1 00:00:01,040 --> 00:00:13,840 Speaker 1: He's a sexy sexy man, sexy sexy fan because he 2 00:00:13,880 --> 00:00:17,200 Speaker 1: ain't no suckers, looking so funny. You try like a trucker, 3 00:00:17,440 --> 00:00:20,680 Speaker 1: clean like a plank, you solive, younger, fool, We'll try. 4 00:00:20,760 --> 00:00:24,840 Speaker 1: So he's never getting to pray so far, chicking up 5 00:00:24,880 --> 00:00:27,080 Speaker 1: a lot of bandwids. And he's a god y. He 6 00:00:27,080 --> 00:00:29,360 Speaker 1: ain't no stand and he doesn't have cheese on a 7 00:00:29,560 --> 00:00:32,879 Speaker 1: nighttime stand, which because everybody knows he's the Burge de Bandit. 8 00:00:33,320 --> 00:00:38,240 Speaker 1: The Ron Burgundy Podcast, Ladies and Gentlemen, Live from the 9 00:00:38,360 --> 00:00:41,800 Speaker 1: Largo Theater in Hollywood, California. Put your hats out from 10 00:00:41,840 --> 00:00:57,880 Speaker 1: Mr Ron Barge. Hello, Hello, oh my god, Hello Hello 11 00:00:59,120 --> 00:01:02,600 Speaker 1: hard Yeah us, I hope that's not a gang sign. 12 00:01:05,720 --> 00:01:10,400 Speaker 1: Oh my gosh. She just made a heart. Yeah, double 13 00:01:10,440 --> 00:01:18,080 Speaker 1: hearts you Okay, don't don't, don't do this. We just 14 00:01:18,319 --> 00:01:21,000 Speaker 1: started the show. It's so much to me. Thank you. 15 00:01:22,280 --> 00:01:25,440 Speaker 1: These two young women love me. But I hope you 16 00:01:25,680 --> 00:01:31,320 Speaker 1: people feel the same. Well, thank you for coming out 17 00:01:32,240 --> 00:01:38,839 Speaker 1: Tuesday night in Los Angeles. We really appreciated this show. Actually, 18 00:01:38,920 --> 00:01:41,479 Speaker 1: we're raising money for charity. It's called Kids Save. It's 19 00:01:41,480 --> 00:01:43,800 Speaker 1: helping families in the Ukraine right now. So thank you 20 00:01:44,680 --> 00:01:48,080 Speaker 1: so much for coming out tonight and buying tickets, And 21 00:01:48,280 --> 00:01:52,840 Speaker 1: that's why your tickets were hundred dollars tonight. No, they 22 00:01:52,920 --> 00:01:59,600 Speaker 1: only paid like, well, they're going to be paying before 23 00:01:59,600 --> 00:02:04,640 Speaker 1: the night over. Don't you think I'm being funny? No, 24 00:02:04,840 --> 00:02:10,000 Speaker 1: well we'll line everyone up and we'll shake you out. No, 25 00:02:11,320 --> 00:02:14,120 Speaker 1: we won't take that, that would be crazy. How much 26 00:02:14,120 --> 00:02:20,040 Speaker 1: would you I would settle for a dy ahead everyone? Probably? 27 00:02:20,560 --> 00:02:22,880 Speaker 1: How much cash would you say you carry with you nowadays? 28 00:02:24,600 --> 00:02:26,480 Speaker 1: I don't think anyone really care. How do you? How 29 00:02:26,600 --> 00:02:31,960 Speaker 1: are you a duffel bag? For what purpose? I carry 30 00:02:31,960 --> 00:02:40,520 Speaker 1: a man first? Immerse? Uh? Well, I still use travelers checks. Oh, 31 00:02:42,040 --> 00:02:47,399 Speaker 1: I have fifties, twenties, one, fifties two to fifties fives 32 00:02:48,600 --> 00:02:51,760 Speaker 1: and a thousand. I have a rare five thousand dollar 33 00:02:51,919 --> 00:02:57,840 Speaker 1: travelers check that's worth five thousand dollars. It's actually lost money. 34 00:02:58,440 --> 00:03:00,560 Speaker 1: How long does that take when we're just trying to 35 00:03:00,680 --> 00:03:03,519 Speaker 1: do a simple really interesting, because I'll be like, you, 36 00:03:03,639 --> 00:03:06,440 Speaker 1: of course take travelers checks, and I've already filled it 37 00:03:06,480 --> 00:03:09,359 Speaker 1: out and signed it in. The server will be like, no, 38 00:03:09,720 --> 00:03:13,480 Speaker 1: we don't. Uh do you have a chip on your card? 39 00:03:13,600 --> 00:03:20,120 Speaker 1: And I'm like what what does that mean? Customer service? 40 00:03:20,520 --> 00:03:23,359 Speaker 1: So then I have to run to the ATOM and 41 00:03:23,760 --> 00:03:33,080 Speaker 1: uh put my bank card in the atom and punch 42 00:03:33,120 --> 00:03:38,480 Speaker 1: in my code six four. But we don't. Don't just 43 00:03:38,600 --> 00:03:41,520 Speaker 1: keep that to yourself. I said it so fast. Oh 44 00:03:41,640 --> 00:03:45,040 Speaker 1: like someone's gonna slow down the table at home. Crap, 45 00:03:47,320 --> 00:03:51,120 Speaker 1: that was my fake ATOM number. Uh, and I usually 46 00:03:51,200 --> 00:03:54,080 Speaker 1: pull out It's pronounced a t M, but it doesn't matter. 47 00:03:55,400 --> 00:04:04,200 Speaker 1: A t M standing for m automatic to your president. Yeah, 48 00:04:05,440 --> 00:04:11,920 Speaker 1: you're the big shot. You're probably carrying from the automatic 49 00:04:12,040 --> 00:04:18,320 Speaker 1: teller machine. Does every bank have one a T machine? Yes? Yes, 50 00:04:18,680 --> 00:04:20,320 Speaker 1: So if I walk in and say where is your 51 00:04:20,320 --> 00:04:23,120 Speaker 1: automated teller machine? You don't want to be that person. 52 00:04:23,400 --> 00:04:25,560 Speaker 1: You just want to say, not that you're that person. 53 00:04:26,680 --> 00:04:29,880 Speaker 1: You just want to say, be casual about it. Hey, 54 00:04:29,960 --> 00:04:32,200 Speaker 1: I need an a t M. Hey where's your automatic? 55 00:04:34,400 --> 00:04:38,839 Speaker 1: That's already that that WoT No, No, you will honestly 56 00:04:38,920 --> 00:04:40,960 Speaker 1: look like you're about to rob a bank. Hey i'm 57 00:04:41,000 --> 00:04:45,559 Speaker 1: super cash. No, I use this wheelchair because I'm tired. 