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Speaker 1: It's your journey. Marcos Alan is not just anybody. He
Speaker 1: is the most respected music critic at Rolling Stone, and
Speaker 1: he thinks this song is a joke. Alita, It's only
Speaker 1: one review and pop music fans don't care about what
Speaker 1: a music critic has to say. That's not the point
Speaker 1: I care. So what are you saying? I'm just I'm
Speaker 1: just pissed off at myself. I set out to elevate
Speaker 1: and expand the reach of Latin music. Instead I ended
Speaker 1: up diluting it with this song. Look, I know the
Speaker 1: response has been mixed, but that happens sometimes so we'll
Speaker 1: learn from it and do it better on the next
Speaker 1: But as the head of IG, my obligation. It's not
Speaker 1: just you. It is also to the label, to an
Speaker 1: awful lot of people who worked very hard on the
Speaker 1: launch of the single. So I'm not pulling the single
Speaker 1: out of rotation. Besides pulling it out only going to
Speaker 1: raise a red flag. I'm not going to do that
Speaker 1: to you either. I have a little call coming in,
Speaker 1: so let's just talk in a couple of days, right,
Speaker 1: But it'd be good to get you out there promoting
Speaker 1: a single. Okay, bye, Michaels. I was so frustrated by
Speaker 1: my talk with Matcos and obsessing about the response to
Speaker 1: the song that I decided to get out of the
Speaker 1: house and keep my mind occupied. Welcome to Bubble's car wash.
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Speaker 1: Have you have a nice dick? Oh? Uh? Andreees, how
Speaker 1: are you doing, miss boss. Nice to see you. Hey,
Speaker 1: let me get your clothes. Yeah, you know what. Your
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Speaker 1: yeah sure you kill me, kill me now here you go.
Speaker 1: Thank you. I'll charge a credit card on file. Hey,
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Speaker 1: Oh and uh, congrats on a new single. Thank you
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Speaker 1: the label had done all they could to get the
Speaker 1: song out there, and now I also had to drop
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Speaker 1: Michael Tura podcast net work. Hello, Hey, hello, okay to
Speaker 1: come in of course, what a nice surprise? Hey mom,
Speaker 1: what is that on your own? I went to pick
Speaker 1: up my stuff, and don't Louise gave me Rodrigo stuff too.
Speaker 1: He says, hello, oh, thanks, How much do I owe
Speaker 1: you a right? Don't be silly by the way, congrats
Speaker 1: on a new single finally being released. Let's not talk
Speaker 1: about that, okay. Maracle says, the song's doing okay, okay,
Speaker 1: was not the goal anyway, I don't I don't want
Speaker 1: to interrupt your session with Natalia. Are you kidding? I'm
Speaker 1: sure Natalia would love to say, hey, let me go
Speaker 1: find her. It's really nice to see you, Alma. You
Speaker 1: sure because you left that hotel room in La pretty
Speaker 1: early the next morning, didn't even say goodbye. I didn't
Speaker 1: want to wake you, if you say so. That night
Speaker 1: in the hotel room, it felt like old times, didn't it. Yeah,
Speaker 1: it was nice Avelita high. I can't believe nobody told
Speaker 1: me you were coming. Rise rotary goal. We have to
Speaker 1: play a delite to the song we've were working on.
Speaker 1: I'd love to get your opinion of the Yeah, sure,
Speaker 1: i'd I'd love to hear it. I think it needs
Speaker 1: to be louder. So what do you think it's fantastic?
Speaker 1: I think so too. And now that I'm done with
Speaker 1: school Girl, did you go? And I have been able
Speaker 1: to stay up and work on the album NonStop. Alright, alright,
Speaker 1: let's get those secrets to ourselves. Your parents still think
Speaker 1: you have a Curtfield Okay, let me did you get joy?
Speaker 1: Better be a dee got bit? Gotta kay guns the
Speaker 1: duck until that was great. I'm so glad you like it.
Speaker 1: We still have some work to get done on it.
Speaker 1: So you young lady need to get back in that booth.
