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Speaker 1: The volume.

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Speaker 2: All right, Rory, we are back today. We are joined

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Speaker 2: by a friend of the show family.

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Speaker 3: Uh.

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Speaker 2: It was actually one of our first guests, man ever. Yeah,

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Speaker 2: we sat down with him in l A a few years

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Speaker 2: ago and since then he.

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Speaker 1: Is Live show too, Live Show.

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Speaker 2: The Live Show shouts the big hit performed at the

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Speaker 2: live show in l A. Obviously, somebody we're very familiar

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Speaker 2: with has been doing legendary ship for years. It's continuing

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Speaker 2: on that pace, not slowing up. One of the hardest

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Speaker 2: working guys in the industry, one of my favorite people

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Speaker 2: in the industry.

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Speaker 1: Hit Boy, my God, and most back for another one exactly,

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Speaker 1: most importantly the independent hit Boyd's a big hit.

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Speaker 3: You know what I'm saying, Well, you know what I mean.

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Speaker 3: It's the real hit free.

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Speaker 2: Are you feeling, man, great brow that is completely in

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Speaker 2: the clear, Yeah, new man bro.

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Speaker 3: I just like you know, had a lot of dark

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Speaker 3: times during them days.

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Speaker 4: But you know now I got shit in retrospect and

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Speaker 4: I could just see like everything was needed, it had

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Speaker 4: to happen. It had to happen just to get me

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Speaker 4: to this place. And I'm moving like with it just

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Speaker 4: way more sharp vision now.

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Speaker 2: Now for the people that don't know, you're completely out

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Speaker 2: of your original deal if you was stuck in for

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Speaker 2: for eighteen years.

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Speaker 1: Eighteen years.

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Speaker 3: I was one year out of high school. I was signed.

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Speaker 3: That was when I was nineteen.

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Speaker 4: How did you get that deal? I got that deal

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Speaker 4: on my space. Yeah, going to my space. Mat Paulo

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Speaker 4: to down on my space and he was like, you know,

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Speaker 4: I just was a fan of his music. He was like, man,

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Speaker 4: you know, I'm more than.

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Speaker 3: Just a producer.

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Speaker 2: I could really like help guide you through your career

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Speaker 2: and you know, put some place together for you.

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Speaker 3: So when we linked to you end up giving me

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Speaker 3: the publishing deal.

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Speaker 1: Yeah, can you explain what a pub deal is? Just

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Speaker 1: to the you know, average average.

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Speaker 4: It's like, you know, it's a company that collects money

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Speaker 4: on your behalf, you know, and they take a percentage

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Speaker 4: for that. And my particular situation was like there was

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Speaker 4: no end date because of you know, terminology in the

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Speaker 4: contract and whatever you want to call it. Oh, ancient

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Speaker 4: terminology stuff that just got outdated that was still being

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Speaker 4: upheld in my contract. So I just got stuck in it,

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Speaker 4: you know. But at the end of the day, bro,

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Speaker 4: like it went down how it went down, I'm happy

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Speaker 4: now for sure.

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Speaker 1: Because I as soon as you were cooped with that,

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Speaker 1: gave you come on within a year maybe quick. Because

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Speaker 1: I mean I feel like especially producers like you, because

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Speaker 1: there's the a list legendary producers that produced like once

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Speaker 1: a year maybe, and that that's where pub can be

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Speaker 1: like all right, whatever, it's not a huge deal, but

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Speaker 1: you work actively with a list artists or people we've

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Speaker 1: never even heard of.

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Speaker 2: And that was the part that was part of it too,

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Speaker 2: Like me, just like doubling down and doing so much work,

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Speaker 2: Like man, some gonna get me out too.

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Speaker 4: I give you six Come on, bro. I was like, man, Bro,

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Speaker 4: like what's gonna take? You know, what is it gonna take?

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Speaker 4: And it's just like you know, I guess it.

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Speaker 2: Just whatever desirain Hold said to them, it just it works,

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Speaker 2: you know what I mean. And they gave me an

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Speaker 2: ind date and I just you know, knocked it out,

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Speaker 2: just got out in July.

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Speaker 1: How did that conversation start with Dez and.

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Speaker 4: Me complaining and fucking being pissed off, mad, sad, all

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Speaker 4: that shit, just like Bro, like you know, hoole telling

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Speaker 4: me like man, I looked at the contract like these

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Speaker 4: papers ain't good.

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Speaker 3: That's literally what he said. You know what I mean.

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Speaker 4: I'm like, you know, You're like, we're gonna try to,

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Speaker 4: you know, figure it out. Then they ended up figuring

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Speaker 4: it out.

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Speaker 3: And gave me.

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Speaker 4: You know, that was twenty twenty one when I'll still

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Speaker 4: being managed by Rock and he was like, man, the

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Speaker 4: best we could do is they'll give you an end date,

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Speaker 4: but it's four years from now, so I had to

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Speaker 4: wait till July twenty twenty five to get out.

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Speaker 1: Okay, did that defer you from maybe wanting to put

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Speaker 1: out music or work with anyone just because you had

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Speaker 1: stuff that you wanted to keep for yourself on the

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Speaker 1: independent side.

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Speaker 4: Nah, I don't even I don't even work like that, man.

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Speaker 4: It just I was in the middle of the NAS

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Speaker 4: albums doing that whole thing, so it was like, you know,

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Speaker 4: just pushing regardless.

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Speaker 2: This is why I just love to do this shit,

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Speaker 2: regardless like money or not. I mean, we want the

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Speaker 2: money for show, but I just love to do this shit.

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Speaker 1: Is there advice you would give to like a new

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Speaker 1: producer that maybe just call one because that happens now,

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Speaker 1: whether it be TikTok Ig whatever, The TikTok sounds are

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Speaker 1: going platinum. Yeah, you're getting brand new, big producers every

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Speaker 1: day at a rate you weren't before. It's easier to

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Speaker 1: discover them. But it's like a bit of advice you

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Speaker 1: would give a younger producer going in.

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Speaker 4: I mean number one is, if you are going to

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Speaker 4: sign a deal, make sure you got an end date.

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Speaker 4: Make sure you know that, Like this contract is not

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Speaker 4: going to go on for like eighteen years or like

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Speaker 4: twenty years, whatever the case may be. Just make sure

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Speaker 4: it's an end date, you know what I mean, Like

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Speaker 4: if you got to hit then you know it's not

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Speaker 4: just one company that's going to want to do business.

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Speaker 4: Somebody out there going want to do business in the

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Speaker 4: way you see it being done. You know, you just

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Speaker 4: got to be patient and wait and find that right fit.

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Speaker 2: But that's very different because for somebody to be in

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Speaker 2: a deal that they absolutely hate, and obviously to have

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Speaker 2: the success that you've had as a producer as an artist,

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Speaker 2: it's hard for somebody to continue wanting to create being

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Speaker 2: in a contract.

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Speaker 3: It was depressing, bro.

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Speaker 4: It was plenty of times where I definitely like had

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Speaker 4: a little just couldn't think of nothing, just like I

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Speaker 4: felt like I exhausted myself, felt like I was just like,

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Speaker 4: man making no real progress, you know what I mean?

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Speaker 3: And uh, that shit definitely was it was.

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Speaker 2: It was.

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Speaker 3: It was fucked up like mentally for sure at the

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Speaker 3: end of the day.

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Speaker 2: Just my love for this ship, bro, just like you know,

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Speaker 2: it's fun to me, Like just thought it should always

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Speaker 2: been just fun, especially to beat making aspect, Like it's

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Speaker 2: like it's like a video game.

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Speaker 3: Yeah, you know what I mean, So I do that

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Speaker 3: for entertainment.

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Speaker 1: Yeah, So what's the difference then, Because I think it's

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Speaker 1: easier to understand when a rapper is independent or on

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Speaker 1: a major label. But as far as a producer being

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Speaker 1: free of a pub contract, what does that look like? Independent?

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Speaker 1: Are you collecting on your own? Like how does that?

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Speaker 2: I mean, well, basically, you know the percentages that I owned,

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Speaker 2: the songs that I did, you know, I can move

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Speaker 2: that around and do what I want to do with it.

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Speaker 3: And uh, basically from here out, you.

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Speaker 2: Know, the plays is serious, Like you know what I mean,

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Speaker 2: It's gonna have to be some real some real dollar

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Speaker 2: signs and some real like business being done. But it's

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Speaker 2: smart that you continue to keep that work ethic though,

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Speaker 2: because I mean, you've produced some of the biggest records

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Speaker 2: last since you've been in that country eighteen years or

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Speaker 2: Nah's particular the sixth album. Thing, are there any records

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Speaker 2: left over that never saw the light of day that

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Speaker 2: y'arell playing on doing something with Nah? I mean, we

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Speaker 2: probably do got little hooks and verses just scattered around,

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Speaker 2: but we ain't got like full full songs like that.

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Speaker 2: We you know, we emptied the clip, probably put eighty

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Speaker 2: songs out of three, like us crashed, Like we basically

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Speaker 2: drop damn near everything we made because who was just

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Speaker 2: in a groove and literally having fun, Like you know,

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Speaker 2: this is like he don't got to be doing this shit,

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Speaker 2: you know what I mean? And it's like that was

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Speaker 2: just the opportunity for me to grow be around an

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Speaker 2: elite MC like for three years in a row watching

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Speaker 2: this nigga right versus and freestyle hooks and whatever you're

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Speaker 2: gonna do, Like I got to grow through that whole process.

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Speaker 2: Is that is that something that you look back on

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Speaker 2: that helped you as a as a as a as

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Speaker 2: a writer yourself, because a lot of people, you know,

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Speaker 2: no hit for his production, but I speak to people

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Speaker 2: about your ability to also rap better than a lot

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Speaker 2: of producers that rap and produce, like being around nods for.

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Speaker 1: Those years, did you did you shopping your pen? Just

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Speaker 1: like listening to it.

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Speaker 4: And that's that's why I'm excited about what I'm doing

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Speaker 4: right now, because I feel like it's gonna be a

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Speaker 4: good showcase of that. Like the new projects I'm doing,

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Speaker 4: got like four new projects I'm finna drop, just back

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Speaker 4: to back, like joint with Alchemys, some with my homeboys,

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Speaker 4: Spank Nitty, We got a crazy tape. Let's just we

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Speaker 4: went to Starless and fucked that shut up last night

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Speaker 4: with them joints like we got straight just tell you

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Speaker 4: over when.

