WEBVTT - "Fogged In" Recap Season 2, Episode 12

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<v Speaker 1>Dudey Sweetmarmory, I'm back.

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<v Speaker 2>I missed you. I missed you too.

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<v Speaker 3>I am so sorry I was absent last week.

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<v Speaker 2>Totally fine. The great and glorious Kim Moffatt stepped in and.

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<v Speaker 1>She did fantastic, fabulous and it was the perfect person. Yeah,

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<v Speaker 1>it was perfect person to step in at the last

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<v Speaker 1>minute because she already knows everything about Full exactly.

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<v Speaker 2>That's why I was like, oh, I know exactly who

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<v Speaker 2>I'm gonna who I'm gonna call because she, Kim knows

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<v Speaker 2>more about the.

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<v Speaker 1>Show than I do, for sure, more than both of

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<v Speaker 1>us come by. Yeah, easily, absolutely, But it.

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<v Speaker 2>Was really fun. I'm so glad you're back. Yes, I

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<v Speaker 2>can't tell you how many people saying my name at

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<v Speaker 2>nineties yep. Yeah, and they told me to sing it

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<v Speaker 2>back to you, Andrea Barber, so oh, I love lots

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<v Speaker 2>of miss I have a few things I would like

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<v Speaker 2>to show you.

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<v Speaker 3>Oh yes, please do what do you have to show?

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<v Speaker 3>Show and tell, show and tell.

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<v Speaker 2>Some wonderful fan made me a friendship bracelet, which I

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<v Speaker 2>have a bunch of them still. I've saved all of

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<v Speaker 2>them that people made me. They're all over there by

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<v Speaker 2>the Full House House but this one in particular was

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<v Speaker 2>really epic because they made a bracelet that says the

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<v Speaker 2>world is small, but the house is full, and it's

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<v Speaker 2>just exactly the size it's now.

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<v Speaker 3>That's perfect.

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<v Speaker 2>Have no excuse unless I like read it backwards or something,

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<v Speaker 2>but no excuse, it's always it is going to be

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<v Speaker 2>right here and I just have to read it. So

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<v Speaker 2>thank you so much.

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<v Speaker 3>Did that more than any well.

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<v Speaker 2>They were like, here, it's I put it on a bracelet.

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<v Speaker 2>Now you can't screw it up. So I think it

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<v Speaker 2>was sort of also like full. Yeah, they were like

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<v Speaker 2>we're done with this. Uh just please, it's.

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<v Speaker 3>A little a little, a little petty and I love It's.

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<v Speaker 2>Like it's like, Gwen, just read you read it right anyway.

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<v Speaker 3>So there's that, okay.

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<v Speaker 2>I also have several little bracelets for you, some things,

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<v Speaker 2>some stickers that fans have given. There's there's more in here.

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<v Speaker 2>There's a little envelope for you. I've got and stuff.

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<v Speaker 2>But I have to show you. There were I think

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<v Speaker 2>two people maybe three that came with the picture of this,

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<v Speaker 2>but the first person that came through the line that

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<v Speaker 2>gave me this had put it in a frame and

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<v Speaker 2>it is very, very special to me.

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<v Speaker 3>Oh what is it?

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<v Speaker 2>What do you think it is? Donna a picture?

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<v Speaker 3>But it's a big bunny.

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<v Speaker 2>My very own pink bunny in a frame because that

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<v Speaker 2>was yours, because that was your bunny exactly. And so

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<v Speaker 2>somebody said you need a framed bunny. And so now

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<v Speaker 2>I have a framed pink bunny. And I thank you

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<v Speaker 2>so much to the fan that brought me this at

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<v Speaker 2>nineties Con in Hartford. Just I love it. It literally

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<v Speaker 2>is sitting in my office now and I have a

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<v Speaker 2>pink bunny and all is okay with the world.

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<v Speaker 3>I feel like our characters are healing their generational trauma.

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<v Speaker 2>We are healing, healing deep wounds. And another fan was

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<v Speaker 2>so sweet. I thought they wanted me to sign this.

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<v Speaker 2>I was like, there's no way there. They're like, no, no, no,

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<v Speaker 2>it's for you. We know you love legos. Oh so

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<v Speaker 2>they got me the little mini Disney castle. What I

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<v Speaker 2>was like, for me, seriously, so sweet, so generous, Thank

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<v Speaker 2>you so much.

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<v Speaker 1>I am.

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<v Speaker 2>I can't wait to build my Disney legos.

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<v Speaker 3>Yeah, we have the best fans. Oh my goodness.

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<v Speaker 2>Everyone was so excited, had so much fun. Everyone sent

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<v Speaker 2>you so much love. Ab They were all like, oh,

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<v Speaker 2>we love Andrea. We're you know, we wish it was here,

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<v Speaker 2>and he's like, she is here in spirit and just

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<v Speaker 2>you got so much love. So just know that. But

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<v Speaker 2>our fans were awesome at nineties Cone and it was

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<v Speaker 2>it was really fun. We had a good time.

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<v Speaker 3>That is so sweet.

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<v Speaker 1>That's so heartwarming, And thank you for passing on those

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<v Speaker 1>wonderful messages. I was so sad when I had to cancel,

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<v Speaker 1>but you know, I just had some family Yeah, family stuff.

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<v Speaker 2>Yeah, No, I mean, look, life happens, right. I heard

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<v Speaker 2>a great quote today and that during my Peloton ride.

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<v Speaker 2>Yeah Peloton. It was Tune Day that said it, and

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<v Speaker 2>she said, you know, what is a plan but just

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<v Speaker 2>your best guess anyway. And I like that's so true

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<v Speaker 2>because she was like, I woke up in a mood

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<v Speaker 2>because my plan. I had a plan and then it

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<v Speaker 2>just didn't go. And she was like, but a plan's

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<v Speaker 2>really just kind of a guess of what you think

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<v Speaker 2>is going to happen anyway, and I was like, you know, yeah,

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<v Speaker 2>that's true.

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<v Speaker 3>It's true.

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<v Speaker 1>It's our best guess and sometimes it happens and sometimes

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<v Speaker 1>it doesn't.

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<v Speaker 2>So you know what, sometimes it doesn't happen. Sometimes you

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<v Speaker 2>got to deal with family stuff and that's yeah, that's

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<v Speaker 2>how it goes. But you were missed, you were loved.

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<v Speaker 2>All the casts and stuff said hello, and you know,

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<v Speaker 2>we'll drag you back for another one.

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<v Speaker 1>Yes, I will definitely be at the next one. And

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<v Speaker 1>I was, yeah, very I'm just yeah, my heart is

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<v Speaker 1>very full. Thank you for the love and the grace,

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<v Speaker 1>and thank you for stepping in, Jody and and hitting

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<v Speaker 1>with the recap.

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<v Speaker 3>You did a great job.

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<v Speaker 2>Look, this is the thing we know about me. It's

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<v Speaker 2>all silly and crazy and wild until you know the

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<v Speaker 2>proverbial hits the fan and then I'm like, I'm in.

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<v Speaker 3>I got it.

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<v Speaker 2>And I am astound myself with how actually on top

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<v Speaker 2>of things that I am and can be.

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<v Speaker 3>So I know, I can't you step up? Yeah yeah, yeah,

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<v Speaker 3>of course you can't. Of course you can.

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<v Speaker 2>So yeah, I loved housting with Kim. It was really fun.

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<v Speaker 3>But but yeah, nice, glad to have you back. Yeah,

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<v Speaker 3>it's so good to be back.

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<v Speaker 1>And I am so excited to recap Fogged in a

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<v Speaker 1>great episode. Carl the Fog, I'm back, Carl interrupting plans again,

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<v Speaker 1>you know, talk about plans being in.

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<v Speaker 2>Carl is really he is kind of the nemesis of

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<v Speaker 2>the Tanner family.

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<v Speaker 1>Really, he's the Stefano Demera from Days of Our Life.

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<v Speaker 3>He's the villain.

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<v Speaker 2>I never watched that often, but even I remember Stephano

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<v Speaker 2>because there was the name.

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<v Speaker 1>Oh yes, this villain just wrecking everyone's plan.

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<v Speaker 2>Yeah, almost the uh was it Gargamel? No, Gargamel was

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<v Speaker 2>the cat in the Smurfs, you.

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<v Speaker 1>Know, oh oh, oh, yeah, who was the villain in

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<v Speaker 1>this smart who was Uh wasn't Gargamel Gargame?

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<v Speaker 2>I thought Gargamel was the cat anyway, anyway, exactly. He

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<v Speaker 2>was always forming plants. I don't know why that popped

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<v Speaker 2>into my head, but that's where we're at. So Carl

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<v Speaker 2>the Fog is back again. What if this show was

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<v Speaker 2>set anywhere else, Like.

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<v Speaker 1>What if it was set in the desert, they would

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<v Speaker 1>have no Yeah, they would have no villain villainous and you'd.

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<v Speaker 2>Whether have flash floods, maybe heat stroke heat Yeah, heat

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<v Speaker 2>stroke would be a theater. You could do that Chicago.

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<v Speaker 2>You could just get sudden winds that.

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<v Speaker 3>We could be blown away. Yeah true.

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<v Speaker 2>So okay, yeah, well this is episode three with Carl

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<v Speaker 2>the Fog.

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<v Speaker 3>Yes, that's right. We had Carl Waite. I wrote it down.

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<v Speaker 1>I wrote it down the Disneyland, Disneyland trip, Yes, the

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<v Speaker 1>Disneyland trip that got interrupted, right, and then Carl the

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<v Speaker 1>fog interrupted the Beach Boys going to wake up San

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<v Speaker 1>Francisco and ruined Danny's plans for that, and now here everybody's.

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<v Speaker 3>Stuck in the full house because of Carlo.

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<v Speaker 2>Why does Carl hate the Tanner so much? I don't know.

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<v Speaker 2>Carl is like, oh, you guys are gonna do something fun.

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<v Speaker 2>No you're not.

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<v Speaker 3>But yeah, no, the fog was incredible, like the special.

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<v Speaker 2>Effects there was so much like it was like, wow,

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<v Speaker 2>I've never seen fog do that, Like it was thick,

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<v Speaker 2>like the joke has to work, get as much fog

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<v Speaker 2>as possible. I feel like there's a horror movie called

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<v Speaker 2>The Fog and it's that's the only time I've ever

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<v Speaker 2>seen fog behave that way. When it's like like your house,

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<v Speaker 2>like through the front door. I was like, whoa aggressive fog.

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<v Speaker 1>That was very aggressive fog. So yeah, no props to

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<v Speaker 1>our what department is that not?

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<v Speaker 2>That would be that would be special effects, that'd be

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<v Speaker 2>effects apartment. Yeah. Yeah, there was someone there with a

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<v Speaker 2>smoke machine and a fan just doing that.

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<v Speaker 1>Yeah, the hard part is when you're done with the scene,

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<v Speaker 1>but you have to do it again, and they got

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<v Speaker 1>to clear all that fog out to then make it

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<v Speaker 1>appear whenever it appeared in that first scene. So yeah,

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<v Speaker 1>oh right, the fog out before they bring it back,

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<v Speaker 1>before you blow the fog in. I don't know, Okay, yeah, yeah,

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<v Speaker 1>well let's get let's get into it, shall we.

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<v Speaker 2>Let's do this.

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<v Speaker 1>Yeah, welcome back to how Rude Tanerto's I'm Andrea Barber

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<v Speaker 1>and I'm Jodie Sweeten, and today we're discussing season two,

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<v Speaker 1>episode twelve, entitled fogged In. Is it I N N

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<v Speaker 1>or is it I N? I know in our notes

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<v Speaker 1>here it says I N. But there's somewhere somewhere else

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<v Speaker 1>I read it was in like, you know, coming to

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<v Speaker 1>the Inn state they fogged in?

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<v Speaker 3>Yeah, like this is the Inn.

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<v Speaker 2>I don't know. But that's a great little play on words. Yeah,

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<v Speaker 2>I mean, it really only works if you read it,

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<v Speaker 2>but I like, but I appreciate.

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<v Speaker 3>True, that doesn't really work over this audio medium.

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<v Speaker 2>But that's no but I but yeah, that's this. It's

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<v Speaker 2>in the spell that the fogged In. Fogged In. That

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<v Speaker 2>would be a great name for a bed and breakfast

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<v Speaker 2>in San Francisco. Oh my god, we should buy the

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<v Speaker 2>full house house and turn it into the fogged In.

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<v Speaker 3>Oh my gosh, yes, let's do it. The names will

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<v Speaker 3>be so excited about someone else your house has bought

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<v Speaker 3>the house.

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<v Speaker 2>I have so many plans. Okay, I'm just gonna be

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<v Speaker 2>standing outside with a fog machine all the time. Neighbors

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<v Speaker 2>are gonna love it.

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<v Speaker 3>That's awesome.

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<v Speaker 1>This episode originally aired on January twentieth, nineteen eighty nine,

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<v Speaker 1>the day after your birthday, Jodie Sweeten.

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<v Speaker 2>All of seven years old?

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<v Speaker 3>Wow? Seven?

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<v Speaker 2>No?

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<v Speaker 3>Just a yeah? This is season two?

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<v Speaker 2>Yeah?

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<v Speaker 3>Yeah, yeah. So you think you was seven?

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<v Speaker 2>Well, I mean nineteen eighty nine. I was born at

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<v Speaker 2>eighty two. I do it. If I'm doing the math correctly,

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<v Speaker 2>I'm pretty sure I was seven. But don't gay that

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<v Speaker 2>works not a mather.

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<v Speaker 1>So you were born in the eighties day, I'm a

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<v Speaker 1>seventy six girl. So by centennial baby? Oh yay, Okay,

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<v Speaker 1>so the show, the episode goes a little something like this.

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<v Speaker 1>The fog rolls in, and so does everyone else.

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<v Speaker 2>That's it.

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<v Speaker 3>What more do you need to know about this episode, right,

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<v Speaker 3>that's it.

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<v Speaker 1>It was directed by Joelswick, it was written by Kim Weissakoff,

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<v Speaker 1>and our guest stars are all returning guest stars this year.

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<v Speaker 1>We have Jon Apria back as Nick Kutzopolis Von Wilder

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<v Speaker 1>also returns as Irene, and then we have Diane Brody

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<v Speaker 1>returning as Cheryl. We first saw her in Triple Date

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<v Speaker 1>and she's back. She was originally Jesse's date in that episode,

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<v Speaker 1>I believe if I'm correct, and.

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<v Speaker 3>Then they swapped and so and then Joey ended up

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<v Speaker 3>with Cheryl. So this is great.

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<v Speaker 1>This is this is her second full House episode. She's

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<v Speaker 1>in a total of three. And again this is another

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<v Speaker 1>actor where full House was their very last credit.

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<v Speaker 3>So we killed this acting career.

0:11:45.840 --> 0:11:48.120
<v Speaker 2>You know. It went so well for some of us

0:11:48.160 --> 0:11:51.280
<v Speaker 2>and so not for others. I don't know what. Yeah,

0:11:51.600 --> 0:11:55.679
<v Speaker 2>they were like, never again, the guest start, right, I

0:11:55.720 --> 0:11:59.800
<v Speaker 2>want to do this ever again? Yeah? Okay, okay.

0:12:00.000 --> 0:12:05.480
<v Speaker 1>So we open in Joey's room. Joey has Michelle seated

0:12:05.559 --> 0:12:09.720
<v Speaker 1>on his bed and Joey's wearing a cardigan that is

0:12:09.960 --> 0:12:13.840
<v Speaker 1>very reminiscent of that cup, that paper cup, that waxy

0:12:13.880 --> 0:12:17.720
<v Speaker 1>paper cup. From the nineties where, yes, like turquoise and.

0:12:17.679 --> 0:12:21.600
<v Speaker 2>You know what, there were people at nineties con dressed

0:12:21.720 --> 0:12:24.120
<v Speaker 2>up as that cup because you can buy that that

0:12:24.240 --> 0:12:28.280
<v Speaker 2>pattern online in like shirts and sweatshirts and stuff. So

0:12:28.360 --> 0:12:31.760
<v Speaker 2>maybe Joey Gladstone was kind of the original with it.

