WEBVTT - Hot, Loud, & Wrong

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<v Speaker 1>Forever Grand Risings.

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<v Speaker 2>Yeah, so you know we we obviously spoke before the pod,

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<v Speaker 2>and we're gonna be coming in a little hot, which

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<v Speaker 2>is fine.

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<v Speaker 1>We coming in hot or you coming in hot? Andrew,

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<v Speaker 1>don't speak for the heat coming off my body.

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<v Speaker 3>I mean like you're like, this is like a blanket

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<v Speaker 3>term that you're throwing over all of us and it's

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<v Speaker 3>just you.

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<v Speaker 2>I'm fine, right, Andrew, I'm fine.

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<v Speaker 3>I'm not pressed anything.

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<v Speaker 1>I'm not pressed about anything. We gotta move that the microphone.

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<v Speaker 2>Sorry, I'm I'm all the way back, I'm holding it.

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<v Speaker 1>Look how far it is your girl? I mean I

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<v Speaker 1>turned my volume down and it's still loud in my ears.

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<v Speaker 1>That's That's what I'm saying.

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<v Speaker 2>Well, maybe because you're using the iPhone headphones, it's a

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<v Speaker 2>little different.

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<v Speaker 1>No, Sydney, don't do that. Miss I'm coming in hot,

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<v Speaker 1>You coming in hot? Loud? And wrongs hot loud. Wrong,

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<v Speaker 1>that's like Caesar's Pizza.

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<v Speaker 2>That's a great title. I'm fine, that's a good title.

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<v Speaker 2>There was another one that we.

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<v Speaker 1>Missed, Sidney. It's been a minute. We're sixty seconds into

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<v Speaker 1>the podcast, is okay, all right, we'll catch another episode title.

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<v Speaker 4>You're right, you're right.

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<v Speaker 2>So obviously I was saying something before the podcast, and

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<v Speaker 2>they let me know that I need to I need

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<v Speaker 2>to speak up more when I have an issue. I

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<v Speaker 2>need to say how I feel instead of complaining to

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<v Speaker 2>my counterparts.

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<v Speaker 4>And they're right, they're definitely right. But it's hard.

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<v Speaker 2>It's definitely hard when somebody writes you or they say

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<v Speaker 2>something to you and you're like hmm, and then you

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<v Speaker 2>wait on it and you're like, damn, I should have

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<v Speaker 2>said X, Y and Z.

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<v Speaker 1>Well that's why it's important to like, like, I'll draft

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<v Speaker 1>a text or draft a message sometimes and then I'll

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<v Speaker 1>be like, you know what, I got to come back

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<v Speaker 1>to this. I leave and come back and then sometimes

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<v Speaker 1>you feel differently after you've had some time to think

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<v Speaker 1>about it. But other times it's like, this is what

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<v Speaker 1>I mean and this is what I'm sending, and I

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<v Speaker 1>think that's nice too.

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<v Speaker 2>Do you ever have someone look at your text like

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<v Speaker 2>to like review it?

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<v Speaker 1>Not really, I mean I've done that before. I think

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<v Speaker 1>just like, is this is this okay? Yeah, because it's

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<v Speaker 1>usually when I'm trying not to hurt somebody's feelings, I'm.

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<v Speaker 2>Like, oh, yes, yes, You've definitely been like what you

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<v Speaker 2>think about this because I'm the kind person, and then

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<v Speaker 2>you meet somewhere in the middle because you know that

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<v Speaker 2>I'm too.

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<v Speaker 1>Kind, right, Usually I have to you know what I mean,

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<v Speaker 1>because like when you're trying to spare somebody's feelings, or

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<v Speaker 1>when I'm trying to spare somebody's feelings, it makes the

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<v Speaker 1>whole conversation a little bit harder because when you don't

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<v Speaker 1>have to think about it, you just say what you mean,

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<v Speaker 1>and you mean what you say.

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<v Speaker 3>Andrew, Oh, yeah, I totally agree. I had like a

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<v Speaker 3>situation a few months ago where, uh, it was a

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<v Speaker 3>comedian that said something to me that was like very

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<v Speaker 3>messed up, and they thought that it was a joke

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<v Speaker 3>and they thought it was like very funny, and I

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<v Speaker 3>was like, wait, I can't have a relationship with you anymore.

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<v Speaker 4>Oh what was whoa?

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<v Speaker 1>What was saying?

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<v Speaker 3>You don't you don't know this comedian.

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<v Speaker 2>I'm sure we don't. The comedians we would know would

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<v Speaker 2>never speak to you like.

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<v Speaker 1>That, And well we don't even know what That's not true.

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<v Speaker 3>There are people that we all know, but they made

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<v Speaker 3>they made some jokes that were in very bad taste.

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<v Speaker 4>Uh, Like we're trying to get the tea.

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<v Speaker 1>What did they say?

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<v Speaker 3>It's it was about like children, and I didn't like it,

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<v Speaker 3>and I was like I need to lose ties, like like.

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<v Speaker 2>Like a bad like pedophilia joke.

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<v Speaker 3>Yeah, it was like I don't like that joke at all.

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<v Speaker 3>Like that's like weird that your your mind even produced that.

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<v Speaker 1>We're not affiliating with comics that talk about pedophilia.

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<v Speaker 3>And so not really like yeah, yeah, I drafted an

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<v Speaker 3>email and I like went off and I was like

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<v Speaker 3>this was disgusting. I hated that. Dad sent it to

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<v Speaker 3>a friend and the friend was like, you can't say

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<v Speaker 3>any of that because that might come back and like

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<v Speaker 3>bite you. It was like, oh, you were aware of this,

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<v Speaker 3>and so I was like, oh.

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<v Speaker 1>You were aware of what of them being a creep?

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<v Speaker 3>Of this person being a creep. And then like if

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<v Speaker 3>I was like aware of it, then it was like okay, then, Andrew,

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<v Speaker 3>why didn't you intervene when it was just like okay, Andrew,

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<v Speaker 3>but just like step away, but.

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<v Speaker 1>You sending that message, is you intervening? Yeah, no, I'll

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<v Speaker 1>them on it.

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<v Speaker 3>Yeah no, because I just lied, and I was just

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<v Speaker 3>like no, I can't work with you anymore.

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<v Speaker 4>It's just no, you oh you didn't want to even

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<v Speaker 4>work with them? No.

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<v Speaker 3>I was like, I can't work with it because they

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<v Speaker 3>they crossed like a few boundaries before and they were

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<v Speaker 3>like who do you masturbate too? And stuff like that,

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<v Speaker 3>and it was like, wait, sir, are like that he

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<v Speaker 3>thought that we were and I was like no, no, no.

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<v Speaker 3>In the first few times, I was like maybe this

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<v Speaker 3>is like I don't know what this is. Trying to

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<v Speaker 3>justify it, but it was just you know, but then.

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<v Speaker 4>Is this a straight man?

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<v Speaker 3>No?

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<v Speaker 1>Okay, oh wow what weird flirting?

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<v Speaker 4>Yeah?

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<v Speaker 1>You is it me?

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<v Speaker 3>Yeah? Very weird.

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<v Speaker 4>That's a good title. I don't know.

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<v Speaker 2>Yeah that I mean, you know, the thing is about

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<v Speaker 2>like comedy and friendship and working especially comedy. The lines

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<v Speaker 2>are very much blurred. They're so blurred you're like, oh,

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<v Speaker 2>I feel like we're mad cool. But it's like, but

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<v Speaker 2>we actually work together because I mean that this happens

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<v Speaker 2>with me and Andrew, you know from time to time,

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<v Speaker 2>and I like, when you, you know.

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<v Speaker 4>Put me in my place, tell me actually.

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<v Speaker 3>Do as me putting you in your place. I'm just

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<v Speaker 3>like voicing concern for the record. Yeah, okay, I know,

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<v Speaker 3>because I can clear Monday, Yeah, I do not want

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<v Speaker 3>it to seem like Okay. When we end the recording,

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<v Speaker 3>Andrew is like, Sydney, go back to your corner.

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<v Speaker 1>Yeah, my name, clear my name. I love that for you.

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<v Speaker 4>Clear my name.

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<v Speaker 2>Another beautiful title, y'all are on fire today?

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<v Speaker 1>You just you it's.

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<v Speaker 2>It was, It's not. It's not as as you well

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<v Speaker 2>you know what's.

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<v Speaker 3>Got another title?

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<v Speaker 4>Maybe, yes, honestly it could be.

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<v Speaker 2>Today is my four year anniversary of being sober.

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<v Speaker 1>Yay clap clap, clap, clap, clap, clap, clap, clap, clap, clap.

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<v Speaker 4>Clap, thank you.

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<v Speaker 2>And I'm feeling a little wonky today. I'm a little

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<v Speaker 2>I feel like displaced or all over the place.

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<v Speaker 1>I don't know, but may mental, emotionally.

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<v Speaker 2>Mentally, emotionally, I think, you know, I'm leaving tomorrow to

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<v Speaker 2>go to San Francisco or whatever, so I have to

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<v Speaker 2>do all that stuff.

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<v Speaker 4>But I think, like I am, I am proud.

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<v Speaker 2>I am proud of where I am right now, but

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<v Speaker 2>I'm also I feel I definitely fell all over the place.

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<v Speaker 2>It's hard to articulate. But I don't want you guys

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<v Speaker 2>to be worried. Don't be alarmed. I'm not gonna go

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<v Speaker 2>like get a drink, but I definitely just I don't

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<v Speaker 2>know how to describe this moment.

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<v Speaker 1>Well, I mean it's this is the longest you've ever

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<v Speaker 1>been sober. Yes, so that is an accomplishment in itself,

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<v Speaker 1>but also like something to like sit and reflect on,

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<v Speaker 1>because I mean, we talked about this yesterday. You relapsed

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<v Speaker 1>once before, and you know, this is something it's in

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<v Speaker 1>my phone, It's in my phone, it repeats every year,

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<v Speaker 1>and I think that, you know, sometimes maybe that's the

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<v Speaker 1>wrong word that I want to use. I just think

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<v Speaker 1>that it's something that obviously it changed your life forever.

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<v Speaker 1>And this is something that is not easy for some people.

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<v Speaker 1>I mean, you see what just happened with Kisha Cole's mom, right,

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<v Speaker 1>Some people get sober and they you know, they can't

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<v Speaker 1>stay clean for whatever reason. But addiction is addiction is

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<v Speaker 1>something that, like being friends with you, I've learned more

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<v Speaker 1>about than I've ever thought that I would know because

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<v Speaker 1>I don't really have any addicts in my family. But

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<v Speaker 1>it's it's very common, I think, especially in the black community.

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<v Speaker 1>So yeah, it's a big deal.

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<v Speaker 3>Yeah.

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<v Speaker 2>I mean I remember when I relapsed and we were

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<v Speaker 2>in Starbucks and I was crying, and you shed one

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<v Speaker 2>thug tear for me over the empanadas, and I was like, okay.

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<v Speaker 1>Em banadas. We were eating banatas a Starbucks.

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<v Speaker 3>Starbucks.

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<v Speaker 2>There was like a little impanata truck on that corner

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<v Speaker 2>and we brought it into Starbucks. And this sounds like

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<v Speaker 2>that sounds like yeah, absolutely.

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<v Speaker 4>Oh my god.

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<v Speaker 2>I was so I was so disheveled in a mess

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<v Speaker 2>and I didn't have no weaven. I had my my

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<v Speaker 2>hair natural and shaved on the sides, and I was

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<v Speaker 2>just like crying looking at it.

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<v Speaker 1>I remember that hair moment, sitting me with the natural

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<v Speaker 1>hair for like a month.

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<v Speaker 4>Yeah, no, it was a couple of months.

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<v Speaker 2>But yeah, you were definitely affected and you were like,

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<v Speaker 2>what are we gonna do?

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<v Speaker 1>Well? Because it's like, as somebody who is very new

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<v Speaker 1>to this, but also somebody who's trying to be a

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<v Speaker 1>good friend. This is this goes back to m making

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<v Speaker 1>sure that I say the right thing so that I

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<v Speaker 1>don't have hurt somebody's feelings. I also feel like for me,

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<v Speaker 1>like I'm not trying to be selfish, but I have

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<v Speaker 1>to be selfish sometimes, you know what I mean. Like

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<v Speaker 1>if we're trying to create something together. We're trying to

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<v Speaker 1>work together, and you can't you for whatever reason, can't

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<v Speaker 1>can't be where you need to be. That affects me

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<v Speaker 1>as well. Yeah, you know. And it's like I want

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<v Speaker 1>to be there for my friend. I want her to win,

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<v Speaker 1>I want her to feel good about herself, and I

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<v Speaker 1>want her to like make smart decisions, but I can't

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<v Speaker 1>make those decisions for you, you know. And so like

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<v Speaker 1>somebody left to review the other day on iTunes and

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<v Speaker 1>they were like, Marie and Andrew, you need to be

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<v Speaker 1>nicer to Sydney. Whenever Sidney says something, they attack her

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<v Speaker 1>Sidney did, They're like, my good sister can't even get

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<v Speaker 1>all words out without them shutting down. And it's like

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<v Speaker 1>when it comes to some when it comes to addiction,

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<v Speaker 1>or when it comes to things that are like serious

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<v Speaker 1>like that, I don't want to say the wrong thing

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<v Speaker 1>and then be the reason why somebody relapses or be

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<v Speaker 1>the reason why somebody has a bad day and then

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<v Speaker 1>they like take it out on themselves because of something

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<v Speaker 1>that I said. So, you know, and panadas in the

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<v Speaker 1>Starbucks with thug tears. Uh yeah, I remember that day too,

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<v Speaker 1>and I remember exactly where we were sitting but like

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<v Speaker 1>that was that was kind of a rough day.

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<v Speaker 2>Yeah, you know, we were trying to take pictures, were

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<v Speaker 2>trying to We're trying to change outfits.

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<v Speaker 4>It was like, I was like, why are we even

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<v Speaker 4>taking photos? I don't know.

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<v Speaker 2>We loved it was the same day it was. It

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<v Speaker 2>was the same day we had. We had a photo

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<v Speaker 2>shoot that day and you didn't have hair. No, I

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<v Speaker 2>didn't have hair. I have the pictures that guy Sean,

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<v Speaker 2>that guy Sean Sean, that's.

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<v Speaker 1>Where we know him from.

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<v Speaker 2>Yeah, I want you guys to know that if Marie

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<v Speaker 2>looks at you like she doesn't know you, it's.

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<v Speaker 1>It's not because I don't. It's no, I don't. I

0:12:08.240 --> 0:12:10.840
<v Speaker 1>will forget your face and your name and then people

0:12:10.880 --> 0:12:13.040
<v Speaker 1>will come up to me. Actually, I bumped into him

0:12:13.080 --> 0:12:15.760
<v Speaker 1>on the street ones and he's like Marie, hey, and

0:12:15.800 --> 0:12:19.360
<v Speaker 1>I was like hello, and.

0:12:18.480 --> 0:12:21.440
<v Speaker 2>Yeah we were at old to babbel and he was

0:12:21.600 --> 0:12:23.720
<v Speaker 2>truly trying to have a conversation with you, and you

0:12:23.760 --> 0:12:25.320
<v Speaker 2>were your eyes were cross eyed.

0:12:25.679 --> 0:12:27.240
<v Speaker 1>You were like what is this.

0:12:28.200 --> 0:12:29.560
<v Speaker 4>You're like, why is he talking to me?

0:12:29.679 --> 0:12:33.160
<v Speaker 2>Like he knows me, you know, And I had to whisper,

0:12:33.320 --> 0:12:34.600
<v Speaker 2>like pictures photos.

0:12:34.640 --> 0:12:38.200
<v Speaker 4>He took photos of us, and I was like, photos.

0:12:37.760 --> 0:12:40.640
<v Speaker 2>A photo, You're still trying to think about it? It

0:12:40.760 --> 0:12:43.280
<v Speaker 2>was it was so many years ago though, to be honest,

0:12:44.160 --> 0:12:46.040
<v Speaker 2>to be fair, it was like five years ago, so

0:12:46.520 --> 0:12:46.800
<v Speaker 2>I know.

0:12:46.960 --> 0:12:50.400
<v Speaker 1>But also like, can we be honest about this. If

0:12:50.400 --> 0:12:52.040
<v Speaker 1>you bump into me in the streets and I'm giving

0:12:52.080 --> 0:12:54.880
<v Speaker 1>you the who that is face, just give me some

0:12:54.920 --> 0:12:59.520
<v Speaker 1>context cues. Clues, Give me some context clues so I

0:12:59.520 --> 0:13:04.040
<v Speaker 1>can be like, oh right, Fire Island nineteen sixty nine

0:13:04.320 --> 0:13:06.280
<v Speaker 1>or whatever, like give me some.

0:13:08.040 --> 0:13:08.880
<v Speaker 4>Well, you know what it is.

0:13:08.920 --> 0:13:13.400
<v Speaker 2>It's like people, it's also ego because it's kind of like, so, wait,

0:13:13.480 --> 0:13:15.920
<v Speaker 2>you don't know me, Like we've we had that moment,

0:13:16.080 --> 0:13:19.080
<v Speaker 2>but like the moment you thought we had that was

0:13:19.559 --> 0:13:20.120
<v Speaker 2>your moment.

0:13:20.240 --> 0:13:21.520
<v Speaker 4>That was our.

