1
00:00:00,200 --> 00:00:04,920
Speaker 1: I always say that I'm mediocre at a lot of things,

2
00:00:05,320 --> 00:00:11,520
Speaker 1: and I'm exceptional at puns. It's just something that my

3
00:00:11,600 --> 00:00:17,079
Speaker 1: dad and I have a super freaky talent for. I'm

4
00:00:17,120 --> 00:00:21,840
Speaker 1: by no means a poet or words smith's in other ways.

5
00:00:22,120 --> 00:00:24,120
Speaker 1: I have no idea why I have such a talent

6
00:00:24,160 --> 00:00:28,639
Speaker 1: with puns. Merrily Grashion is many things. An illustrator, a

7
00:00:28,680 --> 00:00:33,160
Speaker 1: flourishing author, a strong but modest woman. There's something effortless

8
00:00:33,200 --> 00:00:35,680
Speaker 1: about the way she describes her career that could lead

9
00:00:35,680 --> 00:00:38,320
Speaker 1: one to believe it's been easy to be fair. It

10
00:00:38,400 --> 00:00:39,879
Speaker 1: might just have been the day that I caught up

11
00:00:39,880 --> 00:00:43,000
Speaker 1: with her. This was Merrily's twelfth day in Los Angeles,

12
00:00:43,200 --> 00:00:46,560
Speaker 1: recently relocating from New York City, and she's still wrapping

13
00:00:46,560 --> 00:00:49,879
Speaker 1: her head around a few things. What began a spontaneous

14
00:00:49,880 --> 00:00:53,199
Speaker 1: sketches during her early days bussing and waiting tables has

15
00:00:53,240 --> 00:00:56,360
Speaker 1: developed into a small business called Great and Potatoes, which

16
00:00:56,400 --> 00:01:00,000
Speaker 1: produces humorous screening cards and prints featuring food and beverage

17
00:01:00,080 --> 00:01:03,840
Speaker 1: theme drawings and cons Merrily has also written and illustrated

18
00:01:03,880 --> 00:01:07,559
Speaker 1: a book called Women's Libation, a whimsical celebration of women

19
00:01:07,800 --> 00:01:10,839
Speaker 1: history and cocktails. All of this in a fairly impressive

20
00:01:10,840 --> 00:01:14,200
Speaker 1: window of time. But don't tell her it's impressive. I've

21
00:01:14,200 --> 00:01:17,680
Speaker 1: just always drawn. I studied art a ton, I studied

22
00:01:17,680 --> 00:01:20,480
Speaker 1: our history and are a lot of art theory and

23
00:01:21,200 --> 00:01:26,400
Speaker 1: art for political change. But as far as skill, I'm

24
00:01:26,480 --> 00:01:31,520
Speaker 1: always learning and getting better. By the end of the book,

25
00:01:31,600 --> 00:01:33,800
Speaker 1: I had just picked up a bunch of new skills

26
00:01:33,840 --> 00:01:37,520
Speaker 1: just in drawing. But no, I haven't. I'm not like trained.

27
00:01:38,120 --> 00:01:40,640
Speaker 1: On this edition of On the Job, I'm speaking remotely

28
00:01:40,680 --> 00:01:43,240
Speaker 1: with Merrily gression to hear more about her career as

29
00:01:43,280 --> 00:01:46,679
Speaker 1: an entrepreneur, a creative person, and her personal journey that

30
00:01:46,720 --> 00:01:50,080
Speaker 1: has taken her to Los Angeles. By embracing opportunities and

31
00:01:50,120 --> 00:01:53,760
Speaker 1: connecting her work experiences in the service industry, Merrily has

32
00:01:53,880 --> 00:01:56,400
Speaker 1: nurtured her raw talent as an artist to find herself

33
00:01:56,480 --> 00:01:59,360
Speaker 1: in a favorable position of choosing what will come next.

