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Speaker 1: Dudey Sweetmarmory, I'm back.

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Speaker 2: I missed you. I missed you too.

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Speaker 3: I am so sorry I was absent last week.

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Speaker 2: Totally fine. The great and glorious Kim Moffatt stepped in and.

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Speaker 1: She did fantastic, fabulous and it was the perfect person. Yeah,

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Speaker 1: it was perfect person to step in at the last

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Speaker 1: minute because she already knows everything about Full exactly.

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Speaker 2: That's why I was like, oh, I know exactly who

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Speaker 2: I'm gonna who I'm gonna call because she, Kim knows

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Speaker 2: more about the.

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Speaker 1: Show than I do, for sure, more than both of

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Speaker 1: us come by. Yeah, easily, absolutely, But it.

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Speaker 2: Was really fun. I'm so glad you're back. Yes, I

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Speaker 2: can't tell you how many people saying my name at

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Speaker 2: nineties yep. Yeah, and they told me to sing it

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Speaker 2: back to you, Andrea Barber, so oh, I love lots

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Speaker 2: of miss I have a few things I would like

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Speaker 2: to show you.

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Speaker 3: Oh yes, please do what do you have to show?

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Speaker 3: Show and tell, show and tell.

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Speaker 2: Some wonderful fan made me a friendship bracelet, which I

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Speaker 2: have a bunch of them still. I've saved all of

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Speaker 2: them that people made me. They're all over there by

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Speaker 2: the Full House House but this one in particular was

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Speaker 2: really epic because they made a bracelet that says the

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Speaker 2: world is small, but the house is full, and it's

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Speaker 2: just exactly the size it's now.

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Speaker 3: That's perfect.

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Speaker 2: Have no excuse unless I like read it backwards or something,

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Speaker 2: but no excuse, it's always it is going to be

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Speaker 2: right here and I just have to read it. So

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Speaker 2: thank you so much.

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Speaker 3: Did that more than any well.

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Speaker 2: They were like, here, it's I put it on a bracelet.

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Speaker 2: Now you can't screw it up. So I think it

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Speaker 2: was sort of also like full. Yeah, they were like

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Speaker 2: we're done with this. Uh just please, it's.

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Speaker 3: A little a little, a little petty and I love It's.

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Speaker 2: Like it's like, Gwen, just read you read it right anyway.

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Speaker 3: So there's that, okay.

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Speaker 2: I also have several little bracelets for you, some things,

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Speaker 2: some stickers that fans have given. There's there's more in here.

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Speaker 2: There's a little envelope for you. I've got and stuff.

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Speaker 2: But I have to show you. There were I think

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Speaker 2: two people maybe three that came with the picture of this,

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Speaker 2: but the first person that came through the line that

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Speaker 2: gave me this had put it in a frame and

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Speaker 2: it is very, very special to me.

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Speaker 3: Oh what is it?

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Speaker 2: What do you think it is? Donna a picture?

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Speaker 3: But it's a big bunny.

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Speaker 2: My very own pink bunny in a frame because that

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Speaker 2: was yours, because that was your bunny exactly. And so

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Speaker 2: somebody said you need a framed bunny. And so now

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Speaker 2: I have a framed pink bunny. And I thank you

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Speaker 2: so much to the fan that brought me this at

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Speaker 2: nineties Con in Hartford. Just I love it. It literally

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Speaker 2: is sitting in my office now and I have a

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Speaker 2: pink bunny and all is okay with the world.

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Speaker 3: I feel like our characters are healing their generational trauma.

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Speaker 2: We are healing, healing deep wounds. And another fan was

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Speaker 2: so sweet. I thought they wanted me to sign this.

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Speaker 2: I was like, there's no way there. They're like, no, no, no,

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Speaker 2: it's for you. We know you love legos. Oh so

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Speaker 2: they got me the little mini Disney castle. What I

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Speaker 2: was like, for me, seriously, so sweet, so generous, Thank

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Speaker 2: you so much.

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Speaker 1: I am.

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Speaker 2: I can't wait to build my Disney legos.

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Speaker 3: Yeah, we have the best fans. Oh my goodness.

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Speaker 2: Everyone was so excited, had so much fun. Everyone sent

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Speaker 2: you so much love. Ab They were all like, oh,

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Speaker 2: we love Andrea. We're you know, we wish it was here,

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Speaker 2: and he's like, she is here in spirit and just

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Speaker 2: you got so much love. So just know that. But

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Speaker 2: our fans were awesome at nineties Cone and it was

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Speaker 2: it was really fun. We had a good time.

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Speaker 3: That is so sweet.

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Speaker 1: That's so heartwarming, And thank you for passing on those

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Speaker 1: wonderful messages. I was so sad when I had to cancel,

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Speaker 1: but you know, I just had some family Yeah, family stuff.

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Speaker 2: Yeah, No, I mean, look, life happens, right. I heard

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Speaker 2: a great quote today and that during my Peloton ride.

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Speaker 2: Yeah Peloton. It was Tune Day that said it, and

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Speaker 2: she said, you know, what is a plan but just

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Speaker 2: your best guess anyway. And I like that's so true

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Speaker 2: because she was like, I woke up in a mood

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Speaker 2: because my plan. I had a plan and then it

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Speaker 2: just didn't go. And she was like, but a plan's

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Speaker 2: really just kind of a guess of what you think

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Speaker 2: is going to happen anyway, and I was like, you know, yeah,

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Speaker 2: that's true.

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Speaker 3: It's true.

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Speaker 1: It's our best guess and sometimes it happens and sometimes

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Speaker 1: it doesn't.

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Speaker 2: So you know what, sometimes it doesn't happen. Sometimes you

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Speaker 2: got to deal with family stuff and that's yeah, that's

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Speaker 2: how it goes. But you were missed, you were loved.

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Speaker 2: All the casts and stuff said hello, and you know,

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Speaker 2: we'll drag you back for another one.

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Speaker 1: Yes, I will definitely be at the next one. And

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Speaker 1: I was, yeah, very I'm just yeah, my heart is

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Speaker 1: very full. Thank you for the love and the grace,

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Speaker 1: and thank you for stepping in, Jody and and hitting

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Speaker 1: with the recap.

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Speaker 3: You did a great job.

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Speaker 2: Look, this is the thing we know about me. It's

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Speaker 2: all silly and crazy and wild until you know the

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Speaker 2: proverbial hits the fan and then I'm like, I'm in.

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Speaker 3: I got it.

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Speaker 2: And I am astound myself with how actually on top

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Speaker 2: of things that I am and can be.

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Speaker 3: So I know, I can't you step up? Yeah yeah, yeah,

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Speaker 3: of course you can't. Of course you can.

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Speaker 2: So yeah, I loved housting with Kim. It was really fun.

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Speaker 3: But but yeah, nice, glad to have you back. Yeah,

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Speaker 3: it's so good to be back.

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Speaker 1: And I am so excited to recap Fogged in a

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Speaker 1: great episode. Carl the Fog, I'm back, Carl interrupting plans again,

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Speaker 1: you know, talk about plans being in.

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Speaker 2: Carl is really he is kind of the nemesis of

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Speaker 2: the Tanner family.

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Speaker 1: Really, he's the Stefano Demera from Days of Our Life.

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Speaker 3: He's the villain.

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Speaker 2: I never watched that often, but even I remember Stephano

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Speaker 2: because there was the name.

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Speaker 1: Oh yes, this villain just wrecking everyone's plan.

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Speaker 2: Yeah, almost the uh was it Gargamel? No, Gargamel was

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Speaker 2: the cat in the Smurfs, you.

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Speaker 1: Know, oh oh, oh, yeah, who was the villain in

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Speaker 1: this smart who was Uh wasn't Gargamel Gargame?

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Speaker 2: I thought Gargamel was the cat anyway, anyway, exactly. He

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Speaker 2: was always forming plants. I don't know why that popped

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Speaker 2: into my head, but that's where we're at. So Carl

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Speaker 2: the Fog is back again. What if this show was

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Speaker 2: set anywhere else, Like.

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Speaker 1: What if it was set in the desert, they would

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Speaker 1: have no Yeah, they would have no villain villainous and you'd.

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Speaker 2: Whether have flash floods, maybe heat stroke heat Yeah, heat

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Speaker 2: stroke would be a theater. You could do that Chicago.

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Speaker 2: You could just get sudden winds that.

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Speaker 3: We could be blown away. Yeah true.

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Speaker 2: So okay, yeah, well this is episode three with Carl

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Speaker 2: the Fog.

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Speaker 3: Yes, that's right. We had Carl Waite. I wrote it down.

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Speaker 1: I wrote it down the Disneyland, Disneyland trip, Yes, the

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Speaker 1: Disneyland trip that got interrupted, right, and then Carl the

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Speaker 1: fog interrupted the Beach Boys going to wake up San

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Speaker 1: Francisco and ruined Danny's plans for that, and now here everybody's.

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Speaker 3: Stuck in the full house because of Carlo.

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Speaker 2: Why does Carl hate the Tanner so much? I don't know.

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Speaker 2: Carl is like, oh, you guys are gonna do something fun.

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Speaker 2: No you're not.

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Speaker 3: But yeah, no, the fog was incredible, like the special.

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Speaker 2: Effects there was so much like it was like, wow,

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Speaker 2: I've never seen fog do that, Like it was thick,

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Speaker 2: like the joke has to work, get as much fog

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Speaker 2: as possible. I feel like there's a horror movie called

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Speaker 2: The Fog and it's that's the only time I've ever

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Speaker 2: seen fog behave that way. When it's like like your house,

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Speaker 2: like through the front door. I was like, whoa aggressive fog.

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Speaker 1: That was very aggressive fog. So yeah, no props to

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Speaker 1: our what department is that not?

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Speaker 2: That would be that would be special effects, that'd be

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Speaker 2: effects apartment. Yeah. Yeah, there was someone there with a

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Speaker 2: smoke machine and a fan just doing that.

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Speaker 1: Yeah, the hard part is when you're done with the scene,

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Speaker 1: but you have to do it again, and they got

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Speaker 1: to clear all that fog out to then make it

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Speaker 1: appear whenever it appeared in that first scene. So yeah,

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Speaker 1: oh right, the fog out before they bring it back,

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Speaker 1: before you blow the fog in. I don't know, Okay, yeah, yeah,

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Speaker 1: well let's get let's get into it, shall we.

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Speaker 2: Let's do this.

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Speaker 1: Yeah, welcome back to how Rude Tanerto's I'm Andrea Barber

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Speaker 1: and I'm Jodie Sweeten, and today we're discussing season two,

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Speaker 1: episode twelve, entitled fogged In. Is it I N N

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Speaker 1: or is it I N? I know in our notes

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Speaker 1: here it says I N. But there's somewhere somewhere else

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Speaker 1: I read it was in like, you know, coming to

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Speaker 1: the Inn state they fogged in?

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Speaker 3: Yeah, like this is the Inn.

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Speaker 2: I don't know. But that's a great little play on words. Yeah,

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Speaker 2: I mean, it really only works if you read it,

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Speaker 2: but I like, but I appreciate.

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Speaker 3: True, that doesn't really work over this audio medium.

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Speaker 2: But that's no but I but yeah, that's this. It's

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Speaker 2: in the spell that the fogged In. Fogged In. That

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Speaker 2: would be a great name for a bed and breakfast

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Speaker 2: in San Francisco. Oh my god, we should buy the

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Speaker 2: full house house and turn it into the fogged In.

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Speaker 3: Oh my gosh, yes, let's do it. The names will

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Speaker 3: be so excited about someone else your house has bought

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Speaker 3: the house.

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Speaker 2: I have so many plans. Okay, I'm just gonna be

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Speaker 2: standing outside with a fog machine all the time. Neighbors

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Speaker 2: are gonna love it.

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Speaker 3: That's awesome.

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Speaker 1: This episode originally aired on January twentieth, nineteen eighty nine,

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Speaker 1: the day after your birthday, Jodie Sweeten.

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Speaker 2: All of seven years old?

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Speaker 3: Wow? Seven?

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Speaker 2: No?

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Speaker 3: Just a yeah? This is season two?

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Speaker 2: Yeah?

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Speaker 3: Yeah, yeah. So you think you was seven?

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Speaker 2: Well, I mean nineteen eighty nine. I was born at

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Speaker 2: eighty two. I do it. If I'm doing the math correctly,

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Speaker 2: I'm pretty sure I was seven. But don't gay that

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Speaker 2: works not a mather.

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Speaker 1: So you were born in the eighties day, I'm a

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Speaker 1: seventy six girl. So by centennial baby? Oh yay, Okay,

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Speaker 1: so the show, the episode goes a little something like this.

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Speaker 1: The fog rolls in, and so does everyone else.

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Speaker 2: That's it.

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Speaker 3: What more do you need to know about this episode, right,

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Speaker 3: that's it.

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Speaker 1: It was directed by Joelswick, it was written by Kim Weissakoff,

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Speaker 1: and our guest stars are all returning guest stars this year.

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Speaker 1: We have Jon Apria back as Nick Kutzopolis Von Wilder

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Speaker 1: also returns as Irene, and then we have Diane Brody

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Speaker 1: returning as Cheryl. We first saw her in Triple Date

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Speaker 1: and she's back. She was originally Jesse's date in that episode,

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Speaker 1: I believe if I'm correct, and.

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Speaker 3: Then they swapped and so and then Joey ended up

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Speaker 3: with Cheryl. So this is great.

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Speaker 1: This is this is her second full House episode. She's

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Speaker 1: in a total of three. And again this is another

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Speaker 1: actor where full House was their very last credit.

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Speaker 3: So we killed this acting career.

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Speaker 2: You know. It went so well for some of us

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Speaker 2: and so not for others. I don't know what. Yeah,

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Speaker 2: they were like, never again, the guest start, right, I

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Speaker 2: want to do this ever again? Yeah? Okay, okay.

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Speaker 1: So we open in Joey's room. Joey has Michelle seated

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Speaker 1: on his bed and Joey's wearing a cardigan that is

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Speaker 1: very reminiscent of that cup, that paper cup, that waxy

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Speaker 1: paper cup. From the nineties where, yes, like turquoise and.

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Speaker 2: You know what, there were people at nineties con dressed

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Speaker 2: up as that cup because you can buy that that

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Speaker 2: pattern online in like shirts and sweatshirts and stuff. So

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Speaker 2: maybe Joey Gladstone was kind of the original with it.

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Speaker 2: But yeah, you're right, and does he does look like

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Speaker 2: those like a like a like a eighties a cup

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Speaker 2: from a mall refreshment stand in a generic eighties teen

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Speaker 2: movie because you couldn't use any of the like, you know,

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Speaker 2: coke products, right, Yeah, so they were like just put

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Speaker 2: that turquoise cup in there. It's kind of the precursor

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Speaker 2: to the Red Solo Cup. I feel like, really that

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Speaker 2: cup walked, so the Red Solo cup fly, Yes.

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Speaker 3: It did, it did.

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Speaker 1: And here we are nineteen eighty nine. Joey is already

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Speaker 1: already wearing yep, these colors.

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Speaker 3: I love it.

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Speaker 1: So Joey asks Michelle what her favorite impression is, because

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Speaker 1: he's putting an act together.

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Speaker 2: Always good to consult with toddlers while doing your standard routine.

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Speaker 1: Oh of course, what better audience, right, Joey does a

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Speaker 1: Jay Leno impression, and Michelle responds by resting her head

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Speaker 1: on her hand. Joey does a Rodney Dangerfield impression next,

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Speaker 1: and he gets the same unamused response from Michelle.