58 00:04:46,880 --> 00:04:53,080 Speaker 1: I don't have an affliction. He's going to rob the bank. Okay, 59 00:04:53,120 --> 00:04:54,479 Speaker 1: So just say a t M. Do you have an 60 00:04:54,520 --> 00:04:56,080 Speaker 1: a T M? Yeah? And then they'll point me in 61 00:04:56,080 --> 00:05:00,440 Speaker 1: the right direction. Exactly is my microphone on? Okay? Yeah? 62 00:05:03,279 --> 00:05:07,080 Speaker 1: Oh wow, you have the lovely singing voice, which is 63 00:05:07,200 --> 00:05:13,840 Speaker 1: foreshadowing for our guest. But you don't know now, don't 64 00:05:13,880 --> 00:05:17,159 Speaker 1: you wish I would tell you right now? But it's 65 00:05:17,240 --> 00:05:21,840 Speaker 1: my secret. Feels so good to have a secret over 66 00:05:21,920 --> 00:05:28,040 Speaker 1: all of you. Run. Oh I don't. I'm sorry. I 67 00:05:28,200 --> 00:05:31,440 Speaker 1: just haven't been around people. I haven't been around talking 68 00:05:31,480 --> 00:05:39,120 Speaker 1: to myself a mirror because I gave myself lockdown plus 69 00:05:39,200 --> 00:05:46,320 Speaker 1: twenty four months just to be extra safe. So you're 70 00:05:46,360 --> 00:05:49,400 Speaker 1: like almost done. I'm almost done with my personal lockdown. 71 00:05:51,040 --> 00:05:55,600 Speaker 1: And my apartment is filthy. It's just pizza boxes and 72 00:05:58,279 --> 00:06:07,960 Speaker 1: pizza boxes, boxes, frozen burritos, hot pockets. Has it been 73 00:06:08,040 --> 00:06:14,880 Speaker 1: eating anything else? Any water, vegetables? Just quick alcohol? Fi? 74 00:06:15,800 --> 00:06:21,840 Speaker 1: Does it have alcohol? Yeah? This should be fun to 75 00:06:23,320 --> 00:06:29,200 Speaker 1: good to know. A little minty goodnight, yeah, winter green? 76 00:06:30,600 --> 00:06:34,039 Speaker 1: How much it burns? Yeah, a little bit, stuna gig. 77 00:06:34,520 --> 00:06:37,920 Speaker 1: I'm so excited that I hope. Does it feel comfortable 78 00:06:38,040 --> 00:06:40,680 Speaker 1: to be together? I mean, you're I appreciate that you're 79 00:06:41,160 --> 00:06:44,760 Speaker 1: you're all wearing masks and you showed you your vaccine card. 80 00:06:44,800 --> 00:06:51,080 Speaker 1: By the way, I've got seven I've been vaccinated seven times, Madernay, 81 00:06:51,880 --> 00:06:57,320 Speaker 1: I have that provisor. Yeah, J and Jay, I don't 82 00:06:57,360 --> 00:07:00,480 Speaker 1: know if you're spot Nick from Russia. That wasn't it. 83 00:07:00,600 --> 00:07:03,720 Speaker 1: I got the Chinese one, Israeli one, the Turkish one, 84 00:07:04,560 --> 00:07:14,520 Speaker 1: and then there's something I called a homebrew. I'm sorry, 85 00:07:14,600 --> 00:07:23,520 Speaker 1: what's in? What's in the homebrew? Homebrew? Mouth flash o reganar? 86 00:07:25,720 --> 00:07:29,720 Speaker 1: Why heavy? And you just take it like a shot 87 00:07:30,440 --> 00:07:37,920 Speaker 1: Grabizzi pizza. Trust, It's more like a pace. You are 88 00:07:38,040 --> 00:07:41,200 Speaker 1: so grateful that you are emotional getting this vaccine's getting 89 00:07:41,200 --> 00:07:44,280 Speaker 1: so emotional. We have access. The only problem with my Homebrew. 90 00:07:44,880 --> 00:07:50,000 Speaker 1: The only thing, the only thing is the only way 91 00:07:50,040 --> 00:07:56,040 Speaker 1: that it's truly effective is to inject it in your ya. 92 00:07:57,920 --> 00:08:01,160 Speaker 1: That's the thing with these things, at least that's what 93 00:08:01,240 --> 00:08:05,320 Speaker 1: my doctor says. Who do you see Dr Jacob mrnni 94 00:08:13,680 --> 00:08:19,200 Speaker 1: who he's also an attorney, but he gets in and 95 00:08:19,280 --> 00:08:24,400 Speaker 1: out of there. I love it and it helps me 96 00:08:24,520 --> 00:08:27,640 Speaker 1: with you know, anyone I want to sue seats out there, 97 00:08:27,680 --> 00:08:30,160 Speaker 1: I got a lot of I'm like Junior Donald Trump 98 00:08:30,200 --> 00:08:33,120 Speaker 1: out there. I'm just suing everyone, like I sued the 99 00:08:33,160 --> 00:08:36,679 Speaker 1: dinner for not taking my travelers checks and you're still 100 00:08:36,720 --> 00:08:39,600 Speaker 1: in litigation. We're still in litigation, looking like we're going 101 00:08:39,679 --> 00:08:44,199 Speaker 1: to settle. Have you ever taken any lawsuit out on me? No, 102 00:08:44,880 --> 00:08:47,599 Speaker 1: you've never sued me. I don't think okay, I'm not 103 00:08:47,600 --> 00:08:51,480 Speaker 1: gonna worry about it. Yeah, don't worry about it. I 104 00:08:51,600 --> 00:08:55,800 Speaker 1: sued you once and then I said, let's call it off. 105 00:08:58,480 --> 00:09:02,200 Speaker 1: Oh my god, that it like we gotta file a SUP. 106 00:09:03,280 --> 00:09:07,880 Speaker 1: This is a breach of protocol. He's fourteen minutes late. Um, 107 00:09:08,880 --> 00:09:12,840 Speaker 1: I'm getting off track here, really getting off track. I'm 108 00:09:12,920 --> 00:09:19,400 Speaker 1: just excited to be Yes, you've never really even asked 109 00:09:19,440 --> 00:09:35,520 Speaker 1: me though today? How I'm doing? How are you doing? Carolina? 110 00:09:36,840 --> 00:09:43,679 Speaker 1: You can how are you doing? Okay? Less impatient? How 111 00:09:43,760 --> 00:09:47,240 Speaker 1: are you doing? Um, it's actually been kind of a 112 00:09:47,280 --> 00:09:50,040 Speaker 1: hard week. I am, Oh, I'm sorry, No, it's okay. 113 00:09:50,520 --> 00:09:53,679 Speaker 1: Guy problems and then, um, you know that I had 114 00:09:53,800 --> 00:09:57,360 Speaker 1: those problems with my kidneys forever ago, which we're kind 115 00:09:57,400 --> 00:10:06,040 Speaker 1: of serious and diageo. I'm so sorry. Yes, your kidneys. 116 00:10:06,080 --> 00:10:10,199 Speaker 1: You had the issue go ahead, so I had this 117 00:10:10,240 --> 00:10:12,439 Speaker 1: serious problems. I was actually get theaters for these My 118 00:10:12,600 --> 00:10:18,920 Speaker 1: kidneys were just running out of that's awful. What is it. 119 00:10:19,000 --> 00:10:22,800 Speaker 1: I don't know what this is. Oh, it's a wonderful 120 00:10:23,120 --> 00:10:31,160 Speaker 1: liquor company. They make wonderful spirits Johnny Walker. Uh what 121 00:10:31,240 --> 00:10:35,640 Speaker 1: else do they make? You have a whole thing for diagio? 122 00:10:37,600 --> 00:10:45,000 Speaker 1: I do hold? Please? Do you even want to hear 123 00:10:45,080 --> 00:10:48,880 Speaker 1: the end of my kidney? Well, let me just get there. 124 00:10:51,160 --> 00:10:55,319 Speaker 1: Oh yeah, they make Johnny Walker, Tanker A Bailey's other 125 00:10:55,440 --> 00:10:59,680 Speaker 1: delicious libations. But continue your story. I'm sorry. I don't 126 00:10:59,679 --> 00:11:01,480 Speaker 1: know why you didn't had a late ideal with them. 127 00:11:01,480 --> 00:11:03,600 Speaker 1: I have to say their name seventy five times tonight. 