WEBVTT - Micah Powell

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<v Speaker 1>R and B Money. We are.

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<v Speaker 2>Than take MALLOCHI. We are the authority on all things

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<v Speaker 2>R and B, ladies and gentleman. My name is Tank.

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<v Speaker 1>This is the R and B Money Podcast, the authority

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<v Speaker 1>on all things R and B.

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<v Speaker 3>About to get into the ship.

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<v Speaker 1>It's about to get R and B. Yeah, the credential

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<v Speaker 1>list is long. Yes, how many people you don't wrote

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<v Speaker 1>and produced for?

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<v Speaker 2>How long you've been doing it? Who wish? Is your competitive?

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<v Speaker 2>Is your competitive?

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<v Speaker 1>You mean with trying to kick down those Yeah? Yeah,

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<v Speaker 1>is it supposed to be? What his post?

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<v Speaker 2>The gentleman brother Michael Pile and the building, our good brother.

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<v Speaker 4>It is good to finally be here.

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<v Speaker 1>Brothers, never matter after a matter of when, whenever you

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<v Speaker 1>felt like, you know, gracing us with your presence, I

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<v Speaker 1>want to say, I want to I want to kick

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<v Speaker 1>this motherfucker off like this. You are probably in the

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<v Speaker 1>spirit of competitive nature, like in terms of knowing somebody

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<v Speaker 1>competitive in this ship, not just in this ship, in life,

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<v Speaker 1>in life you are him. I've watched you from the beginning,

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<v Speaker 1>whether it be on the basketball court, in the studio wherever.

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<v Speaker 1>I'm gonna figure this ship out, and I'm not gonna

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<v Speaker 1>stop until I do.

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<v Speaker 2>We be in that gym. I ain't win today, I'll

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<v Speaker 2>be back. I'll be back. Who will pick you on

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<v Speaker 2>the team?

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<v Speaker 4>Me and and he'd tell me just keep shooting, just

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<v Speaker 4>keep shooting, cook him cut.

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<v Speaker 2>I got you back, and I would cut and you

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<v Speaker 2>would come.

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<v Speaker 4>It wasn't every day, but I was they came to

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<v Speaker 4>the gym.

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<v Speaker 1>I was good because because I saw something in you

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<v Speaker 1>that I saw. I saw that no quit in you.

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<v Speaker 1>Early my night me and Jameson talk about you. I said,

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<v Speaker 1>when that nigga figured it out, he's gonna be a

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<v Speaker 1>problem because he's he's he's taking the fucking stairs. He

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<v Speaker 1>not taking no shortcuts. He is taking the absolute stairs.

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<v Speaker 1>And and not to go too far forward, because we're

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<v Speaker 1>gonna talk about all that, but being in the studio

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<v Speaker 1>with you working on my album and watching you work

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<v Speaker 1>like differently than you working for everybody else, like you

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<v Speaker 1>were actually working for me, and me being able to

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<v Speaker 1>sit back and say, let him, let him you see

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<v Speaker 1>where he is right now. It was just you at

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<v Speaker 1>the mic I think was it recording.

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<v Speaker 4>Is always That's the only one I remember.

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<v Speaker 2>He was.

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<v Speaker 1>He was right there beside you, and it was you

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<v Speaker 1>at the board with the mic and him and who

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<v Speaker 1>was it me? And uh, who is with us?

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<v Speaker 4>Frank? But also to he came later we had Lucky

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<v Speaker 4>in there too.

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<v Speaker 3>They came.

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<v Speaker 1>But when we were doing and you were sitting there

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<v Speaker 1>at the mic and you were working hm, and I

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<v Speaker 1>was just like and Frank was like, no he should

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<v Speaker 1>mm hmm.

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<v Speaker 4>He cooked. Let him cook. He cooked ham.

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<v Speaker 1>Yeah, And I was like, this motherfucker got it.

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<v Speaker 2>He figured it out. He got it.

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<v Speaker 3>He hot.

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<v Speaker 4>That's crazy that you said that, man. And I really

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<v Speaker 4>appreciate you, like throughout the years, really pouring into me

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<v Speaker 4>like he did, because that's the type of energy I'll

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<v Speaker 4>always respect to.

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<v Speaker 2>Yeah, I just need one nigga.

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<v Speaker 4>To just put the battery in, you know what I mean.

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<v Speaker 4>Then I'm gonna get it. I'm gonna get it cooking.

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<v Speaker 4>But you know, my my process, things don't just come

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<v Speaker 4>like that, you know what I mean. But if you

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<v Speaker 4>sit there, like you said, letting nigga simmers fall back,

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<v Speaker 4>let him cook, give him a couple of times to

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<v Speaker 4>work up, and you're gonna get with you, you know.

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<v Speaker 1>Because you're you're you're cerebro, you know what I mean,

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<v Speaker 1>Like you're smart and so you know Man, I appreciate

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<v Speaker 1>you saying all this shit.

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<v Speaker 4>For real. I really am taking all this in.

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<v Speaker 2>Bro. I'm sorry.

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<v Speaker 5>Bro.

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<v Speaker 1>Bro, we've been watching you for years, for years. You're smart,

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<v Speaker 1>and you're like, okay, and then and then I'm gonna

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<v Speaker 1>do this and then see what the way that we've

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<v Speaker 1>had those phone conversations and then nigga, because I'm gonna

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<v Speaker 1>put it that way, make it and it's like this,

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<v Speaker 1>I hear you. Everything we've ever talked about, everything that

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<v Speaker 1>you've always said that you're.

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<v Speaker 2>That's why you're here. You're here.

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<v Speaker 1>We have to tell that story because again, everybody, always,

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<v Speaker 1>everybody loves to celebrate the finished product with that story

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<v Speaker 1>and that journey there.

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<v Speaker 4>Come on that mud, Yeah.

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<v Speaker 2>That rough side of that mountain.

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<v Speaker 4>That process you god damn right, that process for real.

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<v Speaker 1>I ain't listen. I haven't hit a lottery. I never

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<v Speaker 1>hit the lottery in the business. Now we're living a lottery,

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<v Speaker 1>but I've never hit the just run away.

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<v Speaker 4>I have to work for all of them.

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<v Speaker 1>So that's where we're relating that because you got to

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<v Speaker 1>live that one. You gotta be a dog to live

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<v Speaker 1>that one, because we got to start from the beginning

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<v Speaker 1>every time. Yeah, every time, you gotta have a different

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<v Speaker 1>kind of muscle. Yeah, to have fifteen twenty of just

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<v Speaker 1>grind out.

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<v Speaker 4>Yes, it's just something that you want. My dad always

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<v Speaker 4>told me what you had that your brother.

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<v Speaker 2>Didn't have was tenacity.

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<v Speaker 4>He got it and and I took that in it

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<v Speaker 4>because you know, as an artist, you want to feel respected.

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<v Speaker 4>And I felt like the ones getting respect were the

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<v Speaker 4>ones that were just everything they touched turn go or

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<v Speaker 4>they just was getting it off the top, and I

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<v Speaker 4>was putting unwanted pressure on myself. Once I slowed down though,

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<v Speaker 4>and got to really like understand, all right, I could

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<v Speaker 4>take my time with this, and if they want to

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<v Speaker 4>allow me to take my time, then it ain't for me.

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<v Speaker 4>But I got to do my process. So when you say,

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<v Speaker 4>like work at it, I think my whole. If you

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<v Speaker 4>could sum up my life as a whole, it would

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<v Speaker 4>just be one word process. I'm always in process.

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<v Speaker 1>Well, let's go to the beginning's process, Yes, sir, let's

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<v Speaker 1>go to the beginning. When I E, I've lived out

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<v Speaker 1>that way. I got some friends out there.

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<v Speaker 4>Out there. He is it fifteen I E? Or two fifteen?

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<v Speaker 2>I E? Question, I'm two fifteen? Is deep?

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<v Speaker 1>I E? Yeah, uh, that's a good one.

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<v Speaker 4>You you probably more like fifteen if you was in

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<v Speaker 4>Rancho Ontario.

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<v Speaker 2>I was Rancho, Yeah, I was. I was Corona.

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<v Speaker 4>There was the niggas that moved on up, you know

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<v Speaker 4>what I mean.

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<v Speaker 1>I wasn't up. I was moving down. I had to

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<v Speaker 1>get out of l A because the money was funny.

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<v Speaker 1>Oh ye, so you know they had this nice two

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<v Speaker 1>bedroom in Rancho Cucamonga.

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<v Speaker 2>Yeah for a steal. You're still.

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<v Speaker 4>On the two fifteen.

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<v Speaker 2>He was on the team. What's the part out there

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<v Speaker 2>in the name name sam burn bernd.

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<v Speaker 4>Yeah, I mean you got Sarardino, then you got Rialto,

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<v Speaker 4>then you got Fontana, then you got uh, Rancho got Ontario.

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<v Speaker 2>I'm trying to think what sam Berni.

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<v Speaker 5>You can't say sam Bernid, Boden, sam Berdena and Burdeno.

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<v Speaker 1>So yeah, from out there, we called it, we call

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<v Speaker 1>it the din.

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<v Speaker 2>So one of my guys heardest he was my production

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<v Speaker 2>manager and all of that. For years.

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<v Speaker 1>That's where him and his family lived. So I would

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<v Speaker 1>always go out there to hang out with him and

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<v Speaker 1>his family what have you. And I thought it was

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<v Speaker 1>cool out there, and that's what gave me even the

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<v Speaker 1>idea when I just wasn't working out for me, I

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<v Speaker 1>was like, man, I got to go somewhere where I

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<v Speaker 1>can in the live cool and still get back if

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<v Speaker 1>I need to. That's why I went to Rancho and

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<v Speaker 1>went to Croma.

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<v Speaker 2>That's yeah. I like that. I was out there living it.

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<v Speaker 2>I was. I was. It was the best buy. No,

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<v Speaker 2>it was a circus city out there. I was.

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<v Speaker 1>I was the king of Circus City. I was always

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<v Speaker 1>buying something out of Circus City. King king of Circus City.

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<v Speaker 1>And then there was a red Lobster. I was the

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<v Speaker 1>king of that red lobster. You know what I'm saying.

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<v Speaker 3>That was always those two places.

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<v Speaker 1>And those two places A Biscus, Yeah, they knew where

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<v Speaker 1>you was and everything, and and uh Ontario Mills.

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<v Speaker 2>Yeah, you know, you gotta get to get there. You

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<v Speaker 2>gotta get your clothes.

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<v Speaker 1>At a discount when the money you know, let you

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<v Speaker 1>know what I'm saying, you can still look like last seasons.

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<v Speaker 2>But you know, so you you born and raised there.

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<v Speaker 4>I'm born in Sanmardino, really raised in Rialto. I lived

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<v Speaker 4>in Salmordino for like four or five years of my

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<v Speaker 4>life and then my dad uh married again and shout

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<v Speaker 4>out to my dad who uh on his own man

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<v Speaker 4>was taking care of three boys and a girl on

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<v Speaker 4>the weekends in Samarandino. My dad actually built the projects

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<v Speaker 4>we was born in. What he built the projects we

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<v Speaker 4>was born in.

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<v Speaker 2>We was in construction.

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<v Speaker 4>No, it just was he needed a job, and so

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<v Speaker 4>he worked on the projects we was born. Like, I

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<v Speaker 4>came home to the first place I ever lived. He

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<v Speaker 4>worked in the hell building. He helped build them.

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<v Speaker 3>Yeah, but not by trade.

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<v Speaker 4>Out of survival.

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<v Speaker 1>Nigga, what y'all need these logs? Yeah, you need a hammeletage.

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<v Speaker 1>Come on, ain't it out?

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<v Speaker 4>My dad did whatever so these kids so yeah, So

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<v Speaker 4>we basically grew up in the projects. We didn't know

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<v Speaker 4>they was projects because they was townhomes.

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<v Speaker 1>None of us, none of us, See, I didn't stay

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<v Speaker 1>long enough to know that.

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<v Speaker 2>Yeah, tell me everybody didn't have roaches.

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<v Speaker 4>That never woke up with a roach run across the okay.

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<v Speaker 2>Super super roach. They were just staying neat with you.

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<v Speaker 2>What you what you'll got?

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<v Speaker 4>Yah?

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<v Speaker 2>I like that.

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<v Speaker 4>You get to a point you turn the lights on,

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<v Speaker 4>they don't even run. It's just lazy.

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<v Speaker 2>But look at you like this, what you need? Can

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<v Speaker 2>we help you.

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<v Speaker 4>You know, we got an agreement.

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<v Speaker 2>You're killing us.

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<v Speaker 4>And then you go up to the bathroom a certain hour.

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<v Speaker 4>They like, what you're doing in here? This is our time.

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<v Speaker 4>Like I'm talking about. Yeah, bro, I'm talking about I

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<v Speaker 4>lived in like project talking about Candy House.

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<v Speaker 2>M hmm.

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<v Speaker 4>We had the candy lady. Realized how dangerous that is.

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<v Speaker 5>Live there though you don't feel dangerous, it just feels

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<v Speaker 5>like your friends.

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<v Speaker 1>Really, But it's the thing. Can we say this, It

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<v Speaker 1>wasn't as dangerous. It was dangerous.

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<v Speaker 5>It was dangerous. You were just you were just part

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<v Speaker 5>of that environment at the time. It was dangerous.

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<v Speaker 4>So I grew up in there was a project called

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<v Speaker 4>the Little Zions right across the street, back and forth, shootouts.

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<v Speaker 4>It was all that.

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<v Speaker 1>I understand that. I understand that, understand the Vinus was there,

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<v Speaker 1>understand all these things was there. But I think that

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<v Speaker 1>I think that the ogs at that point in time

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<v Speaker 1>had a little bit more reverence for kids and women. Yeah,

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<v Speaker 1>but you got to say, because because is that But listen,

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<v Speaker 1>the grandmothers were still there too.

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<v Speaker 2>It's true, that's true, and it was some it was

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<v Speaker 2>some respect, it was something. It was still something like

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<v Speaker 2>you say, the candy lady.

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<v Speaker 1>The candy lady wasn't wasn't putting nothing crazy in your

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<v Speaker 1>true candy living that never put you never heard of

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<v Speaker 1>somebody say I got something from the candle lad that

0:12:26.000 --> 0:12:26.719
<v Speaker 1>was on the hospital for.

0:12:26.640 --> 0:12:27.480
<v Speaker 2>Two days, for two weeks.

0:12:28.000 --> 0:12:33.560
<v Speaker 1>Now, yeah, you just don't know. It's now, it's really

0:12:34.520 --> 0:12:36.080
<v Speaker 1>there's no respect, no more.

0:12:36.600 --> 0:12:36.800
<v Speaker 2>Right.

0:12:36.880 --> 0:12:39.680
<v Speaker 1>So my mind wasn't a project, but it was a hood.

0:12:39.679 --> 0:12:41.800
<v Speaker 1>I didn't know. I didn't know. Of course, we didn't

0:12:41.800 --> 0:12:43.400
<v Speaker 1>know it was the hood. I just knew it was

0:12:43.400 --> 0:12:47.400
<v Speaker 1>a bunch of gang members and fights and stabbings and whatever.

0:12:47.440 --> 0:12:49.040
<v Speaker 1>I thought that was normal.

0:12:49.920 --> 0:12:58.640
<v Speaker 6>Like you grew up in the fifties, the knife was

0:12:58.800 --> 0:13:00.760
<v Speaker 6>very well.

0:13:02.440 --> 0:13:05.600
<v Speaker 1>A knife and a fight was a thing. Somebody had

0:13:05.600 --> 0:13:13.839
<v Speaker 1>a gun. He was different, pop. So it's just like,

0:13:14.240 --> 0:13:18.439
<v Speaker 1>you know, I just feel like my great grandfather had respect.

0:13:19.120 --> 0:13:21.640
<v Speaker 1>I mean he had a shotgun on the porch, but

0:13:21.800 --> 0:13:25.559
<v Speaker 1>everybody else had knives. See that you had it's all

0:13:25.600 --> 0:13:29.040
<v Speaker 1>making now you'all house had the gun.

0:13:29.720 --> 0:13:32.520
<v Speaker 2>Your gun makes perfect sense.

0:13:32.520 --> 0:13:33.880
<v Speaker 4>You was with the equalizer.

