WEBVTT - Taking The Reins

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<v Speaker 1>As a dad, actor, producer for an activist, my schedule

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<v Speaker 1>fills up fast and as we all know, a life

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<v Speaker 1>can be unpredictable. That's why good help is always welcome.

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<v Speaker 1>Hey everyone, it's warmer vol drama. When it comes to insurance,

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<v Speaker 1>Tura podcast network here to tell you that yes, you

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<v Speaker 1>only an old tale made up for someone who preferred tea.

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<v Speaker 1>And what about electric cars? Kind of boring, long time

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<v Speaker 1>Isn't it time to stop believing old tales? When it

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<v Speaker 1>comes to debunking myths, Funday is thinking of every mile Honday,

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<v Speaker 1>It's your journey. Marcos Alan is not just anybody. He

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<v Speaker 1>is the most respected music critic at Rolling Stone, and

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<v Speaker 1>he thinks this song is a joke. Alita, It's only

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<v Speaker 1>one review and pop music fans don't care about what

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<v Speaker 1>a music critic has to say. That's not the point

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<v Speaker 1>I care. So what are you saying? I'm just I'm

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<v Speaker 1>just pissed off at myself. I set out to elevate

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<v Speaker 1>and expand the reach of Latin music. Instead I ended

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<v Speaker 1>up diluting it with this song. Look, I know the

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<v Speaker 1>response has been mixed, but that happens sometimes so we'll

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<v Speaker 1>learn from it and do it better on the next

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<v Speaker 1>But as the head of IG, my obligation. It's not

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<v Speaker 1>just you. It is also to the label, to an

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<v Speaker 1>awful lot of people who worked very hard on the

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<v Speaker 1>launch of the single. So I'm not pulling the single

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<v Speaker 1>out of rotation. Besides pulling it out only going to

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<v Speaker 1>raise a red flag. I'm not going to do that

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<v Speaker 1>to you either. I have a little call coming in,

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<v Speaker 1>so let's just talk in a couple of days, right,

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<v Speaker 1>But it'd be good to get you out there promoting

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<v Speaker 1>a single. Okay, bye, Michaels. I was so frustrated by

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<v Speaker 1>my talk with Matcos and obsessing about the response to

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<v Speaker 1>the song that I decided to get out of the

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<v Speaker 1>house and keep my mind occupied. Welcome to Bubble's car wash.

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<v Speaker 1>close all your windows and drive forward. It is I

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<v Speaker 1>mean you're gonna take you in bed. You gotta be

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<v Speaker 1>kidding me. I think I'm Please wait for the green light.

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<v Speaker 1>Have you have a nice dick? Oh? Uh? Andreees, how

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<v Speaker 1>are you doing, miss boss. Nice to see you. Hey,

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<v Speaker 1>let me get your clothes. Yeah, you know what. Your

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<v Speaker 1>husband dropped off some items to get dry clean. I'll

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<v Speaker 1>get those as well. You'll save them a trip. Okay,

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<v Speaker 1>yeah sure you kill me, kill me now here you go.

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<v Speaker 1>Thank you. I'll charge a credit card on file. Hey,

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<v Speaker 1>say hello to Rother Eagle for me. Oh for sure.

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<v Speaker 1>Oh and uh, congrats on a new single. Thank you

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<v Speaker 1>smartphone bearing. This cannot be happening. As much as I tried,

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<v Speaker 1>there was no getting away from the song. Marco's and

0:06:08.279 --> 0:06:10.320
<v Speaker 1>the label had done all they could to get the

0:06:10.400 --> 0:06:14.200
<v Speaker 1>song out there, and now I also had to drop

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<v Speaker 1>off Robridico's clothes from the cleaners. Hi and Wilma. As

0:06:22.279 --> 0:06:25.640
<v Speaker 1>a dad, actor, producer, and activist, my schedule fills up

0:06:25.680 --> 0:06:28.400
<v Speaker 1>fast and as we all know, life can be unpredictable.