34
00:02:00,560 --> 00:02:05,640
Speaker 1: I've spent more than the last twelve years in New

35
00:02:05,680 --> 00:02:09,200
Speaker 1: York City, where I moved right after high school, kind

36
00:02:09,200 --> 00:02:12,640
Speaker 1: of supported my way through college, working in bars and

37
00:02:12,760 --> 00:02:17,320
Speaker 1: restaurants primarily, actually just applied to one college out of

38
00:02:17,400 --> 00:02:22,440
Speaker 1: New York, and it's the kind of typical liberal arts introduction,

39
00:02:22,760 --> 00:02:26,200
Speaker 1: and then you know, got like coffee shop, rasta jobs,

40
00:02:26,919 --> 00:02:29,880
Speaker 1: a lot of serving waters saying, and then I found

41
00:02:30,320 --> 00:02:33,400
Speaker 1: my home and a restaurant and really learned about food

42
00:02:33,400 --> 00:02:35,880
Speaker 1: and wine and just got really excited about it. It

43
00:02:35,919 --> 00:02:38,799
Speaker 1: wasn't just a job. I was actually learning a ton

44
00:02:38,840 --> 00:02:41,200
Speaker 1: about the history of This was a Spanish restaurant, so

45
00:02:41,240 --> 00:02:44,160
Speaker 1: I learned a lot about Spanish wine cuisine. But I

46
00:02:44,240 --> 00:02:49,000
Speaker 1: also was finishing my thesis in college and working all

47
00:02:49,040 --> 00:02:53,520
Speaker 1: the time and studying all the time. Naturally, merrily was

48
00:02:53,560 --> 00:02:56,639
Speaker 1: developing a love for food and wine while working in restaurants.

49
00:02:56,840 --> 00:02:59,440
Speaker 1: But I was curious to understand where this crossed paths

50
00:02:59,440 --> 00:03:03,359
Speaker 1: with illustration and art. I started interning with Just Seeds,

51
00:03:03,680 --> 00:03:07,480
Speaker 1: which is a national artist collective of I think around

52
00:03:07,600 --> 00:03:10,840
Speaker 1: twenty artists all over the country. But I was working

53
00:03:10,880 --> 00:03:16,040
Speaker 1: directly with Josh McPhee, and he's a primarily printmaker, but

54
00:03:16,120 --> 00:03:21,040
Speaker 1: he's an organizer and activist, teacher and curator. I learned

55
00:03:21,040 --> 00:03:23,720
Speaker 1: a lot from him about the idea of passing around

56
00:03:24,360 --> 00:03:26,639
Speaker 1: affordable art. And I was just kind of an intern,

57
00:03:26,680 --> 00:03:29,360
Speaker 1: but I really learned a ton about kind of just

58
00:03:29,480 --> 00:03:33,360
Speaker 1: the process, but also the history of making art for

59
00:03:33,680 --> 00:03:38,200
Speaker 1: political change. So I was working a ton and bars

60
00:03:38,240 --> 00:03:41,640
Speaker 1: and restaurants. I was studying, and I was making my

61
00:03:41,680 --> 00:03:45,960
Speaker 1: own art but just doodles mostly, and then working with

62
00:03:46,000 --> 00:03:50,240
Speaker 1: this really inspiring artists and organized our an activists, and

63
00:03:50,440 --> 00:03:53,720
Speaker 1: it all just kind of came together, meeting the best

64
00:03:53,840 --> 00:03:56,880
Speaker 1: people and then who inspired me to keep making art,

65
00:03:57,000 --> 00:04:00,120
Speaker 1: and then learning that wow, I don't want anything to

66
00:04:00,160 --> 00:04:03,280
Speaker 1: do with the actual art world in the gallery kind

67
00:04:03,320 --> 00:04:07,119
Speaker 1: of capacity, because it's just not accessible. It's just it's

68
00:04:07,160 --> 00:04:10,440
Speaker 1: everything I don't believe in in terms of what art

69
00:04:10,480 --> 00:04:12,400
Speaker 1: can be, because I worked with this artist who really