0:13:37.400 --> 0:13:38.080
<v Speaker 2>He had to watch.

0:13:40.000 --> 0:13:43.520
<v Speaker 1>Paul Lewis had that shotgun on standby. Put the little

0:13:43.559 --> 0:13:48.880
<v Speaker 1>dim and sit on that port and dare a nigga

0:13:48.880 --> 0:13:53.920
<v Speaker 1>to talk, just not saying nothing to him, to talk.

0:13:55.200 --> 0:13:56.600
<v Speaker 1>Talk while you're in front of my house.

0:13:57.160 --> 0:13:59.360
<v Speaker 2>He had a different type of chip on his shoulder.

0:14:00.400 --> 0:14:02.840
<v Speaker 1>What was going on, right, Hey, paul Lewis come home

0:14:02.840 --> 0:14:06.680
<v Speaker 1>and say, it's a big difference now, Paul Lewis home,

0:14:07.320 --> 0:14:09.920
<v Speaker 1>full name. It's a big motherfucking difference now.

0:14:10.200 --> 0:14:12.040
<v Speaker 4>Oh yeah, yeah, yeah yeah?

0:14:12.120 --> 0:14:15.080
<v Speaker 2>And is it? And we'd be sitting at the kids

0:14:15.080 --> 0:14:22.640
<v Speaker 2>the tableau. Don't look up, just don't look at it.

0:14:22.760 --> 0:14:25.440
<v Speaker 1>If you don't look at him, keep walking, don't don't

0:14:25.480 --> 0:14:26.440
<v Speaker 1>look at him.

0:14:26.680 --> 0:14:30.880
<v Speaker 2>Yeah, Paul Lewis home now, his white big Mamay. I know, I.

0:14:30.880 --> 0:14:35.080
<v Speaker 7>Know, I know.

0:14:35.160 --> 0:14:36.280
<v Speaker 2>My grandma was the only one.

0:14:36.600 --> 0:14:40.880
<v Speaker 1>Sit down somewhere, Pop, go sit down somewhere. You've been drinking,

0:14:40.960 --> 0:14:42.720
<v Speaker 1>sit down, and my grandma was the only one the

0:14:42.720 --> 0:14:43.160
<v Speaker 1>rest of us.

0:14:44.000 --> 0:14:44.440
<v Speaker 2>Mm hmm.

0:14:46.320 --> 0:14:49.400
<v Speaker 1>But it's like you said, it's like the difference in respect.

0:14:49.400 --> 0:14:51.320
<v Speaker 1>But getting back to your to your to your story

0:14:51.440 --> 0:14:53.240
<v Speaker 1>like that growing up in the hood thing and your

0:14:53.280 --> 0:14:57.800
<v Speaker 1>father working on the projects as not a constructor is

0:14:58.160 --> 0:15:00.480
<v Speaker 1>giving me more insight into your blood line.

0:15:00.520 --> 0:15:01.720
<v Speaker 2>People. And to think that.

0:15:03.600 --> 0:15:07.960
<v Speaker 1>This nigga was like twenty three years old, twenty three.

0:15:08.520 --> 0:15:11.880
<v Speaker 1>This nigga was like with folk kids.

0:15:12.320 --> 0:15:15.480
<v Speaker 2>Oh he was woman R and B music for you

0:15:15.560 --> 0:15:20.440
<v Speaker 2>know what. For sure, I think it was the gospel.

0:15:21.240 --> 0:15:23.400
<v Speaker 2>He was in the church with twenty at twenty three

0:15:23.440 --> 0:15:24.200
<v Speaker 2>with four kids.

0:15:24.600 --> 0:15:27.160
<v Speaker 4>They didn't kick him out, no, because he was married.

0:15:27.880 --> 0:15:30.360
<v Speaker 4>Oh okay, all right, Yeah he got married. They got

0:15:30.400 --> 0:15:33.160
<v Speaker 4>married young, but they kind of got forced to get married.

0:15:33.200 --> 0:15:36.960
<v Speaker 4>I mean, it's a it's a classic black story. I

0:15:37.000 --> 0:15:39.360
<v Speaker 4>had the I had the grandfather that was the.

0:15:40.280 --> 0:15:41.480
<v Speaker 2>You're gonna marry my baby.

0:15:42.000 --> 0:15:47.000
<v Speaker 4>Yeah, but also too well, he was my mom's stepdad

0:15:47.160 --> 0:15:50.720
<v Speaker 4>because my mom's dad was Filipino and he got gunned

0:15:50.760 --> 0:15:53.640
<v Speaker 4>down when she was like seven. Uh so we never

0:15:53.720 --> 0:15:59.160
<v Speaker 4>really like knew him like that. But yeah, that's another story.

0:15:59.160 --> 0:16:03.920
<v Speaker 4>But getting back to like my upbringing, yeah, projects all

0:16:03.960 --> 0:16:07.480
<v Speaker 4>of that until five and then we moved. We moved

0:16:07.560 --> 0:16:11.040
<v Speaker 4>up for us, moved to Rialto and we actually lived

0:16:11.040 --> 0:16:13.720
<v Speaker 4>in the neighborhood. My dad got married to my stepmom.

0:16:13.760 --> 0:16:18.640
<v Speaker 4>They're still still together today. And yeah, we moved to

0:16:18.720 --> 0:16:22.760
<v Speaker 4>a we moved to a three bedroom house that was

0:16:22.760 --> 0:16:27.040
<v Speaker 4>like a thousand square feet and but it looked like

0:16:27.200 --> 0:16:32.080
<v Speaker 4>it was it was like a bedroom, right, Yeah, every

0:16:32.120 --> 0:16:34.320
<v Speaker 4>bedrooms literally was.

0:16:34.920 --> 0:16:36.680
<v Speaker 3>Just going from a bedroom to bedroom to bears.

0:16:36.920 --> 0:16:39.160
<v Speaker 4>Yes, literally going from bedroom in the bedroom.

0:16:39.200 --> 0:16:42.360
<v Speaker 1>But because when you think about it now, yes, it's

0:16:42.400 --> 0:16:44.280
<v Speaker 1>like when you go back to the house you grew

0:16:44.360 --> 0:16:48.160
<v Speaker 1>up in, everything is really Yeah, everything seems really small.

0:16:48.200 --> 0:16:51.160
<v Speaker 2>But when I was a kid, this was the biggest house.

0:16:51.560 --> 0:16:53.600
<v Speaker 2>But even people though about that.

0:16:53.720 --> 0:16:55.840
<v Speaker 1>Yeah, yeah, you're like d you was really a little

0:16:55.920 --> 0:16:58.120
<v Speaker 1>nigga talking ship to be like that, Yeah yeah, yeah,

0:16:58.120 --> 0:17:00.360
<v Speaker 1>just because you was thirty, Yeah yeah, little as that

0:17:00.400 --> 0:17:06.560
<v Speaker 1>should have fired on you. Hey, when you grow up

0:17:06.600 --> 0:17:09.200
<v Speaker 1>and go through stuff, you you realize how it ain't ship.

0:17:09.320 --> 0:17:09.919
<v Speaker 4>Motherfuckers.

0:17:10.040 --> 0:17:16.040
<v Speaker 2>Was niggas promising you bikes and ship? What lost in you? Yeah?

0:17:16.080 --> 0:17:18.000
<v Speaker 4>All the while trying to get that to your mama.

0:17:18.600 --> 0:17:21.160
<v Speaker 2>They were trying to get that mama, my daddy.

0:17:26.440 --> 0:17:31.680
<v Speaker 1>Come on, you're in real in this new space. Do

0:17:32.119 --> 0:17:35.200
<v Speaker 1>you do you at some point while you're while you're

0:17:35.440 --> 0:17:39.719
<v Speaker 1>this kid, realized that you have a love for music

0:17:39.920 --> 0:17:41.639
<v Speaker 1>or does somebody kind of pointed out for you.

0:17:42.080 --> 0:17:45.199
<v Speaker 4>Oh No, I knew it for me because I was

0:17:45.240 --> 0:17:49.200
<v Speaker 4>real in kindergarten. I don't remember much about kindergarten, but

0:17:49.240 --> 0:17:51.520
<v Speaker 4>I do remember that I did a talent show with

0:17:51.600 --> 0:17:54.080
<v Speaker 4>the group and we were new additions, had a group, yes,

0:17:54.520 --> 0:17:56.480
<v Speaker 4>and I was mad because I couldn't be Bobby Brown.

0:17:57.720 --> 0:17:58.359
<v Speaker 2>Well you should be.

0:17:58.600 --> 0:18:01.399
<v Speaker 4>Somebody else picked Bobby Man. Somebody else picked Bobby. And

0:18:01.480 --> 0:18:05.040
<v Speaker 4>on top of that, I had this suit that I hated.

0:18:05.320 --> 0:18:07.600
<v Speaker 4>I hated niggas that wore the suits I wanted to.

0:18:07.800 --> 0:18:11.040
<v Speaker 4>I wanted to express myself in church. That's probably why

0:18:11.040 --> 0:18:14.520
<v Speaker 4>I hated it. I had this suit on it and

0:18:14.560 --> 0:18:16.400
<v Speaker 4>I didn't At this point, I didn't know which one

0:18:16.440 --> 0:18:18.479
<v Speaker 4>which member I was. I just knew I wasn't Bobby,

0:18:18.640 --> 0:18:20.640
<v Speaker 4>and they didn't give me the leads. And I think

0:18:20.680 --> 0:18:27.560
<v Speaker 4>that of all I knew was this other nigga named Brandon,

0:18:27.600 --> 0:18:29.800
<v Speaker 4>and he was my he was my boy. But he

0:18:29.840 --> 0:18:32.359
<v Speaker 4>took the lead part and I just kept looking at

0:18:32.440 --> 0:18:35.760
<v Speaker 4>him like man, why Yes, That's this is when I knew,

0:18:36.080 --> 0:18:37.919
<v Speaker 4>like R and B was my shape because I wanted to,

0:18:38.200 --> 0:18:41.679
<v Speaker 4>especially sing my prorogative, and I wanted to do that

0:18:41.800 --> 0:18:45.080
<v Speaker 4>lean that he'd be doing. And I had a gunby

0:18:45.520 --> 0:18:47.879
<v Speaker 4>just like Bobby. It was a kitchen cut, but it

0:18:47.920 --> 0:18:49.280
<v Speaker 4>was a biggest singing the lead.

0:18:49.800 --> 0:18:50.000
<v Speaker 2>Yes.

0:18:50.200 --> 0:18:51.800
<v Speaker 1>Wait, but and then that's the other thing. I think

0:18:51.840 --> 0:18:55.040
<v Speaker 1>they tricked you because my prerogative is not a new addition.

0:18:55.119 --> 0:18:57.280
<v Speaker 5>That's just Bobby by himself. So actually you were in

0:18:57.359 --> 0:19:00.399
<v Speaker 5>Heart and Soul as a dancer. You really wasn't in

0:19:00.480 --> 0:19:03.760
<v Speaker 5>new edition. No, I'm giving you the real now, because.

0:19:03.640 --> 0:19:05.600
<v Speaker 4>Right we was new audition. But I wanted to sing

0:19:05.640 --> 0:19:06.320
<v Speaker 4>my parrogative.

0:19:06.320 --> 0:19:07.880
<v Speaker 3>That's what I'm saying, y'all wasn't new edition.

0:19:08.000 --> 0:19:14.520
<v Speaker 1>If y'all as the telephone man, No, he wasn't my

0:19:14.640 --> 0:19:17.640
<v Speaker 1>paraety you know now.

0:19:17.880 --> 0:19:19.520
<v Speaker 4>And I told you, I don't remember much now that

0:19:19.560 --> 0:19:21.520
<v Speaker 4>I think about it. Now I think about it. We

0:19:21.520 --> 0:19:23.960
<v Speaker 4>were singing the Boys. You remember the Boys?

0:19:24.040 --> 0:19:27.320
<v Speaker 2>Do I remember the boys? R and B?

0:19:27.680 --> 0:19:31.040
<v Speaker 4>I wasn't the lead nigga. And that's what I talked

0:19:31.080 --> 0:19:39.720
<v Speaker 4>about and checked this out. Hakeem is Michah spelled backwards.

0:19:40.160 --> 0:19:42.120
<v Speaker 2>Man, what what what are you doing?

0:19:42.840 --> 0:19:45.760
<v Speaker 4>That's what I was, nigga.

0:19:46.760 --> 0:19:51.680
<v Speaker 2>This is all that was going through my moment. But

0:19:51.800 --> 0:19:52.680
<v Speaker 2>that's my name.

0:19:53.119 --> 0:19:59.040
<v Speaker 4>Yes, So it was that moment, that talent show that

0:19:59.160 --> 0:20:01.439
<v Speaker 4>I knew that I wanted to do music.

0:20:01.480 --> 0:20:02.399
<v Speaker 2>I wanted to be R and B.

0:20:02.520 --> 0:20:06.080
<v Speaker 4>My mom took us to remember at the the carnival,

0:20:06.080 --> 0:20:07.480
<v Speaker 4>they used to have this place where you could do.

0:20:07.400 --> 0:20:08.600
<v Speaker 2>Your own music video. Yep.

0:20:08.880 --> 0:20:13.480
<v Speaker 1>Absolutely, And so my mom and my stepdad, who was

0:20:14.119 --> 0:20:15.600
<v Speaker 1>shout out the og day Foreman.

0:20:15.800 --> 0:20:19.440
<v Speaker 4>Y'all probably know Dave Forman, guitar player. He was my stepdad.

0:20:19.480 --> 0:20:22.320
<v Speaker 4>He was married to my mom. Yeah, it's gonna get

0:20:22.320 --> 0:20:25.640
<v Speaker 4>tricky because it's a lot of times we're gonna uncover.

0:20:26.000 --> 0:20:26.879
<v Speaker 2>Are you kidding me?

0:20:27.400 --> 0:20:34.320
<v Speaker 4>No, I'm not kidding. Dave Forman was my stepdadges I've

0:20:34.359 --> 0:20:38.560
<v Speaker 4>shared with Dave Forman, everybody shared with Dave Foreman. And

0:20:39.000 --> 0:20:42.439
<v Speaker 4>to bring it all around full circle, day form A

0:20:42.440 --> 0:20:44.679
<v Speaker 4>co produce on the song with DJ Quick that I

0:20:44.760 --> 0:20:48.960
<v Speaker 4>did with the Game. Were all in the session, like

0:20:49.080 --> 0:20:52.439
<v Speaker 4>old school session, doing it from scratch, and I'm in

0:20:52.520 --> 0:20:54.919
<v Speaker 4>my I'm my mind is blown that this has happened.

0:20:55.520 --> 0:20:56.840
<v Speaker 4>This was just a couple of years ago.

0:20:56.960 --> 0:21:00.560
<v Speaker 2>That's crazy. Yeah, so I never knew that. Yeah.

0:21:00.640 --> 0:21:03.120
<v Speaker 4>So my mom was married to day for me. They

0:21:03.119 --> 0:21:07.080
<v Speaker 4>took us to the carnival and we did, we did,

0:21:07.359 --> 0:21:09.480
<v Speaker 4>and that day we did Down my Heart and I

0:21:09.560 --> 0:21:11.320
<v Speaker 4>was the lead nigga because it was me.

0:21:11.600 --> 0:21:12.960
<v Speaker 2>It was it was me, and it was me and

0:21:13.000 --> 0:21:13.480
<v Speaker 2>my two.

0:21:13.359 --> 0:21:16.480
<v Speaker 3>Brothers because now it's his brothers.

0:21:16.560 --> 0:21:18.359
<v Speaker 4>Yeah, it was me. And my two brothers and Dave

0:21:18.560 --> 0:21:24.600
<v Speaker 4>and his uh my uncle Al and other dude named Cliff.

