1 00:00:05,200 --> 00:00:08,320 Speaker 1: Hey, this is Annie and Samantha and welcome to Stephan 2 00:00:08,400 --> 00:00:20,040 Speaker 1: Ever told your protection of I Heeart Radio. So for 3 00:00:20,120 --> 00:00:23,639 Speaker 1: today's question, I'm going to do it in spirit of 4 00:00:23,680 --> 00:00:30,680 Speaker 1: this episode. What what movie? What children's movie do you 5 00:00:30,720 --> 00:00:34,240 Speaker 1: think scared you the most? It was meant for kids? 6 00:00:35,120 --> 00:00:38,440 Speaker 1: What was terrifying? It wasn't meant for kids? Yeah, so 7 00:00:38,560 --> 00:00:43,840 Speaker 1: I have a few because I definitely had a giant 8 00:00:43,880 --> 00:00:47,640 Speaker 1: imagination of things coming to get me in like insignificant 9 00:00:47,640 --> 00:00:49,800 Speaker 1: things that shouldn't have been a big deal. And I 10 00:00:49,880 --> 00:00:52,559 Speaker 1: was like, oh, hell no, Um, we're gonna be talking 11 00:00:52,600 --> 00:00:55,240 Speaker 1: about one of the movies specifically for sure, so I'll 12 00:00:55,320 --> 00:01:00,120 Speaker 1: leave that one. Yeah, for surprise. It was really the 13 00:01:00,200 --> 00:01:04,240 Speaker 1: title or somewhere, but actually I wasn't a kid and 14 00:01:04,240 --> 00:01:06,800 Speaker 1: it came on later, but it freaked me out. Was 15 00:01:06,920 --> 00:01:14,800 Speaker 1: the Ernest Saves holloway yea, those snotty trolls. I was 16 00:01:14,840 --> 00:01:16,080 Speaker 1: thinking about this the other day. I was like, what 17 00:01:16,160 --> 00:01:19,679 Speaker 1: other movies really freaked me out? And that was one 18 00:01:19,680 --> 00:01:25,080 Speaker 1: of them, and I was like why, why, why did 19 00:01:25,120 --> 00:01:26,920 Speaker 1: that have to happen? And for for me, like I 20 00:01:26,959 --> 00:01:30,279 Speaker 1: actually watched a lot of really bad nineties eighties horror 21 00:01:30,280 --> 00:01:32,440 Speaker 1: movies growing up and so I think I was in 22 00:01:32,520 --> 00:01:34,640 Speaker 1: my teens preteens. We were doing that. We were being 23 00:01:34,640 --> 00:01:37,199 Speaker 1: rebellious and watching like House of Wax and that stuff 24 00:01:37,200 --> 00:01:39,600 Speaker 1: really scared me. But those were were supposed to be scary, 25 00:01:39,680 --> 00:01:42,319 Speaker 1: and even though you know, earn a scary stupid was 26 00:01:42,360 --> 00:01:45,280 Speaker 1: supposed to be kind of scary, it would really freaked 27 00:01:45,280 --> 00:01:49,920 Speaker 1: me out. Yeah. I can't really remember much about that movie, 28 00:01:49,920 --> 00:01:53,240 Speaker 1: but I do remember being unsettled by it, So I 29 00:01:53,280 --> 00:01:56,360 Speaker 1: don't think you're alone. Yeah. Look, they turned into treat people, 30 00:01:56,360 --> 00:01:59,920 Speaker 1: they turned into like, yeah, carvings of themselves. It was weird. 31 00:02:00,160 --> 00:02:04,640 Speaker 1: So what about you? Yes, uh, well, I've probably mentioned 32 00:02:04,640 --> 00:02:07,320 Speaker 1: it before, but I have an entire list of what 33 00:02:07,360 --> 00:02:10,200 Speaker 1: I called terrifying children's movies, and there's like twenty movies 34 00:02:10,240 --> 00:02:12,400 Speaker 1: on there. And I was an interesting kid in that. 35 00:02:12,560 --> 00:02:16,240 Speaker 1: Like I watched Nightmare on Elm Street, I don't know, 36 00:02:16,320 --> 00:02:21,840 Speaker 1: for nothing, no fear, but like, the one that scared 37 00:02:21,880 --> 00:02:25,160 Speaker 1: me the most was a little Nemo Adventures in Slummerland. 38 00:02:25,720 --> 00:02:29,640 Speaker 1: What is that? I don't know. It's a like comic, 39 00:02:29,720 --> 00:02:34,799 Speaker 1: I think, um, but it scared me so badly I 40 00:02:34,880 --> 00:02:37,920 Speaker 1: asked my dad to remove it from the house like 41 00:02:38,160 --> 00:02:41,160 Speaker 1: I would not have it, and so he like took 42 00:02:41,200 --> 00:02:44,640 Speaker 1: it out and donated it. And I haven't seen it since, 43 00:02:44,680 --> 00:02:46,680 Speaker 1: but sometimes when I bring it up, people do you remember, 44 00:02:46,720 --> 00:02:49,840 Speaker 1: and they remember it being very scary as a kid, 45 00:02:50,960 --> 00:02:53,280 Speaker 1: and I definitely also on there is the secretive name 46 00:02:53,360 --> 00:02:59,800 Speaker 1: that terrified me. H, Legend. I haven't seen Legend, but 47 00:03:00,240 --> 00:03:02,160 Speaker 1: it's and it's on. I was on Primary King and 48 00:03:02,160 --> 00:03:06,040 Speaker 1: I'm like, maybe it's time has brought up Legend too. Yeah, 49 00:03:06,120 --> 00:03:07,520 Speaker 1: I think you know I have talked about this before 50 00:03:07,560 --> 00:03:11,640 Speaker 1: because Tim Curry as Satan the Devil one of the 51 00:03:11,760 --> 00:03:15,560 Speaker 1: scariest scenes. I remember, like I'm still like in his voice, 52 00:03:15,880 --> 00:03:19,320 Speaker 1: deep and growling at you and you just knew like 53 00:03:19,360 --> 00:03:21,320 Speaker 1: you were going to get eaten up. And of course 54 00:03:21,320 --> 00:03:23,040 Speaker 1: it was Tom Cruise's first movie. I think we've talked 55 00:03:23,080 --> 00:03:24,960 Speaker 1: about it on our show before. I think it was 56 00:03:25,000 --> 00:03:27,840 Speaker 1: candless and it was really baffling as a child and 57 00:03:28,000 --> 00:03:29,880 Speaker 1: kind of like embarrassing to watch. I'm like, why is 58 00:03:29,880 --> 00:03:34,800 Speaker 1: he handless? Well, yeah, that is very baffling. But speaking 59 00:03:34,800 --> 00:03:36,800 Speaker 1: of Tim Curry, I actually recently we watched one on 60 00:03:36,840 --> 00:03:39,520 Speaker 1: the list freen Guly, which is not it does not 61 00:03:39,640 --> 00:03:43,080 Speaker 1: hold up, but I can see why it scared me, 62 00:03:43,120 --> 00:03:44,640 Speaker 1: and Tim Curry as a musical number in it, so 63 00:03:44,680 --> 00:03:48,640 Speaker 1: it's worth watching. But and a Dark Crystal, Oh my god. 64 00:03:49,000 --> 00:03:51,880 Speaker 1: The Wizard of Us too, Yeah, not the first one, 65 00:03:52,120 --> 00:03:55,000 Speaker 1: the second one. I didn't know there was a too. 66 00:03:55,280 --> 00:03:57,800 Speaker 1: Not gonna lie. Oh oh, it's all about depression. It's 67 00:03:57,840 --> 00:04:01,720 Speaker 1: so upsetting. Oh, like they don't believe that she went 68 00:04:01,800 --> 00:04:05,880 Speaker 1: to OZ. So she goes through like a lecture, shock therapy. 69 00:04:06,240 --> 00:04:16,120 Speaker 1: It's awful. Yeah, intense. Yeah, Rockadoodle. That one doesn't hold 70 00:04:16,200 --> 00:04:20,560 Speaker 1: up either, but it scared me. Yeah, Once a fun 71 00:04:20,560 --> 00:04:23,520 Speaker 1: a Forest. All of these are pollution based children's movies. Yeah, 72 00:04:23,520 --> 00:04:25,320 Speaker 1: we are you scared that the world was going to end? 73 00:04:26,080 --> 00:04:28,360 Speaker 1: I did. I actually was really worried about that, and 74 00:04:28,400 --> 00:04:31,160 Speaker 1: I had a whole list. When I was nine years old, 75 00:04:31,160 --> 00:04:32,760 Speaker 1: I wrote my bucket list, and most of it was like, 76 00:04:32,960 --> 00:04:34,560 Speaker 1: if you read it now, it reads as though I 77 00:04:34,600 --> 00:04:36,240 Speaker 1: thought the world was going to end it in any 78 00:04:36,279 --> 00:04:44,880 Speaker 1: moment um. So I guess, well, we are talking about 79 00:04:44,920 --> 00:04:47,760 Speaker 1: one movie that did scare a lot of children, because 80 00:04:47,760 --> 00:04:50,800 Speaker 1: we're examining two movies today because it's coming up in 81 00:04:50,839 --> 00:04:53,359 Speaker 1: my favorite season, which is Halloween. My favorite well, I 82 00:04:53,360 --> 00:04:55,719 Speaker 1: call it a season you do call it a season 83 00:04:56,040 --> 00:04:58,240 Speaker 1: like us what it was? Two weeks ago you sent 84 00:04:58,360 --> 00:05:00,919 Speaker 1: me an email saying, okay, this time, what are we 85 00:05:00,920 --> 00:05:03,000 Speaker 1: gonna do for the Halloween specials? What horor movies are 86 00:05:03,040 --> 00:05:05,920 Speaker 1: we gonna do? Like, let's get a whole months worth 87 00:05:06,000 --> 00:05:09,480 Speaker 1: the plan? Well, Paul is my favorite season and Halloween 88 00:05:09,520 --> 00:05:11,960 Speaker 1: is my favorite holiday. Uh, And we talked about which 89 00:05:12,000 --> 00:05:13,760 Speaker 1: is all the time. Will take any opportunity to talk 90 00:05:13,760 --> 00:05:17,520 Speaker 1: about which is. So today we're doing two movies that 91 00:05:17,600 --> 00:05:20,800 Speaker 1: I would argue our children's movies but definitely scared a 92 00:05:20,800 --> 00:05:24,560 Speaker 1: lot of people and are enjoyed by adults, hocus Pocus 93 00:05:24,600 --> 00:05:27,279 Speaker 1: and The Witches. And then we're gonna have a conversation 94 00:05:27,360 --> 00:05:31,560 Speaker 1: on depiction of which is in children's movies in general. Now, 95 00:05:31,600 --> 00:05:33,479 Speaker 1: hocus Pocus didn't scare me. I know I've mentioned it 96 00:05:33,480 --> 00:05:36,080 Speaker 1: on this show before, but I rented it from a 97 00:05:36,120 --> 00:05:40,400 Speaker 1: Blockbuster so much as a kid that the guy I 98 00:05:40,800 --> 00:05:43,000 Speaker 1: remember his face, he was like, you know what, you 99 00:05:43,040 --> 00:05:47,040 Speaker 1: can just have it? Because I kept renting it and 100 00:05:47,120 --> 00:05:50,880 Speaker 1: my parents refused. They're like, no, she can't, she cannot. 101 00:05:51,040 --> 00:05:53,960 Speaker 1: How dare you don't you hand this to you? And 102 00:05:54,000 --> 00:05:55,960 Speaker 1: my grandparents offered to buy it for me, and they 103 00:05:56,000 --> 00:05:58,400 Speaker 1: also said no, don't give it to her, But behind 104 00:05:58,480 --> 00:06:01,680 Speaker 1: their backs, I I saved up my money and I 105 00:06:01,720 --> 00:06:04,080 Speaker 1: bought it from the blockbuster guy a really cheat price. 106 00:06:04,120 --> 00:06:05,479 Speaker 1: I think he sold it to me for like two 107 00:06:05,480 --> 00:06:09,599 Speaker 1: dollars um. And then I watched it so much my 108 00:06:09,680 --> 00:06:13,279 Speaker 1: parents banned from the house and I did not rewatch it. 109 00:06:13,320 --> 00:06:15,919 Speaker 1: So this was probably like eight to nine. I didn't 110 00:06:15,960 --> 00:06:19,719 Speaker 1: really watch it again until college. It's a good movie. 111 00:06:19,760 --> 00:06:22,440 Speaker 1: It's a good like. I loved it, and I love 112 00:06:22,520 --> 00:06:25,520 Speaker 1: Bette Midler. You know this. Everything she does to me 113 00:06:25,680 --> 00:06:27,800 Speaker 1: is just how our house movie. It doesn't matter what 114 00:06:28,000 --> 00:06:31,440 Speaker 1: it is, like, I grew up watching her. She did 115 00:06:31,480 --> 00:06:34,000 Speaker 1: one where she was twins with another one it was 116 00:06:34,279 --> 00:06:37,279 Speaker 1: I just love a Big Business. It was called big Business. 117 00:06:37,440 --> 00:06:41,359 Speaker 1: I love that movie. But hello, First Wives Club, Like, 118 00:06:41,360 --> 00:06:43,400 Speaker 1: I made you watch it because how much I love 119 00:06:43,480 --> 00:06:47,040 Speaker 1: her as an individual, but then as a cast phenomenal 120 00:06:47,080 --> 00:06:50,680 Speaker 1: and yeah, hocus Pocus, she makes that movie. Oh yeah, 121 00:06:50,920 --> 00:06:57,200 Speaker 1: she it's a delight to watch. Yes, And certainly, yeah, 122 00:06:57,600 --> 00:07:01,159 Speaker 1: the stuff we're gonna get into how it has become 123 00:07:01,160 --> 00:07:03,799 Speaker 1: a cult classic, and I certainly don't go a Halloween 124 00:07:03,800 --> 00:07:05,920 Speaker 1: without watching it at least once. We've actually already watched it, 125 00:07:06,000 --> 00:07:11,960 Speaker 1: Samantha and I and the Witches. We did a double feature. Um, 126 00:07:12,000 --> 00:07:15,560 Speaker 1: and apparently there is a Hocus Focus too in production. 