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Speaker 1: You walked down being back, really dozed off for two seconds.

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Speaker 2: But now I'm just you know, I'm feel finel empty

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Speaker 2: the clip again, bro, like on my own ship and

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Speaker 2: just like just show people where I'm going.

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Speaker 3: You know, it's just stepping stones.

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Speaker 2: One of my personal favorites. Is there another half of

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Speaker 2: mil joint coming man?

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Speaker 4: Me and Don we do got we got albums worth

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Speaker 4: the ship, bro. We for sure we got joints. We

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Speaker 4: got yeah, we got joints singing. But you know Dom

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Speaker 4: is plus Like Dom's son is super good at baseball,

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Speaker 4: so he really locked in with like a crazy high school,

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Speaker 4: like you know, top ranked and so he locked in

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Speaker 4: for real on that. Yeah, gotta respect that.

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Speaker 1: What you which artist would you say is the weirdest

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Speaker 1: recording process that you've worked with?

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Speaker 4: Jay Electronica, he might FaceTime you had three in the

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Speaker 4: morning from the jungle and with that they're not from

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Speaker 4: my daughter, They're from him. Yeah yeah, Alred, you just serious? Yeah,

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Speaker 4: that nigga right there, crazy And he changed his number

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Speaker 4: like every week.

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Speaker 1: It didn't hit you like you're supposed to know. He

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Speaker 1: changed his.

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Speaker 2: Numbers like this, I know he'll send me a random

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Speaker 2: like YouTube video or something.

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Speaker 1: I knew exactly what type of YouTube video.

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Speaker 2: We ain't gonna say, well outside of jail, because just

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Speaker 2: the mystique of him, I feel like the whole world

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Speaker 2: knows that he's a unicorn over there with processes.

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Speaker 1: But like some of the artists that are on earth,

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Speaker 1: like who has it doesn't even have to be weird,

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Speaker 1: but just.

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Speaker 4: I mean, everybody got their own process, you know what

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Speaker 4: I mean? Like when I worked with Tzo touchdown, like

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Speaker 4: instead of like recording on the super high quality eight

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Speaker 4: hundred mike on you know, that's like you know, there

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Speaker 4: for the quality. He wanted to do a handheld and

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Speaker 4: he like literally late the whole song just on the handheld,

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Speaker 4: Like you know, he an interesting artist period, but yeah,

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Speaker 4: that was probably like damn he like, that's that's the quality,

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Speaker 4: you you know what I mean?

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Speaker 2: Yeah, now coming out of the year that, you know,

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Speaker 2: because I don't think we spoke since the whole Kendrick Yeah,

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Speaker 2: would turn out to be West Coast versus I don't

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Speaker 2: even know what the East Coast or Toronto, I don't

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Speaker 2: even know.

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Speaker 1: It just got weird.

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Speaker 2: How has that affected just the energy amongst the MC's

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Speaker 2: and in Cali especially, you know, you know a lot

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Speaker 2: of guys that's coming up that you work with a close,

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Speaker 2: close basis, Like, how has.

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Speaker 1: That changed the energy of guys wanting to rap?

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Speaker 4: I mean, you know, the nigga gave a lot of

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Speaker 4: people opportunities, you know, through that whole to pop out

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Speaker 4: and putting niggas on his album and all that. I

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Speaker 4: feel like, you know, you see like a z Hike

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Speaker 4: taking advantage of that, like left me doing his thing.

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Speaker 4: It's a lot of people that's like, you know, like

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Speaker 4: I gotta take my shit more serious, you know what

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Speaker 4: I mean?

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Speaker 3: For sure.

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Speaker 1: He definitely he chose the side we'll start this. Once

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Speaker 1: I saw the video, I was like, all right, now

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Speaker 1: I know where hit chose side.

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Speaker 2: I mean uns on West Coast nigga choosing the side.

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Speaker 2: But I think I got a love for Kendrick, you

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Speaker 2: know what I mean?

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Speaker 3: For sure?

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Speaker 1: Yeah, is this next project going to be more in

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Speaker 1: that vein the joint with Spak, Yeah, it's called he's

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Speaker 1: talking like.

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Speaker 4: We got you know, we got Az Hike Baby trying

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Speaker 4: on there. We got Big Sad nineteen hundred, we got

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Speaker 4: the ship we did with don Q last night.

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Speaker 3: That's going on there. We just got to rio to

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Speaker 3: Young o G like you.

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Speaker 4: That's the type of shit I'll be listening to just

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Speaker 4: like really on a daily just hood shit, pasy them

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Speaker 4: type of niggas. And but then Alchemist's album is just

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Speaker 4: straight fucking soulful like hip hop, like Tires and niggas

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Speaker 4: just talking ship.

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Speaker 3: Through the whole album like it's just I'm coming with

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Speaker 3: different vibes.

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Speaker 1: Bro. Speaking of Az, we were out at the BT

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Speaker 1: Awards and did like the media room ship where you

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Speaker 1: did interview a bunch of people, and we sat down

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Speaker 1: with Bird, our guy hit Maker and we discussed. Uh,

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Speaker 1: how I guess I instigated the entire beef between between y'all.

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Speaker 1: Have y'all, have y'all pieced it up?

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Speaker 4: Yet I ain't ran into you, nah, But I mean,

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Speaker 4: you know that's you know that was That was just

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Speaker 4: a little moment man. Yeah, it was just a little splash,

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Speaker 4: like I ain't tripping off that ship.

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Speaker 1: Yeah. And when he sat with he wasn't. He wasn't

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Speaker 1: on any type of time like it was an issue.

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Speaker 1: But I'm just not sure if y'all had ever spoken

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Speaker 1: sex do what I do?

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Speaker 3: You know, everybody in their own pocket.

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Speaker 2: Yeah, so in the in the vein of producers, Uh,

284
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Speaker 2: who do you think one of the verses with you

285
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Speaker 2: in wonder like person?

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Speaker 1: Damn.

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Speaker 2: Like looking back as I was, he was killing me

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Speaker 2: with all the Drake records.

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Speaker 4: Like for a minute, I was like I was feeding

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Speaker 4: into it. That's why I fucked up. But I feel

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Speaker 4: like once I started coming with the new Nip and

292
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Speaker 4: new nas and all that shit, it was like, you know,

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Speaker 4: it started to even out. But yeah, I see why

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Speaker 4: niggas was like, oh man, you gotta play more hits.

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Speaker 4: This nigga was just staying me with Drake.

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Speaker 1: Yeah. God, he played trophies. And then it was an

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Speaker 1: hour after of just classic boy wanted Drake records. I

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Speaker 1: spoke to him.

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Speaker 2: He was like, yo, man, He's like, yeah, ask him

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Speaker 2: who he think of the verse, But he said he

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Speaker 2: got nicely that's my.

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Speaker 3: Guy for sure. I got respecting love for one.

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Speaker 2: Yeah. Yeah, that was That's one of those verses that

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Speaker 2: I wish we got in a different setting because that's

305
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Speaker 2: when it was like, really just that was the wrong

306
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Speaker 2: That was the first one after on the.

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Speaker 1: Ground I really cracked it off.

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Speaker 2: Yeah, but that's why we needed that with those type

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Speaker 2: of records that y'all have, respectively, we need that like

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Speaker 2: on the stage, we need I set up like a

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Speaker 2: nigga on the video game. After that ship I started

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Speaker 2: turning up.

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Speaker 1: Yeah yeah, I mean yeah, it would have been better too,

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Speaker 1: because I mean, obviously both y'all are real producers, so

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Speaker 1: like playing that ship live would have just made it

316
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Speaker 1: a way of cool thing experience in there. But I mean,

317
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Speaker 1: speaking of you know, Drake Kendrick, not on the B side,

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Speaker 1: but I feel like you you started with the quote

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Speaker 1: unquote Big Three around the same time Cole Kendrick Drake,

320
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Speaker 1: who do you think is the next Superstars or do

321
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Speaker 1: we have Superstars?

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Speaker 4: I can't call it, bro, I don't think this game

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Speaker 4: is what it used to be. The world ain't what

324
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Speaker 4: it used to be, like how we consume, you know,

325
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Speaker 4: the respect on the music, that's just none of the

326
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Speaker 4: shit is the same, bro.

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Speaker 2: So I can't really call it. But you know, it's

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Speaker 2: like it's it's space for it to open up.

329
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Speaker 4: It's space for undeniable motherfucker to come through and be like, Yo,

330
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Speaker 4: this is it type shit. So you know I'm excited

331
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Speaker 4: about that. Yeah, I just don't.

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Speaker 3: I don't know what this shit is no more.

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Speaker 1: Bro.

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Speaker 4: That's like I look at I'm not even looking at

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Speaker 4: myself as like in the music industry. I'm just like

336
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Speaker 4: making art whatever, whether it's more music. I mean, I've

337
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Speaker 4: got a film that we're working on, high level shit.

338
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Speaker 4: We really invested time and money and put real effort

339
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Speaker 4: and got high level actors in this shit. Like, like,

340
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Speaker 4: you know, I just feel like that's about to make

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Speaker 4: people look at us in a whole different light. And

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Speaker 4: it's like I'm just on some straight art shit at

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Speaker 4: this point.

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Speaker 1: Yeah, yeah, I mean do you feel like because you

345
00:14:03,520 --> 00:14:06,960
Speaker 1: do it consistently as far as working again with big

346
00:14:07,080 --> 00:14:11,160
Speaker 1: artists or just artists you like, I feel like Pharrell, Swizz,

347
00:14:11,200 --> 00:14:13,480
Speaker 1: well maybe not so much for real, but like Swizz, Timberland,

348
00:14:13,679 --> 00:14:15,679
Speaker 1: even Kanye after you got h of the Izzo, he

349
00:14:15,679 --> 00:14:18,680
Speaker 1: wouldn't go back to Chicago to mess with some local

350
00:14:19,120 --> 00:14:22,080
Speaker 1: man's all A list artists would only work with A

351
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Speaker 1: list producers And now that there isn't really like the

352
00:14:25,000 --> 00:14:28,960
Speaker 1: A list artists coming up. Do you think producers get

353
00:14:29,040 --> 00:14:31,120
Speaker 1: left behind with that mind state, like you should work

354
00:14:31,120 --> 00:14:34,040
Speaker 1: with everybody, it doesn't matter with their status, or if

355
00:14:34,080 --> 00:14:38,560
Speaker 1: you just did a record with Gunna, like don't think

356
00:14:38,600 --> 00:14:40,560
Speaker 1: now you just the Gunner status is what?

