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Speaker 1: Forever Grand Risings.

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Speaker 2: Yeah, so you know we we obviously spoke before the pod,

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Speaker 2: and we're gonna be coming in a little hot, which

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Speaker 2: is fine.

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Speaker 1: We coming in hot or you coming in hot? Andrew,

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Speaker 1: don't speak for the heat coming off my body.

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Speaker 3: I mean like you're like, this is like a blanket

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Speaker 3: term that you're throwing over all of us and it's

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Speaker 3: just you.

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Speaker 2: I'm fine, right, Andrew, I'm fine.

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Speaker 3: I'm not pressed anything.

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Speaker 1: I'm not pressed about anything. We gotta move that the microphone.

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Speaker 2: Sorry, I'm I'm all the way back, I'm holding it.

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Speaker 1: Look how far it is your girl? I mean I

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Speaker 1: turned my volume down and it's still loud in my ears.

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Speaker 1: That's That's what I'm saying.

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Speaker 2: Well, maybe because you're using the iPhone headphones, it's a

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Speaker 2: little different.

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Speaker 1: No, Sydney, don't do that. Miss I'm coming in hot,

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Speaker 1: You coming in hot? Loud? And wrongs hot loud. Wrong,

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Speaker 1: that's like Caesar's Pizza.

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Speaker 2: That's a great title. I'm fine, that's a good title.

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Speaker 2: There was another one that we.

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Speaker 1: Missed, Sidney. It's been a minute. We're sixty seconds into

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Speaker 1: the podcast, is okay, all right, we'll catch another episode title.

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Speaker 4: You're right, you're right.

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Speaker 2: So obviously I was saying something before the podcast, and

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Speaker 2: they let me know that I need to I need

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Speaker 2: to speak up more when I have an issue. I

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Speaker 2: need to say how I feel instead of complaining to

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Speaker 2: my counterparts.

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Speaker 4: And they're right, they're definitely right. But it's hard.

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Speaker 2: It's definitely hard when somebody writes you or they say

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Speaker 2: something to you and you're like hmm, and then you

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Speaker 2: wait on it and you're like, damn, I should have

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Speaker 2: said X, Y and Z.

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Speaker 1: Well that's why it's important to like, like, I'll draft

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Speaker 1: a text or draft a message sometimes and then I'll

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Speaker 1: be like, you know what, I got to come back

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Speaker 1: to this. I leave and come back and then sometimes

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Speaker 1: you feel differently after you've had some time to think

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Speaker 1: about it. But other times it's like, this is what

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Speaker 1: I mean and this is what I'm sending, and I

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Speaker 1: think that's nice too.

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Speaker 2: Do you ever have someone look at your text like

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Speaker 2: to like review it?

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Speaker 1: Not really, I mean I've done that before. I think

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Speaker 1: just like, is this is this okay? Yeah, because it's

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Speaker 1: usually when I'm trying not to hurt somebody's feelings, I'm.

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Speaker 2: Like, oh, yes, yes, You've definitely been like what you

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Speaker 2: think about this because I'm the kind person, and then

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Speaker 2: you meet somewhere in the middle because you know that

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Speaker 2: I'm too.

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Speaker 1: Kind, right, Usually I have to you know what I mean,

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Speaker 1: because like when you're trying to spare somebody's feelings, or

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Speaker 1: when I'm trying to spare somebody's feelings, it makes the

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Speaker 1: whole conversation a little bit harder because when you don't

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Speaker 1: have to think about it, you just say what you mean,

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Speaker 1: and you mean what you say.

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Speaker 3: Andrew, Oh, yeah, I totally agree. I had like a

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Speaker 3: situation a few months ago where, uh, it was a

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Speaker 3: comedian that said something to me that was like very

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Speaker 3: messed up, and they thought that it was a joke

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Speaker 3: and they thought it was like very funny, and I

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Speaker 3: was like, wait, I can't have a relationship with you anymore.

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Speaker 4: Oh what was whoa?

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Speaker 1: What was saying?

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Speaker 3: You don't you don't know this comedian.

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Speaker 2: I'm sure we don't. The comedians we would know would

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Speaker 2: never speak to you like.

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Speaker 1: That, And well we don't even know what That's not true.

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Speaker 3: There are people that we all know, but they made

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Speaker 3: they made some jokes that were in very bad taste.

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Speaker 4: Uh, Like we're trying to get the tea.

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Speaker 1: What did they say?

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Speaker 3: It's it was about like children, and I didn't like it,

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Speaker 3: and I was like I need to lose ties, like like.

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Speaker 2: Like a bad like pedophilia joke.

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Speaker 3: Yeah, it was like I don't like that joke at all.

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Speaker 3: Like that's like weird that your your mind even produced that.

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Speaker 1: We're not affiliating with comics that talk about pedophilia.

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Speaker 3: And so not really like yeah, yeah, I drafted an

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Speaker 3: email and I like went off and I was like

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Speaker 3: this was disgusting. I hated that. Dad sent it to

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Speaker 3: a friend and the friend was like, you can't say

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Speaker 3: any of that because that might come back and like

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Speaker 3: bite you. It was like, oh, you were aware of this,

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Speaker 3: and so I was like, oh.

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Speaker 1: You were aware of what of them being a creep?

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Speaker 3: Of this person being a creep. And then like if

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Speaker 3: I was like aware of it, then it was like okay, then, Andrew,

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Speaker 3: why didn't you intervene when it was just like okay, Andrew,

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Speaker 3: but just like step away, but.

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Speaker 1: You sending that message, is you intervening? Yeah, no, I'll

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Speaker 1: them on it.

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Speaker 3: Yeah no, because I just lied, and I was just

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Speaker 3: like no, I can't work with you anymore.

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Speaker 4: It's just no, you oh you didn't want to even

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Speaker 4: work with them? No.

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Speaker 3: I was like, I can't work with it because they

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Speaker 3: they crossed like a few boundaries before and they were

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Speaker 3: like who do you masturbate too? And stuff like that,

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Speaker 3: and it was like, wait, sir, are like that he

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Speaker 3: thought that we were and I was like no, no, no.

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Speaker 3: In the first few times, I was like maybe this

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Speaker 3: is like I don't know what this is. Trying to

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Speaker 3: justify it, but it was just you know, but then.

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Speaker 4: Is this a straight man?

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Speaker 3: No?

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Speaker 1: Okay, oh wow what weird flirting?

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Speaker 4: Yeah?

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Speaker 1: You is it me?

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Speaker 3: Yeah? Very weird.

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Speaker 4: That's a good title. I don't know.

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Speaker 2: Yeah that I mean, you know, the thing is about

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Speaker 2: like comedy and friendship and working especially comedy. The lines

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Speaker 2: are very much blurred. They're so blurred you're like, oh,

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Speaker 2: I feel like we're mad cool. But it's like, but

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Speaker 2: we actually work together because I mean that this happens

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Speaker 2: with me and Andrew, you know from time to time,

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Speaker 2: and I like, when you, you know.

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Speaker 4: Put me in my place, tell me actually.

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Speaker 3: Do as me putting you in your place. I'm just

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Speaker 3: like voicing concern for the record. Yeah, okay, I know,

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Speaker 3: because I can clear Monday, Yeah, I do not want

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Speaker 3: it to seem like Okay. When we end the recording,

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Speaker 3: Andrew is like, Sydney, go back to your corner.

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Speaker 1: Yeah, my name, clear my name. I love that for you.

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Speaker 4: Clear my name.

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Speaker 2: Another beautiful title, y'all are on fire today?

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Speaker 1: You just you it's.

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Speaker 2: It was, It's not. It's not as as you well

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Speaker 2: you know what's.

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Speaker 3: Got another title?

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Speaker 4: Maybe, yes, honestly it could be.

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Speaker 2: Today is my four year anniversary of being sober.

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Speaker 1: Yay clap clap, clap, clap, clap, clap, clap, clap, clap, clap.

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Speaker 4: Clap, thank you.

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Speaker 2: And I'm feeling a little wonky today. I'm a little

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Speaker 2: I feel like displaced or all over the place.

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Speaker 1: I don't know, but may mental, emotionally.

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Speaker 2: Mentally, emotionally, I think, you know, I'm leaving tomorrow to

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Speaker 2: go to San Francisco or whatever, so I have to

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Speaker 2: do all that stuff.

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Speaker 4: But I think, like I am, I am proud.

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Speaker 2: I am proud of where I am right now, but

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Speaker 2: I'm also I feel I definitely fell all over the place.

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Speaker 2: It's hard to articulate. But I don't want you guys

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Speaker 2: to be worried. Don't be alarmed. I'm not gonna go

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Speaker 2: like get a drink, but I definitely just I don't

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Speaker 2: know how to describe this moment.

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Speaker 1: Well, I mean it's this is the longest you've ever

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Speaker 1: been sober. Yes, so that is an accomplishment in itself,

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Speaker 1: but also like something to like sit and reflect on,

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Speaker 1: because I mean, we talked about this yesterday. You relapsed

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Speaker 1: once before, and you know, this is something it's in

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Speaker 1: my phone, It's in my phone, it repeats every year,

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Speaker 1: and I think that, you know, sometimes maybe that's the

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Speaker 1: wrong word that I want to use. I just think

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Speaker 1: that it's something that obviously it changed your life forever.

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Speaker 1: And this is something that is not easy for some people.

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Speaker 1: I mean, you see what just happened with Kisha Cole's mom, right,

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Speaker 1: Some people get sober and they you know, they can't

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Speaker 1: stay clean for whatever reason. But addiction is addiction is

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Speaker 1: something that, like being friends with you, I've learned more

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Speaker 1: about than I've ever thought that I would know because

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Speaker 1: I don't really have any addicts in my family. But

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Speaker 1: it's it's very common, I think, especially in the black community.

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Speaker 1: So yeah, it's a big deal.

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Speaker 3: Yeah.

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Speaker 2: I mean I remember when I relapsed and we were

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Speaker 2: in Starbucks and I was crying, and you shed one

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Speaker 2: thug tear for me over the empanadas, and I was like, okay.

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Speaker 1: Em banadas. We were eating banatas a Starbucks.

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Speaker 3: Starbucks.

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Speaker 2: There was like a little impanata truck on that corner

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Speaker 2: and we brought it into Starbucks. And this sounds like

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Speaker 2: that sounds like yeah, absolutely.

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Speaker 4: Oh my god.

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Speaker 2: I was so I was so disheveled in a mess

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Speaker 2: and I didn't have no weaven. I had my my

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Speaker 2: hair natural and shaved on the sides, and I was

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Speaker 2: just like crying looking at it.

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Speaker 1: I remember that hair moment, sitting me with the natural

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Speaker 1: hair for like a month.

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Speaker 4: Yeah, no, it was a couple of months.

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Speaker 2: But yeah, you were definitely affected and you were like,

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Speaker 2: what are we gonna do?

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Speaker 1: Well? Because it's like, as somebody who is very new

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Speaker 1: to this, but also somebody who's trying to be a

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Speaker 1: good friend. This is this goes back to m making

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Speaker 1: sure that I say the right thing so that I

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Speaker 1: don't have hurt somebody's feelings. I also feel like for me,

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Speaker 1: like I'm not trying to be selfish, but I have

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Speaker 1: to be selfish sometimes, you know what I mean. Like

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Speaker 1: if we're trying to create something together. We're trying to

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Speaker 1: work together, and you can't you for whatever reason, can't

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Speaker 1: can't be where you need to be. That affects me

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Speaker 1: as well. Yeah, you know. And it's like I want

200
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Speaker 1: to be there for my friend. I want her to win,

201
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Speaker 1: I want her to feel good about herself, and I

202
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Speaker 1: want her to like make smart decisions, but I can't

203
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Speaker 1: make those decisions for you, you know. And so like

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Speaker 1: somebody left to review the other day on iTunes and

205
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Speaker 1: they were like, Marie and Andrew, you need to be

206
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Speaker 1: nicer to Sydney. Whenever Sidney says something, they attack her

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Speaker 1: Sidney did, They're like, my good sister can't even get

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Speaker 1: all words out without them shutting down. And it's like

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Speaker 1: when it comes to some when it comes to addiction,

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Speaker 1: or when it comes to things that are like serious

211
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Speaker 1: like that, I don't want to say the wrong thing

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Speaker 1: and then be the reason why somebody relapses or be

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Speaker 1: the reason why somebody has a bad day and then

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Speaker 1: they like take it out on themselves because of something

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Speaker 1: that I said. So, you know, and panadas in the

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Speaker 1: Starbucks with thug tears. Uh yeah, I remember that day too,

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Speaker 1: and I remember exactly where we were sitting but like

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Speaker 1: that was that was kind of a rough day.

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Speaker 2: Yeah, you know, we were trying to take pictures, were

220
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Speaker 2: trying to We're trying to change outfits.

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Speaker 4: It was like, I was like, why are we even

222
00:11:38,720 --> 00:11:40,240
Speaker 4: taking photos? I don't know.

223
00:11:40,280 --> 00:11:43,120
Speaker 2: We loved it was the same day it was. It

224
00:11:43,200 --> 00:11:44,960
Speaker 2: was the same day we had. We had a photo

225
00:11:44,960 --> 00:11:49,000
Speaker 2: shoot that day and you didn't have hair. No, I

226
00:11:49,040 --> 00:11:51,280
Speaker 2: didn't have hair. I have the pictures that guy Sean,

227
00:11:51,920 --> 00:11:54,200
Speaker 2: that guy Sean Sean, that's.

228
00:11:54,120 --> 00:11:55,120
Speaker 1: Where we know him from.

229
00:11:55,440 --> 00:11:59,800
Speaker 2: Yeah, I want you guys to know that if Marie

230
00:12:00,280 --> 00:12:03,640
Speaker 2: looks at you like she doesn't know you, it's.

231
00:12:03,480 --> 00:12:07,559
Speaker 1: It's not because I don't. It's no, I don't. I

232
00:12:08,240 --> 00:12:10,840
Speaker 1: will forget your face and your name and then people

233
00:12:10,880 --> 00:12:13,040
Speaker 1: will come up to me. Actually, I bumped into him

234
00:12:13,080 --> 00:12:15,760
Speaker 1: on the street ones and he's like Marie, hey, and

235
00:12:15,800 --> 00:12:19,360
Speaker 1: I was like hello, and.

236
00:12:18,480 --> 00:12:21,440
Speaker 2: Yeah we were at old to babbel and he was

237
00:12:21,600 --> 00:12:23,720
Speaker 2: truly trying to have a conversation with you, and you

238
00:12:23,760 --> 00:12:25,320
Speaker 2: were your eyes were cross eyed.

239
00:12:25,679 --> 00:12:27,240
Speaker 1: You were like what is this.

240
00:12:28,200 --> 00:12:29,560
Speaker 4: You're like, why is he talking to me?

241
00:12:29,679 --> 00:12:33,160
Speaker 2: Like he knows me, you know, And I had to whisper,

242
00:12:33,320 --> 00:12:34,600
Speaker 2: like pictures photos.

243
00:12:34,640 --> 00:12:38,200
Speaker 4: He took photos of us, and I was like, photos.

244
00:12:37,760 --> 00:12:40,640
Speaker 2: A photo, You're still trying to think about it? It

245
00:12:40,760 --> 00:12:43,280
Speaker 2: was it was so many years ago though, to be honest,

246
00:12:44,160 --> 00:12:46,040
Speaker 2: to be fair, it was like five years ago, so

247
00:12:46,520 --> 00:12:46,800
Speaker 2: I know.

248
00:12:46,960 --> 00:12:50,400
Speaker 1: But also like, can we be honest about this. If

249
00:12:50,400 --> 00:12:52,040
Speaker 1: you bump into me in the streets and I'm giving

250
00:12:52,080 --> 00:12:54,880
Speaker 1: you the who that is face, just give me some

251
00:12:54,920 --> 00:12:59,520
Speaker 1: context cues. Clues, Give me some context clues so I

252
00:12:59,520 --> 00:13:04,040
Speaker 1: can be like, oh right, Fire Island nineteen sixty nine

253
00:13:04,320 --> 00:13:06,280
Speaker 1: or whatever, like give me some.

254
00:13:08,040 --> 00:13:08,880
Speaker 4: Well, you know what it is.

255
00:13:08,920 --> 00:13:13,400
Speaker 2: It's like people, it's also ego because it's kind of like, so, wait,

256
00:13:13,480 --> 00:13:15,920
Speaker 2: you don't know me, Like we've we had that moment,

257
00:13:16,080 --> 00:13:19,080
Speaker 2: but like the moment you thought we had that was

258
00:13:19,559 --> 00:13:20,120
Speaker 2: your moment.

259
00:13:20,240 --> 00:13:21,520
Speaker 4: That was our.

260
00:13:21,320 --> 00:13:27,800
Speaker 1: Moment, right, that was your moments, sweetie, wasn't a moment

261
00:13:27,840 --> 00:13:31,200
Speaker 1: for me. Did something memorable happen the last time we

262
00:13:31,280 --> 00:13:34,599
Speaker 1: hung out? If it did, then maybe I'll it'll be

263
00:13:34,640 --> 00:13:37,280
Speaker 1: easier for me to remember. But if like we just

264
00:13:37,320 --> 00:13:41,240
Speaker 1: met once and had a conversation, you know, while sneaking

265
00:13:41,240 --> 00:13:44,200
Speaker 1: food into a Starbucks, then I don't know if I'm

266
00:13:44,200 --> 00:13:44,880
Speaker 1: gonna remember you.

267
00:13:45,679 --> 00:13:46,800
Speaker 4: It's a tough one.

