Speaker 1: Dudey Sweetmarmory, I'm back.
Speaker 2: I missed you. I missed you too.
Speaker 3: I am so sorry I was absent last week.
Speaker 2: Totally fine. The great and glorious Kim Moffatt stepped in and.
Speaker 1: She did fantastic, fabulous and it was the perfect person. Yeah,
Speaker 1: it was perfect person to step in at the last
Speaker 1: minute because she already knows everything about Full exactly.
Speaker 2: That's why I was like, oh, I know exactly who
Speaker 2: I'm gonna who I'm gonna call because she, Kim knows
Speaker 2: more about the.
Speaker 1: Show than I do, for sure, more than both of
Speaker 1: us come by. Yeah, easily, absolutely, But it.
Speaker 2: Was really fun. I'm so glad you're back. Yes, I
Speaker 2: can't tell you how many people saying my name at
Speaker 2: nineties yep. Yeah, and they told me to sing it
Speaker 2: back to you, Andrea Barber, so oh, I love lots
Speaker 2: of miss I have a few things I would like
Speaker 2: to show you.
Speaker 3: Oh yes, please do what do you have to show?
Speaker 3: Show and tell, show and tell.
Speaker 2: Some wonderful fan made me a friendship bracelet, which I
Speaker 2: have a bunch of them still. I've saved all of
Speaker 2: them that people made me. They're all over there by
Speaker 2: the Full House House but this one in particular was
Speaker 2: really epic because they made a bracelet that says the
Speaker 2: world is small, but the house is full, and it's
Speaker 2: just exactly the size it's now.
Speaker 3: That's perfect.
Speaker 2: Have no excuse unless I like read it backwards or something,
Speaker 2: but no excuse, it's always it is going to be
Speaker 2: right here and I just have to read it. So
Speaker 2: thank you so much.
Speaker 3: Did that more than any well.
Speaker 2: They were like, here, it's I put it on a bracelet.
Speaker 2: Now you can't screw it up. So I think it
Speaker 2: was sort of also like full. Yeah, they were like
Speaker 2: we're done with this. Uh just please, it's.
Speaker 3: A little a little, a little petty and I love It's.
Speaker 2: Like it's like, Gwen, just read you read it right anyway.
Speaker 3: So there's that, okay.
Speaker 2: I also have several little bracelets for you, some things,
Speaker 2: some stickers that fans have given. There's there's more in here.
Speaker 2: There's a little envelope for you. I've got and stuff.
Speaker 2: But I have to show you. There were I think
Speaker 2: two people maybe three that came with the picture of this,
Speaker 2: but the first person that came through the line that
Speaker 2: gave me this had put it in a frame and
Speaker 2: it is very, very special to me.
Speaker 3: Oh what is it?
Speaker 2: What do you think it is? Donna a picture?
Speaker 3: But it's a big bunny.
Speaker 2: My very own pink bunny in a frame because that
Speaker 2: was yours, because that was your bunny exactly. And so
Speaker 2: somebody said you need a framed bunny. And so now
Speaker 2: I have a framed pink bunny. And I thank you
Speaker 2: so much to the fan that brought me this at
Speaker 2: nineties Con in Hartford. Just I love it. It literally
Speaker 2: is sitting in my office now and I have a
Speaker 2: pink bunny and all is okay with the world.
Speaker 3: I feel like our characters are healing their generational trauma.
Speaker 2: We are healing, healing deep wounds. And another fan was
Speaker 2: so sweet. I thought they wanted me to sign this.
Speaker 2: I was like, there's no way there. They're like, no, no, no,
Speaker 2: it's for you. We know you love legos. Oh so
Speaker 2: they got me the little mini Disney castle. What I
Speaker 2: was like, for me, seriously, so sweet, so generous, Thank
Speaker 2: you so much.
Speaker 1: I am.
Speaker 2: I can't wait to build my Disney legos.
Speaker 3: Yeah, we have the best fans. Oh my goodness.
Speaker 2: Everyone was so excited, had so much fun. Everyone sent
Speaker 2: you so much love. Ab They were all like, oh,
Speaker 2: we love Andrea. We're you know, we wish it was here,
Speaker 2: and he's like, she is here in spirit and just
Speaker 2: you got so much love. So just know that. But
Speaker 2: our fans were awesome at nineties Cone and it was
Speaker 2: it was really fun. We had a good time.
Speaker 3: That is so sweet.
Speaker 1: That's so heartwarming, And thank you for passing on those
Speaker 1: wonderful messages. I was so sad when I had to cancel,
Speaker 1: but you know, I just had some family Yeah, family stuff.
Speaker 2: Yeah, No, I mean, look, life happens, right. I heard
Speaker 2: a great quote today and that during my Peloton ride.
Speaker 2: Yeah Peloton. It was Tune Day that said it, and
Speaker 2: she said, you know, what is a plan but just
Speaker 2: your best guess anyway. And I like that's so true
Speaker 2: because she was like, I woke up in a mood
Speaker 2: because my plan. I had a plan and then it
Speaker 2: just didn't go. And she was like, but a plan's
Speaker 2: really just kind of a guess of what you think
Speaker 2: is going to happen anyway, and I was like, you know, yeah,
Speaker 2: that's true.
Speaker 3: It's true.
Speaker 1: It's our best guess and sometimes it happens and sometimes
Speaker 1: it doesn't.
Speaker 2: So you know what, sometimes it doesn't happen. Sometimes you
Speaker 2: got to deal with family stuff and that's yeah, that's
Speaker 2: how it goes. But you were missed, you were loved.
Speaker 2: All the casts and stuff said hello, and you know,
Speaker 2: we'll drag you back for another one.
Speaker 1: Yes, I will definitely be at the next one. And
Speaker 1: I was, yeah, very I'm just yeah, my heart is
Speaker 1: very full. Thank you for the love and the grace,
Speaker 1: and thank you for stepping in, Jody and and hitting
Speaker 1: with the recap.
Speaker 3: You did a great job.
Speaker 2: Look, this is the thing we know about me. It's
Speaker 2: all silly and crazy and wild until you know the
Speaker 2: proverbial hits the fan and then I'm like, I'm in.
Speaker 3: I got it.
Speaker 2: And I am astound myself with how actually on top
Speaker 2: of things that I am and can be.
Speaker 3: So I know, I can't you step up? Yeah yeah, yeah,
Speaker 3: of course you can't. Of course you can.
Speaker 2: So yeah, I loved housting with Kim. It was really fun.
Speaker 3: But but yeah, nice, glad to have you back. Yeah,
Speaker 3: it's so good to be back.
Speaker 1: And I am so excited to recap Fogged in a
Speaker 1: great episode. Carl the Fog, I'm back, Carl interrupting plans again,
Speaker 1: you know, talk about plans being in.
Speaker 2: Carl is really he is kind of the nemesis of
Speaker 2: the Tanner family.
Speaker 1: Really, he's the Stefano Demera from Days of Our Life.
Speaker 3: He's the villain.
Speaker 2: I never watched that often, but even I remember Stephano
Speaker 2: because there was the name.
Speaker 1: Oh yes, this villain just wrecking everyone's plan.
Speaker 2: Yeah, almost the uh was it Gargamel? No, Gargamel was
Speaker 2: the cat in the Smurfs, you.
Speaker 1: Know, oh oh, oh, yeah, who was the villain in
Speaker 1: this smart who was Uh wasn't Gargamel Gargame?
Speaker 2: I thought Gargamel was the cat anyway, anyway, exactly. He
Speaker 2: was always forming plants. I don't know why that popped
Speaker 2: into my head, but that's where we're at. So Carl
Speaker 2: the Fog is back again. What if this show was
Speaker 2: set anywhere else, Like.
Speaker 1: What if it was set in the desert, they would
Speaker 1: have no Yeah, they would have no villain villainous and you'd.
Speaker 2: Whether have flash floods, maybe heat stroke heat Yeah, heat
Speaker 2: stroke would be a theater. You could do that Chicago.
Speaker 2: You could just get sudden winds that.
Speaker 3: We could be blown away. Yeah true.
Speaker 2: So okay, yeah, well this is episode three with Carl
Speaker 2: the Fog.
Speaker 3: Yes, that's right. We had Carl Waite. I wrote it down.
Speaker 1: I wrote it down the Disneyland, Disneyland trip, Yes, the
Speaker 1: Disneyland trip that got interrupted, right, and then Carl the
Speaker 1: fog interrupted the Beach Boys going to wake up San
Speaker 1: Francisco and ruined Danny's plans for that, and now here everybody's.
Speaker 3: Stuck in the full house because of Carlo.
Speaker 2: Why does Carl hate the Tanner so much? I don't know.
Speaker 2: Carl is like, oh, you guys are gonna do something fun.
Speaker 2: No you're not.
Speaker 3: But yeah, no, the fog was incredible, like the special.
Speaker 2: Effects there was so much like it was like, wow,
Speaker 2: I've never seen fog do that, Like it was thick,
Speaker 2: like the joke has to work, get as much fog
Speaker 2: as possible. I feel like there's a horror movie called
Speaker 2: The Fog and it's that's the only time I've ever
Speaker 2: seen fog behave that way. When it's like like your house,
Speaker 2: like through the front door. I was like, whoa aggressive fog.
Speaker 1: That was very aggressive fog. So yeah, no props to
Speaker 1: our what department is that not?
Speaker 2: That would be that would be special effects, that'd be
Speaker 2: effects apartment. Yeah. Yeah, there was someone there with a
Speaker 2: smoke machine and a fan just doing that.
