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Speaker 1: Good morning to tell you love that room anywhere else.

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Speaker 1: So your friend frinds the world's most dangerous morning shot

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Speaker 1: camera the mother. I agree show in this listen city

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Speaker 1: So christ Jamry, the capital of the Spree, would usually eat.

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Speaker 1: The only one who can keep these guys in Charlomagne,

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Speaker 1: the God love the boy. The breath was comic. Good

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Speaker 1: morning Usa, joji yo yo yo yo yo yo yo

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Speaker 1: yo yo yo yo yo yo yo yo yo yo

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Speaker 1: yo yo yo yo yo yo yo yo yo yo

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Speaker 1: yo yo yo yo yo. Good morning angela ye, good money.

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Speaker 1: He's amby Charlomagne the God. If he said, have planned,

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Speaker 1: guess what day it is? Guess what day it is? Oh? Yes,

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Speaker 1: good morning, every good morning man. Salute to everybody at

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Speaker 1: Jersey City University. Never even heard of at school. I

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Speaker 1: was there yesterday promoting my book Black Privilege. Opportunity comes

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Speaker 1: to those who creator. We had a nice discussion about

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Speaker 1: the book and a book signings to drop one the

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Speaker 1: clues bombs for Jersey City US. A lot of people,

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Speaker 1: A lot of people were there, baby, that is dope.

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Speaker 1: A lot of people were there. I love. This is

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Speaker 1: the most fulfilling thing about having this book out. Actually

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Speaker 1: going out and having conversations about this book. People are

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Speaker 1: engaged in the reading process. I love that. It's great

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Speaker 1: to see people like I said when I went to

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Speaker 1: the one in South Carolina. So many people were there

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Speaker 1: and you know, people just have questions on life, and

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Speaker 1: it was cool. I couldn't stay that long, but just

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Speaker 1: to talk to them for a little bit. It's definitely

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Speaker 1: the dope thing, you know. Can you can you play

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Speaker 1: some theme music right fast? This is what I'm excited about, Yes, Louder,

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Speaker 1: Today Chris Rock will be joining us. Why are you

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Speaker 1: acting like you wanted with Chris Rock? And I haven't

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Speaker 1: seen him since the ball explained we got a lot

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Speaker 1: of new listeners. I was minding my business coaching my

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Speaker 1: daughter's team. I was playing versus daughter's team, and if

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Speaker 1: you sit down, I'm getting tired now. I'm really acting

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Speaker 1: the South. So my daughter went up to Chris Rocket

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Speaker 1: ass for an autograph. He said, stop the music, no,

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Speaker 1: because your coach is an ass, and I bet ye done.

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Speaker 1: When I see him today, the music back up like

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Speaker 1: a butterfly. I'm a float like a butterfly too. I

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Speaker 1: can agree with that, singing like a pete. We'll see

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Speaker 1: what happened. When I see Chris Rock the swating by

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Speaker 1: the way, by the way, you better have that same energy.

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Speaker 1: When Chris Rock comes in here and sits down in

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Speaker 1: this chair, you better have that same page energy. I

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Speaker 1: want to see you standing up. I want to see

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Speaker 1: you shadow boxing. I want to see you with that

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Speaker 1: same energy when Chris Rock comes in. Interestingly enough, Chris

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Speaker 1: Rock was here before, and you actually last and went

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Speaker 1: on the way to Africa. You got to go to

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Speaker 1: Africa to get away from Chris Rod was about the

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Speaker 1: money I shook. I had to go to South my first,

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Speaker 1: all of a sudden, random to see my roots. But

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Speaker 1: I wanted to day before. You don't even getting no shot.

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Speaker 1: I had to go to Africa. Wanted to see my roots. Yeah,

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Speaker 1: I want to see what Nelson Mandela was from, all right,

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Speaker 1: and I had to work play my music. But when

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Speaker 1: I see him today, I guarantee you that big boy

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Speaker 1: don't have done that same man. I have that same man.

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Speaker 1: Right when Chris Rock coming to here today at seven

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Speaker 1: h four, he better be ready and you will not

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Speaker 1: have that same and yeah, right, okay, I'll be a

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Speaker 1: little more tired because I'm going to that stupidness, but

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Speaker 1: dropping of clues bombs for Chris Rock. Damn it Chris Rock.

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Speaker 1: WI example, what else happened last night? I was watching

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Speaker 1: Joe Budden on every Day Struggles. Who the Joe Budden

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Speaker 1: and Academics has a show on Complex. You boba be

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Speaker 1: listening right now. He leaves about right now to get

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Speaker 1: to work, Joe. But Joe Budden, yeah, he leaves leaves

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Speaker 1: a six yeah, yeah, yeah. Joe Budden is the hip

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Speaker 1: hop grinch man. No Buddon don't want nobody to be happy? Man.

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Speaker 1: I listened. I listened to Joe Budden's podcast. I listened.

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Speaker 1: I watched every Day Struggle. I didn't see the little

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Speaker 1: yea and if you tell this morning Joe Budden is

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Speaker 1: the hip hop crinch. He don't want nobody to be happy.

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Speaker 1: Watch the whole thing this morning, or just watch the

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Speaker 1: whole thing. I just saw the clip with Joe Budden

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Speaker 1: refused to let little think he's happy. Listen. The law

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Speaker 1: of energy is that energy had never lost and destroy,

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Speaker 1: just merely transferred from one party to the next. If

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Speaker 1: you are miserable and depressed, which I don't think Joe

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Speaker 1: Budden is, but he goes in and out of it.

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Speaker 1: When you're miserable and depressed, you think everybody else is

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Speaker 1: feeling the way you're feeling. No, some people are really happy. Bro,

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Speaker 1: He's in a happy place right now. Guy, Little Yaddi's

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Speaker 1: nineteen years old and a millionaire. He has no reason

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Speaker 1: to be unhappy. He's in Target commercials, were hanging out

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Speaker 1: with Lebron and then the funny thing when when Yadi

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Speaker 1: told we gotta play a clip of that, when Little

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Speaker 1: Yadi told him that, Joe Budden goes no, because that's

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Speaker 1: not where your values lie. He's nineteen, Joe, That's exactly

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Speaker 1: where his values lie. Okay, stop it, Come on, Joe,

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Speaker 1: you're almost forty. Were grown all grown. Well, Joe's realize

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Speaker 1: what makes him happy. Now Joe's happy. Listen. Early in

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Speaker 1: Joe's career, Joe wasn't as happy, but now he's out

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Speaker 1: people talking about Little YadA. You know what I say,

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Speaker 1: A little man's doing this thing. I'm not into it,

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Speaker 1: but I'm not nineteen. I'm grown. I'm way closer to

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Speaker 1: forty than twenty. Tell you his music is now for

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Speaker 1: I know it's not for me. Man. I don't even

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Speaker 1: know why we keep trying to force these these square

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Speaker 1: pegs in the round holes like little Yaddi is not

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Speaker 1: for our age demo. We're not supposed to be into it. Sorry,

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Speaker 1: you're not gonna be in every young rapper. You don't

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Speaker 1: even have to try to be. Stop attempting to be,

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Speaker 1: and stop discrediting them just because you're not into it. Well,

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Speaker 1: front page knows what we're talking about. Easy. Oh, we

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Speaker 1: are talking about Jordan Edwards and the police officer involved

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Speaker 1: in the fatal shooting of Jordan Edwards. This was fu

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Speaker 1: Man so after another one yeah mess Monday of yesterday. Anyway,

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Speaker 1: it's the Breakfast Club coming in front page News is

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Speaker 1: next to Drake Morning. Everybody is dj en ve Angela Ye, Charlomagne,

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Speaker 1: the guy we are. The Breakfast Club is getting some

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Speaker 1: front page news. Now, this is crazy. The Boston Celtics

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Speaker 1: beat the Wizards one twenty nine, one nineteen in overtime.

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Speaker 1: I was watching that whole game, and I thought they

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Speaker 1: were gonna lose. The Wizards were looking good, although Isaiah

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Speaker 1: Thomas was looking good, but the Wizards were looking good.

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Speaker 1: They were down by like twenty three to thirteen. At

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Speaker 1: one point, I was like, they're gonna lose this one,

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Speaker 1: but no, Isaiah Thomas dropped fifty three and they won

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Speaker 1: in overtime. And it was his sister's birthday. Oh man,

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Speaker 1: so you know he was inspired and he was definitely inspired.

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Speaker 1: And one drop the clues bomb five Dad Thomas is

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Speaker 1: safety say yeah, Dah Thomas is an NBA superstar. Absolutely,

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Speaker 1: you know how tall is he gotta be like five

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Speaker 1: sixty my hut. I actually played out again Thomas. The

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Speaker 1: Bleacher Report does the cartoon Nike and Bleacher Report, and

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Speaker 1: I'm actually the voice of Isaiah Thomas on that. And

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Speaker 1: the Golden State Warriors beat the Utah Jazz one O

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Speaker 1: six ninety four entries there And what happened with this

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Speaker 1: fifteen year old explaining to the people what happened because

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Speaker 1: I was a little confused, Well, this was in Texas.

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Speaker 1: A police officer fired into a car and that's when

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Speaker 1: fifteen year old Jordan Edwards was killed. Now the police

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Speaker 1: officer Roy Oliver, and he was fired because they did

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Speaker 1: determine that he violated several department policies. He told some lies.

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Speaker 1: He said that the car that Jordan Edwards was riding

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Speaker 1: and was moving aggressively toward the police, which led him

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Speaker 1: to fire his rifle toward the car, but body camera

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Speaker 1: footage soil the car was driving forward away from the officers,

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Speaker 1: not reversing toward them. The police officers has showed up

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Speaker 1: to break up a party where they was supposedly underage drinking,

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Speaker 1: and he said that there was a party. When the

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Speaker 1: cops got there, they heard gunshots. That's what the kids

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Speaker 1: allegedly jumped in the car to get out of the

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Speaker 1: town before. They didn't want to know. They didn't want

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Speaker 1: to get shot. They weren't drinking, they weren't no problems.

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Speaker 1: They just heard gunshots. Who were allegedly hurt in the area. Right,

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Speaker 1: we don't even know if that's true. As these kids

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Speaker 1: were driving away, the cops says that they were backing

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Speaker 1: down the street and he lets off his rifle and

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Speaker 1: kills his fifteen year old boy. All brothers in the car.

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Speaker 1: These brothers see he said the car was driving aggressively

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Speaker 1: toward the police, but body camera footage show they weren't.

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Speaker 1: They were actually driving away from the police. Man, so

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Speaker 1: they fired his bombask, yeah, they fired his bumbass. But

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Speaker 1: it was even worse. Is the driver, you know, driver

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Speaker 1: just seen his brother die. They locked up, held the

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Speaker 1: driver overnight, didn't charge him, didn't mind up charging him

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Speaker 1: with anything, but just left him in the cell. Can

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Speaker 1: you imagine your brother getting killed and they basically locking

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Speaker 1: you up, holding you and you didn't do anything, You

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Speaker 1: did nothing. He's sitting there in your mind like, what

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Speaker 1: the hell do we do? The desert and your brother's dead.

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Speaker 1: That is so disturbing. And now they haven't released any

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Speaker 1: further details because what they are saying is the officer

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Speaker 1: still has a right to appeal. He has ten days

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Speaker 1: to appeal his termination. So that's why they having to

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Speaker 1: release further details. Yeah, he can appeal his termination, but

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Speaker 1: this young man, Jordan, can't appeal his death, not at all.

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Speaker 1: There's no coming back for him, you know. I mean,

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Speaker 1: whatever decision you know what was made by that police officer,

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Speaker 1: now Jordan Edwood is dead because of it. Now, a

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Speaker 1: decision that was made to fire the police officer, he

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Speaker 1: can appeal. I don't know, now, don't I don't really

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Speaker 1: see this a lot. I've never seen the officer walk

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Speaker 1: up to my call with his rifle, but usually they

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Speaker 1: have their handgun. The only time you see a rifle

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Speaker 1: is usually when they have to do some really diligent work.

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Speaker 1: When they got to kick down the door, they gotta

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Speaker 1: go extra hars. I don't even know why he had

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Speaker 1: his rightful out ready to shoot. That's just strange to me.

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Speaker 1: All right, well, LA's front page news. Tell them why

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Speaker 1: you're mad eight hundred five eight five one oh five one.

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Speaker 1: If you're upset, you need to vent call us right now,

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Speaker 1: or tell them why you're blessed. If you feel blessed,

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Speaker 1: you want to spread some positivity. We need some positivity

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Speaker 1: this morning. Eight hundred five eight five one oh five one.

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Speaker 1: Maybe it's your birthday, maybe you celebrating the birth of

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Speaker 1: a baby, whatever it may be. If you're mad, you

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Speaker 1: can call us. If you're blessed, call us as well.

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Speaker 1: It's the breakfast Club. Good morning, the breakfast Club. This

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Speaker 1: is your time to get it off your chests, whether

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Speaker 1: you're mad or blessed. So Peo better have the same industry.

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Speaker 1: We want to hear from you on the breakfast club. Hello,

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Speaker 1: who's this? You know what's uping your boy? Jose? Jose, Jose,

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Speaker 1: Tell them why you're mad, bro Yo, I'm definitely mad

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Speaker 1: about the front page news. Is that fifteen year old man,

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Speaker 1: young man should not have been shot and killed. I'm

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Speaker 1: so tired of hearing this same story happening on the

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Speaker 1: media every day. It seems like it's every day, right.

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Speaker 1: The sad part about these situations is it's like we

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Speaker 1: have the same exact talking points. Talking about Jordan's sounds

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Speaker 1: just like talking about Tray Vaughn, h Tamia or Right

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Speaker 1: or whoever, like all of these young brothers. Like it's

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Speaker 1: the same exact story over and over. But what makes it,

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Speaker 1: what makes it even worse, is it's become it's coming

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Speaker 1: from with this particular story, He's coming from law enforcement.

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Speaker 1: And here it is you have law enforcement officials who

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Speaker 1: pretty much lie um to justify what they did when

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Speaker 1: they came out on the body camera that they were

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Speaker 1: driving away from it. It just it just hauns my

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Speaker 1: gears so bad just to keep hearing this. But I'm

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Speaker 1: just glad they didn't. I'm glad they didn't try to

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Speaker 1: destroy the camera and destroy the footage and say that

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Speaker 1: didn't happen. But that cop, he should be in jail

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Speaker 1: for murder. I'm gonna say, man and slaughter, but not me.

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Speaker 1: He definitely be in jail from I'm gonna tell you

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Speaker 1: something else. As soon as somebody says grind my gears,

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Speaker 1: it just makes the whole conversation. You can't say, like,

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Speaker 1: we're upset about something. I say, grind my gears. Bro,

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Speaker 1: I don't care what we're discussing. As soon as you

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Speaker 1: say that, it makes the whole conversation. Elling, boy, it

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Speaker 1: just grinds my gears that when someone says grinds my gears. Hello,

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Speaker 1: good morning, good morning. Why are you mad this morning? Okay? Um,

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Speaker 1: I just listened to the contents news, So that's a

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Speaker 1: little bit of why I'm mad, and I get upstart

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Speaker 1: when people say, well, why are you still talking about

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Speaker 1: black lives matter? I'm like, because there's continuous act that

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Speaker 1: caused us to like our lives don't matter. So I'm

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Speaker 1: upset about that. But I'm happy because I'm blessed to

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Speaker 1: have a mom that has been here. UM pulls large

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Speaker 1: relation Indian mother that has never left me. Like I

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Speaker 1: graduate if he got me a cruise? What'school you graduating from? Um?

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Speaker 1: I go to college in Delaware and I'm graduated with

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Speaker 1: my human services degree. I've actually talked to you out before. Okay,

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Speaker 1: I'm gonna be in Delaware this weekend. Well, congratulations, enjoy

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Speaker 1: your enjoy your crews. Are you gonna be idea through Um,

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Speaker 1: I don't know. I don't know which I'm gonna be.

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Speaker 1: Put it on my Instagram a little bit. Okay, well,

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Speaker 1: I love your uncle star lot, but doing an audio

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Speaker 1: book for all of your blind listeners out there, Yes, yeah,

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Speaker 1: the audiobook is out. Black privilege opportunity comes to those

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Speaker 1: who created. I narrated it myself too. By the way,

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Speaker 1: tell them why you're mad. I tell them why you're blasted.

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Speaker 1: Eight hundred five eight five one oh five one call

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Speaker 1: us right now. It's the breakfast club the morning, the

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Speaker 1: breakfast club. This is your time to get it off

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Speaker 1: your chest. Whether you're mad than from you on the

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Speaker 1: breakfast club. You got something on your mind? Hello, Hello, Hey,

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Speaker 1: you blessed it? You mad this morning and I'm mad

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Speaker 1: this morning. Let gonna tell you why. Bro. Just the

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Speaker 1: other day, right were I gotta beat for four in

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Speaker 1: the morning, dried chuck stuff, So I gotta be up

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Speaker 1: at four in the morning. So I've been having issues

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Speaker 1: with my neigh But I told this guy, yo, keep

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Speaker 1: it down. You know what I'm saying, Because you're up

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Speaker 1: the naughtie there. It's like dumb. Late at night, my

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Speaker 1: daughter gets sweet. You know, my dogs are balking and

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Speaker 1: making all this crazy noise. I let him know, right,

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Speaker 1: like man. So then one night he's doing some crazy

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Speaker 1: noise up stare. I go knocking on the door and

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Speaker 1: he gets real rowdy. He's like, yo's whatever o this?

