WEBVTT - Stranger Than Pulp Fiction

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<v Speaker 1>How would you feel if you went back to prison.

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<v Speaker 2>I'll have to protect myself again, Senatent. I'd have to

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<v Speaker 2>kill or.

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<v Speaker 3>Be killed again. September nineteenth, nineteen sixty three, A dead

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<v Speaker 3>broke writer is lying on his couch in suburban New York.

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<v Speaker 3>He's glued to his television set, but he's not watching

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<v Speaker 3>a mob movie. He's watching a Senate hearing.

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<v Speaker 1>This is a special report from CBS News in Washington,

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<v Speaker 1>the Congress and Cozanostra.

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<v Speaker 3>The testimony is from Cozonostra insider Joseph Wallachi, who would

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<v Speaker 3>become better known as the first man to rat on

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<v Speaker 3>the mob on national television.

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<v Speaker 1>The sworn testimony you just heard came from the lips

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<v Speaker 1>of Joseph Vallachi, lips that supposedly were sealed thirty three

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<v Speaker 1>years ago when he joined America's underworld crime syndicate, Cozonostra.

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<v Speaker 3>The world he describes has a name, name that's new

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<v Speaker 3>to most Americans, Mafia.

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<v Speaker 2>Would it be fair to say that you went back

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<v Speaker 2>to prison, that you'll be a dead man if they

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<v Speaker 2>got up me. I wouldn't be in the five minute Senator.

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<v Speaker 3>Meanwhile, the man watching his television set would say he

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<v Speaker 3>had never met a real gangster, but he knows enough

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<v Speaker 3>to see the story for what it is.

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<v Speaker 2>As a senator put it before, what did I get

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<v Speaker 2>out of it?

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<v Speaker 3>Why'd you get out?

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<v Speaker 2>But misery? Or you know, as you all understand, once

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<v Speaker 2>you're in, you're in. You can't get out.

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<v Speaker 3>The man on the couch sees a true American story,

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<v Speaker 3>a web of family and brutality, loyalty and betrayal, fathers

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<v Speaker 3>and sons, immigration, and the American dream. The man doesn't

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<v Speaker 3>know it yet, but this inspiration will stay with him

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<v Speaker 3>for years to come. The man's name Mario Puzo. I'm

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<v Speaker 3>Mark Seal.

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<v Speaker 4>And I'm Nathan King.

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<v Speaker 3>And this is Leave the gun, Take the Canoli. In

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<v Speaker 3>today's episode, we're taking a closer look at the real

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<v Speaker 3>life mafia stories that influence Mario Puzo's.

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<v Speaker 4>Book and diving into the life and career of the

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<v Speaker 4>unlikely author who ascended from the depths of Hell's Kitchen

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<v Speaker 4>to the glitz and glam of Hollywood.

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<v Speaker 3>We'll also learn how Puzo's novel landed in the hands

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<v Speaker 3>of Paramount executive Robert Evans when he needed him most.

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<v Speaker 4>So let's get started.

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<v Speaker 5>Did you do anything for the family at all in

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<v Speaker 5>this time.

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<v Speaker 6>Or did they just do things for you?

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<v Speaker 2>Just go out kill for them?

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<v Speaker 4>You'd go out what kill mark? The Vallacci hearings are infamous.

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<v Speaker 4>Joseph Vallacci was a made man, a member of the

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<v Speaker 4>Genovese crime family and longtime henchmen for mob boss Vito Genovese.

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<v Speaker 3>Yes, and it was absolutely shocking at the time, especially

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<v Speaker 3>since Joe Blacci knew exactly how the mob treated snitches.

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<v Speaker 4>Well, he had some first hand experience. He was intimately

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<v Speaker 4>familiar with the story of Alberto Aguici.

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<v Speaker 3>And it's a particularly gruesome story. When I was researching

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<v Speaker 3>for the book, it stood out as an incredible example

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<v Speaker 3>of the brutality of the mafia.

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<v Speaker 4>Aguici was a baker from Toronto. But Baker is sort

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<v Speaker 4>of in quotes, isn't it.

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<v Speaker 3>Baker is definitely in quotes. He was really a heroin

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<v Speaker 3>smuggler and an associate of the Magadino crime family in Buffalo.

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<v Speaker 3>And in May of nineteen sixty one, he was indicted

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<v Speaker 3>along with nineteen others in one hundred and fifty million

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<v Speaker 3>dollar heroin smuggling ring.

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<v Speaker 4>We're talking about the notorious French Connection heroin smuggling ring.

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<v Speaker 4>That started in the thirties and stretched from Indo, China

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<v Speaker 4>all the way to France, then to Canada in the US.

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<v Speaker 3>And one of those nineteen others was our mobman turned informant,

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<v Speaker 3>Joseph Balacchi, and while in jail together, Billacchi listened as

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<v Speaker 3>Aguiici absolutely railed against Magadino, who he had expected to

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<v Speaker 3>raise money for his bail but instead was letting him

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<v Speaker 3>rot in jail.

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<v Speaker 4>It's generally not a good idea to talk badly about

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<v Speaker 4>a crime boss as you're in prison.

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<v Speaker 3>Not at all. Aguici ended up having to sell his

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<v Speaker 3>house to make bail and was apparently threatening to flip

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<v Speaker 3>on Maganino.

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<v Speaker 4>But it didn't last long because in October of nineteen

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<v Speaker 4>sixty one, Alberto left his wife and daughters in Toronto

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<v Speaker 4>to meet Magadino. He never made it, though he ended

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<v Speaker 4>up badly beaten, burned, really gruesomely disfigured in a cornfield.

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<v Speaker 3>I wrote in the book that it was like encountering

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<v Speaker 3>an animal or something the police couldn't even tell that

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<v Speaker 3>it was human. It was in the middle of a

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<v Speaker 3>circle that had been burned into the grass, like a

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<v Speaker 3>demented sign from hell.

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<v Speaker 4>And no one really knows who did it, but people

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<v Speaker 4>suspect that Magadino had caught wind to the fact that

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<v Speaker 4>Aguichi was railing against him and speaking poorly and taking

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<v Speaker 4>his name in vain and had something done about it. Now,

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<v Speaker 4>the rest of the story is incredibly complicated, and we

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<v Speaker 4>don't have time to tell it here, but it's a

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<v Speaker 4>tale of brotherhood and betrayal and threats on people's lives,

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<v Speaker 4>and ultimately Joseph Vallacci ends up fearing for his life.

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<v Speaker 1>It was at this point, apparently, when Vallachi decided to

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<v Speaker 1>sing for protection and i FBI agent was assigned to

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<v Speaker 1>him full time, and the Justice Department began filling in

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<v Speaker 1>the blanks on its chart of Kzonostra. This is Vlachi's

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<v Speaker 1>great value, says the department. He is the first member

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<v Speaker 1>of Cozanostra publicly to confirm its existence.

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<v Speaker 4>And this is how we get hours of televised senate

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<v Speaker 4>testimony about the inner workings of the mafia.

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<v Speaker 3>And it's the first time the word mafia was ever

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<v Speaker 3>heard by most Americans.

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<v Speaker 4>But Americans had some understanding of organized crime.