Speaker 1: Yeah, the hard part is when you're done with the scene,
Speaker 1: but you have to do it again, and they got
Speaker 1: to clear all that fog out to then make it
Speaker 1: appear whenever it appeared in that first scene. So yeah,
Speaker 1: oh right, the fog out before they bring it back,
Speaker 1: before you blow the fog in. I don't know, Okay, yeah, yeah,
Speaker 1: well let's get let's get into it, shall we.
Speaker 2: Let's do this.
Speaker 1: Yeah, welcome back to how Rude Tanerto's I'm Andrea Barber
Speaker 1: and I'm Jodie Sweeten, and today we're discussing season two,
Speaker 1: episode twelve, entitled fogged In. Is it I N N
Speaker 1: or is it I N? I know in our notes
Speaker 1: here it says I N. But there's somewhere somewhere else
Speaker 1: I read it was in like, you know, coming to
Speaker 1: the Inn state they fogged in?
Speaker 3: Yeah, like this is the Inn.
Speaker 2: I don't know. But that's a great little play on words. Yeah,
Speaker 2: I mean, it really only works if you read it,
Speaker 2: but I like, but I appreciate.
Speaker 3: True, that doesn't really work over this audio medium.
Speaker 2: But that's no but I but yeah, that's this. It's
Speaker 2: in the spell that the fogged In. Fogged In. That
Speaker 2: would be a great name for a bed and breakfast
Speaker 2: in San Francisco. Oh my god, we should buy the
Speaker 2: full house house and turn it into the fogged In.
Speaker 3: Oh my gosh, yes, let's do it. The names will
Speaker 3: be so excited about someone else your house has bought
Speaker 3: the house.
Speaker 2: I have so many plans. Okay, I'm just gonna be
Speaker 2: standing outside with a fog machine all the time. Neighbors
Speaker 2: are gonna love it.
Speaker 3: That's awesome.
Speaker 1: This episode originally aired on January twentieth, nineteen eighty nine,
Speaker 1: the day after your birthday, Jodie Sweeten.
Speaker 2: All of seven years old?
Speaker 3: Wow? Seven?
Speaker 2: No?
Speaker 3: Just a yeah? This is season two?
Speaker 2: Yeah?
Speaker 3: Yeah, yeah. So you think you was seven?
Speaker 2: Well, I mean nineteen eighty nine. I was born at
Speaker 2: eighty two. I do it. If I'm doing the math correctly,
Speaker 2: I'm pretty sure I was seven. But don't gay that
Speaker 2: works not a mather.
Speaker 1: So you were born in the eighties day, I'm a
Speaker 1: seventy six girl. So by centennial baby? Oh yay, Okay,
Speaker 1: so the show, the episode goes a little something like this.
Speaker 1: The fog rolls in, and so does everyone else.
Speaker 2: That's it.
Speaker 3: What more do you need to know about this episode, right,
Speaker 3: that's it.
Speaker 1: It was directed by Joelswick, it was written by Kim Weissakoff,
Speaker 1: and our guest stars are all returning guest stars this year.
Speaker 1: We have Jon Apria back as Nick Kutzopolis Von Wilder
Speaker 1: also returns as Irene, and then we have Diane Brody
Speaker 1: returning as Cheryl. We first saw her in Triple Date
Speaker 1: and she's back. She was originally Jesse's date in that episode,
Speaker 1: I believe if I'm correct, and.
Speaker 3: Then they swapped and so and then Joey ended up
Speaker 3: with Cheryl. So this is great.
Speaker 1: This is this is her second full House episode. She's
Speaker 1: in a total of three. And again this is another
Speaker 1: actor where full House was their very last credit.
Speaker 3: So we killed this acting career.
Speaker 2: You know. It went so well for some of us
Speaker 2: and so not for others. I don't know what. Yeah,
Speaker 2: they were like, never again, the guest start, right, I
Speaker 2: want to do this ever again? Yeah? Okay, okay.
Speaker 1: So we open in Joey's room. Joey has Michelle seated
Speaker 1: on his bed and Joey's wearing a cardigan that is
Speaker 1: very reminiscent of that cup, that paper cup, that waxy
Speaker 1: paper cup. From the nineties where, yes, like turquoise and.
Speaker 2: You know what, there were people at nineties con dressed
Speaker 2: up as that cup because you can buy that that
Speaker 2: pattern online in like shirts and sweatshirts and stuff. So
Speaker 2: maybe Joey Gladstone was kind of the original with it.
Speaker 2: But yeah, you're right, and does he does look like
Speaker 2: those like a like a like a eighties a cup
Speaker 2: from a mall refreshment stand in a generic eighties teen
Speaker 2: movie because you couldn't use any of the like, you know,
Speaker 2: coke products, right, Yeah, so they were like just put
Speaker 2: that turquoise cup in there. It's kind of the precursor
Speaker 2: to the Red Solo Cup. I feel like, really that
Speaker 2: cup walked, so the Red Solo cup fly, Yes.
Speaker 3: It did, it did.
Speaker 1: And here we are nineteen eighty nine. Joey is already
Speaker 1: already wearing yep, these colors.
Speaker 3: I love it.
Speaker 1: So Joey asks Michelle what her favorite impression is, because
Speaker 1: he's putting an act together.
Speaker 2: Always good to consult with toddlers while doing your standard routine.
Speaker 1: Oh of course, what better audience, right, Joey does a
Speaker 1: Jay Leno impression, and Michelle responds by resting her head
Speaker 1: on her hand. Joey does a Rodney Dangerfield impression next,
Speaker 1: and he gets the same unamused response from Michelle.
Speaker 2: Oh tough critic.
Speaker 1: Joey tells her, ah, you don't know comedy when you
Speaker 1: see it, Michelle, and she responds, no repects, and Joey
Speaker 1: laughs and says no respect. Michelle tells him me funny,
Speaker 1: and Joey jokingly calls her a little monster and begins
Speaker 1: tickling her before giving her a big kiss.
Speaker 2: It did such great impressions. It was so fun. I
Speaker 2: do have to say, though, I wonder how many people
Speaker 2: of younger generations were like, who are those people that
Speaker 2: he's impersonating?
Speaker 3: Who's Jay Leno is?
Speaker 2: Right? Right?
Speaker 3: Danger Dingerfield?
Speaker 2: Right? Yeah, he used to host it Tonight Show. Isn't
Speaker 2: that Kimmel? No, there was, there was.
Speaker 3: A whole Yeah.
Speaker 1: So then we have the show credits, and then we're
Speaker 1: in the kitchen. Michelle is making eggs at her plastic kitchen.
Speaker 1: As Danny watches, he jokes, you prepared them my favorite
Speaker 1: way polyvinyl side up.
Speaker 2: Isn't that a reference? Isn't that PVC? Isn't that the
Speaker 2: thing that that we all say, like, there's no PVC
Speaker 2: in this now something.
Speaker 3: Yeah, it was Danny's.
Speaker 2: I'm so glad that this highly cancerous and caringenic playfood
Speaker 2: is made out of this. Yeah.
Speaker 1: Ah, the eighties, you know, right like that. Yeah, it's amazing.
Speaker 1: We all turned out.
Speaker 3: Okay.
Speaker 1: Uh. Stephan DJ, Stephan DJ race downstairs in their pajamas.
Speaker 1: Steph quickly asks if Danny can make French toast for breakfast,
Speaker 1: but DJ protests, asking him to make waffles instead. They
Speaker 1: argue back and forth, and Danny suggests going to the
Speaker 1: tiebreaker Michelle. Michelle smiles and says cookies. Stuff looks up
Speaker 1: for Danny and admits I can live with that. It's
Speaker 1: all kind of the same with the bread. It's flowers, shoke, cookies.
Speaker 2: French tose, waffles. The fact that we as Americans have
Speaker 2: lied to ourselves and said that like a muffin, which
Speaker 2: is just cake in a smaller form, is breakfast. It's sounding.
Speaker 2: It's so great and look at I love muffins. Don't
Speaker 2: get me wrong. It is it is breakfast cake.
Speaker 3: Breakfast cake. Nothing like it.
Speaker 2: Yeah.
Speaker 1: So Jesse slowly stumbles downstairs with messy hair, his eyes
Speaker 1: are half closed, and he lets out a.
Speaker 2: Big yall but very clean shaven.
Speaker 1: Five o'clock shadow or eight o'clock shadow is Yeah, you're right,
Speaker 1: he must have shaved in his sleep.
Speaker 2: So maybe he just maybe he.
Speaker 3: Was a slow grower. You know those well, no, he
Speaker 3: had Greek jeans, so I feel like they were hairy.
Speaker 2: Yeah they were.
Speaker 3: Look at the hair on his head. Yeah that's true. Okay,
Speaker 3: so we must have shaved in his sleep.
Speaker 1: Danny jokes, you better check the expiration date on that moose,
Speaker 1: and Jesse just glares at him. Dj confesses, I've never
Speaker 1: seen anyone looked so wiped out.
Speaker 3: Que Joey.
Speaker 1: Joey walks up from his room and throws himself over
Speaker 1: the baby gate, Looking just as wiped out. Jesse walks
Speaker 1: over to his sleepy partner in crime and congratulates them
Speaker 1: both on staying up all night so they could finish
Speaker 1: that jingle.
Speaker 2: These guys and their last minute larrying of the jingle.
Speaker 3: Writing procrastination galore, You know, I.
Speaker 2: Mean, I get it, you know maybe, Yeah, they only
Speaker 2: work they work best under pressure.