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Speaker 2: Oh tough critic.

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Speaker 1: Joey tells her, ah, you don't know comedy when you

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Speaker 1: see it, Michelle, and she responds, no repects, and Joey

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Speaker 1: laughs and says no respect. Michelle tells him me funny,

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Speaker 1: and Joey jokingly calls her a little monster and begins

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Speaker 1: tickling her before giving her a big kiss.

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Speaker 2: It did such great impressions. It was so fun. I

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Speaker 2: do have to say, though, I wonder how many people

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Speaker 2: of younger generations were like, who are those people that

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Speaker 2: he's impersonating?

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Speaker 3: Who's Jay Leno is?

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Speaker 2: Right? Right?

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Speaker 3: Danger Dingerfield?

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Speaker 2: Right? Yeah, he used to host it Tonight Show. Isn't

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Speaker 2: that Kimmel? No, there was, there was.

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Speaker 3: A whole Yeah.

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Speaker 1: So then we have the show credits, and then we're

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Speaker 1: in the kitchen. Michelle is making eggs at her plastic kitchen.

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Speaker 1: As Danny watches, he jokes, you prepared them my favorite

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Speaker 1: way polyvinyl side up.

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Speaker 2: Isn't that a reference? Isn't that PVC? Isn't that the

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Speaker 2: thing that that we all say, like, there's no PVC

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Speaker 2: in this now something.

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Speaker 3: Yeah, it was Danny's.

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Speaker 2: I'm so glad that this highly cancerous and caringenic playfood

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Speaker 2: is made out of this. Yeah.

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Speaker 1: Ah, the eighties, you know, right like that. Yeah, it's amazing.

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Speaker 1: We all turned out.

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Speaker 3: Okay.

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Speaker 1: Uh. Stephan DJ, Stephan DJ race downstairs in their pajamas.

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Speaker 1: Steph quickly asks if Danny can make French toast for breakfast,

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Speaker 1: but DJ protests, asking him to make waffles instead. They

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Speaker 1: argue back and forth, and Danny suggests going to the

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Speaker 1: tiebreaker Michelle. Michelle smiles and says cookies. Stuff looks up

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Speaker 1: for Danny and admits I can live with that. It's

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Speaker 1: all kind of the same with the bread. It's flowers, shoke, cookies.

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Speaker 2: French tose, waffles. The fact that we as Americans have

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Speaker 2: lied to ourselves and said that like a muffin, which

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Speaker 2: is just cake in a smaller form, is breakfast. It's sounding.

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Speaker 2: It's so great and look at I love muffins. Don't

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Speaker 2: get me wrong. It is it is breakfast cake.

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Speaker 3: Breakfast cake. Nothing like it.

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Speaker 2: Yeah.

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Speaker 1: So Jesse slowly stumbles downstairs with messy hair, his eyes

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Speaker 1: are half closed, and he lets out a.

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Speaker 2: Big yall but very clean shaven.

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Speaker 1: Five o'clock shadow or eight o'clock shadow is Yeah, you're right,

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Speaker 1: he must have shaved in his sleep.

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Speaker 2: So maybe he just maybe he.

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Speaker 3: Was a slow grower. You know those well, no, he

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Speaker 3: had Greek jeans, so I feel like they were hairy.

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Speaker 2: Yeah they were.

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Speaker 3: Look at the hair on his head. Yeah that's true. Okay,

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Speaker 3: so we must have shaved in his sleep.

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Speaker 1: Danny jokes, you better check the expiration date on that moose,

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Speaker 1: and Jesse just glares at him. Dj confesses, I've never

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Speaker 1: seen anyone looked so wiped out.

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Speaker 3: Que Joey.

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Speaker 1: Joey walks up from his room and throws himself over

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Speaker 1: the baby gate, Looking just as wiped out. Jesse walks

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Speaker 1: over to his sleepy partner in crime and congratulates them

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Speaker 1: both on staying up all night so they could finish

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Speaker 1: that jingle.

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Speaker 2: These guys and their last minute larrying of the jingle.

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Speaker 3: Writing procrastination galore, You know, I.

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Speaker 2: Mean, I get it, you know maybe, Yeah, they only

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Speaker 2: work they work best under pressure.

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Speaker 1: Yeah, that's when the genius comes, is when they're true

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Speaker 1: on a deadline. Kimmy cheerfully bursts in the back door

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Speaker 1: with a suitcase in her hand, exclaiming, good morning, I'm

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Speaker 1: here for the weekend.

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Speaker 2: Joe giant suitcase, by the way, bigger than me. Really

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Speaker 2: like you could have gone somewhere for a week with that.

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Speaker 2: I don't know what Kimmy's bringing into this house, but

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Speaker 2: I would love to know.

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Speaker 3: What's in that end.

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Speaker 1: I can easily fit Taylor Swift into that suitcase and right,

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00:17:09,040 --> 00:17:13,560
Speaker 1: h yeah for sure, Joey and Jesse scream in horror,

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Speaker 1: and thus begins this long tradition of Kimmy not being

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Speaker 1: welcome in the Tanner Home.

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Speaker 3: And scaring the adults as she pops in. Can we

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Speaker 3: talk about my hair?

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Speaker 2: Like this hair is? Can we talk about it?

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Speaker 3: Hey?

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Speaker 2: I wrote so many notes, and I believe even last

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Speaker 2: week with kim there.

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Speaker 3: Was it came up.

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Speaker 2: Yep, what was going on? It was the thought process,

350
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Speaker 2: the choice. Why did your hair all of a sudden

351
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Speaker 2: get so freaking gigantic.

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Speaker 1: I've never seen real hair look more like a wig

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Speaker 1: than a wig.

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Speaker 2: Right you know? It's yeah, it's big.

355
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Speaker 1: It's like spiderweb at least sound like a little plastic

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Speaker 1: headband on.

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Speaker 3: So that gave it some.

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Speaker 2: Well, I mean, can you imagine if there's nothing holding

359
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Speaker 2: that gun. You know, I just would have just flown

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Speaker 2: right off your head.

361
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Speaker 3: That was my real hair. That's the saddest thing is

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Speaker 3: that was my real hair and it.

363
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Speaker 2: Just well, I'm sure you didn't wake up and your

364
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Speaker 2: hair looked like that. No, but that styling. You just

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Speaker 2: have very thick hair that if you curled and sprayed

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Speaker 2: it in the manner that it was, it looked like

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Speaker 2: it looked like a like a I don't know, like

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Speaker 2: a Patrick Swayze wig or something like. It was pretty.

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Speaker 2: It was. It was mullet material.

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Speaker 3: Oh, it was. It was. It was just yeah, two.

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Speaker 2: Shades away from a moment. There was no business in

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Speaker 2: the front. It was just party all over it. It was

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Speaker 2: party all.

374
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Speaker 1: There was nothing professional about it. No, it was all

375
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Speaker 1: all party, all gibbler all the time.

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Speaker 3: Yeah.

377
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Speaker 2: Maybe that maybe that's what she has in the suitcases,

378
00:18:48,760 --> 00:18:49,480
Speaker 2: hair products.

379
00:18:49,760 --> 00:18:52,000
Speaker 3: That's what it is. It's all of her Aquinet.

380
00:18:52,240 --> 00:18:55,840
Speaker 2: That's all of her, right, It's a giant, industrial size Aquinet.

381
00:18:56,560 --> 00:18:59,240
Speaker 1: So DJ takes Kimmy's suitcase out of her hands and

382
00:18:59,280 --> 00:19:02,679
Speaker 1: heads upstairs. Then the doorbell rings and Joey exits to

383
00:19:02,720 --> 00:19:06,119
Speaker 1: get it. Kimmy thanks Danny for having her over for

384
00:19:06,160 --> 00:19:09,639
Speaker 1: the weekend, reminding him that she's allergic to dairy products,

385
00:19:09,720 --> 00:19:14,320
Speaker 1: feather pillows and six year olds. Glaring right at Steph,

386
00:19:14,600 --> 00:19:16,879
Speaker 1: Stephanie defends herself, don't look at me.

387
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Speaker 3: I'm six and three quarters.

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00:19:19,840 --> 00:19:23,760
Speaker 1: Yeah, I just love watching these early interactions between us. Yes,

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00:19:23,840 --> 00:19:28,960
Speaker 1: our frenemieship is developing episode by episode, and I'm here

390
00:19:29,000 --> 00:19:32,080
Speaker 1: for it. Danny asks Kimmy if her parents are coming

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Speaker 1: back Sunday, to which Kimmy replies absolutely Wednesday. At the latest,

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00:19:38,280 --> 00:19:41,720
Speaker 1: Jesse sluggishly asks his family who wants to chip in

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Speaker 1: for a hotel, and they all raise their hands, including Michelle.

394
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Speaker 2: I love how Steph raised both hands.

395
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Speaker 1: Stephanie's like her, get me out of here, please, get

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00:19:51,320 --> 00:19:53,479
Speaker 1: me some French toast and a hotel please.

397
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Speaker 3: Exactly in the living.

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00:20:03,280 --> 00:20:05,879
Speaker 1: Room, Joey answers the front door with a waffle in

399
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Speaker 1: his mouth, and it's Cheryl.

400
00:20:08,720 --> 00:20:11,840
Speaker 2: She looks Was it a waffle or a jelly donut? Oh?

401
00:20:12,000 --> 00:20:13,440
Speaker 1: You know, I think it was a jelly donut because

402
00:20:13,440 --> 00:20:16,520
Speaker 1: it comes back at the end of this little scene. Right, yeah,

403
00:20:16,560 --> 00:20:18,200
Speaker 1: I wrote down waffle, but it's you're right, it's a

404
00:20:18,240 --> 00:20:18,879
Speaker 1: jelly donut.

405
00:20:19,160 --> 00:20:19,480
Speaker 2: Okay.

406
00:20:19,920 --> 00:20:23,920
Speaker 1: Cheryl is shocked. To see Joey in such disarray. Are

407
00:20:23,920 --> 00:20:25,879
Speaker 1: you the same Joey, I've been dating for two months,

408
00:20:25,920 --> 00:20:30,240
Speaker 1: she says, and he responds, No, I'm Joey's grungey twin

409
00:20:30,320 --> 00:20:34,240
Speaker 1: brother sloppy Joe, Let me go get handsome, Joe. She

410
00:20:34,280 --> 00:20:36,360
Speaker 1: stops him and says she just wants to stop by

411
00:20:36,440 --> 00:20:37,359
Speaker 1: to see if he'd like to.

412
00:20:37,400 --> 00:20:38,840
Speaker 3: Go skiing over the weekend.

413
00:20:39,400 --> 00:20:46,840
Speaker 2: Okay, I forgot that Joey had this girlfriend in the beginning, right.

414
00:20:46,840 --> 00:20:49,800
Speaker 1: Well, I think there was really no follow up after

415
00:20:50,080 --> 00:20:52,680
Speaker 1: a triple date there, you know, they just the girls

416
00:20:52,720 --> 00:20:53,680
Speaker 1: went off into the ether.

417
00:20:53,840 --> 00:20:56,280
Speaker 3: But didn't she cut She's she came Is this her

418
00:20:56,320 --> 00:20:58,800
Speaker 3: second or this is her second? This is her second episode?

419
00:20:58,840 --> 00:21:01,160
Speaker 2: Oh? Okay, yeah. Because I was surprised, I was like, wait,

420
00:21:01,200 --> 00:21:02,000
Speaker 2: what two months?

421
00:21:02,000 --> 00:21:02,440
Speaker 3: Two months?

422
00:21:02,520 --> 00:21:02,680
Speaker 1: Yeah?

423
00:21:02,720 --> 00:21:04,639
Speaker 2: Are you who is this person? And then I was like,

424
00:21:04,720 --> 00:21:06,080
Speaker 2: oh wait that's right, I remember.

425
00:21:06,200 --> 00:21:09,240
Speaker 1: Yeah, So yeah, I know this all took place off stage,

426
00:21:09,320 --> 00:21:11,959
Speaker 1: and now this is Cheryl's back. We're learning about this

427
00:21:12,000 --> 00:21:15,760
Speaker 1: relationship in real time here. Joey is surprised that Cheryl

428
00:21:15,880 --> 00:21:18,359
Speaker 1: wants to take the risk of seeing him like this again,

429
00:21:18,640 --> 00:21:21,360
Speaker 1: but she jokes, you haven't seen my evil twin yet

430
00:21:21,800 --> 00:21:22,840
Speaker 1: no makeup, Cheryl.

431
00:21:23,800 --> 00:21:26,360
Speaker 2: You know, I'm gonna say, right there, I can see

432
00:21:26,400 --> 00:21:29,479
Speaker 2: why this relationship isn't gonna work. She's not funny.

433
00:21:30,160 --> 00:21:33,040
Speaker 3: Well, she's funny, she's not funny enough for Joey. Definitely,

434
00:21:33,200 --> 00:21:37,600
Speaker 3: no makeup, Cheryl, that's not there's a when she said that,

435
00:21:37,640 --> 00:21:38,000
Speaker 3: I went on.

436
00:21:38,520 --> 00:21:41,240
Speaker 2: Joey's like he's bumped at that one.

437
00:21:41,320 --> 00:21:44,680
Speaker 3: Yeah. Yeah, this relationship is not going to last. But yeah,

438
00:21:44,680 --> 00:21:45,119
Speaker 3: that's okay.

439
00:21:45,280 --> 00:21:45,640
Speaker 2: She tried.

440
00:21:45,680 --> 00:21:46,600
Speaker 3: It's okay, she tried.

441
00:21:46,680 --> 00:21:49,200
Speaker 1: And I think you know, Joey's just excited that somebody

442
00:21:49,240 --> 00:21:51,479
Speaker 1: loves him and he wants to go skiing for the weekend.

443
00:21:51,480 --> 00:21:53,280
Speaker 3: Okay, so all right exactly.

444
00:21:53,960 --> 00:21:56,240
Speaker 1: Cheryl tells him she'll pick him up at five o'clock

445
00:21:56,280 --> 00:21:59,480
Speaker 1: and then gives him a kiss. M strawberry jolly donut

446
00:21:59,520 --> 00:22:02,439
Speaker 1: she noticed, and Joey smirks, I'll pick up a dozen

447
00:22:02,560 --> 00:22:05,720
Speaker 1: for the weekend. After Cheryl leaves, Joey celebrates a little

448
00:22:05,720 --> 00:22:08,760
Speaker 1: too hard, squeezing the strawberry jelly out of his donut,

449
00:22:09,000 --> 00:22:10,159
Speaker 1: getting it everywhere.

450
00:22:11,640 --> 00:22:14,360
Speaker 2: The amount of times that that's happened to me over

451
00:22:14,520 --> 00:22:16,240
Speaker 2: celebrating with a jelly donut in my hand.

452
00:22:16,920 --> 00:22:18,679
Speaker 3: Now I feel like a jelly donut. I haven't had

453
00:22:18,720 --> 00:22:19,919
Speaker 3: one of those in a hot minute.

454
00:22:20,480 --> 00:22:22,679
Speaker 2: I actually don't love jelly donuts. It's kind of a weird.

455
00:22:23,040 --> 00:22:23,760
Speaker 2: I don't like it.

456
00:22:23,960 --> 00:22:27,720
Speaker 3: Do you like your donuts without filling out?

457
00:22:27,800 --> 00:22:30,119
Speaker 2: I like the little cake sprinkle donuts. I like the

458
00:22:30,200 --> 00:22:32,760
Speaker 2: care I do too. I like the cake or an

459
00:22:32,760 --> 00:22:34,600
Speaker 2: apple fritter dipped in coffee.

