WEBVTT - Zola: Dehydrated & Tweet

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<v Speaker 1>Toss Popcorn is a production of iHeartRadio. Hi. I'm Sienna Jacob.

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<v Speaker 2>And I'm Leanna Holston.

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<v Speaker 1>And Welcome to Tossed Popcorn, the podcast where two idiots

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<v Speaker 1>watched every film on the AFI's one hundred Greatest American

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<v Speaker 1>Movies of All Time, the very slightly less Racist tenth

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<v Speaker 1>Anniversary edition, and are now watching films directed by women.

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<v Speaker 2>This podcast is a safe club for people who don't

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<v Speaker 2>know anything about movies. Today we're watching Sola.

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<v Speaker 1>I'm So Dumb?

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<v Speaker 2>Like why Ain't so dumb? A movie based off a

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<v Speaker 2>Twitter thread.

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<v Speaker 1>Mm hmm.

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<v Speaker 2>Warning there will be spoilers about this ooh old recent

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<v Speaker 2>very recent film sterres full.

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<v Speaker 3>Man.

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<v Speaker 2>I guess we should hate content. Warning that we will

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<v Speaker 2>be discussing sex trafficking and violence, sex violence and human

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<v Speaker 2>suffering overall. Mm hmm. Yeah, I Sianna, had you did you?

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<v Speaker 2>What did you know about this movie going into it?

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<v Speaker 1>Actually, let's do our predictions because I think I talked

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<v Speaker 1>about and then and then I'll tell you more. Okay,

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<v Speaker 1>can we just get mine over with because I actually

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<v Speaker 1>made it really long?

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<v Speaker 2>Oh you sure did?

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<v Speaker 3>Yes?

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<v Speaker 2>I see that? Yeah?

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<v Speaker 1>Absolutely so sorry?

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<v Speaker 2>Hi Leanna, Hi, Hi Leanna.

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<v Speaker 1>I'm about to watch Zola. I gotta admit I'm a

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<v Speaker 1>bit nervous. We discussed this off Mic. I believe it

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<v Speaker 1>was off Mic.

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<v Speaker 2>It was that we.

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<v Speaker 1>Both read the Twitter thread it was based on. When

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<v Speaker 1>I read it, I thought the Twitter thread was horribly disturbing.

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<v Speaker 1>You said it was funny. Yeah, I'm wondering if I

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<v Speaker 1>read it in a different way. I can't remember it

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<v Speaker 1>that well.

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<v Speaker 3>Now.

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<v Speaker 1>I remember some parts, but it's been a long time.

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<v Speaker 1>But I'm hoping in movie form that they make it

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<v Speaker 1>more lighthearted than what I recall. So I look forward

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<v Speaker 1>to a crazy movie about I believe a woman meets

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<v Speaker 1>another gal who's like, I can get you some quick cash,

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<v Speaker 1>and then it ends up being a crazy, crazy journey.

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<v Speaker 1>And this person who says she can make her some

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<v Speaker 1>cash has like a lot, a lot going on, a

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<v Speaker 1>lot going gosh, this is long. Okay, Well, I love you, goodbye.

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<v Speaker 1>I will say I remember what was funny about it

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<v Speaker 1>because the Zola, the writer is very funny about how

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<v Speaker 1>she describes everything. Yeah, as you were going through, I

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<v Speaker 1>was like, oh, right, this is whilrious.

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<v Speaker 2>To be honest, I think I'd like to retract my

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<v Speaker 2>statement that the Twitter thread was funny, it's both those

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<v Speaker 2>because you're having seen the film, I think it's got both.

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<v Speaker 1>Yeah, she really described a crazy situation. I think that's

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<v Speaker 1>why it got so much buzz is because she was like, holy.

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<v Speaker 2>Shit, yeah and then every perfect it's true. Well, and Sienna,

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<v Speaker 2>here is my prediction for the film, Sola, Hi, Sienna Leanna.

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<v Speaker 2>I'm about to watch Sola.

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<v Speaker 4>I have not seen the movie, but I have read

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<v Speaker 4>the Twitter thread, so I anticipate ooh me, oh my,

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<v Speaker 4>a tale full of twists and also turns.

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<v Speaker 2>Honestly, my main hope is not to see any human suffering.

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<v Speaker 1>Oh god.

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<v Speaker 2>I hope it's a wild ride and fun and there's

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<v Speaker 2>a lot of glitter not you buy.

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<v Speaker 1>You know what's crazy is I think they actually cut

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<v Speaker 1>out some of the some of the worst of it.

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<v Speaker 2>Oh no, I guess I might. My brain must have

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<v Speaker 2>blocked that out.

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<v Speaker 1>It makes sense. I Uh. There were some things that

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<v Speaker 1>were like really graphic that they made that they like

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<v Speaker 1>decided to put into like a more subtle movie form. Yeah,

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<v Speaker 1>and for that, I am great.

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<v Speaker 2>Dang dang. But they kept in a lot of stuff.

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<v Speaker 2>They kept in some stuff that really disturbed me.

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<v Speaker 4>Yeah.

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<v Speaker 3>Yeah, well, uh, before that, Hey girl, Hey girl girl,

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<v Speaker 3>it is a heat wave in London.

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<v Speaker 2>Woo, and we are not well.

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<v Speaker 1>No, I hate the heat.

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<v Speaker 2>I don't like it. It's not for me, and it's

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<v Speaker 2>so so insane that it's only going to be this

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<v Speaker 2>forever and worse until the earth blows up. So, but

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<v Speaker 2>I just came from something called the Taste of London.

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<v Speaker 1>Do you like if you've ever been to.

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<v Speaker 2>Taste of Washington, Taste of Seattle? I have that.

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<v Speaker 1>Bin, but I've been to things similar to it. It's

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<v Speaker 1>like it's like a bunch of restaurants have yes, yes,

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<v Speaker 1>so fun. Okay, tell me about it, all of the

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<v Speaker 1>best things.

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<v Speaker 2>I got a ticket for free through work. Thank you work. Oh,

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<v Speaker 2>because the actual guy who works in actual marketing couldn't

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<v Speaker 2>actually go, and I'm the personality higher so they were like,

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<v Speaker 2>well send her, I guess yeah. So I went with

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<v Speaker 2>the marketing Gerlina, and it was so fun. We both

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<v Speaker 2>had a hard out that we almost adhered to, and

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<v Speaker 2>so we had to just speed through the festival and

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<v Speaker 2>get every free sample we could along the way. So

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<v Speaker 2>my body right now is like a little nibble of

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<v Speaker 2>guacamole and three chips and one free taco and some

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<v Speaker 2>free tater tots, and then several several little cups with

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<v Speaker 2>a few SIPs of wine in it. So I wouldn't

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<v Speaker 2>say I'm buzzed, but I would say something has occurred, right, Yeah,

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<v Speaker 2>And that coupled with the heat, I was like, I

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<v Speaker 2>felt like I was blackout when I was texting you

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<v Speaker 2>that I was almost ready to start recording.

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<v Speaker 1>Yeah, the heat'll do crazy things to you.

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<v Speaker 2>Nothing, I feel loopy. I also am understanding. I've been

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<v Speaker 2>watching Love Island UK. The new season started last week,

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<v Speaker 2>and it's been a little bit sexless so far. Not entirely,

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<v Speaker 2>but a little bit. And it's because of climate change.

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<v Speaker 2>It's too hot those in that bedroom for anybody to

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<v Speaker 2>want to do anything. And I get it.

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<v Speaker 1>Wow, yeah, it's coming for us all, It's coming for everything.

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<v Speaker 2>Yeah, So, horny capitalists, beware, you're not gonna wanna with

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<v Speaker 2>climate change. So maybe that'll make you do something about it.

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<v Speaker 1>Dang. Anyway, Hey girl, hey girl, my parents were just

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<v Speaker 1>in town.

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<v Speaker 2>Oh my god, Oh my god. Did you watch this

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<v Speaker 2>with them? No? No, surely not, Okay, this I chose.

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<v Speaker 1>Not to watch with them. You know. I'm having sort

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<v Speaker 1>of the opposite experience. Yesterday, I finally started watching the

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<v Speaker 1>show Overcompensating because everybody wants.

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<v Speaker 2>Me to watch yep, watched it this past weekend. Really, yes,

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<v Speaker 2>we can discuss we could do an episode on over

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<v Speaker 2>so I could do a monthly toss on it.

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<v Speaker 1>I've been really enjoying it, but it is very sex full.

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<v Speaker 1>I feel like, or they're just talking, they like say,

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<v Speaker 1>they say sex.

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<v Speaker 2>Words, borderline sex acts, very.

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<v Speaker 1>Very sexual language all the time, which it's like really funny.

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<v Speaker 1>But I just feel like, after watching this and then Zola,

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<v Speaker 1>I'm like, wow, my brain is just full of penises.

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<v Speaker 2>Yes, I understand, and I don't want it to be

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<v Speaker 2>that way.

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<v Speaker 1>It just it's just I'm sorry everybody, but this is

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<v Speaker 1>this is the content that we've been consuming. Yeah, but

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<v Speaker 1>the reason I was watching this is because people have

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<v Speaker 1>been a few of my friends have wanted me to

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<v Speaker 1>watch it. I'm usually like busy in the evenings, and

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<v Speaker 1>I uh, I had a doctor's appointment at ten forty five,

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<v Speaker 1>so I'm like, I have things to do today, but

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<v Speaker 1>I'm going to start them after this this virtual doctor's appointment.

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<v Speaker 1>So I'm just gonna give myself a chill morning where

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<v Speaker 1>I like watch a couple episodes of this thing, which

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<v Speaker 1>was a delight. But then I told you I had

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<v Speaker 1>a very awkward, embarrassing, just personally in my own soul

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<v Speaker 1>kind of mourning that can only happen in the virtual

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<v Speaker 1>age where.

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<v Speaker 2>I was like the telehealth era, the telehealth era.

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<v Speaker 1>So it's it's ten forty five. I go great, I

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<v Speaker 1>get online. The way that I get my meds is

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<v Speaker 1>through a straight service that like, is this doctor thing

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<v Speaker 1>that I had with my old insurance and then my

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<v Speaker 1>current insurance has transferred over. Okay, but I'm always waiting

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<v Speaker 1>for it to break. I'm like, there's no way this

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<v Speaker 1>is working. Yeah, it has worked, and I just have

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<v Speaker 1>to call my psychiatrist like every three months tell her

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<v Speaker 1>the mens are still working, and she just sends me

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<v Speaker 1>a new thing.

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<v Speaker 2>Yeah.

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<v Speaker 1>But the thing about the site is I can't email

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<v Speaker 1>her directly. I have to make an appointment and show up,

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<v Speaker 1>like I can't contact her directly. It's weird. So I

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<v Speaker 1>get there, I cannot hear her. She is like moving

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<v Speaker 1>her mouth and I'm like, oh sorry, I can't hear

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<v Speaker 1>one second. And then you do the thing you do

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<v Speaker 1>the little dance where you cleick around and You're like,

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<v Speaker 1>I don't I'm not an it spellist. I don't know

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<v Speaker 1>what's gonna happen on here. I know a bit about

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<v Speaker 1>sound because of us, so I can I know which

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<v Speaker 1>parts of the system preferences to go to.

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<v Speaker 2>I know what icon means sound exactly.

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<v Speaker 1>As a sound professional, and icon means volume.

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<v Speaker 2>And did you know when I was looking at flats

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<v Speaker 2>in London, you have to like list your job title,

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<v Speaker 2>and I said audio engineer.

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<v Speaker 1>Love, but you are you sure?

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<v Speaker 2>Sure? Okay? So you're clicking around?

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<v Speaker 1>I just I just I was feeling. So I'm like,

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<v Speaker 1>like cosmically humiliated as I click around and just go.