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<v Speaker 3>Yes, in the nineteen fifties, there was something called the

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<v Speaker 3>Cupaver hearings, which were televised in fourteen cities across America,

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<v Speaker 3>and it was something else. It was a hit. It

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<v Speaker 3>was like a primetime reality show that people were glued

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<v Speaker 3>to their television sets to watch. It was a parade

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<v Speaker 3>of what one publication called six hundred gangsters, pimps, bookies,

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<v Speaker 3>and shady lawyers who testified about the activities of organized crime.

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<v Speaker 4>Up until that point, this is something that had existed

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<v Speaker 4>in the shadows, and suddenly it's in living rooms across America.

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<v Speaker 4>You have these gangsters on screen talking about or in

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<v Speaker 4>some cases not talking about their crimes. This was pretty

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<v Speaker 4>electrifying stuff in its day.

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<v Speaker 3>Yes, it sure was. Thirty million Americans tuned in. And

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<v Speaker 3>remember this is still in the early days of TV.

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<v Speaker 4>Was this the hearing where Frank Costello testified without showing

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<v Speaker 4>his face?

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<v Speaker 3>Yes, Frank Costello, the all powerful leader of the Luciano

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<v Speaker 3>crime family, was shot only from the neck down, so

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<v Speaker 3>you couldn't see his space and he wouldn't really say anything.

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<v Speaker 3>But still, just to watch him in the hearings was

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<v Speaker 3>a huge hit. The New York Times headlined in his

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<v Speaker 3>article Costello TV's first headless star. Only his hands entertained audiences.

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<v Speaker 2>You must have in your mind something you've done that

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<v Speaker 2>you can speak off to your credit as an American citizen.

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<v Speaker 4>If so, what are they.

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<v Speaker 3>Paid by tax? This was like the Sopranos in real life.

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<v Speaker 4>But nothing compared to the Ballacci hearings.

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<v Speaker 3>Ten years later, Yes, ten years later, Joseph Bolacchi did

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<v Speaker 3>what Costello would not. He told and showed everything.

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<v Speaker 2>May I ask you this time, when did you become

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<v Speaker 2>a member of this organization nineteen taty what is the

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<v Speaker 2>name of it? Causing us?

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<v Speaker 3>In Italian?

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<v Speaker 2>Our thing and our family in English?

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<v Speaker 4>And he said a lot in those thirty one hours

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<v Speaker 4>of testimony.

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<v Speaker 3>Yeah, he gives almost everything. He tells about what the

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<v Speaker 3>initiation rights were, He tells the codes, He tells the hierarchy.

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<v Speaker 2>Well, this is a secret organization. How do you get

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<v Speaker 2>to know this member of the same family. He'll introduce

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<v Speaker 2>him to you, for instance, as a friend of oz

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<v Speaker 2>that means a member. Nah, happens to be with someone

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<v Speaker 2>that isn't a friend of ours. He would just simply

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<v Speaker 2>say met a friend of mine, which means nothing. That's

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<v Speaker 2>the code between us.

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<v Speaker 3>The mob put out a hit on him, offering one

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<v Speaker 3>hundred grand to anyone who could take him out, but

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<v Speaker 3>it was too late. He had already spilled everything on

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<v Speaker 3>national television and he even used the word godfather.

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<v Speaker 4>And on the other side of the television screen, Mario

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<v Speaker 4>Puzzo was so all of this in like a sponge.

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<v Speaker 3>Yeah, that's right. I mean, the testimony was authentic, it

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<v Speaker 3>was real. But Mario Puzo was a writer, an author,

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<v Speaker 3>who a great researcher. So he's sitting at home in

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<v Speaker 3>the suburbs of New York, lying on his couch, watching

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<v Speaker 3>these hearings like everybody else, but he did what nobody

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<v Speaker 3>else did. He was able to take these hearings and

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<v Speaker 3>fictionalize them and create a family that was even more romantic,

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<v Speaker 3>more dangerous, more influential than anything he's seen on television.

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<v Speaker 3>He created the Corleone family.

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<v Speaker 4>You've described Puso as a white whale in your reporting

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<v Speaker 4>of the story because you never actually got to speak

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<v Speaker 4>to him. But how did you get to the heart

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<v Speaker 4>of his story and his background.

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<v Speaker 3>To my eternal regret, Mario Puzo had passed away by

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<v Speaker 3>the time I started working on the magazine article and

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<v Speaker 3>of course later the book, But he would tell his

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<v Speaker 3>incredible story himself in numerous newspapers and magazine articles. Later

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<v Speaker 3>in interviews, and I was able to speak to his

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<v Speaker 3>eldest daughter, Dorothy Puso, who told me in an email

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<v Speaker 3>that she thought most likely her father had tossed all

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<v Speaker 3>of the research, all of the writing that he had

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<v Speaker 3>done on the movie and the book The Godfather. She said,

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<v Speaker 3>you know, he was a poor, aspiring writer who would

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<v Speaker 3>know to keep that stup. But to my astonishment and

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<v Speaker 3>amazement and good fortune, those things weren't tossed. They were saved,

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<v Speaker 3>and they're now on display at Dartmouth University in a library. There.

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<v Speaker 3>You can see his writing on the back of folders

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<v Speaker 3>which he liked to use with the red sharpie. You

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<v Speaker 3>can see his typewriter. You can read early drafts of

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<v Speaker 3>both the novel and the screenplay of The Godfather. And

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<v Speaker 3>then later in my research for the book, I was

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<v Speaker 3>able to speak with his son, Anthony Puso, who was

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<v Speaker 3>invaluable in telling me about his illustrious father, the frog

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<v Speaker 3>who became a prints of Hollywood and the true hero

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<v Speaker 3>of the Godfather.

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<v Speaker 4>Where did Puso come from? Because in a lot of ways,

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<v Speaker 4>he's the most unlikely character of all in this story.

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<v Speaker 3>Yes, his life was like an unlikely fairy tale, as

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<v Speaker 3>he wrote in various accounts, including his nineteen seventy two

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<v Speaker 3>memoir The Godfather Papers, and other confessions, Mario was born

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<v Speaker 3>into one of the worst sections of New York, whose

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<v Speaker 3>very name evokes this depravity, Hell's Kitchen. And he was

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<v Speaker 3>born into a family of immigrants, many of them illiterate,

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<v Speaker 3>including his mother, who he said could not even read

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<v Speaker 3>or sign her name, but who employed language like a weapon.

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<v Speaker 3>Many of the terms that Mario used in The Godfather,

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<v Speaker 3>he said, were straight out of his mama's mouth.

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<v Speaker 2>It's a man who doesn't spend time with his family

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<v Speaker 2>can never be a real man.

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<v Speaker 3>He grew up in a large family in a tenement flat,

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<v Speaker 3>and Pusa claimed he never met an honest to god gangster,

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<v Speaker 3>even though they were all around him.

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<v Speaker 4>Was his mother worried that he would fall prey to

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<v Speaker 4>the back element in the neighborhood.

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<v Speaker 3>Absolutely, his mother was very protective of Mario, but she

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<v Speaker 3>wasn't worried about guns so much as girls. Mario claimed

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<v Speaker 3>he never had that many dates.

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<v Speaker 4>Though, and he was one of thirteen kids.

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<v Speaker 3>Yes, and from the beginning he was different from the rest.

