like that.

0:24:58.316 --> 0:25:01.156
<v Speaker 1>It's just something that hits your heartstrings. When he was

0:25:01.196 --> 0:25:05.516
<v Speaker 1>a child, John said Fred had made him uncomfortable. I

0:25:05.516 --> 0:25:06.916
<v Speaker 1>was a little bit afraid of my dad. But when

0:25:06.916 --> 0:25:08.436
<v Speaker 1>I went over to other people's houses, I didn't think

0:25:08.436 --> 0:25:10.156
<v Speaker 1>I'd have to be afraid their dads, but I was.

0:25:11.276 --> 0:25:13.876
<v Speaker 1>You try to forget the stuff that makes you the

0:25:13.916 --> 0:25:16.516
<v Speaker 1>most scared when you're a kid. So I don't like,

0:25:16.556 --> 0:25:18.956
<v Speaker 1>I remember his face one hundred percent. That'll never go

0:25:19.036 --> 0:25:23.156
<v Speaker 1>out of my brain. The feeling in the railer home,

0:25:23.236 --> 0:25:29.236
<v Speaker 1>he said, was oppressive, no levity, no laughter. I believe

0:25:29.276 --> 0:25:31.716
<v Speaker 1>there are evil characters at play, and I believe they're

0:25:31.756 --> 0:25:33.636
<v Speaker 1>good people. So and I've known that since I was

0:25:33.636 --> 0:25:35.796
<v Speaker 1>a little kid. So when you walk into a place

0:25:35.796 --> 0:25:38.636
<v Speaker 1>and you feel evil, you just know it's there. It's

0:25:38.676 --> 0:25:41.516
<v Speaker 1>not like you're seeing ghosts or anything like that. You

0:25:41.596 --> 0:25:44.676
<v Speaker 1>just feel like you can feel energy. And I'm not

0:25:44.716 --> 0:25:47.036
<v Speaker 1>trying to be like new age or metaphysical. You could

0:25:47.036 --> 0:25:50.276
<v Speaker 1>just feel it. I was going to ask if Fred

0:25:50.396 --> 0:25:52.636
<v Speaker 1>was your introduction to evil. Is that what you're saying

0:25:53.916 --> 0:25:55.836
<v Speaker 1>I don't understand his thinking at the time, and when

0:25:55.876 --> 0:25:57.516
<v Speaker 1>I look back at it now, I'm like, yeah, that

0:25:57.636 --> 0:26:01.796
<v Speaker 1>was that's pretty evil. Doug's death, he said, had shaped

0:26:01.876 --> 0:26:04.916
<v Speaker 1>him right down to the decision to become a cop.

0:26:05.756 --> 0:26:07.996
<v Speaker 1>So I think we had Douggie and I had both

0:26:08.596 --> 0:26:10.836
<v Speaker 1>wanted to be on that path of being a good guy,

0:26:10.916 --> 0:26:14.116
<v Speaker 1>not not being an opportunist, of being the hero. I guess.

0:26:14.796 --> 0:26:19.716
<v Speaker 1>So when that happened, Um, I don't know, it just

0:26:19.916 --> 0:26:23.076
<v Speaker 1>it follows you your whole life. Psychologically, for me, it

0:26:23.236 --> 0:26:25.516
<v Speaker 1>was like a challenge, and I think based back on

0:26:25.596 --> 0:26:29.396
<v Speaker 1>what happened here and wanting to make sure the good

0:26:29.396 --> 0:26:33.196
<v Speaker 1>guys protect the little ones or protect the innocent. I

0:26:33.236 --> 0:26:36.716
<v Speaker 1>don't know. Maybe maybe Dougie had an effect on that, because,

0:26:36.796 --> 0:26:39.436
<v Speaker 1>like I said, I won't if Dougie's dead. I gotta

0:26:39.476 --> 0:26:43.436
<v Speaker 1>be the other half of them. Honestly, I gotta live.

0:26:47.756 --> 0:26:52.596
<v Speaker 1>John stepped away for a second to collect himself. His

0:26:52.716 --> 0:26:55.356
<v Speaker 1>life's over. I gotta live. I gotta live two eyes.

0:26:57.636 --> 0:27:00.556
<v Speaker 1>So it's hard. It's like I have to just bring

0:27:00.596 --> 0:27:03.236
<v Speaker 1>him with me everywhere. He's right here, and he's always here.