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Speaker 1: And does I'm just stitting my problem in my family.

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Speaker 1: So I'm guessing he's sitting there beating on his girl,

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Speaker 1: tossing it all over the house. I'm like, yo, listen,

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Speaker 1: listen to this right. So I'm like, yo, I don't

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Speaker 1: care what you're doing because it's not my problem. But

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Speaker 1: I'm gonna see you outside. You know what I'm saying.

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Speaker 1: And then my girl's like, yo, just forget that. I'm

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Speaker 1: gonna call the cops. I'm like, y'all'll gonna see you

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Speaker 1: all side. Just leave it at that. So he gets

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Speaker 1: real rowdy. He comes running out the house. Man, I

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Speaker 1: had to put my hands on this guy. What was

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Speaker 1: he doing? My goodness, Yo, he was tossing this girl

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Speaker 1: over the place. Man, so bad? Did you sing? Knees

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Speaker 1: right behind him? Like pretty much playing for us to

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Speaker 1: call the cops on this guy, So my girl, they're

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Speaker 1: calling the cops and stuff like that. You still won't

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Speaker 1: tell though, who wanted to fight with one? You and him?

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Speaker 1: See what happened when the cops got o come on, man,

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Speaker 1: that goes what I was saying. This guy didn't lea

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Speaker 1: here on me. I broke his nose and offices. I

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Speaker 1: don't believe. So did he get it? Did he end

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Speaker 1: up getting arested? Don't pay attention to did you get

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Speaker 1: arrested off? Of course? Of course, yeah, he reready had

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Speaker 1: the much to charges like that. He's a soft guy,

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Speaker 1: that guy soft. Why you record? Why are you he recorded?

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Speaker 1: If you beat them up? He got made for World

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Speaker 1: Stars show. It's twelve thirty at night, man, I ain't

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Speaker 1: thinking about recording anything out there. You did the right thing.

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Speaker 1: Don't even don't answer these silly don't answer these silly questions.

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Speaker 1: You did listened though the cops. When the cops got there,

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Speaker 1: they're like, yo, this guy tried to attack you. I'm like, yeah,

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Speaker 1: he's trying to come at me. The cop was like,

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Speaker 1: I don't even want to get punching the Citi body.

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Speaker 1: So I ready know that ever come back after me,

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Speaker 1: I'm not have to just play by the rules because

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Speaker 1: the guys might chasing me or anything. You know what

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Speaker 1: I mean? Well, you better have that same energy when

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Speaker 1: dude get out of jail and he won't round two. Oka, listen,

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Speaker 1: I'll have that same energy with you. I'll listen. First

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Speaker 1: of all, I believe why y'all act like a white

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Speaker 1: man in the suit and not gonna shoot you when

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Speaker 1: you run up on me. You want to make your things,

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Speaker 1: I want to shoot you, dog. Come on, what are

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Speaker 1: you to me? Listen? Sad, why are you even getting

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Speaker 1: drawn into this? You did the right thing. We appreciate you.

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Speaker 1: I could play, I could play. Hey, Hey, that's no

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Speaker 1: way to talk to a New York Times best selling author. Okay, right,

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Speaker 1: let's be clear. I have a New York Times best

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Speaker 1: selling author. I will not be fighting anyone, right, all right.

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Speaker 1: In fact, I'll be on Steve Harvey today with a

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Speaker 1: nice little sweater on. Okay, Cardigan, Cardigan, all right, I'll

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Speaker 1: be on Steve Harvey Show today. Check your local listings

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Speaker 1: promoting black privilege. Opportunity comes to those who created Thank you,

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Speaker 1: God blessed. Now you've got rumors all the way. Yes,

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Speaker 1: it's looking like the beef is over between Meek Mill

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Speaker 1: and Drake. Rick Ross talks about what happened. All right,

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Speaker 1: we'll get into all that when we come back. Keep

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Speaker 1: it locked and Chris Rock will be joining us next hour.

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Speaker 1: It's the Breakfast Club of the morning, The Breakfast Club.

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Speaker 1: It's about some rumor report Angela Yee on the Breakfast Club. Well, recently,

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Speaker 1: Rick Ross did an interview with our guy Horvain on

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Speaker 1: Best Seat in the House, and he talked about how

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Speaker 1: he actually squashed the beef that was going on between

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Speaker 1: Drake and Meek Mill. Here's what he said, when Meek

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Speaker 1: and Drake did begin to have, you know, slight differences,

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Speaker 1: I'm pretty sure if it was if Drake was with

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Speaker 1: anybody else camp other than Cash Money, I may have

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Speaker 1: been more vocal about it. But I've seen it was

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Speaker 1: the two little homies. I've seen what it was. Yeah,

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Speaker 1: we actually sat down, shout out to Jay Prince. We

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Speaker 1: wasn't even discussing anything negative because by the time we

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Speaker 1: get in the room, there's so much other things going

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Speaker 1: on that it's already let's get on some money. So

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Speaker 1: they really all sat down, Drake and Meek Mel. No,

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Speaker 1: they didn't say they all sat down. They's say Ross

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Speaker 1: and Prince sat down. Ross and Drake sat down before too.

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Speaker 1: I doubt Meek and drink and satting down. But what

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Speaker 1: do I know? Yeah, we don't know what goes on

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Speaker 1: behind the scene. To be honest with you, if Meek

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Speaker 1: and Drake squashed their beef, it's not gonna make the

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Speaker 1: hip hop coature move forward in anyway shape before. I

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Speaker 1: kind of feel like everybody moved past it already. Nobody

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Speaker 1: cares like so they might as well. But both of

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Speaker 1: them are finding their respective lanes. Yes, Like Rick Russ said,

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Speaker 1: it's about getting to the money right. All right. They're

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Speaker 1: doing a biopic on the DeBarge family story. It's called

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Speaker 1: All This Love. By the way, I love the Barge.

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Speaker 1: If you don't go out there in audition, now is

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Speaker 1: the time you could be cheek to fire your portfolio.

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Speaker 1: Don't just stick the radio and DJ and and the podcast.

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Speaker 1: Now is the time, bro, this is your time to shine.

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Speaker 1: You could be Bunny de Barge. I'll go with Cheeko.

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Speaker 1: You could be wanting them to Barge. I don't know

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Speaker 1: which one. By the way, I happened to be listening

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Speaker 1: to DeBarge yesterday at my house. We were all listening

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Speaker 1: to old music and DeBarge has incredible Greatest Hits album

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Speaker 1: if you ever had some time to check it out.

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Speaker 1: Y'all have tea? What was y'all drinking wine? No, it's

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Speaker 1: a whole bunch of people over my house and we

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Speaker 1: just listening to old music and talk about the songs

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Speaker 1: that's popping, all right, So I'll be excited for that,

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Speaker 1: So relax. He is waiting for that thing. I like it,

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Speaker 1: blacks my guy, I don't remember. I like it all right.

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Speaker 1: Amma Rose has announced the date for the Slut Walk,

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Speaker 1: the third annual Slut Walk, and that is going to

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Speaker 1: be happening. The Chance to Shine baby walk when it

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Speaker 1: should go to show some support, took me and here

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Speaker 1: no female support female. She supports the female empowerment. See

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Speaker 1: you try to take it somewhere else, she supports. Nash

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Speaker 1: also posted most people think the definition of a slut

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Speaker 1: is a promiscuous woman who has sex with any and everyone.

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Speaker 1: But that's not the definition at all. It's a derogatory

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Speaker 1: term that insecure men and women use against other women

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Speaker 1: when they're uncomfortable with their beauty, sexuality, or confidence. Why

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Speaker 1: I used to let those words hurt me, but not

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Speaker 1: but not. I embrace all of the now. I embrace

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Speaker 1: all the derogatory labels with open arms. I helped so

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Speaker 1: many women around the world do the same. And she

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Speaker 1: used the hashtag stop a bullying hashtag, stop slut shaming.

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Speaker 1: You know you could have a queen walk too, though, right, well,

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Speaker 1: the slut walk was not invented by Amber Rose. As

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Speaker 1: we've discussed many times, it's being and many different countries

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Speaker 1: say the word is derogatory. Say you owning it? Like it?

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Speaker 1: Just you don't. Don't You don't have to take ownership

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Speaker 1: with something else. Well, part of it is taken away

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Speaker 1: the power of using that word. So a lot of

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Speaker 1: people have done that in the past, just like with

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Speaker 1: other words that we're used to degrade people, and you

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Speaker 1: just use it in a way that it's not. She's

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Speaker 1: not degraded by it anymore. I'll let you call me

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Speaker 1: that because I empower that work. You have a million

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Speaker 1: man page march if not shut the hell up. But

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Speaker 1: my thing is, if you're Amber Road, you can't put

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Speaker 1: out there to the state, we can't put a statement

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Speaker 1: o there about the word slut being bad. But then

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Speaker 1: say you're taking the power of it, which is it? No,

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Speaker 1: it's just saying that it used to be derogatory. So

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Speaker 1: it's mannashe's embracing it and saying, we don't have to

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Speaker 1: allow this word to affect us the way you say

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Speaker 1: good morning to all the sluts and nobody will get upset.

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Speaker 1: He'll get pretty mad. But you should also you should

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Speaker 1: also then go to the slut walk why to show

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Speaker 1: your support, all right, support the sluts? All right, all right, yeah,

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Speaker 1: there you go. All right. Now, Travis Scott is being

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Speaker 1: sued by Lear Cohen. Now that I guess Lear Cohen

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Speaker 1: was managing Travis Scott management company, go back like a slut.

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Speaker 1: But according to Lear Cohen, they haven't gotten the money

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Speaker 1: they're supposed to get about two million dollars. They have

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Speaker 1: a three year contract that Travis Scott signed back in

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Speaker 1: October twenty fourteen, and Travis Scott has not has only

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Speaker 1: given him thirty seven thousand dollars so far. Now, on

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Speaker 1: Travis Scott's end, he's saying they didn't do anything for him.

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Speaker 1: They said that they signed a deal in good thinking

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Speaker 1: that if he held up his end of the contract,

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Speaker 1: then so with Leork Cohen's management company, However, that wasn't

421
00:21:05,240 --> 00:21:07,200
Speaker 1: the case. He felt he had to manage his own career,

422
00:21:07,240 --> 00:21:10,040
Speaker 1: as Lee Yark Cohen wasn't lifting a finger for him,

423
00:21:10,320 --> 00:21:12,360
Speaker 1: so he left for a better management company and owes

424
00:21:12,440 --> 00:21:15,600
Speaker 1: them nothing. So I don't know if you signed a contract,

425
00:21:15,640 --> 00:21:17,720
Speaker 1: though you owe the money. Yeah, I don't know how

426
00:21:17,760 --> 00:21:19,760
Speaker 1: you get out of that one unless there's a breach

427
00:21:19,800 --> 00:21:21,679
Speaker 1: of contract which you would have had to address. All right,

428
00:21:21,840 --> 00:21:24,600
Speaker 1: I'm Angela Yee and that's your rumor reports. All right, morning,

429
00:21:24,640 --> 00:21:28,240
Speaker 1: everybody is DJ Envy Angela Yee, Charlomagne the guy. We

430
00:21:28,320 --> 00:21:31,240
Speaker 1: all the breakfast club. We got a special guest in

431
00:21:31,320 --> 00:21:34,840
Speaker 1: the building. Love when legends stop by, Chris Rocks, thank you,

432
00:21:35,920 --> 00:21:38,200
Speaker 1: thank you, and I missed the rock. Should I be

433
00:21:38,280 --> 00:21:40,840
Speaker 1: interviewing you? So you're you're you're the hot one right now?

434
00:21:40,920 --> 00:21:43,640
Speaker 1: I'm doing okay, now you're doing real God as God

435
00:21:43,760 --> 00:21:46,920
Speaker 1: is good. God is good. Yeah, good, publishing is good.

436
00:21:49,840 --> 00:21:53,159
Speaker 1: Words are good sentences. Paragraph The book is out in

437
00:21:53,160 --> 00:21:57,560
Speaker 1: New York Times Bestseller But yeah, stuff like hey, we'll

438
00:21:57,560 --> 00:22:00,520
Speaker 1: all keep a track of stuff like that. Christ the

439
00:22:00,600 --> 00:22:03,080
Speaker 1: Total Total Blackout tour right now, which is a huge

440
00:22:03,160 --> 00:22:05,560
Speaker 1: day before we get to that now, Envy wasn't here last,

441
00:22:06,240 --> 00:22:09,040
Speaker 1: and he was not here last. I'm actually shocked that

442
00:22:09,080 --> 00:22:12,320
Speaker 1: he stuck around the day he went to Africa. I

443
00:22:12,440 --> 00:22:15,240
Speaker 1: had a slight rich people problem with each other. Envy.

444
00:22:15,840 --> 00:22:20,080
Speaker 1: Our kids played basketball, they played against each other. Henvy

445
00:22:20,200 --> 00:22:23,240
Speaker 1: was the coach of his daughter's basketball team, so I

446
00:22:23,640 --> 00:22:25,920
Speaker 1: commend him for that. Right. So he had one of

447
00:22:26,000 --> 00:22:30,760
Speaker 1: these these Elijahon shot kids that was you know, like

448
00:22:30,920 --> 00:22:34,159
Speaker 1: this kid had like sixty points that they're killing us.

449
00:22:34,840 --> 00:22:38,399
Speaker 1: They're killing us, and it's like three minutes left in

450
00:22:38,440 --> 00:22:44,000
Speaker 1: the game. And normally compassionate individuals take the good kid out. Yea, yeah, no,

451
00:22:44,160 --> 00:22:46,080
Speaker 1: he keeps the good kid in for no reason for

452
00:22:47,440 --> 00:22:51,000
Speaker 1: and that's not nice. So we played him the day before, right,

453
00:22:51,359 --> 00:22:55,480
Speaker 1: and the kids went up to Chris Rocking as no, no, no, no, no, no,

454
00:22:55,760 --> 00:22:59,680
Speaker 1: this was the day. Oh yeah you that was no day.

455
00:23:00,000 --> 00:23:03,640
Speaker 1: But after the game, you didn't the day before. After

456
00:23:03,760 --> 00:23:06,520
Speaker 1: the game, no, I did not give anybody no autographs.

457
00:23:06,520 --> 00:23:08,320
Speaker 1: I'll turn it the fact. I'll turn it a fact.

458
00:23:08,400 --> 00:23:10,280
Speaker 1: I was like, we're going to get them the next one. No, no,

459
00:23:10,800 --> 00:23:12,400
Speaker 1: you know, we blew them out. But that has nothing

460
00:23:12,440 --> 00:23:14,400
Speaker 1: to do with the young ladies on the team. That's

461
00:23:14,440 --> 00:23:19,040
Speaker 1: poor sportsmanship. Oh no, it was you wrong. It was

462
00:23:19,119 --> 00:23:23,120
Speaker 1: like literally they beat us, Like yeah, now, Christ, back

463
00:23:23,160 --> 00:23:24,960
Speaker 1: on your behalf. You could have gave the little girls

464
00:23:25,000 --> 00:23:28,040
Speaker 1: an autograph, you know what. They deserved to feel bad

465
00:23:28,160 --> 00:23:38,280
Speaker 1: that day about something. It's a life lesson the sense

466
00:23:38,359 --> 00:23:41,040
Speaker 1: of the father. I'm passed down to the sons of

467
00:23:41,080 --> 00:23:47,879
Speaker 1: the drug plan. No, he's either play no reason you

468
00:23:48,000 --> 00:23:50,440
Speaker 1: give me give me a penny for no dam it

469
00:23:50,560 --> 00:23:54,320
Speaker 1: was learning lesson. It was funny he getting pulled over

470
00:23:54,400 --> 00:23:57,800
Speaker 1: in that neighborhood that much anymore, not lately. That's to

471
00:23:57,880 --> 00:24:02,359
Speaker 1: stop taking pictures. I could. I ran out of film.

472
00:24:02,440 --> 00:24:04,600
Speaker 1: They don't even have a film anymore. But I ran

473
00:24:04,720 --> 00:24:06,520
Speaker 1: out of film. But they're hiring a new cop where

474
00:24:06,560 --> 00:24:08,640
Speaker 1: they don't know who you are yet. I don't know man.

475
00:24:08,720 --> 00:24:11,280
Speaker 1: And it's not like I changed cause anything. They just

476
00:24:11,480 --> 00:24:13,880
Speaker 1: they just like getting me. I mean one cop pulled

477
00:24:13,920 --> 00:24:16,360
Speaker 1: me over one time. He goes, do you live around here?