0:06:28.760 --> 0:06:31.120
<v Speaker 1>That's why good help is always welcome, like when your

0:06:31.120 --> 0:06:34.880
<v Speaker 1>friend offers you those important words of advice, or when

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<v Speaker 1>your mom makes your favorite food just because it's hold

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<v Speaker 1>an act of kindness and support. That's why Stay Farm

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<v Speaker 1>heard eating an apple a day will help you keep

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0:08:16.680 --> 0:08:20.240
<v Speaker 1>we heard these so called truths Ola so rosa in

0:08:20.280 --> 0:08:23.880
<v Speaker 1>Sanchez from the He Said Jo podcast, And just like Hondai,

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<v Speaker 1>I'm here to speak the truth. Quentos comos no maque

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<v Speaker 1>quentos like electric cars being kind of boring, take a

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<v Speaker 1>With the one of a kind design, the only electric

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<v Speaker 1>best warranty. Isn't it time to stop believing all tales

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<v Speaker 1>when it comes to the bunking myths, Hand is thinking

0:08:54.440 --> 0:08:58.439
<v Speaker 1>of every mile. Hand, it's your journey. Proud partner of

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<v Speaker 1>Michael Tura podcast net work. Hello, Hey, hello, okay to

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<v Speaker 1>come in of course, what a nice surprise? Hey mom,

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<v Speaker 1>what is that on your own? I went to pick

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<v Speaker 1>up my stuff, and don't Louise gave me Rodrigo stuff too.

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<v Speaker 1>He says, hello, oh, thanks, How much do I owe

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<v Speaker 1>you a right? Don't be silly by the way, congrats

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<v Speaker 1>on a new single finally being released. Let's not talk

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<v Speaker 1>about that, okay. Maracle says, the song's doing okay, okay,

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<v Speaker 1>was not the goal anyway, I don't I don't want

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<v Speaker 1>to interrupt your session with Natalia. Are you kidding? I'm

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<v Speaker 1>sure Natalia would love to say, hey, let me go

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<v Speaker 1>find her. It's really nice to see you, Alma. You

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<v Speaker 1>sure because you left that hotel room in La pretty

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<v Speaker 1>early the next morning, didn't even say goodbye. I didn't

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<v Speaker 1>want to wake you, if you say so. That night

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<v Speaker 1>in the hotel room, it felt like old times, didn't it. Yeah,

0:10:09.440 --> 0:10:21.360
<v Speaker 1>it was nice Avelita high. I can't believe nobody told

0:10:21.400 --> 0:10:25.360
<v Speaker 1>me you were coming. Rise rotary goal. We have to

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<v Speaker 1>play a delite to the song we've were working on.

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<v Speaker 1>I'd love to get your opinion of the Yeah, sure,

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<v Speaker 1>i'd I'd love to hear it. I think it needs

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<v Speaker 1>to be louder. So what do you think it's fantastic?

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<v Speaker 1>I think so too. And now that I'm done with

0:10:54.520 --> 0:10:56.040
<v Speaker 1>school Girl, did you go? And I have been able

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<v Speaker 1>to stay up and work on the album NonStop. Alright, alright,

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<v Speaker 1>let's get those secrets to ourselves. Your parents still think

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<v Speaker 1>you have a Curtfield Okay, let me did you get joy?

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<v Speaker 1>Better be a dee got bit? Gotta kay guns the

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<v Speaker 1>duck until that was great. I'm so glad you like it.

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<v Speaker 1>We still have some work to get done on it.

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<v Speaker 1>So you young lady need to get back in that booth.

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<v Speaker 1>All right, I delete that. You're not leaving, are you?