460
00:22:34,840 --> 00:22:37,119
Speaker 3: Ooh, so good man, No, I'm hungry.

461
00:22:38,400 --> 00:22:41,240
Speaker 1: Next, we're in Jesse's room where Kimmy is playing the

462
00:22:41,320 --> 00:22:44,480
Speaker 1: keyboard as DJ holds up a mic while they see

463
00:22:44,520 --> 00:22:45,400
Speaker 1: it doing pretty good.

464
00:22:45,520 --> 00:22:47,000
Speaker 3: Oh it's no, I wasn't.

465
00:22:47,040 --> 00:22:49,440
Speaker 2: I mean, I know it's fake, but it's better than

466
00:22:50,640 --> 00:22:53,280
Speaker 2: only once did I go, wait, that's not quite on set.

467
00:22:53,359 --> 00:22:54,800
Speaker 2: But for the most part it was.

468
00:22:55,080 --> 00:22:58,760
Speaker 1: It was, except I'm not pressing the keyboard like my

469
00:22:58,880 --> 00:23:02,000
Speaker 1: hands are just sort of flow like I'm touching the keyboard,

470
00:23:02,000 --> 00:23:04,680
Speaker 1: but I'm not pressing the keys down. So even though

471
00:23:04,680 --> 00:23:07,520
Speaker 1: I have the tempo down right, I'm not pressing those

472
00:23:07,640 --> 00:23:11,320
Speaker 1: keys like it's it's you know, this whole episode, my

473
00:23:11,359 --> 00:23:14,520
Speaker 1: acting is questionable, But you know, I thought you did great.

474
00:23:14,640 --> 00:23:15,879
Speaker 3: I was more concerned about singing.

475
00:23:16,160 --> 00:23:18,600
Speaker 1: You know what, anytime you have to sing on camera,

476
00:23:18,680 --> 00:23:21,000
Speaker 1: it's terrifying, So I think I was more self conscious

477
00:23:21,000 --> 00:23:22,879
Speaker 1: about that than my keyboard.

478
00:23:23,160 --> 00:23:25,040
Speaker 2: Well, you were doing great at both, so well, thank you.

479
00:23:25,520 --> 00:23:27,640
Speaker 2: Yeah the emotion even Yes.

480
00:23:27,720 --> 00:23:34,840
Speaker 1: Locomotion originally by Eva Narcissus Narcissus Boys Wait Oh, and

481
00:23:34,920 --> 00:23:38,360
Speaker 1: later covered by Kylie Minogue amazing. I never I don't

482
00:23:38,359 --> 00:23:39,919
Speaker 1: know if I've heard the original. I've heard the nineteen

483
00:23:39,960 --> 00:23:42,240
Speaker 1: eighties version, but I love this song.

484
00:23:42,320 --> 00:23:42,840
Speaker 2: This is great.

485
00:23:43,400 --> 00:23:46,240
Speaker 1: And DJ's playing the tambourine much better than she played

486
00:23:46,240 --> 00:23:49,040
Speaker 1: the guitar in season one when we were the bracelets,

487
00:23:49,160 --> 00:23:50,920
Speaker 1: So this is the right instrument for DJ.

488
00:23:51,119 --> 00:23:54,120
Speaker 2: Is tambourine is usually pretty manageable.

489
00:23:54,440 --> 00:23:54,880
Speaker 3: Yeah.

490
00:23:54,960 --> 00:23:57,919
Speaker 1: Jesse walks in and stops them, and then he starts

491
00:23:57,960 --> 00:24:01,399
Speaker 1: to panic. He asks DJ where they got this tape,

492
00:24:01,680 --> 00:24:04,080
Speaker 1: and she informs him that it was already in there.

493
00:24:04,800 --> 00:24:07,080
Speaker 1: Jesse begs, please tell me you didn't tape over my

494
00:24:07,160 --> 00:24:10,679
Speaker 1: Cosa dea Pancakes jingle. He plays the tape back and

495
00:24:10,880 --> 00:24:13,160
Speaker 1: confirms that they did tape.

496
00:24:12,880 --> 00:24:13,840
Speaker 3: Over the jingle.

497
00:24:13,960 --> 00:24:15,120
Speaker 2: Oh.

498
00:24:15,320 --> 00:24:19,600
Speaker 1: He's furious, yelling that they destroyed it. Kimmy replies, well,

499
00:24:19,640 --> 00:24:23,120
Speaker 1: not all of it. You still have Casa dey pancakes ole.

500
00:24:24,480 --> 00:24:26,560
Speaker 3: Wait to go Kimmy rub salt mery, Kimmy.

501
00:24:26,640 --> 00:24:27,360
Speaker 2: Yeah.

502
00:24:27,600 --> 00:24:30,480
Speaker 1: Jesse reminds DJ that this is his room and they

503
00:24:30,520 --> 00:24:33,200
Speaker 1: have no right to be in here without his permission.

504
00:24:33,760 --> 00:24:36,240
Speaker 1: DJ attempts to speak, but Jesse cuts her off.

505
00:24:36,600 --> 00:24:37,800
Speaker 3: He's very mad.

506
00:24:38,240 --> 00:24:43,360
Speaker 2: I understand well why he's mad, well, but.

507
00:24:43,880 --> 00:24:49,119
Speaker 3: The level of mad is it goes high, it goes

508
00:24:49,359 --> 00:24:50,200
Speaker 3: little too high.

509
00:24:51,240 --> 00:24:54,359
Speaker 2: I disagree on that, but that's I think he was

510
00:24:54,560 --> 00:24:55,840
Speaker 2: appropriately angry.

511
00:24:55,960 --> 00:24:59,800
Speaker 1: Really, oh see you, I do disagree he I think

512
00:24:59,800 --> 00:25:03,720
Speaker 1: he overreacted here. Here's my problem with Jesse in all

513
00:25:03,720 --> 00:25:07,080
Speaker 1: of his moments like this right, is that I feel

514
00:25:07,080 --> 00:25:11,160
Speaker 1: like these emotions aren't really earned, Like is this level

515
00:25:11,160 --> 00:25:16,520
Speaker 1: of anger really justified? Because he blows his top at

516
00:25:16,800 --> 00:25:18,480
Speaker 1: DJ kicks her out of her They.

517
00:25:18,359 --> 00:25:21,400
Speaker 2: Stayed up all night riding a jingle that's due today

518
00:25:22,560 --> 00:25:25,240
Speaker 2: and thought it was done, and then these kids go

519
00:25:25,359 --> 00:25:27,800
Speaker 2: into his room and start messing with his equipment and

520
00:25:27,840 --> 00:25:29,760
Speaker 2: record over something that's.

521
00:25:29,760 --> 00:25:33,159
Speaker 1: I understand be in there, no touchy. I understand that

522
00:25:33,280 --> 00:25:34,640
Speaker 1: he's sleep deprived.

523
00:25:34,800 --> 00:25:36,000
Speaker 3: You know, he's got a hot time.

524
00:25:36,040 --> 00:25:38,440
Speaker 2: I mean he definitely went from zero to one hundred.

525
00:25:38,640 --> 00:25:39,960
Speaker 3: H Yeah, Well, here's that.

526
00:25:40,000 --> 00:25:42,840
Speaker 2: I do think I was, like, I give why you'd

527
00:25:42,840 --> 00:25:43,320
Speaker 2: be pissed.

528
00:25:43,520 --> 00:25:46,080
Speaker 3: Well, when when Joey was mad.

529
00:25:45,920 --> 00:25:48,600
Speaker 1: At DJ a few episodes ago, it's because he was

530
00:25:48,680 --> 00:25:51,399
Speaker 1: panicked because he didn't know where she was. Right, Danny

531
00:25:51,520 --> 00:25:55,280
Speaker 1: was angry, it's because Jesse crashed his car bullet. When

532
00:25:55,359 --> 00:25:58,159
Speaker 1: Jesse's angry, it's all like, it's all inner, it's you know,

533
00:25:58,160 --> 00:26:00,280
Speaker 1: he's mad because he doesn't have privacy and house.

534
00:26:00,280 --> 00:26:02,919
Speaker 3: He's mad because you know the girls are wells and wi.

535
00:26:03,280 --> 00:26:05,720
Speaker 2: I mean, it's a little it's a little self centered.

536
00:26:05,760 --> 00:26:08,439
Speaker 2: But this time I think it's not self centered, and

537
00:26:08,480 --> 00:26:11,840
Speaker 2: it's more just that someone was using his stuff without

538
00:26:11,880 --> 00:26:14,360
Speaker 2: asking and ruined something that was important.

539
00:26:14,640 --> 00:26:16,240
Speaker 1: I'm not saying the girls were in the right. I'm

540
00:26:16,240 --> 00:26:18,359
Speaker 1: just saying his level of anger was.

541
00:26:18,359 --> 00:26:21,320
Speaker 2: Maybe I'm maybe I'm just maybe I'm. It's because I'm loud,

542
00:26:21,760 --> 00:26:24,560
Speaker 2: so I think like that sort sort of loud reaction

543
00:26:24,640 --> 00:26:25,840
Speaker 2: to me him Like that makes sense.

544
00:26:25,680 --> 00:26:30,359
Speaker 3: It's normalized for you. Yeah, yeah, No, he's he loses it.

545
00:26:30,880 --> 00:26:31,880
Speaker 2: He does, He really does.

546
00:26:32,160 --> 00:26:33,080
Speaker 3: He really does lose it.

547
00:26:33,160 --> 00:26:37,040
Speaker 1: And he do you remember, Yeah, it was season two

548
00:26:37,359 --> 00:26:40,040
Speaker 1: when you broke Jesse's arms and how mad, how he

549
00:26:40,080 --> 00:26:42,359
Speaker 1: made you feel so bad that whole episode too.

550
00:26:42,520 --> 00:26:46,640
Speaker 3: Again, Jesse's mad because, well, you didn't mean to break

551
00:26:46,640 --> 00:26:47,520
Speaker 3: his arms.

552
00:26:47,240 --> 00:26:51,640
Speaker 2: But well, he broke his arms right. I accidentally cut

553
00:26:51,680 --> 00:26:55,280
Speaker 2: his hair and which he was legitimately like bummed about,

554
00:26:55,280 --> 00:26:58,760
Speaker 2: but also like hair will grow back, okay. But then

555
00:26:58,800 --> 00:27:01,000
Speaker 2: he went out and acted like an and broke his arm.

556
00:27:01,080 --> 00:27:02,919
Speaker 1: Right and then made you feel bad about it for

557
00:27:02,960 --> 00:27:04,520
Speaker 1: the for the rest of the episode.

558
00:27:05,040 --> 00:27:07,760
Speaker 2: That's not yeah, that's but that was the pattern.

559
00:27:07,840 --> 00:27:09,000
Speaker 3: This is a pattern with Jesse.

560
00:27:09,200 --> 00:27:13,000
Speaker 2: But that was him blaming his his stupid mistake on me.

561
00:27:13,280 --> 00:27:15,920
Speaker 2: This one wasn't his stupid mistake. It was the kids.

562
00:27:16,119 --> 00:27:18,400
Speaker 3: Well it was, but I still.

563
00:27:18,160 --> 00:27:21,560
Speaker 2: Think we shall agree to disagree, and that's fine.

564
00:27:21,640 --> 00:27:23,920
Speaker 3: That's what we're here for, is to bring our own

565
00:27:23,960 --> 00:27:24,800
Speaker 3: interpretation to this.

566
00:27:26,640 --> 00:27:29,120
Speaker 1: So Jesse cannot believe that the girls would record over

567
00:27:29,160 --> 00:27:32,840
Speaker 1: a tape without checking it first. His anger builds, Now,

568
00:27:32,840 --> 00:27:34,639
Speaker 1: why don't you guys both get out of here before

569
00:27:34,680 --> 00:27:39,880
Speaker 1: I get mad? And Kimmy sarcastically questions, before Danny walks

570
00:27:39,880 --> 00:27:42,320
Speaker 1: in and DJ finally gets a word in to apologize

571
00:27:42,359 --> 00:27:45,240
Speaker 1: to Jesse, and she adds, but you don't have to worry,

572
00:27:45,280 --> 00:27:48,840
Speaker 1: because I'll never come in this room again, before storming off.

573
00:27:49,200 --> 00:27:52,119
Speaker 2: I love the drama of twelve thirteen year old girls.

574
00:27:52,200 --> 00:27:53,439
Speaker 2: I'm never coming in here.

575
00:27:53,359 --> 00:27:56,320
Speaker 1: Again, ever again, I'm sure, and that was very real

576
00:27:56,359 --> 00:27:58,359
Speaker 1: for her. I'm sure she felt that way in that moment.

577
00:27:58,840 --> 00:28:00,560
Speaker 2: I mean, if I were Jesse, I have been like, yeah,

578
00:28:00,600 --> 00:28:02,600
Speaker 2: that's fine, Please don't don't.

579
00:28:03,119 --> 00:28:04,080
Speaker 3: I'm putting a lock on.

580
00:28:04,000 --> 00:28:06,040
Speaker 2: My door right come in here again because I've yeah,

581
00:28:06,720 --> 00:28:08,480
Speaker 2: it's not your stuff. Uh so?

582
00:28:08,640 --> 00:28:10,640
Speaker 3: Danny asks Jesse what happened?

583
00:28:11,160 --> 00:28:14,640
Speaker 1: Jesse is still filled with rage while telling him they

584
00:28:14,720 --> 00:28:17,480
Speaker 1: messed up his jingle tape. Danny puts his hands on

585
00:28:17,520 --> 00:28:21,800
Speaker 1: his hips. Don't you think you're overreacting? Jesse shouts back,

586
00:28:22,040 --> 00:28:25,440
Speaker 1: assuring he is not overreacting. He yells, now, my whole

587
00:28:25,440 --> 00:28:29,879
Speaker 1: life is ruined. He catch, that's overreacting. He catches himself

588
00:28:29,920 --> 00:28:30,280
Speaker 1: in the midst.

589
00:28:30,440 --> 00:28:31,920
Speaker 3: Okay, now I'm overreacting.

590
00:28:33,240 --> 00:28:36,840
Speaker 1: Danny notices that Jesse lost his temper again, and Jesse

591
00:28:36,920 --> 00:28:39,800
Speaker 1: tries to defend himself, but acknowledges he lost his cool

592
00:28:39,960 --> 00:28:43,440
Speaker 1: and came down too hard on her. Danny encourages him

593
00:28:43,440 --> 00:28:46,720
Speaker 1: to straighten things out with dj before Jesse walks out.

594
00:28:46,800 --> 00:28:50,080
Speaker 1: Danny asks Jesse do you need a hug? And Jesse

595
00:28:50,200 --> 00:28:53,000
Speaker 1: pauses and gives him a disgusted look. Haven't I been

596
00:28:53,000 --> 00:28:53,600
Speaker 1: through enough?

597
00:28:54,640 --> 00:28:56,040
Speaker 3: Poor JESSI? Yeah, right.

598
00:28:56,120 --> 00:28:57,480
Speaker 2: The last thing you want when you're angry is to

599
00:28:57,480 --> 00:28:59,160
Speaker 2: be hugged, don't the worst?

600
00:28:59,480 --> 00:29:00,880
Speaker 3: Especially like did your mom?

