WEBVTT - Luke’s Diner: You Are Top Chef

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<v Speaker 1>I am all in again.

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<v Speaker 2>Let's do Luke's Diner with Scott Patterson, an iHeartRadio podcast.

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<v Speaker 1>Everybody Scott Patterson, I Am All In Podcast Luke's Diner. Addition,

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<v Speaker 1>we have a really really special guest. His name is

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<v Speaker 1>Michael Voltaggio and he is a really, really, really dynamic chef,

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<v Speaker 1>one of the big forces in modern American cuisine, Michelin

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<v Speaker 1>star chef, Acclaim Television personality, visionary entrepreneur known for blending precision, creativity,

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<v Speaker 1>cultural relevance. Since winning Top Chef Season six, Michael has

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<v Speaker 1>built a brand that moves fluidly between high end dining, media,

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<v Speaker 1>lifestyle innovation. He has co founded Volcania, an Alpine Italian

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<v Speaker 1>an Alpine Italian. Listen to that, an Alpine Italian American

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<v Speaker 1>restaurant at Mammoth Mountain Resort. The resume is so long,

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<v Speaker 1>you know, let's get into the Mercado twenty eight, which

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<v Speaker 1>you sent me a couple bottles of. You know, I've

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<v Speaker 1>got maybe a couple of shots left on the Blanco.

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<v Speaker 1>But man, we had a time, buddy. Thank you for

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<v Speaker 1>the course, of course, and it mixes beautifully with everything.

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<v Speaker 1>You can do it straight, you can do it all

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<v Speaker 1>the rocks. You can mix it. Oh, it's just beautiful stuff. Man,

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<v Speaker 1>thank you for that much.

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<v Speaker 2>Abre this is this is the best commercial I've ever had,

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<v Speaker 2>So thank you for everything. Across the board and on screen.

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<v Speaker 1>Michael's still on a food network. He's a fixture there.

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<v Speaker 1>He's on Bobby's Triple Threat, He's on Guys Grocery Games,

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<v Speaker 1>Beat Bobby Flay co hosting Battle of the Brothers with

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<v Speaker 1>his brother Brian. Welcome Michael, how are you?

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<v Speaker 2>Thank you? I mean, I feel like the whole podcast

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<v Speaker 2>could have been my intro, so I appreciate that.

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<v Speaker 1>Oh well, that's it. That's all we're doing, so goodbye.

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<v Speaker 1>Let's get into it man. Yeah, how'd your first get

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<v Speaker 1>into cooking?

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<v Speaker 2>I mean a lot you'll hear the same story from

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<v Speaker 2>a lot of chefs, but for me, it was very similar.

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<v Speaker 2>I was young, getting in trouble, blah blah blah. I

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<v Speaker 2>needed money. I mean, I was fifteen years old. I

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<v Speaker 2>needed to buy a car. Ultimately, I was out of

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<v Speaker 2>my house at the age of sixteen. So I was

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<v Speaker 2>in high school, paying rent on an apartment, playing full

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<v Speaker 2>time football or working full time playing football at school,

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<v Speaker 2>and by default ended up in the kitchen. I needed

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<v Speaker 2>a job, and then I just I didn't realize that

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<v Speaker 2>like thirty years would go by and I still have

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<v Speaker 2>the same job. So I guess it was all worth

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<v Speaker 2>it for sure. But yeah, sometimes you just get that

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<v Speaker 2>little bit of motivation to go figure out what you

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<v Speaker 2>want to be when you grow up, and you don't

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<v Speaker 2>realize that you're already doing it at such a young age.

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<v Speaker 1>Right, right, So you co founded an Italian American restaurant,

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<v Speaker 1>Mammoth Mountain Resort. I mean, I personally love the mountains.

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<v Speaker 1>I'm a big skier, grew up scan I grew up

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<v Speaker 1>in New Jersey where there were no mountains, so I

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<v Speaker 1>really just like pined for like real mountains, and I

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<v Speaker 1>got them and I love them. Tell me why you

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<v Speaker 1>chose to open a restaurant in the mountains, Well, I.

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<v Speaker 2>Mean we have right now. My brother and I have

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<v Speaker 2>three restaurants. We've got Full Kanye, which is at Maamth

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<v Speaker 2>like you mentioned. We've got Voltajo Brother's Steakhouse, which is

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<v Speaker 2>going on almost ten years old now with MGM as

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<v Speaker 2>our partner in National Harbor, which is in Maryland. And

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<v Speaker 2>then we just opened another restaurant called Wyoak which is

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<v Speaker 2>in our hometown where we grew up in Frederick, Maryland.

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<v Speaker 2>So it's just another extension of our story. I mean

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<v Speaker 2>Anya when we were going to name that restaurant, Volcanyo

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<v Speaker 2>was the name of the ship that brought the Voltagios,

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<v Speaker 2>the first Voltagios allegedly to the US and so, and

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<v Speaker 2>it also means volcano and mammoth actually sits an a

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<v Speaker 2>dormant volcano. And so I came up with that whole

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<v Speaker 2>narrative in my head and then we just my brother

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<v Speaker 2>and I knew that it was going to be challenging

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<v Speaker 2>to get food up to the mountain given its location

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<v Speaker 2>in the terrain. So as long as we had flour

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<v Speaker 2>and water, we could open the restaurant. And so we

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<v Speaker 2>make all of our pasta and we make all of

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<v Speaker 2>our pizza do there. So with those two ingredients we

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<v Speaker 2>can do we can feed people. And then it just

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<v Speaker 2>became sort of a solution. I think there's a built

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<v Speaker 2>in audience obviously, but there are the challenges of the elements,

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<v Speaker 2>and so for us, it was how do you satisfy

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<v Speaker 2>that with hospitality, And that was making sure that we

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<v Speaker 2>always had food to serve people.

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<v Speaker 1>And that's year round operation. It's just not during ski season.

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<v Speaker 1>You're open summer, You're open all year round.

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<v Speaker 2>Oh yeah, I mean people are up there mountain biking,

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<v Speaker 2>swimming in the hot springs, hiking, all that good stuff.

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<v Speaker 2>I mean very short what we call shoulder seasons where

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<v Speaker 2>it slows down, but honestly, we need that time to reset.