Speaker 1: Yeah, that's when the genius comes, is when they're true
Speaker 1: on a deadline. Kimmy cheerfully bursts in the back door
Speaker 1: with a suitcase in her hand, exclaiming, good morning, I'm
Speaker 1: here for the weekend.
Speaker 2: Joe giant suitcase, by the way, bigger than me. Really
Speaker 2: like you could have gone somewhere for a week with that.
Speaker 2: I don't know what Kimmy's bringing into this house, but
Speaker 2: I would love to know.
Speaker 3: What's in that end.
Speaker 1: I can easily fit Taylor Swift into that suitcase and right,
Speaker 1: h yeah for sure, Joey and Jesse scream in horror,
Speaker 1: and thus begins this long tradition of Kimmy not being
Speaker 1: welcome in the Tanner Home.
Speaker 3: And scaring the adults as she pops in. Can we
Speaker 3: talk about my hair?
Speaker 2: Like this hair is? Can we talk about it?
Speaker 3: Hey?
Speaker 2: I wrote so many notes, and I believe even last
Speaker 2: week with kim there.
Speaker 3: Was it came up.
Speaker 2: Yep, what was going on? It was the thought process,
Speaker 2: the choice. Why did your hair all of a sudden
Speaker 2: get so freaking gigantic.
Speaker 1: I've never seen real hair look more like a wig
Speaker 1: than a wig.
Speaker 2: Right you know? It's yeah, it's big.
Speaker 1: It's like spiderweb at least sound like a little plastic
Speaker 1: headband on.
Speaker 3: So that gave it some.
Speaker 2: Well, I mean, can you imagine if there's nothing holding
Speaker 2: that gun. You know, I just would have just flown
Speaker 2: right off your head.
Speaker 3: That was my real hair. That's the saddest thing is
Speaker 3: that was my real hair and it.
Speaker 2: Just well, I'm sure you didn't wake up and your
Speaker 2: hair looked like that. No, but that styling. You just
Speaker 2: have very thick hair that if you curled and sprayed
Speaker 2: it in the manner that it was, it looked like
Speaker 2: it looked like a like a I don't know, like
Speaker 2: a Patrick Swayze wig or something like. It was pretty.
Speaker 2: It was. It was mullet material.
Speaker 3: Oh, it was. It was. It was just yeah, two.
Speaker 2: Shades away from a moment. There was no business in
Speaker 2: the front. It was just party all over it. It was
Speaker 2: party all.
Speaker 1: There was nothing professional about it. No, it was all
Speaker 1: all party, all gibbler all the time.
Speaker 3: Yeah.
Speaker 2: Maybe that maybe that's what she has in the suitcases,
Speaker 2: hair products.
Speaker 3: That's what it is. It's all of her Aquinet.
Speaker 2: That's all of her, right, It's a giant, industrial size Aquinet.
Speaker 1: So DJ takes Kimmy's suitcase out of her hands and
Speaker 1: heads upstairs. Then the doorbell rings and Joey exits to
Speaker 1: get it. Kimmy thanks Danny for having her over for
Speaker 1: the weekend, reminding him that she's allergic to dairy products,
Speaker 1: feather pillows and six year olds. Glaring right at Steph,
Speaker 1: Stephanie defends herself, don't look at me.
Speaker 3: I'm six and three quarters.
Speaker 1: Yeah, I just love watching these early interactions between us. Yes,
Speaker 1: our frenemieship is developing episode by episode, and I'm here
Speaker 1: for it. Danny asks Kimmy if her parents are coming
Speaker 1: back Sunday, to which Kimmy replies absolutely Wednesday. At the latest,
Speaker 1: Jesse sluggishly asks his family who wants to chip in
Speaker 1: for a hotel, and they all raise their hands, including Michelle.
Speaker 2: I love how Steph raised both hands.
Speaker 1: Stephanie's like her, get me out of here, please, get
Speaker 1: me some French toast and a hotel please.
Speaker 3: Exactly in the living.
Speaker 1: Room, Joey answers the front door with a waffle in
Speaker 1: his mouth, and it's Cheryl.
Speaker 2: She looks Was it a waffle or a jelly donut? Oh?
Speaker 1: You know, I think it was a jelly donut because
Speaker 1: it comes back at the end of this little scene. Right, yeah,
Speaker 1: I wrote down waffle, but it's you're right, it's a
Speaker 1: jelly donut.
Speaker 2: Okay.
Speaker 1: Cheryl is shocked. To see Joey in such disarray. Are
Speaker 1: you the same Joey, I've been dating for two months,
Speaker 1: she says, and he responds, No, I'm Joey's grungey twin
Speaker 1: brother sloppy Joe, Let me go get handsome, Joe. She
Speaker 1: stops him and says she just wants to stop by
Speaker 1: to see if he'd like to.
Speaker 3: Go skiing over the weekend.
Speaker 2: Okay, I forgot that Joey had this girlfriend in the beginning, right.
Speaker 1: Well, I think there was really no follow up after
Speaker 1: a triple date there, you know, they just the girls
Speaker 1: went off into the ether.
Speaker 3: But didn't she cut She's she came Is this her
Speaker 3: second or this is her second? This is her second episode?
Speaker 2: Oh? Okay, yeah. Because I was surprised, I was like, wait,
Speaker 2: what two months?
Speaker 3: Two months?
Speaker 1: Yeah?
Speaker 2: Are you who is this person? And then I was like,
Speaker 2: oh wait that's right, I remember.
Speaker 1: Yeah, So yeah, I know this all took place off stage,
Speaker 1: and now this is Cheryl's back. We're learning about this
Speaker 1: relationship in real time here. Joey is surprised that Cheryl
Speaker 1: wants to take the risk of seeing him like this again,
Speaker 1: but she jokes, you haven't seen my evil twin yet
Speaker 1: no makeup, Cheryl.
Speaker 2: You know, I'm gonna say, right there, I can see
Speaker 2: why this relationship isn't gonna work. She's not funny.
Speaker 3: Well, she's funny, she's not funny enough for Joey. Definitely,
Speaker 3: no makeup, Cheryl, that's not there's a when she said that,
Speaker 3: I went on.
Speaker 2: Joey's like he's bumped at that one.
Speaker 3: Yeah. Yeah, this relationship is not going to last. But yeah,
Speaker 3: that's okay.
Speaker 2: She tried.
Speaker 3: It's okay, she tried.
Speaker 1: And I think you know, Joey's just excited that somebody
Speaker 1: loves him and he wants to go skiing for the weekend.
Speaker 3: Okay, so all right exactly.
Speaker 1: Cheryl tells him she'll pick him up at five o'clock
Speaker 1: and then gives him a kiss. M strawberry jolly donut
Speaker 1: she noticed, and Joey smirks, I'll pick up a dozen
Speaker 1: for the weekend. After Cheryl leaves, Joey celebrates a little
Speaker 1: too hard, squeezing the strawberry jelly out of his donut,
Speaker 1: getting it everywhere.
Speaker 2: The amount of times that that's happened to me over
Speaker 2: celebrating with a jelly donut in my hand.
Speaker 3: Now I feel like a jelly donut. I haven't had
Speaker 3: one of those in a hot minute.
Speaker 2: I actually don't love jelly donuts. It's kind of a weird.
Speaker 2: I don't like it.
Speaker 3: Do you like your donuts without filling out?
Speaker 2: I like the little cake sprinkle donuts. I like the
Speaker 2: care I do too. I like the cake or an
Speaker 2: apple fritter dipped in coffee.
Speaker 3: Ooh, so good man, No, I'm hungry.
Speaker 1: Next, we're in Jesse's room where Kimmy is playing the
Speaker 1: keyboard as DJ holds up a mic while they see
Speaker 1: it doing pretty good.
Speaker 3: Oh it's no, I wasn't.
Speaker 2: I mean, I know it's fake, but it's better than
Speaker 2: only once did I go, wait, that's not quite on set.
Speaker 2: But for the most part it was.
Speaker 1: It was, except I'm not pressing the keyboard like my
Speaker 1: hands are just sort of flow like I'm touching the keyboard,
Speaker 1: but I'm not pressing the keys down. So even though
Speaker 1: I have the tempo down right, I'm not pressing those
Speaker 1: keys like it's it's you know, this whole episode, my
Speaker 1: acting is questionable, But you know, I thought you did great.
Speaker 3: I was more concerned about singing.
Speaker 1: You know what, anytime you have to sing on camera,
Speaker 1: it's terrifying, So I think I was more self conscious
Speaker 1: about that than my keyboard.
Speaker 2: Well, you were doing great at both, so well, thank you.
Speaker 2: Yeah the emotion even Yes.
Speaker 1: Locomotion originally by Eva Narcissus Narcissus Boys Wait Oh, and
Speaker 1: later covered by Kylie Minogue amazing. I never I don't
Speaker 1: know if I've heard the original. I've heard the nineteen
Speaker 1: eighties version, but I love this song.
Speaker 2: This is great.
Speaker 1: And DJ's playing the tambourine much better than she played
Speaker 1: the guitar in season one when we were the bracelets,
Speaker 1: So this is the right instrument for DJ.
Speaker 2: Is tambourine is usually pretty manageable.
Speaker 3: Yeah.
Speaker 1: Jesse walks in and stops them, and then he starts
Speaker 1: to panic. He asks DJ where they got this tape,
Speaker 1: and she informs him that it was already in there.