127 00:07:15,960 --> 00:07:17,880 Speaker 1: It's going to be a Disney Plus exclusive. I was 128 00:07:17,960 --> 00:07:19,520 Speaker 1: very confused by it because there was a lot of 129 00:07:19,520 --> 00:07:21,840 Speaker 1: back and forth over who was going to be in it. 130 00:07:21,840 --> 00:07:24,560 Speaker 1: It was the original cast going to come back. I 131 00:07:24,600 --> 00:07:26,800 Speaker 1: don't know. I guess maybe COVID, because this is right 132 00:07:26,840 --> 00:07:30,960 Speaker 1: in March the announced it, so maybe COVID really got 133 00:07:30,960 --> 00:07:32,680 Speaker 1: in the way because I couldn't really pin down any 134 00:07:32,680 --> 00:07:35,760 Speaker 1: more details other than that. And there is a writer 135 00:07:36,160 --> 00:07:39,080 Speaker 1: and a director on board, but I don't know, so 136 00:07:39,160 --> 00:07:42,880 Speaker 1: I guess look out for that. There's also a board game. Um, 137 00:07:43,000 --> 00:07:46,360 Speaker 1: I think it just came out, just came out really yeah, 138 00:07:46,440 --> 00:07:49,040 Speaker 1: like it's it was four Halloween. They were getting it ready. 139 00:07:49,440 --> 00:07:52,640 Speaker 1: So there's a board game if that's your kind of thing. 140 00:07:52,680 --> 00:07:54,240 Speaker 1: I really can't tell you much about the game play, 141 00:07:54,280 --> 00:07:57,440 Speaker 1: but I like the cover of it. And there is 142 00:07:57,480 --> 00:07:59,960 Speaker 1: a book. There's a book that analyzes the main theme 143 00:08:00,040 --> 00:08:06,200 Speaker 1: was a focus postus, which the author identified as home nostalgia, festivity, horror, Broadway, 144 00:08:06,400 --> 00:08:12,920 Speaker 1: sibling rivalry, virginity, and feminism. It's called hocus Pocus in Focus. 145 00:08:13,040 --> 00:08:16,520 Speaker 1: The Thinking Fans Guide to Disney's Halloween Classic is by 146 00:08:16,600 --> 00:08:21,640 Speaker 1: Aaron Wallace. And there's another book from Hocus Focus and 147 00:08:21,680 --> 00:08:24,120 Speaker 1: the all new sequel that follows Max and Allison's daughter 148 00:08:24,160 --> 00:08:26,160 Speaker 1: Poppy too. It sounds like she's trying to prove that 149 00:08:26,360 --> 00:08:28,600 Speaker 1: the story they've told her isn't true. So she goes 150 00:08:28,680 --> 00:08:31,560 Speaker 1: to the Sanderson Museum and I'm sure nothing goes wrong, 151 00:08:31,600 --> 00:08:35,120 Speaker 1: because nothing ever goes wrong. Um. And then as as 152 00:08:35,160 --> 00:08:40,120 Speaker 1: I was thinking about this, I remembered that last August 153 00:08:40,320 --> 00:08:42,520 Speaker 1: to August ago and it was last August. It was 154 00:08:42,600 --> 00:08:44,920 Speaker 1: only a year ago. Oh my god, it feels like 155 00:08:44,960 --> 00:08:48,920 Speaker 1: so long do Um. Samantha and I were in Orlando 156 00:08:49,000 --> 00:08:51,520 Speaker 1: for podcast conference and we went to Magic Kingdom and 157 00:08:51,920 --> 00:08:54,840 Speaker 1: because it's Disney, even though it was August, uh, they 158 00:08:54,880 --> 00:08:59,360 Speaker 1: were already celebrating Halloween. And we saw the Halloween special 159 00:08:59,400 --> 00:09:01,600 Speaker 1: at Magic king them and it was hocus Pocus based, 160 00:09:02,280 --> 00:09:06,000 Speaker 1: and I just remember, like the entire crowd groaned when 161 00:09:06,040 --> 00:09:08,920 Speaker 1: they said how old it? Yeah, they literally said it's 162 00:09:08,920 --> 00:09:11,320 Speaker 1: been thirty something years since we would last appeared, or 163 00:09:11,360 --> 00:09:14,640 Speaker 1: something along those lines. Twenty something years. And Lauren was 164 00:09:14,679 --> 00:09:17,720 Speaker 1: with us from Savor, and three of us looked at 165 00:09:17,720 --> 00:09:19,720 Speaker 1: each other, and I think I really had a moment 166 00:09:19,760 --> 00:09:22,640 Speaker 1: of crisis. I was like, wait, what what just happened? 167 00:09:22,760 --> 00:09:24,960 Speaker 1: And I had to count back to like prove, oh no, 168 00:09:25,040 --> 00:09:27,120 Speaker 1: that's not right, and then I was like, oh my god, 169 00:09:27,160 --> 00:09:32,120 Speaker 1: it is, and I'm going to sit down now. Yeah. 170 00:09:32,440 --> 00:09:36,439 Speaker 1: It was hilarious. They grown that reverberated through the crowd. 171 00:09:36,920 --> 00:09:38,600 Speaker 1: Why did they have to be specific and say it's 172 00:09:38,600 --> 00:09:43,720 Speaker 1: been so many years sisters, And I'm like what, Yeah, 173 00:09:43,760 --> 00:09:46,120 Speaker 1: that they definitely were. I feel like they were messing 174 00:09:46,120 --> 00:09:49,720 Speaker 1: with the crowd of that one. Um on the other 175 00:09:49,840 --> 00:09:52,400 Speaker 1: side of the coin. I've also mentioned on this show 176 00:09:52,440 --> 00:09:54,800 Speaker 1: how I never watched The Witches as a kid because 177 00:09:54,840 --> 00:09:59,439 Speaker 1: we we owned it, but the cover terrified me. Um. 178 00:09:59,480 --> 00:10:02,760 Speaker 1: But yeah, Samantha has fixed that and I have now 179 00:10:02,840 --> 00:10:04,720 Speaker 1: seen it. It's also on Netflix if you want to 180 00:10:04,800 --> 00:10:07,120 Speaker 1: check it out. Is it on Netflix now? Okay? Because 181 00:10:07,160 --> 00:10:09,400 Speaker 1: I just have my own copy. I have searched for 182 00:10:09,440 --> 00:10:12,600 Speaker 1: a copy for years trying to find that movie, and 183 00:10:12,600 --> 00:10:14,320 Speaker 1: I finally was able to find a copy and it 184 00:10:14,400 --> 00:10:18,920 Speaker 1: was really expensive, surprisingly, not really but like more expensive 185 00:10:18,920 --> 00:10:22,160 Speaker 1: than others, and like, wow, Okay, okay, And of course 186 00:10:22,160 --> 00:10:25,079 Speaker 1: it's not like read digitally mastered or anything. It's just 187 00:10:25,480 --> 00:10:28,679 Speaker 1: it is as bad as it was. You know, I 188 00:10:28,720 --> 00:10:31,160 Speaker 1: didn't know it then, but the way it was made whatever. 189 00:10:31,440 --> 00:10:35,800 Speaker 1: But what did you think after seeing it? Uh? I 190 00:10:35,840 --> 00:10:39,760 Speaker 1: really liked it. I loved Angelica Houston. I can see 191 00:10:39,800 --> 00:10:43,240 Speaker 1: why it's scary, Like, oh, my kids, it really scared them, 192 00:10:43,320 --> 00:10:48,400 Speaker 1: not only in kind of the creepy puppet effects um, 193 00:10:48,440 --> 00:10:51,160 Speaker 1: but also getting into the history and who was behind this, 194 00:10:51,679 --> 00:10:53,920 Speaker 1: it makes a lot more sense some shots because I 195 00:10:53,920 --> 00:10:55,440 Speaker 1: was watching it and I was like, this has the 196 00:10:55,520 --> 00:10:57,760 Speaker 1: vibe of one of those really kind of creepy children 197 00:10:57,880 --> 00:11:04,839 Speaker 1: British shows, kind of like a quiet, understated, ominous undertone 198 00:11:04,880 --> 00:11:10,040 Speaker 1: that something is just off. Um. So yeah, no, I 199 00:11:10,080 --> 00:11:13,480 Speaker 1: really enjoyed it. It was unsettling in a way I 200 00:11:13,480 --> 00:11:17,120 Speaker 1: couldn't quite pinpoint um. And it is different in terms 201 00:11:17,160 --> 00:11:20,640 Speaker 1: of while these are both children's movies, with which is 202 00:11:20,679 --> 00:11:23,560 Speaker 1: in them, Hocus Focus is much more about like Bumbling, 203 00:11:24,240 --> 00:11:27,720 Speaker 1: which is who want to live forever, whereas the Witches 204 00:11:27,760 --> 00:11:31,400 Speaker 1: this is about witches who want to kill all children, right, 205 00:11:31,520 --> 00:11:36,440 Speaker 1: Like it's just about vehemently hitting all children and getting 206 00:11:36,520 --> 00:11:38,800 Speaker 1: rid of them. In the world and how awful they 207 00:11:38,840 --> 00:11:42,760 Speaker 1: are and they are nothing but evil. Yeah, and that's 208 00:11:42,800 --> 00:11:47,199 Speaker 1: a pretty disturbing right when you think about it. Um, 209 00:11:47,320 --> 00:11:50,280 Speaker 1: do you remember the first time you saw it. I 210 00:11:50,320 --> 00:11:52,000 Speaker 1: can't remember the first time I saw it. I just 211 00:11:52,080 --> 00:11:56,640 Speaker 1: know the motions and being so freaked out. But like, also, 212 00:11:56,840 --> 00:11:58,600 Speaker 1: it's just like it. We'll talk a bit more like 213 00:11:58,640 --> 00:12:00,440 Speaker 1: this all the rest of the films around that time. 214 00:12:00,480 --> 00:12:02,760 Speaker 1: It's like, why does so much tragedy have to happen 215 00:12:02,800 --> 00:12:06,760 Speaker 1: to make up a story? Especially for children? Children is 216 00:12:06,800 --> 00:12:10,080 Speaker 1: about to say it's true, It's true. I've been giving 217 00:12:10,080 --> 00:12:15,520 Speaker 1: that a lot of thought lately. Actually. Okay, so let's 218 00:12:15,520 --> 00:12:18,120 Speaker 1: start with hocus Pocus, which I feel like we really 219 00:12:18,160 --> 00:12:20,960 Speaker 1: don't have to go into too much detail, but you know, 220 00:12:20,960 --> 00:12:24,920 Speaker 1: we'll give an overview. Hocus Pocus was a Disney film 221 00:12:24,960 --> 00:12:28,760 Speaker 1: directed by Kenny Ortega that stars Yes, Bette Midler, Sarah 222 00:12:28,840 --> 00:12:33,079 Speaker 1: Jessica Parker, Kathy and Jimmy and thora birch Um. I mean, 223 00:12:33,160 --> 00:12:36,680 Speaker 1: right there, those are all women right in the main 224 00:12:36,720 --> 00:12:38,679 Speaker 1: cast there. Even though the main story is about like 225 00:12:38,720 --> 00:12:41,600 Speaker 1: the dude in theory, he really just is kind of 226 00:12:41,640 --> 00:12:45,240 Speaker 1: not ends up not me, Like he carries the storyline. 227 00:12:45,280 --> 00:12:48,320 Speaker 1: But he's not the storyline. Yeah, he's not what you 228 00:12:48,400 --> 00:12:51,560 Speaker 1: remember about that movie for sure. It's a comedy that 229 00:12:51,600 --> 00:12:56,199 Speaker 1: follows three witches, the Sanderson's sisters, as they terrorize Salem, Massachusetts, 230 00:12:56,280 --> 00:12:59,800 Speaker 1: one Halloween night. It also is the story of the 231 00:12:59,800 --> 00:13:03,240 Speaker 1: old older brother younger sister dynamic, that kind of sibling rivalry. 232 00:13:03,360 --> 00:13:07,840 Speaker 1: It's full of hijinks, talking cats, random musical numbers, and 233 00:13:07,920 --> 00:13:13,480 Speaker 1: so much nineties, so so so much nineties. Look at 234 00:13:13,480 --> 00:13:18,480 Speaker 1: that you got like the tight ice shakes. You've got 235 00:13:18,520 --> 00:13:22,560 Speaker 1: this like in running insult of kind of California liberalism, 236 00:13:22,600 --> 00:13:28,760 Speaker 1: Hollywood l a judgment going on jabbos, which have you 237 00:13:28,840 --> 00:13:31,440 Speaker 1: ever heard anyone called boobs jabbows in your life? Was 238 00:13:31,440 --> 00:13:34,640 Speaker 1: that a thing? Yeah? Yeah, so to me, yabbos is 239 00:13:34,960 --> 00:13:38,319 Speaker 1: very much like the valley talk that you hear of 240 00:13:38,440 --> 00:13:41,199 Speaker 1: sometimes in the nineties and nineties. Were I think because 241 00:13:41,320 --> 00:13:45,079 Speaker 1: you actually spoiler alert watched Heathers they say it in 242 00:13:45,200 --> 00:13:48,480 Speaker 1: that too, Did they really? Oh yeah they did? And 243 00:13:48,480 --> 00:13:51,960 Speaker 1: I was like, yeah, yeah, I thought this was a 244 00:13:52,000 --> 00:14:00,400 Speaker 1: totally made up thing. Wow, okay, um yeah, they're also 245 00:14:00,880 --> 00:14:05,000 Speaker 1: um this whole idea of virgin lighting the black than candle, 246 00:14:05,240 --> 00:14:06,920 Speaker 1: which We're going to talk about more in a second. 