WEBVTT - Secrets Revealed • EP 821

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<v Speaker 1>First of all, you don't know me.

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<v Speaker 2>We all about that high school drama, Girl Drama, Girl,

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<v Speaker 2>all about.

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<v Speaker 3>Them high school Queens.

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<v Speaker 1>We'll take you for a ride.

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<v Speaker 2>And our comic girl sharing for the right teams Drama,

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<v Speaker 2>Queens Girl Fashion, but your tough girl, you could sit

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<v Speaker 2>with us Girl Drama, Queens Drama, Queens Drama, Queens Drama,

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<v Speaker 2>Drahn The Queens Drama Queens Friends.

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<v Speaker 1>We are so excited. Season eight has almost come to

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<v Speaker 1>a close, and we have everybody's favorite teacher, Miss Lauren.

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<v Speaker 1>Alison Munn is here on the podcast today.

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<v Speaker 3>Hi. Hi you guys. Hi your faces? Oh my gosh,

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<v Speaker 3>I'm good. How are you so good?

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<v Speaker 1>It's great to see you, guys.

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<v Speaker 3>It's so good to see you. I have been like

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<v Speaker 3>ridiculously excited to see you guys.

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<v Speaker 2>Hey you look amazing, Alison, incredible, Thank you?

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<v Speaker 1>So do you guys?

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<v Speaker 3>You can't even take it because I actually just got tierry. Okay,

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<v Speaker 3>Oh so happy. Hey, I need to see you. Hi.

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<v Speaker 2>Okay, so tell us, tell us what we're doing here?

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<v Speaker 2>What are we doing here?

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<v Speaker 3>Okay, we are deal. This episode. This episode is season eight,

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<v Speaker 3>episode twenty one, Flightless Bird American Mouse Air date May

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<v Speaker 3>tenth twenty eleven. Wow synopsis is Nathan, Jamie, Clay, Julian, Chase,

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<v Speaker 3>and Chuck have a camp out on the river Court. Meanwhile, Brooke, Quinn,

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<v Speaker 3>Alex and Lauren take a trip to Porto Rico.

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<v Speaker 2>Hey, hey, I remember when we were when we were

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<v Speaker 2>casting you because I was directing that episode.

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<v Speaker 3>I know it was. You're also the first time I'd

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<v Speaker 3>ever been directed by a femail.

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<v Speaker 2>Can you re that?

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<v Speaker 3>Yes? Yeah, And I remember being like so nervous to

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<v Speaker 3>come to do the show, but then seeing that you

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<v Speaker 3>were the director and be like, oh, I got this

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<v Speaker 3>because Joy and I knew each other. Yeah, so if

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<v Speaker 3>I don't know if you knew that like Joy and

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<v Speaker 3>I had, we had worked together before. We've done a

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<v Speaker 3>musical version of The Outsiders.

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<v Speaker 1>That's what it was.

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<v Speaker 2>I was like, was it soap?

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<v Speaker 1>I couldn't remember what the show.

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<v Speaker 3>Yeah.

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<v Speaker 2>Alison was Cherry Valance, she was the lead, and I

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<v Speaker 2>was Soda Pop's girlfriend Sandy. Yeah, and it was fun.

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<v Speaker 3>We had a cute little boy in the chorus, mister

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<v Speaker 3>Adam Lambert. Yeah, he was your little chorus cat seeing

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<v Speaker 3>these high notes.

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<v Speaker 2>Yep, just like a little redheaded, freckled redheaded sweetheart.

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<v Speaker 3>He must have done what like eighteen twenty something like that.

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<v Speaker 2>Yeah, he was young. He was so young.

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<v Speaker 3>Oh, Joy, I have to tell you I loved your book.

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<v Speaker 1>He did so much. I didn't know you read it,

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<v Speaker 1>Thank you, Alice.

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<v Speaker 3>I read it and then I was like, I don't know.

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<v Speaker 3>It was like a third of the way in and

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<v Speaker 3>I was like, I need to listen to this. So

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<v Speaker 3>I started with the book, and then I wanted to

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<v Speaker 3>hear your voice. So then I downloaded the audio and

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<v Speaker 3>like finished it on audio. And the coolest thing is that, Joy,

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<v Speaker 3>I feel like I've There's so much I didn't know

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<v Speaker 3>about you, but I've known you through every phase of

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<v Speaker 3>this book. I felt like for most phases of this book,

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<v Speaker 3>like I, yes, I remember you actually kicking around in

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<v Speaker 3>New York, like we would be in audition light together.

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<v Speaker 3>And I mostly remember her because you were so beautiful,

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<v Speaker 3>but your I was obsessed with your hair. I couldn't understand.

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<v Speaker 3>It was always like the most perfect but didn't look

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<v Speaker 3>like you spent time on it, because you probably didn't.

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<v Speaker 3>It just like looked perfect. And I would just like

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<v Speaker 3>sit in the audition room and just be like what

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<v Speaker 3>is how And ask you.

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<v Speaker 1>Yeah.

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<v Speaker 3>And then when we worked together in when we in

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<v Speaker 3>The Outsiders, I was like, oh my god, that's the

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<v Speaker 3>girl with the hair, that's her, and I think I

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<v Speaker 3>did ask you. I was like, Joy helped me out,

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<v Speaker 3>like why can't I do with my hair? And You're like,

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<v Speaker 3>I don't know, this is just what it does.

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<v Speaker 2>Yeah, how do I make mine like yours? I can't

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<v Speaker 2>contain this craziness?

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<v Speaker 3>Yeah, and so I was really excited to see that

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<v Speaker 3>you were directing and to get to come on. So

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<v Speaker 3>that was what was the title of that? That was

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<v Speaker 3>season seven?

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<v Speaker 2>Yeah, it was the one where Jamie comes he brings

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<v Speaker 2>you over to meet Paul and we shot in that

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<v Speaker 2>house that felt like a lighthouse, but it wasn't. It

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<v Speaker 2>was on the beach. I don't remember what episode that was,

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<v Speaker 2>but yeah, it was the whole thing about Jamie's got

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<v Speaker 2>a crush on his teacher.

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<v Speaker 1>Yeah, and he's like stop talking and miss yeah, that's right,

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<v Speaker 1>that's right.

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<v Speaker 3>You know. I thought they were originally setting me up

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<v Speaker 3>with Paul, like just the way that the scene was written,

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<v Speaker 3>I was confused. Yeah, and then I was told from

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<v Speaker 3>the direct the producers later on that I think maybe

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<v Speaker 3>that's what the network had thought. So when they and

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<v Speaker 3>maybe that was the way it was going. I'm not sure,

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<v Speaker 3>but when they pitched me for this, the network was

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<v Speaker 3>they said, we just don't see Alison and Paul together. Yeah,

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<v Speaker 3>and they were like, oh, that's not what we're going

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<v Speaker 3>to do. You know, who knows?

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<v Speaker 1>Who knows they?

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<v Speaker 2>I mean, yeah, there's always things going on behind the scenes,

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<v Speaker 2>and I would imagine they probably were like, we really

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<v Speaker 2>want her, and they had a whole idea for a

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<v Speaker 2>storyline that you know, like the writers talking to the

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<v Speaker 2>network suits, they don't tend to understand like a lot

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<v Speaker 2>of create creative choices. So I would imagine they were

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<v Speaker 2>there was some politics involved in just trying to like, oh,

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<v Speaker 2>sure you want the new teacher to get together with Paul.

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<v Speaker 2>We're going to cast somebody that's right for the storyline

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<v Speaker 2>we actually want to write so.

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<v Speaker 1>Much longer lasting, totally.

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<v Speaker 3>I'm so glad, like please, it just it benefited me

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<v Speaker 3>for sure.

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<v Speaker 1>Well when did you because when you first came in,

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<v Speaker 1>obviously you come in as his teacher. As you're saying,

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<v Speaker 1>there's this, will they or well they almost misdirect for

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<v Speaker 1>miss Lauren and Dan Scott, So what did they tell

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<v Speaker 1>you how long did you think you were coming to play?

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<v Speaker 1>Did you have an idea where it was going to

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<v Speaker 1>go it?

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<v Speaker 3>The audition was for a guest star, and it wasn't

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<v Speaker 3>one of the ones that qualifies with possible recur It

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<v Speaker 3>was just guest star. So I thought that it was

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<v Speaker 3>a one and done.

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<v Speaker 1>And that was it.

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<v Speaker 2>Wow, guys, do you audition like you were? You know,

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<v Speaker 2>that's amazing. Thank you for doing that, because I feel

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<v Speaker 2>like there's a lot of working actors who would be like,

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<v Speaker 2>I'm not going to go do a guest star. I've

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<v Speaker 2>got other things going on.

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<v Speaker 3>We had just it was the strike. It was the

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<v Speaker 3>writer's strike, so we had I had just I had

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<v Speaker 3>been on a show that was canceled on ABC because

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<v Speaker 3>of the strikes, and so then there was just this

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<v Speaker 3>time time we were there was you know, so I

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<v Speaker 3>was excited to go in and and I had known

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<v Speaker 3>I knew all of the producers because they had been

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<v Speaker 3>the production team on What I Like About You, so

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<v Speaker 3>Tom Robbins, What I Like About You, So I kind

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<v Speaker 3>of knew them all, so I knew it would be

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<v Speaker 3>a friendly room. And Breton Debbie, you are so amazing, So.

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<v Speaker 1>Yeah, It's really so interesting, isn't it. It's crazy to

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<v Speaker 1>think about what the writer's strikes were like for all

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<v Speaker 1>of us then, and then when you think about what

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<v Speaker 1>the last two years have been like with the SAG

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<v Speaker 1>strike and the w GA strike and how the business

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<v Speaker 1>has not recovered.

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<v Speaker 2>Yeah.

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<v Speaker 3>Yeah, well, coming at the end of COVID, I feel

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<v Speaker 3>like it was like a double rammy. I remember during

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<v Speaker 3>the strikes back then, the writer strike back then, that

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<v Speaker 3>one felt like stolen time. It felt so Yeah. Of

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<v Speaker 3>course this is coming from an actor who had just

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<v Speaker 3>gotten off of a show. I had just gotten married.

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<v Speaker 3>I had no responsibilities in the world. We were bowling

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<v Speaker 3>during the day. We'd go see movies that I started doing.

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<v Speaker 3>I started doing roller Derby.

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<v Speaker 1>Oh my god, that's right. Yeah, wait, what was your

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<v Speaker 1>roller Derby name?

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<v Speaker 3>Kis magrits Kiss.

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<v Speaker 1>I remember.

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<v Speaker 2>It's all being so impressed with you when you told

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<v Speaker 2>us you were in roller Derby. Gosh, and you did

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<v Speaker 2>some in Wilmington too. Didn't you get involved with like

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<v Speaker 2>a league which.

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<v Speaker 3>I went to some, but I didn't get involved. At

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<v Speaker 3>one point Carol had to ask me the our wardrobe

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<v Speaker 3>had to say, you look, we are a teen soap

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<v Speaker 3>I'm having to dress you like with long sleeves and

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<v Speaker 3>long pants every episode because to cover your bruises.

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<v Speaker 1>So at some.

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<v Speaker 3>Point you have to stop like being so roller derby.

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<v Speaker 1>Oh yeah, that's funny.

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<v Speaker 3>So I did.

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<v Speaker 1>I did.

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<v Speaker 3>It was really only a stock gap because it was

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<v Speaker 3>so bored during the strikes. So, you know, once I

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<v Speaker 3>was working, I.

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<v Speaker 2>Guess you're so cool, you are so good I was.

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<v Speaker 3>I was. I don't know what happened. Kids.

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<v Speaker 2>Did you ever do ice skating or anything too? Like

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<v Speaker 2>are you used to? That's not just not a thing

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<v Speaker 2>people pick up like, well, you know what, let me

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<v Speaker 2>try roller derby.

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<v Speaker 3>We we were so bored during the strike that Scott

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<v Speaker 3>and I worked, going on dates where he would plan

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<v Speaker 3>one and I would plan one, and so I was like,

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<v Speaker 3>let's go look at this roller derby thing. This looks

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<v Speaker 3>like so much fun. And there was an ad in

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<v Speaker 3>the program that was like, if you want to learn

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<v Speaker 3>to skate. I was like, I want to learn to skate? Sure,

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<v Speaker 3>and so I went.

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<v Speaker 1>So that's how it happened.

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<v Speaker 3>That's how bored I was.

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<v Speaker 2>They taught you how to do it. I still can't

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<v Speaker 2>go backwards on roller skates. It's a whole I feel

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<v Speaker 2>shame around it. Don't talk about it.

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<v Speaker 3>Well, that's also hard, Like that's I mean, you're you

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<v Speaker 3>have to do like a sweeping thing with one Let's.

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<v Speaker 1>I don't. I have no, absolutely not. I don't think

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<v Speaker 1>I'm coordinated enough. I mean no more for me.

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<v Speaker 3>That is that's a that shit has sale.

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<v Speaker 1>Could you don't you take your kids? You don't go?

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<v Speaker 3>No, I really want to take my kids to see it.

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<v Speaker 3>I'm not gonna know. That is because you know you're

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<v Speaker 3>on a banked track and it goes so fast. It's

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<v Speaker 3>it's yeah, do you just.

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<v Speaker 2>Go to the regular roller RINKO?

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<v Speaker 3>Yeah, I do like to go to the like moonlight rollerway,

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<v Speaker 3>that's room light.

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<v Speaker 1>That's one of those things like when Joy and I

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<v Speaker 1>talk about are really intense ADHD Like being the person

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<v Speaker 1>who goes to the roller rink on the weekend is

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<v Speaker 1>one of those things I still think I'm going to

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<v Speaker 1>do and I still don't. Yeah.

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<v Speaker 3>The only reason I do is because our kids school

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<v Speaker 3>has fund raisers there, so I ended up there for that.

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<v Speaker 3>And when I'm back on I'm like, man, this could

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<v Speaker 3>just be my new hobby. I could do this all

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<v Speaker 3>the time and I don't go. It's it's so fine.

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<v Speaker 1>Okay, so maybe we can go.

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<v Speaker 3>So when you're here with your movie, so you have

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<v Speaker 3>to fly in and we're going to go to.

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<v Speaker 2>The roller ring, let's go. I mean, let's go to

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<v Speaker 2>the roller ring.

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<v Speaker 1>So ready, give me like a flared bell bottom jean.

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<v Speaker 1>Let me listen.

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<v Speaker 3>Can you go backwards, Sophia?

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<v Speaker 1>Absolutely not no no no no no no no no.

0:10:20.120 --> 0:10:21.800
<v Speaker 1>I don't know if I can go forwards.

0:10:23.640 --> 0:10:25.640
<v Speaker 3>I'll push you, push on.

0:10:26.880 --> 0:10:29.640
<v Speaker 1>I'm going to hold the belt loops of your jeans

0:10:29.760 --> 0:10:30.440
<v Speaker 1>and just trick.

0:10:30.600 --> 0:10:31.240
<v Speaker 3>Great idea.

0:10:31.559 --> 0:10:34.120
<v Speaker 2>Are you on blades or are you on like roller

0:10:34.120 --> 0:10:36.199
<v Speaker 2>blades or are you on the regular old fashion? Yeah,

0:10:36.240 --> 0:10:39.840
<v Speaker 2>you're on good old fashion, got good new pair roller skates.