0:21:24.600 --> 0:21:26.640
<v Speaker 4>They were in the back playing playing as the band

0:21:26.680 --> 0:21:29.920
<v Speaker 4>It's Goofy, just having fun and they chopped the video

0:21:30.000 --> 0:21:31.840
<v Speaker 4>up and all that. My parents still got the vhs

0:21:31.920 --> 0:21:34.600
<v Speaker 4>to that, bro. But those were the days where I figured, like,

0:21:34.880 --> 0:21:37.360
<v Speaker 4>all right, that was when my life started to become

0:21:37.880 --> 0:21:40.800
<v Speaker 4>one big ass R and B video because I was

0:21:40.880 --> 0:21:44.760
<v Speaker 4>never able to see life any different when it comes

0:21:44.800 --> 0:21:50.760
<v Speaker 4>to like my love for women. I just always seen

0:21:50.800 --> 0:21:53.280
<v Speaker 4>it as seen women that I loved in this little

0:21:53.320 --> 0:21:58.879
<v Speaker 4>motion from a little kid. And so I think, because

0:21:58.920 --> 0:22:02.879
<v Speaker 4>I feel R and B music is nothing but peel.

0:22:03.520 --> 0:22:06.520
<v Speaker 1>Now you're like, okay, I can. I can do that,

0:22:06.600 --> 0:22:09.200
<v Speaker 1>I can write that, I can produce that I can.

0:22:09.400 --> 0:22:10.639
<v Speaker 1>When does it become I can't?

0:22:11.440 --> 0:22:13.240
<v Speaker 2>That didn't come till like later when I got in

0:22:13.280 --> 0:22:13.640
<v Speaker 2>a group.

0:22:13.960 --> 0:22:17.160
<v Speaker 3>So this is probably what B two K days.

0:22:17.280 --> 0:22:21.439
<v Speaker 4>Yeah, I actually met Omari before I met my group members.

0:22:21.480 --> 0:22:24.000
<v Speaker 4>We like he like he said. We went to school together.

0:22:24.280 --> 0:22:29.600
<v Speaker 4>Omari then spend nights at the crib and we my

0:22:29.600 --> 0:22:32.280
<v Speaker 4>my other cousin David, who live with us. Two we

0:22:32.280 --> 0:22:34.960
<v Speaker 4>all went to Hamilton. I remember days where the car

0:22:35.000 --> 0:22:37.240
<v Speaker 4>would break down and we pushing the car up the hill.

0:22:37.560 --> 0:22:40.240
<v Speaker 4>I remember Omari seeing him pop locking in his sleep,

0:22:40.359 --> 0:22:43.879
<v Speaker 4>like when people say that he does that, the nigga

0:22:43.960 --> 0:22:44.760
<v Speaker 4>used to pop lock in the.

0:22:47.280 --> 0:22:47.680
<v Speaker 2>Champagne.

0:22:51.760 --> 0:22:54.399
<v Speaker 4>I'm telling you, when niggas say that he walks around

0:22:54.720 --> 0:22:58.400
<v Speaker 4>dancing all day pop locking in his sleep, dog, did.

0:22:58.359 --> 0:22:59.600
<v Speaker 1>You ever try to wake him up? Say hey man,

0:22:59.760 --> 0:23:17.480
<v Speaker 1>you trip, You're gonna fall off the pa. You at

0:23:17.480 --> 0:23:21.520
<v Speaker 1>some point say how can I really be of value?

0:23:22.160 --> 0:23:24.399
<v Speaker 1>How can I be of value to this business and

0:23:24.440 --> 0:23:27.320
<v Speaker 1>then ultimately to myself? And when do you make that switch?

0:23:27.359 --> 0:23:31.520
<v Speaker 1>Because then you now you're not just an artist anymore.

0:23:31.600 --> 0:23:36.160
<v Speaker 1>Now you're a curator of artists and what they're trying

0:23:36.200 --> 0:23:38.240
<v Speaker 1>to do and the stories that they're trying to tell,

0:23:38.400 --> 0:23:41.600
<v Speaker 1>and the career that they're trying to have. When do

0:23:41.640 --> 0:23:44.720
<v Speaker 1>you make the switch and realize that you're valuable in

0:23:44.760 --> 0:23:45.240
<v Speaker 1>that space?

0:23:45.960 --> 0:23:48.600
<v Speaker 4>When I stopped listening to niggas, tell me just focus

0:23:48.640 --> 0:23:51.439
<v Speaker 4>on being an artist. When I knew all along that

0:23:51.520 --> 0:23:53.280
<v Speaker 4>I could write these songs, and I could write better

0:23:53.320 --> 0:23:58.320
<v Speaker 4>songs than niggas was doing for us and to the group, stuff,

0:23:58.440 --> 0:24:01.440
<v Speaker 4>just it just wasn't popping. And I saw like that

0:24:01.520 --> 0:24:05.760
<v Speaker 4>was around the time neo and dream like writers was

0:24:05.800 --> 0:24:08.400
<v Speaker 4>turned into full on artists, you know what I mean.

0:24:09.520 --> 0:24:11.480
<v Speaker 4>And so I was like, man, let me try my

0:24:11.520 --> 0:24:15.080
<v Speaker 4>hand at this route. So I started getting in and

0:24:15.160 --> 0:24:19.320
<v Speaker 4>just you know, writing stuff. Some of my first songs

0:24:19.840 --> 0:24:24.000
<v Speaker 4>were for Jeanne back when she was like trying to

0:24:24.000 --> 0:24:26.719
<v Speaker 4>figure her thing out. Me and her, we was just

0:24:26.760 --> 0:24:29.760
<v Speaker 4>going and just be writing. And that was like school

0:24:29.800 --> 0:24:33.320
<v Speaker 4>for me, you know. And then I started getting I

0:24:33.359 --> 0:24:35.880
<v Speaker 4>started hearing other people's stuff. I started hearing other other

0:24:35.920 --> 0:24:39.800
<v Speaker 4>people get off, you know, people like find.

0:24:39.680 --> 0:24:43.119
<v Speaker 2>Le Roy who else Andre married?

0:24:46.840 --> 0:24:50.679
<v Speaker 4>Yeah, like they was having runs and I remember, so

0:24:51.640 --> 0:24:55.119
<v Speaker 4>I had to get a job and I started working

0:24:55.160 --> 0:24:57.919
<v Speaker 4>as a car salesman at.

0:24:59.520 --> 0:24:59.600
<v Speaker 2>No.

0:24:59.720 --> 0:25:02.879
<v Speaker 4>It's it's funny to me because I have a vivid

0:25:03.280 --> 0:25:06.120
<v Speaker 4>picture in my mind of me being a car salesman, yes,

0:25:06.760 --> 0:25:09.640
<v Speaker 4>and going to this going to this car lot every day,

0:25:09.840 --> 0:25:12.119
<v Speaker 4>knowing good and god damn well, I'm not supposed to

0:25:12.160 --> 0:25:14.480
<v Speaker 4>be here. But I'm like, you know what, I gotta do,

0:25:14.480 --> 0:25:17.840
<v Speaker 4>what I gotta do. And we in Singi Valley and

0:25:17.920 --> 0:25:19.520
<v Speaker 4>you know how hot I see me validated. As soon

0:25:19.560 --> 0:25:21.560
<v Speaker 4>as somebody get on that lot, you got to get up,

0:25:22.320 --> 0:25:26.600
<v Speaker 4>go get themselves. I did decent at it. Yeah, but

0:25:26.640 --> 0:25:30.960
<v Speaker 4>the thing that was killing me was I was I

0:25:31.000 --> 0:25:34.879
<v Speaker 4>was working deals and hearing the Homies music being played

0:25:34.920 --> 0:25:38.560
<v Speaker 4>over the you know those songs that I knew the

0:25:38.600 --> 0:25:43.119
<v Speaker 4>Homies wrote, and I'm like, I'm talking, I'm talking about tears.

0:25:43.119 --> 0:25:48.000
<v Speaker 4>I would go to the bathroom and cry because I

0:25:48.040 --> 0:25:51.480
<v Speaker 4>felt like I blew my shot.

0:25:51.800 --> 0:25:52.240
<v Speaker 2>I'm here?

0:25:52.240 --> 0:25:53.080
<v Speaker 4>How did I get here?

0:25:54.119 --> 0:25:54.320
<v Speaker 2>You know?

0:25:55.119 --> 0:25:58.680
<v Speaker 4>Because that it's that competitive thing in me. It's like, nah,

0:25:58.920 --> 0:26:01.080
<v Speaker 4>I know I'm one in the one. I know I

0:26:01.080 --> 0:26:03.480
<v Speaker 4>gotta get that. I know I know what I can do.

0:26:03.840 --> 0:26:08.040
<v Speaker 4>So I ended up I ended up getting fired from

0:26:08.040 --> 0:26:09.840
<v Speaker 4>that job. I got fired from every job that I

0:26:10.680 --> 0:26:13.480
<v Speaker 4>was part of. But why do you think that is, Brother,

0:26:16.040 --> 0:26:19.560
<v Speaker 4>It's not. It's not a destination. It's not a destination.

0:26:19.640 --> 0:26:21.800
<v Speaker 4>It's just a pitch. You have to get fired, though,

0:26:22.320 --> 0:26:28.040
<v Speaker 4>I do because God is like, You're not gonna leave you.

0:26:28.040 --> 0:26:28.359
<v Speaker 4>Hear me.

0:26:28.520 --> 0:26:30.720
<v Speaker 1>I've never had a job, so I'm like, I'm over

0:26:30.920 --> 0:26:32.840
<v Speaker 1>talking about how to keep.

0:26:34.840 --> 0:26:35.359
<v Speaker 2>I don't even know.

0:26:35.400 --> 0:26:36.320
<v Speaker 3>I don't even know what to.

0:26:36.240 --> 0:26:44.280
<v Speaker 4>Do to get on. You know, I'll get it. So

0:26:45.240 --> 0:26:49.879
<v Speaker 4>I end up. You look like a nigga that got fired.

0:26:51.920 --> 0:26:58.359
<v Speaker 4>Why it's like me, Bro, you got a one track mine.

0:26:58.400 --> 0:27:00.800
<v Speaker 2>Bro, I'm to be with you.

0:27:00.920 --> 0:27:06.480
<v Speaker 4>I'm actually picking you up right now, broth of you.

0:27:06.480 --> 0:27:08.880
<v Speaker 4>You definitely would have done from.

0:27:08.640 --> 0:27:10.360
<v Speaker 3>My uncle company.

0:27:11.080 --> 0:27:13.679
<v Speaker 4>No, definitely, Bro. I got fired from that job and

0:27:14.200 --> 0:27:16.359
<v Speaker 4>I was like, no, this is my time to really

0:27:16.359 --> 0:27:18.960
<v Speaker 4>turn up. So God I blessed me with another job

0:27:19.000 --> 0:27:22.960
<v Speaker 4>that was flexible. I was mentoring kids and working in

0:27:23.000 --> 0:27:27.680
<v Speaker 4>group homes and I was doing it on weekends. I

0:27:27.720 --> 0:27:30.640
<v Speaker 4>would that job was so flexible it allowed me to

0:27:31.000 --> 0:27:33.080
<v Speaker 4>still move how I wanted to move and be in

0:27:33.119 --> 0:27:36.399
<v Speaker 4>the studio and do those things until I got fired

0:27:36.400 --> 0:27:38.480
<v Speaker 4>from that and then that was like the last job

0:27:38.520 --> 0:27:41.880
<v Speaker 4>I ever had. And God has blessed me and sustained

0:27:41.880 --> 0:27:43.880
<v Speaker 4>me to be able to move through this business and

0:27:44.560 --> 0:27:47.480
<v Speaker 4>take some bumps and losses, but like, for real, like.

0:27:48.160 --> 0:27:48.760
<v Speaker 2>Still be here.

0:27:48.800 --> 0:27:52.400
<v Speaker 1>Give me the moment you're fired. You need a moment, right,

0:27:52.800 --> 0:27:57.240
<v Speaker 1>You needed a finding moment that says one of two things.

0:27:57.880 --> 0:28:02.360
<v Speaker 2>One I can do this and two.

0:28:04.280 --> 0:28:10.240
<v Speaker 1>Here is the either success or revenue to prove it.

0:28:11.080 --> 0:28:12.240
<v Speaker 2>What moment is that.

0:28:13.520 --> 0:28:20.600
<v Speaker 4>When I got my first placement, my first actual that

0:28:20.680 --> 0:28:25.040
<v Speaker 4>moment was for me. It won't stop the record with

0:28:25.119 --> 0:28:26.320
<v Speaker 4>seven mm hmm.

0:28:26.680 --> 0:28:29.399
<v Speaker 2>What's that your first record? No, it wasn't my first record,

0:28:29.440 --> 0:28:29.760
<v Speaker 2>but it was.

0:28:30.080 --> 0:28:33.600
<v Speaker 4>It was. It was my first record before it was

0:28:33.640 --> 0:28:36.120
<v Speaker 4>my first record that charted, you know what I mean.

0:28:37.080 --> 0:28:39.440
<v Speaker 4>If you want to talk about when I thought I

0:28:39.480 --> 0:28:42.080
<v Speaker 4>was going to arrive, it was the Drake song I did.

0:28:43.000 --> 0:28:46.360
<v Speaker 4>I did a song called July, which was I originally

0:28:46.360 --> 0:28:49.680
<v Speaker 4>did it with Ja and he heard the song because

0:28:50.040 --> 0:28:53.360
<v Speaker 4>my boy Jazz, who was rocking with us, he took

0:28:53.400 --> 0:28:55.240
<v Speaker 4>it over to Drakers like, man, I'm telling you got

0:28:55.280 --> 0:28:56.720
<v Speaker 4>to get on this. He was trying to get him

0:28:56.720 --> 0:28:58.800
<v Speaker 4>as a feature. Drake was like, no, I want this song.

0:28:59.080 --> 0:29:01.520
<v Speaker 2>He yeah, you yeah.

0:29:01.720 --> 0:29:05.840
<v Speaker 4>So he ended up doing doing verses on it, singing

0:29:05.960 --> 0:29:09.200
<v Speaker 4>my Jene was on the hook. I ended up seeing

0:29:09.240 --> 0:29:11.400
<v Speaker 4>him at Chris. Remember Chris and Polo used to have

0:29:11.440 --> 0:29:12.880
<v Speaker 4>the skate parties.

0:29:12.960 --> 0:29:15.320
<v Speaker 2>Yeah, it was going up.

0:29:17.040 --> 0:29:19.120
<v Speaker 4>I would ended up seeing him at the skate party

0:29:19.240 --> 0:29:21.880
<v Speaker 4>and he stopped me. He was like, yo, congratulations, and

0:29:21.920 --> 0:29:24.600
<v Speaker 4>I'm like what's good. He like, Yo, We're gonna get

0:29:24.880 --> 0:29:28.760
<v Speaker 4>Beyonce on July and we're gonna put it out. And

0:29:28.800 --> 0:29:31.600
<v Speaker 4>I'm like, word, all right, cool, just make sure let's

0:29:31.600 --> 0:29:33.600
<v Speaker 4>do the business like I try to play him cool,

0:29:33.640 --> 0:29:36.560
<v Speaker 4>but in my heart, I was like this, this is

0:29:36.640 --> 0:29:40.920
<v Speaker 4>this is my moment, this is my moment. So and

0:29:41.000 --> 0:29:44.800
<v Speaker 4>at that time, me and Drake was uh like, remember

0:29:45.080 --> 0:29:49.360
<v Speaker 4>it wasn't FaceTime. It was like, uh, I chat. We

0:29:49.400 --> 0:29:52.080
<v Speaker 4>was I chatting ideas back and forth, and on BBM

0:29:52.200 --> 0:29:55.960
<v Speaker 4>he was on BBM Heavy. So like three months go by,

0:29:56.120 --> 0:29:57.640
<v Speaker 4>I get it, I get to get in touch with

0:29:57.680 --> 0:29:59.600
<v Speaker 4>g and hip hop. They're like, yeah, we're using the record,

0:29:59.600 --> 0:30:03.920
<v Speaker 4>We're doing this. Then one day the record just leaks

0:30:05.240 --> 0:30:08.040
<v Speaker 4>and it's getting played on Hot ninety seven and all

0:30:08.080 --> 0:30:13.040
<v Speaker 4>these radio stations in it, and I'm like, huh, this

0:30:13.120 --> 0:30:15.680
<v Speaker 4>was supposed to be the Beyonce. So I hated him

0:30:15.720 --> 0:30:18.080
<v Speaker 4>and I'm like, yo, bro, what happened? How did the

0:30:18.080 --> 0:30:19.800
<v Speaker 4>worker get leaked? And all you had for me was

0:30:20.080 --> 0:30:25.000
<v Speaker 4>and know it's shitty. And then a few months later

0:30:25.040 --> 0:30:28.080
<v Speaker 4>he comes out with was the album Hard At the

0:30:28.280 --> 0:30:31.600
<v Speaker 4>Crazy album, Thank Me Later, and there's a song called

0:30:32.520 --> 0:30:36.600
<v Speaker 4>Fireworks on there. I'm not insinuating anything, but I'm just

0:30:36.680 --> 0:30:39.840
<v Speaker 4>like that, I'm just being transparent with you. I was

0:30:39.880 --> 0:30:43.560
<v Speaker 4>fucked up by that because I felt like, you know

0:30:43.600 --> 0:30:46.280
<v Speaker 4>what I'm saying. And I and I and I would

0:30:46.280 --> 0:30:49.239
<v Speaker 4>tell everybody about this song that I got coming, and

0:30:49.240 --> 0:30:51.040
<v Speaker 4>he was like, oh yeah, yeah, yeah for show for

0:30:51.120 --> 0:30:54.240
<v Speaker 4>Shure and shout out my boy Diesel. He paid for

0:30:54.280 --> 0:30:58.480
<v Speaker 4>the session for that song. Yeah, and my boy, my

0:30:58.520 --> 0:31:02.400
<v Speaker 4>boy Sticks, my boy Sticks recorded that song, you know stick.