0:13:21.320 --> 0:13:27.800
<v Speaker 1>Moment, right, that was your moments, sweetie, wasn't a moment

0:13:27.840 --> 0:13:31.200
<v Speaker 1>for me. Did something memorable happen the last time we

0:13:31.280 --> 0:13:34.599
<v Speaker 1>hung out? If it did, then maybe I'll it'll be

0:13:34.640 --> 0:13:37.280
<v Speaker 1>easier for me to remember. But if like we just

0:13:37.320 --> 0:13:41.240
<v Speaker 1>met once and had a conversation, you know, while sneaking

0:13:41.240 --> 0:13:44.200
<v Speaker 1>food into a Starbucks, then I don't know if I'm

0:13:44.200 --> 0:13:44.880
<v Speaker 1>gonna remember you.

0:13:45.679 --> 0:13:46.800
<v Speaker 4>It's a tough one.

0:13:46.920 --> 0:13:49.600
<v Speaker 2>It's a tough one, but because like people want to

0:13:49.640 --> 0:13:55.360
<v Speaker 2>feel known important and important, especially from you, my friend.

0:13:55.720 --> 0:14:00.320
<v Speaker 2>So like nobody wants to be like, ah, you know

0:14:00.559 --> 0:14:02.640
<v Speaker 2>that comedy show. They want to be in the street.

0:14:02.679 --> 0:14:05.320
<v Speaker 2>Because it's also kind of embarrassing, like when you're in

0:14:05.400 --> 0:14:09.320
<v Speaker 2>public and you're like hey and the person is like, uh,

0:14:09.400 --> 0:14:11.760
<v Speaker 2>they're not giving you the same energy back because they're

0:14:11.800 --> 0:14:13.520
<v Speaker 2>just trying to figure out who the fuck are you.

0:14:14.120 --> 0:14:17.240
<v Speaker 1>Yeah, but we've all seen somebody waving and wave back

0:14:17.320 --> 0:14:19.400
<v Speaker 1>like do I know this person? Yeah, and then you

0:14:19.400 --> 0:14:21.000
<v Speaker 1>look behind you and you're like, oh, it wasn't even

0:14:21.200 --> 0:14:22.320
<v Speaker 1>that wasn't even for me.

0:14:22.760 --> 0:14:23.000
<v Speaker 4>Yeah.

0:14:23.040 --> 0:14:28.480
<v Speaker 2>That hurts too. That definitely hurts. I am not here

0:14:28.520 --> 0:14:32.960
<v Speaker 2>for that. It's like, if you meant to wave to

0:14:33.000 --> 0:14:38.680
<v Speaker 2>somebody else, still wave at me, Still wave wave back at.

0:14:38.600 --> 0:14:40.560
<v Speaker 1>Me, right, I mean, Sidney is somebody. If you wave

0:14:40.600 --> 0:14:43.080
<v Speaker 1>at somebody, they should be honored that you're waving back.

0:14:43.640 --> 0:14:47.800
<v Speaker 1>So that but also like, I mean, it's embarrassing, but

0:14:47.880 --> 0:14:50.080
<v Speaker 1>it's kind of funny too. We've all been there and

0:14:50.080 --> 0:14:53.840
<v Speaker 1>you're like, who me, I thought you meant me. I

0:14:53.840 --> 0:14:55.160
<v Speaker 1>don't know. Maybe you can meet the love of your

0:14:55.160 --> 0:14:57.320
<v Speaker 1>life that way. Who are someone who's listening.

0:14:57.880 --> 0:15:00.480
<v Speaker 4>Okay, sounds like a rom com.

0:15:00.520 --> 0:15:03.720
<v Speaker 1>That's what I'm saying. It's like Made in Manhattan, except

0:15:03.760 --> 0:15:07.720
<v Speaker 1>someone's waving at you and you're like yes, and they're

0:15:07.760 --> 0:15:11.560
<v Speaker 1>not looking at you, but now they are. There's a

0:15:11.600 --> 0:15:15.080
<v Speaker 1>conflict somewhere. You get married. J Lo's in that movie.

0:15:15.440 --> 0:15:17.000
<v Speaker 1>I think it's coming out in the fall.

0:15:17.760 --> 0:15:19.280
<v Speaker 4>Yeah, j Loo, Jlo j Lo.

0:15:19.600 --> 0:15:22.640
<v Speaker 2>I'm like, when is she gonna wrap this up with Ben?

0:15:23.280 --> 0:15:25.000
<v Speaker 2>I'm tired of seeing the photos.

0:15:25.400 --> 0:15:27.680
<v Speaker 1>You think the sex between them is cute, Like, do

0:15:27.680 --> 0:15:29.120
<v Speaker 1>you think they're having good sex?

0:15:31.800 --> 0:15:33.760
<v Speaker 4>I can't say. I can't say.

0:15:33.880 --> 0:15:37.400
<v Speaker 2>He looks miserable in every photo and every photo with her.

0:15:37.680 --> 0:15:40.840
<v Speaker 2>He looks like, damn, dude, why do we gotta be

0:15:41.000 --> 0:15:43.960
<v Speaker 2>out with this? Why can't we just be hiding in

0:15:44.360 --> 0:15:47.320
<v Speaker 2>like another country doing Why do we have to be

0:15:47.320 --> 0:15:50.760
<v Speaker 2>in la He doesn't look he doesn't look comfortable.

0:15:51.120 --> 0:15:54.520
<v Speaker 1>I watched the Justice League movie and he looked like

0:15:54.560 --> 0:15:56.120
<v Speaker 1>he didn't want to be there either. He was like

0:15:56.760 --> 0:16:01.800
<v Speaker 1>slappy slavn Batman. I said that Brooks what men didn't do,

0:16:01.880 --> 0:16:04.120
<v Speaker 1>not to sit up, not a push up, not one

0:16:04.280 --> 0:16:06.960
<v Speaker 1>arm curl. He just showed up to set and he

0:16:07.120 --> 0:16:08.840
<v Speaker 1>was like I don't even make up. I'm gonna do

0:16:08.840 --> 0:16:12.000
<v Speaker 1>a little BB cream and I'm ready for the cameras.

0:16:12.040 --> 0:16:13.600
<v Speaker 1>It was he he looked shoveled.

0:16:13.880 --> 0:16:16.040
<v Speaker 4>He said, y'all know my brand. What's good?

0:16:16.640 --> 0:16:20.680
<v Speaker 1>Sloppy dad, sloppy single dad.

0:16:21.120 --> 0:16:21.520
<v Speaker 4>Yeah.

0:16:22.360 --> 0:16:25.880
<v Speaker 3>But I'm saying, though, I feel like she's like glowing

0:16:25.960 --> 0:16:30.920
<v Speaker 3>in every like picture. She's upset, that's face tuned. No,

0:16:31.000 --> 0:16:34.600
<v Speaker 3>but caparazzi, come on. I think that like they are

0:16:34.640 --> 0:16:36.560
<v Speaker 3>obsessed with one another. How can they not be.

0:16:37.000 --> 0:16:39.880
<v Speaker 1>I think j Low is obsessed with herself, and I

0:16:39.920 --> 0:16:42.440
<v Speaker 1>think image is very important to a woman like that,

0:16:42.840 --> 0:16:45.360
<v Speaker 1>and she knows where the cameras are at all times

0:16:45.400 --> 0:16:51.160
<v Speaker 1>because she may be calling them or not. But I

0:16:51.160 --> 0:16:54.800
<v Speaker 1>don't think that her looking good. Look yeah, he looked.

0:16:55.040 --> 0:16:58.040
<v Speaker 1>He looks stressed. At least he has on a clean

0:16:58.280 --> 0:17:00.000
<v Speaker 1>cream sweater. They look fat.

0:17:00.800 --> 0:17:03.320
<v Speaker 3>That looks like the painting of like the two Farmers.

0:17:03.360 --> 0:17:08.080
<v Speaker 2>That's a pitchfork, Yeah, because Jlo, Because if Jlo has

0:17:08.119 --> 0:17:11.960
<v Speaker 2>a track soon it Yeah, but Jlo makes these dudes

0:17:12.040 --> 0:17:16.080
<v Speaker 2>where fucking color coordinated, similar outfits. It's like she'd be

0:17:16.760 --> 0:17:19.800
<v Speaker 2>low key emasculating them sometimes, Like I could tell that

0:17:19.840 --> 0:17:22.560
<v Speaker 2>they think that they do stuff because she wants it

0:17:22.600 --> 0:17:22.960
<v Speaker 2>that way.

0:17:24.000 --> 0:17:28.800
<v Speaker 4>I wanted way you.

0:17:30.440 --> 0:17:35.280
<v Speaker 1>And nothing. But uh, wasn't that song number one on

0:17:35.320 --> 0:17:38.760
<v Speaker 1>TRL for like ten years or something. It was like

0:17:38.800 --> 0:17:44.159
<v Speaker 1>a year. Yeah, I don't know. I've never wanted to

0:17:44.320 --> 0:17:50.000
<v Speaker 1>match with a man that I was dating. Yeah, it's

0:17:50.080 --> 0:17:53.520
<v Speaker 1>maybe maybe I've never been in love, but I've never

0:17:53.600 --> 0:17:57.160
<v Speaker 1>wanted you were that and I were this. I mean,

0:17:57.160 --> 0:17:58.879
<v Speaker 1>if we both show up somewhere and we kind of

0:17:58.920 --> 0:18:00.800
<v Speaker 1>accidentally matched, then that's funny to me.

0:18:01.040 --> 0:18:06.520
<v Speaker 4>But I mean, the thing is is that.

0:18:07.880 --> 0:18:13.560
<v Speaker 2>I think if you have really good chemistry and like

0:18:13.600 --> 0:18:16.560
<v Speaker 2>you guys hang out a lot, you're just randomly start

0:18:17.240 --> 0:18:19.399
<v Speaker 2>wearing similar outfits.

0:18:19.600 --> 0:18:22.040
<v Speaker 1>Well it's not even about the chemistry if they can

0:18:22.119 --> 0:18:26.000
<v Speaker 1>dress cute. I'm wearing that sweater, this jacket is mine today.

0:18:26.440 --> 0:18:30.200
<v Speaker 1>Oh my god? Did I accidentally right? I'm taking your stuff?

0:18:30.640 --> 0:18:31.120
<v Speaker 3>Yeah?

0:18:31.200 --> 0:18:33.800
<v Speaker 1>I mean I have stuff from What's his Face? That

0:18:33.880 --> 0:18:34.240
<v Speaker 1>I wear?

0:18:34.920 --> 0:18:37.160
<v Speaker 4>What's his Face? I love that that we don't even

0:18:37.200 --> 0:18:37.920
<v Speaker 4>know his name.

0:18:38.040 --> 0:18:39.240
<v Speaker 1>But what's his face is?

0:18:39.520 --> 0:18:42.840
<v Speaker 4>What is his face? His face? Great title?

0:18:43.880 --> 0:18:47.040
<v Speaker 1>Wait, speaking of what's his face? So I was at

0:18:47.040 --> 0:18:49.520
<v Speaker 1>an event the other day. It was like a weed

0:18:50.920 --> 0:18:54.639
<v Speaker 1>infused dinner and I went with Carolina because you know,

0:18:54.800 --> 0:18:57.359
<v Speaker 1>I was like, people are like, oh, I want to come,

0:18:57.760 --> 0:18:59.280
<v Speaker 1>I want to be a high with you, blah blah

0:18:59.280 --> 0:19:00.840
<v Speaker 1>blah blah. And I was like, well, there's a list,

0:19:01.119 --> 0:19:03.720
<v Speaker 1>but Carolina was the first person that I thought of,

0:19:03.800 --> 0:19:05.919
<v Speaker 1>so she's the one who got the invite. And so

0:19:05.960 --> 0:19:08.040
<v Speaker 1>we're at this thing and you could tell there's money

0:19:08.040 --> 0:19:09.600
<v Speaker 1>in the room. First of all, ticket to get to

0:19:09.640 --> 0:19:12.679
<v Speaker 1>the event was like two hundred dollars, So I'm already

0:19:12.680 --> 0:19:14.520
<v Speaker 1>coming into it, like if you have an extra two

0:19:14.560 --> 0:19:18.239
<v Speaker 1>hundred dollars during a pandemic, then I want to hang

0:19:18.280 --> 0:19:22.000
<v Speaker 1>out with you, right, So I'm we get there. I

0:19:22.000 --> 0:19:25.639
<v Speaker 1>had on this like sheer dress thing with the side

0:19:25.680 --> 0:19:30.480
<v Speaker 1>boobs out. She looks fantastic fully waiting for the Jana

0:19:30.560 --> 0:19:32.159
<v Speaker 1>Jackson nip slip I was.

0:19:32.359 --> 0:19:33.159
<v Speaker 4>I was turned on.

0:19:33.760 --> 0:19:38.040
<v Speaker 1>Wow, Wow, Okay, it was so Sidney. Why do you

0:19:38.119 --> 0:19:41.480
<v Speaker 1>not wet? Let's talk about it. Who do you masturbate to?

0:19:48.200 --> 0:19:51.040
<v Speaker 1>So I could tell there was like art people in there,

0:19:51.080 --> 0:19:53.800
<v Speaker 1>and it was like startup money in there, look like money.

0:19:54.040 --> 0:19:55.639
<v Speaker 1>At one point I walked by this table and this

0:19:56.040 --> 0:20:01.760
<v Speaker 1>old old like don I missed type man was like,

0:20:01.800 --> 0:20:04.639
<v Speaker 1>you are wearing their drill and I was like, he

0:20:04.760 --> 0:20:07.280
<v Speaker 1>can cow and he asked me to sit at his

0:20:07.359 --> 0:20:10.560
<v Speaker 1>table and I was like, no, I'm you know, Caroline's

0:20:10.600 --> 0:20:12.480
<v Speaker 1>right over there. He was like, well, this guy's getting

0:20:12.560 --> 0:20:14.399
<v Speaker 1>ready to leave. You could sit there when he leaves.

0:20:14.720 --> 0:20:16.399
<v Speaker 1>And somebody at the table was like, this is the

0:20:16.480 --> 0:20:17.720
<v Speaker 1>table you should be at.

0:20:18.600 --> 0:20:18.800
<v Speaker 4>Right.

0:20:19.320 --> 0:20:22.439
<v Speaker 1>I could tell this guy was rich just based on

0:20:22.480 --> 0:20:26.320
<v Speaker 1>how hard they were laughing at his jokes at the table, right, Like,

0:20:26.359 --> 0:20:28.359
<v Speaker 1>I was like, he must have paid for everybody's ticket

0:20:28.400 --> 0:20:31.240
<v Speaker 1>at this table, because they have to, right, Like you

0:20:31.280 --> 0:20:34.440
<v Speaker 1>know when someone's like not really that funny, but you're

0:20:34.480 --> 0:20:37.199
<v Speaker 1>like it was that.

0:20:37.400 --> 0:20:40.800
<v Speaker 3>It was that they do on The Bachelor all the time. Yeah,

0:20:41.680 --> 0:20:42.800
<v Speaker 3>they're losing it.

0:20:42.880 --> 0:20:43.520
<v Speaker 4>That's what they.

0:20:43.400 --> 0:20:46.080
<v Speaker 1>Do, right, because you want them to think that you

0:20:47.119 --> 0:20:50.119
<v Speaker 1>love them or that they're great. I don't know. Anyway,

0:20:51.480 --> 0:20:55.600
<v Speaker 1>found out later that this man was a billionaire, Like

0:20:55.760 --> 0:20:57.600
<v Speaker 1>what there were two billionaires at that event, and he

0:20:57.720 --> 0:21:00.240
<v Speaker 1>was one of the richest people in the room. And

0:21:00.280 --> 0:21:02.200
<v Speaker 1>I said, I sensed that and I should have sat

0:21:02.240 --> 0:21:07.480
<v Speaker 1>my ass down. And it's just actually kind of devastating

0:21:07.520 --> 0:21:14.359
<v Speaker 1>for me because they said they said he gives women

0:21:14.600 --> 0:21:18.240
<v Speaker 1>ten thousand dollars in cash just for fun. I said,

0:21:18.240 --> 0:21:20.560
<v Speaker 1>I like fun and I like cash.

0:21:20.800 --> 0:21:24.320
<v Speaker 2>So and you just and you were so concerned with

0:21:24.359 --> 0:21:28.160
<v Speaker 2>getting back to Carolina for what Like I was confused.

0:21:28.440 --> 0:21:30.919
<v Speaker 1>Carolina literally has never given me money in my life,

0:21:31.160 --> 0:21:34.080
<v Speaker 1>and not one bit, not a not a twenty not

0:21:34.160 --> 0:21:38.119
<v Speaker 1>even twenty dollars. Yeah, they said she's and my source

0:21:38.160 --> 0:21:40.560
<v Speaker 1>said he has a broken hip so he can't have

0:21:40.720 --> 0:21:44.800
<v Speaker 1>sex work. I said, this is my type of sugar daddy,

0:21:45.440 --> 0:21:50.040
<v Speaker 1>broken hip and billionaire and generous and didn't and didn't

0:21:50.080 --> 0:21:53.680
<v Speaker 1>he just buy a hotel. He just bought a hotel downtown.

0:21:54.040 --> 0:21:56.200
<v Speaker 4>Lord, have mercy, Jesus Christ.

0:21:56.800 --> 0:21:59.520
<v Speaker 2>We could have we we could have been at a

0:21:59.560 --> 0:22:01.920
<v Speaker 2>pool this summer, Marie.