478
00:24:16,400 --> 00:24:19,560
Speaker 1: And I'm like, do you live around him? Because I

479
00:24:19,680 --> 00:24:23,320
Speaker 1: don't know no cop. Yeah, I get pulled over over

480
00:24:23,359 --> 00:24:25,080
Speaker 1: there all the time, getting the hair cut, like all

481
00:24:25,119 --> 00:24:28,480
Speaker 1: the time. They find the weirdest reasons. Know, if there's

482
00:24:28,480 --> 00:24:32,520
Speaker 1: an air freshman hanging from your mirror. As you said,

483
00:24:32,520 --> 00:24:34,640
Speaker 1: you call the cops some people all the time, Well,

484
00:24:34,680 --> 00:24:36,960
Speaker 1: I do they go to sell coke. Charlomie had an

485
00:24:36,960 --> 00:24:38,639
Speaker 1: incident with it was a white guy in the neighborhood

486
00:24:38,880 --> 00:24:42,359
Speaker 1: that asked him if he sold coke? Really, what the

487
00:24:42,440 --> 00:24:45,479
Speaker 1: hell you live in a nice neighborhood if guys look

488
00:24:45,560 --> 00:24:48,080
Speaker 1: like what do the island? Yeah? Really? But equal, I

489
00:24:48,160 --> 00:24:49,280
Speaker 1: was like, what is that? I didn't know what that.

490
00:24:49,440 --> 00:24:51,560
Speaker 1: I didn't know what it was. I told me cocaine

491
00:24:51,760 --> 00:24:54,400
Speaker 1: to set up trying to get you. Yeah, you wrote

492
00:24:54,440 --> 00:24:57,720
Speaker 1: a good book. That's why this is when they get you.

493
00:24:59,280 --> 00:25:02,119
Speaker 1: You've been in for traded one of these one of

494
00:25:02,160 --> 00:25:07,920
Speaker 1: these people right here, fdi, I bet I know who

495
00:25:07,920 --> 00:25:15,200
Speaker 1: it is. You've been portrayed. They flipped them. You're gonna

496
00:25:15,200 --> 00:25:18,720
Speaker 1: give them notes tonight about you because you're working on

497
00:25:18,760 --> 00:25:22,080
Speaker 1: another book. Is gonna be blanking the title the time too.

498
00:25:22,680 --> 00:25:24,560
Speaker 1: Now it's been nine years since you last to a

499
00:25:24,680 --> 00:25:28,320
Speaker 1: lot of material, like a crazy amount of material. Sometimes

500
00:25:28,320 --> 00:25:30,840
Speaker 1: when things happen, do you say this is unfortunate, but

501
00:25:30,880 --> 00:25:33,440
Speaker 1: this would be great for my stand up? Yes, sometimes

502
00:25:33,520 --> 00:25:35,960
Speaker 1: it happens. I mean, you know you don't want the

503
00:25:36,040 --> 00:25:38,720
Speaker 1: world to explode. I don't want Donald Trump to be

504
00:25:38,800 --> 00:25:41,800
Speaker 1: president just to help out my act. You know, but

505
00:25:41,960 --> 00:25:44,760
Speaker 1: stuff happens. Lots of lots of crazy stuff happened. I

506
00:25:44,800 --> 00:25:47,119
Speaker 1: got the boss, you know, a lot of a lot

507
00:25:47,200 --> 00:25:49,440
Speaker 1: of you know, nonsense. How do you know when it's

508
00:25:49,440 --> 00:25:51,800
Speaker 1: time to go back out? Like I needed some money? Man?

509
00:25:52,040 --> 00:25:56,520
Speaker 1: I don't know. Uh, you know what you just want

510
00:25:56,560 --> 00:25:59,040
Speaker 1: to I don't know. When people talk to you like

511
00:25:59,119 --> 00:26:01,520
Speaker 1: you ain't funny, that's what it's time to come back out.

512
00:26:02,160 --> 00:26:04,840
Speaker 1: I'd give you that look. You're like, good, let me

513
00:26:04,960 --> 00:26:06,840
Speaker 1: let me get out here. Is there anything off limit

514
00:26:06,920 --> 00:26:09,760
Speaker 1: that you will not touch? There's nothing off limits so

515
00:26:09,760 --> 00:26:12,040
Speaker 1: that I will not touch. There's no I mean, if

516
00:26:12,080 --> 00:26:14,480
Speaker 1: it's funny, let's let's do it. Let's do it. You know.

517
00:26:15,560 --> 00:26:18,320
Speaker 1: I was just getting a lot of encouragement Chapelle and

518
00:26:18,880 --> 00:26:21,320
Speaker 1: keV Hart and Everybody's like, come on, man, come on, man,

519
00:26:21,440 --> 00:26:23,119
Speaker 1: come on. You know, So what do you mean when

520
00:26:23,160 --> 00:26:24,920
Speaker 1: you say people talk to you like you're not funny? Though?

521
00:26:25,040 --> 00:26:26,879
Speaker 1: But it's why you got this book right now, right

522
00:26:27,320 --> 00:26:29,760
Speaker 1: and it's good. You know, I kind of just started it.

523
00:26:30,560 --> 00:26:35,080
Speaker 1: Don't you see the difference of people the respect you're getting. Absolutely,

524
00:26:35,320 --> 00:26:40,879
Speaker 1: it's weird. Weird, yeah, yeah, yeah, put some spect on

525
00:26:41,040 --> 00:26:44,080
Speaker 1: my head. All of a sudden, it's like it's like

526
00:26:44,200 --> 00:26:49,000
Speaker 1: Charlottagne smart and I'm like, yes, so what was I before? Right?

527
00:26:49,040 --> 00:26:50,840
Speaker 1: And now you're like, wait a minute. They were lying

528
00:26:50,960 --> 00:26:55,359
Speaker 1: the whole time. Yeah, that interest because you do tweet

529
00:26:55,359 --> 00:26:56,520
Speaker 1: out at We're not a lot. But I see you

530
00:26:56,600 --> 00:26:59,359
Speaker 1: putting I hope they laugh. And I was thinking that sarcasm.

531
00:26:59,400 --> 00:27:01,200
Speaker 1: But now I'm thinking, is there's something really too that

532
00:27:01,359 --> 00:27:04,360
Speaker 1: like hope they laugh for real? Because sometimes people could

533
00:27:04,440 --> 00:27:07,720
Speaker 1: fake it. You know. Sometimes sometimes you have a comedy

534
00:27:07,760 --> 00:27:10,000
Speaker 1: show and ain't even a comedy show. It's like a

535
00:27:10,119 --> 00:27:14,040
Speaker 1: pep rally. Yeah you know what you think you had

536
00:27:14,080 --> 00:27:20,040
Speaker 1: a comedy show? Oh yeah, man recently No, no, not recently,

537
00:27:20,280 --> 00:27:22,920
Speaker 1: but I mean on the come up, of course. Man.

538
00:27:23,000 --> 00:27:26,520
Speaker 1: I'm please. Guys. I had to work with Martin Lawrence

539
00:27:26,640 --> 00:27:30,000
Speaker 1: and Robin Harris and said, you know what I mean,

540
00:27:30,080 --> 00:27:33,240
Speaker 1: like you try to follow said to entertainer in Oakland.

541
00:27:33,960 --> 00:27:35,840
Speaker 1: You know, he got an Arn't suit on and everybody

542
00:27:35,880 --> 00:27:39,040
Speaker 1: else got on purple suits, and you coming out and

543
00:27:39,080 --> 00:27:41,879
Speaker 1: all your New York black get out of here. I

544
00:27:41,880 --> 00:27:45,720
Speaker 1: don't want no big hat. Yeah, I don't think people

545
00:27:45,720 --> 00:27:50,800
Speaker 1: would fake laugh nowadays thought that's just but but recently

546
00:27:51,240 --> 00:27:54,480
Speaker 1: the dab will test you. Yeah. Tabile definitely like he

547
00:27:54,600 --> 00:27:56,560
Speaker 1: wasn't telling jokes though. Isn't that what happened? He just

548
00:27:56,680 --> 00:28:03,160
Speaker 1: came out there. Oh yeah, he was really night eight

549
00:28:03,240 --> 00:28:05,320
Speaker 1: minutes to light a cigarette, you know. You know, Davin

550
00:28:05,400 --> 00:28:07,760
Speaker 1: gets into that people were offended by his I thought

551
00:28:07,760 --> 00:28:10,480
Speaker 1: it now, I was laughing, but sometimes at jokes I laugh,

552
00:28:10,920 --> 00:28:12,480
Speaker 1: but then I feel like, man, should I have laughed

553
00:28:12,520 --> 00:28:14,360
Speaker 1: at that? Is that the greatest great joke of all time?

554
00:28:14,840 --> 00:28:17,000
Speaker 1: You know? I think that to myself. Chapelle's the best

555
00:28:17,040 --> 00:28:19,200
Speaker 1: comedy in the world. To me. You say that, but

556
00:28:19,240 --> 00:28:21,080
Speaker 1: it's like y'all neck and neck. That's kind of like

557
00:28:21,200 --> 00:28:23,920
Speaker 1: jay Z and Nah saying who's the better rapper? Or

558
00:28:24,160 --> 00:28:27,119
Speaker 1: like y'all right there with each other. Okay, okay, if

559
00:28:27,160 --> 00:28:29,840
Speaker 1: you say so, I mean for me, I don't. I've

560
00:28:29,920 --> 00:28:34,600
Speaker 1: never been real Chris Rock Show, you know what I mean. Yeah,

561
00:28:34,640 --> 00:28:37,320
Speaker 1: I've seen it special, you know. You know, I like

562
00:28:37,440 --> 00:28:40,520
Speaker 1: y'all for different reasons. Like Chappelle is like a he's

563
00:28:40,560 --> 00:28:43,480
Speaker 1: an observer, but you're like a cultural observer. It's not

564
00:28:43,560 --> 00:28:47,520
Speaker 1: even like you're telling jokes to me. Okay, okay, when's

565
00:28:47,560 --> 00:28:50,320
Speaker 1: your show? When's your show coming off? What? Well, y'alla

566
00:28:50,320 --> 00:28:55,200
Speaker 1: do a show? No? Never, no comedy and then that's

567
00:28:55,200 --> 00:28:57,680
Speaker 1: the expectation. Maybe not a stand up comedy show, but

568
00:28:57,800 --> 00:29:01,440
Speaker 1: like you know, like Mike Tyson one one man special,

569
00:29:01,640 --> 00:29:04,600
Speaker 1: like a Rachel Maddowl something. I don't know if you execut,

570
00:29:04,680 --> 00:29:09,680
Speaker 1: produce it. I'm in talking all right. We got more

571
00:29:09,720 --> 00:29:11,760
Speaker 1: with Chris Rock when we come back. We'll talk about

572
00:29:11,840 --> 00:29:14,160
Speaker 1: his tour and his favorite movie, Roles Don't Move. It's

573
00:29:14,160 --> 00:29:20,760
Speaker 1: a breakfast Local Morning, the Breakfast Club Morning. Everybody is

574
00:29:20,840 --> 00:29:23,680
Speaker 1: DJ n v Angela yee, Charlomagne the guy. We are

575
00:29:23,720 --> 00:29:27,160
Speaker 1: the Breakfast Club. We have Chris Rock in the building, Charlemagne.

576
00:29:27,280 --> 00:29:29,920
Speaker 1: Who is Chris Rock competing against nowadays? I mean we're

577
00:29:29,920 --> 00:29:32,840
Speaker 1: all competing against Richard Pryor. We're all trying to get

578
00:29:32,880 --> 00:29:37,280
Speaker 1: to that. That's my number one. But you know, Dave

579
00:29:37,360 --> 00:29:41,120
Speaker 1: a little bit Hannibal here. You know there's some cats

580
00:29:41,200 --> 00:29:43,560
Speaker 1: out there. I saw ali you lets see ali Wan,

581
00:29:43,840 --> 00:29:48,240
Speaker 1: little Asian girl. No, there's some cats out there. You know.

582
00:29:49,000 --> 00:29:50,320
Speaker 1: Put us well, I don't want to be like some

583
00:29:50,520 --> 00:29:54,120
Speaker 1: old boxer that's just saying high from ringside. I want

584
00:29:54,160 --> 00:29:56,200
Speaker 1: to still be I'm still in the ring. Yeah, so

585
00:29:56,920 --> 00:29:58,239
Speaker 1: you know I want to, you know, be out there

586
00:29:58,280 --> 00:30:01,240
Speaker 1: with the big keV Kevin. I'm killing it. I love

587
00:30:01,280 --> 00:30:03,040
Speaker 1: all of us, but none of them have a classic

588
00:30:03,080 --> 00:30:06,120
Speaker 1: stand up special. You have a classic, Thank you. Bring

589
00:30:06,240 --> 00:30:08,760
Speaker 1: the Pain is classic. I watched it twice this year.

590
00:30:09,280 --> 00:30:10,880
Speaker 1: We actually still use it all the time on the

591
00:30:10,880 --> 00:30:13,040
Speaker 1: show when we talk about different things. I'm like, let's

592
00:30:13,080 --> 00:30:15,040
Speaker 1: get that clip from Bring the Pain when we talk

593
00:30:15,080 --> 00:30:22,360
Speaker 1: about right right now, when we talk about alimony, we

594
00:30:22,560 --> 00:30:24,800
Speaker 1: use that special. How are you doing it? Of course?

595
00:30:24,840 --> 00:30:26,840
Speaker 1: You know, you know they're doing a documentary, they're doing

596
00:30:26,880 --> 00:30:30,080
Speaker 1: a twenty whatever, and I had the pleasure of being

597
00:30:30,160 --> 00:30:34,800
Speaker 1: on it. I was like, I get it more now. Wow,

598
00:30:35,160 --> 00:30:36,840
Speaker 1: I wonder why you came out to touch me tease

599
00:30:36,880 --> 00:30:38,640
Speaker 1: me though, instead of Bring the Pain by meThe man.

600
00:30:39,360 --> 00:30:46,080
Speaker 1: I mean at the time, touch me. You gotta get

601
00:30:46,120 --> 00:30:51,080
Speaker 1: the girls, you gotta get them, gotta get them, you know, right, yeah,

602
00:30:51,200 --> 00:30:57,959
Speaker 1: twenty years lady, Like who's this case? Who's case? Who's man?

603
00:30:58,000 --> 00:31:04,000
Speaker 1: I wasn't married with Casey on that too? Like whose case?

604
00:31:04,800 --> 00:31:11,840
Speaker 1: Who's Foxy even kind of building on what y'all are

605
00:31:11,920 --> 00:31:16,600
Speaker 1: doing here, you know, the Black Lives Matter movement. Just

606
00:31:16,960 --> 00:31:19,080
Speaker 1: I don't know, it just felt right, you know what

607
00:31:19,120 --> 00:31:21,680
Speaker 1: I mean, just felt right. They're getting black, you know

608
00:31:21,720 --> 00:31:25,400
Speaker 1: what I mean. It's a black time. His kids. He's

609
00:31:25,400 --> 00:31:28,160
Speaker 1: a real dad like everybody. He's a real dad because

610
00:31:28,160 --> 00:31:29,880
Speaker 1: a lot of times people say their fathers and they

611
00:31:29,880 --> 00:31:31,479
Speaker 1: don't take their kids to the games, they don't take

612
00:31:31,480 --> 00:31:33,840
Speaker 1: their kids to practice, they don't argue with the coach

613
00:31:33,880 --> 00:31:37,360
Speaker 1: and other team's rock at every game with his daughters,

614
00:31:37,360 --> 00:31:39,680
Speaker 1: like traveling around. He's an uber driver on the weekends.

615
00:31:39,880 --> 00:31:43,400
Speaker 1: I would see every day stereotyping. But you don't see

616
00:31:43,400 --> 00:31:45,160
Speaker 1: that too much, not not just especially with people in

617
00:31:45,160 --> 00:31:47,800
Speaker 1: the entertainment industry that people are really busy and not around.

618
00:31:49,080 --> 00:31:52,560
Speaker 1: And yeah, I always say, you know what if I die,

619
00:31:52,760 --> 00:31:56,200
Speaker 1: When I die at my funeral, if you're talking about

620
00:31:56,280 --> 00:31:59,360
Speaker 1: my jokes, I have failed as a father. That's the

621
00:31:59,400 --> 00:32:01,240
Speaker 1: way I look at should be talking about like your life.

622
00:32:01,400 --> 00:32:03,440
Speaker 1: They talk about my life and what kind of person.

623
00:32:03,640 --> 00:32:06,080
Speaker 1: When I went to Bernie mac funeral, like comedy was

624
00:32:06,120 --> 00:32:08,960
Speaker 1: like a very small part. It was just like this

625
00:32:09,120 --> 00:32:12,120
Speaker 1: guy's husband and Sky's a father, this guy's a friend,

626
00:32:12,680 --> 00:32:14,840
Speaker 1: you know, and you know I don't. I hope. I'm

627
00:32:14,880 --> 00:32:17,720
Speaker 1: not planning on dying anytime soon. But by the way,

628
00:32:17,840 --> 00:32:20,040
Speaker 1: I've talked to like three comedians in the past couple

629
00:32:20,080 --> 00:32:21,480
Speaker 1: of weeks, and all of them have said the exact

630
00:32:21,480 --> 00:32:23,560
Speaker 1: same thing. If they're talking to me, like, if I die,

631
00:32:24,120 --> 00:32:25,320
Speaker 1: I want you to know. I'm like, what are you

632
00:32:25,480 --> 00:32:27,479
Speaker 1: talking about? Like why are you think why somebody can

633
00:32:27,520 --> 00:32:30,520
Speaker 1: be walking about? Definitely, I'm please. We're all you know

634
00:32:31,000 --> 00:32:33,080
Speaker 1: well who you've been talking to. I talked to Donna

635
00:32:33,320 --> 00:32:36,760
Speaker 1: Robins yesterday. Call me to go ya. I don't want

636
00:32:36,760 --> 00:32:38,040
Speaker 1: to tell you man if I die, man, you really.