70
00:04:12,400 --> 00:04:15,160
Speaker 1: taught me or is for the people, not something that

71
00:04:15,200 --> 00:04:18,600
Speaker 1: shouldn't be accessible. Anyone looking through Merrily's body of work

72
00:04:18,680 --> 00:04:21,320
Speaker 1: would find it evident that she's embraced this concept and

73
00:04:21,360 --> 00:04:24,240
Speaker 1: aesthetic and made it into her own by never being

74
00:04:24,320 --> 00:04:27,880
Speaker 1: overly precious or serious. At some of the bars and

75
00:04:27,920 --> 00:04:33,200
Speaker 1: restaurants I worked, I would start drawing these little playful cards,

76
00:04:33,240 --> 00:04:36,599
Speaker 1: just doodles. I would see a bottle of Apperall and

77
00:04:36,680 --> 00:04:40,479
Speaker 1: write apper All, we've been through or for net and

78
00:04:40,640 --> 00:04:43,960
Speaker 1: say her net about it, or You've always given me

79
00:04:44,000 --> 00:04:46,880
Speaker 1: a reasoning to stay, And then I pass out the

80
00:04:46,920 --> 00:04:49,520
Speaker 1: cards and I just started I was I've always been

81
00:04:49,560 --> 00:04:52,960
Speaker 1: a compulsive doodler, so I would just start drawing these

82
00:04:52,960 --> 00:04:55,279
Speaker 1: cards and became a whole series that would just live

83
00:04:55,279 --> 00:04:58,040
Speaker 1: in my handbag. I like to call them dad jokes.

84
00:04:58,360 --> 00:05:01,560
Speaker 1: And I was drawing um a lot at work, the

85
00:05:01,720 --> 00:05:04,920
Speaker 1: different bars and restaurants I worked at, and passing them

86
00:05:04,920 --> 00:05:07,600
Speaker 1: out to friends and co workers and patrons at the

87
00:05:07,640 --> 00:05:10,000
Speaker 1: bar or whatever. And I my friends encouraged me to

88
00:05:10,600 --> 00:05:15,680
Speaker 1: start a greeting card line and that developed into a

89
00:05:15,720 --> 00:05:18,599
Speaker 1: few years ago, I started a company called greet and

90
00:05:18,640 --> 00:05:21,440
Speaker 1: Potatoes like Meat and Potatoes as a greeting card company,

91
00:05:21,480 --> 00:05:25,039
Speaker 1: and they were all food and beverage themed greeting cards

92
00:05:25,040 --> 00:05:28,360
Speaker 1: that we're kind of for all occasions. But they were

93
00:05:28,960 --> 00:05:32,440
Speaker 1: set from illustrations of mine, and I worked with my

94
00:05:32,520 --> 00:05:38,320
Speaker 1: friend Emily Johnson, She's a Bushwick based printmaker, making it

95
00:05:38,960 --> 00:05:44,039
Speaker 1: something that was really personal, super playful, but affordable and

96
00:05:44,200 --> 00:05:48,080
Speaker 1: something you could really literally just pass around and you know,

97
00:05:48,200 --> 00:05:51,680
Speaker 1: get for less than ten dollars or five dollars, so

98
00:05:52,200 --> 00:05:54,200
Speaker 1: you know, not a whole lot of money in that obviously,

99
00:05:54,320 --> 00:05:56,799
Speaker 1: but it was it was cool to know I could

100
00:05:57,040 --> 00:05:59,880
Speaker 1: be doing it with people in my community, other strong women.