247 00:14:06,920 --> 00:14:08,520 Speaker 1: But I read a lot of essays about how if 248 00:14:08,559 --> 00:14:11,360 Speaker 1: you yes essays on this movie if you really think 249 00:14:11,400 --> 00:14:14,360 Speaker 1: about this is a Disney movie that's preoccupied with sex 250 00:14:14,400 --> 00:14:17,640 Speaker 1: in a lot of ways. Uh. And apparently some people 251 00:14:17,679 --> 00:14:20,120 Speaker 1: think Max did have sex at the end of the 252 00:14:20,120 --> 00:14:27,040 Speaker 1: second act. Let's talk. Samantha's face tells it all. We'll 253 00:14:27,040 --> 00:14:29,920 Speaker 1: get into that later too. Also, someone in my building's 254 00:14:29,920 --> 00:14:31,960 Speaker 1: WiFi has named black Thing Candle and I love it. 255 00:14:32,120 --> 00:14:35,720 Speaker 1: That makes me very happy. You need to be yes. 256 00:14:35,880 --> 00:14:39,160 Speaker 1: She's very u feminist. I could till by the bumper 257 00:14:39,160 --> 00:14:41,960 Speaker 1: stickers on her car, and I finally got to meet 258 00:14:41,960 --> 00:14:44,520 Speaker 1: her from a distance, and I think where we'd be 259 00:14:44,680 --> 00:14:50,200 Speaker 1: very fast friends indeed. Um. So, when this movie came out, 260 00:14:50,240 --> 00:14:54,640 Speaker 1: it did receive mixed reviews at best. Actually, I think 261 00:14:54,640 --> 00:14:58,560 Speaker 1: on Raight Tomatoes it's got a twenty seven percent yes 262 00:14:59,080 --> 00:15:03,760 Speaker 1: yes uh. And it lost money at release. Um, I 263 00:15:03,760 --> 00:15:05,840 Speaker 1: don't know. Some places said it lost money. It certainly 264 00:15:05,840 --> 00:15:08,920 Speaker 1: didn't make money. Uh. It did come out in July, 265 00:15:09,240 --> 00:15:10,840 Speaker 1: so it's a Halloween movie that came out in July, 266 00:15:11,000 --> 00:15:12,280 Speaker 1: so that a lot of people were like, well, that 267 00:15:12,520 --> 00:15:17,000 Speaker 1: was probably part of the problem. Um, but it absolutely 268 00:15:17,040 --> 00:15:20,560 Speaker 1: did go on to become a beloved cult classic. Like 269 00:15:20,680 --> 00:15:23,120 Speaker 1: millions of people every year watch it on free Form, 270 00:15:23,120 --> 00:15:25,520 Speaker 1: which used to be ABC Family. But when I say millions, 271 00:15:25,560 --> 00:15:29,360 Speaker 1: like eight millions. They already released their October playlists. I 272 00:15:29,400 --> 00:15:32,040 Speaker 1: don't know if you've seen it actually popped up and 273 00:15:32,040 --> 00:15:35,440 Speaker 1: it's on there for sure. Oh yeah they I read 274 00:15:35,480 --> 00:15:37,480 Speaker 1: an interview with somebody who's head of programming there and 275 00:15:37,520 --> 00:15:42,080 Speaker 1: she said it's like an event like Pocus Focus. Um. Yeah, 276 00:15:42,400 --> 00:15:45,560 Speaker 1: I watch it every year. My dream, one of my dreams, 277 00:15:45,600 --> 00:15:48,040 Speaker 1: one of my cosplay dreams, is to one day do 278 00:15:48,320 --> 00:15:51,280 Speaker 1: the Sanderson Sisters with two other people. Their costumes are 279 00:15:51,280 --> 00:15:55,800 Speaker 1: pretty complicated though, yeah. Yeah, and whoever does when he 280 00:15:55,920 --> 00:15:59,720 Speaker 1: is gonna have to really have the hair, oh my gosh. Yes. 281 00:16:00,360 --> 00:16:02,040 Speaker 1: To get a bit further into the plot, but not 282 00:16:02,080 --> 00:16:04,160 Speaker 1: too much because I do think most of you have 283 00:16:04,200 --> 00:16:07,800 Speaker 1: probably seen it. The movie opens with Thackeray Banks trying 284 00:16:07,840 --> 00:16:10,480 Speaker 1: to save his younger sister from the dastard leie Sanderson Sisters. 285 00:16:10,480 --> 00:16:12,240 Speaker 1: And yes, his name is Thachery, not Zachary, as a 286 00:16:12,320 --> 00:16:15,800 Speaker 1: lot of people thought. Um, and the Sanderson Sisters are 287 00:16:15,800 --> 00:16:19,120 Speaker 1: these witches that live in the woods near his home. 288 00:16:19,680 --> 00:16:23,080 Speaker 1: The witches drain his sister Emily of her youth and 289 00:16:23,120 --> 00:16:26,800 Speaker 1: her life to make themselves appear younger and achieve immortality, 290 00:16:27,880 --> 00:16:32,360 Speaker 1: and they turn Thackery into a cat. After they discover him. However, 291 00:16:32,760 --> 00:16:35,080 Speaker 1: the sisters are caught by an angry mob of townspeople 292 00:16:35,200 --> 00:16:37,720 Speaker 1: and they are hung, but not before they and their 293 00:16:37,800 --> 00:16:41,080 Speaker 1: wonderful book cast a spell to bring them back if 294 00:16:41,120 --> 00:16:44,880 Speaker 1: a virgin lights the black Fame candle on all Hallow's Eve. 295 00:16:45,960 --> 00:16:50,440 Speaker 1: Cut to you present day, which is the nineties and Max, 296 00:16:50,960 --> 00:16:55,040 Speaker 1: who is the main character again purportedly Um a teenager 297 00:16:55,040 --> 00:16:58,120 Speaker 1: whose family just moved from l A to Salem, and 298 00:16:58,200 --> 00:17:01,680 Speaker 1: he is oh so ext teenage not happy about it. 299 00:17:02,080 --> 00:17:05,560 Speaker 1: Um Salem is in the midst of their annual Halloween celebrations. 300 00:17:05,600 --> 00:17:08,520 Speaker 1: Is a really big deal there, including telling the legend 301 00:17:08,560 --> 00:17:12,560 Speaker 1: of the Sanderson sisters, and Max also teenage. Ankstanty does 302 00:17:12,600 --> 00:17:15,000 Speaker 1: not buy into it, is not into it, and this 303 00:17:15,119 --> 00:17:18,879 Speaker 1: leads to a confrontation with Allison and girls into about 304 00:17:19,760 --> 00:17:21,879 Speaker 1: him being kind of I don't believe in Halloween and 305 00:17:21,920 --> 00:17:24,840 Speaker 1: she's like, well, actually, and then he gives her his 306 00:17:24,840 --> 00:17:30,280 Speaker 1: his digits phones. So it's such a smooth operator you 307 00:17:30,320 --> 00:17:34,320 Speaker 1: certainly think so, yes, and only to be rebuffed and 308 00:17:34,359 --> 00:17:37,200 Speaker 1: she gives back his number. I did love that um. 309 00:17:37,240 --> 00:17:41,040 Speaker 1: Despite his protesting, Max has to take his younger sister, Danny, 310 00:17:41,280 --> 00:17:44,119 Speaker 1: who was dressed as a witch out trigger treating who 311 00:17:44,160 --> 00:17:46,240 Speaker 1: wants to take care of their siblings come on and 312 00:17:46,680 --> 00:17:49,800 Speaker 1: they end up at Allison's house surprise, and Max, trying 313 00:17:49,840 --> 00:17:51,960 Speaker 1: to show off, convinces her to take them to the 314 00:17:52,000 --> 00:17:56,280 Speaker 1: close Sanderson's Sister museums, even though Danny, who we should 315 00:17:56,280 --> 00:18:00,720 Speaker 1: all believed really doesn't want to um and Max stupidly 316 00:18:00,800 --> 00:18:03,680 Speaker 1: likes the black flame candle to prove the sisters aren't 317 00:18:03,720 --> 00:18:07,400 Speaker 1: real after he asks Allison to do it, but she declines, 318 00:18:08,000 --> 00:18:10,920 Speaker 1: implying she either has more sexual experience than Max and 319 00:18:11,040 --> 00:18:14,680 Speaker 1: isn't shy to share it, and or is not going 320 00:18:14,720 --> 00:18:16,800 Speaker 1: to be peer pressured into messing with something she doesn't 321 00:18:16,840 --> 00:18:19,359 Speaker 1: want to mess with. Yeah, I interpret that differently. But 322 00:18:19,440 --> 00:18:22,960 Speaker 1: of course the sisters are real and they are resurrected, 323 00:18:23,000 --> 00:18:25,760 Speaker 1: and they proceed to run amuck throughout Salem and song 324 00:18:26,200 --> 00:18:28,679 Speaker 1: Um as they only have until sunrise to drain the 325 00:18:28,720 --> 00:18:31,560 Speaker 1: life force of children or they will turn into stone. 326 00:18:32,320 --> 00:18:34,719 Speaker 1: After a series of confrontations, the which is set their 327 00:18:34,760 --> 00:18:37,359 Speaker 1: sights on Danny, determined to drain her, of course, the 328 00:18:37,359 --> 00:18:40,000 Speaker 1: one who said don't do it. Um. And in the end, 329 00:18:40,200 --> 00:18:42,320 Speaker 1: Max drinks the last of their potions, so they had 330 00:18:42,359 --> 00:18:44,600 Speaker 1: to drain him instead of his sister. Before they can 331 00:18:44,640 --> 00:18:47,240 Speaker 1: do this, the sun rises and the senders and sisters 332 00:18:47,240 --> 00:18:51,080 Speaker 1: turned stone before shattering into dusts and then factary Banks 333 00:18:51,240 --> 00:18:53,600 Speaker 1: is freed of his cat form and reunites with his 334 00:18:53,720 --> 00:18:57,840 Speaker 1: sister in the spirit world role credits. Yes, and then 335 00:18:57,880 --> 00:19:01,320 Speaker 1: it's the book kind of looking around sound and then 336 00:19:01,480 --> 00:19:04,000 Speaker 1: it has kind of a post credit scene where it 337 00:19:04,080 --> 00:19:07,280 Speaker 1: implies that as long as the books around, maybe the 338 00:19:07,359 --> 00:19:11,120 Speaker 1: story is not done. Maybe. Yes, Yes, and I did 339 00:19:11,119 --> 00:19:13,760 Speaker 1: all of this from memories though, and it all mistakes 340 00:19:13,760 --> 00:19:16,000 Speaker 1: her mind, but I feel pretty confident, did it You 341 00:19:16,040 --> 00:19:18,960 Speaker 1: wrapped it up perfectly? Also, Yes, and yes, by the way, 342 00:19:18,960 --> 00:19:24,200 Speaker 1: Thachary is helping them throughout as a cat as a cat. Yeah, 343 00:19:25,240 --> 00:19:28,200 Speaker 1: and yeah for for being a kid's movie, A lot 344 00:19:28,240 --> 00:19:32,080 Speaker 1: of this is about sex. Um. Some have even argued 345 00:19:32,119 --> 00:19:35,600 Speaker 1: that Max's virginity is an inversion of the Final Girl Show, 346 00:19:36,119 --> 00:19:40,080 Speaker 1: a pure male character being chased by female characters, which 347 00:19:40,080 --> 00:19:42,440 Speaker 1: I'd never thought of before. But that is very interesting 348 00:19:42,480 --> 00:19:45,639 Speaker 1: interpretation of it. I don't know how I feel about this. 349 00:19:46,600 --> 00:19:52,080 Speaker 1: I mean, I can see it. I can see it. 350 00:19:52,280 --> 00:19:54,159 Speaker 1: Others have rightly pointed out that he is mocked for 351 00:19:54,240 --> 00:19:56,760 Speaker 1: his virginity in a way that women would not have been. 352 00:19:57,080 --> 00:19:59,560 Speaker 1: That would have been a pure a sign of purity 353 00:19:59,600 --> 00:20:01,920 Speaker 1: in a that would have put them on a pedestal, 354 00:20:02,080 --> 00:20:06,840 Speaker 1: although I've also read other interpretations that he's not being 355 00:20:06,960 --> 00:20:11,040 Speaker 1: mocked for his virginity, he's being mocked for his stupidity 356 00:20:11,080 --> 00:20:17,200 Speaker 1: for lighting the candle. So uh, there is that. Um 357 00:20:17,240 --> 00:20:19,600 Speaker 1: it is odd thinking back to it like that. I 358 00:20:19,640 --> 00:20:22,119 Speaker 1: guess this idea of virginity, even as an eight year 359 00:20:22,160 --> 00:20:24,359 Speaker 1: old who watched this movie so much my parents banned it, 360 00:20:24,760 --> 00:20:28,000 Speaker 1: was already there. I don't know, I didn't have those thoughts. 