0:22:02.240 --> 0:22:03.800
<v Speaker 1>I mean, we can still be at a pool that summer.

0:22:03.800 --> 0:22:04.000
<v Speaker 4>Sist.

0:22:09.600 --> 0:22:13.360
<v Speaker 1>But yeah, I really fumbled the bag on that one.

0:22:13.640 --> 0:22:16.240
<v Speaker 1>And the next event, I'm not bringing Caroline now, I'm

0:22:16.240 --> 0:22:20.760
<v Speaker 1>gonna bring a young, hot single friend that is more

0:22:20.800 --> 0:22:23.760
<v Speaker 1>desperate than me. Maybe desperate is the wrong word, but

0:22:23.960 --> 0:22:26.879
<v Speaker 1>a young, hot single friend that just wants to do

0:22:27.800 --> 0:22:29.800
<v Speaker 1>everybody in the room so that like we can all

0:22:29.880 --> 0:22:33.320
<v Speaker 1>mingle and then reconvene and compare notes after the event.

0:22:33.359 --> 0:22:33.960
<v Speaker 1>You know what I mean?

0:22:34.200 --> 0:22:37.080
<v Speaker 2>Oh, I was like, I mean I am. I'm like,

0:22:37.240 --> 0:22:40.720
<v Speaker 2>I'm your hot friend that likes to mingle, but you.

0:22:40.680 --> 0:22:45.520
<v Speaker 1>Don't smoke wheedsis no, No, you're right. And it's a

0:22:45.640 --> 0:22:49.320
<v Speaker 1>dinner for wheat. Like everything had weed in it. It

0:22:49.400 --> 0:22:52.840
<v Speaker 1>was all infused. It was really good. But what you said,

0:22:52.840 --> 0:22:55.480
<v Speaker 1>you're gonna bring a brown bag lunch. We're gonna be

0:22:55.480 --> 0:22:59.600
<v Speaker 1>eating duck breast and you're gonna be eating what of lunch?

0:23:00.160 --> 0:23:06.159
<v Speaker 2>No of beef patty with Swiss cheese. I love a

0:23:06.280 --> 0:23:09.719
<v Speaker 2>beef patty with Swiss cheese. It really be rocking my world. Honey,

0:23:10.200 --> 0:23:14.320
<v Speaker 2>Swiss cheese, Swiss cheese, Swiss, Swiss Swiss cheese.

0:23:15.040 --> 0:23:17.480
<v Speaker 3>Wait, Murray, was this guy hot? No?

0:23:18.920 --> 0:23:24.520
<v Speaker 1>No, it was not, Andrew, I think most most did

0:23:24.560 --> 0:23:26.560
<v Speaker 1>you hear me say, don I miss? Wasn't he like

0:23:27.280 --> 0:23:30.000
<v Speaker 1>melted candle wax? He looked like the candle from Beauty

0:23:30.040 --> 0:23:30.440
<v Speaker 1>and the Beast.

0:23:30.800 --> 0:23:32.040
<v Speaker 3>That one went over my head.

0:23:32.160 --> 0:23:33.040
<v Speaker 1>Yeah yeah?

0:23:33.359 --> 0:23:36.760
<v Speaker 4>And how many? How many billionaires do you know?

0:23:37.840 --> 0:23:40.240
<v Speaker 1>That hot?

0:23:40.680 --> 0:23:42.920
<v Speaker 3>Oh? I mean we've talked before. I think that Bill

0:23:43.000 --> 0:23:46.480
<v Speaker 3>Gates isn't terrible looking. I know I wouldn't say that

0:23:46.520 --> 0:23:47.040
<v Speaker 3>he's hot.

0:23:47.760 --> 0:23:51.200
<v Speaker 1>I just I'm googling hot billionaires. Yeah, let's let's.

0:23:51.040 --> 0:23:54.760
<v Speaker 2>See who comes up, truly truly worried about you that

0:23:54.840 --> 0:23:58.080
<v Speaker 2>you said Bill Gates is not terrible. Now I want

0:23:58.119 --> 0:23:59.720
<v Speaker 2>to I want to check your glasses.

0:24:01.119 --> 0:24:05.800
<v Speaker 3>How about Kylie Jenner? I mean, huh, are we including

0:24:05.920 --> 0:24:06.199
<v Speaker 3>can you?

0:24:06.280 --> 0:24:08.720
<v Speaker 1>Can you leap that out? Can you that name out?

0:24:08.800 --> 0:24:11.520
<v Speaker 1>So people? We don't we don't talk about those people here.

0:24:12.200 --> 0:24:14.960
<v Speaker 2>That's that's new money. I'm talking about billionaires that have

0:24:15.080 --> 0:24:20.359
<v Speaker 2>been billionaires. They've been billionaires, been billionaires. That's a good title.

0:24:20.440 --> 0:24:23.000
<v Speaker 2>Think be ben benionaires.

0:24:23.560 --> 0:24:27.600
<v Speaker 1>Because there's this Norwegian guy named Gustave Magnar with zo.

0:24:28.480 --> 0:24:29.840
<v Speaker 1>He looked like he might could be your type.

0:24:29.880 --> 0:24:34.920
<v Speaker 2>Andrew, Oh, he's cute.

0:24:35.720 --> 0:24:40.919
<v Speaker 1>One point six billion, Marie. That's all white dudes, the

0:24:41.000 --> 0:24:42.720
<v Speaker 1>heir to H and M.

0:24:42.760 --> 0:24:48.359
<v Speaker 2>Marie t what if you just start liking these dudes instagrams?

0:24:49.520 --> 0:24:51.040
<v Speaker 4>See if they see if they bite?

0:24:51.560 --> 0:24:53.960
<v Speaker 1>You don't think other people are liking their instagram?

0:24:54.680 --> 0:24:56.679
<v Speaker 4>Now? I don't.

0:24:57.160 --> 0:24:57.639
<v Speaker 3>I don't.

0:24:58.119 --> 0:25:00.400
<v Speaker 1>You don't think that they have like a b mall

0:25:00.640 --> 0:25:04.320
<v Speaker 1>skinny blond girl with cities attached to them at all times?

0:25:04.480 --> 0:25:08.679
<v Speaker 4>I don't. I truly don't. I'm sorry. I'm sorry that

0:25:08.800 --> 0:25:10.240
<v Speaker 4>I'm like I don't have any hope.

0:25:10.280 --> 0:25:13.600
<v Speaker 2>I'm like, who is Like, I'm like, please go to

0:25:13.600 --> 0:25:15.960
<v Speaker 2>their Instagram and see what they're even posting. I feel

0:25:16.000 --> 0:25:19.480
<v Speaker 2>like their last post is from like twenty nineteen.

0:25:19.920 --> 0:25:23.399
<v Speaker 1>Right, People who are like really really rich and busy

0:25:23.520 --> 0:25:26.480
<v Speaker 1>business owners are they don't really care about social media?

0:25:26.640 --> 0:25:27.240
<v Speaker 1>Why would they?

0:25:27.520 --> 0:25:30.840
<v Speaker 3>Yeah, they're not posting to their own account way right right?

0:25:31.000 --> 0:25:34.480
<v Speaker 1>They definitely have a fence to Okay, this guy that

0:25:34.600 --> 0:25:36.920
<v Speaker 1>started snapshot four billion dollars?

0:25:37.200 --> 0:25:37.919
<v Speaker 4>What do he look at?

0:25:37.960 --> 0:25:41.000
<v Speaker 1>I'm Sydney, let's start an app. He looks like a

0:25:41.040 --> 0:25:45.520
<v Speaker 1>puffy Bruno Mars. He looks like the guy from Insecure

0:25:45.560 --> 0:25:46.920
<v Speaker 1>that was dating Molly.

0:25:47.119 --> 0:25:50.920
<v Speaker 2>Don't believe me, Just watch he does. Wow, you are

0:25:51.160 --> 0:25:52.600
<v Speaker 2>You're good with these description.

0:25:54.400 --> 0:25:57.760
<v Speaker 1>And then this is the oldest billionaire on the list.

0:25:57.920 --> 0:26:02.240
<v Speaker 1>Let's look, let's Travis Kallinick six point three billion dollars.

0:26:02.760 --> 0:26:03.800
<v Speaker 4>He's not even old.

0:26:04.960 --> 0:26:06.840
<v Speaker 1>Well, he was born in nineteen seventy six. I don't

0:26:06.840 --> 0:26:07.639
<v Speaker 1>know how old this photo is.

0:26:07.760 --> 0:26:09.439
<v Speaker 2>Oh okay, because it looked like he ain't got no

0:26:09.480 --> 0:26:12.320
<v Speaker 2>top teeth though, Oh he ain't got no top teeth

0:26:12.480 --> 0:26:16.760
<v Speaker 2>or top or top lipt top lip. Yeah, top top

0:26:16.800 --> 0:26:19.360
<v Speaker 2>lift gone front teeth gone.

0:26:19.320 --> 0:26:21.919
<v Speaker 1>Okay, but now let's talk about it. Sidney. Yeah, so

0:26:22.600 --> 0:26:26.000
<v Speaker 1>if you were single, yes, and you were at it

0:26:26.080 --> 0:26:28.920
<v Speaker 1>was you in that situation and the man said, actually, Andrew,

0:26:29.080 --> 0:26:32.800
<v Speaker 1>this question goes to you as well. And this man,

0:26:32.920 --> 0:26:35.280
<v Speaker 1>who clearly had money, I felt it. I felt it

0:26:35.320 --> 0:26:39.960
<v Speaker 1>in my Haitian poor ass bones, not poor middle class bones.

0:26:40.280 --> 0:26:42.560
<v Speaker 1>I was like, this man owns a franchise or something.

0:26:42.640 --> 0:26:46.440
<v Speaker 1>The energy coming off of his old ass was like.

0:26:47.200 --> 0:26:49.439
<v Speaker 1>I was like this, this person has money, but a

0:26:49.520 --> 0:26:53.640
<v Speaker 1>lot of it. So somebody like that says to you,

0:26:53.640 --> 0:26:55.800
<v Speaker 1>you should come sit at my table. What do you do?

0:26:56.240 --> 0:26:58.240
<v Speaker 1>How are you playing it differently than how I played it?

0:26:58.359 --> 0:27:00.399
<v Speaker 2>I mean, girl, I told you about the time that

0:27:00.560 --> 0:27:04.720
<v Speaker 2>I went on a date with one of the biggest

0:27:05.080 --> 0:27:08.639
<v Speaker 2>art dealers in the world and I was looking at

0:27:08.680 --> 0:27:11.800
<v Speaker 2>him like, oh, he looked regular degular to me. But

0:27:11.840 --> 0:27:14.200
<v Speaker 2>then I ended up going going to dinner with him,

0:27:14.240 --> 0:27:18.320
<v Speaker 2>going to lunch, and then back at his townhouse and

0:27:18.359 --> 0:27:22.399
<v Speaker 2>then and then I finally googled and I was like, oh, bitch,

0:27:22.600 --> 0:27:24.560
<v Speaker 2>I definitely fumbled it back. But he wanted to like

0:27:24.600 --> 0:27:27.080
<v Speaker 2>cook up and I just couldn't. But I definitely would

0:27:27.080 --> 0:27:29.919
<v Speaker 2>have hung out. We were out in the sun. The

0:27:29.960 --> 0:27:30.600
<v Speaker 2>sun was on.

0:27:31.040 --> 0:27:34.200
<v Speaker 1>People could see, they could see both of you guys. Yeah,

0:27:34.240 --> 0:27:38.080
<v Speaker 1>it was Now how much older was he? Oh?

0:27:38.400 --> 0:27:38.600
<v Speaker 4>Girl?

0:27:39.000 --> 0:27:42.159
<v Speaker 2>At least thirty thirty thirty five years older?

0:27:42.800 --> 0:27:45.160
<v Speaker 1>Oh I was like he was thirty, No, thirty five

0:27:45.240 --> 0:27:48.720
<v Speaker 1>years old. Wait, Andrew, I'm gonna say, I'm gonna show

0:27:48.720 --> 0:27:49.920
<v Speaker 1>you a picture of the guy because.

0:27:49.720 --> 0:27:57.000
<v Speaker 2>I was twenty four twenty five. I'm gonna say he

0:27:57.119 --> 0:27:58.600
<v Speaker 2>was close to.

0:28:00.040 --> 0:28:00.720
<v Speaker 4>Fifty five.

0:28:02.520 --> 0:28:07.359
<v Speaker 1>Okay, I mean, but fifty five a black fifty five. No,

0:28:07.480 --> 0:28:09.280
<v Speaker 1>it was not different than a white fifty five.

0:28:09.320 --> 0:28:11.040
<v Speaker 4>It was not a it was not a white fit.

0:28:11.119 --> 0:28:13.399
<v Speaker 1>It was not a black bege fifty five is different.

0:28:13.720 --> 0:28:15.679
<v Speaker 2>It was not a black fifty five at all. It

0:28:15.720 --> 0:28:19.560
<v Speaker 2>was not even an Asian fifty five. Oh yeah, but

0:28:19.600 --> 0:28:21.600
<v Speaker 2>look at the girl. Look at the girl sitting next

0:28:21.600 --> 0:28:25.040
<v Speaker 2>to him, I see, yeah, look at her. Look at

0:28:25.080 --> 0:28:28.159
<v Speaker 2>her like she looked at his face like she's in

0:28:29.440 --> 0:28:33.120
<v Speaker 2>she's in the photo, but it's it's vacant behind the eyes.

0:28:33.920 --> 0:28:37.399
<v Speaker 1>Listen. I would let that man give me ten thousand

0:28:37.400 --> 0:28:39.920
<v Speaker 1>dollars in cash, and I might even let him like

0:28:40.000 --> 0:28:42.120
<v Speaker 1>you know, bloohimed a little bit, you know, like.

0:28:42.600 --> 0:28:45.800
<v Speaker 3>What did you even talk to this man about? What

0:28:45.840 --> 0:28:47.760
<v Speaker 3>were the conversations like, don't do that.

0:28:48.480 --> 0:28:52.560
<v Speaker 1>I'm just saying, answer that question. What were y'all talking about?

0:28:53.320 --> 0:28:57.920
<v Speaker 2>I mean I talked to him about he well, he

0:28:58.040 --> 0:29:01.680
<v Speaker 2>was an art dealer, so I told him, it's so funny.

0:29:01.720 --> 0:29:03.800
<v Speaker 2>He was laughing at me. He thought I was so funny,

0:29:03.800 --> 0:29:05.920
<v Speaker 2>but he was laughing for the wrong reasons. But I

0:29:05.960 --> 0:29:08.680
<v Speaker 2>was like, yeah, I used to work at the Whitney Museum.

0:29:08.760 --> 0:29:11.560
<v Speaker 2>And he's like, oh, did you what did you do?

0:29:11.640 --> 0:29:14.920
<v Speaker 1>I was like a curator, You're so sweet.

0:29:15.720 --> 0:29:19.040
<v Speaker 2>Yeah, no, no, no, he was I'm thinking like I'm

0:29:19.120 --> 0:29:22.160
<v Speaker 2>doing something like I'm flex and he was like, oh really,

0:29:22.640 --> 0:29:24.520
<v Speaker 2>so what did you do at the Whitney Museum And

0:29:24.560 --> 0:29:27.280
<v Speaker 2>I was like, I was like, I was a youth insight.

0:29:27.480 --> 0:29:30.360
<v Speaker 2>He's like, on, I was like a docent. I was

0:29:30.560 --> 0:29:34.240
<v Speaker 2>like a young docent and I would do tours for

0:29:34.400 --> 0:29:38.560
<v Speaker 2>like kids and senior citizens. And he's like, oh my god,

0:29:39.240 --> 0:29:42.840
<v Speaker 2>that's incredible. But at the time I thought that he

0:29:42.920 --> 0:29:45.640
<v Speaker 2>was like pleased with that, but he was totally shading

0:29:45.680 --> 0:29:46.400
<v Speaker 2>me the whole time.

0:29:47.080 --> 0:29:49.800
<v Speaker 3>He was like, you were a child.

0:29:50.120 --> 0:29:52.240
<v Speaker 4>Yeah, he was kicking, he was kekying at me.

0:29:53.520 --> 0:29:55.800
<v Speaker 2>I was like I was, I was like, oh my god,

0:29:55.840 --> 0:29:59.640
<v Speaker 2>I loved Ellsworth, Kelly, you know, Andy Warhol.

0:30:00.080 --> 0:30:01.800
<v Speaker 4>Like I'm shooting off names.

0:30:02.080 --> 0:30:04.000
<v Speaker 1>I don't know who Elsworth is. So it sounds like

0:30:04.040 --> 0:30:04.680
<v Speaker 1>you know art to me.

0:30:05.400 --> 0:30:08.840
<v Speaker 2>Yeah, But he's like that's he's like, that's like basic,

0:30:08.960 --> 0:30:12.080
<v Speaker 2>like he's he's an art dealer, Like so he knows

0:30:12.120 --> 0:30:17.600
<v Speaker 2>the names before, like everybody before they're in the Whitney Museum,

0:30:17.600 --> 0:30:21.280
<v Speaker 2>Like he knew about Damien Hurst before Damian Hurst.

0:30:20.960 --> 0:30:21.520
<v Speaker 4>Blew up.