0:12:32.200 --> 0:12:34.120
<v Speaker 2>But yeah, you're right, and does he does look like

0:12:34.200 --> 0:12:40.000
<v Speaker 2>those like a like a like a eighties a cup

0:12:40.040 --> 0:12:45.400
<v Speaker 2>from a mall refreshment stand in a generic eighties teen

0:12:45.480 --> 0:12:49.000
<v Speaker 2>movie because you couldn't use any of the like, you know,

0:12:49.160 --> 0:12:51.800
<v Speaker 2>coke products, right, Yeah, so they were like just put

0:12:51.800 --> 0:12:54.160
<v Speaker 2>that turquoise cup in there. It's kind of the precursor

0:12:54.200 --> 0:12:57.320
<v Speaker 2>to the Red Solo Cup. I feel like, really that

0:12:57.400 --> 0:13:01.920
<v Speaker 2>cup walked, so the Red Solo cup fly, Yes.

0:13:01.679 --> 0:13:02.560
<v Speaker 3>It did, it did.

0:13:02.920 --> 0:13:05.199
<v Speaker 1>And here we are nineteen eighty nine. Joey is already

0:13:05.679 --> 0:13:07.600
<v Speaker 1>already wearing yep, these colors.

0:13:07.640 --> 0:13:08.160
<v Speaker 3>I love it.

0:13:09.040 --> 0:13:12.440
<v Speaker 1>So Joey asks Michelle what her favorite impression is, because

0:13:12.440 --> 0:13:13.760
<v Speaker 1>he's putting an act together.

0:13:13.840 --> 0:13:16.560
<v Speaker 2>Always good to consult with toddlers while doing your standard routine.

0:13:16.600 --> 0:13:20.920
<v Speaker 1>Oh of course, what better audience, right, Joey does a

0:13:21.000 --> 0:13:25.079
<v Speaker 1>Jay Leno impression, and Michelle responds by resting her head

0:13:25.160 --> 0:13:29.280
<v Speaker 1>on her hand. Joey does a Rodney Dangerfield impression next,

0:13:29.559 --> 0:13:32.760
<v Speaker 1>and he gets the same unamused response from Michelle.

0:13:32.840 --> 0:13:33.760
<v Speaker 2>Oh tough critic.

0:13:34.120 --> 0:13:37.000
<v Speaker 1>Joey tells her, ah, you don't know comedy when you

0:13:37.040 --> 0:13:42.880
<v Speaker 1>see it, Michelle, and she responds, no repects, and Joey

0:13:42.920 --> 0:13:47.280
<v Speaker 1>laughs and says no respect. Michelle tells him me funny,

0:13:48.080 --> 0:13:50.880
<v Speaker 1>and Joey jokingly calls her a little monster and begins

0:13:50.920 --> 0:13:53.280
<v Speaker 1>tickling her before giving her a big kiss.

0:13:53.679 --> 0:13:57.120
<v Speaker 2>It did such great impressions. It was so fun. I

0:13:57.120 --> 0:13:59.040
<v Speaker 2>do have to say, though, I wonder how many people

0:14:00.120 --> 0:14:03.320
<v Speaker 2>of younger generations were like, who are those people that

0:14:03.360 --> 0:14:04.199
<v Speaker 2>he's impersonating?

0:14:04.400 --> 0:14:05.439
<v Speaker 3>Who's Jay Leno is?

0:14:05.720 --> 0:14:06.400
<v Speaker 2>Right? Right?

0:14:06.520 --> 0:14:07.520
<v Speaker 3>Danger Dingerfield?

0:14:07.600 --> 0:14:09.680
<v Speaker 2>Right? Yeah, he used to host it Tonight Show. Isn't

0:14:09.720 --> 0:14:11.439
<v Speaker 2>that Kimmel? No, there was, there was.

0:14:11.400 --> 0:14:14.079
<v Speaker 3>A whole Yeah.

0:14:14.120 --> 0:14:16.199
<v Speaker 1>So then we have the show credits, and then we're

0:14:16.240 --> 0:14:20.480
<v Speaker 1>in the kitchen. Michelle is making eggs at her plastic kitchen.

0:14:20.600 --> 0:14:24.760
<v Speaker 1>As Danny watches, he jokes, you prepared them my favorite

0:14:24.760 --> 0:14:26.360
<v Speaker 1>way polyvinyl side up.

0:14:26.680 --> 0:14:29.360
<v Speaker 2>Isn't that a reference? Isn't that PVC? Isn't that the

0:14:29.400 --> 0:14:31.720
<v Speaker 2>thing that that we all say, like, there's no PVC

0:14:31.840 --> 0:14:34.960
<v Speaker 2>in this now something.

0:14:35.360 --> 0:14:37.080
<v Speaker 3>Yeah, it was Danny's.

0:14:37.440 --> 0:14:42.440
<v Speaker 2>I'm so glad that this highly cancerous and caringenic playfood

0:14:42.520 --> 0:14:44.240
<v Speaker 2>is made out of this. Yeah.

0:14:44.400 --> 0:14:49.880
<v Speaker 1>Ah, the eighties, you know, right like that. Yeah, it's amazing.

0:14:49.880 --> 0:14:50.520
<v Speaker 1>We all turned out.

0:14:50.560 --> 0:14:50.840
<v Speaker 3>Okay.

0:14:51.600 --> 0:14:57.080
<v Speaker 1>Uh. Stephan DJ, Stephan DJ race downstairs in their pajamas.

0:14:57.400 --> 0:15:00.720
<v Speaker 1>Steph quickly asks if Danny can make French toast for breakfast,

0:15:00.880 --> 0:15:05.040
<v Speaker 1>but DJ protests, asking him to make waffles instead. They

0:15:05.160 --> 0:15:07.880
<v Speaker 1>argue back and forth, and Danny suggests going to the

0:15:07.920 --> 0:15:13.640
<v Speaker 1>tiebreaker Michelle. Michelle smiles and says cookies. Stuff looks up

0:15:13.640 --> 0:15:16.600
<v Speaker 1>for Danny and admits I can live with that. It's

0:15:16.640 --> 0:15:20.520
<v Speaker 1>all kind of the same with the bread. It's flowers, shoke, cookies.

0:15:20.200 --> 0:15:23.120
<v Speaker 2>French tose, waffles. The fact that we as Americans have

0:15:23.240 --> 0:15:25.840
<v Speaker 2>lied to ourselves and said that like a muffin, which

0:15:25.920 --> 0:15:30.680
<v Speaker 2>is just cake in a smaller form, is breakfast. It's sounding.

0:15:30.800 --> 0:15:33.040
<v Speaker 2>It's so great and look at I love muffins. Don't

0:15:33.040 --> 0:15:35.360
<v Speaker 2>get me wrong. It is it is breakfast cake.

0:15:35.760 --> 0:15:37.320
<v Speaker 3>Breakfast cake. Nothing like it.

0:15:37.920 --> 0:15:38.120
<v Speaker 2>Yeah.

0:15:38.400 --> 0:15:42.480
<v Speaker 1>So Jesse slowly stumbles downstairs with messy hair, his eyes

0:15:42.520 --> 0:15:44.640
<v Speaker 1>are half closed, and he lets out a.

0:15:44.560 --> 0:15:46.160
<v Speaker 2>Big yall but very clean shaven.

0:15:47.520 --> 0:15:51.520
<v Speaker 1>Five o'clock shadow or eight o'clock shadow is Yeah, you're right,

0:15:51.560 --> 0:15:53.280
<v Speaker 1>he must have shaved in his sleep.

0:15:53.840 --> 0:15:55.360
<v Speaker 2>So maybe he just maybe he.

0:15:55.360 --> 0:15:57.360
<v Speaker 3>Was a slow grower. You know those well, no, he

0:15:57.400 --> 0:15:59.280
<v Speaker 3>had Greek jeans, so I feel like they were hairy.

0:15:59.400 --> 0:16:00.000
<v Speaker 2>Yeah they were.

0:16:00.520 --> 0:16:02.840
<v Speaker 3>Look at the hair on his head. Yeah that's true. Okay,

0:16:02.920 --> 0:16:04.200
<v Speaker 3>so we must have shaved in his sleep.

0:16:06.320 --> 0:16:09.760
<v Speaker 1>Danny jokes, you better check the expiration date on that moose,

0:16:10.360 --> 0:16:14.080
<v Speaker 1>and Jesse just glares at him. Dj confesses, I've never

0:16:14.160 --> 0:16:16.920
<v Speaker 1>seen anyone looked so wiped out.

0:16:17.520 --> 0:16:18.160
<v Speaker 3>Que Joey.

0:16:18.560 --> 0:16:21.120
<v Speaker 1>Joey walks up from his room and throws himself over

0:16:21.160 --> 0:16:24.840
<v Speaker 1>the baby gate, Looking just as wiped out. Jesse walks

0:16:24.880 --> 0:16:27.920
<v Speaker 1>over to his sleepy partner in crime and congratulates them

0:16:27.920 --> 0:16:30.280
<v Speaker 1>both on staying up all night so they could finish

0:16:30.360 --> 0:16:31.160
<v Speaker 1>that jingle.

0:16:31.360 --> 0:16:35.720
<v Speaker 2>These guys and their last minute larrying of the jingle.

0:16:35.440 --> 0:16:38.440
<v Speaker 3>Writing procrastination galore, You know, I.

0:16:38.360 --> 0:16:40.760
<v Speaker 2>Mean, I get it, you know maybe, Yeah, they only

0:16:40.760 --> 0:16:42.080
<v Speaker 2>work they work best under pressure.

0:16:42.160 --> 0:16:45.080
<v Speaker 1>Yeah, that's when the genius comes, is when they're true

0:16:45.160 --> 0:16:48.840
<v Speaker 1>on a deadline. Kimmy cheerfully bursts in the back door

0:16:48.880 --> 0:16:52.400
<v Speaker 1>with a suitcase in her hand, exclaiming, good morning, I'm

0:16:52.440 --> 0:16:53.320
<v Speaker 1>here for the weekend.

0:16:54.360 --> 0:16:58.160
<v Speaker 2>Joe giant suitcase, by the way, bigger than me. Really

0:16:58.280 --> 0:17:01.000
<v Speaker 2>like you could have gone somewhere for a week with that.

0:17:01.160 --> 0:17:03.360
<v Speaker 2>I don't know what Kimmy's bringing into this house, but

0:17:03.960 --> 0:17:04.800
<v Speaker 2>I would love to know.

0:17:04.760 --> 0:17:05.320
<v Speaker 3>What's in that end.

0:17:05.480 --> 0:17:09.159
<v Speaker 1>I can easily fit Taylor Swift into that suitcase and right,

0:17:09.040 --> 0:17:13.560
<v Speaker 1>h yeah for sure, Joey and Jesse scream in horror,

0:17:13.600 --> 0:17:17.160
<v Speaker 1>and thus begins this long tradition of Kimmy not being

0:17:17.200 --> 0:17:18.679
<v Speaker 1>welcome in the Tanner Home.

0:17:18.720 --> 0:17:22.760
<v Speaker 3>And scaring the adults as she pops in. Can we

0:17:22.760 --> 0:17:23.680
<v Speaker 3>talk about my hair?

0:17:23.920 --> 0:17:26.439
<v Speaker 2>Like this hair is? Can we talk about it?

0:17:26.480 --> 0:17:26.760
<v Speaker 3>Hey?

0:17:26.880 --> 0:17:31.720
<v Speaker 2>I wrote so many notes, and I believe even last

0:17:31.720 --> 0:17:33.040
<v Speaker 2>week with kim there.

0:17:32.880 --> 0:17:33.800
<v Speaker 3>Was it came up.

0:17:33.920 --> 0:17:38.040
<v Speaker 2>Yep, what was going on? It was the thought process,

0:17:38.160 --> 0:17:40.760
<v Speaker 2>the choice. Why did your hair all of a sudden

0:17:40.840 --> 0:17:43.679
<v Speaker 2>get so freaking gigantic.

0:17:43.960 --> 0:17:47.240
<v Speaker 1>I've never seen real hair look more like a wig

0:17:47.480 --> 0:17:48.320
<v Speaker 1>than a wig.

0:17:48.200 --> 0:17:51.240
<v Speaker 2>Right you know? It's yeah, it's big.

0:17:51.320 --> 0:17:55.119
<v Speaker 1>It's like spiderweb at least sound like a little plastic

0:17:56.080 --> 0:17:56.960
<v Speaker 1>headband on.

0:17:57.119 --> 0:17:58.040
<v Speaker 3>So that gave it some.

0:17:58.200 --> 0:18:00.720
<v Speaker 2>Well, I mean, can you imagine if there's nothing holding

0:18:00.720 --> 0:18:02.800
<v Speaker 2>that gun. You know, I just would have just flown

0:18:02.880 --> 0:18:03.560
<v Speaker 2>right off your head.

0:18:03.680 --> 0:18:05.439
<v Speaker 3>That was my real hair. That's the saddest thing is

0:18:05.440 --> 0:18:07.760
<v Speaker 3>that was my real hair and it.

0:18:07.840 --> 0:18:10.400
<v Speaker 2>Just well, I'm sure you didn't wake up and your

0:18:10.440 --> 0:18:14.320
<v Speaker 2>hair looked like that. No, but that styling. You just

0:18:14.359 --> 0:18:16.880
<v Speaker 2>have very thick hair that if you curled and sprayed

0:18:16.880 --> 0:18:19.560
<v Speaker 2>it in the manner that it was, it looked like

0:18:20.160 --> 0:18:22.080
<v Speaker 2>it looked like a like a I don't know, like

0:18:22.080 --> 0:18:26.080
<v Speaker 2>a Patrick Swayze wig or something like. It was pretty.

0:18:26.400 --> 0:18:28.480
<v Speaker 2>It was. It was mullet material.

0:18:28.520 --> 0:18:31.280
<v Speaker 3>Oh, it was. It was. It was just yeah, two.

0:18:31.520 --> 0:18:34.320
<v Speaker 2>Shades away from a moment. There was no business in

0:18:34.359 --> 0:18:36.119
<v Speaker 2>the front. It was just party all over it. It was

0:18:36.200 --> 0:18:36.800
<v Speaker 2>party all.

0:18:39.520 --> 0:18:43.880
<v Speaker 1>There was nothing professional about it. No, it was all

0:18:43.960 --> 0:18:46.080
<v Speaker 1>all party, all gibbler all the time.

0:18:46.119 --> 0:18:46.560
<v Speaker 3>Yeah.

0:18:46.680 --> 0:18:48.680
<v Speaker 2>Maybe that maybe that's what she has in the suitcases,

0:18:48.760 --> 0:18:49.480
<v Speaker 2>hair products.

0:18:49.760 --> 0:18:52.000
<v Speaker 3>That's what it is. It's all of her Aquinet.

0:18:52.240 --> 0:18:55.840
<v Speaker 2>That's all of her, right, It's a giant, industrial size Aquinet.

0:18:56.560 --> 0:18:59.240
<v Speaker 1>So DJ takes Kimmy's suitcase out of her hands and

0:18:59.280 --> 0:19:02.679
<v Speaker 1>heads upstairs. Then the doorbell rings and Joey exits to

0:19:02.720 --> 0:19:06.119
<v Speaker 1>get it. Kimmy thanks Danny for having her over for

0:19:06.160 --> 0:19:09.639
<v Speaker 1>the weekend, reminding him that she's allergic to dairy products,

0:19:09.720 --> 0:19:14.320
<v Speaker 1>feather pillows and six year olds. Glaring right at Steph,

0:19:14.600 --> 0:19:16.879
<v Speaker 1>Stephanie defends herself, don't look at me.

0:19:17.280 --> 0:19:18.800
<v Speaker 3>I'm six and three quarters.

0:19:19.840 --> 0:19:23.760
<v Speaker 1>Yeah, I just love watching these early interactions between us. Yes,

0:19:23.840 --> 0:19:28.960
<v Speaker 1>our frenemieship is developing episode by episode, and I'm here

0:19:29.000 --> 0:19:32.080
<v Speaker 1>for it. Danny asks Kimmy if her parents are coming

0:19:32.119 --> 0:19:37.160
<v Speaker 1>back Sunday, to which Kimmy replies absolutely Wednesday. At the latest,

0:19:38.280 --> 0:19:41.720
<v Speaker 1>Jesse sluggishly asks his family who wants to chip in

0:19:41.800 --> 0:19:45.360
<v Speaker 1>for a hotel, and they all raise their hands, including Michelle.

0:19:45.400 --> 0:19:46.919
<v Speaker 2>I love how Steph raised both hands.

0:19:47.400 --> 0:19:51.320
<v Speaker 1>Stephanie's like her, get me out of here, please, get

0:19:51.320 --> 0:19:53.479
<v Speaker 1>me some French toast and a hotel please.