0:10:39.920 --> 0:10:40.679
<v Speaker 1>Yeah?

0:10:40.400 --> 0:10:42.840
<v Speaker 3>I like that. Yeah we look so cute.

0:10:43.400 --> 0:10:47.560
<v Speaker 2>Yeah okay, Well, I wish we had been able to

0:10:47.559 --> 0:10:49.920
<v Speaker 2>write you in roller Derby in the show.

0:10:49.920 --> 0:10:52.600
<v Speaker 1>That would have been I mean, so, I don't know

0:10:52.640 --> 0:10:53.360
<v Speaker 1>why we did.

0:10:53.360 --> 0:10:55.319
<v Speaker 2>We never do a roller Derby episode of our show

0:10:55.360 --> 0:10:56.360
<v Speaker 2>ever I've done.

0:10:56.440 --> 0:10:58.200
<v Speaker 3>I've done other shows where they've written it in and

0:10:58.240 --> 0:11:01.160
<v Speaker 3>it was really fun. Showed you do it was on

0:11:01.200 --> 0:11:03.400
<v Speaker 3>a show called Nikki, Ricky, Dicky and Don. I played

0:11:03.400 --> 0:11:05.800
<v Speaker 3>the mom on it, who like Rulled the whole one

0:11:05.840 --> 0:11:08.120
<v Speaker 3>whole episode was just me doing Ruler Derby.

0:11:08.120 --> 0:11:12.800
<v Speaker 1>It was really fun. That is amazing. I mean, you

0:11:12.920 --> 0:11:16.800
<v Speaker 1>just you have such an amazing sense for comedy and

0:11:16.880 --> 0:11:21.719
<v Speaker 1>physical comedy. Oh thanks, I can't imagine. Well, now I'm

0:11:21.720 --> 0:11:24.080
<v Speaker 1>going to have to look up that episode obviously. I'm like,

0:11:24.120 --> 0:11:25.959
<v Speaker 1>I can't imagine how funny that was. And I'm like,

0:11:26.200 --> 0:11:29.480
<v Speaker 1>oh man, I'm going to watch it. What did you

0:11:29.559 --> 0:11:32.280
<v Speaker 1>feel like when you got the script for this episode

0:11:32.400 --> 0:11:33.920
<v Speaker 1>and read your whole storyline.

0:11:35.360 --> 0:11:37.200
<v Speaker 3>I don't even know how to explain it to you,

0:11:37.440 --> 0:11:42.520
<v Speaker 3>because I already felt so fish out of water on

0:11:42.559 --> 0:11:46.360
<v Speaker 3>your show. You know, I come from not because of you, guys.

0:11:46.360 --> 0:11:48.280
<v Speaker 3>This is all just in my crazy brain. So I

0:11:48.320 --> 0:11:51.520
<v Speaker 3>had come from like doing so many sitcoms I was,

0:11:51.880 --> 0:11:54.560
<v Speaker 3>and mostly multi camera, so in front of an audience,

0:11:55.280 --> 0:11:57.320
<v Speaker 3>and so it was already like, oh, I need to

0:11:57.320 --> 0:11:59.880
<v Speaker 3>relearn this sort of new way to tell a story.

0:12:00.559 --> 0:12:05.080
<v Speaker 3>And I promise you, and especially in this episode. This

0:12:05.120 --> 0:12:07.440
<v Speaker 3>is not me fishing for any sort of compliment, but

0:12:07.559 --> 0:12:09.760
<v Speaker 3>the only way that I can describe it in today's

0:12:09.840 --> 0:12:13.600
<v Speaker 3>terms is that I felt like Kristin Wig and I'm

0:12:13.720 --> 0:12:17.160
<v Speaker 3>Judy like I felt like it was all of these

0:12:17.320 --> 0:12:23.440
<v Speaker 3>incredibly beitiful actresses and then I I'm Judy, like I'm

0:12:23.440 --> 0:12:26.920
<v Speaker 3>there just trying to win, and well that's just where

0:12:26.960 --> 0:12:29.480
<v Speaker 3>my head was, and so then so at So that's

0:12:29.559 --> 0:12:32.480
<v Speaker 3>number one. Number two. I am like a committed never

0:12:32.600 --> 0:12:35.880
<v Speaker 3>nude from like you know, like arrested development, Like I

0:12:36.000 --> 0:12:38.439
<v Speaker 3>you will not see me walking around in a bikini. Ever.

0:12:38.800 --> 0:12:41.360
<v Speaker 3>I'm not apprude by any stretch of the imagination.

0:12:41.520 --> 0:12:43.560
<v Speaker 2>Just got your cut off jeene shorts that you sleep.

0:12:43.400 --> 0:12:45.360
<v Speaker 1>In in the shower. Yeah, exactly.

0:12:46.440 --> 0:12:49.559
<v Speaker 3>I'm not at all comfortable like in a bathing suit situation.

0:12:49.600 --> 0:12:51.720
<v Speaker 3>I just I've never have been since I was a teenager.

0:12:51.920 --> 0:12:55.920
<v Speaker 3>It's just so I'm reading the script and I'm like,

0:12:56.000 --> 0:13:00.840
<v Speaker 3>oh no, oh, yeah, I'm Judy. I'm in a suit

0:13:01.080 --> 0:13:04.160
<v Speaker 3>with these you know, there was a certified model in

0:13:04.240 --> 0:13:06.720
<v Speaker 3>this episode. And then I keep reading and then I'm

0:13:06.800 --> 0:13:09.760
<v Speaker 3>lecked out of my hotel room in my bron underwear.

0:13:09.800 --> 0:13:12.000
<v Speaker 3>I just I kind of went into full spiral mode.

0:13:12.240 --> 0:13:14.040
<v Speaker 3>I was so excited, Like, first of all, I couldn't

0:13:14.040 --> 0:13:16.640
<v Speaker 3>believe that I was able to go to Puerto Rico,

0:13:16.760 --> 0:13:19.880
<v Speaker 3>like so cool, Joy, I'm so sad you were.

0:13:20.920 --> 0:13:22.880
<v Speaker 2>I'd never even seen the episode, so I didn't know

0:13:22.920 --> 0:13:25.200
<v Speaker 2>what happened to you When you got locked out of

0:13:25.240 --> 0:13:27.760
<v Speaker 2>your hotel room. I genuinely gasped. I mean, I was

0:13:28.320 --> 0:13:29.640
<v Speaker 2>loving that storyline.

0:13:29.640 --> 0:13:33.280
<v Speaker 1>That was so fun. That's the thing. Your storyline was

0:13:33.360 --> 0:13:37.199
<v Speaker 1>my favorite part of the whole episode. Yes, like, it

0:13:37.320 --> 0:13:40.320
<v Speaker 1>was so fun. And I remember I remember that scene

0:13:40.360 --> 0:13:42.440
<v Speaker 1>where we were all having breakfast the next day, you,

0:13:42.520 --> 0:13:47.040
<v Speaker 1>me and Janna at the table and just going, oh

0:13:47.080 --> 0:13:51.000
<v Speaker 1>my god, it was It was just the most fun

0:13:51.240 --> 0:13:54.960
<v Speaker 1>to do that whole thing with you. But to Joy's point,

0:13:55.600 --> 0:13:58.720
<v Speaker 1>getting to watch all of your scenes that you know

0:13:58.760 --> 0:14:04.520
<v Speaker 1>we weren't in, I mean the room service tray and

0:14:04.640 --> 0:14:08.599
<v Speaker 1>the hot top over your butt, I was shrieking.

0:14:09.000 --> 0:14:11.720
<v Speaker 2>And then you get in the elevator with the model

0:14:11.840 --> 0:14:13.920
<v Speaker 2>and the two of you standing next to each other

0:14:14.120 --> 0:14:19.560
<v Speaker 2>like a giraffe.

0:14:17.440 --> 0:14:19.400
<v Speaker 3>Some sort of little ferret. I don't want to know,

0:14:20.200 --> 0:14:22.480
<v Speaker 3>but like your baby.

0:14:22.000 --> 0:14:23.440
<v Speaker 1>Gazelle and a giraffe.

0:14:24.080 --> 0:14:25.440
<v Speaker 3>It was so funny.

0:14:38.240 --> 0:14:41.480
<v Speaker 1>Well, I also just need you to know, because look,

0:14:42.360 --> 0:14:45.120
<v Speaker 1>it's vulnerable to talk about how these sorts of things

0:14:45.600 --> 0:14:49.160
<v Speaker 1>make you feel behind the scenes, no matter how hilarious

0:14:49.200 --> 0:14:53.520
<v Speaker 1>you are on camera, I ironically, because you know, I

0:14:53.520 --> 0:14:55.680
<v Speaker 1>played Brooke Davis. I never wanted to be in a

0:14:55.680 --> 0:14:59.600
<v Speaker 1>bathing suit either. And I remember when we got to

0:14:59.720 --> 0:15:03.040
<v Speaker 1>the the moment where we were all laying on the chairs, like,

0:15:03.240 --> 0:15:05.880
<v Speaker 1>I remember how stressed I felt that they were going

0:15:05.960 --> 0:15:09.320
<v Speaker 1>to pull across all of you guys and then land

0:15:09.360 --> 0:15:11.160
<v Speaker 1>on me in the foreground. I was like, why do

0:15:11.240 --> 0:15:12.760
<v Speaker 1>I have to be in the foreground. I don't want

0:15:12.760 --> 0:15:14.760
<v Speaker 1>to be in the foreground. Put me in the background,

0:15:15.040 --> 0:15:19.920
<v Speaker 1>block block me with Chantelle's six foot long supermodel body,

0:15:20.040 --> 0:15:24.280
<v Speaker 1>like anything but this. And it's so weird because also

0:15:24.960 --> 0:15:27.960
<v Speaker 1>now I realize I'm doing the thing my mom always

0:15:28.000 --> 0:15:30.680
<v Speaker 1>said I would do, which is be nicer to yourself,

0:15:30.720 --> 0:15:33.120
<v Speaker 1>because in ten years you're going to look back. And

0:15:33.160 --> 0:15:35.360
<v Speaker 1>I look at us and I'm like, everyone is so hot?

0:15:35.800 --> 0:15:39.680
<v Speaker 1>What's going on? We all looked amazing, and I remember

0:15:39.720 --> 0:15:45.000
<v Speaker 1>feeling like just a garbage person. And I need you

0:15:45.080 --> 0:15:47.200
<v Speaker 1>to know that. As I'm like writing my notes for

0:15:47.240 --> 0:15:50.960
<v Speaker 1>the episode in all cabs, I have holy abs, Allison,

0:15:51.640 --> 0:15:56.800
<v Speaker 1>Oh yeah, incredible, incredible, And I just but we all

0:15:56.880 --> 0:15:59.600
<v Speaker 1>do it to ourselves. I mean I'll do it to ourselves.

0:15:59.680 --> 0:16:01.520
<v Speaker 2>I did it on a daily basis, and I look

0:16:01.600 --> 0:16:03.360
<v Speaker 2>back now and I'm like, why did I spend so

0:16:03.440 --> 0:16:06.080
<v Speaker 2>much time back then worrying about my arms or like

0:16:06.240 --> 0:16:08.520
<v Speaker 2>my my waist or what like all.

0:16:08.440 --> 0:16:11.200
<v Speaker 1>The little things that you're just I'm stressed so much

0:16:11.240 --> 0:16:12.400
<v Speaker 1>about could I not have.

0:16:12.440 --> 0:16:16.400
<v Speaker 2>Just expended that energy in better ways being happy?

0:16:16.920 --> 0:16:20.920
<v Speaker 3>I agree, I'm so mad at myself and my but no,

0:16:21.000 --> 0:16:24.040
<v Speaker 3>I mean it's how we're like socialized. It's not our yeah,

0:16:24.080 --> 0:16:26.680
<v Speaker 3>that we feel this way. And it really does stink

0:16:26.720 --> 0:16:28.800
<v Speaker 3>because I was I was actually scared to look back

0:16:28.840 --> 0:16:31.200
<v Speaker 3>at it, and as I was watching, I was like, oh,

0:16:31.680 --> 0:16:36.000
<v Speaker 3>we were also like it's great, it's perfect, Beau.

0:16:37.200 --> 0:16:37.840
<v Speaker 1>So I do have that.

0:16:38.040 --> 0:16:40.960
<v Speaker 3>So you know, I had my one. I felt like

0:16:41.000 --> 0:16:43.920
<v Speaker 3>a little you know, like Judy number two. I have

0:16:44.120 --> 0:16:51.320
<v Speaker 3>the never nude number three. Number three. I had just

0:16:51.480 --> 0:16:56.120
<v Speaker 3>found out I was pregnant, oh like like a week prior.

0:16:56.840 --> 0:17:01.440
<v Speaker 3>So what Sophia I was do? I was living your story?

0:17:01.560 --> 0:17:06.120
<v Speaker 3>Oh my god when we were there, so you were

0:17:06.240 --> 0:17:09.000
<v Speaker 3>tossing drinks over your shoulder, I was passing them to Scott.

0:17:09.440 --> 0:17:12.000
<v Speaker 3>Scott got hammered my husband.

0:17:12.080 --> 0:17:15.680
<v Speaker 1>Scott, Yes, yes, okay for the viewers, just let's let's

0:17:16.000 --> 0:17:19.200
<v Speaker 1>really hit that nail on the head. Quinn's ex husband,

0:17:19.280 --> 0:17:24.800
<v Speaker 1>David was played by your actual husband Scott on our show. Yes, Yes,

0:17:24.840 --> 0:17:26.960
<v Speaker 1>and so one of the things that was so fun

0:17:27.040 --> 0:17:30.800
<v Speaker 1>is he came with us to Puerto Rico. But now

0:17:30.840 --> 0:17:32.639
<v Speaker 1>in my brain, I'm like, oh my god. When we

0:17:32.640 --> 0:17:36.440
<v Speaker 1>were sitting having like Margarita's by the pool, yeah.

0:17:36.359 --> 0:17:39.880
<v Speaker 3>Yes, and when we actually had sushi and like all

0:17:39.920 --> 0:17:42.479
<v Speaker 3>of that, I was just passing things to him. I

0:17:42.560 --> 0:17:47.399
<v Speaker 3>was so nervous when I had to fall off the bed,

0:17:47.720 --> 0:17:48.280
<v Speaker 3>which I just.

0:17:48.520 --> 0:17:54.560
<v Speaker 2>My favorite two legs are just it's brilliant. You're comed

0:17:54.680 --> 0:17:57.399
<v Speaker 2>It's like comedy Barbie. It was so so good.

0:17:58.400 --> 0:17:59.280
<v Speaker 3>That's really funny.

0:17:59.400 --> 0:18:01.880
<v Speaker 1>It was like you cartwheeled off that bed. I did.

0:18:02.200 --> 0:18:02.479
<v Speaker 1>I did.