361 00:20:28,040 --> 00:20:30,400 Speaker 1: I didn't think it that way to me, honestly, even 362 00:20:30,440 --> 00:20:32,760 Speaker 1: back then, to me, it was mocking this kid who 363 00:20:32,840 --> 00:20:36,280 Speaker 1: needed to show his masculinity by proving that he's not scared, 364 00:20:36,760 --> 00:20:38,560 Speaker 1: and that to me was what it was, more so 365 00:20:38,600 --> 00:20:41,920 Speaker 1: than anything else, just pretty much mocking toxic masculinity, which 366 00:20:41,960 --> 00:20:44,200 Speaker 1: I didn't know those terms then. But I'm like, come on, dude, 367 00:20:45,119 --> 00:20:48,840 Speaker 1: stop being that jerk. Yeah, I do. I think I 368 00:20:48,880 --> 00:20:51,480 Speaker 1: did it that way too, of like he was trying 369 00:20:51,520 --> 00:20:53,560 Speaker 1: so hard to show off and they were both saying like, 370 00:20:53,640 --> 00:20:58,960 Speaker 1: don't do it, and then he did it anyway. Um. Yes, 371 00:20:59,080 --> 00:21:01,440 Speaker 1: And some people do think that Mac that sex for 372 00:21:01,480 --> 00:21:04,600 Speaker 1: the first time with Allison at the end of the 373 00:21:04,600 --> 00:21:07,679 Speaker 1: second act when they think it's over and they're like 374 00:21:07,920 --> 00:21:10,800 Speaker 1: cuddling on the bed, and therefore read it as a 375 00:21:10,920 --> 00:21:16,040 Speaker 1: sex positive story. I've never ever thought that. Yeah, but 376 00:21:16,359 --> 00:21:19,800 Speaker 1: I can see. I mean, you don't know face the 377 00:21:19,800 --> 00:21:22,439 Speaker 1: blood true, I mean it does say the black. My 378 00:21:22,600 --> 00:21:24,760 Speaker 1: innocent heart wants to say they just cuddled and made 379 00:21:24,760 --> 00:21:30,359 Speaker 1: out and probably broke up a week later. Your innocent heart, 380 00:21:31,440 --> 00:21:36,640 Speaker 1: my innocent cynical My innocent cynical heart wants to believe 381 00:21:36,680 --> 00:21:39,720 Speaker 1: it that way. But anyway, let's break down some of 382 00:21:39,760 --> 00:21:42,680 Speaker 1: the characters. It is led by three female anti heroines 383 00:21:42,720 --> 00:21:46,040 Speaker 1: who are sisters. First, which I do love, Winnifred Winnie 384 00:21:46,080 --> 00:21:49,520 Speaker 1: the leader, the smart one, obviously kind of a bully, 385 00:21:49,720 --> 00:21:53,880 Speaker 1: Sarah the sexy airhead but she'll kill you though after 386 00:21:53,920 --> 00:21:58,080 Speaker 1: she floats with you, yes, and then Mary the goofball nurturer, 387 00:21:58,359 --> 00:22:00,879 Speaker 1: and I have to like they kind of play that 388 00:22:00,920 --> 00:22:05,400 Speaker 1: same role Bette Midler and Sara Juska Parker and the 389 00:22:05,440 --> 00:22:14,040 Speaker 1: First Wives Clove. Yeah yeah, uh yeah, I agree with that. Um. 390 00:22:14,080 --> 00:22:17,479 Speaker 1: And if you look at those roles, um, and a 391 00:22:17,480 --> 00:22:21,679 Speaker 1: lot of interpretation is especially been done on Sarah's character, 392 00:22:23,400 --> 00:22:27,240 Speaker 1: you can read them as weaponizing society's dismissive attitude towards 393 00:22:27,240 --> 00:22:31,000 Speaker 1: women as sluts, spinsters, are witches because I mean this movie, 394 00:22:31,119 --> 00:22:34,360 Speaker 1: it's played for laps, it's a comedy, but I mean, 395 00:22:34,400 --> 00:22:38,160 Speaker 1: like Sarah, she even threatens that one dude, like they'll 396 00:22:38,240 --> 00:22:46,480 Speaker 1: kill you. Um, they are on the outskirts of gender norms. 397 00:22:46,560 --> 00:22:48,280 Speaker 1: And as we've talked about a lot with which is 398 00:22:48,480 --> 00:22:54,040 Speaker 1: most witches are but they ah. In this kind of 399 00:22:54,080 --> 00:22:58,119 Speaker 1: telling of these characters, it takes those because everyone dismisses them. 400 00:22:58,160 --> 00:23:02,440 Speaker 1: You see in the movie Everybody, but they are dangerous, um. 401 00:23:02,480 --> 00:23:05,000 Speaker 1: And people just are assuming, Oh, she's a spinster, she 402 00:23:05,040 --> 00:23:07,200 Speaker 1: can't do anything. Actually, she's a spinster and a witch 403 00:23:07,800 --> 00:23:11,480 Speaker 1: and you should be scared. Um. And this was in 404 00:23:11,520 --> 00:23:13,720 Speaker 1: contrast to a wave of which is as moral beings 405 00:23:13,760 --> 00:23:16,439 Speaker 1: to aspire to in the nineties like Willow from Buffy, 406 00:23:16,720 --> 00:23:20,159 Speaker 1: Sabrina and Charmed when we did our episode on the Craft. 407 00:23:20,160 --> 00:23:22,439 Speaker 1: The craft was also kind of in conflict with that 408 00:23:22,440 --> 00:23:24,240 Speaker 1: whole idea. But a lot of these which is coming 409 00:23:24,280 --> 00:23:29,200 Speaker 1: out during third wade feminism and the nineties were shifting 410 00:23:29,359 --> 00:23:33,399 Speaker 1: from the previous telling of Oh they're bad too. Oh no, 411 00:23:33,520 --> 00:23:37,560 Speaker 1: they're like paragons of good. Um. So this was kind 412 00:23:37,600 --> 00:23:40,320 Speaker 1: of an interesting take at the time of they were bad, 413 00:23:40,359 --> 00:23:43,120 Speaker 1: but they were also funny and you could relate to them. 414 00:23:43,280 --> 00:23:46,920 Speaker 1: You could connect with these sisters. Um. Yeah, they were 415 00:23:47,040 --> 00:23:51,440 Speaker 1: transgressors of gender roles. They were uh too sexy, too old, 416 00:23:51,440 --> 00:23:55,480 Speaker 1: too ambitious, too ugly. And this movie certainly plays a lot, 417 00:23:55,520 --> 00:23:58,399 Speaker 1: as do a lot of movies with which is uh 418 00:23:58,520 --> 00:24:02,240 Speaker 1: on the need versus want of children because they don't 419 00:24:02,280 --> 00:24:04,760 Speaker 1: they don't like children, They don't want children, but they 420 00:24:04,800 --> 00:24:12,000 Speaker 1: do need them right to continue their plans uh and 421 00:24:12,160 --> 00:24:17,119 Speaker 1: b immortal. Um. So that's the sisters. Then you have Max, 422 00:24:17,119 --> 00:24:22,920 Speaker 1: who's yea the kind of bro character older brother. You've 423 00:24:22,960 --> 00:24:26,240 Speaker 1: got Danny. It was definitely painted as the annoying little sister, 424 00:24:26,480 --> 00:24:30,760 Speaker 1: but she's certainly I don't know, I could see it 425 00:24:30,800 --> 00:24:33,120 Speaker 1: being told from her perspective, and it would we would 426 00:24:33,160 --> 00:24:37,000 Speaker 1: have a different reading on her character. But anyway, Alison, 427 00:24:37,119 --> 00:24:41,000 Speaker 1: who is the love interest but also very smart, uh, 428 00:24:41,200 --> 00:24:45,560 Speaker 1: which she figures out the salt circle and all that stuff. Um. 429 00:24:45,720 --> 00:24:48,399 Speaker 1: Then Zachary binks they believe to older brother lost his 430 00:24:48,520 --> 00:24:50,399 Speaker 1: sister Emily and was turned into a cat by the 431 00:24:50,400 --> 00:24:53,240 Speaker 1: Sanderson sisters. Many of my friends had a crush on him. 432 00:24:53,440 --> 00:24:55,520 Speaker 1: Oh yeah, it was the heartthrow at that point. I 433 00:24:55,520 --> 00:24:59,000 Speaker 1: think he came around doing like Jonathan Taylor, Thomas and 434 00:24:59,040 --> 00:25:01,879 Speaker 1: all of them. So he been with the shaggy haired, 435 00:25:02,040 --> 00:25:04,960 Speaker 1: bowl cut hair dudes that everyone loved in those in 436 00:25:04,960 --> 00:25:09,359 Speaker 1: that time frame. It's just funny to me because he 437 00:25:09,400 --> 00:25:11,959 Speaker 1: did spend I mean what you see him like that 438 00:25:12,000 --> 00:25:14,000 Speaker 1: for maybe four minutes and the rest of the movie 439 00:25:14,040 --> 00:25:16,480 Speaker 1: he's a cat. We'll take about Do you remember the 440 00:25:16,480 --> 00:25:20,439 Speaker 1: movie Casper? I never saw Casper. Oh well, so in 441 00:25:20,520 --> 00:25:25,080 Speaker 1: Casper you have Devin Sawa and Christina Ritchie Um and 442 00:25:25,359 --> 00:25:27,439 Speaker 1: Devin saw it is not even the voice of the 443 00:25:27,880 --> 00:25:30,879 Speaker 1: ghosts throughout the movie, which is animated the entire time, 444 00:25:31,280 --> 00:25:36,760 Speaker 1: pops up for fifteen seconds and everybody was like, I 445 00:25:36,840 --> 00:25:38,439 Speaker 1: love him, I'm not gonna lie. I was one of 446 00:25:38,480 --> 00:25:41,480 Speaker 1: them as well, because they were also in um other 447 00:25:41,520 --> 00:25:45,840 Speaker 1: movies and I'm like, yeah, but yeah, so it doesn't matter. 448 00:25:45,960 --> 00:25:49,679 Speaker 1: He also was one of the shaggy haired blonde kids 449 00:25:49,720 --> 00:25:53,000 Speaker 1: at that time frame. Okay, that's that's funny. I mean, 450 00:25:53,080 --> 00:25:56,800 Speaker 1: I guess it's whatever you want onto someone who's there 451 00:25:56,840 --> 00:25:59,040 Speaker 1: so little. I mean, it's not like you didn't get 452 00:25:59,040 --> 00:26:02,080 Speaker 1: to know Factory through the cat right exactly. He loved 453 00:26:02,119 --> 00:26:05,560 Speaker 1: his sibling, he tried to save people, He was cursed 454 00:26:05,720 --> 00:26:09,520 Speaker 1: just like everyone else. All Right, Okay, I got I 455 00:26:09,520 --> 00:26:11,560 Speaker 1: mean it's someone who loves fictional characters and is that 456 00:26:11,560 --> 00:26:14,320 Speaker 1: had a crush on a cartoon character before. I can't judge, 457 00:26:14,359 --> 00:26:21,520 Speaker 1: so that's fair. But yeah, speaking of boy crushes, at 458 00:26:21,520 --> 00:26:24,840 Speaker 1: this point, there is Billy Butcherson, who was the zombie boyfriend. 459 00:26:24,840 --> 00:26:26,760 Speaker 1: By the way, does he not look like the character 460 00:26:26,920 --> 00:26:31,480 Speaker 1: from Edward Scissor Hands A little bit? Yeah, a little bit. Yeah. 461 00:26:31,920 --> 00:26:34,320 Speaker 1: Though he cheated on Winnie with Sarah, he was the 462 00:26:34,359 --> 00:26:37,400 Speaker 1: one who was punished by Winnie again sisters first, which 463 00:26:37,440 --> 00:26:39,119 Speaker 1: is kind of a relief. I mean, you don't you 464 00:26:39,200 --> 00:26:40,479 Speaker 1: kind of feel bad for him At the same time, 465 00:26:40,520 --> 00:26:43,600 Speaker 1: at least it's not women against women. Yeah. And then, 466 00:26:43,600 --> 00:26:46,840 Speaker 1: of course there are two male bullies that get hung 467 00:26:46,880 --> 00:26:49,760 Speaker 1: in cages after harassing the sisters, and of course they 468 00:26:49,840 --> 00:26:53,280 Speaker 1: pick on everybody at the school, so you kind of feel, yeah, 469 00:26:53,600 --> 00:26:55,800 Speaker 1: you kind of want them to be in those cages. 470 00:26:56,320 --> 00:26:59,640 Speaker 1: So there's a cameo by Penny Marshall and her brother 471 00:26:59,720 --> 00:27:05,280 Speaker 1: Gary Marshal, and they are spouses, yeah in this one, 472 00:27:05,400 --> 00:27:07,480 Speaker 1: which is quite funny and every way, but of course 473 00:27:07,520 --> 00:27:10,120 Speaker 1: I love the two of them anyway, So yes, I'm 474 00:27:10,160 --> 00:27:13,080 Speaker 1: just as a devil now I remember for sure, let's 475 00:27:13,119 --> 00:27:15,719 Speaker 1: just be a running theme some kind of Penny Marshall 476 00:27:15,920 --> 00:27:19,560 Speaker 1: related fact in every movie episode. Amazing. Well, I know 477 00:27:19,640 --> 00:27:21,600 Speaker 1: Gary and Penny would put each other in each other's 478 00:27:21,600 --> 00:27:24,240 Speaker 1: films or have each other like Gary was in a 479 00:27:24,320 --> 00:27:27,159 Speaker 1: leak of their own opinion right, actually directed, but I 480 00:27:27,160 --> 00:27:31,919 Speaker 1: think they did that often. They were really close. But yeah, yeah, yeah, yeah, yeah, 481 00:27:32,240 --> 00:27:35,320 Speaker 1: um yeah. So that's pretty much hocus focusing. There's all 482 00:27:35,359 --> 00:27:39,639 Speaker 1: these themes of you know, sisterhood and sibling rivalry, but 483 00:27:39,680 --> 00:27:42,800 Speaker 1: also being protective of your sibling in particularly your sisters. 