357
00:14:40,560 --> 00:14:42,240
Speaker 4: When you should be nobody could do what they want

358
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Speaker 4: to do. I just like working with shit i'm inspired by.

359
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Speaker 2: Like when I heard Spink like this niggas bars literally

360
00:14:47,680 --> 00:14:50,160
Speaker 2: didn't have me in the crib and tears laughing, like

361
00:14:50,200 --> 00:14:52,320
Speaker 2: and that's the type of rappers I fuck with niggas

362
00:14:52,320 --> 00:14:55,040
Speaker 2: that make you laugh like but it's be like smartest intelligent,

363
00:14:55,120 --> 00:14:57,240
Speaker 2: but it's the way it type.

364
00:14:57,840 --> 00:14:59,640
Speaker 1: Yeah, like you know what I mean. It's just like

365
00:15:00,240 --> 00:15:02,720
Speaker 1: I'm like, let's do a whole album for me. Yeah,

366
00:15:02,760 --> 00:15:04,360
Speaker 1: So a couple months. I think it was a couple

367
00:15:04,440 --> 00:15:07,760
Speaker 1: months ago, but Tom is Flying. You put a Frank

368
00:15:07,840 --> 00:15:11,760
Speaker 1: Ocean snippet on Instagram that was fucking crazy. You were

369
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Speaker 1: in your studio and it was like a minute, man,

370
00:15:14,840 --> 00:15:17,680
Speaker 1: I think that was I think that was his demo

371
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Speaker 1: that he did with the homegirl Stacey Barth back in

372
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Speaker 1: the day, Love Sticks.

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Speaker 4: That's before he was even Frank Ocean though. Actually my

374
00:15:23,920 --> 00:15:27,040
Speaker 4: boy uh Ba cared like from our click Surf club,

375
00:15:27,240 --> 00:15:29,440
Speaker 4: he actually produced that shit. I was just playing that

376
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Speaker 4: because that's a vibe. Yeah, yeah, but that you could

377
00:15:32,320 --> 00:15:33,640
Speaker 4: find that song on SoundCloud.

378
00:15:35,120 --> 00:15:36,720
Speaker 1: When was the last time you saw Frank.

379
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Speaker 3: Some years ago? Probably about twenty nineteen, Okay, yeah, what

380
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Speaker 3: was his vibe?

381
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Speaker 1: Did it look like?

382
00:15:45,480 --> 00:15:47,480
Speaker 4: I know, he went through some personal shit, so it

383
00:15:47,520 --> 00:15:49,640
Speaker 4: was before, like you know, he was dealing with that,

384
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Speaker 4: so it was cool like Nigga was he was locked in.

385
00:15:53,000 --> 00:15:54,720
Speaker 1: Yeah, Because when I saw that snipping and I didn't

386
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Speaker 1: recognize the song, I was like, oh shit, is this

387
00:15:57,080 --> 00:15:59,400
Speaker 1: the rollout? We're about to get a hit boy Frank

388
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Speaker 1: Ocean EP and No, that would be ridiculous Now.

389
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Speaker 2: I think type of that type of shit need to

390
00:16:03,080 --> 00:16:06,080
Speaker 2: be happening, but didn't make it exciting, Like why he

391
00:16:06,080 --> 00:16:08,360
Speaker 2: wouldn't he just come fuck with me do a whole project.

392
00:16:08,520 --> 00:16:11,680
Speaker 2: But guys like artists like Frank though, like you know,

393
00:16:12,520 --> 00:16:14,480
Speaker 2: he's in his own world.

394
00:16:15,240 --> 00:16:15,800
Speaker 1: Yeah, Like, and.

395
00:16:15,720 --> 00:16:17,560
Speaker 2: It's like, you know, I got some New Orleans clearly,

396
00:16:17,760 --> 00:16:20,920
Speaker 2: well it's something that's something out there, but it's it's

397
00:16:21,040 --> 00:16:24,960
Speaker 2: it makes sense for a Frank. Like just if somebody say, yo,

398
00:16:25,000 --> 00:16:28,480
Speaker 2: Frank Ocean got an album coming out and hit Boy

399
00:16:28,600 --> 00:16:29,760
Speaker 2: is producing.

400
00:16:29,320 --> 00:16:30,880
Speaker 3: The hoo us, it sounds fly already.

401
00:16:30,880 --> 00:16:31,640
Speaker 1: You see what I'm saying.

402
00:16:31,760 --> 00:16:35,760
Speaker 2: It's like, wait, why why haven't we gotten that already? Yeah,

403
00:16:36,080 --> 00:16:39,000
Speaker 2: everybody in their own world. Everybody got their process. You

404
00:16:39,080 --> 00:16:41,360
Speaker 2: know what they vibing is. I think it's what you

405
00:16:41,400 --> 00:16:44,920
Speaker 2: said though people are I think it's creatives and artists

406
00:16:45,000 --> 00:16:47,480
Speaker 2: are just in the space of you don't we don't

407
00:16:47,480 --> 00:16:49,280
Speaker 2: You don't really know what's going on. Like if you

408
00:16:49,440 --> 00:16:52,680
Speaker 2: take all this time to put out an amazing project,

409
00:16:53,000 --> 00:16:55,480
Speaker 2: and once you put it out in two hours, people

410
00:16:55,480 --> 00:16:57,880
Speaker 2: are either killing it online or they love to take

411
00:16:57,880 --> 00:16:59,320
Speaker 2: two hours, it's five minutes.

412
00:17:00,400 --> 00:17:03,520
Speaker 1: It's like comment five minutes.

413
00:17:03,240 --> 00:17:07,600
Speaker 2: Into it garbage. Just like why would the artists like

414
00:17:07,600 --> 00:17:09,639
Speaker 2: people everybody say, Yo, we want a new J album.

415
00:17:09,920 --> 00:17:10,639
Speaker 1: Jay's in the studio.

416
00:17:10,680 --> 00:17:13,280
Speaker 2: I'm like, I don't think an artist like Jay wants

417
00:17:13,320 --> 00:17:16,400
Speaker 2: to put out music right now, Like what's inspiring him

418
00:17:16,400 --> 00:17:18,679
Speaker 2: to do it right? What's like, what would be the

419
00:17:18,720 --> 00:17:21,439
Speaker 2: point of him doing it? He's only gonna go on,

420
00:17:21,800 --> 00:17:23,840
Speaker 2: you know, take a project or album and go on

421
00:17:23,880 --> 00:17:26,679
Speaker 2: tour if his wife is with him, Like they're obviously

422
00:17:26,760 --> 00:17:29,360
Speaker 2: only torn together at this point, if they're torn at all.

423
00:17:30,160 --> 00:17:34,359
Speaker 2: So I just don't understand, you know, where the artists

424
00:17:34,359 --> 00:17:35,800
Speaker 2: are as far as like, you know, things that are

425
00:17:35,800 --> 00:17:37,720
Speaker 2: going on in the industry, how people consume music, how

426
00:17:37,720 --> 00:17:40,320
Speaker 2: long they live with the music, what it means to them.

427
00:17:40,400 --> 00:17:42,800
Speaker 2: Cause right now, if I put out a great project,

428
00:17:43,240 --> 00:17:45,280
Speaker 2: people might not go back to it in three weeks,

429
00:17:45,280 --> 00:17:46,920
Speaker 2: Like it might not be I don't even listen to

430
00:17:47,000 --> 00:17:49,240
Speaker 2: that no more. Like so much shit is out and

431
00:17:49,320 --> 00:17:52,800
Speaker 2: available whenever we want to hear the news circuit is

432
00:17:53,200 --> 00:17:55,840
Speaker 2: ship coming up, just happening out of the blue type

433
00:17:55,880 --> 00:17:58,920
Speaker 2: shit you just don't know, Like it's shit moving fast man.

434
00:17:59,000 --> 00:17:59,560
Speaker 3: Yeah.

435
00:17:59,600 --> 00:18:01,840
Speaker 1: And I think artists get in the patterns, especially from

436
00:18:01,840 --> 00:18:05,280
Speaker 1: the era Frank is in and behind Frank where you

437
00:18:05,320 --> 00:18:07,919
Speaker 1: can put out a project that's deemed a classic and

438
00:18:08,000 --> 00:18:11,040
Speaker 1: disappear for three four years, whereas now you kind of

439
00:18:11,040 --> 00:18:14,240
Speaker 1: have to, you know, play the consistency game. But to me,

440
00:18:14,320 --> 00:18:18,320
Speaker 1: that's even better. Like, for example, Nas, you could say

441
00:18:18,320 --> 00:18:20,840
Speaker 1: what you want about Streets Disciple, Maybe Nostra damis cool.

442
00:18:20,840 --> 00:18:23,440
Speaker 1: He's had things that maybe have not met the standard

443
00:18:23,560 --> 00:18:26,679
Speaker 1: of it was written, but he's so consistent that you

444
00:18:26,800 --> 00:18:30,920
Speaker 1: forget about quote unquote a dud. But when you only

445
00:18:30,920 --> 00:18:34,040
Speaker 1: have two albums now, the anticipation to put out another

446
00:18:34,080 --> 00:18:36,960
Speaker 1: one is like, now, I'm gonna wait ten years because

447
00:18:36,960 --> 00:18:38,800
Speaker 1: its gonna take me ten years to make that type

448
00:18:38,840 --> 00:18:42,960
Speaker 1: of project. But if you're consistent, and you could be like, yo, Frank,

449
00:18:43,119 --> 00:18:44,920
Speaker 1: you just want to do a three pack real quick,

450
00:18:45,200 --> 00:18:47,640
Speaker 1: that's fine because it's like I'm consistent, I know we're

451
00:18:48,280 --> 00:18:48,959
Speaker 1: we're gonna get more.