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<v Speaker 3>He loved gambling. He loved to pitch pennies and play cards,

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<v Speaker 3>and he liked to read, and early on he would

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<v Speaker 3>read Dostoyevski and go to the library.

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<v Speaker 4>And for a long time he was sort of a

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<v Speaker 4>hopeless character. Fame and fortune eluded him, right.

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<v Speaker 3>Mark, Yeah, for a long long time. He grew up.

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<v Speaker 3>He was very impoverished. They were so poor that Mario

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<v Speaker 3>said that once his teacher asked all the students to

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<v Speaker 3>bring a can of food for the poor, and Mario

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<v Speaker 3>was saying, they didn't know we were the poor. And

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<v Speaker 3>he went out anyway with the other kids in his

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<v Speaker 3>neighborhood and they went out and stole cans of food

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<v Speaker 3>to be able to bring it to school.

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<v Speaker 4>What did his mom think about his professionist writer.

0:12:57.920 --> 0:13:00.840
<v Speaker 3>Well, her greatest aspiration for Mario was that he would

0:13:00.880 --> 0:13:04.880
<v Speaker 3>become a railroad clerk and get a steady salary. He

0:13:05.120 --> 0:13:08.520
<v Speaker 3>liked to say, every family has a chooch, the Italian

0:13:08.640 --> 0:13:12.440
<v Speaker 3>word for donkey, and he goes in my family, the

0:13:12.559 --> 0:13:16.640
<v Speaker 3>chooch was me. College, he would later write, wasn't an option.

0:13:17.040 --> 0:13:19.520
<v Speaker 3>There were two high schools in his neighborhood, and his

0:13:19.600 --> 0:13:21.839
<v Speaker 3>mom and sister thought he should go to the one

0:13:21.880 --> 0:13:24.800
<v Speaker 3>that didn't prepare you for college. He asked, why didn't

0:13:24.840 --> 0:13:27.280
<v Speaker 3>you urge me to attend college, and his sister says,

0:13:27.880 --> 0:13:29.120
<v Speaker 3>because you were stupid.

0:13:29.440 --> 0:13:31.280
<v Speaker 4>And he didn't become a writer right away, did he?

0:13:32.000 --> 0:13:35.840
<v Speaker 3>No, Poor Mario, he suffered so much before finding his

0:13:35.880 --> 0:13:40.120
<v Speaker 3>future as a writer. Things were so grim for Mario

0:13:40.240 --> 0:13:42.840
<v Speaker 3>Puzo that when World War II broke out, he was

0:13:42.920 --> 0:13:46.800
<v Speaker 3>excited to get away from home. So he joined the military.

0:13:46.960 --> 0:13:48.720
<v Speaker 3>You know, it was a dream to him. He was

0:13:48.760 --> 0:13:53.520
<v Speaker 3>assigned to the fourth Armored Division, Private Puso. He's deployed

0:13:53.559 --> 0:13:56.280
<v Speaker 3>to Europe. He drove a jeep, He had affairs, He

0:13:56.360 --> 0:13:59.040
<v Speaker 3>found a wife, a German woman who he fell in

0:13:59.080 --> 0:14:02.079
<v Speaker 3>love with and brought back to America. And best of all,

0:14:02.640 --> 0:14:05.480
<v Speaker 3>he found material for his first novel.

0:14:05.920 --> 0:14:07.800
<v Speaker 4>That sounds like World War Two was the best thing

0:14:07.840 --> 0:14:08.920
<v Speaker 4>that ever happened to him.

0:14:08.880 --> 0:14:12.120
<v Speaker 3>Well, not immediately. Typical to Mario is the suffering. He

0:14:12.200 --> 0:14:14.280
<v Speaker 3>had dreams of being a writer, but he didn't know

0:14:14.320 --> 0:14:16.960
<v Speaker 3>where to start. So he went to the City College

0:14:17.000 --> 0:14:19.600
<v Speaker 3>of New York on the GI Bill and he studied

0:14:19.760 --> 0:14:23.440
<v Speaker 3>literature and creative writing. And then he did what would

0:14:23.480 --> 0:14:28.640
<v Speaker 3>become his trademark. He struggled. His weight went up, his

0:14:28.720 --> 0:14:32.280
<v Speaker 3>bank account went down. He was broke all the time,

0:14:33.160 --> 0:14:36.640
<v Speaker 3>he was gambling. He was a drift. He got a

0:14:36.720 --> 0:14:39.360
<v Speaker 3>job as a clerk at the Manhattan Armory, but he

0:14:39.440 --> 0:14:41.720
<v Speaker 3>never had enough money to quit his day job to

0:14:41.760 --> 0:14:44.920
<v Speaker 3>become a writer. He wanted to write high art. He

0:14:45.000 --> 0:14:47.920
<v Speaker 3>wanted to be an artistic writer. He wanted to be

0:14:48.040 --> 0:14:51.600
<v Speaker 3>like Dostoyevsky or other writers he admired. But it was

0:14:51.640 --> 0:14:54.680
<v Speaker 3>all just a struggle for him. Some of his diaries

0:14:54.720 --> 0:14:57.440
<v Speaker 3>still exist, and it's just full of torment and loss

0:14:57.440 --> 0:15:00.000
<v Speaker 3>and the theme that money is just ruining everything.

0:15:00.440 --> 0:15:02.880
<v Speaker 4>And does he sit down and write his war novel.

0:15:03.440 --> 0:15:07.080
<v Speaker 3>Yes. All along he's writing his first novel, The Dark Arena,

0:15:07.560 --> 0:15:10.880
<v Speaker 3>which gets published by Random House in nineteen fifty four,

0:15:10.960 --> 0:15:14.240
<v Speaker 3>and he thinks, wow, this is it. You know, I'm

0:15:14.240 --> 0:15:18.720
<v Speaker 3>a published author. But the reviews were mixed. It didn't

0:15:18.760 --> 0:15:21.920
<v Speaker 3>do for him what he expected. And Mario got an

0:15:21.920 --> 0:15:26.040
<v Speaker 3>advance of thirty five hundred dollars which was quickly gone.

0:15:26.840 --> 0:15:30.920
<v Speaker 3>His weight was way up, his hopes were way down.

0:15:31.080 --> 0:15:35.040
<v Speaker 3>And then on Christmas Eve, something incredible happened. He was

0:15:35.080 --> 0:15:40.040
<v Speaker 3>at home and he suffered a severe gallbladder attack. He

0:15:40.160 --> 0:15:42.960
<v Speaker 3>called a taxi, which drove him to New York City

0:15:43.000 --> 0:15:47.680
<v Speaker 3>in excruciating pain. He arrived at the VA Hospital and

0:15:47.920 --> 0:15:50.960
<v Speaker 3>just then the attack worsen. He opened the door of

0:15:51.000 --> 0:15:53.880
<v Speaker 3>the taxi and he fell out, and he landed in

0:15:53.920 --> 0:15:57.760
<v Speaker 3>a gutter. And he wrote about it later in Time magazine.

0:15:57.960 --> 0:16:00.920
<v Speaker 3>Here I am a published author, and I'm lying in

0:16:00.960 --> 0:16:05.560
<v Speaker 3>a gutter, dying like a dog. At that moment, I decided,

0:16:05.600 --> 0:16:07.640
<v Speaker 3>I'm going to become rich and famous.