484 00:27:43,400 --> 00:27:47,439 Speaker 1: Um and I don't know, I I have a new 485 00:27:47,480 --> 00:27:52,080 Speaker 1: appreciation for uh because it is a very nostalgic film, 486 00:27:52,119 --> 00:27:54,760 Speaker 1: right where in certain movies, if you've seen enough, you're 487 00:27:54,800 --> 00:27:57,439 Speaker 1: not really paying attention to anything other than oh, this 488 00:27:57,480 --> 00:27:59,119 Speaker 1: part makes me feel warm because it reminds me of 489 00:27:59,119 --> 00:28:01,679 Speaker 1: all these other things. Or I can say this line 490 00:28:01,760 --> 00:28:05,920 Speaker 1: with gusto because I love it. Um. But yeah, now 491 00:28:05,960 --> 00:28:10,120 Speaker 1: I've especially thinking about the context of when it came out, 492 00:28:10,240 --> 00:28:14,320 Speaker 1: having these this close sisterly relationship and these characters who 493 00:28:14,320 --> 00:28:17,320 Speaker 1: are both funny but are bad and witches but everybody 494 00:28:17,359 --> 00:28:22,520 Speaker 1: loves them. It's pretty rare. Um. So I am very 495 00:28:22,560 --> 00:28:30,880 Speaker 1: excited for another rewatch, starting all over again. More witches. Yes, um. 496 00:28:30,920 --> 00:28:33,159 Speaker 1: So that's that for now, But now we need to 497 00:28:33,200 --> 00:28:36,920 Speaker 1: talk about the Witches. But first we're gonna pause for 498 00:28:36,920 --> 00:28:52,080 Speaker 1: a quick break for a word from our sponsor, and 499 00:28:52,240 --> 00:28:56,080 Speaker 1: we're back. Thank you sponsor. Right, So, we did want 500 00:28:56,080 --> 00:28:58,880 Speaker 1: to talk about these two movies together, the Witches and 501 00:28:58,920 --> 00:29:03,000 Speaker 1: hocus Pocas, because there are specifically made and geared as 502 00:29:03,360 --> 00:29:06,400 Speaker 1: children's movies, but they both have very interesting takes on 503 00:29:06,480 --> 00:29:08,560 Speaker 1: witches and how they represented so we thought it would 504 00:29:08,560 --> 00:29:13,360 Speaker 1: be an interesting contrast to each other. Yeah, yeah, for sure. 505 00:29:14,240 --> 00:29:16,360 Speaker 1: So The Witches is a movie originally adapted from the 506 00:29:16,360 --> 00:29:19,880 Speaker 1: classic novel written by Rhodes all Uh and by the way, 507 00:29:19,920 --> 00:29:22,920 Speaker 1: he did actually see this, and uh, he wasn't a 508 00:29:22,920 --> 00:29:25,760 Speaker 1: big fan of the movie. According to one report, he 509 00:29:25,800 --> 00:29:28,880 Speaker 1: felt as if the movie was quote utterly appalling because 510 00:29:28,920 --> 00:29:31,680 Speaker 1: of the changes which were happier than his That does 511 00:29:31,720 --> 00:29:35,840 Speaker 1: not surprise me, um these changes in the movie. And 512 00:29:35,920 --> 00:29:38,520 Speaker 1: it was produced by Jim Henson Productions and was apparently 513 00:29:38,560 --> 00:29:42,120 Speaker 1: the last movie he was personally involved in. And though 514 00:29:42,280 --> 00:29:45,760 Speaker 1: it wasn't actually a big hitting theaters either, critics were 515 00:29:45,840 --> 00:29:48,120 Speaker 1: fans of it. And it still has a Route Tomato 516 00:29:48,160 --> 00:29:51,320 Speaker 1: score of so it's better than August Focused. Yes, it 517 00:29:51,480 --> 00:29:53,640 Speaker 1: was even given three out of four stars by famous 518 00:29:53,640 --> 00:29:57,360 Speaker 1: film critic Robert Ebert. And yes, it also has a 519 00:29:57,360 --> 00:29:59,240 Speaker 1: big cult following. I guess I'm a part of that 520 00:29:59,240 --> 00:30:03,040 Speaker 1: cult obviously. Um So. The movie was directed by Nicholas Rogue, 521 00:30:03,040 --> 00:30:05,760 Speaker 1: who was already known for his horror movie Don't Look Now, 522 00:30:05,800 --> 00:30:10,560 Speaker 1: Which Annie you watched? Yes, I actually watched this right 523 00:30:11,320 --> 00:30:14,880 Speaker 1: March fourteenth, right when quarantine asserted and I was looking 524 00:30:14,920 --> 00:30:18,200 Speaker 1: for that gift of his Donald's something like it's not 525 00:30:18,240 --> 00:30:20,640 Speaker 1: done well. That guy where he points and he has 526 00:30:20,680 --> 00:30:23,000 Speaker 1: the look of horror on his face. But this that's 527 00:30:23,040 --> 00:30:25,560 Speaker 1: actually invasion of the body santrs so I watched this 528 00:30:25,600 --> 00:30:28,680 Speaker 1: whole movie waiting for that havenit It never did. But 529 00:30:28,720 --> 00:30:30,400 Speaker 1: then I watched Invasion of the Body Snatchers and I 530 00:30:30,440 --> 00:30:33,280 Speaker 1: loved it. But anyway, yeah, that's why when you told 531 00:30:33,320 --> 00:30:38,000 Speaker 1: me this, Samantha, I was like, oh, I can see it. Yeah. 532 00:30:38,240 --> 00:30:40,680 Speaker 1: So him being the director of this horror movie, he 533 00:30:40,760 --> 00:30:43,120 Speaker 1: had plenty of controversy under his belt and was a 534 00:30:43,160 --> 00:30:46,160 Speaker 1: surprising choice to direct a children's film, as most of 535 00:30:46,200 --> 00:30:49,360 Speaker 1: his works were seen as overly risque and even to 536 00:30:49,480 --> 00:30:52,360 Speaker 1: explicit at that time, and some of them movies were 537 00:30:52,360 --> 00:30:56,680 Speaker 1: shelved apparently because it was too much. And unsurprisingly, the 538 00:30:56,720 --> 00:30:59,360 Speaker 1: movie has been deemed by many people as the scariest 539 00:30:59,440 --> 00:31:02,760 Speaker 1: children's move be ever, and I would agree. And although 540 00:31:04,200 --> 00:31:06,440 Speaker 1: although I do love this movie, I was surprised to 541 00:31:06,440 --> 00:31:08,640 Speaker 1: see so many articles written about it this year. But 542 00:31:08,680 --> 00:31:11,960 Speaker 1: it turns out, as I said, this marks the thirtieth 543 00:31:11,960 --> 00:31:14,400 Speaker 1: anniversary of the film released, so it's been thirty years 544 00:31:14,440 --> 00:31:16,080 Speaker 1: since it's been released, as well as the fact that 545 00:31:16,080 --> 00:31:19,680 Speaker 1: they're now talking about doing a remake with Anne Hathaway 546 00:31:19,760 --> 00:31:22,840 Speaker 1: playing the Grand High Witch and directed by Robert Zemecka's 547 00:31:23,160 --> 00:31:27,200 Speaker 1: so that should be interesting. Um accidentally timely, Yeah, I 548 00:31:27,280 --> 00:31:30,840 Speaker 1: really do, really, and many have contended to argue that 549 00:31:30,880 --> 00:31:33,440 Speaker 1: this was one of the most terrifying movies ever made 550 00:31:33,440 --> 00:31:36,040 Speaker 1: for children. So there's a debate about like, is it 551 00:31:36,120 --> 00:31:38,320 Speaker 1: just terrifying because it's a children's movie or is it 552 00:31:38,400 --> 00:31:43,440 Speaker 1: just terrifying and why are children watching it? So Rogue 553 00:31:43,480 --> 00:31:46,160 Speaker 1: even stated that at one point his child watched some 554 00:31:46,280 --> 00:31:49,720 Speaker 1: of the dailies I guess, and his child was so 555 00:31:49,880 --> 00:31:52,560 Speaker 1: terrified that he realized that he needed to edit several 556 00:31:52,600 --> 00:31:57,440 Speaker 1: of the scenes. So I wonder what that looked like. Um, 557 00:31:57,480 --> 00:32:01,480 Speaker 1: And I definitely have lasting memories of many terrifying scenes 558 00:32:01,520 --> 00:32:05,360 Speaker 1: that kept me awake for sure. Yeah, oh no, I 559 00:32:05,640 --> 00:32:08,640 Speaker 1: can definitely see as I was watching it they were 560 00:32:08,640 --> 00:32:10,160 Speaker 1: scenes where I'm like, oh, I'm sure that would have 561 00:32:10,240 --> 00:32:14,000 Speaker 1: kept me up. Yep. I had a real weird thing 562 00:32:14,080 --> 00:32:16,920 Speaker 1: about paintings and getting trapped in paintings, you know. I 563 00:32:16,960 --> 00:32:18,680 Speaker 1: have a weird thing about like people in paintings and 564 00:32:18,720 --> 00:32:22,400 Speaker 1: whether they're watching they're watching me. Well maybe it came 565 00:32:22,440 --> 00:32:27,520 Speaker 1: from this maybe. So for the plot, we meet Luke 566 00:32:27,520 --> 00:32:30,960 Speaker 1: played by Jason Fisher and his grandmother Helga played by 567 00:32:31,320 --> 00:32:35,440 Speaker 1: Madge Setter and in Norway, and she's telling Luca always 568 00:32:35,560 --> 00:32:39,160 Speaker 1: caution your tales of witches, who not only walk among 569 00:32:39,160 --> 00:32:41,920 Speaker 1: all of us, but they actively work to get rid 570 00:32:41,960 --> 00:32:44,960 Speaker 1: of all of the children in the world. The witches, though, 571 00:32:44,960 --> 00:32:47,760 Speaker 1: are good at hiding among regular people and can actually 572 00:32:48,160 --> 00:32:51,040 Speaker 1: they can be spotted because they have a purple tint 573 00:32:51,080 --> 00:32:53,520 Speaker 1: in their eyes, a rash on their head as they 574 00:32:53,560 --> 00:32:56,040 Speaker 1: are bald and have to wear wigs. They wear gloves 575 00:32:56,080 --> 00:32:59,280 Speaker 1: because they have claws and no toes, so square feet, 576 00:33:00,040 --> 00:33:03,360 Speaker 1: and an obvious dislike of the smell of children two, 577 00:33:03,360 --> 00:33:06,320 Speaker 1: which is they smell like dog droppings. And this is 578 00:33:06,320 --> 00:33:09,520 Speaker 1: actually another interesting thing I noticed when I was thinking 579 00:33:09,520 --> 00:33:13,000 Speaker 1: about witches in children's movies is they often have like 580 00:33:13,000 --> 00:33:16,840 Speaker 1: a smell aversion two children and it's a It's usually 581 00:33:17,080 --> 00:33:19,960 Speaker 1: like some kind of waste by products, right. I remember 582 00:33:20,080 --> 00:33:22,720 Speaker 1: when she said droppings. It was so weird to me 583 00:33:23,040 --> 00:33:25,680 Speaker 1: being from Colla j, Georgia, and of course they're you know, 584 00:33:25,920 --> 00:33:28,920 Speaker 1: and I think Norway, and I'm like, wait, what droppings? 585 00:33:28,960 --> 00:33:33,520 Speaker 1: Was drippings? What are droppings? So much of it's fancier 586 00:33:33,560 --> 00:33:35,480 Speaker 1: than it really does. It's like it just made it 587 00:33:35,520 --> 00:33:38,160 Speaker 1: up so much more upscale. And of course the cleaner 588 00:33:38,200 --> 00:33:41,720 Speaker 1: they are, the worst. They smell. So to bring home 589 00:33:41,880 --> 00:33:45,040 Speaker 1: the reality of the dangers of these witches, Helga tells 590 00:33:45,080 --> 00:33:48,000 Speaker 1: of her friend who disappeared from their village. As the 591 00:33:48,000 --> 00:33:50,920 Speaker 1: family of Erica scrambles to find her, we see her 592 00:33:51,000 --> 00:33:53,440 Speaker 1: pop up in a painting that was recently purchased by 593 00:33:53,480 --> 00:33:56,360 Speaker 1: her father. Not only has she suddenly appeared in a painting, 594 00:33:56,520 --> 00:33:59,400 Speaker 1: but we see her reposition at different places at different times, 595 00:33:59,560 --> 00:34:02,160 Speaker 1: and she grows up in the painting until one day 596 00:34:02,480 --> 00:34:07,680 Speaker 1: she disappears. That's saying, freaked me out. Yeah. So we 597 00:34:07,760 --> 00:34:09,600 Speaker 1: come back to the present day and we meet the 598 00:34:09,640 --> 00:34:13,360 Speaker 1: parents as they rush off for their date event, leaving 599 00:34:13,440 --> 00:34:16,759 Speaker 1: Luke with his grandmother. And at this point he has 600 00:34:16,800 --> 00:34:19,520 Speaker 1: his first interaction with a witch. As he plays in 601 00:34:19,560 --> 00:34:21,640 Speaker 1: his treehouse. He meets a woman who tries to entice 602 00:34:21,719 --> 00:34:24,160 Speaker 1: him with chocolates into snake. By the way, that would 603 00:34:24,200 --> 00:34:27,799 Speaker 1: not work for me, but Lucas obviously too smart for 604 00:34:27,840 --> 00:34:30,239 Speaker 1: that and calls out for his grandmother, who, by the way, 605 00:34:30,360 --> 00:34:32,719 Speaker 1: is told by the witch that she could not hear him, 606 00:34:32,880 --> 00:34:36,400 Speaker 1: so she could not help him. Freaking yeah, that's his 607 00:34:36,480 --> 00:34:41,080 Speaker 1: freaky uh. Later, we come back to the sad fact 608 00:34:41,200 --> 00:34:44,719 Speaker 1: that Luke's parents have died in a car accident because yes, 609 00:34:44,800 --> 00:34:47,560 Speaker 1: obviously all children's movies must have some type of tragedy, 610 00:34:48,160 --> 00:34:51,000 Speaker 1: and he moves in with his grandmother, Helgan, and they 611 00:34:51,080 --> 00:34:53,680 Speaker 1: moved to England. In their new life, we see more 612 00:34:53,719 --> 00:34:56,680 Speaker 1: obstacles for the parents. Helga is diagnosed with diabetes and 613 00:34:56,719 --> 00:34:58,839 Speaker 1: it is told she must learn to manage her health. 