0:31:03.560 --> 0:31:09.080
<v Speaker 2>Yeah, if you do one more, y'all know about niggas.

0:31:09.080 --> 0:31:09.760
<v Speaker 3>That's our friends.

0:31:09.960 --> 0:31:13.840
<v Speaker 5>This is my friend in my real life industry, that's

0:31:13.880 --> 0:31:14.400
<v Speaker 5>my friend.

0:31:14.560 --> 0:31:16.680
<v Speaker 2>Right, Stop it, bro, This.

0:31:16.640 --> 0:31:21.080
<v Speaker 4>Is the one place where assumptions are allowed. Okay, assumptions

0:31:21.120 --> 0:31:23.280
<v Speaker 4>are allowed here, all right, cool, cool, cool, I got you.

0:31:23.440 --> 0:31:24.280
<v Speaker 2>It won't happen again.

0:31:24.360 --> 0:31:32.480
<v Speaker 4>Boss. So the record leagues and I still get paid

0:31:32.560 --> 0:31:33.760
<v Speaker 4>royalties from that song.

0:31:34.240 --> 0:31:35.640
<v Speaker 2>It ain't like but that's how big.

0:31:36.920 --> 0:31:39.480
<v Speaker 4>Yeah, that's what's crazy. We never did no splits, no

0:31:39.640 --> 0:31:43.600
<v Speaker 4>nothing for it. But yeah, after him doing that, it

0:31:43.760 --> 0:31:46.400
<v Speaker 4>really put a real bitter taste in my mouth for

0:31:48.720 --> 0:31:52.520
<v Speaker 4>the the music music industry because I felt like that

0:31:52.640 --> 0:31:54.840
<v Speaker 4>was some industry ship, you know.

0:31:55.280 --> 0:31:56.680
<v Speaker 2>But it could have been something that was out of

0:31:56.720 --> 0:31:57.280
<v Speaker 2>his control.

0:31:57.520 --> 0:32:00.240
<v Speaker 4>I know, right, you know, and and and and now,

0:32:00.360 --> 0:32:03.480
<v Speaker 4>looking in hindsight, I consider all things right, But back then,

0:32:03.680 --> 0:32:07.640
<v Speaker 4>you just yeah, because that could have changed my life. Yeah,

0:32:07.840 --> 0:32:10.240
<v Speaker 4>that that could have been life changing for me, because

0:32:10.920 --> 0:32:13.080
<v Speaker 4>I can't tell you how many people I know when

0:32:13.120 --> 0:32:15.280
<v Speaker 4>they find out I did that song or they're like,

0:32:15.520 --> 0:32:19.000
<v Speaker 4>that's one of my favorite songs. I don't have many

0:32:19.200 --> 0:32:21.560
<v Speaker 4>songs as many songs as a lot of people out here,

0:32:21.640 --> 0:32:24.080
<v Speaker 4>but the songs that I do have, so many people

0:32:24.080 --> 0:32:26.160
<v Speaker 4>tell me that that is one of their favorite songs.

0:32:27.480 --> 0:32:28.760
<v Speaker 4>And I'll take that any day.

0:32:28.760 --> 0:32:28.920
<v Speaker 2>Bro.

0:32:30.280 --> 0:32:34.120
<v Speaker 1>Yeah, so you're saying, from from that song, even though

0:32:34.160 --> 0:32:38.120
<v Speaker 1>it didn't turn out the way you hoped it would,

0:32:39.400 --> 0:32:44.080
<v Speaker 1>the seven record is the one that actually gave you

0:32:44.280 --> 0:32:46.280
<v Speaker 1>everything that you needed to get from it.

0:32:46.360 --> 0:32:49.959
<v Speaker 4>Absolutely is absolutely ship absolutely.

0:32:49.560 --> 0:32:52.400
<v Speaker 3>And it came out twice because.

0:32:53.720 --> 0:32:56.080
<v Speaker 2>Yeah, yeah, yeah, yeah, yeah yeah.

0:32:56.400 --> 0:32:59.360
<v Speaker 4>So that that that record dropped in, I'm just like,

0:32:59.480 --> 0:33:05.280
<v Speaker 4>you produce that. So these guys that John Baptiste had,

0:33:05.920 --> 0:33:08.800
<v Speaker 4>they were like some French dudes. I forget their name now,

0:33:08.800 --> 0:33:11.440
<v Speaker 4>and that's terrible. They were No, they were signed to Diplo,

0:33:12.400 --> 0:33:15.800
<v Speaker 4>So Diplo's name is on the credit. But yeah, that

0:33:15.960 --> 0:33:19.560
<v Speaker 4>to me, that just was such a you know how

0:33:19.600 --> 0:33:22.640
<v Speaker 4>you do certain records and you like, I'm just doing

0:33:22.680 --> 0:33:24.760
<v Speaker 4>this for them. I'm not attached to this record like that.

0:33:24.880 --> 0:33:26.520
<v Speaker 4>It's just for them. I do this in my sleep.

0:33:27.400 --> 0:33:31.440
<v Speaker 4>That record was one that was like spiritual because I

0:33:31.440 --> 0:33:34.560
<v Speaker 4>can tell you I went in that booth and the

0:33:34.600 --> 0:33:39.520
<v Speaker 4>first things I did was the song I'm talking about

0:33:39.520 --> 0:33:46.280
<v Speaker 4>from and then it Won't Dumb. I scattered all that

0:33:47.440 --> 0:33:49.640
<v Speaker 4>on the first time, and that's hot. That's when I

0:33:49.680 --> 0:33:53.360
<v Speaker 4>know God is in the room. And we was like, nah,

0:33:53.640 --> 0:33:55.400
<v Speaker 4>we're writing too that. You know how you go somebody

0:33:55.440 --> 0:33:58.920
<v Speaker 4>else go in and do melodies. There was like nope,

0:33:58.960 --> 0:34:01.400
<v Speaker 4>we got it, got it. And so me and Sef

0:34:02.080 --> 0:34:03.520
<v Speaker 4>went in on that record.

0:34:03.560 --> 0:34:03.760
<v Speaker 6>Man.

0:34:04.000 --> 0:34:08.439
<v Speaker 4>And what's crazy is that session. Ty Ty Dollard sign

0:34:08.480 --> 0:34:10.560
<v Speaker 4>called me to come to that session because he wasn't

0:34:10.560 --> 0:34:12.880
<v Speaker 4>gonna be able to make it. Oh, so I kind

0:34:12.920 --> 0:34:16.200
<v Speaker 4>of like filled in for Ti dollars, you know what

0:34:16.239 --> 0:34:19.400
<v Speaker 4>I mean, and and you delivered and I delivered. And

0:34:19.400 --> 0:34:22.439
<v Speaker 4>that ended up being like, uh, we worked like a week.

0:34:22.480 --> 0:34:24.440
<v Speaker 4>We did a couple of different records, but that was

0:34:24.480 --> 0:34:26.759
<v Speaker 4>my first time really locking in with Sef. I had

0:34:26.880 --> 0:34:29.200
<v Speaker 4>knew her before that, but never really locked in with

0:34:29.280 --> 0:34:32.759
<v Speaker 4>her like that. And that started our relationship where that's

0:34:32.760 --> 0:34:35.919
<v Speaker 4>like my musical wifey, Like every time we.

0:34:35.880 --> 0:34:39.000
<v Speaker 1>Go in it's crazy. So when you get this record

0:34:40.080 --> 0:34:43.600
<v Speaker 1>and it's finally popping. You know, we know the phone

0:34:43.600 --> 0:34:47.440
<v Speaker 1>calls to come and the meetings that come. Mhm, you know,

0:34:47.480 --> 0:34:49.560
<v Speaker 1>would you would you like to do a copub?

0:34:50.719 --> 0:34:51.239
<v Speaker 2>You like to?

0:34:52.840 --> 0:34:54.680
<v Speaker 1>How can we help because at this point you haven't

0:34:54.680 --> 0:34:57.359
<v Speaker 1>done a deal yet. No, I did.

0:34:57.480 --> 0:34:59.600
<v Speaker 2>I had already had a deal by then. I did.

0:34:59.640 --> 0:35:02.440
<v Speaker 4>I didn't I deal with you and PG okay, yeah,

0:35:03.080 --> 0:35:04.399
<v Speaker 4>twenty eleven.

0:35:05.280 --> 0:35:08.840
<v Speaker 5>And then it shout Outlaneer, it won't stop, don't come

0:35:08.880 --> 0:35:09.319
<v Speaker 5>out to win.

0:35:09.840 --> 0:35:13.160
<v Speaker 4>That was like two thousand and thirteen.

0:35:13.920 --> 0:35:17.040
<v Speaker 2>Shot, does this song get you out of your deal? No?

0:35:17.960 --> 0:35:23.840
<v Speaker 4>Because I was in an antiquated deal which was based

0:35:23.880 --> 0:35:27.160
<v Speaker 4>on you know, the fine print. It's gotta be you

0:35:27.239 --> 0:35:29.440
<v Speaker 4>got a three song commendment, but it got to be

0:35:29.520 --> 0:35:32.480
<v Speaker 4>on an album, a domestic album at that and it

0:35:32.560 --> 0:35:34.879
<v Speaker 4>can't be an EP. And this was around the time

0:35:34.880 --> 0:35:38.480
<v Speaker 4>where all niggas was doing was EPs and mixtapes and.

0:35:38.320 --> 0:35:39.640
<v Speaker 2>Yeah, you know what I'm saying.

0:35:40.160 --> 0:35:44.520
<v Speaker 4>So I had to like, yeah, I got that deal amended,

0:35:44.600 --> 0:35:47.839
<v Speaker 4>but around that time, it was just an antiquated deal.

0:35:48.120 --> 0:35:52.279
<v Speaker 4>But I honestly, man, I came to you though, yeah,

0:35:52.320 --> 0:35:54.280
<v Speaker 4>and I didn't. I didn't even worry about that stuff.

0:35:54.320 --> 0:35:54.480
<v Speaker 1>Man.

0:35:54.520 --> 0:35:57.799
<v Speaker 4>I really just wanted to like cement my name and

0:35:57.840 --> 0:36:01.279
<v Speaker 4>my legacy, you know what I mean. And so I

0:36:01.360 --> 0:36:03.760
<v Speaker 4>was working with everybody. Man, I went in with Chris.

0:36:05.120 --> 0:36:08.319
<v Speaker 4>This was like years before it won't stop. When when

0:36:08.560 --> 0:36:13.560
<v Speaker 4>Chris had that thing with Rihanna, we that was bad.

0:36:13.960 --> 0:36:16.319
<v Speaker 4>Well Chris had that thing with Rihanna. He kind of

0:36:16.440 --> 0:36:18.880
<v Speaker 4>was just you know, locked himself in the studio and

0:36:18.920 --> 0:36:21.360
<v Speaker 4>I was like one of the dudes that was in

0:36:21.400 --> 0:36:24.320
<v Speaker 4>the studio winning working on working on that mixtape.

0:36:24.480 --> 0:36:26.120
<v Speaker 2>We did a song called talk that Ship.

0:36:27.080 --> 0:36:29.319
<v Speaker 4>I did a song called go Away, which was on

0:36:29.600 --> 0:36:36.120
<v Speaker 4>the the deluxe album of Graffiti. And shout out to

0:36:36.200 --> 0:36:38.560
<v Speaker 4>Chris Man because I learned a lot about writing working

0:36:38.560 --> 0:36:40.799
<v Speaker 4>with him too. I learned learned a lot about like,

0:36:41.320 --> 0:36:44.920
<v Speaker 4>you know, staying locked in and and focusing.

0:36:44.480 --> 0:36:47.399
<v Speaker 1>And reed in once he's in the booth and it's

0:36:47.400 --> 0:36:47.959
<v Speaker 1>time to work.

0:36:48.120 --> 0:36:52.560
<v Speaker 2>Yeah, Like if you.

0:36:51.200 --> 0:36:54.080
<v Speaker 1>Work and until the song is finished, were in here, yeah,

0:36:54.800 --> 0:36:57.799
<v Speaker 1>like and it listen, you better have your lyrics and

0:36:57.800 --> 0:37:01.280
<v Speaker 1>your melodies died up, yeah, and ready to go yeah,

0:37:01.400 --> 0:37:03.640
<v Speaker 1>because it's gonna go by fast, fast.

0:37:04.000 --> 0:37:05.200
<v Speaker 2>Yeah, It's gonna go fast.

0:37:05.280 --> 0:37:08.520
<v Speaker 4>That's where I really first learned that that style of writing.

0:37:08.440 --> 0:37:10.920
<v Speaker 2>On second guess. Yeah, yeah, you're.

0:37:10.800 --> 0:37:12.880
<v Speaker 4>Going in there scatting melodies and then writing to the

0:37:12.920 --> 0:37:15.800
<v Speaker 4>melodies and stuff. Before that, I hadn't really like wrote

0:37:15.840 --> 0:37:19.880
<v Speaker 4>like that, but that that actually, like was a great tool.

0:37:20.400 --> 0:37:23.480
<v Speaker 4>Because I am a melody guy. It takes me a

0:37:23.520 --> 0:37:26.760
<v Speaker 4>long time to come up with certain lyrics because sometimes

0:37:26.760 --> 0:37:27.480
<v Speaker 4>I overthink.

0:37:27.960 --> 0:37:29.440
<v Speaker 2>Sometimes I just want everything to.

0:37:29.440 --> 0:37:36.839
<v Speaker 4>Read out poetically and all that. But like, nah, I

0:37:36.880 --> 0:37:38.400
<v Speaker 4>had to I had to learn that too.

0:37:38.880 --> 0:37:40.319
<v Speaker 2>Yeah, because that's a different type of.

0:37:43.160 --> 0:37:46.920
<v Speaker 1>He he writes more in a rapper space for R

0:37:47.000 --> 0:37:49.680
<v Speaker 1>and B than he does like in an R and B.

0:37:49.719 --> 0:37:50.920
<v Speaker 2>Space especially now.

0:37:51.480 --> 0:37:55.759
<v Speaker 1>Yeah, like he's not like once you, I guess, once

0:37:55.800 --> 0:37:57.920
<v Speaker 1>you figure out you're really good at something.

0:37:59.239 --> 0:38:02.440
<v Speaker 2>Like overthink, it's just it's not an option.

0:38:02.680 --> 0:38:04.680
<v Speaker 4>Yeah, it's not an option.

0:38:04.840 --> 0:38:07.239
<v Speaker 1>The lyrics and these melodies are good, and we don't

0:38:07.239 --> 0:38:08.640
<v Speaker 1>even I don't even to think. Like last time I

0:38:08.640 --> 0:38:11.560
<v Speaker 1>wrote with him, we didn't even go through melodies. He's

0:38:11.640 --> 0:38:14.319
<v Speaker 1>in the booth and he would sing something but ooh

0:38:14.360 --> 0:38:17.080
<v Speaker 1>that's fire, say this word or oh make that note

0:38:17.160 --> 0:38:19.359
<v Speaker 1>this Yeah, yeah, keep going and that's it.