128 00:11:03,760 --> 00:11:11,679 Speaker 1: So wait, was that the that's the liquor company that 129 00:11:11,800 --> 00:11:18,920 Speaker 1: deal fell through last night? Yeah? Yeah, it's done. It's done. Well, 130 00:11:18,960 --> 00:11:21,199 Speaker 1: I do I'd love that how it rolls off the tongue. 131 00:11:22,720 --> 00:11:24,599 Speaker 1: All right, Well, you don't want to hear you know, 132 00:11:24,679 --> 00:11:29,120 Speaker 1: I'm not gonna even don't. I'm fine. You know it 133 00:11:29,280 --> 00:11:37,240 Speaker 1: might help your kidney though, I wasn't gonna say it. 134 00:11:37,320 --> 00:11:39,360 Speaker 1: I was gonna say a nice sip of Johnny Walker 135 00:11:40,640 --> 00:11:46,400 Speaker 1: paid bye. The money is not going to come through. Okay, fine. 136 00:11:46,880 --> 00:11:49,520 Speaker 1: We we are working on sort of a catchphrase, something 137 00:11:49,600 --> 00:11:52,760 Speaker 1: that we can say for the podcast, and so would 138 00:11:52,800 --> 00:11:57,800 Speaker 1: you help me say it all together. Just run. That's enough. 139 00:11:59,120 --> 00:12:04,680 Speaker 1: Let's yeah, let's try to coordinate one to three. Let's enough. Okay, 140 00:12:04,720 --> 00:12:08,760 Speaker 1: maybe throw it away more. Lets you know, you know, 141 00:12:13,440 --> 00:12:14,760 Speaker 1: I feel like half of you were with me and 142 00:12:14,800 --> 00:12:18,560 Speaker 1: half of you don't like me. Okay, maybe we can 143 00:12:18,600 --> 00:12:25,319 Speaker 1: do it in a Brooklyn accent. Oh yeah, run Oh 144 00:12:25,440 --> 00:12:29,520 Speaker 1: I like that. We have some Thespians in the crowd. 145 00:12:30,320 --> 00:12:37,760 Speaker 1: That's gonna play great in the Northeast corridor. Um, we 146 00:12:37,760 --> 00:12:40,280 Speaker 1: should get to some headlines. Actually we should. Let's cover 147 00:12:40,360 --> 00:12:42,880 Speaker 1: some of the headlines. What's happening in the world. Um. 148 00:12:43,440 --> 00:12:47,520 Speaker 1: I've opened up ron to u du mois. It's an 149 00:12:47,559 --> 00:12:51,959 Speaker 1: Instagram account that gives you news really quickly. I love it. 150 00:12:53,120 --> 00:12:56,880 Speaker 1: Ron's a big fan. There's a lot of good stuff 151 00:12:56,920 --> 00:12:58,800 Speaker 1: on here and you're not going to hear it from 152 00:12:58,840 --> 00:13:04,440 Speaker 1: any mainstream new from So recently, there's been some hot tips. 153 00:13:04,800 --> 00:13:09,880 Speaker 1: UM spotted Natalie Portman and Los feels So Sweet. Server 154 00:13:10,080 --> 00:13:13,040 Speaker 1: accidentally knocked over her glass of wine all over the 155 00:13:13,120 --> 00:13:15,920 Speaker 1: table and what happened. Natalie made a very sweet joke 156 00:13:15,960 --> 00:13:19,000 Speaker 1: about it. That's very classy of Natalie. It doesn't surprise me. 157 00:13:19,280 --> 00:13:22,600 Speaker 1: You know, she went to Harvard with Mark Zuckerberg. Oh 158 00:13:22,960 --> 00:13:27,280 Speaker 1: you mean Mark Zuckerberg. No, I mean Mark Zuckerberg. He 159 00:13:27,360 --> 00:13:29,199 Speaker 1: was Zuckerberg in Harvard and then when he became a 160 00:13:29,240 --> 00:13:32,080 Speaker 1: big show, I became Zuckerberg. I know what I did 161 00:13:32,120 --> 00:13:36,120 Speaker 1: the research. I'm not gonna I'm not gonna argue with you. 162 00:13:36,360 --> 00:13:41,440 Speaker 1: I wouldn't. We have another tip Um stood behind Julia 163 00:13:41,520 --> 00:13:46,960 Speaker 1: Fox in line at Arawan Studio City. Who's Julia Fox? Um? 164 00:13:47,280 --> 00:13:51,720 Speaker 1: It's a long story. Do you know she dated Kanye 165 00:13:52,520 --> 00:13:55,920 Speaker 1: for a second and she's been in a few movies. 166 00:13:55,960 --> 00:14:00,000 Speaker 1: She's very attractive, like on a Vivicate A Fox level. 167 00:14:02,720 --> 00:14:06,240 Speaker 1: I wouldn't, I don't know, very hot. Yeah, because she's 168 00:14:06,320 --> 00:14:09,840 Speaker 1: the top of my list. I know, I know Vivica 169 00:14:10,200 --> 00:14:16,640 Speaker 1: A Fox. Vivica a Fox is what? Okay, seven days 170 00:14:16,679 --> 00:14:21,800 Speaker 1: a week? What's wrong with you? I watched a lot 171 00:14:21,880 --> 00:14:23,880 Speaker 1: of Vivica A Fox stuff in quarantine. I'm not gonna 172 00:14:23,920 --> 00:14:27,000 Speaker 1: lie to you. All right, you guys, come on run. 173 00:14:29,240 --> 00:14:31,600 Speaker 1: We gotta you like Vivica Fox. That was beautiful, by 174 00:14:31,640 --> 00:14:52,200 Speaker 1: the way. Another headline, Yes, Selina Gomez at chipp Riani 175 00:14:52,320 --> 00:14:57,320 Speaker 1: downtown with a big group celebrating someone's birthday. What happened? 176 00:14:57,680 --> 00:15:00,480 Speaker 1: She was looking stunning as always. By the way, Selena, 177 00:15:02,680 --> 00:15:09,920 Speaker 1: what come happen? Are those choppers? Selina? Is that? Is Selina? 178 00:15:11,760 --> 00:15:22,120 Speaker 1: Selena Gossure? Is that my Mike is that? Every time 179 00:15:22,160 --> 00:15:28,840 Speaker 1: I move it's hard to say. Okay, slowly, slow, slowly. 180 00:15:29,600 --> 00:15:34,920 Speaker 1: I feel like we're diffusing a bomb. It's me you 181 00:15:35,320 --> 00:15:45,640 Speaker 1: and Selena Gomez and vivocated a fox, spotted spotted. Jacob, Wait, 182 00:15:45,760 --> 00:15:48,320 Speaker 1: can I just say one thing? If you go to Gippriani's, 183 00:15:48,600 --> 00:15:58,000 Speaker 1: get the clams casino. Continue, Continue, Jacob, don't even mess around, 184 00:15:58,120 --> 00:16:04,800 Speaker 1: Just walk in and say clams Casino, Jacob, lord clans 185 00:16:04,840 --> 00:16:08,040 Speaker 1: Casino Carolina. Just so you know. I don't know if 186 00:16:08,040 --> 00:16:11,960 Speaker 1: you've ever had them before, but they're delightfully broiled clams. 