268
00:13:46,920 --> 00:13:49,600
Speaker 2: It's a tough one, but because like people want to

269
00:13:49,640 --> 00:13:55,360
Speaker 2: feel known important and important, especially from you, my friend.

270
00:13:55,720 --> 00:14:00,320
Speaker 2: So like nobody wants to be like, ah, you know

271
00:14:00,559 --> 00:14:02,640
Speaker 2: that comedy show. They want to be in the street.

272
00:14:02,679 --> 00:14:05,320
Speaker 2: Because it's also kind of embarrassing, like when you're in

273
00:14:05,400 --> 00:14:09,320
Speaker 2: public and you're like hey and the person is like, uh,

274
00:14:09,400 --> 00:14:11,760
Speaker 2: they're not giving you the same energy back because they're

275
00:14:11,800 --> 00:14:13,520
Speaker 2: just trying to figure out who the fuck are you.

276
00:14:14,120 --> 00:14:17,240
Speaker 1: Yeah, but we've all seen somebody waving and wave back

277
00:14:17,320 --> 00:14:19,400
Speaker 1: like do I know this person? Yeah, and then you

278
00:14:19,400 --> 00:14:21,000
Speaker 1: look behind you and you're like, oh, it wasn't even

279
00:14:21,200 --> 00:14:22,320
Speaker 1: that wasn't even for me.

280
00:14:22,760 --> 00:14:23,000
Speaker 4: Yeah.

281
00:14:23,040 --> 00:14:28,480
Speaker 2: That hurts too. That definitely hurts. I am not here

282
00:14:28,520 --> 00:14:32,960
Speaker 2: for that. It's like, if you meant to wave to

283
00:14:33,000 --> 00:14:38,680
Speaker 2: somebody else, still wave at me, Still wave wave back at.

284
00:14:38,600 --> 00:14:40,560
Speaker 1: Me, right, I mean, Sidney is somebody. If you wave

285
00:14:40,600 --> 00:14:43,080
Speaker 1: at somebody, they should be honored that you're waving back.

286
00:14:43,640 --> 00:14:47,800
Speaker 1: So that but also like, I mean, it's embarrassing, but

287
00:14:47,880 --> 00:14:50,080
Speaker 1: it's kind of funny too. We've all been there and

288
00:14:50,080 --> 00:14:53,840
Speaker 1: you're like, who me, I thought you meant me. I

289
00:14:53,840 --> 00:14:55,160
Speaker 1: don't know. Maybe you can meet the love of your

290
00:14:55,160 --> 00:14:57,320
Speaker 1: life that way. Who are someone who's listening.

291
00:14:57,880 --> 00:15:00,480
Speaker 4: Okay, sounds like a rom com.

292
00:15:00,520 --> 00:15:03,720
Speaker 1: That's what I'm saying. It's like Made in Manhattan, except

293
00:15:03,760 --> 00:15:07,720
Speaker 1: someone's waving at you and you're like yes, and they're

294
00:15:07,760 --> 00:15:11,560
Speaker 1: not looking at you, but now they are. There's a

295
00:15:11,600 --> 00:15:15,080
Speaker 1: conflict somewhere. You get married. J Lo's in that movie.

296
00:15:15,440 --> 00:15:17,000
Speaker 1: I think it's coming out in the fall.

297
00:15:17,760 --> 00:15:19,280
Speaker 4: Yeah, j Loo, Jlo j Lo.

298
00:15:19,600 --> 00:15:22,640
Speaker 2: I'm like, when is she gonna wrap this up with Ben?

299
00:15:23,280 --> 00:15:25,000
Speaker 2: I'm tired of seeing the photos.

300
00:15:25,400 --> 00:15:27,680
Speaker 1: You think the sex between them is cute, Like, do

301
00:15:27,680 --> 00:15:29,120
Speaker 1: you think they're having good sex?

302
00:15:31,800 --> 00:15:33,760
Speaker 4: I can't say. I can't say.

303
00:15:33,880 --> 00:15:37,400
Speaker 2: He looks miserable in every photo and every photo with her.

304
00:15:37,680 --> 00:15:40,840
Speaker 2: He looks like, damn, dude, why do we gotta be

305
00:15:41,000 --> 00:15:43,960
Speaker 2: out with this? Why can't we just be hiding in

306
00:15:44,360 --> 00:15:47,320
Speaker 2: like another country doing Why do we have to be

307
00:15:47,320 --> 00:15:50,760
Speaker 2: in la He doesn't look he doesn't look comfortable.

308
00:15:51,120 --> 00:15:54,520
Speaker 1: I watched the Justice League movie and he looked like

309
00:15:54,560 --> 00:15:56,120
Speaker 1: he didn't want to be there either. He was like

310
00:15:56,760 --> 00:16:01,800
Speaker 1: slappy slavn Batman. I said that Brooks what men didn't do,

311
00:16:01,880 --> 00:16:04,120
Speaker 1: not to sit up, not a push up, not one

312
00:16:04,280 --> 00:16:06,960
Speaker 1: arm curl. He just showed up to set and he

313
00:16:07,120 --> 00:16:08,840
Speaker 1: was like I don't even make up. I'm gonna do

314
00:16:08,840 --> 00:16:12,000
Speaker 1: a little BB cream and I'm ready for the cameras.

315
00:16:12,040 --> 00:16:13,600
Speaker 1: It was he he looked shoveled.

316
00:16:13,880 --> 00:16:16,040
Speaker 4: He said, y'all know my brand. What's good?

317
00:16:16,640 --> 00:16:20,680
Speaker 1: Sloppy dad, sloppy single dad.

318
00:16:21,120 --> 00:16:21,520
Speaker 4: Yeah.

319
00:16:22,360 --> 00:16:25,880
Speaker 3: But I'm saying, though, I feel like she's like glowing

320
00:16:25,960 --> 00:16:30,920
Speaker 3: in every like picture. She's upset, that's face tuned. No,

321
00:16:31,000 --> 00:16:34,600
Speaker 3: but caparazzi, come on. I think that like they are

322
00:16:34,640 --> 00:16:36,560
Speaker 3: obsessed with one another. How can they not be.

323
00:16:37,000 --> 00:16:39,880
Speaker 1: I think j Low is obsessed with herself, and I

324
00:16:39,920 --> 00:16:42,440
Speaker 1: think image is very important to a woman like that,

325
00:16:42,840 --> 00:16:45,360
Speaker 1: and she knows where the cameras are at all times

326
00:16:45,400 --> 00:16:51,160
Speaker 1: because she may be calling them or not. But I

327
00:16:51,160 --> 00:16:54,800
Speaker 1: don't think that her looking good. Look yeah, he looked.

328
00:16:55,040 --> 00:16:58,040
Speaker 1: He looks stressed. At least he has on a clean

329
00:16:58,280 --> 00:17:00,000
Speaker 1: cream sweater. They look fat.

330
00:17:00,800 --> 00:17:03,320
Speaker 3: That looks like the painting of like the two Farmers.

331
00:17:03,360 --> 00:17:08,080
Speaker 2: That's a pitchfork, Yeah, because Jlo, Because if Jlo has

332
00:17:08,119 --> 00:17:11,960
Speaker 2: a track soon it Yeah, but Jlo makes these dudes

333
00:17:12,040 --> 00:17:16,080
Speaker 2: where fucking color coordinated, similar outfits. It's like she'd be

334
00:17:16,760 --> 00:17:19,800
Speaker 2: low key emasculating them sometimes, Like I could tell that

335
00:17:19,840 --> 00:17:22,560
Speaker 2: they think that they do stuff because she wants it

336
00:17:22,600 --> 00:17:22,960
Speaker 2: that way.

337
00:17:24,000 --> 00:17:28,800
Speaker 4: I wanted way you.

338
00:17:30,440 --> 00:17:35,280
Speaker 1: And nothing. But uh, wasn't that song number one on

339
00:17:35,320 --> 00:17:38,760
Speaker 1: TRL for like ten years or something. It was like

340
00:17:38,800 --> 00:17:44,159
Speaker 1: a year. Yeah, I don't know. I've never wanted to

341
00:17:44,320 --> 00:17:50,000
Speaker 1: match with a man that I was dating. Yeah, it's

342
00:17:50,080 --> 00:17:53,520
Speaker 1: maybe maybe I've never been in love, but I've never

343
00:17:53,600 --> 00:17:57,160
Speaker 1: wanted you were that and I were this. I mean,

344
00:17:57,160 --> 00:17:58,879
Speaker 1: if we both show up somewhere and we kind of

345
00:17:58,920 --> 00:18:00,800
Speaker 1: accidentally matched, then that's funny to me.

346
00:18:01,040 --> 00:18:06,520
Speaker 4: But I mean, the thing is is that.

347
00:18:07,880 --> 00:18:13,560
Speaker 2: I think if you have really good chemistry and like

348
00:18:13,600 --> 00:18:16,560
Speaker 2: you guys hang out a lot, you're just randomly start

349
00:18:17,240 --> 00:18:19,399
Speaker 2: wearing similar outfits.

350
00:18:19,600 --> 00:18:22,040
Speaker 1: Well it's not even about the chemistry if they can

351
00:18:22,119 --> 00:18:26,000
Speaker 1: dress cute. I'm wearing that sweater, this jacket is mine today.

352
00:18:26,440 --> 00:18:30,200
Speaker 1: Oh my god? Did I accidentally right? I'm taking your stuff?

353
00:18:30,640 --> 00:18:31,120
Speaker 3: Yeah?

354
00:18:31,200 --> 00:18:33,800
Speaker 1: I mean I have stuff from What's his Face? That

355
00:18:33,880 --> 00:18:34,240
Speaker 1: I wear?

356
00:18:34,920 --> 00:18:37,160
Speaker 4: What's his Face? I love that that we don't even

357
00:18:37,200 --> 00:18:37,920
Speaker 4: know his name.

358
00:18:38,040 --> 00:18:39,240
Speaker 1: But what's his face is?

359
00:18:39,520 --> 00:18:42,840
Speaker 4: What is his face? His face? Great title?

360
00:18:43,880 --> 00:18:47,040
Speaker 1: Wait, speaking of what's his face? So I was at

361
00:18:47,040 --> 00:18:49,520
Speaker 1: an event the other day. It was like a weed

362
00:18:50,920 --> 00:18:54,639
Speaker 1: infused dinner and I went with Carolina because you know,

363
00:18:54,800 --> 00:18:57,359
Speaker 1: I was like, people are like, oh, I want to come,

364
00:18:57,760 --> 00:18:59,280
Speaker 1: I want to be a high with you, blah blah

365
00:18:59,280 --> 00:19:00,840
Speaker 1: blah blah. And I was like, well, there's a list,

366
00:19:01,119 --> 00:19:03,720
Speaker 1: but Carolina was the first person that I thought of,

367
00:19:03,800 --> 00:19:05,919
Speaker 1: so she's the one who got the invite. And so

368
00:19:05,960 --> 00:19:08,040
Speaker 1: we're at this thing and you could tell there's money

369
00:19:08,040 --> 00:19:09,600
Speaker 1: in the room. First of all, ticket to get to

370
00:19:09,640 --> 00:19:12,679
Speaker 1: the event was like two hundred dollars, So I'm already

371
00:19:12,680 --> 00:19:14,520
Speaker 1: coming into it, like if you have an extra two

372
00:19:14,560 --> 00:19:18,239
Speaker 1: hundred dollars during a pandemic, then I want to hang

373
00:19:18,280 --> 00:19:22,000
Speaker 1: out with you, right, So I'm we get there. I

374
00:19:22,000 --> 00:19:25,639
Speaker 1: had on this like sheer dress thing with the side

375
00:19:25,680 --> 00:19:30,480
Speaker 1: boobs out. She looks fantastic fully waiting for the Jana

376
00:19:30,560 --> 00:19:32,159
Speaker 1: Jackson nip slip I was.

377
00:19:32,359 --> 00:19:33,159
Speaker 4: I was turned on.

378
00:19:33,760 --> 00:19:38,040
Speaker 1: Wow, Wow, Okay, it was so Sidney. Why do you

379
00:19:38,119 --> 00:19:41,480
Speaker 1: not wet? Let's talk about it. Who do you masturbate to?

380
00:19:48,200 --> 00:19:51,040
Speaker 1: So I could tell there was like art people in there,

381
00:19:51,080 --> 00:19:53,800
Speaker 1: and it was like startup money in there, look like money.

382
00:19:54,040 --> 00:19:55,639
Speaker 1: At one point I walked by this table and this

383
00:19:56,040 --> 00:20:01,760
Speaker 1: old old like don I missed type man was like,

384
00:20:01,800 --> 00:20:04,639
Speaker 1: you are wearing their drill and I was like, he

385
00:20:04,760 --> 00:20:07,280
Speaker 1: can cow and he asked me to sit at his

386
00:20:07,359 --> 00:20:10,560
Speaker 1: table and I was like, no, I'm you know, Caroline's

387
00:20:10,600 --> 00:20:12,480
Speaker 1: right over there. He was like, well, this guy's getting

388
00:20:12,560 --> 00:20:14,399
Speaker 1: ready to leave. You could sit there when he leaves.

389
00:20:14,720 --> 00:20:16,399
Speaker 1: And somebody at the table was like, this is the

390
00:20:16,480 --> 00:20:17,720
Speaker 1: table you should be at.

391
00:20:18,600 --> 00:20:18,800
Speaker 4: Right.

392
00:20:19,320 --> 00:20:22,439
Speaker 1: I could tell this guy was rich just based on

393
00:20:22,480 --> 00:20:26,320
Speaker 1: how hard they were laughing at his jokes at the table, right, Like,

394
00:20:26,359 --> 00:20:28,359
Speaker 1: I was like, he must have paid for everybody's ticket

395
00:20:28,400 --> 00:20:31,240
Speaker 1: at this table, because they have to, right, Like you

396
00:20:31,280 --> 00:20:34,440
Speaker 1: know when someone's like not really that funny, but you're

397
00:20:34,480 --> 00:20:37,199
Speaker 1: like it was that.

398
00:20:37,400 --> 00:20:40,800
Speaker 3: It was that they do on The Bachelor all the time. Yeah,

399
00:20:41,680 --> 00:20:42,800
Speaker 3: they're losing it.

400
00:20:42,880 --> 00:20:43,520
Speaker 4: That's what they.

401
00:20:43,400 --> 00:20:46,080
Speaker 1: Do, right, because you want them to think that you

402
00:20:47,119 --> 00:20:50,119
Speaker 1: love them or that they're great. I don't know. Anyway,

403
00:20:51,480 --> 00:20:55,600
Speaker 1: found out later that this man was a billionaire, Like

404
00:20:55,760 --> 00:20:57,600
Speaker 1: what there were two billionaires at that event, and he

405
00:20:57,720 --> 00:21:00,240
Speaker 1: was one of the richest people in the room. And

406
00:21:00,280 --> 00:21:02,200
Speaker 1: I said, I sensed that and I should have sat

407
00:21:02,240 --> 00:21:07,480
Speaker 1: my ass down. And it's just actually kind of devastating

408
00:21:07,520 --> 00:21:14,359
Speaker 1: for me because they said they said he gives women

409
00:21:14,600 --> 00:21:18,240
Speaker 1: ten thousand dollars in cash just for fun. I said,

410
00:21:18,240 --> 00:21:20,560
Speaker 1: I like fun and I like cash.

411
00:21:20,800 --> 00:21:24,320
Speaker 2: So and you just and you were so concerned with

412
00:21:24,359 --> 00:21:28,160
Speaker 2: getting back to Carolina for what Like I was confused.

413
00:21:28,440 --> 00:21:30,919
Speaker 1: Carolina literally has never given me money in my life,

414
00:21:31,160 --> 00:21:34,080
Speaker 1: and not one bit, not a not a twenty not

415
00:21:34,160 --> 00:21:38,119
Speaker 1: even twenty dollars. Yeah, they said she's and my source

416
00:21:38,160 --> 00:21:40,560
Speaker 1: said he has a broken hip so he can't have

417
00:21:40,720 --> 00:21:44,800
Speaker 1: sex work. I said, this is my type of sugar daddy,

418
00:21:45,440 --> 00:21:50,040
Speaker 1: broken hip and billionaire and generous and didn't and didn't

419
00:21:50,080 --> 00:21:53,680
Speaker 1: he just buy a hotel. He just bought a hotel downtown.

420
00:21:54,040 --> 00:21:56,200
Speaker 4: Lord, have mercy, Jesus Christ.

421
00:21:56,800 --> 00:21:59,520
Speaker 2: We could have we we could have been at a

422
00:21:59,560 --> 00:22:01,920
Speaker 2: pool this summer, Marie.

423
00:22:02,240 --> 00:22:03,800
Speaker 1: I mean, we can still be at a pool that summer.

424
00:22:03,800 --> 00:22:04,000
Speaker 4: Sist.

425
00:22:09,600 --> 00:22:13,360
Speaker 1: But yeah, I really fumbled the bag on that one.

426
00:22:13,640 --> 00:22:16,240
Speaker 1: And the next event, I'm not bringing Caroline now, I'm

427
00:22:16,240 --> 00:22:20,760
Speaker 1: gonna bring a young, hot single friend that is more

428
00:22:20,800 --> 00:22:23,760
Speaker 1: desperate than me. Maybe desperate is the wrong word, but

429
00:22:23,960 --> 00:22:26,879
Speaker 1: a young, hot single friend that just wants to do

430
00:22:27,800 --> 00:22:29,800
Speaker 1: everybody in the room so that like we can all

431
00:22:29,880 --> 00:22:33,320
Speaker 1: mingle and then reconvene and compare notes after the event.