614 00:34:59,600 --> 00:35:01,880 Speaker 1: So we cut to Luke and Helga going on a 615 00:35:02,000 --> 00:35:05,480 Speaker 1: much needed vacation in a very spanky hotel soon after 616 00:35:05,560 --> 00:35:08,800 Speaker 1: Luke's birthday, uh, in which he's gifted with some white mice. 617 00:35:09,440 --> 00:35:12,399 Speaker 1: There there we meet Bruno, a very hungry, rich boy 618 00:35:12,440 --> 00:35:15,400 Speaker 1: that loves to sneak some of the lovely teacakes before 619 00:35:15,400 --> 00:35:18,640 Speaker 1: everyone else. His character reminded me he was one of 620 00:35:18,640 --> 00:35:20,839 Speaker 1: the things where I's like, this feels very British. Yeah, 621 00:35:20,880 --> 00:35:22,600 Speaker 1: I don't know why. Just the way he speaks feels 622 00:35:22,680 --> 00:35:25,759 Speaker 1: very British. It's not necessarily even his accident, just something 623 00:35:25,800 --> 00:35:29,080 Speaker 1: about it. I've never read the book. Uh do love 624 00:35:29,480 --> 00:35:32,200 Speaker 1: a lot of the children's book raal dal did, but 625 00:35:32,320 --> 00:35:35,239 Speaker 1: this is very similar to that character in Matilda the 626 00:35:35,280 --> 00:35:38,080 Speaker 1: boy who So I wonder if he has this as 627 00:35:38,120 --> 00:35:42,160 Speaker 1: a theme for hem Yeah, yeah, yeah, yeah, uh So 628 00:35:42,320 --> 00:35:44,520 Speaker 1: it's at this point we learned that the hotel is 629 00:35:44,560 --> 00:35:49,719 Speaker 1: also hosting convention for which is of course masquating as 630 00:35:49,719 --> 00:35:54,000 Speaker 1: the Royal Society for the Prevention of Cruelty to Children. Uh. 631 00:35:54,040 --> 00:35:56,600 Speaker 1: Here we meet the Grand High Witch, played by none 632 00:35:56,640 --> 00:36:02,120 Speaker 1: other than the wonderful Angelica Houston and her assistant, Miss Irving. Yeah, 633 00:36:02,160 --> 00:36:05,080 Speaker 1: this is when it gets a good luke while exploring 634 00:36:05,120 --> 00:36:07,720 Speaker 1: the grounds and running away from the hotel manager played 635 00:36:07,800 --> 00:36:09,960 Speaker 1: by Mr Bean if you all know who I'm talking about, 636 00:36:10,880 --> 00:36:14,399 Speaker 1: the famous English actor with his pet mice. We see 637 00:36:14,440 --> 00:36:16,640 Speaker 1: that they've come together to devise a plan to rid 638 00:36:16,680 --> 00:36:19,279 Speaker 1: the world of children by turning them into mice with 639 00:36:19,320 --> 00:36:21,960 Speaker 1: a potion that would be shared all over the world. 640 00:36:22,360 --> 00:36:26,120 Speaker 1: And can we talk about the revel for Angelica Houston 641 00:36:26,320 --> 00:36:30,480 Speaker 1: and her face as the actual witch, masterfully done by 642 00:36:30,560 --> 00:36:34,560 Speaker 1: Jim Henson's crew. Of course, her high, shrill voice and 643 00:36:34,640 --> 00:36:37,279 Speaker 1: disdain like it gave me nightmares, like even when she's 644 00:36:37,320 --> 00:36:41,440 Speaker 1: like talking and heaving almost like she's gonna vomit. Yeah, 645 00:36:41,840 --> 00:36:44,000 Speaker 1: giving nightmares. I'm not gonna lie. And it's at this 646 00:36:44,080 --> 00:36:48,080 Speaker 1: point they bring in their demonstration. Poor Bruno, Poor poor Bruno, 647 00:36:48,480 --> 00:36:52,680 Speaker 1: he's turned into a mouse. Um and we see him 648 00:36:52,680 --> 00:36:56,040 Speaker 1: scurry away. That whole thing was nightmarish, like his little 649 00:36:56,200 --> 00:37:01,680 Speaker 1: seizure and the green power what does that green fog everywhere? 650 00:37:02,360 --> 00:37:06,000 Speaker 1: But of course Luke has seen all of this and 651 00:37:06,040 --> 00:37:09,040 Speaker 1: has discovered them. And after he has discovered to have 652 00:37:09,120 --> 00:37:12,000 Speaker 1: been spying, Luke escapes to his room only to find 653 00:37:12,000 --> 00:37:14,920 Speaker 1: his grandmother unconscious in their room. And by the way, 654 00:37:15,239 --> 00:37:18,520 Speaker 1: there's some kind of relationship between the Grand High Witch 655 00:37:18,560 --> 00:37:21,080 Speaker 1: and the grandmother that they had met before, and I 656 00:37:21,080 --> 00:37:23,839 Speaker 1: think yes, and the grandmother lost her tips of her 657 00:37:23,840 --> 00:37:26,800 Speaker 1: fingers or no, the grandmother lost one of our fingers 658 00:37:26,840 --> 00:37:29,680 Speaker 1: to the Grand High Witch just put that in there. 659 00:37:30,239 --> 00:37:34,520 Speaker 1: Luke is then caught and turned into a mouse. Mhmm, 660 00:37:35,480 --> 00:37:39,680 Speaker 1: But no fear because Luke, using his mass abilities like 661 00:37:39,760 --> 00:37:43,200 Speaker 1: crawling and his tail. Of course, thinking this with the tail, 662 00:37:43,760 --> 00:37:47,120 Speaker 1: he sneaks the potion into the soup served to the witches, 663 00:37:47,360 --> 00:37:50,880 Speaker 1: turning them into mice, all but one, miss Irving, who 664 00:37:51,000 --> 00:37:53,920 Speaker 1: was banned from celebrating the rest of the witches. So 665 00:37:54,080 --> 00:37:56,759 Speaker 1: both Bruno and Luke are reunited with their families and 666 00:37:56,800 --> 00:37:59,920 Speaker 1: all they all return home. But unlike the book endings, 667 00:38:00,000 --> 00:38:02,200 Speaker 1: Irving has become a good which and not only turns 668 00:38:02,480 --> 00:38:05,200 Speaker 1: back into a boy, but goes on to set Bruno 669 00:38:05,280 --> 00:38:10,200 Speaker 1: back as well. And yes, Doll hated this ending, as 670 00:38:10,200 --> 00:38:15,080 Speaker 1: he argued, which is we're unredeemable and cruel. So Rogue 671 00:38:15,120 --> 00:38:17,959 Speaker 1: actually did do two endings, one to satisfy a Doll 672 00:38:18,200 --> 00:38:20,720 Speaker 1: and to go more with a book, and the original 673 00:38:20,760 --> 00:38:22,759 Speaker 1: happy or one that we see. And when they did 674 00:38:22,760 --> 00:38:27,239 Speaker 1: the test screen test, yeah, everyone hated. This is like 675 00:38:27,280 --> 00:38:29,680 Speaker 1: the reverse shining. The shining is the opposite in a 676 00:38:29,719 --> 00:38:35,440 Speaker 1: weird way. So it was like, okay, interesting, So they 677 00:38:35,520 --> 00:38:38,440 Speaker 1: kept the happier ending, which I'm not gonna lie. If 678 00:38:38,520 --> 00:38:40,319 Speaker 1: it was a bad ending, there may have been a 679 00:38:40,360 --> 00:38:43,239 Speaker 1: chance that I couldn't have watched it. I mean that 680 00:38:43,280 --> 00:38:47,920 Speaker 1: would have been a very tough thing as a kid. Um, 681 00:38:48,760 --> 00:38:50,520 Speaker 1: I was upset, like when we were watching and I 682 00:38:50,520 --> 00:38:52,160 Speaker 1: was like, oh my god, he's gonna be a mouse forever, 683 00:38:53,360 --> 00:38:56,200 Speaker 1: like he's the resolved for it. But I'm like white. 684 00:38:57,920 --> 00:39:00,920 Speaker 1: So there are some themes in controversy with than this movie, 685 00:39:00,960 --> 00:39:03,759 Speaker 1: of course. Um, there's quite a bit of conversation about 686 00:39:03,800 --> 00:39:06,480 Speaker 1: the whole women hating children thing. Women who can only 687 00:39:06,480 --> 00:39:09,839 Speaker 1: be either haggard or cruel, or mothers and caregivers and 688 00:39:10,080 --> 00:39:13,160 Speaker 1: actually played a lot on the stranger danger fearmongering from 689 00:39:13,200 --> 00:39:16,040 Speaker 1: this film, so we wanted to talk a little about it. 690 00:39:16,480 --> 00:39:19,080 Speaker 1: As I told you, there were several articles about pretty 691 00:39:19,120 --> 00:39:20,680 Speaker 1: much about why this is one of the most scary 692 00:39:20,719 --> 00:39:25,279 Speaker 1: movies ever for children. Um. The continued conversation, though, had 693 00:39:25,280 --> 00:39:28,360 Speaker 1: come up on the Hagen Spencer versus the mother Protector, 694 00:39:28,840 --> 00:39:30,759 Speaker 1: which is an obvious then to this movie. You have 695 00:39:30,840 --> 00:39:33,160 Speaker 1: one or the other, whether it's turning the idea that 696 00:39:33,160 --> 00:39:36,200 Speaker 1: women are all maternal and caring versus women who ripped 697 00:39:36,239 --> 00:39:38,680 Speaker 1: children away from their families and are evil and thrive 698 00:39:38,760 --> 00:39:42,520 Speaker 1: on the demise of children they never wanted. It's very divisive, 699 00:39:42,760 --> 00:39:46,040 Speaker 1: and it gets pretty. It gets dark pretty quickly, as 700 00:39:46,040 --> 00:39:48,080 Speaker 1: we mentioned in the tail of the Disappearing Young Girl, 701 00:39:48,239 --> 00:39:53,480 Speaker 1: seriously eerie to me. Um, and then well we to 702 00:39:53,480 --> 00:39:57,560 Speaker 1: look at feminism in this movie. Uh So, the point 703 00:39:57,560 --> 00:39:59,880 Speaker 1: that the film was used to tell tell the tale 704 00:40:00,080 --> 00:40:03,680 Speaker 1: of the unhappy, motherless hag who murders are sometimes steels 705 00:40:03,760 --> 00:40:07,040 Speaker 1: children has made many people feel that this is a 706 00:40:07,080 --> 00:40:10,959 Speaker 1: stereotypically misogynistic cautionary tales. Some have recently say they felt 707 00:40:11,000 --> 00:40:14,640 Speaker 1: it was more forth thinking. According to an article, UM, 708 00:40:14,840 --> 00:40:18,160 Speaker 1: they say author Caroline Kitneys have used it as quote 709 00:40:18,200 --> 00:40:21,919 Speaker 1: a hilarious feminist commentary on women, work and family, where 710 00:40:21,920 --> 00:40:24,879 Speaker 1: men are ineffective and women possess more power, something they 711 00:40:24,920 --> 00:40:29,040 Speaker 1: might prove horrifying to those frantically upholding the patriarchy. Right, 712 00:40:29,080 --> 00:40:30,760 Speaker 1: so it's goan to have been a back and forth 713 00:40:30,840 --> 00:40:33,960 Speaker 1: with them about is this feminist or is this anti feminist? 