Speaker 1: Jesse begs, please tell me you didn't tape over my
Speaker 1: Cosa dea Pancakes jingle. He plays the tape back and
Speaker 1: confirms that they did tape.
Speaker 3: Over the jingle.
Speaker 2: Oh.
Speaker 1: He's furious, yelling that they destroyed it. Kimmy replies, well,
Speaker 1: not all of it. You still have Casa dey pancakes ole.
Speaker 3: Wait to go Kimmy rub salt mery, Kimmy.
Speaker 2: Yeah.
Speaker 1: Jesse reminds DJ that this is his room and they
Speaker 1: have no right to be in here without his permission.
Speaker 1: DJ attempts to speak, but Jesse cuts her off.
Speaker 3: He's very mad.
Speaker 2: I understand well why he's mad, well, but.
Speaker 3: The level of mad is it goes high, it goes
Speaker 3: little too high.
Speaker 2: I disagree on that, but that's I think he was
Speaker 2: appropriately angry.
Speaker 1: Really, oh see you, I do disagree he I think
Speaker 1: he overreacted here. Here's my problem with Jesse in all
Speaker 1: of his moments like this right, is that I feel
Speaker 1: like these emotions aren't really earned, Like is this level
Speaker 1: of anger really justified? Because he blows his top at
Speaker 1: DJ kicks her out of her They.
Speaker 2: Stayed up all night riding a jingle that's due today
Speaker 2: and thought it was done, and then these kids go
Speaker 2: into his room and start messing with his equipment and
Speaker 2: record over something that's.
Speaker 1: I understand be in there, no touchy. I understand that
Speaker 1: he's sleep deprived.
Speaker 3: You know, he's got a hot time.
Speaker 2: I mean he definitely went from zero to one hundred.
Speaker 3: H Yeah, Well, here's that.
Speaker 2: I do think I was, like, I give why you'd
Speaker 2: be pissed.
Speaker 3: Well, when when Joey was mad.
Speaker 1: At DJ a few episodes ago, it's because he was
Speaker 1: panicked because he didn't know where she was. Right, Danny
Speaker 1: was angry, it's because Jesse crashed his car bullet. When
Speaker 1: Jesse's angry, it's all like, it's all inner, it's you know,
Speaker 1: he's mad because he doesn't have privacy and house.
Speaker 3: He's mad because you know the girls are wells and wi.
Speaker 2: I mean, it's a little it's a little self centered.
Speaker 2: But this time I think it's not self centered, and
Speaker 2: it's more just that someone was using his stuff without
Speaker 2: asking and ruined something that was important.
Speaker 1: I'm not saying the girls were in the right. I'm
Speaker 1: just saying his level of anger was.
Speaker 2: Maybe I'm maybe I'm just maybe I'm. It's because I'm loud,
Speaker 2: so I think like that sort sort of loud reaction
Speaker 2: to me him Like that makes sense.
Speaker 3: It's normalized for you. Yeah, yeah, No, he's he loses it.
Speaker 2: He does, He really does.
Speaker 3: He really does lose it.
Speaker 1: And he do you remember, Yeah, it was season two
Speaker 1: when you broke Jesse's arms and how mad, how he
Speaker 1: made you feel so bad that whole episode too.
Speaker 3: Again, Jesse's mad because, well, you didn't mean to break
Speaker 3: his arms.
Speaker 2: But well, he broke his arms right. I accidentally cut
Speaker 2: his hair and which he was legitimately like bummed about,
Speaker 2: but also like hair will grow back, okay. But then
Speaker 2: he went out and acted like an and broke his arm.
Speaker 1: Right and then made you feel bad about it for
Speaker 1: the for the rest of the episode.
Speaker 2: That's not yeah, that's but that was the pattern.
Speaker 3: This is a pattern with Jesse.
Speaker 2: But that was him blaming his his stupid mistake on me.
Speaker 2: This one wasn't his stupid mistake. It was the kids.
Speaker 3: Well it was, but I still.
Speaker 2: Think we shall agree to disagree, and that's fine.
Speaker 3: That's what we're here for, is to bring our own
Speaker 3: interpretation to this.
Speaker 1: So Jesse cannot believe that the girls would record over
Speaker 1: a tape without checking it first. His anger builds, Now,
Speaker 1: why don't you guys both get out of here before
Speaker 1: I get mad? And Kimmy sarcastically questions, before Danny walks
Speaker 1: in and DJ finally gets a word in to apologize
Speaker 1: to Jesse, and she adds, but you don't have to worry,
Speaker 1: because I'll never come in this room again, before storming off.
Speaker 2: I love the drama of twelve thirteen year old girls.
Speaker 2: I'm never coming in here.
Speaker 1: Again, ever again, I'm sure, and that was very real
Speaker 1: for her. I'm sure she felt that way in that moment.
Speaker 2: I mean, if I were Jesse, I have been like, yeah,
Speaker 2: that's fine, Please don't don't.
Speaker 3: I'm putting a lock on.
Speaker 2: My door right come in here again because I've yeah,
Speaker 2: it's not your stuff. Uh so?
Speaker 3: Danny asks Jesse what happened?
Speaker 1: Jesse is still filled with rage while telling him they
Speaker 1: messed up his jingle tape. Danny puts his hands on
Speaker 1: his hips. Don't you think you're overreacting? Jesse shouts back,
Speaker 1: assuring he is not overreacting. He yells, now, my whole
Speaker 1: life is ruined. He catch, that's overreacting. He catches himself
Speaker 1: in the midst.
Speaker 3: Okay, now I'm overreacting.
Speaker 1: Danny notices that Jesse lost his temper again, and Jesse
Speaker 1: tries to defend himself, but acknowledges he lost his cool
Speaker 1: and came down too hard on her. Danny encourages him
Speaker 1: to straighten things out with dj before Jesse walks out.
Speaker 1: Danny asks Jesse do you need a hug? And Jesse
Speaker 1: pauses and gives him a disgusted look. Haven't I been
Speaker 1: through enough?
Speaker 3: Poor JESSI? Yeah, right.
Speaker 2: The last thing you want when you're angry is to
Speaker 2: be hugged, don't the worst?
Speaker 3: Especially like did your mom?
Speaker 1: Oh no, you didn't have siblings, but like when my
Speaker 1: brothers and I would fight, my mom would make us
Speaker 1: hug each other like it's a word. You don't want
Speaker 1: to hug someone, especially when you're like peeved.
Speaker 3: Yeah, it's the worst.
Speaker 1: Uh So the next scene, we're in Michelle's room. Steph
Speaker 1: walks into the room and starts to vent DJ was
Speaker 1: playing all day with Kimmy gibble Burger.
Speaker 2: That's your new official name. Excuse me, Kenny Gibbleberger.
Speaker 3: That would be geek Burger to you.
Speaker 2: I like gibble Burger. It's also a little harder to say.
Speaker 2: It is hard to say I tripped over Jimmy. Kimmy Gibbleberger.
Speaker 3: Say that five times fast, Kimmy Giblberger. Right.
Speaker 1: Stephanie continues, Uh, I don't believe I'm going to say this.
Speaker 3: But would you play with me Michelle?
Speaker 1: Michelle says no, and Steph begs saying she'll play anything
Speaker 1: Michelle wants.
Speaker 3: Well, you were desperate. Yeah, Michelle, exclaims Horsey and Steph
Speaker 3: gives in. Okay, hop on.
Speaker 2: She gets on my back.
Speaker 1: Problem started right here this scene the scene yep, she
Speaker 1: gets on her hands and knees, lets Michelle up on
Speaker 1: her back and stuff crawls over to mister Bhaer and sighs,
Speaker 1: mister Bear, I can't believe I've sunk this low.
Speaker 3: And next we are in the.
Speaker 1: Living room and Jesse has a mysteriously large object under
Speaker 1: a sheet. He calls DJ downstairs, and she sarcastically comments, well,
Speaker 1: what did I do now? He tells her he has
Speaker 1: a fun surprise for her, but Kimmy warns DJ it
Speaker 1: could be a trick, Jesse.
Speaker 2: Were Kimmy's parents done to her?
Speaker 3: She's there's a lot for unpack.
Speaker 2: Oh, Ey's gonna be great. No it's not. It's a trick. Yeah,
Speaker 2: it's a trick. You're lying.
Speaker 1: Yeah, there's some childhood trauma here for sure. Jesse rips
Speaker 1: off the sheet to reveal a set of drums. DJ
Speaker 1: reads the front of the set Harry Levin trio. Jesse
Speaker 1: says he got a good deal because Harry's.
Speaker 3: Going back into the Delhi business. He lets her know
Speaker 3: that the drums are all hers. DJ can't believe it.
Speaker 3: She asks why.
Speaker 1: Jesse responds, I just wanted to make sure we're buddies.
Speaker 1: DJ runs in for a hug, and Kimmy follows, hugging
Speaker 1: an uncomfortable Jesse and saying, thanks for the skins, Bud,
Speaker 1: I just love John looks so uncomfortable.
Speaker 3: It gives me so much joy.
Speaker 1: DJ sits at her drum set and Jesse hands her
Speaker 1: drumsticks so she can give them a try. She immediately
Speaker 1: beats the drums terribly while Jesse and Kimmy wins. DJ
Speaker 1: asks how she's doing, and Jesse jokes, well, you're facing
Speaker 1: the right direction. He takes the sticks so he can
Speaker 1: show her because he used to play a little bit
Speaker 1: in junior high school. He cranks out this impressive drum solo, like.
Speaker 2: Loving it.