0:19:53.840 --> 0:20:03.440
<v Speaker 3>Exactly in the living.

0:20:03.280 --> 0:20:05.879
<v Speaker 1>Room, Joey answers the front door with a waffle in

0:20:05.920 --> 0:20:07.760
<v Speaker 1>his mouth, and it's Cheryl.

0:20:08.720 --> 0:20:11.840
<v Speaker 2>She looks Was it a waffle or a jelly donut? Oh?

0:20:12.000 --> 0:20:13.440
<v Speaker 1>You know, I think it was a jelly donut because

0:20:13.440 --> 0:20:16.520
<v Speaker 1>it comes back at the end of this little scene. Right, yeah,

0:20:16.560 --> 0:20:18.200
<v Speaker 1>I wrote down waffle, but it's you're right, it's a

0:20:18.240 --> 0:20:18.879
<v Speaker 1>jelly donut.

0:20:19.160 --> 0:20:19.480
<v Speaker 2>Okay.

0:20:19.920 --> 0:20:23.920
<v Speaker 1>Cheryl is shocked. To see Joey in such disarray. Are

0:20:23.920 --> 0:20:25.879
<v Speaker 1>you the same Joey, I've been dating for two months,

0:20:25.920 --> 0:20:30.240
<v Speaker 1>she says, and he responds, No, I'm Joey's grungey twin

0:20:30.320 --> 0:20:34.240
<v Speaker 1>brother sloppy Joe, Let me go get handsome, Joe. She

0:20:34.280 --> 0:20:36.360
<v Speaker 1>stops him and says she just wants to stop by

0:20:36.440 --> 0:20:37.359
<v Speaker 1>to see if he'd like to.

0:20:37.400 --> 0:20:38.840
<v Speaker 3>Go skiing over the weekend.

0:20:39.400 --> 0:20:46.840
<v Speaker 2>Okay, I forgot that Joey had this girlfriend in the beginning, right.

0:20:46.840 --> 0:20:49.800
<v Speaker 1>Well, I think there was really no follow up after

0:20:50.080 --> 0:20:52.680
<v Speaker 1>a triple date there, you know, they just the girls

0:20:52.720 --> 0:20:53.680
<v Speaker 1>went off into the ether.

0:20:53.840 --> 0:20:56.280
<v Speaker 3>But didn't she cut She's she came Is this her

0:20:56.320 --> 0:20:58.800
<v Speaker 3>second or this is her second? This is her second episode?

0:20:58.840 --> 0:21:01.160
<v Speaker 2>Oh? Okay, yeah. Because I was surprised, I was like, wait,

0:21:01.200 --> 0:21:02.000
<v Speaker 2>what two months?

0:21:02.000 --> 0:21:02.440
<v Speaker 3>Two months?

0:21:02.520 --> 0:21:02.680
<v Speaker 1>Yeah?

0:21:02.720 --> 0:21:04.639
<v Speaker 2>Are you who is this person? And then I was like,

0:21:04.720 --> 0:21:06.080
<v Speaker 2>oh wait that's right, I remember.

0:21:06.200 --> 0:21:09.240
<v Speaker 1>Yeah, So yeah, I know this all took place off stage,

0:21:09.320 --> 0:21:11.959
<v Speaker 1>and now this is Cheryl's back. We're learning about this

0:21:12.000 --> 0:21:15.760
<v Speaker 1>relationship in real time here. Joey is surprised that Cheryl

0:21:15.880 --> 0:21:18.359
<v Speaker 1>wants to take the risk of seeing him like this again,

0:21:18.640 --> 0:21:21.360
<v Speaker 1>but she jokes, you haven't seen my evil twin yet

0:21:21.800 --> 0:21:22.840
<v Speaker 1>no makeup, Cheryl.

0:21:23.800 --> 0:21:26.360
<v Speaker 2>You know, I'm gonna say, right there, I can see

0:21:26.400 --> 0:21:29.479
<v Speaker 2>why this relationship isn't gonna work. She's not funny.

0:21:30.160 --> 0:21:33.040
<v Speaker 3>Well, she's funny, she's not funny enough for Joey. Definitely,

0:21:33.200 --> 0:21:37.600
<v Speaker 3>no makeup, Cheryl, that's not there's a when she said that,

0:21:37.640 --> 0:21:38.000
<v Speaker 3>I went on.

0:21:38.520 --> 0:21:41.240
<v Speaker 2>Joey's like he's bumped at that one.

0:21:41.320 --> 0:21:44.680
<v Speaker 3>Yeah. Yeah, this relationship is not going to last. But yeah,

0:21:44.680 --> 0:21:45.119
<v Speaker 3>that's okay.

0:21:45.280 --> 0:21:45.640
<v Speaker 2>She tried.

0:21:45.680 --> 0:21:46.600
<v Speaker 3>It's okay, she tried.

0:21:46.680 --> 0:21:49.200
<v Speaker 1>And I think you know, Joey's just excited that somebody

0:21:49.240 --> 0:21:51.479
<v Speaker 1>loves him and he wants to go skiing for the weekend.

0:21:51.480 --> 0:21:53.280
<v Speaker 3>Okay, so all right exactly.

0:21:53.960 --> 0:21:56.240
<v Speaker 1>Cheryl tells him she'll pick him up at five o'clock

0:21:56.280 --> 0:21:59.480
<v Speaker 1>and then gives him a kiss. M strawberry jolly donut

0:21:59.520 --> 0:22:02.439
<v Speaker 1>she noticed, and Joey smirks, I'll pick up a dozen

0:22:02.560 --> 0:22:05.720
<v Speaker 1>for the weekend. After Cheryl leaves, Joey celebrates a little

0:22:05.720 --> 0:22:08.760
<v Speaker 1>too hard, squeezing the strawberry jelly out of his donut,

0:22:09.000 --> 0:22:10.159
<v Speaker 1>getting it everywhere.

0:22:11.640 --> 0:22:14.360
<v Speaker 2>The amount of times that that's happened to me over

0:22:14.520 --> 0:22:16.240
<v Speaker 2>celebrating with a jelly donut in my hand.

0:22:16.920 --> 0:22:18.679
<v Speaker 3>Now I feel like a jelly donut. I haven't had

0:22:18.720 --> 0:22:19.919
<v Speaker 3>one of those in a hot minute.

0:22:20.480 --> 0:22:22.679
<v Speaker 2>I actually don't love jelly donuts. It's kind of a weird.

0:22:23.040 --> 0:22:23.760
<v Speaker 2>I don't like it.

0:22:23.960 --> 0:22:27.720
<v Speaker 3>Do you like your donuts without filling out?

0:22:27.800 --> 0:22:30.119
<v Speaker 2>I like the little cake sprinkle donuts. I like the

0:22:30.200 --> 0:22:32.760
<v Speaker 2>care I do too. I like the cake or an

0:22:32.760 --> 0:22:34.600
<v Speaker 2>apple fritter dipped in coffee.

0:22:34.840 --> 0:22:37.119
<v Speaker 3>Ooh, so good man, No, I'm hungry.

0:22:38.400 --> 0:22:41.240
<v Speaker 1>Next, we're in Jesse's room where Kimmy is playing the

0:22:41.320 --> 0:22:44.480
<v Speaker 1>keyboard as DJ holds up a mic while they see

0:22:44.520 --> 0:22:45.400
<v Speaker 1>it doing pretty good.

0:22:45.520 --> 0:22:47.000
<v Speaker 3>Oh it's no, I wasn't.

0:22:47.040 --> 0:22:49.440
<v Speaker 2>I mean, I know it's fake, but it's better than

0:22:50.640 --> 0:22:53.280
<v Speaker 2>only once did I go, wait, that's not quite on set.

0:22:53.359 --> 0:22:54.800
<v Speaker 2>But for the most part it was.

0:22:55.080 --> 0:22:58.760
<v Speaker 1>It was, except I'm not pressing the keyboard like my

0:22:58.880 --> 0:23:02.000
<v Speaker 1>hands are just sort of flow like I'm touching the keyboard,

0:23:02.000 --> 0:23:04.680
<v Speaker 1>but I'm not pressing the keys down. So even though

0:23:04.680 --> 0:23:07.520
<v Speaker 1>I have the tempo down right, I'm not pressing those

0:23:07.640 --> 0:23:11.320
<v Speaker 1>keys like it's it's you know, this whole episode, my

0:23:11.359 --> 0:23:14.520
<v Speaker 1>acting is questionable, But you know, I thought you did great.

0:23:14.640 --> 0:23:15.879
<v Speaker 3>I was more concerned about singing.

0:23:16.160 --> 0:23:18.600
<v Speaker 1>You know what, anytime you have to sing on camera,

0:23:18.680 --> 0:23:21.000
<v Speaker 1>it's terrifying, So I think I was more self conscious

0:23:21.000 --> 0:23:22.879
<v Speaker 1>about that than my keyboard.

0:23:23.160 --> 0:23:25.040
<v Speaker 2>Well, you were doing great at both, so well, thank you.

0:23:25.520 --> 0:23:27.640
<v Speaker 2>Yeah the emotion even Yes.

0:23:27.720 --> 0:23:34.840
<v Speaker 1>Locomotion originally by Eva Narcissus Narcissus Boys Wait Oh, and

0:23:34.920 --> 0:23:38.360
<v Speaker 1>later covered by Kylie Minogue amazing. I never I don't

0:23:38.359 --> 0:23:39.919
<v Speaker 1>know if I've heard the original. I've heard the nineteen

0:23:39.960 --> 0:23:42.240
<v Speaker 1>eighties version, but I love this song.

0:23:42.320 --> 0:23:42.840
<v Speaker 2>This is great.

0:23:43.400 --> 0:23:46.240
<v Speaker 1>And DJ's playing the tambourine much better than she played

0:23:46.240 --> 0:23:49.040
<v Speaker 1>the guitar in season one when we were the bracelets,

0:23:49.160 --> 0:23:50.920
<v Speaker 1>So this is the right instrument for DJ.

0:23:51.119 --> 0:23:54.120
<v Speaker 2>Is tambourine is usually pretty manageable.

0:23:54.440 --> 0:23:54.880
<v Speaker 3>Yeah.

0:23:54.960 --> 0:23:57.919
<v Speaker 1>Jesse walks in and stops them, and then he starts

0:23:57.960 --> 0:24:01.399
<v Speaker 1>to panic. He asks DJ where they got this tape,

0:24:01.680 --> 0:24:04.080
<v Speaker 1>and she informs him that it was already in there.

0:24:04.800 --> 0:24:07.080
<v Speaker 1>Jesse begs, please tell me you didn't tape over my

0:24:07.160 --> 0:24:10.679
<v Speaker 1>Cosa dea Pancakes jingle. He plays the tape back and

0:24:10.880 --> 0:24:13.160
<v Speaker 1>confirms that they did tape.

0:24:12.880 --> 0:24:13.840
<v Speaker 3>Over the jingle.

0:24:13.960 --> 0:24:15.120
<v Speaker 2>Oh.

0:24:15.320 --> 0:24:19.600
<v Speaker 1>He's furious, yelling that they destroyed it. Kimmy replies, well,

0:24:19.640 --> 0:24:23.120
<v Speaker 1>not all of it. You still have Casa dey pancakes ole.

0:24:24.480 --> 0:24:26.560
<v Speaker 3>Wait to go Kimmy rub salt mery, Kimmy.

0:24:26.640 --> 0:24:27.360
<v Speaker 2>Yeah.

0:24:27.600 --> 0:24:30.480
<v Speaker 1>Jesse reminds DJ that this is his room and they

0:24:30.520 --> 0:24:33.200
<v Speaker 1>have no right to be in here without his permission.

0:24:33.760 --> 0:24:36.240
<v Speaker 1>DJ attempts to speak, but Jesse cuts her off.

0:24:36.600 --> 0:24:37.800
<v Speaker 3>He's very mad.

0:24:38.240 --> 0:24:43.360
<v Speaker 2>I understand well why he's mad, well, but.

0:24:43.880 --> 0:24:49.119
<v Speaker 3>The level of mad is it goes high, it goes

0:24:49.359 --> 0:24:50.200
<v Speaker 3>little too high.

0:24:51.240 --> 0:24:54.359
<v Speaker 2>I disagree on that, but that's I think he was

0:24:54.560 --> 0:24:55.840
<v Speaker 2>appropriately angry.

0:24:55.960 --> 0:24:59.800
<v Speaker 1>Really, oh see you, I do disagree he I think

0:24:59.800 --> 0:25:03.720
<v Speaker 1>he overreacted here. Here's my problem with Jesse in all

0:25:03.720 --> 0:25:07.080
<v Speaker 1>of his moments like this right, is that I feel

0:25:07.080 --> 0:25:11.160
<v Speaker 1>like these emotions aren't really earned, Like is this level

0:25:11.160 --> 0:25:16.520
<v Speaker 1>of anger really justified? Because he blows his top at

0:25:16.800 --> 0:25:18.480
<v Speaker 1>DJ kicks her out of her They.

0:25:18.359 --> 0:25:21.400
<v Speaker 2>Stayed up all night riding a jingle that's due today

0:25:22.560 --> 0:25:25.240
<v Speaker 2>and thought it was done, and then these kids go

0:25:25.359 --> 0:25:27.800
<v Speaker 2>into his room and start messing with his equipment and

0:25:27.840 --> 0:25:29.760
<v Speaker 2>record over something that's.

0:25:29.760 --> 0:25:33.159
<v Speaker 1>I understand be in there, no touchy. I understand that

0:25:33.280 --> 0:25:34.640
<v Speaker 1>he's sleep deprived.

0:25:34.800 --> 0:25:36.000
<v Speaker 3>You know, he's got a hot time.

0:25:36.040 --> 0:25:38.440
<v Speaker 2>I mean he definitely went from zero to one hundred.

0:25:38.640 --> 0:25:39.960
<v Speaker 3>H Yeah, Well, here's that.

0:25:40.000 --> 0:25:42.840
<v Speaker 2>I do think I was, like, I give why you'd

0:25:42.840 --> 0:25:43.320
<v Speaker 2>be pissed.

0:25:43.520 --> 0:25:46.080
<v Speaker 3>Well, when when Joey was mad.

0:25:45.920 --> 0:25:48.600
<v Speaker 1>At DJ a few episodes ago, it's because he was

0:25:48.680 --> 0:25:51.399
<v Speaker 1>panicked because he didn't know where she was. Right, Danny

0:25:51.520 --> 0:25:55.280
<v Speaker 1>was angry, it's because Jesse crashed his car bullet. When

0:25:55.359 --> 0:25:58.159
<v Speaker 1>Jesse's angry, it's all like, it's all inner, it's you know,

0:25:58.160 --> 0:26:00.280
<v Speaker 1>he's mad because he doesn't have privacy and house.

0:26:00.280 --> 0:26:02.919
<v Speaker 3>He's mad because you know the girls are wells and wi.

0:26:03.280 --> 0:26:05.720
<v Speaker 2>I mean, it's a little it's a little self centered.

0:26:05.760 --> 0:26:08.439
<v Speaker 2>But this time I think it's not self centered, and

0:26:08.480 --> 0:26:11.840
<v Speaker 2>it's more just that someone was using his stuff without

0:26:11.880 --> 0:26:14.360
<v Speaker 2>asking and ruined something that was important.

0:26:14.640 --> 0:26:16.240
<v Speaker 1>I'm not saying the girls were in the right. I'm

0:26:16.240 --> 0:26:18.359
<v Speaker 1>just saying his level of anger was.

0:26:18.359 --> 0:26:21.320
<v Speaker 2>Maybe I'm maybe I'm just maybe I'm. It's because I'm loud,

0:26:21.760 --> 0:26:24.560
<v Speaker 2>so I think like that sort sort of loud reaction

0:26:24.640 --> 0:26:25.840
<v Speaker 2>to me him Like that makes sense.

0:26:25.680 --> 0:26:30.359
<v Speaker 3>It's normalized for you. Yeah, yeah, No, he's he loses it.

0:26:30.880 --> 0:26:31.880
<v Speaker 2>He does, He really does.

0:26:32.160 --> 0:26:33.080
<v Speaker 3>He really does lose it.

0:26:33.160 --> 0:26:37.040
<v Speaker 1>And he do you remember, Yeah, it was season two

0:26:37.359 --> 0:26:40.040
<v Speaker 1>when you broke Jesse's arms and how mad, how he

0:26:40.080 --> 0:26:42.359
<v Speaker 1>made you feel so bad that whole episode too.