637
00:32:39,040 --> 00:32:42,160
Speaker 1: But that's also ca Charlie Murphy just passed. Too many

638
00:32:42,160 --> 00:32:43,320
Speaker 1: people knew he was sick. I didn't know he was.

639
00:32:43,360 --> 00:32:45,400
Speaker 1: Say I see him at the ball and I Charlie

640
00:32:45,480 --> 00:32:49,760
Speaker 1: Murphy just passed. With black men, we all got passed away.

641
00:32:51,680 --> 00:32:55,720
Speaker 1: We got all our fathers die and they hitties early sixties.

642
00:32:56,320 --> 00:32:58,719
Speaker 1: So you gotta be thinking about it a little bit,

643
00:32:58,960 --> 00:33:03,120
Speaker 1: you know what I mean. I mean things change. Medicine's better,

644
00:33:04,080 --> 00:33:07,040
Speaker 1: you know, Greens don't kill you like they used to.

645
00:33:08,400 --> 00:33:11,719
Speaker 1: The worst thing about a black funeral is like, at

646
00:33:11,760 --> 00:33:13,840
Speaker 1: the end of the funeral they served the food that

647
00:33:14,040 --> 00:33:22,040
Speaker 1: killed the person, you realize he's dead because of this,

648
00:33:25,080 --> 00:33:27,720
Speaker 1: you stop. Everybody hates Chris, you know what. The kid

649
00:33:27,960 --> 00:33:30,240
Speaker 1: kind of outgrew it, you know what I mean. You

650
00:33:30,360 --> 00:33:33,760
Speaker 1: know Tyler was you know, it's like it's like he's

651
00:33:33,800 --> 00:33:38,440
Speaker 1: in high school with a bid some point, so you know,

652
00:33:38,520 --> 00:33:40,760
Speaker 1: it was just time. Man. It's it's one of those

653
00:33:40,800 --> 00:33:42,960
Speaker 1: weird shows too. We are like on a weird network,

654
00:33:43,080 --> 00:33:46,640
Speaker 1: so people didn't know about the show while it was on.

655
00:33:47,080 --> 00:33:50,640
Speaker 1: Then Yeah, when we got in syndication was like, Yo,

656
00:33:51,080 --> 00:33:53,240
Speaker 1: this is amazing. I was like, where were y'all when

657
00:33:53,360 --> 00:33:57,080
Speaker 1: the show was on? You know, but hey, it's great.

658
00:33:57,840 --> 00:34:01,240
Speaker 1: It's a lot of pain I went through, just being

659
00:34:01,320 --> 00:34:04,720
Speaker 1: bust to school and you know, bullying and all that crap.

660
00:34:05,000 --> 00:34:07,040
Speaker 1: You know, we know you from the comedy specials, from

661
00:34:07,040 --> 00:34:08,440
Speaker 1: all the TV shows, but a lot of the kids

662
00:34:08,520 --> 00:34:11,000
Speaker 1: know you from that show. Oh yeah, straight up, they

663
00:34:11,120 --> 00:34:12,960
Speaker 1: know me from a lot of kids know me from

664
00:34:13,239 --> 00:34:17,760
Speaker 1: Everybody Hates Chris and Marty the Zebra from Madagascar. Absolutely,

665
00:34:18,320 --> 00:34:23,200
Speaker 1: it's like you're a cracker licking how man. When they

666
00:34:23,239 --> 00:34:26,839
Speaker 1: call you that, they say if they see gay. You know, man,

667
00:34:27,000 --> 00:34:30,200
Speaker 1: Pooky you know legend POOKI is a legend. Man. I

668
00:34:30,640 --> 00:34:33,640
Speaker 1: you know how lucky I was to be Pooky, you

669
00:34:33,719 --> 00:34:35,680
Speaker 1: know what I mean, Like I'm Pooky. Man. Did you

670
00:34:35,760 --> 00:34:38,120
Speaker 1: ever hear like how many rap records I here cats

671
00:34:38,200 --> 00:34:42,200
Speaker 1: talking about Jakarta. I was in the cart I smoke

672
00:34:42,280 --> 00:34:45,960
Speaker 1: cracking the carter as essential part of the movie. Yeah, man,

673
00:34:46,120 --> 00:34:48,640
Speaker 1: like you it was the movie the movie. You played

674
00:34:49,040 --> 00:34:51,040
Speaker 1: essential part in that film. Yeah, Man, I look back

675
00:34:51,080 --> 00:34:53,400
Speaker 1: at all that. I'm like, I'm just I'm the luckiest guy.

676
00:34:53,400 --> 00:34:56,840
Speaker 1: I was New Jack City. I was a boomerang like

677
00:34:57,080 --> 00:34:59,719
Speaker 1: like classics. I think about that part like I don't

678
00:34:59,719 --> 00:35:04,080
Speaker 1: want to Like I didn't want to do it. I

679
00:35:04,280 --> 00:35:06,360
Speaker 1: lucked up, man, I lucked up. We didn't even know

680
00:35:06,480 --> 00:35:08,400
Speaker 1: what was gonna be what it was, you know what

681
00:35:08,400 --> 00:35:11,319
Speaker 1: I mean. I remember like we did like two weeks

682
00:35:11,360 --> 00:35:15,759
Speaker 1: of rehearsal without Wesley and we had our first table read.

683
00:35:15,880 --> 00:35:19,320
Speaker 1: Wesley shows up and when my man started reading his lines,

684
00:35:19,520 --> 00:35:22,400
Speaker 1: We're like, oh, this is this movie is gonna be

685
00:35:22,440 --> 00:35:24,960
Speaker 1: around for ever, you know what I mean? Like, like

686
00:35:25,120 --> 00:35:27,680
Speaker 1: you knew you were in the presence of greatness right

687
00:35:27,760 --> 00:35:29,680
Speaker 1: as soon as he started. As soon as you heard

688
00:35:29,760 --> 00:35:33,360
Speaker 1: Nino Brown's voice, You're like, okay, it's on. This is

689
00:35:33,440 --> 00:35:37,560
Speaker 1: it forever? Even even the term C before that's lived forever.

690
00:35:38,000 --> 00:35:40,399
Speaker 1: It's almost like you predicted where the rap game was going,

691
00:35:40,560 --> 00:35:43,440
Speaker 1: Like everybody pretended everybody was pretending to be a game

692
00:35:43,480 --> 00:35:47,920
Speaker 1: because for about fifteen twenty years. Yeah, man, you know

693
00:35:47,960 --> 00:35:51,320
Speaker 1: it's weird. I get offers to for C before the

694
00:35:51,440 --> 00:35:57,399
Speaker 1: tour as a group. Yah. Yeah, Charlie in that movie,

695
00:35:57,960 --> 00:36:02,600
Speaker 1: Charlie's first. Yeah, that's Charlie's first movie. We had auditions

696
00:36:03,440 --> 00:36:07,000
Speaker 1: and for Gusto, it's like a Gusto day, right, So

697
00:36:07,280 --> 00:36:09,520
Speaker 1: Charlie gets out of his car. He got two henchmen

698
00:36:09,640 --> 00:36:12,520
Speaker 1: with him. He's dressed like Gusto. He got the shades

699
00:36:12,560 --> 00:36:14,560
Speaker 1: he has on in the movies he had on that

700
00:36:14,680 --> 00:36:17,480
Speaker 1: the audition and he does his audition and there's a

701
00:36:17,560 --> 00:36:19,960
Speaker 1: part where you're supposed to pull out a gun. Everybody

702
00:36:20,000 --> 00:36:22,160
Speaker 1: else just pulls out their fingers and you know, makes

703
00:36:22,160 --> 00:36:29,160
Speaker 1: a fake gun. Charlie Murphy pulls out like a glock nine. Yeah, yeah,

704
00:36:29,280 --> 00:36:32,160
Speaker 1: like a real gun. And we're like, whoa, Okay, you

705
00:36:32,239 --> 00:36:34,879
Speaker 1: got the part. You can't tell him though, you can't

706
00:36:34,920 --> 00:36:37,640
Speaker 1: tell him no at all. He was hysterical. Did you

707
00:36:37,719 --> 00:36:40,440
Speaker 1: know that was ye? Brother? When he walked up, I knew.

708
00:36:40,560 --> 00:36:43,239
Speaker 1: But you know, stuff like that don't always work in

709
00:36:43,360 --> 00:36:46,400
Speaker 1: your favor, you know what I mean, it's not you know,

710
00:36:46,520 --> 00:36:50,040
Speaker 1: you end up with a weird expectation. So but he

711
00:36:50,239 --> 00:36:52,680
Speaker 1: wiped it out. We're like, oh, okay, because you don't

712
00:36:52,719 --> 00:36:55,560
Speaker 1: want like a junior version of Eddie Murphy in the movie.

713
00:36:55,640 --> 00:37:00,960
Speaker 1: He's like, he's you know, he was just Charlie. You know,

714
00:37:01,120 --> 00:37:03,759
Speaker 1: he had his he was his own distinct thing that

715
00:37:04,200 --> 00:37:08,680
Speaker 1: nobody sounded like Charlie. You know. All right, we got

716
00:37:08,719 --> 00:37:10,600
Speaker 1: more with Chris Rock coming up. Don't move. It's the

717
00:37:10,640 --> 00:37:15,200
Speaker 1: Breakfast Club. Good morning morning. Everybody is DJ Envy Angela Ye,

718
00:37:15,400 --> 00:37:17,640
Speaker 1: Charlemagne the guy. We are the Breakfast Club. We have

719
00:37:18,160 --> 00:37:21,960
Speaker 1: Chris Rock in the building, Charlemagne. How is Netflix changed

720
00:37:22,000 --> 00:37:26,120
Speaker 1: the game as far as movies in stand up? I mean, honestly,

721
00:37:26,280 --> 00:37:29,759
Speaker 1: Netflix probably got me doing this more than anybody. And

722
00:37:29,840 --> 00:37:32,160
Speaker 1: it's not just like that they're paying me or anything.

723
00:37:33,320 --> 00:37:42,040
Speaker 1: I'm doing all right? You know, Max player, Noah, because

724
00:37:42,080 --> 00:37:44,000
Speaker 1: you can sit there and watch. You can if you

725
00:37:44,080 --> 00:37:46,040
Speaker 1: want to really be a student of comedy. You can

726
00:37:46,120 --> 00:37:49,160
Speaker 1: just sit there. I sit down sometimes and watch like

727
00:37:49,400 --> 00:37:54,120
Speaker 1: twenty specials, like you know, like the first twenty minutes

728
00:37:54,160 --> 00:37:56,920
Speaker 1: of ten Specials in the afternoon. It's like, Oh, this

729
00:37:57,080 --> 00:38:00,400
Speaker 1: cat's doing something. This Jim Jeffries cat. I would never

730
00:38:00,440 --> 00:38:03,759
Speaker 1: watch that. I would never watch like country guys, this

731
00:38:04,040 --> 00:38:07,080
Speaker 1: woman and oh, like I found out about Amy Schumer

732
00:38:07,200 --> 00:38:08,880
Speaker 1: and this one like people that I got hip to

733
00:38:09,480 --> 00:38:11,640
Speaker 1: that I would never get hipped through. She got blocked

734
00:38:11,680 --> 00:38:14,440
Speaker 1: on Twitter, Yes she does. I've actually tweeted that I

735
00:38:14,440 --> 00:38:18,520
Speaker 1: don't understand the same Mischumer thing. Ay Man, Yeah I don't.

736
00:38:18,640 --> 00:38:24,520
Speaker 1: I'm not blocking blocks. And what does the total blackout

737
00:38:24,520 --> 00:38:27,200
Speaker 1: till come to New York? Doesn't come to December seven,

738
00:38:27,360 --> 00:38:29,560
Speaker 1: New York. It's all over the country though. Then they

739
00:38:29,560 --> 00:38:32,319
Speaker 1: can get tickets right now ticketmaster dot com, ticketmaster dot com.

740
00:38:32,680 --> 00:38:38,680
Speaker 1: But Barclay's Fortnight Garden for a few Yeah, it's it's

741
00:38:38,719 --> 00:38:42,799
Speaker 1: going down then I'm gonna probably film the special in Brooklyn. So, yeah,

742
00:38:42,960 --> 00:38:45,160
Speaker 1: you said anything goals in comedy. Now, what's the easiest

743
00:38:45,200 --> 00:38:48,600
Speaker 1: group to offend in twenty seventeen? Man, you gotta gotta

744
00:38:48,600 --> 00:38:52,799
Speaker 1: be careful with your transgenders. You gotta's been a word

745
00:38:53,000 --> 00:38:56,759
Speaker 1: that one, right, You've got to take that one to

746
00:38:56,840 --> 00:39:00,880
Speaker 1: spell check. My friend did a good job with that

747
00:39:01,000 --> 00:39:02,520
Speaker 1: on his I thought he did a really good job.

748
00:39:02,560 --> 00:39:05,360
Speaker 1: But I thought I thought he made. I thought I

749
00:39:05,600 --> 00:39:11,040
Speaker 1: thought he what he did was like made. What am

750
00:39:11,040 --> 00:39:19,080
Speaker 1: I trying to see? I thought he humanized. Not that

751
00:39:19,320 --> 00:39:25,440
Speaker 1: anybody's not human, but I thought they's a thing you

752
00:39:25,520 --> 00:39:28,120
Speaker 1: should be just because he didn't like the person and

753
00:39:28,200 --> 00:39:30,840
Speaker 1: the joke doesn't mean he didn't like the person because

754
00:39:30,880 --> 00:39:33,839
Speaker 1: of their sexual preference. Right, That's what I'm trying to say.

755
00:39:34,560 --> 00:39:37,960
Speaker 1: And a lot of times we white people do this too.

756
00:39:38,080 --> 00:39:40,960
Speaker 1: It's like you deal with a minority and you put

757
00:39:41,040 --> 00:39:43,960
Speaker 1: him on a pedestal, and that's I mean, that's that's

758
00:39:44,000 --> 00:39:46,439
Speaker 1: almost racist too. It's like, it's nice that you could

759
00:39:46,440 --> 00:39:49,239
Speaker 1: put somebody just in a normal situation. And that's what

760
00:39:49,440 --> 00:39:51,239
Speaker 1: Dave did in this special. But I don't feel like

761
00:39:51,320 --> 00:39:53,560
Speaker 1: louicy K tiptoes around that kind of stuff. I feel

762
00:39:53,560 --> 00:39:55,840
Speaker 1: like he goes right for it. He does not care, No,

763
00:39:56,560 --> 00:39:59,399
Speaker 1: he does, he goes right at it. Yeah, So why

764
00:39:59,440 --> 00:40:01,960
Speaker 1: do y care? Why do we care? I don't know,

765
00:40:02,040 --> 00:40:03,839
Speaker 1: I don't know. I don't know. It seems like we're

766
00:40:03,840 --> 00:40:06,279
Speaker 1: getting more trouble. Yes, is it still that I'm still

767
00:40:06,360 --> 00:40:08,680
Speaker 1: black thing? Like maybe it's Yeah, it seems like we're

768
00:40:08,719 --> 00:40:11,279
Speaker 1: getting more trouble. That's what I think. Yeah, you don't

769
00:40:11,280 --> 00:40:13,719
Speaker 1: want to get boycotted and lose opportunities. I don't need

770
00:40:13,840 --> 00:40:19,920
Speaker 1: that right, trying to pay alimony, trying. It's like, yes,

771
00:40:20,000 --> 00:40:24,840
Speaker 1: we got a special coming to we're doing great comedy,

772
00:40:24,920 --> 00:40:26,680
Speaker 1: more fun. I didn't make it feel like more work.

773
00:40:27,320 --> 00:40:29,719
Speaker 1: Yeah it is. It's fun. It's fun. I'm not I'm

774
00:40:29,760 --> 00:40:33,080
Speaker 1: not mad. I got no I got no anger nothing. Yeah,

775
00:40:33,640 --> 00:40:35,600
Speaker 1: you know, we all we all got we all got built,

776
00:40:36,000 --> 00:40:38,000
Speaker 1: we all got something, like you said, and bringing the pain.

777
00:40:38,040 --> 00:40:40,359
Speaker 1: If you're making fifty million issue ones half, no big deal,

778
00:40:40,400 --> 00:40:45,839
Speaker 1: you still got Yeah. Yeah, I'm fine. I'm fine. I'm fine.

779
00:40:46,400 --> 00:40:48,040
Speaker 1: You'll go to dinner. I will pick up the check.

780
00:40:49,719 --> 00:40:54,360
Speaker 1: I'm not gonna sit around. Black check comes. I go

781
00:40:54,440 --> 00:41:02,719
Speaker 1: to the bathroom, to the bathroom, prayed for Charlemagne. Hope

782
00:41:02,800 --> 00:41:07,000
Speaker 1: this bonus came. You've You've always had that hip hop

783
00:41:07,040 --> 00:41:09,719
Speaker 1: culament to your shows too, Like do you even keep

784
00:41:09,760 --> 00:41:11,200
Speaker 1: track of what's going on out here now? Like the

785
00:41:11,200 --> 00:41:16,480
Speaker 1: little yadis Ross's album. Oh yeah, you're old. You can't

786
00:41:16,520 --> 00:41:19,239
Speaker 1: count Ross still still though, how do y'allho go? You

787
00:41:19,280 --> 00:41:22,399
Speaker 1: know what really happen? I selt them at the bed.