Speaker 1: Yeah, he just goes all ham on this, and Joey
Speaker 1: and Cheryl walk in and their ski outfits, and Stephanie
Speaker 1: comes in from downstairs. From upstairs, everyone gathers around the
Speaker 1: drums and starts moving to the beat, and your dance
Speaker 1: is so.
Speaker 2: What was I know? I'm like just doing some sort
Speaker 2: of weird little like vibing moment, but.
Speaker 3: At least you have rhythm. I do not.
Speaker 1: I am more awkward in this scene than ever before
Speaker 1: trying to.
Speaker 2: Here's what I'll tell you. It's very hard to dance
Speaker 2: with the weight of that much hair on your head.
Speaker 2: I understand it was throwing you off a little bit,
Speaker 2: you know what I mean. You started to find the
Speaker 2: rhythm and you're like, whoa ah my hair. Yeah, so
Speaker 2: that's it happens.
Speaker 1: Yeah, okay, I forgive myself then, but yeah, I'm so
Speaker 1: awkward in this whole scene. Like just it's so cringey
Speaker 1: to watch because I can tell how self conscious I
Speaker 1: am trying to, like, am I on my mark?
Speaker 3: Am I cheating out? Am I? Am I my dancing?
Speaker 3: It's just I was like, oh, it brought me right
Speaker 3: back to that moment.
Speaker 2: Oh well, it's amazing because I don't see any.
Speaker 3: Of that, don't really thought.
Speaker 2: I mean, occasionally I'll see like a little bit of
Speaker 2: like a look or maybe a sort of moment where
Speaker 2: you're like, you know, I can see the ab come
Speaker 2: out where you're like, m yeah, embarrassed or something. But no,
Speaker 2: most of the time you would have no clue oh
Speaker 2: that you are not just committed to putting it all
Speaker 2: out there.
Speaker 3: Okay, okay, good.
Speaker 1: Oh that makes me feel a little better because I
Speaker 1: thought this was super obvious, at least to me. It was.
Speaker 3: You're your own worst critic, so that makes sense, yeah, exactly.
Speaker 1: Jesse finishes his drum solo, Everyone cheers, and Nick enters
Speaker 1: through the front door, perfect timing. Steph shouts we got drums,
Speaker 1: and Kimmy corrects her, No, we got drums, pointing to her,
Speaker 1: and dj DJ corrects again, No, I got drums.
Speaker 2: I'm still like, if anyone bought my kid a drum
Speaker 2: set unexpectedly murder.
Speaker 1: It would be yeah, death of that relationship immediately, right, Yeah, what.
Speaker 3: Was he thinking?
Speaker 1: Cheryl interrupts and tells Joey it's time to go to Tahoe.
Speaker 1: Nick warns them that the fog is very thick.
Speaker 2: Joey compares going to come into the house.
Speaker 3: Oh yeah, it's like instantly, it's.
Speaker 2: Just there, wrap tendrils around you. Yeah.
Speaker 3: Joey compares the thickness to pea soup, and Jesse plays
Speaker 3: a rim shot on the drums to finish off the joke.
Speaker 2: Wait, I thought DJ did that.
Speaker 3: It comes later when DJ gets back, got it?
Speaker 1: Yep?
Speaker 3: Lots of rim shots in this episode. Joey and Cheryl exit.
Speaker 1: And Jesse greets Nick with a big hug. Nick compliments
Speaker 1: his son's looks, and Jesse compliments Nick right back.
Speaker 2: By the way, did you know who the impression was
Speaker 2: that he was doing well? And when he says, don't
Speaker 2: forget to turn off the bubble machine.
Speaker 1: But I thought it was Ed Sullivan until he said
Speaker 1: the bubble machine thing. So then I was like, Lawrence welk, Lawrence, Well, okay,
Speaker 1: a different vert.
Speaker 2: The bubble machine and the and the orchestra and the thing.
Speaker 3: That's what it was, Okay, because at first.
Speaker 2: I thought it was I had no idea until he
Speaker 2: made the bubble reference.
Speaker 3: Now ah, that's right, Lawrence Welk. Okay, yep.
Speaker 2: And again, anyone probably listening to this podcast is.
Speaker 3: Like, h who, that's why we have Google.
Speaker 2: And I can't even explain it because I don't even
Speaker 2: I just know he hosts a show that there was
Speaker 2: music and bubbles.
Speaker 3: On and bubbles. Well, there was a song he did
Speaker 3: a song that involved or something.
Speaker 2: No, that's a tiny bubbles, that's a tiny tin.
Speaker 3: Oh so I'm thinking I've got the wrong everything. Okay,
Speaker 3: that's all right, that's all right. It was a throwaway joke.
Speaker 1: Dave did it brilliantly, and now I know that what
Speaker 1: the reference is. Jesse and Nick finish exchanging compliments, and
Speaker 1: they simultaneously stroke their hair and say thanks. Nick tells
Speaker 1: Jesse that everything is going great and right then Grandma
Speaker 1: Irene barges in, shouting, girls, your Grandpa's moving in forever.
Speaker 3: Oh.
Speaker 1: Jess turns to Nick and says, what did you do
Speaker 1: this time? Nick says he simply suggested that she spend
Speaker 1: a little less time at night school and concentrate on
Speaker 1: her domestic responsibilities. Irene chimes in his exact words were yo, Irene,
Speaker 1: drop out of that flaky college and home and make
Speaker 1: me dinner. Like I was like, what, Nick has shown
Speaker 1: this sight of himself before.
Speaker 2: Oh yeah, Nick, the misogyny runs deep. Nick. He's very
Speaker 2: you know, old school has these very rigid old school ideas.
Speaker 2: But this one, when he's when that was the I
Speaker 2: was like, yeah, that was particularly bad because it's not
Speaker 2: even funny, oh not even in the Yeah.
Speaker 1: A lot of jokes didn't age well in from nineteen
Speaker 1: eighty nine, but this one I think was offensive even
Speaker 1: back then.
Speaker 2: Yeah, yeah, this one. This was a definite like, let's
Speaker 2: make fun of the women joke.
Speaker 3: Yeah, I love it, so they loudly.
Speaker 2: Apparently neither did Grandma Irene.
Speaker 3: So no, I love Grandma Irene. You know she puts
Speaker 3: him in his place too.
Speaker 2: She's great.
Speaker 3: She might wear panty.
Speaker 1: Hose on a plane, but I'll forgive her for that,
Speaker 1: because right she is sticking up for herself.
Speaker 3: And she's like, you're out, You're out of my house.
Speaker 3: Jesse reminds them, Hey, there's kids in the room. Stop bickering.
Speaker 3: I Ren notices that DJ has a new set of drums,
Speaker 3: prompting DJ to give her an off tune drum beat.
Speaker 3: Danny walks in through the front door in his original
Speaker 3: satin forty nine ers jacket.
Speaker 2: That Jensen is just coveting.
Speaker 3: Oh yeah, just.
Speaker 2: Wishes he could have it.
Speaker 3: Yeah, pay any amount for this jacket.
Speaker 1: Uh, Danny sighs, Oh no, that racket is coming from
Speaker 1: my house. DJ tells him that uncle Jesse bought the
Speaker 1: drums for her, and Danny sarcastically acts delighted. So very
Speaker 1: he's just like, Jesse, can I see you in the kitchen,
Speaker 1: and the guy's exit to go have a word in
Speaker 1: the kitchen, Steph asks DJ when she'll get a turn,
Speaker 1: and DJ says, right after, I get good at this,
Speaker 1: and Steph groans, So I guess the answer is never.
Speaker 3: Love it. You take no prisoners.
Speaker 2: You're just like, no, none, Yeah, just lobbing in, good turn.
Speaker 2: You're not gonna give me a turn? Well, guess what
Speaker 2: you suck.
Speaker 3: She's not wrong, you know she's not DJ.
Speaker 1: And instruments just don't mix right now. You know you
Speaker 1: can't play the guitar, she can't play the drums. True.
Speaker 2: It was very funny though, because it was such a
Speaker 2: sibling thing to do, like your sibling just get something
Speaker 2: and you're like, can I have a turn? Can I?
Speaker 2: Can I do it? Can I do it? Can I
Speaker 2: do it?
Speaker 1: Yeah?
Speaker 2: Yeah?
Speaker 1: So true to life, so true to life. So in
Speaker 1: the kitchen, Danny asks Jesse, drums, Did I do something
Speaker 1: to you?
Speaker 2: That's the only reason to buy that you would buy
Speaker 2: a child drums is if you really really dislike someone.
Speaker 1: Yeah, it's payback or something. Yeah, it's it's it's not
Speaker 1: a kind gesture. I get where Jesse's coming from, because
Speaker 1: you're like, I love the drums. Why wouldn't my niece
Speaker 1: love the drums, but it's like, dude, now you gotta
Speaker 1: live with the drums.
Speaker 3: Nobody wants nobody drum.
Speaker 2: Nobody loves the drums when someone is learning to play them.
Speaker 3: No, no, this is the worst.
Speaker 1: Jesse tells them, Hey, every kid in America wants drums
Speaker 1: and Danny Fire's back. Good, then we'll have no trouble
Speaker 1: selling them.
Speaker 2: That one actually made me laugh. I was like, oh yeah, yeah.
Speaker 3: The drumming continues.
Speaker 1: Danny yell for them to stop, only to find out
Speaker 1: that this ruckus is coming from my reen. Like even
Speaker 1: Grandma gets a turn on these drugs. Danny asks what
Speaker 1: possessed Jesse to buy her drums, and Jesse, who's eating
Speaker 1: cold fried chicken by the way.