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<v Speaker 2>Our team gets crushed. I mean from through the entire winter,

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<v Speaker 2>We're doing anywhere from four to four hundred and fifty

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<v Speaker 2>people to five hundred people the day up there, and

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<v Speaker 2>it's just, yeah, we're super stoked. A lot of people

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<v Speaker 2>from LA that missed the restaurants that I had here

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<v Speaker 2>drive up there and are sort of stoked because I'm

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<v Speaker 2>not currently operating a restaurant in Los Angeles.

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<v Speaker 1>So what's the go to dish being served up there?

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<v Speaker 1>What's the most popular.

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<v Speaker 2>We created a dish called the Voltagios. We are making

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<v Speaker 2>our own Annalidi pasta, which looks like spaghettios. We're making

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<v Speaker 2>and amlsified a rabiata sauce that has brown butter i'mulsified

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<v Speaker 2>into it with colabory and chili. We put it in

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<v Speaker 2>a stainless steel can and we pour it tableside, just

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<v Speaker 2>like spaghettios back in the day, So that's become a

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<v Speaker 2>staple for us up there. But also it's just like

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<v Speaker 2>it's comforting, it's comfort food. We're serving Italian American comfort

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<v Speaker 2>food up there. We want to give people their carbs

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<v Speaker 2>during a time when I think they feel like they're

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<v Speaker 2>allowed to eat them, which is extreme sports all day,

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<v Speaker 2>carb overload at night. And then we've got meat, fish, salads,

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<v Speaker 2>things like that. But we make everything in the house

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<v Speaker 2>and it was important for us to be able to

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<v Speaker 2>do that beautiful.

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<v Speaker 1>So you and your brother you mentioned you have a

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<v Speaker 1>steakhouse called Wyoak Tavern, and that's why Oak.

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<v Speaker 2>Is our sort of modern hubs slash chop house, but

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<v Speaker 2>a little bit more elevated. And that's built in like

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<v Speaker 2>a two hundred year old decommissioned Catholic school. The Catholic

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<v Speaker 2>Church came and like blessed, blessed us to do our

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<v Speaker 2>thing in there. We've got the original stained glass in

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<v Speaker 2>the restaurant itself. It's attached to a hotel, the first

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<v Speaker 2>hotel of it's kind in our hometown, the Visitation hotel,

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<v Speaker 2>which is for us for me personally cool because now

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<v Speaker 2>I can go back and visit my mom and not

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<v Speaker 2>sleep on my brother's couch. So there's a hotel attached

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<v Speaker 2>to the restaurant. And then Voltajio Brothers Steakhouse MGM has

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<v Speaker 2>been a partner, a great partner to us for the

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<v Speaker 2>past over eight years now. And so that restaurant, which

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<v Speaker 2>sits on National Harbor right across the bridge from Washington, DC,

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<v Speaker 2>right on the Potomac River, that's like a steakhouse. We

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<v Speaker 2>built it to look like a house, so living room,

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<v Speaker 2>a dining room, kitchen, it's a steakhouse, like a like

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<v Speaker 2>pun intended steakhouse.

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<v Speaker 1>And we have to talk about being a Michelin starred chef.

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<v Speaker 1>What is the process like when being considered for a

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<v Speaker 1>Michelin start any does anyone give the restaurant a heads

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<v Speaker 1>up or is it a complete surprise.

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<v Speaker 2>No. When I was in my late twenties living in Hillsburg, California,

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<v Speaker 2>working for a chef named Charlie Palmer, I had just

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<v Speaker 2>taken over the restaurant as the executive chef. Charlie gave

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<v Speaker 2>me of autonomy to recreate the menu and sort of

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<v Speaker 2>do it my own way, with obviously his blessing along

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<v Speaker 2>the way. And after getting the menu implemented. We got

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<v Speaker 2>a great review from the San Francisco Chronicle. There was

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<v Speaker 2>this surprise that the Michelin Guide was coming out and

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<v Speaker 2>we received a star, and I did what anyone else

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<v Speaker 2>probably shouldn't do, And at that time I sort of

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<v Speaker 2>transitioned out and went back east. I was like, well,

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<v Speaker 2>there's only one way to go from here, So I

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<v Speaker 2>thank you for this, and I was just I knew

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<v Speaker 2>in that moment that I was going to be looking

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<v Speaker 2>for opportunities to sort of control and drive my own

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<v Speaker 2>narrative from there. And so for me when I received,

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<v Speaker 2>when we received that, as a team, I felt a

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<v Speaker 2>responsibility to then go out. And anytime you get recognition,

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<v Speaker 2>you have this pressure, this accountability to maintain whatever standard

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<v Speaker 2>the public has created for you. And so oftentimes that

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<v Speaker 2>happens to me annually, like something will happen where now

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<v Speaker 2>I get sort of self conscious and I have to

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<v Speaker 2>go back and prove something. And so for thirty two

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<v Speaker 2>years I've been cooking, I just have this innate pressure

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<v Speaker 2>on myself to do better. And so when that happened,

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<v Speaker 2>it wasn't like, hey, great job, Michelin star. It was

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<v Speaker 2>like now what okay, Now what are you going to

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<v Speaker 2>do to get better and to do better and provide

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<v Speaker 2>more hospitality and so. And I know that sounds kind

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<v Speaker 2>of sales pitchy, but some of us got into this

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<v Speaker 2>industry long before social media and any of that stuff,

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<v Speaker 2>and it wasn't about We weren't even talking really about

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<v Speaker 2>celebrity chefs when I started cooking. And so for me,

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<v Speaker 2>it was a job, it was a craft, it was

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<v Speaker 2>a it was a trade that I learned to support myself.

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<v Speaker 2>And every time you get those nods, it's like, oh, wow, Okay,

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<v Speaker 2>this is really super cool that I get these opportunities.

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<v Speaker 2>But I get that recognition and it makes me just

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<v Speaker 2>want to work.

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<v Speaker 1>So you've been on many cooking shows. What draws you

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<v Speaker 1>to them?

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<v Speaker 2>Originally? When I did, the first one I did was

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<v Speaker 2>Top Chef, and I remember watching it. I remember thinking

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<v Speaker 2>to myself, Wow, there's some really good cooks on this show.