0:30:23.120 --> 0:30:25.360
<v Speaker 1>Sidney. Honestly and truly, this is kind of hot that

0:30:25.400 --> 0:30:26.840
<v Speaker 1>you know all these artists. I don't know none of

0:30:26.880 --> 0:30:29.520
<v Speaker 1>these Damien Hurst. I'm writing it down so when I

0:30:29.560 --> 0:30:33.840
<v Speaker 1>do speak to a billionaire, I could say yes at

0:30:33.840 --> 0:30:37.080
<v Speaker 1>the house, Yeah right, Damian? You know Damian and I

0:30:37.160 --> 0:30:38.680
<v Speaker 1>where do I know him from?

0:30:38.680 --> 0:30:38.880
<v Speaker 4>Well?

0:30:38.880 --> 0:30:43.120
<v Speaker 2>If we ever went to what is that in Miami?

0:30:43.760 --> 0:30:46.440
<v Speaker 2>They like art Basil art, bosel. If you go there,

0:30:47.160 --> 0:30:50.480
<v Speaker 2>we'll learn about all this stuff. We'll like learn about

0:30:50.520 --> 0:30:54.800
<v Speaker 2>the cutting edge artists that are now like selling their

0:30:54.800 --> 0:30:57.000
<v Speaker 2>pieces for a million dollars or whatever.

0:30:58.760 --> 0:31:02.840
<v Speaker 1>H should we start doing art? Because I would like

0:31:02.880 --> 0:31:05.440
<v Speaker 1>to sell a million dollar thing. How does an artist

0:31:05.480 --> 0:31:08.680
<v Speaker 1>become like, how does an artist blow up in twenty

0:31:08.720 --> 0:31:11.480
<v Speaker 1>twenty one?

0:31:11.160 --> 0:31:12.480
<v Speaker 4>I think it's like.

0:31:13.960 --> 0:31:16.760
<v Speaker 2>For some reason for what I've seen, some of it

0:31:16.760 --> 0:31:20.520
<v Speaker 2>has been chance, some of it it's been connects. Some

0:31:20.560 --> 0:31:24.000
<v Speaker 2>of it's like, you know, the right person, you like,

0:31:24.480 --> 0:31:28.280
<v Speaker 2>somebody has an eye for art, sees it, and then boom,

0:31:28.320 --> 0:31:30.120
<v Speaker 2>everybody's jumping on that bandwagon.

0:31:31.040 --> 0:31:34.200
<v Speaker 4>It doesn't even have to be good. It doesn't even

0:31:34.280 --> 0:31:35.080
<v Speaker 4>have to be that good.

0:31:35.360 --> 0:31:38.800
<v Speaker 2>But Damien Hurst was doing something that was like he

0:31:38.920 --> 0:31:44.120
<v Speaker 2>was taking butterflies, like obviously actual butterflies, actual butterflies that

0:31:44.160 --> 0:31:48.520
<v Speaker 2>are not alive, and like putting it to like a painting,

0:31:48.640 --> 0:31:53.600
<v Speaker 2>but then drawing the rest of the butterflies like with paint.

0:31:54.000 --> 0:31:56.840
<v Speaker 2>So some of the butterflies are real, but you you

0:31:56.960 --> 0:31:59.600
<v Speaker 2>don't know, you can't really tell. Like the painting looks

0:31:59.680 --> 0:32:04.360
<v Speaker 2>so close to the real butterflies that it was incredible.

0:32:05.800 --> 0:32:07.800
<v Speaker 1>So he was murdering butterflies.

0:32:07.960 --> 0:32:08.800
<v Speaker 4>I'm pretty much.

0:32:09.200 --> 0:32:12.520
<v Speaker 1>Oh, they used to have his art at your old job. Yeah, girl,

0:32:12.800 --> 0:32:13.960
<v Speaker 1>I remember the dots.

0:32:14.320 --> 0:32:20.360
<v Speaker 4>Yep, the dots. Oh yeah, million for dots, just dots.

0:32:22.760 --> 0:32:26.520
<v Speaker 1>Well that's the thing, right is people are sheep. It

0:32:26.560 --> 0:32:31.320
<v Speaker 1>doesn't matter. It doesn't matter what it is. If other

0:32:31.360 --> 0:32:34.400
<v Speaker 1>people tell you something is hot, Yes, there are people

0:32:34.400 --> 0:32:36.560
<v Speaker 1>who will just believe it. A lot of people don't

0:32:36.600 --> 0:32:38.720
<v Speaker 1>have taste. They got money, but they don't have no taste.

0:32:39.080 --> 0:32:41.120
<v Speaker 2>Money with no taste. That's a great title, thank you.

0:32:41.960 --> 0:32:45.200
<v Speaker 2>That's not that's not us though, that's not us.

0:32:45.200 --> 0:32:47.160
<v Speaker 4>We have tastes well anything.

0:32:49.680 --> 0:32:53.760
<v Speaker 1>No money but taste, No money but taste.

0:32:53.960 --> 0:32:55.160
<v Speaker 4>Actually that's a better title.

0:32:55.200 --> 0:32:58.080
<v Speaker 1>I like that, right, but like because like Cardi B

0:32:58.360 --> 0:32:59.560
<v Speaker 1>has money but no.

0:32:59.600 --> 0:33:01.720
<v Speaker 2>Taste, you don't think she has taste?

0:33:02.200 --> 0:33:04.680
<v Speaker 1>Sis those first of all, Burken bags to me have

0:33:04.720 --> 0:33:08.560
<v Speaker 1>always been ugly. They look like very ugly briefcases. And

0:33:08.600 --> 0:33:11.600
<v Speaker 1>I understand that it's a status symbol. I don't understand.

0:33:11.480 --> 0:33:14.320
<v Speaker 4>Why foolish it's a waste of money.

0:33:15.000 --> 0:33:19.680
<v Speaker 1>Yeah, literally thousands, like a forty thousand dollars briefcase. Girl,

0:33:19.720 --> 0:33:22.680
<v Speaker 1>if you don't take your ass to the DJ Max.

0:33:23.720 --> 0:33:26.320
<v Speaker 2>It's just like no, but it's also like a briefcase

0:33:26.400 --> 0:33:32.120
<v Speaker 2>but also bowling ball bag. Like, yes, it doesn't look

0:33:32.600 --> 0:33:34.400
<v Speaker 2>like like fashion.

0:33:35.240 --> 0:33:38.719
<v Speaker 1>No, but if you, I mean, if you're gonna say

0:33:38.720 --> 0:33:41.400
<v Speaker 1>something doesn't look like fashion and a wind Tour is

0:33:41.840 --> 0:33:44.400
<v Speaker 1>like the most well known person in fashion and Nothing

0:33:44.400 --> 0:33:46.120
<v Speaker 1>about her is fashionable to me.

0:33:46.400 --> 0:33:46.840
<v Speaker 4>I don't know.

0:33:46.880 --> 0:33:50.640
<v Speaker 2>The baang, the shortcut, the bang and the sunglasses feels

0:33:50.640 --> 0:33:51.480
<v Speaker 2>like fashion.

0:33:51.160 --> 0:33:55.080
<v Speaker 1>To me, it's iconic. But to me it's like she's not.

0:33:55.920 --> 0:33:59.960
<v Speaker 1>She never invented any like hot, you know what I mean.

0:34:00.000 --> 0:34:02.400
<v Speaker 1>I mean like she she wears what she wears. It's

0:34:02.400 --> 0:34:07.160
<v Speaker 1>always like a tweed suit moment. It's always a coward

0:34:08.200 --> 0:34:12.080
<v Speaker 1>She just I don't know, she said, don't get it.

0:34:12.160 --> 0:34:15.480
<v Speaker 2>She said, I am not the body for the fashion

0:34:15.560 --> 0:34:17.600
<v Speaker 2>that I have the eye for, but I'm gonna be

0:34:17.640 --> 0:34:19.360
<v Speaker 2>the curator of the fashion.

0:34:19.480 --> 0:34:20.640
<v Speaker 4>Which is fine. You could do that.

0:34:21.520 --> 0:34:23.360
<v Speaker 2>I think you can have a good eye for something

0:34:23.520 --> 0:34:25.359
<v Speaker 2>and you're like, but I'm still gonna have my own.

0:34:25.400 --> 0:34:26.759
<v Speaker 4>Look, that's that's okay.

0:34:26.760 --> 0:34:28.200
<v Speaker 1>I don't know if I would say that she is

0:34:28.239 --> 0:34:31.800
<v Speaker 1>a good isis? I mean, you've seen these Vogue USA covers.

0:34:31.800 --> 0:34:34.120
<v Speaker 1>They are of all the Vogue covers in the world,

0:34:34.800 --> 0:34:36.200
<v Speaker 1>usually the weakest.

0:34:36.320 --> 0:34:40.399
<v Speaker 4>Okay, come through. Wow, I usually I didn't know.

0:34:40.840 --> 0:34:42.920
<v Speaker 2>Now this is kind of hot that you're telling me

0:34:42.960 --> 0:34:44.760
<v Speaker 2>about these Vogue covers.

0:34:44.840 --> 0:34:47.359
<v Speaker 1>Look at look at what Vogue India is doing, Look

0:34:47.400 --> 0:34:50.440
<v Speaker 1>at what Vogue Arabia is doing, Look at what Vogue

0:34:50.760 --> 0:34:53.920
<v Speaker 1>even like Japan, Like their covers are just better the

0:34:54.160 --> 0:34:58.920
<v Speaker 1>American than the American covers. They're better, they're better magazines.

0:35:00.960 --> 0:35:02.480
<v Speaker 4>You heard that, you heard it here first.

0:35:02.480 --> 0:35:06.440
<v Speaker 1>People also remember Andre Leon Talley. He was showing up

0:35:06.440 --> 0:35:08.920
<v Speaker 1>in a hefty, hefty, hefty bag and he was like,

0:35:09.000 --> 0:35:13.839
<v Speaker 1>this is and it was like, sir, sis bleats, y'all

0:35:13.840 --> 0:35:16.640
<v Speaker 1>are the tops of the American fashion world and this

0:35:16.760 --> 0:35:19.680
<v Speaker 1>is how you showing up. Yeah, but I think that's

0:35:19.719 --> 0:35:20.560
<v Speaker 1>a snuggie.

0:35:20.719 --> 0:35:24.200
<v Speaker 2>Hold on, hold on, Marie, But I think that is

0:35:24.600 --> 0:35:27.600
<v Speaker 2>the tea. Like the people who have the most money,

0:35:27.480 --> 0:35:31.239
<v Speaker 2>the most influential people in the room usually don't look it.

0:35:31.880 --> 0:35:34.239
<v Speaker 2>They don't look it. Whenever I would work at a

0:35:34.400 --> 0:35:38.240
<v Speaker 2>rose bar, the people who were the most well known

0:35:38.760 --> 0:35:41.760
<v Speaker 2>are the most important. Was just wearing like a regular

0:35:41.960 --> 0:35:44.200
<v Speaker 2>like blacktop, black pants.

0:35:45.640 --> 0:35:50.040
<v Speaker 1>That's that's different. That's business. This is fashion. This is fashion.

0:35:51.800 --> 0:35:54.480
<v Speaker 1>You showing up to it, like I understand. Like the

0:35:54.520 --> 0:35:57.400
<v Speaker 1>people who are the richest, you know, the Mark Zuckerberg's,

0:35:57.480 --> 0:35:59.800
<v Speaker 1>the what's his name, the one that died the iPhone

0:35:59.880 --> 0:36:04.200
<v Speaker 1>do with the sweater, Steve Jobs, Steve Jobs, They're wearing

0:36:04.239 --> 0:36:06.120
<v Speaker 1>the same thing. They don't have time they got money

0:36:06.120 --> 0:36:08.359
<v Speaker 1>on their mind. They're not worried about what they're wearing.

0:36:08.360 --> 0:36:10.439
<v Speaker 1>They're just gonna wear this. It's gonna be the same

0:36:10.440 --> 0:36:13.680
<v Speaker 1>little simple outfit, but it's gonna be an expensive I

0:36:13.719 --> 0:36:17.680
<v Speaker 1>don't know Merrial or Kid or designer white sneaker that

0:36:17.719 --> 0:36:20.120
<v Speaker 1>were like, EO, it's gonna be all that stuff they're

0:36:20.160 --> 0:36:23.680
<v Speaker 1>wearing is expensive. It's real simple. But they don't work

0:36:23.680 --> 0:36:27.800
<v Speaker 1>in fashion. Anna Wintour Andre Leon Talley worked in fashion

0:36:28.280 --> 0:36:30.120
<v Speaker 1>and you and his book came out, he said he

0:36:30.200 --> 0:36:34.759
<v Speaker 1>had no money, so I don't know. He wasn't the

0:36:34.840 --> 0:36:37.200
<v Speaker 1>richest person in the room, but he was like Anna

0:36:37.320 --> 0:36:40.560
<v Speaker 1>left him hanging. She didn't look out for him, and

0:36:40.600 --> 0:36:43.480
<v Speaker 1>it was like, but you were up under her for years.

0:36:43.719 --> 0:36:45.680
<v Speaker 2>But why would you think that a person who's wearing

0:36:45.719 --> 0:36:50.440
<v Speaker 2>sunglasses like in inside of buildings all the time, it's

0:36:50.480 --> 0:36:54.759
<v Speaker 2>gonna look out for you. Oh, I just don't see it.

0:36:55.239 --> 0:36:57.640
<v Speaker 2>She don't see it. That's why she got the shade though.

0:36:57.800 --> 0:36:59.200
<v Speaker 2>And that's why.

0:36:59.040 --> 0:37:01.440
<v Speaker 4>She got the shade. Honey, she don't see you.

0:37:02.040 --> 0:37:04.799
<v Speaker 1>But I'm saying, like the movie The Delaware's Prada was

0:37:05.160 --> 0:37:08.560
<v Speaker 1>based on what's supposed to be based on Anna Wintour.

0:37:09.000 --> 0:37:11.960
<v Speaker 1>Merrill was serving looks in that movie. The hair was

0:37:11.960 --> 0:37:16.800
<v Speaker 1>doing something cool, Like Anna Wintour is giving Kate Spade

0:37:17.400 --> 0:37:22.319
<v Speaker 1>is giving white woman from Nantucket pearl necklace. It's not

0:37:22.520 --> 0:37:27.480
<v Speaker 1>giving high fashion to me. Yeah, it's not giving edgy.

0:37:27.719 --> 0:37:31.480
<v Speaker 1>It's just like, like who rich Auntie is that? Like

0:37:31.760 --> 0:37:35.120
<v Speaker 1>she looked like a widow. She looks like she came

0:37:35.160 --> 0:37:38.680
<v Speaker 1>into some money because her third fourth husband died, and

0:37:38.800 --> 0:37:43.080
<v Speaker 1>she just wears Tiffany's and eats at you know, Barney's

0:37:43.160 --> 0:37:47.320
<v Speaker 1>restaurants or whatever. Like, it's not it's not giving fashion.

0:37:49.920 --> 0:37:53.560
<v Speaker 2>I love I love Marie talking her shit. You know

0:37:53.600 --> 0:37:58.360
<v Speaker 2>what is fast shan for me? Like I'm always looking

0:37:58.400 --> 0:38:00.799
<v Speaker 2>at the price tag, Like I'll look at the things

0:38:00.800 --> 0:38:03.240
<v Speaker 2>that I like, I like at the things that I want,

0:38:03.360 --> 0:38:06.640
<v Speaker 2>and then the things that I like, you know, maybe

0:38:06.680 --> 0:38:10.200
<v Speaker 2>a couple of degrees away. But you know, you can't,

0:38:10.320 --> 0:38:13.400
<v Speaker 2>you can't follow the trends. You you in order to

0:38:13.400 --> 0:38:15.879
<v Speaker 2>be a trendsetter, you have to look at something and

0:38:16.440 --> 0:38:22.280
<v Speaker 2>see that it can Marie showing pictures of Anna Wintour dragging.

0:38:21.920 --> 0:38:25.840
<v Speaker 1>Her She looks like a college professor, Marie dragging.

0:38:28.800 --> 0:38:33.719
<v Speaker 2>Yeah, but these this, but these are the people. These

0:38:33.719 --> 0:38:35.400
<v Speaker 2>are the people that we give the power to.

0:38:36.440 --> 0:38:38.120
<v Speaker 1>Who is we? We ain't give no power to her?

0:38:38.480 --> 0:38:40.480
<v Speaker 1>And A Winter has been alive and a Windoor have

0:38:40.520 --> 0:38:42.080
<v Speaker 1>been at Vogue longer than we've been alive.

0:38:43.560 --> 0:38:44.680
<v Speaker 4>Really how long?

0:38:45.280 --> 0:38:45.719
<v Speaker 1>I don't know.

0:38:46.080 --> 0:38:47.759
<v Speaker 4>I'm like, how long is how old she.

0:38:47.760 --> 0:38:50.880
<v Speaker 1>Is at the met gala? I mean, this is truly

0:38:51.080 --> 0:38:55.760
<v Speaker 1>probably the most the best thing that I've seen on her.

0:38:56.640 --> 0:39:00.200
<v Speaker 1>How old is Anna Wintour? Let's guess how I told

0:39:00.280 --> 0:39:00.799
<v Speaker 1>you think she is?

0:39:01.760 --> 0:39:03.000
<v Speaker 4>I think she's sixty.