601
00:29:01,000 --> 00:29:02,720
Speaker 1: Oh no, you didn't have siblings, but like when my

602
00:29:02,720 --> 00:29:04,520
Speaker 1: brothers and I would fight, my mom would make us

603
00:29:04,600 --> 00:29:06,840
Speaker 1: hug each other like it's a word. You don't want

604
00:29:06,840 --> 00:29:09,560
Speaker 1: to hug someone, especially when you're like peeved.

605
00:29:09,760 --> 00:29:10,880
Speaker 3: Yeah, it's the worst.

606
00:29:12,080 --> 00:29:14,840
Speaker 1: Uh So the next scene, we're in Michelle's room. Steph

607
00:29:14,960 --> 00:29:18,360
Speaker 1: walks into the room and starts to vent DJ was

608
00:29:18,400 --> 00:29:21,480
Speaker 1: playing all day with Kimmy gibble Burger.

609
00:29:21,800 --> 00:29:25,320
Speaker 2: That's your new official name. Excuse me, Kenny Gibbleberger.

610
00:29:25,760 --> 00:29:27,640
Speaker 3: That would be geek Burger to you.

611
00:29:28,240 --> 00:29:31,000
Speaker 2: I like gibble Burger. It's also a little harder to say.

612
00:29:31,080 --> 00:29:34,800
Speaker 2: It is hard to say I tripped over Jimmy. Kimmy Gibbleberger.

613
00:29:35,080 --> 00:29:38,880
Speaker 3: Say that five times fast, Kimmy Giblberger. Right.

614
00:29:39,680 --> 00:29:43,680
Speaker 1: Stephanie continues, Uh, I don't believe I'm going to say this.

615
00:29:43,720 --> 00:29:45,640
Speaker 3: But would you play with me Michelle?

616
00:29:46,000 --> 00:29:50,120
Speaker 1: Michelle says no, and Steph begs saying she'll play anything

617
00:29:50,280 --> 00:29:51,040
Speaker 1: Michelle wants.

618
00:29:51,600 --> 00:29:56,440
Speaker 3: Well, you were desperate. Yeah, Michelle, exclaims Horsey and Steph

619
00:29:56,440 --> 00:29:58,320
Speaker 3: gives in. Okay, hop on.

620
00:29:58,800 --> 00:29:59,600
Speaker 2: She gets on my back.

621
00:29:59,680 --> 00:30:04,200
Speaker 1: Problem started right here this scene the scene yep, she

622
00:30:04,240 --> 00:30:06,360
Speaker 1: gets on her hands and knees, lets Michelle up on

623
00:30:06,360 --> 00:30:09,440
Speaker 1: her back and stuff crawls over to mister Bhaer and sighs,

624
00:30:09,720 --> 00:30:12,200
Speaker 1: mister Bear, I can't believe I've sunk this low.

625
00:30:14,400 --> 00:30:15,400
Speaker 3: And next we are in the.

626
00:30:15,320 --> 00:30:19,400
Speaker 1: Living room and Jesse has a mysteriously large object under

627
00:30:19,400 --> 00:30:23,920
Speaker 1: a sheet. He calls DJ downstairs, and she sarcastically comments, well,

628
00:30:23,960 --> 00:30:26,520
Speaker 1: what did I do now? He tells her he has

629
00:30:26,560 --> 00:30:29,520
Speaker 1: a fun surprise for her, but Kimmy warns DJ it

630
00:30:29,520 --> 00:30:31,560
Speaker 1: could be a trick, Jesse.

631
00:30:31,680 --> 00:30:33,200
Speaker 2: Were Kimmy's parents done to her?

632
00:30:33,720 --> 00:30:35,280
Speaker 3: She's there's a lot for unpack.

633
00:30:35,400 --> 00:30:38,400
Speaker 2: Oh, Ey's gonna be great. No it's not. It's a trick. Yeah,

634
00:30:38,400 --> 00:30:39,960
Speaker 2: it's a trick. You're lying.

635
00:30:40,080 --> 00:30:43,240
Speaker 1: Yeah, there's some childhood trauma here for sure. Jesse rips

636
00:30:43,240 --> 00:30:46,520
Speaker 1: off the sheet to reveal a set of drums. DJ

637
00:30:46,640 --> 00:30:50,760
Speaker 1: reads the front of the set Harry Levin trio. Jesse

638
00:30:50,880 --> 00:30:52,840
Speaker 1: says he got a good deal because Harry's.

639
00:30:52,480 --> 00:30:55,080
Speaker 3: Going back into the Delhi business. He lets her know

640
00:30:55,160 --> 00:30:58,840
Speaker 3: that the drums are all hers. DJ can't believe it.

641
00:30:59,000 --> 00:31:00,200
Speaker 3: She asks why.

642
00:31:00,680 --> 00:31:03,360
Speaker 1: Jesse responds, I just wanted to make sure we're buddies.

643
00:31:04,080 --> 00:31:07,240
Speaker 1: DJ runs in for a hug, and Kimmy follows, hugging

644
00:31:07,280 --> 00:31:10,720
Speaker 1: an uncomfortable Jesse and saying, thanks for the skins, Bud,

645
00:31:12,120 --> 00:31:13,800
Speaker 1: I just love John looks so uncomfortable.

646
00:31:14,240 --> 00:31:15,840
Speaker 3: It gives me so much joy.

647
00:31:17,080 --> 00:31:19,480
Speaker 1: DJ sits at her drum set and Jesse hands her

648
00:31:19,560 --> 00:31:22,600
Speaker 1: drumsticks so she can give them a try. She immediately

649
00:31:22,680 --> 00:31:27,560
Speaker 1: beats the drums terribly while Jesse and Kimmy wins. DJ

650
00:31:27,680 --> 00:31:31,120
Speaker 1: asks how she's doing, and Jesse jokes, well, you're facing

651
00:31:31,200 --> 00:31:34,160
Speaker 1: the right direction. He takes the sticks so he can

652
00:31:34,240 --> 00:31:36,640
Speaker 1: show her because he used to play a little bit

653
00:31:36,800 --> 00:31:42,360
Speaker 1: in junior high school. He cranks out this impressive drum solo, like.

654
00:31:44,640 --> 00:31:45,080
Speaker 2: Loving it.

655
00:31:45,200 --> 00:31:49,120
Speaker 1: Yeah, he just goes all ham on this, and Joey

656
00:31:49,200 --> 00:31:52,480
Speaker 1: and Cheryl walk in and their ski outfits, and Stephanie

657
00:31:52,560 --> 00:31:56,440
Speaker 1: comes in from downstairs. From upstairs, everyone gathers around the

658
00:31:56,480 --> 00:32:00,160
Speaker 1: drums and starts moving to the beat, and your dance

659
00:32:00,400 --> 00:32:00,760
Speaker 1: is so.

660
00:32:00,880 --> 00:32:03,720
Speaker 2: What was I know? I'm like just doing some sort

661
00:32:03,720 --> 00:32:05,800
Speaker 2: of weird little like vibing moment, but.

662
00:32:06,080 --> 00:32:07,600
Speaker 3: At least you have rhythm. I do not.

663
00:32:07,920 --> 00:32:11,640
Speaker 1: I am more awkward in this scene than ever before

664
00:32:12,280 --> 00:32:12,800
Speaker 1: trying to.

665
00:32:13,480 --> 00:32:15,960
Speaker 2: Here's what I'll tell you. It's very hard to dance

666
00:32:16,080 --> 00:32:17,920
Speaker 2: with the weight of that much hair on your head.

667
00:32:19,560 --> 00:32:21,400
Speaker 2: I understand it was throwing you off a little bit,

668
00:32:21,440 --> 00:32:22,480
Speaker 2: you know what I mean. You started to find the

669
00:32:22,560 --> 00:32:24,760
Speaker 2: rhythm and you're like, whoa ah my hair. Yeah, so

670
00:32:24,960 --> 00:32:25,800
Speaker 2: that's it happens.

671
00:32:26,480 --> 00:32:29,520
Speaker 1: Yeah, okay, I forgive myself then, but yeah, I'm so

672
00:32:29,560 --> 00:32:32,400
Speaker 1: awkward in this whole scene. Like just it's so cringey

673
00:32:32,400 --> 00:32:34,360
Speaker 1: to watch because I can tell how self conscious I

674
00:32:34,360 --> 00:32:36,080
Speaker 1: am trying to, like, am I on my mark?

675
00:32:36,120 --> 00:32:38,800
Speaker 3: Am I cheating out? Am I? Am I my dancing?

676
00:32:38,880 --> 00:32:40,720
Speaker 3: It's just I was like, oh, it brought me right

677
00:32:40,720 --> 00:32:41,440
Speaker 3: back to that moment.

678
00:32:41,600 --> 00:32:43,960
Speaker 2: Oh well, it's amazing because I don't see any.

679
00:32:43,840 --> 00:32:45,760
Speaker 3: Of that, don't really thought.

680
00:32:46,040 --> 00:32:48,640
Speaker 2: I mean, occasionally I'll see like a little bit of

681
00:32:48,680 --> 00:32:50,760
Speaker 2: like a look or maybe a sort of moment where

682
00:32:50,800 --> 00:32:53,400
Speaker 2: you're like, you know, I can see the ab come

683
00:32:53,400 --> 00:32:56,360
Speaker 2: out where you're like, m yeah, embarrassed or something. But no,

684
00:32:56,520 --> 00:32:59,600
Speaker 2: most of the time you would have no clue oh

685
00:33:00,080 --> 00:33:03,680
Speaker 2: that you are not just committed to putting it all

686
00:33:03,680 --> 00:33:03,959
Speaker 2: out there.

687
00:33:04,040 --> 00:33:04,719
Speaker 3: Okay, okay, good.

688
00:33:04,760 --> 00:33:06,200
Speaker 1: Oh that makes me feel a little better because I

689
00:33:06,240 --> 00:33:08,480
Speaker 1: thought this was super obvious, at least to me. It was.

690
00:33:08,520 --> 00:33:11,480
Speaker 3: You're your own worst critic, so that makes sense, yeah, exactly.

691
00:33:11,880 --> 00:33:16,320
Speaker 1: Jesse finishes his drum solo, Everyone cheers, and Nick enters

692
00:33:16,400 --> 00:33:20,840
Speaker 1: through the front door, perfect timing. Steph shouts we got drums,

693
00:33:21,160 --> 00:33:24,840
Speaker 1: and Kimmy corrects her, No, we got drums, pointing to her,

694
00:33:24,840 --> 00:33:29,400
Speaker 1: and dj DJ corrects again, No, I got drums.

695
00:33:29,840 --> 00:33:32,320
Speaker 2: I'm still like, if anyone bought my kid a drum

696
00:33:32,360 --> 00:33:35,360
Speaker 2: set unexpectedly murder.

697
00:33:35,600 --> 00:33:41,360
Speaker 1: It would be yeah, death of that relationship immediately, right, Yeah, what.

698
00:33:41,440 --> 00:33:42,200
Speaker 3: Was he thinking?

699
00:33:43,560 --> 00:33:46,120
Speaker 1: Cheryl interrupts and tells Joey it's time to go to Tahoe.

700
00:33:46,600 --> 00:33:49,440
Speaker 1: Nick warns them that the fog is very thick.

701
00:33:50,160 --> 00:33:52,040
Speaker 2: Joey compares going to come into the house.

702
00:33:52,360 --> 00:33:54,480
Speaker 3: Oh yeah, it's like instantly, it's.

703
00:33:54,320 --> 00:33:57,160
Speaker 2: Just there, wrap tendrils around you. Yeah.

704
00:33:57,280 --> 00:34:00,600
Speaker 3: Joey compares the thickness to pea soup, and Jesse plays

705
00:34:00,600 --> 00:34:02,600
Speaker 3: a rim shot on the drums to finish off the joke.

706
00:34:03,240 --> 00:34:04,800
Speaker 2: Wait, I thought DJ did that.

707
00:34:05,160 --> 00:34:07,880
Speaker 3: It comes later when DJ gets back, got it?

708
00:34:08,000 --> 00:34:08,239
Speaker 1: Yep?

709
00:34:09,040 --> 00:34:13,799
Speaker 3: Lots of rim shots in this episode. Joey and Cheryl exit.

710
00:34:13,719 --> 00:34:17,040
Speaker 1: And Jesse greets Nick with a big hug. Nick compliments

711
00:34:17,080 --> 00:34:20,279
Speaker 1: his son's looks, and Jesse compliments Nick right back.

712
00:34:20,760 --> 00:34:22,759
Speaker 2: By the way, did you know who the impression was

713
00:34:24,800 --> 00:34:26,839
Speaker 2: that he was doing well? And when he says, don't

714
00:34:26,840 --> 00:34:28,600
Speaker 2: forget to turn off the bubble machine.

715
00:34:28,360 --> 00:34:31,040
Speaker 1: But I thought it was Ed Sullivan until he said

716
00:34:31,040 --> 00:34:35,759
Speaker 1: the bubble machine thing. So then I was like, Lawrence welk, Lawrence, Well, okay,

717
00:34:35,800 --> 00:34:36,520
Speaker 1: a different vert.

718
00:34:36,680 --> 00:34:40,960
Speaker 2: The bubble machine and the and the orchestra and the thing.

719
00:34:41,200 --> 00:34:43,320
Speaker 3: That's what it was, Okay, because at first.

720
00:34:43,200 --> 00:34:45,080
Speaker 2: I thought it was I had no idea until he

721
00:34:45,080 --> 00:34:46,000
Speaker 2: made the bubble reference.

722
00:34:46,040 --> 00:34:49,239
Speaker 3: Now ah, that's right, Lawrence Welk. Okay, yep.

723
00:34:49,840 --> 00:34:53,120
Speaker 2: And again, anyone probably listening to this podcast is.

724
00:34:53,080 --> 00:34:56,160
Speaker 3: Like, h who, that's why we have Google.

725
00:34:56,280 --> 00:34:58,960
Speaker 2: And I can't even explain it because I don't even

726
00:34:59,200 --> 00:35:01,040
Speaker 2: I just know he hosts a show that there was

727
00:35:01,160 --> 00:35:02,279
Speaker 2: music and bubbles.

728
00:35:01,920 --> 00:35:03,920
Speaker 3: On and bubbles. Well, there was a song he did

729
00:35:03,920 --> 00:35:07,080
Speaker 3: a song that involved or something.

730
00:35:07,280 --> 00:35:12,359
Speaker 2: No, that's a tiny bubbles, that's a tiny tin.

731
00:35:12,719 --> 00:35:16,080
Speaker 3: Oh so I'm thinking I've got the wrong everything. Okay,

732
00:35:16,520 --> 00:35:18,799
Speaker 3: that's all right, that's all right. It was a throwaway joke.

733
00:35:19,640 --> 00:35:21,600
Speaker 1: Dave did it brilliantly, and now I know that what

734
00:35:21,640 --> 00:35:26,319
Speaker 1: the reference is. Jesse and Nick finish exchanging compliments, and

735
00:35:26,360 --> 00:35:30,399
Speaker 1: they simultaneously stroke their hair and say thanks. Nick tells

736
00:35:30,440 --> 00:35:33,920
Speaker 1: Jesse that everything is going great and right then Grandma

737
00:35:34,000 --> 00:35:39,200
Speaker 1: Irene barges in, shouting, girls, your Grandpa's moving in forever.

738
00:35:40,120 --> 00:35:41,759
Speaker 3: Oh.