0:18:02.600 --> 0:18:04.639
<v Speaker 3>There was a crash pad on the other side of

0:18:04.680 --> 0:18:07.840
<v Speaker 3>the bed, but I ended up bruising my butt because

0:18:07.840 --> 0:18:09.800
<v Speaker 3>I just kept landing so hard because I just trying

0:18:09.840 --> 0:18:11.399
<v Speaker 3>to be funnier and funnier. I was like, I don't know,

0:18:12.000 --> 0:18:14.960
<v Speaker 3>maybe I'll flip a little harder this time. Yeah, And

0:18:15.040 --> 0:18:16.960
<v Speaker 3>I remember thinking like, oh my gosh, did I like

0:18:17.680 --> 0:18:22.200
<v Speaker 3>hurt the baby. I didn't know. You're so superstitious scared

0:18:22.240 --> 0:18:24.520
<v Speaker 3>of everything at like the you know, who's my first kid,

0:18:24.880 --> 0:18:28.800
<v Speaker 3>So I was really nervous and scared on top of

0:18:29.080 --> 0:18:30.639
<v Speaker 3>whoa the other things.

0:18:30.720 --> 0:18:33.199
<v Speaker 2>But this adds a whole other layer because to be

0:18:33.400 --> 0:18:35.840
<v Speaker 2>to be doing physical comedy when you're pregnant for the

0:18:35.880 --> 0:18:38.760
<v Speaker 2>first time and that kind of fear and still be

0:18:38.840 --> 0:18:41.439
<v Speaker 2>so committed to the work and pull it off in

0:18:41.480 --> 0:18:43.240
<v Speaker 2>a way that was I mean, no one ever would

0:18:43.240 --> 0:18:47.520
<v Speaker 2>have known. But that's a lot of stress, that is really.

0:18:47.400 --> 0:18:47.879
<v Speaker 1>It was a lot.

0:18:47.960 --> 0:18:50.040
<v Speaker 3>I think I just dissociated and it was like, oh.

0:18:49.920 --> 0:18:54.639
<v Speaker 1>Well, I'm here, let's do it. I guess it'll be fine. Yeah,

0:18:54.680 --> 0:18:56.280
<v Speaker 1>And it was whoa.

0:18:56.760 --> 0:18:58.840
<v Speaker 3>Yeah, so funny, but it was crazy that that was

0:18:58.880 --> 0:19:00.600
<v Speaker 3>your whole storyline.

0:19:00.080 --> 0:19:00.880
<v Speaker 1>In the Yes.

0:19:01.520 --> 0:19:04.040
<v Speaker 2>Yeah, this was fun too. I didn't know when they

0:19:04.040 --> 0:19:06.760
<v Speaker 2>were going to do start with that storyline of Brook

0:19:06.800 --> 0:19:11.000
<v Speaker 2>being pregnant, so that was really exciting to watch.

0:19:11.600 --> 0:19:11.879
<v Speaker 3>Yeah.

0:19:11.960 --> 0:19:15.119
<v Speaker 1>I loved it, and I loved the way it was

0:19:15.240 --> 0:19:19.000
<v Speaker 1>really sweet, you know, after all the tumult of when

0:19:19.800 --> 0:19:22.800
<v Speaker 1>they first brought Alex's character in to kind of be

0:19:22.880 --> 0:19:26.159
<v Speaker 1>the foil for Brooke and Julian and maybe screw up

0:19:26.200 --> 0:19:29.520
<v Speaker 1>the relationship. I love that Alex is the one that

0:19:30.040 --> 0:19:33.800
<v Speaker 1>got to help and I said in the episode prior

0:19:33.880 --> 0:19:36.359
<v Speaker 1>where we do the whole reveal, and she's like, well,

0:19:37.040 --> 0:19:39.160
<v Speaker 1>you know, I needed to take a drug test for Chase,

0:19:39.160 --> 0:19:40.679
<v Speaker 1>and then I wanted to help, and then so I

0:19:40.720 --> 0:19:42.480
<v Speaker 1>had to have Julian do it, but he wasn't home,

0:19:42.520 --> 0:19:44.160
<v Speaker 1>so then Brooke did it. It's you know, this whole

0:19:44.160 --> 0:19:47.600
<v Speaker 1>thing I had said when we had Jana on, I

0:19:47.640 --> 0:19:51.040
<v Speaker 1>was like, I wish we'd seen Brooke and Alex have

0:19:51.200 --> 0:19:53.879
<v Speaker 1>this moment because it's so cool that they have this

0:19:53.960 --> 0:19:58.880
<v Speaker 1>friendship now. Yeah, and so I honestly forgot that this

0:19:59.080 --> 0:20:02.200
<v Speaker 1>was our secret through the whole Puerto Rico episode. I look,

0:20:02.240 --> 0:20:04.960
<v Speaker 1>we have our moment, you have it, and it was

0:20:05.080 --> 0:20:09.719
<v Speaker 1>so sweet, and I mean, she just has she has

0:20:09.800 --> 0:20:12.280
<v Speaker 1>such great comedy, you know, walking in going to say

0:20:12.320 --> 0:20:13.760
<v Speaker 1>the thing, and I look at her and she's like,

0:20:13.920 --> 0:20:17.880
<v Speaker 1>I forgot what I was going to say anything about it,

0:20:18.200 --> 0:20:21.280
<v Speaker 1>and then it actually winds up that you you run

0:20:21.320 --> 0:20:24.000
<v Speaker 1>away with the comedy train. And I just thought it

0:20:24.040 --> 0:20:26.439
<v Speaker 1>was a really fun storyline for all of us.

0:20:26.720 --> 0:20:28.440
<v Speaker 3>Yeah, I loved it. I loved it, and I have

0:20:28.520 --> 0:20:31.600
<v Speaker 3>that same memory so of like that shooting the morning

0:20:31.640 --> 0:20:34.720
<v Speaker 3>after scene, you the all of us, Yeah, we were

0:20:34.720 --> 0:20:36.520
<v Speaker 3>like in front of the ocean. It was just the

0:20:36.560 --> 0:20:40.600
<v Speaker 3>most idyllic, beautiful, fun scene. It just felt like it

0:20:40.600 --> 0:20:42.760
<v Speaker 3>felt like we were actually at lunch or something.

0:20:42.560 --> 0:20:46.199
<v Speaker 2>Like we love a location, man, This location shoots are

0:20:46.280 --> 0:20:49.840
<v Speaker 2>so fun. Did we find out in the episode who

0:20:50.000 --> 0:20:53.040
<v Speaker 2>she sent those texts? Those selfies in her underwear to

0:20:53.800 --> 0:20:54.919
<v Speaker 2>Chuck school?

0:20:55.000 --> 0:20:58.439
<v Speaker 1>Nick? Oh, who's next to the skills in your French?

0:20:58.640 --> 0:21:01.560
<v Speaker 3>I had forgotten me, and so that was a reveal.

0:21:01.600 --> 0:21:02.639
<v Speaker 3>When I was watching it, I was.

0:21:02.680 --> 0:21:07.600
<v Speaker 2>Like, Oh, I don't know why I missed that. Okay, crazy.

0:21:07.800 --> 0:21:11.359
<v Speaker 1>Yeah, when Chase brings Chuck the bike, he goes, this

0:21:11.400 --> 0:21:13.919
<v Speaker 1>is even cooler than those pictures miss Lauren sent me.

0:21:14.320 --> 0:21:17.119
<v Speaker 2>Okay, Okay, that's why I missed. It was a comment,

0:21:17.280 --> 0:21:18.160
<v Speaker 2>But that's funny.

0:21:18.560 --> 0:21:21.600
<v Speaker 3>Yeah, it's a good thing his mom doesn't seem to

0:21:21.640 --> 0:21:23.719
<v Speaker 3>be on top of things, because I could have been

0:21:23.760 --> 0:21:24.679
<v Speaker 3>fired for that for a.

0:21:24.960 --> 0:21:29.840
<v Speaker 2>Hundred person Yeah, maybe criminal charges possibly possibly.

0:21:29.920 --> 0:21:31.399
<v Speaker 3>Yeah, I would definitely be on the news.

0:21:31.760 --> 0:21:34.720
<v Speaker 1>Yea. And the hrony is as the viewers of the show,

0:21:34.720 --> 0:21:37.439
<v Speaker 1>it's so funny to us because we know miss Lauren's

0:21:37.480 --> 0:21:40.920
<v Speaker 1>a good person, But could you imagine in reverse being

0:21:40.960 --> 0:21:43.560
<v Speaker 1>like I meant to send them to skills and I

0:21:43.640 --> 0:21:48.399
<v Speaker 1>accidentally went to the wrong sk name, like I'd be

0:21:48.440 --> 0:21:55.399
<v Speaker 1>on the news. Yeah, on the news, on the news. Okay.

0:21:55.480 --> 0:21:59.200
<v Speaker 2>This other storyline with the boys out by the river court,

0:21:59.359 --> 0:22:03.479
<v Speaker 2>I loved. This was so fun to see them all together.

0:22:04.200 --> 0:22:07.800
<v Speaker 2>I love Rob's annoyance with the lazy Bird.

0:22:08.440 --> 0:22:12.560
<v Speaker 1>Yeah, delivery so funny, so good.

0:22:12.720 --> 0:22:16.359
<v Speaker 2>I love that they're just letting him, letting him be,

0:22:18.520 --> 0:22:21.560
<v Speaker 2>letting him be himself on camera and not forcing all

0:22:21.560 --> 0:22:24.040
<v Speaker 2>of these super super dramatic storylines on him, which he

0:22:24.200 --> 0:22:27.159
<v Speaker 2>handled so well. But we've been saying it recently that

0:22:27.280 --> 0:22:29.720
<v Speaker 2>it's so nice to watch him be able to just

0:22:29.760 --> 0:22:32.840
<v Speaker 2>do some comedy and be comfortable in his skin and

0:22:33.160 --> 0:22:35.840
<v Speaker 2>he's so funny. Yeah, it's fun to watch Clay in

0:22:35.880 --> 0:22:36.520
<v Speaker 2>this space, like.

0:22:36.480 --> 0:22:41.639
<v Speaker 1>You, lazy bird lay your eggs in a nest. I

0:22:41.680 --> 0:22:46.439
<v Speaker 1>also love how committed to the bit he is, and

0:22:46.480 --> 0:22:49.119
<v Speaker 1>that's really true for both of you. I mean, you

0:22:49.160 --> 0:22:52.320
<v Speaker 1>went so hard in the paint in this episode for us.

0:22:52.480 --> 0:22:56.280
<v Speaker 1>And then it's a really interesting counterpoint to all of

0:22:56.440 --> 0:23:01.280
<v Speaker 1>your comedy that the minute his like gorgeous girlfriend leaves,

0:23:01.320 --> 0:23:04.719
<v Speaker 1>he puts on this ridiculous figure skater shirt and he

0:23:04.800 --> 0:23:07.600
<v Speaker 1>loves this disgusting old red recliner.

0:23:07.160 --> 0:23:09.320
<v Speaker 2>And she's just like, leave me be.

0:23:09.680 --> 0:23:12.400
<v Speaker 1>I want to have a cold beer and just read

0:23:12.600 --> 0:23:15.000
<v Speaker 1>and sit in my chair with my feet up. And

0:23:15.880 --> 0:23:20.520
<v Speaker 1>Rob really committed to the bit, and he underplayed some

0:23:20.640 --> 0:23:23.680
<v Speaker 1>of it in a way that does feel very Arrested Development. Yes,

0:23:23.760 --> 0:23:24.840
<v Speaker 1>and it.

0:23:25.280 --> 0:23:27.679
<v Speaker 2>Yeah, I really wish he would have been able to

0:23:27.680 --> 0:23:29.520
<v Speaker 2>be on that show. I was just watching and rewatching

0:23:29.600 --> 0:23:33.640
<v Speaker 2>it recently. It's so good, Like, yeah, I could totally

0:23:33.640 --> 0:23:34.640
<v Speaker 2>see Rob on this show.

0:23:35.240 --> 0:23:35.640
<v Speaker 3>Yeah.

0:23:35.720 --> 0:23:38.720
<v Speaker 1>You know what's funny. We got asked in a Q

0:23:38.880 --> 0:23:41.359
<v Speaker 1>and A about Gray's Anatomy and someone was like, what

0:23:41.440 --> 0:23:43.920
<v Speaker 1>doctor would you cast Rob as? And I'm like, no,

0:23:44.000 --> 0:23:45.840
<v Speaker 1>I want to put That's it. I want to put

0:23:45.920 --> 0:23:47.200
<v Speaker 1>Rob on Arrested Developments.

0:23:47.280 --> 0:23:51.879
<v Speaker 2>Yeah yeah, or just think of whatever role you would

0:23:51.920 --> 0:23:55.440
<v Speaker 2>cast Jason Bateman as on Grey's Anatomy and then put

0:23:55.520 --> 0:24:11.520
<v Speaker 2>Rob in that role. Yes, yes, Speaking of the figure

0:24:11.520 --> 0:24:14.000
<v Speaker 2>skating shirt, why are we making fun of Brian Boitano

0:24:14.119 --> 0:24:17.040
<v Speaker 2>so much in this episode? It was I don't really confusing.

0:24:18.359 --> 0:24:20.280
<v Speaker 2>Was he like in the news at that time? Was

0:24:22.440 --> 0:24:24.360
<v Speaker 2>I don't know what, but it wasn't even like it

0:24:24.400 --> 0:24:27.159
<v Speaker 2>was nice and just kind of funny. It was like me,

0:24:27.359 --> 0:24:29.199
<v Speaker 2>I don't know, it's mean, and I didn't like it.

0:24:29.320 --> 0:24:30.399
<v Speaker 2>I thought it was really weird.

0:24:30.560 --> 0:24:33.880
<v Speaker 1>I didn't like it either, and I didn't understand why

0:24:34.880 --> 0:24:37.560
<v Speaker 1>why we went so far with it? Like why was

0:24:37.920 --> 0:24:40.639
<v Speaker 1>why was Rob so obsessed with this shirt? Because Clay

0:24:40.800 --> 0:24:44.880
<v Speaker 1>doesn't dress in much color, He's not like a guy

0:24:44.960 --> 0:24:49.800
<v Speaker 1>with flair. And then there's a guy in Puerto Rico

0:24:49.880 --> 0:24:52.160
<v Speaker 1>in the same shirt and we make the same joke

0:24:52.600 --> 0:24:56.160
<v Speaker 1>and Quinn's aware of it, but why because he's never

0:24:56.200 --> 0:24:56.959
<v Speaker 1>worn it before.

0:24:57.240 --> 0:25:00.280
<v Speaker 2>It feels like one of those jokes that are show

0:25:00.359 --> 0:25:04.000
<v Speaker 2>runner like he had some beef with Brian Boitano for

0:25:04.040 --> 0:25:07.040
<v Speaker 2>some reason and was like intentionally writing it into the

0:25:07.080 --> 0:25:09.919
<v Speaker 2>show because it just didn't make sense anywhere. There was

0:25:09.960 --> 0:25:13.399
<v Speaker 2>no reason for it whatsoever, Right, I.

0:25:13.440 --> 0:25:15.320
<v Speaker 1>Mean one of those things that you're like, this is

0:25:15.359 --> 0:25:18.960
<v Speaker 1>funny to no one, but you do you want to

0:25:18.960 --> 0:25:21.199
<v Speaker 1>write a better joke? Or no, you just want to

0:25:21.400 --> 0:25:22.359
<v Speaker 1>you just want to do this.