0:26:42.520 --> 0:26:46.640
<v Speaker 3>Again, Jesse's mad because, well, you didn't mean to break

0:26:46.640 --> 0:26:47.520
<v Speaker 3>his arms.

0:26:47.240 --> 0:26:51.640
<v Speaker 2>But well, he broke his arms right. I accidentally cut

0:26:51.680 --> 0:26:55.280
<v Speaker 2>his hair and which he was legitimately like bummed about,

0:26:55.280 --> 0:26:58.760
<v Speaker 2>but also like hair will grow back, okay. But then

0:26:58.800 --> 0:27:01.000
<v Speaker 2>he went out and acted like an and broke his arm.

0:27:01.080 --> 0:27:02.919
<v Speaker 1>Right and then made you feel bad about it for

0:27:02.960 --> 0:27:04.520
<v Speaker 1>the for the rest of the episode.

0:27:05.040 --> 0:27:07.760
<v Speaker 2>That's not yeah, that's but that was the pattern.

0:27:07.840 --> 0:27:09.000
<v Speaker 3>This is a pattern with Jesse.

0:27:09.200 --> 0:27:13.000
<v Speaker 2>But that was him blaming his his stupid mistake on me.

0:27:13.280 --> 0:27:15.920
<v Speaker 2>This one wasn't his stupid mistake. It was the kids.

0:27:16.119 --> 0:27:18.400
<v Speaker 3>Well it was, but I still.

0:27:18.160 --> 0:27:21.560
<v Speaker 2>Think we shall agree to disagree, and that's fine.

0:27:21.640 --> 0:27:23.920
<v Speaker 3>That's what we're here for, is to bring our own

0:27:23.960 --> 0:27:24.800
<v Speaker 3>interpretation to this.

0:27:26.640 --> 0:27:29.120
<v Speaker 1>So Jesse cannot believe that the girls would record over

0:27:29.160 --> 0:27:32.840
<v Speaker 1>a tape without checking it first. His anger builds, Now,

0:27:32.840 --> 0:27:34.639
<v Speaker 1>why don't you guys both get out of here before

0:27:34.680 --> 0:27:39.880
<v Speaker 1>I get mad? And Kimmy sarcastically questions, before Danny walks

0:27:39.880 --> 0:27:42.320
<v Speaker 1>in and DJ finally gets a word in to apologize

0:27:42.359 --> 0:27:45.240
<v Speaker 1>to Jesse, and she adds, but you don't have to worry,

0:27:45.280 --> 0:27:48.840
<v Speaker 1>because I'll never come in this room again, before storming off.

0:27:49.200 --> 0:27:52.119
<v Speaker 2>I love the drama of twelve thirteen year old girls.

0:27:52.200 --> 0:27:53.439
<v Speaker 2>I'm never coming in here.

0:27:53.359 --> 0:27:56.320
<v Speaker 1>Again, ever again, I'm sure, and that was very real

0:27:56.359 --> 0:27:58.359
<v Speaker 1>for her. I'm sure she felt that way in that moment.

0:27:58.840 --> 0:28:00.560
<v Speaker 2>I mean, if I were Jesse, I have been like, yeah,

0:28:00.600 --> 0:28:02.600
<v Speaker 2>that's fine, Please don't don't.

0:28:03.119 --> 0:28:04.080
<v Speaker 3>I'm putting a lock on.

0:28:04.000 --> 0:28:06.040
<v Speaker 2>My door right come in here again because I've yeah,

0:28:06.720 --> 0:28:08.480
<v Speaker 2>it's not your stuff. Uh so?

0:28:08.640 --> 0:28:10.640
<v Speaker 3>Danny asks Jesse what happened?

0:28:11.160 --> 0:28:14.640
<v Speaker 1>Jesse is still filled with rage while telling him they

0:28:14.720 --> 0:28:17.480
<v Speaker 1>messed up his jingle tape. Danny puts his hands on

0:28:17.520 --> 0:28:21.800
<v Speaker 1>his hips. Don't you think you're overreacting? Jesse shouts back,

0:28:22.040 --> 0:28:25.440
<v Speaker 1>assuring he is not overreacting. He yells, now, my whole

0:28:25.440 --> 0:28:29.879
<v Speaker 1>life is ruined. He catch, that's overreacting. He catches himself

0:28:29.920 --> 0:28:30.280
<v Speaker 1>in the midst.

0:28:30.440 --> 0:28:31.920
<v Speaker 3>Okay, now I'm overreacting.

0:28:33.240 --> 0:28:36.840
<v Speaker 1>Danny notices that Jesse lost his temper again, and Jesse

0:28:36.920 --> 0:28:39.800
<v Speaker 1>tries to defend himself, but acknowledges he lost his cool

0:28:39.960 --> 0:28:43.440
<v Speaker 1>and came down too hard on her. Danny encourages him

0:28:43.440 --> 0:28:46.720
<v Speaker 1>to straighten things out with dj before Jesse walks out.

0:28:46.800 --> 0:28:50.080
<v Speaker 1>Danny asks Jesse do you need a hug? And Jesse

0:28:50.200 --> 0:28:53.000
<v Speaker 1>pauses and gives him a disgusted look. Haven't I been

0:28:53.000 --> 0:28:53.600
<v Speaker 1>through enough?

0:28:54.640 --> 0:28:56.040
<v Speaker 3>Poor JESSI? Yeah, right.

0:28:56.120 --> 0:28:57.480
<v Speaker 2>The last thing you want when you're angry is to

0:28:57.480 --> 0:28:59.160
<v Speaker 2>be hugged, don't the worst?

0:28:59.480 --> 0:29:00.880
<v Speaker 3>Especially like did your mom?

0:29:01.000 --> 0:29:02.720
<v Speaker 1>Oh no, you didn't have siblings, but like when my

0:29:02.720 --> 0:29:04.520
<v Speaker 1>brothers and I would fight, my mom would make us

0:29:04.600 --> 0:29:06.840
<v Speaker 1>hug each other like it's a word. You don't want

0:29:06.840 --> 0:29:09.560
<v Speaker 1>to hug someone, especially when you're like peeved.

0:29:09.760 --> 0:29:10.880
<v Speaker 3>Yeah, it's the worst.

0:29:12.080 --> 0:29:14.840
<v Speaker 1>Uh So the next scene, we're in Michelle's room. Steph

0:29:14.960 --> 0:29:18.360
<v Speaker 1>walks into the room and starts to vent DJ was

0:29:18.400 --> 0:29:21.480
<v Speaker 1>playing all day with Kimmy gibble Burger.

0:29:21.800 --> 0:29:25.320
<v Speaker 2>That's your new official name. Excuse me, Kenny Gibbleberger.

0:29:25.760 --> 0:29:27.640
<v Speaker 3>That would be geek Burger to you.

0:29:28.240 --> 0:29:31.000
<v Speaker 2>I like gibble Burger. It's also a little harder to say.

0:29:31.080 --> 0:29:34.800
<v Speaker 2>It is hard to say I tripped over Jimmy. Kimmy Gibbleberger.

0:29:35.080 --> 0:29:38.880
<v Speaker 3>Say that five times fast, Kimmy Giblberger. Right.

0:29:39.680 --> 0:29:43.680
<v Speaker 1>Stephanie continues, Uh, I don't believe I'm going to say this.

0:29:43.720 --> 0:29:45.640
<v Speaker 3>But would you play with me Michelle?

0:29:46.000 --> 0:29:50.120
<v Speaker 1>Michelle says no, and Steph begs saying she'll play anything

0:29:50.280 --> 0:29:51.040
<v Speaker 1>Michelle wants.

0:29:51.600 --> 0:29:56.440
<v Speaker 3>Well, you were desperate. Yeah, Michelle, exclaims Horsey and Steph

0:29:56.440 --> 0:29:58.320
<v Speaker 3>gives in. Okay, hop on.

0:29:58.800 --> 0:29:59.600
<v Speaker 2>She gets on my back.

0:29:59.680 --> 0:30:04.200
<v Speaker 1>Problem started right here this scene the scene yep, she

0:30:04.240 --> 0:30:06.360
<v Speaker 1>gets on her hands and knees, lets Michelle up on

0:30:06.360 --> 0:30:09.440
<v Speaker 1>her back and stuff crawls over to mister Bhaer and sighs,

0:30:09.720 --> 0:30:12.200
<v Speaker 1>mister Bear, I can't believe I've sunk this low.

0:30:14.400 --> 0:30:15.400
<v Speaker 3>And next we are in the.

0:30:15.320 --> 0:30:19.400
<v Speaker 1>Living room and Jesse has a mysteriously large object under

0:30:19.400 --> 0:30:23.920
<v Speaker 1>a sheet. He calls DJ downstairs, and she sarcastically comments, well,

0:30:23.960 --> 0:30:26.520
<v Speaker 1>what did I do now? He tells her he has

0:30:26.560 --> 0:30:29.520
<v Speaker 1>a fun surprise for her, but Kimmy warns DJ it

0:30:29.520 --> 0:30:31.560
<v Speaker 1>could be a trick, Jesse.

0:30:31.680 --> 0:30:33.200
<v Speaker 2>Were Kimmy's parents done to her?

0:30:33.720 --> 0:30:35.280
<v Speaker 3>She's there's a lot for unpack.

0:30:35.400 --> 0:30:38.400
<v Speaker 2>Oh, Ey's gonna be great. No it's not. It's a trick. Yeah,

0:30:38.400 --> 0:30:39.960
<v Speaker 2>it's a trick. You're lying.

0:30:40.080 --> 0:30:43.240
<v Speaker 1>Yeah, there's some childhood trauma here for sure. Jesse rips

0:30:43.240 --> 0:30:46.520
<v Speaker 1>off the sheet to reveal a set of drums. DJ

0:30:46.640 --> 0:30:50.760
<v Speaker 1>reads the front of the set Harry Levin trio. Jesse

0:30:50.880 --> 0:30:52.840
<v Speaker 1>says he got a good deal because Harry's.

0:30:52.480 --> 0:30:55.080
<v Speaker 3>Going back into the Delhi business. He lets her know

0:30:55.160 --> 0:30:58.840
<v Speaker 3>that the drums are all hers. DJ can't believe it.

0:30:59.000 --> 0:31:00.200
<v Speaker 3>She asks why.

0:31:00.680 --> 0:31:03.360
<v Speaker 1>Jesse responds, I just wanted to make sure we're buddies.

0:31:04.080 --> 0:31:07.240
<v Speaker 1>DJ runs in for a hug, and Kimmy follows, hugging

0:31:07.280 --> 0:31:10.720
<v Speaker 1>an uncomfortable Jesse and saying, thanks for the skins, Bud,

0:31:12.120 --> 0:31:13.800
<v Speaker 1>I just love John looks so uncomfortable.

0:31:14.240 --> 0:31:15.840
<v Speaker 3>It gives me so much joy.

0:31:17.080 --> 0:31:19.480
<v Speaker 1>DJ sits at her drum set and Jesse hands her

0:31:19.560 --> 0:31:22.600
<v Speaker 1>drumsticks so she can give them a try. She immediately

0:31:22.680 --> 0:31:27.560
<v Speaker 1>beats the drums terribly while Jesse and Kimmy wins. DJ

0:31:27.680 --> 0:31:31.120
<v Speaker 1>asks how she's doing, and Jesse jokes, well, you're facing

0:31:31.200 --> 0:31:34.160
<v Speaker 1>the right direction. He takes the sticks so he can

0:31:34.240 --> 0:31:36.640
<v Speaker 1>show her because he used to play a little bit

0:31:36.800 --> 0:31:42.360
<v Speaker 1>in junior high school. He cranks out this impressive drum solo, like.

0:31:44.640 --> 0:31:45.080
<v Speaker 2>Loving it.

0:31:45.200 --> 0:31:49.120
<v Speaker 1>Yeah, he just goes all ham on this, and Joey

0:31:49.200 --> 0:31:52.480
<v Speaker 1>and Cheryl walk in and their ski outfits, and Stephanie

0:31:52.560 --> 0:31:56.440
<v Speaker 1>comes in from downstairs. From upstairs, everyone gathers around the

0:31:56.480 --> 0:32:00.160
<v Speaker 1>drums and starts moving to the beat, and your dance

0:32:00.400 --> 0:32:00.760
<v Speaker 1>is so.

0:32:00.880 --> 0:32:03.720
<v Speaker 2>What was I know? I'm like just doing some sort

0:32:03.720 --> 0:32:05.800
<v Speaker 2>of weird little like vibing moment, but.

0:32:06.080 --> 0:32:07.600
<v Speaker 3>At least you have rhythm. I do not.

0:32:07.920 --> 0:32:11.640
<v Speaker 1>I am more awkward in this scene than ever before

0:32:12.280 --> 0:32:12.800
<v Speaker 1>trying to.

0:32:13.480 --> 0:32:15.960
<v Speaker 2>Here's what I'll tell you. It's very hard to dance

0:32:16.080 --> 0:32:17.920
<v Speaker 2>with the weight of that much hair on your head.

0:32:19.560 --> 0:32:21.400
<v Speaker 2>I understand it was throwing you off a little bit,

0:32:21.440 --> 0:32:22.480
<v Speaker 2>you know what I mean. You started to find the

0:32:22.560 --> 0:32:24.760
<v Speaker 2>rhythm and you're like, whoa ah my hair. Yeah, so

0:32:24.960 --> 0:32:25.800
<v Speaker 2>that's it happens.

0:32:26.480 --> 0:32:29.520
<v Speaker 1>Yeah, okay, I forgive myself then, but yeah, I'm so

0:32:29.560 --> 0:32:32.400
<v Speaker 1>awkward in this whole scene. Like just it's so cringey

0:32:32.400 --> 0:32:34.360
<v Speaker 1>to watch because I can tell how self conscious I

0:32:34.360 --> 0:32:36.080
<v Speaker 1>am trying to, like, am I on my mark?

0:32:36.120 --> 0:32:38.800
<v Speaker 3>Am I cheating out? Am I? Am I my dancing?

0:32:38.880 --> 0:32:40.720
<v Speaker 3>It's just I was like, oh, it brought me right

0:32:40.720 --> 0:32:41.440
<v Speaker 3>back to that moment.

0:32:41.600 --> 0:32:43.960
<v Speaker 2>Oh well, it's amazing because I don't see any.

0:32:43.840 --> 0:32:45.760
<v Speaker 3>Of that, don't really thought.

0:32:46.040 --> 0:32:48.640
<v Speaker 2>I mean, occasionally I'll see like a little bit of

0:32:48.680 --> 0:32:50.760
<v Speaker 2>like a look or maybe a sort of moment where

0:32:50.800 --> 0:32:53.400
<v Speaker 2>you're like, you know, I can see the ab come

0:32:53.400 --> 0:32:56.360
<v Speaker 2>out where you're like, m yeah, embarrassed or something. But no,

0:32:56.520 --> 0:32:59.600
<v Speaker 2>most of the time you would have no clue oh

0:33:00.080 --> 0:33:03.680
<v Speaker 2>that you are not just committed to putting it all

0:33:03.680 --> 0:33:03.959
<v Speaker 2>out there.

0:33:04.040 --> 0:33:04.719
<v Speaker 3>Okay, okay, good.

0:33:04.760 --> 0:33:06.200
<v Speaker 1>Oh that makes me feel a little better because I

0:33:06.240 --> 0:33:08.480
<v Speaker 1>thought this was super obvious, at least to me. It was.

0:33:08.520 --> 0:33:11.480
<v Speaker 3>You're your own worst critic, so that makes sense, yeah, exactly.

0:33:11.880 --> 0:33:16.320
<v Speaker 1>Jesse finishes his drum solo, Everyone cheers, and Nick enters

0:33:16.400 --> 0:33:20.840
<v Speaker 1>through the front door, perfect timing. Steph shouts we got drums,

0:33:21.160 --> 0:33:24.840
<v Speaker 1>and Kimmy corrects her, No, we got drums, pointing to her,

0:33:24.840 --> 0:33:29.400
<v Speaker 1>and dj DJ corrects again, No, I got drums.

0:33:29.840 --> 0:33:32.320
<v Speaker 2>I'm still like, if anyone bought my kid a drum

0:33:32.360 --> 0:33:35.360
<v Speaker 2>set unexpectedly murder.

0:33:35.600 --> 0:33:41.360
<v Speaker 1>It would be yeah, death of that relationship immediately, right, Yeah, what.

0:33:41.440 --> 0:33:42.200
<v Speaker 3>Was he thinking?