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<v Speaker 1>You know, it's like we both know that I don't

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<v Speaker 1>know what I'm doing. There's no if you turn on

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<v Speaker 1>you've already clicked all your sound on and you've turned

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<v Speaker 1>on a video call and there's no sound. What are

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<v Speaker 1>you to do? It's terrifying. So I tried hanging up

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<v Speaker 1>and calling back, and then I was like, maybe if

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<v Speaker 1>I moved to Chrome because by the way, I don't

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<v Speaker 1>know if there's sun setting Safari or something, but a

0:10:41.200 --> 0:10:43.640
<v Speaker 1>lot of websites are no longer working with safaris.

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<v Speaker 2>Oh my god, So I'm like, maybe go to Kari

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<v Speaker 2>is over.

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<v Speaker 1>You got it here.

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<v Speaker 2>First.

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<v Speaker 1>I tested things out so much, kept trying to click

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<v Speaker 1>off and like refresh and stuff that finally my window

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<v Speaker 1>to gain my appointment just closed. It was like six

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<v Speaker 1>minutes or something, and I couldn't she was gone. There's

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<v Speaker 1>no longer way for me to contact her either. I

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<v Speaker 1>couldn't like message her and be like sorry, can we research?

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<v Speaker 2>Oh my god.

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<v Speaker 1>So we just had to schedule another appointment for next

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<v Speaker 1>week and I have to cross my hell. I have

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<v Speaker 1>enough meds until then, only because I forgot a few

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<v Speaker 1>times to take them.

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<v Speaker 2>Thank god. Wait, anyway, is Safari your default browser?

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<v Speaker 1>It is?

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<v Speaker 2>Oh girl? I know.

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<v Speaker 1>You know why that is is because I used Chrome

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<v Speaker 1>in college and it would just suck the energy right

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<v Speaker 1>out my computer.

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<v Speaker 2>What I found Chrome taby how many tabs?

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<v Speaker 1>Millions?

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<v Speaker 2>Millions? I mean as many tabs as there were hippos

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<v Speaker 2>in ancient Egypt.

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<v Speaker 1>I mean like truly as many as possible.

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<v Speaker 2>That's just but are you doing that with Safari as well?

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<v Speaker 2>And it's okay? Yeah, wow, I from one Safari.

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<v Speaker 1>I That's what I noticed at least in college. But yeah,

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<v Speaker 1>I need to make it out. Yeah, it's no good.

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<v Speaker 1>It's no good.

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<v Speaker 2>It issues are so stupid. Today during our company all hands,

0:12:09.080 --> 0:12:12.319
<v Speaker 2>I was giving my stupid presentation about this stupid thing

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<v Speaker 2>on my stupid slide, and I lifted up my laptop

0:12:15.360 --> 0:12:17.719
<v Speaker 2>to show everybody something. And then people on the call

0:12:17.760 --> 0:12:21.080
<v Speaker 2>were like, oh, we can't hear you. Your mic is

0:12:21.120 --> 0:12:24.880
<v Speaker 2>being weird, and I was just like okay, and I

0:12:24.960 --> 0:12:28.960
<v Speaker 2>kept going, like, what am I supposed to do? It's

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<v Speaker 2>a new laptop. I don't know.

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<v Speaker 1>Did they get you a work laptop or is it yours?

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<v Speaker 2>Oh, it's a work laptop. Awesome. I know. Yeah, it's

0:12:39.720 --> 0:12:40.280
<v Speaker 2>pretty sick.

0:12:40.520 --> 0:12:42.319
<v Speaker 1>Someday I wonder if i'll know the glory that is

0:12:42.360 --> 0:12:43.160
<v Speaker 1>a work laptop.

0:12:44.280 --> 0:12:48.720
<v Speaker 2>Yeah, they're this one is not cursed anymore. My old

0:12:48.760 --> 0:12:51.880
<v Speaker 2>one was very cursed. It was a twenty nineteen behemoth

0:12:53.200 --> 0:12:56.880
<v Speaker 2>of a MacBook Pro that clearly had ghosts, like clearly

0:12:57.920 --> 0:13:01.280
<v Speaker 2>too many people had had it had seemed too much.

0:13:01.440 --> 0:13:03.000
<v Speaker 1>Yeah, you know, yeah totally.

0:13:03.400 --> 0:13:08.120
<v Speaker 2>But this one's fresh and new, fresh, fresh, and speaking

0:13:08.120 --> 0:13:16.400
<v Speaker 2>of keeping things fresh and clean, as opposed to maybe

0:13:16.559 --> 0:13:22.000
<v Speaker 2>maybe your colleague who is messier, uh huh, Sienna, could

0:13:22.000 --> 0:13:28.080
<v Speaker 2>you please give us a synopsis of the film Sola.

0:13:27.360 --> 0:13:36.640
<v Speaker 1>Yes, Sola Sola, a waitress and sometimes dancer, is convinced

0:13:36.880 --> 0:13:42.600
<v Speaker 1>by a fun, airheady girlipop named Stephanie to go on

0:13:42.640 --> 0:13:47.080
<v Speaker 1>a trip to make some money stripping in Miami. However,

0:13:47.640 --> 0:13:54.400
<v Speaker 1>the situation quickly becomes much sketchier than that, and it's

0:13:54.840 --> 0:14:01.000
<v Speaker 1>pretty much a sloppily executed sex trafficking scheme. Yeah, and

0:14:01.160 --> 0:14:04.400
<v Speaker 1>Sola spends the whole time stressed and appalled.

0:14:05.200 --> 0:14:12.800
<v Speaker 2>Hm the end, honestly, yeah, it's like forty eight hours.

0:14:13.280 --> 0:14:19.280
<v Speaker 1>Everybody survives except for one person who except for one guy,

0:14:19.440 --> 0:14:21.160
<v Speaker 1>but he wasn't the team.

0:14:21.880 --> 0:14:24.360
<v Speaker 2>I don't know, I think so it didn't. Things weren't

0:14:24.360 --> 0:14:27.800
<v Speaker 2>looking good for him for sure. Yeah, I wasn't sure.

0:14:28.200 --> 0:14:33.560
<v Speaker 1>Oh yeah, I guess. I don't know. Anyway, things get insane.

0:14:33.760 --> 0:14:37.600
<v Speaker 1>It's a story of ending up in a situation where

0:14:37.600 --> 0:14:43.080
<v Speaker 1>you're like, oh, crap, I'm with the wrong people. Ooh,

0:14:44.000 --> 0:14:46.400
<v Speaker 1>but Sola is such a mood.

0:14:47.040 --> 0:14:47.280
<v Speaker 4>Wow.

0:14:47.360 --> 0:14:49.520
<v Speaker 2>I loved I loved her.

0:14:49.800 --> 0:14:51.680
<v Speaker 1>I loved her.

0:14:52.280 --> 0:14:54.440
<v Speaker 2>It really means she did and said I was like, yep,

0:14:55.160 --> 0:14:56.960
<v Speaker 2>it's not the right thing. That is the right thing

0:14:57.000 --> 0:14:57.960
<v Speaker 2>to do or say?

0:14:58.120 --> 0:14:59.840
<v Speaker 1>Well, the hona should we talk about our phone notes

0:15:00.000 --> 0:15:02.400
<v Speaker 1>about the movie Sola.

0:15:02.840 --> 0:15:07.600
<v Speaker 2>Yeah, I'm not sure how I felt about this film.

0:15:07.800 --> 0:15:10.760
<v Speaker 1>This is so interesting because I came into it assuming

0:15:10.800 --> 0:15:12.440
<v Speaker 1>it was going to be so disturbing.

0:15:13.080 --> 0:15:15.480
<v Speaker 2>Yeah, because I was at the opposite I was like, oh,

0:15:15.480 --> 0:15:16.000
<v Speaker 2>a romp.

0:15:16.440 --> 0:15:18.680
<v Speaker 1>Yeah, And so I ended up having actually quite a

0:15:18.680 --> 0:15:21.440
<v Speaker 1>fun time because it was so much funnier than I

0:15:21.480 --> 0:15:23.360
<v Speaker 1>was expecting. I was bracing myself for sort of like

0:15:23.400 --> 0:15:29.000
<v Speaker 1>a gratuitous horror movie, yeah type of thing, and it

0:15:29.040 --> 0:15:35.960
<v Speaker 1>was really like, I mean, definitely the subject matter is upsetting.

0:15:36.800 --> 0:15:37.400
<v Speaker 2>Yeah.

0:15:38.320 --> 0:15:40.960
<v Speaker 1>So Stephanie's like a sex worker basically, but she's not

0:15:41.000 --> 0:15:46.800
<v Speaker 1>in a good situation. Her like her manager pimp guy, yeah,

0:15:47.200 --> 0:15:50.240
<v Speaker 1>is not good, gives her no money, Like, she's just

0:15:50.320 --> 0:15:53.640
<v Speaker 1>really it's just not a good situation. I was expecting

0:15:53.640 --> 0:15:56.600
<v Speaker 1>all of that, and so then having Zola be in

0:15:56.640 --> 0:16:00.960
<v Speaker 1>the background like oh funny.

0:16:02.240 --> 0:16:05.800
<v Speaker 2>I for like, for my experience of the film was

0:16:06.040 --> 0:16:09.880
<v Speaker 2>I was going tea he until I wasn't yeah, and

0:16:09.920 --> 0:16:11.120
<v Speaker 2>then I wasn't in it.

0:16:10.800 --> 0:16:13.680
<v Speaker 1>It's it's dark stuff, yeah.

0:16:13.840 --> 0:16:16.600
<v Speaker 2>Yeah. There was a lot of human suffering, yeah, which

0:16:16.600 --> 0:16:22.880
<v Speaker 2>I'd explicitly stated I was hoping wouldn't happen. Yeah, do

0:16:22.960 --> 0:16:25.920
<v Speaker 2>you need to get away? From your weekend get away.

0:16:27.120 --> 0:16:34.560
<v Speaker 2>You've got three minutes to dissociate. We'll be right back, Okay.

0:16:34.600 --> 0:16:37.680
<v Speaker 1>Letter you've said, is that Coleman Domingo.

0:16:38.440 --> 0:16:45.160
<v Speaker 2>Oh yeah, my god, I love him me too. I

0:16:45.200 --> 0:16:48.600
<v Speaker 2>really love him. I love him so much, honestly, pretty much.

0:16:48.600 --> 0:16:51.040
<v Speaker 2>Whatever he's in, he eyes, anything he's in.

0:16:51.360 --> 0:16:53.640
<v Speaker 1>This is how again. I was feeling very stressed about

0:16:53.640 --> 0:16:56.400
<v Speaker 1>this movie. Yeah m hmuse thought it was gonna be

0:16:56.440 --> 0:16:58.480
<v Speaker 1>so and when I saw that he was playing X,

0:16:58.520 --> 0:17:01.280
<v Speaker 1>I was like, Okay, this is gonna be okay.

0:17:01.440 --> 0:17:03.760
<v Speaker 2>Truly, this is what made the casting. The casting is

0:17:03.800 --> 0:17:08.560
<v Speaker 2>so smart, because I noted later unfortunately, because this is

0:17:08.600 --> 0:17:12.480
<v Speaker 2>Coleman Domingo. I trust him implicitly. But it's like you

0:17:12.600 --> 0:17:16.359
<v Speaker 2>have to cast somebody that everybody who is so beloved

0:17:16.600 --> 0:17:19.040
<v Speaker 2>in order to make this at all watchable is so

0:17:19.080 --> 0:17:22.760
<v Speaker 2>because otherwise it would just be a horrific interactions with

0:17:22.840 --> 0:17:25.960
<v Speaker 2>this terrifying man. But then it's Coleman Domingo.

0:17:26.080 --> 0:17:29.720
<v Speaker 1>I know he really. It made me feel so much safer.

0:17:29.800 --> 0:17:33.399
<v Speaker 2>It really totally like, ohally.

0:17:32.440 --> 0:17:36.400
<v Speaker 1>We're just telling a story and it's time and everyone's okay.