0:16:08.280 --> 0:16:11.120
<v Speaker 4>Wow. So he had really hit rock bottom. How long

0:16:11.160 --> 0:16:12.960
<v Speaker 4>did it take for him to pull himself up by

0:16:12.960 --> 0:16:14.040
<v Speaker 4>his bootstraps?

0:16:14.400 --> 0:16:17.600
<v Speaker 3>Well, a long time, because just because you say you

0:16:17.640 --> 0:16:21.640
<v Speaker 3>want something to happen doesn't mean it will. By nineteen sixty,

0:16:21.800 --> 0:16:25.640
<v Speaker 3>Mario's family had grown to five kids and his job

0:16:25.760 --> 0:16:29.800
<v Speaker 3>was in danger because the FBI was investigating his unit

0:16:30.160 --> 0:16:34.600
<v Speaker 3>for helping young soldiers obade the draft. Mario was never charged,

0:16:34.800 --> 0:16:37.360
<v Speaker 3>but he ended up quitting his job and pursuing the

0:16:37.400 --> 0:16:41.760
<v Speaker 3>most unusual path for a writer who aspired to high art.

0:16:42.320 --> 0:16:44.440
<v Speaker 4>He decided to become a pulp fiction writer.

0:16:45.080 --> 0:16:48.760
<v Speaker 3>Exactly. It was a company called Magazine Management, and if

0:16:48.760 --> 0:16:51.640
<v Speaker 3>there was any man who was destined to write pulp fiction,

0:16:51.960 --> 0:16:55.160
<v Speaker 3>it was Mario Puzo. I was able to speak with

0:16:55.200 --> 0:16:58.680
<v Speaker 3>one of his colleagues, John Bowers, and he said Mario

0:16:58.880 --> 0:17:03.480
<v Speaker 3>was just able to use his research to invent whole worlds.

0:17:03.680 --> 0:17:09.560
<v Speaker 5>But Mario had definite energy at writing. He just could

0:17:09.680 --> 0:17:12.040
<v Speaker 5>write nobody's business.

0:17:12.840 --> 0:17:16.359
<v Speaker 3>So he walked into pulp fiction offices of magazine management.

0:17:16.800 --> 0:17:20.520
<v Speaker 3>It's a smoke field office. It's full of men and women,

0:17:21.080 --> 0:17:25.359
<v Speaker 3>city over, clattering typewriters pumping out copy for like this

0:17:25.600 --> 0:17:30.119
<v Speaker 3>never ending flood of trash magazines with names like Mail

0:17:30.320 --> 0:17:33.800
<v Speaker 3>and Stag and for men only. They were called magazines,

0:17:33.840 --> 0:17:37.439
<v Speaker 3>but they were really sort of rags. And soon Mario

0:17:37.560 --> 0:17:41.359
<v Speaker 3>Puza was pumping out salacious stories of brave gis, of

0:17:41.520 --> 0:17:43.000
<v Speaker 3>damsels in distress.

0:17:43.480 --> 0:17:45.880
<v Speaker 4>He even wrote a story that took place in Hawaii

0:17:45.920 --> 0:17:50.000
<v Speaker 4>where mobsters busted in a gambling parlor, right exactly.

0:17:50.160 --> 0:17:52.159
<v Speaker 3>Yeah, that was just one of the many stories. But

0:17:52.240 --> 0:17:53.960
<v Speaker 3>I think that was the first of all the ones

0:17:53.960 --> 0:17:58.280
<v Speaker 3>that I saw that really tackled some instance of the mafia.

0:17:58.320 --> 0:18:00.720
<v Speaker 4>And of course most of it was just dreamed up,

0:18:01.119 --> 0:18:03.440
<v Speaker 4>not most of it, All of it was dreamed up.

0:18:03.560 --> 0:18:05.720
<v Speaker 3>I mean, he said once that he would take a

0:18:05.760 --> 0:18:09.199
<v Speaker 3>real life battle where seven thousand people got killed and

0:18:09.240 --> 0:18:12.200
<v Speaker 3>turn it into a bloody battle where one hundred thousand died.

0:18:13.320 --> 0:18:14.480
<v Speaker 3>I wish you could.

0:18:14.640 --> 0:18:19.000
<v Speaker 5>Read some of those, imagine the stories. It was larger

0:18:19.080 --> 0:18:24.920
<v Speaker 5>than life. It didn't have to depend upon fact checking

0:18:25.040 --> 0:18:25.440
<v Speaker 5>at all.

0:18:26.280 --> 0:18:29.159
<v Speaker 3>He'd amp up the action no matter what, and that

0:18:29.240 --> 0:18:32.200
<v Speaker 3>became his trademark. He became one of the top pulp

0:18:32.240 --> 0:18:35.760
<v Speaker 3>fiction writers of all time. Before you know, he was

0:18:35.800 --> 0:18:38.280
<v Speaker 3>aspiring to high art, he was spending these time on

0:18:38.400 --> 0:18:40.840
<v Speaker 3>these novels that didn't make him any money. He had

0:18:41.080 --> 0:18:44.320
<v Speaker 3>enormous expenses, not only the bookies that he owed money to,

0:18:44.880 --> 0:18:47.359
<v Speaker 3>but also you know, he had a family of five kids.

0:18:47.359 --> 0:18:49.000
<v Speaker 3>He had to make a living. He had to bring

0:18:49.080 --> 0:18:52.520
<v Speaker 3>money home, and he owed money to the irs. He

0:18:52.600 --> 0:18:55.879
<v Speaker 3>owed money to his family, he owed money to the bookkeepers,

0:18:56.160 --> 0:18:59.439
<v Speaker 3>and he kept gambling, he kept eating, he kept living

0:18:59.480 --> 0:19:01.919
<v Speaker 3>this life that was just way beyond his means.

0:19:02.280 --> 0:19:04.480
<v Speaker 4>And as much as he aspired to high art, it

0:19:04.520 --> 0:19:07.480
<v Speaker 4>seems like he was almost destined to write pulp fiction.

0:19:07.600 --> 0:19:10.040
<v Speaker 4>I mean, after eight years doing it, he was pretty

0:19:10.080 --> 0:19:12.000
<v Speaker 4>much the most successful of any of them.

0:19:12.680 --> 0:19:15.720
<v Speaker 3>Well, yeah, but he was not making a huge amount

0:19:15.760 --> 0:19:16.240
<v Speaker 3>of money.

0:19:16.520 --> 0:19:19.639
<v Speaker 5>Yeah, I believe we got something like one hundred and

0:19:20.320 --> 0:19:23.520
<v Speaker 5>fifty dollars something like that for the week.

0:19:24.119 --> 0:19:27.000
<v Speaker 3>So he went back to his publisher and said, you know,

0:19:27.040 --> 0:19:30.399
<v Speaker 3>I'm ready for my third book, my third novel, and

0:19:30.440 --> 0:19:34.399
<v Speaker 3>his publisher said, forget about it, Mario. They weren't ready

0:19:34.440 --> 0:19:36.760
<v Speaker 3>to assign him a third book. And one of the

0:19:36.920 --> 0:19:42.160
<v Speaker 3>editors said, well, you know, if the Fortunate Pilgrim had

0:19:42.200 --> 0:19:44.959
<v Speaker 3>a little bit more of that mafia stuff in it,

0:19:45.040 --> 0:19:48.719
<v Speaker 3>maybe it would sell. And those words rang and Mario

0:19:48.880 --> 0:19:53.480
<v Speaker 3>Puzo's head a little bit more of that mafia stuff.