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<v Speaker 2>I'd never seen restaurant chefs really on TV doing what

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<v Speaker 2>we do in our restaurants in a competitive environment with

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<v Speaker 2>cameras in their face, and so I was really intrigued

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<v Speaker 2>by that. I watched it as a fan and Marcel

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<v Speaker 2>and your own who was a contestant on the show

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<v Speaker 2>at the time, and I would say, like one of

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<v Speaker 2>the more recognized ones. When that show was started out,

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<v Speaker 2>Like in the beginning, Marcel was like, I'm like, this

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<v Speaker 2>guy's famous. He applied for a job as a soue

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<v Speaker 2>chef when I was sous chef when I was opening

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<v Speaker 2>the Bazaar with Jseandres in La and I was to

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<v Speaker 2>be the executive chef of the hotel. And I was like, wow,

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<v Speaker 2>this is random. This guy just came off of the show.

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<v Speaker 2>He's applying for a sue chef job. What's the deal?

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<v Speaker 2>Interviewed them, and similar vibes to what I'm saying now.

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<v Speaker 2>He felt that same pressure to go back and like okay,

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<v Speaker 2>now prove all the hype. And so he came to

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<v Speaker 2>work with us, and one day we were joking around

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<v Speaker 2>and I was like, a haha, top chef that I

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<v Speaker 2>could have won that, and he's like, well, if you

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<v Speaker 2>think it's so easy, why don't you go do it?

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<v Speaker 2>And I'm like, fine, I will, And so I applied,

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<v Speaker 2>got on the show and competed and won and so

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<v Speaker 2>from there, anytime you get a little piece of show business,

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<v Speaker 2>I would say there's a sort of addiction attached to that,

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<v Speaker 2>like you get a taste for it and you're like, wait,

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<v Speaker 2>this is really neat, this is cool. I can't believe

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<v Speaker 2>I get to do this, because not many people do

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<v Speaker 2>in the world. And now they can, obviously with these things,

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<v Speaker 2>but to be able to get pooled from society and

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<v Speaker 2>go do something like that and get recognized like that,

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<v Speaker 2>and then the opportunity is to sort of share that

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<v Speaker 2>part of yourself with people that aren't necessarily eating in

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<v Speaker 2>the restaurants, but then drive them back to your restaurants.

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<v Speaker 2>And so now I looked at it, or now I

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<v Speaker 2>look at it as and I think back then even

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<v Speaker 2>more so as another discipline, another thing I could learn

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<v Speaker 2>how to do. I was this introverted like I'm a

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<v Speaker 2>serious chef and I'm going to keep my head down

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<v Speaker 2>and no one needs to talk to me and I'm

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<v Speaker 2>so cool and blah blah blah. To like, wait a second,

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<v Speaker 2>that's not hospitality, And I think food television actually became

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<v Speaker 2>a conduit to extend more hospitality to more people. So

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<v Speaker 2>then I was like, Okay, I want to do more

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<v Speaker 2>of this, and I mean, who doesn't. Food network is

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<v Speaker 2>ultimately the goal for every I feel like it's called

0:12:34.080 --> 0:12:37.560
<v Speaker 2>the Food Network, Like what do people watch that to see?

0:12:37.600 --> 0:12:41.000
<v Speaker 2>They seek food and cooking. So my goal was to

0:12:41.000 --> 0:12:44.720
<v Speaker 2>get onto the Food Network. And They've been so good

0:12:44.720 --> 0:12:47.000
<v Speaker 2>to me over the years, and I've gotten to get

0:12:47.000 --> 0:12:49.560
<v Speaker 2>mentored by the best I mean from Bobby to Guy

0:12:49.720 --> 0:12:54.440
<v Speaker 2>to I mean everyone to Amberell who we just lost yesterday,

0:12:54.559 --> 0:12:57.400
<v Speaker 2>and the list goes on and on and on of

0:12:57.440 --> 0:13:01.280
<v Speaker 2>the people that within that network. I got to learn

0:13:01.360 --> 0:13:03.199
<v Speaker 2>under no different than I learned under a lot of

0:13:03.200 --> 0:13:05.600
<v Speaker 2>the executive chefs and chefs that I worked for, just

0:13:05.679 --> 0:13:07.800
<v Speaker 2>learning how to cook, and so it was another skill set.

0:13:08.000 --> 0:13:10.800
<v Speaker 1>So what was it like competing against your brother on

0:13:10.920 --> 0:13:14.200
<v Speaker 1>top chef the chef? Did it cause some family tension?

0:13:14.320 --> 0:13:17.199
<v Speaker 1>Was he happier or was he a little salty? When

0:13:17.240 --> 0:13:17.640
<v Speaker 1>you want?

0:13:18.120 --> 0:13:19.480
<v Speaker 2>It was a little It was a little awkward. It

0:13:19.520 --> 0:13:23.319
<v Speaker 2>was a little awkward for a while there. It divided

0:13:23.400 --> 0:13:25.920
<v Speaker 2>us for sure. I mean I think that not not

0:13:26.360 --> 0:13:28.920
<v Speaker 2>by intention or design. It just our goal was to

0:13:28.920 --> 0:13:30.760
<v Speaker 2>get each other to the end or get to the end,

0:13:30.760 --> 0:13:33.319
<v Speaker 2>and it happened and that was all real, Like there

0:13:33.320 --> 0:13:36.840
<v Speaker 2>was nothing produced about it. We just both you know,

0:13:36.960 --> 0:13:39.800
<v Speaker 2>sort of fought our way through that entire competition, and

0:13:39.800 --> 0:13:41.360
<v Speaker 2>then when it came down to the two of us

0:13:41.360 --> 0:13:46.800
<v Speaker 2>and a third Kevin Billss there my boss Sam and

0:13:46.800 --> 0:13:50.119
<v Speaker 2>Azarian who owned the SLS Hotel that I had left

0:13:50.720 --> 0:13:53.360
<v Speaker 2>to go to top chef to do uh. He was

0:13:53.360 --> 0:13:56.600
<v Speaker 2>sitting at the table while I was cooking. So there

0:13:56.640 --> 0:14:00.040
<v Speaker 2>was a lot of pressure. And did it divided? I

0:14:00.080 --> 0:14:01.920
<v Speaker 2>did us for a long time that it sort of

0:14:01.960 --> 0:14:05.200
<v Speaker 2>inspired this separation where my brother and I ran different

0:14:05.240 --> 0:14:09.600
<v Speaker 2>professional directions I would say secretly, like rooting for each other,

0:14:09.679 --> 0:14:13.240
<v Speaker 2>but not publicly and not to each other. To fast

0:14:13.240 --> 0:14:15.160
<v Speaker 2>forward to today, that was the dumbest thing we could

0:14:15.160 --> 0:14:19.480
<v Speaker 2>have done. We immediately realized, I think immediately a few

0:14:19.560 --> 0:14:22.560
<v Speaker 2>years later, we should be partners and we should do

0:14:22.600 --> 0:14:25.920
<v Speaker 2>this together, and wouldn't it be cool if we could?