0:27:03.396 --> 0:27:06.636
<v Speaker 1>He's always here. Every every decision I make, and stuff

0:27:06.636 --> 0:27:07.996
<v Speaker 1>like that I know he's I mean, it might not

0:27:08.076 --> 0:27:10.356
<v Speaker 1>be like something that I put my head and I'm like, Okay,

0:27:11.116 --> 0:27:13.196
<v Speaker 1>what do you think, Dougie. It sound like an imaginary friend.

0:27:13.196 --> 0:27:25.036
<v Speaker 1>It's just he's there. He doesn't know the details of

0:27:25.076 --> 0:27:28.756
<v Speaker 1>what happened to Doug They still elude him. What he

0:27:28.796 --> 0:27:31.596
<v Speaker 1>believes is a jumble of what he overheard the grown

0:27:31.636 --> 0:27:34.196
<v Speaker 1>ups whispering about when he was eight and things he's

0:27:34.236 --> 0:27:37.116
<v Speaker 1>read online. And that's a big part of why I

0:27:37.156 --> 0:27:39.996
<v Speaker 1>wanted to talk to him, because he has an emotional

0:27:40.036 --> 0:27:43.596
<v Speaker 1>investment in the case and knows the players, and he

0:27:43.636 --> 0:27:46.196
<v Speaker 1>has a detective's ability to help make sense of all

0:27:46.236 --> 0:27:49.836
<v Speaker 1>the contradictions. First, I had to get him up to

0:27:49.836 --> 0:27:52.676
<v Speaker 1>speed on what the first autopsy showed. He didn't even

0:27:52.756 --> 0:27:55.156
<v Speaker 1>know about them, and when I told him about the

0:27:55.316 --> 0:28:00.356
<v Speaker 1>accidental drowning determination, it really threw him. I know you're

0:28:00.356 --> 0:28:02.836
<v Speaker 1>about the messgy, but from a law enfortion of perspective,

0:28:02.916 --> 0:28:06.996
<v Speaker 1>I would love to know more because there had to

0:28:06.996 --> 0:28:09.636
<v Speaker 1>be something more for them to come to that conclusion.

0:28:10.876 --> 0:28:12.836
<v Speaker 1>It was noisy on the streets, so we went back

0:28:12.876 --> 0:28:15.596
<v Speaker 1>to the car and sat there for a minute. I

0:28:15.596 --> 0:28:22.276
<v Speaker 1>could feel him bracing himself, so how do they die drowning,

0:28:23.156 --> 0:28:30.236
<v Speaker 1>just straight drowning. They're not gonna just drown That's what

0:28:30.276 --> 0:28:32.676
<v Speaker 1>I mean. They're not gonna just like, oh, we're done swimming,

0:28:32.676 --> 0:28:35.436
<v Speaker 1>We're gonna just die. That just doesn't Both of them

0:28:35.436 --> 0:28:39.396
<v Speaker 1>could swim, so unless they were knocked unconscious, unless they

0:28:39.476 --> 0:28:44.396
<v Speaker 1>were or what I think. Okay, the story to me

0:28:44.516 --> 0:28:49.596
<v Speaker 1>is total bs. First off, there's a rip or whatever

0:28:49.636 --> 0:28:51.836
<v Speaker 1>it is, a rip or undertow whatever could pull them.

0:28:51.876 --> 0:28:54.476
<v Speaker 1>Nothing's pulling them down. It's if anything, it's shooting at

0:28:54.516 --> 0:28:56.996
<v Speaker 1>him away from wherever they are, like there's an eddy

0:28:57.116 --> 0:29:00.076
<v Speaker 1>or something like that, where they're not actually stuck in

0:29:00.116 --> 0:29:02.636
<v Speaker 1>that area. So for them to say float, it's not

0:29:02.716 --> 0:29:05.556
<v Speaker 1>hard unless they're knocked out. But if they were knocked out,

0:29:05.596 --> 0:29:10.236
<v Speaker 1>there's trauma. John pulled out his phone and zoomed in

0:29:10.316 --> 0:29:13.756
<v Speaker 1>on a map of Santa Cruz Island. Even to think

0:29:13.756 --> 0:29:16.436
<v Speaker 1>about it makes me kind of sick. It makes me ill. So,

0:29:16.556 --> 0:29:17.996
<v Speaker 1>but I know what people do, and I know what

0:29:18.036 --> 0:29:21.436
<v Speaker 1>people will go to to get stuff done. Nobody saw

0:29:21.476 --> 0:29:24.796
<v Speaker 1>him kill him, Nobody saw the boat flip over, right,

0:29:26.636 --> 0:29:29.556
<v Speaker 1>So it's like for the innocent side of it and

0:29:29.596 --> 0:29:33.236
<v Speaker 1>the guilty side of it, nothing's seen. How did that happen?