101
00:06:00,520 --> 00:06:03,440
Speaker 1: And then a lot of stores started picking up the

102
00:06:03,480 --> 00:06:07,880
Speaker 1: cards in a bunch of kind of independent brick and

103
00:06:07,920 --> 00:06:12,160
Speaker 1: mortar stores around Brooklyn and some scattered around the US,

104
00:06:12,160 --> 00:06:15,320
Speaker 1: and I started selling them online. So that was kind

105
00:06:15,320 --> 00:06:18,560
Speaker 1: of how that started. And then two years ago somebody

106
00:06:18,600 --> 00:06:22,400
Speaker 1: picked him up and did a big BuzzFeed feature on them,

107
00:06:22,680 --> 00:06:25,400
Speaker 1: and that was Alison Roman. She put that article out

108
00:06:25,400 --> 00:06:27,720
Speaker 1: and I totally changed my life. I got all these

109
00:06:27,960 --> 00:06:31,520
Speaker 1: people in the publishing world and agents reaching out to me, like,

110
00:06:31,600 --> 00:06:33,520
Speaker 1: what are you doing with your art? Come on, makes

111
00:06:33,600 --> 00:06:36,600
Speaker 1: more stuff? And I'm guessing her agent, Jannis Donned, was

112
00:06:36,640 --> 00:06:38,800
Speaker 1: one of those people. She was just one of the

113
00:06:38,839 --> 00:06:43,680
Speaker 1: most seasoned professional literary agents in especially in the food

114
00:06:43,680 --> 00:06:46,840
Speaker 1: and beverage world. And she sat me down and she said,

115
00:06:46,920 --> 00:06:48,960
Speaker 1: I really like your art, and I know you have

116
00:06:49,080 --> 00:06:51,599
Speaker 1: some more good ideas. Let's make a book. And I

117
00:06:51,760 --> 00:06:54,680
Speaker 1: was like, funny, you should say. I have this idea

118
00:06:54,760 --> 00:07:00,799
Speaker 1: about ladies who also have funny cocktail names. And before

119
00:07:00,800 --> 00:07:04,080
Speaker 1: I knew it had eight to ten pages mocked up

120
00:07:04,120 --> 00:07:07,920
Speaker 1: and was selling this idea to a bunch of publishers.

121
00:07:08,240 --> 00:07:11,800
Speaker 1: Came out in the fall of two thousand seventeen called

122
00:07:11,800 --> 00:07:15,880
Speaker 1: Women's Libation. It's a cocktail guide cocktails to celebrate a

123
00:07:15,880 --> 00:07:20,360
Speaker 1: woman's right to booze. So it's all comes from my

124
00:07:20,480 --> 00:07:25,040
Speaker 1: illustrations and kind of riffs on classic cocktails, each one

125
00:07:25,160 --> 00:07:30,680
Speaker 1: dedicated to a influential woman in history or kind of

126
00:07:30,800 --> 00:07:34,680
Speaker 1: landmark in the history of women's liberation. So that was

127
00:07:34,760 --> 00:07:37,680
Speaker 1: kind of the last project I worked on in New

128
00:07:37,760 --> 00:07:41,240
Speaker 1: York and moving over here to l A, I've kind

129
00:07:41,240 --> 00:07:45,440
Speaker 1: of started thinking about a lot of new projects, creative

130
00:07:45,760 --> 00:07:49,000
Speaker 1: being not necessarily the same, but a lot of creative

131
00:07:49,040 --> 00:07:54,240
Speaker 1: ideas more with Merrily the illustrator turned author after this

132
00:07:56,120 --> 00:07:58,400
Speaker 1: one company is on a mission to put a million

133
00:07:58,440 --> 00:08:01,320
Speaker 1: people to work each year. Sounds like a big number,

134
00:08:01,440 --> 00:08:05,280
Speaker 1: doesn't it not to Express Employment Professionals seeking a skilled

135
00:08:05,360 --> 00:08:09,720
Speaker 1: labor position or administrative work. Maybe you're an executive looking

136
00:08:09,760 --> 00:08:12,520
Speaker 1: for a career that fits supporting. We take pride in

137
00:08:12,560 --> 00:08:16,240
Speaker 1: connecting the right people with the right company. Express Employment

138
00:08:16,240 --> 00:08:18,880
Speaker 1: Professionals is on a mission to put a million people

139
00:08:18,920 --> 00:08:21,840
Speaker 1: to work each year. Let us help. We'll open doors

140
00:08:21,880 --> 00:08:24,000
Speaker 1: for you to go to Express pros dot com to

141
00:08:24,040 --> 00:08:28,360
Speaker 1: find a location near you. Welcome back to on the job.