452
00:18:49,720 --> 00:18:52,439
Speaker 4: I think that's like I've seen an interview that Virgil

453
00:18:52,480 --> 00:18:54,720
Speaker 4: did and he was talking about how just in general

454
00:18:54,800 --> 00:18:55,920
Speaker 4: with art, you.

455
00:18:55,880 --> 00:18:57,840
Speaker 1: Put out a gang of shit. You like the stuff

456
00:18:57,880 --> 00:18:58,960
Speaker 1: you put out that's bad.

457
00:18:58,800 --> 00:19:01,640
Speaker 2: Nobody gonna remember that shit is anyway, you just keep

458
00:19:01,680 --> 00:19:03,679
Speaker 2: shooting and keep making shit, and the good stuff is

459
00:19:03,680 --> 00:19:05,800
Speaker 2: gonna stand out and the stuff you're not proud of.

460
00:19:05,920 --> 00:19:08,160
Speaker 4: It's like they like, we don't. We don't even think

461
00:19:08,160 --> 00:19:09,919
Speaker 4: about the bad nikes that Nike have.

462
00:19:10,040 --> 00:19:14,320
Speaker 1: Meant that, yeah, forces all our fly ship, but made

463
00:19:14,359 --> 00:19:17,280
Speaker 1: some nikes that ain't, so that has been trash whatever,

464
00:19:17,320 --> 00:19:20,280
Speaker 1: but we just don't give a fuck ship even with chance.

465
00:19:20,320 --> 00:19:24,280
Speaker 1: For example, like the Internet killed the Big Day. Obviously

466
00:19:24,280 --> 00:19:25,679
Speaker 1: he took some time because he was going through some

467
00:19:25,720 --> 00:19:29,320
Speaker 1: personal stuff and COVID and everything, but now the entire

468
00:19:29,440 --> 00:19:31,320
Speaker 1: timeline has shifted to this may be one of the

469
00:19:31,359 --> 00:19:35,320
Speaker 1: best rap albums up here. People say, you can also

470
00:19:35,400 --> 00:19:38,040
Speaker 1: put out a dud. If you're consistently putting out music,

471
00:19:38,119 --> 00:19:40,840
Speaker 1: you can change people's mind. To Virgil's point in that regardless,

472
00:19:41,040 --> 00:19:44,120
Speaker 1: people gonna forget if you keep putting out quality ship.

473
00:19:44,240 --> 00:19:45,920
Speaker 1: And at that time, that's why I just wish Frank

474
00:19:45,960 --> 00:19:50,240
Speaker 1: would get because obviously he's a writer first and works quickly.

475
00:19:50,680 --> 00:19:51,960
Speaker 1: Like you could just be putting out a bunch of

476
00:19:52,000 --> 00:19:53,960
Speaker 1: fucking records. I'm sure, I'm sure they're great.

477
00:19:53,880 --> 00:19:56,800
Speaker 2: Yeah, absolutely, but again, you know what I mean, we

478
00:19:56,840 --> 00:19:59,320
Speaker 2: don't know what's going on in this personally, how you're feeling,

479
00:19:59,320 --> 00:20:01,240
Speaker 2: what's going on, so it should be real out here.

480
00:20:01,600 --> 00:20:03,840
Speaker 2: I just had this motherfucking do court this morning when

481
00:20:03,840 --> 00:20:05,280
Speaker 2: they got like, you know, I got a bunch of

482
00:20:05,280 --> 00:20:07,920
Speaker 2: amazing ship happened, and then I got some low level,

483
00:20:07,960 --> 00:20:10,359
Speaker 2: low vibration ship happened at the same time. It's like,

484
00:20:10,400 --> 00:20:12,000
Speaker 2: you gotta balance this ship.

485
00:20:11,880 --> 00:20:14,560
Speaker 1: Out and leads in at the creativity, sometimes in a

486
00:20:14,600 --> 00:20:16,560
Speaker 1: bad way in that regard. That's why I went to Startless.

487
00:20:16,560 --> 00:20:19,639
Speaker 1: It was crazy the last night because was therapy to

488
00:20:20,200 --> 00:20:21,040
Speaker 1: that's the high vibration.

489
00:20:22,480 --> 00:20:23,000
Speaker 3: Definitely.

490
00:20:23,520 --> 00:20:26,120
Speaker 1: Uh, strip club wise, what do you feel about New

491
00:20:26,200 --> 00:20:27,040
Speaker 1: York and.

492
00:20:27,000 --> 00:20:29,680
Speaker 4: Strip club I mean I only really went to Starless

493
00:20:29,680 --> 00:20:31,080
Speaker 4: and maybe one or two other ones.

494
00:20:31,160 --> 00:20:33,080
Speaker 3: But it's amazing. Bro, it's lovely.

495
00:20:33,440 --> 00:20:35,520
Speaker 1: I just know what it is. Only somebody from l A.

496
00:20:35,600 --> 00:20:37,040
Speaker 1: I feel like we say that about New York strip

497
00:20:37,040 --> 00:20:39,760
Speaker 1: clubs because I don't think that even even in l A.

498
00:20:39,880 --> 00:20:42,159
Speaker 1: I like, I like Crazy Girls and Sam's and all

499
00:20:42,200 --> 00:20:45,240
Speaker 1: the hoods. That's what I with fun, But I fuck

500
00:20:45,320 --> 00:20:48,320
Speaker 1: with the hoodship New York and l A. Just once

501
00:20:48,359 --> 00:20:50,439
Speaker 1: you start driving you realize we don't do strip clubs.

502
00:20:50,480 --> 00:20:54,080
Speaker 1: Like I lived in Atlanta when I was nineteen with

503
00:20:54,080 --> 00:20:58,720
Speaker 1: Paul don't supposed.

504
00:20:58,440 --> 00:21:01,560
Speaker 4: To be here, and they had me going crazy. I'm

505
00:21:01,600 --> 00:21:04,320
Speaker 4: seeing the thickest joints saying in my life like what.

506
00:21:05,680 --> 00:21:06,280
Speaker 3: You know what I mean.

507
00:21:06,400 --> 00:21:08,840
Speaker 4: So it's like I got programmed on that ship early. Man,

508
00:21:09,119 --> 00:21:10,840
Speaker 4: it will just be a good time, a good little

509
00:21:10,920 --> 00:21:12,160
Speaker 4: quick you know what I mean.

510
00:21:12,320 --> 00:21:14,120
Speaker 1: So what so what's up man? When you when you moving?

511
00:21:14,160 --> 00:21:15,120
Speaker 1: When you move to New York?

512
00:21:15,160 --> 00:21:17,919
Speaker 3: Man, Man, I'm to look at some real estates.

513
00:21:18,800 --> 00:21:19,600
Speaker 1: I see it.

514
00:21:19,600 --> 00:21:22,040
Speaker 2: It's sold on your face like you trying to spend

515
00:21:22,040 --> 00:21:24,359
Speaker 2: some real time. But I think it makes sense for

516
00:21:24,359 --> 00:21:26,680
Speaker 2: for for you to be in New York because you know,

517
00:21:26,960 --> 00:21:30,080
Speaker 2: everybody has to come through you know, La New York

518
00:21:30,119 --> 00:21:32,119
Speaker 2: as far as artists and things like that. So I

519
00:21:32,160 --> 00:21:34,320
Speaker 2: think hit boy just being there, like you said last night,

520
00:21:35,119 --> 00:21:36,400
Speaker 2: you just stumbled.

521
00:21:35,960 --> 00:21:38,040
Speaker 1: Into you know what I mean, Like don Q at

522
00:21:38,040 --> 00:21:38,840
Speaker 1: a restaurant and.

523
00:21:38,920 --> 00:21:42,080
Speaker 3: Just like gott this this Quad ship.

524
00:21:42,200 --> 00:21:43,479
Speaker 1: Yeah, I think it just happened.

525
00:21:43,560 --> 00:21:45,480
Speaker 2: My West Coast homies was like, man, y'all sure, y'all

526
00:21:45,520 --> 00:21:45,880
Speaker 2: want to go.

527
00:21:45,800 --> 00:21:47,920
Speaker 1: To Quad and you already know what they think about it,

528
00:21:48,080 --> 00:21:54,480
Speaker 1: But that's come over in the middle of Times Square

529
00:21:54,560 --> 00:21:56,640
Speaker 1: and like it'll be great because you'll get to listen

530
00:21:56,720 --> 00:21:59,080
Speaker 1: to ten thousand bust to rhymes songs because he lives there. Yeah,

531
00:21:59,080 --> 00:21:59,919
Speaker 1: he's a man.

532
00:22:00,600 --> 00:22:04,280
Speaker 2: He has a residency as a residency called Yeah.

533
00:22:04,320 --> 00:22:07,920
Speaker 1: Absolutely, But that's funny that it wasn't wasn't New York

534
00:22:07,920 --> 00:22:10,360
Speaker 1: culture the food history was like, Nah, I just want

535
00:22:10,359 --> 00:22:12,760
Speaker 1: to startless. I want to move starlets and I'm looking

536
00:22:12,800 --> 00:22:14,160
Speaker 1: at no no. I love the whole shit.

537
00:22:15,280 --> 00:22:17,159
Speaker 4: I got a sprinter out here, like just you know,

538
00:22:17,240 --> 00:22:19,000
Speaker 4: driving down the street motherfuckers getting dressed.

539
00:22:19,040 --> 00:22:20,119
Speaker 1: Do you do that? Do you just go out of

540
00:22:20,119 --> 00:22:22,040
Speaker 1: the city just to get the energy? And nah?

541
00:22:22,119 --> 00:22:24,080
Speaker 4: Really, I just be on the way to places this city,

542
00:22:24,640 --> 00:22:26,400
Speaker 4: like when I'm on the WAT somewhere, just looking at

543
00:22:26,640 --> 00:22:27,920
Speaker 4: how motherfucker's moving around.

544
00:22:27,960 --> 00:22:30,320
Speaker 3: The energy, the tempo is just us up out here.

545
00:22:30,320 --> 00:22:30,920
Speaker 3: I fuck with it.