0:29:33.476 --> 0:29:36.356
<v Speaker 1>How is that possible for happen? Yeah, I don't know.

0:29:36.796 --> 0:29:37.836
<v Speaker 1>I would have to go out there and take a

0:29:37.836 --> 0:29:39.316
<v Speaker 1>look at it. But look, we don't have to wait

0:29:39.356 --> 0:29:41.396
<v Speaker 1>for you to be able to Captain Doug has no

0:29:41.476 --> 0:29:44.876
<v Speaker 1>grave sights, and John had never seen where his best

0:29:44.876 --> 0:29:49.116
<v Speaker 1>friend died. Right there, sitting in the car with me,

0:29:49.756 --> 0:29:52.236
<v Speaker 1>he decided that he needed to go to Bird Rock.

0:29:54.596 --> 0:30:05.636
<v Speaker 1>There was just too much that didn't make sense. John

0:30:05.716 --> 0:30:08.916
<v Speaker 1>Lighttell is confused today, just like everyone in Malibu was

0:30:09.116 --> 0:30:14.476
<v Speaker 1>confused back then because the evidence was confusing, contradictory. And

0:30:14.636 --> 0:30:18.796
<v Speaker 1>then doctor Craig Duncan, who did the first autopsies, had

0:30:18.796 --> 0:30:24.396
<v Speaker 1>observed no signs of trauma. The second secret autopsies, they

0:30:24.436 --> 0:30:31.596
<v Speaker 1>told a drastically different story. Doctor DeWitt Hunter, the medical

0:30:31.596 --> 0:30:35.116
<v Speaker 1>examiner in Santa Barbara, agreed that the condition of Verna

0:30:35.196 --> 0:30:39.356
<v Speaker 1>and Doug's lungs was consistent with drowning, but he also

0:30:39.636 --> 0:30:43.636
<v Speaker 1>saw evidence of trauma. The Santa Barbara detectives were in

0:30:43.676 --> 0:30:47.556
<v Speaker 1>the room and the whole procedure was filmed. On Verna,

0:30:47.916 --> 0:30:51.556
<v Speaker 1>doctor Hunter observed head trauma, not sufficient to kill her,

0:30:51.836 --> 0:30:57.916
<v Speaker 1>but bruising, which was curious. After re examining Verna, doctor

0:30:57.996 --> 0:31:02.836
<v Speaker 1>Hunter turned to Doug and his findings were extremely disturbing.

0:31:04.276 --> 0:31:07.436
<v Speaker 1>According to doctor Hunter, there was significant bruising on the

0:31:07.436 --> 0:31:12.956
<v Speaker 1>back of Doug's head. Obviously, the scalp has been shaved

0:31:12.956 --> 0:31:16.956
<v Speaker 1>of all the hare. Now doctor Hunter can reflect the

0:31:16.996 --> 0:31:23.236
<v Speaker 1>scalp back and show underlying areas of echymosis on both

0:31:23.276 --> 0:31:26.436
<v Speaker 1>the inferior aspect of the scalp, as well as the

0:31:27.636 --> 0:31:30.996
<v Speaker 1>ox of put and the base of the skull now

0:31:31.036 --> 0:31:33.396
<v Speaker 1>being pointed out by the tip of a scalpel. Once again,

0:31:38.476 --> 0:31:43.636
<v Speaker 1>the echymosis or bruising, doctor Hunter said, was quote consistent

0:31:43.676 --> 0:31:49.156
<v Speaker 1>with trauma immediately prior to death, as if by magic.