0:25:22.640 --> 0:25:25.800
<v Speaker 2>Yeah, all right, that's that's fine, your little puppet show whatever.

0:25:27.080 --> 0:25:28.280
<v Speaker 1>That was so strange.

0:25:28.320 --> 0:25:31.560
<v Speaker 2>But I also have in my notes here, Allison, when

0:25:31.640 --> 0:25:35.320
<v Speaker 2>was the last time you got that plastered? Like like never,

0:25:35.800 --> 0:25:38.600
<v Speaker 2>Lauren I actually did, wait, never in your whole life,

0:25:38.720 --> 0:25:39.000
<v Speaker 2>come on.

0:25:39.240 --> 0:25:42.080
<v Speaker 3>My whole life, really, I mean, I've never found myself

0:25:43.160 --> 0:25:44.760
<v Speaker 3>basically naked out lockdown.

0:25:45.320 --> 0:25:46.119
<v Speaker 1>Thank god.

0:25:48.119 --> 0:25:51.280
<v Speaker 3>I was also surprised Lauren. We never saw the sight

0:25:51.359 --> 0:25:54.080
<v Speaker 3>of Lauren before. Yeah, it's it was really fun.

0:25:53.920 --> 0:25:57.640
<v Speaker 2>To like that's what made it so funny, right, yes, right.

0:25:57.920 --> 0:26:00.000
<v Speaker 3>I was happy to see her sort of jumping out

0:26:00.160 --> 0:26:03.000
<v Speaker 3>of her like little box and having a blast.

0:26:03.280 --> 0:26:06.520
<v Speaker 1>I also loved that you referenced it that they wrote

0:26:06.520 --> 0:26:08.879
<v Speaker 1>in the bit for you to be like I'm a teacher,

0:26:09.840 --> 0:26:14.320
<v Speaker 1>because it's in a way, it's like, you know, you've

0:26:14.400 --> 0:26:17.440
<v Speaker 1>literally gone to an island with your friends. You get

0:26:17.440 --> 0:26:21.000
<v Speaker 1>to let loose, and maybe the reason you go so

0:26:21.119 --> 0:26:23.840
<v Speaker 1>hard is because you never do this at home.

0:26:24.560 --> 0:26:25.760
<v Speaker 3>Probably it was.

0:26:25.720 --> 0:26:26.639
<v Speaker 1>Really really fun.

0:26:27.080 --> 0:26:30.119
<v Speaker 3>Yeah, yeah, I was so excited.

0:26:29.800 --> 0:26:31.760
<v Speaker 1>To do it, And I mean it's so long ago.

0:26:31.840 --> 0:26:34.760
<v Speaker 1>Maybe you don't remember, but I'm just wondering, knowing what

0:26:34.800 --> 0:26:39.320
<v Speaker 1>a great comedian you are, what you added, Like, were

0:26:39.320 --> 0:26:42.840
<v Speaker 1>there things you really riffed on in terms of the

0:26:42.840 --> 0:26:46.119
<v Speaker 1>physicality and stuff? Do you remember? I don't.

0:26:46.560 --> 0:26:51.560
<v Speaker 3>I don't remember. It was so long ago. I do

0:26:51.800 --> 0:26:55.960
<v Speaker 3>remember having because you know when you're when you're so

0:26:56.240 --> 0:26:58.800
<v Speaker 3>out of the box, like you know, I remember like

0:26:58.880 --> 0:27:02.680
<v Speaker 3>having to add like I can't remember if I touched

0:27:05.359 --> 0:27:06.880
<v Speaker 3>or if that was written in the screen.

0:27:07.560 --> 0:27:09.439
<v Speaker 1>So good. I think the.

0:27:09.320 --> 0:27:11.159
<v Speaker 3>Line was written, but I'm not sure if it was,

0:27:11.200 --> 0:27:14.440
<v Speaker 3>you know, And then I can't. I can't quite remember.

0:27:14.760 --> 0:27:17.919
<v Speaker 3>But that feels like something that we would have discussed

0:27:18.400 --> 0:27:21.399
<v Speaker 3>on the day. Maybe that wasn't written in the script.

0:27:21.400 --> 0:27:22.000
<v Speaker 1>I'm not sure.

0:27:22.200 --> 0:27:24.439
<v Speaker 3>She was so game, she was so she did a

0:27:24.440 --> 0:27:24.960
<v Speaker 3>great job.

0:27:25.040 --> 0:27:26.320
<v Speaker 1>I thought Jelly was great.

0:27:26.400 --> 0:27:28.960
<v Speaker 3>Jelly, Yeah, she was so good in the episode.

0:27:28.640 --> 0:27:33.200
<v Speaker 1>Just beautiful, sweetest, but also something I didn't track until

0:27:33.240 --> 0:27:36.919
<v Speaker 1>we watched it because obviously there's the whole joke that

0:27:36.960 --> 0:27:39.880
<v Speaker 1>Clay's upset that his beautiful girlfriend and all these beautiful

0:27:39.880 --> 0:27:43.359
<v Speaker 1>women are like off on this trip. But the next

0:27:43.480 --> 0:27:48.080
<v Speaker 1>morning stuff when Quinn says to you know, the model, like, oh,

0:27:48.119 --> 0:27:49.679
<v Speaker 1>do you want to come drive around town with me?

0:27:49.760 --> 0:27:53.000
<v Speaker 1>I was like, do they actually kiss? Like there is

0:27:53.080 --> 0:27:58.960
<v Speaker 1>a chemistry like a lot, And I didn't remember that,

0:27:59.040 --> 0:28:02.960
<v Speaker 1>And I was like, is something like is the miss

0:28:03.119 --> 0:28:06.639
<v Speaker 1>Lauren thing touching her? Misdirect? Like is something gonna happen

0:28:06.720 --> 0:28:08.360
<v Speaker 1>with these twodes going on?

0:28:09.440 --> 0:28:12.080
<v Speaker 3>They had insane chemistry. I had the same thought. I

0:28:12.119 --> 0:28:19.480
<v Speaker 3>was like, kiss, kiss, because I have to say, those

0:28:19.520 --> 0:28:21.840
<v Speaker 3>scenes when they went out into and they and they

0:28:22.160 --> 0:28:25.480
<v Speaker 3>took the you know, the the on the fly photographs.

0:28:26.040 --> 0:28:28.719
<v Speaker 3>It was shot so beautifully. The light was so pretty.

0:28:29.040 --> 0:28:33.680
<v Speaker 1>Yeah, that Golden Hour, Oh yes, she was so beautiful.

0:28:33.760 --> 0:28:36.680
<v Speaker 2>It really added a nice element to the episode.

0:28:37.200 --> 0:28:40.920
<v Speaker 1>Yes that it was very cool. I felt like I

0:28:40.920 --> 0:28:44.360
<v Speaker 1>could feel Pete Kowalski all over that, Like I could

0:28:44.400 --> 0:28:46.640
<v Speaker 1>picture him going, oh my god, and look at that

0:28:46.920 --> 0:28:50.520
<v Speaker 1>the sun is setting. Turn just turn, get it because

0:28:50.520 --> 0:28:52.720
<v Speaker 1>so much of it was handheld, and I could just

0:28:52.800 --> 0:28:57.120
<v Speaker 1>picture him and Matt like doing the thing and it

0:28:57.120 --> 0:29:00.280
<v Speaker 1>it gave this kind of energy to it. And I

0:29:00.320 --> 0:29:03.400
<v Speaker 1>will say I thought it was really nice that back

0:29:03.440 --> 0:29:06.479
<v Speaker 1>in twenty eleven we touched on the fact that it

0:29:06.600 --> 0:29:11.040
<v Speaker 1>is weird, you know, to be a tourist and sometimes

0:29:11.080 --> 0:29:15.240
<v Speaker 1>you are in this really idyllic place and right outside

0:29:15.440 --> 0:29:19.880
<v Speaker 1>it's not shared, like not all these resort towns are

0:29:19.920 --> 0:29:24.160
<v Speaker 1>actually supported very well by these places that get built.

0:29:24.200 --> 0:29:27.280
<v Speaker 1>And I was like, damn, look at us talking about

0:29:27.320 --> 0:29:30.600
<v Speaker 1>a social issue in twenty eleven.

0:29:30.640 --> 0:29:33.160
<v Speaker 3>Okay, Quinn had that beautiful line I which I could

0:29:33.160 --> 0:29:36.320
<v Speaker 3>remember it was about privilege. Yes, and I had that

0:29:36.440 --> 0:29:38.720
<v Speaker 3>same thought. I was like, Oh, this is ahead of

0:29:38.720 --> 0:29:41.560
<v Speaker 3>our time for this show. This is yeah, really lovely.

0:29:41.760 --> 0:29:42.920
<v Speaker 2>I appreciate wake.

0:29:43.440 --> 0:29:47.360
<v Speaker 1>Yeah, it was. It was cool to you know, to

0:29:47.480 --> 0:29:51.760
<v Speaker 1>hear some things being acknowledged. And maybe it particularly hit

0:29:51.800 --> 0:29:54.440
<v Speaker 1>me because you know, there were certain powers that be

0:29:54.560 --> 0:29:57.640
<v Speaker 1>that would be like stop talking about charity so much,

0:29:58.040 --> 0:30:01.040
<v Speaker 1>like can you tone it down, like you know, in

0:30:01.080 --> 0:30:05.240
<v Speaker 1>my actual life. And I was like, oh, maybe being

0:30:05.240 --> 0:30:08.640
<v Speaker 1>a little bit of a pain in the asses more

0:30:08.640 --> 0:30:10.440
<v Speaker 1>effective at the time than I realized.

0:30:11.000 --> 0:30:14.480
<v Speaker 3>Right, it might have worked in a little bit, look.

0:30:14.280 --> 0:30:15.800
<v Speaker 1>At us talking about some stuff.

0:30:16.720 --> 0:30:19.320
<v Speaker 2>I also really thought it was great for Quinn's character.

0:30:19.400 --> 0:30:21.760
<v Speaker 2>The reminder to the audience that she has a job

0:30:21.800 --> 0:30:25.560
<v Speaker 2>and she's really good at it. Yes, because she's been

0:30:25.600 --> 0:30:29.280
<v Speaker 2>living in this zone of just being like hot girlfriend

0:30:29.680 --> 0:30:35.640
<v Speaker 2>sister space, but like her actual brain being highlighted was

0:30:35.800 --> 0:30:38.320
<v Speaker 2>something I really felt like we needed this, particularly in

0:30:38.320 --> 0:30:43.000
<v Speaker 2>an episode that was clearly so much about featuring everybody's bodies.

0:30:43.640 --> 0:30:49.800
<v Speaker 1>Yes, And I do think it's cool like that it

0:30:49.880 --> 0:30:53.720
<v Speaker 1>brings us back to a connection, particularly for Brooke and

0:30:53.800 --> 0:30:59.160
<v Speaker 1>for Quinn, like that was kind of her introduction when

0:30:59.160 --> 0:31:02.480
<v Speaker 1>the character first came in, you know, she shot the

0:31:02.520 --> 0:31:05.840
<v Speaker 1>first ad campaign with Alex Duprey for Close Over Bros.

0:31:06.480 --> 0:31:09.719
<v Speaker 1>And so it's nice to your point, joy when we

0:31:09.800 --> 0:31:13.800
<v Speaker 1>get reminded, I mean, even the whole she's going to

0:31:14.120 --> 0:31:17.840
<v Speaker 1>shoot in South Africa thing was like what and then

0:31:17.920 --> 0:31:22.120
<v Speaker 1>obviously a little bit of a ruse for the Katie storyline,

0:31:22.520 --> 0:31:27.160
<v Speaker 1>but it is nice when we get reminded that the

0:31:27.240 --> 0:31:31.360
<v Speaker 1>women on our show are really talented artists too. Yeah,

0:31:31.800 --> 0:31:34.080
<v Speaker 1>you know, and I loved the moment at the end

0:31:34.120 --> 0:31:36.680
<v Speaker 1>where she got to see the shot on the cover

0:31:37.400 --> 0:31:39.760
<v Speaker 1>and that it was a thing that our characters got

0:31:39.800 --> 0:31:43.200
<v Speaker 1>to collaborate on and it wasn't like the bed in

0:31:43.240 --> 0:31:47.120
<v Speaker 1>the ocean shot that it was this real sort of

0:31:47.920 --> 0:31:51.320
<v Speaker 1>moment in time captured. I was like, oh, that's a

0:31:51.400 --> 0:31:54.480
<v Speaker 1>nice that's a nice little ball on that for Yeah,

0:31:54.680 --> 0:31:56.400
<v Speaker 1>because she did what her job was, she did what

0:31:56.440 --> 0:31:57.280
<v Speaker 1>she was supposed.

0:31:56.920 --> 0:31:58.560
<v Speaker 2>To do, She got the shot that they asked for,

0:31:58.880 --> 0:32:01.040
<v Speaker 2>and then he was like, you know what, let me

0:32:01.360 --> 0:32:04.840
<v Speaker 2>this is more I know how to actually do this better.

0:32:05.680 --> 0:32:05.920
<v Speaker 1>Yeah.

0:32:06.000 --> 0:32:08.200
<v Speaker 3>Yeah, I loved watching her grow into that. So she

0:32:08.320 --> 0:32:10.800
<v Speaker 3>like had the bed with the guy, then she switches

0:32:10.840 --> 0:32:13.200
<v Speaker 3>it out with a woman, and it's cool and edgier

0:32:13.720 --> 0:32:17.200
<v Speaker 3>and then she then you see her going out into

0:32:17.200 --> 0:32:19.760
<v Speaker 3>the city, and then that's what And that's where you

0:32:19.800 --> 0:32:21.760
<v Speaker 3>can see like she's truly like lit up by that.

0:32:21.840 --> 0:32:23.680
<v Speaker 3>You can see like her artistic juices are flowing and

0:32:23.760 --> 0:32:25.000
<v Speaker 3>she's super excited. And that's why.

0:32:26.160 --> 0:32:29.480
<v Speaker 1>Yeah, it was a really nice way to communicate that.

0:32:30.040 --> 0:32:33.240
<v Speaker 2>Yeah, yeah, I'm ready for Clay to step up a

0:32:33.280 --> 0:32:35.640
<v Speaker 2>little bit. Come on, buddy, I know it is pretty

0:32:35.640 --> 0:32:38.280
<v Speaker 2>funny that she's out working her bed off and having

0:32:38.280 --> 0:32:40.880
<v Speaker 2>all these creative ideas and amazing things. In Clay's just

0:32:40.920 --> 0:32:43.760
<v Speaker 2>like in his lounge chair and his barking lounger on

0:32:43.800 --> 0:32:46.320
<v Speaker 2>the beach, just complaining about bird eggs.