142
00:08:28,400 --> 00:08:31,520
Speaker 1: In my conversation with Merrily Grassien, who developed a small

143
00:08:31,560 --> 00:08:34,160
Speaker 1: print card business, while bartending and waiting tables in New

144
00:08:34,240 --> 00:08:38,600
Speaker 1: York City and is now a burgeoning author. The journey

145
00:08:38,640 --> 00:08:42,360
Speaker 1: of becoming an author artist, it's all been tied into

146
00:08:42,679 --> 00:08:46,680
Speaker 1: the interdisciplinary parts of New York artistic life that come

147
00:08:46,760 --> 00:08:50,160
Speaker 1: back to supporting yourself in a restaurant, working in bars

148
00:08:50,160 --> 00:08:53,880
Speaker 1: and restaurants in hospitality. It's a well known dilemma for artists,

149
00:08:53,880 --> 00:08:56,800
Speaker 1: balancing the production of creative work and the business side

150
00:08:56,800 --> 00:08:59,200
Speaker 1: of things. I asked Merrily how she was able to

151
00:08:59,280 --> 00:09:02,960
Speaker 1: keep managing eating potatoes while writing a book. I kind

152
00:09:03,000 --> 00:09:05,560
Speaker 1: of shelved it for a bit. When I was working

153
00:09:05,600 --> 00:09:08,280
Speaker 1: on the book, I was still sending out online orders.

154
00:09:08,320 --> 00:09:11,440
Speaker 1: Because as much as I love drawing and I love

155
00:09:11,640 --> 00:09:14,600
Speaker 1: this company, I've loved building this company and the learning

156
00:09:14,600 --> 00:09:17,480
Speaker 1: experience of it. I'm not really a business person at all.

157
00:09:18,080 --> 00:09:20,280
Speaker 1: So working on something like a book where I had

158
00:09:20,320 --> 00:09:22,920
Speaker 1: a whole team of people doing not only like the

159
00:09:22,960 --> 00:09:26,240
Speaker 1: business end of it, the editing and production and whatever,

160
00:09:26,559 --> 00:09:28,680
Speaker 1: a couple of years or I was trying to figure

161
00:09:28,720 --> 00:09:32,600
Speaker 1: out how much profit, how much the percentage of profiting,

162
00:09:32,600 --> 00:09:36,160
Speaker 1: and obviously not paying myself for labor. I would rather

163
00:09:36,280 --> 00:09:38,840
Speaker 1: just be the creative I'm better at that too, and

164
00:09:38,840 --> 00:09:41,080
Speaker 1: the book was happening, and I was kind of putting

165
00:09:41,120 --> 00:09:45,160
Speaker 1: Green and Potatoes on hold. Clarkson Potter is in the

166
00:09:45,240 --> 00:09:48,680
Speaker 1: publishing world, but they do more kind of gifty kinds

167
00:09:48,720 --> 00:09:53,360
Speaker 1: of art and prints, and they contacted me and Weeds

168
00:09:54,080 --> 00:09:58,439
Speaker 1: partnered up and they are taking over production of Green

169
00:09:58,440 --> 00:10:03,320
Speaker 1: and Potatoes. Were launching a twelve card pack that will

170
00:10:03,360 --> 00:10:07,880
Speaker 1: be much wider distributed, um maybe of an internationally distributed.