432
00:22:33,359 --> 00:22:33,960
Speaker 1: You know what I mean?

433
00:22:34,200 --> 00:22:37,080
Speaker 2: Oh, I was like, I mean I am. I'm like,

434
00:22:37,240 --> 00:22:40,720
Speaker 2: I'm your hot friend that likes to mingle, but you.

435
00:22:40,680 --> 00:22:45,520
Speaker 1: Don't smoke wheedsis no, No, you're right. And it's a

436
00:22:45,640 --> 00:22:49,320
Speaker 1: dinner for wheat. Like everything had weed in it. It

437
00:22:49,400 --> 00:22:52,840
Speaker 1: was all infused. It was really good. But what you said,

438
00:22:52,840 --> 00:22:55,480
Speaker 1: you're gonna bring a brown bag lunch. We're gonna be

439
00:22:55,480 --> 00:22:59,600
Speaker 1: eating duck breast and you're gonna be eating what of lunch?

440
00:23:00,160 --> 00:23:06,159
Speaker 2: No of beef patty with Swiss cheese. I love a

441
00:23:06,280 --> 00:23:09,719
Speaker 2: beef patty with Swiss cheese. It really be rocking my world. Honey,

442
00:23:10,200 --> 00:23:14,320
Speaker 2: Swiss cheese, Swiss cheese, Swiss, Swiss Swiss cheese.

443
00:23:15,040 --> 00:23:17,480
Speaker 3: Wait, Murray, was this guy hot? No?

444
00:23:18,920 --> 00:23:24,520
Speaker 1: No, it was not, Andrew, I think most most did

445
00:23:24,560 --> 00:23:26,560
Speaker 1: you hear me say, don I miss? Wasn't he like

446
00:23:27,280 --> 00:23:30,000
Speaker 1: melted candle wax? He looked like the candle from Beauty

447
00:23:30,040 --> 00:23:30,440
Speaker 1: and the Beast.

448
00:23:30,800 --> 00:23:32,040
Speaker 3: That one went over my head.

449
00:23:32,160 --> 00:23:33,040
Speaker 1: Yeah yeah?

450
00:23:33,359 --> 00:23:36,760
Speaker 4: And how many? How many billionaires do you know?

451
00:23:37,840 --> 00:23:40,240
Speaker 1: That hot?

452
00:23:40,680 --> 00:23:42,920
Speaker 3: Oh? I mean we've talked before. I think that Bill

453
00:23:43,000 --> 00:23:46,480
Speaker 3: Gates isn't terrible looking. I know I wouldn't say that

454
00:23:46,520 --> 00:23:47,040
Speaker 3: he's hot.

455
00:23:47,760 --> 00:23:51,200
Speaker 1: I just I'm googling hot billionaires. Yeah, let's let's.

456
00:23:51,040 --> 00:23:54,760
Speaker 2: See who comes up, truly truly worried about you that

457
00:23:54,840 --> 00:23:58,080
Speaker 2: you said Bill Gates is not terrible. Now I want

458
00:23:58,119 --> 00:23:59,720
Speaker 2: to I want to check your glasses.

459
00:24:01,119 --> 00:24:05,800
Speaker 3: How about Kylie Jenner? I mean, huh, are we including

460
00:24:05,920 --> 00:24:06,199
Speaker 3: can you?

461
00:24:06,280 --> 00:24:08,720
Speaker 1: Can you leap that out? Can you that name out?

462
00:24:08,800 --> 00:24:11,520
Speaker 1: So people? We don't we don't talk about those people here.

463
00:24:12,200 --> 00:24:14,960
Speaker 2: That's that's new money. I'm talking about billionaires that have

464
00:24:15,080 --> 00:24:20,359
Speaker 2: been billionaires. They've been billionaires, been billionaires. That's a good title.

465
00:24:20,440 --> 00:24:23,000
Speaker 2: Think be ben benionaires.

466
00:24:23,560 --> 00:24:27,600
Speaker 1: Because there's this Norwegian guy named Gustave Magnar with zo.

467
00:24:28,480 --> 00:24:29,840
Speaker 1: He looked like he might could be your type.

468
00:24:29,880 --> 00:24:34,920
Speaker 2: Andrew, Oh, he's cute.

469
00:24:35,720 --> 00:24:40,919
Speaker 1: One point six billion, Marie. That's all white dudes, the

470
00:24:41,000 --> 00:24:42,720
Speaker 1: heir to H and M.

471
00:24:42,760 --> 00:24:48,359
Speaker 2: Marie t what if you just start liking these dudes instagrams?

472
00:24:49,520 --> 00:24:51,040
Speaker 4: See if they see if they bite?

473
00:24:51,560 --> 00:24:53,960
Speaker 1: You don't think other people are liking their instagram?

474
00:24:54,680 --> 00:24:56,679
Speaker 4: Now? I don't.

475
00:24:57,160 --> 00:24:57,639
Speaker 3: I don't.

476
00:24:58,119 --> 00:25:00,400
Speaker 1: You don't think that they have like a b mall

477
00:25:00,640 --> 00:25:04,320
Speaker 1: skinny blond girl with cities attached to them at all times?

478
00:25:04,480 --> 00:25:08,679
Speaker 4: I don't. I truly don't. I'm sorry. I'm sorry that

479
00:25:08,800 --> 00:25:10,240
Speaker 4: I'm like I don't have any hope.

480
00:25:10,280 --> 00:25:13,600
Speaker 2: I'm like, who is Like, I'm like, please go to

481
00:25:13,600 --> 00:25:15,960
Speaker 2: their Instagram and see what they're even posting. I feel

482
00:25:16,000 --> 00:25:19,480
Speaker 2: like their last post is from like twenty nineteen.

483
00:25:19,920 --> 00:25:23,399
Speaker 1: Right, People who are like really really rich and busy

484
00:25:23,520 --> 00:25:26,480
Speaker 1: business owners are they don't really care about social media?

485
00:25:26,640 --> 00:25:27,240
Speaker 1: Why would they?

486
00:25:27,520 --> 00:25:30,840
Speaker 3: Yeah, they're not posting to their own account way right right?

487
00:25:31,000 --> 00:25:34,480
Speaker 1: They definitely have a fence to Okay, this guy that

488
00:25:34,600 --> 00:25:36,920
Speaker 1: started snapshot four billion dollars?

489
00:25:37,200 --> 00:25:37,919
Speaker 4: What do he look at?

490
00:25:37,960 --> 00:25:41,000
Speaker 1: I'm Sydney, let's start an app. He looks like a

491
00:25:41,040 --> 00:25:45,520
Speaker 1: puffy Bruno Mars. He looks like the guy from Insecure

492
00:25:45,560 --> 00:25:46,920
Speaker 1: that was dating Molly.

493
00:25:47,119 --> 00:25:50,920
Speaker 2: Don't believe me, Just watch he does. Wow, you are

494
00:25:51,160 --> 00:25:52,600
Speaker 2: You're good with these description.

495
00:25:54,400 --> 00:25:57,760
Speaker 1: And then this is the oldest billionaire on the list.

496
00:25:57,920 --> 00:26:02,240
Speaker 1: Let's look, let's Travis Kallinick six point three billion dollars.

497
00:26:02,760 --> 00:26:03,800
Speaker 4: He's not even old.

498
00:26:04,960 --> 00:26:06,840
Speaker 1: Well, he was born in nineteen seventy six. I don't

499
00:26:06,840 --> 00:26:07,639
Speaker 1: know how old this photo is.

500
00:26:07,760 --> 00:26:09,439
Speaker 2: Oh okay, because it looked like he ain't got no

501
00:26:09,480 --> 00:26:12,320
Speaker 2: top teeth though, Oh he ain't got no top teeth

502
00:26:12,480 --> 00:26:16,760
Speaker 2: or top or top lipt top lip. Yeah, top top

503
00:26:16,800 --> 00:26:19,360
Speaker 2: lift gone front teeth gone.

504
00:26:19,320 --> 00:26:21,919
Speaker 1: Okay, but now let's talk about it. Sidney. Yeah, so

505
00:26:22,600 --> 00:26:26,000
Speaker 1: if you were single, yes, and you were at it

506
00:26:26,080 --> 00:26:28,920
Speaker 1: was you in that situation and the man said, actually, Andrew,

507
00:26:29,080 --> 00:26:32,800
Speaker 1: this question goes to you as well. And this man,

508
00:26:32,920 --> 00:26:35,280
Speaker 1: who clearly had money, I felt it. I felt it

509
00:26:35,320 --> 00:26:39,960
Speaker 1: in my Haitian poor ass bones, not poor middle class bones.

510
00:26:40,280 --> 00:26:42,560
Speaker 1: I was like, this man owns a franchise or something.

511
00:26:42,640 --> 00:26:46,440
Speaker 1: The energy coming off of his old ass was like.

512
00:26:47,200 --> 00:26:49,439
Speaker 1: I was like this, this person has money, but a

513
00:26:49,520 --> 00:26:53,640
Speaker 1: lot of it. So somebody like that says to you,

514
00:26:53,640 --> 00:26:55,800
Speaker 1: you should come sit at my table. What do you do?

515
00:26:56,240 --> 00:26:58,240
Speaker 1: How are you playing it differently than how I played it?

516
00:26:58,359 --> 00:27:00,399
Speaker 2: I mean, girl, I told you about the time that

517
00:27:00,560 --> 00:27:04,720
Speaker 2: I went on a date with one of the biggest

518
00:27:05,080 --> 00:27:08,639
Speaker 2: art dealers in the world and I was looking at

519
00:27:08,680 --> 00:27:11,800
Speaker 2: him like, oh, he looked regular degular to me. But

520
00:27:11,840 --> 00:27:14,200
Speaker 2: then I ended up going going to dinner with him,

521
00:27:14,240 --> 00:27:18,320
Speaker 2: going to lunch, and then back at his townhouse and

522
00:27:18,359 --> 00:27:22,399
Speaker 2: then and then I finally googled and I was like, oh, bitch,

523
00:27:22,600 --> 00:27:24,560
Speaker 2: I definitely fumbled it back. But he wanted to like

524
00:27:24,600 --> 00:27:27,080
Speaker 2: cook up and I just couldn't. But I definitely would

525
00:27:27,080 --> 00:27:29,919
Speaker 2: have hung out. We were out in the sun. The

526
00:27:29,960 --> 00:27:30,600
Speaker 2: sun was on.

527
00:27:31,040 --> 00:27:34,200
Speaker 1: People could see, they could see both of you guys. Yeah,

528
00:27:34,240 --> 00:27:38,080
Speaker 1: it was Now how much older was he? Oh?

529
00:27:38,400 --> 00:27:38,600
Speaker 4: Girl?

530
00:27:39,000 --> 00:27:42,159
Speaker 2: At least thirty thirty thirty five years older?

531
00:27:42,800 --> 00:27:45,160
Speaker 1: Oh I was like he was thirty, No, thirty five

532
00:27:45,240 --> 00:27:48,720
Speaker 1: years old. Wait, Andrew, I'm gonna say, I'm gonna show

533
00:27:48,720 --> 00:27:49,920
Speaker 1: you a picture of the guy because.

534
00:27:49,720 --> 00:27:57,000
Speaker 2: I was twenty four twenty five. I'm gonna say he

535
00:27:57,119 --> 00:27:58,600
Speaker 2: was close to.

536
00:28:00,040 --> 00:28:00,720
Speaker 4: Fifty five.

537
00:28:02,520 --> 00:28:07,359
Speaker 1: Okay, I mean, but fifty five a black fifty five. No,

538
00:28:07,480 --> 00:28:09,280
Speaker 1: it was not different than a white fifty five.

539
00:28:09,320 --> 00:28:11,040
Speaker 4: It was not a it was not a white fit.

540
00:28:11,119 --> 00:28:13,399
Speaker 1: It was not a black bege fifty five is different.

541
00:28:13,720 --> 00:28:15,679
Speaker 2: It was not a black fifty five at all. It

542
00:28:15,720 --> 00:28:19,560
Speaker 2: was not even an Asian fifty five. Oh yeah, but

543
00:28:19,600 --> 00:28:21,600
Speaker 2: look at the girl. Look at the girl sitting next

544
00:28:21,600 --> 00:28:25,040
Speaker 2: to him, I see, yeah, look at her. Look at

545
00:28:25,080 --> 00:28:28,159
Speaker 2: her like she looked at his face like she's in

546
00:28:29,440 --> 00:28:33,120
Speaker 2: she's in the photo, but it's it's vacant behind the eyes.

547
00:28:33,920 --> 00:28:37,399
Speaker 1: Listen. I would let that man give me ten thousand

548
00:28:37,400 --> 00:28:39,920
Speaker 1: dollars in cash, and I might even let him like

549
00:28:40,000 --> 00:28:42,120
Speaker 1: you know, bloohimed a little bit, you know, like.

550
00:28:42,600 --> 00:28:45,800
Speaker 3: What did you even talk to this man about? What

551
00:28:45,840 --> 00:28:47,760
Speaker 3: were the conversations like, don't do that.

552
00:28:48,480 --> 00:28:52,560
Speaker 1: I'm just saying, answer that question. What were y'all talking about?

553
00:28:53,320 --> 00:28:57,920
Speaker 2: I mean I talked to him about he well, he

554
00:28:58,040 --> 00:29:01,680
Speaker 2: was an art dealer, so I told him, it's so funny.

555
00:29:01,720 --> 00:29:03,800
Speaker 2: He was laughing at me. He thought I was so funny,

556
00:29:03,800 --> 00:29:05,920
Speaker 2: but he was laughing for the wrong reasons. But I

557
00:29:05,960 --> 00:29:08,680
Speaker 2: was like, yeah, I used to work at the Whitney Museum.

558
00:29:08,760 --> 00:29:11,560
Speaker 2: And he's like, oh, did you what did you do?

559
00:29:11,640 --> 00:29:14,920
Speaker 1: I was like a curator, You're so sweet.

560
00:29:15,720 --> 00:29:19,040
Speaker 2: Yeah, no, no, no, he was I'm thinking like I'm

561
00:29:19,120 --> 00:29:22,160
Speaker 2: doing something like I'm flex and he was like, oh really,

562
00:29:22,640 --> 00:29:24,520
Speaker 2: so what did you do at the Whitney Museum And

563
00:29:24,560 --> 00:29:27,280
Speaker 2: I was like, I was like, I was a youth insight.

564
00:29:27,480 --> 00:29:30,360
Speaker 2: He's like, on, I was like a docent. I was

565
00:29:30,560 --> 00:29:34,240
Speaker 2: like a young docent and I would do tours for

566
00:29:34,400 --> 00:29:38,560
Speaker 2: like kids and senior citizens. And he's like, oh my god,

567
00:29:39,240 --> 00:29:42,840
Speaker 2: that's incredible. But at the time I thought that he

568
00:29:42,920 --> 00:29:45,640
Speaker 2: was like pleased with that, but he was totally shading

569
00:29:45,680 --> 00:29:46,400
Speaker 2: me the whole time.

570
00:29:47,080 --> 00:29:49,800
Speaker 3: He was like, you were a child.

571
00:29:50,120 --> 00:29:52,240
Speaker 4: Yeah, he was kicking, he was kekying at me.

572
00:29:53,520 --> 00:29:55,800
Speaker 2: I was like I was, I was like, oh my god,

573
00:29:55,840 --> 00:29:59,640
Speaker 2: I loved Ellsworth, Kelly, you know, Andy Warhol.

574
00:30:00,080 --> 00:30:01,800
Speaker 4: Like I'm shooting off names.

575
00:30:02,080 --> 00:30:04,000
Speaker 1: I don't know who Elsworth is. So it sounds like

576
00:30:04,040 --> 00:30:04,680
Speaker 1: you know art to me.

577
00:30:05,400 --> 00:30:08,840
Speaker 2: Yeah, But he's like that's he's like, that's like basic,

578
00:30:08,960 --> 00:30:12,080
Speaker 2: like he's he's an art dealer, Like so he knows

579
00:30:12,120 --> 00:30:17,600
Speaker 2: the names before, like everybody before they're in the Whitney Museum,

580
00:30:17,600 --> 00:30:21,280
Speaker 2: Like he knew about Damien Hurst before Damian Hurst.

581
00:30:20,960 --> 00:30:21,520
Speaker 4: Blew up.

582
00:30:23,120 --> 00:30:25,360
Speaker 1: Sidney. Honestly and truly, this is kind of hot that

583
00:30:25,400 --> 00:30:26,840
Speaker 1: you know all these artists. I don't know none of

584
00:30:26,880 --> 00:30:29,520
Speaker 1: these Damien Hurst. I'm writing it down so when I

585
00:30:29,560 --> 00:30:33,840
Speaker 1: do speak to a billionaire, I could say yes at

586
00:30:33,840 --> 00:30:37,080
Speaker 1: the house, Yeah right, Damian? You know Damian and I

587
00:30:37,160 --> 00:30:38,680
Speaker 1: where do I know him from?

588
00:30:38,680 --> 00:30:38,880
Speaker 4: Well?

589
00:30:38,880 --> 00:30:43,120
Speaker 2: If we ever went to what is that in Miami?

590
00:30:43,760 --> 00:30:46,440
Speaker 2: They like art Basil art, bosel. If you go there,

591
00:30:47,160 --> 00:30:50,480
Speaker 2: we'll learn about all this stuff. We'll like learn about

592
00:30:50,520 --> 00:30:54,800
Speaker 2: the cutting edge artists that are now like selling their

593
00:30:54,800 --> 00:30:57,000
Speaker 2: pieces for a million dollars or whatever.