0:17:36.560 --> 0:17:39.280
<v Speaker 2>It's okay. Because he is an actor and he is

0:17:39.480 --> 0:17:48.280
<v Speaker 2>gay remember, he is gay, and a gay man has

0:17:48.400 --> 0:17:53.280
<v Speaker 2>never treated women poorly. Not once in history does that happen.

0:17:54.160 --> 0:17:57.040
<v Speaker 1>Leon said, O g the old Instagram UI.

0:17:57.400 --> 0:18:00.920
<v Speaker 2>Oh my gosh, because it takes place in twenty fifteen.

0:18:02.160 --> 0:18:07.119
<v Speaker 2>It's so wild seeing an old app user interface, yeah,

0:18:07.160 --> 0:18:09.080
<v Speaker 2>and realizing, oh my god, that is what it used

0:18:09.119 --> 0:18:12.600
<v Speaker 2>to look like and it doesn't anymore. That Oh my god,

0:18:12.640 --> 0:18:17.040
<v Speaker 2>it's true, Sianna, you've noted. I literally cannot imagine being

0:18:17.080 --> 0:18:18.680
<v Speaker 2>this strong and graceful.

0:18:21.200 --> 0:18:24.240
<v Speaker 1>Every time. We have seen a couple of movies now,

0:18:24.600 --> 0:18:29.520
<v Speaker 1>maybe just the other one where there are dancers, yeah,

0:18:29.720 --> 0:18:31.440
<v Speaker 1>pole dancing. I'm trying to imagine. If there was another

0:18:31.440 --> 0:18:33.399
<v Speaker 1>one where we saw, they probably were man movies and

0:18:33.440 --> 0:18:34.160
<v Speaker 1>were disgusting, but.

0:18:34.480 --> 0:18:35.640
<v Speaker 2>I think these are the two.

0:18:36.040 --> 0:18:43.800
<v Speaker 1>Yeah, pole dancing is like so amazing. I m these

0:18:43.840 --> 0:18:45.600
<v Speaker 1>movies have really made me go, oh, I get it.

0:18:46.080 --> 0:18:47.080
<v Speaker 2>I completely put it.

0:18:48.359 --> 0:18:51.239
<v Speaker 1>I completely get what's like. So you can't take your

0:18:51.240 --> 0:18:51.760
<v Speaker 1>eyes off.

0:18:51.680 --> 0:18:53.440
<v Speaker 2>Of see it's mesmerizing it is.

0:18:54.520 --> 0:18:57.960
<v Speaker 1>She was so yeah, graceful and strong. It just looks

0:18:58.000 --> 0:19:00.360
<v Speaker 1>so easy. I guess that's what's so mesmerizing about pole

0:19:00.400 --> 0:19:02.639
<v Speaker 1>dancing is when people are really talented and they make

0:19:02.640 --> 0:19:04.440
<v Speaker 1>it look so easy, even though you know it takes

0:19:04.640 --> 0:19:06.320
<v Speaker 1>such intense strength.

0:19:06.560 --> 0:19:12.240
<v Speaker 2>Effortless and also to make something really athletic also be sexy. Yes,

0:19:13.040 --> 0:19:14.680
<v Speaker 2>is not a given.

0:19:14.880 --> 0:19:15.920
<v Speaker 1>It is not a given at all.

0:19:16.600 --> 0:19:19.240
<v Speaker 2>I knw that Taylor page at the end after the

0:19:19.280 --> 0:19:22.159
<v Speaker 2>movie and learned that she is an actor and also

0:19:23.000 --> 0:19:25.960
<v Speaker 2>professional dancer, and I said, oh, thank.

0:19:25.800 --> 0:19:27.879
<v Speaker 1>God, Oh thank god, Oh thank thank god.

0:19:28.680 --> 0:19:33.359
<v Speaker 2>Honestly thank god, because if this was just an actor

0:19:33.400 --> 0:19:36.879
<v Speaker 2>who'd like picked up pole dancing along the way, I

0:19:36.920 --> 0:19:40.959
<v Speaker 2>don't know that stresses me out, but that this is

0:19:41.000 --> 0:19:45.119
<v Speaker 2>also her vocation, like dancing was a profession that she

0:19:45.280 --> 0:19:49.840
<v Speaker 2>has done. Thank god. Yeah, because she was so good

0:19:49.840 --> 0:19:54.120
<v Speaker 2>at it. And her body also was the best I've

0:19:54.119 --> 0:19:56.200
<v Speaker 2>ever seen, the best body I've ever seen.

0:19:56.440 --> 0:19:58.320
<v Speaker 1>I wrote something down later where I was like, I'm

0:19:58.320 --> 0:20:01.280
<v Speaker 1>so sorry to do this, but like her butt is.

0:20:01.280 --> 0:20:05.040
<v Speaker 2>So it's exactly what it is supposed to be.

0:20:05.720 --> 0:20:08.040
<v Speaker 1>And later one of the character is the guy who

0:20:08.119 --> 0:20:10.840
<v Speaker 1>ends up robbing them or trying to Yeah.

0:20:11.119 --> 0:20:12.560
<v Speaker 2>A stresses her fat ass.

0:20:12.600 --> 0:20:15.560
<v Speaker 1>He literally said something like that is a special ass

0:20:15.560 --> 0:20:20.160
<v Speaker 1>like it, and I was like, I've actually really thank you.

0:20:20.160 --> 0:20:20.879
<v Speaker 2>For saying that.

0:20:21.200 --> 0:20:25.120
<v Speaker 1>Yeah, it's like that is special. She's got something.

0:20:26.720 --> 0:20:29.720
<v Speaker 2>About women directing films is like, it's not it does.

0:20:29.880 --> 0:20:33.439
<v Speaker 2>It just doesn't feel like objectification. It feels like appreciation.

0:20:33.760 --> 0:20:36.159
<v Speaker 2>It really does and respect.

0:20:36.800 --> 0:20:40.320
<v Speaker 1>Okay, Leanna, you said, lmao, this dehydrated bitch?

0:20:41.040 --> 0:20:41.320
<v Speaker 4>Is this?

0:20:41.400 --> 0:20:44.639
<v Speaker 2>Oh my god? The scene where they show and this

0:20:44.720 --> 0:20:48.800
<v Speaker 2>again is like only a woman is allowed to direct

0:20:48.920 --> 0:20:53.560
<v Speaker 2>this a scene where the camera is over two toilet

0:20:53.600 --> 0:20:56.600
<v Speaker 2>stalls and it shows how each of the women are peeing.

0:20:56.960 --> 0:21:01.200
<v Speaker 2>I know, which also was so Joe, don't tell which

0:21:01.240 --> 0:21:03.760
<v Speaker 2>I've been taught is what you're supposed to do in movies.

0:21:03.800 --> 0:21:08.720
<v Speaker 2>So apparently that's good. Where Zola is squatting over the

0:21:08.760 --> 0:21:12.119
<v Speaker 2>toilets because she wheres Stephanie's fully sat on it, and

0:21:12.240 --> 0:21:15.720
<v Speaker 2>Zola's pe is such a light color of yellow, whereas

0:21:15.720 --> 0:21:19.760
<v Speaker 2>Stephanie is such a dehydrated bitch. And I was like,

0:21:19.920 --> 0:21:25.000
<v Speaker 2>what an evocative way to portray two different characters' personalities.

0:21:25.119 --> 0:21:29.240
<v Speaker 1>It is so true, and like it's foreshadowing that one

0:21:29.240 --> 0:21:33.120
<v Speaker 1>of them that Zola cares more about, that she's more careful.

0:21:33.760 --> 0:21:35.920
<v Speaker 2>Yeah yeah, if.

0:21:35.880 --> 0:21:38.119
<v Speaker 1>She could have just seen, if she could have just

0:21:38.160 --> 0:21:44.119
<v Speaker 1>seen Stephanie pissing does not take care of herself. Yeah, yeah,

0:21:44.160 --> 0:21:46.120
<v Speaker 1>this movie was not afraid to be gross in that way.

0:21:46.520 --> 0:21:48.560
<v Speaker 1>They were like, you were not going to be aroused

0:21:48.560 --> 0:21:50.600
<v Speaker 1>by this film. Yeah, that is something that.

0:21:50.760 --> 0:21:52.560
<v Speaker 2>I appreciate it a lot up top.

0:21:52.680 --> 0:21:55.920
<v Speaker 1>Yeah, Leanna, you've said this is such an accurate portrayal

0:21:56.000 --> 0:21:57.400
<v Speaker 1>of every white boyfriend.

0:21:58.960 --> 0:22:02.879
<v Speaker 2>Oh what did you think of Nicholas Brown in this film?

0:22:03.080 --> 0:22:08.320
<v Speaker 1>So funny in this he's so so talented at speaking

0:22:08.480 --> 0:22:12.240
<v Speaker 1>a little bit wrong. When he goes into the window,

0:22:12.240 --> 0:22:17.280
<v Speaker 1>he's like yo yo yo.

0:22:18.520 --> 0:22:19.280
<v Speaker 2>Oh my god.

0:22:19.560 --> 0:22:21.639
<v Speaker 1>I laughed so much. When he calls her and he's like,

0:22:21.920 --> 0:22:24.520
<v Speaker 1>I love you if you want any food, like you're

0:22:24.520 --> 0:22:26.800
<v Speaker 1>trying to get food, or like like I can wait

0:22:26.840 --> 0:22:28.760
<v Speaker 1>for you and we can get food. And it goes

0:22:29.280 --> 0:22:30.880
<v Speaker 1>message not recorded.

0:22:30.560 --> 0:22:31.720
<v Speaker 2>Message not recorded.

0:22:33.280 --> 0:22:36.040
<v Speaker 1>That made me laugh out loud. I really laughed at

0:22:36.040 --> 0:22:38.240
<v Speaker 1>this movie a number of times. And I think the

0:22:38.320 --> 0:22:41.080
<v Speaker 1>laughter comes from the fact that you feel so stressed.

0:22:41.359 --> 0:22:44.360
<v Speaker 1>And it's true, but it's like breaking up the stress.

0:22:44.720 --> 0:22:46.679
<v Speaker 2>I think it's needed, It's very needed.

0:22:47.920 --> 0:22:50.240
<v Speaker 1>Yeah, Leanna, you said pole dancing can only be directed

0:22:50.240 --> 0:22:51.600
<v Speaker 1>by a woman. I completely agree.

0:22:51.960 --> 0:22:54.160
<v Speaker 2>Mm hmm. Yeah.

0:22:54.640 --> 0:22:57.119
<v Speaker 1>Oh, Leana, you said this is why I travel solo.

0:22:58.080 --> 0:23:03.280
<v Speaker 2>No, you just never know. You never know if the

0:23:03.320 --> 0:23:06.120
<v Speaker 2>friend you're traveling with is gonna accidentally loop you into

0:23:06.160 --> 0:23:11.240
<v Speaker 2>a sex trafficking ring. Yeah, so travel solo. No, it's

0:23:11.280 --> 0:23:13.760
<v Speaker 2>really more that thing of like you don't actually know

0:23:13.960 --> 0:23:17.080
<v Speaker 2>how other people in your life live. You're not seeing

0:23:17.080 --> 0:23:18.639
<v Speaker 2>them twenty four to seven in a way that you

0:23:18.680 --> 0:23:22.160
<v Speaker 2>do when you travel together. Yes, I think it's good

0:23:22.160 --> 0:23:24.960
<v Speaker 2>to keep a little bit of mystery. It's so true,

0:23:25.640 --> 0:23:27.119
<v Speaker 2>like how you and I refuse to go on the

0:23:27.119 --> 0:23:31.720
<v Speaker 2>same plane, and it's for the best. We're not gonna

0:23:31.760 --> 0:23:35.400
<v Speaker 2>do that. We know we'd kill each other we did.