Speaker 1: All right, I delete that. You're not leaving, are you?
Speaker 1: I'll stick around for a bit. Good. That girl is
Speaker 1: gonna wanna be adopted by him pretty soon. So, oh,
Speaker 1: how are you feeling? I'm not sure. I figured the
Speaker 1: reviews have been mixed, even though it seemed like everybody
Speaker 1: in a basso is playing it today. Do you're a
Speaker 1: hometown girl? Of course everybody is playing it here. It
Speaker 1: wasn't the right song, like me, huh. I'm sorry, but
Speaker 1: Marcos made it clear that he's not pulling it out
Speaker 1: of rotation. Of course he's not. This song will still
Speaker 1: make money. That's what it'll always come down to with
Speaker 1: that man. No a SUSI try to go through, no
Speaker 1: tire okay, no bo juan a sasig. That's it. Yeah,
Speaker 1: she's amazing isn't she she is. I've never known any
Speaker 1: artists who knew exactly who they were at such a
Speaker 1: young age. Thanks mom, I no, no, no, that's not
Speaker 1: what I meant to say. What I meant was I
Speaker 1: did it ever occur to you that maybe Natalia knows
Speaker 1: who she is because she didn't have a mother who
Speaker 1: felt like she needed to decide that for her. I'm
Speaker 1: gonna go I you're leading already. Yeah, but thanks for
Speaker 1: letting me crash your session. Yeah anytime. The song is great, Rodrigo,
Speaker 1: This album might finally get you the Grammy when you deserve.
Speaker 1: Tell Natalia I said good bye, will bye? Is she okay?
Speaker 1: She's upset about the single and taking it out on me,
Speaker 1: but I had nothing to do with it, so she
Speaker 1: can lame this mess on me. You know, Karaman, Sometimes
Speaker 1: a daughter just needs a hug, you know, Rodrigo, Sometimes
Speaker 1: all a wife needs is to be forgiven. I know
Speaker 1: you wanted to wait a couple of days before we
Speaker 1: talked again, but this can't wait. Marcos. I just heard
Speaker 1: what Rodrigo Natalia are doing with her album. It's amazing. Well,
Speaker 1: I want to feel the same way about my music,
Speaker 1: and I don't I went into this crossover way too fast.
Speaker 1: I disagree coming out with a new single after your
Speaker 1: performs Wisdom at the Grammys was perfect timing, Marcos, you're
Speaker 1: not hearing me. I need to pause and reassess. What
Speaker 1: you need is to make waves. You get people talking
Speaker 1: and you don't stop. No. Publicity is bad publicity, especially
Speaker 1: when we're introducing you to a new, old, new audience.
Speaker 1: You're wrong. Look, even the greatest of artists I've had
Speaker 1: music that weren't crazy about what they kept going, or
Speaker 1: they reinvented themselves. That's exactly what I'm trying to do.
Speaker 1: But I can't do that. If we're just gonna crank
Speaker 1: one single after another without being thoughtful about it, I'm
Speaker 1: not doing that. I won't say okay, okay, we'll take
Speaker 1: a pause, but no that. I have seen too many
Speaker 1: artists let the outside noise seep into the psyche, and
Speaker 1: it's dangerous, dangerous, dangerous. Way a criticism can be a
Speaker 1: good thing, but it can also paralyze an artist, especially
Speaker 1: one who was not used to bad reviews. I don't
Speaker 1: want that happening to you, So go do whatever it
Speaker 1: is you need to do. Okay, but my advice is
Speaker 1: to not stay away too long. Let whatever you're feeling
Speaker 1: right now drive you, not silence you. Okay it will,
Speaker 1: I promise coming? H m hm Rodrigo, Hi, Hey, can
Speaker 1: I come in? Of course I'll never get used to
Speaker 1: you ringing the doorbell. This is our home. You want
Speaker 1: some wine? Sure? How was the rest of your session great?
Speaker 1: And she's easy to work with. She's got tons of ideas,
Speaker 1: but she's also smart enough to know what she doesn't know,
Speaker 1: at least with me. Your mom may feel differently about that.