0:32:46.840 --> 0:32:49.880
<v Speaker 1>He's so pissed that he got hijacked on this camping trip,

0:32:50.840 --> 0:32:52.880
<v Speaker 1>just wanted to sit in his house. I love when

0:32:52.920 --> 0:32:56.000
<v Speaker 1>we get to see the boys be great friends. Yes,

0:32:56.680 --> 0:33:00.400
<v Speaker 1>it's just so sweet, especially back on the river court. Yeah,

0:33:00.720 --> 0:33:04.040
<v Speaker 1>and I think about too, you know, the whole storyline

0:33:04.120 --> 0:33:06.920
<v Speaker 1>of Brooke and Julian and the adoption that didn't work

0:33:06.960 --> 0:33:09.920
<v Speaker 1>and all the things. I loved that scene a few

0:33:10.000 --> 0:33:12.120
<v Speaker 1>episodes ago where all the boys are at the bar

0:33:12.280 --> 0:33:15.160
<v Speaker 1>and Julian confides in them when they thought the adoption

0:33:15.400 --> 0:33:19.000
<v Speaker 1>was going to work. And then it's this sweet moment

0:33:19.880 --> 0:33:23.480
<v Speaker 1>where you know, Nathan's talking about how much they'll all

0:33:23.520 --> 0:33:26.080
<v Speaker 1>miss them, and Jamie's going to miss them, and then

0:33:26.160 --> 0:33:28.320
<v Speaker 1>Julian gets to share this thing with him, and I

0:33:28.440 --> 0:33:31.320
<v Speaker 1>was like, oh, look at the boys talking about their

0:33:31.360 --> 0:33:33.720
<v Speaker 1>families and their feelings. It's refreshing.

0:33:34.320 --> 0:33:35.840
<v Speaker 2>Yeah, it's so good.

0:33:36.320 --> 0:33:39.400
<v Speaker 3>I love that moment when everyone was texting each other too, too.

0:33:39.600 --> 0:33:40.440
<v Speaker 1>It was so sweet.

0:33:40.520 --> 0:33:41.960
<v Speaker 3>It did made me terr up a little. It was

0:33:42.120 --> 0:33:42.920
<v Speaker 3>really really sweet.

0:33:43.120 --> 0:33:45.680
<v Speaker 2>That was an interesting comment on cell phone culture that

0:33:45.880 --> 0:33:48.200
<v Speaker 2>had become a big deal at the time when they

0:33:48.320 --> 0:33:51.480
<v Speaker 2>just did them the montage of everybody on their cell phone,

0:33:52.080 --> 0:33:55.840
<v Speaker 2>which is so funny that it was intentionally a comment

0:33:56.720 --> 0:33:59.880
<v Speaker 2>at a little tongue in cheek lay, Hey, we're all

0:34:00.080 --> 0:34:03.520
<v Speaker 2>here now, everybody is doing this, Yeah, but things haven't

0:34:03.600 --> 0:34:04.080
<v Speaker 2>changed much.

0:34:04.240 --> 0:34:05.120
<v Speaker 1>Was that I watched that.

0:34:05.240 --> 0:34:08.120
<v Speaker 2>I was like, wow, we really crossed the threshold here,

0:34:08.239 --> 0:34:10.360
<v Speaker 2>Like this is a very clear moment in time of

0:34:10.480 --> 0:34:13.919
<v Speaker 2>when culture has shifted from everybody reading books and sitting

0:34:13.920 --> 0:34:16.600
<v Speaker 2>around talking to each other to now everyone is on

0:34:16.680 --> 0:34:20.080
<v Speaker 2>their cell phone. It happened in twenty and ten, twenty eleven.

0:34:20.360 --> 0:34:24.040
<v Speaker 1>Wow, Yeah, it's so surreal but also so sweet that

0:34:25.200 --> 0:34:28.640
<v Speaker 1>you know, it goes between all the women and everyone's

0:34:28.680 --> 0:34:31.280
<v Speaker 1>in their own room and then you see the boys

0:34:31.360 --> 0:34:33.879
<v Speaker 1>and the pan around how they're all just sitting there

0:34:33.960 --> 0:34:38.000
<v Speaker 1>talking to their you know, to their people, people, their loves.

0:34:38.160 --> 0:34:41.480
<v Speaker 1>It's like it was very sweet to me. It made

0:34:41.560 --> 0:34:44.960
<v Speaker 1>me feel like a real sense of nostalgia because in

0:34:45.080 --> 0:34:47.719
<v Speaker 1>a way, you see that all these characters you've been

0:34:47.760 --> 0:34:52.440
<v Speaker 1>rooting for for so long feel settled. And you know,

0:34:52.600 --> 0:34:54.440
<v Speaker 1>we didn't know we were going to come back for

0:34:54.560 --> 0:34:56.840
<v Speaker 1>a season nine at this point, so the end of

0:34:56.920 --> 0:35:00.400
<v Speaker 1>season eight really begins to feel like it could be

0:35:00.480 --> 0:35:04.640
<v Speaker 1>a series finale. And there was something about the image

0:35:05.360 --> 0:35:10.640
<v Speaker 1>of all of our people, like having the right people

0:35:11.000 --> 0:35:14.440
<v Speaker 1>that I thought was really touching settled in.

0:35:15.160 --> 0:35:18.239
<v Speaker 2>Yeah, except well, miss Lauren doesn't. Actually this is weird.

0:35:18.320 --> 0:35:21.040
<v Speaker 2>In our notes here it says that she ends up

0:35:21.320 --> 0:35:24.680
<v Speaker 2>married to David Fletcher in the show. Who is David

0:35:24.760 --> 0:35:26.040
<v Speaker 2>Fletcher Scott?

0:35:26.840 --> 0:35:32.760
<v Speaker 3>Oh right, I know, Oh.

0:35:34.200 --> 0:35:36.960
<v Speaker 1>Yeah, I did not know that happened.

0:35:37.520 --> 0:35:40.200
<v Speaker 3>It was a reveal. It was like a really quick reveal.

0:35:40.320 --> 0:35:42.560
<v Speaker 1>I feel like, yeah, when they sort of did the

0:35:43.040 --> 0:35:46.640
<v Speaker 1>where everyone is. Yeah, and that was like a sweet

0:35:46.640 --> 0:35:48.400
<v Speaker 1>little inside joke for you guys.

0:35:48.200 --> 0:35:50.960
<v Speaker 2>Which is so all we ever heard about this guy

0:35:51.080 --> 0:35:53.120
<v Speaker 2>was that he was a jerk and just like wanted

0:35:53.160 --> 0:35:55.359
<v Speaker 2>to stay in one place and didn't want to grow

0:35:55.560 --> 0:35:58.640
<v Speaker 2>as a person. So hopefully they developed his character a

0:35:58.680 --> 0:36:00.319
<v Speaker 2>little bit. So we feel like miss Laura and ended

0:36:00.360 --> 0:36:03.600
<v Speaker 2>up with somebody that's as a character we wanted her

0:36:03.640 --> 0:36:04.000
<v Speaker 2>to be with.

0:36:04.280 --> 0:36:05.800
<v Speaker 3>Now that they have a kid, maybe that's like the

0:36:05.920 --> 0:36:10.680
<v Speaker 3>right personality for yeah, yeah, yeah, yeah, yeah that's true.

0:36:11.320 --> 0:36:15.160
<v Speaker 1>Oh by the way, maybe maybe an elementary school teacher

0:36:15.200 --> 0:36:17.480
<v Speaker 1>is his dream girl. He's like, maybe you want to

0:36:17.520 --> 0:36:19.440
<v Speaker 1>have a normal job. You don't want to pick up

0:36:19.480 --> 0:36:22.239
<v Speaker 1>and travel and like go do photo.

0:36:22.000 --> 0:36:24.319
<v Speaker 2>Shot and I don't know. Yeah, no, he's had plenty

0:36:24.360 --> 0:36:26.200
<v Speaker 2>of time to learn and grow. I just hope that we,

0:36:26.480 --> 0:36:28.520
<v Speaker 2>you know, let the audience know that he did. And

0:36:28.640 --> 0:36:31.799
<v Speaker 2>so we don't feel like, oh no, well we'll see.

0:36:31.880 --> 0:36:34.640
<v Speaker 2>I mean, it's not happening yet, it's in the next season,

0:36:34.719 --> 0:36:35.040
<v Speaker 2>I think.

0:36:35.200 --> 0:36:38.760
<v Speaker 3>So I loved so much. I loved the stuff with Chuck.

0:36:40.680 --> 0:36:43.479
<v Speaker 3>I felt he was so sad. He looked so cute

0:36:43.520 --> 0:36:46.680
<v Speaker 3>up in the driving, the driving, the big whatever, that

0:36:46.920 --> 0:36:50.080
<v Speaker 3>machine is called tractor and then yes, and then he

0:36:50.200 --> 0:36:53.120
<v Speaker 3>and Chase had the really the sweet, sweet little scene

0:36:53.600 --> 0:36:56.040
<v Speaker 3>where you know, Chuck got to be really vulnerable. I

0:36:56.080 --> 0:36:58.319
<v Speaker 3>don't know, I just that really touched me when I.

0:36:58.360 --> 0:36:59.000
<v Speaker 1>Was rewatching it.

0:36:59.440 --> 0:37:03.720
<v Speaker 2>This is something I missed too. Chase enlisting in the service.

0:37:03.920 --> 0:37:04.880
<v Speaker 2>When did that happen?

0:37:06.280 --> 0:37:09.080
<v Speaker 1>So that's what he decides to do because you know

0:37:09.160 --> 0:37:12.160
<v Speaker 1>he's been getting his pilot's license. Yeah, that's the whole

0:37:12.239 --> 0:37:14.239
<v Speaker 1>reason he had to take a drug test a few

0:37:14.280 --> 0:37:16.960
<v Speaker 1>episodes ago when we find out Brooke is pregnant.

0:37:17.880 --> 0:37:20.880
<v Speaker 2>Oh wait, we found out Brook's pregnant. If you did

0:37:20.960 --> 0:37:23.840
<v Speaker 2>I miss I wasn't how I was traveling, So I

0:37:23.920 --> 0:37:25.239
<v Speaker 2>think I missed nineteen.

0:37:26.280 --> 0:37:29.719
<v Speaker 1>Oh yeah. So the whole thing is Chase needs to

0:37:29.760 --> 0:37:33.520
<v Speaker 1>take a drug test, but he was backstage at Kid

0:37:33.600 --> 0:37:35.680
<v Speaker 1>Cuddy and they like told him to take a hit

0:37:35.719 --> 0:37:38.920
<v Speaker 1>of a joint, so he can't, and then he asks

0:37:39.040 --> 0:37:41.520
<v Speaker 1>Alex to do it for him, but Alex ate Quinn's

0:37:41.520 --> 0:37:43.920
<v Speaker 1>Pot Brownie's, not knowing they were pot Brownie. So Alex

0:37:44.000 --> 0:37:47.239
<v Speaker 1>goes to Brook and Julian's to ask Julian to pee

0:37:47.320 --> 0:37:50.480
<v Speaker 1>in the cup and Julian's not home, so Brooke does. So,

0:37:50.760 --> 0:37:53.160
<v Speaker 1>Chase gets the results of his drug test and they said, hey,

0:37:53.239 --> 0:37:55.759
<v Speaker 1>we obviously screwed up the samples because your drug test

0:37:55.800 --> 0:37:59.200
<v Speaker 1>says you're pregnant. He thinks Alex is pregnant. He says,

0:37:59.280 --> 0:38:01.520
<v Speaker 1>I was going to end. I was enlisting, but I'm

0:38:01.560 --> 0:38:03.520
<v Speaker 1>not going to if we're going to have a baby.

0:38:03.600 --> 0:38:05.560
<v Speaker 2>Wait, why does he think Alex is pregnant if he

0:38:05.640 --> 0:38:07.000
<v Speaker 2>knows that she didn't be in the cup.

0:38:07.040 --> 0:38:09.600
<v Speaker 1>Because she didn't tell him, she didn't pay Oh, she's

0:38:09.680 --> 0:38:12.279
<v Speaker 1>the one that took the cup to Yes, she was like, well,

0:38:12.360 --> 0:38:13.640
<v Speaker 1>I want to help, but I don't.

0:38:13.960 --> 0:38:16.040
<v Speaker 2>I got to watch this episode. These are fund shenanigans.

0:38:16.200 --> 0:38:16.399
<v Speaker 3>Yeah.

0:38:16.440 --> 0:38:18.720
<v Speaker 1>Yeah, it was like a very it's a very cute,

0:38:18.840 --> 0:38:22.480
<v Speaker 1>roundabout storyline, but it did feel a little surprising. It

0:38:22.560 --> 0:38:25.000
<v Speaker 1>was like, what do you mean he's wait, he's going

0:38:25.080 --> 0:38:28.200
<v Speaker 1>from like wanting to fly a four seater plane on

0:38:28.239 --> 0:38:30.920
<v Speaker 1>the weekends to being in the Air Force. Like hold up,

0:38:31.640 --> 0:38:35.480
<v Speaker 1>But that was the whole thing. And so, yeah, that's

0:38:35.520 --> 0:38:41.439
<v Speaker 1>how Brooke finds out she's pregnant. I did not realize that. Yeah,

0:38:41.880 --> 0:38:45.840
<v Speaker 1>so that's why Alex knows in this episode she's the

0:38:45.960 --> 0:38:48.320
<v Speaker 1>only one that knows, which is why it's very sweet

0:38:48.360 --> 0:38:52.600
<v Speaker 1>by the end, when you know I'm ravenously eating someone's

0:38:52.719 --> 0:38:54.080
<v Speaker 1>leftover food.

0:38:54.200 --> 0:39:00.319
<v Speaker 2>Oh my god, Sophia, that was so funny, funny, Oh

0:39:00.480 --> 0:39:02.759
<v Speaker 2>my gosh, it was so great. I really wondered what

0:39:02.920 --> 0:39:04.719
<v Speaker 2>you were looking at when they did that shot and

0:39:04.800 --> 0:39:06.920
<v Speaker 2>you turned and you looked, and oh my gosh, and

0:39:07.040 --> 0:39:09.279
<v Speaker 2>you walked towards something. And when you pulled the lid

0:39:09.320 --> 0:39:13.080
<v Speaker 2>off an old burger and fries, I died. I was

0:39:13.239 --> 0:39:16.200
<v Speaker 2>laughing so hard the way you real shame.

0:39:16.440 --> 0:39:18.719
<v Speaker 3>You just went for it, like you just were like, no, no, no,

0:39:18.840 --> 0:39:20.680
<v Speaker 3>this is what my body needs in this moment, and

0:39:20.719 --> 0:39:21.880
<v Speaker 3>I'm going to give it to it right now.

0:39:22.040 --> 0:39:24.680
<v Speaker 1>Fully, fully, Yeah, it was perfect.

0:39:24.800 --> 0:39:25.680
<v Speaker 3>You just went for it.

0:39:25.960 --> 0:39:29.520
<v Speaker 1>I tried to, like unhinge my jaw like a snake

0:39:30.040 --> 0:39:32.320
<v Speaker 1>to get as many French fries in there for the

0:39:32.520 --> 0:39:33.759
<v Speaker 1>for the laugh as I could.

0:39:34.040 --> 0:39:34.920
<v Speaker 3>It was so funny.

0:39:35.120 --> 0:39:37.960
<v Speaker 2>It was worth it, totally worth it. I mean, did

0:39:38.040 --> 0:39:39.719
<v Speaker 2>you how many takes did you do? Please tell me

0:39:39.760 --> 0:39:40.680
<v Speaker 2>they gave you a spiitbucket.