187 00:16:13,000 --> 00:16:18,560 Speaker 1: With who this is? This is going to happen. Okay, 188 00:16:19,160 --> 00:16:21,400 Speaker 1: but we just want to say, don't blow a lit 189 00:16:21,480 --> 00:16:23,920 Speaker 1: off the top. Okay, we don't want the chopper to 190 00:16:24,000 --> 00:16:27,200 Speaker 1: come back. Each clam has a poker chip in him. 191 00:16:27,960 --> 00:16:37,320 Speaker 1: Clams Casino. Okay, all together now, I thought so too. 192 00:16:39,040 --> 00:16:42,680 Speaker 1: I deserved that one. Jacob all Lordia Jones last night 193 00:16:42,720 --> 00:16:47,560 Speaker 1: with some friends. Jacoba that at the more secluded part 194 00:16:47,600 --> 00:16:49,520 Speaker 1: of the restaurant and seemed to be having a good time. 195 00:16:50,120 --> 00:16:52,120 Speaker 1: Went to the bathroom, and as I came out, he 196 00:16:52,280 --> 00:16:55,400 Speaker 1: was leaving it as well. Overheard him saying something along 197 00:16:55,440 --> 00:16:58,560 Speaker 1: the lines of have a great night, cheers boys. L 198 00:16:58,640 --> 00:17:03,920 Speaker 1: O L it is O L. I could not believe 199 00:17:03,960 --> 00:17:06,080 Speaker 1: how tall he is and how good he smelled when 200 00:17:06,080 --> 00:17:09,440 Speaker 1: he would walk past us. He seems so sweet and 201 00:17:09,520 --> 00:17:15,600 Speaker 1: friendly A non please, Wow, I wish Jacob was here tonight. 202 00:17:17,680 --> 00:17:26,280 Speaker 1: Well he's not. Yeah, but really the big news is 203 00:17:26,480 --> 00:17:31,879 Speaker 1: um hell o, L are you? No? That's how I 204 00:17:32,080 --> 00:17:34,280 Speaker 1: drift off when I go to sleep at night. I 205 00:17:34,359 --> 00:17:43,000 Speaker 1: just go hello, L, Hello, hello L. We do have 206 00:17:43,080 --> 00:17:45,840 Speaker 1: to talk about something that we haven't really discussed, though. Oh, 207 00:17:45,960 --> 00:17:47,720 Speaker 1: I know what you're gonna talk about. You're thinking the 208 00:17:47,760 --> 00:17:54,040 Speaker 1: same thing, Kim. How does everyone feel about pet and Kim? 209 00:17:54,359 --> 00:17:59,440 Speaker 1: No one's into Pete and Kim. They have so little 210 00:17:59,480 --> 00:18:04,560 Speaker 1: in this life. If so, what's the latest? The last 211 00:18:05,440 --> 00:18:09,200 Speaker 1: I heard was that Kanye who's now referred to as 212 00:18:09,840 --> 00:18:17,240 Speaker 1: Ye or is it? Yeah? Yeah, okay, thank you, thank 213 00:18:17,320 --> 00:18:23,800 Speaker 1: you that you wanted to chop his head off. Yeah, 214 00:18:23,920 --> 00:18:28,920 Speaker 1: something like that, something like that which I can identify with. 215 00:18:29,280 --> 00:18:35,159 Speaker 1: I mean, how many Spern lovers I've driven by their 216 00:18:35,200 --> 00:18:37,640 Speaker 1: boyfriend's house and like, I'm gonna chop your head out 217 00:18:38,520 --> 00:18:42,440 Speaker 1: if I see you around Nancy. Of course I never 218 00:18:42,560 --> 00:18:45,159 Speaker 1: did it, and if I did, Jacob would be on 219 00:18:45,280 --> 00:18:47,960 Speaker 1: my side to get me out of jail. Jacob Jacob 220 00:18:48,040 --> 00:18:57,760 Speaker 1: MRONI but in the TV movie of Jacob m ronni job. Yes, 221 00:18:59,680 --> 00:19:06,720 Speaker 1: I let's get writers here. We're submitting are I don't know, 222 00:19:06,800 --> 00:19:13,639 Speaker 1: I don't know the terms. Kimberly obviously is a person 223 00:19:13,920 --> 00:19:20,120 Speaker 1: of celebrity. Kimberly, Yes, the Kardashians. It's what a powerful 224 00:19:20,160 --> 00:19:23,800 Speaker 1: and famous family. The luxury. I mean, I've been at 225 00:19:23,840 --> 00:19:26,880 Speaker 1: the Kardashian's house and that is a party. To sneak 226 00:19:26,920 --> 00:19:29,040 Speaker 1: into one of their big fancy parties. Do you sneak 227 00:19:29,080 --> 00:19:30,639 Speaker 1: into one of the big fancy parties? Well, I have 228 00:19:30,800 --> 00:19:35,200 Speaker 1: to ye. I'm not on the guest list. No. I 229 00:19:35,640 --> 00:19:40,760 Speaker 1: usually pose as a caterer or plain, close security person 230 00:19:41,400 --> 00:19:48,040 Speaker 1: or groundskeeper. And I poked my head in, oh whoa right, 231 00:19:48,280 --> 00:19:56,200 Speaker 1: and I get back to raking Leaves. I usually blow 232 00:19:56,320 --> 00:19:59,399 Speaker 1: my cover because I'm like, oh, I can how are you? 233 00:19:59,440 --> 00:20:04,119 Speaker 1: I'm Ron very an, I think you're great. That'll do it, 234 00:20:05,400 --> 00:20:08,160 Speaker 1: But they are what's going to happen. Do you think 235 00:20:08,240 --> 00:20:10,680 Speaker 1: do you think their love will last? Do we know? No? 236 00:20:11,359 --> 00:20:19,000 Speaker 1: Probably not? Yes, Okay, he believes in love. And there's 237 00:20:19,119 --> 00:20:21,560 Speaker 1: one of them here, one romantic man in the audience. 238 00:20:21,640 --> 00:20:25,360 Speaker 1: There's one out of two hundreds. But that's the way, 239 00:20:25,400 --> 00:20:30,760 Speaker 1: you know, loves loves a fickle, fickle beast. I've been 240 00:20:30,800 --> 00:20:33,359 Speaker 1: I love so many times. Yeah, you told me you've 241 00:20:33,400 --> 00:20:36,840 Speaker 1: been playing guitar for I have. I've been playing a 242 00:20:36,960 --> 00:20:41,320 Speaker 1: little flamenco guitar. That seems pretty romantic. Would you like 243 00:20:41,400 --> 00:20:50,200 Speaker 1: to hear something? What now? This is a of course, 244 00:20:50,240 --> 00:20:56,679 Speaker 1: I only play on a Strattenburger. Uh. It's a German 245 00:20:56,720 --> 00:21:05,800 Speaker 1: guitar um Strattenberger L ten eleven um, handcrafted in Austria 246 00:21:07,040 --> 00:21:14,439 Speaker 1: and then uh shipped to Czechoslovakia. These all these uh, 247 00:21:14,560 --> 00:21:17,440 Speaker 1: these strings are whalebone, so you know they're gonna sound good. 248 00:21:18,960 --> 00:21:22,000 Speaker 1: This is flaming. This will be a little flamenco number. 249 00:21:22,359 --> 00:21:24,440 Speaker 1: This is called do you know what you want to 250 00:21:24,520 --> 00:21:37,840 Speaker 1: do it? Oh? H Playing an out of tune instrument 251 00:21:38,000 --> 00:21:44,399 Speaker 1: is a sin so M, so you need to make 252 00:21:44,440 --> 00:21:51,159 Speaker 1: sure your instrument is probably too. I think you got it. M. 253 00:21:52,240 --> 00:21:55,280 Speaker 1: One of the beauties of flamenco guar is that it's Uh, 254 00:21:56,880 --> 00:22:00,720 Speaker 1: it's a it's a device that's used to pert love making. 