0:38:19.400 --> 0:38:21.520
<v Speaker 4>Oh. Niggas is professed. Niggas have mastered it.

0:38:21.640 --> 0:38:22.120
<v Speaker 2>That's it.

0:38:22.760 --> 0:38:25.160
<v Speaker 4>And the thing is, I feel like there's a there's

0:38:25.160 --> 0:38:29.319
<v Speaker 4>a difference between writing and communicating, you know what I mean,

0:38:29.360 --> 0:38:32.759
<v Speaker 4>because when you communicating his audience, he knows how to

0:38:32.760 --> 0:38:37.880
<v Speaker 4>communicate to his audience, you know, and for better or worse,

0:38:37.920 --> 0:38:40.160
<v Speaker 4>man like some people get mad and he puts thirty

0:38:40.200 --> 0:38:43.160
<v Speaker 4>six songs on an album and all of that, but.

0:38:44.239 --> 0:38:46.759
<v Speaker 2>He's just empty in the clip. I'm gonna tell you

0:38:46.760 --> 0:38:47.919
<v Speaker 2>all in communicating.

0:38:48.320 --> 0:38:50.960
<v Speaker 1>It's not even just that he's one of the rare

0:38:51.040 --> 0:38:55.319
<v Speaker 1>artists who learned the business early, who understood where the

0:38:55.360 --> 0:39:00.920
<v Speaker 1>business was going early and understood that not only am

0:39:01.000 --> 0:39:04.000
<v Speaker 1>I going to play the music game, or good music

0:39:04.000 --> 0:39:06.759
<v Speaker 1>game for that matter, I'm going to play the numbers game.

0:39:09.239 --> 0:39:11.800
<v Speaker 1>Play the numbers game because by the time you listen

0:39:11.880 --> 0:39:16.680
<v Speaker 1>to all of these songs, that will count for two sales.

0:39:18.000 --> 0:39:21.480
<v Speaker 4>But he but not not to like harp on Chris Brown.

0:39:21.520 --> 0:39:25.120
<v Speaker 4>But it does go to speak to artistry, right because

0:39:25.160 --> 0:39:27.800
<v Speaker 4>I like to believe that you're either an artist or

0:39:27.800 --> 0:39:30.480
<v Speaker 4>an entertainer, and he's one of the ones that have

0:39:30.800 --> 0:39:34.880
<v Speaker 4>learned how to straddle that line between being an artist

0:39:34.880 --> 0:39:39.120
<v Speaker 4>and entertainer and either one. Nobody's wrong in what you choose.

0:39:39.440 --> 0:39:43.600
<v Speaker 4>Just understand what comes with either one. You know, so

0:39:43.640 --> 0:39:44.360
<v Speaker 4>he's mastered that.

0:39:45.080 --> 0:39:48.120
<v Speaker 1>Give me another moment where you're where you where you

0:39:48.239 --> 0:39:50.120
<v Speaker 1>pound on your chest and you say I'm him.

0:39:50.880 --> 0:39:54.040
<v Speaker 2>Oh man, it's been it's been a great journey.

0:39:54.040 --> 0:39:58.440
<v Speaker 4>Man. I like to say, I mean supposed to be,

0:39:59.680 --> 0:40:02.840
<v Speaker 4>come on, scared of it, supposed to be because you know,

0:40:02.960 --> 0:40:07.359
<v Speaker 4>and I gotta be Bho by Marion featuring Chris Brown

0:40:07.400 --> 0:40:13.960
<v Speaker 4>and yeah, that was my first top ten record, And

0:40:14.400 --> 0:40:18.160
<v Speaker 4>it's funny that it would be with Omar and I know,

0:40:18.360 --> 0:40:20.839
<v Speaker 4>I'm pretty sure he thinks the same way. Like we've

0:40:20.840 --> 0:40:23.480
<v Speaker 4>been knowing each other more than we haven't known each other,

0:40:24.680 --> 0:40:31.319
<v Speaker 4>you know. But man, that line, that infamous line, Yes,

0:40:31.680 --> 0:40:33.520
<v Speaker 4>I've learned to be proud of it.

0:40:34.160 --> 0:40:35.760
<v Speaker 3>Why you felt away for a minute?

0:40:35.880 --> 0:40:39.120
<v Speaker 4>I felt away because I'm an artist, right And I'm like, man,

0:40:39.320 --> 0:40:43.360
<v Speaker 4>that line is so remedial and so dumb. It's so ratchet,

0:40:43.719 --> 0:40:46.600
<v Speaker 4>you know, like that whenever people would introduce me, they'd

0:40:46.640 --> 0:40:47.040
<v Speaker 4>be like, you.

0:40:47.000 --> 0:40:48.640
<v Speaker 2>Know that long eat the booty like groceries.

0:40:48.800 --> 0:40:51.320
<v Speaker 4>Yeah, he wrote that instead of like you know that song,

0:40:52.000 --> 0:40:54.160
<v Speaker 4>this song or that song or that song. It's to

0:40:54.200 --> 0:40:56.360
<v Speaker 4>eat the booty like groceries that I would get introduced

0:40:56.360 --> 0:40:56.600
<v Speaker 4>that it.

0:40:57.239 --> 0:41:01.080
<v Speaker 3>Me to ghetto bro, a nigga, you want to be

0:41:01.120 --> 0:41:01.800
<v Speaker 3>known for something.

0:41:01.880 --> 0:41:04.680
<v Speaker 4>But yeah, but then when people go, oh, so you

0:41:04.800 --> 0:41:07.600
<v Speaker 4>be eating booty, then it becomes like it's.

0:41:09.160 --> 0:41:11.919
<v Speaker 2>It's too much. No, people take it.

0:41:11.840 --> 0:41:14.600
<v Speaker 4>Far and so I'm like, for a long time it

0:41:14.640 --> 0:41:18.319
<v Speaker 4>bothered me, but I've learned to accept it. I've learned

0:41:18.360 --> 0:41:23.520
<v Speaker 4>to embrace it because it did like impact culture, you

0:41:23.520 --> 0:41:24.120
<v Speaker 4>know what I mean.

0:41:23.960 --> 0:41:27.279
<v Speaker 1>And that's and that's not no, that too much into

0:41:27.320 --> 0:41:30.080
<v Speaker 1>your business, but it won't stop. We got it fire,

0:41:30.239 --> 0:41:34.800
<v Speaker 1>super crazy supposed to be those checks get.

0:41:34.640 --> 0:41:39.560
<v Speaker 4>A little different. Oh man, you know, hmm, you have

0:41:39.600 --> 0:41:43.320
<v Speaker 4>to think about that, nah, because it's not what you think.

0:41:44.640 --> 0:41:44.799
<v Speaker 2>Bro.

0:41:44.920 --> 0:41:49.279
<v Speaker 4>We still haven't settled on that record. What do you mean, bro,

0:41:49.440 --> 0:41:52.480
<v Speaker 4>we still haven't signed off on that record. This?

0:41:52.640 --> 0:41:53.080
<v Speaker 2>This is this.

0:41:53.440 --> 0:41:56.200
<v Speaker 4>There can be a whole nother podcast on this song alone,

0:41:57.120 --> 0:42:01.160
<v Speaker 4>just as far as the the fuckery around it.

0:42:01.280 --> 0:42:01.480
<v Speaker 2>You know.

0:42:02.160 --> 0:42:04.040
<v Speaker 3>So the writers couldn't agree.

0:42:04.600 --> 0:42:10.359
<v Speaker 4>Well because it's so many entities involved, and I'm gonna

0:42:10.360 --> 0:42:13.400
<v Speaker 4>put it in short. What happened was we did the

0:42:13.440 --> 0:42:17.640
<v Speaker 4>record with oh Me and Sam wrote the main the

0:42:18.400 --> 0:42:21.399
<v Speaker 4>first verse and the hook. Me and Sam hook shot

0:42:21.440 --> 0:42:23.400
<v Speaker 4>on my brother Sam Hood wrote the first verse in

0:42:23.400 --> 0:42:27.120
<v Speaker 4>the hook. Omari needed a feature on it, and I'm

0:42:27.560 --> 0:42:29.839
<v Speaker 4>keeping it real with y'all, I don't care. Amary needed

0:42:29.840 --> 0:42:33.680
<v Speaker 4>a feature on it. So they were like, who should

0:42:33.680 --> 0:42:36.680
<v Speaker 4>we get on the record. Chris was doing this thing

0:42:36.680 --> 0:42:39.799
<v Speaker 4>at that time. I think he had these hose Ain'

0:42:39.840 --> 0:42:43.200
<v Speaker 4>lawyer or something like that out yeah, and so it

0:42:43.239 --> 0:42:44.920
<v Speaker 4>was popping. So he was like, man, I'm gonna take

0:42:44.920 --> 0:42:48.279
<v Speaker 4>it to Chris. He takes it across the across town

0:42:48.320 --> 0:42:51.960
<v Speaker 4>to Chris. Unbeknownst to us though, like we weren't there

0:42:52.000 --> 0:42:54.880
<v Speaker 4>at the session. So they do whatever they do on

0:42:54.920 --> 0:42:56.880
<v Speaker 4>the record. They write the second verse and they write

0:42:56.880 --> 0:43:03.319
<v Speaker 4>that bridge Park all right, cool. Then Janey wants uh.

0:43:03.560 --> 0:43:07.040
<v Speaker 4>Then he's like it's the uh. Atlantic is like it's

0:43:07.040 --> 0:43:10.319
<v Speaker 4>still not enough. We need another artist on it. So

0:43:10.360 --> 0:43:13.920
<v Speaker 4>they go, Janey, let's get Jane. Jane wants me to

0:43:13.960 --> 0:43:18.240
<v Speaker 4>write something for her along the lines of eating booty

0:43:18.400 --> 0:43:22.280
<v Speaker 4>because she said the poster reminded her of Kevin Gates

0:43:22.280 --> 0:43:23.320
<v Speaker 4>when he used to say.

0:43:23.280 --> 0:43:30.560
<v Speaker 2>I hate the booty like a poster. So that's what that's.

0:43:31.480 --> 0:43:33.279
<v Speaker 4>So that's where that line came from. It and how

0:43:33.320 --> 0:43:35.560
<v Speaker 4>me and Janey work is sometimes we go in the studio,

0:43:35.800 --> 0:43:37.920
<v Speaker 4>but sometimes she would be like, she'll be like, can

0:43:37.960 --> 0:43:40.920
<v Speaker 4>you can you write something for me because she just

0:43:40.920 --> 0:43:43.040
<v Speaker 4>don't feel like it or you know, and I know her.

0:43:43.480 --> 0:43:47.080
<v Speaker 4>So yeah, So I did that verse in my living

0:43:47.160 --> 0:43:49.920
<v Speaker 4>room and I was just was like, it just was

0:43:49.960 --> 0:43:53.640
<v Speaker 4>so simple as what rhymes would suposed to be. Mm

0:43:53.719 --> 0:43:59.560
<v Speaker 4>hm oh groceries put that down and then I was like, oh,

0:43:59.640 --> 0:44:03.480
<v Speaker 4>this ship actually goes. And they loved it. Everybody loved it.

0:44:03.520 --> 0:44:06.680
<v Speaker 4>She recorded it, and that's how you have It's no

0:44:06.719 --> 0:44:13.400
<v Speaker 4>longer tossed as saladies eating grocers. So I did what

0:44:13.440 --> 0:44:17.600
<v Speaker 4>I was supposed to do. So we have all of

0:44:17.640 --> 0:44:20.360
<v Speaker 4>these entities involved. On top of that, we have the

0:44:20.480 --> 0:44:25.759
<v Speaker 4>producers Mustard and Mike Free, who are in an entanglement

0:44:25.880 --> 0:44:29.759
<v Speaker 4>with their deal and kind of like, you know, trying

0:44:29.800 --> 0:44:33.120
<v Speaker 4>to figure some things out. Then you got Shaka Demis,

0:44:33.320 --> 0:44:42.520
<v Speaker 4>who isn't the song is an interpolation of Then we

0:44:42.600 --> 0:44:47.800
<v Speaker 4>got that. So all these entities involved. Oh and not

0:44:47.920 --> 0:44:50.680
<v Speaker 4>to mention, we tried to they tried to. Somebody tried

0:44:50.719 --> 0:44:55.640
<v Speaker 4>to sue us. Someone it was They said it sounded

0:44:55.719 --> 0:45:01.160
<v Speaker 4>like a song, but the song was a Chris Brown song. Okay,

0:45:01.600 --> 0:45:05.200
<v Speaker 4>so he and that's it. He can't suit himself. He's

0:45:05.239 --> 0:45:10.360
<v Speaker 4>on the record, So that's that got thrown out. So

0:45:10.760 --> 0:45:14.439
<v Speaker 4>at this at this point, we're at I think we're

0:45:14.480 --> 0:45:17.400
<v Speaker 4>at like one hundred and twenty five percent, and we

0:45:17.520 --> 0:45:19.960
<v Speaker 4>gotta get down for those that don't know about publishing,

0:45:20.400 --> 0:45:21.720
<v Speaker 4>we gotta get down to one hundred.

0:45:22.640 --> 0:45:29.360
<v Speaker 2>So just you know how R and B money does business.

0:45:32.040 --> 0:45:38.520
<v Speaker 1>The sample would take their piece and then everybody else

0:45:39.840 --> 0:45:44.080
<v Speaker 1>would split it evenly. Of course, there are some who

0:45:44.200 --> 0:45:47.320
<v Speaker 1>might have may have done more work than others. But

0:45:47.440 --> 0:45:52.160
<v Speaker 1>once the sample comes in and starts chipping away, the

0:45:52.239 --> 0:45:56.000
<v Speaker 1>first thing is people are gonna argue, well, I ain't

0:45:56.000 --> 0:45:59.080
<v Speaker 1>had nothing to do with the sample, yep, right, yep,

0:45:59.719 --> 0:46:04.400
<v Speaker 1>But none of it is what it is with it

0:46:04.560 --> 0:46:10.960
<v Speaker 1>without it. So whether whether you were part of introducing

0:46:11.160 --> 0:46:15.120
<v Speaker 1>that nuance or not, it's a major part of the

0:46:15.239 --> 0:46:17.719
<v Speaker 1>success of the song. When I heard that, I said,

0:46:17.840 --> 0:46:25.640
<v Speaker 1>oh shit, no, they didn't immediately right, So it's so

0:46:25.920 --> 0:46:30.520
<v Speaker 1>much there's so much success on the song that there's

0:46:30.719 --> 0:46:33.080
<v Speaker 1>enough success to go around for everyone.

0:46:33.120 --> 0:46:33.520
<v Speaker 2>Everybody.

0:46:34.239 --> 0:46:37.560
<v Speaker 1>Let the interpolation of the sample have their piece and

0:46:37.719 --> 0:46:40.960
<v Speaker 1>everybody split it even and we get that money that's

0:46:41.040 --> 0:46:44.839
<v Speaker 1>just sitting there collecting interest for everyone else to use.

0:46:44.840 --> 0:46:45.799
<v Speaker 2>Because that's the other part.

0:46:45.800 --> 0:46:51.440
<v Speaker 1>People aren't paying attention to that interested.

0:46:49.640 --> 0:46:53.040
<v Speaker 4>Oh yeah, it's I learned about something called a black box,

0:46:54.000 --> 0:46:57.320
<v Speaker 4>and your money goes into a black box, which in

0:46:57.440 --> 0:47:02.400
<v Speaker 4>turn is bonuses at the end of the year. Ye,

0:47:02.680 --> 0:47:03.680
<v Speaker 4>so you mean to tell me.

0:47:05.320 --> 0:47:08.759
<v Speaker 2>Off of your money, your money. Yes, this business is

0:47:08.880 --> 0:47:12.879
<v Speaker 2>wicked dog well that it is designed to be right,

0:47:13.239 --> 0:47:14.000
<v Speaker 2>but it don't have to.

0:47:14.080 --> 0:47:17.600
<v Speaker 1>But it don't have to be because the creatives have

0:47:17.760 --> 0:47:21.600
<v Speaker 1>to do business. And that's the part that gets tricky

0:47:22.040 --> 0:47:26.439
<v Speaker 1>with creatives. We because I am a creative, we get

0:47:26.640 --> 0:47:30.160
<v Speaker 1>in our feelings instead of saying, you know what, we

0:47:30.280 --> 0:47:33.520
<v Speaker 1>gotta handle our business though, And yes, this could be a.