0:39:04.120 --> 0:39:07.480
<v Speaker 1>Oh she's English. I didn't know that. I don't know

0:39:07.480 --> 0:39:10.840
<v Speaker 1>if I've ever heard her speak. She's seventy one. Whoa

0:39:11.960 --> 0:39:14.839
<v Speaker 1>and she's a dame, Dame Anna Wintur, And she's been

0:39:14.880 --> 0:39:16.600
<v Speaker 1>at Vote, she's been the editor, and she've had Vokee

0:39:16.640 --> 0:39:22.440
<v Speaker 1>since nineteen eighty eight. I was right, yeah, talk about

0:39:22.760 --> 0:39:24.360
<v Speaker 1>talk about job security.

0:39:26.600 --> 0:39:26.960
<v Speaker 4>Girl.

0:39:27.800 --> 0:39:29.680
<v Speaker 2>You know, you know how many people she low key

0:39:29.719 --> 0:39:32.359
<v Speaker 2>had to murder. You don't just you don't stay at

0:39:32.360 --> 0:39:34.520
<v Speaker 2>a job that long because you do a good job.

0:39:35.120 --> 0:39:39.200
<v Speaker 4>Okay, you are. You are fucking over people left and right.

0:39:39.760 --> 0:39:42.600
<v Speaker 1>Since we saw the devil wors Broad I remember Miranda

0:39:42.640 --> 0:39:44.600
<v Speaker 1>had a little list. Yeah, she said, if you fire me.

0:39:44.680 --> 0:39:49.040
<v Speaker 1>This is a list of photographers, designers, people that will

0:39:49.080 --> 0:39:53.200
<v Speaker 1>never work for your magazine. And it's like, yeah, Anna

0:39:53.320 --> 0:39:56.680
<v Speaker 1>know where all the bodies are buried? Anna, Yeah, she's

0:39:56.719 --> 0:39:59.479
<v Speaker 1>been stepping on people and over people to stay where

0:39:59.480 --> 0:40:03.799
<v Speaker 1>she's at and I don't know she's still doing it.

0:40:04.440 --> 0:40:09.360
<v Speaker 2>Yeah, Honestly, to be that committed, it's kind of hot.

0:40:09.520 --> 0:40:14.759
<v Speaker 2>The commitment of being like the bad guy is it's

0:40:14.440 --> 0:40:15.480
<v Speaker 2>it's cute.

0:40:15.960 --> 0:40:16.400
<v Speaker 4>I like it.

0:40:16.440 --> 0:40:18.640
<v Speaker 1>For her commitment to being the bad guy.

0:40:18.600 --> 0:40:21.480
<v Speaker 2>I couldn't I couldn't see her being nice. Like if

0:40:21.520 --> 0:40:23.800
<v Speaker 2>she was nice, I'm like, does she have dementia?

0:40:23.840 --> 0:40:25.560
<v Speaker 4>What's going on? What's she going through?

0:40:26.640 --> 0:40:28.719
<v Speaker 1>Well, certain people you don't expect them to be nice now,

0:40:28.719 --> 0:40:31.240
<v Speaker 1>Like I don't expect Mariah Carey to be nice.

0:40:33.440 --> 0:40:37.240
<v Speaker 2>I think she's guarded. I think you have to be guarded.

0:40:37.719 --> 0:40:39.719
<v Speaker 2>You have, Like you were trying to explain that to

0:40:39.840 --> 0:40:44.680
<v Speaker 2>me last week. A Lah, you know, Sidney's Sidney's doing

0:40:44.719 --> 0:40:47.879
<v Speaker 2>too much. Everybody don't need to be your friend. And

0:40:47.960 --> 0:40:51.360
<v Speaker 2>it's true, like you you have to protect yourself, especially

0:40:51.360 --> 0:40:53.879
<v Speaker 2>in the public. These people, like you said, they think

0:40:53.920 --> 0:40:56.760
<v Speaker 2>they know you, they think you owe them something because

0:40:56.800 --> 0:40:57.960
<v Speaker 2>you they support you.

0:40:58.880 --> 0:40:59.440
<v Speaker 4>She doesn't.

0:40:59.560 --> 0:41:03.960
<v Speaker 2>I don't know how nice I'm gonna be. If I

0:41:04.000 --> 0:41:05.279
<v Speaker 2>blow up, you.

0:41:05.360 --> 0:41:08.120
<v Speaker 1>Still gonna be a nice girl. Don't do that. You're

0:41:08.200 --> 0:41:12.120
<v Speaker 1>still gonna be like if you look at me, oh

0:41:12.160 --> 0:41:14.879
<v Speaker 1>my god, take my number, Dad, Like you're still gonna

0:41:14.920 --> 0:41:17.439
<v Speaker 1>do that. Don't don't do Destney. You're You're not gonna

0:41:17.520 --> 0:41:21.920
<v Speaker 1>change into a mean Disney villain. But I'm saying, like

0:41:22.040 --> 0:41:25.480
<v Speaker 1>certain celebrities you see them, and they seem nice, they

0:41:25.560 --> 0:41:30.680
<v Speaker 1>seem chilly. Mariah Carey has earned her diva status guarded

0:41:30.800 --> 0:41:33.560
<v Speaker 1>or not. I don't think any like I don't. I

0:41:33.640 --> 0:41:36.000
<v Speaker 1>don't think that if I met her, she would be

0:41:36.040 --> 0:41:39.080
<v Speaker 1>a friendly person, you know what I mean. Like people

0:41:39.160 --> 0:41:42.160
<v Speaker 1>were in the comments last week talking about like Miley Cyrus,

0:41:42.200 --> 0:41:44.319
<v Speaker 1>and I was like, I feel like Miley seemed like

0:41:44.320 --> 0:41:46.400
<v Speaker 1>she would be you know, she probably won't even have

0:41:46.400 --> 0:41:48.600
<v Speaker 1>own shoes when you meet her. She seems like she

0:41:48.680 --> 0:41:53.600
<v Speaker 1>would be chill. There's like different. There are some people

0:41:53.600 --> 0:41:57.280
<v Speaker 1>who are just not nice.

0:41:57.920 --> 0:42:01.839
<v Speaker 3>Yeah, you said that, like at a certain level, you

0:42:02.000 --> 0:42:04.880
<v Speaker 3>earn the right to be diva and like rude to

0:42:04.960 --> 0:42:05.520
<v Speaker 3>other people.

0:42:05.760 --> 0:42:07.640
<v Speaker 4>No, no, no, no, no, I don't no, no, no, I

0:42:07.640 --> 0:42:08.200
<v Speaker 4>don't think.

0:42:09.640 --> 0:42:13.440
<v Speaker 3>You said something about like she's earned like this diva

0:42:13.560 --> 0:42:14.239
<v Speaker 3>status and.

0:42:14.160 --> 0:42:16.799
<v Speaker 1>By earned the diva status, Okay, but.

0:42:16.840 --> 0:42:20.480
<v Speaker 3>Like byva's status, are you saying that like diva in

0:42:20.560 --> 0:42:23.520
<v Speaker 3>like a good diva like or bad way where it's

0:42:23.560 --> 0:42:26.400
<v Speaker 3>like demanding the M and m's being rude to interns whatever.

0:42:28.160 --> 0:42:31.160
<v Speaker 1>I don't know about. I just think, look, Mariah Carey

0:42:31.239 --> 0:42:34.000
<v Speaker 1>has had a really long career. Yeah right, she's been

0:42:34.000 --> 0:42:37.600
<v Speaker 1>out probably the same amount of time Anna been editor

0:42:37.600 --> 0:42:42.280
<v Speaker 1>in chief. But she you know, she's got the records,

0:42:42.320 --> 0:42:46.239
<v Speaker 1>she's got the you know she has She's proved herself

0:42:46.600 --> 0:42:50.920
<v Speaker 1>to be one of the top to ever do it.

0:42:51.400 --> 0:42:56.239
<v Speaker 1>So yeah, I feel like the diva thing is like

0:42:56.280 --> 0:42:58.480
<v Speaker 1>the cockiness that comes with like knowing that you're the

0:42:58.520 --> 0:43:01.560
<v Speaker 1>best at what you're doing and no one else can

0:43:01.560 --> 0:43:03.160
<v Speaker 1>do it like you. So yeah, I'm gonna be a

0:43:03.160 --> 0:43:06.279
<v Speaker 1>little bit of an asshole, like you work for me

0:43:06.760 --> 0:43:08.320
<v Speaker 1>or I don't need to know you, but you know,

0:43:08.480 --> 0:43:10.239
<v Speaker 1>you know what I mean. Like I just that's what

0:43:10.280 --> 0:43:12.000
<v Speaker 1>I mean when I say I feel like she's earned

0:43:12.080 --> 0:43:16.720
<v Speaker 1>the title of diva. She's earned that level of whatever

0:43:16.719 --> 0:43:17.640
<v Speaker 1>it is that she's doing.

0:43:18.600 --> 0:43:21.600
<v Speaker 2>But also, let me tell you another thing I don't

0:43:21.680 --> 0:43:27.680
<v Speaker 2>like these labels about like diva, intimidating not nice? Are

0:43:27.880 --> 0:43:32.320
<v Speaker 2>these are ways to describe a woman that you deem

0:43:32.440 --> 0:43:36.960
<v Speaker 2>as powerful and you're upset about that, Like because just

0:43:37.000 --> 0:43:40.000
<v Speaker 2>because you don't feel like you can speak up. Oh,

0:43:40.080 --> 0:43:43.160
<v Speaker 2>that person is intimidating and it's mean. It's just like, no,

0:43:43.239 --> 0:43:45.520
<v Speaker 2>that person is not kissing your ass and all up

0:43:45.560 --> 0:43:48.200
<v Speaker 2>on you. That doesn't make them intimidating.

0:43:48.480 --> 0:43:50.440
<v Speaker 1>Yeah, but diva's not a bad word. Diva's not a

0:43:50.480 --> 0:43:53.000
<v Speaker 1>bad word. The definition of diva is a famous female

0:43:53.080 --> 0:43:57.040
<v Speaker 1>singer of popular music, or a self important person who

0:43:57.080 --> 0:43:58.920
<v Speaker 1>is temperamental and difficult to please.

0:43:59.680 --> 0:44:02.440
<v Speaker 2>Yes, that's the one that people are using diva for.

0:44:02.800 --> 0:44:05.319
<v Speaker 1>It's usually well, yeah, but I think you have to

0:44:05.360 --> 0:44:08.480
<v Speaker 1>earn you got to be you have to be popular,

0:44:09.120 --> 0:44:11.799
<v Speaker 1>famous before you can be a diva. You can't be

0:44:12.400 --> 0:44:18.239
<v Speaker 1>a diva if you haven't accomplished anything. Oh no, yes, yeah,

0:44:18.239 --> 0:44:20.160
<v Speaker 1>you can't be a diva if you haven't accomplished anything.

0:44:20.400 --> 0:44:23.080
<v Speaker 1>And if you're difficult to please, it's like you've been

0:44:23.640 --> 0:44:25.680
<v Speaker 1>good at what you've done for so long that you

0:44:25.719 --> 0:44:28.000
<v Speaker 1>have a certain level, Like you set a certain standard

0:44:28.080 --> 0:44:31.759
<v Speaker 1>for everybody around you. Okay, all right, Like if like,

0:44:31.920 --> 0:44:34.600
<v Speaker 1>I want this done this way. That's what it's gonna be.

0:44:35.000 --> 0:44:36.759
<v Speaker 1>If you don't want to do that, then you can

0:44:36.760 --> 0:44:40.560
<v Speaker 1>get another job somewhere else. But like or Naomi Campbell

0:44:40.560 --> 0:44:46.400
<v Speaker 1>will throw a cell phone at you. But like, but like,

0:44:46.440 --> 0:44:48.640
<v Speaker 1>if you're trying to work for somebody that's in any

0:44:48.680 --> 0:44:52.919
<v Speaker 1>of these industries, you have to know that that might

0:44:52.960 --> 0:44:54.719
<v Speaker 1>be part of your job. You have to deal with

0:44:54.760 --> 0:44:55.960
<v Speaker 1>the temperamental person.

0:44:56.239 --> 0:44:57.080
<v Speaker 4>Yeah.

0:44:57.440 --> 0:44:59.400
<v Speaker 2>Right, a lot of these people are dealing with like

0:44:59.560 --> 0:45:03.000
<v Speaker 2>high pre your situations. They can make or break something,

0:45:03.080 --> 0:45:05.960
<v Speaker 2>so like, yeah, they're not gonna be as calm as

0:45:05.960 --> 0:45:08.719
<v Speaker 2>somebody who's working a regular, regular nine to five.

0:45:10.440 --> 0:45:12.160
<v Speaker 1>But also it's like you got to compete with the

0:45:12.160 --> 0:45:14.880
<v Speaker 1>people who come after you. You got to compete with

0:45:14.920 --> 0:45:18.160
<v Speaker 1>the people who are coming up behind you doing the

0:45:18.239 --> 0:45:21.440
<v Speaker 1>thing that you did so well for so many years. Yeah,

0:45:21.480 --> 0:45:24.200
<v Speaker 1>and I think a lot of people, a lot of celebrities,

0:45:24.280 --> 0:45:26.799
<v Speaker 1>a lot of those people can't you already know they

0:45:26.840 --> 0:45:30.800
<v Speaker 1>can't handle getting older. That's why people are like getting

0:45:30.840 --> 0:45:33.920
<v Speaker 1>filler and boattox and like you know, trying to keep

0:45:34.000 --> 0:45:35.480
<v Speaker 1>up with what the kids are doing. But it's like,

0:45:35.719 --> 0:45:40.000
<v Speaker 1>if you like if these people were like more graceful

0:45:40.000 --> 0:45:43.239
<v Speaker 1>about it, then it wouldn't. I don't know. I don't

0:45:43.280 --> 0:45:46.080
<v Speaker 1>know what I'm trying to say, but like some people

0:45:46.120 --> 0:45:49.400
<v Speaker 1>don't know how to age gracefully because I guess they

0:45:49.400 --> 0:45:52.120
<v Speaker 1>don't know what they would do after they got replaced.

0:45:52.280 --> 0:45:52.680
<v Speaker 1>I don't know.

0:45:52.960 --> 0:45:56.400
<v Speaker 2>It's scary getting older, Marie, It's scary, like it, like,

0:45:57.000 --> 0:46:00.400
<v Speaker 2>you know, you don't feel in, you don't feel current.

0:46:00.520 --> 0:46:03.960
<v Speaker 2>Everybody wants to feel relevant. And you know, now that

0:46:04.000 --> 0:46:07.240
<v Speaker 2>I'm seeing what is a gen z x Y elemental

0:46:07.239 --> 0:46:10.800
<v Speaker 2>P whatever, I'm I feel like, damn, I'm out of

0:46:10.840 --> 0:46:13.120
<v Speaker 2>the loops stuff that they're talking about. I'm like, none

0:46:13.120 --> 0:46:16.520
<v Speaker 2>of this shit matters. It's not good, you know. I like,

0:46:16.920 --> 0:46:21.439
<v Speaker 2>I remember when music videos were the thing you would go.

0:46:21.640 --> 0:46:23.560
<v Speaker 2>You're like, oh, I'm running home. I want to see

0:46:23.560 --> 0:46:26.560
<v Speaker 2>this music video. It's gonna it's gonna have a storyline,

0:46:26.600 --> 0:46:31.120
<v Speaker 2>there's gonna be cameos, there's like presentation. There's no music

0:46:31.200 --> 0:46:33.760
<v Speaker 2>videos anymore like that because nobody cares.

0:46:34.680 --> 0:46:39.200
<v Speaker 1>Yeah, so the videos are very much the same. It's

0:46:39.239 --> 0:46:41.840
<v Speaker 1>a lot like I mean, if Cardi B Is featured

0:46:41.840 --> 0:46:45.480
<v Speaker 1>on it, mute the video, Mute the video, and it's

0:46:45.520 --> 0:46:49.840
<v Speaker 1>basically the same. Video every time, Like, I mean.

0:46:49.719 --> 0:46:50.520
<v Speaker 4>Did you we all?

0:46:50.640 --> 0:46:53.239
<v Speaker 2>I mean everybody saw Normani's new I.

0:46:53.239 --> 0:46:56.480
<v Speaker 1>Have not seen the video, but I heard the song and.

0:46:56.440 --> 0:46:59.160
<v Speaker 4>You're and you know you're not featuring it.

0:46:59.160 --> 0:47:01.000
<v Speaker 1>It's one of those songs where you got to watch

0:47:01.000 --> 0:47:02.000
<v Speaker 1>the video and to enjoy it.

0:47:02.040 --> 0:47:05.320
<v Speaker 3>I think the video is very good. I read the visual.

0:47:05.400 --> 0:47:09.200
<v Speaker 1>Yeah, right, the song, it's one of those.

0:47:10.239 --> 0:47:13.120
<v Speaker 3>You Cardy, The Cardi b feature was unnecessary.

0:47:13.200 --> 0:47:15.320
<v Speaker 4>I think, ah, unnecessary.

0:47:15.600 --> 0:47:15.839
<v Speaker 1>Why.

0:47:16.320 --> 0:47:18.480
<v Speaker 3>I think I thought it brought the song down. I

0:47:18.480 --> 0:47:20.120
<v Speaker 3>think it was just like weird and it was just

0:47:20.120 --> 0:47:22.480
<v Speaker 3>like Cardi was like, hey, I have this feature. Do

0:47:22.560 --> 0:47:24.400
<v Speaker 3>you want this? I don't know. I just felt weird

0:47:24.440 --> 0:47:25.080
<v Speaker 3>and out of place.