788
00:41:22,520 --> 00:41:23,560
Speaker 1: You know. It was like one of those things. I

789
00:41:23,640 --> 00:41:25,719
Speaker 1: was doing an award show and I thought I had

790
00:41:25,840 --> 00:41:28,840
Speaker 1: one Rick Ross joke and I didn't realize to watching

791
00:41:28,880 --> 00:41:32,359
Speaker 1: it later than I had four and then like Rick Ross,

792
00:41:32,440 --> 00:41:34,800
Speaker 1: I think it is the first guy ever like apologized

793
00:41:34,800 --> 00:41:36,400
Speaker 1: to us, Like I felt like Ross to get too

794
00:41:36,480 --> 00:41:40,040
Speaker 1: serious though, Man, man, you know here's the weird thing.

795
00:41:40,200 --> 00:41:42,279
Speaker 1: I love Ross. Yeah, you know what I mean. I

796
00:41:42,480 --> 00:41:44,160
Speaker 1: love Ross. So it was a couple of times I

797
00:41:44,239 --> 00:41:45,920
Speaker 1: was like, I want to go to this show. At

798
00:41:45,960 --> 00:41:48,359
Speaker 1: that show, I was like, ah, better, I got beef foot.

799
00:41:48,440 --> 00:41:54,279
Speaker 1: Ross went to the whole interview after BT was he

800
00:41:54,360 --> 00:41:55,920
Speaker 1: was going in on CD. I'm like, yeah, you know

801
00:41:56,040 --> 00:41:58,640
Speaker 1: how beef works. It ain't even the guy. It's the

802
00:41:58,800 --> 00:42:03,320
Speaker 1: eight guys around the guy. It's the eight guys around

803
00:42:03,400 --> 00:42:06,400
Speaker 1: the guy that want to impress the guy, you know

804
00:42:06,400 --> 00:42:10,680
Speaker 1: what I mean. So I don't need that. I'm with

805
00:42:10,840 --> 00:42:13,680
Speaker 1: my kids most of the time. So I text Ross.

806
00:42:13,719 --> 00:42:16,120
Speaker 1: I was like, hey, man, whatever, man, you know what,

807
00:42:16,440 --> 00:42:19,319
Speaker 1: I actually apologize. I'm gonna say I'm gonna be I'm

808
00:42:19,360 --> 00:42:22,400
Speaker 1: gonna be man. I'm man enough to apologize joke and

809
00:42:22,560 --> 00:42:26,360
Speaker 1: if you need anything, let me know, because everybody needs jokes.

810
00:42:27,120 --> 00:42:30,880
Speaker 1: And yeah, and like a couple of he was like

811
00:42:31,000 --> 00:42:33,000
Speaker 1: cool and like a couple of months later he hit

812
00:42:33,080 --> 00:42:35,520
Speaker 1: me and I went in the studio and I was

813
00:42:35,640 --> 00:42:39,560
Speaker 1: scared because, like remember good Fellas, what they told Joe

814
00:42:39,600 --> 00:42:46,360
Speaker 1: Pesci was a maid man of the studio doing stuff.

815
00:42:46,400 --> 00:42:50,000
Speaker 1: I was like, is it going down? But uh no, No,

816
00:42:50,160 --> 00:42:52,120
Speaker 1: we hung out a couple of times since that. It's

817
00:42:52,160 --> 00:42:55,400
Speaker 1: called cool. Rick Ross is kind of phenomenal. But I

818
00:42:55,440 --> 00:42:58,279
Speaker 1: said he's the best rapper alive. I mean that day,

819
00:43:04,480 --> 00:43:10,799
Speaker 1: I just want to get out of here. You know me, don't.

820
00:43:10,800 --> 00:43:13,640
Speaker 1: I don't roll posse deep, but uh yeah, I'll keep

821
00:43:13,719 --> 00:43:17,560
Speaker 1: up with everything. The Megos album is much better than

822
00:43:17,600 --> 00:43:19,600
Speaker 1: it has a right to be. Yeah, you know what

823
00:43:19,640 --> 00:43:24,160
Speaker 1: I mean, Like, I'm just from a New York cat

824
00:43:25,120 --> 00:43:28,440
Speaker 1: that listens to rap. You think when you first hit

825
00:43:28,480 --> 00:43:30,520
Speaker 1: the mego, you go okay bad and booge is good.

826
00:43:31,160 --> 00:43:33,560
Speaker 1: I'm sure the rest of this is blah blah blah.

827
00:43:33,840 --> 00:43:36,400
Speaker 1: You listen to the album like Scott Baggings on it

828
00:43:37,680 --> 00:43:42,280
Speaker 1: three four five, like it's for real. The Kendrick album

829
00:43:42,480 --> 00:43:48,839
Speaker 1: is on some Equimini like level. No, you're busy right now,

830
00:43:48,920 --> 00:43:52,880
Speaker 1: you're doing book to us. When everything comes down, I

831
00:43:53,000 --> 00:43:56,839
Speaker 1: want you to really listen to this record and get

832
00:43:56,880 --> 00:43:59,919
Speaker 1: the line of notes and just like really like follow

833
00:44:00,080 --> 00:44:03,520
Speaker 1: what he's saying. You go like, okay, I see what's

834
00:44:03,560 --> 00:44:07,399
Speaker 1: going on here? Top five today? Yeah, top five all time?

835
00:44:07,520 --> 00:44:19,000
Speaker 1: I'm not sure all the time you got. They should

836
00:44:19,040 --> 00:44:21,879
Speaker 1: first one. We should all do top fives without Jay.

837
00:44:23,040 --> 00:44:26,719
Speaker 1: It's almost a waste of time. I agree, and big

838
00:44:26,800 --> 00:44:30,280
Speaker 1: and pop, but top five but today of the new artists,

839
00:44:30,320 --> 00:44:33,520
Speaker 1: not of all time, but oh new artists. I love Kendrick.

840
00:44:34,000 --> 00:44:37,160
Speaker 1: I love Asap Rocky. I think Asap Rocky is the

841
00:44:37,239 --> 00:44:42,120
Speaker 1: most underrated taken for granted guy out there. Okay, um,

842
00:44:43,280 --> 00:44:52,640
Speaker 1: I love but today Today, Today, I mean today, I

843
00:44:52,800 --> 00:44:58,800
Speaker 1: like that kid. Wait, wait, wait a minute, press for Brooklyn.

844
00:44:59,160 --> 00:45:03,000
Speaker 1: I'm like, okay, what's the follow up to this? Just

845
00:45:03,320 --> 00:45:04,959
Speaker 1: put one out so I can't remember, Na, what about

846
00:45:05,000 --> 00:45:07,080
Speaker 1: Big Sean or something in your top five? I like

847
00:45:07,239 --> 00:45:09,279
Speaker 1: Big Sean a lot. That's actually my favorite rapper at

848
00:45:09,320 --> 00:45:13,040
Speaker 1: the moment. Really, Jake, I would put Jake Hole probably

849
00:45:13,080 --> 00:45:16,440
Speaker 1: at the top of the of the current rappers. You know,

850
00:45:16,719 --> 00:45:19,400
Speaker 1: are you a Drake fan? I like Rapper. I like

851
00:45:19,880 --> 00:45:24,600
Speaker 1: zero to one hundred Drake. Okay, zero to one hundred

852
00:45:24,680 --> 00:45:28,960
Speaker 1: Drake is hot, Like really, don't mess with them, don't

853
00:45:29,040 --> 00:45:31,839
Speaker 1: don't challenge them at all. You know the other Drake

854
00:45:31,960 --> 00:45:35,640
Speaker 1: that round away girl kind of llokuj knock off Drake.

855
00:45:35,800 --> 00:45:42,200
Speaker 1: You know from my daughter. But you got to be

856
00:45:42,239 --> 00:45:44,239
Speaker 1: back into the new music because you're like single now,

857
00:45:44,360 --> 00:45:45,680
Speaker 1: so you're out in the clubs a little. I'm just

858
00:45:45,960 --> 00:45:50,280
Speaker 1: I'm single. Everything Chris Rock in the club, I'm singing.

859
00:45:50,680 --> 00:45:57,040
Speaker 1: I just bought a bunch of red sneakers. An you

860
00:45:57,120 --> 00:46:09,279
Speaker 1: got red to the kids wearing red stick no matter what,

861
00:46:09,600 --> 00:46:14,520
Speaker 1: don't match nothing. Nation dot Com. Get your tickets, Get

862
00:46:14,560 --> 00:46:17,040
Speaker 1: your tickets, Get your tickets, and we appreciate you for

863
00:46:17,160 --> 00:46:21,120
Speaker 1: joining us today. I survived Scharla Mann. Yes, come on, man,

864
00:46:21,160 --> 00:46:23,919
Speaker 1: we pay respect to the leg No, you never know. Yeah,

865
00:46:24,560 --> 00:46:31,080
Speaker 1: baby is a legend. Depends who you ask. Baby's elections. Well,

866
00:46:31,080 --> 00:46:34,800
Speaker 1: baby didn't give me no time. Baby was on the defensive.

867
00:46:35,680 --> 00:46:39,279
Speaker 1: You didn't give me no time. All right, break club

868
00:46:39,480 --> 00:46:49,880
Speaker 1: is Chris Rock. The Breakfast Club just stand. Oh my

869
00:46:50,000 --> 00:46:58,239
Speaker 1: Gosh reports with Angel's report Breakfast Club. Well, Chris Brown

870
00:46:58,360 --> 00:47:01,719
Speaker 1: has rebuild that his double album Heartbreak on a Full

871
00:47:01,800 --> 00:47:04,719
Speaker 1: Moon is coming out and it's gonna be the full

872
00:47:04,760 --> 00:47:07,239
Speaker 1: track list that you can see online right now. So

873
00:47:07,320 --> 00:47:09,200
Speaker 1: we already know the song party is doing really well,

874
00:47:09,920 --> 00:47:11,520
Speaker 1: so up you have a chance to go check it out.

875
00:47:11,560 --> 00:47:13,200
Speaker 1: A lot of songs on here. By the way, it's

876
00:47:13,280 --> 00:47:16,399
Speaker 1: forty songs double album. Do people have the attention span

877
00:47:16,480 --> 00:47:19,680
Speaker 1: in twenty seventeen for a double album now with records? Yes,

878
00:47:20,239 --> 00:47:24,080
Speaker 1: they want music so bad. No, yes, forty songs v

879
00:47:24,360 --> 00:47:26,600
Speaker 1: in this era? You know, you know what, it's really

880
00:47:26,680 --> 00:47:28,680
Speaker 1: hard to have a who had great double albums, Like,

881
00:47:28,760 --> 00:47:31,520
Speaker 1: let's talk about that, because it's hard. It's hard for

882
00:47:32,120 --> 00:47:37,399
Speaker 1: big that's where it stops. Everybody else has did double

883
00:47:37,440 --> 00:47:39,920
Speaker 1: album that they love. Everybody loved Wouchang did a double album.

884
00:47:40,200 --> 00:47:42,040
Speaker 1: It was cool and I love Woutang, but it was Okay.

885
00:47:42,640 --> 00:47:44,839
Speaker 1: It's hard. It's hard to do a double album. That's

886
00:47:44,880 --> 00:47:48,880
Speaker 1: a lot of songs. Forty songs in this era and

887
00:47:49,000 --> 00:47:51,520
Speaker 1: this and this here, today, Gone tomorrow era, people go

888
00:47:51,600 --> 00:47:54,319
Speaker 1: through music so fast. They'll love that, they'll love all

889
00:47:54,360 --> 00:47:56,120
Speaker 1: that new music. You're not making any sense. If they

890
00:47:56,200 --> 00:47:58,120
Speaker 1: go through music so fast, why give them because all

891
00:47:58,120 --> 00:47:59,600
Speaker 1: the songs to listen to, they get stuff to listen to.

892
00:47:59,680 --> 00:48:01,479
Speaker 1: It listen to a listen to, but I mean listen.

893
00:48:01,600 --> 00:48:04,479
Speaker 1: I like the being ambitious like that. Doing a double

894
00:48:04,560 --> 00:48:07,400
Speaker 1: album shows that you care because you're putting out all

895
00:48:07,440 --> 00:48:09,600
Speaker 1: this music. It could go. I'd rather put out four

896
00:48:09,640 --> 00:48:11,399
Speaker 1: albums with ten songs on it a year. If you'm

897
00:48:11,400 --> 00:48:14,040
Speaker 1: gonna do that, give this song, give the album every quarter.

898
00:48:14,280 --> 00:48:16,319
Speaker 1: I mean, maybe he feels like he has some great music.

899
00:48:16,400 --> 00:48:19,920
Speaker 1: Now let's talk about Quincy Combs. He has finally mended

900
00:48:20,239 --> 00:48:23,040
Speaker 1: his relationship with his biological father. I'll be sure we

901
00:48:23,080 --> 00:48:26,040
Speaker 1: always see Quincy with Diddy, because obviously did he has

902
00:48:26,160 --> 00:48:30,600
Speaker 1: kids with his mom, his mom kim Porter. But you

903
00:48:30,680 --> 00:48:33,600
Speaker 1: don't really see Quincy Combs with his dad. So they

904
00:48:33,640 --> 00:48:36,520
Speaker 1: actually did a night and day two point Oh check

905
00:48:36,560 --> 00:48:47,759
Speaker 1: it out. I can tell you you come on, you

906
00:48:47,960 --> 00:48:54,640
Speaker 1: believe when I say that I do care everywhere I

907
00:48:54,800 --> 00:49:02,239
Speaker 1: warned you. Oh yeah, that's a lifelong Uptown Records say.

908
00:49:02,960 --> 00:49:05,400
Speaker 1: I have to fart on that right there. That No,

909
00:49:06,040 --> 00:49:07,800
Speaker 1: that was I would be sure song. Originally, this is

910
00:49:07,840 --> 00:49:10,320
Speaker 1: a two point old version. Now, if you remember, Quincy

911
00:49:10,360 --> 00:49:13,399
Speaker 1: did that open letter to Diddy praising him for being

912
00:49:13,480 --> 00:49:15,800
Speaker 1: there when his father was in Yeah. Remember, no, No,

913
00:49:15,880 --> 00:49:17,080
Speaker 1: he talked about him when he was up here, but

914
00:49:17,080 --> 00:49:18,920
Speaker 1: you weren't here at the York vacation. Yeah. He talked

915
00:49:18,960 --> 00:49:21,120
Speaker 1: about him doing the song and him linking up with

916
00:49:21,239 --> 00:49:23,000
Speaker 1: his dad and how difficult it was when he was here.

917
00:49:23,000 --> 00:49:24,640
Speaker 1: And we played the original version too. Who we don't

918
00:49:24,640 --> 00:49:27,480
Speaker 1: have that. No, I don't think we have that, but yeah,

919
00:49:27,560 --> 00:49:30,640
Speaker 1: I mean, but I'm not. I'm gonna say that's his dad.

920
00:49:31,000 --> 00:49:34,000
Speaker 1: So it's a nice gesture and a nice makeup, like,

921
00:49:34,120 --> 00:49:36,360
Speaker 1: let's do something together. It's cool, but I's gonna make

922
00:49:36,360 --> 00:49:38,359
Speaker 1: it a good run so I can respect it. All right,

923
00:49:38,360 --> 00:49:41,160
Speaker 1: American Idol, everybody is trying to get a piece of

924
00:49:41,239 --> 00:49:44,120
Speaker 1: that right now. ABC has made an offer to buy

925
00:49:44,200 --> 00:49:46,640
Speaker 1: that show. Since American Idol has gone off the air,

926
00:49:46,960 --> 00:49:49,080
Speaker 1: they want to reboot the show for a March twenty

927
00:49:49,120 --> 00:49:52,359
Speaker 1: eighteen premiere. They even asked about Ryan ccrest being the host,

928
00:49:52,440 --> 00:49:53,680
Speaker 1: but he's not going to be able to do that

929
00:49:53,880 --> 00:49:56,719
Speaker 1: because he's doing Live with Kelly Rippers, so he's not

930
00:49:56,800 --> 00:49:58,920
Speaker 1: going to have time to be doing American Idol, So

931
00:50:00,239 --> 00:50:02,239
Speaker 1: not a bad situation, though American Idol does have a

932
00:50:02,320 --> 00:50:04,080
Speaker 1: great name, but I feel like the show had declined.

933
00:50:04,560 --> 00:50:06,799
Speaker 1: It has a lot over the years, so we'll see

934
00:50:06,880 --> 00:50:10,759
Speaker 1: where it ends up. Fox and NBC and everybody was

935
00:50:10,800 --> 00:50:12,839
Speaker 1: trying to go and get that show, but it looks

936
00:50:12,880 --> 00:50:16,000
Speaker 1: like ABC is gonna I think they stopped producing stars.