0:23:37.880 --> 0:23:42.280
<v Speaker 1>I want Zola's energy, oh more of my life because

0:23:42.280 --> 0:23:43.960
<v Speaker 1>I think if I had been I was like, what

0:23:44.119 --> 0:23:46.000
<v Speaker 1>twenty three or something, when I was in this guy's

0:23:46.040 --> 0:23:47.800
<v Speaker 1>like drag racing car and it was very short, it

0:23:47.840 --> 0:23:49.360
<v Speaker 1>wasn't a long amout, but I was just like, oh

0:23:49.359 --> 0:23:52.879
<v Speaker 1>my god, this person lives life so much differently than me.

0:23:53.080 --> 0:23:57.359
<v Speaker 1>I do not feel safe. But if I was Sola,

0:23:57.400 --> 0:23:59.960
<v Speaker 1>I would have been like, no, absolutely not stop right now.

0:24:00.160 --> 0:24:04.800
<v Speaker 2>She has what I envy, which is knowing immediately how

0:24:04.880 --> 0:24:06.919
<v Speaker 2>you feel about this thing, yes, and being able to

0:24:07.000 --> 0:24:08.440
<v Speaker 2>voice that right away.

0:24:08.240 --> 0:24:10.320
<v Speaker 1>Exactly because I was going I'm not sure if I

0:24:10.359 --> 0:24:12.840
<v Speaker 1>feel slaved. I would feel most comfortable if this was

0:24:12.880 --> 0:24:14.639
<v Speaker 1>just fine with me. I'm just gonna be silent and

0:24:14.640 --> 0:24:19.239
<v Speaker 1>then go, okay, I'm just gonna slowly ghost you now.

0:24:21.440 --> 0:24:24.479
<v Speaker 1>But uh yeah, she she was able to go like, no,

0:24:24.560 --> 0:24:25.640
<v Speaker 1>uh uh huh uh.

0:24:25.520 --> 0:24:29.440
<v Speaker 2>No, I don't like this. I don't like you. You're

0:24:29.440 --> 0:24:31.200
<v Speaker 2>not handling this in a way that I respect.

0:24:31.320 --> 0:24:34.560
<v Speaker 1>I'm not that girl. I know immediately that you are

0:24:34.640 --> 0:24:36.360
<v Speaker 1>trying to put me in a situation where I'm not safe.

0:24:36.400 --> 0:24:37.879
<v Speaker 1>I can tell you're not looking out for me, and

0:24:37.920 --> 0:24:40.359
<v Speaker 1>for that reason, I am mad at you. Like you

0:24:40.400 --> 0:24:44.760
<v Speaker 1>do your thing, but you cannot pull me into trafficking situation.

0:24:46.200 --> 0:24:48.000
<v Speaker 2>When Stephanie was like, do you like how I look?

0:24:48.040 --> 0:24:57.120
<v Speaker 2>And she goes no, oh my god, no.

0:24:54.880 --> 0:24:56.480
<v Speaker 3>No, she.

0:24:58.000 --> 0:25:00.640
<v Speaker 2>Because she determined that these are not people she wants

0:25:00.680 --> 0:25:02.639
<v Speaker 2>to be associated with, so it no longer was a

0:25:02.640 --> 0:25:05.840
<v Speaker 2>priority to like earn their respect or please them in

0:25:05.840 --> 0:25:07.639
<v Speaker 2>any way, because you don't have to do that with

0:25:07.680 --> 0:25:11.080
<v Speaker 2>people who are terrible to you. Yeah, in fact, you shouldn't.

0:25:12.080 --> 0:25:15.080
<v Speaker 1>It's amazing. Yeah, yeah, Leanna, I have to read this

0:25:15.119 --> 0:25:18.000
<v Speaker 1>note of yours. You've said, being a man is so random.

0:25:18.240 --> 0:25:19.600
<v Speaker 1>You see so much of the night.

0:25:21.920 --> 0:25:25.200
<v Speaker 2>Doesn't that make you think that is there's so many

0:25:25.240 --> 0:25:29.160
<v Speaker 2>hours of the twenty four hour cycle that people who

0:25:29.160 --> 0:25:31.720
<v Speaker 2>are not men do not see because it would not

0:25:31.760 --> 0:25:35.320
<v Speaker 2>be safe for us to just be wandering around. Yeah,

0:25:35.320 --> 0:25:38.879
<v Speaker 2>but a man can just go wander at twelve thirty

0:25:38.920 --> 0:25:42.720
<v Speaker 2>in the morning outside of a motel and it's like, yeah, whatever,

0:25:43.359 --> 0:25:44.800
<v Speaker 2>now do I want to do that? No? I love

0:25:44.880 --> 0:25:48.080
<v Speaker 2>being asleep. I love being asleep in my bed during

0:25:48.080 --> 0:25:50.440
<v Speaker 2>those hours. But you're the but it is random.

0:25:50.840 --> 0:25:52.320
<v Speaker 1>You're the one who gets to go there.

0:25:53.040 --> 0:25:54.760
<v Speaker 2>You could just like be kind of wherever.

0:25:55.080 --> 0:25:56.000
<v Speaker 1>Nobody would care.

0:25:57.080 --> 0:26:01.240
<v Speaker 2>It's so strange. Yeah, it's very inconceivable.

0:26:02.600 --> 0:26:08.159
<v Speaker 1>Leanna, you wrote I fuck with Jesus. You would you

0:26:08.200 --> 0:26:11.399
<v Speaker 1>say you fuck with Jesus? Yeah? I would. Okay, Yeah

0:26:11.440 --> 0:26:13.040
<v Speaker 1>that was so funny.

0:26:13.160 --> 0:26:15.920
<v Speaker 2>I watch fun They do like a retelling of a

0:26:15.960 --> 0:26:18.960
<v Speaker 2>me too from a different character's perspective and faster. That

0:26:19.040 --> 0:26:21.120
<v Speaker 2>was fun and so funny.

0:26:21.359 --> 0:26:26.000
<v Speaker 1>She was like, she was like, oh, like, uh, your

0:26:26.240 --> 0:26:29.679
<v Speaker 1>your your your friend is like a promoter at a club,

0:26:29.800 --> 0:26:31.560
<v Speaker 1>like I'll come dance, and I'm like, I don't even

0:26:31.600 --> 0:26:36.640
<v Speaker 1>know what that is. Like it works. Also, Zola has

0:26:36.720 --> 0:26:39.600
<v Speaker 1>like literal dirt in her hair or like twigs in

0:26:39.680 --> 0:26:40.120
<v Speaker 1>her hair.

0:26:40.680 --> 0:26:45.440
<v Speaker 2>She comes out wearing garbage bags. She made one dollar.

0:26:47.200 --> 0:26:49.560
<v Speaker 1>She made one dollar, so mean.

0:26:49.840 --> 0:26:51.399
<v Speaker 2>Everybody made eighteen hundred.

0:26:52.119 --> 0:26:54.639
<v Speaker 1>Everybody really liked me, and she made one dollar, So

0:26:54.720 --> 0:26:56.080
<v Speaker 1>I guess she's jealous of me.

0:26:57.040 --> 0:26:59.119
<v Speaker 2>That's my self esteem is in a place where I'm like,

0:26:59.320 --> 0:27:06.199
<v Speaker 2>I bet I would be the one making one Like

0:27:06.240 --> 0:27:08.240
<v Speaker 2>if it was me and somebody else has the options,

0:27:08.240 --> 0:27:09.639
<v Speaker 2>I'd be the one who got one dollar.

0:27:10.280 --> 0:27:12.840
<v Speaker 1>How would anybody even at that point? How did you

0:27:12.880 --> 0:27:15.800
<v Speaker 1>make any money? If you're only making one dollar? It's

0:27:15.840 --> 0:27:16.840
<v Speaker 1>such a funny amount.

0:27:17.240 --> 0:27:21.800
<v Speaker 2>One dollar is the meanest amount. The other day, I

0:27:21.880 --> 0:27:24.400
<v Speaker 2>described my body type as a mid sized sedan.

0:27:29.040 --> 0:27:30.760
<v Speaker 1>That is so funny.

0:27:31.000 --> 0:27:32.399
<v Speaker 2>I think it's so funny.

0:27:32.520 --> 0:27:34.200
<v Speaker 1>That's so funny. I'm sort of mid size.

0:27:34.240 --> 0:27:37.160
<v Speaker 2>Well, I would describe myself as a mid sized sedan.

0:27:38.040 --> 0:27:40.879
<v Speaker 2>If you rented me from like a Hurtz, i'd be

0:27:40.880 --> 0:27:44.239
<v Speaker 2>in the mid size sedan sections so funny, or an

0:27:44.280 --> 0:27:49.280
<v Speaker 2>Alamo or National. You know we're a rental car company

0:27:49.440 --> 0:27:54.320
<v Speaker 2>because I'm shaped like a waffle? What's that from? I'm

0:27:54.320 --> 0:27:58.280
<v Speaker 2>just saying, I'm just saying, oh wow, did you just

0:27:58.280 --> 0:27:58.760
<v Speaker 2>come up with that?

0:27:58.880 --> 0:28:01.160
<v Speaker 1>Right? Now yes, Oh my god.

0:28:01.960 --> 0:28:03.520
<v Speaker 2>Yeah, that's really funny.

0:28:05.000 --> 0:28:05.560
<v Speaker 1>You can take it.

0:28:05.640 --> 0:28:07.640
<v Speaker 2>I thought that was like a line that Donkey said

0:28:07.640 --> 0:28:13.680
<v Speaker 2>in Shrek or something. No, Wow, petit Dejane because I'm

0:28:13.720 --> 0:28:19.239
<v Speaker 2>shaped like a waffle there you go. Wow. I No,

0:28:19.280 --> 0:28:22.800
<v Speaker 2>petit is no part of me. I'm a mid sized

0:28:23.760 --> 0:28:27.440
<v Speaker 2>I'm like a Honda Civic Siana. Your final note is

0:28:27.520 --> 0:28:29.560
<v Speaker 2>Unfortunately the rest of my notes are pretty much just

0:28:29.600 --> 0:28:34.560
<v Speaker 2>me exclaiming things and saying, lol, I really do and

0:28:34.640 --> 0:28:35.640
<v Speaker 2>it's true. Yeah they are.

0:28:36.440 --> 0:28:39.000
<v Speaker 1>I forget what I'm commenting after that, but things really

0:28:39.000 --> 0:28:43.600
<v Speaker 1>were making me laugh. Uh, except for when they were

0:28:43.640 --> 0:28:44.840
<v Speaker 1>discussing in a horrible hole.

0:28:44.840 --> 0:28:45.480
<v Speaker 2>I didn't like that.

0:28:45.720 --> 0:28:49.120
<v Speaker 1>I really when I was upset in this movie, I

0:28:49.200 --> 0:28:51.400
<v Speaker 1>was really screaming and I was saying, like you said,

0:28:51.400 --> 0:28:57.720
<v Speaker 1>I was going, no, no, yeah, yes, Leanna you've said,

0:28:57.760 --> 0:29:01.000
<v Speaker 1>OMG is such a portrayal of dissociation so real.

0:29:01.600 --> 0:29:05.880
<v Speaker 2>Oh my gosh. When her the screen becomes just kind

0:29:05.880 --> 0:29:09.280
<v Speaker 2>of like a Microsoft computer screensaver and their voices are

0:29:09.960 --> 0:29:14.920
<v Speaker 2>muted in the background. Wow wow wow wow.

0:29:15.480 --> 0:29:19.800
<v Speaker 1>Yeah this movie, I really, I really really think I

0:29:19.880 --> 0:29:21.720
<v Speaker 1>like the way they portrayed everything.

0:29:22.360 --> 0:29:22.560
<v Speaker 3>Yeah.

0:29:22.600 --> 0:29:24.280
<v Speaker 1>This is one of these times where watching a movie.

0:29:24.320 --> 0:29:27.040
<v Speaker 1>I wyes, Oh, this being in movie form makes sense

0:29:27.080 --> 0:29:30.200
<v Speaker 1>to me. They're doing things with the medium of a

0:29:30.280 --> 0:29:32.920
<v Speaker 1>movie that they couldn't do with another medium.