546
00:22:31,040 --> 00:22:33,080
Speaker 2: What do you What do you think is like, what

547
00:22:33,119 --> 00:22:36,080
Speaker 2: would you say is the difference? Because I felt the

548
00:22:36,119 --> 00:22:39,280
Speaker 2: difference in the energy in the l a post pandemic,

549
00:22:39,760 --> 00:22:41,800
Speaker 2: Like I think a lot changed in California, like just

550
00:22:41,840 --> 00:22:44,040
Speaker 2: the energy as far as the night life.

551
00:22:44,080 --> 00:22:44,760
Speaker 1: Things like that.

552
00:22:45,520 --> 00:22:48,120
Speaker 2: What do you feel is the differences right now between

553
00:22:48,160 --> 00:22:50,160
Speaker 2: the energy here in New York and in.

554
00:22:50,320 --> 00:22:55,760
Speaker 4: LA I just like went to say lest the other night, bro,

555
00:22:55,840 --> 00:22:59,200
Speaker 4: I never see that bitty superstars in what building, which

556
00:22:59,280 --> 00:23:02,200
Speaker 4: like All Star Game. It's like I haven't been a

557
00:23:02,280 --> 00:23:04,320
Speaker 4: towb and it catches. You see some joints, you see

558
00:23:04,320 --> 00:23:08,040
Speaker 4: it going crazy vies. But that was something different. I mean,

559
00:23:08,400 --> 00:23:10,720
Speaker 4: you know what I mean. It's like New York and

560
00:23:10,960 --> 00:23:13,280
Speaker 4: may be just super fly, like I did really take

561
00:23:13,320 --> 00:23:16,800
Speaker 4: pride in how they present themselves, like getting dressed up

562
00:23:16,840 --> 00:23:20,080
Speaker 4: flies one ahead to toe, I'm like, and then Dominican

563
00:23:20,240 --> 00:23:22,000
Speaker 4: joints is serious, man.

564
00:23:22,640 --> 00:23:25,720
Speaker 1: I knew that was. We all go for the chicken skewers.

565
00:23:25,720 --> 00:23:29,400
Speaker 1: Then that's why we go. I just didn't watch the game.

566
00:23:29,560 --> 00:23:33,560
Speaker 1: That's a photo in front. That's why I might say,

567
00:23:33,640 --> 00:23:36,200
Speaker 1: let's put no shout to say less. That place is good.

568
00:23:36,920 --> 00:23:37,680
Speaker 3: Yeah for sure.

569
00:23:40,800 --> 00:23:43,760
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Speaker 1: Five dollars you could pay for all the wings, all

580
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581
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582
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583
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584
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585
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586
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587
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588
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604
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Speaker 1: We were talking. We had jd on I forgot a

605
00:25:27,640 --> 00:25:30,400
Speaker 1: couple months ago maybe yeah, and we did like this,

606
00:25:30,400 --> 00:25:32,399
Speaker 1: this is that segment with him with some of his

607
00:25:32,520 --> 00:25:35,560
Speaker 1: records on what he had to choose out of the two.

608
00:25:36,320 --> 00:25:38,320
Speaker 1: So I want to do with you start out the

609
00:25:38,359 --> 00:25:41,280
Speaker 1: gate Paris. Well, if you want to say the full

610
00:25:41,320 --> 00:25:44,960
Speaker 1: title or click, I might have.

611
00:25:44,920 --> 00:25:45,920
Speaker 3: To go with Paris Man.

612
00:25:46,240 --> 00:25:46,400
Speaker 1: Yeah.

613
00:25:46,440 --> 00:25:49,119
Speaker 2: I think that's just seeing him just recently performing a

614
00:25:49,119 --> 00:25:51,879
Speaker 2: few weeks ago in felt like, I mean at the

615
00:25:51,960 --> 00:25:55,200
Speaker 2: Vegas show The Lives, Oh yeah, Okay, went to that motherfucker.

616
00:25:55,240 --> 00:25:57,880
Speaker 3: The whole stadium was just like rumbling.

617
00:25:57,960 --> 00:25:58,120
Speaker 1: Bro.

618
00:25:58,200 --> 00:26:00,119
Speaker 3: I'm like it sounds like that motherfuckers just dropped the

619
00:26:00,200 --> 00:26:02,439
Speaker 3: night before. Yeah, it just came out. I'm like, you

620
00:26:02,520 --> 00:26:03,520
Speaker 3: can't beat that, bro?

621
00:26:04,280 --> 00:26:05,960
Speaker 1: Yeah, what was that click session? Like though?

622
00:26:07,200 --> 00:26:07,400
Speaker 3: Man?

623
00:26:07,560 --> 00:26:09,800
Speaker 4: That was I think we was in London when we

624
00:26:09,840 --> 00:26:12,439
Speaker 4: started that and that original beat. It's this song if

625
00:26:12,480 --> 00:26:15,680
Speaker 4: you look it up, called CDC by Don Kennedy, Casey

626
00:26:15,760 --> 00:26:19,160
Speaker 4: Veggie's and this other nigga named Carter and they had

627
00:26:19,160 --> 00:26:21,840
Speaker 4: did a song on that same beat, and then Yay

628
00:26:21,920 --> 00:26:23,399
Speaker 4: ended up picking that beat out of you know, a

629
00:26:23,400 --> 00:26:25,120
Speaker 4: bunch of beats I had. Once they did the hook,

630
00:26:25,160 --> 00:26:27,359
Speaker 4: I had to tell Yay like, look, Homie dom already

631
00:26:27,440 --> 00:26:29,679
Speaker 4: used his beat. So then we ended up just muting

632
00:26:29,720 --> 00:26:32,119
Speaker 4: some of the sounds. I had added more shit acting

633
00:26:32,200 --> 00:26:35,199
Speaker 4: choirs and snares and turned it up into you know

634
00:26:35,280 --> 00:26:37,880
Speaker 4: what it became. But yeah, that was the first time

635
00:26:37,920 --> 00:26:40,000
Speaker 4: I heard it. I was in the Hampton's working on

636
00:26:40,400 --> 00:26:42,560
Speaker 4: the Beyonce album Like the Ship that came out in

637
00:26:42,560 --> 00:26:46,800
Speaker 4: twenty thirteen, and Yay came in and was playing that

638
00:26:46,880 --> 00:26:47,640
Speaker 4: joint over and over.

639
00:26:47,680 --> 00:26:49,679
Speaker 3: Everybody was going crazy. Was it the first time I

640
00:26:49,840 --> 00:26:50,920
Speaker 3: heard a whole verse on it?

641
00:26:51,040 --> 00:26:53,800
Speaker 1: Okay? So yeah, yeah was on the first and Sean.

642
00:26:53,640 --> 00:26:54,520
Speaker 3: Last yeaar Sean.

643
00:26:54,600 --> 00:26:57,240
Speaker 4: Sean did the yeah his part and then yay, and

644
00:26:57,280 --> 00:26:58,800
Speaker 4: then the last verse I heard was.

645
00:26:58,760 --> 00:26:59,400
Speaker 3: A whole shit.

646
00:26:59,840 --> 00:27:01,600
Speaker 1: I would love to ask picture on what that was

647
00:27:01,640 --> 00:27:05,280
Speaker 1: like Old and Kanye like we got this record together,

648
00:27:06,000 --> 00:27:09,080
Speaker 1: we want you to close the shit like that must

649
00:27:09,080 --> 00:27:11,680
Speaker 1: have been a feeling, all right asap Rocky Goldie or

650
00:27:11,760 --> 00:27:12,920
Speaker 1: Drake Trophies.

651
00:27:13,280 --> 00:27:16,200
Speaker 2: I'm going with Damn, they both ill fuck with Goldie though,

652
00:27:16,240 --> 00:27:18,800
Speaker 2: you know what I mean that that was a.

653
00:27:18,240 --> 00:27:20,760
Speaker 4: Rocky like first single on a major label, I believe,

654
00:27:20,800 --> 00:27:22,720
Speaker 4: you know what I mean? So like that helped one

655
00:27:22,760 --> 00:27:24,600
Speaker 4: of my favorite video and crack his ship off, you know.

656
00:27:24,560 --> 00:27:26,840
Speaker 3: What I mean? It just helps, you know, solidify what

657
00:27:26,880 --> 00:27:28,000
Speaker 3: I was doing a little bit more.

658
00:27:28,440 --> 00:27:30,840
Speaker 1: Okay, actually freestyle or Racks in the Middle.

659
00:27:31,880 --> 00:27:34,800
Speaker 3: Damn, that's fucked up. Damn.

660
00:27:35,080 --> 00:27:36,639
Speaker 1: Yeah, I don't know if I could pick out of

661
00:27:36,640 --> 00:27:37,160
Speaker 1: those two either.

662
00:27:39,000 --> 00:27:39,359
Speaker 3: Damn.

663
00:27:39,640 --> 00:27:43,520
Speaker 4: I mean, I feel like I'm closer to Racks in

664
00:27:43,520 --> 00:27:45,320
Speaker 4: the Middle because I was there for the whole process.

665
00:27:46,400 --> 00:27:48,119
Speaker 3: That was originally my song, you know what I mean.

666
00:27:48,320 --> 00:27:50,040
Speaker 4: Had gay that to Nip because he asked for it,

667
00:27:50,080 --> 00:27:52,919
Speaker 4: and he felt like the you know the fact that

668
00:27:52,920 --> 00:27:55,160
Speaker 4: we wanted Grammy and shut off that ship. He felt

669
00:27:55,200 --> 00:27:57,240
Speaker 4: like that was a Grammy level song. So it was

670
00:27:57,280 --> 00:27:59,520
Speaker 4: like a proud moment when we actually wanted Grammy like

671
00:27:59,560 --> 00:28:02,560
Speaker 4: we He felt like this was high quality, like the

672
00:28:02,600 --> 00:28:05,679
Speaker 4: new wave of the West. How Roddy get involved with

673
00:28:05,680 --> 00:28:08,960
Speaker 4: that man? He was across the hall from my old

674
00:28:08,960 --> 00:28:10,639
Speaker 4: studio and I used to work at Challenge Bro. He

675
00:28:10,720 --> 00:28:13,240
Speaker 4: was working with Future and my home boy that was

676
00:28:13,320 --> 00:28:14,919
Speaker 4: A and R in Atlantic. I don't know if he

677
00:28:14,960 --> 00:28:19,720
Speaker 4: still is my nigga Knowledge. He was like, Bro, I

678
00:28:19,720 --> 00:28:21,439
Speaker 4: got righty over there because I told Knowledge like Bro

679
00:28:21,600 --> 00:28:23,280
Speaker 4: fuck with RITI Like, I used to like that Die

680
00:28:23,359 --> 00:28:26,080
Speaker 4: Young song like super Heavy, So I was playing that shit,

681
00:28:26,119 --> 00:28:28,160
Speaker 4: showing it to people every day, like this shit hard.