0:47:33.600 --> 0:47:39.279
<v Speaker 2>Tricky conversation, or you know what, even I'll be the

0:47:39.360 --> 0:47:43.160
<v Speaker 2>nigga that will take less. You're reading my mind. So

0:47:43.280 --> 0:47:43.799
<v Speaker 2>here's the thing.

0:47:43.960 --> 0:47:47.719
<v Speaker 4>Here's this is the problem with going here, there, and

0:47:47.800 --> 0:47:50.520
<v Speaker 4>everywhere to get your song done. We're not all in

0:47:50.560 --> 0:47:51.680
<v Speaker 4>a room at the same time.

0:47:51.840 --> 0:47:52.239
<v Speaker 2>Of course.

0:47:52.640 --> 0:47:55.920
<v Speaker 1>So now lawyers and managers and you know, yeah, they're

0:47:55.960 --> 0:48:01.240
<v Speaker 1>negotiating it exactly, exactly exactly, so everybody has an argument.

0:48:01.280 --> 0:48:03.640
<v Speaker 4>They can make right. I could say without the line

0:48:03.680 --> 0:48:05.920
<v Speaker 4>I wrote, this song wouldn't have been what it what

0:48:06.040 --> 0:48:08.439
<v Speaker 4>it is because he can't perform this song without doing

0:48:08.560 --> 0:48:09.240
<v Speaker 4>that first.

0:48:10.360 --> 0:48:16.480
<v Speaker 1>It's it's it becomes, it becomes gnull and void, exactly

0:48:16.680 --> 0:48:18.160
<v Speaker 1>when nobody's getting paid.

0:48:28.760 --> 0:48:29.120
<v Speaker 2>Let's go.

0:48:29.960 --> 0:48:33.120
<v Speaker 4>You already know I'm a phone call away, bro, text, but.

0:48:33.200 --> 0:48:35.239
<v Speaker 2>He needs your best, is what he's saying. You said,

0:48:35.320 --> 0:48:40.319
<v Speaker 2>you said, you said, you said, you say.

0:48:40.400 --> 0:48:41.360
<v Speaker 4>Every time I came in.

0:48:41.840 --> 0:48:44.360
<v Speaker 2>You just delivered you show out. I just heard what

0:48:44.440 --> 0:48:53.960
<v Speaker 2>you just said. Though. Well listen, brother, that's what happened.

0:48:54.000 --> 0:48:54.520
<v Speaker 2>He was listening.

0:48:55.200 --> 0:49:05.120
<v Speaker 4>Listen, brother, I want the best for you. I'll come

0:49:05.200 --> 0:49:05.920
<v Speaker 4>in here and show out.

0:49:06.000 --> 0:49:06.160
<v Speaker 7>Man.

0:49:06.680 --> 0:49:08.080
<v Speaker 4>Let's do it, bro, of course you will.

0:49:08.160 --> 0:49:08.600
<v Speaker 2>Let's do it.

0:49:08.719 --> 0:49:09.640
<v Speaker 3>You got from over there.

0:49:16.120 --> 0:49:16.359
<v Speaker 2>Mom.

0:49:18.719 --> 0:49:31.200
<v Speaker 1>Yeah, I love that intro. Very superman ish. That's gonna

0:49:31.200 --> 0:49:32.680
<v Speaker 1>be this song we're gonna write. We're gonna write this

0:49:32.719 --> 0:49:33.800
<v Speaker 1>song called Superman.

0:49:35.600 --> 0:49:37.360
<v Speaker 2>You should have been had one of them? Should have

0:49:37.440 --> 0:49:38.279
<v Speaker 2>been had one of those.

0:49:41.880 --> 0:49:43.920
<v Speaker 4>The song is called should have been had a Superman.

0:49:44.520 --> 0:49:47.840
<v Speaker 2>Huh, you've been playing with that my song you should

0:49:47.880 --> 0:49:48.120
<v Speaker 2>have been?

0:49:49.040 --> 0:49:57.480
<v Speaker 4>Super mind? Okay, I hear you a Superman.

0:49:57.800 --> 0:50:04.919
<v Speaker 2>Maca made me say your name like I can't even

0:50:05.520 --> 0:50:06.600
<v Speaker 2>People want to know your.

0:50:10.680 --> 0:50:13.520
<v Speaker 3>Fun, that's what they want to know.

0:50:14.040 --> 0:50:25.680
<v Speaker 2>Your top fight, Yeah, top fun, your top. Fry's saying.

0:50:28.080 --> 0:50:29.719
<v Speaker 7>Already song.

0:50:32.000 --> 0:50:33.040
<v Speaker 1>We got to know.

0:50:33.960 --> 0:50:37.240
<v Speaker 4>We thought you know, we're on this shoe.

0:50:38.000 --> 0:50:39.040
<v Speaker 1>We want to know.

0:50:43.560 --> 0:50:48.719
<v Speaker 2>Yes, yow wow where.

0:50:55.040 --> 0:51:13.120
<v Speaker 4>You I tried to tell you that first of all,

0:51:13.280 --> 0:51:17.319
<v Speaker 4>you are going places? Brother, what you just did?

0:51:17.440 --> 0:51:17.759
<v Speaker 2>Right here?

0:51:17.880 --> 0:51:20.359
<v Speaker 4>I can see the whole thing on Venice Beach, right,

0:51:21.120 --> 0:51:24.479
<v Speaker 4>I can see take take his Venus beach.

0:51:26.120 --> 0:51:26.239
<v Speaker 2>Bro.

0:51:27.360 --> 0:51:30.480
<v Speaker 4>Bro, you was in it with no sustain you was

0:51:30.600 --> 0:51:30.840
<v Speaker 4>in it.

0:51:32.040 --> 0:51:36.080
<v Speaker 2>Work this man this keyboard over there, man, Yeah yeah,

0:51:36.160 --> 0:51:38.640
<v Speaker 2>yeah yeah. Top five my top five R and B

0:51:38.760 --> 0:51:39.880
<v Speaker 2>singers R and B.

0:51:40.080 --> 0:51:45.560
<v Speaker 4>Okay, in no particular order. I'm gonna say, uh Brandy,

0:51:45.880 --> 0:51:51.920
<v Speaker 4>yeah yeah, yeah, I gotta go. These are gospel singers,

0:51:52.480 --> 0:51:59.520
<v Speaker 4>but uh Mitchel Jones, uh Fred Hammon, the.

0:51:59.560 --> 0:52:02.480
<v Speaker 2>Great talk to talk said he pulling up to the pack.

0:52:02.600 --> 0:52:05.040
<v Speaker 2>That's what he said, talk to him yesterday.

0:52:05.239 --> 0:52:09.880
<v Speaker 4>Yeah, and these are these are surely people that impacted

0:52:10.000 --> 0:52:10.439
<v Speaker 4>my life.

0:52:10.880 --> 0:52:12.640
<v Speaker 2>You know what I mean? Me too?

0:52:12.760 --> 0:52:13.800
<v Speaker 4>Okay, yeah, all.

0:52:14.880 --> 0:52:17.560
<v Speaker 1>Them selfish on the personally. Don't think we know about it.

0:52:17.560 --> 0:52:23.080
<v Speaker 1>You don't think we know nobody nobody only affected him.

0:52:25.160 --> 0:52:28.200
<v Speaker 2>I don't know where you're going. You don't know Jones.

0:52:30.680 --> 0:52:36.640
<v Speaker 4>Uh, okay, number four, I will say Chris Martin, he's

0:52:36.680 --> 0:52:37.080
<v Speaker 4>not he's not.

0:52:37.200 --> 0:52:40.560
<v Speaker 2>R by your world, your world.

0:52:40.719 --> 0:52:44.799
<v Speaker 4>Chris Martin is because he influences your arms. Yes, yes, yes, phenomenal,

0:52:46.040 --> 0:52:50.160
<v Speaker 4>phenomenal voice. And uh, the last one I'm gonna have

0:52:50.320 --> 0:52:55.840
<v Speaker 4>to do. Uh, I'm gonna have to say, uh, Charlie Wilson.

0:52:58.480 --> 0:53:02.239
<v Speaker 4>And because the man is one hundred seventy stations old,

0:53:02.400 --> 0:53:08.800
<v Speaker 4>still sound the exact same, Get it like, there's no

0:53:10.120 --> 0:53:14.680
<v Speaker 4>there's no there's no fallout, there's no decline.

0:53:15.040 --> 0:53:21.279
<v Speaker 1>Uncle Charlie. Uncle Charlie is incredible. Yes, he's incredible. Charlie

0:53:21.280 --> 0:53:24.919
<v Speaker 1>would kick your ass. Yes, the call yourself being young

0:53:25.440 --> 0:53:28.120
<v Speaker 1>and trying to perform after Charlie.

0:53:27.920 --> 0:53:31.399
<v Speaker 2>Was you you better not? Yeah?

0:53:33.520 --> 0:53:36.480
<v Speaker 4>Yeah, bro Arlie, I like that.

0:53:37.360 --> 0:53:38.480
<v Speaker 2>Top five Army songs.

0:53:39.480 --> 0:53:44.960
<v Speaker 4>This might be a little more difficult, all right, I'm

0:53:44.960 --> 0:53:47.480
<v Speaker 4>gonna say the beautiful ones.

0:53:47.719 --> 0:53:54.840
<v Speaker 2>Prince you're starting off. Yeah, yeah, every time they heard you,

0:53:54.920 --> 0:53:59.360
<v Speaker 2>every time, I'm gonna say, I can't help it.

0:53:59.480 --> 0:53:59.960
<v Speaker 4>Michael Jack.

0:54:00.520 --> 0:54:10.560
<v Speaker 2>Yeah, I'm gonna go with Merry Go Round music.

0:54:10.640 --> 0:54:12.000
<v Speaker 4>So child Wow.

0:54:12.400 --> 0:54:16.480
<v Speaker 2>Yeah, Yeah, that's a great, okay.

0:54:18.400 --> 0:54:23.560
<v Speaker 4>Just to keep you satisfied. Marvin Gaye, Okay, no argument here,

0:54:24.800 --> 0:54:27.640
<v Speaker 4>and then number five I would have to say, uh,

0:54:30.200 --> 0:54:35.279
<v Speaker 4>I'm gonna go sick free Frank Ocean than give him

0:54:35.320 --> 0:54:35.720
<v Speaker 4>some Frank.

0:54:36.400 --> 0:54:39.839
<v Speaker 2>Yeah. Yeah. These are songs that that just like really

0:54:39.960 --> 0:54:43.360
<v Speaker 2>tough hit in a different way. I get it, I

0:54:43.480 --> 0:54:43.719
<v Speaker 2>get it.

0:54:46.360 --> 0:54:49.040
<v Speaker 3>Where where you going, jamp Where are you going?

0:54:49.160 --> 0:54:49.399
<v Speaker 4>Yap?

0:54:50.840 --> 0:54:53.600
<v Speaker 2>I ain't saying no nicks. Hey, ain't saying no names.

0:54:54.320 --> 0:54:54.719
<v Speaker 2>Saying no.

0:54:56.400 --> 0:55:00.520
<v Speaker 4>Names was what you did.

0:55:01.160 --> 0:55:12.680
<v Speaker 7>Don't say shout in the Champagne.

0:55:14.080 --> 0:55:19.400
<v Speaker 2>Champagne got you in there. It's only be money glasses.

0:55:20.200 --> 0:55:21.160
<v Speaker 3>Get yourself.

0:55:26.840 --> 0:55:33.839
<v Speaker 4>Some more of that Jesus ship. Nigga, my god, hey,

0:55:33.960 --> 0:55:35.880
<v Speaker 4>no you you went to another level right there, bro.

0:55:36.680 --> 0:55:40.640
<v Speaker 4>And it was effortlessly the church man, that's the no

0:55:40.800 --> 0:55:45.640
<v Speaker 4>sustain might I have my foot ain't nothing, they don't

0:55:45.880 --> 0:55:51.440
<v Speaker 4>nothing but clouds. Okay, So you know where we're at.

0:55:52.400 --> 0:55:54.400
<v Speaker 2>Listen, you've watched this show, You've known us for a

0:55:54.440 --> 0:55:57.400
<v Speaker 2>long time. You know what this ship is. Man. I

0:55:58.200 --> 0:56:01.000
<v Speaker 2>ain't saying no names. Well, you tell us a story

0:56:01.920 --> 0:56:03.000
<v Speaker 2>funny or fucked up?

0:56:03.719 --> 0:56:05.239
<v Speaker 3>Are funny and fucked up?

0:56:06.200 --> 0:56:08.680
<v Speaker 5>And since you are partnering something, you ain't told a sleep,

0:56:08.760 --> 0:56:09.520
<v Speaker 5>poor nigga.

0:56:10.800 --> 0:56:12.480
<v Speaker 2>I know about a lot of wild shit.

0:56:12.840 --> 0:56:16.600
<v Speaker 4>Boy, Okay, yeah, I've had. I got a lot of

0:56:16.680 --> 0:56:17.719
<v Speaker 4>those stories, a lot.

0:56:18.040 --> 0:56:18.839
<v Speaker 3>I know you a lot.

0:56:22.680 --> 0:56:26.640
<v Speaker 4>So round front, they call me R and B cuh

0:56:28.040 --> 0:56:30.239
<v Speaker 4>r and B cuh because they call me R and

0:56:30.360 --> 0:56:36.160
<v Speaker 4>B cut because I never turned down a fade and

0:56:36.640 --> 0:56:40.000
<v Speaker 4>we know this too, we'll sing and never turned down

0:56:40.040 --> 0:56:47.640
<v Speaker 4>to fade. So I called a fade with a guy

0:56:47.719 --> 0:56:52.560
<v Speaker 4>who's they out of here he he uh. I would

0:56:52.600 --> 0:56:55.680
<v Speaker 4>say he manages one of the biggest artists in the world,

0:56:56.360 --> 0:56:58.200
<v Speaker 4>like partners with one of the biggest artists in the

0:56:58.239 --> 0:57:02.120
<v Speaker 4>world now. But when we was kids were younger, me

0:57:02.200 --> 0:57:02.720
<v Speaker 4>and Mike.

0:57:02.680 --> 0:57:03.319
<v Speaker 2>Have never fought.

0:57:06.880 --> 0:57:11.960
<v Speaker 4>Bro. Listen, everybody. You know they don't want no problems

0:57:12.000 --> 0:57:14.759
<v Speaker 4>with all the time. Don't let that don't let that

0:57:14.920 --> 0:57:18.680
<v Speaker 4>hair fool you. Sorry, don't let that hairline hair.

0:57:18.840 --> 0:57:20.080
<v Speaker 2>I apologize you.

0:57:20.880 --> 0:57:27.000
<v Speaker 4>This man is from but Phil absolutely a finish. So

0:57:28.000 --> 0:57:32.800
<v Speaker 4>you call caught the fade. But I want to say

0:57:33.360 --> 0:57:35.880
<v Speaker 4>it was over a woman, but it wasn't. And it's

0:57:35.920 --> 0:57:41.400
<v Speaker 4>always like that, right she's it sparks and then after

0:57:41.480 --> 0:57:47.160
<v Speaker 4>that it becomes testosterone and aggression and ego. So I

0:57:47.920 --> 0:57:51.040
<v Speaker 4>was on tour, on screen tour. This was like five

0:57:51.200 --> 0:57:54.120
<v Speaker 4>or six. I was doing my thing and I had

0:57:54.160 --> 0:57:57.400
<v Speaker 4>a girlfriend back at home and apparently she was doing

0:57:57.440 --> 0:58:01.920
<v Speaker 4>her thing. So when I got off to her and

0:58:02.720 --> 0:58:07.120
<v Speaker 4>you know, we back together, when in my crib, I'm

0:58:07.160 --> 0:58:10.240
<v Speaker 4>seeing her phone blow up. And this is back when

0:58:10.280 --> 0:58:15.320
<v Speaker 4>we had what's the side cakes? So aim was on

0:58:15.400 --> 0:58:19.160
<v Speaker 4>the sidekicks. So I see, you know, me just being

0:58:19.480 --> 0:58:22.440
<v Speaker 4>I'm like, something ain't right. So let's just look over.