0:33:43.560 --> 0:33:46.120
<v Speaker 1>Cheryl interrupts and tells Joey it's time to go to Tahoe.

0:33:46.600 --> 0:33:49.440
<v Speaker 1>Nick warns them that the fog is very thick.

0:33:50.160 --> 0:33:52.040
<v Speaker 2>Joey compares going to come into the house.

0:33:52.360 --> 0:33:54.480
<v Speaker 3>Oh yeah, it's like instantly, it's.

0:33:54.320 --> 0:33:57.160
<v Speaker 2>Just there, wrap tendrils around you. Yeah.

0:33:57.280 --> 0:34:00.600
<v Speaker 3>Joey compares the thickness to pea soup, and Jesse plays

0:34:00.600 --> 0:34:02.600
<v Speaker 3>a rim shot on the drums to finish off the joke.

0:34:03.240 --> 0:34:04.800
<v Speaker 2>Wait, I thought DJ did that.

0:34:05.160 --> 0:34:07.880
<v Speaker 3>It comes later when DJ gets back, got it?

0:34:08.000 --> 0:34:08.239
<v Speaker 1>Yep?

0:34:09.040 --> 0:34:13.799
<v Speaker 3>Lots of rim shots in this episode. Joey and Cheryl exit.

0:34:13.719 --> 0:34:17.040
<v Speaker 1>And Jesse greets Nick with a big hug. Nick compliments

0:34:17.080 --> 0:34:20.279
<v Speaker 1>his son's looks, and Jesse compliments Nick right back.

0:34:20.760 --> 0:34:22.759
<v Speaker 2>By the way, did you know who the impression was

0:34:24.800 --> 0:34:26.839
<v Speaker 2>that he was doing well? And when he says, don't

0:34:26.840 --> 0:34:28.600
<v Speaker 2>forget to turn off the bubble machine.

0:34:28.360 --> 0:34:31.040
<v Speaker 1>But I thought it was Ed Sullivan until he said

0:34:31.040 --> 0:34:35.759
<v Speaker 1>the bubble machine thing. So then I was like, Lawrence welk, Lawrence, Well, okay,

0:34:35.800 --> 0:34:36.520
<v Speaker 1>a different vert.

0:34:36.680 --> 0:34:40.960
<v Speaker 2>The bubble machine and the and the orchestra and the thing.

0:34:41.200 --> 0:34:43.320
<v Speaker 3>That's what it was, Okay, because at first.

0:34:43.200 --> 0:34:45.080
<v Speaker 2>I thought it was I had no idea until he

0:34:45.080 --> 0:34:46.000
<v Speaker 2>made the bubble reference.

0:34:46.040 --> 0:34:49.239
<v Speaker 3>Now ah, that's right, Lawrence Welk. Okay, yep.

0:34:49.840 --> 0:34:53.120
<v Speaker 2>And again, anyone probably listening to this podcast is.

0:34:53.080 --> 0:34:56.160
<v Speaker 3>Like, h who, that's why we have Google.

0:34:56.280 --> 0:34:58.960
<v Speaker 2>And I can't even explain it because I don't even

0:34:59.200 --> 0:35:01.040
<v Speaker 2>I just know he hosts a show that there was

0:35:01.160 --> 0:35:02.279
<v Speaker 2>music and bubbles.

0:35:01.920 --> 0:35:03.920
<v Speaker 3>On and bubbles. Well, there was a song he did

0:35:03.920 --> 0:35:07.080
<v Speaker 3>a song that involved or something.

0:35:07.280 --> 0:35:12.359
<v Speaker 2>No, that's a tiny bubbles, that's a tiny tin.

0:35:12.719 --> 0:35:16.080
<v Speaker 3>Oh so I'm thinking I've got the wrong everything. Okay,

0:35:16.520 --> 0:35:18.799
<v Speaker 3>that's all right, that's all right. It was a throwaway joke.

0:35:19.640 --> 0:35:21.600
<v Speaker 1>Dave did it brilliantly, and now I know that what

0:35:21.640 --> 0:35:26.319
<v Speaker 1>the reference is. Jesse and Nick finish exchanging compliments, and

0:35:26.360 --> 0:35:30.399
<v Speaker 1>they simultaneously stroke their hair and say thanks. Nick tells

0:35:30.440 --> 0:35:33.920
<v Speaker 1>Jesse that everything is going great and right then Grandma

0:35:34.000 --> 0:35:39.200
<v Speaker 1>Irene barges in, shouting, girls, your Grandpa's moving in forever.

0:35:40.120 --> 0:35:41.759
<v Speaker 3>Oh.

0:35:41.920 --> 0:35:44.200
<v Speaker 1>Jess turns to Nick and says, what did you do

0:35:44.280 --> 0:35:48.160
<v Speaker 1>this time? Nick says he simply suggested that she spend

0:35:48.280 --> 0:35:51.360
<v Speaker 1>a little less time at night school and concentrate on

0:35:51.440 --> 0:35:58.240
<v Speaker 1>her domestic responsibilities. Irene chimes in his exact words were yo, Irene,

0:35:58.320 --> 0:36:00.600
<v Speaker 1>drop out of that flaky college and home and make

0:36:00.640 --> 0:36:07.640
<v Speaker 1>me dinner. Like I was like, what, Nick has shown

0:36:07.719 --> 0:36:09.240
<v Speaker 1>this sight of himself before.

0:36:09.320 --> 0:36:13.640
<v Speaker 2>Oh yeah, Nick, the misogyny runs deep. Nick. He's very

0:36:14.440 --> 0:36:19.040
<v Speaker 2>you know, old school has these very rigid old school ideas.

0:36:19.280 --> 0:36:21.759
<v Speaker 2>But this one, when he's when that was the I

0:36:21.960 --> 0:36:26.120
<v Speaker 2>was like, yeah, that was particularly bad because it's not

0:36:26.160 --> 0:36:29.680
<v Speaker 2>even funny, oh not even in the Yeah.

0:36:29.680 --> 0:36:31.839
<v Speaker 1>A lot of jokes didn't age well in from nineteen

0:36:31.880 --> 0:36:33.799
<v Speaker 1>eighty nine, but this one I think was offensive even

0:36:33.800 --> 0:36:34.160
<v Speaker 1>back then.

0:36:34.239 --> 0:36:37.480
<v Speaker 2>Yeah, yeah, this one. This was a definite like, let's

0:36:37.520 --> 0:36:38.560
<v Speaker 2>make fun of the women joke.

0:36:38.680 --> 0:36:41.160
<v Speaker 3>Yeah, I love it, so they loudly.

0:36:41.440 --> 0:36:43.000
<v Speaker 2>Apparently neither did Grandma Irene.

0:36:43.040 --> 0:36:46.479
<v Speaker 3>So no, I love Grandma Irene. You know she puts

0:36:46.520 --> 0:36:47.680
<v Speaker 3>him in his place too.

0:36:47.800 --> 0:36:48.440
<v Speaker 2>She's great.

0:36:48.840 --> 0:36:49.960
<v Speaker 3>She might wear panty.

0:36:49.680 --> 0:36:51.640
<v Speaker 1>Hose on a plane, but I'll forgive her for that,

0:36:51.840 --> 0:36:53.960
<v Speaker 1>because right she is sticking up for herself.

0:36:54.040 --> 0:36:56.000
<v Speaker 3>And she's like, you're out, You're out of my house.

0:36:57.520 --> 0:37:00.640
<v Speaker 3>Jesse reminds them, Hey, there's kids in the room. Stop bickering.

0:37:01.280 --> 0:37:03.759
<v Speaker 3>I Ren notices that DJ has a new set of drums,

0:37:03.800 --> 0:37:06.759
<v Speaker 3>prompting DJ to give her an off tune drum beat.

0:37:07.560 --> 0:37:10.480
<v Speaker 3>Danny walks in through the front door in his original

0:37:10.520 --> 0:37:13.200
<v Speaker 3>satin forty nine ers jacket.

0:37:13.160 --> 0:37:15.240
<v Speaker 2>That Jensen is just coveting.

0:37:15.719 --> 0:37:16.600
<v Speaker 3>Oh yeah, just.

0:37:16.480 --> 0:37:17.400
<v Speaker 2>Wishes he could have it.

0:37:17.480 --> 0:37:19.600
<v Speaker 3>Yeah, pay any amount for this jacket.

0:37:20.360 --> 0:37:24.480
<v Speaker 1>Uh, Danny sighs, Oh no, that racket is coming from

0:37:24.600 --> 0:37:27.840
<v Speaker 1>my house. DJ tells him that uncle Jesse bought the

0:37:27.880 --> 0:37:33.200
<v Speaker 1>drums for her, and Danny sarcastically acts delighted. So very

0:37:33.280 --> 0:37:35.080
<v Speaker 1>he's just like, Jesse, can I see you in the kitchen,

0:37:36.239 --> 0:37:38.200
<v Speaker 1>and the guy's exit to go have a word in

0:37:38.239 --> 0:37:41.839
<v Speaker 1>the kitchen, Steph asks DJ when she'll get a turn,

0:37:42.040 --> 0:37:44.359
<v Speaker 1>and DJ says, right after, I get good at this,

0:37:44.840 --> 0:37:47.840
<v Speaker 1>and Steph groans, So I guess the answer is never.

0:37:49.320 --> 0:37:50.920
<v Speaker 3>Love it. You take no prisoners.

0:37:51.040 --> 0:37:54.440
<v Speaker 2>You're just like, no, none, Yeah, just lobbing in, good turn.

0:37:54.480 --> 0:37:55.840
<v Speaker 2>You're not gonna give me a turn? Well, guess what

0:37:55.920 --> 0:37:56.279
<v Speaker 2>you suck.

0:37:57.800 --> 0:38:01.160
<v Speaker 3>She's not wrong, you know she's not DJ.

0:38:01.320 --> 0:38:03.960
<v Speaker 1>And instruments just don't mix right now. You know you

0:38:04.000 --> 0:38:05.879
<v Speaker 1>can't play the guitar, she can't play the drums. True.

0:38:05.920 --> 0:38:07.480
<v Speaker 2>It was very funny though, because it was such a

0:38:07.520 --> 0:38:10.320
<v Speaker 2>sibling thing to do, like your sibling just get something

0:38:10.360 --> 0:38:11.680
<v Speaker 2>and you're like, can I have a turn? Can I?

0:38:11.719 --> 0:38:12.920
<v Speaker 2>Can I do it? Can I do it? Can I

0:38:12.960 --> 0:38:13.200
<v Speaker 2>do it?

0:38:13.520 --> 0:38:13.840
<v Speaker 1>Yeah?

0:38:14.080 --> 0:38:14.319
<v Speaker 2>Yeah?

0:38:14.360 --> 0:38:17.520
<v Speaker 1>So true to life, so true to life. So in

0:38:17.560 --> 0:38:21.840
<v Speaker 1>the kitchen, Danny asks Jesse, drums, Did I do something

0:38:21.880 --> 0:38:22.200
<v Speaker 1>to you?

0:38:22.480 --> 0:38:24.480
<v Speaker 2>That's the only reason to buy that you would buy

0:38:24.480 --> 0:38:26.839
<v Speaker 2>a child drums is if you really really dislike someone.

0:38:26.920 --> 0:38:30.200
<v Speaker 1>Yeah, it's payback or something. Yeah, it's it's it's not

0:38:30.520 --> 0:38:33.399
<v Speaker 1>a kind gesture. I get where Jesse's coming from, because

0:38:33.400 --> 0:38:35.680
<v Speaker 1>you're like, I love the drums. Why wouldn't my niece

0:38:35.719 --> 0:38:38.359
<v Speaker 1>love the drums, but it's like, dude, now you gotta

0:38:38.400 --> 0:38:39.200
<v Speaker 1>live with the drums.

0:38:39.320 --> 0:38:40.840
<v Speaker 3>Nobody wants nobody drum.

0:38:40.760 --> 0:38:43.480
<v Speaker 2>Nobody loves the drums when someone is learning to play them.

0:38:43.760 --> 0:38:46.400
<v Speaker 3>No, no, this is the worst.

0:38:47.960 --> 0:38:50.800
<v Speaker 1>Jesse tells them, Hey, every kid in America wants drums

0:38:51.000 --> 0:38:54.000
<v Speaker 1>and Danny Fire's back. Good, then we'll have no trouble

0:38:54.120 --> 0:38:54.680
<v Speaker 1>selling them.

0:38:55.120 --> 0:38:58.160
<v Speaker 2>That one actually made me laugh. I was like, oh yeah, yeah.

0:38:58.239 --> 0:38:59.280
<v Speaker 3>The drumming continues.

0:38:59.360 --> 0:39:01.879
<v Speaker 1>Danny yell for them to stop, only to find out

0:39:01.880 --> 0:39:04.879
<v Speaker 1>that this ruckus is coming from my reen. Like even

0:39:04.880 --> 0:39:08.279
<v Speaker 1>Grandma gets a turn on these drugs. Danny asks what

0:39:08.360 --> 0:39:12.080
<v Speaker 1>possessed Jesse to buy her drums, and Jesse, who's eating

0:39:12.120 --> 0:39:13.760
<v Speaker 1>cold fried chicken by the way.

0:39:13.719 --> 0:39:16.480
<v Speaker 2>On the counter on the counter, does yeah.

0:39:16.400 --> 0:39:19.520
<v Speaker 1>Just a classic Jesse moment. He says he felt bad

0:39:19.640 --> 0:39:23.200
<v Speaker 1>and wanted to make dj feel better. Danny doesn't like

0:39:23.200 --> 0:39:26.520
<v Speaker 1>that Jesse tried to buy her off, and Jesse defends himself.

0:39:26.880 --> 0:39:29.920
<v Speaker 1>She loves the drums, she loves me, what's your problem?

0:39:30.520 --> 0:39:33.800
<v Speaker 1>Danny emphasizes that he bought her an obnoxious gift instead

0:39:33.840 --> 0:39:38.320
<v Speaker 1>of talking to her. Jesse sarcastically apologizes for bringing the

0:39:38.400 --> 0:39:39.560
<v Speaker 1>joy of music into.

0:39:39.480 --> 0:39:42.120
<v Speaker 3>A young girl's life and then storms back into the

0:39:42.160 --> 0:39:42.719
<v Speaker 3>living room.

0:39:43.160 --> 0:39:46.560
<v Speaker 2>You know, the more I see Grandpa Nick, though, the

0:39:46.640 --> 0:39:50.200
<v Speaker 2>more when Jesse has these little tantrum moments and is

0:39:50.320 --> 0:39:53.799
<v Speaker 2>like kind of emotionally acts as a child and like

0:39:54.080 --> 0:39:55.800
<v Speaker 2>makes it all about fine, then you don't want to,

0:39:55.840 --> 0:39:59.040
<v Speaker 2>you know, find it. I was being nice and you're like, oh,

0:39:59.239 --> 0:40:06.360
<v Speaker 2>but you weren't. Though, Then I see Grandpa and I go, ah, okay, yep,

0:40:06.760 --> 0:40:09.520
<v Speaker 2>it all makes sense. It all makes sense, and I

0:40:09.600 --> 0:40:15.120
<v Speaker 2>get why you're struggling because you were He wasn't raised

0:40:15.120 --> 0:40:18.000
<v Speaker 2>by people that well, at least Grandpa Nick was Grandpa

0:40:18.880 --> 0:40:21.799
<v Speaker 2>emotionally uh avail, shall we say?

0:40:21.960 --> 0:40:23.560
<v Speaker 3>Yah? Yeah, No, I get it.

0:40:23.560 --> 0:40:25.879
<v Speaker 1>It's it's easy to see that this is passed down

0:40:25.920 --> 0:40:30.359
<v Speaker 1>from generation to generation. And Jesse, he'll eventually come around.

0:40:30.400 --> 0:40:32.840
<v Speaker 1>It takes him twenty two minutes, but he'll eventually come around.

0:40:32.960 --> 0:40:37.440
<v Speaker 1>But in the moment, he's heated, he's petty, and you know,

0:40:37.680 --> 0:40:40.200
<v Speaker 1>I I as many issues as that I have with Jesse,

0:40:40.320 --> 0:40:41.520
<v Speaker 1>I do enjoy watching this.

0:40:42.440 --> 0:40:43.360
<v Speaker 3>Yeah.

0:40:43.400 --> 0:40:45.600
<v Speaker 1>Back in the living room, Jesse announces to DJ that

0:40:45.640 --> 0:40:48.319
<v Speaker 1>he has bad news. Her dad doesn't want her to

0:40:48.360 --> 0:40:53.320
<v Speaker 1>have the drums, and now he threw Danny under the bus, right.