594
00:30:58,760 --> 00:31:02,840
Speaker 1: H should we start doing art? Because I would like

595
00:31:02,880 --> 00:31:05,440
Speaker 1: to sell a million dollar thing. How does an artist

596
00:31:05,480 --> 00:31:08,680
Speaker 1: become like, how does an artist blow up in twenty

597
00:31:08,720 --> 00:31:11,480
Speaker 1: twenty one?

598
00:31:11,160 --> 00:31:12,480
Speaker 4: I think it's like.

599
00:31:13,960 --> 00:31:16,760
Speaker 2: For some reason for what I've seen, some of it

600
00:31:16,760 --> 00:31:20,520
Speaker 2: has been chance, some of it it's been connects. Some

601
00:31:20,560 --> 00:31:24,000
Speaker 2: of it's like, you know, the right person, you like,

602
00:31:24,480 --> 00:31:28,280
Speaker 2: somebody has an eye for art, sees it, and then boom,

603
00:31:28,320 --> 00:31:30,120
Speaker 2: everybody's jumping on that bandwagon.

604
00:31:31,040 --> 00:31:34,200
Speaker 4: It doesn't even have to be good. It doesn't even

605
00:31:34,280 --> 00:31:35,080
Speaker 4: have to be that good.

606
00:31:35,360 --> 00:31:38,800
Speaker 2: But Damien Hurst was doing something that was like he

607
00:31:38,920 --> 00:31:44,120
Speaker 2: was taking butterflies, like obviously actual butterflies, actual butterflies that

608
00:31:44,160 --> 00:31:48,520
Speaker 2: are not alive, and like putting it to like a painting,

609
00:31:48,640 --> 00:31:53,600
Speaker 2: but then drawing the rest of the butterflies like with paint.

610
00:31:54,000 --> 00:31:56,840
Speaker 2: So some of the butterflies are real, but you you

611
00:31:56,960 --> 00:31:59,600
Speaker 2: don't know, you can't really tell. Like the painting looks

612
00:31:59,680 --> 00:32:04,360
Speaker 2: so close to the real butterflies that it was incredible.

613
00:32:05,800 --> 00:32:07,800
Speaker 1: So he was murdering butterflies.

614
00:32:07,960 --> 00:32:08,800
Speaker 4: I'm pretty much.

615
00:32:09,200 --> 00:32:12,520
Speaker 1: Oh, they used to have his art at your old job. Yeah, girl,

616
00:32:12,800 --> 00:32:13,960
Speaker 1: I remember the dots.

617
00:32:14,320 --> 00:32:20,360
Speaker 4: Yep, the dots. Oh yeah, million for dots, just dots.

618
00:32:22,760 --> 00:32:26,520
Speaker 1: Well that's the thing, right is people are sheep. It

619
00:32:26,560 --> 00:32:31,320
Speaker 1: doesn't matter. It doesn't matter what it is. If other

620
00:32:31,360 --> 00:32:34,400
Speaker 1: people tell you something is hot, Yes, there are people

621
00:32:34,400 --> 00:32:36,560
Speaker 1: who will just believe it. A lot of people don't

622
00:32:36,600 --> 00:32:38,720
Speaker 1: have taste. They got money, but they don't have no taste.

623
00:32:39,080 --> 00:32:41,120
Speaker 2: Money with no taste. That's a great title, thank you.

624
00:32:41,960 --> 00:32:45,200
Speaker 2: That's not that's not us though, that's not us.

625
00:32:45,200 --> 00:32:47,160
Speaker 4: We have tastes well anything.

626
00:32:49,680 --> 00:32:53,760
Speaker 1: No money but taste, No money but taste.

627
00:32:53,960 --> 00:32:55,160
Speaker 4: Actually that's a better title.

628
00:32:55,200 --> 00:32:58,080
Speaker 1: I like that, right, but like because like Cardi B

629
00:32:58,360 --> 00:32:59,560
Speaker 1: has money but no.

630
00:32:59,600 --> 00:33:01,720
Speaker 2: Taste, you don't think she has taste?

631
00:33:02,200 --> 00:33:04,680
Speaker 1: Sis those first of all, Burken bags to me have

632
00:33:04,720 --> 00:33:08,560
Speaker 1: always been ugly. They look like very ugly briefcases. And

633
00:33:08,600 --> 00:33:11,600
Speaker 1: I understand that it's a status symbol. I don't understand.

634
00:33:11,480 --> 00:33:14,320
Speaker 4: Why foolish it's a waste of money.

635
00:33:15,000 --> 00:33:19,680
Speaker 1: Yeah, literally thousands, like a forty thousand dollars briefcase. Girl,

636
00:33:19,720 --> 00:33:22,680
Speaker 1: if you don't take your ass to the DJ Max.

637
00:33:23,720 --> 00:33:26,320
Speaker 2: It's just like no, but it's also like a briefcase

638
00:33:26,400 --> 00:33:32,120
Speaker 2: but also bowling ball bag. Like, yes, it doesn't look

639
00:33:32,600 --> 00:33:34,400
Speaker 2: like like fashion.

640
00:33:35,240 --> 00:33:38,719
Speaker 1: No, but if you, I mean, if you're gonna say

641
00:33:38,720 --> 00:33:41,400
Speaker 1: something doesn't look like fashion and a wind Tour is

642
00:33:41,840 --> 00:33:44,400
Speaker 1: like the most well known person in fashion and Nothing

643
00:33:44,400 --> 00:33:46,120
Speaker 1: about her is fashionable to me.

644
00:33:46,400 --> 00:33:46,840
Speaker 4: I don't know.

645
00:33:46,880 --> 00:33:50,640
Speaker 2: The baang, the shortcut, the bang and the sunglasses feels

646
00:33:50,640 --> 00:33:51,480
Speaker 2: like fashion.

647
00:33:51,160 --> 00:33:55,080
Speaker 1: To me, it's iconic. But to me it's like she's not.

648
00:33:55,920 --> 00:33:59,960
Speaker 1: She never invented any like hot, you know what I mean.

649
00:34:00,000 --> 00:34:02,400
Speaker 1: I mean like she she wears what she wears. It's

650
00:34:02,400 --> 00:34:07,160
Speaker 1: always like a tweed suit moment. It's always a coward

651
00:34:08,200 --> 00:34:12,080
Speaker 1: She just I don't know, she said, don't get it.

652
00:34:12,160 --> 00:34:15,480
Speaker 2: She said, I am not the body for the fashion

653
00:34:15,560 --> 00:34:17,600
Speaker 2: that I have the eye for, but I'm gonna be

654
00:34:17,640 --> 00:34:19,360
Speaker 2: the curator of the fashion.

655
00:34:19,480 --> 00:34:20,640
Speaker 4: Which is fine. You could do that.

656
00:34:21,520 --> 00:34:23,360
Speaker 2: I think you can have a good eye for something

657
00:34:23,520 --> 00:34:25,359
Speaker 2: and you're like, but I'm still gonna have my own.

658
00:34:25,400 --> 00:34:26,759
Speaker 4: Look, that's that's okay.

659
00:34:26,760 --> 00:34:28,200
Speaker 1: I don't know if I would say that she is

660
00:34:28,239 --> 00:34:31,800
Speaker 1: a good isis? I mean, you've seen these Vogue USA covers.

661
00:34:31,800 --> 00:34:34,120
Speaker 1: They are of all the Vogue covers in the world,

662
00:34:34,800 --> 00:34:36,200
Speaker 1: usually the weakest.

663
00:34:36,320 --> 00:34:40,399
Speaker 4: Okay, come through. Wow, I usually I didn't know.

664
00:34:40,840 --> 00:34:42,920
Speaker 2: Now this is kind of hot that you're telling me

665
00:34:42,960 --> 00:34:44,760
Speaker 2: about these Vogue covers.

666
00:34:44,840 --> 00:34:47,359
Speaker 1: Look at look at what Vogue India is doing, Look

667
00:34:47,400 --> 00:34:50,440
Speaker 1: at what Vogue Arabia is doing, Look at what Vogue

668
00:34:50,760 --> 00:34:53,920
Speaker 1: even like Japan, Like their covers are just better the

669
00:34:54,160 --> 00:34:58,920
Speaker 1: American than the American covers. They're better, they're better magazines.

670
00:35:00,960 --> 00:35:02,480
Speaker 4: You heard that, you heard it here first.

671
00:35:02,480 --> 00:35:06,440
Speaker 1: People also remember Andre Leon Talley. He was showing up

672
00:35:06,440 --> 00:35:08,920
Speaker 1: in a hefty, hefty, hefty bag and he was like,

673
00:35:09,000 --> 00:35:13,839
Speaker 1: this is and it was like, sir, sis bleats, y'all

674
00:35:13,840 --> 00:35:16,640
Speaker 1: are the tops of the American fashion world and this

675
00:35:16,760 --> 00:35:19,680
Speaker 1: is how you showing up. Yeah, but I think that's

676
00:35:19,719 --> 00:35:20,560
Speaker 1: a snuggie.

677
00:35:20,719 --> 00:35:24,200
Speaker 2: Hold on, hold on, Marie, But I think that is

678
00:35:24,600 --> 00:35:27,600
Speaker 2: the tea. Like the people who have the most money,

679
00:35:27,480 --> 00:35:31,239
Speaker 2: the most influential people in the room usually don't look it.

680
00:35:31,880 --> 00:35:34,239
Speaker 2: They don't look it. Whenever I would work at a

681
00:35:34,400 --> 00:35:38,240
Speaker 2: rose bar, the people who were the most well known

682
00:35:38,760 --> 00:35:41,760
Speaker 2: are the most important. Was just wearing like a regular

683
00:35:41,960 --> 00:35:44,200
Speaker 2: like blacktop, black pants.

684
00:35:45,640 --> 00:35:50,040
Speaker 1: That's that's different. That's business. This is fashion. This is fashion.

685
00:35:51,800 --> 00:35:54,480
Speaker 1: You showing up to it, like I understand. Like the

686
00:35:54,520 --> 00:35:57,400
Speaker 1: people who are the richest, you know, the Mark Zuckerberg's,

687
00:35:57,480 --> 00:35:59,800
Speaker 1: the what's his name, the one that died the iPhone

688
00:35:59,880 --> 00:36:04,200
Speaker 1: do with the sweater, Steve Jobs, Steve Jobs, They're wearing

689
00:36:04,239 --> 00:36:06,120
Speaker 1: the same thing. They don't have time they got money

690
00:36:06,120 --> 00:36:08,359
Speaker 1: on their mind. They're not worried about what they're wearing.

691
00:36:08,360 --> 00:36:10,439
Speaker 1: They're just gonna wear this. It's gonna be the same

692
00:36:10,440 --> 00:36:13,680
Speaker 1: little simple outfit, but it's gonna be an expensive I

693
00:36:13,719 --> 00:36:17,680
Speaker 1: don't know Merrial or Kid or designer white sneaker that

694
00:36:17,719 --> 00:36:20,120
Speaker 1: were like, EO, it's gonna be all that stuff they're

695
00:36:20,160 --> 00:36:23,680
Speaker 1: wearing is expensive. It's real simple. But they don't work

696
00:36:23,680 --> 00:36:27,800
Speaker 1: in fashion. Anna Wintour Andre Leon Talley worked in fashion

697
00:36:28,280 --> 00:36:30,120
Speaker 1: and you and his book came out, he said he

698
00:36:30,200 --> 00:36:34,759
Speaker 1: had no money, so I don't know. He wasn't the

699
00:36:34,840 --> 00:36:37,200
Speaker 1: richest person in the room, but he was like Anna

700
00:36:37,320 --> 00:36:40,560
Speaker 1: left him hanging. She didn't look out for him, and

701
00:36:40,600 --> 00:36:43,480
Speaker 1: it was like, but you were up under her for years.

702
00:36:43,719 --> 00:36:45,680
Speaker 2: But why would you think that a person who's wearing

703
00:36:45,719 --> 00:36:50,440
Speaker 2: sunglasses like in inside of buildings all the time, it's

704
00:36:50,480 --> 00:36:54,759
Speaker 2: gonna look out for you. Oh, I just don't see it.

705
00:36:55,239 --> 00:36:57,640
Speaker 2: She don't see it. That's why she got the shade though.

706
00:36:57,800 --> 00:36:59,200
Speaker 2: And that's why.

707
00:36:59,040 --> 00:37:01,440
Speaker 4: She got the shade. Honey, she don't see you.

708
00:37:02,040 --> 00:37:04,799
Speaker 1: But I'm saying, like the movie The Delaware's Prada was

709
00:37:05,160 --> 00:37:08,560
Speaker 1: based on what's supposed to be based on Anna Wintour.

710
00:37:09,000 --> 00:37:11,960
Speaker 1: Merrill was serving looks in that movie. The hair was

711
00:37:11,960 --> 00:37:16,800
Speaker 1: doing something cool, Like Anna Wintour is giving Kate Spade

712
00:37:17,400 --> 00:37:22,319
Speaker 1: is giving white woman from Nantucket pearl necklace. It's not

713
00:37:22,520 --> 00:37:27,480
Speaker 1: giving high fashion to me. Yeah, it's not giving edgy.

714
00:37:27,719 --> 00:37:31,480
Speaker 1: It's just like, like who rich Auntie is that? Like

715
00:37:31,760 --> 00:37:35,120
Speaker 1: she looked like a widow. She looks like she came

716
00:37:35,160 --> 00:37:38,680
Speaker 1: into some money because her third fourth husband died, and

717
00:37:38,800 --> 00:37:43,080
Speaker 1: she just wears Tiffany's and eats at you know, Barney's

718
00:37:43,160 --> 00:37:47,320
Speaker 1: restaurants or whatever. Like, it's not it's not giving fashion.

719
00:37:49,920 --> 00:37:53,560
Speaker 2: I love I love Marie talking her shit. You know

720
00:37:53,600 --> 00:37:58,360
Speaker 2: what is fast shan for me? Like I'm always looking

721
00:37:58,400 --> 00:38:00,799
Speaker 2: at the price tag, Like I'll look at the things

722
00:38:00,800 --> 00:38:03,240
Speaker 2: that I like, I like at the things that I want,

723
00:38:03,360 --> 00:38:06,640
Speaker 2: and then the things that I like, you know, maybe

724
00:38:06,680 --> 00:38:10,200
Speaker 2: a couple of degrees away. But you know, you can't,

725
00:38:10,320 --> 00:38:13,400
Speaker 2: you can't follow the trends. You you in order to

726
00:38:13,400 --> 00:38:15,879
Speaker 2: be a trendsetter, you have to look at something and

727
00:38:16,440 --> 00:38:22,280
Speaker 2: see that it can Marie showing pictures of Anna Wintour dragging.

728
00:38:21,920 --> 00:38:25,840
Speaker 1: Her She looks like a college professor, Marie dragging.

729
00:38:28,800 --> 00:38:33,719
Speaker 2: Yeah, but these this, but these are the people. These

730
00:38:33,719 --> 00:38:35,400
Speaker 2: are the people that we give the power to.

731
00:38:36,440 --> 00:38:38,120
Speaker 1: Who is we? We ain't give no power to her?

732
00:38:38,480 --> 00:38:40,480
Speaker 1: And A Winter has been alive and a Windoor have

733
00:38:40,520 --> 00:38:42,080
Speaker 1: been at Vogue longer than we've been alive.

734
00:38:43,560 --> 00:38:44,680
Speaker 4: Really how long?

735
00:38:45,280 --> 00:38:45,719
Speaker 1: I don't know.

736
00:38:46,080 --> 00:38:47,759
Speaker 4: I'm like, how long is how old she.

737
00:38:47,760 --> 00:38:50,880
Speaker 1: Is at the met gala? I mean, this is truly

738
00:38:51,080 --> 00:38:55,760
Speaker 1: probably the most the best thing that I've seen on her.

739
00:38:56,640 --> 00:39:00,200
Speaker 1: How old is Anna Wintour? Let's guess how I told

740
00:39:00,280 --> 00:39:00,799
Speaker 1: you think she is?

741
00:39:01,760 --> 00:39:03,000
Speaker 4: I think she's sixty.

742
00:39:04,120 --> 00:39:07,480
Speaker 1: Oh she's English. I didn't know that. I don't know

743
00:39:07,480 --> 00:39:10,840
Speaker 1: if I've ever heard her speak. She's seventy one. Whoa

744
00:39:11,960 --> 00:39:14,839
Speaker 1: and she's a dame, Dame Anna Wintur, And she's been

745
00:39:14,880 --> 00:39:16,600
Speaker 1: at Vote, she's been the editor, and she've had Vokee

746
00:39:16,640 --> 00:39:22,440
Speaker 1: since nineteen eighty eight. I was right, yeah, talk about

747
00:39:22,760 --> 00:39:24,360
Speaker 1: talk about job security.

748
00:39:26,600 --> 00:39:26,960
Speaker 4: Girl.

749
00:39:27,800 --> 00:39:29,680
Speaker 2: You know, you know how many people she low key

750
00:39:29,719 --> 00:39:32,359
Speaker 2: had to murder. You don't just you don't stay at

751
00:39:32,360 --> 00:39:34,520
Speaker 2: a job that long because you do a good job.

752
00:39:35,120 --> 00:39:39,200
Speaker 4: Okay, you are. You are fucking over people left and right.