0:47:25.880 --> 0:47:26.160
<v Speaker 4>Hmm.

0:47:26.560 --> 0:47:29.560
<v Speaker 1>Yeah. But I like how she says muglare.

0:47:31.640 --> 0:47:33.839
<v Speaker 3>Card I have no problem with her. I like her music,

0:47:33.840 --> 0:47:35.400
<v Speaker 3>but I just like some of her features are a

0:47:35.400 --> 0:47:35.920
<v Speaker 3>little weird.

0:47:36.880 --> 0:47:39.319
<v Speaker 1>Well, she's the hot She's the hot thing, the hot

0:47:39.360 --> 0:47:41.759
<v Speaker 1>new thing. If you can get a Cardi feature or

0:47:41.760 --> 0:47:44.640
<v Speaker 1>a meg meg the Stallion feature, or like there's like

0:47:44.760 --> 0:47:46.920
<v Speaker 1>very specific people if you can get them on your song,

0:47:47.360 --> 0:47:50.399
<v Speaker 1>and it's like it's a hit because the kids don't

0:47:50.480 --> 0:47:53.280
<v Speaker 1>like it. Yeah, people are gonna listen to it because

0:47:53.360 --> 0:47:55.240
<v Speaker 1>Cardi's on it to see what she's talking about.

0:47:56.760 --> 0:48:00.640
<v Speaker 2>She's fun, she's fun, she's she doesn't make herself too

0:48:00.680 --> 0:48:03.279
<v Speaker 2>seriously and that's what that's what we need.

0:48:04.200 --> 0:48:05.279
<v Speaker 1>People take themselves to.

0:48:05.600 --> 0:48:08.840
<v Speaker 4>Yeah, this is like, come on now, we need to

0:48:08.920 --> 0:48:10.280
<v Speaker 4>listen to the fucking old.

0:48:10.520 --> 0:48:14.000
<v Speaker 2>Like older songs, people are just like either talking about

0:48:14.000 --> 0:48:19.719
<v Speaker 2>how amazing they are or how they're love sick, are heartbroken.

0:48:20.320 --> 0:48:22.600
<v Speaker 2>That's that used to be all the songs.

0:48:23.800 --> 0:48:24.040
<v Speaker 4>I mean.

0:48:24.040 --> 0:48:27.040
<v Speaker 2>Eastern Ragees put out a tweet that was so funny

0:48:27.040 --> 0:48:30.920
<v Speaker 2>it went viral and everybody was talking about it because

0:48:32.640 --> 0:48:37.160
<v Speaker 2>she was talking about uh like old R and B

0:48:37.960 --> 0:48:38.800
<v Speaker 2>music videos.

0:48:39.080 --> 0:48:41.279
<v Speaker 4>Yes, yeah, she.

0:48:41.440 --> 0:48:43.800
<v Speaker 2>Said, let's see, let's see where it is.

0:48:43.880 --> 0:48:46.160
<v Speaker 3>It's like it's not the same anymore. And then someone

0:48:46.280 --> 0:48:49.279
<v Speaker 3>quote tweeted it and was like, it's because you're not

0:48:49.840 --> 0:48:52.280
<v Speaker 3>like women today aren't worth fighting for.

0:48:52.160 --> 0:48:54.319
<v Speaker 4>Something, right, yeah she.

0:48:54.640 --> 0:48:57.800
<v Speaker 3>And then she was like, you're she was making reference

0:48:57.880 --> 0:49:00.799
<v Speaker 3>to that person who responded their header where they were

0:49:00.840 --> 0:49:03.080
<v Speaker 3>drinking a bottle of water that said black women on

0:49:03.120 --> 0:49:03.720
<v Speaker 3>it and didn't.

0:49:05.040 --> 0:49:05.839
<v Speaker 4>Yeah. She wrote.

0:49:05.880 --> 0:49:09.680
<v Speaker 2>The tweet is listening to mint conditions breaking my heart

0:49:10.080 --> 0:49:12.920
<v Speaker 2>and realizing that a lot of music niggas today aren't

0:49:12.960 --> 0:49:17.040
<v Speaker 2>dramatic and desperate enough for me? And another man wrote,

0:49:17.320 --> 0:49:21.800
<v Speaker 2>because y'all ain't worth it?

0:49:22.040 --> 0:49:22.360
<v Speaker 1>What?

0:49:22.920 --> 0:49:27.160
<v Speaker 2>Yeah, Anthony Hamilton was the last one begging for his woman.

0:49:27.280 --> 0:49:33.000
<v Speaker 2>He was so distraught he couldn't take a bath, a bath.

0:49:33.160 --> 0:49:34.040
<v Speaker 4>Oh my god.

0:49:34.200 --> 0:49:37.880
<v Speaker 2>They said, lyrics aren't dramatic. Music videos aren' dramatic. Jodasy

0:49:38.040 --> 0:49:40.759
<v Speaker 2>was in the damn desert crying because Shorty was gone

0:49:40.880 --> 0:49:41.640
<v Speaker 2>for an hour.

0:49:42.120 --> 0:49:43.239
<v Speaker 4>An hour.

0:49:45.920 --> 0:49:47.440
<v Speaker 1>In the desert crying.

0:49:48.520 --> 0:49:52.080
<v Speaker 2>He said, you could take my money, my house, my cars.

0:49:52.440 --> 0:49:55.239
<v Speaker 2>The song cry for You. I mean it's true. I

0:49:55.239 --> 0:49:58.680
<v Speaker 2>mean that was I mean imagine this was like kind

0:49:58.680 --> 0:50:01.880
<v Speaker 2>of like an error, a little bit like before us.

0:50:02.239 --> 0:50:04.520
<v Speaker 2>But yeah, those guys really knew how to be Like,

0:50:05.200 --> 0:50:10.000
<v Speaker 2>I want you back, come back, please, I'm begging. I'm begging, beggy, begging.

0:50:10.920 --> 0:50:14.960
<v Speaker 1>Prince said, it's been seven hours and fifteen days since

0:50:15.000 --> 0:50:15.960
<v Speaker 1>you took your love away.

0:50:17.239 --> 0:50:17.479
<v Speaker 4>Yeah.

0:50:17.560 --> 0:50:20.359
<v Speaker 1>I just I think though, that like when people used

0:50:20.400 --> 0:50:24.080
<v Speaker 1>to make music, they made music, they were writing music.

0:50:24.160 --> 0:50:26.319
<v Speaker 1>One a lot of people artists now not writing their

0:50:26.320 --> 0:50:29.319
<v Speaker 1>own music. People write the songs, they sing them. So

0:50:29.560 --> 0:50:31.799
<v Speaker 1>like when you write your own song, I feel like

0:50:32.320 --> 0:50:35.319
<v Speaker 1>it means something. I think that's why people connect with

0:50:35.360 --> 0:50:38.520
<v Speaker 1>Adele so much. Yeah, because you know she was heartbroken,

0:50:39.080 --> 0:50:41.600
<v Speaker 1>you know what I mean, And everyone has been heartbroken

0:50:41.800 --> 0:50:43.959
<v Speaker 1>or like somebody who did them dirty in some way

0:50:45.040 --> 0:50:48.080
<v Speaker 1>Sam or had a relationship end Sam Smith. These are

0:50:48.239 --> 0:50:51.759
<v Speaker 1>people who write their own music from a place that

0:50:52.000 --> 0:50:56.239
<v Speaker 1>like is real to them, Like we feel that and

0:50:56.280 --> 0:50:59.360
<v Speaker 1>that's more. I mean, that's pop music though.

0:50:59.480 --> 0:51:01.839
<v Speaker 4>Yeah. Yeah, but R and B.

0:51:02.200 --> 0:51:07.000
<v Speaker 2>I mean, dudes, really, ah, I'm gonna say something problematic,

0:51:07.080 --> 0:51:11.880
<v Speaker 2>but then like all these guys were like begging and

0:51:12.440 --> 0:51:16.480
<v Speaker 2>please come back, and then we're like, uh, you're thirsty,

0:51:16.680 --> 0:51:18.200
<v Speaker 2>like get a grip, get off me.

0:51:18.800 --> 0:51:22.080
<v Speaker 1>But are we Are we saying that now or we're no,

0:51:22.239 --> 0:51:24.880
<v Speaker 1>I don't think that. I don't agree with that, Sydney.

0:51:24.440 --> 0:51:28.200
<v Speaker 1>If the guy was like I miss you so much,

0:51:28.320 --> 0:51:31.239
<v Speaker 1>I love you, I'm gonna die without you, I'd be

0:51:31.320 --> 0:51:33.719
<v Speaker 1>like ill. But in the back of my mind, I'd

0:51:33.760 --> 0:51:36.680
<v Speaker 1>be like, look, how much you should be obsessed with me?

0:51:36.719 --> 0:51:37.319
<v Speaker 4>You know what I mean?

0:51:37.440 --> 0:51:41.000
<v Speaker 1>Like we we want people to be obsessed with us,

0:51:41.280 --> 0:51:44.520
<v Speaker 1>not in like a you know, Beyonce obsessed that's my

0:51:44.600 --> 0:51:48.879
<v Speaker 1>man way, but like that's the that to me is like, oh,

0:51:48.920 --> 0:51:51.239
<v Speaker 1>that person actually cares about me. If you say you

0:51:51.280 --> 0:51:53.480
<v Speaker 1>love me and then I leave and you don't try

0:51:53.520 --> 0:51:56.359
<v Speaker 1>to fight for me a little bit, I'm like, ugh,

0:51:56.640 --> 0:51:58.759
<v Speaker 1>cause cause you know, I'm walking away, but I'm gonna

0:51:58.760 --> 0:52:04.640
<v Speaker 1>walk slow so you can like catch up. But like,

0:52:04.719 --> 0:52:07.239
<v Speaker 1>if you just let me go, then that means this

0:52:08.680 --> 0:52:10.960
<v Speaker 1>was this real? Did it mean something to you if

0:52:11.000 --> 0:52:13.719
<v Speaker 1>you're not in shambles when I leave you?

0:52:14.400 --> 0:52:19.000
<v Speaker 2>But also it feels kind of good, like even if okay,

0:52:19.120 --> 0:52:26.360
<v Speaker 2>so this is again, I'm I'm a mess. When somebody

0:52:26.440 --> 0:52:29.680
<v Speaker 2>doesn't give you the energy that you want, you want

0:52:29.719 --> 0:52:34.920
<v Speaker 2>them more when they're pressed, You're like, ugh, you know.

0:52:37.239 --> 0:52:40.359
<v Speaker 1>No, I mean in certain instances, yes, you want people

0:52:40.400 --> 0:52:42.640
<v Speaker 1>to be persistent, you want them to come find you.

0:52:42.880 --> 0:52:45.600
<v Speaker 1>And there's something that there's something about the human mind

0:52:45.680 --> 0:52:50.120
<v Speaker 1>that makes people who aren't like people who ignore us

0:52:50.680 --> 0:52:53.640
<v Speaker 1>kind of more mysterious and hotter to us sometimes. Yes,

0:52:54.040 --> 0:52:57.080
<v Speaker 1>but I'm saying if we work together, I'm talking about

0:52:57.719 --> 0:52:59.680
<v Speaker 1>in the songs that these guys are singing for these

0:52:59.719 --> 0:53:04.000
<v Speaker 1>women that they don't want to leave. If we were

0:53:04.000 --> 0:53:07.280
<v Speaker 1>together and we had a relationship and then it ends

0:53:07.320 --> 0:53:09.879
<v Speaker 1>and we just both agreed that it should be over,

0:53:09.960 --> 0:53:12.839
<v Speaker 1>even if it should be over. You're not gonna fight

0:53:12.880 --> 0:53:15.080
<v Speaker 1>a little bit. You're not gonna shed a tear for me.

0:53:15.160 --> 0:53:19.080
<v Speaker 1>You you're not gonna call my mom, like, you're not

0:53:19.120 --> 0:53:23.000
<v Speaker 1>gonna text my friend and be like, hey, I know

0:53:23.040 --> 0:53:24.480
<v Speaker 1>you probably don't want to talk to me, Like you

0:53:24.600 --> 0:53:26.520
<v Speaker 1>not none of that. You're not gonna show up at

0:53:26.560 --> 0:53:28.279
<v Speaker 1>my job and wait across.

0:53:27.960 --> 0:53:31.879
<v Speaker 2>The street for a you know what. And actually that's

0:53:31.920 --> 0:53:33.719
<v Speaker 2>what you deserve. And the fact that I have not

0:53:33.800 --> 0:53:36.520
<v Speaker 2>gotten one DM like what can I do to make

0:53:36.560 --> 0:53:37.160
<v Speaker 2>this better?

0:53:37.200 --> 0:53:37.600
<v Speaker 1>Crazy?

0:53:37.840 --> 0:53:40.520
<v Speaker 2>That's why he's what's his name, what's his face, what's

0:53:40.520 --> 0:53:42.239
<v Speaker 2>his I don't know, I don't know his fucking name.

0:53:43.000 --> 0:53:44.839
<v Speaker 1>Well, literally, there's nothing that he can do to make

0:53:44.880 --> 0:53:49.319
<v Speaker 1>it better. But I'm except change everything. But I'm saying, like.

0:53:50.080 --> 0:53:52.959
<v Speaker 2>Throw the whole body away and come back somebody else.

0:53:53.200 --> 0:53:54.839
<v Speaker 1>That's how you get Yeah, yeah, he need to be

0:53:54.880 --> 0:53:59.160
<v Speaker 1>reincarnated as someone else to come back. But I'm saying, like,

0:53:59.640 --> 0:54:02.920
<v Speaker 1>there we want that even if you're done with the person.

0:54:03.040 --> 0:54:06.399
<v Speaker 1>And maybe it's maybe it's partial, you want to see

0:54:06.440 --> 0:54:09.960
<v Speaker 1>them in pain. Maybe it's partial you want like it's

0:54:10.000 --> 0:54:12.840
<v Speaker 1>like a pride thing, But I need to see you

0:54:12.960 --> 0:54:17.439
<v Speaker 1>distressed in a desert, crying, counting the days. It's been

0:54:17.800 --> 0:54:22.719
<v Speaker 1>seven hours and fifteen days. I need you to know

0:54:22.800 --> 0:54:25.799
<v Speaker 1>what time it was when I left you, what moon

0:54:25.880 --> 0:54:28.400
<v Speaker 1>was in the sky, was in a red moon? I

0:54:28.400 --> 0:54:33.480
<v Speaker 1>don't know. But also like you know, it's kind of crazy.

0:54:34.719 --> 0:54:39.080
<v Speaker 2>I mean truly, I don't even know what I could

0:54:39.080 --> 0:54:41.920
<v Speaker 2>do to make a song like what I'm like, hmm,

0:54:42.520 --> 0:54:43.280
<v Speaker 2>I'm tired.

0:54:43.719 --> 0:54:44.640
<v Speaker 4>I don't have it in me.

0:54:45.640 --> 0:54:49.040
<v Speaker 1>What's the last what's the last time you had your heartbroken?

0:54:49.280 --> 0:54:50.640
<v Speaker 1>We could write the song, we could work shop the

0:54:50.640 --> 0:54:51.160
<v Speaker 1>song right now.

0:54:52.440 --> 0:54:56.520
<v Speaker 2>I wouldn't say heartbroken, but I was definitely like, ah, man,

0:54:57.400 --> 0:55:00.960
<v Speaker 2>you know, like I was doing too much. Person was like, yeah,

0:55:00.960 --> 0:55:05.200
<v Speaker 2>I'm not ready for this, and I was like Bourguet, Yeah,

0:55:05.239 --> 0:55:05.520
<v Speaker 2>but you.

0:55:05.520 --> 0:55:08.680
<v Speaker 1>Were really you were sad. Sis, You were like really

0:55:08.719 --> 0:55:11.440
<v Speaker 1>like it took a couple I want to say a

0:55:11.440 --> 0:55:13.720
<v Speaker 1>couple of days. It might have been more than days,

0:55:14.800 --> 0:55:16.279
<v Speaker 1>but like you were sad about it.

0:55:17.280 --> 0:55:22.640
<v Speaker 2>I think that it was also, uh, you know, pandemic happening.

0:55:22.880 --> 0:55:26.080
<v Speaker 1>So write Sis, but that's the song. This situation is

0:55:26.120 --> 0:55:27.280
<v Speaker 1>what you would write the song about.

0:55:27.400 --> 0:55:28.759
<v Speaker 4>Okay, all right, so.

0:55:30.719 --> 0:55:32.880
<v Speaker 1>Girl, it's a pandemic. It's a pandemic.

0:55:33.760 --> 0:55:35.720
<v Speaker 4>Girl, girl, it's girl.

0:55:35.760 --> 0:55:38.560
<v Speaker 2>We've been stuck in the house for months, months on

0:55:38.680 --> 0:55:41.560
<v Speaker 2>months on months. I thought our face times meant something.

0:55:42.600 --> 0:55:43.040
<v Speaker 4>You threw it?

0:55:43.120 --> 0:55:44.040
<v Speaker 1>Are you rapping? Now?

0:55:49.880 --> 0:55:51.279
<v Speaker 4>Should I even be writing this?

0:55:51.719 --> 0:55:51.879
<v Speaker 1>Wait?

0:55:51.880 --> 0:55:52.000
<v Speaker 4>Wait?

0:55:52.000 --> 0:55:53.640
<v Speaker 1>Wait, wait wait here, here's a line, here's a line.