739
00:35:41,920 --> 00:35:44,200
Speaker 1: Jess turns to Nick and says, what did you do

740
00:35:44,280 --> 00:35:48,160
Speaker 1: this time? Nick says he simply suggested that she spend

741
00:35:48,280 --> 00:35:51,360
Speaker 1: a little less time at night school and concentrate on

742
00:35:51,440 --> 00:35:58,240
Speaker 1: her domestic responsibilities. Irene chimes in his exact words were yo, Irene,

743
00:35:58,320 --> 00:36:00,600
Speaker 1: drop out of that flaky college and home and make

744
00:36:00,640 --> 00:36:07,640
Speaker 1: me dinner. Like I was like, what, Nick has shown

745
00:36:07,719 --> 00:36:09,240
Speaker 1: this sight of himself before.

746
00:36:09,320 --> 00:36:13,640
Speaker 2: Oh yeah, Nick, the misogyny runs deep. Nick. He's very

747
00:36:14,440 --> 00:36:19,040
Speaker 2: you know, old school has these very rigid old school ideas.

748
00:36:19,280 --> 00:36:21,759
Speaker 2: But this one, when he's when that was the I

749
00:36:21,960 --> 00:36:26,120
Speaker 2: was like, yeah, that was particularly bad because it's not

750
00:36:26,160 --> 00:36:29,680
Speaker 2: even funny, oh not even in the Yeah.

751
00:36:29,680 --> 00:36:31,839
Speaker 1: A lot of jokes didn't age well in from nineteen

752
00:36:31,880 --> 00:36:33,799
Speaker 1: eighty nine, but this one I think was offensive even

753
00:36:33,800 --> 00:36:34,160
Speaker 1: back then.

754
00:36:34,239 --> 00:36:37,480
Speaker 2: Yeah, yeah, this one. This was a definite like, let's

755
00:36:37,520 --> 00:36:38,560
Speaker 2: make fun of the women joke.

756
00:36:38,680 --> 00:36:41,160
Speaker 3: Yeah, I love it, so they loudly.

757
00:36:41,440 --> 00:36:43,000
Speaker 2: Apparently neither did Grandma Irene.

758
00:36:43,040 --> 00:36:46,479
Speaker 3: So no, I love Grandma Irene. You know she puts

759
00:36:46,520 --> 00:36:47,680
Speaker 3: him in his place too.

760
00:36:47,800 --> 00:36:48,440
Speaker 2: She's great.

761
00:36:48,840 --> 00:36:49,960
Speaker 3: She might wear panty.

762
00:36:49,680 --> 00:36:51,640
Speaker 1: Hose on a plane, but I'll forgive her for that,

763
00:36:51,840 --> 00:36:53,960
Speaker 1: because right she is sticking up for herself.

764
00:36:54,040 --> 00:36:56,000
Speaker 3: And she's like, you're out, You're out of my house.

765
00:36:57,520 --> 00:37:00,640
Speaker 3: Jesse reminds them, Hey, there's kids in the room. Stop bickering.

766
00:37:01,280 --> 00:37:03,759
Speaker 3: I Ren notices that DJ has a new set of drums,

767
00:37:03,800 --> 00:37:06,759
Speaker 3: prompting DJ to give her an off tune drum beat.

768
00:37:07,560 --> 00:37:10,480
Speaker 3: Danny walks in through the front door in his original

769
00:37:10,520 --> 00:37:13,200
Speaker 3: satin forty nine ers jacket.

770
00:37:13,160 --> 00:37:15,240
Speaker 2: That Jensen is just coveting.

771
00:37:15,719 --> 00:37:16,600
Speaker 3: Oh yeah, just.

772
00:37:16,480 --> 00:37:17,400
Speaker 2: Wishes he could have it.

773
00:37:17,480 --> 00:37:19,600
Speaker 3: Yeah, pay any amount for this jacket.

774
00:37:20,360 --> 00:37:24,480
Speaker 1: Uh, Danny sighs, Oh no, that racket is coming from

775
00:37:24,600 --> 00:37:27,840
Speaker 1: my house. DJ tells him that uncle Jesse bought the

776
00:37:27,880 --> 00:37:33,200
Speaker 1: drums for her, and Danny sarcastically acts delighted. So very

777
00:37:33,280 --> 00:37:35,080
Speaker 1: he's just like, Jesse, can I see you in the kitchen,

778
00:37:36,239 --> 00:37:38,200
Speaker 1: and the guy's exit to go have a word in

779
00:37:38,239 --> 00:37:41,839
Speaker 1: the kitchen, Steph asks DJ when she'll get a turn,

780
00:37:42,040 --> 00:37:44,359
Speaker 1: and DJ says, right after, I get good at this,

781
00:37:44,840 --> 00:37:47,840
Speaker 1: and Steph groans, So I guess the answer is never.

782
00:37:49,320 --> 00:37:50,920
Speaker 3: Love it. You take no prisoners.

783
00:37:51,040 --> 00:37:54,440
Speaker 2: You're just like, no, none, Yeah, just lobbing in, good turn.

784
00:37:54,480 --> 00:37:55,840
Speaker 2: You're not gonna give me a turn? Well, guess what

785
00:37:55,920 --> 00:37:56,279
Speaker 2: you suck.

786
00:37:57,800 --> 00:38:01,160
Speaker 3: She's not wrong, you know she's not DJ.

787
00:38:01,320 --> 00:38:03,960
Speaker 1: And instruments just don't mix right now. You know you

788
00:38:04,000 --> 00:38:05,879
Speaker 1: can't play the guitar, she can't play the drums. True.

789
00:38:05,920 --> 00:38:07,480
Speaker 2: It was very funny though, because it was such a

790
00:38:07,520 --> 00:38:10,320
Speaker 2: sibling thing to do, like your sibling just get something

791
00:38:10,360 --> 00:38:11,680
Speaker 2: and you're like, can I have a turn? Can I?

792
00:38:11,719 --> 00:38:12,920
Speaker 2: Can I do it? Can I do it? Can I

793
00:38:12,960 --> 00:38:13,200
Speaker 2: do it?

794
00:38:13,520 --> 00:38:13,840
Speaker 1: Yeah?

795
00:38:14,080 --> 00:38:14,319
Speaker 2: Yeah?

796
00:38:14,360 --> 00:38:17,520
Speaker 1: So true to life, so true to life. So in

797
00:38:17,560 --> 00:38:21,840
Speaker 1: the kitchen, Danny asks Jesse, drums, Did I do something

798
00:38:21,880 --> 00:38:22,200
Speaker 1: to you?

799
00:38:22,480 --> 00:38:24,480
Speaker 2: That's the only reason to buy that you would buy

800
00:38:24,480 --> 00:38:26,839
Speaker 2: a child drums is if you really really dislike someone.

801
00:38:26,920 --> 00:38:30,200
Speaker 1: Yeah, it's payback or something. Yeah, it's it's it's not

802
00:38:30,520 --> 00:38:33,399
Speaker 1: a kind gesture. I get where Jesse's coming from, because

803
00:38:33,400 --> 00:38:35,680
Speaker 1: you're like, I love the drums. Why wouldn't my niece

804
00:38:35,719 --> 00:38:38,359
Speaker 1: love the drums, but it's like, dude, now you gotta

805
00:38:38,400 --> 00:38:39,200
Speaker 1: live with the drums.

806
00:38:39,320 --> 00:38:40,840
Speaker 3: Nobody wants nobody drum.

807
00:38:40,760 --> 00:38:43,480
Speaker 2: Nobody loves the drums when someone is learning to play them.

808
00:38:43,760 --> 00:38:46,400
Speaker 3: No, no, this is the worst.

809
00:38:47,960 --> 00:38:50,800
Speaker 1: Jesse tells them, Hey, every kid in America wants drums

810
00:38:51,000 --> 00:38:54,000
Speaker 1: and Danny Fire's back. Good, then we'll have no trouble

811
00:38:54,120 --> 00:38:54,680
Speaker 1: selling them.

812
00:38:55,120 --> 00:38:58,160
Speaker 2: That one actually made me laugh. I was like, oh yeah, yeah.

813
00:38:58,239 --> 00:38:59,280
Speaker 3: The drumming continues.

814
00:38:59,360 --> 00:39:01,879
Speaker 1: Danny yell for them to stop, only to find out

815
00:39:01,880 --> 00:39:04,879
Speaker 1: that this ruckus is coming from my reen. Like even

816
00:39:04,880 --> 00:39:08,279
Speaker 1: Grandma gets a turn on these drugs. Danny asks what

817
00:39:08,360 --> 00:39:12,080
Speaker 1: possessed Jesse to buy her drums, and Jesse, who's eating

818
00:39:12,120 --> 00:39:13,760
Speaker 1: cold fried chicken by the way.

819
00:39:13,719 --> 00:39:16,480
Speaker 2: On the counter on the counter, does yeah.

820
00:39:16,400 --> 00:39:19,520
Speaker 1: Just a classic Jesse moment. He says he felt bad

821
00:39:19,640 --> 00:39:23,200
Speaker 1: and wanted to make dj feel better. Danny doesn't like

822
00:39:23,200 --> 00:39:26,520
Speaker 1: that Jesse tried to buy her off, and Jesse defends himself.

823
00:39:26,880 --> 00:39:29,920
Speaker 1: She loves the drums, she loves me, what's your problem?

824
00:39:30,520 --> 00:39:33,800
Speaker 1: Danny emphasizes that he bought her an obnoxious gift instead

825
00:39:33,840 --> 00:39:38,320
Speaker 1: of talking to her. Jesse sarcastically apologizes for bringing the

826
00:39:38,400 --> 00:39:39,560
Speaker 1: joy of music into.

827
00:39:39,480 --> 00:39:42,120
Speaker 3: A young girl's life and then storms back into the

828
00:39:42,160 --> 00:39:42,719
Speaker 3: living room.

829
00:39:43,160 --> 00:39:46,560
Speaker 2: You know, the more I see Grandpa Nick, though, the

830
00:39:46,640 --> 00:39:50,200
Speaker 2: more when Jesse has these little tantrum moments and is

831
00:39:50,320 --> 00:39:53,799
Speaker 2: like kind of emotionally acts as a child and like

832
00:39:54,080 --> 00:39:55,800
Speaker 2: makes it all about fine, then you don't want to,

833
00:39:55,840 --> 00:39:59,040
Speaker 2: you know, find it. I was being nice and you're like, oh,

834
00:39:59,239 --> 00:40:06,360
Speaker 2: but you weren't. Though, Then I see Grandpa and I go, ah, okay, yep,

835
00:40:06,760 --> 00:40:09,520
Speaker 2: it all makes sense. It all makes sense, and I

836
00:40:09,600 --> 00:40:15,120
Speaker 2: get why you're struggling because you were He wasn't raised

837
00:40:15,120 --> 00:40:18,000
Speaker 2: by people that well, at least Grandpa Nick was Grandpa

838
00:40:18,880 --> 00:40:21,799
Speaker 2: emotionally uh avail, shall we say?

839
00:40:21,960 --> 00:40:23,560
Speaker 3: Yah? Yeah, No, I get it.

840
00:40:23,560 --> 00:40:25,879
Speaker 1: It's it's easy to see that this is passed down

841
00:40:25,920 --> 00:40:30,359
Speaker 1: from generation to generation. And Jesse, he'll eventually come around.

842
00:40:30,400 --> 00:40:32,840
Speaker 1: It takes him twenty two minutes, but he'll eventually come around.

843
00:40:32,960 --> 00:40:37,440
Speaker 1: But in the moment, he's heated, he's petty, and you know,

844
00:40:37,680 --> 00:40:40,200
Speaker 1: I I as many issues as that I have with Jesse,

845
00:40:40,320 --> 00:40:41,520
Speaker 1: I do enjoy watching this.

846
00:40:42,440 --> 00:40:43,360
Speaker 3: Yeah.

847
00:40:43,400 --> 00:40:45,600
Speaker 1: Back in the living room, Jesse announces to DJ that

848
00:40:45,640 --> 00:40:48,319
Speaker 1: he has bad news. Her dad doesn't want her to

849
00:40:48,360 --> 00:40:53,320
Speaker 1: have the drums, and now he threw Danny under the bus, right.

850
00:40:53,600 --> 00:40:56,400
Speaker 2: Just boom boom, right over the back of Danny with

851
00:40:56,440 --> 00:40:57,160
Speaker 2: that bus.

852
00:40:57,239 --> 00:40:59,880
Speaker 3: Yeah, so petty, it's so petty.

853
00:41:00,480 --> 00:41:03,920
Speaker 1: I was like, all right, even Nick thinks that DJ

854
00:41:04,040 --> 00:41:07,840
Speaker 1: should get to keep the drums. Irene interjects, Nick, I

855
00:41:07,840 --> 00:41:10,960
Speaker 1: think you should let them work it out, and he replies, well,

856
00:41:11,000 --> 00:41:13,760
Speaker 1: now that I live here, I should be involved. Danny's

857
00:41:13,760 --> 00:41:17,440
Speaker 1: face turns sour. You live here now, poor Danny.

858
00:41:17,480 --> 00:41:19,360
Speaker 2: He just comes home to all sorts of you have

859
00:41:19,480 --> 00:41:21,600
Speaker 2: bought your drums and seven new people in your house.

860
00:41:23,480 --> 00:41:28,160
Speaker 1: Irene leaves and Nick tells everyone she'll be back, que Irene,

861
00:41:28,400 --> 00:41:29,760
Speaker 1: who immediately walks back.

862
00:41:29,560 --> 00:41:33,280
Speaker 3: In the front door with the fog, with the behind

863
00:41:33,280 --> 00:41:34,640
Speaker 3: her right with her.

864
00:41:35,840 --> 00:41:38,520
Speaker 1: She tells them that she's back because the fog is

865
00:41:38,560 --> 00:41:40,640
Speaker 1: too thick and she can't see the steps.

866
00:41:41,320 --> 00:41:42,800
Speaker 3: Danny is just thrilled.

867
00:41:43,280 --> 00:41:47,240
Speaker 1: Here. We are all fogged in together, one big, happy family,

868
00:41:47,840 --> 00:41:51,080
Speaker 1: and of course the Harry Levin trio. DJ gives a

869
00:41:51,160 --> 00:41:54,560
Speaker 1: rim shot there. It is yep, the soly she can

870
00:41:54,600 --> 00:41:56,160
Speaker 1: do that. You know, she can't play the drugs, but

871
00:41:56,160 --> 00:41:57,040
Speaker 1: she can do a rim shot.

872
00:41:57,040 --> 00:41:59,680
Speaker 2: But she can. Yeah, she can emphasize the funny parts. Yeah,

873
00:41:59,760 --> 00:42:00,160
Speaker 2: there's that.

874
00:42:00,320 --> 00:42:08,640
Speaker 3: Yeah.

875
00:42:01,320 --> 00:42:10,839
Speaker 1: Sure. We come back from a commercial break, we see

876
00:42:10,840 --> 00:42:15,040
Speaker 1: an establishing shot of a nighttime San Francisco obscured by fog,

877
00:42:15,719 --> 00:42:18,399
Speaker 1: just in case you forgot what the dilemma is during this.

878
00:42:18,440 --> 00:42:21,680
Speaker 2: Episode, although I'm surprised that with as thick as the

879
00:42:21,719 --> 00:42:24,920
Speaker 2: fog appears to be, you wouldn't see any of San Francisco.

880
00:42:25,200 --> 00:42:27,440
Speaker 3: That's true, Yeah, you would even just I.

881
00:42:27,440 --> 00:42:28,560
Speaker 2: Mean you can't even see the steps.

882
00:42:28,960 --> 00:42:32,640
Speaker 3: No, you see like the Trans America building or whatever.