0:31:49.356 --> 0:31:53.556
<v Speaker 1>The Santa Barbara autopsies revealed powerful physical evidence in a

0:31:53.596 --> 0:31:58.196
<v Speaker 1>case where there had been almost none. The new findings

0:31:58.276 --> 0:32:01.316
<v Speaker 1>led the detectives to believe that Fred Raylor had rendered

0:32:01.356 --> 0:32:05.996
<v Speaker 1>his victims unconscious then held them underwater. This would line

0:32:06.076 --> 0:32:08.756
<v Speaker 1>up with the stories they'd hear about Fred, that he

0:32:08.796 --> 0:32:12.916
<v Speaker 1>was tricked, harsh and quick to anger, that he resented Doug,

0:32:13.396 --> 0:32:16.156
<v Speaker 1>and that he'd been violent with Jean, his first wife.

0:32:17.356 --> 0:32:20.156
<v Speaker 1>A lot of people in Malibu had deep seated suspicions

0:32:20.156 --> 0:32:23.716
<v Speaker 1>about Jean's death, they thought Fred had killed her and

0:32:23.876 --> 0:32:26.996
<v Speaker 1>covered his tracks so cleverly that the coroner had ruled

0:32:27.036 --> 0:32:31.436
<v Speaker 1>her death an accident. Now the detectives were looking into

0:32:31.436 --> 0:32:35.276
<v Speaker 1>the so called suicide of Verna's first husband, Bill Johnson

0:32:35.716 --> 0:32:39.036
<v Speaker 1>to see if Fred could have what pushed him off

0:32:39.036 --> 0:32:42.196
<v Speaker 1>the roof of the building in Westwood. They were even

0:32:42.276 --> 0:32:45.236
<v Speaker 1>digging into an old story from Point Magoo about a

0:32:45.276 --> 0:32:49.236
<v Speaker 1>diver who drowned while using Fred's equipment. Could the diver

0:32:49.396 --> 0:32:55.076
<v Speaker 1>be a possible fifth victim? Was Fred Railer a serial killer?

0:32:56.556 --> 0:32:59.116
<v Speaker 1>But the question of motive for the deaths of Verna

0:32:59.156 --> 0:33:02.516
<v Speaker 1>and Doug that lay inside the house at sea level

0:33:02.636 --> 0:33:07.996
<v Speaker 1>drive in papers tucked away in desk drawers and secreted

0:33:08.076 --> 0:33:11.796
<v Speaker 1>in a silver case under the desk in the living room.

0:33:12.036 --> 0:33:15.836
<v Speaker 1>Papers the Day believed that showed Fred was living in

0:33:15.876 --> 0:33:20.996
<v Speaker 1>a beachfront house of cards and that he needed money

0:33:22.076 --> 0:33:35.436
<v Speaker 1>fast coming up on the next episode of Lost Hells,

0:33:35.996 --> 0:33:40.636
<v Speaker 1>there's something here that's just not adding up well. When

0:33:40.636 --> 0:33:43.596
<v Speaker 1>they were saying that, oh, you're you know I was broke,

0:33:43.716 --> 0:33:47.756
<v Speaker 1>I said, well, the thing you didn't search when you

0:33:47.796 --> 0:33:50.556
<v Speaker 1>tore up my house was you didn't go into the

0:33:50.636 --> 0:33:53.716
<v Speaker 1>deep freeze I had a faith in there with thirty

0:33:53.756 --> 0:33:57.876
<v Speaker 1>grand cash in about five thousand and travelers checks in it,

0:33:58.916 --> 0:34:01.196
<v Speaker 1>and they were sort of stunned. And then they asked

0:34:01.236 --> 0:34:04.756
<v Speaker 1>the detective easy and looked in the deep freeze, and

0:34:04.876 --> 0:34:09.276
<v Speaker 1>he said, of course he hadn't. That's next in episode seven.

0:34:09.956 --> 0:34:15.156
<v Speaker 1>Love or Money. Lost Tales is written and reported by

0:34:15.196 --> 0:34:18.516
<v Speaker 1>Me Dana Goodyear. It's created by me and Ben Adair

0:34:18.676 --> 0:34:24.236
<v Speaker 1>and produced by Western Sound and Pushkin Industries. Subscribe to

0:34:24.276 --> 0:34:26.516
<v Speaker 1>Pushkin Plus and you can hear the whole season add

0:34:26.556 --> 0:34:29.156
<v Speaker 1>free and get early access to the final two episodes.

0:34:30.516 --> 0:34:32.836
<v Speaker 1>Find Pushkin Plus on the Lost Hills Show page in

0:34:32.916 --> 0:34:39.516
<v Speaker 1>Apple Podcasts, or at pushkin dot Fm.