0:14:26.600 --> 0:14:28.680
<v Speaker 2>You know, some people would look at this as an

0:14:28.680 --> 0:14:31.400
<v Speaker 2>opportunity to work half as hard. We saw it as

0:14:31.400 --> 0:14:34.080
<v Speaker 2>an opportunity to accomplish twice as much, and so we

0:14:34.160 --> 0:14:37.240
<v Speaker 2>became business partners. And as much as people like to

0:14:37.240 --> 0:14:40.720
<v Speaker 2>see us go against each other, that's not real for

0:14:40.800 --> 0:14:45.360
<v Speaker 2>us now, like where we share our recipes, we collaborate,

0:14:45.400 --> 0:14:50.000
<v Speaker 2>we cook together. We support our families by doing this

0:14:50.160 --> 0:14:54.080
<v Speaker 2>and so he's my family, so I'm indirectly and vice versa,

0:14:54.160 --> 0:14:55.760
<v Speaker 2>we're supporting each other's families.

0:14:56.280 --> 0:15:01.280
<v Speaker 1>Beautiful, Beautiful, you have a tequila brand, So, and thank

0:15:01.280 --> 0:15:03.440
<v Speaker 1>you very much for sending me with Top of the Show.

0:15:03.760 --> 0:15:07.960
<v Speaker 1>I let everybody know you sent me two bottles. I

0:15:10.000 --> 0:15:14.800
<v Speaker 1>took them with me Saturday on our golf scramble tournament

0:15:15.360 --> 0:15:21.680
<v Speaker 1>at our local country club and we were so, what's

0:15:21.720 --> 0:15:29.120
<v Speaker 1>the word faced? I think that's the word. That all

0:15:29.200 --> 0:15:32.000
<v Speaker 1>of our first four shots all went into the water.

0:15:33.720 --> 0:15:36.080
<v Speaker 2>How much to kill it? Did you guys drink.

0:15:37.280 --> 0:15:41.200
<v Speaker 1>A little too much? Probably? We're very happy with the flavor.

0:15:43.440 --> 0:15:49.000
<v Speaker 1>Tell us about that, Marcado Marcado twenty eight. How'd that

0:15:49.040 --> 0:15:49.640
<v Speaker 1>come about?

0:15:50.400 --> 0:15:54.560
<v Speaker 2>So? Initially it was like I feel like when the

0:15:54.680 --> 0:15:56.680
<v Speaker 2>opportunity came across the table was more of like a

0:15:56.720 --> 0:16:00.000
<v Speaker 2>marketing collaboration. This company reached out to us. These guys,

0:16:00.000 --> 0:16:02.720
<v Speaker 2>they're responsible for Winds that Rock. They now have Spirits

0:16:02.720 --> 0:16:05.000
<v Speaker 2>a Rock, and they do a great job at bringing

0:16:05.120 --> 0:16:09.880
<v Speaker 2>sort of lifestyle brands together and decorating the Spirits world

0:16:09.880 --> 0:16:13.760
<v Speaker 2>and telling their stories through these different spirits. So when

0:16:13.760 --> 0:16:17.920
<v Speaker 2>I met with them to potentially be their their partner

0:16:17.960 --> 0:16:22.120
<v Speaker 2>in Marcato twenty eight, which means Marcato means mark, So

0:16:22.240 --> 0:16:25.480
<v Speaker 2>Marcato twenty eight. The twenty eight refers to Leviticus twenty eight,

0:16:25.480 --> 0:16:28.480
<v Speaker 2>which is a Bible verse that says don't basically, don't

0:16:28.480 --> 0:16:32.560
<v Speaker 2>mark your body too late for that so too like

0:16:33.120 --> 0:16:35.320
<v Speaker 2>you're in the club and you drank the tequila already.

0:16:35.400 --> 0:16:40.560
<v Speaker 2>So it started as this brand narrative about defiance, and

0:16:40.600 --> 0:16:43.080
<v Speaker 2>I said, well, if we're going to be defiant in

0:16:43.120 --> 0:16:47.560
<v Speaker 2>this industry, and you know, I'm sort of a public

0:16:47.680 --> 0:16:50.120
<v Speaker 2>face in my own right, I guess some people would

0:16:50.160 --> 0:16:53.840
<v Speaker 2>say that, what if we made a really good tequila

0:16:53.920 --> 0:16:56.200
<v Speaker 2>and didn't charge a lot of money for it, and

0:16:57.160 --> 0:17:00.080
<v Speaker 2>I was given the opportunity to go to Mexico so

0:17:00.640 --> 0:17:03.400
<v Speaker 2>meet the people that were growing the agave, go through

0:17:03.400 --> 0:17:05.439
<v Speaker 2>the process with the family that's going to make it,

0:17:05.720 --> 0:17:09.560
<v Speaker 2>and we make something really good so that it doesn't

0:17:09.600 --> 0:17:13.160
<v Speaker 2>come out like, oh, here's this tequila and there's this

0:17:13.480 --> 0:17:16.119
<v Speaker 2>chef guy that's involved in it, but it's probably not

0:17:16.200 --> 0:17:18.919
<v Speaker 2>any good. What if we were like, well, yeah, but

0:17:19.000 --> 0:17:22.000
<v Speaker 2>this is really really good tequila, and I can tell

0:17:22.000 --> 0:17:23.800
<v Speaker 2>you who made it, and I can tell you about

0:17:23.800 --> 0:17:27.600
<v Speaker 2>the family's lineage and I can tell you about every

0:17:27.680 --> 0:17:31.080
<v Speaker 2>part of it, down to I was involved in the

0:17:31.119 --> 0:17:34.159
<v Speaker 2>process of making it. What if we did that? And

0:17:34.160 --> 0:17:37.639
<v Speaker 2>then fast forward to today our scores from wine enthusiasts,