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<v Speaker 1>I'll stick around for a bit. Good. That girl is

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<v Speaker 1>gonna wanna be adopted by him pretty soon. So, oh,

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<v Speaker 1>how are you feeling? I'm not sure. I figured the

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<v Speaker 1>reviews have been mixed, even though it seemed like everybody

0:12:08.559 --> 0:12:10.640
<v Speaker 1>in a basso is playing it today. Do you're a

0:12:10.760 --> 0:12:14.760
<v Speaker 1>hometown girl? Of course everybody is playing it here. It

0:12:14.920 --> 0:12:18.640
<v Speaker 1>wasn't the right song, like me, huh. I'm sorry, but

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<v Speaker 1>Marcos made it clear that he's not pulling it out

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<v Speaker 1>of rotation. Of course he's not. This song will still

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<v Speaker 1>make money. That's what it'll always come down to with

0:12:28.440 --> 0:12:40.400
<v Speaker 1>that man. No a SUSI try to go through, no

0:12:40.600 --> 0:13:02.240
<v Speaker 1>tire okay, no bo juan a sasig. That's it. Yeah,

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<v Speaker 1>she's amazing isn't she she is. I've never known any

0:13:08.040 --> 0:13:10.520
<v Speaker 1>artists who knew exactly who they were at such a

0:13:10.600 --> 0:13:15.120
<v Speaker 1>young age. Thanks mom, I no, no, no, that's not

0:13:15.240 --> 0:13:17.199
<v Speaker 1>what I meant to say. What I meant was I

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<v Speaker 1>did it ever occur to you that maybe Natalia knows

0:13:19.640 --> 0:13:22.400
<v Speaker 1>who she is because she didn't have a mother who

0:13:22.520 --> 0:13:26.280
<v Speaker 1>felt like she needed to decide that for her. I'm

0:13:26.320 --> 0:13:36.559
<v Speaker 1>gonna go I you're leading already. Yeah, but thanks for

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<v Speaker 1>letting me crash your session. Yeah anytime. The song is great, Rodrigo,

0:13:41.120 --> 0:13:43.720
<v Speaker 1>This album might finally get you the Grammy when you deserve.

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<v Speaker 1>Tell Natalia I said good bye, will bye? Is she okay?

0:13:54.480 --> 0:13:57.000
<v Speaker 1>She's upset about the single and taking it out on me,

0:13:57.840 --> 0:13:59.520
<v Speaker 1>but I had nothing to do with it, so she

0:13:59.640 --> 0:14:03.200
<v Speaker 1>can lame this mess on me. You know, Karaman, Sometimes

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<v Speaker 1>a daughter just needs a hug, you know, Rodrigo, Sometimes

0:14:07.080 --> 0:14:24.680
<v Speaker 1>all a wife needs is to be forgiven. I know

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<v Speaker 1>you wanted to wait a couple of days before we

0:14:26.960 --> 0:14:30.640
<v Speaker 1>talked again, but this can't wait. Marcos. I just heard

0:14:30.680 --> 0:14:36.040
<v Speaker 1>what Rodrigo Natalia are doing with her album. It's amazing. Well,

0:14:36.480 --> 0:14:38.760
<v Speaker 1>I want to feel the same way about my music,

0:14:39.400 --> 0:14:42.920
<v Speaker 1>and I don't I went into this crossover way too fast.

0:14:43.600 --> 0:14:46.480
<v Speaker 1>I disagree coming out with a new single after your

0:14:46.520 --> 0:14:51.080
<v Speaker 1>performs Wisdom at the Grammys was perfect timing, Marcos, you're

0:14:51.120 --> 0:14:55.120
<v Speaker 1>not hearing me. I need to pause and reassess. What

0:14:55.280 --> 0:14:58.160
<v Speaker 1>you need is to make waves. You get people talking

0:14:58.640 --> 0:15:02.480
<v Speaker 1>and you don't stop. No. Publicity is bad publicity, especially

0:15:02.520 --> 0:15:05.080
<v Speaker 1>when we're introducing you to a new, old, new audience.

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<v Speaker 1>You're wrong. Look, even the greatest of artists I've had

0:15:09.240 --> 0:15:12.480
<v Speaker 1>music that weren't crazy about what they kept going, or

0:15:12.520 --> 0:15:15.880
<v Speaker 1>they reinvented themselves. That's exactly what I'm trying to do.