753
00:39:39,760 --> 00:39:42,600
Speaker 1: Since we saw the devil wors Broad I remember Miranda

754
00:39:42,640 --> 00:39:44,600
Speaker 1: had a little list. Yeah, she said, if you fire me.

755
00:39:44,680 --> 00:39:49,040
Speaker 1: This is a list of photographers, designers, people that will

756
00:39:49,080 --> 00:39:53,200
Speaker 1: never work for your magazine. And it's like, yeah, Anna

757
00:39:53,320 --> 00:39:56,680
Speaker 1: know where all the bodies are buried? Anna, Yeah, she's

758
00:39:56,719 --> 00:39:59,479
Speaker 1: been stepping on people and over people to stay where

759
00:39:59,480 --> 00:40:03,799
Speaker 1: she's at and I don't know she's still doing it.

760
00:40:04,440 --> 00:40:09,360
Speaker 2: Yeah, Honestly, to be that committed, it's kind of hot.

761
00:40:09,520 --> 00:40:14,759
Speaker 2: The commitment of being like the bad guy is it's

762
00:40:14,440 --> 00:40:15,480
Speaker 2: it's cute.

763
00:40:15,960 --> 00:40:16,400
Speaker 4: I like it.

764
00:40:16,440 --> 00:40:18,640
Speaker 1: For her commitment to being the bad guy.

765
00:40:18,600 --> 00:40:21,480
Speaker 2: I couldn't I couldn't see her being nice. Like if

766
00:40:21,520 --> 00:40:23,800
Speaker 2: she was nice, I'm like, does she have dementia?

767
00:40:23,840 --> 00:40:25,560
Speaker 4: What's going on? What's she going through?

768
00:40:26,640 --> 00:40:28,719
Speaker 1: Well, certain people you don't expect them to be nice now,

769
00:40:28,719 --> 00:40:31,240
Speaker 1: Like I don't expect Mariah Carey to be nice.

770
00:40:33,440 --> 00:40:37,240
Speaker 2: I think she's guarded. I think you have to be guarded.

771
00:40:37,719 --> 00:40:39,719
Speaker 2: You have, Like you were trying to explain that to

772
00:40:39,840 --> 00:40:44,680
Speaker 2: me last week. A Lah, you know, Sidney's Sidney's doing

773
00:40:44,719 --> 00:40:47,879
Speaker 2: too much. Everybody don't need to be your friend. And

774
00:40:47,960 --> 00:40:51,360
Speaker 2: it's true, like you you have to protect yourself, especially

775
00:40:51,360 --> 00:40:53,879
Speaker 2: in the public. These people, like you said, they think

776
00:40:53,920 --> 00:40:56,760
Speaker 2: they know you, they think you owe them something because

777
00:40:56,800 --> 00:40:57,960
Speaker 2: you they support you.

778
00:40:58,880 --> 00:40:59,440
Speaker 4: She doesn't.

779
00:40:59,560 --> 00:41:03,960
Speaker 2: I don't know how nice I'm gonna be. If I

780
00:41:04,000 --> 00:41:05,279
Speaker 2: blow up, you.

781
00:41:05,360 --> 00:41:08,120
Speaker 1: Still gonna be a nice girl. Don't do that. You're

782
00:41:08,200 --> 00:41:12,120
Speaker 1: still gonna be like if you look at me, oh

783
00:41:12,160 --> 00:41:14,879
Speaker 1: my god, take my number, Dad, Like you're still gonna

784
00:41:14,920 --> 00:41:17,439
Speaker 1: do that. Don't don't do Destney. You're You're not gonna

785
00:41:17,520 --> 00:41:21,920
Speaker 1: change into a mean Disney villain. But I'm saying, like

786
00:41:22,040 --> 00:41:25,480
Speaker 1: certain celebrities you see them, and they seem nice, they

787
00:41:25,560 --> 00:41:30,680
Speaker 1: seem chilly. Mariah Carey has earned her diva status guarded

788
00:41:30,800 --> 00:41:33,560
Speaker 1: or not. I don't think any like I don't. I

789
00:41:33,640 --> 00:41:36,000
Speaker 1: don't think that if I met her, she would be

790
00:41:36,040 --> 00:41:39,080
Speaker 1: a friendly person, you know what I mean. Like people

791
00:41:39,160 --> 00:41:42,160
Speaker 1: were in the comments last week talking about like Miley Cyrus,

792
00:41:42,200 --> 00:41:44,319
Speaker 1: and I was like, I feel like Miley seemed like

793
00:41:44,320 --> 00:41:46,400
Speaker 1: she would be you know, she probably won't even have

794
00:41:46,400 --> 00:41:48,600
Speaker 1: own shoes when you meet her. She seems like she

795
00:41:48,680 --> 00:41:53,600
Speaker 1: would be chill. There's like different. There are some people

796
00:41:53,600 --> 00:41:57,280
Speaker 1: who are just not nice.

797
00:41:57,920 --> 00:42:01,839
Speaker 3: Yeah, you said that, like at a certain level, you

798
00:42:02,000 --> 00:42:04,880
Speaker 3: earn the right to be diva and like rude to

799
00:42:04,960 --> 00:42:05,520
Speaker 3: other people.

800
00:42:05,760 --> 00:42:07,640
Speaker 4: No, no, no, no, no, I don't no, no, no, I

801
00:42:07,640 --> 00:42:08,200
Speaker 4: don't think.

802
00:42:09,640 --> 00:42:13,440
Speaker 3: You said something about like she's earned like this diva

803
00:42:13,560 --> 00:42:14,239
Speaker 3: status and.

804
00:42:14,160 --> 00:42:16,799
Speaker 1: By earned the diva status, Okay, but.

805
00:42:16,840 --> 00:42:20,480
Speaker 3: Like byva's status, are you saying that like diva in

806
00:42:20,560 --> 00:42:23,520
Speaker 3: like a good diva like or bad way where it's

807
00:42:23,560 --> 00:42:26,400
Speaker 3: like demanding the M and m's being rude to interns whatever.

808
00:42:28,160 --> 00:42:31,160
Speaker 1: I don't know about. I just think, look, Mariah Carey

809
00:42:31,239 --> 00:42:34,000
Speaker 1: has had a really long career. Yeah right, she's been

810
00:42:34,000 --> 00:42:37,600
Speaker 1: out probably the same amount of time Anna been editor

811
00:42:37,600 --> 00:42:42,280
Speaker 1: in chief. But she you know, she's got the records,

812
00:42:42,320 --> 00:42:46,239
Speaker 1: she's got the you know she has She's proved herself

813
00:42:46,600 --> 00:42:50,920
Speaker 1: to be one of the top to ever do it.

814
00:42:51,400 --> 00:42:56,239
Speaker 1: So yeah, I feel like the diva thing is like

815
00:42:56,280 --> 00:42:58,480
Speaker 1: the cockiness that comes with like knowing that you're the

816
00:42:58,520 --> 00:43:01,560
Speaker 1: best at what you're doing and no one else can

817
00:43:01,560 --> 00:43:03,160
Speaker 1: do it like you. So yeah, I'm gonna be a

818
00:43:03,160 --> 00:43:06,279
Speaker 1: little bit of an asshole, like you work for me

819
00:43:06,760 --> 00:43:08,320
Speaker 1: or I don't need to know you, but you know,

820
00:43:08,480 --> 00:43:10,239
Speaker 1: you know what I mean. Like I just that's what

821
00:43:10,280 --> 00:43:12,000
Speaker 1: I mean when I say I feel like she's earned

822
00:43:12,080 --> 00:43:16,720
Speaker 1: the title of diva. She's earned that level of whatever

823
00:43:16,719 --> 00:43:17,640
Speaker 1: it is that she's doing.

824
00:43:18,600 --> 00:43:21,600
Speaker 2: But also, let me tell you another thing I don't

825
00:43:21,680 --> 00:43:27,680
Speaker 2: like these labels about like diva, intimidating not nice? Are

826
00:43:27,880 --> 00:43:32,320
Speaker 2: these are ways to describe a woman that you deem

827
00:43:32,440 --> 00:43:36,960
Speaker 2: as powerful and you're upset about that, Like because just

828
00:43:37,000 --> 00:43:40,000
Speaker 2: because you don't feel like you can speak up. Oh,

829
00:43:40,080 --> 00:43:43,160
Speaker 2: that person is intimidating and it's mean. It's just like, no,

830
00:43:43,239 --> 00:43:45,520
Speaker 2: that person is not kissing your ass and all up

831
00:43:45,560 --> 00:43:48,200
Speaker 2: on you. That doesn't make them intimidating.

832
00:43:48,480 --> 00:43:50,440
Speaker 1: Yeah, but diva's not a bad word. Diva's not a

833
00:43:50,480 --> 00:43:53,000
Speaker 1: bad word. The definition of diva is a famous female

834
00:43:53,080 --> 00:43:57,040
Speaker 1: singer of popular music, or a self important person who

835
00:43:57,080 --> 00:43:58,920
Speaker 1: is temperamental and difficult to please.

836
00:43:59,680 --> 00:44:02,440
Speaker 2: Yes, that's the one that people are using diva for.

837
00:44:02,800 --> 00:44:05,319
Speaker 1: It's usually well, yeah, but I think you have to

838
00:44:05,360 --> 00:44:08,480
Speaker 1: earn you got to be you have to be popular,

839
00:44:09,120 --> 00:44:11,799
Speaker 1: famous before you can be a diva. You can't be

840
00:44:12,400 --> 00:44:18,239
Speaker 1: a diva if you haven't accomplished anything. Oh no, yes, yeah,

841
00:44:18,239 --> 00:44:20,160
Speaker 1: you can't be a diva if you haven't accomplished anything.

842
00:44:20,400 --> 00:44:23,080
Speaker 1: And if you're difficult to please, it's like you've been

843
00:44:23,640 --> 00:44:25,680
Speaker 1: good at what you've done for so long that you

844
00:44:25,719 --> 00:44:28,000
Speaker 1: have a certain level, Like you set a certain standard

845
00:44:28,080 --> 00:44:31,759
Speaker 1: for everybody around you. Okay, all right, Like if like,

846
00:44:31,920 --> 00:44:34,600
Speaker 1: I want this done this way. That's what it's gonna be.

847
00:44:35,000 --> 00:44:36,759
Speaker 1: If you don't want to do that, then you can

848
00:44:36,760 --> 00:44:40,560
Speaker 1: get another job somewhere else. But like or Naomi Campbell

849
00:44:40,560 --> 00:44:46,400
Speaker 1: will throw a cell phone at you. But like, but like,

850
00:44:46,440 --> 00:44:48,640
Speaker 1: if you're trying to work for somebody that's in any

851
00:44:48,680 --> 00:44:52,919
Speaker 1: of these industries, you have to know that that might

852
00:44:52,960 --> 00:44:54,719
Speaker 1: be part of your job. You have to deal with

853
00:44:54,760 --> 00:44:55,960
Speaker 1: the temperamental person.

854
00:44:56,239 --> 00:44:57,080
Speaker 4: Yeah.

855
00:44:57,440 --> 00:44:59,400
Speaker 2: Right, a lot of these people are dealing with like

856
00:44:59,560 --> 00:45:03,000
Speaker 2: high pre your situations. They can make or break something,

857
00:45:03,080 --> 00:45:05,960
Speaker 2: so like, yeah, they're not gonna be as calm as

858
00:45:05,960 --> 00:45:08,719
Speaker 2: somebody who's working a regular, regular nine to five.

859
00:45:10,440 --> 00:45:12,160
Speaker 1: But also it's like you got to compete with the

860
00:45:12,160 --> 00:45:14,880
Speaker 1: people who come after you. You got to compete with

861
00:45:14,920 --> 00:45:18,160
Speaker 1: the people who are coming up behind you doing the

862
00:45:18,239 --> 00:45:21,440
Speaker 1: thing that you did so well for so many years. Yeah,

863
00:45:21,480 --> 00:45:24,200
Speaker 1: and I think a lot of people, a lot of celebrities,

864
00:45:24,280 --> 00:45:26,799
Speaker 1: a lot of those people can't you already know they

865
00:45:26,840 --> 00:45:30,800
Speaker 1: can't handle getting older. That's why people are like getting

866
00:45:30,840 --> 00:45:33,920
Speaker 1: filler and boattox and like you know, trying to keep

867
00:45:34,000 --> 00:45:35,480
Speaker 1: up with what the kids are doing. But it's like,

868
00:45:35,719 --> 00:45:40,000
Speaker 1: if you like if these people were like more graceful

869
00:45:40,000 --> 00:45:43,239
Speaker 1: about it, then it wouldn't. I don't know. I don't

870
00:45:43,280 --> 00:45:46,080
Speaker 1: know what I'm trying to say, but like some people

871
00:45:46,120 --> 00:45:49,400
Speaker 1: don't know how to age gracefully because I guess they

872
00:45:49,400 --> 00:45:52,120
Speaker 1: don't know what they would do after they got replaced.

873
00:45:52,280 --> 00:45:52,680
Speaker 1: I don't know.

874
00:45:52,960 --> 00:45:56,400
Speaker 2: It's scary getting older, Marie, It's scary, like it, like,

875
00:45:57,000 --> 00:46:00,400
Speaker 2: you know, you don't feel in, you don't feel current.

876
00:46:00,520 --> 00:46:03,960
Speaker 2: Everybody wants to feel relevant. And you know, now that

877
00:46:04,000 --> 00:46:07,240
Speaker 2: I'm seeing what is a gen z x Y elemental

878
00:46:07,239 --> 00:46:10,800
Speaker 2: P whatever, I'm I feel like, damn, I'm out of

879
00:46:10,840 --> 00:46:13,120
Speaker 2: the loops stuff that they're talking about. I'm like, none

880
00:46:13,120 --> 00:46:16,520
Speaker 2: of this shit matters. It's not good, you know. I like,

881
00:46:16,920 --> 00:46:21,439
Speaker 2: I remember when music videos were the thing you would go.

882
00:46:21,640 --> 00:46:23,560
Speaker 2: You're like, oh, I'm running home. I want to see

883
00:46:23,560 --> 00:46:26,560
Speaker 2: this music video. It's gonna it's gonna have a storyline,

884
00:46:26,600 --> 00:46:31,120
Speaker 2: there's gonna be cameos, there's like presentation. There's no music

885
00:46:31,200 --> 00:46:33,760
Speaker 2: videos anymore like that because nobody cares.

886
00:46:34,680 --> 00:46:39,200
Speaker 1: Yeah, so the videos are very much the same. It's

887
00:46:39,239 --> 00:46:41,840
Speaker 1: a lot like I mean, if Cardi B Is featured

888
00:46:41,840 --> 00:46:45,480
Speaker 1: on it, mute the video, Mute the video, and it's

889
00:46:45,520 --> 00:46:49,840
Speaker 1: basically the same. Video every time, Like, I mean.

890
00:46:49,719 --> 00:46:50,520
Speaker 4: Did you we all?

891
00:46:50,640 --> 00:46:53,239
Speaker 2: I mean everybody saw Normani's new I.

892
00:46:53,239 --> 00:46:56,480
Speaker 1: Have not seen the video, but I heard the song and.

893
00:46:56,440 --> 00:46:59,160
Speaker 4: You're and you know you're not featuring it.

894
00:46:59,160 --> 00:47:01,000
Speaker 1: It's one of those songs where you got to watch

895
00:47:01,000 --> 00:47:02,000
Speaker 1: the video and to enjoy it.

896
00:47:02,040 --> 00:47:05,320
Speaker 3: I think the video is very good. I read the visual.

897
00:47:05,400 --> 00:47:09,200
Speaker 1: Yeah, right, the song, it's one of those.

898
00:47:10,239 --> 00:47:13,120
Speaker 3: You Cardy, The Cardi b feature was unnecessary.

899
00:47:13,200 --> 00:47:15,320
Speaker 4: I think, ah, unnecessary.

900
00:47:15,600 --> 00:47:15,839
Speaker 1: Why.

901
00:47:16,320 --> 00:47:18,480
Speaker 3: I think I thought it brought the song down. I

902
00:47:18,480 --> 00:47:20,120
Speaker 3: think it was just like weird and it was just

903
00:47:20,120 --> 00:47:22,480
Speaker 3: like Cardi was like, hey, I have this feature. Do

904
00:47:22,560 --> 00:47:24,400
Speaker 3: you want this? I don't know. I just felt weird

905
00:47:24,440 --> 00:47:25,080
Speaker 3: and out of place.

906
00:47:25,880 --> 00:47:26,160
Speaker 4: Hmm.

907
00:47:26,560 --> 00:47:29,560
Speaker 1: Yeah. But I like how she says muglare.

908
00:47:31,640 --> 00:47:33,839
Speaker 3: Card I have no problem with her. I like her music,

909
00:47:33,840 --> 00:47:35,400
Speaker 3: but I just like some of her features are a

910
00:47:35,400 --> 00:47:35,920
Speaker 3: little weird.

911
00:47:36,880 --> 00:47:39,319
Speaker 1: Well, she's the hot She's the hot thing, the hot

912
00:47:39,360 --> 00:47:41,759
Speaker 1: new thing. If you can get a Cardi feature or

913
00:47:41,760 --> 00:47:44,640
Speaker 1: a meg meg the Stallion feature, or like there's like

914
00:47:44,760 --> 00:47:46,920
Speaker 1: very specific people if you can get them on your song,

915
00:47:47,360 --> 00:47:50,399
Speaker 1: and it's like it's a hit because the kids don't

916
00:47:50,480 --> 00:47:53,280
Speaker 1: like it. Yeah, people are gonna listen to it because

917
00:47:53,360 --> 00:47:55,240
Speaker 1: Cardi's on it to see what she's talking about.