0:40:53.600 --> 0:40:56.400
<v Speaker 2>Just boom boom, right over the back of Danny with

0:40:56.440 --> 0:40:57.160
<v Speaker 2>that bus.

0:40:57.239 --> 0:40:59.880
<v Speaker 3>Yeah, so petty, it's so petty.

0:41:00.480 --> 0:41:03.920
<v Speaker 1>I was like, all right, even Nick thinks that DJ

0:41:04.040 --> 0:41:07.840
<v Speaker 1>should get to keep the drums. Irene interjects, Nick, I

0:41:07.840 --> 0:41:10.960
<v Speaker 1>think you should let them work it out, and he replies, well,

0:41:11.000 --> 0:41:13.760
<v Speaker 1>now that I live here, I should be involved. Danny's

0:41:13.760 --> 0:41:17.440
<v Speaker 1>face turns sour. You live here now, poor Danny.

0:41:17.480 --> 0:41:19.360
<v Speaker 2>He just comes home to all sorts of you have

0:41:19.480 --> 0:41:21.600
<v Speaker 2>bought your drums and seven new people in your house.

0:41:23.480 --> 0:41:28.160
<v Speaker 1>Irene leaves and Nick tells everyone she'll be back, que Irene,

0:41:28.400 --> 0:41:29.760
<v Speaker 1>who immediately walks back.

0:41:29.560 --> 0:41:33.280
<v Speaker 3>In the front door with the fog, with the behind

0:41:33.280 --> 0:41:34.640
<v Speaker 3>her right with her.

0:41:35.840 --> 0:41:38.520
<v Speaker 1>She tells them that she's back because the fog is

0:41:38.560 --> 0:41:40.640
<v Speaker 1>too thick and she can't see the steps.

0:41:41.320 --> 0:41:42.800
<v Speaker 3>Danny is just thrilled.

0:41:43.280 --> 0:41:47.240
<v Speaker 1>Here. We are all fogged in together, one big, happy family,

0:41:47.840 --> 0:41:51.080
<v Speaker 1>and of course the Harry Levin trio. DJ gives a

0:41:51.160 --> 0:41:54.560
<v Speaker 1>rim shot there. It is yep, the soly she can

0:41:54.600 --> 0:41:56.160
<v Speaker 1>do that. You know, she can't play the drugs, but

0:41:56.160 --> 0:41:57.040
<v Speaker 1>she can do a rim shot.

0:41:57.040 --> 0:41:59.680
<v Speaker 2>But she can. Yeah, she can emphasize the funny parts. Yeah,

0:41:59.760 --> 0:42:00.160
<v Speaker 2>there's that.

0:42:00.320 --> 0:42:08.640
<v Speaker 3>Yeah.

0:42:01.320 --> 0:42:10.839
<v Speaker 1>Sure. We come back from a commercial break, we see

0:42:10.840 --> 0:42:15.040
<v Speaker 1>an establishing shot of a nighttime San Francisco obscured by fog,

0:42:15.719 --> 0:42:18.399
<v Speaker 1>just in case you forgot what the dilemma is during this.

0:42:18.440 --> 0:42:21.680
<v Speaker 2>Episode, although I'm surprised that with as thick as the

0:42:21.719 --> 0:42:24.920
<v Speaker 2>fog appears to be, you wouldn't see any of San Francisco.

0:42:25.200 --> 0:42:27.440
<v Speaker 3>That's true, Yeah, you would even just I.

0:42:27.440 --> 0:42:28.560
<v Speaker 2>Mean you can't even see the steps.

0:42:28.960 --> 0:42:32.640
<v Speaker 3>No, you see like the Trans America building or whatever.

0:42:32.760 --> 0:42:37.040
<v Speaker 1>Yeah, that fog is as thick as pea soup. Next,

0:42:37.040 --> 0:42:40.279
<v Speaker 1>we're in a Stephan DJ's room. Danny is setting up

0:42:40.280 --> 0:42:43.239
<v Speaker 1>an extra bed for Kimmy. When DJ asks if he's

0:42:43.280 --> 0:42:46.360
<v Speaker 1>decided about her drums yet, Danny tells her no, he

0:42:46.440 --> 0:42:49.680
<v Speaker 1>wants to sleep on it. Kimmy jokes, well, isn't it

0:42:49.680 --> 0:42:52.160
<v Speaker 1>more comfortable to sleep on your bed? And then Kimmy

0:42:52.239 --> 0:42:54.120
<v Speaker 1>laughs at her own joke. She's the only one laughing.

0:42:54.160 --> 0:42:54.879
<v Speaker 1>But it doesn't matter.

0:42:55.000 --> 0:42:56.920
<v Speaker 2>I mean, I felt and I really needed another, but

0:42:57.640 --> 0:43:02.120
<v Speaker 2>we yes heard it in my head when you said it. Yeah,

0:43:02.120 --> 0:43:02.480
<v Speaker 2>thank you.

0:43:03.600 --> 0:43:06.040
<v Speaker 1>Nick and Irene walk in to say good night, still

0:43:06.080 --> 0:43:09.720
<v Speaker 1>avoiding each other. Irene mentions she'll be sleeping in Joe's

0:43:09.760 --> 0:43:13.800
<v Speaker 1>room in case anybody wants to beg for forgiveness. Danny

0:43:13.840 --> 0:43:17.000
<v Speaker 1>gets all the girls into bed and dj asks why

0:43:17.120 --> 0:43:20.520
<v Speaker 1>is everyone mad tonight? Steph answers, well, maybe it's because

0:43:20.600 --> 0:43:24.279
<v Speaker 1>Kimmy Gibbler is here. Danny doesn't think so, and then

0:43:24.280 --> 0:43:28.719
<v Speaker 1>he notices Kimmy obnoxiously chomping on chips in bed, and

0:43:28.760 --> 0:43:33.520
<v Speaker 1>he admits to steph, well, maybe what's wrong with.

0:43:33.600 --> 0:43:36.080
<v Speaker 2>BlimE me fog? Really everyone's in a bad mood because

0:43:36.080 --> 0:43:36.479
<v Speaker 2>of the fog.

0:43:36.719 --> 0:43:40.160
<v Speaker 3>Well, Kimmy's not helping. She's not helping in the bed.

0:43:41.800 --> 0:43:43.440
<v Speaker 3>Make it her sarcastic remarks.

0:43:43.760 --> 0:43:46.680
<v Speaker 1>Right, she's a comic relief, but she's not helping Danny

0:43:46.719 --> 0:43:47.239
<v Speaker 1>in this moment.

0:43:47.360 --> 0:43:48.120
<v Speaker 2>No, definitely not.

0:43:48.440 --> 0:43:52.480
<v Speaker 1>In Michelle's room, Jesse's reading Horton hears a who to Michelle.

0:43:52.920 --> 0:43:56.080
<v Speaker 1>Danny walks into checking on her. Oh yeah, Jesse sarcastically

0:43:56.160 --> 0:43:57.360
<v Speaker 1>tells Danny, don't worry.

0:43:57.440 --> 0:44:01.640
<v Speaker 3>I didn't buy her a thing. So petty, so petty,

0:44:02.120 --> 0:44:02.680
<v Speaker 3>calm down.

0:44:03.280 --> 0:44:06.280
<v Speaker 2>You're reading her story. It's lovely, it's great. Nobody said anything.

0:44:06.719 --> 0:44:08.960
<v Speaker 3>Jesse's a little bitter. Yeah.

0:44:09.080 --> 0:44:11.359
<v Speaker 1>Jesse gets back to reading, and he starts to tell

0:44:11.400 --> 0:44:15.239
<v Speaker 1>a passive aggressive story based on this argument between himself

0:44:15.360 --> 0:44:19.960
<v Speaker 1>and Danny. Danny picks up Michelle, and Michelle calls him

0:44:20.080 --> 0:44:24.520
<v Speaker 1>a geeky giant, pulling the reference from Jesse's.

0:44:24.200 --> 0:44:26.959
<v Speaker 2>Story Jesse's book right, the geeky Giant.

0:44:27.000 --> 0:44:29.640
<v Speaker 3>The geeky giant. Uh.

0:44:29.719 --> 0:44:33.400
<v Speaker 1>Jesse leaves laughing, and Danny attempts to tell Michelle a

0:44:33.440 --> 0:44:36.680
<v Speaker 1>news story about himself and Jesse painting himself in a

0:44:36.680 --> 0:44:40.280
<v Speaker 1>better light, but Michelle still calls him a geeky giant.

0:44:41.440 --> 0:44:43.440
<v Speaker 2>I like Danny's story way better, though. I felt like

0:44:43.520 --> 0:44:47.400
<v Speaker 2>that was a more that yeah, more appropriate, ef, I

0:44:47.400 --> 0:44:49.560
<v Speaker 2>get that story for yeah, a two year older?

0:44:49.800 --> 0:44:53.799
<v Speaker 1>Yeah, however was next We're in stuff in DJ's room.

0:44:54.360 --> 0:45:00.320
<v Speaker 1>Kimmy is intensely snoring as DJ and Steph lay wide awake. Again,

0:45:00.800 --> 0:45:03.120
<v Speaker 1>my acting like it's I know.

0:45:03.080 --> 0:45:05.480
<v Speaker 3>It's a sitcom, it's not supposed to be real, but

0:45:05.560 --> 0:45:06.960
<v Speaker 3>it's really fake.

0:45:07.239 --> 0:45:10.319
<v Speaker 2>Like you know when you tell kids like, hey, fake

0:45:10.400 --> 0:45:15.880
<v Speaker 2>snore like they do it, you know you're like that, Okay, yeah, yeah,

0:45:16.040 --> 0:45:18.600
<v Speaker 2>so you know you were doing you were doing everything

0:45:18.640 --> 0:45:21.719
<v Speaker 2>that a thirteen or fourteen year old would do when

0:45:21.880 --> 0:45:23.920
<v Speaker 2>asked to pretend to snore. Really loudly.

0:45:24.160 --> 0:45:27.000
<v Speaker 1>Yeah, I couldn't quite get the guttural, like the guttural

0:45:27.320 --> 0:45:28.840
<v Speaker 1>back of the throat or noise.

0:45:28.960 --> 0:45:30.640
<v Speaker 2>Yeah, no, it's then you sound like a wookie.

0:45:30.800 --> 0:45:33.279
<v Speaker 3>Yeah, yeah, no, it was. It was difficult, but I

0:45:33.280 --> 0:45:35.000
<v Speaker 3>did my best. You know, it's I tried.

0:45:35.160 --> 0:45:37.560
<v Speaker 2>I tried. I thought it was great. It was perfectly obnoxious.

0:45:37.600 --> 0:45:39.200
<v Speaker 1>Kimmy, I can yeah, I can get away with it

0:45:39.239 --> 0:45:42.600
<v Speaker 1>because it's Kimi Gibbler. DJ flips on the light and

0:45:42.600 --> 0:45:45.480
<v Speaker 1>stuff says, does she snore that loud because she has

0:45:45.520 --> 0:45:49.319
<v Speaker 1>all that air in her head? DJ finds it weird

0:45:49.360 --> 0:45:53.360
<v Speaker 1>because Kimmy never snores when she's sleeping in class. And

0:45:53.400 --> 0:45:54.640
<v Speaker 1>I just got to give a shout out here to

0:45:54.640 --> 0:45:57.520
<v Speaker 1>the DP for lighting us so perfectly that you can

0:45:57.520 --> 0:45:59.400
<v Speaker 1>see our faces, but it still looks.

0:45:59.160 --> 0:46:00.600
<v Speaker 3>Like nighttime, like the middle of the night.

0:46:01.360 --> 0:46:03.880
<v Speaker 2>Yeah, there will say. There was a couple scenes that

0:46:03.920 --> 0:46:06.200
<v Speaker 2>I was like, what's happening with the lighting? But this

0:46:06.239 --> 0:46:07.839
<v Speaker 2>one looked pretty good.

0:46:07.960 --> 0:46:09.120
<v Speaker 3>This one was well done.

0:46:09.160 --> 0:46:09.359
<v Speaker 2>Yeah.

0:46:09.400 --> 0:46:09.800
<v Speaker 3>I agree.

0:46:10.360 --> 0:46:12.680
<v Speaker 1>In a couple of future scenes it's not so great,

0:46:12.719 --> 0:46:15.640
<v Speaker 1>but for now perfect, DJ and Steph decide to get

0:46:15.719 --> 0:46:18.160
<v Speaker 1>Kimmy out of the room. They pull her to her feet,

0:46:18.320 --> 0:46:22.480
<v Speaker 1>saying it's time for her sleep walk. Steph shakes her

0:46:22.520 --> 0:46:26.000
<v Speaker 1>head and with a mister T reference, says, I pity

0:46:26.040 --> 0:46:31.080
<v Speaker 1>the fool that marries this woman. Stephan DJ guide Kimmy

0:46:31.120 --> 0:46:35.000
<v Speaker 1>into Michelle's room, placing her on the rocking chair. Steph

0:46:35.120 --> 0:46:39.200
<v Speaker 1>encourages Kimmy to snore her head off. Now she's Michelle's problem.

0:46:39.680 --> 0:46:40.160
<v Speaker 2>Mm hmmm.

0:46:40.400 --> 0:46:43.000
<v Speaker 1>Michelle pops up from her crib when hearing the snore.

0:46:43.480 --> 0:46:47.799
<v Speaker 1>She hangs over the crib and shouts, oh no, sh

0:46:48.360 --> 0:46:51.359
<v Speaker 1>Kimmy continues her snoring, and Michelle puts her hands over

0:46:51.400 --> 0:46:52.800
<v Speaker 1>her ears in agony.

0:46:53.239 --> 0:46:55.160
<v Speaker 2>Quite a snore. I feel like you might need to

0:46:55.160 --> 0:46:57.399
<v Speaker 2>get checked for sleep app near or something. I need

0:46:57.400 --> 0:47:00.200
<v Speaker 2>one of those scen Yeah, you need a seapap a

0:47:00.239 --> 0:47:06.680
<v Speaker 2>seapappy machine, Yes you can. Gibler needs a seapappypy machine.

0:47:06.800 --> 0:47:09.000
<v Speaker 3>Yep, perfect reference.

0:47:10.560 --> 0:47:13.680
<v Speaker 1>Next in the kitchen, it's dark and Joey and Cheryl

0:47:13.840 --> 0:47:17.799
<v Speaker 1>quietly walk in through the back door. Cheryl apologizes for

0:47:17.880 --> 0:47:20.919
<v Speaker 1>not making it out of town. Joey jokes that if

0:47:20.960 --> 0:47:23.280
<v Speaker 1>the fog didn't clear up, they would still be driving

0:47:23.320 --> 0:47:26.920
<v Speaker 1>around the Kmart parking lot, and he kisses Cheryl goodbye.

0:47:27.920 --> 0:47:29.600
<v Speaker 3>Wait but how does Cheryl get home? And is that

0:47:29.640 --> 0:47:32.320
<v Speaker 3>the last we ever see Cheryl for this episode?

0:47:32.400 --> 0:47:34.759
<v Speaker 2>Yeah? Wait, yeah, how'd she got home? Howd she get home?

0:47:34.800 --> 0:47:37.520
<v Speaker 1>If it's too foggy for Irene to go home, but

0:47:37.600 --> 0:47:39.680
<v Speaker 1>it's not too foggy for Cheryl to drive home, and

0:47:39.800 --> 0:47:41.240
<v Speaker 1>Joey just sends her on the way.

0:47:41.480 --> 0:47:44.680
<v Speaker 3>I don't know. This relationship is not going to last easily.

0:47:44.920 --> 0:47:46.600
<v Speaker 2>Well, maybe that's why we never see her again.

0:47:48.560 --> 0:47:51.320
<v Speaker 3>Like bye, she just lost it walking around San Francisco.

0:47:51.480 --> 0:47:54.000
<v Speaker 2>Somewhere in the fast She's still lost in the fog, right,

0:47:54.040 --> 0:47:55.879
<v Speaker 2>she's still driving around the kmart parking lot and there's

0:47:55.880 --> 0:48:01.319
<v Speaker 2>not even a kmart anymore, So Dave or not Dave.

0:48:01.480 --> 0:48:05.000
<v Speaker 3>Joey is attempting to be extremely quiet, but then he.