0:55:53.680 --> 0:55:56.799
<v Speaker 1>You could use this. Okay, Uh, it's a pandemic. We're

0:55:56.840 --> 0:55:59.839
<v Speaker 1>locked in the house, but I'm locked out of your heart.

0:56:00.160 --> 0:56:04.680
<v Speaker 4>Oh wow, wow, oh you.

0:56:04.680 --> 0:56:06.400
<v Speaker 1>Write this down. But yeah, I just think that, like,

0:56:06.680 --> 0:56:10.760
<v Speaker 1>instead of being cool, which is what all music feels like. Now, yeah,

0:56:11.280 --> 0:56:13.880
<v Speaker 1>you gotta like, you gotta be vulnerable. You know, I

0:56:13.880 --> 0:56:14.439
<v Speaker 1>hate that word.

0:56:14.560 --> 0:56:19.200
<v Speaker 2>Oh you Marie hates vulnerability. It's just not like it

0:56:19.200 --> 0:56:20.880
<v Speaker 2>makes you be like h ill.

0:56:21.080 --> 0:56:25.319
<v Speaker 1>Yuh cause it really does. The word is yucky to me.

0:56:25.600 --> 0:56:30.239
<v Speaker 1>But that's the difference. Like those songs, those guys are

0:56:30.280 --> 0:56:32.960
<v Speaker 1>like pleading for their women to come back to them.

0:56:34.960 --> 0:56:39.560
<v Speaker 1>Anthony Hamilton, Yeah, please come home, Charlene, And it's like Charlie,

0:56:39.680 --> 0:56:40.720
<v Speaker 1>Charlene is going.

0:56:40.640 --> 0:56:42.080
<v Speaker 4>Bab Yeah, she's already on.

0:56:42.680 --> 0:56:46.400
<v Speaker 2>She's got a layover and Charleston and she's she's headed

0:56:46.400 --> 0:56:52.440
<v Speaker 2>somewhere else. She's she's unavailable, right, Charlene is on the road. Baby, Marie,

0:56:52.440 --> 0:56:55.600
<v Speaker 2>when's the last time you got your heartbroken? What would

0:56:55.640 --> 0:56:56.160
<v Speaker 2>your song be?

0:56:57.200 --> 0:57:03.279
<v Speaker 1>Well, would my song be? Yeah, I don't know what

0:57:03.360 --> 0:57:08.200
<v Speaker 1>my song would be, Sis, it would be probably something

0:57:08.239 --> 0:57:15.560
<v Speaker 1>about wasting my time. It would be a song about time. Yeah, wow, yeah.

0:57:16.400 --> 0:57:19.240
<v Speaker 2>I do you really think that people are wasting your time?

0:57:19.280 --> 0:57:19.560
<v Speaker 4>Though?

0:57:19.840 --> 0:57:24.800
<v Speaker 2>Like I it's everything that you go through is it's

0:57:24.840 --> 0:57:26.160
<v Speaker 2>meant to learn something.

0:57:27.120 --> 0:57:30.439
<v Speaker 1>You've learned a lot, yeah, like not to let people

0:57:30.480 --> 0:57:34.040
<v Speaker 1>waste my time. But but yes, I do think that

0:57:34.080 --> 0:57:37.320
<v Speaker 1>sometimes people waste people's time because you enter innser a

0:57:37.360 --> 0:57:40.720
<v Speaker 1>relationship with somebody and if they're clear about what it

0:57:40.800 --> 0:57:43.280
<v Speaker 1>is that they want from you, and you know you

0:57:43.320 --> 0:57:45.680
<v Speaker 1>don't want that or you don't want to give that,

0:57:46.520 --> 0:57:49.200
<v Speaker 1>then you are wasting that person's time because it's like

0:57:49.280 --> 0:57:52.000
<v Speaker 1>you could just let me, you could just be honest

0:57:52.040 --> 0:57:53.560
<v Speaker 1>about what it is that you want, or you could

0:57:53.640 --> 0:57:56.600
<v Speaker 1>just leave me alone, like what you on my line

0:57:56.680 --> 0:58:01.200
<v Speaker 1>for I think that that, yeah, that there was some

0:58:01.240 --> 0:58:02.200
<v Speaker 1>time wasting happening.

0:58:02.640 --> 0:58:06.840
<v Speaker 2>Andrew, for sure, what do you think about heartbreak? No,

0:58:06.960 --> 0:58:08.720
<v Speaker 2>about somebody wasting your time?

0:58:08.960 --> 0:58:12.680
<v Speaker 3>Somebody wasting my time. It's annoying because like there are

0:58:12.720 --> 0:58:14.560
<v Speaker 3>people that are like they know that they're doing it

0:58:14.600 --> 0:58:16.240
<v Speaker 3>and it's just like a fuck boy sort of thing

0:58:16.240 --> 0:58:19.000
<v Speaker 3>where it's like they're just going around person to person.

0:58:19.600 --> 0:58:22.440
<v Speaker 3>They're just like they're not laying down anywhere, but they

0:58:22.480 --> 0:58:24.760
<v Speaker 3>do it so well and they know exactly the thing

0:58:24.840 --> 0:58:27.760
<v Speaker 3>to make you think like, oh, this person actually gives

0:58:27.760 --> 0:58:30.960
<v Speaker 3>a shit about me. But then right, and then when

0:58:31.000 --> 0:58:33.560
<v Speaker 3>they go on little hiatus, it's like you're thinking about

0:58:33.560 --> 0:58:35.720
<v Speaker 3>them the entire time, like what was that even? You know,

0:58:36.520 --> 0:58:38.160
<v Speaker 3>and then they'll come back in yeah.

0:58:38.040 --> 0:58:41.880
<v Speaker 1>Right, So, Andrew, have you ever been heartbroken? Got your heartbroken?

0:58:42.000 --> 0:58:45.800
<v Speaker 3>I mean when you were talking Sydney about like like

0:58:45.960 --> 0:58:50.320
<v Speaker 3>pandem like heartbreak and like that sort of being emphasized

0:58:50.600 --> 0:58:53.360
<v Speaker 3>by that because like last year, like one of my

0:58:53.440 --> 0:58:56.680
<v Speaker 3>close friends from college just completely dipped and I was

0:58:56.720 --> 0:59:00.000
<v Speaker 3>just like, I don't know what's going on with you,

0:59:00.080 --> 0:59:03.080
<v Speaker 3>Like hmm, I am not hearing from you. And then

0:59:03.280 --> 0:59:06.520
<v Speaker 3>you know, I sent text messages every so often, I

0:59:06.560 --> 0:59:08.919
<v Speaker 3>was like hello, like what's going on, reached out to people.

0:59:08.960 --> 0:59:11.160
<v Speaker 3>I was like have you heard from this person? And

0:59:11.200 --> 0:59:14.080
<v Speaker 3>then one day just blocked on everything and I'm.

0:59:13.920 --> 0:59:16.320
<v Speaker 1>Like why everything fuck?

0:59:16.840 --> 0:59:18.560
<v Speaker 3>And I was just like are you kidding? Like you've

0:59:18.600 --> 0:59:21.280
<v Speaker 3>been over to my house. We've got gone on trips together.

0:59:21.640 --> 0:59:24.840
<v Speaker 3>Gave me no reason as to like why, like they

0:59:24.920 --> 0:59:27.880
<v Speaker 3>just dip and I'm just like that sucks.

0:59:28.000 --> 0:59:31.560
<v Speaker 1>And I'm just like, so you don't so you don't

0:59:31.600 --> 0:59:33.840
<v Speaker 1>know what you did to be blocked on all these

0:59:34.240 --> 0:59:36.120
<v Speaker 1>This sounds like that message that we got from that

0:59:36.240 --> 0:59:39.360
<v Speaker 1>girl the other the other day, and when I went

0:59:39.400 --> 0:59:40.640
<v Speaker 1>on the date with the girl, and the.

0:59:40.600 --> 0:59:43.000
<v Speaker 3>Girl like oh yeah.

0:59:42.560 --> 0:59:46.440
<v Speaker 2>Yeah, why why? What the fuck is wrong with people?

0:59:46.440 --> 0:59:48.880
<v Speaker 3>It's crazy? Yeah, what the fuck is wrong?

0:59:48.960 --> 0:59:50.400
<v Speaker 1>Like just say why?

0:59:50.560 --> 0:59:54.680
<v Speaker 2>Like give somebody at least one, just give me one

0:59:54.960 --> 0:59:55.760
<v Speaker 2>good read.

0:59:55.920 --> 0:59:59.960
<v Speaker 3>And so then like like two months ago, two months ago,

1:00:00.120 --> 1:00:03.040
<v Speaker 3>like my friend group from college, we were all in

1:00:03.600 --> 1:00:07.600
<v Speaker 3>uh student government together and they were like all hanging

1:00:07.600 --> 1:00:09.919
<v Speaker 3>out and doing something and one of my friends who

1:00:09.960 --> 1:00:13.320
<v Speaker 3>it was invited to this this outing, noticed that I

1:00:13.400 --> 1:00:16.360
<v Speaker 3>wasn't part of it and was like, hey, can Andrew come?

1:00:16.600 --> 1:00:20.040
<v Speaker 3>And then they got a private DM saying like hey,

1:00:20.560 --> 1:00:23.760
<v Speaker 3>this person doesn't like Andrew anymore, but won't tell them,

1:00:24.120 --> 1:00:27.160
<v Speaker 3>And I'm like, why not? Why not tell me?

1:00:28.120 --> 1:00:30.160
<v Speaker 1>Have you and you can't reach out to them because

1:00:30.160 --> 1:00:30.560
<v Speaker 1>you're black?

1:00:30.600 --> 1:00:32.400
<v Speaker 3>I can't reach out to them. I have no clue,

1:00:32.440 --> 1:00:35.320
<v Speaker 3>and it's like, well, I have their number, but.

1:00:35.560 --> 1:00:40.160
<v Speaker 2>Nobody, but nobody infiltrated to find out why I don't

1:00:40.240 --> 1:00:40.640
<v Speaker 2>like you.

1:00:41.320 --> 1:00:44.320
<v Speaker 3>I mean, like, I think that if if it was

1:00:44.400 --> 1:00:47.080
<v Speaker 3>like if my friend Amanda was like, hey, why does

1:00:47.160 --> 1:00:49.800
<v Speaker 3>this person not like Andrew, then they wouldn't tell because

1:00:49.800 --> 1:00:51.680
<v Speaker 3>they would know that Amanda would come back to me

1:00:51.720 --> 1:00:53.120
<v Speaker 3>and be like, this is the reason.

1:00:53.440 --> 1:00:55.920
<v Speaker 1>No, No, I need you. I need you to use

1:00:55.960 --> 1:00:59.960
<v Speaker 1>your words and tell me why Amanda Amanda just because

1:01:00.000 --> 1:01:02.320
<v Speaker 1>should have been like doesn't like Andrew? What happened?

1:01:02.480 --> 1:01:03.960
<v Speaker 4>Yeah, what happened.

1:01:04.800 --> 1:01:08.240
<v Speaker 1>And if this person, if your friend is asking me

1:01:08.280 --> 1:01:11.120
<v Speaker 1>if you can come, then they already know that they're

1:01:11.160 --> 1:01:13.960
<v Speaker 1>gonna tell, like she's gonna tell you what they say.

1:01:14.480 --> 1:01:15.760
<v Speaker 3>It is so stupid.

1:01:16.040 --> 1:01:16.440
<v Speaker 4>I don't know.

1:01:16.520 --> 1:01:20.040
<v Speaker 1>I think I think that that is just like that's

1:01:20.080 --> 1:01:22.800
<v Speaker 1>just a weird way to live your life. On one hand,

1:01:22.840 --> 1:01:28.080
<v Speaker 1>I understand you something no longer aligns with how you

1:01:28.120 --> 1:01:30.720
<v Speaker 1>feel or the person that you are, come out, move

1:01:30.760 --> 1:01:33.520
<v Speaker 1>on right, life goes on. But then on the other hand,

1:01:33.520 --> 1:01:37.280
<v Speaker 1>it's like we're adults. If I did something to offend

1:01:37.320 --> 1:01:40.080
<v Speaker 1>you or I did something to upset you, tell me

1:01:41.040 --> 1:01:44.560
<v Speaker 1>so I can rectify it and know that like, oh

1:01:44.600 --> 1:01:46.400
<v Speaker 1>my god, I didn't even realize I was doing this.

1:01:46.720 --> 1:01:47.840
<v Speaker 1>I'm never gonna do it again.

1:01:48.160 --> 1:01:51.440
<v Speaker 3>Yeah. Yeah, Because I think like if it was like

1:01:51.520 --> 1:01:54.920
<v Speaker 3>a romantic relationship, I think it's like a little bit

1:01:54.960 --> 1:01:59.080
<v Speaker 3>more okay to do that, like ghosts. I don't think

1:01:59.120 --> 1:02:01.480
<v Speaker 3>ghosting is usually okay, but I but I think like

1:02:01.480 --> 1:02:02.800
<v Speaker 3>with a friendship, I think it's like.

1:02:03.000 --> 1:02:08.680
<v Speaker 2>Very ghost friend I don't I don't understand, Like, how

1:02:08.680 --> 1:02:10.280
<v Speaker 2>does it get to the point where you're like I

1:02:10.320 --> 1:02:12.360
<v Speaker 2>don't even want to I don't even want to talk

1:02:12.400 --> 1:02:13.400
<v Speaker 2>to them.

1:02:13.680 --> 1:02:15.040
<v Speaker 4>I don't even want to talk to them.

1:02:15.240 --> 1:02:18.920
<v Speaker 2>Like, you didn't sexually assault your friend, You didn't like,

1:02:19.320 --> 1:02:20.360
<v Speaker 2>did you steal money?

1:02:20.920 --> 1:02:21.120
<v Speaker 4>No?

1:02:21.280 --> 1:02:23.680
<v Speaker 3>Nothing. The last time I saw them, like they just

1:02:23.720 --> 1:02:26.480
<v Speaker 3>got their their green card and I was like, let's

1:02:26.480 --> 1:02:28.920
<v Speaker 3>throw like let's I'm gonna help you plan a party.

1:02:29.080 --> 1:02:30.280
<v Speaker 3>That was the last time I saw them.

1:02:30.640 --> 1:02:31.600
<v Speaker 1>Did you plan the party?

1:02:31.680 --> 1:02:32.800
<v Speaker 3>I plan the party?

1:02:33.520 --> 1:02:34.400
<v Speaker 1>Was it a good party?

1:02:34.480 --> 1:02:36.960
<v Speaker 3>It was a good party. Yeah. And I bought drinks

1:02:36.960 --> 1:02:39.040
<v Speaker 3>for their friends too, And I was like, why'd I

1:02:39.080 --> 1:02:41.480
<v Speaker 3>even do that if I was just gonna get ghosted

1:02:41.560 --> 1:02:42.760
<v Speaker 3>later on? Dumb?

1:02:42.960 --> 1:02:45.080
<v Speaker 4>Yeah, I don't understand. This is weird.

1:02:45.280 --> 1:02:49.400
<v Speaker 2>This is strange, and I I wish we had some

1:02:49.440 --> 1:02:52.200
<v Speaker 2>spies to find out because now I'm interested.

1:02:52.280 --> 1:02:53.160
<v Speaker 4>Now I'm invested.

1:02:53.920 --> 1:02:57.440
<v Speaker 3>At this point, I'm like, I don't care, like I

1:02:57.440 --> 1:02:59.400
<v Speaker 3>think when I get sad, Like I go to that

1:02:59.480 --> 1:03:02.360
<v Speaker 3>place and I'm like, why did this person goes? Yeah,

1:03:02.480 --> 1:03:04.680
<v Speaker 3>because it sucks, But like.

1:03:05.200 --> 1:03:07.640
<v Speaker 2>That's their problem and they're missing out on you because

1:03:07.640 --> 1:03:08.640
<v Speaker 2>you're a good friend.

1:03:09.000 --> 1:03:10.720
<v Speaker 3>It's so true, Sydney, and you're fun.

1:03:10.960 --> 1:03:14.080
<v Speaker 1>You and you planned a party and then and you're

1:03:14.080 --> 1:03:16.400
<v Speaker 1>buying drinks for friends. Listen, I'm drawing the line there.

1:03:16.680 --> 1:03:19.680
<v Speaker 1>I plan the party, but I'm buying drinks for your friends.

1:03:19.680 --> 1:03:22.200
<v Speaker 1>Did they get their green cards? Too? Are they my friend?

1:03:22.800 --> 1:03:24.520
<v Speaker 1>Did you say something? Maybe you left a bad tip

1:03:24.560 --> 1:03:25.280
<v Speaker 1>and they saw it, Like.

1:03:25.200 --> 1:03:27.080
<v Speaker 3>I don't know, and I don't know about it.

1:03:29.320 --> 1:03:34.960
<v Speaker 1>Yeah, okay, wait, let's let's let's let's let's not do

1:03:35.040 --> 1:03:39.400
<v Speaker 1>that no more. Let's not ghost our friends. If you

1:03:39.400 --> 1:03:41.400
<v Speaker 1>can ghost your friend, then was that your friend in

1:03:41.440 --> 1:03:42.040
<v Speaker 1>the first place.