0:39:40.880 --> 0:39:45.800
<v Speaker 1>I don't remember, but I remember the turnaround and realizing

0:39:45.880 --> 0:39:47.719
<v Speaker 1>I was caught, and I thought they did such a

0:39:47.760 --> 0:39:49.839
<v Speaker 1>good job. The camera motion and the way that they,

0:39:50.080 --> 0:39:52.920
<v Speaker 1>you know, moved from me to Sean Tello adds to

0:39:53.040 --> 0:39:57.279
<v Speaker 1>the funny. And then her being like I see you,

0:39:57.760 --> 0:40:01.480
<v Speaker 1>like yeah, even owing drinks over your shoulder all night,

0:40:01.520 --> 0:40:03.720
<v Speaker 1>like come on, lady, it's so sweet.

0:40:04.040 --> 0:40:07.440
<v Speaker 2>Okay, Actually this makes me wonder would you guys do

0:40:07.560 --> 0:40:09.920
<v Speaker 2>this if you had a girlfriend that you were suspecting

0:40:10.080 --> 0:40:13.279
<v Speaker 2>was pregnant. Would you approach her and say the thing

0:40:13.360 --> 0:40:16.680
<v Speaker 2>that Quinn said or would you leave it alone and

0:40:16.760 --> 0:40:18.000
<v Speaker 2>let her tell you on her own time?

0:40:18.520 --> 0:40:20.279
<v Speaker 1>I mean, I think that depends on how close you

0:40:20.400 --> 0:40:22.600
<v Speaker 1>are to the person, right, I don't know.

0:40:23.000 --> 0:40:25.600
<v Speaker 2>Well yeah, but even so, even if it's like even

0:40:25.640 --> 0:40:27.440
<v Speaker 2>if you're really really close, do you.

0:40:28.640 --> 0:40:30.319
<v Speaker 1>There was a little part of me that was like, oh,

0:40:30.719 --> 0:40:32.400
<v Speaker 1>like she's robbing her of the.

0:40:32.440 --> 0:40:35.840
<v Speaker 2>Experience of telling everybody on her own time, Like I

0:40:35.960 --> 0:40:37.000
<v Speaker 2>don't like get.

0:40:38.200 --> 0:40:41.560
<v Speaker 3>There's something about your face, Sophia. Every time you confirmed

0:40:41.640 --> 0:40:43.880
<v Speaker 3>or you talked about it, especially at the end with

0:40:43.960 --> 0:40:47.480
<v Speaker 3>the two of you, it was so you seemed so

0:40:48.200 --> 0:40:51.120
<v Speaker 3>I mean, obviously you're genuinely you're so happy in this moment,

0:40:51.200 --> 0:40:54.000
<v Speaker 3>but it was it was so deep because you have

0:40:54.120 --> 0:40:57.080
<v Speaker 3>struggled and you could just see it all in your face. Yes,

0:40:57.360 --> 0:41:00.000
<v Speaker 3>when you are telling each person that you are pregnant,

0:41:00.000 --> 0:41:02.680
<v Speaker 3>and it's not just like, oh, i'm you could see

0:41:03.360 --> 0:41:05.799
<v Speaker 3>everything you've been through up until this point in those

0:41:05.880 --> 0:41:09.799
<v Speaker 3>little moments, and it was so beautiful. I loved those tho.

0:41:09.960 --> 0:41:11.120
<v Speaker 2>Yes, they were thank you.

0:41:11.640 --> 0:41:15.920
<v Speaker 1>It felt it felt so important to me, you know,

0:41:16.760 --> 0:41:22.960
<v Speaker 1>for Brooke and for you know, everybody that goes through

0:41:23.040 --> 0:41:25.919
<v Speaker 1>this stuff. And it's crazy to think of how much

0:41:26.040 --> 0:41:29.839
<v Speaker 1>more I know and every woman in my life knows

0:41:30.040 --> 0:41:32.640
<v Speaker 1>now than I did then. And even then it felt

0:41:32.760 --> 0:41:37.200
<v Speaker 1>like a it felt like something. It's not just that

0:41:37.320 --> 0:41:41.400
<v Speaker 1>it felt like a responsibility. It it felt it just

0:41:41.480 --> 0:41:45.720
<v Speaker 1>felt important and it was fun to have the joy.

0:41:46.120 --> 0:41:49.920
<v Speaker 2>I think it was important. Everybody's been walking through this

0:41:50.040 --> 0:41:51.279
<v Speaker 2>with Brooke for so long.

0:41:52.040 --> 0:41:54.160
<v Speaker 1>Yeah, yeah, it was a big deal.

0:41:54.360 --> 0:41:57.960
<v Speaker 3>Joy your face, like you, you took it with importance

0:41:58.040 --> 0:42:00.680
<v Speaker 3>as well. So when she had the very end when

0:42:00.719 --> 0:42:03.640
<v Speaker 3>she told you and you and you your reactions to that.

0:42:04.040 --> 0:42:07.840
<v Speaker 3>There's such a deep history in those moments and in

0:42:07.920 --> 0:42:09.520
<v Speaker 3>that it just gave me chills.

0:42:09.560 --> 0:42:10.840
<v Speaker 1>I loved it. I loved that.

0:42:11.000 --> 0:42:13.719
<v Speaker 3>It might be my favorite moment of the whole episode. Oh,

0:42:14.120 --> 0:42:15.560
<v Speaker 3>I love that loved it.

0:42:16.200 --> 0:42:19.080
<v Speaker 1>Oh, I know, it was all very very It's great

0:42:19.160 --> 0:42:22.320
<v Speaker 1>to see you guys together, my goodness, and you know,

0:42:22.520 --> 0:42:27.480
<v Speaker 1>it was really nice even looking back at it, getting

0:42:27.520 --> 0:42:30.759
<v Speaker 1>to see the totality of the episode sort of full

0:42:30.800 --> 0:42:34.880
<v Speaker 1>circle moment to where we started, right, I remember, you know,

0:42:35.360 --> 0:42:39.280
<v Speaker 1>I remember the stress of certain things and the pressure

0:42:39.360 --> 0:42:42.840
<v Speaker 1>we all felt, and that, you know, the fact that

0:42:42.920 --> 0:42:45.040
<v Speaker 1>we were going to spend a whole episode essentially in

0:42:45.160 --> 0:42:52.120
<v Speaker 1>swimwear felt stressful. And the episode is so lovely. There

0:42:52.239 --> 0:42:54.720
<v Speaker 1>was so much more about it that was so sweet

0:42:54.840 --> 0:42:59.160
<v Speaker 1>and tender and important and and yeah, that felt so

0:42:59.360 --> 0:43:03.400
<v Speaker 1>good for all these characters. Then the anxiety of this

0:43:03.520 --> 0:43:06.560
<v Speaker 1>sort of setting, let me remember, And it was really

0:43:06.680 --> 0:43:10.319
<v Speaker 1>nice to watch it and for an hour be like oh,

0:43:11.280 --> 0:43:12.480
<v Speaker 1>over and over and over again.

0:43:12.600 --> 0:43:13.560
<v Speaker 3>Yeah it was.

0:43:13.719 --> 0:43:15.960
<v Speaker 1>There were a lot of oz in this episode.

0:43:17.280 --> 0:43:18.000
<v Speaker 2>That's so good.

0:43:18.360 --> 0:43:21.880
<v Speaker 3>Oh, I wanted to say, Millie. Lisa was so cute

0:43:21.920 --> 0:43:24.120
<v Speaker 3>and her little her little dog costume.

0:43:24.400 --> 0:43:26.320
<v Speaker 1>Yes, oh, oh great.

0:43:26.440 --> 0:43:29.880
<v Speaker 3>Here's something about Lisa that is so She's so honest,

0:43:30.280 --> 0:43:34.200
<v Speaker 3>and she's so her her choices are never I just

0:43:34.280 --> 0:43:35.920
<v Speaker 3>feel like they're always so grounded.

0:43:36.280 --> 0:43:37.239
<v Speaker 1>And she's sitting here in.

0:43:37.280 --> 0:43:41.680
<v Speaker 3>This ridiculous costume and being the sweetest, most grounded and

0:43:42.040 --> 0:43:44.240
<v Speaker 3>what she's saying and all these like poop puns.

0:43:44.360 --> 0:43:46.759
<v Speaker 1>But yeah, yeah, it's still so Milly.

0:43:46.880 --> 0:43:49.200
<v Speaker 3>It's so Lisa. She was, she was. She handled that so.

0:43:49.280 --> 0:43:50.680
<v Speaker 1>Well, you know as a comedian.

0:43:50.760 --> 0:43:53.279
<v Speaker 2>The only way that works is if she plays it

0:43:53.360 --> 0:43:55.959
<v Speaker 2>really honestly, because there are so many people that would

0:43:55.960 --> 0:43:57.560
<v Speaker 2>get put in a costume and then be like, I'm

0:43:57.560 --> 0:43:59.160
<v Speaker 2>in a costume and I'm going to really play it

0:43:59.280 --> 0:44:01.800
<v Speaker 2>up and yeah, no, she knows how to just She's like,

0:44:01.840 --> 0:44:03.280
<v Speaker 2>I don't care that I'm wearing a costume.

0:44:03.640 --> 0:44:07.560
<v Speaker 1>I'm going to be completely real. Yeah, that's what makes

0:44:07.600 --> 0:44:12.440
<v Speaker 1>it work. Yes, it's really funny. Yeah, the commitment and

0:44:12.680 --> 0:44:16.200
<v Speaker 1>and Lisa and all of her dance training, you know,

0:44:16.360 --> 0:44:23.480
<v Speaker 1>her ballerina posture in the dog costume adds this hilarious

0:44:23.680 --> 0:44:27.320
<v Speaker 1>because she's very regal, you know, she looks like she

0:44:27.520 --> 0:44:29.959
<v Speaker 1>was three D printed out of a Disney movie. Yes,

0:44:30.520 --> 0:44:35.520
<v Speaker 1>you know, and then for her to you know, shoulders back, elegant,

0:44:35.960 --> 0:44:41.279
<v Speaker 1>you know, head up in the costumes so much. Yes,

0:44:41.600 --> 0:44:46.000
<v Speaker 1>it's so funny, so brilliant. It adds so many layers

0:44:46.040 --> 0:44:51.960
<v Speaker 1>to who Milly is too, and watching the partnership between

0:44:52.120 --> 0:44:56.520
<v Speaker 1>Mouth and Milly grow, watching them become this duo, you know,

0:44:56.719 --> 0:44:59.920
<v Speaker 1>her the unlikely reporter and him serving as her partner

0:45:00.560 --> 0:45:04.520
<v Speaker 1>in life but also essentially her producer. The way they're

0:45:04.840 --> 0:45:10.600
<v Speaker 1>growing together and the way that they have this rhythm

0:45:10.800 --> 0:45:14.120
<v Speaker 1>now when they're going over stories and working on ideas.

0:45:14.280 --> 0:45:19.840
<v Speaker 1>It's so lovely and I love that her work begins

0:45:19.960 --> 0:45:24.080
<v Speaker 1>to serve as That narration for the show reminds you

0:45:24.320 --> 0:45:27.000
<v Speaker 1>of why this place is so meaningful to people. The

0:45:27.080 --> 0:45:29.919
<v Speaker 1>fact that they wind up once the guys have found

0:45:29.960 --> 0:45:32.720
<v Speaker 1>the eggs at the river Court and they're talking about

0:45:33.280 --> 0:45:38.400
<v Speaker 1>what this place means to people, and when she turns

0:45:38.440 --> 0:45:42.080
<v Speaker 1>it over to him, and then you get pilot episode

0:45:42.200 --> 0:45:50.520
<v Speaker 1>Marvin McFadden talking about the river Court yeast it burst

0:45:50.600 --> 0:45:54.239
<v Speaker 1>into deers and it's happening again. I just was like, God,

0:45:54.360 --> 0:46:00.279
<v Speaker 1>this is so special and Lee is so genuine, so

0:46:00.560 --> 0:46:05.319
<v Speaker 1>good and so human, and oh, I just it really

0:46:05.400 --> 0:46:08.200
<v Speaker 1>made me nostalgic for what we all got to do together.

0:46:08.560 --> 0:46:10.959
<v Speaker 2>Yeah, me too. It also made me really sad because

0:46:10.960 --> 0:46:12.840
<v Speaker 2>they have destroyed the River Court and I was like,

0:46:13.080 --> 0:46:15.600
<v Speaker 2>could nobody find in a dangered bird on that river

0:46:15.719 --> 0:46:18.759
<v Speaker 2>court in real life? I know, I hate that they

0:46:18.840 --> 0:46:20.920
<v Speaker 2>knocked it down and they're making condominiums there now.

0:46:21.680 --> 0:46:23.280
<v Speaker 1>Oh it's awful.

0:46:23.640 --> 0:46:25.840
<v Speaker 2>I know, it really is. I'm so mad about it.

0:46:26.080 --> 0:46:30.360
<v Speaker 2>But life goes on. I guess that's the that's the course.

0:46:31.160 --> 0:46:34.120
<v Speaker 1>Well, that's kind of the thing, right, is like things

0:46:34.280 --> 0:46:38.319
<v Speaker 1>can't stay the same. Yeah, but it is hard. It's

0:46:38.360 --> 0:46:41.120
<v Speaker 1>hard to let your things go. Yeah.

0:46:41.320 --> 0:46:45.360
<v Speaker 2>Yeah, I appreciate it while you have it, so sad.

0:46:57.800 --> 0:46:58.160
<v Speaker 1>Alison.

0:46:58.239 --> 0:47:01.120
<v Speaker 2>Before we do it, listen, question, I just wanted to

0:47:01.160 --> 0:47:03.839
<v Speaker 2>ask about life now for you and if you're working

0:47:03.880 --> 0:47:05.840
<v Speaker 2>on anything you're excited about or want to share, or

0:47:06.360 --> 0:47:08.800
<v Speaker 2>if you're just I mean, I don't You and I

0:47:08.920 --> 0:47:11.759
<v Speaker 2>haven't talked really in a while. We've exchanged a couple

0:47:11.760 --> 0:47:14.120
<v Speaker 2>of voice texts, but yeah, like, how are you?

0:47:14.239 --> 0:47:17.160
<v Speaker 1>What's going on? Yeah, I'm great.

0:47:17.360 --> 0:47:21.279
<v Speaker 3>Life is awesome. My kids are incredible. I have a

0:47:21.360 --> 0:47:23.360
<v Speaker 3>kid in middle school and a kid in elementary school.

0:47:24.800 --> 0:47:28.080
<v Speaker 3>It's great. It's so slow here and I've done some

0:47:28.239 --> 0:47:30.040
<v Speaker 3>like guest stars here and there, but like there are

0:47:30.840 --> 0:47:34.279
<v Speaker 3>there aren't even auditions happening, Like it's wild. It's a

0:47:34.320 --> 0:47:36.640
<v Speaker 3>ghost town here, So that part's a little frustrating.

0:47:37.080 --> 0:47:39.440
<v Speaker 2>Are you inclined to create your own stuff or are

0:47:39.520 --> 0:47:41.880
<v Speaker 2>you like, I mean, being a mom is also a

0:47:41.920 --> 0:47:44.200
<v Speaker 2>full time job, so I know it's really hard to

0:47:44.360 --> 0:47:46.440
<v Speaker 2>try and find time to do those things too.