714 00:40:33,960 --> 00:40:40,160 Speaker 1: Should we be upset or should we laugh? I I 715 00:40:40,200 --> 00:40:45,200 Speaker 1: interpreted it as almost satirical, as almost like you're so 716 00:40:45,280 --> 00:40:48,640 Speaker 1: afraid of women with power and this is what scares you. 717 00:40:49,600 --> 00:40:51,640 Speaker 1: I don't know, like that there was some element of 718 00:40:51,640 --> 00:40:54,160 Speaker 1: it that was almost giving a knowing wink of like, yes, 719 00:40:54,840 --> 00:40:59,040 Speaker 1: there is the stereotype of ugly hag women who want 720 00:40:59,080 --> 00:41:01,840 Speaker 1: to kill children, But what does that say about the 721 00:41:01,880 --> 00:41:05,040 Speaker 1: fact that varies that stereotype? Right? So it does go 722 00:41:05,080 --> 00:41:07,640 Speaker 1: back and forth. Yeah, so, but back then it was 723 00:41:07,680 --> 00:41:10,200 Speaker 1: just so upfront and it was that point of third 724 00:41:10,239 --> 00:41:16,279 Speaker 1: wave feminism. So, so who is the villain here? You know? 725 00:41:16,520 --> 00:41:18,600 Speaker 1: Is it women in general who don't want children? Or 726 00:41:18,680 --> 00:41:20,839 Speaker 1: is it that the pagriarchy have to pen and only 727 00:41:20,840 --> 00:41:26,520 Speaker 1: can categorize these two very deep for children's movie. So 728 00:41:26,719 --> 00:41:28,959 Speaker 1: also and One of the big things that I saw 729 00:41:29,239 --> 00:41:32,640 Speaker 1: was the stranger danger concept um and as many have stated, 730 00:41:32,719 --> 00:41:35,319 Speaker 1: this brought fear for children with a new concept of 731 00:41:35,320 --> 00:41:38,239 Speaker 1: stranger danger which came around in the eighties. Not only 732 00:41:38,280 --> 00:41:41,240 Speaker 1: does this movie immediately place that fear within a child's mind, 733 00:41:41,520 --> 00:41:43,640 Speaker 1: but the movie and the book flips it with women 734 00:41:43,680 --> 00:41:46,680 Speaker 1: instead of men. Um, here is the hatred of children 735 00:41:46,680 --> 00:41:49,040 Speaker 1: that drives them, and as a child of the eighties nineties, 736 00:41:49,160 --> 00:41:52,040 Speaker 1: that's something children were taught to fear the whole Strangers 737 00:41:52,080 --> 00:41:54,799 Speaker 1: offering candy is a perfect setup that's gonna get you, 738 00:41:55,040 --> 00:41:59,600 Speaker 1: so you must be aware and be cautious. Yeah. Actually, 739 00:41:59,640 --> 00:42:02,200 Speaker 1: ever on Savor were just an episode on the ice 740 00:42:02,239 --> 00:42:04,839 Speaker 1: cream Truck, and it was so interesting to me because 741 00:42:04,840 --> 00:42:08,440 Speaker 1: they read all of these like beautiful nostalgic love memories 742 00:42:08,440 --> 00:42:10,560 Speaker 1: people had with ice cream truck, and I was like, 743 00:42:10,560 --> 00:42:13,400 Speaker 1: when I grew up, even at four years old, I 744 00:42:13,440 --> 00:42:15,319 Speaker 1: was like, no way in hell, right am I going 745 00:42:15,600 --> 00:42:19,560 Speaker 1: to follow music to kick? I meaning, you buy it. 746 00:42:19,560 --> 00:42:21,160 Speaker 1: It's not different than the store, but it just felt 747 00:42:21,160 --> 00:42:24,880 Speaker 1: so creepy, like here's this song, go outside and just 748 00:42:25,000 --> 00:42:28,719 Speaker 1: hope that nothing's gonna happen to me. Right, Definitely, there 749 00:42:28,719 --> 00:42:31,120 Speaker 1: were some cases in the eighties where children were abducted 750 00:42:31,120 --> 00:42:34,440 Speaker 1: in unmarked vans, and that's kind of that play that 751 00:42:34,520 --> 00:42:37,480 Speaker 1: came in. So you have this. Whole time when we 752 00:42:37,520 --> 00:42:40,279 Speaker 1: talked about good touch bad touch, it was always that 753 00:42:40,360 --> 00:42:45,080 Speaker 1: stranger danger level of conversation. Yeah, and this movie and 754 00:42:45,120 --> 00:42:48,880 Speaker 1: possibly the book brought that into context. This here's and 755 00:42:49,080 --> 00:42:51,640 Speaker 1: not only that, but trying to make you feel comfortable 756 00:42:51,680 --> 00:42:54,839 Speaker 1: with women, saying that women cannot be the predators here, 757 00:42:55,040 --> 00:42:57,919 Speaker 1: but they are so yeah. They That definitely gets into 758 00:42:57,960 --> 00:43:01,759 Speaker 1: the mind very quickly, and for children who was to 759 00:43:01,880 --> 00:43:07,600 Speaker 1: kid dapt right, So to say that this movie leaves 760 00:43:07,600 --> 00:43:10,759 Speaker 1: a lasting impression or an impact is an understatement, and 761 00:43:10,800 --> 00:43:13,480 Speaker 1: many still agree again that the overall horror of this 762 00:43:13,520 --> 00:43:15,799 Speaker 1: film is one for the record books, and many people 763 00:43:15,840 --> 00:43:18,320 Speaker 1: still have is the number one movie of the scariest 764 00:43:18,400 --> 00:43:22,600 Speaker 1: childhood movies that exist? Yeah, and again these artists, because 765 00:43:22,760 --> 00:43:25,360 Speaker 1: these articles were written the last couple of months. Yeah, 766 00:43:25,560 --> 00:43:28,279 Speaker 1: I was surprised how many articles I found. It's like 767 00:43:28,280 --> 00:43:30,600 Speaker 1: pages of them were like the scariest children's movie all 768 00:43:30,600 --> 00:43:38,120 Speaker 1: the time. Right, Look, yes, I agree, yes, but I'm 769 00:43:38,160 --> 00:43:40,279 Speaker 1: interested to see the rebate because they did talk about 770 00:43:40,400 --> 00:43:42,719 Speaker 1: Robert Remica said that he was making it more a 771 00:43:42,880 --> 00:43:47,120 Speaker 1: social Yeah, it's it's like it's said in the nineteen sixties, 772 00:43:47,600 --> 00:43:51,319 Speaker 1: Jim Courier. Yeah, and it's a black child. Yes, So 773 00:43:51,360 --> 00:43:53,640 Speaker 1: Octavia Spencer will be playing the grandmother, which is kind 774 00:43:53,640 --> 00:43:56,120 Speaker 1: of funny because the other grandmother was about fifteen years 775 00:43:56,120 --> 00:44:03,040 Speaker 1: older than her. Yeah, well, we'll have to see, We'll 776 00:44:03,120 --> 00:44:05,919 Speaker 1: have to see it certainly will be. We're getting two 777 00:44:05,920 --> 00:44:07,960 Speaker 1: remakes of these things. Well, Oergus focus is getting a 778 00:44:07,960 --> 00:44:12,239 Speaker 1: sequel that is getting remaca. UM. So we did want 779 00:44:12,239 --> 00:44:14,799 Speaker 1: to talk about some overall themes when it comes to 780 00:44:15,000 --> 00:44:17,200 Speaker 1: which is in children's movies, But first we're gonna pause 781 00:44:17,239 --> 00:44:33,840 Speaker 1: for one worker, break for a word, Timmer sponsor, and 782 00:44:33,880 --> 00:44:39,200 Speaker 1: we're back, Thank you, sponsor. So originally we were gonna 783 00:44:39,320 --> 00:44:42,360 Speaker 1: get into we we both we thought of prominent examples. 784 00:44:43,040 --> 00:44:44,960 Speaker 1: But the more I thought about this, the more I 785 00:44:44,960 --> 00:44:50,160 Speaker 1: feel like we're both very influenced by the product the 786 00:44:50,160 --> 00:44:52,359 Speaker 1: movies that are coming out in our era, because like 787 00:44:52,560 --> 00:44:55,880 Speaker 1: Sabrina was one we thought about, which was an interesting, 788 00:44:56,080 --> 00:44:59,879 Speaker 1: um contrast, because we do have the Netflix remake which 789 00:44:59,880 --> 00:45:02,600 Speaker 1: is much not not I would call it a children 790 00:45:02,600 --> 00:45:05,680 Speaker 1: made for children, UM, but the one in the nineties 791 00:45:05,680 --> 00:45:08,520 Speaker 1: certainly was. I mean it was a t G I 792 00:45:08,600 --> 00:45:15,400 Speaker 1: Friday Moved show, right, Yeah, yeah, I actually never saw it, 793 00:45:15,440 --> 00:45:17,840 Speaker 1: but I mean even just the clips and the vibe, 794 00:45:17,880 --> 00:45:21,000 Speaker 1: I was like, oh, yeah, you never watched that. No, 795 00:45:21,440 --> 00:45:23,799 Speaker 1: was that on cable? I didn't have a cable. It 796 00:45:23,840 --> 00:45:26,400 Speaker 1: wasn't on cable. It was on I believe it was 797 00:45:26,400 --> 00:45:28,839 Speaker 1: on ABC. Was on a Family Night show for a 798 00:45:28,880 --> 00:45:31,600 Speaker 1: long while. I know it was rebroadcast on what used 799 00:45:31,640 --> 00:45:34,040 Speaker 1: to be free Form whatever it was before then for 800 00:45:34,080 --> 00:45:38,520 Speaker 1: a little while. Yeah, so, but it was Clarissa explains 801 00:45:38,520 --> 00:45:42,040 Speaker 1: at all who was Nickelodeon jumped into that the show 802 00:45:42,080 --> 00:45:44,439 Speaker 1: as a teenager with Harvey and all of them. But yeah, 803 00:45:44,480 --> 00:45:50,000 Speaker 1: the new ones are definitely completely different. Um. So yeah, 804 00:45:50,120 --> 00:45:53,600 Speaker 1: that's the whole thing that there wasn't prominent devil worshiping 805 00:45:54,160 --> 00:45:58,239 Speaker 1: in the nineties sitcom Oh surprise, surprise. But they have 806 00:45:58,320 --> 00:46:03,520 Speaker 1: thought D and D was some anti evens um, well, yeah, 807 00:46:03,560 --> 00:46:06,080 Speaker 1: so the groups of examples we thought of, it really 808 00:46:06,120 --> 00:46:10,640 Speaker 1: does split pretty down the middle of like you do 809 00:46:10,760 --> 00:46:15,800 Speaker 1: have this good witch who is almost over the top 810 00:46:16,120 --> 00:46:20,360 Speaker 1: good um, and then you have the villain. And particularly 811 00:46:20,360 --> 00:46:22,160 Speaker 1: when you think about Disney movies, which we'll get into 812 00:46:22,160 --> 00:46:25,879 Speaker 1: in a second. There was an era where the witch 813 00:46:26,040 --> 00:46:29,480 Speaker 1: was bad in Disney movies and that's it, and that 814 00:46:29,640 --> 00:46:36,360 Speaker 1: is changing. But the reasons that it's changing are fascinating. Um. 815 00:46:36,400 --> 00:46:38,680 Speaker 1: I thought of double double toil and trouble. You you 816 00:46:38,719 --> 00:46:40,760 Speaker 1: often have that kind of dynamic cause they were twins 817 00:46:40,840 --> 00:46:44,320 Speaker 1: that it was Clara Stitchman who was originally going to 818 00:46:44,400 --> 00:46:46,640 Speaker 1: be I think in Hocus Polk. No, she's gonna be 819 00:46:46,719 --> 00:46:50,440 Speaker 1: in the Witches. Um. But anyway, so you've got the 820 00:46:50,440 --> 00:46:53,200 Speaker 1: good witch in the bad witch. Uh. It's a Wizard 821 00:46:53,280 --> 00:46:56,000 Speaker 1: of Oz kind of dichotomy of you can only be 822 00:46:56,040 --> 00:46:58,719 Speaker 1: one or the other, and that's it. You can only 823 00:46:58,760 --> 00:47:03,360 Speaker 1: be this sort of maternal thing or this evil children 824 00:47:03,400 --> 00:47:10,800 Speaker 1: hating one. Yeah, and certainly attitudes towards children and youth 825 00:47:10,880 --> 00:47:14,320 Speaker 1: in general. It's just one of the biggest recurring themes 826 00:47:14,360 --> 00:47:18,080 Speaker 1: I could think of, and depictions of witches and children's 827 00:47:18,080 --> 00:47:20,200 Speaker 1: movies and also love like when you think of that. 828 00:47:20,560 --> 00:47:22,120 Speaker 1: And I know this is not a children's movie, but 829 00:47:22,160 --> 00:47:26,160 Speaker 1: Practical Magic was geared as a teenage movie because it 830 00:47:26,160 --> 00:47:28,640 Speaker 1: was PG. Thirteen, but it kind of has that whole 831 00:47:28,680 --> 00:47:30,799 Speaker 1: effect as well. Of course, children are involved in that 832 00:47:30,880 --> 00:47:33,959 Speaker 1: as well and love and all of that. So you wonder, 833 00:47:34,080 --> 00:47:40,080 Speaker 1: you're like, what what is your ideas here? Yeah? Um, 834 00:47:40,120 --> 00:47:43,560 Speaker 1: and if you think of like hocus focus in particular, uh, 835 00:47:44,840 --> 00:47:47,120 Speaker 1: sucking the youth to peer young and beautiful, and that 836 00:47:47,160 --> 00:47:50,480 Speaker 1: whole idea that women's value and currency in society is 837 00:47:50,520 --> 00:47:54,480 Speaker 1: their youth and their beauty. Um. And like one of 838 00:47:54,520 --> 00:47:58,520 Speaker 1: the reasons they choose to focus on Danny thora Birch's 839 00:47:58,560 --> 00:48:01,840 Speaker 1: character to sucur youth, she says, You'll always be ugly. 840 00:48:02,080 --> 00:48:04,880 Speaker 1: You're the ugliest thing that's ever lived. And Whinnie is 841 00:48:04,960 --> 00:48:11,000 Speaker 1: so wounded by this insult. She's like, I have all 842 00:48:11,040 --> 00:48:13,839 Speaker 1: of these children options that would be much easier to get, 843 00:48:13,960 --> 00:48:17,880 Speaker 1: but you are the one you have insulted me. Yeah. 844 00:48:17,960 --> 00:48:21,680 Speaker 1: And it kind of that choosing vengeance and and losing 845 00:48:21,719 --> 00:48:26,560 Speaker 1: everything being too power hungry. Uh, perhaps too emotional, I 846 00:48:26,600 --> 00:48:29,680 Speaker 1: guess you could read it that way, and losing everything. 