Speaker 2: On the counter on the counter, does yeah.
Speaker 1: Just a classic Jesse moment. He says he felt bad
Speaker 1: and wanted to make dj feel better. Danny doesn't like
Speaker 1: that Jesse tried to buy her off, and Jesse defends himself.
Speaker 1: She loves the drums, she loves me, what's your problem?
Speaker 1: Danny emphasizes that he bought her an obnoxious gift instead
Speaker 1: of talking to her. Jesse sarcastically apologizes for bringing the
Speaker 1: joy of music into.
Speaker 3: A young girl's life and then storms back into the
Speaker 3: living room.
Speaker 2: You know, the more I see Grandpa Nick, though, the
Speaker 2: more when Jesse has these little tantrum moments and is
Speaker 2: like kind of emotionally acts as a child and like
Speaker 2: makes it all about fine, then you don't want to,
Speaker 2: you know, find it. I was being nice and you're like, oh,
Speaker 2: but you weren't. Though, Then I see Grandpa and I go, ah, okay, yep,
Speaker 2: it all makes sense. It all makes sense, and I
Speaker 2: get why you're struggling because you were He wasn't raised
Speaker 2: by people that well, at least Grandpa Nick was Grandpa
Speaker 2: emotionally uh avail, shall we say?
Speaker 3: Yah? Yeah, No, I get it.
Speaker 1: It's it's easy to see that this is passed down
Speaker 1: from generation to generation. And Jesse, he'll eventually come around.
Speaker 1: It takes him twenty two minutes, but he'll eventually come around.
Speaker 1: But in the moment, he's heated, he's petty, and you know,
Speaker 1: I I as many issues as that I have with Jesse,
Speaker 1: I do enjoy watching this.
Speaker 3: Yeah.
Speaker 1: Back in the living room, Jesse announces to DJ that
Speaker 1: he has bad news. Her dad doesn't want her to
Speaker 1: have the drums, and now he threw Danny under the bus, right.
Speaker 2: Just boom boom, right over the back of Danny with
Speaker 2: that bus.
Speaker 3: Yeah, so petty, it's so petty.
Speaker 1: I was like, all right, even Nick thinks that DJ
Speaker 1: should get to keep the drums. Irene interjects, Nick, I
Speaker 1: think you should let them work it out, and he replies, well,
Speaker 1: now that I live here, I should be involved. Danny's
Speaker 1: face turns sour. You live here now, poor Danny.
Speaker 2: He just comes home to all sorts of you have
Speaker 2: bought your drums and seven new people in your house.
Speaker 1: Irene leaves and Nick tells everyone she'll be back, que Irene,
Speaker 1: who immediately walks back.
Speaker 3: In the front door with the fog, with the behind
Speaker 3: her right with her.
Speaker 1: She tells them that she's back because the fog is
Speaker 1: too thick and she can't see the steps.
Speaker 3: Danny is just thrilled.
Speaker 1: Here. We are all fogged in together, one big, happy family,
Speaker 1: and of course the Harry Levin trio. DJ gives a
Speaker 1: rim shot there. It is yep, the soly she can
Speaker 1: do that. You know, she can't play the drugs, but
Speaker 1: she can do a rim shot.
Speaker 2: But she can. Yeah, she can emphasize the funny parts. Yeah,
Speaker 2: there's that.
Speaker 3: Yeah.
Speaker 1: Sure. We come back from a commercial break, we see
Speaker 1: an establishing shot of a nighttime San Francisco obscured by fog,
Speaker 1: just in case you forgot what the dilemma is during this.
Speaker 2: Episode, although I'm surprised that with as thick as the
Speaker 2: fog appears to be, you wouldn't see any of San Francisco.
Speaker 3: That's true, Yeah, you would even just I.
Speaker 2: Mean you can't even see the steps.
Speaker 3: No, you see like the Trans America building or whatever.
Speaker 1: Yeah, that fog is as thick as pea soup. Next,
Speaker 1: we're in a Stephan DJ's room. Danny is setting up
Speaker 1: an extra bed for Kimmy. When DJ asks if he's
Speaker 1: decided about her drums yet, Danny tells her no, he
Speaker 1: wants to sleep on it. Kimmy jokes, well, isn't it
Speaker 1: more comfortable to sleep on your bed? And then Kimmy
Speaker 1: laughs at her own joke. She's the only one laughing.
Speaker 1: But it doesn't matter.
Speaker 2: I mean, I felt and I really needed another, but
Speaker 2: we yes heard it in my head when you said it. Yeah,
Speaker 2: thank you.
Speaker 1: Nick and Irene walk in to say good night, still
Speaker 1: avoiding each other. Irene mentions she'll be sleeping in Joe's
Speaker 1: room in case anybody wants to beg for forgiveness. Danny
Speaker 1: gets all the girls into bed and dj asks why
Speaker 1: is everyone mad tonight? Steph answers, well, maybe it's because
Speaker 1: Kimmy Gibbler is here. Danny doesn't think so, and then
Speaker 1: he notices Kimmy obnoxiously chomping on chips in bed, and
Speaker 1: he admits to steph, well, maybe what's wrong with.
Speaker 2: BlimE me fog? Really everyone's in a bad mood because
Speaker 2: of the fog.
Speaker 3: Well, Kimmy's not helping. She's not helping in the bed.
Speaker 3: Make it her sarcastic remarks.
Speaker 1: Right, she's a comic relief, but she's not helping Danny
Speaker 1: in this moment.
Speaker 2: No, definitely not.
Speaker 1: In Michelle's room, Jesse's reading Horton hears a who to Michelle.
Speaker 1: Danny walks into checking on her. Oh yeah, Jesse sarcastically
Speaker 1: tells Danny, don't worry.
Speaker 3: I didn't buy her a thing. So petty, so petty,
Speaker 3: calm down.
Speaker 2: You're reading her story. It's lovely, it's great. Nobody said anything.
Speaker 3: Jesse's a little bitter. Yeah.
Speaker 1: Jesse gets back to reading, and he starts to tell
Speaker 1: a passive aggressive story based on this argument between himself
Speaker 1: and Danny. Danny picks up Michelle, and Michelle calls him
Speaker 1: a geeky giant, pulling the reference from Jesse's.
Speaker 2: Story Jesse's book right, the geeky Giant.
Speaker 3: The geeky giant. Uh.
Speaker 1: Jesse leaves laughing, and Danny attempts to tell Michelle a
Speaker 1: news story about himself and Jesse painting himself in a
Speaker 1: better light, but Michelle still calls him a geeky giant.
Speaker 2: I like Danny's story way better, though. I felt like
Speaker 2: that was a more that yeah, more appropriate, ef, I
Speaker 2: get that story for yeah, a two year older?
Speaker 1: Yeah, however was next We're in stuff in DJ's room.
Speaker 1: Kimmy is intensely snoring as DJ and Steph lay wide awake. Again,
Speaker 1: my acting like it's I know.
Speaker 3: It's a sitcom, it's not supposed to be real, but
Speaker 3: it's really fake.
Speaker 2: Like you know when you tell kids like, hey, fake
Speaker 2: snore like they do it, you know you're like that, Okay, yeah, yeah,
Speaker 2: so you know you were doing you were doing everything
Speaker 2: that a thirteen or fourteen year old would do when
Speaker 2: asked to pretend to snore. Really loudly.
Speaker 1: Yeah, I couldn't quite get the guttural, like the guttural
Speaker 1: back of the throat or noise.
Speaker 2: Yeah, no, it's then you sound like a wookie.
Speaker 3: Yeah, yeah, no, it was. It was difficult, but I
Speaker 3: did my best. You know, it's I tried.
Speaker 2: I tried. I thought it was great. It was perfectly obnoxious.
Speaker 1: Kimmy, I can yeah, I can get away with it
Speaker 1: because it's Kimi Gibbler. DJ flips on the light and
Speaker 1: stuff says, does she snore that loud because she has
Speaker 1: all that air in her head? DJ finds it weird
Speaker 1: because Kimmy never snores when she's sleeping in class. And
Speaker 1: I just got to give a shout out here to
Speaker 1: the DP for lighting us so perfectly that you can
Speaker 1: see our faces, but it still looks.
Speaker 3: Like nighttime, like the middle of the night.
Speaker 2: Yeah, there will say. There was a couple scenes that
Speaker 2: I was like, what's happening with the lighting? But this
Speaker 2: one looked pretty good.
Speaker 3: This one was well done.
Speaker 2: Yeah.
Speaker 3: I agree.
Speaker 1: In a couple of future scenes it's not so great,
Speaker 1: but for now perfect, DJ and Steph decide to get
Speaker 1: Kimmy out of the room. They pull her to her feet,
Speaker 1: saying it's time for her sleep walk. Steph shakes her
Speaker 1: head and with a mister T reference, says, I pity
Speaker 1: the fool that marries this woman. Stephan DJ guide Kimmy
Speaker 1: into Michelle's room, placing her on the rocking chair. Steph
Speaker 1: encourages Kimmy to snore her head off. Now she's Michelle's problem.
Speaker 2: Mm hmmm.
Speaker 1: Michelle pops up from her crib when hearing the snore.
Speaker 1: She hangs over the crib and shouts, oh no, sh
Speaker 1: Kimmy continues her snoring, and Michelle puts her hands over
Speaker 1: her ears in agony.