0:17:37.960 --> 0:17:40.120
<v Speaker 2>we got ninety four on the Blanco and a ninety

0:17:40.119 --> 0:17:42.679
<v Speaker 2>three on a Repisodo, and we continue to sort of

0:17:42.680 --> 0:17:46.960
<v Speaker 2>get decent scores within our category, and we've managed to

0:17:47.000 --> 0:17:50.119
<v Speaker 2>keep our price point down low enough for everyone that

0:17:50.200 --> 0:17:53.400
<v Speaker 2>wants to feel like a little bit defiant when they're

0:17:53.400 --> 0:17:56.959
<v Speaker 2>shopping and making their decisions, like get behind a brand

0:17:57.080 --> 0:18:00.280
<v Speaker 2>where I can tell you every single person involved in

0:18:00.280 --> 0:18:03.119
<v Speaker 2>the process. And so we collectively as a group decided

0:18:03.480 --> 0:18:06.919
<v Speaker 2>to maintain that discipline, to have a family sort of

0:18:07.040 --> 0:18:10.679
<v Speaker 2>environment behind this brand, and ultimately down to even like

0:18:10.720 --> 0:18:13.840
<v Speaker 2>the tattoo artists that did the labels. I know Billy

0:18:13.920 --> 0:18:16.680
<v Speaker 2>Baka and I know Elsando. I've been tattooed by both

0:18:16.680 --> 0:18:19.320
<v Speaker 2>of them, and they gave they were given the opportunity

0:18:19.359 --> 0:18:21.560
<v Speaker 2>to tell their stories through the art that's on the label.

0:18:21.680 --> 0:18:24.680
<v Speaker 2>So it was less about a quick like oh, let's

0:18:24.680 --> 0:18:27.520
<v Speaker 2>started to kill a brand, and more about again every

0:18:27.560 --> 0:18:29.560
<v Speaker 2>part everything that I do in my life, like I

0:18:29.600 --> 0:18:32.040
<v Speaker 2>feel like I'm held accountable to be able to tell

0:18:32.080 --> 0:18:35.159
<v Speaker 2>that story. And if there's such thing as legacy, you know,

0:18:35.200 --> 0:18:38.120
<v Speaker 2>I feel like my legacy one day could be that

0:18:38.200 --> 0:18:41.199
<v Speaker 2>I was somebody who had a trade, but that I

0:18:41.280 --> 0:18:44.240
<v Speaker 2>was a storyteller through my craft and through my trade,

0:18:44.240 --> 0:18:48.080
<v Speaker 2>and I was willing and able to sort of emotionally

0:18:48.080 --> 0:18:51.160
<v Speaker 2>share that part of myself along with the physical acts

0:18:51.200 --> 0:18:54.600
<v Speaker 2>of what I was doing. And so everything that I do,

0:18:54.680 --> 0:18:57.439
<v Speaker 2>I try to make sure that there's a story of

0:18:57.520 --> 0:19:00.680
<v Speaker 2>authenticity that's linked to it, because I think enough there's

0:19:00.760 --> 0:19:03.040
<v Speaker 2>enough bullshit out there right now that I don't need

0:19:03.040 --> 0:19:04.520
<v Speaker 2>to jump into that, right.

0:19:04.840 --> 0:19:17.919
<v Speaker 1>Yeah, Yeah, the story is all, It's everything. What's the

0:19:17.960 --> 0:19:21.760
<v Speaker 1>best way to drink Marcato twenty eight is cocktail straight?

0:19:21.840 --> 0:19:22.560
<v Speaker 1>How do you like it?

0:19:22.800 --> 0:19:24.679
<v Speaker 2>So you just said you went to play golf and

0:19:24.720 --> 0:19:26.840
<v Speaker 2>you were lit by the time you teat off right,

0:19:26.920 --> 0:19:29.919
<v Speaker 2>So to me, what that suggests is that it was

0:19:30.000 --> 0:19:33.399
<v Speaker 2>very easy to drink. You probably felt that it was smooth.

0:19:33.400 --> 0:19:35.560
<v Speaker 2>And I'm not doing a tequila ad right now. It

0:19:35.720 --> 0:19:40.040
<v Speaker 2>was I'm using your words, So I would say, try

0:19:40.080 --> 0:19:42.920
<v Speaker 2>it like that. I like a little bit of ice,

0:19:43.040 --> 0:19:45.560
<v Speaker 2>one cube, one big cube that doesn't felt too fast.

0:19:46.200 --> 0:19:51.480
<v Speaker 2>That's my vibe. But one thing specifically about tequila, whether

0:19:51.520 --> 0:19:55.679
<v Speaker 2>it be blanco, reposoto, and jeho mescal even which is

0:19:55.760 --> 0:20:01.480
<v Speaker 2>not tequila, but it's an agave spirit. Obviously, to swap

0:20:01.560 --> 0:20:05.719
<v Speaker 2>out any sort of spirit in any classic cocktail with

0:20:05.920 --> 0:20:10.840
<v Speaker 2>inappropriate toe quill it. Now, what does that mean? Reposado

0:20:10.880 --> 0:20:13.080
<v Speaker 2>would lean more towards Scotch and things like that, I

0:20:13.119 --> 0:20:16.240
<v Speaker 2>would say, and yahoe would lean more towards bourbons, and

0:20:16.680 --> 0:20:19.400
<v Speaker 2>the blanco could replace any sort of gin in vodka.

0:20:19.520 --> 0:20:21.960
<v Speaker 2>So I feel like, if you're able to have one

0:20:22.040 --> 0:20:24.720
<v Speaker 2>spirit behind your bar, let's say you live in a

0:20:24.760 --> 0:20:28.520
<v Speaker 2>two hundred square foot apartment with a two foot little

0:20:28.520 --> 0:20:32.400
<v Speaker 2>corner for your bar, tequilo would be a great spirit

0:20:32.480 --> 0:20:35.280
<v Speaker 2>to always have. In having those three, with the various

0:20:35.280 --> 0:20:39.000
<v Speaker 2>ages levels of age, you could almost make any classic

0:20:39.040 --> 0:20:42.639
<v Speaker 2>cocktail just by having tequila or a gave spirit. So

0:20:42.920 --> 0:20:47.640
<v Speaker 2>I would say, try anything at all. I mean, even

0:20:47.680 --> 0:20:49.320
<v Speaker 2>in the groni if you have a little kompari and

0:20:49.440 --> 0:20:51.239
<v Speaker 2>some vermouth. Now I know, I just added two more

0:20:51.280 --> 0:20:54.400
<v Speaker 2>bottles to your bar at home, But tequila and Negroni

0:20:54.480 --> 0:20:58.159
<v Speaker 2>and mezcal and negroni, you know those It works basically

0:20:58.280 --> 0:20:59.920
<v Speaker 2>in any sort of cocktail.