0:47:46.920 --> 0:47:48.760
<v Speaker 3>Yeah, I would love to do. I have some ideas

0:47:48.800 --> 0:47:50.880
<v Speaker 3>I have like irons in the fire. But I have

0:47:51.080 --> 0:47:54.960
<v Speaker 3>to say, nobody inspires me more than you, Joy when

0:47:55.000 --> 0:47:57.359
<v Speaker 3>you're with your creativity the way you're like, I think

0:47:57.360 --> 0:47:59.279
<v Speaker 3>I'll write a musical and then the next thing you know,

0:48:00.080 --> 0:48:05.000
<v Speaker 3>your walls are covered in index cards. You just do it.

0:48:05.440 --> 0:48:08.359
<v Speaker 3>Oh have you written a musical before? No, but I'll

0:48:08.400 --> 0:48:11.800
<v Speaker 3>figure it out, and then you write a damn musical

0:48:11.920 --> 0:48:14.160
<v Speaker 3>Like It's honestly, it blows my mind. And I don't

0:48:14.239 --> 0:48:18.920
<v Speaker 3>understand that that mechanism that goes from idea to actually

0:48:19.000 --> 0:48:22.000
<v Speaker 3>doing it, especially when I always feel like, well, first

0:48:22.000 --> 0:48:23.520
<v Speaker 3>I have to go back to school. I have to

0:48:23.840 --> 0:48:25.719
<v Speaker 3>get a degree that will somehow support this.

0:48:25.880 --> 0:48:28.439
<v Speaker 1>Next to my god, I'm so much like you, Alison. Yeah,

0:48:28.680 --> 0:48:30.919
<v Speaker 1>I'm like, I don't know how to do that. Yes, yeah,

0:48:31.320 --> 0:48:33.640
<v Speaker 1>Enjoy You're like so, and I'm like, wait, what you

0:48:33.719 --> 0:48:34.320
<v Speaker 1>can just do that?

0:48:35.440 --> 0:48:38.920
<v Speaker 3>It's honestly, it's it's so inspiring. And also just I'm

0:48:38.960 --> 0:48:42.680
<v Speaker 3>in awe of you with that, because yeah, so I was.

0:48:42.760 --> 0:48:45.880
<v Speaker 3>I would love to. I have a lot of creative ideas,

0:48:45.960 --> 0:48:48.520
<v Speaker 3>it's just getting them to the fruition part.

0:48:48.800 --> 0:48:50.400
<v Speaker 2>So yeah, thank you.

0:48:50.840 --> 0:48:53.400
<v Speaker 1>Well you can do it. You just need just you

0:48:53.480 --> 0:48:54.080
<v Speaker 1>know it is.

0:48:54.200 --> 0:48:56.080
<v Speaker 2>It's just the taking the step of like, I don't

0:48:56.120 --> 0:48:58.120
<v Speaker 2>know what this is, but give me a couple hours

0:48:58.200 --> 0:49:00.000
<v Speaker 2>to just hyper focus on it and see if anything

0:49:00.160 --> 0:49:02.520
<v Speaker 2>comes to mind, and usually it will. It'll start so

0:49:02.760 --> 0:49:04.560
<v Speaker 2>I think it, but it does. There's like there's always

0:49:04.600 --> 0:49:08.120
<v Speaker 2>that moment of a hurdle of like imagining whatever it

0:49:08.239 --> 0:49:11.040
<v Speaker 2>is that you're thinking of doing is so enormous. You

0:49:11.239 --> 0:49:13.920
<v Speaker 2>have to break it down into just like I want

0:49:13.960 --> 0:49:15.879
<v Speaker 2>to do this, but I'm literally just going to start.

0:49:15.920 --> 0:49:18.080
<v Speaker 2>I'm going to write one song and see if I

0:49:18.239 --> 0:49:20.440
<v Speaker 2>like it, and then if the song inspires something else,

0:49:20.440 --> 0:49:23.080
<v Speaker 2>I'll write another thing. But you have to take creative

0:49:23.320 --> 0:49:26.480
<v Speaker 2>projects just one small chunk at a time. I think

0:49:26.680 --> 0:49:28.520
<v Speaker 2>I don't. I don't know anybody else who can look

0:49:28.560 --> 0:49:31.920
<v Speaker 2>at a behemoth like a like a novel or a

0:49:31.960 --> 0:49:35.239
<v Speaker 2>book or musical or some massive project or you know,

0:49:35.280 --> 0:49:38.879
<v Speaker 2>a really big script or something and just go, uh, yeah,

0:49:39.000 --> 0:49:40.600
<v Speaker 2>I have the whole thing in my brain and I

0:49:40.680 --> 0:49:42.200
<v Speaker 2>know exactly how to do it. It just doesn't I

0:49:42.239 --> 0:49:44.120
<v Speaker 2>don't think it works that way. It's just one piece

0:49:44.120 --> 0:49:44.520
<v Speaker 2>at a time.

0:49:45.320 --> 0:49:47.719
<v Speaker 3>That's really smart. That's what I do.

0:49:48.520 --> 0:49:51.000
<v Speaker 2>Just like, there's no way I can you know, Yeah,

0:49:51.360 --> 0:49:53.360
<v Speaker 2>what do you do for yourself creatively? Then what are

0:49:53.400 --> 0:49:56.000
<v Speaker 2>the moments that I mean other than also being a mom,

0:49:56.080 --> 0:49:58.640
<v Speaker 2>Like there's so much creativity in motherhood as well, So

0:49:58.719 --> 0:49:59.799
<v Speaker 2>maybe that's satisfying.

0:50:00.280 --> 0:50:02.959
<v Speaker 3>Well, that's part of this whole. That's where I felt

0:50:03.000 --> 0:50:06.719
<v Speaker 3>so stuck lately because I'm not having my creative It

0:50:06.840 --> 0:50:09.120
<v Speaker 3>is so stuck here in this town right now that

0:50:09.560 --> 0:50:11.520
<v Speaker 3>there and there. I think it's a problem every I mean,

0:50:11.800 --> 0:50:13.760
<v Speaker 3>we have all of these creative people that just aren't

0:50:13.800 --> 0:50:17.680
<v Speaker 3>having these outlets right now. So yeah, it's frustrating. I

0:50:17.760 --> 0:50:19.680
<v Speaker 3>can I can tell you that much. I'm reading a lot,

0:50:19.800 --> 0:50:23.000
<v Speaker 3>which is great, maybe good. Some stuff is sticking in there.

0:50:23.800 --> 0:50:27.320
<v Speaker 1>Yeah, it's interesting do you feel because one of the

0:50:27.440 --> 0:50:32.120
<v Speaker 1>things I get in that way that you're discussing how

0:50:32.239 --> 0:50:35.720
<v Speaker 1>you feel at the moment when I have to Joy's

0:50:35.760 --> 0:50:41.040
<v Speaker 1>point a big idea. What to do first?

0:50:41.200 --> 0:50:41.560
<v Speaker 3>Is hard?

0:50:42.920 --> 0:50:45.719
<v Speaker 1>And it's interesting actually that I've never heard you talk

0:50:45.719 --> 0:50:47.959
<v Speaker 1>about the musical in that way, like, oh, just write

0:50:48.000 --> 0:50:50.840
<v Speaker 1>the first song, And in my brain I'm thinking, oh, well,

0:50:50.920 --> 0:50:55.120
<v Speaker 1>that makes sense because musicals are filled with individual songs.

0:50:55.920 --> 0:50:59.719
<v Speaker 1>And I wonder follow me while I'm like noodling on

0:50:59.760 --> 0:51:02.320
<v Speaker 1>this real time, so I probably got you're rambling. But

0:51:03.040 --> 0:51:07.239
<v Speaker 1>it's like I almost wonder if for me or for

0:51:07.360 --> 0:51:10.560
<v Speaker 1>you Allison, that like we need to start to figure out,

0:51:11.400 --> 0:51:13.760
<v Speaker 1>like what the songs are, even though it's not a musical,

0:51:14.000 --> 0:51:17.600
<v Speaker 1>Like how do you take the film or the world

0:51:17.680 --> 0:51:22.360
<v Speaker 1>of the show, how how do you create smaller pieces,

0:51:22.600 --> 0:51:25.440
<v Speaker 1>because if you're thinking about developing a series, it's a

0:51:25.600 --> 0:51:28.480
<v Speaker 1>world and it's so hard to know what to focus

0:51:28.560 --> 0:51:31.160
<v Speaker 1>on first. But I almost wonder if if we could

0:51:31.160 --> 0:51:33.800
<v Speaker 1>trick ourselves into thinking about it more like a musical,

0:51:33.920 --> 0:51:36.239
<v Speaker 1>if it would make it less intimidating.

0:51:36.960 --> 0:51:41.719
<v Speaker 3>That's a really really good point idea. Yeah, and then

0:51:41.760 --> 0:51:43.719
<v Speaker 3>we could have a list, a list that we can

0:51:43.840 --> 0:51:45.160
<v Speaker 3>check off, Sophia, because you.

0:51:45.280 --> 0:51:49.480
<v Speaker 1>Don't say you know me and all my little posted

0:51:49.560 --> 0:51:54.680
<v Speaker 1>notes and I'm still every year, I'm like, maybe this

0:51:54.840 --> 0:51:57.160
<v Speaker 1>will be the year that one of these ADHD planners

0:51:57.280 --> 0:51:58.040
<v Speaker 1>actually changes.

0:51:58.880 --> 0:52:01.080
<v Speaker 3>I just bought another one, so I bought one in

0:52:01.200 --> 0:52:02.920
<v Speaker 3>January and then I just I saw that. Now it's

0:52:03.040 --> 0:52:05.279
<v Speaker 3>July and they're in the stores. I'm like, oh, this

0:52:05.480 --> 0:52:07.839
<v Speaker 3>is the new one. So January one didn't work very well.

0:52:08.040 --> 0:52:10.239
<v Speaker 3>So I just bought a new July starting planner. So

0:52:10.400 --> 0:52:12.920
<v Speaker 3>we'll see. Oh see, if it's gonna I'll let you

0:52:12.960 --> 0:52:14.480
<v Speaker 3>guys know, I'll give you updated.

0:52:14.200 --> 0:52:19.040
<v Speaker 2>Great yes, please do all planning the planners.

0:52:19.440 --> 0:52:21.440
<v Speaker 3>Can I tell you what I'm really excited about is

0:52:21.840 --> 0:52:23.800
<v Speaker 3>Colletti joining Traders?

0:52:24.200 --> 0:52:25.719
<v Speaker 1>I know, wait, what what?

0:52:25.880 --> 0:52:29.600
<v Speaker 3>What? What? What? So Colletti's gonna be in The Traders

0:52:29.920 --> 0:52:30.760
<v Speaker 3>is in the next season.

0:52:31.040 --> 0:52:32.080
<v Speaker 1>I don't know what you're saying.

0:52:32.640 --> 0:52:35.640
<v Speaker 3>Okay, So The Traders is this amazing? Uh it's a

0:52:35.680 --> 0:52:39.880
<v Speaker 3>reality show. It's like a competition show, kind of like Mafia.

0:52:40.080 --> 0:52:41.640
<v Speaker 3>It's it's like the game of Mafia.

0:52:42.120 --> 0:52:45.440
<v Speaker 1>Trader like a trader, like a trader. Yeah, yeah, got it? Okay.

0:52:45.920 --> 0:52:49.960
<v Speaker 3>It's hosted by Alan Cumming, who is incredible. He's incredible.

0:52:50.440 --> 0:52:51.800
<v Speaker 3>They dress him.

0:52:52.239 --> 0:52:56.120
<v Speaker 1>So beautifully and you've never heard of this show, joy.

0:52:55.960 --> 0:52:57.920
<v Speaker 3>You would love it. It's honestly so great. And he

0:52:58.440 --> 0:53:00.920
<v Speaker 3>as the host, he almost plays the character of a

0:53:01.239 --> 0:53:04.160
<v Speaker 3>it's not Alan coming acting naturally.

0:53:04.600 --> 0:53:06.160
<v Speaker 1>No, it's it's very camp.

0:53:06.680 --> 0:53:09.600
<v Speaker 3>Yes, yes, yes, that's the word. It's great and it's

0:53:09.640 --> 0:53:13.520
<v Speaker 3>so fun. And so they have different celebrities on there

0:53:13.880 --> 0:53:16.360
<v Speaker 3>that you then are in this game, this like mafia

0:53:16.520 --> 0:53:19.080
<v Speaker 3>like game that are getting voted out and they are

0:53:19.200 --> 0:53:23.040
<v Speaker 3>killing people and we're so deep in it. We've loved

0:53:23.080 --> 0:53:25.440
<v Speaker 3>all three seasons that they've bared here we've actually switched

0:53:25.480 --> 0:53:30.640
<v Speaker 3>to UK and Australia. And so when we found out

0:53:31.000 --> 0:53:34.040
<v Speaker 3>that Colletti was going to be on Scott's like, Scott

0:53:34.160 --> 0:53:36.600
<v Speaker 3>lost his mind. So he and Coltie are really close,

0:53:36.719 --> 0:53:39.000
<v Speaker 3>so he was texting with like he won't text me back,

0:53:39.040 --> 0:53:40.560
<v Speaker 3>and I'm like, I think that they're there.

0:53:40.920 --> 0:53:42.239
<v Speaker 1>They're there, Yeah, they're there.

0:53:42.520 --> 0:53:44.920
<v Speaker 3>They're shooting, so like they took their phones. Yes.

0:53:45.600 --> 0:53:48.880
<v Speaker 1>My one of my best friends, my friend Jordan, his

0:53:49.120 --> 0:53:53.520
<v Speaker 1>husband Colton, is on this season and this is yes,

0:53:54.160 --> 0:53:57.959
<v Speaker 1>so I I just can't wait to talk to them both.

0:53:58.440 --> 0:54:03.200
<v Speaker 1>But they have a young baby and Jordan was like, well,

0:54:03.760 --> 0:54:05.960
<v Speaker 1>I'm so happy for you and we'll see you in

0:54:06.120 --> 0:54:10.600
<v Speaker 1>five weeks and my mom's coming and like, oh my gosh,

0:54:12.120 --> 0:54:13.400
<v Speaker 1>this is so exciting.

0:54:13.719 --> 0:54:16.439
<v Speaker 3>Yeah, Joey, you're gonna have all the tea You're gonna

0:54:16.440 --> 0:54:17.520
<v Speaker 3>get it from two separates.

0:54:17.600 --> 0:54:19.200
<v Speaker 1>Oh yeah, Oh, I'm so excited.

0:54:19.560 --> 0:54:22.160
<v Speaker 2>Yes, yes, yes, I've never been a fan of reality

0:54:22.200 --> 0:54:24.280
<v Speaker 2>shows until recently in my life. I think I've started.

0:54:24.480 --> 0:54:26.879
<v Speaker 2>They've gotten better and you know, like the first season

0:54:26.920 --> 0:54:28.560
<v Speaker 2>of Love is Blind. I liked it and like the rest,

0:54:28.640 --> 0:54:30.360
<v Speaker 2>and then like now we've got Love on the spectrum.