0:15:16.360 --> 0:15:19.280
<v Speaker 1>But I can't do that. If we're just gonna crank

0:15:19.400 --> 0:15:22.480
<v Speaker 1>one single after another without being thoughtful about it, I'm

0:15:22.520 --> 0:15:26.000
<v Speaker 1>not doing that. I won't say okay, okay, we'll take

0:15:26.040 --> 0:15:30.480
<v Speaker 1>a pause, but no that. I have seen too many

0:15:30.640 --> 0:15:34.120
<v Speaker 1>artists let the outside noise seep into the psyche, and

0:15:34.280 --> 0:15:39.080
<v Speaker 1>it's dangerous, dangerous, dangerous. Way a criticism can be a

0:15:39.120 --> 0:15:42.280
<v Speaker 1>good thing, but it can also paralyze an artist, especially

0:15:42.400 --> 0:15:45.600
<v Speaker 1>one who was not used to bad reviews. I don't

0:15:45.680 --> 0:15:49.600
<v Speaker 1>want that happening to you, So go do whatever it

0:15:49.720 --> 0:15:51.480
<v Speaker 1>is you need to do. Okay, but my advice is

0:15:52.000 --> 0:15:55.120
<v Speaker 1>to not stay away too long. Let whatever you're feeling

0:15:55.240 --> 0:16:00.240
<v Speaker 1>right now drive you, not silence you. Okay it will,

0:16:00.720 --> 0:16:31.680
<v Speaker 1>I promise coming? H m hm Rodrigo, Hi, Hey, can

0:16:31.760 --> 0:16:36.280
<v Speaker 1>I come in? Of course I'll never get used to

0:16:36.360 --> 0:16:52.480
<v Speaker 1>you ringing the doorbell. This is our home. You want

0:16:52.520 --> 0:16:59.240
<v Speaker 1>some wine? Sure? How was the rest of your session great?

0:17:00.440 --> 0:17:03.000
<v Speaker 1>And she's easy to work with. She's got tons of ideas,

0:17:03.240 --> 0:17:05.359
<v Speaker 1>but she's also smart enough to know what she doesn't know,

0:17:06.040 --> 0:17:08.399
<v Speaker 1>at least with me. Your mom may feel differently about that.

0:17:09.119 --> 0:17:11.640
<v Speaker 1>She's not used to having such an assertive artist. Well,

0:17:11.800 --> 0:17:14.560
<v Speaker 1>Natalia has the benefit of not having to figure out

0:17:14.640 --> 0:17:19.280
<v Speaker 1>where the line is between daughter and clients. Cheers, cheers.

0:17:23.200 --> 0:17:26.520
<v Speaker 1>So listen, I heard about what happened with your mom

0:17:26.600 --> 0:17:29.080
<v Speaker 1>at the studio, and I just wanted to come by

0:17:29.160 --> 0:17:31.760
<v Speaker 1>and check in on you. I know the last twenty

0:17:31.760 --> 0:17:34.240
<v Speaker 1>four hours haven't been the best and I felt bad

0:17:34.280 --> 0:17:36.200
<v Speaker 1>that we didn't have a chance to talk. I showed

0:17:36.280 --> 0:17:39.600
<v Speaker 1>up unexpected you were working. I get it, really no.

0:17:39.920 --> 0:17:43.719
<v Speaker 1>I was really happy you came by, but I kind

0:17:43.760 --> 0:17:45.440
<v Speaker 1>of lost my focus and couldn't work the rest of

0:17:45.440 --> 0:17:49.320
<v Speaker 1>the day. I'm glad I still have that effect on you.

0:17:51.760 --> 0:17:55.320
<v Speaker 1>Speaking of the last twenty four hours, I've actually decided

0:17:55.359 --> 0:17:58.440
<v Speaker 1>to go away for a little while. Get my head straight. Good.