255 00:22:03,920 --> 00:22:07,120 Speaker 1: And once you hear the flamenco, it's less than thirty 256 00:22:07,119 --> 00:22:11,680 Speaker 1: seconds before before you someone's laying on top of you. 257 00:22:20,359 --> 00:22:23,399 Speaker 1: Are you still tuning? Well, it's a sickle gentle lover. Here, 258 00:22:23,440 --> 00:22:37,840 Speaker 1: you're rush. This guitar was given to me my uncle Bruce. Um. Well, 259 00:22:37,920 --> 00:22:43,199 Speaker 1: wait till I play. That's yet to be determined. All right. 260 00:22:46,880 --> 00:23:04,800 Speaker 1: This is called Sunset Beach. One of the beautiful things 261 00:23:04,880 --> 00:23:13,240 Speaker 1: about this instrument is that it you start to feel it, 262 00:23:13,359 --> 00:23:16,120 Speaker 1: and it starts to feel you, and there's a real 263 00:23:16,160 --> 00:23:24,359 Speaker 1: relationship here. I know how to play guitar. You weren't 264 00:23:24,400 --> 00:23:28,040 Speaker 1: bluffing well, I think a lot of us were catching on. 265 00:23:28,400 --> 00:23:34,400 Speaker 1: But if we had a trumpet here or a flute lookout? Yeah, agreed, agreed. 266 00:23:35,280 --> 00:23:38,600 Speaker 1: Speaking of music, if you like music, why don't we 267 00:23:38,640 --> 00:23:43,440 Speaker 1: bring out our guest? Yes, please, ladies and gentlemen, please 268 00:23:44,000 --> 00:23:54,280 Speaker 1: welcome Aletta Braxton. Thank you so much. Thank you for 269 00:23:54,320 --> 00:23:58,399 Speaker 1: having a seat right over here. Alita, thank you so 270 00:23:58,560 --> 00:24:02,040 Speaker 1: much for coming on the podcast. Uh you look lovely tonight. 271 00:24:02,400 --> 00:24:05,000 Speaker 1: Thank you really do, Alita. Now I understand you you 272 00:24:05,160 --> 00:24:10,600 Speaker 1: are an opera singer sort of? Yes, okay, well that's wonderful. Um, 273 00:24:14,600 --> 00:24:19,440 Speaker 1: I've never seen opera in my life, and I'm sure 274 00:24:19,560 --> 00:24:25,320 Speaker 1: none of these people have either. What exactly is opera? 275 00:24:26,320 --> 00:24:34,520 Speaker 1: Opera is? Um? Some speech, some speech sung? All the 276 00:24:34,680 --> 00:24:38,840 Speaker 1: lines are sung? Right, everything is sung every down. There's 277 00:24:38,840 --> 00:24:46,440 Speaker 1: a little speaking okay, I'm sorry, word okay, yes, but 278 00:24:46,520 --> 00:24:49,040 Speaker 1: most the lines were sung. I once had a case 279 00:24:49,119 --> 00:24:55,760 Speaker 1: of sprech tma when I was backpacking through Europe. No, 280 00:24:57,640 --> 00:24:59,360 Speaker 1: I just got some penicillain and it was all good. 281 00:25:02,840 --> 00:25:10,200 Speaker 1: And so you you sing opera? And uh where where 282 00:25:13,080 --> 00:25:16,440 Speaker 1: she's a opera? Los Angeles has an opera company. Oh 283 00:25:16,680 --> 00:25:19,400 Speaker 1: so you're with the l A Opera, l A Opera. Yes, 284 00:25:20,280 --> 00:25:23,200 Speaker 1: I'm one of the original chorus. There's oh my goodness, 285 00:25:23,560 --> 00:25:25,600 Speaker 1: for for how long? When did you? When did you start? 286 00:25:25,960 --> 00:25:28,879 Speaker 1: A long time ago? But I'm up to a hundred 287 00:25:28,920 --> 00:25:33,920 Speaker 1: and sixty productions. Oh my gosh. We think I'm the 288 00:25:34,000 --> 00:25:36,119 Speaker 1: first black woman of any opera company to reach a 289 00:25:36,240 --> 00:25:43,720 Speaker 1: hundred and sixty productions. And do you use a lot 290 00:25:43,760 --> 00:25:46,920 Speaker 1: of flamenco guitar and your opera productions? Every now and 291 00:25:46,960 --> 00:25:50,520 Speaker 1: then we do a lla opera, good to know opera 292 00:25:50,560 --> 00:25:54,840 Speaker 1: in Spain, Spanish, Gypsy Spanish, um oh, Gypsy Spanish. Of course, 293 00:25:56,440 --> 00:26:02,159 Speaker 1: I usually stay away from Gypsy Spanish. Regular Spanish. Okay, 294 00:26:02,400 --> 00:26:16,440 Speaker 1: Gypsy Spanish yikes. So opera, yes, trying to wrap my 295 00:26:16,560 --> 00:26:22,280 Speaker 1: head around this ethereal art form. I feel like a 296 00:26:22,359 --> 00:26:25,440 Speaker 1: lot of people know about it and go to it. Okay, 297 00:26:25,480 --> 00:26:27,880 Speaker 1: How is it different from say, The Days of Our Life, 298 00:26:30,119 --> 00:26:32,680 Speaker 1: which is a popular soap opera. They probably wouldn't sing it, 299 00:26:32,760 --> 00:26:34,959 Speaker 1: and they probably wouldn't be dressed in all the fancy 300 00:26:35,040 --> 00:26:37,640 Speaker 1: costumes we get to wear. But they do wear costumes 301 00:26:37,680 --> 00:26:40,760 Speaker 1: in a soap opera. I think ours are more beautiful. 302 00:26:42,160 --> 00:26:43,960 Speaker 1: How did the term soap up? I mean they don't 303 00:26:44,119 --> 00:26:46,280 Speaker 1: ever sing on a soap proper. I don't know. They 304 00:26:46,280 --> 00:26:49,400 Speaker 1: don't think about soap either. They don't know. Maybe they did, 305 00:26:49,880 --> 00:26:53,680 Speaker 1: maybe at one point. Maybe they're forced to bathe incessantly. 306 00:26:54,640 --> 00:26:58,479 Speaker 1: One would only hope. Here's a question. I'm I assume 307 00:26:58,560 --> 00:27:02,399 Speaker 1: you can't make money in the business, So what what 308 00:27:02,800 --> 00:27:08,280 Speaker 1: do you do for a living? Doing my grown up job? Well, 309 00:27:08,320 --> 00:27:11,280 Speaker 1: I also teach music, and a lot of us what 310 00:27:11,400 --> 00:27:15,320 Speaker 1: we call gigging around town. Opera singers gig around town. 311 00:27:15,440 --> 00:27:18,520 Speaker 1: We've teached. Sometimes we have church choirs, singing jobs or 312 00:27:18,560 --> 00:27:22,480 Speaker 1: conducting jobs. Or there's also the Los Angeles Master Corral, 313 00:27:23,359 --> 00:27:26,119 Speaker 1: So we have lots of gigs there. Some of us 314 00:27:26,119 --> 00:27:30,200 Speaker 1: sing on film and TV soundtracks. There's so there's some 315 00:27:30,280 --> 00:27:34,440 Speaker 1: wonderful opportunities out there. There can be. Oh so there's 316 00:27:34,480 --> 00:27:42,520 Speaker 1: not that many. I showed up once for a Master 317 00:27:42,680 --> 00:27:49,840 Speaker 1: Corral and I'm not going to tell you what happened. 