937
00:50:16,160 --> 00:50:18,279
Speaker 1: Like once they stopped producing stars, then the show kind

938
00:50:18,320 --> 00:50:19,759
Speaker 1: of like fell off a little bit, because at one

939
00:50:19,800 --> 00:50:23,400
Speaker 1: point they was producing star stars, right, you know what

940
00:50:23,480 --> 00:50:25,120
Speaker 1: I else I think too, A lot of other shows

941
00:50:25,200 --> 00:50:28,680
Speaker 1: came after that, Like American Idol was the big one,

942
00:50:28,719 --> 00:50:32,400
Speaker 1: but then the boys came. None of those souls produced

943
00:50:32,480 --> 00:50:34,400
Speaker 1: big stars. Who was the last big star on there

944
00:50:34,560 --> 00:50:38,160
Speaker 1: on American Adom? Some country singer I can't remember her name.

945
00:50:39,040 --> 00:50:43,719
Speaker 1: Carry on that. You think that was the last one? Yeah,

946
00:50:43,800 --> 00:50:46,600
Speaker 1: and a huge star. You gotta think Fantasica came from there.

947
00:50:46,640 --> 00:50:51,319
Speaker 1: Carrie Underwood, Kelly Clarkson, Ruben Study, Ruben Starttered, Jennifer Hudson.

948
00:50:51,480 --> 00:50:54,480
Speaker 1: Jennifer she didn't even win. She didn't win, but she

949
00:50:54,600 --> 00:50:56,400
Speaker 1: still you know, And that that was the thing with

950
00:50:56,440 --> 00:50:58,400
Speaker 1: all those other shows, they didn't produce no stars like

951
00:50:58,440 --> 00:51:01,040
Speaker 1: American Idol, did not X Factor was an ex factor?

952
00:51:01,080 --> 00:51:03,120
Speaker 1: Was that X Factor? Yeah? X Fact Yeah, X Factor

953
00:51:03,120 --> 00:51:05,239
Speaker 1: and the voice they didn't produce. No stars like that

954
00:51:05,440 --> 00:51:07,800
Speaker 1: Laporte Renee, I don't know. I don't know who that is.

955
00:51:08,040 --> 00:51:10,480
Speaker 1: She was on Season fifteen. Alright, Beyonce is selling a

956
00:51:10,560 --> 00:51:13,759
Speaker 1: three hundred dollars Lemonade box set. You might want to get.

957
00:51:13,800 --> 00:51:16,040
Speaker 1: That sounds like a good idea to me. Now that

958
00:51:16,160 --> 00:51:18,800
Speaker 1: Lemonade box set is going to have the full colored

959
00:51:18,880 --> 00:51:22,399
Speaker 1: album vinyl and a six hundred page coffee table book

960
00:51:22,480 --> 00:51:25,840
Speaker 1: that has pictures that have never been seen before, a

961
00:51:26,000 --> 00:51:29,799
Speaker 1: forward from doctor Michael Eric Dyson, and poetry as well

962
00:51:29,920 --> 00:51:33,479
Speaker 1: from Morrison's Shire. So you can get your pre orders in. Now,

963
00:51:34,560 --> 00:51:37,799
Speaker 1: that's not a bad collector's item, Lemonade. It's only three

964
00:51:37,920 --> 00:51:40,440
Speaker 1: hundred dollars. You get all of those things. I'm Angela

965
00:51:40,560 --> 00:51:45,960
Speaker 1: Yee and that is your rumor reports. It's time for

966
00:51:46,080 --> 00:51:50,720
Speaker 1: Donkey of the Day. I'm a Democrat, so being Donkey

967
00:51:50,760 --> 00:51:53,160
Speaker 1: of the day a little bit of a mixture, like

968
00:52:00,000 --> 00:52:01,919
Speaker 1: I've been called a lot in my twenty three years.

969
00:52:01,960 --> 00:52:04,839
Speaker 1: That Donkey of the Bay is a new wife. Yeah,

970
00:52:04,960 --> 00:52:07,439
Speaker 1: Donkey today for Wednesday, May third goes to a writer

971
00:52:07,600 --> 00:52:10,720
Speaker 1: named Albert Breer now Albert Brier is a Boston area native,

972
00:52:10,920 --> 00:52:13,160
Speaker 1: a throut everybody that listens just on Jaman ninety four

973
00:52:13,239 --> 00:52:15,000
Speaker 1: five in Boston, dropped on the clues, bombs and jam

974
00:52:15,040 --> 00:52:17,919
Speaker 1: and ninety four five, damn it okay, And Albert Breer

975
00:52:18,040 --> 00:52:20,879
Speaker 1: is a writer for MMQB. Now, why is Albert Breer

976
00:52:20,960 --> 00:52:24,600
Speaker 1: getting donkey today? Well? Adam Jones, who plays for the

977
00:52:24,640 --> 00:52:27,360
Speaker 1: Baltimore Orioles, was playing at Fenway Park in Boston this

978
00:52:27,440 --> 00:52:29,759
Speaker 1: week and Adam claims that he was called the N

979
00:52:29,880 --> 00:52:32,480
Speaker 1: word a handful of times at Finway Park in Boston.

980
00:52:32,719 --> 00:52:34,719
Speaker 1: Let's hear what Adam Jones had to say, and just

981
00:52:34,840 --> 00:52:36,600
Speaker 1: things like this that I don't have a place in

982
00:52:36,719 --> 00:52:39,200
Speaker 1: the game. I mean, I thought we we've moved past

983
00:52:39,320 --> 00:52:41,480
Speaker 1: that a long time ago. But obviously, with what's going

984
00:52:41,520 --> 00:52:43,319
Speaker 1: on in the you know, in the real world, it's

985
00:52:43,400 --> 00:52:46,440
Speaker 1: unfortunate that I had to be involved with it. What

986
00:52:46,560 --> 00:52:49,480
Speaker 1: happened with the back of peanuts coming off the field,

987
00:52:49,840 --> 00:52:52,000
Speaker 1: I generally try and throw a ball, you know, to

988
00:52:52,560 --> 00:52:54,799
Speaker 1: not necessarily the people that are you know, sitting right

989
00:52:54,840 --> 00:52:56,560
Speaker 1: by the dug Albert people sitting a little bit further

990
00:52:56,840 --> 00:52:58,960
Speaker 1: and I threw a ball and I just put my

991
00:52:59,040 --> 00:53:00,960
Speaker 1: glove down and I see a coopenus fly right in

992
00:53:01,040 --> 00:53:03,880
Speaker 1: front of me hit the cop. So he was really frustrated.

993
00:53:04,000 --> 00:53:07,239
Speaker 1: So he turned around and immediately we try to catch

994
00:53:07,600 --> 00:53:09,600
Speaker 1: or see whoever did it, and we were able to

995
00:53:09,920 --> 00:53:11,880
Speaker 1: see who the guy was. He was at scored at

996
00:53:11,880 --> 00:53:14,520
Speaker 1: the stadium. You just don't do that to be raiders.

997
00:53:14,600 --> 00:53:17,600
Speaker 1: Cuss us out, tell us we suck. Tell us you

998
00:53:17,640 --> 00:53:20,840
Speaker 1: know if we grounded out? How high whatever performance based?

999
00:53:21,040 --> 00:53:23,200
Speaker 1: How often have you been called the n work here?

1000
00:53:23,320 --> 00:53:25,799
Speaker 1: It's a good question. I don't know how much. Any

1001
00:53:25,880 --> 00:53:28,600
Speaker 1: how many fingers I have their toes to keep count.

1002
00:53:28,719 --> 00:53:30,400
Speaker 1: The reality of it is most won't call you to

1003
00:53:30,480 --> 00:53:32,560
Speaker 1: your face. You know, it's easy to say through social

1004
00:53:32,640 --> 00:53:35,680
Speaker 1: media or when you're in the stands. Not the reason

1005
00:53:36,200 --> 00:53:38,360
Speaker 1: Albert brid is getting dunkey, and it did because Albur

1006
00:53:38,440 --> 00:53:41,800
Speaker 1: Bred tweeted out. Is it horrible to want some proof? So?

1007
00:53:41,920 --> 00:53:43,560
Speaker 1: I don't know. I've probably been the two hundred games

1008
00:53:43,560 --> 00:53:46,360
Speaker 1: at Fenway in my life, never heard a slurry yellity

1009
00:53:46,360 --> 00:53:49,440
Speaker 1: of the player. Now, Albert, listen, I agree, proof is

1010
00:53:49,440 --> 00:53:51,680
Speaker 1: always better, but I have no reason to call Adam

1011
00:53:51,800 --> 00:53:54,319
Speaker 1: Jones a liar. I don't see why he would. I mean,

1012
00:53:54,520 --> 00:53:56,200
Speaker 1: you know, why would he have any reason to make

1013
00:53:56,280 --> 00:53:58,080
Speaker 1: that up? But the reason I'm giving you donkey to

1014
00:53:58,200 --> 00:54:00,719
Speaker 1: day out, But it's simply because you like a black

1015
00:54:00,800 --> 00:54:05,360
Speaker 1: man being called the N word in Boston. It's outside

1016
00:54:05,440 --> 00:54:08,240
Speaker 1: the realm of Vinny and all possibilities. Okay, it's Boston,

1017
00:54:08,400 --> 00:54:10,360
Speaker 1: all right, correct me if I'm wrong. But Boston has

1018
00:54:10,440 --> 00:54:12,439
Speaker 1: historically been known as one of the most racist cities

1019
00:54:12,440 --> 00:54:15,400
Speaker 1: in America. I remember the Detroit Pistons complaining about the

1020
00:54:15,480 --> 00:54:17,680
Speaker 1: racism in Boston in the late eighties and early nineties.

1021
00:54:17,960 --> 00:54:21,320
Speaker 1: NBA Hall of Fame of Bill Russell, who won Alevian Championship,

1022
00:54:21,360 --> 00:54:24,360
Speaker 1: who won eleven championships as a playoff with the Boston Celtics,

1023
00:54:24,560 --> 00:54:27,560
Speaker 1: called the city a flea market of racism. So, Albert Brear,

1024
00:54:27,680 --> 00:54:30,080
Speaker 1: in light of history, let's not act like Adam Jones

1025
00:54:30,160 --> 00:54:32,720
Speaker 1: just made this up. Now. Albert Brea went on IG

1026
00:54:32,960 --> 00:54:36,720
Speaker 1: Live to elaborate his point. Let's hear him. If Adam

1027
00:54:36,880 --> 00:54:41,600
Speaker 1: Jones had racial source yelled at him, that is absolutely unacceptable.

1028
00:54:41,800 --> 00:54:44,600
Speaker 1: Any decent person would tell you that. Okay, I just

1029
00:54:44,640 --> 00:54:47,040
Speaker 1: spoke from my own experience. I've been over two hundred

1030
00:54:47,080 --> 00:54:50,000
Speaker 1: games in Fenway. In my life, I've lived in Texas,

1031
00:54:50,040 --> 00:54:52,480
Speaker 1: I've lived in Ohio, I've lived in the New York area.

1032
00:54:52,760 --> 00:54:55,160
Speaker 1: My dad's from Detroit. This is the least racist place

1033
00:54:55,160 --> 00:54:58,840
Speaker 1: I've ever lived. Now, my personal experience isn't everybody's personal experience,

1034
00:54:58,880 --> 00:55:01,520
Speaker 1: And I totally totally get that a lot of people

1035
00:55:01,600 --> 00:55:04,640
Speaker 1: make these sweeping generalizations about people, about rags of the

1036
00:55:04,719 --> 00:55:07,360
Speaker 1: country or whatever. The bottom line is is that this

1037
00:55:07,600 --> 00:55:11,880
Speaker 1: reputation that Boston Scott, I think it's completely unfair. As

1038
00:55:11,960 --> 00:55:14,920
Speaker 1: somebody who grew up here, I don't think it still exists.

1039
00:55:14,960 --> 00:55:18,000
Speaker 1: I think that you know, this is an outdated notion

1040
00:55:18,120 --> 00:55:20,520
Speaker 1: that that that Boston is a racist place. It bugs

1041
00:55:20,560 --> 00:55:22,879
Speaker 1: the crap out of me. Now I would agree, I'm

1042
00:55:22,880 --> 00:55:25,719
Speaker 1: not the highest grade of lead in the dispensary, But

1043
00:55:25,840 --> 00:55:28,400
Speaker 1: I don't think you would experience racism simply because no

1044
00:55:28,480 --> 00:55:33,080
Speaker 1: one at you. Yeah, yeah, like you're white, where you

1045
00:55:33,120 --> 00:55:37,000
Speaker 1: wouldn't experienced racism. The racists, No, they're being racist. And

1046
00:55:37,520 --> 00:55:39,480
Speaker 1: what I hear you saying Boston is in a racist place.

1047
00:55:39,480 --> 00:55:41,320
Speaker 1: But you're kind of outnumbered in this situation as you

1048
00:55:41,400 --> 00:55:44,040
Speaker 1: against Adam Jones, who said he experienced racism there this week.

1049
00:55:44,440 --> 00:55:46,720
Speaker 1: The Pistons experienced in in the eighties nineties. Bill Russell

1050
00:55:46,719 --> 00:55:49,360
Speaker 1: experienced it in the fifties and sixties. Former NFL defensive

1051
00:55:49,400 --> 00:55:51,520
Speaker 1: lineman garn Varius who played for the Patriots from eighty

1052
00:55:51,560 --> 00:55:53,520
Speaker 1: five to ninety one. He said he grew up in Ohio,

1053
00:55:53,680 --> 00:55:55,719
Speaker 1: went to school in California, and says he's been in

1054
00:55:55,760 --> 00:55:57,680
Speaker 1: just about every state in the country, but he has

1055
00:55:57,760 --> 00:56:00,400
Speaker 1: never been called the N word all colored boy until

1056
00:56:00,400 --> 00:56:03,719
Speaker 1: he went to Boston. So Albert, listen, Okay, it's just

1057
00:56:03,840 --> 00:56:06,239
Speaker 1: some things you don't rush to the defense too. If

1058
00:56:06,280 --> 00:56:08,279
Speaker 1: a woman said to me, Chris Brown hit me, or

1059
00:56:08,280 --> 00:56:10,920
Speaker 1: if a woman said Bill O'Reilly sexually assaulting me, I

1060
00:56:11,000 --> 00:56:12,800
Speaker 1: may want to see proof, But in light of history,

1061
00:56:13,160 --> 00:56:15,440
Speaker 1: I'm not gonna say those women align either. Okay, I'm

1062
00:56:15,480 --> 00:56:17,640
Speaker 1: not gonna come out and say I've never seen Bill

1063
00:56:17,680 --> 00:56:22,520
Speaker 1: O'Reilly sexually assault the woman. Hey, Albert, the word listen

1064
00:56:23,000 --> 00:56:26,320
Speaker 1: contains the same letters as the word silent. Sometimes you

1065
00:56:26,400 --> 00:56:29,440
Speaker 1: have to shut the hell up and just listen, Albert.

1066
00:56:29,560 --> 00:56:31,799
Speaker 1: Now was one of those times. Please give Albert Brier

1067
00:56:31,840 --> 00:56:37,680
Speaker 1: the biggest he hopleys. I'm gonna tell me what I experienced,

1068
00:56:37,719 --> 00:56:41,360
Speaker 1: I didn't experience. And always remember, if you are called

1069
00:56:41,360 --> 00:56:43,359
Speaker 1: in the N word by a white person, it's only

1070
00:56:43,440 --> 00:56:47,120
Speaker 1: one way to reply. You've got to say it right

1071
00:56:47,160 --> 00:56:50,600
Speaker 1: back till you gotta give them the same energy they

1072
00:56:50,760 --> 00:56:54,400
Speaker 1: gave you as a ballplayer. No, I don't care if

1073
00:56:54,400 --> 00:56:58,560
Speaker 1: your baya ball man. It don't matter what you are.

1074
00:56:58,640 --> 00:57:00,800
Speaker 1: Somebody call you the N word, you give them that

1075
00:57:00,920 --> 00:57:03,400
Speaker 1: same energy right back. I can ask. I love it,

1076
00:57:03,520 --> 00:57:06,040
Speaker 1: damn it. I'll call your crack ass crack in a heartbeat.

1077
00:57:06,120 --> 00:57:10,640
Speaker 1: You hear me, all right, I can give you that

1078
00:57:10,760 --> 00:57:14,120
Speaker 1: same energy you get okay with Michelle Obama, say when

1079
00:57:14,560 --> 00:57:16,920
Speaker 1: they go low, we go high. No, when they go low,

1080
00:57:16,960 --> 00:57:19,960
Speaker 1: I go right to the floor with him. Ask my goodness,

1081
00:57:20,080 --> 00:57:23,240
Speaker 1: all right, this cause a full All right, thank you

1082
00:57:23,280 --> 00:57:26,440
Speaker 1: for that dog in the day. Flow help next, ask

1083
00:57:26,640 --> 00:57:28,640
Speaker 1: a year eight hundred and five A five one on

1084
00:57:28,800 --> 00:57:31,160
Speaker 1: five one. If you need relationship advice, you can call

1085
00:57:31,240 --> 00:57:33,640
Speaker 1: you right now. Phone lines a wide open again eight

1086
00:57:33,760 --> 00:57:36,560
Speaker 1: hundred five eight five one on five one. Should put

1087
00:57:36,600 --> 00:57:38,920
Speaker 1: your live on the airs to breakfast club good morning yo.