0:48:05.040 --> 0:48:09.720
<v Speaker 1>Loses his balance, trips over the skis, falls backwards down

0:48:09.760 --> 0:48:12.759
<v Speaker 1>his stairs and into his bedroom.

0:48:12.960 --> 0:48:14.240
<v Speaker 3>Excellent comedy.

0:48:14.440 --> 0:48:16.480
<v Speaker 2>As soon. I didn't know the fall was coming, but

0:48:16.520 --> 0:48:18.520
<v Speaker 2>I see him set those skis there, and I was like,

0:48:18.760 --> 0:48:20.520
<v Speaker 2>why would you put those there? You're going to trip

0:48:20.560 --> 0:48:23.000
<v Speaker 2>over them? And then he did it, and I was like, oh,

0:48:23.480 --> 0:48:25.960
<v Speaker 2>maybe it's just because I'm extraordinarily aware of things that

0:48:26.040 --> 0:48:28.440
<v Speaker 2>I will trip over. So that's why I was paying attention.

0:48:28.520 --> 0:48:32.160
<v Speaker 2>But yep, yep, you agree that comedy though he just

0:48:32.160 --> 0:48:33.200
<v Speaker 2>tumbled right backwards.

0:48:33.480 --> 0:48:35.120
<v Speaker 1>Yeah, I was like, did they have a They must

0:48:35.160 --> 0:48:37.080
<v Speaker 1>have had a pad down there for him, Yeah, otherwise

0:48:37.080 --> 0:48:38.120
<v Speaker 1>he would have broken his back.

0:48:38.239 --> 0:48:41.080
<v Speaker 3>That was he committed to that bit, and it really did.

0:48:41.120 --> 0:48:44.239
<v Speaker 3>Really he well executed, very well executed.

0:48:44.719 --> 0:48:45.000
<v Speaker 2>Uh.

0:48:45.120 --> 0:48:48.480
<v Speaker 1>Nick hears this commotion and shouts from the couch, Irene,

0:48:48.600 --> 0:48:51.839
<v Speaker 1>is that you? Joey doesn't answer. He begins taking off

0:48:51.880 --> 0:48:55.040
<v Speaker 1>his clothes in the darkness of his room. He gets

0:48:55.080 --> 0:48:59.640
<v Speaker 1>into bed when suddenly a body flings on him. Oh, sweetheart,

0:48:59.640 --> 0:49:03.279
<v Speaker 1>you want to kiss and makeup? Joey shouts, I don't know.

0:49:04.880 --> 0:49:07.200
<v Speaker 1>He flips on the light and sees that it's Irene.

0:49:08.040 --> 0:49:11.040
<v Speaker 1>They both scream, and Nick runs down the stairs.

0:49:11.480 --> 0:49:12.919
<v Speaker 2>He sees you quickly by the way.

0:49:12.960 --> 0:49:15.880
<v Speaker 3>Oh yeah, from the couch. Yeah, he got there instantly.

0:49:16.480 --> 0:49:19.439
<v Speaker 2>He apparates, if anyone breaks into your house, Grandpa and Nick,

0:49:19.440 --> 0:49:21.080
<v Speaker 2>he's on it. He will be right there at the

0:49:21.120 --> 0:49:22.160
<v Speaker 2>second you scream.

0:49:22.000 --> 0:49:22.399
<v Speaker 3>Yes, yeap.

0:49:24.160 --> 0:49:26.000
<v Speaker 1>Nick sees the two of them in bed together and

0:49:26.040 --> 0:49:30.799
<v Speaker 1>shouts first college now this. Danny and Jesse run down

0:49:30.800 --> 0:49:34.719
<v Speaker 1>the stairs in shock. Joey assures Nick, never in a

0:49:34.800 --> 0:49:38.080
<v Speaker 1>million billion years would I be down here with your wife.

0:49:39.000 --> 0:49:41.880
<v Speaker 1>Irene shoots him a look, hey, what's wrong with his wife?

0:49:42.640 --> 0:49:45.439
<v Speaker 1>Joey assures her that nothing is wrong. She's a very

0:49:45.480 --> 0:49:49.040
<v Speaker 1>attractive woman. Jesse tells him back off, that's his mommy

0:49:49.080 --> 0:49:53.440
<v Speaker 1>he's talking about. Joey's just digging his hole.

0:49:53.400 --> 0:49:54.160
<v Speaker 3>Deeper and deeper.

0:49:54.320 --> 0:49:54.560
<v Speaker 2>Yep.

0:49:55.480 --> 0:49:58.040
<v Speaker 1>Danny hands Joey a robe as he gets out of bed.

0:49:58.719 --> 0:50:01.880
<v Speaker 1>Joey tells Nick, your wife shouldn't be sleeping alone. She

0:50:02.360 --> 0:50:07.160
<v Speaker 1>loves to cuddle, and they exit. Jesse forces his parents

0:50:07.239 --> 0:50:11.600
<v Speaker 1>to sit down and settle their problem. Nick apologizes for

0:50:11.680 --> 0:50:14.560
<v Speaker 1>losing his temper and tells her first thing in the morning,

0:50:14.760 --> 0:50:16.560
<v Speaker 1>we'll go to that shop you like and buy you

0:50:16.640 --> 0:50:21.080
<v Speaker 1>a brand new outfit. Irene responds, you can't buy me

0:50:21.160 --> 0:50:25.640
<v Speaker 1>a new outfit and expect everything to be better. Nick says,

0:50:25.640 --> 0:50:27.640
<v Speaker 1>you're right, I'll throw in a pair of new shoes.

0:50:28.600 --> 0:50:34.239
<v Speaker 1>Jesse tells me right, yep, they are just yes, this is.

0:50:34.760 --> 0:50:40.839
<v Speaker 2>Right there patterns. Toxic family patterns get passed down from

0:50:40.880 --> 0:50:42.239
<v Speaker 2>generation to generation.

0:50:43.239 --> 0:50:44.640
<v Speaker 3>This is how it goes.

0:50:46.400 --> 0:50:49.200
<v Speaker 1>Jesse tells his dad that they should sit down and

0:50:49.280 --> 0:50:52.720
<v Speaker 1>talk about their problems instead of him buying her gifts.

0:50:53.480 --> 0:50:56.680
<v Speaker 1>He suddenly realized how this connects to him and DJ

0:50:57.000 --> 0:51:02.160
<v Speaker 1>and sighs, oh boy. Jesse tells Nick he got a

0:51:02.160 --> 0:51:05.200
<v Speaker 1>lot of things from him. I got your pride, your ambition,

0:51:05.480 --> 0:51:08.760
<v Speaker 1>your hair. Thank you, by the way. Then he mentions

0:51:08.760 --> 0:51:11.960
<v Speaker 1>the not so great quality he got from Nick, his temper.

0:51:13.320 --> 0:51:16.080
<v Speaker 1>Jesse sits and asks Nick and Irene if they're ready

0:51:16.080 --> 0:51:19.200
<v Speaker 1>to talk to each other. Nick and Jesse agree that

0:51:19.280 --> 0:51:22.759
<v Speaker 1>they can both do better. Jesse tells him because this

0:51:22.920 --> 0:51:26.600
<v Speaker 1>fog is gonna lift and frankly, father, you can't live here.

0:51:28.440 --> 0:51:31.160
<v Speaker 1>Next in the living room, Jesse sits near Danny on

0:51:31.200 --> 0:51:35.400
<v Speaker 1>the couch and apologizes about the drum fiasco, and Danny

0:51:35.400 --> 0:51:39.480
<v Speaker 1>gives him a sincere thank you. DJ appears at the

0:51:39.480 --> 0:51:41.520
<v Speaker 1>top of the stairs and asks what's.

0:51:41.280 --> 0:51:42.160
<v Speaker 3>Going on down there.

0:51:42.880 --> 0:51:46.320
<v Speaker 1>Danny asks asks her why she's awake, and DJ explains

0:51:46.360 --> 0:51:49.000
<v Speaker 1>it well, first it was from Kimmy's snoring, Then there

0:51:49.040 --> 0:51:52.120
<v Speaker 1>was a loud crash and then people screaming. This time

0:51:52.200 --> 0:51:55.120
<v Speaker 1>she was on her way back from the bathroom. Jesse

0:51:55.280 --> 0:51:57.960
<v Speaker 1>asks DJ to come downstairs so we can talk with her.

0:51:58.560 --> 0:51:59.160
<v Speaker 3>He wants to.

0:51:59.120 --> 0:52:01.839
<v Speaker 1>Tell her that he was wrong and Danny was right.

0:52:02.640 --> 0:52:06.839
<v Speaker 1>Danny shouts DJ, get down here in full support. DJ

0:52:07.040 --> 0:52:09.680
<v Speaker 1>asks Danny again if she can keep the drum set,

0:52:09.920 --> 0:52:13.440
<v Speaker 1>to which he says yes, but the sticks have gotta

0:52:13.440 --> 0:52:18.040
<v Speaker 1>go and Danny exits. Jesse grabs DJ and sits her

0:52:18.040 --> 0:52:20.480
<v Speaker 1>down on the couch. He explains how he should have

0:52:20.560 --> 0:52:23.480
<v Speaker 1>talked to her today instead of buying her a big gift.

0:52:24.200 --> 0:52:26.360
<v Speaker 1>DJ tells him, hey, don't be so hard on yourself.

0:52:27.480 --> 0:52:29.479
<v Speaker 3>Jesse begins, those kids are like, no, that's a great

0:52:29.480 --> 0:52:30.320
<v Speaker 3>way to solve problems.

0:52:30.360 --> 0:52:32.160
<v Speaker 2>Yes, this is working out excellent for me.

0:52:32.600 --> 0:52:35.040
<v Speaker 3>Buy me something every time we have fright. Please.

0:52:35.200 --> 0:52:39.279
<v Speaker 1>Yeah. Jesse begins to tell her about his temper and

0:52:39.320 --> 0:52:43.799
<v Speaker 1>how it accidentally hurts the people he loves. DJ doesn't

0:52:43.800 --> 0:52:46.360
<v Speaker 1>blame him for being mad at her because she did

0:52:46.520 --> 0:52:50.600
<v Speaker 1>tape over his pancake jingle. Okay, they're both admitting fault.

0:52:50.719 --> 0:52:51.839
<v Speaker 3>I like this, yeap.

0:52:53.000 --> 0:52:55.440
<v Speaker 1>He continues to say what he did was wrong, but

0:52:55.560 --> 0:52:58.879
<v Speaker 1>DJ doesn't quite get it yet. Jesse starts to tell

0:52:58.920 --> 0:53:00.840
<v Speaker 1>a story from when he was a kid. If he

0:53:00.880 --> 0:53:03.640
<v Speaker 1>did something wrong, his dad would blow his top and

0:53:03.719 --> 0:53:06.239
<v Speaker 1>send him to his room. Then a few hours later,

0:53:06.320 --> 0:53:09.080
<v Speaker 1>Nick would come back with a Batman comic book. They

0:53:09.200 --> 0:53:12.879
<v Speaker 1>never talked about their problems. Jesse tells her, I don't

0:53:12.920 --> 0:53:15.319
<v Speaker 1>want that to happen to you and me, and DJ

0:53:15.440 --> 0:53:19.399
<v Speaker 1>tells him, I think we're doing pretty good. Jesse gives

0:53:19.400 --> 0:53:21.600
<v Speaker 1>her a big kiss and admits he got into a

0:53:21.640 --> 0:53:24.200
<v Speaker 1>lot of trouble when he was a kid. He starts

0:53:24.200 --> 0:53:26.520
<v Speaker 1>to tell her a story about this one time he

0:53:26.600 --> 0:53:29.719
<v Speaker 1>was playing football while his dad watched the Beverly Hillbillies,

0:53:29.760 --> 0:53:33.000
<v Speaker 1>and Jesse kicked a field goal right through Jethro's face.

0:53:33.480 --> 0:53:36.759
<v Speaker 1>Jesse laughs at the story, and suddenly he notices DJ

0:53:36.920 --> 0:53:40.000
<v Speaker 1>is asleep on his chest. He wraps her in a blanket,

0:53:40.400 --> 0:53:44.879
<v Speaker 1>ending his story, and they lived happily ever after. And

0:53:45.080 --> 0:53:47.160
<v Speaker 1>that's our show, Ladies and gentlemen.

0:53:47.520 --> 0:53:50.400
<v Speaker 2>That was such a sweet ending moment. I really I

0:53:50.440 --> 0:53:53.200
<v Speaker 2>love that, And it was, you know, such apparenting thing

0:53:53.360 --> 0:53:55.560
<v Speaker 2>that you can relate to when you're like then this

0:53:55.760 --> 0:53:57.440
<v Speaker 2>time when I was a can button, your kids were

0:53:57.480 --> 0:54:00.600
<v Speaker 2>just like, I don't I don't care. Yeah, you've lost

0:54:00.600 --> 0:54:04.000
<v Speaker 2>the kid, you've lost Yeah, yeah, you're just entertaining yourself

0:54:04.040 --> 0:54:07.200
<v Speaker 2>at that point. But basically at least he totally got

0:54:07.200 --> 0:54:09.480
<v Speaker 2>that and was like, yep, you know what this is. Actually,

0:54:10.040 --> 0:54:12.719
<v Speaker 2>this is actually the good story is being here with

0:54:12.760 --> 0:54:14.720
<v Speaker 2>these kids. And it was very sweet.

0:54:14.880 --> 0:54:17.560
<v Speaker 3>Oh, it was such a sweet moment. A great resolution.

0:54:18.280 --> 0:54:19.719
<v Speaker 3>You know, they both admitted they were wrong.

0:54:19.760 --> 0:54:24.279
<v Speaker 2>Great resolution. The drums are gone. Everyone has admitted. You know, look,

0:54:24.360 --> 0:54:26.279
<v Speaker 2>I screwed up. You screwed up. This is the thing.

0:54:26.719 --> 0:54:29.760
<v Speaker 2>We see Jesse not wanting to be like his dad. Yes,

0:54:30.000 --> 0:54:31.280
<v Speaker 2>there's growth is a big plus.

0:54:31.320 --> 0:54:33.400
<v Speaker 3>There's personal growth in this episode.

0:54:33.840 --> 0:54:35.960
<v Speaker 2>Very pleased and there's some there's a little bit of

0:54:36.000 --> 0:54:38.759
<v Speaker 2>redemption in it. In the we see Jesse go you

0:54:38.800 --> 0:54:40.560
<v Speaker 2>know what I see where I get this? And I, yeah,

0:54:40.640 --> 0:54:44.160
<v Speaker 2>I kind of can't keep doing this. Yep, now it's great.

0:54:44.200 --> 0:54:46.120
<v Speaker 2>Did you have any everywhere you look moments?

0:54:46.520 --> 0:54:49.160
<v Speaker 3>I do. I'm kind of cheating, but I do have one.

0:54:50.120 --> 0:54:52.919
<v Speaker 2>Okay, I have I have two?

0:54:53.239 --> 0:54:57.879
<v Speaker 1>Oh, okay, well mine is in the first scene or no, yeah,

0:54:57.880 --> 0:55:01.480
<v Speaker 1>in the first scene where I appear I come in. Yeah,

0:55:01.520 --> 0:55:03.359
<v Speaker 1>I barge in with my hair and I'm like, good morning,

0:55:03.520 --> 0:55:06.080
<v Speaker 1>good morning. I'm here for the weekend. So this is

0:55:06.120 --> 0:55:10.000
<v Speaker 1>a gift or like a meme on the internet, and

0:55:10.080 --> 0:55:12.440
<v Speaker 1>I send this to every as soon as I when

0:55:12.480 --> 0:55:14.520
<v Speaker 1>I go visit friends, out of town or whatever, and

0:55:14.560 --> 0:55:17.040
<v Speaker 1>I'm spending this, I say this to them to announce

0:55:17.080 --> 0:55:17.640
<v Speaker 1>my arrival.

0:55:17.640 --> 0:55:19.640
<v Speaker 3>I've arrived. I'm here for the weekend.

0:55:20.120 --> 0:55:23.400
<v Speaker 1>And my goal in life is to send instead of talking,

0:55:23.600 --> 0:55:26.880
<v Speaker 1>just to be able to respond to people solely. With

0:55:27.000 --> 0:55:30.759
<v Speaker 1>Kimmy Gibbler Gifts, there's a gift for every reaction, every

0:55:30.800 --> 0:55:34.719
<v Speaker 1>timely scenario. And I'm really is I just want to

0:55:34.719 --> 0:55:37.120
<v Speaker 1>communicate in Kimmy Gibbler Gifts and this is one of

0:55:37.120 --> 0:55:37.680
<v Speaker 1>my favorites.