318 00:27:51,160 --> 00:28:01,159 Speaker 1: It was not what I thought. Um, it really wasn't. Sorry, No, 319 00:28:01,560 --> 00:28:05,280 Speaker 1: please don't be sorry about anything. So would you, I mean, 320 00:28:05,760 --> 00:28:08,399 Speaker 1: could you please sing a little opera for est right now? 321 00:28:12,960 --> 00:28:21,160 Speaker 1: A little bit? Okay? Mos horrible? Can you top reef 322 00:28:21,280 --> 00:28:26,640 Speaker 1: wazy is? If you don't, then call up Helena Sui. 323 00:28:26,840 --> 00:28:39,480 Speaker 1: Commander refuses if mona super pulabyan lodres because she prefer 324 00:28:40,280 --> 00:28:49,360 Speaker 1: you not Auntie Amazing. You might play long low more 325 00:28:51,200 --> 00:28:58,920 Speaker 1: long mo lo more lamuripo fund the bow and you 326 00:28:59,120 --> 00:29:07,080 Speaker 1: najam you don't make a due setunum mam pashum see 327 00:29:07,240 --> 00:29:23,680 Speaker 1: you to secunium man secunimate mestesia tem sesia tim Pretty good? 328 00:29:41,080 --> 00:29:47,400 Speaker 1: Was that? Okay? That was pretty incredible? Why didn't have 329 00:29:47,440 --> 00:29:49,800 Speaker 1: the car that? You can't know how anyone makes money 330 00:29:49,880 --> 00:29:53,480 Speaker 1: doing that? Come on, whats amazing things I've heard in 331 00:29:53,560 --> 00:29:57,440 Speaker 1: this theater. It is pretty amazing. It is pretty amazing. 332 00:29:59,800 --> 00:30:02,200 Speaker 1: I I I understand there's a lot of I mean, 333 00:30:02,320 --> 00:30:06,719 Speaker 1: you were singing in Italian, French, French, as long as 334 00:30:06,840 --> 00:30:11,280 Speaker 1: not Gypsy Spanish. That's well. Carmen takes place in Spain, 335 00:30:11,360 --> 00:30:12,960 Speaker 1: but they think it in French. I don't know why. 336 00:30:13,560 --> 00:30:17,400 Speaker 1: So Carolina is always talking about foreign language movies, which 337 00:30:17,680 --> 00:30:22,840 Speaker 1: I asked him, drive my car? Makes her sound pretty snooty. 338 00:30:25,600 --> 00:30:28,560 Speaker 1: Do you think opera is for snooty people? Know? It's 339 00:30:28,640 --> 00:30:32,280 Speaker 1: for the general public. It's very accessible and what it 340 00:30:32,400 --> 00:30:35,880 Speaker 1: obviously was back in its day when it was created 341 00:30:36,000 --> 00:30:39,840 Speaker 1: was for the general public absolutely, kind of like the 342 00:30:39,920 --> 00:30:44,360 Speaker 1: eighties banned general public absolutely, of course, did they ever 343 00:30:44,600 --> 00:30:48,800 Speaker 1: have opera? Okay, this is a tough one, but I 344 00:30:48,880 --> 00:30:51,840 Speaker 1: gotta ask it. I'm not I'm not a good journalist 345 00:30:51,880 --> 00:31:00,160 Speaker 1: if I don't. Do you think opera lovers are dangerous people? Wait? Ll, 346 00:31:02,160 --> 00:31:07,760 Speaker 1: I haven't experienced it yet, OK, Because I just wonder 347 00:31:08,680 --> 00:31:12,160 Speaker 1: could be scary, but probably not dangerous. The Marx Brothers 348 00:31:12,280 --> 00:31:17,440 Speaker 1: made a Night at the Opera? Was that the last 349 00:31:17,560 --> 00:31:25,360 Speaker 1: opera ever made? Fortunately? No, they're more. Oh several yes, 350 00:31:26,520 --> 00:31:35,120 Speaker 1: name them oh Phantom, Phantom. Yes, technically I would say 351 00:31:35,240 --> 00:31:39,160 Speaker 1: it's borderline musical theater opera because it's almost all sung, 352 00:31:40,040 --> 00:31:45,560 Speaker 1: but mostly on the Broadway stage. I Portian best best Okay, 353 00:31:48,840 --> 00:31:53,360 Speaker 1: uh Candy, Oh yeah, Ken, I was gonna say candid Um, 354 00:31:55,560 --> 00:32:04,000 Speaker 1: Jesus Christ superstar. No said rock opera? Okay? What was that? Later? 355 00:32:04,080 --> 00:32:25,760 Speaker 1: Mouse later, Mouse the bat Thank you because syntight. I 356 00:32:25,840 --> 00:32:28,320 Speaker 1: think I'd like to try a little opera. Would you 357 00:32:29,240 --> 00:32:31,680 Speaker 1: tell me what you think? I'll be honest. I'll be honest. 358 00:32:36,760 --> 00:32:58,320 Speaker 1: Over callo. No, I'm in trouble finding my note. I 359 00:32:58,560 --> 00:33:05,960 Speaker 1: can't see you. I'm a far I'm sat of our castle. 360 00:33:06,960 --> 00:33:12,520 Speaker 1: Look at that. I'm a captain, a man rush back. 361 00:33:12,960 --> 00:33:26,720 Speaker 1: I love you, Hey, I love you. M Now I 362 00:33:26,840 --> 00:33:30,600 Speaker 1: can take criticism. Carolina knows this. I've got a thick skin. 363 00:33:32,240 --> 00:33:39,440 Speaker 1: Please be brutally on. You've got potential me and work 364 00:33:39,480 --> 00:33:42,640 Speaker 1: on the technique a little bit. Maybe maybe you're breathing, 365 00:33:43,760 --> 00:33:46,680 Speaker 1: but that's it, and let's work on the rapid twie. Well, 366 00:33:48,480 --> 00:33:52,480 Speaker 1: oh hey, I thought that she was being so nice. 367 00:33:53,320 --> 00:33:57,280 Speaker 1: It's the first time I've ever tried it, I said, 368 00:33:57,520 --> 00:34:00,600 Speaker 1: before time got out. I made up a whole created 369 00:34:00,640 --> 00:34:06,080 Speaker 1: a picture. No, he's standing on top of my castle 370 00:34:08,320 --> 00:34:16,160 Speaker 1: trying to talk to the lady. Operas take decades to write. 371 00:34:16,280 --> 00:34:24,840 Speaker 1: I wrote one right here on the spot. Do opera decades? 372 00:34:25,000 --> 00:34:30,200 Speaker 1: You're right? I mean, are there any opera singers in 373 00:34:30,280 --> 00:34:36,200 Speaker 1: the house tonight? Find any chance anyone? No? No, I 374 00:34:36,239 --> 00:34:38,000 Speaker 1: didn't think so. I didn't know. If you want to 375 00:34:38,080 --> 00:34:43,640 Speaker 1: try an opera battle with Ala here, she'll shut you down. 376 00:34:47,200 --> 00:34:51,720 Speaker 1: All right, Well, look how about we sing one together? Okay, 377 00:34:51,760 --> 00:34:53,480 Speaker 1: what would you like to I'd like to sing the opera? 