Speaker 2: Quite a snore. I feel like you might need to
Speaker 2: get checked for sleep app near or something. I need
Speaker 2: one of those scen Yeah, you need a seapap a
Speaker 2: seapappy machine, Yes you can. Gibler needs a seapappypy machine.
Speaker 3: Yep, perfect reference.
Speaker 1: Next in the kitchen, it's dark and Joey and Cheryl
Speaker 1: quietly walk in through the back door. Cheryl apologizes for
Speaker 1: not making it out of town. Joey jokes that if
Speaker 1: the fog didn't clear up, they would still be driving
Speaker 1: around the Kmart parking lot, and he kisses Cheryl goodbye.
Speaker 3: Wait but how does Cheryl get home? And is that
Speaker 3: the last we ever see Cheryl for this episode?
Speaker 2: Yeah? Wait, yeah, how'd she got home? Howd she get home?
Speaker 1: If it's too foggy for Irene to go home, but
Speaker 1: it's not too foggy for Cheryl to drive home, and
Speaker 1: Joey just sends her on the way.
Speaker 3: I don't know. This relationship is not going to last easily.
Speaker 2: Well, maybe that's why we never see her again.
Speaker 3: Like bye, she just lost it walking around San Francisco.
Speaker 2: Somewhere in the fast She's still lost in the fog, right,
Speaker 2: she's still driving around the kmart parking lot and there's
Speaker 2: not even a kmart anymore, So Dave or not Dave.
Speaker 3: Joey is attempting to be extremely quiet, but then he.
Speaker 1: Loses his balance, trips over the skis, falls backwards down
Speaker 1: his stairs and into his bedroom.
Speaker 3: Excellent comedy.
Speaker 2: As soon. I didn't know the fall was coming, but
Speaker 2: I see him set those skis there, and I was like,
Speaker 2: why would you put those there? You're going to trip
Speaker 2: over them? And then he did it, and I was like, oh,
Speaker 2: maybe it's just because I'm extraordinarily aware of things that
Speaker 2: I will trip over. So that's why I was paying attention.
Speaker 2: But yep, yep, you agree that comedy though he just
Speaker 2: tumbled right backwards.
Speaker 1: Yeah, I was like, did they have a They must
Speaker 1: have had a pad down there for him, Yeah, otherwise
Speaker 1: he would have broken his back.
Speaker 3: That was he committed to that bit, and it really did.
Speaker 3: Really he well executed, very well executed.
Speaker 2: Uh.
Speaker 1: Nick hears this commotion and shouts from the couch, Irene,
Speaker 1: is that you? Joey doesn't answer. He begins taking off
Speaker 1: his clothes in the darkness of his room. He gets
Speaker 1: into bed when suddenly a body flings on him. Oh, sweetheart,
Speaker 1: you want to kiss and makeup? Joey shouts, I don't know.
Speaker 1: He flips on the light and sees that it's Irene.
Speaker 1: They both scream, and Nick runs down the stairs.
Speaker 2: He sees you quickly by the way.
Speaker 3: Oh yeah, from the couch. Yeah, he got there instantly.
Speaker 2: He apparates, if anyone breaks into your house, Grandpa and Nick,
Speaker 2: he's on it. He will be right there at the
Speaker 2: second you scream.
Speaker 3: Yes, yeap.
Speaker 1: Nick sees the two of them in bed together and
Speaker 1: shouts first college now this. Danny and Jesse run down
Speaker 1: the stairs in shock. Joey assures Nick, never in a
Speaker 1: million billion years would I be down here with your wife.
Speaker 1: Irene shoots him a look, hey, what's wrong with his wife?
Speaker 1: Joey assures her that nothing is wrong. She's a very
Speaker 1: attractive woman. Jesse tells him back off, that's his mommy
Speaker 1: he's talking about. Joey's just digging his hole.
Speaker 3: Deeper and deeper.
Speaker 2: Yep.
Speaker 1: Danny hands Joey a robe as he gets out of bed.
Speaker 1: Joey tells Nick, your wife shouldn't be sleeping alone. She
Speaker 1: loves to cuddle, and they exit. Jesse forces his parents
Speaker 1: to sit down and settle their problem. Nick apologizes for
Speaker 1: losing his temper and tells her first thing in the morning,
Speaker 1: we'll go to that shop you like and buy you
Speaker 1: a brand new outfit. Irene responds, you can't buy me
Speaker 1: a new outfit and expect everything to be better. Nick says,
Speaker 1: you're right, I'll throw in a pair of new shoes.
Speaker 1: Jesse tells me right, yep, they are just yes, this is.
Speaker 2: Right there patterns. Toxic family patterns get passed down from
Speaker 2: generation to generation.
Speaker 3: This is how it goes.
Speaker 1: Jesse tells his dad that they should sit down and
Speaker 1: talk about their problems instead of him buying her gifts.
Speaker 1: He suddenly realized how this connects to him and DJ
Speaker 1: and sighs, oh boy. Jesse tells Nick he got a
Speaker 1: lot of things from him. I got your pride, your ambition,
Speaker 1: your hair. Thank you, by the way. Then he mentions
Speaker 1: the not so great quality he got from Nick, his temper.
Speaker 1: Jesse sits and asks Nick and Irene if they're ready
Speaker 1: to talk to each other. Nick and Jesse agree that
Speaker 1: they can both do better. Jesse tells him because this
Speaker 1: fog is gonna lift and frankly, father, you can't live here.
Speaker 1: Next in the living room, Jesse sits near Danny on
Speaker 1: the couch and apologizes about the drum fiasco, and Danny
Speaker 1: gives him a sincere thank you. DJ appears at the
Speaker 1: top of the stairs and asks what's.
Speaker 3: Going on down there.
Speaker 1: Danny asks asks her why she's awake, and DJ explains
Speaker 1: it well, first it was from Kimmy's snoring, Then there
Speaker 1: was a loud crash and then people screaming. This time
Speaker 1: she was on her way back from the bathroom. Jesse
Speaker 1: asks DJ to come downstairs so we can talk with her.
Speaker 3: He wants to.
Speaker 1: Tell her that he was wrong and Danny was right.
Speaker 1: Danny shouts DJ, get down here in full support. DJ
Speaker 1: asks Danny again if she can keep the drum set,
Speaker 1: to which he says yes, but the sticks have gotta
Speaker 1: go and Danny exits. Jesse grabs DJ and sits her
Speaker 1: down on the couch. He explains how he should have
Speaker 1: talked to her today instead of buying her a big gift.
Speaker 1: DJ tells him, hey, don't be so hard on yourself.
Speaker 3: Jesse begins, those kids are like, no, that's a great
Speaker 3: way to solve problems.
Speaker 2: Yes, this is working out excellent for me.
Speaker 3: Buy me something every time we have fright. Please.
Speaker 1: Yeah. Jesse begins to tell her about his temper and
Speaker 1: how it accidentally hurts the people he loves. DJ doesn't
Speaker 1: blame him for being mad at her because she did
Speaker 1: tape over his pancake jingle. Okay, they're both admitting fault.
Speaker 3: I like this, yeap.
Speaker 1: He continues to say what he did was wrong, but
Speaker 1: DJ doesn't quite get it yet. Jesse starts to tell
Speaker 1: a story from when he was a kid. If he
Speaker 1: did something wrong, his dad would blow his top and
Speaker 1: send him to his room. Then a few hours later,
Speaker 1: Nick would come back with a Batman comic book. They
Speaker 1: never talked about their problems. Jesse tells her, I don't
Speaker 1: want that to happen to you and me, and DJ
Speaker 1: tells him, I think we're doing pretty good. Jesse gives
Speaker 1: her a big kiss and admits he got into a
Speaker 1: lot of trouble when he was a kid. He starts
Speaker 1: to tell her a story about this one time he
Speaker 1: was playing football while his dad watched the Beverly Hillbillies,
Speaker 1: and Jesse kicked a field goal right through Jethro's face.
Speaker 1: Jesse laughs at the story, and suddenly he notices DJ
Speaker 1: is asleep on his chest. He wraps her in a blanket,
Speaker 1: ending his story, and they lived happily ever after. And
Speaker 1: that's our show, Ladies and gentlemen.
Speaker 2: That was such a sweet ending moment. I really I
Speaker 2: love that, And it was, you know, such apparenting thing
Speaker 2: that you can relate to when you're like then this
Speaker 2: time when I was a can button, your kids were
Speaker 2: just like, I don't I don't care. Yeah, you've lost
Speaker 2: the kid, you've lost Yeah, yeah, you're just entertaining yourself
Speaker 2: at that point. But basically at least he totally got
Speaker 2: that and was like, yep, you know what this is. Actually,
Speaker 2: this is actually the good story is being here with
Speaker 2: these kids. And it was very sweet.
Speaker 3: Oh, it was such a sweet moment. A great resolution.
Speaker 3: You know, they both admitted they were wrong.
Speaker 2: Great resolution. The drums are gone. Everyone has admitted. You know, look,
Speaker 2: I screwed up. You screwed up. This is the thing.
Speaker 2: We see Jesse not wanting to be like his dad. Yes,
Speaker 2: there's growth is a big plus.
Speaker 3: There's personal growth in this episode.
Speaker 2: Very pleased and there's some there's a little bit of
Speaker 2: redemption in it. In the we see Jesse go you
Speaker 2: know what I see where I get this? And I, yeah,
Speaker 2: I kind of can't keep doing this. Yep, now it's great.
Speaker 2: Did you have any everywhere you look moments?
Speaker 3: I do. I'm kind of cheating, but I do have one.