682
00:28:28,800 --> 00:28:30,720
Speaker 4: And he was like, I got righty coming over there.

683
00:28:30,720 --> 00:28:33,040
Speaker 4: Gonna be a future. So they recording songs all day

684
00:28:33,400 --> 00:28:36,560
Speaker 4: doing their thing. It's probably like it's time to leave.

685
00:28:36,600 --> 00:28:38,760
Speaker 4: It's twelve is one. We didn't been there all day whatever.

686
00:28:38,800 --> 00:28:40,800
Speaker 4: He just come over to say what up. He got

687
00:28:40,800 --> 00:28:43,080
Speaker 4: his backpack on and all that, and I knew he

688
00:28:43,120 --> 00:28:45,200
Speaker 4: was over there, so I'm like, I made a beat.

689
00:28:45,200 --> 00:28:47,440
Speaker 4: I made that beat that same day, and I was like,

690
00:28:47,600 --> 00:28:49,320
Speaker 4: if this nigga come in here, I'm playing this shit.

691
00:28:49,720 --> 00:28:51,680
Speaker 3: And he was just no cam coming to say what up,

692
00:28:51,720 --> 00:28:53,560
Speaker 3: I'm like check this out. Boom played the beat.

693
00:28:53,800 --> 00:28:55,720
Speaker 4: He was like, fucking let me try something loaded up,

694
00:28:55,800 --> 00:28:57,200
Speaker 4: and then he did that hook and.

695
00:28:57,640 --> 00:28:58,440
Speaker 1: He actually did a verse.

696
00:28:59,040 --> 00:29:01,440
Speaker 3: He did a verse two too, when I.

697
00:29:01,400 --> 00:29:03,560
Speaker 4: Was supposed to be supposed to be hit Boy featuring Roddy,

698
00:29:04,160 --> 00:29:05,600
Speaker 4: and that's when Nip hearted.

699
00:29:05,520 --> 00:29:07,320
Speaker 1: It was like I need that to get this, Yeah,

700
00:29:07,360 --> 00:29:07,800
Speaker 1: I need that.

701
00:29:07,880 --> 00:29:09,440
Speaker 4: It just like it was like, this could be the

702
00:29:09,480 --> 00:29:12,560
Speaker 4: perfect record to like segue from Victory Lap, like to

703
00:29:12,640 --> 00:29:15,200
Speaker 4: be my you know, to start the next you know,

704
00:29:15,240 --> 00:29:16,880
Speaker 4: I mean energy, the next rollout.

705
00:29:17,040 --> 00:29:19,680
Speaker 2: Do you have any uh, because you're obviously One of

706
00:29:19,720 --> 00:29:22,880
Speaker 2: the biggest moments on the verses was when you played

707
00:29:23,080 --> 00:29:25,400
Speaker 2: the Nip verse that we had never heard before. Do

708
00:29:25,440 --> 00:29:28,680
Speaker 2: you have any music with Nip in the hard Drop Stones.

709
00:29:28,760 --> 00:29:31,440
Speaker 4: Like, maybe a couple of things, nothing crazy, but yeah,

710
00:29:31,440 --> 00:29:33,080
Speaker 4: I got some stuff that's sitting. But I know they

711
00:29:33,160 --> 00:29:36,880
Speaker 4: working on some stuff like internally, family putting some shit together,

712
00:29:36,960 --> 00:29:39,680
Speaker 4: so they ain't really trying to let nothing out like that.

713
00:29:39,760 --> 00:29:40,680
Speaker 3: But yeah, yeah, And.

714
00:29:40,680 --> 00:29:43,440
Speaker 1: I mean the way Nip worked out, I'm sure that

715
00:29:43,560 --> 00:29:45,720
Speaker 1: was the verse instead that Sam probably has over it

716
00:29:46,240 --> 00:29:51,080
Speaker 1: so well. Should Backsea Freestyle even come about that?

717
00:29:51,280 --> 00:29:52,200
Speaker 3: Was hard.

718
00:29:52,200 --> 00:29:56,080
Speaker 4: We would TD and Kendrick in the Gang of Homies

719
00:29:56,120 --> 00:30:00,240
Speaker 4: and ship to Vegas and like twenty eleven to have

720
00:30:00,240 --> 00:30:02,160
Speaker 4: been twenty eleven because it was before the album dropped

721
00:30:02,760 --> 00:30:05,000
Speaker 4: and were just out there working. We was like he

722
00:30:05,040 --> 00:30:06,840
Speaker 4: had recorded on a couple of other beats I did,

723
00:30:07,080 --> 00:30:10,280
Speaker 4: and just like started little ideas and ship and then

724
00:30:10,360 --> 00:30:13,560
Speaker 4: he was whatever. He came back to La he was like, man, like,

725
00:30:13,560 --> 00:30:15,400
Speaker 4: I fuck with them ideas, but you got any more

726
00:30:15,400 --> 00:30:15,880
Speaker 4: beats than me.

727
00:30:15,960 --> 00:30:17,240
Speaker 3: And some beats, So him and day.

728
00:30:17,040 --> 00:30:19,719
Speaker 4: Free came to this old studio crib I had and

729
00:30:19,800 --> 00:30:21,680
Speaker 4: I played the Ship and they was like, Yo, we're

730
00:30:21,680 --> 00:30:23,240
Speaker 4: gonna take this go crazy on it.

731
00:30:23,760 --> 00:30:25,320
Speaker 3: And then he texted me and he was like, bro,

732
00:30:25,440 --> 00:30:26,000
Speaker 3: we got one.

733
00:30:26,160 --> 00:30:28,000
Speaker 4: He's like, I guess he was in Dallas or something

734
00:30:28,040 --> 00:30:31,120
Speaker 4: like that on tour doing shows and shit, He's like,

735
00:30:31,160 --> 00:30:32,400
Speaker 4: we got want send me the song.

736
00:30:32,520 --> 00:30:33,080
Speaker 3: I'm like, damn.

737
00:30:33,080 --> 00:30:35,360
Speaker 4: That shit was tough. Like he just really gave you

738
00:30:35,400 --> 00:30:37,240
Speaker 4: that feeling like he was really free styling.

739
00:30:37,440 --> 00:30:40,840
Speaker 1: Yeah, you know that that record is a classic Travis Scott,

740
00:30:40,880 --> 00:30:46,920
Speaker 1: Sicko Mold or Rihanna Wo.

741
00:30:45,920 --> 00:30:48,600
Speaker 2: Man, just listen to the songs. The songs you're throwing

742
00:30:48,640 --> 00:30:53,320
Speaker 2: out is crazy, not real. I mean, shit, bro, I

743
00:30:53,360 --> 00:30:55,840
Speaker 2: can't say wool because I'm gonna tell you why I

744
00:30:55,960 --> 00:30:59,480
Speaker 2: fucking that album. I did polls and I did WOO

745
00:30:59,480 --> 00:31:04,480
Speaker 2: on the anti album, and I was I used to

746
00:31:04,520 --> 00:31:06,160
Speaker 2: trade samples with a lot of people, you know what

747
00:31:06,160 --> 00:31:08,800
Speaker 2: I mean. I traded some samples with Don Cannon, who

748
00:31:08,880 --> 00:31:11,520
Speaker 2: gave me a pack that said royalty free on it

749
00:31:11,520 --> 00:31:13,120
Speaker 2: literally said royalty free.

750
00:31:13,120 --> 00:31:15,120
Speaker 4: So like I took it wasn't even a loop. It

751
00:31:15,160 --> 00:31:17,480
Speaker 4: was just a bunch of guitar stabs if you hear it,

752
00:31:17,640 --> 00:31:20,680
Speaker 4: Like you know, I made that arrangement and like chose

753
00:31:20,720 --> 00:31:24,200
Speaker 4: the stabs and then built on that and basically, once

754
00:31:24,320 --> 00:31:27,160
Speaker 4: like the pre sale thing came out, the dude that

755
00:31:27,240 --> 00:31:30,120
Speaker 4: gave him the sample pack went like the lawyer route

756
00:31:30,120 --> 00:31:31,280
Speaker 4: and was like, oh, hit boy.

757
00:31:31,120 --> 00:31:32,640
Speaker 3: Stole my sounds and da da daa.

758
00:31:32,720 --> 00:31:35,160
Speaker 2: So I had got paid forty five k per track

759
00:31:35,240 --> 00:31:37,560
Speaker 2: for pos, I got forty five K for posing, forty

760
00:31:37,560 --> 00:31:39,400
Speaker 2: five K for WOO. I had to get this dude

761
00:31:39,400 --> 00:31:41,760
Speaker 2: with the whole forty five bands for the beat, you

762
00:31:41,800 --> 00:31:44,680
Speaker 2: know what I mean, Like, it's just crazy. I sat there,

763
00:31:44,880 --> 00:31:47,800
Speaker 2: I chopped that beat in front of the Weekend Travis

764
00:31:47,880 --> 00:31:49,480
Speaker 2: was there, Todd Dollars sign was there.

765
00:31:49,520 --> 00:31:51,200
Speaker 4: It was a gang of motherfuckers in there. I was

766
00:31:51,400 --> 00:31:53,320
Speaker 4: chopping making a beat right there on the spot. Bro

767
00:31:53,760 --> 00:31:56,040
Speaker 4: and Dale Travis was like, damn, Bro, like that shit weird.

768
00:31:56,040 --> 00:31:57,880
Speaker 4: I watched you make the beat type shit, you.

769
00:31:57,800 --> 00:31:58,280
Speaker 3: Know what I mean?