378 00:34:53,600 --> 00:35:00,439 Speaker 1: Take me out to the ball game. Take me out 379 00:35:00,560 --> 00:35:06,120 Speaker 1: to the ball game, Take me out to the crowd. 380 00:35:09,080 --> 00:35:15,160 Speaker 1: Peanuts and crock put tuck. I don't care. I never 381 00:35:15,520 --> 00:35:19,800 Speaker 1: get back for his root root root, for the whole 382 00:35:20,560 --> 00:35:25,759 Speaker 1: team if they don't win it for the shame for 383 00:35:26,120 --> 00:35:47,040 Speaker 1: it's one two restruction out out the old I was 384 00:35:47,080 --> 00:35:50,239 Speaker 1: gonna throw this Scotch glass on the ground to make 385 00:35:50,280 --> 00:35:55,279 Speaker 1: it look like I broke it with my voice, but 386 00:35:55,520 --> 00:35:58,799 Speaker 1: everyone would have seen it was fun. That was beautiful. 387 00:35:59,040 --> 00:36:01,560 Speaker 1: I mean, the Dodgers go win again with that so too, 388 00:36:03,120 --> 00:36:09,960 Speaker 1: if they can get by the San Diego padres. Of course, 389 00:36:10,200 --> 00:36:19,359 Speaker 1: Santiago discovered by the Germans. They named it Sandiago, which 390 00:36:19,520 --> 00:36:34,560 Speaker 1: means oh, whales, vagina, thank you, Okay, you've you've I'm 391 00:36:34,600 --> 00:36:37,120 Speaker 1: sorry if I've come off mean and dismissive. I wondered, 392 00:36:38,040 --> 00:36:40,120 Speaker 1: let's let's have a little bit of fun with you. 393 00:36:40,239 --> 00:36:44,160 Speaker 1: Would you mind just singing some some statements for us? 394 00:36:44,160 --> 00:36:47,840 Speaker 1: It just might be fun to hear some things, some 395 00:36:48,000 --> 00:36:51,080 Speaker 1: things sung in your operatic voice? For instance, can you 396 00:36:51,160 --> 00:36:54,880 Speaker 1: just sing? Where are my keys? Where are my key? 397 00:36:58,120 --> 00:37:07,160 Speaker 1: Can you sing? I farted uttered, I lost my ham sandwich, 398 00:37:07,800 --> 00:37:15,479 Speaker 1: I lost my sandwich. I'm breaking up with you. I'm 399 00:37:15,719 --> 00:37:21,520 Speaker 1: breaking up with you. May the Force be with you, 400 00:37:22,000 --> 00:37:27,200 Speaker 1: May of course be with you. Steph Curry for three, 401 00:37:29,520 --> 00:37:37,400 Speaker 1: staff Purtty for three. Stay away from my donkey, Stay 402 00:37:37,600 --> 00:37:42,480 Speaker 1: away from my doggie. Anyone else have a line they'd 403 00:37:42,520 --> 00:37:47,239 Speaker 1: like a leader to sing? Where's my Sky's my scotch? 404 00:37:49,400 --> 00:37:53,640 Speaker 1: Can I have some casino clams? Please? It's may I. 405 00:37:54,160 --> 00:37:58,000 Speaker 1: May I have some casino clams? Please? It's may I. 406 00:38:00,680 --> 00:38:05,640 Speaker 1: I always tell you that, and you're like, can I can? 407 00:38:05,840 --> 00:38:10,799 Speaker 1: I'm like, it's may. I know I know. Mm hmm, 408 00:38:11,600 --> 00:38:14,839 Speaker 1: I I wonder if you'd help me with one more thing. 409 00:38:15,520 --> 00:38:18,279 Speaker 1: Of course, for those of you who are familiar with 410 00:38:18,360 --> 00:38:24,200 Speaker 1: the podcast, I I used to date singer songwriter Siam. 411 00:38:29,640 --> 00:38:32,200 Speaker 1: Why is that so funny? It's not funny to me. 412 00:38:33,760 --> 00:38:38,920 Speaker 1: I believe you, thank you, and she uh, she rudely 413 00:38:39,000 --> 00:38:41,840 Speaker 1: broke up with me, And I'm wondering if she happens 414 00:38:41,880 --> 00:38:43,640 Speaker 1: to be listening to this, maybe I could reach out 415 00:38:43,680 --> 00:38:46,560 Speaker 1: to her soul and we could we could reunite. And 416 00:38:46,800 --> 00:38:50,160 Speaker 1: if you'd indulge me, could would you mind just singing 417 00:38:50,160 --> 00:38:54,719 Speaker 1: an operatic melody while I read this love letter? Yes, 418 00:38:54,800 --> 00:39:00,879 Speaker 1: while I read this love letter to see him? M hm, Oh, 419 00:39:03,520 --> 00:39:08,239 Speaker 1: my heart yearns for you. I'm lost in this world 420 00:39:08,360 --> 00:39:13,840 Speaker 1: without you. M I cannot sleep. M I walked the 421 00:39:13,920 --> 00:39:18,719 Speaker 1: dark streets at night, calling your name. I started down 422 00:39:18,760 --> 00:39:24,200 Speaker 1: in Compton and I walked up through Culver City, then 423 00:39:24,280 --> 00:39:36,880 Speaker 1: through West Hollywood, screaming your name louder than any coyote 424 00:39:36,960 --> 00:39:47,480 Speaker 1: could yell over the mountains down into Lucca Lake. But 425 00:39:47,680 --> 00:39:54,640 Speaker 1: you answered. Not only the police answered, why won't you 426 00:39:54,719 --> 00:39:59,480 Speaker 1: return my calls? I've left over a thousand, sometimes changing 427 00:39:59,560 --> 00:40:04,600 Speaker 1: my voy so you'll think I'm Ariana Grande or Katie Perry. 428 00:40:06,400 --> 00:40:12,200 Speaker 1: Still no answer. Why do you torment me or love 429 00:40:12,280 --> 00:40:16,920 Speaker 1: us for the ages sexual and emotional? Like Zeus and 430 00:40:17,200 --> 00:40:26,759 Speaker 1: Helen of Troy m like Donald Trump, and like Benefort, 431 00:40:28,239 --> 00:40:32,759 Speaker 1: which apparently is back on again. Who knew, right? But 432 00:40:32,840 --> 00:40:45,040 Speaker 1: I digress Cia, Sia, Siasia. See you later means not goodbye, Sia. 433 00:40:46,000 --> 00:40:50,239 Speaker 1: It means I'll see you soon, see you, see you 434 00:40:50,840 --> 00:40:57,120 Speaker 1: when I see you, not unless you see me for 435 00:40:57,239 --> 00:41:11,640 Speaker 1: as star Bye Sia. I love you rock. But it 436 00:41:11,760 --> 00:41:15,480 Speaker 1: was so wonderful. I'll treasure that moment forever. Thank you 437 00:41:15,600 --> 00:41:20,960 Speaker 1: so much for covering opera singer Bond, Thank you so 438 00:41:21,160 --> 00:41:30,480 Speaker 1: much for coming on, Thank you, thank you right this way. 439 00:41:37,960 --> 00:41:41,239 Speaker 1: If that doesn't work, nothing's gonna work. She would have 440 00:41:41,320 --> 00:41:43,840 Speaker 1: to listen to the podcast to hear that, but she doesn't. 441 00:41:44,239 --> 00:41:48,080 Speaker 1: Probably gonna happen. I