0:29:33.120 --> 0:29:33.680
<v Speaker 2>Mm hmmm.

0:29:36.080 --> 0:29:43.800
<v Speaker 1>Leanna, Hello, I had the same question, and I love

0:29:43.840 --> 0:29:45.800
<v Speaker 1>how you asked it, and love and light to all

0:29:46.080 --> 0:29:48.280
<v Speaker 1>and welcome to the community.

0:29:48.320 --> 0:29:49.520
<v Speaker 2>You said, I know what you're gonna say.

0:29:49.640 --> 0:29:51.080
<v Speaker 1>Who is this huge woman?

0:29:52.840 --> 0:29:55.040
<v Speaker 2>Yes, that was a huge woman.

0:29:55.280 --> 0:29:58.600
<v Speaker 1>He is uh And I remembered from I forgot that

0:29:58.640 --> 0:30:02.480
<v Speaker 1>in the in the Twitter thread that his like girlfriend

0:30:02.560 --> 0:30:05.760
<v Speaker 1>or wife shows up at some point. I loved her.

0:30:05.840 --> 0:30:08.280
<v Speaker 1>She is this enormous woman who comes in and is like,

0:30:08.320 --> 0:30:12.600
<v Speaker 1>I would kill for you, and she would, I know.

0:30:12.720 --> 0:30:14.080
<v Speaker 1>And then she's like, I'm making a smoothe do you

0:30:14.120 --> 0:30:17.960
<v Speaker 1>want bacon? And then when Nicholas Braun is like, I'm

0:30:18.320 --> 0:30:19.520
<v Speaker 1>gonna kill myself.

0:30:19.200 --> 0:30:24.480
<v Speaker 2>She goes do it, do it? That was really funny,

0:30:24.880 --> 0:30:30.120
<v Speaker 2>this enormous woman. She just rocks up and you're like, hello, hell,

0:30:30.120 --> 0:30:33.880
<v Speaker 2>and then she's just there yeah. Yeah. And then to

0:30:33.920 --> 0:30:35.200
<v Speaker 2>that enormous woman.

0:30:35.280 --> 0:30:38.680
<v Speaker 1>Leonna, your final note is that's the end.

0:30:40.520 --> 0:30:42.760
<v Speaker 2>I didn't like that. I wanted to make sure that

0:30:42.800 --> 0:30:43.640
<v Speaker 2>she got home safe.

0:30:44.040 --> 0:30:46.080
<v Speaker 1>I would have loved that too, because I think this

0:30:46.160 --> 0:30:47.640
<v Speaker 1>was like the end of the Twitter thread. But I

0:30:47.640 --> 0:30:50.320
<v Speaker 1>wanted to see her get home, get cozy.

0:30:50.880 --> 0:30:52.720
<v Speaker 2>You're so stressed the whole time. It's like I just

0:30:52.800 --> 0:30:54.240
<v Speaker 2>want to make I just want this woman to get

0:30:54.240 --> 0:30:56.080
<v Speaker 2>home and like shower and change.

0:30:56.280 --> 0:30:59.480
<v Speaker 1>I would love to see her like in her bed, yeah,

0:30:59.720 --> 0:31:00.880
<v Speaker 1>eating something.

0:31:01.480 --> 0:31:05.000
<v Speaker 2>Just safe, Yeah, safe and sound, which I guess it's

0:31:05.040 --> 0:31:12.520
<v Speaker 2>implied because like because she co wrote a film. Yeah,

0:31:12.760 --> 0:31:16.520
<v Speaker 2>she's credited with making the movie, which is so yeah,

0:31:16.560 --> 0:31:20.520
<v Speaker 2>she's okay. But I didn't like that as the like

0:31:21.120 --> 0:31:22.440
<v Speaker 2>wrapping up of the story.

0:31:22.800 --> 0:31:25.040
<v Speaker 1>I felt similar it was you're so on edge.

0:31:25.640 --> 0:31:27.480
<v Speaker 2>Yeah, there wasn't any de new mole.

0:31:27.880 --> 0:31:35.160
<v Speaker 1>Apparently there's a thing with like child children's education or like, uh,

0:31:35.800 --> 0:31:40.360
<v Speaker 1>some of my friends teach, they're like kindergarten through second grade,

0:31:40.400 --> 0:31:43.120
<v Speaker 1>and there's a thing with storytelling to children where like

0:31:45.240 --> 0:31:48.680
<v Speaker 1>you use a lot of language about like characters getting

0:31:48.720 --> 0:31:53.760
<v Speaker 1>cozy or comfy or like wrapping themselves up in blankets

0:31:53.800 --> 0:31:56.479
<v Speaker 1>and like snuggling in because like there's something about that

0:31:56.480 --> 0:31:59.719
<v Speaker 1>that age they really respond to, like characters feeling really safe.

0:32:00.200 --> 0:32:01.680
<v Speaker 1>And I was like, this has now put me in

0:32:01.720 --> 0:32:05.880
<v Speaker 1>a state of such distress. And childlike need that I

0:32:05.920 --> 0:32:07.760
<v Speaker 1>also want to see. I want to see a little

0:32:08.200 --> 0:32:10.080
<v Speaker 1>bear snuggle up into.

0:32:09.680 --> 0:32:13.680
<v Speaker 2>It it's bed for a rest. Oh yeah, that's what

0:32:13.720 --> 0:32:17.600
<v Speaker 2>I wanted. I wanted to get to just snuggle up.

0:32:17.640 --> 0:32:19.760
<v Speaker 1>A frappuccino and like watch something.

0:32:20.920 --> 0:32:24.680
<v Speaker 2>I needed her to have a shower, maybe because I

0:32:24.680 --> 0:32:26.800
<v Speaker 2>want myself to have a shower. So hot.

0:32:28.640 --> 0:32:31.040
<v Speaker 1>Did a stupid girl at a restaurant just to ask

0:32:31.080 --> 0:32:33.920
<v Speaker 1>you to go on a work trip with her? I'm

0:32:33.960 --> 0:32:37.520
<v Speaker 1>going to advise against it. Wait right there, we'll be

0:32:37.560 --> 0:32:39.320
<v Speaker 1>back in three minutes. Don't go.

0:32:48.160 --> 0:32:51.360
<v Speaker 2>Oh well, Sienna. I'll move on to badges and trages.

0:32:51.480 --> 0:32:52.040
<v Speaker 1>Let's do it.

0:32:52.640 --> 0:32:55.320
<v Speaker 2>This is our segment, Badges and Tradges, where we give

0:32:55.480 --> 0:32:56.760
<v Speaker 2>badges for.

0:32:59.400 --> 0:33:07.240
<v Speaker 1>But that are special, yes, and trag is for trafficking

0:33:07.320 --> 0:33:08.080
<v Speaker 1>comma human.

0:33:08.640 --> 0:33:13.280
<v Speaker 2>Oh yeah, that's literally what they did to her.

0:33:14.160 --> 0:33:17.200
<v Speaker 1>My first badge is for all the performances. Early on,

0:33:17.440 --> 0:33:19.920
<v Speaker 1>I just felt so held by the fact that this

0:33:20.040 --> 0:33:26.320
<v Speaker 1>was so well cast. Again Coleman do Bingo. H Taylor

0:33:26.360 --> 0:33:30.160
<v Speaker 1>Page is so well cast in this. Oh yeah, I

0:33:30.160 --> 0:33:32.080
<v Speaker 1>remember who plays Stephanie, but she was very funny.

0:33:32.280 --> 0:33:37.720
<v Speaker 2>Oh Riley Keo, the granddaughter of Elvis Presley what mm hmm.

0:33:38.920 --> 0:33:39.200
<v Speaker 1>What.

0:33:39.920 --> 0:33:42.720
<v Speaker 2>Yeah, you take all the time you need with that.

0:33:42.120 --> 0:33:49.480
<v Speaker 1>That's crazy. What Anyway, I thought it was very well cast,

0:33:49.520 --> 0:33:51.480
<v Speaker 1>so I'm like, Okay, at least we're gonna have a

0:33:51.520 --> 0:33:52.040
<v Speaker 1>good time.

0:33:52.800 --> 0:33:53.040
<v Speaker 4>Yeah.

0:33:53.160 --> 0:33:59.280
<v Speaker 2>Sometimes A badge for an incredible smize from Taylor. The

0:33:59.320 --> 0:34:03.400
<v Speaker 2>phrase serving face has never been more applicable in a

0:34:03.400 --> 0:34:09.000
<v Speaker 2>film than to Taylor Page in Zola, she is serving face.

0:34:09.800 --> 0:34:12.760
<v Speaker 2>There were the whole time, there were a number.

0:34:12.600 --> 0:34:14.520
<v Speaker 1>Of scenes where the only thing the scene was trying

0:34:14.560 --> 0:34:16.440
<v Speaker 1>to tell you was that something crazy or gross was

0:34:16.440 --> 0:34:19.759
<v Speaker 1>gonna was happening. And then they kind of pan over

0:34:19.920 --> 0:34:24.000
<v Speaker 1>or like change the focus so you can see Taylor

0:34:24.040 --> 0:34:30.359
<v Speaker 1>Page's face and she's just like ah mm hmmm, which

0:34:30.400 --> 0:34:40.839
<v Speaker 1>is such an excellent storytelling badge for Oh the face

0:34:40.920 --> 0:34:43.280
<v Speaker 1>she makes after that guy says you look like Whoopy Goldberg.

0:34:43.440 --> 0:34:44.719
<v Speaker 1>That really made me laugh.

0:34:45.239 --> 0:34:45.560
<v Speaker 3>M hm.

0:34:45.880 --> 0:34:46.040
<v Speaker 4>Oh.

0:34:46.160 --> 0:34:48.200
<v Speaker 1>I'm also just gonna say, now, just exactly as you said,

0:34:48.320 --> 0:34:51.400
<v Speaker 1>My next badge after that is Zola's faces are insane.

0:34:52.000 --> 0:34:56.760
<v Speaker 2>Oh, I love her. A badge for Coleman Domingo's face

0:34:57.400 --> 0:35:01.279
<v Speaker 2>while Stephanie and her wife boyfriend or making out in

0:35:01.320 --> 0:35:04.920
<v Speaker 2>the motel. It makes a very like disgusted faith. It's

0:35:05.040 --> 0:35:05.879
<v Speaker 2>very funny.

0:35:08.600 --> 0:35:13.319
<v Speaker 1>Badge for revising some of the more disturbing scenes. There

0:35:13.400 --> 0:35:15.600
<v Speaker 1>was at least one thing that I remember from the

0:35:15.640 --> 0:35:18.080
<v Speaker 1>Twitter thread that like truly kept me up at night.

0:35:18.160 --> 0:35:21.160
<v Speaker 1>It was so disturbing to me. And they replaced it

0:35:21.239 --> 0:35:26.080
<v Speaker 1>with just like a much gentler sort of like verbal

0:35:30.280 --> 0:35:32.840
<v Speaker 1>representation of sort of the same thing, like the same

0:35:32.920 --> 0:35:36.239
<v Speaker 1>power trip that you're supposed to be that happens is

0:35:36.280 --> 0:35:38.480
<v Speaker 1>displayed in a much gentler way that I think was

0:35:38.520 --> 0:35:40.680
<v Speaker 1>better for the movie and just made me feel good

0:35:40.680 --> 0:35:43.560
<v Speaker 1>that this movie wasn't trying to be completely gratuitous, because

0:35:43.560 --> 0:35:45.799
<v Speaker 1>they could have done even more with Like if they

0:35:45.800 --> 0:35:48.400
<v Speaker 1>wanted to just be gratuitous and show things that we

0:35:48.400 --> 0:35:51.239
<v Speaker 1>couldn't normally see because it's based on real life, yeah

0:35:51.280 --> 0:35:52.520
<v Speaker 1>they would have shown different stuff.