1:03:42.160 --> 1:03:46.720
<v Speaker 2>Yeah, if you have an issue with somebody, just fucking

1:03:47.360 --> 1:03:51.640
<v Speaker 2>be an adult. Hey, you hurt me when you x

1:03:51.800 --> 1:03:55.280
<v Speaker 2>y z I felt blah blah blah when you da

1:03:55.360 --> 1:03:59.400
<v Speaker 2>da da da da, Like how use your words? What

1:03:59.480 --> 1:04:05.000
<v Speaker 2>you can't communicate? This is strange. It's getting weird. Yeah,

1:04:05.040 --> 1:04:08.520
<v Speaker 2>it's getting weird. I see, all right, all these fucking captions,

1:04:08.720 --> 1:04:12.439
<v Speaker 2>these dissertations on Facebook. But then you can't tell somebody, hey,

1:04:12.920 --> 1:04:16.600
<v Speaker 2>you hurt me when blah blah blah you made me

1:04:16.760 --> 1:04:19.200
<v Speaker 2>uncomfortable Da da da da da.

1:04:19.240 --> 1:04:20.320
<v Speaker 4>I don't fuck with.

1:04:20.440 --> 1:04:25.440
<v Speaker 1>You, because fuck with you. But but then, but it

1:04:25.520 --> 1:04:27.440
<v Speaker 1>brings me back to what I was saying about people

1:04:27.880 --> 1:04:31.760
<v Speaker 1>fighting for me after a relationship ends. If you're not

1:04:32.080 --> 1:04:35.960
<v Speaker 1>fighting for the friendship or you're not trying to like

1:04:36.320 --> 1:04:40.640
<v Speaker 1>mend something, then were we friends? Like I thought we

1:04:40.640 --> 1:04:43.320
<v Speaker 1>were friends. I planned you a green car party?

1:04:43.960 --> 1:04:44.920
<v Speaker 3>Yep, Marie?

1:04:44.920 --> 1:04:45.720
<v Speaker 4>Would you fight for me?

1:04:47.840 --> 1:04:48.880
<v Speaker 1>Would I fight for you?

1:04:48.880 --> 1:04:50.560
<v Speaker 4>You're like, would you fight for our friendship?

1:04:52.280 --> 1:04:54.840
<v Speaker 1>I think that I would. I mean, since I shed

1:04:54.840 --> 1:04:58.360
<v Speaker 1>a tear at a Starbucks into an empanada for you once,

1:05:01.320 --> 1:05:04.560
<v Speaker 1>that was me fighting that one tier was me fighting.

1:05:04.240 --> 1:05:07.760
<v Speaker 4>For you, shed a tear into a panada. That's my title.

1:05:07.960 --> 1:05:10.320
<v Speaker 4>That's it. That's it, that's my title right there?

1:05:10.520 --> 1:05:14.560
<v Speaker 1>Yes, yes, yes, yes, yes, okay, Andrew, can you run

1:05:14.600 --> 1:05:16.920
<v Speaker 1>through the titles for us? Or should we read this message?

1:05:16.920 --> 1:05:17.880
<v Speaker 1>That we got from this guy.

1:05:18.600 --> 1:05:21.440
<v Speaker 3>Uh, yeah, I think the the email that I sent

1:05:21.440 --> 1:05:23.000
<v Speaker 3>you yesterday I thought was very interesting.

1:05:23.440 --> 1:05:26.760
<v Speaker 1>Yeah, I want to read it. We got a message

1:05:27.280 --> 1:05:32.480
<v Speaker 1>from a listeners. The title of the email is asexual

1:05:32.640 --> 1:05:36.280
<v Speaker 1>and still a hoe. Hey, my name is BJ and

1:05:36.320 --> 1:05:38.640
<v Speaker 1>I listened to the recent episode We're Sidney and we're

1:05:38.640 --> 1:05:41.080
<v Speaker 1>talking about asexuals, and I wanted to let y'all know

1:05:41.120 --> 1:05:46.600
<v Speaker 1>I'm asexual. I'm a black, pan sexual, gender queer asexual,

1:05:47.400 --> 1:05:49.480
<v Speaker 1>pan sexual, gender queer asexual.

1:05:49.520 --> 1:05:51.640
<v Speaker 4>I had to google all of those and what does

1:05:51.680 --> 1:05:52.000
<v Speaker 4>that mean?

1:05:53.880 --> 1:05:59.600
<v Speaker 1>Will pan sexual is attracted to all types of everything? Well,

1:05:59.600 --> 1:06:02.040
<v Speaker 1>it said, I think pots and pans. I think pots

1:06:02.040 --> 1:06:06.360
<v Speaker 1>are cute too, and then gender queer to me feels redundant,

1:06:06.520 --> 1:06:13.040
<v Speaker 1>but you know, it is what it is. And asexual.

1:06:13.240 --> 1:06:17.800
<v Speaker 1>So I'm a black but also black, so black, pan sexual,

1:06:17.840 --> 1:06:21.120
<v Speaker 1>gender queer asexual who has had sex and still has

1:06:21.120 --> 1:06:24.680
<v Speaker 1>sex sporadically. Most people assume I'm a hoe because of

1:06:24.720 --> 1:06:28.160
<v Speaker 1>my Instagram, but I typically only have sex three times

1:06:28.160 --> 1:06:32.600
<v Speaker 1>a year, usually only to please a partner. I'm driving

1:06:32.640 --> 1:06:34.520
<v Speaker 1>an email right now so I can just upload my

1:06:34.560 --> 1:06:38.440
<v Speaker 1>picks and my Insta is cream filing. Please feel free

1:06:38.440 --> 1:06:40.080
<v Speaker 1>to ask me questions or anything I'd like to share.

1:06:40.120 --> 1:06:42.960
<v Speaker 1>I'm down to share. And then they sent us some photos,

1:06:44.640 --> 1:06:47.720
<v Speaker 1>you know, a little mirror selfie with a booty in

1:06:47.800 --> 1:06:54.440
<v Speaker 1>the crop top. You see that this album Colever moment.

1:06:55.600 --> 1:07:01.480
<v Speaker 1>Can you see it? And then these like, first of all,

1:07:01.520 --> 1:07:03.200
<v Speaker 1>the turtlenick is just sleeves.

1:07:03.280 --> 1:07:03.920
<v Speaker 4>I love it.

1:07:04.160 --> 1:07:07.480
<v Speaker 2>Please send me tell me, yeah, tell me what it

1:07:07.520 --> 1:07:12.360
<v Speaker 2>is so that Yeah.

1:07:10.440 --> 1:07:13.320
<v Speaker 1>Please send us the link to your turtlenick sleeve shawl

1:07:13.320 --> 1:07:14.800
<v Speaker 1>things so we can give one for Sydney.

1:07:14.920 --> 1:07:15.160
<v Speaker 4>Yes.

1:07:16.360 --> 1:07:18.720
<v Speaker 1>Yeah, So Andrew thought the email was interesting. Why did

1:07:18.760 --> 1:07:20.200
<v Speaker 1>you think it was interesting? I?

1:07:20.360 --> 1:07:23.760
<v Speaker 3>Well, I guess I I was under the assumption that

1:07:24.120 --> 1:07:27.280
<v Speaker 3>pant sexual and asexual were sort of at odds with

1:07:27.320 --> 1:07:31.480
<v Speaker 3>another and that they wouldn't really work together. So I

1:07:31.560 --> 1:07:36.680
<v Speaker 3>do have a question in that regard. But I guess

1:07:36.720 --> 1:07:39.640
<v Speaker 3>they're listening to this episode, so maybe they'll kind of

1:07:39.640 --> 1:07:41.280
<v Speaker 3>follow up explaining.

1:07:41.840 --> 1:07:47.520
<v Speaker 1>Well, yeah, because we were talking about asexual Sydney wanted

1:07:47.560 --> 1:07:49.880
<v Speaker 1>an insexual expert podcast.

1:07:54.000 --> 1:07:55.440
<v Speaker 4>I did. I did ask for that.

1:07:56.680 --> 1:07:59.520
<v Speaker 1>Yeah, Andrew, I agree with you. Pant sexual and asexual

1:07:59.560 --> 1:08:03.680
<v Speaker 1>to me, do seem like they're on opposite ends of right,

1:08:03.680 --> 1:08:08.720
<v Speaker 1>because a pan sexual is attracted to the spectrum of

1:08:08.760 --> 1:08:14.320
<v Speaker 1>everything right and asexual. In my mind, I thought meant

1:08:14.720 --> 1:08:18.240
<v Speaker 1>didn't really need anything from anybody.

1:08:18.720 --> 1:08:25.240
<v Speaker 2>We are confusion, confusion, confucion. Yeah, I am confusion right now.

1:08:25.840 --> 1:08:28.639
<v Speaker 1>Yeah, I mean I think that. But that's the thing,

1:08:28.720 --> 1:08:32.240
<v Speaker 1>like if there's something for everybody, and everybody should be

1:08:32.240 --> 1:08:33.640
<v Speaker 1>allowed to live their lives how they want to live

1:08:33.680 --> 1:08:38.960
<v Speaker 1>their lives. That's I think that's what this new generation

1:08:39.080 --> 1:08:42.240
<v Speaker 1>what is it disease the exes, that's what they got

1:08:42.479 --> 1:08:46.280
<v Speaker 1>on us, is like it's easier to be what you

1:08:46.320 --> 1:08:47.360
<v Speaker 1>want to be now than it.

1:08:47.320 --> 1:08:50.439
<v Speaker 4>Was before Generation element op.

1:08:51.920 --> 1:09:02.240
<v Speaker 1>Qrs. Any follow up questions for our friend BJ anything

1:09:02.240 --> 1:09:04.439
<v Speaker 1>you guys feel like we need to We left out

1:09:04.479 --> 1:09:06.880
<v Speaker 1>that we need to hit. Any tips on how to

1:09:06.880 --> 1:09:09.160
<v Speaker 1>get a billionaire with anything that we talked about today,

1:09:09.240 --> 1:09:11.360
<v Speaker 1>Let's let's wrap it up in a knee little bo.

1:09:12.920 --> 1:09:16.599
<v Speaker 4>I mean, you never know, you gotta give people a chance.

1:09:16.720 --> 1:09:19.639
<v Speaker 2>Like I was on my Instagram stories, I was like, yes,

1:09:19.760 --> 1:09:21.800
<v Speaker 2>I understand that you have a type blah blah blah

1:09:21.800 --> 1:09:24.720
<v Speaker 2>blah blah, but you gotta just be a little.

1:09:24.479 --> 1:09:27.040
<v Speaker 4>Bit more open. I think if.

1:09:27.360 --> 1:09:30.479
<v Speaker 2>Like you're saying, this person is not my type. But

1:09:30.560 --> 1:09:32.800
<v Speaker 2>that is your type, not a billionaire.

1:09:33.080 --> 1:09:34.559
<v Speaker 1>I don't know, like it just doesn't.

1:09:34.560 --> 1:09:36.559
<v Speaker 4>He's like, come on, like have fun.

1:09:37.800 --> 1:09:41.720
<v Speaker 2>Yeah, somebody hip don't work that My hips don't lie.

1:09:41.800 --> 1:09:45.200
<v Speaker 2>Let's go like, let's let's have a blast. You never

1:09:45.280 --> 1:09:49.080
<v Speaker 2>know that person doesn't need their hip to work for

1:09:49.160 --> 1:09:51.439
<v Speaker 2>y'all to be in Rome for a week.

1:09:51.800 --> 1:09:57.960
<v Speaker 1>Okay, I'm listen. The next event, I'm gonna find him

1:09:58.120 --> 1:10:00.640
<v Speaker 1>this and this is this is on me. Okay, the

1:10:00.720 --> 1:10:03.760
<v Speaker 1>next event, I'm gonna find him and I'll just go

1:10:03.800 --> 1:10:06.120
<v Speaker 1>over and introduce myself. That's where I messed up. I

1:10:06.120 --> 1:10:08.400
<v Speaker 1>didn't introduce myself. If I had done that and I

1:10:08.400 --> 1:10:11.280
<v Speaker 1>shook his little you know, spider vein hand, it might

1:10:11.320 --> 1:10:12.760
<v Speaker 1>have changed the game for me a little bit, you

1:10:12.800 --> 1:10:15.240
<v Speaker 1>know what I mean. Hi, I'm Marie. Nice to meet you,

1:10:15.280 --> 1:10:17.439
<v Speaker 1>and you are. And they would have said his name

1:10:17.439 --> 1:10:19.320
<v Speaker 1>and I would be like, oh, then I would have

1:10:19.320 --> 1:10:22.799
<v Speaker 1>went back to the table, googled him, came right back. Hey,

1:10:23.080 --> 1:10:26.200
<v Speaker 1>so I see the chair is not available anymore? Can

1:10:26.200 --> 1:10:29.519
<v Speaker 1>I sit on your lap? You know, like, you know,

1:10:29.600 --> 1:10:32.320
<v Speaker 1>you live and you learn this. You live and you learn.

1:10:33.960 --> 1:10:38.759
<v Speaker 1>I'm looking at the thread of that posted on Twitter

1:10:38.800 --> 1:10:40.720
<v Speaker 1>it's actually really funny. I'm gonna spend the rest of

1:10:40.720 --> 1:10:42.000
<v Speaker 1>my day watching those.

1:10:43.439 --> 1:10:48.000
<v Speaker 2>They're they're really good videos. People were not playing around.

1:10:48.920 --> 1:10:55.040
<v Speaker 1>Yeah. As always, thank you to the hot listeners that

1:10:55.200 --> 1:10:58.000
<v Speaker 1>send us messages and photos. We love. We love when

1:10:58.080 --> 1:11:04.320
<v Speaker 1>y'all game sending them photographic proof. We love a pan sexual,

1:11:04.439 --> 1:11:08.679
<v Speaker 1>gender queer asexual audience like we love that everybody's listening

1:11:08.720 --> 1:11:12.360
<v Speaker 1>and everybody get something out of this pod. Please send

1:11:12.439 --> 1:11:17.320
<v Speaker 1>us lyrics for your heartbreak song. Oh my God, you

1:11:17.320 --> 1:11:18.000
<v Speaker 1>you're the thunder.

1:11:18.200 --> 1:11:20.920
<v Speaker 2>Yeah, So it's gonna be raining all day, babe, it's

1:11:20.920 --> 1:11:21.400
<v Speaker 2>about to.

1:11:21.360 --> 1:11:26.160
<v Speaker 1>Be a god fin fight. Yeah. Yo.

1:11:26.240 --> 1:11:33.479
<v Speaker 2>The weather in New York States this summer has been absolute.

1:11:33.280 --> 1:11:37.879
<v Speaker 2>The weather is not here for us. And that's that's fine.

1:11:38.160 --> 1:11:42.400
<v Speaker 2>That's fine. I'm out of here. If you haven't gotten

1:11:42.400 --> 1:11:48.200
<v Speaker 2>a ticket for my San Francisco shows at Cobbs Comedy Club, yeah,

1:11:48.360 --> 1:11:52.519
<v Speaker 2>go get them. It's Friday. You miss Thursday, so get

1:11:52.560 --> 1:11:55.080
<v Speaker 2>them tonight, Get them tonight, get them for tomorrow. I

1:11:55.080 --> 1:11:59.280
<v Speaker 2>have two shows. It's gonna be a blast, and it's

1:11:59.320 --> 1:12:04.519
<v Speaker 2>not gonna be pouring in San Francisco, hopefully not. Nope,

1:12:05.439 --> 1:12:07.479
<v Speaker 2>all right, well I'll have the NFL in my Stories.

1:12:07.479 --> 1:12:11.080
<v Speaker 1>Sydney has it on her page, and hopefully we'll she'll

1:12:11.080 --> 1:12:11.599
<v Speaker 1>see you there.

1:12:11.680 --> 1:12:12.880
<v Speaker 4>I'll be there. Yeah.

1:12:12.880 --> 1:12:15.479
<v Speaker 2>But you know what, I'll FaceTime you, Marie. How about

1:12:15.479 --> 1:12:18.400
<v Speaker 2>I FaceTime you while I'm on stage. Okay, at the

1:12:18.479 --> 1:12:19.120
<v Speaker 2>end of the show.

1:12:19.760 --> 1:12:21.200
<v Speaker 1>Okay, what time is the show cause I need to

1:12:21.240 --> 1:12:22.600
<v Speaker 1>see what what I need to make sure I have

1:12:22.680 --> 1:12:23.200
<v Speaker 1>on a shirt.

1:12:23.479 --> 1:12:29.040
<v Speaker 2>Okay, I'll text you. I'll text you in advance.

1:12:29.560 --> 1:12:34.360
<v Speaker 1>Okay, all right, bye friend, Bye Forever.

1:12:36.080 --> 1:12:38.200
<v Speaker 3>This has been a Forever Dog production.

1:12:39.000 --> 1:12:43.599
<v Speaker 1>The Unofficial Expert is executive produced by Brett Boham, Joe Cilio,

1:12:44.000 --> 1:12:45.080
<v Speaker 1>and Alex Ramsey.

1:12:45.760 --> 1:12:51.960
<v Speaker 3>Senior producer Tracy Soren, Produced by Andrew McGuire. Cover art

1:12:52.120 --> 1:12:53.320
<v Speaker 3>by Sandy Hoenig.

1:12:54.000 --> 1:12:57.479
<v Speaker 1>To listen to this podcast ad free, sign up for

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<v Speaker 1>Forever Dog Plus at Forever Dog Pop Podcasts dot com

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<v Speaker 3>Check out video clips of our podcasts on YouTube at

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<v Speaker 3>to keep up with all the latest Foreverdog news.