171
00:10:08,000 --> 00:10:10,360
Speaker 1: You can just find it in a lot more places,

172
00:10:10,440 --> 00:10:13,520
Speaker 1: so it's not just me sitting on my living room

173
00:10:13,600 --> 00:10:16,280
Speaker 1: for stuffing envelopes. Will be able to get these cards

174
00:10:16,280 --> 00:10:19,040
Speaker 1: out there to a lot more people. They're still printed

175
00:10:19,080 --> 00:10:22,120
Speaker 1: really beautifully, so it's really exciting. I'm excited to see

176
00:10:22,120 --> 00:10:25,880
Speaker 1: where that goes. Merely identified her creative strengths and weaknesses

177
00:10:25,960 --> 00:10:28,920
Speaker 1: and sought partnerships to help fill the voids and relied

178
00:10:28,960 --> 00:10:31,559
Speaker 1: on separate teams for both her company and the completion

179
00:10:31,559 --> 00:10:33,480
Speaker 1: of her book. I would not have been able to

180
00:10:33,480 --> 00:10:36,760
Speaker 1: do it without them. And then my editor, she and

181
00:10:36,800 --> 00:10:40,000
Speaker 1: I got really close, and she's she's like a right

182
00:10:40,120 --> 00:10:43,480
Speaker 1: brained version of I guess the left brained version of me.

183
00:10:43,800 --> 00:10:46,319
Speaker 1: So she was my editor, so she would look at

184
00:10:46,720 --> 00:10:49,840
Speaker 1: a piece of paper that looked chaotic, and she would

185
00:10:49,880 --> 00:10:52,600
Speaker 1: just make it make sense. She was like the oil

186
00:10:52,880 --> 00:10:55,640
Speaker 1: to the machine, like she just made it run. Gave

187
00:10:55,679 --> 00:10:58,800
Speaker 1: me the confidence to keep working and being creative, and

188
00:10:59,160 --> 00:11:02,240
Speaker 1: she's inspired me to like take all of these crazy,

189
00:11:02,320 --> 00:11:05,760
Speaker 1: jumbled ideas and talents I have and put them on

190
00:11:05,840 --> 00:11:11,000
Speaker 1: paper and maybe hopefully make it into something that somebody

191
00:11:11,040 --> 00:11:14,560
Speaker 1: else can relate to and put a book finding on it.

192
00:11:15,000 --> 00:11:20,199
Speaker 1: Women's Libation gracefully combines charming artwork with coherent cocktail instruction

193
00:11:20,640 --> 00:11:23,480
Speaker 1: and is packed with so much clever wordplay and twists

194
00:11:23,480 --> 00:11:28,000
Speaker 1: on established historical names like Vermouth, Bader, Ginsburg, Joan of Ark,

195
00:11:28,040 --> 00:11:31,840
Speaker 1: and Stormy Florence, Nightcap, and Gale, all in the spirit

196
00:11:31,880 --> 00:11:35,520
Speaker 1: of celebrating women who have impacted the world. My biggest

197
00:11:35,520 --> 00:11:41,000
Speaker 1: achievement has absolutely been completing writing this book. There's the

198
00:11:41,080 --> 00:11:45,439
Speaker 1: journey I went on from sitting in my agent's office

199
00:11:45,840 --> 00:11:49,480
Speaker 1: and having this tiny idea for a book and hers

200
00:11:49,520 --> 00:11:52,280
Speaker 1: telling me to mock up a couple of pages two

201
00:11:52,320 --> 00:11:56,319
Speaker 1: in less than a year, coming up with seventy recipes

202
00:11:56,559 --> 00:12:01,160
Speaker 1: and accompany kind of like biographical blurbs on these women,

203
00:12:01,280 --> 00:12:04,320
Speaker 1: and just the research that went into it and just

204
00:12:04,480 --> 00:12:08,600
Speaker 1: getting really excited about something kind of silly, which is

205
00:12:08,679 --> 00:12:10,560
Speaker 1: just like a cocktail book, or you can kind of

206
00:12:10,559 --> 00:12:14,560
Speaker 1: playful that a project like this can mean something and

207
00:12:14,640 --> 00:12:17,880
Speaker 1: has meant something to a lot of people. Strangers, friends,

208
00:12:18,000 --> 00:12:20,800
Speaker 1: friends of friends have reached out to me out of

209
00:12:20,840 --> 00:12:23,920
Speaker 1: nowhere and just saying I really needed this book right now.

