WEBVTT - The Cooler

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<v Speaker 1>Hey, friends, and welcome back to Access podcast, the podcast

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<v Speaker 1>about podcasts. I'm your host Mattie Stout and with me

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<v Speaker 1>in studio producer Zizi. Hello, how are you. I'm good

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<v Speaker 1>because I got to talk to some folks in studio

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<v Speaker 1>from NBR and they were amazing. I love NBR. NPR

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<v Speaker 1>has some of the best radio and now some of

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<v Speaker 1>the best podcasts out there, and this show The Cooler

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<v Speaker 1>is on the cutting edge of what podcasts are going

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<v Speaker 1>to be for NPR. I completely agree. They were fun,

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<v Speaker 1>they were young, energetic. Yes, and after you listen to

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<v Speaker 1>this podcast, if you want to watch the interview, we

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<v Speaker 1>have it up on our Facebook page. You can check

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<v Speaker 1>it out. But right now, let's hear a little bit

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<v Speaker 1>from the Cooler. Also, you should know a little warning.

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<v Speaker 1>If you have access to vital resources and you hoard

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<v Speaker 1>them and don't share them, just know that a relative

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<v Speaker 1>might come back one day and try to kill you.

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<v Speaker 1>Quite possible. I have henceforth asked my husband to upgrade

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<v Speaker 1>my wedding ring to one fit is vibranium. So we

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<v Speaker 1>talked about that that's happening. You hear that it's literally

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<v Speaker 1>so hot right now, exactly it's happening for your platinum

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<v Speaker 1>bitcoin bring made of thick. It's okay, So joining me Manual,

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<v Speaker 1>Jamdra and Carly from the cooler. Hello, I should say

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<v Speaker 1>everybody's name and then they can talk to people know

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<v Speaker 1>who you are. Hi, Carly, how are you? I'm doing great?

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<v Speaker 1>How are you? You're there? Like, like, I just want

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<v Speaker 1>to hear you talk all day. I was listening to

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<v Speaker 1>the show and I was like, if I had that voice,

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<v Speaker 1>I would It's like I would say, like, and I

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<v Speaker 1>see guys that are really buff, I'd be like, I

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<v Speaker 1>would never wear a shirt And if I had your voice,

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<v Speaker 1>I would just be like doing voice over all days.

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<v Speaker 1>What's funny because the common misconception folks have about me

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<v Speaker 1>is that I'm actually a very posh person, which I

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<v Speaker 1>am not. You do well, you have the posh access

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<v Speaker 1>sounded I'm not posh, you even say it. She's more

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<v Speaker 1>of a sporty space exactly, very much. And if you

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<v Speaker 1>couldn't guess that was Manual high Hello, I'm splendid. Also

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<v Speaker 1>in British it's only to two minutes. The British accent

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<v Speaker 1>has to come out. Let and engine Madra Hi. I'm

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<v Speaker 1>currently working on my wakondin so I'll have an accident.

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<v Speaker 1>We're going to talk about that. I listen to the

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<v Speaker 1>episode I had a I had a friend one of

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<v Speaker 1>my students who was African American who posted, Wakanda is

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<v Speaker 1>not real and the amount of hate he got it

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<v Speaker 1>is real. In my mind? Well no, and I listen

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<v Speaker 1>to your podcast and that's what I was like, Okay,

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<v Speaker 1>it's a state of it's a state of mind, you know.

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<v Speaker 1>I do want to talk about that. But but before

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<v Speaker 1>we start, we're in a We're in our podcast studio,

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<v Speaker 1>and usually when I have guests on, nobody ever wants

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<v Speaker 1>to come see me. They're on the phone. So it's

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<v Speaker 1>nice to have people in front of me, but we're

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<v Speaker 1>also on camera, which I don't know if I like,

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<v Speaker 1>what do you think of people video and podcasting? Because

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<v Speaker 1>to me, a podcast, the whole thing is the intimacy

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<v Speaker 1>of the voice. How do you feel about video? I'm

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<v Speaker 1>biased because my day job at kq e D is

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<v Speaker 1>so social media. I'm at social media strategist for k

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<v Speaker 1>q e D in addition to doing the coolest so

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<v Speaker 1>this is something that I would ask the folks to do.