883
00:42:32,760 --> 00:42:37,040
Speaker 1: Yeah, that fog is as thick as pea soup. Next,

884
00:42:37,040 --> 00:42:40,279
Speaker 1: we're in a Stephan DJ's room. Danny is setting up

885
00:42:40,280 --> 00:42:43,239
Speaker 1: an extra bed for Kimmy. When DJ asks if he's

886
00:42:43,280 --> 00:42:46,360
Speaker 1: decided about her drums yet, Danny tells her no, he

887
00:42:46,440 --> 00:42:49,680
Speaker 1: wants to sleep on it. Kimmy jokes, well, isn't it

888
00:42:49,680 --> 00:42:52,160
Speaker 1: more comfortable to sleep on your bed? And then Kimmy

889
00:42:52,239 --> 00:42:54,120
Speaker 1: laughs at her own joke. She's the only one laughing.

890
00:42:54,160 --> 00:42:54,879
Speaker 1: But it doesn't matter.

891
00:42:55,000 --> 00:42:56,920
Speaker 2: I mean, I felt and I really needed another, but

892
00:42:57,640 --> 00:43:02,120
Speaker 2: we yes heard it in my head when you said it. Yeah,

893
00:43:02,120 --> 00:43:02,480
Speaker 2: thank you.

894
00:43:03,600 --> 00:43:06,040
Speaker 1: Nick and Irene walk in to say good night, still

895
00:43:06,080 --> 00:43:09,720
Speaker 1: avoiding each other. Irene mentions she'll be sleeping in Joe's

896
00:43:09,760 --> 00:43:13,800
Speaker 1: room in case anybody wants to beg for forgiveness. Danny

897
00:43:13,840 --> 00:43:17,000
Speaker 1: gets all the girls into bed and dj asks why

898
00:43:17,120 --> 00:43:20,520
Speaker 1: is everyone mad tonight? Steph answers, well, maybe it's because

899
00:43:20,600 --> 00:43:24,279
Speaker 1: Kimmy Gibbler is here. Danny doesn't think so, and then

900
00:43:24,280 --> 00:43:28,719
Speaker 1: he notices Kimmy obnoxiously chomping on chips in bed, and

901
00:43:28,760 --> 00:43:33,520
Speaker 1: he admits to steph, well, maybe what's wrong with.

902
00:43:33,600 --> 00:43:36,080
Speaker 2: BlimE me fog? Really everyone's in a bad mood because

903
00:43:36,080 --> 00:43:36,479
Speaker 2: of the fog.

904
00:43:36,719 --> 00:43:40,160
Speaker 3: Well, Kimmy's not helping. She's not helping in the bed.

905
00:43:41,800 --> 00:43:43,440
Speaker 3: Make it her sarcastic remarks.

906
00:43:43,760 --> 00:43:46,680
Speaker 1: Right, she's a comic relief, but she's not helping Danny

907
00:43:46,719 --> 00:43:47,239
Speaker 1: in this moment.

908
00:43:47,360 --> 00:43:48,120
Speaker 2: No, definitely not.

909
00:43:48,440 --> 00:43:52,480
Speaker 1: In Michelle's room, Jesse's reading Horton hears a who to Michelle.

910
00:43:52,920 --> 00:43:56,080
Speaker 1: Danny walks into checking on her. Oh yeah, Jesse sarcastically

911
00:43:56,160 --> 00:43:57,360
Speaker 1: tells Danny, don't worry.

912
00:43:57,440 --> 00:44:01,640
Speaker 3: I didn't buy her a thing. So petty, so petty,

913
00:44:02,120 --> 00:44:02,680
Speaker 3: calm down.

914
00:44:03,280 --> 00:44:06,280
Speaker 2: You're reading her story. It's lovely, it's great. Nobody said anything.

915
00:44:06,719 --> 00:44:08,960
Speaker 3: Jesse's a little bitter. Yeah.

916
00:44:09,080 --> 00:44:11,359
Speaker 1: Jesse gets back to reading, and he starts to tell

917
00:44:11,400 --> 00:44:15,239
Speaker 1: a passive aggressive story based on this argument between himself

918
00:44:15,360 --> 00:44:19,960
Speaker 1: and Danny. Danny picks up Michelle, and Michelle calls him

919
00:44:20,080 --> 00:44:24,520
Speaker 1: a geeky giant, pulling the reference from Jesse's.

920
00:44:24,200 --> 00:44:26,959
Speaker 2: Story Jesse's book right, the geeky Giant.

921
00:44:27,000 --> 00:44:29,640
Speaker 3: The geeky giant. Uh.

922
00:44:29,719 --> 00:44:33,400
Speaker 1: Jesse leaves laughing, and Danny attempts to tell Michelle a

923
00:44:33,440 --> 00:44:36,680
Speaker 1: news story about himself and Jesse painting himself in a

924
00:44:36,680 --> 00:44:40,280
Speaker 1: better light, but Michelle still calls him a geeky giant.

925
00:44:41,440 --> 00:44:43,440
Speaker 2: I like Danny's story way better, though. I felt like

926
00:44:43,520 --> 00:44:47,400
Speaker 2: that was a more that yeah, more appropriate, ef, I

927
00:44:47,400 --> 00:44:49,560
Speaker 2: get that story for yeah, a two year older?

928
00:44:49,800 --> 00:44:53,799
Speaker 1: Yeah, however was next We're in stuff in DJ's room.

929
00:44:54,360 --> 00:45:00,320
Speaker 1: Kimmy is intensely snoring as DJ and Steph lay wide awake. Again,

930
00:45:00,800 --> 00:45:03,120
Speaker 1: my acting like it's I know.

931
00:45:03,080 --> 00:45:05,480
Speaker 3: It's a sitcom, it's not supposed to be real, but

932
00:45:05,560 --> 00:45:06,960
Speaker 3: it's really fake.

933
00:45:07,239 --> 00:45:10,319
Speaker 2: Like you know when you tell kids like, hey, fake

934
00:45:10,400 --> 00:45:15,880
Speaker 2: snore like they do it, you know you're like that, Okay, yeah, yeah,

935
00:45:16,040 --> 00:45:18,600
Speaker 2: so you know you were doing you were doing everything

936
00:45:18,640 --> 00:45:21,719
Speaker 2: that a thirteen or fourteen year old would do when

937
00:45:21,880 --> 00:45:23,920
Speaker 2: asked to pretend to snore. Really loudly.

938
00:45:24,160 --> 00:45:27,000
Speaker 1: Yeah, I couldn't quite get the guttural, like the guttural

939
00:45:27,320 --> 00:45:28,840
Speaker 1: back of the throat or noise.

940
00:45:28,960 --> 00:45:30,640
Speaker 2: Yeah, no, it's then you sound like a wookie.

941
00:45:30,800 --> 00:45:33,279
Speaker 3: Yeah, yeah, no, it was. It was difficult, but I

942
00:45:33,280 --> 00:45:35,000
Speaker 3: did my best. You know, it's I tried.

943
00:45:35,160 --> 00:45:37,560
Speaker 2: I tried. I thought it was great. It was perfectly obnoxious.

944
00:45:37,600 --> 00:45:39,200
Speaker 1: Kimmy, I can yeah, I can get away with it

945
00:45:39,239 --> 00:45:42,600
Speaker 1: because it's Kimi Gibbler. DJ flips on the light and

946
00:45:42,600 --> 00:45:45,480
Speaker 1: stuff says, does she snore that loud because she has

947
00:45:45,520 --> 00:45:49,319
Speaker 1: all that air in her head? DJ finds it weird

948
00:45:49,360 --> 00:45:53,360
Speaker 1: because Kimmy never snores when she's sleeping in class. And

949
00:45:53,400 --> 00:45:54,640
Speaker 1: I just got to give a shout out here to

950
00:45:54,640 --> 00:45:57,520
Speaker 1: the DP for lighting us so perfectly that you can

951
00:45:57,520 --> 00:45:59,400
Speaker 1: see our faces, but it still looks.

952
00:45:59,160 --> 00:46:00,600
Speaker 3: Like nighttime, like the middle of the night.

953
00:46:01,360 --> 00:46:03,880
Speaker 2: Yeah, there will say. There was a couple scenes that

954
00:46:03,920 --> 00:46:06,200
Speaker 2: I was like, what's happening with the lighting? But this

955
00:46:06,239 --> 00:46:07,839
Speaker 2: one looked pretty good.

956
00:46:07,960 --> 00:46:09,120
Speaker 3: This one was well done.

957
00:46:09,160 --> 00:46:09,359
Speaker 2: Yeah.

958
00:46:09,400 --> 00:46:09,800
Speaker 3: I agree.

959
00:46:10,360 --> 00:46:12,680
Speaker 1: In a couple of future scenes it's not so great,

960
00:46:12,719 --> 00:46:15,640
Speaker 1: but for now perfect, DJ and Steph decide to get

961
00:46:15,719 --> 00:46:18,160
Speaker 1: Kimmy out of the room. They pull her to her feet,

962
00:46:18,320 --> 00:46:22,480
Speaker 1: saying it's time for her sleep walk. Steph shakes her

963
00:46:22,520 --> 00:46:26,000
Speaker 1: head and with a mister T reference, says, I pity

964
00:46:26,040 --> 00:46:31,080
Speaker 1: the fool that marries this woman. Stephan DJ guide Kimmy

965
00:46:31,120 --> 00:46:35,000
Speaker 1: into Michelle's room, placing her on the rocking chair. Steph

966
00:46:35,120 --> 00:46:39,200
Speaker 1: encourages Kimmy to snore her head off. Now she's Michelle's problem.

967
00:46:39,680 --> 00:46:40,160
Speaker 2: Mm hmmm.

968
00:46:40,400 --> 00:46:43,000
Speaker 1: Michelle pops up from her crib when hearing the snore.

969
00:46:43,480 --> 00:46:47,799
Speaker 1: She hangs over the crib and shouts, oh no, sh

970
00:46:48,360 --> 00:46:51,359
Speaker 1: Kimmy continues her snoring, and Michelle puts her hands over

971
00:46:51,400 --> 00:46:52,800
Speaker 1: her ears in agony.

972
00:46:53,239 --> 00:46:55,160
Speaker 2: Quite a snore. I feel like you might need to

973
00:46:55,160 --> 00:46:57,399
Speaker 2: get checked for sleep app near or something. I need

974
00:46:57,400 --> 00:47:00,200
Speaker 2: one of those scen Yeah, you need a seapap a

975
00:47:00,239 --> 00:47:06,680
Speaker 2: seapappy machine, Yes you can. Gibler needs a seapappypy machine.

976
00:47:06,800 --> 00:47:09,000
Speaker 3: Yep, perfect reference.

977
00:47:10,560 --> 00:47:13,680
Speaker 1: Next in the kitchen, it's dark and Joey and Cheryl

978
00:47:13,840 --> 00:47:17,799
Speaker 1: quietly walk in through the back door. Cheryl apologizes for

979
00:47:17,880 --> 00:47:20,919
Speaker 1: not making it out of town. Joey jokes that if

980
00:47:20,960 --> 00:47:23,280
Speaker 1: the fog didn't clear up, they would still be driving

981
00:47:23,320 --> 00:47:26,920
Speaker 1: around the Kmart parking lot, and he kisses Cheryl goodbye.

982
00:47:27,920 --> 00:47:29,600
Speaker 3: Wait but how does Cheryl get home? And is that

983
00:47:29,640 --> 00:47:32,320
Speaker 3: the last we ever see Cheryl for this episode?

984
00:47:32,400 --> 00:47:34,759
Speaker 2: Yeah? Wait, yeah, how'd she got home? Howd she get home?

985
00:47:34,800 --> 00:47:37,520
Speaker 1: If it's too foggy for Irene to go home, but

986
00:47:37,600 --> 00:47:39,680
Speaker 1: it's not too foggy for Cheryl to drive home, and

987
00:47:39,800 --> 00:47:41,240
Speaker 1: Joey just sends her on the way.

988
00:47:41,480 --> 00:47:44,680
Speaker 3: I don't know. This relationship is not going to last easily.

989
00:47:44,920 --> 00:47:46,600
Speaker 2: Well, maybe that's why we never see her again.

990
00:47:48,560 --> 00:47:51,320
Speaker 3: Like bye, she just lost it walking around San Francisco.

991
00:47:51,480 --> 00:47:54,000
Speaker 2: Somewhere in the fast She's still lost in the fog, right,

992
00:47:54,040 --> 00:47:55,879
Speaker 2: she's still driving around the kmart parking lot and there's

993
00:47:55,880 --> 00:48:01,319
Speaker 2: not even a kmart anymore, So Dave or not Dave.

994
00:48:01,480 --> 00:48:05,000
Speaker 3: Joey is attempting to be extremely quiet, but then he.

995
00:48:05,040 --> 00:48:09,720
Speaker 1: Loses his balance, trips over the skis, falls backwards down

996
00:48:09,760 --> 00:48:12,759
Speaker 1: his stairs and into his bedroom.

997
00:48:12,960 --> 00:48:14,240
Speaker 3: Excellent comedy.

998
00:48:14,440 --> 00:48:16,480
Speaker 2: As soon. I didn't know the fall was coming, but

999
00:48:16,520 --> 00:48:18,520
Speaker 2: I see him set those skis there, and I was like,

1000
00:48:18,760 --> 00:48:20,520
Speaker 2: why would you put those there? You're going to trip

1001
00:48:20,560 --> 00:48:23,000
Speaker 2: over them? And then he did it, and I was like, oh,

1002
00:48:23,480 --> 00:48:25,960
Speaker 2: maybe it's just because I'm extraordinarily aware of things that

1003
00:48:26,040 --> 00:48:28,440
Speaker 2: I will trip over. So that's why I was paying attention.

1004
00:48:28,520 --> 00:48:32,160
Speaker 2: But yep, yep, you agree that comedy though he just

1005
00:48:32,160 --> 00:48:33,200
Speaker 2: tumbled right backwards.

1006
00:48:33,480 --> 00:48:35,120
Speaker 1: Yeah, I was like, did they have a They must

1007
00:48:35,160 --> 00:48:37,080
Speaker 1: have had a pad down there for him, Yeah, otherwise

1008
00:48:37,080 --> 00:48:38,120
Speaker 1: he would have broken his back.

1009
00:48:38,239 --> 00:48:41,080
Speaker 3: That was he committed to that bit, and it really did.

1010
00:48:41,120 --> 00:48:44,239
Speaker 3: Really he well executed, very well executed.

1011
00:48:44,719 --> 00:48:45,000
Speaker 2: Uh.

1012
00:48:45,120 --> 00:48:48,480
Speaker 1: Nick hears this commotion and shouts from the couch, Irene,

1013
00:48:48,600 --> 00:48:51,839
Speaker 1: is that you? Joey doesn't answer. He begins taking off

1014
00:48:51,880 --> 00:48:55,040
Speaker 1: his clothes in the darkness of his room. He gets

1015
00:48:55,080 --> 00:48:59,640
Speaker 1: into bed when suddenly a body flings on him. Oh, sweetheart,

1016
00:48:59,640 --> 00:49:03,279
Speaker 1: you want to kiss and makeup? Joey shouts, I don't know.

1017
00:49:04,880 --> 00:49:07,200
Speaker 1: He flips on the light and sees that it's Irene.

1018
00:49:08,040 --> 00:49:11,040
Speaker 1: They both scream, and Nick runs down the stairs.

1019
00:49:11,480 --> 00:49:12,919
Speaker 2: He sees you quickly by the way.