0:19:54.080 --> 0:19:56.879
<v Speaker 4>And that's when it all clicked for him. He remembered

0:19:56.880 --> 0:19:59.720
<v Speaker 4>how he had been engrossed by the Volacci hearings.

0:20:00.080 --> 0:20:01.920
<v Speaker 3>It's like a scene out of a movie. I mean,

0:20:01.960 --> 0:20:06.919
<v Speaker 3>here's this overweight, overwrought in debt writer. And he pays

0:20:07.000 --> 0:20:11.080
<v Speaker 3>ten bucks for the ten volume transcripts of the Kufaver hearings,

0:20:11.119 --> 0:20:14.640
<v Speaker 3>and he gets access to his friend Peter Mass's book

0:20:14.680 --> 0:20:17.560
<v Speaker 3>on the Bolacchi hearings, and he gets a lot of

0:20:17.600 --> 0:20:20.560
<v Speaker 3>other research, and he sits down in his basement and

0:20:20.640 --> 0:20:24.200
<v Speaker 3>he cranks out a ten page outline and he takes

0:20:24.240 --> 0:20:28.800
<v Speaker 3>it to his agent, the legendary Candido Dinadio, and she

0:20:29.000 --> 0:20:33.120
<v Speaker 3>sends it out to various publishers, and much to Mario's surprise,

0:20:33.320 --> 0:20:36.600
<v Speaker 3>one of them gives him five thousand dollars. And what

0:20:36.640 --> 0:20:39.879
<v Speaker 3>does he do? Of course, he spends the money. He

0:20:39.920 --> 0:20:44.919
<v Speaker 3>doesn't work on the book. God, seriously, Yes, he gambles.

0:20:44.960 --> 0:20:48.040
<v Speaker 3>He spends some money on his family, obviously, and soon

0:20:48.160 --> 0:20:49.919
<v Speaker 3>the money is all gone.

0:20:50.640 --> 0:20:52.440
<v Speaker 4>But the important thing is that he has a fire

0:20:52.560 --> 0:20:54.879
<v Speaker 4>lit under him and he has to deliver the book.

0:20:55.240 --> 0:20:58.720
<v Speaker 3>Not so fascinate than there's one place a struggling writer

0:20:58.880 --> 0:21:01.600
<v Speaker 3>can turn to for some fast cash.

0:21:01.840 --> 0:21:06.280
<v Speaker 4>This must be when he goes to Hollywood. Allegedly, Evan says,

0:21:06.359 --> 0:21:09.160
<v Speaker 4>Puzzo shows up at the gates of Paramount thirty five

0:21:09.240 --> 0:21:12.320
<v Speaker 4>pages under his arm, looking broke, and sells the option

0:21:12.400 --> 0:21:14.040
<v Speaker 4>of Paramount for twelve five.

0:21:14.240 --> 0:21:16.919
<v Speaker 3>And Mario claims he sold the option through his agent

0:21:17.000 --> 0:21:19.640
<v Speaker 3>and the story editor at Paramount, and then he never

0:21:19.720 --> 0:21:21.200
<v Speaker 3>even went to California.

0:21:21.720 --> 0:21:25.359
<v Speaker 4>Well, regardless of what happened, he sold the option to Paramount.

0:21:25.200 --> 0:21:28.800
<v Speaker 3>For big money for Mario too, twelve five hundred.

0:21:29.359 --> 0:21:31.040
<v Speaker 4>So now he writes the book.

0:21:31.160 --> 0:21:33.800
<v Speaker 3>Yes, he goes home. He walks down the stairs to

0:21:33.840 --> 0:21:36.800
<v Speaker 3>his basement, and there between the pool table and the

0:21:36.880 --> 0:21:41.160
<v Speaker 3>constant racket of his five kids. A mafia family rises

0:21:41.240 --> 0:21:44.880
<v Speaker 3>up from his typewriter, and what a family it is.

0:21:45.400 --> 0:21:49.240
<v Speaker 3>He gets the name from a town in Sicily, one

0:21:49.240 --> 0:21:53.919
<v Speaker 3>of the most mafia invested towns in the country, Corleone.

0:21:54.600 --> 0:21:58.800
<v Speaker 3>There's Don Vito Corleone, the godfather. There's the eldest son

0:21:58.840 --> 0:22:03.720
<v Speaker 3>and heir apparent, Santino, known as Sonny. There's the middle son,

0:22:04.000 --> 0:22:09.320
<v Speaker 3>the poorest, suffering, subservient, Fredo. And there's the youngest, the future,

0:22:09.440 --> 0:22:13.040
<v Speaker 3>the college boy who chose to enlist in the military

0:22:13.520 --> 0:22:18.119
<v Speaker 3>instead of the mafia. Michael Mario, of course, claimed he

0:22:18.160 --> 0:22:21.040
<v Speaker 3>had never met an honest to goodness gangster, but he

0:22:21.080 --> 0:22:24.240
<v Speaker 3>looked for inspiration wherever he could. One story I just

0:22:24.320 --> 0:22:26.239
<v Speaker 3>loved from when he was writing the book was that

0:22:26.280 --> 0:22:30.159
<v Speaker 3>one night in nineteen sixty six, the author Gaytalise and

0:22:30.240 --> 0:22:33.360
<v Speaker 3>his wife Nan invited Mario to dinner at the home

0:22:33.400 --> 0:22:38.080
<v Speaker 3>of Talisea's aunt, Susan Peleggi. And Susan Pelegi, of course,

0:22:38.160 --> 0:22:42.400
<v Speaker 3>is the mother of the also famous writer Nick Poleggi,

0:22:42.480 --> 0:22:45.200
<v Speaker 3>who had gone to write the novel Wise.

0:22:44.880 --> 0:22:48.320
<v Speaker 4>Guy, which was the foundation for Goodfellas.

0:22:47.880 --> 0:22:53.240
<v Speaker 3>Exactly, and Gaytalse had written the organized crime classic Honor

0:22:53.320 --> 0:22:56.800
<v Speaker 3>Thy Father, and so here's a newcomer to the realm,

0:22:56.800 --> 0:23:00.919
<v Speaker 3>Mario Puzzo, the author of the Fourthcoming Godfather the same table.

0:23:01.359 --> 0:23:04.200
<v Speaker 3>So he takes one look at Nantelice, who'd grown up

0:23:04.200 --> 0:23:06.480
<v Speaker 3>on the you know, up pretty side, who was from

0:23:06.520 --> 0:23:10.800
<v Speaker 3>a different world, very genteel educated, and he immediately found

0:23:11.000 --> 0:23:14.000
<v Speaker 3>a model for the wife of Michael Corleone.

0:23:14.400 --> 0:23:14.600
<v Speaker 5>Kay.

0:23:15.400 --> 0:23:19.240
<v Speaker 4>So he was really pulling from all around him for inspiration.