0:54:30.400 --> 0:54:32.720
<v Speaker 2>And then there's that one about I can never remember

0:54:32.880 --> 0:54:35.000
<v Speaker 2>like Secret Millionaire or Millionaire in the House, or I

0:54:35.040 --> 0:54:36.680
<v Speaker 2>can never remember the title of it, Who Wants to

0:54:36.719 --> 0:54:39.120
<v Speaker 2>Be a million It's something about Millionaires in the House.

0:54:39.520 --> 0:54:41.640
<v Speaker 2>It's an over the reality show on Netflix. It's great.

0:54:41.840 --> 0:54:43.400
<v Speaker 2>But now this, I got to check this out. I

0:54:43.480 --> 0:54:45.600
<v Speaker 2>got a call, sorry, my ADHD.

0:54:45.520 --> 0:54:45.919
<v Speaker 1>My brain.

0:54:46.280 --> 0:54:49.520
<v Speaker 2>I got an email about they invited me to be

0:54:49.600 --> 0:54:52.399
<v Speaker 2>on Special Forces the reality show.

0:54:52.760 --> 0:54:53.279
<v Speaker 3>Oh my god.

0:54:53.480 --> 0:54:55.880
<v Speaker 2>The location was someplace I really wanted to go that

0:54:55.920 --> 0:54:58.919
<v Speaker 2>I've never been, but the dates overlapped with my time

0:54:59.200 --> 0:55:02.799
<v Speaker 2>in Africa now, so I couldn't And I was, Oh,

0:55:03.080 --> 0:55:06.680
<v Speaker 2>it's killing me because I totally totally would do that.

0:55:07.560 --> 0:55:09.960
<v Speaker 3>Hopefully it'll come back around for another iteration.

0:55:10.120 --> 0:55:10.840
<v Speaker 1>I know it's got to.

0:55:11.320 --> 0:55:13.520
<v Speaker 2>I'm ready. I think I'm ready for my reality show era.

0:55:13.680 --> 0:55:16.680
<v Speaker 2>Now give it dancing with the Stars. Come on, give

0:55:16.760 --> 0:55:19.480
<v Speaker 2>us something I can need to, like really push myself physically.

0:55:20.160 --> 0:55:23.800
<v Speaker 1>By the way, I had the best time watching Alona

0:55:23.880 --> 0:55:27.160
<v Speaker 1>mar Do Dancing with the Stars. How fantastic is she?

0:55:27.719 --> 0:55:32.279
<v Speaker 1>She's so wonderful. I just adore her and it then

0:55:32.360 --> 0:55:35.440
<v Speaker 1>it also hit me where I like, you know, I've

0:55:35.440 --> 0:55:37.960
<v Speaker 1>been telling myself every year for my birthday for the

0:55:38.040 --> 0:55:39.640
<v Speaker 1>last ten years, like this is going to be the

0:55:39.760 --> 0:55:41.759
<v Speaker 1>year I get in the best shape of my life.

0:55:41.760 --> 0:55:45.000
<v Speaker 1>I'm going to really start to take care of myself finally,

0:55:45.440 --> 0:55:47.520
<v Speaker 1>and I just don't. And then I was like, oh,

0:55:48.120 --> 0:55:51.640
<v Speaker 1>maybe it would have to be my job to do it.

0:55:51.800 --> 0:55:54.200
<v Speaker 1>That's what I'm thinking, And like, maybe that's how you

0:55:54.239 --> 0:55:57.920
<v Speaker 1>psych yourself into it. Honestly, I really think about this sometimes.

0:55:58.480 --> 0:56:01.880
<v Speaker 1>I'm friends with Phil Rosenthal, the guy on Everybody Feeds.

0:56:01.880 --> 0:56:05.759
<v Speaker 1>Phil his show, you know, phenomenal TV writer loves to Eat,

0:56:06.320 --> 0:56:09.200
<v Speaker 1>made it his job, turned it into eight it's eight

0:56:09.320 --> 0:56:12.879
<v Speaker 1>seasons now on Netflix, and I'm like, could my job

0:56:12.960 --> 0:56:14.200
<v Speaker 1>be to go to eat.

0:56:14.080 --> 0:56:14.800
<v Speaker 3>With my friends?

0:56:15.239 --> 0:56:16.919
<v Speaker 1>Yes, that would be my dream job.

0:56:17.000 --> 0:56:19.520
<v Speaker 3>To figure it out, Okay, you got to find You've

0:56:19.520 --> 0:56:21.040
<v Speaker 3>got to find the first thing you need to do.

0:56:21.360 --> 0:56:23.319
<v Speaker 1>Let's do it and do it right.

0:56:23.800 --> 0:56:24.680
<v Speaker 3>Let's make a list.

0:56:25.320 --> 0:56:29.600
<v Speaker 1>Okay, I need a tripod, an iPhone, and a restaurant reservation.

0:56:30.080 --> 0:56:30.400
<v Speaker 1>Let's go.

0:56:32.040 --> 0:56:36.040
<v Speaker 2>Let's get to our listener question. Yes, Christina's asking, what's

0:56:36.120 --> 0:56:39.000
<v Speaker 2>the story behind getting picked up for season nine? Why

0:56:39.080 --> 0:56:41.040
<v Speaker 2>were you ending season eight like that was the end

0:56:41.080 --> 0:56:44.160
<v Speaker 2>of the series, Hi, Christina, Well.

0:56:44.920 --> 0:56:48.080
<v Speaker 1>We thought it was. Yeah, simple as that.

0:56:48.680 --> 0:56:50.560
<v Speaker 2>I mean, we always thought the show was about to end,

0:56:50.600 --> 0:56:53.360
<v Speaker 2>but that was the Uh yeah, we just thought we

0:56:53.440 --> 0:56:55.640
<v Speaker 2>thought that was it, and it was great. I mean,

0:56:55.719 --> 0:56:57.879
<v Speaker 2>we'll talk about it in our next episode, but even

0:56:57.960 --> 0:57:00.760
<v Speaker 2>just the ending of Jamie walking across the bridge bouncing

0:57:00.800 --> 0:57:03.040
<v Speaker 2>the basketball like Lucas, I mean, it was very clearly

0:57:03.680 --> 0:57:07.879
<v Speaker 2>the series finale. And I don't know they just called

0:57:07.960 --> 0:57:09.560
<v Speaker 2>us all and said, will you just come back for

0:57:09.600 --> 0:57:10.400
<v Speaker 2>another thirteen.

0:57:10.880 --> 0:57:13.760
<v Speaker 1>When we got our season seven pickup, it was season

0:57:14.000 --> 0:57:17.400
<v Speaker 1>seven and eight, so everyone assumed at the end of

0:57:17.480 --> 0:57:19.960
<v Speaker 1>season eight it would be finished. We never had a

0:57:20.000 --> 0:57:23.040
<v Speaker 1>two year pickup before. It's a very big deal to

0:57:23.160 --> 0:57:26.680
<v Speaker 1>cross past six seasons anyway, let alone to make it

0:57:26.760 --> 0:57:29.919
<v Speaker 1>to six seasons, and so we were ready to wrap

0:57:30.000 --> 0:57:33.800
<v Speaker 1>it up, and I think the network was very pleased.

0:57:33.920 --> 0:57:36.480
<v Speaker 1>With how the show was doing, how the episodes were

0:57:36.560 --> 0:57:40.440
<v Speaker 1>coming out. Our cast was in such a great spot,

0:57:40.760 --> 0:57:45.800
<v Speaker 1>like everybody's wonderful on the show, and it was doing

0:57:45.920 --> 0:57:49.560
<v Speaker 1>really well for them, and they wanted more, and nobody

0:57:50.120 --> 0:57:53.960
<v Speaker 1>saw that coming. But what I can tell you, which

0:57:54.000 --> 0:57:56.280
<v Speaker 1>I thought was very smart, honestly of all of us,

0:57:56.840 --> 0:57:59.240
<v Speaker 1>was when they called us back about a season nine.

0:58:00.240 --> 0:58:03.200
<v Speaker 1>Essentially we all were open to it, but we wanted

0:58:03.240 --> 0:58:07.840
<v Speaker 1>to be done by pilot season because none of us

0:58:07.880 --> 0:58:09.760
<v Speaker 1>had had an opportunity. I had to run a job

0:58:09.920 --> 0:58:13.680
<v Speaker 1>and you know, ten years. So that's why season nine

0:58:13.800 --> 0:58:17.680
<v Speaker 1>was only thirteen episodes, so we could shoot from July

0:58:19.720 --> 0:58:22.960
<v Speaker 1>through the fall wrap just ahead of Thanksgiving, have that

0:58:23.280 --> 0:58:27.439
<v Speaker 1>stretch off for the first time ever, and then we'd

0:58:27.520 --> 0:58:31.160
<v Speaker 1>all be free agents by January and be able to

0:58:31.240 --> 0:58:32.280
<v Speaker 1>go into pilot season.

0:58:33.280 --> 0:58:36.120
<v Speaker 2>That's right, there's your answer, Christina.

0:58:36.880 --> 0:58:40.720
<v Speaker 3>With your pickups, did you go into almost every hiatus

0:58:40.840 --> 0:58:43.000
<v Speaker 3>not knowing if you were coming back or when did

0:58:43.080 --> 0:58:43.640
<v Speaker 3>they let you know?

0:58:44.240 --> 0:58:46.040
<v Speaker 2>Every year is so frustrating.

0:58:46.560 --> 0:58:48.640
<v Speaker 3>So seven to eight was the only time you could

0:58:48.680 --> 0:58:50.600
<v Speaker 3>have a hiatus where you felt it was a true

0:58:50.680 --> 0:58:52.040
<v Speaker 3>hiatus and you were coming.

0:58:51.840 --> 0:58:55.440
<v Speaker 2>Back, so we could we could test for pilots, but

0:58:55.520 --> 0:58:58.000
<v Speaker 2>we always had to be in such exiation.

0:58:58.640 --> 0:59:02.040
<v Speaker 1>Yeah, like the pilot I did with I did this

0:59:02.280 --> 0:59:05.040
<v Speaker 1>really fun show with Mary Stein Virgin and Don Johnson,

0:59:05.160 --> 0:59:08.320
<v Speaker 1>and I was in second position, and I remember just

0:59:08.440 --> 0:59:11.160
<v Speaker 1>being like, what is going to happen if both of

0:59:11.240 --> 0:59:13.680
<v Speaker 1>these shows get picked up? Like what are we going

0:59:13.720 --> 0:59:13.880
<v Speaker 1>to do?

0:59:14.760 --> 0:59:17.040
<v Speaker 3>I remember it being so crazy to even get seen

0:59:17.120 --> 0:59:17.880
<v Speaker 3>in second position.

0:59:18.560 --> 0:59:19.600
<v Speaker 1>That's like a lot of times.

0:59:19.880 --> 0:59:21.880
<v Speaker 3>Yeah, they wouldn't even want to audition you because they

0:59:21.880 --> 0:59:24.640
<v Speaker 3>didn't want to take the risk. Yeah, so you guys

0:59:24.680 --> 0:59:27.800
<v Speaker 3>were at a distinct disadvantage for every I mean, luckily

0:59:27.840 --> 0:59:29.120
<v Speaker 3>you had a job to come back to, but you

0:59:29.160 --> 0:59:29.840
<v Speaker 3>didn't know you did.

0:59:30.080 --> 0:59:33.280
<v Speaker 2>I never knew, right, So such a strange place to

0:59:33.360 --> 0:59:38.919
<v Speaker 2>be in. Oh, well it's changed a lot now, who knows.

0:59:39.120 --> 0:59:44.120
<v Speaker 2>The landscape is so different, just none there just isn't

0:59:44.200 --> 0:59:46.840
<v Speaker 2>any weird so crazy.

0:59:47.480 --> 0:59:47.680
<v Speaker 3>Man.

0:59:48.320 --> 0:59:50.480
<v Speaker 1>Well, I'm so glad you came to join us. It's

0:59:50.640 --> 0:59:53.480
<v Speaker 1>really nice talking with you. I've missed you, I have.

0:59:53.640 --> 0:59:57.560
<v Speaker 3>Missed you both. I'm so excited to get some FaceTime

0:59:57.640 --> 0:59:59.280
<v Speaker 3>with you and wish I could just like reach through

0:59:59.360 --> 1:00:03.280
<v Speaker 3>and give you. Yeah, it's so good to see you.

1:00:03.720 --> 1:00:05.840
<v Speaker 2>You too too, many. I'm in la. I'll give you

1:00:05.920 --> 1:00:07.200
<v Speaker 2>a bus, please do.

1:00:07.480 --> 1:00:08.840
<v Speaker 1>I can't wait to go roller skating.

1:00:08.880 --> 1:00:11.520
<v Speaker 3>This tie we're going. We're gonna go roller skating. You're

1:00:11.520 --> 1:00:13.480
<v Speaker 3>gonna hold on, You're gonna hold on to my belt loops.

1:00:13.760 --> 1:00:13.960
<v Speaker 2>Yeah.

1:00:14.120 --> 1:00:16.360
<v Speaker 1>Bye. By the end of August, I'm gonna be like.

1:00:16.960 --> 1:00:18.680
<v Speaker 3>Yeah, You're gonna be so good. Yeah.

1:00:20.240 --> 1:00:23.200
<v Speaker 2>Well, thanks for joining us, everybody. Next episode is season eight,

1:00:23.240 --> 1:00:25.840
<v Speaker 2>episode twenty two. This is my house, This is my home,

1:00:26.640 --> 1:00:28.360
<v Speaker 2>and uh it's it's.

1:00:28.240 --> 1:00:33.800
<v Speaker 1>An emotional episode. Okay, see you guys soon. Thanks, love

1:00:33.840 --> 1:00:36.280
<v Speaker 1>you love you love You'll see y.

1:00:37.840 --> 1:00:38.960
<v Speaker 2>Hey, thanks for listening.

1:00:39.120 --> 1:00:41.320
<v Speaker 1>Don't forget to leave us a review. You can also

1:00:41.440 --> 1:00:45.120
<v Speaker 1>follow us on Instagram at Drama Queen's ot H or

1:00:45.440 --> 1:00:49.680
<v Speaker 1>email us at Drama Queens at iHeartRadio dot com. See

1:00:49.760 --> 1:00:50.439
<v Speaker 1>you next time.

1:00:51.720 --> 1:00:54.040
<v Speaker 3>We all about that high school drama.

1:00:54.160 --> 1:00:55.960
<v Speaker 1>Girl Drama Girl, all about them.

1:00:55.840 --> 1:00:57.360
<v Speaker 3>High school queens Forever.

1:00:57.640 --> 1:01:00.040
<v Speaker 1>We'll take you for a ride and our comic girl.

1:01:00.640 --> 1:01:01.840
<v Speaker 2>Cheering for the Right Teams.

1:01:01.920 --> 1:01:05.360
<v Speaker 1>Drama Queens, Raise my Girl, Rough Girl fashion with your

1:01:05.440 --> 1:01:07.280
<v Speaker 1>tough girl, you could sit with us Girl

1:01:07.400 --> 1:01:12.080
<v Speaker 2>Drama Queens, Drama Quease, Drama Queens, Drama Drama Queens drama queens,