0:21:01.720 --> 0:21:05.120
<v Speaker 1>If there's one thing that you wish people knew more

0:21:05.160 --> 0:21:09.120
<v Speaker 1>about how tequila should be made or enjoyed, what would

0:21:09.160 --> 0:21:09.439
<v Speaker 1>that be?

0:21:09.880 --> 0:21:13.200
<v Speaker 2>I want to be careful how I answer that. Honestly,

0:21:13.280 --> 0:21:15.800
<v Speaker 2>I feel like the best way for us has been

0:21:16.160 --> 0:21:18.119
<v Speaker 2>educating the people that are selling it for us, Like

0:21:18.240 --> 0:21:20.720
<v Speaker 2>I go to Total Wine and Spirits, or I go

0:21:20.800 --> 0:21:23.520
<v Speaker 2>to ABC. When I went to ABC Lickuers in Florida,

0:21:23.600 --> 0:21:27.440
<v Speaker 2>I met with everyone there and we told them our story.

0:21:27.520 --> 0:21:29.040
<v Speaker 2>And I think a lot of times when you go

0:21:29.160 --> 0:21:34.800
<v Speaker 2>to a beverage supplier or a store, oftentimes you can

0:21:34.880 --> 0:21:37.840
<v Speaker 2>tell if the product is good or the story is

0:21:37.880 --> 0:21:41.080
<v Speaker 2>authentic by how the employees interact with you when you

0:21:41.119 --> 0:21:45.040
<v Speaker 2>start asking questions. Also, bottleneckers are a good sort of

0:21:45.119 --> 0:21:47.560
<v Speaker 2>indication as to whether or not you're getting something good.

0:21:48.240 --> 0:21:51.520
<v Speaker 2>We did wine enthusiasts gave us that those ratings, but

0:21:52.040 --> 0:21:53.919
<v Speaker 2>we didn't know we were going to get those ratings. Well,

0:21:53.920 --> 0:21:56.120
<v Speaker 2>now that we have those ratings, we have those those

0:21:56.160 --> 0:21:58.680
<v Speaker 2>neckers that we can go and put on the bottles

0:21:58.680 --> 0:22:01.439
<v Speaker 2>that say And I was at at Albertson's grocery store

0:22:01.640 --> 0:22:03.440
<v Speaker 2>two days ago. We were having people over. I needed

0:22:03.440 --> 0:22:04.880
<v Speaker 2>a bottle of piano Nora. I didn't want to spend

0:22:04.920 --> 0:22:06.960
<v Speaker 2>a ton of money, and so I just looked for

0:22:07.000 --> 0:22:09.520
<v Speaker 2>those neckers and I used wine enthusiasts as my as

0:22:09.520 --> 0:22:12.280
<v Speaker 2>my guide to Like, I don't know if I'm answering

0:22:12.280 --> 0:22:16.840
<v Speaker 2>the question, but I feel like asking questions and doing

0:22:16.880 --> 0:22:19.760
<v Speaker 2>research on what you're buying as opposed to like what's

0:22:20.040 --> 0:22:22.080
<v Speaker 2>hype out in the marketplace right now. It was very

0:22:22.119 --> 0:22:24.920
<v Speaker 2>easy for everyone to be like costam Egos. That's because

0:22:24.920 --> 0:22:27.880
<v Speaker 2>they did a great job putting it everywhere. I mean,

0:22:28.080 --> 0:22:30.600
<v Speaker 2>I feel like when costam Egos came to market, every

0:22:30.720 --> 0:22:33.879
<v Speaker 2>like LA party that I went to was sponsored by

0:22:33.960 --> 0:22:36.680
<v Speaker 2>costam Egos and we were all drinking it. We all

0:22:36.720 --> 0:22:39.159
<v Speaker 2>thought like, oh, that's the tequila that everyone needs to

0:22:39.240 --> 0:22:42.080
<v Speaker 2>drink right now and right now. Their stories being told

0:22:42.080 --> 0:22:44.119
<v Speaker 2>a little bit differently these days, and I think.

0:22:44.119 --> 0:22:45.120
<v Speaker 1>Oh, it is it is?

0:22:45.560 --> 0:22:48.320
<v Speaker 2>Well, there's just there's there's tequila. Is that? And again,

0:22:48.359 --> 0:22:52.080
<v Speaker 2>it's about flavor preference and profiles, Like I definitely used

0:22:52.160 --> 0:22:55.120
<v Speaker 2>costam Egos as an example. We were trying to get

0:22:55.119 --> 0:22:58.680
<v Speaker 2>to our tasting profiles. How do we get that smoothness,

0:22:58.960 --> 0:23:02.199
<v Speaker 2>that drink ability without adding anything to it? And I

0:23:02.200 --> 0:23:04.560
<v Speaker 2>think that's probably the number one thing to look for

0:23:04.640 --> 0:23:08.120
<v Speaker 2>in tequila, is are there additives. We don't have any additives.

0:23:08.119 --> 0:23:13.720
<v Speaker 2>Ours is a gave yeast and water, basically specifically blue agave.

0:23:14.000 --> 0:23:17.679
<v Speaker 2>So to be able to tell that part of your

0:23:17.800 --> 0:23:22.000
<v Speaker 2>I would start there. Kasamilos managed to put together something

0:23:22.040 --> 0:23:24.800
<v Speaker 2>that was drinkable, smooth, approachable, and I feel like they're

0:23:24.840 --> 0:23:27.720
<v Speaker 2>responsible for bringing a lot of people back to tequila.

0:23:27.760 --> 0:23:32.600
<v Speaker 2>And I feel like this sort of tequila drive that's

0:23:32.600 --> 0:23:34.720
<v Speaker 2>happening in the world right now where everyone wants it.