210
00:12:24,200 --> 00:12:28,160
Speaker 1: It really felt like people were as excited about it

211
00:12:28,240 --> 00:12:31,480
Speaker 1: as I was making it, and makes me want to

212
00:12:31,520 --> 00:12:34,360
Speaker 1: just do more stuff like that. And I'm not quite

213
00:12:34,360 --> 00:12:37,560
Speaker 1: sure what yet, but I'm excited to explore it. I'm

214
00:12:37,600 --> 00:12:40,800
Speaker 1: sure fans and followers of Merrily's work are two, so

215
00:12:40,920 --> 00:12:43,240
Speaker 1: as being in Los Angeles part of a new chapter

216
00:12:43,400 --> 00:12:45,960
Speaker 1: in her own life. I'm thinking about this move to

217
00:12:46,120 --> 00:12:49,840
Speaker 1: l A as an eventual bicoastal life that I'm not

218
00:12:49,880 --> 00:12:53,240
Speaker 1: sure it's achievable, but that would be my dream. Something

219
00:12:53,240 --> 00:12:55,199
Speaker 1: I've always wanted to do is open my own bar.

220
00:12:55,640 --> 00:12:57,760
Speaker 1: I have a bunch of experience, I really know what

221
00:12:57,880 --> 00:13:01,440
Speaker 1: I can really envision what would work for me at least,

222
00:13:01,720 --> 00:13:04,680
Speaker 1: so that might be in my near future as well.

223
00:13:05,040 --> 00:13:08,280
Speaker 1: But coming out here, it's on this like Hiatus was

224
00:13:08,360 --> 00:13:11,400
Speaker 1: in some part inspired by coming out with this book

225
00:13:11,440 --> 00:13:14,400
Speaker 1: and realizing, Okay, well this is done. I want to

226
00:13:14,480 --> 00:13:17,120
Speaker 1: keep this momentum going. Can I do that if I

227
00:13:17,120 --> 00:13:20,640
Speaker 1: don't have another deadline set and rather than waiting around,

228
00:13:20,800 --> 00:13:24,240
Speaker 1: keep that momentum going onward upward, try something new, shake

229
00:13:24,320 --> 00:13:27,400
Speaker 1: things up. I left New York kind of heartbroken. Leaving

230
00:13:27,400 --> 00:13:30,000
Speaker 1: New York. I'm in love with it, but I'm glad

231
00:13:30,040 --> 00:13:32,240
Speaker 1: I left it that way where I can come back

232
00:13:32,280 --> 00:13:35,040
Speaker 1: any time, and I don't really mind being in cars.

233
00:13:35,080 --> 00:13:38,240
Speaker 1: I can listen to podcasts. I'm Liz Reagan. And that

234
00:13:38,360 --> 00:13:40,960
Speaker 1: was Merrily Gression. And that's all for this edition of

235
00:13:41,040 --> 00:13:43,920
Speaker 1: On the Job. Find more at Express prose dot com,

236
00:13:44,160 --> 00:13:46,400
Speaker 1: and you can listen to every podcast this season at

237
00:13:46,400 --> 00:13:50,920
Speaker 1: express pros dot com. Forward Slash Podcast. This podcast is

238
00:13:50,960 --> 00:13:53,840
Speaker 1: produced by Decibel Studios in New York, I Heart Radio

239
00:13:54,080 --> 00:13:57,400
Speaker 1: and Red Seat Ventures. You can subscribe on iHeart Radio

240
00:13:57,440 --> 00:13:59,760
Speaker 1: and iTunes, where we hope you'll leave a nice review

241
00:14:00,120 --> 00:14:02,360
Speaker 1: that helps other folks find us. And of course you

242
00:14:02,360 --> 00:14:05,520
Speaker 1: can listen and subscribe wherever you get your podcasts. See

243
00:14:05,559 --> 00:14:11,640
Speaker 1: you next time On the Job mmm