0:23:19.840 --> 0:23:22.240
<v Speaker 3>That was the brilliance of Mario Puzo that he would

0:23:22.280 --> 0:23:27.040
<v Speaker 3>find inspiration in unlikely places. So another thing I was

0:23:27.080 --> 0:23:30.680
<v Speaker 3>able to discover is that Mario, being Mario and loving

0:23:30.760 --> 0:23:33.640
<v Speaker 3>Las Vegas more than any other place on Earth, probably

0:23:33.960 --> 0:23:37.520
<v Speaker 3>would go to Las Vegas regularly and gamble at, among

0:23:37.600 --> 0:23:40.760
<v Speaker 3>other places, the Sands Hotel. And I was able to

0:23:40.800 --> 0:23:43.960
<v Speaker 3>interview ed Walters, who worked as a pit boss at

0:23:44.000 --> 0:23:49.879
<v Speaker 3>the Sands. Tell me when you first saw Mario Puzzoo.

0:23:48.920 --> 0:23:50.960
<v Speaker 5>Came to Vegas. He has to play and he has

0:23:51.320 --> 0:23:52.200
<v Speaker 5>Vegas ARONI.

0:23:52.960 --> 0:23:56.320
<v Speaker 3>He was a relint being he played a Roulin and

0:23:56.440 --> 0:23:59.800
<v Speaker 3>he said that Mario would come in and gamble and

0:24:00.080 --> 0:24:04.160
<v Speaker 3>the same time asked questions for his forthcoming book about the.

0:24:04.080 --> 0:24:08.040
<v Speaker 6>Mob he was a little pudgy guy, and I met him.

0:24:08.040 --> 0:24:10.360
<v Speaker 6>So he was talking to this dealer on the roulette wheels,

0:24:10.480 --> 0:24:12.280
<v Speaker 6>and I was on the wheels at that time, and

0:24:12.320 --> 0:24:14.560
<v Speaker 6>I understanding, I'd listen to I'd answer question with all

0:24:14.640 --> 0:24:16.639
<v Speaker 6>he'd asked questions about.

0:24:16.400 --> 0:24:23.879
<v Speaker 5>Sinatra and a mob and honey and because of me.

0:24:24.000 --> 0:24:26.480
<v Speaker 6>Then I opened up about because he had things wrong,

0:24:26.520 --> 0:24:27.720
<v Speaker 6>and I said, oh no, you got.

0:24:27.560 --> 0:24:30.320
<v Speaker 5>To mix up. The mob and the mafia are not

0:24:30.440 --> 0:24:30.920
<v Speaker 5>the same thing.

0:24:30.960 --> 0:24:35.719
<v Speaker 6>He got the mafia all Italians, the old blood guys

0:24:36.040 --> 0:24:38.399
<v Speaker 6>from a certain place of thing or the momb a difference,

0:24:39.480 --> 0:24:40.280
<v Speaker 6>and then I trained them.

0:24:40.320 --> 0:24:42.520
<v Speaker 5>They outfit all his terms.

0:24:43.480 --> 0:24:46.560
<v Speaker 3>And of course Ed Walters, who knew a bit about

0:24:46.600 --> 0:24:49.399
<v Speaker 3>the mob because he had come from New York City

0:24:49.480 --> 0:24:52.160
<v Speaker 3>where he had known a lot of people that were,

0:24:52.280 --> 0:24:55.959
<v Speaker 3>let's say, somehow connected, told Mario a bit, you know,

0:24:56.119 --> 0:24:59.359
<v Speaker 3>to keep him gambling there. And Mario would ask questions

0:24:59.359 --> 0:25:02.400
<v Speaker 3>about who who and what was what? And as long

0:25:02.440 --> 0:25:05.240
<v Speaker 3>as he kept gambling, Ed Walters kept talking.

0:25:05.760 --> 0:25:07.680
<v Speaker 5>Was he taking notes and everything while you were telling

0:25:07.720 --> 0:25:09.960
<v Speaker 5>him this? No, he didn't have first, but then he

0:25:10.040 --> 0:25:10.520
<v Speaker 5>started to.

0:25:11.440 --> 0:25:14.440
<v Speaker 3>And pretty soon Mario had an insight into the Vegas

0:25:14.480 --> 0:25:18.080
<v Speaker 3>aspect of the mob, which figured into the Godfather quite

0:25:18.119 --> 0:25:18.400
<v Speaker 3>a bit.

0:25:19.000 --> 0:25:22.479
<v Speaker 6>He'd say, so, Eddie, tell me how keep this Saunder

0:25:22.560 --> 0:25:24.440
<v Speaker 6>in the mob? And I said, haul it all it hold,

0:25:26.280 --> 0:25:28.240
<v Speaker 6>I said, Sanra ain't in the bob.

0:25:28.600 --> 0:25:30.280
<v Speaker 5>He said, guys told me in the mom I said,

0:25:30.320 --> 0:25:32.919
<v Speaker 5>out of shit, I SAIDs ran in the mob. He

0:25:33.000 --> 0:25:37.320
<v Speaker 5>worked for us, he said, fucking entertainer. And he thought, wow,

0:25:37.400 --> 0:25:40.480
<v Speaker 5>that's interesting. So Mario would be playing while he's talking

0:25:40.480 --> 0:25:43.719
<v Speaker 5>to him. Yeah, yeah, all the time. Oh, he couldn't

0:25:43.720 --> 0:25:45.000
<v Speaker 5>never just sit there and take notes.

0:25:45.040 --> 0:25:47.880
<v Speaker 6>No, why they were Oh we weret a fucking guy

0:25:47.920 --> 0:25:49.520
<v Speaker 6>sitting in a n because he don't take a notes?

0:25:49.880 --> 0:25:52.160
<v Speaker 5>So you let him do it because he was playing, Yes,

0:25:52.400 --> 0:25:55.760
<v Speaker 5>because he's playing. Oh so that was good for you,

0:25:56.119 --> 0:25:59.399
<v Speaker 5>they're yeah, of course I told some people I was

0:25:59.400 --> 0:26:07.600
<v Speaker 5>writing a book from shit on the fine the guy

0:26:07.720 --> 0:26:10.280
<v Speaker 5>that was sitting there takeing. What should we come down to?

0:26:11.040 --> 0:26:12.760
<v Speaker 5>What do you write a book? Ye? Get the front?

0:26:12.760 --> 0:26:17.959
<v Speaker 4>Are So do you think Mario knew he had to

0:26:18.000 --> 0:26:20.760
<v Speaker 4>do something different here? I mean you mentioned his daughter

0:26:20.800 --> 0:26:23.080
<v Speaker 4>Dorothy saying that he couldn't have known this book would

0:26:23.080 --> 0:26:24.040
<v Speaker 4>be a success.

0:26:24.400 --> 0:26:26.359
<v Speaker 3>No, of course, he didn't think it was going to

0:26:26.400 --> 0:26:29.000
<v Speaker 3>be a great success. While he was writing, he was

0:26:29.040 --> 0:26:31.679
<v Speaker 3>writing as he always did, he liked to say, for

0:26:31.800 --> 0:26:34.720
<v Speaker 3>a paycheck. But at the same time he had decided

0:26:34.720 --> 0:26:37.879
<v Speaker 3>to give up on high art and those aspirations to

0:26:37.960 --> 0:26:41.359
<v Speaker 3>be a Doustoyevski or something like that, you know, to

0:26:41.400 --> 0:26:45.400
<v Speaker 3>be a fine art writer. He was writing a sensational

0:26:45.480 --> 0:26:49.840
<v Speaker 3>story about a sensational family in a sensational world, and

0:26:49.880 --> 0:26:53.200
<v Speaker 3>he had no aspirations of writing high art. He wanted

0:26:53.240 --> 0:26:56.000
<v Speaker 3>to turn this book into bucks. He wanted to make

0:26:56.080 --> 0:26:57.160
<v Speaker 3>money on the god bother.