0:23:34.800 --> 0:23:37.680
<v Speaker 2>This trend. I'd hate to say trend, but I think

0:23:37.680 --> 0:23:41.679
<v Speaker 2>that Costamigo's really made tequila a little bit more approachable

0:23:41.680 --> 0:23:44.800
<v Speaker 2>for everyone. And then now we use that to inspire

0:23:44.840 --> 0:23:47.720
<v Speaker 2>our flavor profiles. But we did it naturally, We didn't

0:23:47.760 --> 0:23:48.760
<v Speaker 2>add anything to it.

0:23:49.080 --> 0:23:53.000
<v Speaker 1>Now, when you were approached, did this company have a

0:23:53.080 --> 0:23:55.119
<v Speaker 1>distribution strategy? And how's that going?

0:23:55.800 --> 0:23:58.560
<v Speaker 2>That's always the question, right, I mean, when you talk

0:23:58.600 --> 0:24:01.520
<v Speaker 2>about distribution, that's for those of you that don't know

0:24:01.640 --> 0:24:03.280
<v Speaker 2>really what that means. It's how do we get our

0:24:03.320 --> 0:24:07.760
<v Speaker 2>product from us to you? And ultimately that goes through

0:24:07.760 --> 0:24:10.320
<v Speaker 2>a distributor and there's a lot of sort of rules

0:24:10.359 --> 0:24:14.440
<v Speaker 2>and regulations around that. We do the same thing that

0:24:14.520 --> 0:24:16.719
<v Speaker 2>we did when we made the tequila. We call everyone

0:24:16.760 --> 0:24:19.280
<v Speaker 2>ourselves and we have conversations and we want them to

0:24:20.080 --> 0:24:23.720
<v Speaker 2>buy into not just our brand, but our story and

0:24:24.040 --> 0:24:26.480
<v Speaker 2>get behind it because ultimately they're going to be asked

0:24:26.480 --> 0:24:28.520
<v Speaker 2>the same questions you're asking me right now. So it

0:24:28.600 --> 0:24:32.600
<v Speaker 2>starts with phone calls and relationships. And we've got a

0:24:32.640 --> 0:24:34.720
<v Speaker 2>really good team behind us of people that have been

0:24:34.720 --> 0:24:37.000
<v Speaker 2>doing this for a lot of years and have built

0:24:37.000 --> 0:24:40.119
<v Speaker 2>these relationships, and so a lot of it is I mean,

0:24:40.160 --> 0:24:41.960
<v Speaker 2>they can tell your excitement when you make the call.

0:24:42.359 --> 0:24:44.320
<v Speaker 2>You know, are you just trying to sell me something

0:24:44.600 --> 0:24:47.480
<v Speaker 2>or are you showing up to my office and you're

0:24:47.560 --> 0:24:49.520
<v Speaker 2>here in person to talk about it, which I've done

0:24:49.560 --> 0:24:53.240
<v Speaker 2>on several occasions. I've even driven to the Total Whining

0:24:53.280 --> 0:24:58.399
<v Speaker 2>More on Librea in West Hollywood and just walked in

0:24:58.440 --> 0:24:59.840
<v Speaker 2>with a sharpie in my end and signed the B

0:25:00.320 --> 0:25:03.360
<v Speaker 2>and asked for the manager and said like, Hey, can

0:25:03.400 --> 0:25:05.520
<v Speaker 2>I talk to you about this tequila. I'm one of

0:25:05.520 --> 0:25:07.440
<v Speaker 2>the people behind it, and I'd really love to share

0:25:07.640 --> 0:25:10.240
<v Speaker 2>my experience with you. And I think that that goes

0:25:10.280 --> 0:25:13.560
<v Speaker 2>a long way. ABC Down in Florida, they they're like

0:25:13.600 --> 0:25:17.679
<v Speaker 2>a massive family owned operation, but they were interested in

0:25:17.760 --> 0:25:20.240
<v Speaker 2>hearing that story. And I think for us, it's about

0:25:21.200 --> 0:25:23.359
<v Speaker 2>not just who can we sell our story to, but

0:25:23.480 --> 0:25:26.800
<v Speaker 2>who wants to hear our story? And I think that

0:25:26.800 --> 0:25:29.520
<v Speaker 2>that goes a long way. I mean, we're all sold.

0:25:29.600 --> 0:25:32.240
<v Speaker 2>I get got on Instagram. I tell my wife, I

0:25:32.240 --> 0:25:35.280
<v Speaker 2>got got today on Instagram. I bought a furry green

0:25:35.359 --> 0:25:37.640
<v Speaker 2>Oscar the Grouch Sesame street hat the other day because

0:25:37.640 --> 0:25:40.080
<v Speaker 2>it popped up on my Instagram feed and I had

0:25:40.119 --> 0:25:42.879
<v Speaker 2>this memory of somebody calling the Oscar the Grouch one

0:25:42.920 --> 0:25:44.480
<v Speaker 2>day because I was grouchy, and I'm like, I need

0:25:44.520 --> 0:25:47.080
<v Speaker 2>that hat. Now. I have this green furry hat sitting

0:25:47.080 --> 0:25:49.800
<v Speaker 2>on my kitchen counter right now that I haven't worn yet.

0:25:49.840 --> 0:25:52.040
<v Speaker 2>But I got got. I got got on Instagram. So

0:25:52.080 --> 0:25:53.919
<v Speaker 2>I got an ad hit me, and I'm like, if

0:25:53.920 --> 0:25:56.359
<v Speaker 2>our ads are going to hit people, then let's hit

0:25:56.400 --> 0:25:59.600
<v Speaker 2>them emotionally. And I think let's hit him authentically, and

0:25:59.640 --> 0:26:03.200
<v Speaker 2>let's hit them with a story that we can stand behind.

0:26:03.240 --> 0:26:06.439
<v Speaker 2>And I think that whether it's in our restaurants or

0:26:06.600 --> 0:26:11.880
<v Speaker 2>if I'm cooking, working with Food Network, anywhere, with anywhere

0:26:12.200 --> 0:26:16.119
<v Speaker 2>in my world, that I have an opportunity to be

0:26:16.320 --> 0:26:19.440
<v Speaker 2>myself and communicate that part of myself, I'm going to

0:26:19.520 --> 0:26:22.480
<v Speaker 2>take it because I spent a lot of years of

0:26:22.520 --> 0:26:24.399
<v Speaker 2>my life and I think you could probably say the

0:26:24.400 --> 0:26:27.360
<v Speaker 2>same thing about yourself trying to figure out who that is.