918
00:47:56,760 --> 00:48:00,640
Speaker 2: She's fun, she's fun, she's she doesn't make herself too

919
00:48:00,680 --> 00:48:03,279
Speaker 2: seriously and that's what that's what we need.

920
00:48:04,200 --> 00:48:05,279
Speaker 1: People take themselves to.

921
00:48:05,600 --> 00:48:08,840
Speaker 4: Yeah, this is like, come on now, we need to

922
00:48:08,920 --> 00:48:10,280
Speaker 4: listen to the fucking old.

923
00:48:10,520 --> 00:48:14,000
Speaker 2: Like older songs, people are just like either talking about

924
00:48:14,000 --> 00:48:19,719
Speaker 2: how amazing they are or how they're love sick, are heartbroken.

925
00:48:20,320 --> 00:48:22,600
Speaker 2: That's that used to be all the songs.

926
00:48:23,800 --> 00:48:24,040
Speaker 4: I mean.

927
00:48:24,040 --> 00:48:27,040
Speaker 2: Eastern Ragees put out a tweet that was so funny

928
00:48:27,040 --> 00:48:30,920
Speaker 2: it went viral and everybody was talking about it because

929
00:48:32,640 --> 00:48:37,160
Speaker 2: she was talking about uh like old R and B

930
00:48:37,960 --> 00:48:38,800
Speaker 2: music videos.

931
00:48:39,080 --> 00:48:41,279
Speaker 4: Yes, yeah, she.

932
00:48:41,440 --> 00:48:43,800
Speaker 2: Said, let's see, let's see where it is.

933
00:48:43,880 --> 00:48:46,160
Speaker 3: It's like it's not the same anymore. And then someone

934
00:48:46,280 --> 00:48:49,279
Speaker 3: quote tweeted it and was like, it's because you're not

935
00:48:49,840 --> 00:48:52,280
Speaker 3: like women today aren't worth fighting for.

936
00:48:52,160 --> 00:48:54,319
Speaker 4: Something, right, yeah she.

937
00:48:54,640 --> 00:48:57,800
Speaker 3: And then she was like, you're she was making reference

938
00:48:57,880 --> 00:49:00,799
Speaker 3: to that person who responded their header where they were

939
00:49:00,840 --> 00:49:03,080
Speaker 3: drinking a bottle of water that said black women on

940
00:49:03,120 --> 00:49:03,720
Speaker 3: it and didn't.

941
00:49:05,040 --> 00:49:05,839
Speaker 4: Yeah. She wrote.

942
00:49:05,880 --> 00:49:09,680
Speaker 2: The tweet is listening to mint conditions breaking my heart

943
00:49:10,080 --> 00:49:12,920
Speaker 2: and realizing that a lot of music niggas today aren't

944
00:49:12,960 --> 00:49:17,040
Speaker 2: dramatic and desperate enough for me? And another man wrote,

945
00:49:17,320 --> 00:49:21,800
Speaker 2: because y'all ain't worth it?

946
00:49:22,040 --> 00:49:22,360
Speaker 1: What?

947
00:49:22,920 --> 00:49:27,160
Speaker 2: Yeah, Anthony Hamilton was the last one begging for his woman.

948
00:49:27,280 --> 00:49:33,000
Speaker 2: He was so distraught he couldn't take a bath, a bath.

949
00:49:33,160 --> 00:49:34,040
Speaker 4: Oh my god.

950
00:49:34,200 --> 00:49:37,880
Speaker 2: They said, lyrics aren't dramatic. Music videos aren' dramatic. Jodasy

951
00:49:38,040 --> 00:49:40,759
Speaker 2: was in the damn desert crying because Shorty was gone

952
00:49:40,880 --> 00:49:41,640
Speaker 2: for an hour.

953
00:49:42,120 --> 00:49:43,239
Speaker 4: An hour.

954
00:49:45,920 --> 00:49:47,440
Speaker 1: In the desert crying.

955
00:49:48,520 --> 00:49:52,080
Speaker 2: He said, you could take my money, my house, my cars.

956
00:49:52,440 --> 00:49:55,239
Speaker 2: The song cry for You. I mean it's true. I

957
00:49:55,239 --> 00:49:58,680
Speaker 2: mean that was I mean imagine this was like kind

958
00:49:58,680 --> 00:50:01,880
Speaker 2: of like an error, a little bit like before us.

959
00:50:02,239 --> 00:50:04,520
Speaker 2: But yeah, those guys really knew how to be Like,

960
00:50:05,200 --> 00:50:10,000
Speaker 2: I want you back, come back, please, I'm begging. I'm begging, beggy, begging.

961
00:50:10,920 --> 00:50:14,960
Speaker 1: Prince said, it's been seven hours and fifteen days since

962
00:50:15,000 --> 00:50:15,960
Speaker 1: you took your love away.

963
00:50:17,239 --> 00:50:17,479
Speaker 4: Yeah.

964
00:50:17,560 --> 00:50:20,359
Speaker 1: I just I think though, that like when people used

965
00:50:20,400 --> 00:50:24,080
Speaker 1: to make music, they made music, they were writing music.

966
00:50:24,160 --> 00:50:26,319
Speaker 1: One a lot of people artists now not writing their

967
00:50:26,320 --> 00:50:29,319
Speaker 1: own music. People write the songs, they sing them. So

968
00:50:29,560 --> 00:50:31,799
Speaker 1: like when you write your own song, I feel like

969
00:50:32,320 --> 00:50:35,319
Speaker 1: it means something. I think that's why people connect with

970
00:50:35,360 --> 00:50:38,520
Speaker 1: Adele so much. Yeah, because you know she was heartbroken,

971
00:50:39,080 --> 00:50:41,600
Speaker 1: you know what I mean, And everyone has been heartbroken

972
00:50:41,800 --> 00:50:43,959
Speaker 1: or like somebody who did them dirty in some way

973
00:50:45,040 --> 00:50:48,080
Speaker 1: Sam or had a relationship end Sam Smith. These are

974
00:50:48,239 --> 00:50:51,759
Speaker 1: people who write their own music from a place that

975
00:50:52,000 --> 00:50:56,239
Speaker 1: like is real to them, Like we feel that and

976
00:50:56,280 --> 00:50:59,360
Speaker 1: that's more. I mean, that's pop music though.

977
00:50:59,480 --> 00:51:01,839
Speaker 4: Yeah. Yeah, but R and B.

978
00:51:02,200 --> 00:51:07,000
Speaker 2: I mean, dudes, really, ah, I'm gonna say something problematic,

979
00:51:07,080 --> 00:51:11,880
Speaker 2: but then like all these guys were like begging and

980
00:51:12,440 --> 00:51:16,480
Speaker 2: please come back, and then we're like, uh, you're thirsty,

981
00:51:16,680 --> 00:51:18,200
Speaker 2: like get a grip, get off me.

982
00:51:18,800 --> 00:51:22,080
Speaker 1: But are we Are we saying that now or we're no,

983
00:51:22,239 --> 00:51:24,880
Speaker 1: I don't think that. I don't agree with that, Sydney.

984
00:51:24,440 --> 00:51:28,200
Speaker 1: If the guy was like I miss you so much,

985
00:51:28,320 --> 00:51:31,239
Speaker 1: I love you, I'm gonna die without you, I'd be

986
00:51:31,320 --> 00:51:33,719
Speaker 1: like ill. But in the back of my mind, I'd

987
00:51:33,760 --> 00:51:36,680
Speaker 1: be like, look, how much you should be obsessed with me?

988
00:51:36,719 --> 00:51:37,319
Speaker 4: You know what I mean?

989
00:51:37,440 --> 00:51:41,000
Speaker 1: Like we we want people to be obsessed with us,

990
00:51:41,280 --> 00:51:44,520
Speaker 1: not in like a you know, Beyonce obsessed that's my

991
00:51:44,600 --> 00:51:48,879
Speaker 1: man way, but like that's the that to me is like, oh,

992
00:51:48,920 --> 00:51:51,239
Speaker 1: that person actually cares about me. If you say you

993
00:51:51,280 --> 00:51:53,480
Speaker 1: love me and then I leave and you don't try

994
00:51:53,520 --> 00:51:56,359
Speaker 1: to fight for me a little bit, I'm like, ugh,

995
00:51:56,640 --> 00:51:58,759
Speaker 1: cause cause you know, I'm walking away, but I'm gonna

996
00:51:58,760 --> 00:52:04,640
Speaker 1: walk slow so you can like catch up. But like,

997
00:52:04,719 --> 00:52:07,239
Speaker 1: if you just let me go, then that means this

998
00:52:08,680 --> 00:52:10,960
Speaker 1: was this real? Did it mean something to you if

999
00:52:11,000 --> 00:52:13,719
Speaker 1: you're not in shambles when I leave you?

1000
00:52:14,400 --> 00:52:19,000
Speaker 2: But also it feels kind of good, like even if okay,

1001
00:52:19,120 --> 00:52:26,360
Speaker 2: so this is again, I'm I'm a mess. When somebody

1002
00:52:26,440 --> 00:52:29,680
Speaker 2: doesn't give you the energy that you want, you want

1003
00:52:29,719 --> 00:52:34,920
Speaker 2: them more when they're pressed, You're like, ugh, you know.

1004
00:52:37,239 --> 00:52:40,359
Speaker 1: No, I mean in certain instances, yes, you want people

1005
00:52:40,400 --> 00:52:42,640
Speaker 1: to be persistent, you want them to come find you.

1006
00:52:42,880 --> 00:52:45,600
Speaker 1: And there's something that there's something about the human mind

1007
00:52:45,680 --> 00:52:50,120
Speaker 1: that makes people who aren't like people who ignore us

1008
00:52:50,680 --> 00:52:53,640
Speaker 1: kind of more mysterious and hotter to us sometimes. Yes,

1009
00:52:54,040 --> 00:52:57,080
Speaker 1: but I'm saying if we work together, I'm talking about

1010
00:52:57,719 --> 00:52:59,680
Speaker 1: in the songs that these guys are singing for these

1011
00:52:59,719 --> 00:53:04,000
Speaker 1: women that they don't want to leave. If we were

1012
00:53:04,000 --> 00:53:07,280
Speaker 1: together and we had a relationship and then it ends

1013
00:53:07,320 --> 00:53:09,879
Speaker 1: and we just both agreed that it should be over,

1014
00:53:09,960 --> 00:53:12,839
Speaker 1: even if it should be over. You're not gonna fight

1015
00:53:12,880 --> 00:53:15,080
Speaker 1: a little bit. You're not gonna shed a tear for me.

1016
00:53:15,160 --> 00:53:19,080
Speaker 1: You you're not gonna call my mom, like, you're not

1017
00:53:19,120 --> 00:53:23,000
Speaker 1: gonna text my friend and be like, hey, I know

1018
00:53:23,040 --> 00:53:24,480
Speaker 1: you probably don't want to talk to me, Like you

1019
00:53:24,600 --> 00:53:26,520
Speaker 1: not none of that. You're not gonna show up at

1020
00:53:26,560 --> 00:53:28,279
Speaker 1: my job and wait across.

1021
00:53:27,960 --> 00:53:31,879
Speaker 2: The street for a you know what. And actually that's

1022
00:53:31,920 --> 00:53:33,719
Speaker 2: what you deserve. And the fact that I have not

1023
00:53:33,800 --> 00:53:36,520
Speaker 2: gotten one DM like what can I do to make

1024
00:53:36,560 --> 00:53:37,160
Speaker 2: this better?

1025
00:53:37,200 --> 00:53:37,600
Speaker 1: Crazy?

1026
00:53:37,840 --> 00:53:40,520
Speaker 2: That's why he's what's his name, what's his face, what's

1027
00:53:40,520 --> 00:53:42,239
Speaker 2: his I don't know, I don't know his fucking name.

1028
00:53:43,000 --> 00:53:44,839
Speaker 1: Well, literally, there's nothing that he can do to make

1029
00:53:44,880 --> 00:53:49,319
Speaker 1: it better. But I'm except change everything. But I'm saying, like.

1030
00:53:50,080 --> 00:53:52,959
Speaker 2: Throw the whole body away and come back somebody else.

1031
00:53:53,200 --> 00:53:54,839
Speaker 1: That's how you get Yeah, yeah, he need to be

1032
00:53:54,880 --> 00:53:59,160
Speaker 1: reincarnated as someone else to come back. But I'm saying, like,

1033
00:53:59,640 --> 00:54:02,920
Speaker 1: there we want that even if you're done with the person.

1034
00:54:03,040 --> 00:54:06,399
Speaker 1: And maybe it's maybe it's partial, you want to see

1035
00:54:06,440 --> 00:54:09,960
Speaker 1: them in pain. Maybe it's partial you want like it's

1036
00:54:10,000 --> 00:54:12,840
Speaker 1: like a pride thing, But I need to see you

1037
00:54:12,960 --> 00:54:17,439
Speaker 1: distressed in a desert, crying, counting the days. It's been

1038
00:54:17,800 --> 00:54:22,719
Speaker 1: seven hours and fifteen days. I need you to know

1039
00:54:22,800 --> 00:54:25,799
Speaker 1: what time it was when I left you, what moon

1040
00:54:25,880 --> 00:54:28,400
Speaker 1: was in the sky, was in a red moon? I

1041
00:54:28,400 --> 00:54:33,480
Speaker 1: don't know. But also like you know, it's kind of crazy.

1042
00:54:34,719 --> 00:54:39,080
Speaker 2: I mean truly, I don't even know what I could

1043
00:54:39,080 --> 00:54:41,920
Speaker 2: do to make a song like what I'm like, hmm,

1044
00:54:42,520 --> 00:54:43,280
Speaker 2: I'm tired.

1045
00:54:43,719 --> 00:54:44,640
Speaker 4: I don't have it in me.

1046
00:54:45,640 --> 00:54:49,040
Speaker 1: What's the last what's the last time you had your heartbroken?

1047
00:54:49,280 --> 00:54:50,640
Speaker 1: We could write the song, we could work shop the

1048
00:54:50,640 --> 00:54:51,160
Speaker 1: song right now.

1049
00:54:52,440 --> 00:54:56,520
Speaker 2: I wouldn't say heartbroken, but I was definitely like, ah, man,

1050
00:54:57,400 --> 00:55:00,960
Speaker 2: you know, like I was doing too much. Person was like, yeah,

1051
00:55:00,960 --> 00:55:05,200
Speaker 2: I'm not ready for this, and I was like Bourguet, Yeah,

1052
00:55:05,239 --> 00:55:05,520
Speaker 2: but you.

1053
00:55:05,520 --> 00:55:08,680
Speaker 1: Were really you were sad. Sis, You were like really

1054
00:55:08,719 --> 00:55:11,440
Speaker 1: like it took a couple I want to say a

1055
00:55:11,440 --> 00:55:13,720
Speaker 1: couple of days. It might have been more than days,

1056
00:55:14,800 --> 00:55:16,279
Speaker 1: but like you were sad about it.

1057
00:55:17,280 --> 00:55:22,640
Speaker 2: I think that it was also, uh, you know, pandemic happening.

1058
00:55:22,880 --> 00:55:26,080
Speaker 1: So write Sis, but that's the song. This situation is

1059
00:55:26,120 --> 00:55:27,280
Speaker 1: what you would write the song about.

1060
00:55:27,400 --> 00:55:28,759
Speaker 4: Okay, all right, so.

1061
00:55:30,719 --> 00:55:32,880
Speaker 1: Girl, it's a pandemic. It's a pandemic.

1062
00:55:33,760 --> 00:55:35,720
Speaker 4: Girl, girl, it's girl.

1063
00:55:35,760 --> 00:55:38,560
Speaker 2: We've been stuck in the house for months, months on

1064
00:55:38,680 --> 00:55:41,560
Speaker 2: months on months. I thought our face times meant something.

1065
00:55:42,600 --> 00:55:43,040
Speaker 4: You threw it?

1066
00:55:43,120 --> 00:55:44,040
Speaker 1: Are you rapping? Now?

1067
00:55:49,880 --> 00:55:51,279
Speaker 4: Should I even be writing this?

1068
00:55:51,719 --> 00:55:51,879
Speaker 1: Wait?

1069
00:55:51,880 --> 00:55:52,000
Speaker 4: Wait?

1070
00:55:52,000 --> 00:55:53,640
Speaker 1: Wait, wait wait here, here's a line, here's a line.

1071
00:55:53,680 --> 00:55:56,799
Speaker 1: You could use this. Okay, Uh, it's a pandemic. We're

1072
00:55:56,840 --> 00:55:59,839
Speaker 1: locked in the house, but I'm locked out of your heart.

1073
00:56:00,160 --> 00:56:04,680
Speaker 4: Oh wow, wow, oh you.

1074
00:56:04,680 --> 00:56:06,400
Speaker 1: Write this down. But yeah, I just think that, like,

1075
00:56:06,680 --> 00:56:10,760
Speaker 1: instead of being cool, which is what all music feels like. Now, yeah,

1076
00:56:11,280 --> 00:56:13,880
Speaker 1: you gotta like, you gotta be vulnerable. You know, I

1077
00:56:13,880 --> 00:56:14,439
Speaker 1: hate that word.

1078
00:56:14,560 --> 00:56:19,200
Speaker 2: Oh you Marie hates vulnerability. It's just not like it

1079
00:56:19,200 --> 00:56:20,880
Speaker 2: makes you be like h ill.

1080
00:56:21,080 --> 00:56:25,319
Speaker 1: Yuh cause it really does. The word is yucky to me.