770
00:31:58,520 --> 00:32:01,200
Speaker 4: And uh yeah, I just was like, nah, like you

771
00:32:01,280 --> 00:32:04,320
Speaker 4: stole my sounds. And I'm like, bro, I'm even can it?

772
00:32:04,360 --> 00:32:04,960
Speaker 1: Like what's up?

773
00:32:05,000 --> 00:32:07,440
Speaker 4: And it's like I don't know if that nigga reached

774
00:32:07,480 --> 00:32:09,160
Speaker 4: out or not, but it just was.

775
00:32:09,200 --> 00:32:10,560
Speaker 3: It was ugly. I had to give him the money

776
00:32:10,560 --> 00:32:11,680
Speaker 3: back and it was fucked up.

777
00:32:11,720 --> 00:32:15,080
Speaker 1: But yeah, but I mean I understand given some money,

778
00:32:15,080 --> 00:32:16,720
Speaker 1: but the whole if you arranging the whole ship.

779
00:32:17,520 --> 00:32:19,440
Speaker 2: And I was like, bro, like let's work, my nigga,

780
00:32:19,640 --> 00:32:24,920
Speaker 2: send me some more loops. Yeah I'm good, Like all right,

781
00:32:25,000 --> 00:32:29,160
Speaker 2: for sure, gave the bread and so yeah, sigam more. Yeah.

782
00:32:29,480 --> 00:32:31,360
Speaker 1: I say all that. I say all that to say,

783
00:32:32,600 --> 00:32:34,960
Speaker 1: I mean, I don't know who do this and what

784
00:32:35,040 --> 00:32:37,200
Speaker 1: a situation. And I don't want to speak on him

785
00:32:37,200 --> 00:32:39,719
Speaker 1: like that, but I feel like, has he done anything?

786
00:32:39,840 --> 00:32:42,400
Speaker 4: Do I think he did the melodies on cal that

787
00:32:42,480 --> 00:32:44,200
Speaker 4: I got the keys? But that's the last thing I

788
00:32:44,240 --> 00:32:46,800
Speaker 4: think I heard from him, Like, I'm sure he probably

789
00:32:46,880 --> 00:32:47,800
Speaker 4: has done other ship, but.

790
00:32:47,720 --> 00:32:49,680
Speaker 1: I just feel like an offer from you of like, hey,

791
00:32:49,720 --> 00:32:52,400
Speaker 1: how about we just worked together. It's worth to make

792
00:32:52,560 --> 00:32:53,920
Speaker 1: way more than forty five.

793
00:32:53,800 --> 00:32:56,280
Speaker 2: In the same name or nothing. It's just like Royalty

794
00:32:56,320 --> 00:32:58,920
Speaker 2: free sample pack. I'm like, oh, for sure, you know

795
00:32:59,120 --> 00:33:01,920
Speaker 2: that is crazy? Yeah, bro, that Yeah, that's definitely wild.

796
00:33:01,960 --> 00:33:07,720
Speaker 1: What I have three more year Beyonce sorry or Beyonce flawless.

797
00:33:07,400 --> 00:33:11,520
Speaker 4: Mm hmm flawless flawless because like they did the remix

798
00:33:11,600 --> 00:33:14,560
Speaker 4: to that ship, Nikki Feeling myself came out of that.

799
00:33:14,720 --> 00:33:16,800
Speaker 3: So yeah, I had like the triple I had a

800
00:33:16,800 --> 00:33:17,600
Speaker 3: triple double with.

801
00:33:17,600 --> 00:33:24,160
Speaker 5: That one, you know, thesiography, Yeah, Kanye West, Cold or

802
00:33:24,160 --> 00:33:28,520
Speaker 5: Asad Rocky one Train featuring the world Damn Man, Damn.

803
00:33:30,160 --> 00:33:38,040
Speaker 1: Cold. It was yeah, yeah, yeah, that's one of one

804
00:33:38,040 --> 00:33:40,880
Speaker 1: of the coldest beats. That ship was crazy.

805
00:33:40,880 --> 00:33:44,480
Speaker 3: Recently we did that at Jungle City. That was tough.

806
00:33:44,760 --> 00:33:48,320
Speaker 1: Man One Train, that was crazy. Man One Train was hard.

807
00:33:48,440 --> 00:33:51,600
Speaker 1: That represented like a whole era that was like coming

808
00:33:51,640 --> 00:33:53,320
Speaker 1: out the blog era. Everybody won.

809
00:33:53,840 --> 00:33:57,480
Speaker 4: Everybody was really getting seen on Two Dope Boys, and

810
00:33:57,480 --> 00:34:00,320
Speaker 4: it's like shining on that Mother that is raised.

811
00:34:00,360 --> 00:34:01,840
Speaker 1: I did not know he did that record.

812
00:34:02,200 --> 00:34:05,360
Speaker 3: Damn. See what I'm saying, I got family members.

813
00:34:05,360 --> 00:34:08,480
Speaker 2: I don't know how my crazy I definitely did not

814
00:34:08,560 --> 00:34:11,120
Speaker 2: know that. So you're going one drain, I'm going with

815
00:34:11,120 --> 00:34:11,600
Speaker 2: one chain.

816
00:34:11,719 --> 00:34:14,879
Speaker 1: Okay. Yeah, Now this one I was very curious about.

817
00:34:14,880 --> 00:34:17,520
Speaker 1: I would have asked you this off Mike, the Magic

818
00:34:17,600 --> 00:34:19,280
Speaker 1: series or the King's Disease series.

819
00:34:19,800 --> 00:34:27,680
Speaker 2: Damn, Damn, seems like it's like the Magic Ship felt

820
00:34:27,680 --> 00:34:31,279
Speaker 2: like more like mixtape. Just having on King's Disease was

821
00:34:31,280 --> 00:34:33,960
Speaker 2: trying to laser in on a good concept and all that.

822
00:34:34,080 --> 00:34:38,080
Speaker 2: So they both mean a lot. But I just I

823
00:34:38,080 --> 00:34:40,440
Speaker 2: can't choose bro like. I just I just love I

824
00:34:40,480 --> 00:34:40,920
Speaker 2: love all that.

825
00:34:42,000 --> 00:34:44,120
Speaker 1: I was on the King's Eat side until Magic three

826
00:34:44,400 --> 00:34:47,840
Speaker 1: was like kind of made it difficult for me to period.

827
00:34:48,960 --> 00:34:51,879
Speaker 2: That's that was a ball. Katie three some ship. Kat

828
00:34:52,000 --> 00:34:55,239
Speaker 2: three was hard too. Yeah, I think Magic.

829
00:34:55,160 --> 00:34:56,920
Speaker 1: Magic three is my favorite on the Magic side of

830
00:34:56,920 --> 00:34:58,320
Speaker 1: the I think KT two is my favorite.

831
00:34:58,320 --> 00:34:59,480
Speaker 3: Most people say Magic one.

832
00:34:59,719 --> 00:35:02,520
Speaker 1: Really yeah, three is three? Is that ship?

833
00:35:02,600 --> 00:35:03,799
Speaker 3: To me? On there?

834
00:35:04,440 --> 00:35:06,480
Speaker 1: I know we're getting the wrap up thing, but we

835
00:35:06,480 --> 00:35:09,239
Speaker 1: we did do this with JD briefly of the rather

836
00:35:09,320 --> 00:35:12,320
Speaker 1: produce on an album that you didn't produce on reasonable

837
00:35:12,360 --> 00:35:13,040
Speaker 1: doubt or amatic.

838
00:35:15,320 --> 00:35:22,920
Speaker 2: That's reasonable doubt Why I said ship Man, It was

839
00:35:22,960 --> 00:35:25,800
Speaker 2: just on that bragg of just dope boy talk. That

840
00:35:25,880 --> 00:35:29,080
Speaker 2: shit was would have made some ship and.

841
00:35:29,000 --> 00:35:30,960
Speaker 1: I feel like Dead Presidents kind of sound like a hit.

842
00:35:31,000 --> 00:35:32,600
Speaker 3: Boy, that's funny.

843
00:35:32,800 --> 00:35:36,000
Speaker 2: That sound is very boy. Yeah.

844
00:35:36,040 --> 00:35:37,000
Speaker 1: The infamous are Low and.

845
00:35:37,040 --> 00:35:41,520
Speaker 2: Theory, the infamous dark gangster gutta grime.

846
00:35:41,680 --> 00:35:42,359
Speaker 3: Yeah.

847
00:35:42,760 --> 00:35:45,600
Speaker 1: I only put those two together because you do have

848
00:35:45,640 --> 00:35:47,520
Speaker 1: that sound, but you do do like more R and

849
00:35:47,560 --> 00:35:51,439
Speaker 1: B slows. Not to say tribe is that, but this stuff. Yeah,

850
00:35:51,680 --> 00:35:55,080
Speaker 1: I was curious which which you would prefer that entire thing. Chronicle,

851
00:35:55,120 --> 00:35:55,920
Speaker 1: Doggie Style.

852
00:35:57,960 --> 00:36:03,839
Speaker 2: The first chronic, Yeah, Doggy Style, Yes, it was. They

853
00:36:04,280 --> 00:36:06,080
Speaker 2: elevated on that one. You know what I mean, They

854
00:36:06,160 --> 00:36:08,600
Speaker 2: took the sound up. They like lazier, They ain't even

855
00:36:08,640 --> 00:36:09,600
Speaker 2: more on that ship.

856
00:36:09,520 --> 00:36:11,520
Speaker 1: Don't Style made niggas from New York feel like we

857
00:36:11,520 --> 00:36:12,120
Speaker 1: was in l A.

858
00:36:12,440 --> 00:36:15,799
Speaker 2: Yeah, like that kind of how that music was so

859
00:36:16,960 --> 00:36:22,120
Speaker 2: like detailed in LA and California culture that everybody on

860
00:36:22,120 --> 00:36:24,080
Speaker 2: the East coast, definitely New York listening to it.

861
00:36:24,160 --> 00:36:27,000
Speaker 1: We definitely felt like we knew what it makes said

862
00:36:27,000 --> 00:36:29,960
Speaker 1: about like we've been there before. It's crazy Ready to

863
00:36:30,000 --> 00:36:32,680
Speaker 1: Die or all Eyes on Me, take your West Coast

864
00:36:32,680 --> 00:36:35,600
Speaker 1: by way, even though ready to Die is production wise

865
00:36:35,600 --> 00:36:36,440
Speaker 1: the West Coast out. Damn.