0:35:52.520 --> 0:35:56.640
<v Speaker 2>But they were, Yeah, you know, there's a Quentin Tarantino

0:35:56.719 --> 0:35:59.879
<v Speaker 2>telling of this story that like, yes, puts people into

0:36:00.080 --> 0:36:01.480
<v Speaker 2>therapy totally.

0:36:01.600 --> 0:36:04.839
<v Speaker 1>And I'm really glad they really were more thoughtful about

0:36:04.840 --> 0:36:08.520
<v Speaker 1>what they wanted to show and I appreciated it so much.

0:36:10.520 --> 0:36:14.520
<v Speaker 2>A badge for this prayer that that woman delivers the

0:36:14.640 --> 0:36:18.160
<v Speaker 2>dancers praying in a circle at the club in Florida

0:36:18.400 --> 0:36:22.880
<v Speaker 2>before they dance. Oh my god, that was that was funny.

0:36:23.760 --> 0:36:28.600
<v Speaker 1>She was so good. That was so funny. He's got

0:36:30.200 --> 0:36:32.160
<v Speaker 1>really made me laugh. That's when she was like having

0:36:32.239 --> 0:36:37.600
<v Speaker 1>like a conniption. Oh yes, yep, yeah, Jesus was there.

0:36:38.400 --> 0:36:39.080
<v Speaker 2>Yeah.

0:36:39.440 --> 0:36:42.920
<v Speaker 1>Badge for when Coleman Domingo's like that guy could come

0:36:42.960 --> 0:36:44.920
<v Speaker 1>back with a with a group of guys and and

0:36:45.040 --> 0:36:47.360
<v Speaker 1>kill us all, blow all our heads off, and Zola

0:36:47.400 --> 0:36:52.879
<v Speaker 1>goes what the way she said what? And that ended

0:36:52.920 --> 0:36:55.719
<v Speaker 1>up being the situation, But like the way that she's

0:36:55.760 --> 0:37:00.240
<v Speaker 1>just like, I'm sorry, what this life that you guys

0:37:00.239 --> 0:37:04.560
<v Speaker 1>are implying can happens so far from my reality?

0:37:05.320 --> 0:37:05.520
<v Speaker 3>Yeah?

0:37:05.560 --> 0:37:08.120
<v Speaker 1>I am in such shock, and I find out to

0:37:08.160 --> 0:37:12.000
<v Speaker 1>be a very relatable kind of feeling, even this year,

0:37:12.200 --> 0:37:13.880
<v Speaker 1>specifically on a world.

0:37:13.719 --> 0:37:21.719
<v Speaker 2>Scah Yeah yeah what Yeah. A badge for Zola says

0:37:21.760 --> 0:37:24.680
<v Speaker 2>everything I wish I could to people who she does

0:37:24.719 --> 0:37:29.400
<v Speaker 2>not respect or want to be affiliated.

0:37:29.480 --> 0:37:32.480
<v Speaker 1>I completely agree. I want to be just like her. Oh,

0:37:32.560 --> 0:37:35.400
<v Speaker 1>I want to be just like her. I want to

0:37:35.400 --> 0:37:39.720
<v Speaker 1>be just like her socially. My last one was badge

0:37:39.760 --> 0:37:43.600
<v Speaker 1>for the at Stephanie thing surprised me so much and

0:37:44.200 --> 0:37:44.960
<v Speaker 1>was so funny.

0:37:45.560 --> 0:37:50.759
<v Speaker 2>Mm hmmm. Badge for Zola is a business woman, the

0:37:50.800 --> 0:37:53.080
<v Speaker 2>way that she helps Stephanie out and she's like, well, no,

0:37:53.320 --> 0:37:55.560
<v Speaker 2>you can be making so much more money. Let's do

0:37:55.640 --> 0:37:57.560
<v Speaker 2>this the right way and in a way that actually

0:37:57.600 --> 0:38:00.200
<v Speaker 2>makes sense and isn't set up by this stupid man

0:38:00.200 --> 0:38:05.359
<v Speaker 2>who doesn't know what's going on. That was crazy when

0:38:05.400 --> 0:38:07.359
<v Speaker 2>he's like, you think you can do your job, my job,

0:38:07.400 --> 0:38:11.800
<v Speaker 2>better than me, and she's like yes in her head, yes,

0:38:12.719 --> 0:38:14.560
<v Speaker 2>oh my god. My final badge is a badge for

0:38:15.840 --> 0:38:19.160
<v Speaker 2>when Nicholas Brawn gets to the motel and sees that

0:38:19.200 --> 0:38:20.960
<v Speaker 2>the guy he was hanging out with and doing magic

0:38:21.000 --> 0:38:25.400
<v Speaker 2>tricks with is the one like kidnapping Stephanie and threatening

0:38:25.440 --> 0:38:26.680
<v Speaker 2>all of them, and he goes.

0:38:26.800 --> 0:38:30.160
<v Speaker 1>This isn't you, This isn't you. Wait.

0:38:30.360 --> 0:38:34.040
<v Speaker 2>Before that, he's like, I thought we were homies. He's

0:38:34.120 --> 0:38:34.800
<v Speaker 2>so funny.

0:38:35.280 --> 0:38:40.920
<v Speaker 1>He is really really really talented portraying everybody how we

0:38:40.960 --> 0:38:46.560
<v Speaker 1>all feel on our most vulnerable, our most vulnerable level

0:38:46.920 --> 0:38:50.480
<v Speaker 1>of like yeah I trusted you, wait from how yeah

0:38:50.560 --> 0:38:52.040
<v Speaker 1>I know of you? This isn't you?

0:38:52.680 --> 0:38:55.279
<v Speaker 2>Yeah?

0:38:55.400 --> 0:39:02.279
<v Speaker 1>Yeah, trages trag is my first tratege is I don't

0:39:02.280 --> 0:39:04.680
<v Speaker 1>even remember which part that was. There's just some things

0:39:04.680 --> 0:39:08.560
<v Speaker 1>that are so probably the penises. I was eating a

0:39:08.560 --> 0:39:10.360
<v Speaker 1>pickle when I saw their pee in the toilet, and

0:39:10.400 --> 0:39:13.120
<v Speaker 1>I did have to look. That was a mistake.

0:39:13.800 --> 0:39:17.200
<v Speaker 2>Yeah, choose to eat during these films.

0:39:16.960 --> 0:39:21.360
<v Speaker 1>I know, I know, I know. The the later the

0:39:23.120 --> 0:39:25.080
<v Speaker 1>it'll give all my ears right now. You for the

0:39:25.760 --> 0:39:35.360
<v Speaker 1>scene where uh he's like licking her h huh so yeah,

0:39:35.360 --> 0:39:44.040
<v Speaker 1>and then you for every time every time Coleman Domingo

0:39:44.160 --> 0:39:45.520
<v Speaker 1>is using the bathroom and he goes.

0:39:46.239 --> 0:39:50.120
<v Speaker 2>Why does he grunt so much? What is going on?

0:39:50.280 --> 0:39:50.759
<v Speaker 2>I don't know.

0:39:50.960 --> 0:39:56.600
<v Speaker 1>I really think that was like an amazing directorial choice,

0:39:57.400 --> 0:40:02.160
<v Speaker 1>an amazing direction to give is like you're gross, Like

0:40:02.200 --> 0:40:04.720
<v Speaker 1>we want to just sort of be kind of offended

0:40:04.760 --> 0:40:08.200
<v Speaker 1>and grossed out by you. It's just sort of like like, oh,

0:40:08.480 --> 0:40:11.240
<v Speaker 1>so disgusting for some reason, and it feels so human,

0:40:11.360 --> 0:40:16.240
<v Speaker 1>like the things that were gross were so viscerally human.

0:40:17.000 --> 0:40:17.840
<v Speaker 2>Yeah. Yeah.

0:40:18.960 --> 0:40:19.280
<v Speaker 3>Uh.

0:40:19.320 --> 0:40:22.280
<v Speaker 2>My first trage is why is the video style grainy?

0:40:23.719 --> 0:40:27.160
<v Speaker 2>Uh huh. Cameras are good now? Uh yeah, I get

0:40:27.200 --> 0:40:29.400
<v Speaker 2>that it's a choice, but cameras are good now. Actually

0:40:29.760 --> 0:40:32.040
<v Speaker 2>it felt very Indie. And then I couldn't tell if

0:40:32.080 --> 0:40:34.520
<v Speaker 2>that was stylistic or just like the budget they were

0:40:34.520 --> 0:40:38.839
<v Speaker 2>working with or what. Yeah, but cameras are good now

0:40:39.840 --> 0:40:40.480
<v Speaker 2>use good ones.

0:40:42.320 --> 0:40:46.360
<v Speaker 1>Uh. My other and I guess sort of final trage

0:40:46.360 --> 0:40:50.239
<v Speaker 1>because I just explained everything gross from the movie. My

0:40:51.080 --> 0:40:55.040
<v Speaker 1>other trage is for just that the story is disturbing.

0:40:56.520 --> 0:40:57.799
<v Speaker 1>It makes me sad.

0:40:58.200 --> 0:41:03.239
<v Speaker 2>Yeah, I'll say it. I'm a little tired of this

0:41:03.360 --> 0:41:09.200
<v Speaker 2>harp score harp. I was like, you know what, stop,

0:41:11.160 --> 0:41:12.120
<v Speaker 2>I actually don't like this.

0:41:12.560 --> 0:41:16.080
<v Speaker 1>I thought you'd like it because it's music. It is music,

0:41:16.160 --> 0:41:19.200
<v Speaker 1>but when music happens in movies, usually say something about it.

0:41:19.239 --> 0:41:21.840
<v Speaker 2>Let's I usually do, and I am again, but this

0:41:22.000 --> 0:41:27.759
<v Speaker 2>time it's negative. A trage for human suffering. There was

0:41:27.960 --> 0:41:31.040
<v Speaker 2>human suffering was depicted at multiple times, and I said, no.

0:41:32.160 --> 0:41:35.120
<v Speaker 1>I didn't like seeing the men be disgusting.

0:41:35.719 --> 0:41:38.000
<v Speaker 2>Yeah, well, my next trage is a trage for men

0:41:38.040 --> 0:41:42.480
<v Speaker 2>are so scary. The scene where it's multiple men and they.

0:41:42.360 --> 0:41:44.800
<v Speaker 1>Go we're savages. They're like, we're not proper.

0:41:44.920 --> 0:41:47.040
<v Speaker 2>I didn't like that. I didn't like any.

0:41:48.480 --> 0:41:48.640
<v Speaker 1>Think.

0:41:50.160 --> 0:41:54.439
<v Speaker 2>And then of my final trage is the scene where

0:41:54.480 --> 0:41:59.280
<v Speaker 2>she like basically gets she gets assaulted. Was pretty triggering.

0:42:00.120 --> 0:42:03.160
<v Speaker 1>Oh my god, yeah, I'm so sorry.

0:42:03.280 --> 0:42:04.960
<v Speaker 2>So that's where I was like, up until that point,

0:42:05.000 --> 0:42:07.480
<v Speaker 2>I had been a little bit like tee, and then

0:42:07.480 --> 0:42:09.399
<v Speaker 2>I was no longer and then I was very.

0:42:09.360 --> 0:42:12.080
<v Speaker 1>Quiet, really really really shocking.

0:42:12.320 --> 0:42:18.680
<v Speaker 2>Yeah. Really, I think it's because, like the sex acts

0:42:18.719 --> 0:42:24.319
<v Speaker 2>that happened before that in the film are all consensual. Yes,

0:42:24.480 --> 0:42:27.399
<v Speaker 2>uh huh, Like Zola didn't consent to being brought into

0:42:27.440 --> 0:42:31.360
<v Speaker 2>this business situation, so she doesn't, but the sex that

0:42:31.400 --> 0:42:34.479
<v Speaker 2>the actual people are having is consensual up until that point.