1020
00:49:12,960 --> 00:49:15,880
Speaker 3: Oh yeah, from the couch. Yeah, he got there instantly.

1021
00:49:16,480 --> 00:49:19,439
Speaker 2: He apparates, if anyone breaks into your house, Grandpa and Nick,

1022
00:49:19,440 --> 00:49:21,080
Speaker 2: he's on it. He will be right there at the

1023
00:49:21,120 --> 00:49:22,160
Speaker 2: second you scream.

1024
00:49:22,000 --> 00:49:22,399
Speaker 3: Yes, yeap.

1025
00:49:24,160 --> 00:49:26,000
Speaker 1: Nick sees the two of them in bed together and

1026
00:49:26,040 --> 00:49:30,799
Speaker 1: shouts first college now this. Danny and Jesse run down

1027
00:49:30,800 --> 00:49:34,719
Speaker 1: the stairs in shock. Joey assures Nick, never in a

1028
00:49:34,800 --> 00:49:38,080
Speaker 1: million billion years would I be down here with your wife.

1029
00:49:39,000 --> 00:49:41,880
Speaker 1: Irene shoots him a look, hey, what's wrong with his wife?

1030
00:49:42,640 --> 00:49:45,439
Speaker 1: Joey assures her that nothing is wrong. She's a very

1031
00:49:45,480 --> 00:49:49,040
Speaker 1: attractive woman. Jesse tells him back off, that's his mommy

1032
00:49:49,080 --> 00:49:53,440
Speaker 1: he's talking about. Joey's just digging his hole.

1033
00:49:53,400 --> 00:49:54,160
Speaker 3: Deeper and deeper.

1034
00:49:54,320 --> 00:49:54,560
Speaker 2: Yep.

1035
00:49:55,480 --> 00:49:58,040
Speaker 1: Danny hands Joey a robe as he gets out of bed.

1036
00:49:58,719 --> 00:50:01,880
Speaker 1: Joey tells Nick, your wife shouldn't be sleeping alone. She

1037
00:50:02,360 --> 00:50:07,160
Speaker 1: loves to cuddle, and they exit. Jesse forces his parents

1038
00:50:07,239 --> 00:50:11,600
Speaker 1: to sit down and settle their problem. Nick apologizes for

1039
00:50:11,680 --> 00:50:14,560
Speaker 1: losing his temper and tells her first thing in the morning,

1040
00:50:14,760 --> 00:50:16,560
Speaker 1: we'll go to that shop you like and buy you

1041
00:50:16,640 --> 00:50:21,080
Speaker 1: a brand new outfit. Irene responds, you can't buy me

1042
00:50:21,160 --> 00:50:25,640
Speaker 1: a new outfit and expect everything to be better. Nick says,

1043
00:50:25,640 --> 00:50:27,640
Speaker 1: you're right, I'll throw in a pair of new shoes.

1044
00:50:28,600 --> 00:50:34,239
Speaker 1: Jesse tells me right, yep, they are just yes, this is.

1045
00:50:34,760 --> 00:50:40,839
Speaker 2: Right there patterns. Toxic family patterns get passed down from

1046
00:50:40,880 --> 00:50:42,239
Speaker 2: generation to generation.

1047
00:50:43,239 --> 00:50:44,640
Speaker 3: This is how it goes.

1048
00:50:46,400 --> 00:50:49,200
Speaker 1: Jesse tells his dad that they should sit down and

1049
00:50:49,280 --> 00:50:52,720
Speaker 1: talk about their problems instead of him buying her gifts.

1050
00:50:53,480 --> 00:50:56,680
Speaker 1: He suddenly realized how this connects to him and DJ

1051
00:50:57,000 --> 00:51:02,160
Speaker 1: and sighs, oh boy. Jesse tells Nick he got a

1052
00:51:02,160 --> 00:51:05,200
Speaker 1: lot of things from him. I got your pride, your ambition,

1053
00:51:05,480 --> 00:51:08,760
Speaker 1: your hair. Thank you, by the way. Then he mentions

1054
00:51:08,760 --> 00:51:11,960
Speaker 1: the not so great quality he got from Nick, his temper.

1055
00:51:13,320 --> 00:51:16,080
Speaker 1: Jesse sits and asks Nick and Irene if they're ready

1056
00:51:16,080 --> 00:51:19,200
Speaker 1: to talk to each other. Nick and Jesse agree that

1057
00:51:19,280 --> 00:51:22,759
Speaker 1: they can both do better. Jesse tells him because this

1058
00:51:22,920 --> 00:51:26,600
Speaker 1: fog is gonna lift and frankly, father, you can't live here.

1059
00:51:28,440 --> 00:51:31,160
Speaker 1: Next in the living room, Jesse sits near Danny on

1060
00:51:31,200 --> 00:51:35,400
Speaker 1: the couch and apologizes about the drum fiasco, and Danny

1061
00:51:35,400 --> 00:51:39,480
Speaker 1: gives him a sincere thank you. DJ appears at the

1062
00:51:39,480 --> 00:51:41,520
Speaker 1: top of the stairs and asks what's.

1063
00:51:41,280 --> 00:51:42,160
Speaker 3: Going on down there.

1064
00:51:42,880 --> 00:51:46,320
Speaker 1: Danny asks asks her why she's awake, and DJ explains

1065
00:51:46,360 --> 00:51:49,000
Speaker 1: it well, first it was from Kimmy's snoring, Then there

1066
00:51:49,040 --> 00:51:52,120
Speaker 1: was a loud crash and then people screaming. This time

1067
00:51:52,200 --> 00:51:55,120
Speaker 1: she was on her way back from the bathroom. Jesse

1068
00:51:55,280 --> 00:51:57,960
Speaker 1: asks DJ to come downstairs so we can talk with her.

1069
00:51:58,560 --> 00:51:59,160
Speaker 3: He wants to.

1070
00:51:59,120 --> 00:52:01,839
Speaker 1: Tell her that he was wrong and Danny was right.

1071
00:52:02,640 --> 00:52:06,839
Speaker 1: Danny shouts DJ, get down here in full support. DJ

1072
00:52:07,040 --> 00:52:09,680
Speaker 1: asks Danny again if she can keep the drum set,

1073
00:52:09,920 --> 00:52:13,440
Speaker 1: to which he says yes, but the sticks have gotta

1074
00:52:13,440 --> 00:52:18,040
Speaker 1: go and Danny exits. Jesse grabs DJ and sits her

1075
00:52:18,040 --> 00:52:20,480
Speaker 1: down on the couch. He explains how he should have

1076
00:52:20,560 --> 00:52:23,480
Speaker 1: talked to her today instead of buying her a big gift.

1077
00:52:24,200 --> 00:52:26,360
Speaker 1: DJ tells him, hey, don't be so hard on yourself.

1078
00:52:27,480 --> 00:52:29,479
Speaker 3: Jesse begins, those kids are like, no, that's a great

1079
00:52:29,480 --> 00:52:30,320
Speaker 3: way to solve problems.

1080
00:52:30,360 --> 00:52:32,160
Speaker 2: Yes, this is working out excellent for me.

1081
00:52:32,600 --> 00:52:35,040
Speaker 3: Buy me something every time we have fright. Please.

1082
00:52:35,200 --> 00:52:39,279
Speaker 1: Yeah. Jesse begins to tell her about his temper and

1083
00:52:39,320 --> 00:52:43,799
Speaker 1: how it accidentally hurts the people he loves. DJ doesn't

1084
00:52:43,800 --> 00:52:46,360
Speaker 1: blame him for being mad at her because she did

1085
00:52:46,520 --> 00:52:50,600
Speaker 1: tape over his pancake jingle. Okay, they're both admitting fault.

1086
00:52:50,719 --> 00:52:51,839
Speaker 3: I like this, yeap.

1087
00:52:53,000 --> 00:52:55,440
Speaker 1: He continues to say what he did was wrong, but

1088
00:52:55,560 --> 00:52:58,879
Speaker 1: DJ doesn't quite get it yet. Jesse starts to tell

1089
00:52:58,920 --> 00:53:00,840
Speaker 1: a story from when he was a kid. If he

1090
00:53:00,880 --> 00:53:03,640
Speaker 1: did something wrong, his dad would blow his top and

1091
00:53:03,719 --> 00:53:06,239
Speaker 1: send him to his room. Then a few hours later,

1092
00:53:06,320 --> 00:53:09,080
Speaker 1: Nick would come back with a Batman comic book. They

1093
00:53:09,200 --> 00:53:12,879
Speaker 1: never talked about their problems. Jesse tells her, I don't

1094
00:53:12,920 --> 00:53:15,319
Speaker 1: want that to happen to you and me, and DJ

1095
00:53:15,440 --> 00:53:19,399
Speaker 1: tells him, I think we're doing pretty good. Jesse gives

1096
00:53:19,400 --> 00:53:21,600
Speaker 1: her a big kiss and admits he got into a

1097
00:53:21,640 --> 00:53:24,200
Speaker 1: lot of trouble when he was a kid. He starts

1098
00:53:24,200 --> 00:53:26,520
Speaker 1: to tell her a story about this one time he

1099
00:53:26,600 --> 00:53:29,719
Speaker 1: was playing football while his dad watched the Beverly Hillbillies,

1100
00:53:29,760 --> 00:53:33,000
Speaker 1: and Jesse kicked a field goal right through Jethro's face.

1101
00:53:33,480 --> 00:53:36,759
Speaker 1: Jesse laughs at the story, and suddenly he notices DJ

1102
00:53:36,920 --> 00:53:40,000
Speaker 1: is asleep on his chest. He wraps her in a blanket,

1103
00:53:40,400 --> 00:53:44,879
Speaker 1: ending his story, and they lived happily ever after. And

1104
00:53:45,080 --> 00:53:47,160
Speaker 1: that's our show, Ladies and gentlemen.

1105
00:53:47,520 --> 00:53:50,400
Speaker 2: That was such a sweet ending moment. I really I

1106
00:53:50,440 --> 00:53:53,200
Speaker 2: love that, And it was, you know, such apparenting thing

1107
00:53:53,360 --> 00:53:55,560
Speaker 2: that you can relate to when you're like then this

1108
00:53:55,760 --> 00:53:57,440
Speaker 2: time when I was a can button, your kids were

1109
00:53:57,480 --> 00:54:00,600
Speaker 2: just like, I don't I don't care. Yeah, you've lost

1110
00:54:00,600 --> 00:54:04,000
Speaker 2: the kid, you've lost Yeah, yeah, you're just entertaining yourself

1111
00:54:04,040 --> 00:54:07,200
Speaker 2: at that point. But basically at least he totally got

1112
00:54:07,200 --> 00:54:09,480
Speaker 2: that and was like, yep, you know what this is. Actually,

1113
00:54:10,040 --> 00:54:12,719
Speaker 2: this is actually the good story is being here with

1114
00:54:12,760 --> 00:54:14,720
Speaker 2: these kids. And it was very sweet.

1115
00:54:14,880 --> 00:54:17,560
Speaker 3: Oh, it was such a sweet moment. A great resolution.

1116
00:54:18,280 --> 00:54:19,719
Speaker 3: You know, they both admitted they were wrong.

1117
00:54:19,760 --> 00:54:24,279
Speaker 2: Great resolution. The drums are gone. Everyone has admitted. You know, look,

1118
00:54:24,360 --> 00:54:26,279
Speaker 2: I screwed up. You screwed up. This is the thing.

1119
00:54:26,719 --> 00:54:29,760
Speaker 2: We see Jesse not wanting to be like his dad. Yes,

1120
00:54:30,000 --> 00:54:31,280
Speaker 2: there's growth is a big plus.

1121
00:54:31,320 --> 00:54:33,400
Speaker 3: There's personal growth in this episode.

1122
00:54:33,840 --> 00:54:35,960
Speaker 2: Very pleased and there's some there's a little bit of

1123
00:54:36,000 --> 00:54:38,759
Speaker 2: redemption in it. In the we see Jesse go you

1124
00:54:38,800 --> 00:54:40,560
Speaker 2: know what I see where I get this? And I, yeah,

1125
00:54:40,640 --> 00:54:44,160
Speaker 2: I kind of can't keep doing this. Yep, now it's great.

1126
00:54:44,200 --> 00:54:46,120
Speaker 2: Did you have any everywhere you look moments?

1127
00:54:46,520 --> 00:54:49,160
Speaker 3: I do. I'm kind of cheating, but I do have one.

1128
00:54:50,120 --> 00:54:52,919
Speaker 2: Okay, I have I have two?

1129
00:54:53,239 --> 00:54:57,879
Speaker 1: Oh, okay, well mine is in the first scene or no, yeah,

1130
00:54:57,880 --> 00:55:01,480
Speaker 1: in the first scene where I appear I come in. Yeah,

1131
00:55:01,520 --> 00:55:03,359
Speaker 1: I barge in with my hair and I'm like, good morning,

1132
00:55:03,520 --> 00:55:06,080
Speaker 1: good morning. I'm here for the weekend. So this is

1133
00:55:06,120 --> 00:55:10,000
Speaker 1: a gift or like a meme on the internet, and

1134
00:55:10,080 --> 00:55:12,440
Speaker 1: I send this to every as soon as I when

1135
00:55:12,480 --> 00:55:14,520
Speaker 1: I go visit friends, out of town or whatever, and

1136
00:55:14,560 --> 00:55:17,040
Speaker 1: I'm spending this, I say this to them to announce

1137
00:55:17,080 --> 00:55:17,640
Speaker 1: my arrival.

1138
00:55:17,640 --> 00:55:19,640
Speaker 3: I've arrived. I'm here for the weekend.

1139
00:55:20,120 --> 00:55:23,400
Speaker 1: And my goal in life is to send instead of talking,

1140
00:55:23,600 --> 00:55:26,880
Speaker 1: just to be able to respond to people solely. With

1141
00:55:27,000 --> 00:55:30,759
Speaker 1: Kimmy Gibbler Gifts, there's a gift for every reaction, every

1142
00:55:30,800 --> 00:55:34,719
Speaker 1: timely scenario. And I'm really is I just want to

1143
00:55:34,719 --> 00:55:37,120
Speaker 1: communicate in Kimmy Gibbler Gifts and this is one of

1144
00:55:37,120 --> 00:55:37,680
Speaker 1: my favorites.

1145
00:55:38,400 --> 00:55:42,439
Speaker 2: I absolutely love that you do this, and I one

1146
00:55:42,840 --> 00:55:45,520
Speaker 2: percent think it's an appropriate thing. And now that I

1147
00:55:45,560 --> 00:55:47,000
Speaker 2: know that there's a gift of it, That's what I'm

1148
00:55:47,000 --> 00:55:48,320
Speaker 2: going to do when I'm traveling places.

1149
00:55:48,360 --> 00:55:50,120
Speaker 3: When you try to announce your arrival, I'm here.

1150
00:55:50,000 --> 00:55:51,840
Speaker 2: To announce my rete. Yeah, I'm here. I'm here for

1151
00:55:51,880 --> 00:55:53,920
Speaker 2: the weekend. Oh my god, that's great. I love it.

1152
00:55:54,560 --> 00:55:56,160
Speaker 3: What were your everywhere you looks?

1153
00:55:56,480 --> 00:56:01,080
Speaker 2: So I had two everywhere you look moments. One is

1154
00:56:01,840 --> 00:56:04,960
Speaker 2: when you see the guys coming out of Michelle's room.