0:58:22.600 --> 0:58:25.600
<v Speaker 4>I have been a glance over and I see her

0:58:25.680 --> 0:58:26.880
<v Speaker 4>aiming with a nigga I know.

0:58:28.840 --> 0:58:31.320
<v Speaker 2>And so right there while you're there, she's she's going

0:58:31.360 --> 0:58:32.240
<v Speaker 2>back and forth with him.

0:58:32.320 --> 0:58:34.080
<v Speaker 4>Well, she had got up to go to the bathroom

0:58:34.160 --> 0:58:37.000
<v Speaker 4>or something. And then I did something that I ain't

0:58:37.000 --> 0:58:39.960
<v Speaker 4>never did before that, but I was like, really, I

0:58:40.080 --> 0:58:42.480
<v Speaker 4>felt it in my spirit. I was like, man, something

0:58:42.560 --> 0:58:44.000
<v Speaker 4>going wrong because I was doing wrong.

0:58:44.760 --> 0:58:50.080
<v Speaker 2>So that's what Michael Jackie said, You're doing wrong. Yeah.

0:58:50.600 --> 0:58:55.160
<v Speaker 4>So I get into her phone and I see it's

0:58:55.240 --> 0:58:59.480
<v Speaker 4>this nigga, you know, texting her back and forth inappropriate shit.

0:59:01.320 --> 0:59:04.720
<v Speaker 4>So I'm like a young twenty one twenty two somewhere

0:59:04.760 --> 0:59:07.640
<v Speaker 4>around there. So I'm like, I'll stick my chest out.

0:59:07.720 --> 0:59:11.280
<v Speaker 4>I hit him back, like, hey, honey, it starts there. Yes,

0:59:11.520 --> 0:59:14.320
<v Speaker 4>hey honey, don't hit this phone no more.

0:59:14.880 --> 0:59:17.280
<v Speaker 2>And you know who this is? Okay, all right?

0:59:18.000 --> 0:59:23.360
<v Speaker 4>So that nigga responds back immediately like who the fuck

0:59:23.440 --> 0:59:28.080
<v Speaker 4>you talking to? I know you you r and B

0:59:28.240 --> 0:59:29.520
<v Speaker 4>nigga stop.

0:59:29.320 --> 0:59:29.840
<v Speaker 2>Playing with me.

0:59:30.720 --> 0:59:34.240
<v Speaker 4>And I'm like what yeah, yeah yeah, And I'm like,

0:59:34.640 --> 0:59:36.800
<v Speaker 4>so I'm going back and forth. Whenn will we on

0:59:37.880 --> 0:59:45.240
<v Speaker 4>on her phone? Mind you, she's she sees me on

0:59:45.320 --> 0:59:47.600
<v Speaker 4>her phone. So me and her had a very volatile

0:59:47.680 --> 0:59:51.000
<v Speaker 4>relationship that we were young. So she starts to try

0:59:51.000 --> 0:59:54.320
<v Speaker 4>to get physical with me. I throw her phone out

0:59:54.360 --> 0:59:58.640
<v Speaker 4>the house. She somehow gets my phone, grabs her phone,

0:59:58.960 --> 1:00:02.000
<v Speaker 4>gets in the car, and I'm like, give me my

1:00:02.120 --> 1:00:04.000
<v Speaker 4>fucking phone. I get on the hood of her car,

1:00:05.160 --> 1:00:07.040
<v Speaker 4>the hood. I get on the hood of her car,

1:00:07.640 --> 1:00:10.520
<v Speaker 4>all right, and you know the line between the windshield

1:00:10.640 --> 1:00:12.560
<v Speaker 4>and the actual hood I'm holding on.

1:00:13.720 --> 1:00:16.080
<v Speaker 2>She drives off like that meme of that it's like

1:00:16.160 --> 1:00:17.960
<v Speaker 2>a it's like a girl that has that meme right

1:00:18.080 --> 1:00:18.640
<v Speaker 2>hanging on the car.

1:00:18.960 --> 1:00:21.600
<v Speaker 4>Yeah. So it's Michael, because she got she got my phone,

1:00:21.640 --> 1:00:23.640
<v Speaker 4>and I don't want her to see all the debauchery

1:00:23.760 --> 1:00:29.240
<v Speaker 4>going on in your You just want to Yes, I

1:00:29.360 --> 1:00:30.240
<v Speaker 4>had the upper hand.

1:00:30.320 --> 1:00:31.880
<v Speaker 2>You out of pocket, but go ahead, pimp.

1:00:32.360 --> 1:00:37.520
<v Speaker 4>So I'm holding on. She driving like, no, no joke,

1:00:37.680 --> 1:00:39.919
<v Speaker 4>like thirty miles per hour with me on the hood.

1:00:40.000 --> 1:00:41.840
<v Speaker 4>Some ship that could hurt you, No, some ship that

1:00:41.880 --> 1:00:46.320
<v Speaker 4>could really hurt me. So I don't even know how.

1:00:46.480 --> 1:00:48.800
<v Speaker 4>I don't remember how I got out of that, but

1:00:50.440 --> 1:00:53.280
<v Speaker 4>I'm still mad at this nigga. So I switched to

1:00:53.400 --> 1:00:54.880
<v Speaker 4>my phone because I have his number.

1:00:55.880 --> 1:00:57.360
<v Speaker 3>So I go to continue this.

1:00:57.680 --> 1:00:59.560
<v Speaker 4>I go to I go to this bar where.

1:00:59.440 --> 1:01:00.720
<v Speaker 2>All the hom was linking up.

1:01:00.800 --> 1:01:03.560
<v Speaker 4>It was a popular bar where they would have our

1:01:04.040 --> 1:01:05.240
<v Speaker 4>R and B live performances.

1:01:05.680 --> 1:01:06.600
<v Speaker 3>Is your R and B nigga?

1:01:06.680 --> 1:01:08.920
<v Speaker 2>Yes, had to go to the R and B B

1:01:09.120 --> 1:01:09.520
<v Speaker 2>R right.

1:01:09.680 --> 1:01:18.600
<v Speaker 4>So I'm there, I'm there, I'm drinking, and something just

1:01:18.680 --> 1:01:21.479
<v Speaker 4>tells me, a nigga, if you're a real nigga, you'll

1:01:21.520 --> 1:01:27.000
<v Speaker 4>pull up to the tiple bar right now. He was like, bet,

1:01:28.400 --> 1:01:30.920
<v Speaker 4>I didn't think he was going to pull up. The

1:01:31.040 --> 1:01:36.920
<v Speaker 4>nigga pulled up with all blood, but I knew I

1:01:37.000 --> 1:01:38.600
<v Speaker 4>knew half of them, you know what I mean? So

1:01:38.720 --> 1:01:40.680
<v Speaker 4>it was all good. I wasn't finna get packed out.

1:01:41.120 --> 1:01:44.120
<v Speaker 3>Nas know each other. You know each other somehow.

1:01:44.400 --> 1:01:47.840
<v Speaker 4>So he actually pulled up and I'm in a bar

1:01:48.000 --> 1:01:50.840
<v Speaker 4>and this is I've been drinking. The only one that's

1:01:50.920 --> 1:01:54.360
<v Speaker 4>in there with me is my cousin David Tavaris was there.

1:01:54.960 --> 1:02:00.360
<v Speaker 2>You know you can't say no names, righty folks.

1:02:00.920 --> 1:02:05.520
<v Speaker 4>He text me like, I'm outside, what's happening? So I

1:02:05.640 --> 1:02:08.160
<v Speaker 4>put my drink down and I tell the homies, all right,

1:02:08.200 --> 1:02:08.720
<v Speaker 4>this time.

1:02:10.920 --> 1:02:13.520
<v Speaker 3>It started a gang war. It's pretty much where we

1:02:13.560 --> 1:02:13.800
<v Speaker 3>get to.

1:02:13.840 --> 1:02:18.640
<v Speaker 4>Well, go ahead, So I'll get outside and it's it's

1:02:18.680 --> 1:02:20.560
<v Speaker 4>the weirdest ship man, because I like, I know all

1:02:20.600 --> 1:02:23.080
<v Speaker 4>this homies. I'm dapping up homies and were walking. This

1:02:23.240 --> 1:02:28.120
<v Speaker 4>is like a very uh structured fade. This is an

1:02:28.280 --> 1:02:30.280
<v Speaker 4>organized This is an organized.

1:02:30.040 --> 1:02:35.000
<v Speaker 2>Anything I'll say about l a y'all organized for real?

1:02:36.120 --> 1:02:39.880
<v Speaker 3>Big little tiny, Yes, baby baby tiny.

1:02:40.080 --> 1:02:42.360
<v Speaker 4>It's rampant. Yes, it's a hierarchy.

1:02:42.960 --> 1:02:43.880
<v Speaker 3>Niggas is military.

1:02:45.840 --> 1:02:46.000
<v Speaker 7>Yeah.

1:02:46.080 --> 1:02:46.240
<v Speaker 2>Yeah.

1:02:46.520 --> 1:02:53.040
<v Speaker 4>So so we go to the alley and we we

1:02:53.240 --> 1:02:56.280
<v Speaker 4>just we start going at it and the first half

1:02:56.320 --> 1:02:58.320
<v Speaker 4>of the fight I'm really.

1:02:58.200 --> 1:03:00.040
<v Speaker 2>Giving it to And then.

1:03:01.680 --> 1:03:03.560
<v Speaker 4>The alcohol kicked in and he called me with a

1:03:03.640 --> 1:03:09.720
<v Speaker 4>two piece. He called me with a two piece, and

1:03:09.840 --> 1:03:14.640
<v Speaker 4>I hadn't been working out like so I was like yeah,

1:03:14.800 --> 1:03:18.080
<v Speaker 4>so so we get so it's like, you know how

1:03:18.160 --> 1:03:20.720
<v Speaker 4>niggas tussling. You get on the ground and the niggas

1:03:20.760 --> 1:03:23.040
<v Speaker 4>is just rolling on the ground and then they're like

1:03:23.440 --> 1:03:26.200
<v Speaker 4>stop that stop, all stop, all up wrestling blood, stop

1:03:26.280 --> 1:03:28.240
<v Speaker 4>at up wrestling blood. So they break niggas up and

1:03:28.280 --> 1:03:32.880
<v Speaker 4>make niggas stand up again and fade, and at that

1:03:33.040 --> 1:03:36.200
<v Speaker 4>point it just was niggas throwing haymakers. It was a

1:03:36.400 --> 1:03:39.480
<v Speaker 4>very sloppy fight. It was not a good fight. It

1:03:39.600 --> 1:03:42.920
<v Speaker 4>was not a good fight. Uh the artist that's huge now,

1:03:43.080 --> 1:03:45.160
<v Speaker 4>I think he was. I think he was the one

1:03:45.320 --> 1:03:47.840
<v Speaker 4>that was like he was filming the whole fight on

1:03:47.960 --> 1:03:54.560
<v Speaker 4>the camp court. So after after the after the fade,

1:03:54.880 --> 1:03:57.480
<v Speaker 4>it's like handshakes. I shook the dude hand, you know

1:03:57.480 --> 1:04:00.640
<v Speaker 4>what I mean, shook the old Jean's hands and it

1:04:00.760 --> 1:04:04.640
<v Speaker 4>was all good. Like two days later, I see me

1:04:04.920 --> 1:04:11.440
<v Speaker 4>on my Space. Oh shit, I'm on my Space and

1:04:11.520 --> 1:04:16.240
<v Speaker 4>this nigga has done an incredible job of editing this video.

1:04:17.640 --> 1:04:19.680
<v Speaker 2>And you don't have the video to make your edit.

1:04:20.280 --> 1:04:21.680
<v Speaker 3>No, you're getting chopped.

1:04:22.320 --> 1:04:24.959
<v Speaker 4>But but I didn't get beat up. It just looked

1:04:24.960 --> 1:04:26.760
<v Speaker 4>like he it looked like he won. He won, right,

1:04:27.080 --> 1:04:31.200
<v Speaker 4>you know, And I'm talking about this nigga made edits

1:04:31.200 --> 1:04:35.720
<v Speaker 4>where he reversed it slow motion, broke captions. I'm like,

1:04:37.280 --> 1:04:41.680
<v Speaker 4>this was like, oh seven, it wasn't no cap cut. Wow,

1:04:42.280 --> 1:04:45.560
<v Speaker 4>he went crazy and it was on They put it

1:04:45.680 --> 1:04:52.960
<v Speaker 4>on they page, the artist page all that. So I

1:04:53.040 --> 1:04:56.000
<v Speaker 4>got everybody hitting me, niggas like cap, why you didn't

1:04:56.040 --> 1:05:00.400
<v Speaker 4>call me for this shit. I'm like, it was, it

1:05:00.520 --> 1:05:01.040
<v Speaker 4>just happened.

1:05:01.040 --> 1:05:01.480
<v Speaker 3>I wouldn't.

1:05:01.560 --> 1:05:03.560
<v Speaker 4>I didn't call nobody like that. I was with some

1:05:03.680 --> 1:05:05.600
<v Speaker 4>niggas and it was like, well, at least you got

1:05:05.640 --> 1:05:11.840
<v Speaker 4>down because you know, at that time, I hung around cribs.

1:05:12.320 --> 1:05:13.720
<v Speaker 2>Yeah you know what I mean.

1:05:14.640 --> 1:05:16.600
<v Speaker 4>But and they was all bloods and so they was

1:05:16.720 --> 1:05:20.960
<v Speaker 4>extra man because it was all blood niggas. So, yeah,

1:05:21.040 --> 1:05:23.280
<v Speaker 4>that happened, and I was like everybody in the city

1:05:23.360 --> 1:05:28.320
<v Speaker 4>saw it, and I had to answer questions people hitting me, like.

1:05:29.000 --> 1:05:29.840
<v Speaker 2>Why was y'all fighting?

1:05:29.920 --> 1:05:34.040
<v Speaker 4>Why is y'all you know? The coldest part was I

1:05:34.160 --> 1:05:36.320
<v Speaker 4>had a Jesus piece on when I was fighting.

1:05:39.120 --> 1:05:40.080
<v Speaker 2>The Old Testament.

1:05:41.480 --> 1:05:45.080
<v Speaker 4>My girlfriend was at the same bar that we were

1:05:45.360 --> 1:05:47.400
<v Speaker 4>fighting at the girl fight over the girl.

1:05:48.280 --> 1:05:48.560
<v Speaker 2>Yeall.

1:05:51.040 --> 1:05:53.040
<v Speaker 4>So look so there's an alley right, and there's two

1:05:53.080 --> 1:05:55.880
<v Speaker 4>buildings here, and I'm walking from the fade. I got

1:05:55.960 --> 1:05:59.360
<v Speaker 4>my necklace on, and she's she's she's walking with her friend,

1:05:59.400 --> 1:06:01.760
<v Speaker 4>and she sees and she tries to tiptoe back like

1:06:01.960 --> 1:06:04.640
<v Speaker 4>nobody could see her. I'm like, I already saw you.

1:06:05.080 --> 1:06:09.000
<v Speaker 4>So she ends up taking me home. My Jesus piece,

1:06:09.920 --> 1:06:17.440
<v Speaker 4>the Jesus was crying a bloody tear, and I got

1:06:17.520 --> 1:06:20.240
<v Speaker 4>on my knees and said, Lord, forgive me.

1:06:21.560 --> 1:06:22.920
<v Speaker 2>Did some blood from you?

1:06:23.200 --> 1:06:26.560
<v Speaker 4>Some blood from me? But it literally it happened to

1:06:26.640 --> 1:06:29.680
<v Speaker 4>get right. It looked like a perfect tear coming down

1:06:29.760 --> 1:06:34.120
<v Speaker 4>from Jesus. That shook me to the core. I'm out

1:06:34.160 --> 1:06:34.960
<v Speaker 4>here doing too much.

1:06:35.160 --> 1:06:35.880
<v Speaker 3>I don't approve.