0:42:34.560 --> 0:42:35.480
<v Speaker 2>And yeah, it becomes.

0:42:35.360 --> 0:42:38.000
<v Speaker 1>Stephanie is an idiot, but she like this is and

0:42:38.040 --> 0:42:41.959
<v Speaker 1>disturbing consenting and deciding to do and like is she's

0:42:42.000 --> 0:42:44.280
<v Speaker 1>content with her situation at least?

0:42:44.840 --> 0:42:47.600
<v Speaker 2>Yeah, And I guess I just I really didn't appreciate

0:42:47.600 --> 0:42:49.720
<v Speaker 2>seeing that actually like fully portrayed on screen.

0:42:49.880 --> 0:42:50.360
<v Speaker 1>Yeah.

0:42:51.000 --> 0:42:54.080
<v Speaker 2>I think that's where I actually was, like, I disagree

0:42:54.120 --> 0:43:00.640
<v Speaker 2>with that happening on camera. Yeah, because the of it.

0:43:00.640 --> 0:43:04.239
<v Speaker 2>It feels like the way this was filmed was for

0:43:04.280 --> 0:43:09.719
<v Speaker 2>the girlies. Yes, uh, like everybody not necessarily as being

0:43:09.760 --> 0:43:13.160
<v Speaker 2>taken care of. But it's like, yeah, see what we mean.

0:43:14.440 --> 0:43:17.000
<v Speaker 2>I don't know that part was just steps. It just

0:43:17.080 --> 0:43:18.239
<v Speaker 2>was really triggering. Yeah.

0:43:18.640 --> 0:43:19.319
<v Speaker 1>Yeah, so.

0:43:20.960 --> 0:43:26.600
<v Speaker 2>You know, you know trag. Okay, let's move on to

0:43:26.680 --> 0:43:31.040
<v Speaker 2>our segment. How to pretend you've seen this film. This

0:43:31.200 --> 0:43:34.359
<v Speaker 2>is for you are on a road trip. You are

0:43:34.400 --> 0:43:40.840
<v Speaker 2>carpooling on a long road trip with a group that

0:43:40.880 --> 0:43:47.880
<v Speaker 2>you don't know well, and uh, what was her boyfriend's name, Derek?

0:43:49.000 --> 0:43:53.880
<v Speaker 1>Derek. Derek leans over back in the car. Yeah, and

0:43:53.920 --> 0:43:56.120
<v Speaker 1>he's showing you a video. He's like, this is so funny.

0:43:56.280 --> 0:43:58.160
<v Speaker 1>Look at this. Oh my god, she got so close

0:43:58.200 --> 0:44:01.000
<v Speaker 1>to her face when he was saying that. Yeah, he

0:44:01.160 --> 0:44:05.600
<v Speaker 1>was really exactly what you mm hmmm. He's exactly the

0:44:05.640 --> 0:44:06.759
<v Speaker 1>type of exactly.

0:44:06.400 --> 0:44:08.400
<v Speaker 2>That He's exactly it. Yeah.

0:44:08.480 --> 0:44:12.359
<v Speaker 1>Yeah, look at this video. It's so funny. Oh my god,

0:44:12.400 --> 0:44:15.040
<v Speaker 1>I love Twitter. Twitter is so funny. Oh hey, I

0:44:15.080 --> 0:44:19.520
<v Speaker 1>hear there's this new movie about Twitter, about Twitter. Yeah,

0:44:19.520 --> 0:44:22.319
<v Speaker 1>I haven't. I haven't seen it, but I assume it's

0:44:22.360 --> 0:44:26.200
<v Speaker 1>about like the really funny Twitter thread that was just

0:44:26.239 --> 0:44:28.160
<v Speaker 1>funny and not disturbing because I'm not really a pare

0:44:28.239 --> 0:44:33.280
<v Speaker 1>of women's pain. Yeah, and I'm gonna tell you everything

0:44:33.280 --> 0:44:38.520
<v Speaker 1>that I've heard about it. H right now.

0:44:39.280 --> 0:44:42.719
<v Speaker 2>And in order to block Derek, we're gonna give you

0:44:42.760 --> 0:44:45.359
<v Speaker 2>a few sentences you can say to pretend you've seen

0:44:45.400 --> 0:44:53.040
<v Speaker 2>the film. Zola Derek is monologuing at me about this

0:44:53.160 --> 0:44:57.520
<v Speaker 2>Twitter thread and just keeps playing at full volume like

0:44:58.000 --> 0:45:03.960
<v Speaker 2>fail or like Reality King's videos or whatever that channel

0:45:04.080 --> 0:45:08.200
<v Speaker 2>is for videos. And all I say is word.

0:45:09.840 --> 0:45:18.480
<v Speaker 1>Word, What the frick okay? Men are so embarrassing?

0:45:20.280 --> 0:45:20.440
<v Speaker 4>Uh?

0:45:20.560 --> 0:45:24.640
<v Speaker 1>Yes, yes, Derek, I have seen the movie Zola Okay

0:45:25.320 --> 0:45:28.640
<v Speaker 1>James Franco around the times that the tweets were written.

0:45:28.920 --> 0:45:32.440
<v Speaker 1>James Franco immediately bought the movie rights to bring the

0:45:32.480 --> 0:45:36.320
<v Speaker 1>story to Hollywood. He was originally attached to direct, produce,

0:45:36.480 --> 0:45:42.840
<v Speaker 1>and star in the film No, and he he ultimately

0:45:42.840 --> 0:45:45.040
<v Speaker 1>took his producer credit off the film due to the

0:45:45.160 --> 0:45:48.960
<v Speaker 1>sexual harassment charges he received. Did he receive them on

0:45:49.280 --> 0:45:52.279
<v Speaker 1>the film? I am so glad whoever who is in

0:45:52.360 --> 0:45:54.680
<v Speaker 1>charge of this, who was involved with this, went no,

0:45:55.239 --> 0:45:59.319
<v Speaker 1>James Franco, you may not direct this and be in it.

0:45:59.400 --> 0:46:05.520
<v Speaker 2>God, just a cacophony is still coming from Derek's side

0:46:05.520 --> 0:46:08.560
<v Speaker 2>of the car, and I just turned to him and

0:46:08.600 --> 0:46:14.279
<v Speaker 2>I say, my dude, I love what she called him.

0:46:14.280 --> 0:46:19.200
<v Speaker 2>The part of minimalism is so with her. It's go girl,

0:46:19.239 --> 0:46:22.600
<v Speaker 2>give us nothing in the way that it's women's rights. Yeah,

0:46:22.840 --> 0:46:25.759
<v Speaker 2>she doesn't over explain herself. She just says, no, I'm

0:46:25.800 --> 0:46:28.279
<v Speaker 2>not doing this. You have to stop. I don't like

0:46:28.320 --> 0:46:32.080
<v Speaker 2>what you're doing. There's honestly a lot to be learned

0:46:32.120 --> 0:46:32.960
<v Speaker 2>from this character.

0:46:34.480 --> 0:46:37.200
<v Speaker 1>Yes, Derek, I have seen the film Zola. To prepare

0:46:37.239 --> 0:46:41.160
<v Speaker 1>for the role, Taylor Page worked at a strip club

0:46:41.480 --> 0:46:45.360
<v Speaker 1>on Sunset and Librea to find out what it's like.

0:46:45.719 --> 0:46:48.319
<v Speaker 1>And she said she actually really needed the money, so

0:46:48.360 --> 0:46:52.640
<v Speaker 1>it worked out really well. But it was helpful for

0:46:52.680 --> 0:46:54.520
<v Speaker 1>her because she wanted to have a sense of agency

0:46:54.760 --> 0:46:57.759
<v Speaker 1>before she left to do the movie and learn what

0:46:57.800 --> 0:46:59.640
<v Speaker 1>it's actually like to feel like it's an eat or

0:46:59.640 --> 0:47:00.600
<v Speaker 1>be eat situation.

0:47:01.360 --> 0:47:01.680
<v Speaker 3>Hmmm.

0:47:04.280 --> 0:47:07.840
<v Speaker 2>Derek continues his monologue at mile one hundred of the

0:47:07.920 --> 0:47:09.880
<v Speaker 2>road trip, and I turned to him and I said, Derek,

0:47:10.560 --> 0:47:15.239
<v Speaker 2>you have to stop talking to me about film.

0:47:15.239 --> 0:47:15.880
<v Speaker 1>This isn't you.

0:47:17.239 --> 0:47:18.480
<v Speaker 2>I thought we were homies.

0:47:19.040 --> 0:47:25.480
<v Speaker 1>This isn't you. This, this isn't you. Yes, Derek, I

0:47:25.520 --> 0:47:30.320
<v Speaker 1>have seen the film Zola. A lot of Riley Kyog's

0:47:30.360 --> 0:47:33.640
<v Speaker 1>training was that she had to learn how to She

0:47:33.760 --> 0:47:37.560
<v Speaker 1>had to get special training on how to play a

0:47:37.600 --> 0:47:42.000
<v Speaker 1>white woman trying to yeah very offensively sound like a

0:47:42.040 --> 0:47:45.319
<v Speaker 1>certain type of quote unquote black. As her co star,

0:47:46.360 --> 0:47:51.640
<v Speaker 1>h Taylor Page put it. Keyok is basically in blackface

0:47:51.680 --> 0:47:56.200
<v Speaker 1>for the whole movie with this black scent and Keok's

0:47:56.239 --> 0:47:58.600
<v Speaker 1>portrayal of Stephanie is supposed to make the audience squirm,

0:47:58.880 --> 0:48:04.680
<v Speaker 1>which it does. Movie makes you squirm, and she and

0:48:04.719 --> 0:48:10.200
<v Speaker 1>the director had many conversations about cultural appropriation throughout the

0:48:10.200 --> 0:48:12.399
<v Speaker 1>film since she had to act this way.

0:48:13.640 --> 0:48:15.360
<v Speaker 2>Yeah, that dialect was craze.

0:48:15.480 --> 0:48:20.880
<v Speaker 1>It was crazy. She was crazy.

0:48:20.960 --> 0:48:29.240
<v Speaker 2>Mm hmm. The look, the little brief look that Taylor

0:48:29.320 --> 0:48:33.480
<v Speaker 2>Page does when they're outside of the club where they

0:48:33.560 --> 0:48:38.600
<v Speaker 2>first danced together at going to Stephanie's car and Stephanie

0:48:38.640 --> 0:48:42.040
<v Speaker 2>is going off about like why are you hitting up

0:48:42.080 --> 0:48:43.680
<v Speaker 2>my phone? Why are you blah blah blah, Why areh

0:48:43.680 --> 0:48:46.040
<v Speaker 2>blah blah blah, and she keeps saying sis, yeah, And

0:48:46.080 --> 0:48:49.799
<v Speaker 2>at one point zola Is gives her this look that

0:48:49.960 --> 0:48:55.920
<v Speaker 2>is so amazing. It's like a two second reaction and

0:48:55.960 --> 0:48:59.160
<v Speaker 2>it's so perfect. She just kind of like gives her

0:48:59.200 --> 0:49:01.160
<v Speaker 2>this look that's like, my god, I can't believe this

0:49:01.200 --> 0:49:03.520
<v Speaker 2>person is this way yes, and then keeps going.

0:49:04.040 --> 0:49:06.440
<v Speaker 1>She is such a good actress. I really want to

0:49:06.480 --> 0:49:08.839
<v Speaker 1>watch her in more stuff. I hope she can. Being

0:49:08.840 --> 0:49:10.560
<v Speaker 1>in lots of juicy Roles, so I get to see

0:49:10.600 --> 0:49:11.279
<v Speaker 1>her for a long time.

0:49:11.960 --> 0:49:12.120
<v Speaker 2>Oh.

0:49:12.320 --> 0:49:15.120
<v Speaker 1>Final fun fact is that Riley Kyogan Taylor Page became

0:49:15.200 --> 0:49:19.960
<v Speaker 1>really good friends during filming. Yay, that's sweet. Oh my god,

0:49:19.960 --> 0:49:21.600
<v Speaker 1>I'm so glad James Franco had nothing to do with

0:49:21.600 --> 0:49:22.080
<v Speaker 1>this in the end.