866
00:36:36,520 --> 00:36:38,160
Speaker 3: I want to say all Eyes on Me.

867
00:36:38,200 --> 00:36:41,680
Speaker 2: I'm there, got to say that, but then produce it

868
00:36:41,719 --> 00:36:43,279
Speaker 2: for Big would have been probably we got the same

869
00:36:43,320 --> 00:36:46,520
Speaker 2: birthday me and Big first, so I'm like we would

870
00:36:46,520 --> 00:36:47,760
Speaker 2: have made some crazy shit.

871
00:36:48,280 --> 00:36:52,439
Speaker 1: Mis education or Aliah one of a million, Oh ship

872
00:36:53,680 --> 00:36:56,160
Speaker 1: mis Education. I ain't gonna lie.

873
00:36:56,200 --> 00:36:57,280
Speaker 3: You answered that too fast.

874
00:36:58,520 --> 00:37:00,400
Speaker 1: You got rapping and singing on that feel like it

875
00:37:00,400 --> 00:37:01,839
Speaker 1: gives you more space to try.

876
00:37:03,000 --> 00:37:04,920
Speaker 4: But I mean, but yeah, come on, I ain't no

877
00:37:04,960 --> 00:37:07,120
Speaker 4: disrespect to none of this that you named it. I'm

878
00:37:07,160 --> 00:37:08,279
Speaker 4: trying to choose, you know.

879
00:37:08,920 --> 00:37:12,520
Speaker 1: The last one, Dangelo Brown Sugar or Shoty Love Deluxe.

880
00:37:13,400 --> 00:37:18,719
Speaker 3: Oh damn, I would.

881
00:37:18,480 --> 00:37:20,359
Speaker 2: Have I feel like hit Boy's only producer we could

882
00:37:20,400 --> 00:37:21,640
Speaker 2: even ask these type of questions to.

883
00:37:22,120 --> 00:37:24,719
Speaker 4: I would have wanted to produce on Uh. I know

884
00:37:24,760 --> 00:37:27,000
Speaker 4: you didn't say Lovers Rock, but that album is one

885
00:37:27,000 --> 00:37:30,200
Speaker 4: of my favorite albums. Like that that joint got flaps

886
00:37:30,360 --> 00:37:32,640
Speaker 4: after get flaps, like you know what I mean? That

887
00:37:32,680 --> 00:37:34,680
Speaker 4: album particular, I would have I would have loved to

888
00:37:34,680 --> 00:37:35,279
Speaker 4: produce on.

889
00:37:35,160 --> 00:37:37,480
Speaker 1: That is there is there any album that you you

890
00:37:37,600 --> 00:37:40,200
Speaker 1: thought you had a record on and it ended up

891
00:37:40,200 --> 00:37:40,719
Speaker 1: not making it?

892
00:37:41,000 --> 00:37:44,480
Speaker 4: Man, what motherfucking everything is love? That was the jay

893
00:37:44,520 --> 00:37:47,520
Speaker 4: Z and we had so much shit in the tuck.

894
00:37:47,640 --> 00:37:50,680
Speaker 1: I was like, what this nigga literally said, that's the

895
00:37:50,680 --> 00:37:52,960
Speaker 1: hard drive. Sail Me was like, you got too on here,

896
00:37:53,000 --> 00:37:54,560
Speaker 1: send me some mob so you get some mo.

897
00:37:54,760 --> 00:37:57,920
Speaker 3: Then the album come out and had nothing. I was like, God, damn,

898
00:37:58,080 --> 00:38:00,200
Speaker 3: I was distract with.

899
00:38:00,200 --> 00:38:03,759
Speaker 1: It, you know, making play just be like that.

900
00:38:03,880 --> 00:38:05,360
Speaker 3: I was at the park with my family when I

901
00:38:05,400 --> 00:38:06,520
Speaker 3: found out how to.

902
00:38:06,480 --> 00:38:09,560
Speaker 1: Go to the car, like, yeah, call this like maybe

903
00:38:09,560 --> 00:38:11,319
Speaker 1: they changed the title of the song, it's something else.

904
00:38:12,000 --> 00:38:14,279
Speaker 1: I was like, oh, but I mean a lot of

905
00:38:14,320 --> 00:38:16,920
Speaker 1: times with albums like those where jay Z and Beonce

906
00:38:17,040 --> 00:38:19,080
Speaker 1: were on tour and they just dropped it. Not not

907
00:38:19,200 --> 00:38:22,279
Speaker 1: for sure, I get I give this a process at all.

908
00:38:22,560 --> 00:38:25,239
Speaker 1: I'm saying, what's that feeling like on both sides of

909
00:38:25,320 --> 00:38:27,080
Speaker 1: like finding out you on some ship with the rest

910
00:38:27,080 --> 00:38:29,040
Speaker 1: of the world and then finding out you not on

911
00:38:29,120 --> 00:38:31,080
Speaker 1: some ship after Maybe he was at the family picnic

912
00:38:31,120 --> 00:38:32,840
Speaker 1: and was like exciting I got three joints on the

913
00:38:33,280 --> 00:38:34,919
Speaker 1: Talking Ship.

914
00:38:35,400 --> 00:38:42,320
Speaker 2: I'm like they just dropped, like, oh ship, yeah you

915
00:38:42,920 --> 00:38:47,000
Speaker 2: old TV shows, basketball my name on that.

916
00:38:48,080 --> 00:38:52,600
Speaker 1: I you got to work card in this time. Man,

917
00:38:53,200 --> 00:38:56,640
Speaker 1: they give you that speech, but wars like that, what

918
00:38:56,640 --> 00:38:58,400
Speaker 1: do you what could you even do with those joints?

919
00:38:58,400 --> 00:38:59,760
Speaker 1: Like can you repurpose those beats?

920
00:38:59,800 --> 00:38:59,880
Speaker 3: Like?

921
00:39:00,120 --> 00:39:00,719
Speaker 1: Can we re purpose the.

922
00:39:00,680 --> 00:39:04,279
Speaker 2: Beatsh But you know, hopefully don't be to see the

923
00:39:04,320 --> 00:39:06,359
Speaker 2: light of day. The day timeless artists. So you know,

924
00:39:06,480 --> 00:39:07,840
Speaker 2: I ain't heard them songs in a minute, but I

925
00:39:07,920 --> 00:39:08,799
Speaker 2: know they hard as funk.

926
00:39:08,920 --> 00:39:12,040
Speaker 1: I think you should just chop Beyonce's voice sample chops.

927
00:39:12,120 --> 00:39:14,880
Speaker 1: That'd be crazy purple sitting. And now you throw Homie

928
00:39:14,880 --> 00:39:19,239
Speaker 1: sent that you needed that forty five k. Yeah, you

929
00:39:19,239 --> 00:39:21,439
Speaker 1: don't want the problems. He's gonna need to deed your house,

930
00:39:21,760 --> 00:39:24,879
Speaker 1: all right? So start this in yes, out now. When

931
00:39:24,920 --> 00:39:25,800
Speaker 1: can we expect the album?

932
00:39:26,320 --> 00:39:26,560
Speaker 3: Man?

933
00:39:26,600 --> 00:39:29,680
Speaker 4: Me and Spank dropping October third, and then ship later

934
00:39:29,719 --> 00:39:31,439
Speaker 4: that month. Me and alchim is coming with some ship

935
00:39:31,520 --> 00:39:32,959
Speaker 4: in November. I'm coming with a solo.

936
00:39:33,080 --> 00:39:34,680
Speaker 3: Bro. We just we fire enough.

937
00:39:35,239 --> 00:39:37,279
Speaker 1: Damn I love it. You think you do it tour?

938
00:39:38,080 --> 00:39:38,959
Speaker 3: Oh yeah for sure?

939
00:39:39,080 --> 00:39:40,880
Speaker 4: Like I feel like me and I could have a

940
00:39:41,000 --> 00:39:45,439
Speaker 4: crazy just experience, like playing his we made that happen,

941
00:39:45,680 --> 00:39:49,680
Speaker 4: whatever the fuck, just like it just be a whole situation.

942
00:39:49,360 --> 00:39:52,360
Speaker 1: Even how Al does his DJ sets. So yeah, that

943
00:39:52,400 --> 00:39:54,080
Speaker 1: would be fire if you guys did that, even like

944
00:39:54,120 --> 00:39:56,080
Speaker 1: that first video you guys put out of the side

945
00:39:56,120 --> 00:39:59,279
Speaker 1: by side ship, like seeing that live crazy off.

946
00:39:59,280 --> 00:40:02,040
Speaker 2: It's coming, bro, I'm gonna keep it rashing you about

947
00:40:02,040 --> 00:40:05,319
Speaker 2: the half a mill joint. Yeah, I understand it. You know,

948
00:40:05,360 --> 00:40:08,320
Speaker 2: everyone getting older, you know, high school playing baseball.

949
00:40:07,920 --> 00:40:10,520
Speaker 1: You get that old tiny type check man like you

950
00:40:10,719 --> 00:40:13,080
Speaker 1: look like they coming forward for sure. You know he

951
00:40:13,200 --> 00:40:14,080
Speaker 1: locked Listen.

952
00:40:14,120 --> 00:40:15,880
Speaker 2: If I'm dumb, I ain't mad. I wouldn't put out

953
00:40:15,880 --> 00:40:18,400
Speaker 2: another half a mill. Half a mill, my son might

954
00:40:18,440 --> 00:40:22,200
Speaker 2: be worth half a bill, like I respect it. I

955
00:40:22,239 --> 00:40:24,600
Speaker 2: respected well here, we appreciate you. You know you always got

956
00:40:24,600 --> 00:40:26,120
Speaker 2: a home. Whenever you want to come by.

957
00:40:26,239 --> 00:40:26,800
Speaker 3: I'll be back in.

958
00:40:28,200 --> 00:40:30,400
Speaker 1: Let's go to dream instead, Let's run it, let's do

959
00:40:30,480 --> 00:40:32,600
Speaker 1: something that's it. Boy, I'm not He's just gent.

960
00:40:33,280 --> 00:40:35,840
Speaker 3: Yeah,