847 00:48:29,880 --> 00:48:31,960 Speaker 1: And then if you go back to Snow White, which 848 00:48:31,960 --> 00:48:33,319 Speaker 1: is one of the very first I mean that was 849 00:48:33,440 --> 00:48:39,320 Speaker 1: Disney's first movie, you have the queen who asks asked 850 00:48:39,400 --> 00:48:43,040 Speaker 1: a mirror, like who's the fairest of them all? Yeah, 851 00:48:43,360 --> 00:48:46,600 Speaker 1: she can't stand to not be the fairest of them all. 852 00:48:46,880 --> 00:48:50,560 Speaker 1: She must get rid of any competition. Yes, yes, women 853 00:48:50,560 --> 00:48:52,640 Speaker 1: competing against women. I mean that's the interesting thing about 854 00:48:52,640 --> 00:48:54,120 Speaker 1: who was focused is there is this kind of like 855 00:48:54,160 --> 00:48:58,719 Speaker 1: sisterly bond. The women competing against women is sort of 856 00:48:58,760 --> 00:49:02,640 Speaker 1: removed on that level, but on a societal level it's 857 00:49:02,680 --> 00:49:09,680 Speaker 1: still kind of there. Um. So that's interesting. And then 858 00:49:09,719 --> 00:49:13,360 Speaker 1: I did read, Uh, there are so many essays. This 859 00:49:13,400 --> 00:49:16,200 Speaker 1: should not have surprised me at all, but so many 860 00:49:16,320 --> 00:49:21,120 Speaker 1: essays have been written about Elsa from Frozen. Oh my gosh, 861 00:49:21,320 --> 00:49:27,080 Speaker 1: yes is she Yeah, it's a good power. We don't 862 00:49:27,080 --> 00:49:33,919 Speaker 1: know that she's got one known power anyway. Um. Yeah, 863 00:49:34,040 --> 00:49:37,359 Speaker 1: So she is one of the first Disney which is 864 00:49:38,000 --> 00:49:41,320 Speaker 1: especially the first I think that was good, but also 865 00:49:42,160 --> 00:49:45,080 Speaker 1: embraced her powers. Um. She was also the first to 866 00:49:45,200 --> 00:49:48,400 Speaker 1: use camp and heightened style of femininity, not to to 867 00:49:48,480 --> 00:49:50,280 Speaker 1: know evil. So if you think of like Mobile Efficent 868 00:49:50,680 --> 00:49:54,960 Speaker 1: or Ursula or yes, the Queen from Snow White, they 869 00:49:55,000 --> 00:49:58,399 Speaker 1: all have this like over the top kind of like 870 00:49:58,520 --> 00:50:02,839 Speaker 1: high college almost theater theatrical style, and also doesn't have 871 00:50:02,920 --> 00:50:05,600 Speaker 1: that at first, but when she goes into her big 872 00:50:05,680 --> 00:50:08,680 Speaker 1: musical number and kind of sheds it all. She does, 873 00:50:08,719 --> 00:50:11,920 Speaker 1: but she's still good. Um. But if you look at 874 00:50:11,920 --> 00:50:18,279 Speaker 1: the history of yeah, which is in Disney films in particular, 875 00:50:18,640 --> 00:50:22,560 Speaker 1: there is this over the top monstrous female desire that 876 00:50:22,640 --> 00:50:26,279 Speaker 1: aligns it with queerness. But there's also this fear of 877 00:50:26,320 --> 00:50:29,959 Speaker 1: middle aged sexual agency. And as as I was reading 878 00:50:29,960 --> 00:50:31,680 Speaker 1: these essays, there's just something you don't pick up on 879 00:50:31,760 --> 00:50:34,640 Speaker 1: as a kid, I didn't really get, like when Ursula 880 00:50:34,719 --> 00:50:37,000 Speaker 1: was giving aerial like here's how you get a man, 881 00:50:37,160 --> 00:50:39,320 Speaker 1: and she's like plumping her lips and doing this, So 882 00:50:39,440 --> 00:50:42,000 Speaker 1: I didn't pick up on that. But it's true. She's 883 00:50:42,040 --> 00:50:45,840 Speaker 1: like middle aged c which totally confident in her body. 884 00:50:46,200 --> 00:50:50,560 Speaker 1: She loves herself and I love her her loving herself, Yes, 885 00:50:50,680 --> 00:51:00,680 Speaker 1: but it's painted as a bad bit and quiet. Yeah. Yeah. 886 00:51:00,800 --> 00:51:05,799 Speaker 1: It quis power obviously, with family power and ambition, the 887 00:51:05,840 --> 00:51:08,959 Speaker 1: whole Witchcraft idea and the punishment and evil that comes 888 00:51:09,000 --> 00:51:12,160 Speaker 1: with it. Uh. And apparently I didn't realize, but it 889 00:51:12,320 --> 00:51:15,960 Speaker 1: is changing with New Disney. I guess if Elsa continues 890 00:51:16,000 --> 00:51:17,680 Speaker 1: on a stretch, is there any more new which is 891 00:51:17,719 --> 00:51:21,440 Speaker 1: coming about? So the saying I'm thinking of in particular 892 00:51:22,160 --> 00:51:28,600 Speaker 1: um delved into Elsa, UM Maleficent, the new Uh Angelica 893 00:51:28,760 --> 00:51:33,560 Speaker 1: Jolie Ones and then um, Meredith, who wasn't a witch, 894 00:51:33,560 --> 00:51:37,120 Speaker 1: but they were saying like she immediately breaks gender norms 895 00:51:37,120 --> 00:51:38,719 Speaker 1: and is like, I don't want to get married, maybe 896 00:51:38,760 --> 00:51:41,560 Speaker 1: I never want to get married. Go ahead to Clare 897 00:51:41,640 --> 00:51:46,879 Speaker 1: war Um. So kind of that female power and ambition thing. 898 00:51:48,719 --> 00:51:53,960 Speaker 1: And previously when there had been that sort of aberrant 899 00:51:55,480 --> 00:51:59,840 Speaker 1: which power, it was bad and you could see that 900 00:52:00,160 --> 00:52:04,080 Speaker 1: essaying when women have too much power ambition, it is bad. 901 00:52:04,640 --> 00:52:07,800 Speaker 1: But now that I mean people children love Elsa. I 902 00:52:07,840 --> 00:52:10,719 Speaker 1: don't know if you know this, but whoa, Um, I've 903 00:52:10,760 --> 00:52:14,839 Speaker 1: seen it. Yeah, they and in those movies too, they 904 00:52:14,880 --> 00:52:18,040 Speaker 1: paint the love is in between two women, whether that's 905 00:52:18,040 --> 00:52:21,520 Speaker 1: like two sisters or I haven't seen Maleficent so long, 906 00:52:21,560 --> 00:52:26,040 Speaker 1: but basically Aurora and lovicent Um and then Marida and 907 00:52:26,080 --> 00:52:29,120 Speaker 1: her mother. Instead of it being this like romantic rush 908 00:52:29,200 --> 00:52:31,479 Speaker 1: to get married, first time you meet a guy, it's 909 00:52:32,000 --> 00:52:33,759 Speaker 1: love and that's what you need and then your life 910 00:52:33,800 --> 00:52:37,640 Speaker 1: it's done and happy ever after. Um. In that case, 911 00:52:37,640 --> 00:52:43,759 Speaker 1: your power is essentially just finding a man, right. Yes, 912 00:52:44,000 --> 00:52:50,080 Speaker 1: I was just kidding, I just completely kidding. I was like, oh, Samath, 913 00:52:50,200 --> 00:52:57,960 Speaker 1: it comes out with a very yeah. Um not at all. 914 00:52:58,800 --> 00:53:01,520 Speaker 1: And then I mean, I feel like we could just 915 00:53:02,520 --> 00:53:06,200 Speaker 1: talk about a lot of this stuff forever in a 916 00:53:06,280 --> 00:53:09,000 Speaker 1: in a more detailed episode, and perhaps will be, because 917 00:53:09,040 --> 00:53:12,759 Speaker 1: again it's my favorite season and my favorite holiday. But 918 00:53:12,840 --> 00:53:15,560 Speaker 1: we were also discussing how in Harry Potter and in 919 00:53:15,719 --> 00:53:21,319 Speaker 1: most things where you have witches and warlocks and and wizards, 920 00:53:22,280 --> 00:53:26,760 Speaker 1: and it does feel that wizards are you know, there's 921 00:53:27,040 --> 00:53:32,920 Speaker 1: a wiseness attached to them and perhaps more of a 922 00:53:33,560 --> 00:53:36,280 Speaker 1: maybe it's just like less complicated, but it does feel 923 00:53:36,320 --> 00:53:38,800 Speaker 1: like I don't have a natural inclination to think they're bad, 924 00:53:39,480 --> 00:53:42,600 Speaker 1: whereas which is like, even though I don't think that anymore, 925 00:53:42,640 --> 00:53:44,719 Speaker 1: there is that in the back of my head kind 926 00:53:44,719 --> 00:53:47,400 Speaker 1: of Oh wait, I've seen so many bad witches? Is 927 00:53:47,440 --> 00:53:50,920 Speaker 1: that what you mean? Um? And we, I mean, we 928 00:53:51,040 --> 00:53:52,759 Speaker 1: use it as an insult or we have for in 929 00:53:52,800 --> 00:53:56,800 Speaker 1: our society forever. So I just watched a movie where 930 00:53:57,440 --> 00:53:59,680 Speaker 1: a woman just randomly shouted witch at a bar and 931 00:54:00,000 --> 00:54:04,279 Speaker 1: they tried to kill her. She just said it. Um, 932 00:54:04,320 --> 00:54:06,719 Speaker 1: I've watched a lot of bad horror reason, but what 933 00:54:06,760 --> 00:54:09,880 Speaker 1: would be a movie that did that? How is it 934 00:54:09,920 --> 00:54:12,319 Speaker 1: called They're watching? It was about a home improvement show 935 00:54:12,360 --> 00:54:15,960 Speaker 1: that went really wrong. Oh yeah, you're digging in something 936 00:54:16,120 --> 00:54:20,200 Speaker 1: real dud, you know, Okay, you're going down the well 937 00:54:20,239 --> 00:54:25,160 Speaker 1: on this one. Um. But yeah, I would love to 938 00:54:25,200 --> 00:54:29,120 Speaker 1: return to this and have a more in depth conversation 939 00:54:31,440 --> 00:54:34,360 Speaker 1: about some of these ideas. But but in the meantime, 940 00:54:34,400 --> 00:54:38,400 Speaker 1: I feel like that's a pretty good overview of the themes. 941 00:54:38,440 --> 00:54:40,839 Speaker 1: You see a lot with women and which is in 942 00:54:40,880 --> 00:54:45,200 Speaker 1: these children's movies, right, which I find fascinating. Uh. I 943 00:54:45,280 --> 00:54:48,440 Speaker 1: do want to see more of the ideas that we 944 00:54:48,440 --> 00:54:51,880 Speaker 1: see in adult films to translate into children's films. And 945 00:54:51,920 --> 00:54:56,279 Speaker 1: I guess technically Harry Potter did that mm hmm, which bad. 946 00:54:56,440 --> 00:55:00,360 Speaker 1: But you know whatever, newer ones are certainly laying with 947 00:55:00,400 --> 00:55:04,440 Speaker 1: a lot of this. Right again, I found I wish 948 00:55:04,440 --> 00:55:07,160 Speaker 1: I had way more time to prepare because I found 949 00:55:07,280 --> 00:55:12,799 Speaker 1: so manny. Oh so, I don't know why I just 950 00:55:12,800 --> 00:55:15,520 Speaker 1: popped in my head the teen which movie from eight 951 00:55:15,719 --> 00:55:18,760 Speaker 1: nine and the worst I think that was the worst 952 00:55:19,600 --> 00:55:23,520 Speaker 1: musical number in the Oh you've got my attention now. 953 00:55:24,520 --> 00:55:29,160 Speaker 1: But essentially it is eighteen rom calm that involves a 954 00:55:29,200 --> 00:55:31,520 Speaker 1: redheaded which and I can't remember much about it. I 955 00:55:31,560 --> 00:55:35,600 Speaker 1: remember loving it. Um, yeah, damn, I forgot about that 956 00:55:35,640 --> 00:55:39,800 Speaker 1: one too, Alright, like that might be another movie that 957 00:55:39,840 --> 00:55:41,879 Speaker 1: I have to make you watch, but I'm not gonna lie. 958 00:55:42,160 --> 00:55:48,360 Speaker 1: I can't attest to worth watching. Yeah yeah, yeah yeah. Okay, 959 00:55:49,239 --> 00:55:53,560 Speaker 1: Well we'll add it to the list and in the meantime, listeners. 960 00:55:53,600 --> 00:55:55,439 Speaker 1: If you have any movie you want us to add 961 00:55:55,440 --> 00:55:58,920 Speaker 1: to the list, police send them our way. Our email 962 00:55:59,000 --> 00:56:01,359 Speaker 1: is Tough Media momp Up at iHeart media dot com. 963 00:56:01,520 --> 00:56:03,319 Speaker 1: You can also find us on Instagram at Stuff I've 964 00:56:03,320 --> 00:56:05,759 Speaker 1: Never Told You, are on Twitter at mon Stuff Podcast. Thanks. 965 00:56:05,760 --> 00:56:08,840 Speaker 1: It's always to our super producer Andrew Howard. Thanks guys, 966 00:56:08,960 --> 00:56:12,240 Speaker 1: Oh no, that was just one. Thank you, and thanks 967 00:56:12,239 --> 00:56:14,400 Speaker 1: to you for listening Stuff I've Never Told You. The 968 00:56:14,440 --> 00:56:16,440 Speaker 1: production of I Heart Radio for more podcasts, or my 969 00:56:16,560 --> 00:56:19,320 Speaker 1: Heart Radio is heart Radio app, Apple podcast, or wherever 970 00:56:19,320 --> 00:56:20,560 Speaker 1: you listen to your favorite shows.