0:55:38.400 --> 0:55:42.439
<v Speaker 2>I absolutely love that you do this, and I one

0:55:42.840 --> 0:55:45.520
<v Speaker 2>percent think it's an appropriate thing. And now that I

0:55:45.560 --> 0:55:47.000
<v Speaker 2>know that there's a gift of it, That's what I'm

0:55:47.000 --> 0:55:48.320
<v Speaker 2>going to do when I'm traveling places.

0:55:48.360 --> 0:55:50.120
<v Speaker 3>When you try to announce your arrival, I'm here.

0:55:50.000 --> 0:55:51.840
<v Speaker 2>To announce my rete. Yeah, I'm here. I'm here for

0:55:51.880 --> 0:55:53.920
<v Speaker 2>the weekend. Oh my god, that's great. I love it.

0:55:54.560 --> 0:55:56.160
<v Speaker 3>What were your everywhere you looks?

0:55:56.480 --> 0:56:01.080
<v Speaker 2>So I had two everywhere you look moments. One is

0:56:01.840 --> 0:56:04.960
<v Speaker 2>when you see the guys coming out of Michelle's room.

0:56:06.560 --> 0:56:11.160
<v Speaker 2>I'm not sure at which point it is. Oh, it's

0:56:11.239 --> 0:56:14.200
<v Speaker 2>right when DJ records over the thing and she storms

0:56:14.200 --> 0:56:16.719
<v Speaker 2>out and baby comes in or whatever. On that first scene,

0:56:16.719 --> 0:56:19.640
<v Speaker 2>in Jesse's room. You see in the hallway that there

0:56:19.680 --> 0:56:23.719
<v Speaker 2>are now family photos on the wall, whereas before it

0:56:23.800 --> 0:56:27.000
<v Speaker 2>was just I think, kind of a generic like art

0:56:27.040 --> 0:56:29.240
<v Speaker 2>thing or whatever. But now you see some family photos

0:56:29.280 --> 0:56:33.239
<v Speaker 2>with all of us on the wall. But what they

0:56:33.239 --> 0:56:38.000
<v Speaker 2>are is just set stills. So they're actually photographs of

0:56:38.080 --> 0:56:41.839
<v Speaker 2>other episodes that like the behind the scenes photographer would get.

0:56:41.880 --> 0:56:45.879
<v Speaker 2>So there's scenes from the the Horse episode where we're

0:56:45.920 --> 0:56:49.359
<v Speaker 2>standing there, there's there's a yeah, there's a couple ones.

0:56:49.400 --> 0:56:52.440
<v Speaker 2>But it's really funny because when you really look at

0:56:52.480 --> 0:56:55.080
<v Speaker 2>what the pictures are, you'd be like, well, who took

0:56:55.120 --> 0:56:55.759
<v Speaker 2>the pictures?

0:56:55.840 --> 0:56:56.040
<v Speaker 1>Yeah?

0:56:56.360 --> 0:56:59.040
<v Speaker 3>Yeah, a scene there.

0:56:58.440 --> 0:56:59.960
<v Speaker 2>Like that was a scene we saw that happen, but

0:57:00.200 --> 0:57:02.160
<v Speaker 2>I didn't know there was a picture taken, but that

0:57:02.320 --> 0:57:02.680
<v Speaker 2>was one.

0:57:03.239 --> 0:57:03.439
<v Speaker 3>Yeah.

0:57:03.480 --> 0:57:05.480
<v Speaker 1>I had some of those pictures. I have that horse

0:57:05.520 --> 0:57:07.360
<v Speaker 1>picture of the three of us you mean and Candae

0:57:07.360 --> 0:57:09.600
<v Speaker 1>on the horse. I had that printed out as like

0:57:09.640 --> 0:57:12.160
<v Speaker 1>an eight x ten in my box of memorabilia.

0:57:12.200 --> 0:57:13.400
<v Speaker 2>Yeah, I have, we got a lot. I have a

0:57:13.440 --> 0:57:17.160
<v Speaker 2>ton of those, like backstage photos somewhere.

0:57:17.200 --> 0:57:17.439
<v Speaker 3>Great.

0:57:18.200 --> 0:57:21.560
<v Speaker 2>And then the second one, I don't know if you

0:57:21.760 --> 0:57:24.000
<v Speaker 2>noticed the shirt that I was wearing.

0:57:24.760 --> 0:57:27.440
<v Speaker 3>It felt like a repeat a repeat outfit.

0:57:27.760 --> 0:57:30.880
<v Speaker 2>I don't think it was a repeat. Oh okay, but

0:57:31.040 --> 0:57:32.360
<v Speaker 2>it did repeat a theme.

0:57:32.760 --> 0:57:33.840
<v Speaker 3>What what did it repeat?

0:57:33.840 --> 0:57:34.600
<v Speaker 2>Sottie dogs?

0:57:34.800 --> 0:57:36.720
<v Speaker 3>You had a Scottie dog on your shirt.

0:57:36.560 --> 0:57:40.280
<v Speaker 2>Said Scotty. It didn't even I don't it said it's

0:57:40.280 --> 0:57:43.480
<v Speaker 2>sty in the arm. The sleeves were like plaid, and

0:57:43.520 --> 0:57:45.960
<v Speaker 2>I was like, oh my god, it's another one that

0:57:46.120 --> 0:57:48.480
<v Speaker 2>is your running Well maybe that was a repeat. I

0:57:48.480 --> 0:57:50.600
<v Speaker 2>didn't remember it though, but.

0:57:50.320 --> 0:57:55.200
<v Speaker 1>The Scottie dog is definitely a repeating pattern for Stephanie. Yes,

0:57:55.840 --> 0:57:59.560
<v Speaker 1>Janis must have been so proud, you know, Scotty dogs.

0:58:00.120 --> 0:58:02.320
<v Speaker 2>Although that dog that she had that was a Scotti

0:58:02.400 --> 0:58:04.080
<v Speaker 2>her first dog, ate all of her shoes and she's

0:58:04.280 --> 0:58:06.520
<v Speaker 2>Bonnie was the name of the dogs. Talk about how

0:58:06.680 --> 0:58:08.600
<v Speaker 2>she had that dog to ever nuts. So I don't

0:58:08.640 --> 0:58:09.640
<v Speaker 2>know if it was.

0:58:09.400 --> 0:58:11.120
<v Speaker 3>It was not inspired by jam wasn't it.

0:58:11.440 --> 0:58:13.680
<v Speaker 2>Yeah? No, it was not inspired, but it was How

0:58:13.720 --> 0:58:16.320
<v Speaker 2>did we I guess Scottie dogs were just a thing.

0:58:16.360 --> 0:58:18.960
<v Speaker 1>We got to get Genus Draconis and ROBERTA. Hayes, Yes,

0:58:19.280 --> 0:58:22.680
<v Speaker 1>on that podcast. We can ask them all these questions

0:58:22.720 --> 0:58:25.080
<v Speaker 1>because they were brilliant at dressing.

0:58:25.360 --> 0:58:27.120
<v Speaker 2>What was the deal with Scottie Dogs? And why were

0:58:27.120 --> 0:58:31.160
<v Speaker 2>they everywhere? Was it a late eighties fan thing. I

0:58:31.200 --> 0:58:31.520
<v Speaker 2>don't know.

0:58:31.600 --> 0:58:33.920
<v Speaker 1>It was some seven year olds were into you know,

0:58:34.200 --> 0:58:34.920
<v Speaker 1>yeah what was right?

0:58:35.000 --> 0:58:37.400
<v Speaker 2>Although I guess you know what they were Scottie dogs.

0:58:37.520 --> 0:58:40.320
<v Speaker 2>I remember when the kids were younger, like all of

0:58:40.360 --> 0:58:42.880
<v Speaker 2>a sudden, lamas were the thing, and you'd go to

0:58:43.000 --> 0:58:45.600
<v Speaker 2>like justice and everything had a lama on it, true,

0:58:45.720 --> 0:58:49.000
<v Speaker 2>and then it was uh narwalls, and then it was

0:58:49.080 --> 0:58:52.080
<v Speaker 2>you know, so I get it, like there's we sort

0:58:52.080 --> 0:58:55.439
<v Speaker 2>of have cycle through animals. We cycle through silly little

0:58:55.440 --> 0:58:57.120
<v Speaker 2>animals that were like this is the kyd thing ever,

0:58:57.160 --> 0:59:00.000
<v Speaker 2>And I guess the late nineteen eighty nine was Scottie dogs.

0:59:00.480 --> 0:59:01.840
<v Speaker 3>It was the year of the Scottie dog.

0:59:02.120 --> 0:59:05.680
<v Speaker 2>Okay, indeed, but that's those were my two everywhere.

0:59:05.720 --> 0:59:08.680
<v Speaker 3>You look great? Those are good, you know, Egil, I.

0:59:09.320 --> 0:59:12.600
<v Speaker 2>Well, this was another really great episode of the show.

0:59:12.640 --> 0:59:15.120
<v Speaker 2>I love this. We see some personal growth with Joey.

0:59:15.240 --> 0:59:18.520
<v Speaker 2>We we see some drums come and go. We see

0:59:19.160 --> 0:59:21.840
<v Speaker 2>where Jesse is getting. Did I say personal growth with Joey?

0:59:21.880 --> 0:59:24.520
<v Speaker 3>You did? You did? But that's okay. I script their

0:59:24.560 --> 0:59:26.120
<v Speaker 3>names all the time, so I was willing to let

0:59:26.120 --> 0:59:26.479
<v Speaker 3>a five.

0:59:26.640 --> 0:59:26.760
<v Speaker 1>Right.

0:59:27.480 --> 0:59:30.920
<v Speaker 2>We see some personal growth with Jesse and also like

0:59:31.000 --> 0:59:33.760
<v Speaker 2>where his stuff is coming from. But you know it's

0:59:33.960 --> 0:59:35.760
<v Speaker 2>and it's the last time we ever see Cheryl. She

0:59:35.800 --> 0:59:37.640
<v Speaker 2>is never to be seen or heard from again.

0:59:37.960 --> 0:59:39.360
<v Speaker 3>No, I think she's in one?

0:59:39.600 --> 0:59:40.280
<v Speaker 2>Is she one more?

0:59:40.280 --> 0:59:40.560
<v Speaker 3>And more?

0:59:40.640 --> 0:59:41.000
<v Speaker 2>I don't know.

0:59:41.080 --> 0:59:43.120
<v Speaker 3>I don't know what's coming up because I don't watch.

0:59:43.240 --> 0:59:45.960
<v Speaker 2>And I thought that was okay.

0:59:45.600 --> 0:59:47.920
<v Speaker 3>She's in a total of fo the she's in a

0:59:47.960 --> 0:59:48.680
<v Speaker 3>total of three.

0:59:48.800 --> 0:59:51.160
<v Speaker 2>Okay, then there is there is one more somewhere.

0:59:51.200 --> 0:59:53.520
<v Speaker 3>So there's more somewhere, one more somewhere, don't know where.

0:59:53.960 --> 0:59:56.000
<v Speaker 2>Apparently she made it through through the fog.

0:59:56.080 --> 0:59:57.080
<v Speaker 3>She survived Carl's.

0:59:57.480 --> 1:00:00.120
<v Speaker 2>She just sat out in the backyard all night. Oh

1:00:00.520 --> 1:00:02.720
<v Speaker 2>you know, just like I can't go anywhere. I'm just

1:00:02.720 --> 1:00:03.680
<v Speaker 2>gonna sit back here.

1:00:03.840 --> 1:00:05.760
<v Speaker 3>The backyard shape shifts into whatever you need.

1:00:05.800 --> 1:00:08.120
<v Speaker 2>She slept in her car in the backyard because obviously

1:00:08.160 --> 1:00:10.040
<v Speaker 2>she pulled it into the backyard because that's where they

1:00:10.080 --> 1:00:10.520
<v Speaker 2>came from.

1:00:10.600 --> 1:00:13.320
<v Speaker 3>That's the parking lot for all random cars.

1:00:13.560 --> 1:00:17.000
<v Speaker 2>Yeah, there's a huge parking structure underneath the Tanner house

1:00:17.200 --> 1:00:20.320
<v Speaker 2>and that's how they make all their money to afford

1:00:20.360 --> 1:00:21.760
<v Speaker 2>being able to live in that house. And they just

1:00:21.920 --> 1:00:24.240
<v Speaker 2>charge you can charge a lot for parking in San Francisco.

1:00:24.360 --> 1:00:27.440
<v Speaker 3>Yeah, parking is tight. Yeah, you make a killing on that.

1:00:28.480 --> 1:00:31.680
<v Speaker 2>Well, another great episode. So much fun reviewing this. I'm

1:00:31.680 --> 1:00:34.160
<v Speaker 2>so glad you're here this week and I just love

1:00:34.200 --> 1:00:35.880
<v Speaker 2>doing this show with you. It's so much fun. And

1:00:35.920 --> 1:00:38.160
<v Speaker 2>thank you to all of our amazing fan of ritos

1:00:38.200 --> 1:00:40.120
<v Speaker 2>that are listening to the show. If you want to

1:00:40.160 --> 1:00:43.240
<v Speaker 2>follow us on Instagram, make sure you follow how rude.

1:00:43.840 --> 1:00:46.240
<v Speaker 2>Oh my god, it hi, hold on again.

1:00:46.360 --> 1:00:49.080
<v Speaker 3>It's the outro. It's you know what it is.

1:00:49.200 --> 1:00:52.040
<v Speaker 2>I start talking and then my brain goes somewhere else

1:00:52.120 --> 1:00:54.440
<v Speaker 2>and then I'm like, oh no, I'm still talking.

1:00:55.800 --> 1:00:56.960
<v Speaker 3>We just need thirty more seconds.

1:00:57.080 --> 1:01:01.280
<v Speaker 2>Jody justidends like nope, that's all you get. Yeah. Uh,

1:01:01.320 --> 1:01:04.400
<v Speaker 2>So make sure that you are following us on Instagram

1:01:04.480 --> 1:01:07.200
<v Speaker 2>at how Rude podcast. You can also email us at

1:01:07.240 --> 1:01:10.160
<v Speaker 2>how rudpodcast at gmail dot com. Make sure that you

1:01:10.280 --> 1:01:12.920
<v Speaker 2>are liking and subscribing to the podcast on whatever platform

1:01:12.960 --> 1:01:14.640
<v Speaker 2>you're listening to it so that you can make sure

1:01:14.720 --> 1:01:16.840
<v Speaker 2>and get all the newest episodes as soon as they

1:01:16.840 --> 1:01:19.919
<v Speaker 2>come out. Uh, and make sure and like and give

1:01:19.960 --> 1:01:23.320
<v Speaker 2>reviews so that more fun fana reritos can come join

1:01:23.680 --> 1:01:27.640
<v Speaker 2>our delightful little podcast. But thank you everyone for another

1:01:27.680 --> 1:01:35.360
<v Speaker 2>fun week of how Rude Tanerto's. And remember the house

1:01:35.600 --> 1:01:38.919
<v Speaker 2>is no you. You have the bracelet, and you still

1:01:39.160 --> 1:01:40.800
<v Speaker 2>it was up. So I started reading it upside down.

1:01:41.200 --> 1:01:43.800
<v Speaker 2>I started reading up on the world is small, but

1:01:43.920 --> 1:01:45.240
<v Speaker 2>the house is full.

1:01:46.000 --> 1:01:46.360
<v Speaker 1>Man.

1:01:47.440 --> 1:01:49.760
<v Speaker 2>You even have a cheat sheet and you still miss

1:01:49.880 --> 1:01:51.320
<v Speaker 2>You started it upside down.

1:01:51.560 --> 1:01:57.240
<v Speaker 1>Oh, Jody, Jody, we need to put arrows on the

1:01:57.240 --> 1:01:59.080
<v Speaker 1>bracelet pointing up this way up.

1:01:59.200 --> 1:02:04.800
<v Speaker 2>It's the little letters spin, you know. Anyway, we got it,

1:02:04.800 --> 1:02:05.160
<v Speaker 2>We got it.

1:02:05.160 --> 1:02:08.120
<v Speaker 1>It's fine, everything's great, everything is fine, Everything's just fine,

1:02:08.280 --> 1:02:08.680
<v Speaker 1>all right.

1:02:08.720 --> 1:02:10.280
<v Speaker 2>Everybody love you, ye,