1081
00:56:25,600 --> 00:56:30,239
Speaker 1: But that's the difference. Like those songs, those guys are

1082
00:56:30,280 --> 00:56:32,960
Speaker 1: like pleading for their women to come back to them.

1083
00:56:34,960 --> 00:56:39,560
Speaker 1: Anthony Hamilton, Yeah, please come home, Charlene, And it's like Charlie,

1084
00:56:39,680 --> 00:56:40,720
Speaker 1: Charlene is going.

1085
00:56:40,640 --> 00:56:42,080
Speaker 4: Bab Yeah, she's already on.

1086
00:56:42,680 --> 00:56:46,400
Speaker 2: She's got a layover and Charleston and she's she's headed

1087
00:56:46,400 --> 00:56:52,440
Speaker 2: somewhere else. She's she's unavailable, right, Charlene is on the road. Baby, Marie,

1088
00:56:52,440 --> 00:56:55,600
Speaker 2: when's the last time you got your heartbroken? What would

1089
00:56:55,640 --> 00:56:56,160
Speaker 2: your song be?

1090
00:56:57,200 --> 00:57:03,279
Speaker 1: Well, would my song be? Yeah, I don't know what

1091
00:57:03,360 --> 00:57:08,200
Speaker 1: my song would be, Sis, it would be probably something

1092
00:57:08,239 --> 00:57:15,560
Speaker 1: about wasting my time. It would be a song about time. Yeah, wow, yeah.

1093
00:57:16,400 --> 00:57:19,240
Speaker 2: I do you really think that people are wasting your time?

1094
00:57:19,280 --> 00:57:19,560
Speaker 4: Though?

1095
00:57:19,840 --> 00:57:24,800
Speaker 2: Like I it's everything that you go through is it's

1096
00:57:24,840 --> 00:57:26,160
Speaker 2: meant to learn something.

1097
00:57:27,120 --> 00:57:30,439
Speaker 1: You've learned a lot, yeah, like not to let people

1098
00:57:30,480 --> 00:57:34,040
Speaker 1: waste my time. But but yes, I do think that

1099
00:57:34,080 --> 00:57:37,320
Speaker 1: sometimes people waste people's time because you enter innser a

1100
00:57:37,360 --> 00:57:40,720
Speaker 1: relationship with somebody and if they're clear about what it

1101
00:57:40,800 --> 00:57:43,280
Speaker 1: is that they want from you, and you know you

1102
00:57:43,320 --> 00:57:45,680
Speaker 1: don't want that or you don't want to give that,

1103
00:57:46,520 --> 00:57:49,200
Speaker 1: then you are wasting that person's time because it's like

1104
00:57:49,280 --> 00:57:52,000
Speaker 1: you could just let me, you could just be honest

1105
00:57:52,040 --> 00:57:53,560
Speaker 1: about what it is that you want, or you could

1106
00:57:53,640 --> 00:57:56,600
Speaker 1: just leave me alone, like what you on my line

1107
00:57:56,680 --> 00:58:01,200
Speaker 1: for I think that that, yeah, that there was some

1108
00:58:01,240 --> 00:58:02,200
Speaker 1: time wasting happening.

1109
00:58:02,640 --> 00:58:06,840
Speaker 2: Andrew, for sure, what do you think about heartbreak? No,

1110
00:58:06,960 --> 00:58:08,720
Speaker 2: about somebody wasting your time?

1111
00:58:08,960 --> 00:58:12,680
Speaker 3: Somebody wasting my time. It's annoying because like there are

1112
00:58:12,720 --> 00:58:14,560
Speaker 3: people that are like they know that they're doing it

1113
00:58:14,600 --> 00:58:16,240
Speaker 3: and it's just like a fuck boy sort of thing

1114
00:58:16,240 --> 00:58:19,000
Speaker 3: where it's like they're just going around person to person.

1115
00:58:19,600 --> 00:58:22,440
Speaker 3: They're just like they're not laying down anywhere, but they

1116
00:58:22,480 --> 00:58:24,760
Speaker 3: do it so well and they know exactly the thing

1117
00:58:24,840 --> 00:58:27,760
Speaker 3: to make you think like, oh, this person actually gives

1118
00:58:27,760 --> 00:58:30,960
Speaker 3: a shit about me. But then right, and then when

1119
00:58:31,000 --> 00:58:33,560
Speaker 3: they go on little hiatus, it's like you're thinking about

1120
00:58:33,560 --> 00:58:35,720
Speaker 3: them the entire time, like what was that even? You know,

1121
00:58:36,520 --> 00:58:38,160
Speaker 3: and then they'll come back in yeah.

1122
00:58:38,040 --> 00:58:41,880
Speaker 1: Right, So, Andrew, have you ever been heartbroken? Got your heartbroken?

1123
00:58:42,000 --> 00:58:45,800
Speaker 3: I mean when you were talking Sydney about like like

1124
00:58:45,960 --> 00:58:50,320
Speaker 3: pandem like heartbreak and like that sort of being emphasized

1125
00:58:50,600 --> 00:58:53,360
Speaker 3: by that because like last year, like one of my

1126
00:58:53,440 --> 00:58:56,680
Speaker 3: close friends from college just completely dipped and I was

1127
00:58:56,720 --> 00:59:00,000
Speaker 3: just like, I don't know what's going on with you,

1128
00:59:00,080 --> 00:59:03,080
Speaker 3: Like hmm, I am not hearing from you. And then

1129
00:59:03,280 --> 00:59:06,520
Speaker 3: you know, I sent text messages every so often, I

1130
00:59:06,560 --> 00:59:08,919
Speaker 3: was like hello, like what's going on, reached out to people.

1131
00:59:08,960 --> 00:59:11,160
Speaker 3: I was like have you heard from this person? And

1132
00:59:11,200 --> 00:59:14,080
Speaker 3: then one day just blocked on everything and I'm.

1133
00:59:13,920 --> 00:59:16,320
Speaker 1: Like why everything fuck?

1134
00:59:16,840 --> 00:59:18,560
Speaker 3: And I was just like are you kidding? Like you've

1135
00:59:18,600 --> 00:59:21,280
Speaker 3: been over to my house. We've got gone on trips together.

1136
00:59:21,640 --> 00:59:24,840
Speaker 3: Gave me no reason as to like why, like they

1137
00:59:24,920 --> 00:59:27,880
Speaker 3: just dip and I'm just like that sucks.

1138
00:59:28,000 --> 00:59:31,560
Speaker 1: And I'm just like, so you don't so you don't

1139
00:59:31,600 --> 00:59:33,840
Speaker 1: know what you did to be blocked on all these

1140
00:59:34,240 --> 00:59:36,120
Speaker 1: This sounds like that message that we got from that

1141
00:59:36,240 --> 00:59:39,360
Speaker 1: girl the other the other day, and when I went

1142
00:59:39,400 --> 00:59:40,640
Speaker 1: on the date with the girl, and the.

1143
00:59:40,600 --> 00:59:43,000
Speaker 3: Girl like oh yeah.

1144
00:59:42,560 --> 00:59:46,440
Speaker 2: Yeah, why why? What the fuck is wrong with people?

1145
00:59:46,440 --> 00:59:48,880
Speaker 3: It's crazy? Yeah, what the fuck is wrong?

1146
00:59:48,960 --> 00:59:50,400
Speaker 1: Like just say why?

1147
00:59:50,560 --> 00:59:54,680
Speaker 2: Like give somebody at least one, just give me one

1148
00:59:54,960 --> 00:59:55,760
Speaker 2: good read.

1149
00:59:55,920 --> 00:59:59,960
Speaker 3: And so then like like two months ago, two months ago,

1150
01:00:00,120 --> 01:00:03,040
Speaker 3: like my friend group from college, we were all in

1151
01:00:03,600 --> 01:00:07,600
Speaker 3: uh student government together and they were like all hanging

1152
01:00:07,600 --> 01:00:09,919
Speaker 3: out and doing something and one of my friends who

1153
01:00:09,960 --> 01:00:13,320
Speaker 3: it was invited to this this outing, noticed that I

1154
01:00:13,400 --> 01:00:16,360
Speaker 3: wasn't part of it and was like, hey, can Andrew come?

1155
01:00:16,600 --> 01:00:20,040
Speaker 3: And then they got a private DM saying like hey,

1156
01:00:20,560 --> 01:00:23,760
Speaker 3: this person doesn't like Andrew anymore, but won't tell them,

1157
01:00:24,120 --> 01:00:27,160
Speaker 3: And I'm like, why not? Why not tell me?

1158
01:00:28,120 --> 01:00:30,160
Speaker 1: Have you and you can't reach out to them because

1159
01:00:30,160 --> 01:00:30,560
Speaker 1: you're black?

1160
01:00:30,600 --> 01:00:32,400
Speaker 3: I can't reach out to them. I have no clue,

1161
01:00:32,440 --> 01:00:35,320
Speaker 3: and it's like, well, I have their number, but.

1162
01:00:35,560 --> 01:00:40,160
Speaker 2: Nobody, but nobody infiltrated to find out why I don't

1163
01:00:40,240 --> 01:00:40,640
Speaker 2: like you.

1164
01:00:41,320 --> 01:00:44,320
Speaker 3: I mean, like, I think that if if it was

1165
01:00:44,400 --> 01:00:47,080
Speaker 3: like if my friend Amanda was like, hey, why does

1166
01:00:47,160 --> 01:00:49,800
Speaker 3: this person not like Andrew, then they wouldn't tell because

1167
01:00:49,800 --> 01:00:51,680
Speaker 3: they would know that Amanda would come back to me

1168
01:00:51,720 --> 01:00:53,120
Speaker 3: and be like, this is the reason.

1169
01:00:53,440 --> 01:00:55,920
Speaker 1: No, No, I need you. I need you to use

1170
01:00:55,960 --> 01:00:59,960
Speaker 1: your words and tell me why Amanda Amanda just because

1171
01:01:00,000 --> 01:01:02,320
Speaker 1: should have been like doesn't like Andrew? What happened?

1172
01:01:02,480 --> 01:01:03,960
Speaker 4: Yeah, what happened.

1173
01:01:04,800 --> 01:01:08,240
Speaker 1: And if this person, if your friend is asking me

1174
01:01:08,280 --> 01:01:11,120
Speaker 1: if you can come, then they already know that they're

1175
01:01:11,160 --> 01:01:13,960
Speaker 1: gonna tell, like she's gonna tell you what they say.

1176
01:01:14,480 --> 01:01:15,760
Speaker 3: It is so stupid.

1177
01:01:16,040 --> 01:01:16,440
Speaker 4: I don't know.

1178
01:01:16,520 --> 01:01:20,040
Speaker 1: I think I think that that is just like that's

1179
01:01:20,080 --> 01:01:22,800
Speaker 1: just a weird way to live your life. On one hand,

1180
01:01:22,840 --> 01:01:28,080
Speaker 1: I understand you something no longer aligns with how you

1181
01:01:28,120 --> 01:01:30,720
Speaker 1: feel or the person that you are, come out, move

1182
01:01:30,760 --> 01:01:33,520
Speaker 1: on right, life goes on. But then on the other hand,

1183
01:01:33,520 --> 01:01:37,280
Speaker 1: it's like we're adults. If I did something to offend

1184
01:01:37,320 --> 01:01:40,080
Speaker 1: you or I did something to upset you, tell me

1185
01:01:41,040 --> 01:01:44,560
Speaker 1: so I can rectify it and know that like, oh

1186
01:01:44,600 --> 01:01:46,400
Speaker 1: my god, I didn't even realize I was doing this.

1187
01:01:46,720 --> 01:01:47,840
Speaker 1: I'm never gonna do it again.

1188
01:01:48,160 --> 01:01:51,440
Speaker 3: Yeah. Yeah, Because I think like if it was like

1189
01:01:51,520 --> 01:01:54,920
Speaker 3: a romantic relationship, I think it's like a little bit

1190
01:01:54,960 --> 01:01:59,080
Speaker 3: more okay to do that, like ghosts. I don't think

1191
01:01:59,120 --> 01:02:01,480
Speaker 3: ghosting is usually okay, but I but I think like

1192
01:02:01,480 --> 01:02:02,800
Speaker 3: with a friendship, I think it's like.

1193
01:02:03,000 --> 01:02:08,680
Speaker 2: Very ghost friend I don't I don't understand, Like, how

1194
01:02:08,680 --> 01:02:10,280
Speaker 2: does it get to the point where you're like I

1195
01:02:10,320 --> 01:02:12,360
Speaker 2: don't even want to I don't even want to talk

1196
01:02:12,400 --> 01:02:13,400
Speaker 2: to them.

1197
01:02:13,680 --> 01:02:15,040
Speaker 4: I don't even want to talk to them.

1198
01:02:15,240 --> 01:02:18,920
Speaker 2: Like, you didn't sexually assault your friend, You didn't like,

1199
01:02:19,320 --> 01:02:20,360
Speaker 2: did you steal money?

1200
01:02:20,920 --> 01:02:21,120
Speaker 4: No?

1201
01:02:21,280 --> 01:02:23,680
Speaker 3: Nothing. The last time I saw them, like they just

1202
01:02:23,720 --> 01:02:26,480
Speaker 3: got their their green card and I was like, let's

1203
01:02:26,480 --> 01:02:28,920
Speaker 3: throw like let's I'm gonna help you plan a party.

1204
01:02:29,080 --> 01:02:30,280
Speaker 3: That was the last time I saw them.

1205
01:02:30,640 --> 01:02:31,600
Speaker 1: Did you plan the party?

1206
01:02:31,680 --> 01:02:32,800
Speaker 3: I plan the party?

1207
01:02:33,520 --> 01:02:34,400
Speaker 1: Was it a good party?

1208
01:02:34,480 --> 01:02:36,960
Speaker 3: It was a good party. Yeah. And I bought drinks

1209
01:02:36,960 --> 01:02:39,040
Speaker 3: for their friends too, And I was like, why'd I

1210
01:02:39,080 --> 01:02:41,480
Speaker 3: even do that if I was just gonna get ghosted

1211
01:02:41,560 --> 01:02:42,760
Speaker 3: later on? Dumb?

1212
01:02:42,960 --> 01:02:45,080
Speaker 4: Yeah, I don't understand. This is weird.

1213
01:02:45,280 --> 01:02:49,400
Speaker 2: This is strange, and I I wish we had some

1214
01:02:49,440 --> 01:02:52,200
Speaker 2: spies to find out because now I'm interested.

1215
01:02:52,280 --> 01:02:53,160
Speaker 4: Now I'm invested.

1216
01:02:53,920 --> 01:02:57,440
Speaker 3: At this point, I'm like, I don't care, like I

1217
01:02:57,440 --> 01:02:59,400
Speaker 3: think when I get sad, Like I go to that

1218
01:02:59,480 --> 01:03:02,360
Speaker 3: place and I'm like, why did this person goes? Yeah,

1219
01:03:02,480 --> 01:03:04,680
Speaker 3: because it sucks, But like.

1220
01:03:05,200 --> 01:03:07,640
Speaker 2: That's their problem and they're missing out on you because

1221
01:03:07,640 --> 01:03:08,640
Speaker 2: you're a good friend.

1222
01:03:09,000 --> 01:03:10,720
Speaker 3: It's so true, Sydney, and you're fun.

1223
01:03:10,960 --> 01:03:14,080
Speaker 1: You and you planned a party and then and you're

1224
01:03:14,080 --> 01:03:16,400
Speaker 1: buying drinks for friends. Listen, I'm drawing the line there.

1225
01:03:16,680 --> 01:03:19,680
Speaker 1: I plan the party, but I'm buying drinks for your friends.

1226
01:03:19,680 --> 01:03:22,200
Speaker 1: Did they get their green cards? Too? Are they my friend?

1227
01:03:22,800 --> 01:03:24,520
Speaker 1: Did you say something? Maybe you left a bad tip

1228
01:03:24,560 --> 01:03:25,280
Speaker 1: and they saw it, Like.

1229
01:03:25,200 --> 01:03:27,080
Speaker 3: I don't know, and I don't know about it.

1230
01:03:29,320 --> 01:03:34,960
Speaker 1: Yeah, okay, wait, let's let's let's let's let's not do

1231
01:03:35,040 --> 01:03:39,400
Speaker 1: that no more. Let's not ghost our friends. If you

1232
01:03:39,400 --> 01:03:41,400
Speaker 1: can ghost your friend, then was that your friend in

1233
01:03:41,440 --> 01:03:42,040
Speaker 1: the first place.

1234
01:03:42,160 --> 01:03:46,720
Speaker 2: Yeah, if you have an issue with somebody, just fucking

1235
01:03:47,360 --> 01:03:51,640
Speaker 2: be an adult. Hey, you hurt me when you x

1236
01:03:51,800 --> 01:03:55,280
Speaker 2: y z I felt blah blah blah when you da

1237
01:03:55,360 --> 01:03:59,400
Speaker 2: da da da da, Like how use your words? What

1238
01:03:59,480 --> 01:04:05,000
Speaker 2: you can't communicate? This is strange. It's getting weird. Yeah,

1239
01:04:05,040 --> 01:04:08,520
Speaker 2: it's getting weird. I see, all right, all these fucking captions,

1240
01:04:08,720 --> 01:04:12,439
Speaker 2: these dissertations on Facebook. But then you can't tell somebody, hey,

1241
01:04:12,920 --> 01:04:16,600
Speaker 2: you hurt me when blah blah blah you made me

1242
01:04:16,760 --> 01:04:19,200
Speaker 2: uncomfortable Da da da da da.