Speaker 2: Okay, I have I have two?
Speaker 1: Oh, okay, well mine is in the first scene or no, yeah,
Speaker 1: in the first scene where I appear I come in. Yeah,
Speaker 1: I barge in with my hair and I'm like, good morning,
Speaker 1: good morning. I'm here for the weekend. So this is
Speaker 1: a gift or like a meme on the internet, and
Speaker 1: I send this to every as soon as I when
Speaker 1: I go visit friends, out of town or whatever, and
Speaker 1: I'm spending this, I say this to them to announce
Speaker 1: my arrival.
Speaker 3: I've arrived. I'm here for the weekend.
Speaker 1: And my goal in life is to send instead of talking,
Speaker 1: just to be able to respond to people solely. With
Speaker 1: Kimmy Gibbler Gifts, there's a gift for every reaction, every
Speaker 1: timely scenario. And I'm really is I just want to
Speaker 1: communicate in Kimmy Gibbler Gifts and this is one of
Speaker 1: my favorites.
Speaker 2: I absolutely love that you do this, and I one
Speaker 2: percent think it's an appropriate thing. And now that I
Speaker 2: know that there's a gift of it, That's what I'm
Speaker 2: going to do when I'm traveling places.
Speaker 3: When you try to announce your arrival, I'm here.
Speaker 2: To announce my rete. Yeah, I'm here. I'm here for
Speaker 2: the weekend. Oh my god, that's great. I love it.
Speaker 3: What were your everywhere you looks?
Speaker 2: So I had two everywhere you look moments. One is
Speaker 2: when you see the guys coming out of Michelle's room.
Speaker 2: I'm not sure at which point it is. Oh, it's
Speaker 2: right when DJ records over the thing and she storms
Speaker 2: out and baby comes in or whatever. On that first scene,
Speaker 2: in Jesse's room. You see in the hallway that there
Speaker 2: are now family photos on the wall, whereas before it
Speaker 2: was just I think, kind of a generic like art
Speaker 2: thing or whatever. But now you see some family photos
Speaker 2: with all of us on the wall. But what they
Speaker 2: are is just set stills. So they're actually photographs of
Speaker 2: other episodes that like the behind the scenes photographer would get.
Speaker 2: So there's scenes from the the Horse episode where we're
Speaker 2: standing there, there's there's a yeah, there's a couple ones.
Speaker 2: But it's really funny because when you really look at
Speaker 2: what the pictures are, you'd be like, well, who took
Speaker 2: the pictures?
Speaker 1: Yeah?
Speaker 3: Yeah, a scene there.
Speaker 2: Like that was a scene we saw that happen, but
Speaker 2: I didn't know there was a picture taken, but that
Speaker 2: was one.
Speaker 3: Yeah.
Speaker 1: I had some of those pictures. I have that horse
Speaker 1: picture of the three of us you mean and Candae
Speaker 1: on the horse. I had that printed out as like
Speaker 1: an eight x ten in my box of memorabilia.
Speaker 2: Yeah, I have, we got a lot. I have a
Speaker 2: ton of those, like backstage photos somewhere.
Speaker 3: Great.
Speaker 2: And then the second one, I don't know if you
Speaker 2: noticed the shirt that I was wearing.
Speaker 3: It felt like a repeat a repeat outfit.
Speaker 2: I don't think it was a repeat. Oh okay, but
Speaker 2: it did repeat a theme.
Speaker 3: What what did it repeat?
Speaker 2: Sottie dogs?
Speaker 3: You had a Scottie dog on your shirt.
Speaker 2: Said Scotty. It didn't even I don't it said it's
Speaker 2: sty in the arm. The sleeves were like plaid, and
Speaker 2: I was like, oh my god, it's another one that
Speaker 2: is your running Well maybe that was a repeat. I
Speaker 2: didn't remember it though, but.
Speaker 1: The Scottie dog is definitely a repeating pattern for Stephanie. Yes,
Speaker 1: Janis must have been so proud, you know, Scotty dogs.
Speaker 2: Although that dog that she had that was a Scotti
Speaker 2: her first dog, ate all of her shoes and she's
Speaker 2: Bonnie was the name of the dogs. Talk about how
Speaker 2: she had that dog to ever nuts. So I don't
Speaker 2: know if it was.
Speaker 3: It was not inspired by jam wasn't it.
Speaker 2: Yeah? No, it was not inspired, but it was How
Speaker 2: did we I guess Scottie dogs were just a thing.
Speaker 1: We got to get Genus Draconis and ROBERTA. Hayes, Yes,
Speaker 1: on that podcast. We can ask them all these questions
Speaker 1: because they were brilliant at dressing.
Speaker 2: What was the deal with Scottie Dogs? And why were
Speaker 2: they everywhere? Was it a late eighties fan thing. I
Speaker 2: don't know.
Speaker 1: It was some seven year olds were into you know,
Speaker 1: yeah what was right?
Speaker 2: Although I guess you know what they were Scottie dogs.
Speaker 2: I remember when the kids were younger, like all of
Speaker 2: a sudden, lamas were the thing, and you'd go to
Speaker 2: like justice and everything had a lama on it, true,
Speaker 2: and then it was uh narwalls, and then it was
Speaker 2: you know, so I get it, like there's we sort
Speaker 2: of have cycle through animals. We cycle through silly little
Speaker 2: animals that were like this is the kyd thing ever,
Speaker 2: And I guess the late nineteen eighty nine was Scottie dogs.
Speaker 3: It was the year of the Scottie dog.
Speaker 2: Okay, indeed, but that's those were my two everywhere.
Speaker 3: You look great? Those are good, you know, Egil, I.
Speaker 2: Well, this was another really great episode of the show.
Speaker 2: I love this. We see some personal growth with Joey.
Speaker 2: We we see some drums come and go. We see
Speaker 2: where Jesse is getting. Did I say personal growth with Joey?
Speaker 3: You did? You did? But that's okay. I script their
Speaker 3: names all the time, so I was willing to let
Speaker 3: a five.
Speaker 1: Right.
Speaker 2: We see some personal growth with Jesse and also like
Speaker 2: where his stuff is coming from. But you know it's
Speaker 2: and it's the last time we ever see Cheryl. She
Speaker 2: is never to be seen or heard from again.
Speaker 3: No, I think she's in one?
Speaker 2: Is she one more?
Speaker 3: And more?
Speaker 2: I don't know.
Speaker 3: I don't know what's coming up because I don't watch.
Speaker 2: And I thought that was okay.
Speaker 3: She's in a total of fo the she's in a
Speaker 3: total of three.
Speaker 2: Okay, then there is there is one more somewhere.
Speaker 3: So there's more somewhere, one more somewhere, don't know where.
Speaker 2: Apparently she made it through through the fog.
Speaker 3: She survived Carl's.
Speaker 2: She just sat out in the backyard all night. Oh
Speaker 2: you know, just like I can't go anywhere. I'm just
Speaker 2: gonna sit back here.
Speaker 3: The backyard shape shifts into whatever you need.
Speaker 2: She slept in her car in the backyard because obviously
Speaker 2: she pulled it into the backyard because that's where they
Speaker 2: came from.
Speaker 3: That's the parking lot for all random cars.
Speaker 2: Yeah, there's a huge parking structure underneath the Tanner house
Speaker 2: and that's how they make all their money to afford
Speaker 2: being able to live in that house. And they just
Speaker 2: charge you can charge a lot for parking in San Francisco.
Speaker 3: Yeah, parking is tight. Yeah, you make a killing on that.
Speaker 2: Well, another great episode. So much fun reviewing this. I'm
Speaker 2: so glad you're here this week and I just love
Speaker 2: doing this show with you. It's so much fun. And
Speaker 2: thank you to all of our amazing fan of ritos
Speaker 2: that are listening to the show. If you want to
Speaker 2: follow us on Instagram, make sure you follow how rude.
Speaker 2: Oh my god, it hi, hold on again.
Speaker 3: It's the outro. It's you know what it is.
Speaker 2: I start talking and then my brain goes somewhere else
Speaker 2: and then I'm like, oh no, I'm still talking.
Speaker 3: We just need thirty more seconds.
Speaker 2: Jody justidends like nope, that's all you get. Yeah. Uh,
Speaker 2: So make sure that you are following us on Instagram
Speaker 2: at how Rude podcast. You can also email us at
Speaker 2: how rudpodcast at gmail dot com. Make sure that you
Speaker 2: are liking and subscribing to the podcast on whatever platform
Speaker 2: you're listening to it so that you can make sure
Speaker 2: and get all the newest episodes as soon as they
Speaker 2: come out. Uh, and make sure and like and give
Speaker 2: reviews so that more fun fana reritos can come join
Speaker 2: our delightful little podcast. But thank you everyone for another
Speaker 2: fun week of how Rude Tanerto's. And remember the house
Speaker 2: is no you. You have the bracelet, and you still
Speaker 2: it was up. So I started reading it upside down.
Speaker 2: I started reading up on the world is small, but
Speaker 2: the house is full.
Speaker 1: Man.
Speaker 2: You even have a cheat sheet and you still miss
Speaker 2: You started it upside down.
Speaker 1: Oh, Jody, Jody, we need to put arrows on the
Speaker 1: bracelet pointing up this way up.
Speaker 2: It's the little letters spin, you know. Anyway, we got it,
Speaker 2: We got it.
Speaker 1: It's fine, everything's great, everything is fine, Everything's just fine,
Speaker 1: all right.
Speaker 2: Everybody love you, ye,