0:49:22.280 --> 0:49:31.600
<v Speaker 2>Oh, I rebuke that. I rebuke him. Okay, Sianna, it's

0:49:31.600 --> 0:49:34.239
<v Speaker 2>time for our segment should you watch this or in

0:49:34.280 --> 0:49:36.920
<v Speaker 2>which we tell you, beloved listener, if we think you

0:49:36.920 --> 0:49:39.280
<v Speaker 2>should watch this movie or if you should do something

0:49:39.320 --> 0:49:46.680
<v Speaker 2>else with your uh you with your nighttime, with your

0:49:46.719 --> 0:49:51.840
<v Speaker 2>forty eight hours, with your forty eight hours, I'll go.

0:49:52.840 --> 0:49:56.840
<v Speaker 1>I would say that the best part of the movie

0:49:56.960 --> 0:50:00.000
<v Speaker 1>are Taylor Page's reactions. If you feel like watching it,

0:50:00.160 --> 0:50:02.920
<v Speaker 1>go for it. It's definitely a lot. I was nervous

0:50:02.960 --> 0:50:05.840
<v Speaker 1>to watch it. I think it's pretty disturbing, the whole

0:50:05.920 --> 0:50:09.480
<v Speaker 1>thread and everything. But we know, I'm a big old

0:50:09.520 --> 0:50:14.200
<v Speaker 1>nerd and I get so distressed by I also get

0:50:14.200 --> 0:50:16.239
<v Speaker 1>distressed by human suffering. And that's just a little something

0:50:16.280 --> 0:50:20.480
<v Speaker 1>about Leanna and myself. Something you could watch instead if

0:50:20.480 --> 0:50:25.280
<v Speaker 1>you want to have girlies being extremely funny and looking

0:50:25.280 --> 0:50:27.680
<v Speaker 1>at each other when they're crazy, and it takes place

0:50:27.719 --> 0:50:30.560
<v Speaker 1>in Florida, and the club scenes. You could watch rap shit,

0:50:30.880 --> 0:50:32.680
<v Speaker 1>which is still a hobby that I love. I mean,

0:50:32.880 --> 0:50:35.040
<v Speaker 1>it's still a show that I love, but it's the same.

0:50:35.120 --> 0:50:37.560
<v Speaker 1>It's like Florida. Yeah, so if you want to see

0:50:37.560 --> 0:50:41.359
<v Speaker 1>Florida club life where people have more agency, but there's

0:50:41.400 --> 0:50:43.880
<v Speaker 1>also definitely crazy parties that happen where people go like

0:50:44.080 --> 0:50:47.600
<v Speaker 1>what the hell? Yeah, Leanna, what about yourself?

0:50:50.600 --> 0:50:55.839
<v Speaker 2>I would say, you don't have to watch Zola. You

0:50:55.840 --> 0:50:58.640
<v Speaker 2>could instead just read the Twitter thread. Oh it's a

0:50:58.680 --> 0:51:02.200
<v Speaker 2>wild it's crazy. I would say, read the Twitter thread first,

0:51:02.960 --> 0:51:05.200
<v Speaker 2>so you know what to expect.

0:51:05.400 --> 0:51:07.360
<v Speaker 1>That's true. That's true.

0:51:07.400 --> 0:51:10.160
<v Speaker 2>And if you're gonna watch Sola, just have a content

0:51:10.200 --> 0:51:12.520
<v Speaker 2>warning that there are scenes of sexual violence and assault.

0:51:13.040 --> 0:51:13.720
<v Speaker 2>Your trade.

0:51:13.880 --> 0:51:16.040
<v Speaker 1>I'll say, I really didn't want to watch it.

0:51:16.680 --> 0:51:23.360
<v Speaker 2>Really scene just scene, I think in terms of assault. Yeah,

0:51:24.000 --> 0:51:27.400
<v Speaker 2>if you want a white version of two girlies in

0:51:27.480 --> 0:51:33.120
<v Speaker 2>Florida getting up to antics in probably the whitest possible way,

0:51:33.719 --> 0:51:37.080
<v Speaker 2>you could watch Barb and Star go to Vista del

0:51:37.200 --> 0:51:43.480
<v Speaker 2>mom My, gosh.

0:51:40.840 --> 0:51:43.080
<v Speaker 1>Wait, we should completely watch that sometimes.

0:51:43.239 --> 0:51:44.719
<v Speaker 2>I love that. I just watched it for the first

0:51:44.719 --> 0:51:48.000
<v Speaker 2>time earlier this year. I'd never seen it before and obsessed.

0:51:48.120 --> 0:51:51.879
<v Speaker 2>I love it so much. It's so us Yeah. Yeah,

0:51:51.920 --> 0:51:53.960
<v Speaker 2>I think rap Shit and Barb and Star Go to

0:51:54.040 --> 0:51:59.400
<v Speaker 2>Vista del Mar are great alternative recommendations. Boy Seanna, what

0:51:59.400 --> 0:52:01.080
<v Speaker 2>would you rate the film, Sola?

0:52:01.880 --> 0:52:06.560
<v Speaker 1>I am going to rate the film Zola three point

0:52:06.600 --> 0:52:11.080
<v Speaker 1>five old timey Instagram likes out of five. What I

0:52:11.120 --> 0:52:14.640
<v Speaker 1>really liked was the choices they made to make certain

0:52:14.680 --> 0:52:19.960
<v Speaker 1>parts of this less gratuitous. Yeah, I agree, like the

0:52:19.960 --> 0:52:24.680
<v Speaker 1>climactic thing that they decided to do was really upsetting,

0:52:27.360 --> 0:52:30.319
<v Speaker 1>but it clearly was carefully done, and I appreciated the

0:52:30.360 --> 0:52:34.640
<v Speaker 1>direction and it really effectively. Again, if this film's trying

0:52:34.680 --> 0:52:36.400
<v Speaker 1>to make you squirm, it makes you squirm.

0:52:37.360 --> 0:52:37.680
<v Speaker 2>Yeah.

0:52:37.719 --> 0:52:40.040
<v Speaker 1>And I thought the facial expressions were so funny. I

0:52:40.080 --> 0:52:42.359
<v Speaker 1>thought the casting was really good. I think they did

0:52:42.360 --> 0:52:45.280
<v Speaker 1>a really good job of making this telling the story.

0:52:46.440 --> 0:52:48.359
<v Speaker 1>But the story itself is like one of the most

0:52:48.400 --> 0:52:54.160
<v Speaker 1>disturbing things I've ever read, and I can't even remember.

0:52:55.239 --> 0:52:56.560
<v Speaker 1>I'm not going to go back and read it now,

0:52:56.600 --> 0:52:58.320
<v Speaker 1>but at the time I was like, oh my god.

0:53:00.000 --> 0:53:01.920
<v Speaker 1>Oh yeah. I mean, it's like not a it's not

0:53:01.960 --> 0:53:04.480
<v Speaker 1>a feel good every time watch. But I think they

0:53:04.480 --> 0:53:08.840
<v Speaker 1>did a really good job. So I commend it, Leanna,

0:53:08.840 --> 0:53:09.359
<v Speaker 1>what about you?

0:53:10.680 --> 0:53:16.280
<v Speaker 2>I would give Sola three nipple pasties out of five.

0:53:16.640 --> 0:53:21.799
<v Speaker 2>Oh my god, imagine having five nipples. Crazy number, way

0:53:21.840 --> 0:53:26.600
<v Speaker 2>too many. I thought Taylor Page's performance in it was amusing.

0:53:26.760 --> 0:53:32.480
<v Speaker 2>She's amazing, like really iconic. Wow, she sores in this film.

0:53:33.160 --> 0:53:33.520
<v Speaker 1>I loved.

0:53:33.560 --> 0:53:39.840
<v Speaker 2>I thought the casting was great. I think, yeah, it

0:53:40.080 --> 0:53:44.279
<v Speaker 2>just the assault scene was so hard to watch and

0:53:44.320 --> 0:53:47.200
<v Speaker 2>so upsetting that it really knocked it down for me.

0:53:48.120 --> 0:53:51.880
<v Speaker 2>And then yeah, I just wanted it more of a

0:53:52.000 --> 0:53:53.920
<v Speaker 2>Dane New Mold. I just wanted a bit of relax,

0:53:54.040 --> 0:53:57.960
<v Speaker 2>like the ability to exhale at the end. I think

0:53:58.040 --> 0:54:02.120
<v Speaker 2>we'd had earned by the time we got there, and

0:54:02.160 --> 0:54:04.600
<v Speaker 2>that would have been a nice way to be like, Okay,

0:54:05.960 --> 0:54:11.640
<v Speaker 2>that's it, that's the ending. But yeah, really good performances,

0:54:11.840 --> 0:54:18.239
<v Speaker 2>really interesting choices directorially, like just the way the way

0:54:18.320 --> 0:54:21.480
<v Speaker 2>shots were set up I thought was really interesting and

0:54:21.680 --> 0:54:28.839
<v Speaker 2>different and unique. Yeah, and the casting was top tier. Yeah, yeah,

0:54:29.160 --> 0:54:29.839
<v Speaker 2>that's what I would say.

0:54:29.920 --> 0:54:35.440
<v Speaker 1>It did a really good job. Yay, Well we've watched Zola.

0:54:35.560 --> 0:54:40.000
<v Speaker 1>Oh my gosh. Well, uh, thank you everybody so much

0:54:40.000 --> 0:54:42.080
<v Speaker 1>for listening to this episode of Toss Popcorn. We are

0:54:42.120 --> 0:54:46.000
<v Speaker 1>at toss Popcorn on Instagram and at patreon dot com

0:54:46.040 --> 0:54:49.000
<v Speaker 1>slash toss Popcorn, where we're soon going to watch a

0:54:49.040 --> 0:54:51.480
<v Speaker 1>recent movie and we have to figure out which one,

0:54:51.760 --> 0:54:55.200
<v Speaker 1>but you know. Check out our Patreon. Thank you for

0:54:55.239 --> 0:54:57.359
<v Speaker 1>people who have joined recently. Thank you for everybody who's

0:54:57.360 --> 0:54:59.320
<v Speaker 1>on there. It really helps a lot and we love

0:55:00.239 --> 0:55:02.840
<v Speaker 1>getting to keep doing the podcast. So thank you for

0:55:02.880 --> 0:55:06.879
<v Speaker 1>your help and join us next week when we will be.

0:55:06.880 --> 0:55:10.080
<v Speaker 2>Watching Julie and Julia.

0:55:10.520 --> 0:55:15.879
<v Speaker 1>Oh baby, we better eat some food. Yeah sound Thank

0:55:15.520 --> 0:55:17.560
<v Speaker 1>you about a huge woman. We love you.

0:55:20.719 --> 0:55:27.320
<v Speaker 2>Bye bye.

0:55:28.239 --> 0:55:30.719
<v Speaker 1>You can find us on Instagram as at Sienna Jaco

0:55:30.840 --> 0:55:33.600
<v Speaker 1>and at Leanna Holsten. Please check the description for the

0:55:33.640 --> 0:55:36.800
<v Speaker 1>spelling of our dumb names. We put out episodes every Tuesday,

0:55:36.840 --> 0:55:39.080
<v Speaker 1>so make sure to subscribe so that you don't miss

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0:55:42.719 --> 0:55:45.720
<v Speaker 1>more podcasts from my Heart Radio, check the iHeartRadio app.

0:55:49.760 --> 0:55:54.560
<v Speaker 1>Oh now and or now Watching movies with huge women

0:55:54.960 --> 0:55:57.200
<v Speaker 1>with huge women that's also women's rights.

0:55:57.280 --> 0:56:01.480
<v Speaker 2>Yeah, women weren't allowed to be huge it on screen