1243
01:04:19,240 --> 01:04:20,320
Speaker 4: I don't fuck with.

1244
01:04:20,440 --> 01:04:25,440
Speaker 1: You, because fuck with you. But but then, but it

1245
01:04:25,520 --> 01:04:27,440
Speaker 1: brings me back to what I was saying about people

1246
01:04:27,880 --> 01:04:31,760
Speaker 1: fighting for me after a relationship ends. If you're not

1247
01:04:32,080 --> 01:04:35,960
Speaker 1: fighting for the friendship or you're not trying to like

1248
01:04:36,320 --> 01:04:40,640
Speaker 1: mend something, then were we friends? Like I thought we

1249
01:04:40,640 --> 01:04:43,320
Speaker 1: were friends. I planned you a green car party?

1250
01:04:43,960 --> 01:04:44,920
Speaker 3: Yep, Marie?

1251
01:04:44,920 --> 01:04:45,720
Speaker 4: Would you fight for me?

1252
01:04:47,840 --> 01:04:48,880
Speaker 1: Would I fight for you?

1253
01:04:48,880 --> 01:04:50,560
Speaker 4: You're like, would you fight for our friendship?

1254
01:04:52,280 --> 01:04:54,840
Speaker 1: I think that I would. I mean, since I shed

1255
01:04:54,840 --> 01:04:58,360
Speaker 1: a tear at a Starbucks into an empanada for you once,

1256
01:05:01,320 --> 01:05:04,560
Speaker 1: that was me fighting that one tier was me fighting.

1257
01:05:04,240 --> 01:05:07,760
Speaker 4: For you, shed a tear into a panada. That's my title.

1258
01:05:07,960 --> 01:05:10,320
Speaker 4: That's it. That's it, that's my title right there?

1259
01:05:10,520 --> 01:05:14,560
Speaker 1: Yes, yes, yes, yes, yes, okay, Andrew, can you run

1260
01:05:14,600 --> 01:05:16,920
Speaker 1: through the titles for us? Or should we read this message?

1261
01:05:16,920 --> 01:05:17,880
Speaker 1: That we got from this guy.

1262
01:05:18,600 --> 01:05:21,440
Speaker 3: Uh, yeah, I think the the email that I sent

1263
01:05:21,440 --> 01:05:23,000
Speaker 3: you yesterday I thought was very interesting.

1264
01:05:23,440 --> 01:05:26,760
Speaker 1: Yeah, I want to read it. We got a message

1265
01:05:27,280 --> 01:05:32,480
Speaker 1: from a listeners. The title of the email is asexual

1266
01:05:32,640 --> 01:05:36,280
Speaker 1: and still a hoe. Hey, my name is BJ and

1267
01:05:36,320 --> 01:05:38,640
Speaker 1: I listened to the recent episode We're Sidney and we're

1268
01:05:38,640 --> 01:05:41,080
Speaker 1: talking about asexuals, and I wanted to let y'all know

1269
01:05:41,120 --> 01:05:46,600
Speaker 1: I'm asexual. I'm a black, pan sexual, gender queer asexual,

1270
01:05:47,400 --> 01:05:49,480
Speaker 1: pan sexual, gender queer asexual.

1271
01:05:49,520 --> 01:05:51,640
Speaker 4: I had to google all of those and what does

1272
01:05:51,680 --> 01:05:52,000
Speaker 4: that mean?

1273
01:05:53,880 --> 01:05:59,600
Speaker 1: Will pan sexual is attracted to all types of everything? Well,

1274
01:05:59,600 --> 01:06:02,040
Speaker 1: it said, I think pots and pans. I think pots

1275
01:06:02,040 --> 01:06:06,360
Speaker 1: are cute too, and then gender queer to me feels redundant,

1276
01:06:06,520 --> 01:06:13,040
Speaker 1: but you know, it is what it is. And asexual.

1277
01:06:13,240 --> 01:06:17,800
Speaker 1: So I'm a black but also black, so black, pan sexual,

1278
01:06:17,840 --> 01:06:21,120
Speaker 1: gender queer asexual who has had sex and still has

1279
01:06:21,120 --> 01:06:24,680
Speaker 1: sex sporadically. Most people assume I'm a hoe because of

1280
01:06:24,720 --> 01:06:28,160
Speaker 1: my Instagram, but I typically only have sex three times

1281
01:06:28,160 --> 01:06:32,600
Speaker 1: a year, usually only to please a partner. I'm driving

1282
01:06:32,640 --> 01:06:34,520
Speaker 1: an email right now so I can just upload my

1283
01:06:34,560 --> 01:06:38,440
Speaker 1: picks and my Insta is cream filing. Please feel free

1284
01:06:38,440 --> 01:06:40,080
Speaker 1: to ask me questions or anything I'd like to share.

1285
01:06:40,120 --> 01:06:42,960
Speaker 1: I'm down to share. And then they sent us some photos,

1286
01:06:44,640 --> 01:06:47,720
Speaker 1: you know, a little mirror selfie with a booty in

1287
01:06:47,800 --> 01:06:54,440
Speaker 1: the crop top. You see that this album Colever moment.

1288
01:06:55,600 --> 01:07:01,480
Speaker 1: Can you see it? And then these like, first of all,

1289
01:07:01,520 --> 01:07:03,200
Speaker 1: the turtlenick is just sleeves.

1290
01:07:03,280 --> 01:07:03,920
Speaker 4: I love it.

1291
01:07:04,160 --> 01:07:07,480
Speaker 2: Please send me tell me, yeah, tell me what it

1292
01:07:07,520 --> 01:07:12,360
Speaker 2: is so that Yeah.

1293
01:07:10,440 --> 01:07:13,320
Speaker 1: Please send us the link to your turtlenick sleeve shawl

1294
01:07:13,320 --> 01:07:14,800
Speaker 1: things so we can give one for Sydney.

1295
01:07:14,920 --> 01:07:15,160
Speaker 4: Yes.

1296
01:07:16,360 --> 01:07:18,720
Speaker 1: Yeah, So Andrew thought the email was interesting. Why did

1297
01:07:18,760 --> 01:07:20,200
Speaker 1: you think it was interesting? I?

1298
01:07:20,360 --> 01:07:23,760
Speaker 3: Well, I guess I I was under the assumption that

1299
01:07:24,120 --> 01:07:27,280
Speaker 3: pant sexual and asexual were sort of at odds with

1300
01:07:27,320 --> 01:07:31,480
Speaker 3: another and that they wouldn't really work together. So I

1301
01:07:31,560 --> 01:07:36,680
Speaker 3: do have a question in that regard. But I guess

1302
01:07:36,720 --> 01:07:39,640
Speaker 3: they're listening to this episode, so maybe they'll kind of

1303
01:07:39,640 --> 01:07:41,280
Speaker 3: follow up explaining.

1304
01:07:41,840 --> 01:07:47,520
Speaker 1: Well, yeah, because we were talking about asexual Sydney wanted

1305
01:07:47,560 --> 01:07:49,880
Speaker 1: an insexual expert podcast.

1306
01:07:54,000 --> 01:07:55,440
Speaker 4: I did. I did ask for that.

1307
01:07:56,680 --> 01:07:59,520
Speaker 1: Yeah, Andrew, I agree with you. Pant sexual and asexual

1308
01:07:59,560 --> 01:08:03,680
Speaker 1: to me, do seem like they're on opposite ends of right,

1309
01:08:03,680 --> 01:08:08,720
Speaker 1: because a pan sexual is attracted to the spectrum of

1310
01:08:08,760 --> 01:08:14,320
Speaker 1: everything right and asexual. In my mind, I thought meant

1311
01:08:14,720 --> 01:08:18,240
Speaker 1: didn't really need anything from anybody.

1312
01:08:18,720 --> 01:08:25,240
Speaker 2: We are confusion, confusion, confucion. Yeah, I am confusion right now.

1313
01:08:25,840 --> 01:08:28,639
Speaker 1: Yeah, I mean I think that. But that's the thing,

1314
01:08:28,720 --> 01:08:32,240
Speaker 1: like if there's something for everybody, and everybody should be

1315
01:08:32,240 --> 01:08:33,640
Speaker 1: allowed to live their lives how they want to live

1316
01:08:33,680 --> 01:08:38,960
Speaker 1: their lives. That's I think that's what this new generation

1317
01:08:39,080 --> 01:08:42,240
Speaker 1: what is it disease the exes, that's what they got

1318
01:08:42,479 --> 01:08:46,280
Speaker 1: on us, is like it's easier to be what you

1319
01:08:46,320 --> 01:08:47,360
Speaker 1: want to be now than it.

1320
01:08:47,320 --> 01:08:50,439
Speaker 4: Was before Generation element op.

1321
01:08:51,920 --> 01:09:02,240
Speaker 1: Qrs. Any follow up questions for our friend BJ anything

1322
01:09:02,240 --> 01:09:04,439
Speaker 1: you guys feel like we need to We left out

1323
01:09:04,479 --> 01:09:06,880
Speaker 1: that we need to hit. Any tips on how to

1324
01:09:06,880 --> 01:09:09,160
Speaker 1: get a billionaire with anything that we talked about today,

1325
01:09:09,240 --> 01:09:11,360
Speaker 1: Let's let's wrap it up in a knee little bo.

1326
01:09:12,920 --> 01:09:16,599
Speaker 4: I mean, you never know, you gotta give people a chance.

1327
01:09:16,720 --> 01:09:19,639
Speaker 2: Like I was on my Instagram stories, I was like, yes,

1328
01:09:19,760 --> 01:09:21,800
Speaker 2: I understand that you have a type blah blah blah

1329
01:09:21,800 --> 01:09:24,720
Speaker 2: blah blah, but you gotta just be a little.

1330
01:09:24,479 --> 01:09:27,040
Speaker 4: Bit more open. I think if.

1331
01:09:27,360 --> 01:09:30,479
Speaker 2: Like you're saying, this person is not my type. But

1332
01:09:30,560 --> 01:09:32,800
Speaker 2: that is your type, not a billionaire.

1333
01:09:33,080 --> 01:09:34,559
Speaker 1: I don't know, like it just doesn't.

1334
01:09:34,560 --> 01:09:36,559
Speaker 4: He's like, come on, like have fun.

1335
01:09:37,800 --> 01:09:41,720
Speaker 2: Yeah, somebody hip don't work that My hips don't lie.

1336
01:09:41,800 --> 01:09:45,200
Speaker 2: Let's go like, let's let's have a blast. You never

1337
01:09:45,280 --> 01:09:49,080
Speaker 2: know that person doesn't need their hip to work for

1338
01:09:49,160 --> 01:09:51,439
Speaker 2: y'all to be in Rome for a week.

1339
01:09:51,800 --> 01:09:57,960
Speaker 1: Okay, I'm listen. The next event, I'm gonna find him

1340
01:09:58,120 --> 01:10:00,640
Speaker 1: this and this is this is on me. Okay, the

1341
01:10:00,720 --> 01:10:03,760
Speaker 1: next event, I'm gonna find him and I'll just go

1342
01:10:03,800 --> 01:10:06,120
Speaker 1: over and introduce myself. That's where I messed up. I

1343
01:10:06,120 --> 01:10:08,400
Speaker 1: didn't introduce myself. If I had done that and I

1344
01:10:08,400 --> 01:10:11,280
Speaker 1: shook his little you know, spider vein hand, it might

1345
01:10:11,320 --> 01:10:12,760
Speaker 1: have changed the game for me a little bit, you

1346
01:10:12,800 --> 01:10:15,240
Speaker 1: know what I mean. Hi, I'm Marie. Nice to meet you,

1347
01:10:15,280 --> 01:10:17,439
Speaker 1: and you are. And they would have said his name

1348
01:10:17,439 --> 01:10:19,320
Speaker 1: and I would be like, oh, then I would have

1349
01:10:19,320 --> 01:10:22,799
Speaker 1: went back to the table, googled him, came right back. Hey,

1350
01:10:23,080 --> 01:10:26,200
Speaker 1: so I see the chair is not available anymore? Can

1351
01:10:26,200 --> 01:10:29,519
Speaker 1: I sit on your lap? You know, like, you know,

1352
01:10:29,600 --> 01:10:32,320
Speaker 1: you live and you learn this. You live and you learn.

1353
01:10:33,960 --> 01:10:38,759
Speaker 1: I'm looking at the thread of that posted on Twitter

1354
01:10:38,800 --> 01:10:40,720
Speaker 1: it's actually really funny. I'm gonna spend the rest of

1355
01:10:40,720 --> 01:10:42,000
Speaker 1: my day watching those.

1356
01:10:43,439 --> 01:10:48,000
Speaker 2: They're they're really good videos. People were not playing around.

1357
01:10:48,920 --> 01:10:55,040
Speaker 1: Yeah. As always, thank you to the hot listeners that

1358
01:10:55,200 --> 01:10:58,000
Speaker 1: send us messages and photos. We love. We love when

1359
01:10:58,080 --> 01:11:04,320
Speaker 1: y'all game sending them photographic proof. We love a pan sexual,

1360
01:11:04,439 --> 01:11:08,679
Speaker 1: gender queer asexual audience like we love that everybody's listening

1361
01:11:08,720 --> 01:11:12,360
Speaker 1: and everybody get something out of this pod. Please send

1362
01:11:12,439 --> 01:11:17,320
Speaker 1: us lyrics for your heartbreak song. Oh my God, you

1363
01:11:17,320 --> 01:11:18,000
Speaker 1: you're the thunder.

1364
01:11:18,200 --> 01:11:20,920
Speaker 2: Yeah, So it's gonna be raining all day, babe, it's

1365
01:11:20,920 --> 01:11:21,400
Speaker 2: about to.

1366
01:11:21,360 --> 01:11:26,160
Speaker 1: Be a god fin fight. Yeah. Yo.

1367
01:11:26,240 --> 01:11:33,479
Speaker 2: The weather in New York States this summer has been absolute.

1368
01:11:33,280 --> 01:11:37,879
Speaker 2: The weather is not here for us. And that's that's fine.

1369
01:11:38,160 --> 01:11:42,400
Speaker 2: That's fine. I'm out of here. If you haven't gotten

1370
01:11:42,400 --> 01:11:48,200
Speaker 2: a ticket for my San Francisco shows at Cobbs Comedy Club, yeah,

1371
01:11:48,360 --> 01:11:52,519
Speaker 2: go get them. It's Friday. You miss Thursday, so get

1372
01:11:52,560 --> 01:11:55,080
Speaker 2: them tonight, Get them tonight, get them for tomorrow. I

1373
01:11:55,080 --> 01:11:59,280
Speaker 2: have two shows. It's gonna be a blast, and it's

1374
01:11:59,320 --> 01:12:04,519
Speaker 2: not gonna be pouring in San Francisco, hopefully not. Nope,

1375
01:12:05,439 --> 01:12:07,479
Speaker 2: all right, well I'll have the NFL in my Stories.

1376
01:12:07,479 --> 01:12:11,080
Speaker 1: Sydney has it on her page, and hopefully we'll she'll

1377
01:12:11,080 --> 01:12:11,599
Speaker 1: see you there.

1378
01:12:11,680 --> 01:12:12,880
Speaker 4: I'll be there. Yeah.

1379
01:12:12,880 --> 01:12:15,479
Speaker 2: But you know what, I'll FaceTime you, Marie. How about

1380
01:12:15,479 --> 01:12:18,400
Speaker 2: I FaceTime you while I'm on stage. Okay, at the

1381
01:12:18,479 --> 01:12:19,120
Speaker 2: end of the show.

1382
01:12:19,760 --> 01:12:21,200
Speaker 1: Okay, what time is the show cause I need to

1383
01:12:21,240 --> 01:12:22,600
Speaker 1: see what what I need to make sure I have

1384
01:12:22,680 --> 01:12:23,200
Speaker 1: on a shirt.

1385
01:12:23,479 --> 01:12:29,040
Speaker 2: Okay, I'll text you. I'll text you in advance.

1386
01:12:29,560 --> 01:12:34,360
Speaker 1: Okay, all right, bye friend, Bye Forever.

1387
01:12:36,080 --> 01:12:38,200
Speaker 3: This has been a Forever Dog production.

1388
01:12:39,000 --> 01:12:43,599
Speaker 1: The Unofficial Expert is executive produced by Brett Boham, Joe Cilio,

1389
01:12:44,000 --> 01:12:45,080
Speaker 1: and Alex Ramsey.

1390
01:12:45,760 --> 01:12:51,960
Speaker 3: Senior producer Tracy Soren, Produced by Andrew McGuire. Cover art

1391
01:12:52,120 --> 01:12:53,320
Speaker 3: by Sandy Hoenig.

1392
01:12:54,000 --> 01:12:57,479
Speaker 1: To listen to this podcast ad free, sign up for

1393
01:12:57,479 --> 01:13:01,840
Speaker 1: Forever Dog Plus at Forever Dog Pop Podcasts dot com

1394
01:13:01,920 --> 01:13:03,320
Speaker 1: slash plus.

1395
01:13:04,000 --> 01:13:07,760
Speaker 3: Check out video clips of our podcasts on YouTube at

1396
01:13:07,880 --> 01:13:12,560
Speaker 3: YouTube dot com slash Foreverdog Team, and make sure to

1397
01:13:12,640 --> 01:13:17,719
Speaker 3: follow us on Twitter, Instagram, and Facebook at Foreverdog Team

1398
01:13:18,280 --> 01:13:21,040
Speaker 3: to keep up with all the latest Foreverdog news.