0:26:57.600 --> 0:27:00.359
<v Speaker 4>Funnily enough, with his back against the wall, he ends

0:27:00.440 --> 0:27:03.080
<v Speaker 4>up turning out the most dust of skiesque of all

0:27:03.119 --> 0:27:04.120
<v Speaker 4>of his novels.

0:27:04.480 --> 0:27:09.160
<v Speaker 3>Yeah, I know it. It became something of a masterpiece.

0:27:09.200 --> 0:27:12.160
<v Speaker 3>I mean, I wouldn't say it was, you know, incredible literature,

0:27:12.560 --> 0:27:14.679
<v Speaker 3>but at the same time it was a page turner,

0:27:14.760 --> 0:27:18.679
<v Speaker 3>a pot boiler. It had all the attributes of Valley

0:27:18.720 --> 0:27:20.840
<v Speaker 3>of the Dolls or something like that. But said in

0:27:20.960 --> 0:27:25.240
<v Speaker 3>the world of organized crime, I don't think he expected

0:27:25.240 --> 0:27:28.080
<v Speaker 3>it to do what it did. Though still I think

0:27:28.119 --> 0:27:29.840
<v Speaker 3>he thought he was going to, you know, write a

0:27:29.880 --> 0:27:33.159
<v Speaker 3>book for money, get his five thousand dollars advance and

0:27:33.240 --> 0:27:36.360
<v Speaker 3>maybe some royalties, pay off some debts, and then get

0:27:36.359 --> 0:27:39.959
<v Speaker 3>onto the next project. Instead, it took the world by storm.

0:27:40.600 --> 0:27:42.520
<v Speaker 4>Well, and when he was down in that basement and

0:27:42.600 --> 0:27:45.679
<v Speaker 4>the kids were screaming, he would shout, quiet, don't you

0:27:45.680 --> 0:27:47.160
<v Speaker 4>know I'm writing a bestseller here?

0:27:47.440 --> 0:27:49.800
<v Speaker 3>Yeah? But I think that was a joke. You know,

0:27:50.280 --> 0:27:53.000
<v Speaker 3>the kids would laugh, he would laugh. I think he

0:27:53.040 --> 0:27:55.840
<v Speaker 3>had no idea that he was writing a bestseller, And

0:27:55.920 --> 0:27:58.960
<v Speaker 3>I don't think he ever dreamed The Godfather would become

0:27:59.520 --> 0:28:03.840
<v Speaker 3>a national bestseller and a model for possibly the greatest

0:28:03.880 --> 0:28:05.160
<v Speaker 3>movie of all time.

0:28:05.960 --> 0:28:09.520
<v Speaker 4>When he does eventually finish the book, what happens?

0:28:10.480 --> 0:28:14.560
<v Speaker 3>So he leaves the pages with his agent, Candido di Nadio,

0:28:15.280 --> 0:28:19.040
<v Speaker 3>and in true Mario Puzo's fashion, he takes his money,

0:28:19.560 --> 0:28:22.679
<v Speaker 3>He takes his family, and he flies off to Europe

0:28:23.000 --> 0:28:27.280
<v Speaker 3>for a big vacation with lots of food and gambling.

0:28:27.520 --> 0:28:28.720
<v Speaker 4>But isn't he still broke?

0:28:29.280 --> 0:28:32.119
<v Speaker 3>He's broken than he ever has been. He doesn't have

0:28:32.200 --> 0:28:35.200
<v Speaker 3>the money to go to Europe. He finances the trip

0:28:35.240 --> 0:28:38.440
<v Speaker 3>by getting cash advances on his credit card. He and

0:28:38.480 --> 0:28:41.120
<v Speaker 3>his family have a great time, but when he returns

0:28:41.160 --> 0:28:44.440
<v Speaker 3>home he's eight grand in debt. Can you imagine eight

0:28:44.480 --> 0:28:47.600
<v Speaker 3>grand back then is a fortune. He goes straight to

0:28:47.680 --> 0:28:50.400
<v Speaker 3>his agent's office and hopes that she can, as he

0:28:50.440 --> 0:28:53.600
<v Speaker 3>would later write, pull a slick magazine assignment out of

0:28:53.640 --> 0:28:58.080
<v Speaker 3>her sleeve and bail him out. Instead, she informs him

0:28:58.160 --> 0:29:03.160
<v Speaker 3>that Putnam, his publisher, has offered money for the paperback

0:29:03.240 --> 0:29:07.400
<v Speaker 3>rights to the Godfather. And Mario goes how much? And

0:29:07.480 --> 0:29:14.160
<v Speaker 3>she goes three hundred and seventy five thousand dollars. Wow.

0:29:14.360 --> 0:29:16.960
<v Speaker 4>Even now, that's a really good offer. So does he

0:29:17.040 --> 0:29:17.440
<v Speaker 4>take it?

0:29:17.760 --> 0:29:20.400
<v Speaker 3>Well, he doesn't believe it. He says, this must be

0:29:20.480 --> 0:29:24.160
<v Speaker 3>some kind of Madison Avenue. Come on. He thinks they're joking.

0:29:24.720 --> 0:29:27.160
<v Speaker 3>After all, the biggest advance up to that point for

0:29:27.240 --> 0:29:31.880
<v Speaker 3>paperback rights had been four hundred thousand. So Candida Denaudio,

0:29:32.080 --> 0:29:35.360
<v Speaker 3>his agent, picks up the bone, calls his editor at Putlam,

0:29:35.520 --> 0:29:38.800
<v Speaker 3>Bill targ and the editor says the amount is not correct.

0:29:39.320 --> 0:29:43.480
<v Speaker 3>The offer had already gone up to four hundred thousand.

0:29:43.720 --> 0:29:44.080
<v Speaker 4>Wow.

0:29:44.960 --> 0:29:47.880
<v Speaker 3>And when the dust had settled and the deal was done,

0:29:48.120 --> 0:29:51.800
<v Speaker 3>Mario Puzo had sold the paperback rights to the Godfather

0:29:52.200 --> 0:29:57.400
<v Speaker 3>for four hundred and ten thousand dollars, setting a new record.

0:29:57.920 --> 0:30:00.200
<v Speaker 4>Does he get that all? At once, of course.