0:17:59.160 --> 0:18:02.720
<v Speaker 1>I think that's a great idea. Absolutely, you're finally getting

0:18:02.760 --> 0:18:07.040
<v Speaker 1>some time off. Really, you're going away with wisdom. No,

0:18:07.359 --> 0:18:10.080
<v Speaker 1>I'm I'm sorry, it's none of my business. Never mind,

0:18:11.240 --> 0:18:15.440
<v Speaker 1>that's over. Oh, I'm sorry about all of it. I

0:18:15.520 --> 0:18:19.280
<v Speaker 1>feel like I don't even recognize myself right now. But

0:18:20.000 --> 0:18:22.440
<v Speaker 1>whatever is going on with me, you need to know

0:18:22.680 --> 0:18:26.159
<v Speaker 1>that it has nothing to do with you. You know

0:18:26.200 --> 0:18:28.160
<v Speaker 1>what your mother said to me after you left. I'm

0:18:28.200 --> 0:18:33.080
<v Speaker 1>afraid to ask. Sometimes all a wife needs is for

0:18:33.160 --> 0:18:36.320
<v Speaker 1>her husband to forgive her. Do you think that might

0:18:36.400 --> 0:18:48.080
<v Speaker 1>be possible? I've already forgiven you, Adelita. So where are

0:18:48.119 --> 0:18:53.960
<v Speaker 1>you heading? Morelia? It's supposed to be one of the

0:18:54.080 --> 0:18:58.560
<v Speaker 1>music centers in Mexico. Sounds like the perfect place. I

0:18:58.680 --> 0:19:00.399
<v Speaker 1>hope you know how much I'd love to take this

0:19:00.520 --> 0:19:04.480
<v Speaker 1>trip with you. I know, but I need to do

0:19:04.600 --> 0:19:08.920
<v Speaker 1>this one alone. Agreed. I'd like to share parts of

0:19:09.000 --> 0:19:12.920
<v Speaker 1>it with you while I'm there. Yeah, I'd love that

0:19:13.640 --> 0:19:32.159
<v Speaker 1>and see where that leads. If you're enjoying Adelita changing

0:19:32.200 --> 0:19:35.840
<v Speaker 1>the key, please subscribe, rate and review our show wherever

0:19:35.920 --> 0:19:39.760
<v Speaker 1>You're listening. Adelita Changing the Key is a production of

0:19:39.800 --> 0:19:44.240
<v Speaker 1>Sonoro in partnership with Our Hearts Michael Tura Network. Created

0:19:44.280 --> 0:19:48.600
<v Speaker 1>and written by li Jia Viaalobos. Produced by Luisa Duardo Castillo,

0:19:48.800 --> 0:19:55.000
<v Speaker 1>Grinzachaires and Bettina Lopez Mendoza. Directed by Javier Perrasa. Developed

0:19:55.119 --> 0:20:00.520
<v Speaker 1>by Jaspine Rometo, Bettina Lopez and Christian Hatar. Executive produced

0:20:00.520 --> 0:20:03.920
<v Speaker 1>by Gisel Benzs and Conald Byrne for iHeart and Camilla

0:20:04.000 --> 0:20:09.080
<v Speaker 1>Victoriano and Josia Weinstein for Sonoro. Executive produced by Dayangerero

0:20:09.240 --> 0:20:13.639
<v Speaker 1>and li Jiavilobos. This episode written by Li Javalobos with

0:20:13.840 --> 0:20:18.760
<v Speaker 1>help from Daniela Sarkis, Betina Lopez, Rodrigo Bravo, Moniza Hinrich,

0:20:19.080 --> 0:20:24.080
<v Speaker 1>Mariana Martinez Gomez and Edgaristevan. Performances in this episode by

0:20:24.359 --> 0:20:41.960
<v Speaker 1>Diangerero beninyas, Jesi Garcia an artist, and Elie Hernandez as

0:20:42.040 --> 0:20:45.160
<v Speaker 1>a dad actor producer for an activist. My schedule feels

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<v Speaker 1>up fast and as we all know, life can be unpredictable.

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