1155
00:56:06,560 --> 00:56:11,160
Speaker 2: I'm not sure at which point it is. Oh, it's

1156
00:56:11,239 --> 00:56:14,200
Speaker 2: right when DJ records over the thing and she storms

1157
00:56:14,200 --> 00:56:16,719
Speaker 2: out and baby comes in or whatever. On that first scene,

1158
00:56:16,719 --> 00:56:19,640
Speaker 2: in Jesse's room. You see in the hallway that there

1159
00:56:19,680 --> 00:56:23,719
Speaker 2: are now family photos on the wall, whereas before it

1160
00:56:23,800 --> 00:56:27,000
Speaker 2: was just I think, kind of a generic like art

1161
00:56:27,040 --> 00:56:29,240
Speaker 2: thing or whatever. But now you see some family photos

1162
00:56:29,280 --> 00:56:33,239
Speaker 2: with all of us on the wall. But what they

1163
00:56:33,239 --> 00:56:38,000
Speaker 2: are is just set stills. So they're actually photographs of

1164
00:56:38,080 --> 00:56:41,839
Speaker 2: other episodes that like the behind the scenes photographer would get.

1165
00:56:41,880 --> 00:56:45,879
Speaker 2: So there's scenes from the the Horse episode where we're

1166
00:56:45,920 --> 00:56:49,359
Speaker 2: standing there, there's there's a yeah, there's a couple ones.

1167
00:56:49,400 --> 00:56:52,440
Speaker 2: But it's really funny because when you really look at

1168
00:56:52,480 --> 00:56:55,080
Speaker 2: what the pictures are, you'd be like, well, who took

1169
00:56:55,120 --> 00:56:55,759
Speaker 2: the pictures?

1170
00:56:55,840 --> 00:56:56,040
Speaker 1: Yeah?

1171
00:56:56,360 --> 00:56:59,040
Speaker 3: Yeah, a scene there.

1172
00:56:58,440 --> 00:56:59,960
Speaker 2: Like that was a scene we saw that happen, but

1173
00:57:00,200 --> 00:57:02,160
Speaker 2: I didn't know there was a picture taken, but that

1174
00:57:02,320 --> 00:57:02,680
Speaker 2: was one.

1175
00:57:03,239 --> 00:57:03,439
Speaker 3: Yeah.

1176
00:57:03,480 --> 00:57:05,480
Speaker 1: I had some of those pictures. I have that horse

1177
00:57:05,520 --> 00:57:07,360
Speaker 1: picture of the three of us you mean and Candae

1178
00:57:07,360 --> 00:57:09,600
Speaker 1: on the horse. I had that printed out as like

1179
00:57:09,640 --> 00:57:12,160
Speaker 1: an eight x ten in my box of memorabilia.

1180
00:57:12,200 --> 00:57:13,400
Speaker 2: Yeah, I have, we got a lot. I have a

1181
00:57:13,440 --> 00:57:17,160
Speaker 2: ton of those, like backstage photos somewhere.

1182
00:57:17,200 --> 00:57:17,439
Speaker 3: Great.

1183
00:57:18,200 --> 00:57:21,560
Speaker 2: And then the second one, I don't know if you

1184
00:57:21,760 --> 00:57:24,000
Speaker 2: noticed the shirt that I was wearing.

1185
00:57:24,760 --> 00:57:27,440
Speaker 3: It felt like a repeat a repeat outfit.

1186
00:57:27,760 --> 00:57:30,880
Speaker 2: I don't think it was a repeat. Oh okay, but

1187
00:57:31,040 --> 00:57:32,360
Speaker 2: it did repeat a theme.

1188
00:57:32,760 --> 00:57:33,840
Speaker 3: What what did it repeat?

1189
00:57:33,840 --> 00:57:34,600
Speaker 2: Sottie dogs?

1190
00:57:34,800 --> 00:57:36,720
Speaker 3: You had a Scottie dog on your shirt.

1191
00:57:36,560 --> 00:57:40,280
Speaker 2: Said Scotty. It didn't even I don't it said it's

1192
00:57:40,280 --> 00:57:43,480
Speaker 2: sty in the arm. The sleeves were like plaid, and

1193
00:57:43,520 --> 00:57:45,960
Speaker 2: I was like, oh my god, it's another one that

1194
00:57:46,120 --> 00:57:48,480
Speaker 2: is your running Well maybe that was a repeat. I

1195
00:57:48,480 --> 00:57:50,600
Speaker 2: didn't remember it though, but.

1196
00:57:50,320 --> 00:57:55,200
Speaker 1: The Scottie dog is definitely a repeating pattern for Stephanie. Yes,

1197
00:57:55,840 --> 00:57:59,560
Speaker 1: Janis must have been so proud, you know, Scotty dogs.

1198
00:58:00,120 --> 00:58:02,320
Speaker 2: Although that dog that she had that was a Scotti

1199
00:58:02,400 --> 00:58:04,080
Speaker 2: her first dog, ate all of her shoes and she's

1200
00:58:04,280 --> 00:58:06,520
Speaker 2: Bonnie was the name of the dogs. Talk about how

1201
00:58:06,680 --> 00:58:08,600
Speaker 2: she had that dog to ever nuts. So I don't

1202
00:58:08,640 --> 00:58:09,640
Speaker 2: know if it was.

1203
00:58:09,400 --> 00:58:11,120
Speaker 3: It was not inspired by jam wasn't it.

1204
00:58:11,440 --> 00:58:13,680
Speaker 2: Yeah? No, it was not inspired, but it was How

1205
00:58:13,720 --> 00:58:16,320
Speaker 2: did we I guess Scottie dogs were just a thing.

1206
00:58:16,360 --> 00:58:18,960
Speaker 1: We got to get Genus Draconis and ROBERTA. Hayes, Yes,

1207
00:58:19,280 --> 00:58:22,680
Speaker 1: on that podcast. We can ask them all these questions

1208
00:58:22,720 --> 00:58:25,080
Speaker 1: because they were brilliant at dressing.

1209
00:58:25,360 --> 00:58:27,120
Speaker 2: What was the deal with Scottie Dogs? And why were

1210
00:58:27,120 --> 00:58:31,160
Speaker 2: they everywhere? Was it a late eighties fan thing. I

1211
00:58:31,200 --> 00:58:31,520
Speaker 2: don't know.

1212
00:58:31,600 --> 00:58:33,920
Speaker 1: It was some seven year olds were into you know,

1213
00:58:34,200 --> 00:58:34,920
Speaker 1: yeah what was right?

1214
00:58:35,000 --> 00:58:37,400
Speaker 2: Although I guess you know what they were Scottie dogs.

1215
00:58:37,520 --> 00:58:40,320
Speaker 2: I remember when the kids were younger, like all of

1216
00:58:40,360 --> 00:58:42,880
Speaker 2: a sudden, lamas were the thing, and you'd go to

1217
00:58:43,000 --> 00:58:45,600
Speaker 2: like justice and everything had a lama on it, true,

1218
00:58:45,720 --> 00:58:49,000
Speaker 2: and then it was uh narwalls, and then it was

1219
00:58:49,080 --> 00:58:52,080
Speaker 2: you know, so I get it, like there's we sort

1220
00:58:52,080 --> 00:58:55,439
Speaker 2: of have cycle through animals. We cycle through silly little

1221
00:58:55,440 --> 00:58:57,120
Speaker 2: animals that were like this is the kyd thing ever,

1222
00:58:57,160 --> 00:59:00,000
Speaker 2: And I guess the late nineteen eighty nine was Scottie dogs.

1223
00:59:00,480 --> 00:59:01,840
Speaker 3: It was the year of the Scottie dog.

1224
00:59:02,120 --> 00:59:05,680
Speaker 2: Okay, indeed, but that's those were my two everywhere.

1225
00:59:05,720 --> 00:59:08,680
Speaker 3: You look great? Those are good, you know, Egil, I.

1226
00:59:09,320 --> 00:59:12,600
Speaker 2: Well, this was another really great episode of the show.

1227
00:59:12,640 --> 00:59:15,120
Speaker 2: I love this. We see some personal growth with Joey.

1228
00:59:15,240 --> 00:59:18,520
Speaker 2: We we see some drums come and go. We see

1229
00:59:19,160 --> 00:59:21,840
Speaker 2: where Jesse is getting. Did I say personal growth with Joey?

1230
00:59:21,880 --> 00:59:24,520
Speaker 3: You did? You did? But that's okay. I script their

1231
00:59:24,560 --> 00:59:26,120
Speaker 3: names all the time, so I was willing to let

1232
00:59:26,120 --> 00:59:26,479
Speaker 3: a five.

1233
00:59:26,640 --> 00:59:26,760
Speaker 1: Right.

1234
00:59:27,480 --> 00:59:30,920
Speaker 2: We see some personal growth with Jesse and also like

1235
00:59:31,000 --> 00:59:33,760
Speaker 2: where his stuff is coming from. But you know it's

1236
00:59:33,960 --> 00:59:35,760
Speaker 2: and it's the last time we ever see Cheryl. She

1237
00:59:35,800 --> 00:59:37,640
Speaker 2: is never to be seen or heard from again.

1238
00:59:37,960 --> 00:59:39,360
Speaker 3: No, I think she's in one?

1239
00:59:39,600 --> 00:59:40,280
Speaker 2: Is she one more?

1240
00:59:40,280 --> 00:59:40,560
Speaker 3: And more?

1241
00:59:40,640 --> 00:59:41,000
Speaker 2: I don't know.

1242
00:59:41,080 --> 00:59:43,120
Speaker 3: I don't know what's coming up because I don't watch.

1243
00:59:43,240 --> 00:59:45,960
Speaker 2: And I thought that was okay.

1244
00:59:45,600 --> 00:59:47,920
Speaker 3: She's in a total of fo the she's in a

1245
00:59:47,960 --> 00:59:48,680
Speaker 3: total of three.

1246
00:59:48,800 --> 00:59:51,160
Speaker 2: Okay, then there is there is one more somewhere.

1247
00:59:51,200 --> 00:59:53,520
Speaker 3: So there's more somewhere, one more somewhere, don't know where.

1248
00:59:53,960 --> 00:59:56,000
Speaker 2: Apparently she made it through through the fog.

1249
00:59:56,080 --> 00:59:57,080
Speaker 3: She survived Carl's.

1250
00:59:57,480 --> 01:00:00,120
Speaker 2: She just sat out in the backyard all night. Oh

1251
01:00:00,520 --> 01:00:02,720
Speaker 2: you know, just like I can't go anywhere. I'm just

1252
01:00:02,720 --> 01:00:03,680
Speaker 2: gonna sit back here.

1253
01:00:03,840 --> 01:00:05,760
Speaker 3: The backyard shape shifts into whatever you need.

1254
01:00:05,800 --> 01:00:08,120
Speaker 2: She slept in her car in the backyard because obviously

1255
01:00:08,160 --> 01:00:10,040
Speaker 2: she pulled it into the backyard because that's where they

1256
01:00:10,080 --> 01:00:10,520
Speaker 2: came from.

1257
01:00:10,600 --> 01:00:13,320
Speaker 3: That's the parking lot for all random cars.

1258
01:00:13,560 --> 01:00:17,000
Speaker 2: Yeah, there's a huge parking structure underneath the Tanner house

1259
01:00:17,200 --> 01:00:20,320
Speaker 2: and that's how they make all their money to afford

1260
01:00:20,360 --> 01:00:21,760
Speaker 2: being able to live in that house. And they just

1261
01:00:21,920 --> 01:00:24,240
Speaker 2: charge you can charge a lot for parking in San Francisco.

1262
01:00:24,360 --> 01:00:27,440
Speaker 3: Yeah, parking is tight. Yeah, you make a killing on that.

1263
01:00:28,480 --> 01:00:31,680
Speaker 2: Well, another great episode. So much fun reviewing this. I'm

1264
01:00:31,680 --> 01:00:34,160
Speaker 2: so glad you're here this week and I just love

1265
01:00:34,200 --> 01:00:35,880
Speaker 2: doing this show with you. It's so much fun. And

1266
01:00:35,920 --> 01:00:38,160
Speaker 2: thank you to all of our amazing fan of ritos

1267
01:00:38,200 --> 01:00:40,120
Speaker 2: that are listening to the show. If you want to

1268
01:00:40,160 --> 01:00:43,240
Speaker 2: follow us on Instagram, make sure you follow how rude.

1269
01:00:43,840 --> 01:00:46,240
Speaker 2: Oh my god, it hi, hold on again.

1270
01:00:46,360 --> 01:00:49,080
Speaker 3: It's the outro. It's you know what it is.

1271
01:00:49,200 --> 01:00:52,040
Speaker 2: I start talking and then my brain goes somewhere else

1272
01:00:52,120 --> 01:00:54,440
Speaker 2: and then I'm like, oh no, I'm still talking.

1273
01:00:55,800 --> 01:00:56,960
Speaker 3: We just need thirty more seconds.

1274
01:00:57,080 --> 01:01:01,280
Speaker 2: Jody justidends like nope, that's all you get. Yeah. Uh,

1275
01:01:01,320 --> 01:01:04,400
Speaker 2: So make sure that you are following us on Instagram

1276
01:01:04,480 --> 01:01:07,200
Speaker 2: at how Rude podcast. You can also email us at

1277
01:01:07,240 --> 01:01:10,160
Speaker 2: how rudpodcast at gmail dot com. Make sure that you

1278
01:01:10,280 --> 01:01:12,920
Speaker 2: are liking and subscribing to the podcast on whatever platform

1279
01:01:12,960 --> 01:01:14,640
Speaker 2: you're listening to it so that you can make sure

1280
01:01:14,720 --> 01:01:16,840
Speaker 2: and get all the newest episodes as soon as they

1281
01:01:16,840 --> 01:01:19,919
Speaker 2: come out. Uh, and make sure and like and give

1282
01:01:19,960 --> 01:01:23,320
Speaker 2: reviews so that more fun fana reritos can come join

1283
01:01:23,680 --> 01:01:27,640
Speaker 2: our delightful little podcast. But thank you everyone for another

1284
01:01:27,680 --> 01:01:35,360
Speaker 2: fun week of how Rude Tanerto's. And remember the house

1285
01:01:35,600 --> 01:01:38,919
Speaker 2: is no you. You have the bracelet, and you still

1286
01:01:39,160 --> 01:01:40,800
Speaker 2: it was up. So I started reading it upside down.

1287
01:01:41,200 --> 01:01:43,800
Speaker 2: I started reading up on the world is small, but

1288
01:01:43,920 --> 01:01:45,240
Speaker 2: the house is full.

1289
01:01:46,000 --> 01:01:46,360
Speaker 1: Man.

1290
01:01:47,440 --> 01:01:49,760
Speaker 2: You even have a cheat sheet and you still miss

1291
01:01:49,880 --> 01:01:51,320
Speaker 2: You started it upside down.

1292
01:01:51,560 --> 01:01:57,240
Speaker 1: Oh, Jody, Jody, we need to put arrows on the

1293
01:01:57,240 --> 01:01:59,080
Speaker 1: bracelet pointing up this way up.

1294
01:01:59,200 --> 01:02:04,800
Speaker 2: It's the little letters spin, you know. Anyway, we got it,

1295
01:02:04,800 --> 01:02:05,160
Speaker 2: We got it.

1296
01:02:05,160 --> 01:02:08,120
Speaker 1: It's fine, everything's great, everything is fine, Everything's just fine,

1297
01:02:08,280 --> 01:02:08,680
Speaker 1: all right.

1298
01:02:08,720 --> 01:02:10,280
Speaker 2: Everybody love you, ye,