1088
00:57:39,120 --> 00:57:40,440
Speaker 1: For one, you would have to see me when you

1089
00:57:40,480 --> 00:57:41,960
Speaker 1: come to the window, so you better have the same

1090
00:57:42,080 --> 00:57:49,840
Speaker 1: Energy the Breakfast Club Morning. Everybody is DJ Envy, Angela Yee,

1091
00:57:49,960 --> 00:57:52,880
Speaker 1: Charlomagne the God. We are the Breakfast Club. It's time

1092
00:57:52,920 --> 00:57:57,360
Speaker 1: for ask ye Hello. Who's this Hi? My name is Michelle. Michelle.

1093
00:57:57,720 --> 00:58:04,240
Speaker 1: Question go. My question is should I asked my boyfriend

1094
00:58:04,600 --> 00:58:08,720
Speaker 1: to move out until we can get our own place

1095
00:58:08,920 --> 00:58:11,280
Speaker 1: and possibly even get married. Why do you want him

1096
00:58:11,320 --> 00:58:15,480
Speaker 1: to move out? Well, because I feel like we stay

1097
00:58:15,560 --> 00:58:18,000
Speaker 1: with my family. I'm taking care of my mother and

1098
00:58:18,200 --> 00:58:20,720
Speaker 1: some other members of my family right now, and I

1099
00:58:20,840 --> 00:58:24,240
Speaker 1: just feel like with all these people around, it's causing

1100
00:58:24,360 --> 00:58:28,600
Speaker 1: us to get into it unnecessarily. Okay, so you feel

1101
00:58:28,680 --> 00:58:31,120
Speaker 1: like there's a lot of stress going on, and but

1102
00:58:31,240 --> 00:58:35,400
Speaker 1: they're not staying with you too, right, Yes, Oh, so

1103
00:58:35,520 --> 00:58:37,640
Speaker 1: you guys are all staying together and he's there also.

1104
00:58:37,840 --> 00:58:39,760
Speaker 1: You guys, So do you want to get a place

1105
00:58:40,120 --> 00:58:43,240
Speaker 1: with just you and him? Yes, me and him and

1106
00:58:43,400 --> 00:58:46,920
Speaker 1: my daughter that's the plan. Okay, But but for now,

1107
00:58:47,040 --> 00:58:48,840
Speaker 1: until you guys can get it together, you want him

1108
00:58:48,880 --> 00:58:52,520
Speaker 1: to move out? Well, I'm wondering if that should happen

1109
00:58:52,640 --> 00:58:54,760
Speaker 1: in order for us to stop arguing all the time,

1110
00:58:54,880 --> 00:58:59,080
Speaker 1: because it's mostly because of the of my family members

1111
00:58:59,160 --> 00:59:01,800
Speaker 1: that don't handle where to go. Sounds like you need

1112
00:59:01,840 --> 00:59:06,919
Speaker 1: your family members to move out, well, but the plan

1113
00:59:07,200 --> 00:59:11,160
Speaker 1: was for us to established this place here and being him,

1114
00:59:11,280 --> 00:59:13,760
Speaker 1: I and my daughter worked to go and find a

1115
00:59:13,840 --> 00:59:16,720
Speaker 1: place of our own because I've been my mom been

1116
00:59:16,800 --> 00:59:19,560
Speaker 1: living with me pretty much since I moved out the

1117
00:59:19,600 --> 00:59:21,440
Speaker 1: first time, and I was nineteen. I was in my

1118
00:59:21,480 --> 00:59:23,400
Speaker 1: own house about three months and she got up to

1119
00:59:23,560 --> 00:59:25,400
Speaker 1: with her boyfriend and came to stay with me, and

1120
00:59:25,640 --> 00:59:27,840
Speaker 1: we've been together ever since. I don't really have a

1121
00:59:27,920 --> 00:59:31,080
Speaker 1: problem with that because she's like after them. She helped

1122
00:59:31,120 --> 00:59:33,040
Speaker 1: me with my daughter, I will help with her with

1123
00:59:33,200 --> 00:59:36,240
Speaker 1: my grandmother before my grandmother died last year, So we've

1124
00:59:36,280 --> 00:59:38,320
Speaker 1: been a team. But now that I have this man

1125
00:59:39,160 --> 00:59:40,720
Speaker 1: that I loved and I want to be even as

1126
00:59:40,800 --> 00:59:43,200
Speaker 1: my husband. But were all this other stuff going on,

1127
00:59:43,800 --> 00:59:46,600
Speaker 1: it's causing friendship. Right now, I'm gonna tell you a situation.

1128
00:59:46,720 --> 00:59:49,280
Speaker 1: One of my best friends actually had something similar happened.

1129
00:59:49,360 --> 00:59:53,280
Speaker 1: She was she actually was married and her mother in

1130
00:59:53,400 --> 00:59:56,680
Speaker 1: law was staying with them, and it did cause quite

1131
00:59:56,720 --> 00:59:59,360
Speaker 1: some issues in their relationship. She was kind of bitter

1132
00:59:59,400 --> 01:00:02,320
Speaker 1: about it. They argued all the time. She felt like

1133
01:00:02,360 --> 01:00:04,920
Speaker 1: he was always taking his mother's side, which caused even

1134
01:00:05,000 --> 01:00:07,520
Speaker 1: more arguments, and things got a lot better after the

1135
01:00:07,600 --> 01:00:10,439
Speaker 1: mother moved out. So I think you and him should

1136
01:00:10,480 --> 01:00:13,280
Speaker 1: have a conversation about it and come to a mutual

1137
01:00:13,400 --> 01:00:16,440
Speaker 1: decision on whether you think that's what the real issue is.

1138
01:00:16,600 --> 01:00:18,480
Speaker 1: If he feels you should sit down with him and

1139
01:00:18,560 --> 01:00:20,440
Speaker 1: be like, listen, it feels like all we do is

1140
01:00:20,520 --> 01:00:22,600
Speaker 1: argue all the time. I know it's stressful having my

1141
01:00:22,760 --> 01:00:25,280
Speaker 1: family here, and we need to get our own place

1142
01:00:25,360 --> 01:00:27,760
Speaker 1: at some point, So in the meantime, I think it

1143
01:00:27,800 --> 01:00:29,560
Speaker 1: would be better if we're not all credit on top

1144
01:00:29,600 --> 01:00:33,080
Speaker 1: of each other and these outside influences are causing us

1145
01:00:33,120 --> 01:00:36,240
Speaker 1: to have friction. And see what his response is. Have

1146
01:00:36,360 --> 01:00:40,080
Speaker 1: you guys talked about it yet? A little bit is

1147
01:00:40,240 --> 01:00:43,280
Speaker 1: usually in the heat of some prper argument. That's the

1148
01:00:43,440 --> 01:00:46,400
Speaker 1: worst time to discuss something like that. You guys have

1149
01:00:46,520 --> 01:00:48,080
Speaker 1: to do it when you're not in the middle of

1150
01:00:48,160 --> 01:00:51,680
Speaker 1: an argument and chances are that he will agree with you. Financially.

1151
01:00:51,840 --> 01:00:53,200
Speaker 1: Is he in a position to go and get his

1152
01:00:53,280 --> 01:00:57,800
Speaker 1: own place? Yeah? Yeah, okay, A part our work long hours,

1153
01:00:57,920 --> 01:01:01,880
Speaker 1: so it's like, right, the only thing boever, Yeah, you

1154
01:01:02,000 --> 01:01:04,120
Speaker 1: know what, I think you guys should have a discussion

1155
01:01:04,120 --> 01:01:05,840
Speaker 1: about it when you're not in the middle of an argument,

1156
01:01:06,080 --> 01:01:08,280
Speaker 1: and it probably will be great for your relationship because

1157
01:01:08,280 --> 01:01:09,840
Speaker 1: then at least you have someplace to go when you

1158
01:01:09,920 --> 01:01:13,439
Speaker 1: want to get away from everybody, right right. I thought

1159
01:01:13,440 --> 01:01:17,240
Speaker 1: about saying that could be like my state, right exactly.

1160
01:01:17,400 --> 01:01:19,480
Speaker 1: So I think that is actually a great and very

1161
01:01:19,560 --> 01:01:21,960
Speaker 1: mature idea, as long as you approach him not in

1162
01:01:22,000 --> 01:01:24,600
Speaker 1: an argument like just get out, it's got to be listening.

1163
01:01:24,640 --> 01:01:27,360
Speaker 1: We gotta save our relationship. And I know a lot

1164
01:01:27,400 --> 01:01:30,440
Speaker 1: of these things are not because of us, but because

1165
01:01:30,480 --> 01:01:32,800
Speaker 1: of other stressful things happening around us, and I want

1166
01:01:32,840 --> 01:01:35,400
Speaker 1: to make sure we work on us. Absolutely. Thank you

1167
01:01:35,600 --> 01:01:37,600
Speaker 1: so much as what I can't believe I got through

1168
01:01:37,600 --> 01:01:40,520
Speaker 1: a girl. I'm glad you did. I feel good about it.

1169
01:01:41,320 --> 01:01:44,000
Speaker 1: I do too. I love you, guys. I love you.

1170
01:01:44,080 --> 01:01:48,520
Speaker 1: If you say envy you guys, just tast I love you.

1171
01:01:48,640 --> 01:01:52,120
Speaker 1: While I'm at work, your guys have a wonderful, wonderful day.

1172
01:01:52,240 --> 01:01:55,640
Speaker 1: Okn't you too? Stop shocking up? All right? Yeah? I know,

1173
01:01:56,200 --> 01:02:00,880
Speaker 1: funny you start shocking. She's shocking D five eighty five

1174
01:02:00,920 --> 01:02:03,360
Speaker 1: one oh five one to ask ye. It's the breakfast Club.

1175
01:02:03,400 --> 01:02:07,320
Speaker 1: Good morning morning. Everybody is dj Envy Angela Yee, Charlomagne

1176
01:02:07,320 --> 01:02:09,760
Speaker 1: the guy. We are the breakfast club. We're in the

1177
01:02:09,840 --> 01:02:12,280
Speaker 1: middle of ask a ye eight hundred five eighty five

1178
01:02:12,360 --> 01:02:16,080
Speaker 1: one oh five one? Hello? Who's this? Hey? What's your

1179
01:02:16,160 --> 01:02:19,600
Speaker 1: question for you? Um? I have a question. I thought

1180
01:02:19,640 --> 01:02:22,680
Speaker 1: this guy he won't tell me any day you he's

1181
01:02:22,760 --> 01:02:26,520
Speaker 1: your boyfriend? What? Well? He likes me, but she just

1182
01:02:26,680 --> 01:02:28,880
Speaker 1: won't tell me. He's Gail and if because I have

1183
01:02:29,000 --> 01:02:32,680
Speaker 1: a gay friend. He's coming on to my friend. Okay,

1184
01:02:32,760 --> 01:02:35,240
Speaker 1: so he's not getting tell your friend pot. Hold hold on,

1185
01:02:35,320 --> 01:02:38,480
Speaker 1: are you dealing Are you dealing with him? No, he

1186
01:02:38,640 --> 01:02:41,280
Speaker 1: wants to deal with me. Okay, but you just want

1187
01:02:41,320 --> 01:02:43,360
Speaker 1: to be friends or what? Or do you want to

1188
01:02:43,440 --> 01:02:46,280
Speaker 1: deal with him? I mean I do like him, but

1189
01:02:47,000 --> 01:02:50,520
Speaker 1: he's just a says he won't tell me. All right,

1190
01:02:51,000 --> 01:02:54,520
Speaker 1: gay she's coming on to her their gay friend. Yeah,

1191
01:02:54,560 --> 01:02:57,040
Speaker 1: he's coming up with my gay friend, like like what doing? What?

1192
01:02:57,400 --> 01:03:00,480
Speaker 1: What's like he's telling like he's come making comments to

1193
01:03:00,560 --> 01:03:03,360
Speaker 1: my friend, like he'll come in the ass and he'll

1194
01:03:03,400 --> 01:03:09,280
Speaker 1: do all this thing. Okay, that's pretty gay play this morning.

1195
01:03:11,600 --> 01:03:15,200
Speaker 1: So you think he's telling me that he cares for me,

1196
01:03:15,400 --> 01:03:17,840
Speaker 1: he loves me, but he don't want to lose me

1197
01:03:17,880 --> 01:03:20,400
Speaker 1: because of his situation, because he has a hard situation

1198
01:03:20,440 --> 01:03:22,880
Speaker 1: at home and I'm the only one that's there. I

1199
01:03:23,000 --> 01:03:25,480
Speaker 1: bet you got a hard situation at home. Well, you

1200
01:03:25,600 --> 01:03:30,120
Speaker 1: know what, maybe he's bisexual. But I use my friend's

1201
01:03:30,160 --> 01:03:33,080
Speaker 1: phone to pretend like I liked to him or whatever.

1202
01:03:33,080 --> 01:03:35,560
Speaker 1: And I told my friend pretend like you like him

1203
01:03:35,640 --> 01:03:38,240
Speaker 1: or whatever. But he just won't still tell me. And

1204
01:03:38,400 --> 01:03:40,800
Speaker 1: he knows that I know, but he won't still tell me.

1205
01:03:41,240 --> 01:03:42,560
Speaker 1: All right, Well, if he knows, you know, maybe he

1206
01:03:42,600 --> 01:03:45,800
Speaker 1: don't feel like he has to tell you. You already know. Yeah,

1207
01:03:45,880 --> 01:03:47,720
Speaker 1: But I just feel like I wanted him to, like,

1208
01:03:47,920 --> 01:03:49,640
Speaker 1: come out and tell me. You know what, I might

1209
01:03:49,760 --> 01:03:52,880
Speaker 1: be honest with you. Being gay for a lot of people,

1210
01:03:52,960 --> 01:03:54,960
Speaker 1: it's not an easy thing to come out and admit

1211
01:03:55,040 --> 01:03:57,800
Speaker 1: to people at certain times until you're ready to do that.

1212
01:03:58,200 --> 01:04:01,280
Speaker 1: So it's really hard to force somebody to say something

1213
01:04:01,440 --> 01:04:04,520
Speaker 1: when he might be questioning certain things himself. He might

1214
01:04:04,640 --> 01:04:06,560
Speaker 1: not want to admit it. He might not have he

1215
01:04:06,640 --> 01:04:11,800
Speaker 1: come out to his family. He no, so it seems

1216
01:04:11,840 --> 01:04:15,280
Speaker 1: like he's not fully out yet. He keeps telling me

1217
01:04:15,520 --> 01:04:18,240
Speaker 1: he cares about me, he loved me, Okay, I mean,

1218
01:04:19,040 --> 01:04:21,840
Speaker 1: but he loves men as well, and he wants to

1219
01:04:21,880 --> 01:04:24,640
Speaker 1: have sex with men. Maybe he's trying to make himself

1220
01:04:24,760 --> 01:04:27,040
Speaker 1: not be gay by saying that he loves you and

1221
01:04:27,160 --> 01:04:29,240
Speaker 1: wants to be with you, and he won't come to

1222
01:04:29,320 --> 01:04:33,040
Speaker 1: the realization that he wants to be with men. I mean,

1223
01:04:33,120 --> 01:04:34,800
Speaker 1: you have proof. You already know what it is. So

1224
01:04:34,960 --> 01:04:36,360
Speaker 1: do you really need him to admit it to you,

1225
01:04:36,480 --> 01:04:38,600
Speaker 1: being that you already know what is the proof? Though?

1226
01:04:38,720 --> 01:04:41,080
Speaker 1: I just want him to admit it because he he's

1227
01:04:41,120 --> 01:04:42,680
Speaker 1: telling me that he cares that he loves me. What

1228
01:04:42,800 --> 01:04:45,440
Speaker 1: you need to do is tell him listen, honey. And

1229
01:04:45,760 --> 01:04:50,360
Speaker 1: you know this is interesting because I read David Geffen's autobiography, well,

1230
01:04:50,480 --> 01:04:54,120
Speaker 1: biography the Operator was an unauthorized biography, and shar was

1231
01:04:54,160 --> 01:04:56,040
Speaker 1: actually engaged to him, and she said that the reason

1232
01:04:56,120 --> 01:04:57,840
Speaker 1: she didn't marry him was because she knew that he

1233
01:04:58,000 --> 01:05:00,840
Speaker 1: was gay. So it seems like, you know he's gay,

1234
01:05:00,960 --> 01:05:02,840
Speaker 1: he hasn't come out because he hasn't come to grips

1235
01:05:02,880 --> 01:05:04,680
Speaker 1: with the fact that he's gay. He's not ready to

1236
01:05:04,760 --> 01:05:06,640
Speaker 1: just come out with it yet. So you need to

1237
01:05:07,360 --> 01:05:09,840
Speaker 1: be understanding of that because that's a really hard situation.

1238
01:05:09,960 --> 01:05:12,120
Speaker 1: For a lot of people, and you need to tell him. Listen,

1239
01:05:12,160 --> 01:05:14,439
Speaker 1: no matter what it is, I'm here for you. I'm

1240
01:05:14,480 --> 01:05:16,680
Speaker 1: aware of your situation. I know what it is, and

1241
01:05:16,760 --> 01:05:19,480
Speaker 1: when you're ready to talk about it, I'm here. I did.