don't know, she seems if you 442 00:41:48,160 --> 00:41:50,800 Speaker 1: guys would all get on your social and beg Sia 443 00:41:50,920 --> 00:41:54,320 Speaker 1: to listen to the podcast and just say, hey, Sia, 444 00:41:54,680 --> 00:41:57,040 Speaker 1: I know you don't know, but there might be a 445 00:41:57,080 --> 00:42:01,479 Speaker 1: special surprise. You may be added with your soul mate 446 00:42:02,719 --> 00:42:07,759 Speaker 1: uh me whatever your names are and uh And then 447 00:42:07,840 --> 00:42:13,120 Speaker 1: she like she could, Oh, maybe I should listen a 448 00:42:13,120 --> 00:42:15,680 Speaker 1: wrong and then she listens to that, and then she 449 00:42:15,800 --> 00:42:20,200 Speaker 1: hears that, and then it's me and her making a baby. 450 00:42:23,400 --> 00:42:30,759 Speaker 1: All right, karamba, Right, Well, We're almost at the end 451 00:42:30,800 --> 00:42:34,400 Speaker 1: of our evening and I'd like to end it with 452 00:42:34,800 --> 00:42:41,280 Speaker 1: a little piece I call my take. There's no question 453 00:42:41,520 --> 00:42:44,520 Speaker 1: l A is a big status town, and one of 454 00:42:44,600 --> 00:42:48,719 Speaker 1: the true measures of status is where you live. Every 455 00:42:48,800 --> 00:42:51,680 Speaker 1: day I go to my local coffeehouse, the Feminine Pickle, 456 00:42:57,880 --> 00:43:01,960 Speaker 1: and all day long, I just here from dirty hipsters 457 00:43:03,360 --> 00:43:06,920 Speaker 1: stuff like, oh my god, I just moved to Atwater Village. 458 00:43:07,040 --> 00:43:10,440 Speaker 1: You have to come visit. Oh are you still in 459 00:43:10,560 --> 00:43:14,719 Speaker 1: Los Felis or is it Echo Park? Oh you're in 460 00:43:14,800 --> 00:43:22,160 Speaker 1: Silver Like why at least moved to Highland Park. Oh? Really, 461 00:43:22,360 --> 00:43:27,759 Speaker 1: you like the arts district better? Really, that's funny. I'm 462 00:43:27,840 --> 00:43:33,560 Speaker 1: really loving Palms. That new metro line is great. You 463 00:43:33,640 --> 00:43:36,200 Speaker 1: can take it down to the beach or all the 464 00:43:36,239 --> 00:43:39,680 Speaker 1: way down to the coliseum, only in a straight line. 465 00:43:44,560 --> 00:43:50,360 Speaker 1: I love it North Hollywood Okay, okay, I lived in 466 00:43:50,480 --> 00:43:54,960 Speaker 1: Venice for a while. Uh huh, right, Abbot Kenny, I know, 467 00:43:55,320 --> 00:44:00,280 Speaker 1: I love Abbot Kenny. What about West Adams It's getting 468 00:44:00,320 --> 00:44:03,319 Speaker 1: great down there. I know someone who lives just off 469 00:44:03,360 --> 00:44:05,960 Speaker 1: of Pan Pacific Park, so fun. They can walk to 470 00:44:06,080 --> 00:44:10,160 Speaker 1: the grove. It's the best. The grove is the best. 471 00:44:13,360 --> 00:44:19,040 Speaker 1: I forgot. Korea Town not cheap anymore. Hey, hey, skinny jeans, 472 00:44:19,480 --> 00:44:22,840 Speaker 1: you know where I left? I left behind the Bomb's 473 00:44:22,920 --> 00:44:33,719 Speaker 1: Big Boy in Burbank. Yeah me, Rod Burgundy, and trust me, 474 00:44:33,840 --> 00:44:38,280 Speaker 1: it's not in a cute nighteteen forties Bungalow. I lived 475 00:44:38,440 --> 00:44:46,120 Speaker 1: directly behind the Bomb's Big Boy looking for scraps because 476 00:44:46,280 --> 00:44:50,040 Speaker 1: Ronnie maxed out on eleven of his credit cards during 477 00:44:50,120 --> 00:44:55,200 Speaker 1: the lockdown. And sure, I've gotten to know the gang 478 00:44:55,239 --> 00:45:02,000 Speaker 1: of high school kids who worked there, Peter Ashley, Brad Monica, 479 00:45:02,960 --> 00:45:07,920 Speaker 1: Stephanie Courtney and hand out there twins. Who else am 480 00:45:07,960 --> 00:45:15,080 Speaker 1: I forgetting? Lachlan? Wait? Did I mentioned Teeter? They are lovely? Yes, 481 00:45:15,200 --> 00:45:19,359 Speaker 1: they are lovely. So take your outfit from jet Rag 482 00:45:20,080 --> 00:45:24,200 Speaker 1: and get out of my face? What what was that? 483 00:45:25,080 --> 00:45:30,239 Speaker 1: What was that? What you weren't in my face? Well, 484 00:45:30,320 --> 00:45:33,680 Speaker 1: technically you're right, but you were talking so loud I 485 00:45:33,719 --> 00:45:37,080 Speaker 1: had to eavesdrop, which felt like you were in my face. 486 00:45:44,080 --> 00:45:47,920 Speaker 1: And then I go back to my coffee and my 487 00:45:48,040 --> 00:45:51,719 Speaker 1: paper and I think to myself, you can't just let 488 00:45:51,840 --> 00:45:56,520 Speaker 1: well enough alone. Ken you Ronnie. I guess what I'm 489 00:45:56,560 --> 00:45:59,680 Speaker 1: really trying to say is that we really really need 490 00:45:59,800 --> 00:46:04,399 Speaker 1: to fix the homeless problem in l A. I'm Ron 491 00:46:04,440 --> 00:46:12,840 Speaker 1: Burgundy and that's my cake. Thank you everyone, that's your podcast. 492 00:46:12,920 --> 00:46:16,520 Speaker 1: Thank you for coming aloud. We appreciate you having here. 493 00:46:17,680 --> 00:46:24,160 Speaker 1: Thank you so much. I'm Ron Burgundy. Carolina, I don't 494 00:46:24,200 --> 00:46:30,600 Speaker 1: know where she went, Carolina, come out here. Please, thank you, 495 00:46:31,600 --> 00:46:34,120 Speaker 1: good night, you guys. You really appreciate you having here. 496 00:46:34,280 --> 00:46:38,719 Speaker 1: Thank you so much. We'll get the hundred from here 497 00:46:38,880 --> 00:46:49,319 Speaker 1: at some point in time for everyone's sexy sexy man's 498 00:46:49,480 --> 00:46:54,000 Speaker 1: sexy sexy plan. Because he ain't no sucker, looking so funny, 499 00:46:54,000 --> 00:46:56,360 Speaker 1: you can drive like a duck, clean like a plant, 500 00:46:56,400 --> 00:46:59,319 Speaker 1: you can solive younger, fool wheel drive so we never 501 00:46:59,400 --> 00:47:03,160 Speaker 1: get stuck, right so far to get up a lot 502 00:47:03,239 --> 00:47:06,120 Speaker 1: of bandwins. And he's a guy. Ye, he ain't no standing, 503 00:47:06,200 --> 00:47:08,760 Speaker 1: he doesn't have He's on a night sized sandwich because 504 00:47:08,800 --> 00:47:14,120 Speaker 1: everybody knows he's the burgunsy Bandit The Ron Burgundy Podcast