0:26:27.840 --> 0:26:31.000
<v Speaker 2>And I think once you get to a level in

0:26:31.040 --> 0:26:34.200
<v Speaker 2>life where you're comfortable with who you are in your

0:26:34.240 --> 0:26:40.800
<v Speaker 2>own sort of my Soubinge package of myself, I feel

0:26:40.880 --> 0:26:43.919
<v Speaker 2>confident enough to go out and talk. I feel like,

0:26:44.400 --> 0:26:45.880
<v Speaker 2>you know, I was thinking, I told my wife before

0:26:45.880 --> 0:26:47.160
<v Speaker 2>we got on the podcast today. I was like, Wow,

0:26:47.240 --> 0:26:49.840
<v Speaker 2>podcasts are really wild because you have to like think

0:26:49.840 --> 0:26:51.800
<v Speaker 2>about what if you're answering the same question you were

0:26:51.840 --> 0:26:54.480
<v Speaker 2>asked before, do you have to answer it the same

0:26:54.480 --> 0:26:56.760
<v Speaker 2>way or do you change your answer based on how

0:26:56.800 --> 0:26:59.320
<v Speaker 2>you feel today? Or will people judge you for the

0:26:59.400 --> 0:27:01.919
<v Speaker 2>inconsistent or the consistencies. I mean, you see it in

0:27:01.920 --> 0:27:04.520
<v Speaker 2>politics every day right now, So it's like, how do you?

0:27:05.520 --> 0:27:07.840
<v Speaker 2>And my answer to that is I'm just going to

0:27:07.920 --> 0:27:11.040
<v Speaker 2>be myself and I think all of us need to

0:27:11.080 --> 0:27:12.760
<v Speaker 2>do that, and I get to do that as an

0:27:12.840 --> 0:27:16.760
<v Speaker 2>artist and I call myself that because I create things.

0:27:16.280 --> 0:27:19.800
<v Speaker 2>As as a person who works in a trade in hospitality.

0:27:20.480 --> 0:27:22.399
<v Speaker 2>My job is to take care of people, and if

0:27:22.440 --> 0:27:25.119
<v Speaker 2>I can't do that, then I'm a fraud. And so

0:27:25.880 --> 0:27:28.960
<v Speaker 2>every opportunity that I have to do that professionally and personally,

0:27:29.800 --> 0:27:32.760
<v Speaker 2>I take advantage of that opportunity and I do it beautiful.

0:27:33.560 --> 0:27:35.080
<v Speaker 1>All right, here we go. We got time for one

0:27:35.119 --> 0:27:38.160
<v Speaker 1>last question. If you were to come into Luke's Diner, Okay,

0:27:39.119 --> 0:27:40.600
<v Speaker 1>what would your order? Where would you sit?

0:27:41.040 --> 0:27:44.680
<v Speaker 2>I would sit probably at a banquette so that I

0:27:44.720 --> 0:27:47.960
<v Speaker 2>could be comfortable. I'd like to do one of these

0:27:48.080 --> 0:27:53.520
<v Speaker 2>and then I would have to say burger for me,

0:27:54.000 --> 0:27:58.399
<v Speaker 2>nothing healthy on it, extra cheese, and of course a

0:27:58.520 --> 0:28:01.000
<v Speaker 2>side of wink winkers.

0:28:01.240 --> 0:28:08.560
<v Speaker 1>Uh huh. Beautiful. Michael Voltagio check out its Tequila Marcato

0:28:08.680 --> 0:28:12.560
<v Speaker 1>twenty eight. He's got some restaurants that are fabulous. One

0:28:12.640 --> 0:28:17.840
<v Speaker 1>up the Volcania up in Monmouth Mountain Resort, Wyo Tavern?

0:28:17.960 --> 0:28:22.000
<v Speaker 1>Is that Wyok Tavern? Or why Wyok Wyok? And that

0:28:22.200 --> 0:28:26.840
<v Speaker 1>is in Frederick, Maryland, Frederick, Maryland. Check it out. He's

0:28:26.880 --> 0:28:30.879
<v Speaker 1>got some other more exciting things coming. You have what

0:28:31.160 --> 0:28:33.320
<v Speaker 1>total four restaurants now we have.

0:28:33.480 --> 0:28:37.080
<v Speaker 2>Three, but we're working on some other stuff right now. Yeah.

0:28:37.160 --> 0:28:40.320
<v Speaker 1>Look out for this guy. He's taken over. Michael, thank

0:28:40.360 --> 0:28:44.160
<v Speaker 1>you so very much for spending the time with us.

0:28:44.160 --> 0:28:46.800
<v Speaker 1>We'd love to have you back on to chart your

0:28:46.840 --> 0:28:49.200
<v Speaker 1>progress because it looks like you're going places and it's

0:28:49.200 --> 0:28:51.320
<v Speaker 1>not just the liquor store, you know what I mean.

0:28:51.600 --> 0:28:53.959
<v Speaker 2>It's everywhere, and I'd be happy to be back. I

0:28:54.040 --> 0:28:56.200
<v Speaker 2>really appreciate you guys for thinking of me and thank

0:28:56.240 --> 0:28:57.760
<v Speaker 2>you like it means a lot to me that you

0:28:57.840 --> 0:28:59.840
<v Speaker 2>reached out and this was a yeah, I can do

0:28:59.880 --> 0:29:02.040
<v Speaker 2>this all day, especially with that intro.

0:29:02.160 --> 0:29:06.520
<v Speaker 1>You gave me our pleasure. And remember, best fans on

0:29:06.560 --> 0:29:09.400
<v Speaker 1>the planet, keep your cards and letters, come and remember

0:29:09.400 --> 0:29:42.560
<v Speaker 1>where you lead, we will follow. Stay safe everyone, Hey, everybody,

0:29:42.560 --> 0:29:45.880
<v Speaker 1>and don't forget Follow us on Instagram at I Am

0:29:46.000 --> 0:29:50.920
<v Speaker 1>all In podcast and email us at Gilmour at iHeartRadio

0:29:51.240 --> 0:30:01.560
<v Speaker 1>dot com.