1242
01:05:19,840 --> 01:05:22,760
Speaker 1: But it just feel I just feel like a lot

1243
01:05:22,800 --> 01:05:25,360
Speaker 1: of times we know things in general about people. We

1244
01:05:25,480 --> 01:05:28,280
Speaker 1: have evidence. You have all the evidence, you have all

1245
01:05:28,320 --> 01:05:30,480
Speaker 1: the proofs. You know what it is because she saw

1246
01:05:30,560 --> 01:05:34,040
Speaker 1: the text messages and she pretending to be hid an

1247
01:05:34,040 --> 01:05:37,120
Speaker 1: egg plane emoji to your friend. Huh did you send

1248
01:05:37,120 --> 01:05:40,280
Speaker 1: an egg plane emoji? Yeah? Oh man, Well he's gay,

1249
01:05:40,520 --> 01:05:46,160
Speaker 1: all right, so yeah, come on this. You don't really

1250
01:05:46,280 --> 01:05:48,840
Speaker 1: need him to You already know what it is. And

1251
01:05:48,920 --> 01:05:51,240
Speaker 1: when he's ready to tell you, here, tell you what

1252
01:05:51,520 --> 01:05:53,600
Speaker 1: are you talking about? Charlotaigne says it all the time

1253
01:05:53,640 --> 01:05:58,520
Speaker 1: to envy, and he doesn't think he's gay. But listen,

1254
01:05:58,720 --> 01:06:00,480
Speaker 1: here's that The thing is, when he's ready to tell you,

1255
01:06:00,520 --> 01:06:02,920
Speaker 1: how to tell you. But in general and life, if

1256
01:06:02,960 --> 01:06:05,960
Speaker 1: you're seeing the evidence, you know the truth. Why do

1257
01:06:06,000 --> 01:06:08,200
Speaker 1: you need somebody to just say it to you? It

1258
01:06:08,320 --> 01:06:10,080
Speaker 1: doesn't make sense to me. And I'm gonna come clean.

1259
01:06:10,520 --> 01:06:13,600
Speaker 1: Oh I just want him. I told him like, I

1260
01:06:13,680 --> 01:06:15,480
Speaker 1: don't care what I've seen him, like long sex, what

1261
01:06:15,600 --> 01:06:17,400
Speaker 1: she is telling me, telling him that I don't care

1262
01:06:17,480 --> 01:06:19,800
Speaker 1: where he is. I'm still gonna be there for him.

1263
01:06:20,000 --> 01:06:21,960
Speaker 1: Just tell me the truth. It ain't love me. You

1264
01:06:22,080 --> 01:06:24,160
Speaker 1: love me, and when and when he's ready, he will.

1265
01:06:24,240 --> 01:06:25,840
Speaker 1: But you're not going to be with him anyway. So

1266
01:06:26,080 --> 01:06:30,520
Speaker 1: what's your Instagram? Baby? What's your Instagram? Astute more A

1267
01:06:31,160 --> 01:06:34,960
Speaker 1: s H L E y Yeah, m O O r E. Yeah.

1268
01:06:35,640 --> 01:06:36,800
Speaker 1: He said you want to come clean? What you want

1269
01:06:36,800 --> 01:06:39,280
Speaker 1: to come clean? You got to verify check h that

1270
01:06:39,400 --> 01:06:42,560
Speaker 1: ain't you actually more? All right, Ashley, thank you so

1271
01:06:42,720 --> 01:06:44,320
Speaker 1: much for calling them. When he's ready to tell you,

1272
01:06:44,720 --> 01:06:47,840
Speaker 1: he'll tell you. The reason the guy likes you is

1273
01:06:47,880 --> 01:06:50,880
Speaker 1: because you look like a man. Stop stop it, stop

1274
01:06:51,000 --> 01:06:53,800
Speaker 1: and stop to ask you a five five one O

1275
01:06:53,960 --> 01:06:56,640
Speaker 1: five one because of the whole vagina thing, you know?

1276
01:06:58,040 --> 01:07:00,840
Speaker 1: All right? Yeah, where you're gonna get into this Blackish

1277
01:07:00,960 --> 01:07:03,200
Speaker 1: alleged spinoff happening and we'll tell you he's going to

1278
01:07:03,240 --> 01:07:06,960
Speaker 1: be the guest star on tonight. Also Joe Button and

1279
01:07:07,240 --> 01:07:11,200
Speaker 1: Academics with Little Yaddi. This interview got a little crazy

1280
01:07:11,240 --> 01:07:13,520
Speaker 1: because Joe Button just wants you to not be happy

1281
01:07:13,560 --> 01:07:16,160
Speaker 1: all the time. Budden is the hip hop grinch. Okay,

1282
01:07:16,240 --> 01:07:18,320
Speaker 1: here's the grinch that stole trap music. That's who Joe

1283
01:07:18,360 --> 01:07:20,000
Speaker 1: Budden is. All right, we'll get into it when we

1284
01:07:20,080 --> 01:07:21,640
Speaker 1: come back. Keep it locked. This is the Breakfast Club,

1285
01:07:21,680 --> 01:07:32,760
Speaker 1: Go bre This is the Ruble Report with Angela yet So,

1286
01:07:33,240 --> 01:07:35,800
Speaker 1: Joe Button and Academics have a show on Complex called

1287
01:07:35,880 --> 01:07:39,760
Speaker 1: Everyday Struggle. And everyone was talking about this interview today,

1288
01:07:39,920 --> 01:07:42,960
Speaker 1: yesterday and today they were talking about the Little Yaddi interview,

1289
01:07:43,040 --> 01:07:45,840
Speaker 1: and Joe Button seems to have some issues with Little

1290
01:07:45,920 --> 01:07:48,400
Speaker 1: Yaddi and all Little Yaddi ones. You know, it's to

1291
01:07:48,480 --> 01:07:50,680
Speaker 1: enjoy life. You even have to finish that sentence. Joe

1292
01:07:50,720 --> 01:07:53,320
Speaker 1: Buden has some issues. That's who makes some Joe Budden

1293
01:07:53,560 --> 01:07:56,400
Speaker 1: all right, Well, here he is asking Little Yaddi about

1294
01:07:56,880 --> 01:07:59,920
Speaker 1: his three sixty deal, allegedly that you know, he doesn't

1295
01:08:00,160 --> 01:08:01,840
Speaker 1: you have one, and Little Yaddi doesn't seem to know

1296
01:08:01,880 --> 01:08:06,040
Speaker 1: what it is. And here's what else happened. Oh, you

1297
01:08:06,040 --> 01:08:08,600
Speaker 1: don't know you're getting three sixty. I don't know. Oh

1298
01:08:09,400 --> 01:08:11,160
Speaker 1: don't to me, don't know? You know if you were

1299
01:08:11,200 --> 01:08:13,400
Speaker 1: the three sixty are they getting the cut of that

1300
01:08:13,440 --> 01:08:17,479
Speaker 1: spright that spright commercial check. You know, I mean, I know,

1301
01:08:17,760 --> 01:08:19,639
Speaker 1: I know I've got an amazing deal. I have an

1302
01:08:19,640 --> 01:08:22,280
Speaker 1: amazing attorney. But you don't know if you're the three.

1303
01:08:22,560 --> 01:08:23,920
Speaker 1: If you don't know you're the three sixty or the

1304
01:08:23,920 --> 01:08:26,880
Speaker 1: three sixty, you know what the three I'm not? I

1305
01:08:26,960 --> 01:08:30,120
Speaker 1: mean you and coach you coach, I had that conversation.

1306
01:08:30,720 --> 01:08:34,160
Speaker 1: You do know what the three sixty? I heard about it.

1307
01:08:34,640 --> 01:08:36,560
Speaker 1: Maybe I'm giving Little Yaddi too much credit, but in

1308
01:08:36,600 --> 01:08:39,200
Speaker 1: the forty Laws of Power, it says a pair dumbing

1309
01:08:39,360 --> 01:08:41,360
Speaker 1: a dumbing in your mark players sucker to catch a sucker.

1310
01:08:41,400 --> 01:08:42,759
Speaker 1: The first thing that came out of a Little Yaddi's

1311
01:08:42,800 --> 01:08:45,120
Speaker 1: mouth for us, I don't know, do I He was

1312
01:08:45,200 --> 01:08:47,240
Speaker 1: playing dumb, but I think he just didn't want to

1313
01:08:47,280 --> 01:08:49,920
Speaker 1: answer the question, so he just wasn't who talks about

1314
01:08:49,960 --> 01:08:52,439
Speaker 1: their deals giving information? Well, I can't say that this

1315
01:08:52,560 --> 01:08:54,160
Speaker 1: is hip hop, but I don't want. I don't talk

1316
01:08:54,200 --> 01:08:55,800
Speaker 1: about deals and money and stuff like that the time

1317
01:08:55,800 --> 01:08:57,200
Speaker 1: of your business. Yeah, just be like, I don't know,

1318
01:08:57,720 --> 01:09:01,160
Speaker 1: all right. He also tells little Yeah, there's no way

1319
01:09:01,240 --> 01:09:06,760
Speaker 1: he's happy, happy every day because life is moving in

1320
01:09:06,920 --> 01:09:10,120
Speaker 1: such a positive way. I can't get slowed down. This

1321
01:09:10,280 --> 01:09:12,600
Speaker 1: is a very media trained answer. Let me tell you

1322
01:09:12,640 --> 01:09:15,439
Speaker 1: about how humans are. Feelings are fickle. What that means

1323
01:09:15,600 --> 01:09:18,040
Speaker 1: is they come and they go. Nobody is one thing

1324
01:09:18,160 --> 01:09:21,160
Speaker 1: forever You cannot tell me. You would be the line

1325
01:09:21,520 --> 01:09:23,160
Speaker 1: to tell me that as a young man, how old

1326
01:09:23,160 --> 01:09:26,719
Speaker 1: are you in this industry? You are happy? Twenty four seven?

1327
01:09:26,960 --> 01:09:29,439
Speaker 1: That is a lot. That is That is bulls, and

1328
01:09:29,560 --> 01:09:34,520
Speaker 1: I refuse to have somebody tell me bulls. Drop clumbs

1329
01:09:34,560 --> 01:09:37,640
Speaker 1: with Joe Budden, Okay, fix your life. Joe Budden is

1330
01:09:37,680 --> 01:09:40,280
Speaker 1: degree test old trap music, and I'm gonna say that

1331
01:09:40,360 --> 01:09:42,880
Speaker 1: interview is gold. But Little Yadi won that debate, Okay.

1332
01:09:42,920 --> 01:09:44,719
Speaker 1: I listen to Joe Budden, I listen to this podcast.

1333
01:09:44,840 --> 01:09:47,880
Speaker 1: I watch every day Struggle, and I do respect the

1334
01:09:47,920 --> 01:09:50,439
Speaker 1: fact Joe said all that the Little Yaddi's face though,

1335
01:09:50,479 --> 01:09:52,760
Speaker 1: because for whatever reason, this era likes to celebrate people

1336
01:09:52,800 --> 01:09:54,760
Speaker 1: who talk about people instead of talking to them. I

1337
01:09:54,880 --> 01:09:57,200
Speaker 1: like when personalities say what they have to say to

1338
01:09:57,360 --> 01:10:00,560
Speaker 1: the artists. Keep that same energy when the artist is

1339
01:10:00,640 --> 01:10:03,360
Speaker 1: there as you have when the artist isn't around. But

1340
01:10:03,840 --> 01:10:05,960
Speaker 1: sluth to Joe Buden, He's got problems, but I enjoy

1341
01:10:06,040 --> 01:10:08,960
Speaker 1: watching them, all right, x NBA star Brandon Roy was

1342
01:10:09,160 --> 01:10:14,720
Speaker 1: shot while shielding kids from gunfire outside of his grandmother's house. Okay, yes,

1343
01:10:14,880 --> 01:10:17,240
Speaker 1: he was shot in the leg early Wednesday morning. Now

1344
01:10:17,280 --> 01:10:20,839
Speaker 1: according to what was reported early Wednesday morning. Now, according

1345
01:10:20,880 --> 01:10:24,200
Speaker 1: to sources, he actually ended up getting treatment in California

1346
01:10:24,280 --> 01:10:27,040
Speaker 1: before returning to his home in Washington State. They expect

1347
01:10:27,120 --> 01:10:29,799
Speaker 1: he will make a full recovery. But he was shielding

1348
01:10:29,840 --> 01:10:32,519
Speaker 1: those kids, and he has not yet spoken publicly about

1349
01:10:32,560 --> 01:10:35,200
Speaker 1: what got drive by is it's more to the story

1350
01:10:35,320 --> 01:10:36,640
Speaker 1: like it was going on. What I don't think they know.

1351
01:10:36,640 --> 01:10:38,280
Speaker 1: I don't think they got all the details yet. Yeah,

1352
01:10:38,320 --> 01:10:40,519
Speaker 1: they haven't put out all the details yet. He hasn't

1353
01:10:40,560 --> 01:10:42,920
Speaker 1: spoken about it publicly yet. But apparently there was a

1354
01:10:43,000 --> 01:10:45,439
Speaker 1: shooting and they said it may have been a gang

1355
01:10:45,479 --> 01:10:48,000
Speaker 1: related shooting, and he was shielding the kids there were

1356
01:10:48,040 --> 01:10:50,920
Speaker 1: outside his grandmother's house and that's how he got shot,

1357
01:10:51,479 --> 01:10:54,559
Speaker 1: all right. Nicki Minajs has revealed that she has another

1358
01:10:54,600 --> 01:10:57,519
Speaker 1: fashion collaboration coming She was at the met galip You

1359
01:10:57,560 --> 01:11:00,200
Speaker 1: guys saw what she had on. She was wearing him

1360
01:11:00,520 --> 01:11:03,439
Speaker 1: and this is why I have a special collaboration coming

1361
01:11:03,479 --> 01:11:06,320
Speaker 1: out this fall. And so they are addressing me for

1362
01:11:06,880 --> 01:11:10,200
Speaker 1: the Knights and they nailed it all right, So she

1363
01:11:10,320 --> 01:11:12,040
Speaker 1: got a lot going on. And for all of you

1364
01:11:12,160 --> 01:11:15,680
Speaker 1: Blackish stars, by the way, all right, Trevor Jackson is

1365
01:11:15,720 --> 01:11:19,360
Speaker 1: going to be making an appearance as Zoe's love interest.

1366
01:11:19,439 --> 01:11:22,760
Speaker 1: Here's a little clip from black Ish. Excuse me, queen,

1367
01:11:22,840 --> 01:11:25,720
Speaker 1: would you be interested in joining the BSU? Yes? Yes,

1368
01:11:25,880 --> 01:11:30,719
Speaker 1: I am as a miking? What is the BU Black

1369
01:11:31,560 --> 01:11:34,920
Speaker 1: Student Union? This is basic stuff. I mean, how great

1370
01:11:34,920 --> 01:11:36,519
Speaker 1: would it be for me not to know what people

1371
01:11:36,560 --> 01:11:40,640
Speaker 1: Black Student Union is? Right? Because you're you're black m

1372
01:11:41,560 --> 01:11:43,800
Speaker 1: you can know to really be crazy as someone thought

1373
01:11:43,840 --> 01:11:46,400
Speaker 1: that you were a breeding representative of the VSU a

1374
01:11:46,520 --> 01:11:48,600
Speaker 1: new hype of a Chinese rinkle dog, which is a

1375
01:11:48,680 --> 01:11:53,040
Speaker 1: mixture of the ban But you're not correct, Shirley, Well,

1376
01:11:53,280 --> 01:11:56,880
Speaker 1: you know, Professor Telfy. Professor. Now what's exciting about this?

1377
01:11:56,960 --> 01:11:59,760
Speaker 1: This is actually the blackest spinoff that everyone's been talking

1378
01:11:59,760 --> 01:12:02,960
Speaker 1: about out when the oldest child, Zoe played by Yara Shahiti,

1379
01:12:03,120 --> 01:12:05,599
Speaker 1: is going to be going to college and the same

1380
01:12:05,680 --> 01:12:07,640
Speaker 1: Dion Cole is going to be there as well. His

1381
01:12:07,840 --> 01:12:12,599
Speaker 1: character will be there. He's actually an adjunct professor at

1382
01:12:12,640 --> 01:12:14,559
Speaker 1: the college, so he'll be on the spin off as well,

1383
01:12:15,000 --> 01:12:17,559
Speaker 1: so it should be pretty exciting. I'm excited for her

1384
01:12:17,560 --> 01:12:20,160
Speaker 1: to get her own show. All right, I'm Angela Yee

1385
01:12:20,200 --> 01:12:22,640
Speaker 1: and that is your rumor report. All right, thank you,

1386
01:12:22,840 --> 01:12:25,479
Speaker 1: miss Yee. Up next, as the People's Choice makes you

1387
01:12:25,520 --> 01:12:28,519
Speaker 1: want to hear something at DJ Envy or eight hundred

1388
01:12:28,600 --> 01:12:31,080
Speaker 1: five eighty five one oh five one Revolte. We'll see

1389
01:12:31,120 --> 01:12:33,599
Speaker 1: you guys tomorrow. It's the Breakfast Local Morning