0:30:00.120 --> 0:30:03.719
<v Speaker 3>Coruse not. They give him one hundred thousand dollars and

0:30:03.800 --> 0:30:05.920
<v Speaker 3>he takes it to the bank where he said the

0:30:06.040 --> 0:30:08.840
<v Speaker 3>teller had always, you know, looked at him in a

0:30:08.920 --> 0:30:11.800
<v Speaker 3>skance when he needed money or you know, cash his

0:30:11.880 --> 0:30:15.880
<v Speaker 3>little checks, and he showed him one hundred thousand dollars

0:30:15.960 --> 0:30:18.880
<v Speaker 3>just to watch him grovel. He said. He quit his

0:30:19.000 --> 0:30:22.840
<v Speaker 3>job at magazine management, and he went home and promptly

0:30:22.880 --> 0:30:25.920
<v Speaker 3>spent the one hundred thousand. And he was back at

0:30:25.920 --> 0:30:29.080
<v Speaker 3>his publishers a few months later saying, could you give

0:30:29.120 --> 0:30:31.880
<v Speaker 3>me another hundred And they said, Mario, we just gave

0:30:31.920 --> 0:30:34.360
<v Speaker 3>you a hundred thousand, and he said, one hundred grand

0:30:34.360 --> 0:30:35.840
<v Speaker 3>doesn't last forever.

0:30:36.240 --> 0:30:39.680
<v Speaker 4>Well, broke or not. The Godfather was published on March tenth,

0:30:39.840 --> 0:30:42.240
<v Speaker 4>nineteen sixty nine, and it shot to the top of

0:30:42.280 --> 0:30:43.200
<v Speaker 4>the best seller list.

0:30:43.680 --> 0:30:46.320
<v Speaker 3>Absolutely, it was an instant success.

0:30:46.720 --> 0:30:48.840
<v Speaker 4>But Puzo is sort of the most critical about the

0:30:48.920 --> 0:30:51.959
<v Speaker 4>lack of artistic merit and The Godfather it's not as

0:30:52.000 --> 0:30:54.760
<v Speaker 4>good as the preceding two novels. He said, I wrote

0:30:54.800 --> 0:30:55.640
<v Speaker 4>it to make money.

0:30:56.160 --> 0:30:58.360
<v Speaker 3>Yeah, Puso said, if he knew it was going to

0:30:58.400 --> 0:31:00.880
<v Speaker 3>be such a hit, he would have written a lot better,

0:31:01.680 --> 0:31:05.720
<v Speaker 3>But The Godfather was a sensation. The reviews were ecstatic.

0:31:06.160 --> 0:31:09.120
<v Speaker 3>Even the New York Times gave it a rave pozo.

0:31:09.320 --> 0:31:14.680
<v Speaker 3>All of a sudden, this nobody writer begins living very large.

0:31:15.440 --> 0:31:18.160
<v Speaker 3>He's a superstar on his way to becoming one of

0:31:18.160 --> 0:31:20.800
<v Speaker 3>the best selling writers in the world. He's on the

0:31:20.840 --> 0:31:24.520
<v Speaker 3>Today Show, he's being courted in restaurants. All of a sudden,

0:31:24.640 --> 0:31:28.280
<v Speaker 3>Champagne would appear at his table from a certain interested

0:31:28.360 --> 0:31:31.920
<v Speaker 3>party across the room, which were made men who felt

0:31:31.960 --> 0:31:35.080
<v Speaker 3>sure that he would have some kind of insight information,

0:31:35.280 --> 0:31:38.960
<v Speaker 3>or maybe he was a man himself. He became a superstar.

0:31:39.400 --> 0:31:42.360
<v Speaker 3>The book spent sixty seven weeks on the bestseller list.

0:31:43.000 --> 0:31:45.720
<v Speaker 4>Miraculously, his vow in the gutter to become rich and

0:31:45.760 --> 0:31:47.400
<v Speaker 4>famous had suddenly become true.

0:31:47.760 --> 0:31:50.240
<v Speaker 3>And in Hollywood too. All of a sudden, Bob Evans

0:31:50.320 --> 0:31:53.120
<v Speaker 3>remembered the dead broke writer who appeared in his office

0:31:53.120 --> 0:31:55.200
<v Speaker 3>with those thirty five pages under his arm.

0:31:56.200 --> 0:31:59.280
<v Speaker 6>And the book came out and it became the biggest

0:31:59.280 --> 0:31:59.800
<v Speaker 6>book of the day.

0:32:00.720 --> 0:32:04.240
<v Speaker 3>The only problem the distribution department at Paramount didn't want

0:32:04.240 --> 0:32:05.160
<v Speaker 3>to make the movie.

0:32:05.680 --> 0:32:07.640
<v Speaker 2>Nobody wanted to make it. As a matter of fact,

0:32:07.720 --> 0:32:10.080
<v Speaker 2>Paramount refused to make it for a while.

0:32:10.720 --> 0:32:13.280
<v Speaker 5>They said, mafia films don't sell.

0:32:13.320 --> 0:32:16.480
<v Speaker 3>We did the cover two years ago failed, so you're

0:32:16.520 --> 0:32:20.720
<v Speaker 3>going to make this. Apparently, the studio told Evans that

0:32:20.840 --> 0:32:22.960
<v Speaker 3>the only way it could be made was if he

0:32:23.000 --> 0:32:26.680
<v Speaker 3>could do it for under two million dollars. So Evans

0:32:26.720 --> 0:32:29.600
<v Speaker 3>turned to a producer at Paramount who is known for

0:32:29.640 --> 0:32:33.360
<v Speaker 3>getting stuff made on the cheap. The soon to be

0:32:33.520 --> 0:32:38.160
<v Speaker 3>legendary Already, I get a call worker. Do I want

0:32:38.240 --> 0:32:40.760
<v Speaker 3>to produce The Guard Father? I got of the Joe? Yeah,

0:32:40.840 --> 0:32:43.520
<v Speaker 3>of course, that was my favorite book. I never read it.

0:32:43.720 --> 0:32:45.960
<v Speaker 3>He'd went happy in New York, could be Jolie Budor.

0:32:46.200 --> 0:32:47.840
<v Speaker 3>So I go to New York. I read the book

0:32:47.880 --> 0:33:01.840
<v Speaker 3>on the Plane that Fell a Low, Leave the Gun,

0:33:01.920 --> 0:33:06.760
<v Speaker 3>Take the Canoli. As a production of Airmail and iHeartMedia.

0:33:06.240 --> 0:33:08.600
<v Speaker 4>The podcast is based on the book of the same name,

0:33:08.680 --> 0:33:10.800
<v Speaker 4>written by our very own Mark Seal.

0:33:11.200 --> 0:33:12.920
<v Speaker 3>Our producer is Tina Mullen.

0:33:13.360 --> 0:33:15.520
<v Speaker 4>Research assistance by Jack Sullivan.

0:33:15.960 --> 0:33:18.720
<v Speaker 3>Jonathan Dressler was our development producer.

0:33:19.320 --> 0:33:23.479
<v Speaker 4>Our music supervisor is Randall Poster. Our executive producers are

0:33:23.560 --> 0:33:27.920
<v Speaker 4>Meet Nathan King, Mark Sieal, Doan Fagan, and Graydon Carter.

0:33:28.600 --> 0:33:33.200
<v Speaker 3>Special thanks to Bridget Arseno and everyone at CDM Studios.

0:33:33.840 --> 0:33:37.240
<v Speaker 4>A comprehensive list of sources and acknowledgments can be found

0:33:37.240 --> 0:33:40.360
<v Speaker 4>in Mark Seal's book Leave the Gun, Take the Canoli,

0:33:40.800 --> 0:33:44.240
<v Speaker 4>published by Gallery Books. An imprint of Simon and Schuster