Speaker 1: She's not used to having such an assertive artist. Well,
Speaker 1: Natalia has the benefit of not having to figure out
Speaker 1: where the line is between daughter and clients. Cheers, cheers.
Speaker 1: So listen, I heard about what happened with your mom
Speaker 1: at the studio, and I just wanted to come by
Speaker 1: and check in on you. I know the last twenty
Speaker 1: four hours haven't been the best and I felt bad
Speaker 1: that we didn't have a chance to talk. I showed
Speaker 1: up unexpected you were working. I get it, really no.
Speaker 1: I was really happy you came by, but I kind
Speaker 1: of lost my focus and couldn't work the rest of
Speaker 1: the day. I'm glad I still have that effect on you.
Speaker 1: Speaking of the last twenty four hours, I've actually decided
Speaker 1: to go away for a little while. Get my head straight. Good.
Speaker 1: I think that's a great idea. Absolutely, you're finally getting
Speaker 1: some time off. Really, you're going away with wisdom. No,
Speaker 1: I'm I'm sorry, it's none of my business. Never mind,
Speaker 1: that's over. Oh, I'm sorry about all of it. I
Speaker 1: feel like I don't even recognize myself right now. But
Speaker 1: whatever is going on with me, you need to know
Speaker 1: that it has nothing to do with you. You know
Speaker 1: what your mother said to me after you left. I'm
Speaker 1: afraid to ask. Sometimes all a wife needs is for
Speaker 1: her husband to forgive her. Do you think that might
Speaker 1: be possible? I've already forgiven you, Adelita. So where are
Speaker 1: you heading? Morelia? It's supposed to be one of the
Speaker 1: music centers in Mexico. Sounds like the perfect place. I
Speaker 1: hope you know how much I'd love to take this
Speaker 1: trip with you. I know, but I need to do
Speaker 1: this one alone. Agreed. I'd like to share parts of
Speaker 1: it with you while I'm there. Yeah, I'd love that
Speaker 1: and see where that leads. If you're enjoying Adelita changing
Speaker 1: the key, please subscribe, rate and review our show wherever
Speaker 1: You're listening. Adelita Changing the Key is a production of
Speaker 1: Sonoro in partnership with Our Hearts Michael Tura Network. Created
Speaker 1: and written by li Jia Viaalobos. Produced by Luisa Duardo Castillo,
Speaker 1: Grinzachaires and Bettina Lopez Mendoza. Directed by Javier Perrasa. Developed
Speaker 1: by Jaspine Rometo, Bettina Lopez and Christian Hatar. Executive produced
Speaker 1: by Gisel Benzs and Conald Byrne for iHeart and Camilla
Speaker 1: Victoriano and Josia Weinstein for Sonoro. Executive produced by Dayangerero
Speaker 1: and li Jiavilobos. This episode written by Li Javalobos with
Speaker 1: help from Daniela Sarkis, Betina Lopez, Rodrigo Bravo, Moniza Hinrich,
Speaker 1: Mariana Martinez Gomez and Edgaristevan. Performances in this episode by
Speaker 1: Diangerero beninyas, Jesi Garcia an artist, and Elie Hernandez as
Speaker 1: a dad actor producer for an activist. My schedule feels
Speaker 1: up fast and as we all know, life can be unpredictable.
Speaker 1: That's why good help is always welcome. Hey, everyone's warmer
Speaker 1: abou drama when it comes to insurance. Let's stay Farms support.
Speaker 1: You switch to stay Farm and you feel better knowing
Speaker 1: their expertise. Well, have you feeling taken care of? Don't
Speaker 1: understand policy details? They've got your cover which Stay Farm?
Speaker 1: You can call your agent or connect with them twenty
Speaker 1: four sevens and as punto state farm punto kom like
Speaker 1: a good neighbor, Stay Farm is there? Hey? It's Mala
Speaker 1: and Diosa, co hosts of Locatra Radio. Listen. Life is
Speaker 1: too much these days. We all have to learn to
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