1:06:36.560 --> 1:06:42.840
<v Speaker 4>I don't approve God watching all throughout my life, things

1:06:42.960 --> 1:06:47.920
<v Speaker 4>like that have happened. But yeah, that's my that's my

1:06:48.040 --> 1:06:51.680
<v Speaker 4>I ain't saying no names. But what's crazy is after that,

1:06:51.800 --> 1:06:55.680
<v Speaker 4>we became cool. I got that artist on some of

1:06:55.720 --> 1:06:59.200
<v Speaker 4>my songs, like we built a relationship, like it was

1:06:59.280 --> 1:07:01.840
<v Speaker 4>all good. And that's the beauty in this whole thing,

1:07:02.000 --> 1:07:04.800
<v Speaker 4>is like when you do you know, when niggas was

1:07:04.840 --> 1:07:08.000
<v Speaker 4>good hearted. They may have differences and turbulence and all

1:07:08.040 --> 1:07:09.600
<v Speaker 4>of that. But at the end of the day, you

1:07:09.680 --> 1:07:11.000
<v Speaker 4>know what kind of nigga I am, and I know

1:07:11.080 --> 1:07:12.720
<v Speaker 4>what kind of nigga you are, And if it wasn't

1:07:12.760 --> 1:07:15.560
<v Speaker 4>for this bullshit, we probably be cool. So nigga, let's

1:07:15.600 --> 1:07:19.200
<v Speaker 4>put that shit aside and peace up. And that's what

1:07:19.360 --> 1:07:21.280
<v Speaker 4>niggas did. It was honorable.

1:07:24.240 --> 1:07:30.080
<v Speaker 1>I love that story. Yeah, I love that story. The fade, Yeah,

1:07:30.960 --> 1:07:34.120
<v Speaker 1>I love that. Then my Space editor is hilarious.

1:07:35.320 --> 1:07:35.560
<v Speaker 2>Great.

1:07:35.640 --> 1:07:39.120
<v Speaker 4>I'm talking about in the Remember they put it on

1:07:39.240 --> 1:07:42.360
<v Speaker 4>the header and then niggas is reposting it in the

1:07:42.560 --> 1:07:44.560
<v Speaker 4>in the comments section. You know, the comment used to

1:07:44.640 --> 1:07:47.760
<v Speaker 4>run down the side. Ah knocked that niggah blah, niggas

1:07:47.840 --> 1:07:51.600
<v Speaker 4>is talking. My brother is online at war with niggas.

1:07:54.480 --> 1:07:57.520
<v Speaker 4>Why do that like that? I'm looking at like, man,

1:07:57.520 --> 1:07:59.320
<v Speaker 4>I don't want my get back. Nah, I can't do

1:07:59.400 --> 1:08:00.920
<v Speaker 4>that already, sugar hands with more.

1:08:01.000 --> 1:08:03.640
<v Speaker 1>Nigga should catch the fit or niggas should catch the fat.

1:08:05.640 --> 1:08:08.120
<v Speaker 1>They never will, yeah, because niggas don't keep it to

1:08:08.280 --> 1:08:12.120
<v Speaker 1>just hand. No, I mean, unfortunately, I'm just from a

1:08:12.200 --> 1:08:18.040
<v Speaker 1>different time. Yeah, I respect that no matter. You see,

1:08:18.160 --> 1:08:19.439
<v Speaker 1>we didn't ask who won who lost.

1:08:19.479 --> 1:08:19.840
<v Speaker 2>We didn't.

1:08:20.479 --> 1:08:24.200
<v Speaker 4>It don't matter. You got out there, you got down

1:08:25.280 --> 1:08:25.679
<v Speaker 4>for sure.

1:08:26.479 --> 1:08:30.200
<v Speaker 2>That's exciting. Roll around a little bit. Yeah.

1:08:30.400 --> 1:08:32.840
<v Speaker 1>The only unexciting part is that it's over a woman.

1:08:33.680 --> 1:08:36.920
<v Speaker 1>It's always over No, I've never thought over a woman

1:08:37.240 --> 1:08:37.960
<v Speaker 1>in my entire.

1:08:37.960 --> 1:08:42.320
<v Speaker 2>I haven't either, But I'm just trying to. There's a place,

1:08:43.240 --> 1:08:45.160
<v Speaker 2>there's a place, many many wars.

1:08:46.000 --> 1:08:46.479
<v Speaker 4>I'm glad.

1:08:46.800 --> 1:08:48.439
<v Speaker 2>I'm glad you, but you are. I mean, I'm gonna

1:08:48.479 --> 1:08:49.080
<v Speaker 2>just tell you I was.

1:08:49.760 --> 1:08:52.560
<v Speaker 4>I was lost man while I was a wild.

1:08:52.360 --> 1:08:55.160
<v Speaker 2>Boy, almost almost killed a nigga over a woman.

1:08:55.720 --> 1:08:58.400
<v Speaker 1>But then I had to remember. I had to remember

1:08:58.560 --> 1:09:06.120
<v Speaker 1>that she's in violation too. If she don't, if she

1:09:06.160 --> 1:09:09.200
<v Speaker 1>don't make way for him, it don't happen.

1:09:11.439 --> 1:09:11.559
<v Speaker 2>Well.

1:09:11.600 --> 1:09:13.559
<v Speaker 4>See, the reason why I don't say it's over woman

1:09:13.720 --> 1:09:16.800
<v Speaker 4>is because it was more so over ego, because I

1:09:17.600 --> 1:09:18.760
<v Speaker 4>call myself checking him.

1:09:19.280 --> 1:09:22.200
<v Speaker 2>Well, you were he told me what he was supposed

1:09:22.240 --> 1:09:27.360
<v Speaker 2>to do. You know it's sober woman. Yeah, yeah, just

1:09:27.520 --> 1:09:32.280
<v Speaker 2>accept we fall down, it is, but what but we

1:09:32.400 --> 1:09:37.320
<v Speaker 2>get up? Yeah, it's just he fell down. What the Jesus,

1:09:37.400 --> 1:09:42.720
<v Speaker 2>Peace of Jesus, peace, Jesus protected you after that piece

1:09:44.960 --> 1:09:56.559
<v Speaker 2>should have been what I tell you what to Max,

1:09:56.680 --> 1:10:05.960
<v Speaker 2>you up. Jesus. You look Jesus.

1:10:06.280 --> 1:10:08.040
<v Speaker 1>You can't stop a nigga that I got a Jesus

1:10:08.120 --> 1:10:13.160
<v Speaker 1>peace Jesus, that's what That's the one that saved us.

1:10:16.240 --> 1:10:20.400
<v Speaker 1>He's come on, Michael, it was sad.

1:10:22.439 --> 1:10:27.120
<v Speaker 4>Ball. Y'all know me, Bro, that's just a fraction. I

1:10:27.240 --> 1:10:29.400
<v Speaker 4>got so many stories, Bro, I've lived.

1:10:29.560 --> 1:10:35.639
<v Speaker 2>Listen. I respected I respect you from from the first

1:10:35.720 --> 1:10:36.479
<v Speaker 2>day I met you. Bro.

1:10:36.880 --> 1:10:40.720
<v Speaker 1>You when I say you solid and and if you

1:10:40.760 --> 1:10:42.519
<v Speaker 1>need to get to it, you're gonna get to it

1:10:43.479 --> 1:10:46.200
<v Speaker 1>all of that, bro, Like you're gonna figure it out,

1:10:47.320 --> 1:10:50.160
<v Speaker 1>whether it be talent, whether it be anything like I

1:10:50.840 --> 1:10:52.240
<v Speaker 1>just I just got real love.

1:10:52.160 --> 1:10:54.880
<v Speaker 2>For you, bro, hey man. Absolutely, and that means a

1:10:54.920 --> 1:10:56.120
<v Speaker 2>lot to me. Never changed.

1:10:56.400 --> 1:10:57.040
<v Speaker 4>That means a lot.

1:10:57.280 --> 1:11:02.080
<v Speaker 2>Ever you got you got, you got two brothers left,

1:11:04.560 --> 1:11:10.760
<v Speaker 2>hey dog, you got two brothers left. We're with you, bro.

1:11:12.720 --> 1:11:15.000
<v Speaker 4>Yeah, I love it, Bro, no more.

1:11:16.920 --> 1:11:18.519
<v Speaker 2>No, he's catching phase a different way now though.

1:11:18.680 --> 1:11:18.760
<v Speaker 1>Ye.

1:11:19.840 --> 1:11:24.240
<v Speaker 3>So now he's mu tai. I get it, he's MUTI cut,

1:11:25.479 --> 1:11:25.920
<v Speaker 3>I get.

1:11:27.640 --> 1:11:28.040
<v Speaker 2>I get it.

1:11:28.360 --> 1:11:31.600
<v Speaker 4>But just because you know it, yeah, don't mean you.

1:11:32.000 --> 1:11:34.120
<v Speaker 4>I don't even I don't carry that energy with me.

1:11:34.760 --> 1:11:37.160
<v Speaker 4>It's the craziest thing because I actually learned in there

1:11:37.280 --> 1:11:39.840
<v Speaker 4>how to relax more.

1:11:40.400 --> 1:11:42.360
<v Speaker 1>You gotta understand this about this is the thing about

1:11:42.520 --> 1:11:51.160
<v Speaker 1>the thing about fighting, right, is that the people who

1:11:51.240 --> 1:11:53.360
<v Speaker 1>are truly not prepared are the people that are always

1:11:53.439 --> 1:11:57.640
<v Speaker 1>radify mm hmm. And you almost feel sorry when you're like,

1:11:59.600 --> 1:12:01.639
<v Speaker 1>you have no idea what you're about to get yourself

1:12:01.680 --> 1:12:07.439
<v Speaker 1>into at all. You've already used up too much energy

1:12:07.479 --> 1:12:12.519
<v Speaker 1>doing that. Yes, yes, uh already used it up. It's

1:12:12.520 --> 1:12:15.800
<v Speaker 1>gonna take me three to four seconds to really change.

1:12:15.479 --> 1:12:19.400
<v Speaker 4>Your life, revitalize your image.

1:12:19.439 --> 1:12:23.920
<v Speaker 2>That's all we mean. So I respect you for for

1:12:24.200 --> 1:12:27.160
<v Speaker 2>for learning the discipline that it takes to go along

1:12:27.240 --> 1:12:29.200
<v Speaker 2>with that. You know what I mean. And if you

1:12:29.360 --> 1:12:31.240
<v Speaker 2>you're gonna you'renn get in the ring, get organized, you

1:12:31.520 --> 1:12:37.000
<v Speaker 2>I did. He called his first one. I won. I'm

1:12:37.040 --> 1:12:37.880
<v Speaker 2>not listen.

1:12:37.960 --> 1:12:39.880
<v Speaker 1>People keep telling me you're about to about to be

1:12:39.920 --> 1:12:48.280
<v Speaker 1>a fight, about to be decision split split. Yeah, how'd

1:12:48.280 --> 1:12:50.840
<v Speaker 1>you feel like you did? I felt like I did

1:12:50.960 --> 1:12:53.599
<v Speaker 1>good for bro. I was tired when I got in there.

1:12:54.160 --> 1:12:56.840
<v Speaker 1>It's different when you fighting in front of people. And

1:12:56.920 --> 1:13:01.519
<v Speaker 1>because what you gotta say, you gotta relax exactly. And

1:13:01.640 --> 1:13:03.639
<v Speaker 1>the thing was, I was the third to last fight.

1:13:04.200 --> 1:13:07.160
<v Speaker 1>So I'm back there, you know, doing too much warm,

1:13:07.439 --> 1:13:07.880
<v Speaker 1>you know, and.

1:13:08.320 --> 1:13:12.760
<v Speaker 4>Just looking in anticipation and the adrenaline and you got

1:13:12.840 --> 1:13:15.920
<v Speaker 4>the anxiety and the nerves and all of that. I

1:13:16.680 --> 1:13:19.080
<v Speaker 4>didn't know about that. So I'm warm enough to do

1:13:19.360 --> 1:13:21.360
<v Speaker 4>like they do this thing where you do twenty kicks

1:13:21.439 --> 1:13:25.960
<v Speaker 4>to warm up. By ten, I was like, oh this

1:13:26.200 --> 1:13:26.599
<v Speaker 4>is real.

1:13:27.479 --> 1:13:28.160
<v Speaker 2>I'm gassed.

1:13:28.520 --> 1:13:34.200
<v Speaker 4>So what I did was my bro prophet Lovey who.

1:13:35.720 --> 1:13:36.320
<v Speaker 2>Love you bruh.

1:13:37.080 --> 1:13:39.000
<v Speaker 4>He came back and kind of like helped me to

1:13:39.080 --> 1:13:41.920
<v Speaker 4>relax because he did some shadow work with me and

1:13:42.160 --> 1:13:44.360
<v Speaker 4>just helped me to just get center myself. And then

1:13:44.400 --> 1:13:47.439
<v Speaker 4>I meditated. So then when I went up there, I'm like,

1:13:48.439 --> 1:13:51.000
<v Speaker 4>people were like, you almost seem two calm. When I

1:13:51.040 --> 1:13:53.680
<v Speaker 4>got in that round, I was super calm, but I

1:13:53.720 --> 1:13:55.720
<v Speaker 4>also knew that I needed to conserve my energy, so

1:13:55.840 --> 1:13:58.479
<v Speaker 4>I just kept it basic jabs and leg cakes and

1:13:58.600 --> 1:13:59.960
<v Speaker 4>if you wanted to mix it up a little bit,

1:14:00.080 --> 1:14:04.000
<v Speaker 4>we did. But at this point in my life, I'm

1:14:04.040 --> 1:14:09.519
<v Speaker 4>not finna be doing all the extras. Bro It came

1:14:09.600 --> 1:14:11.760
<v Speaker 4>out with the dub Man. I'm proud of myself for

1:14:11.840 --> 1:14:15.360
<v Speaker 4>doing that, proud of myself for always challenging and stretching

1:14:16.680 --> 1:14:19.720
<v Speaker 4>my boundaries. And you know I'm gonna continue to do that.

1:14:20.400 --> 1:14:22.519
<v Speaker 2>You know, it just is what it is.

1:14:22.600 --> 1:14:25.200
<v Speaker 4>It is my lifestyle doing the music.

1:14:25.240 --> 1:14:26.920
<v Speaker 2>I still need some more records from now.

1:14:27.200 --> 1:14:30.560
<v Speaker 4>Music will never leave me. It'll never leave me. But

1:14:31.000 --> 1:14:33.760
<v Speaker 4>for real, keep me in mind with the directorial ship.

1:14:33.800 --> 1:14:34.479
<v Speaker 2>I got the vision.

1:14:34.560 --> 1:14:39.920
<v Speaker 1>Bro, we will see all right, I'm gonna hold you

1:14:39.960 --> 1:14:44.000
<v Speaker 1>to thatts I know never did.

1:14:44.240 --> 1:14:47.560
<v Speaker 2>We will see you will get your shot. Let's go,

1:14:48.520 --> 1:14:51.960
<v Speaker 2>ladies and gentlemen. My name is Tank. Listen the Army

1:14:52.000 --> 1:14:54.880
<v Speaker 2>Money podcast, the authority on all things R and B.

1:14:55.280 --> 1:14:56.720
<v Speaker 7>Yeah, some.

1:14:58.200 --> 1:15:00.680
<v Speaker 1>I don't know, man. We just have a friend. We

1:15:00.720 --> 1:15:02.400
<v Speaker 1>got a brother, We got a loved one out here, ma'am.

1:15:02.600 --> 1:15:05.080
<v Speaker 1>And I think out of all things, that's what manage

1:15:05.120 --> 1:15:07.160
<v Speaker 1>must friend. We love you, pleasing man, We love you all.

1:15:07.200 --> 1:15:08.479
<v Speaker 1>Brandichael Power, Thank you man.

1:15:14.920 --> 1:15:17.880
<v Speaker 5>R and B Money. R and B Money is a

1:15:17.960 --> 1:15:21.840
<v Speaker 5>production of the Black Effect podcast Network. For more podcasts

1:15:21.880 --> 1:15:26.799
<v Speaker 5>from iHeartRadio, visit the iHeartRadio app, Apple Podcasts, or wherever

1:15:26.960 --> 1:15:30.240
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1:15:30.280 --> 1:15:32.800
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1:15:32.920 --> 1:15:36.160
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1:15:36.280 --> 1:15:40.760
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1:15:40.880 --> 1:15:43.519
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