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<v Speaker 1>But when I'm in the host chat. It feels old,

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<v Speaker 1>like I keep wanting to flick my eyes down to

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<v Speaker 1>this camera here that's in front of me. I can

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<v Speaker 1>see this like shadow form of myself. It's odd, but

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<v Speaker 1>I kind of like it. Yeah, for our show, I'm

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<v Speaker 1>glad we don't because there's a lot we record that

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<v Speaker 1>we then edit out and seemed like really brilliant and amazing.

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<v Speaker 1>But as someone who wanted to be on the Real

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<v Speaker 1>World growing up, I love the camera. Hello. Did you

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<v Speaker 1>did you ever try? Did you send in a tape

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<v Speaker 1>for anything? No, because by the time I was of

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<v Speaker 1>age to do it, it had already jumped the shark.

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<v Speaker 1>I did what I did not say in a tape.

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<v Speaker 1>I went to an audition for the Real World and

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<v Speaker 1>it was in Berkeley, next to the University. Again, I

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<v Speaker 1>was not selected. Which season would you have been on?

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<v Speaker 1>I would have been on the Vegas season and I

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<v Speaker 1>was not twenty one yet, so they would have selected me.

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<v Speaker 1>But a friend of mine who was there did kiss

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<v Speaker 1>quest what really that's ran upon him and kissed him.

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<v Speaker 1>Why has this never come up before? I have my secrets.

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<v Speaker 1>I can't tell you everything about me all the time.

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<v Speaker 1>Here's the difference and generations see when I think about

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<v Speaker 1>I think about Puck. That's about that's real world for me.

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<v Speaker 1>And I had a friend who made out with Adam

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<v Speaker 1>Sandler when he was on Remote Control. When they were

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<v Speaker 1>Remote Control was one of the best shows, none of

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<v Speaker 1>these shows. Control was an MTV game show with Ken Ober.

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<v Speaker 1>It was from his basement and Colin Quinn did the

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<v Speaker 1>was the announcer, and Adam Sander was like a monkey

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<v Speaker 1>boy kind of funny, funny thing on the show, and

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<v Speaker 1>it was fantastic. He didn't start on s n L.

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<v Speaker 1>That's what I always know he started. He started on MTV.

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<v Speaker 1>I learned every day I'm a teacher. That's what I'm

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<v Speaker 1>hearing that. You're like, you're welcome. Here's the invoice. So

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<v Speaker 1>speaking of a new generation, you know, NPR has long

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<v Speaker 1>been the bastion of of a certain kind of of

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<v Speaker 1>talk programming and a certain kind of show. Seven years

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<v Speaker 1>or I guess it was almost nine years ago, a

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<v Speaker 1>friend of mine started the Dinner Party download And when

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<v Speaker 1>and when he started it, it it was he and another

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<v Speaker 1>the down in l a at MPR. And the quote

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<v Speaker 1>to me was Matt Garrison Keeler's got to die someday

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<v Speaker 1>and know that there's nothing I get scared. I love

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<v Speaker 1>gears give but the point being that there has to

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<v Speaker 1>be some new, you know, younger blood coming up and

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<v Speaker 1>doing shows on NPR, because these older shows are you know,

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<v Speaker 1>kind of aging out. And also there's an audience at

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<v Speaker 1>NPR that is, you know, at the time, it's look

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<v Speaker 1>like us that that likes likes talk. How do you

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<v Speaker 1>feel and you feel that you are start part of

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<v Speaker 1>that that new voice of of NPR. Oh, are we

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<v Speaker 1>the voice of a generation? We're part of the renaissance,

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<v Speaker 1>a voice of a generation. Well, I didn't like saying

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<v Speaker 1>that I felt that I had. It is really tricky

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<v Speaker 1>as well, especially when you have kind of that mission

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<v Speaker 1>statement saying we're trying to do something new and I

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<v Speaker 1>don't know, then you really have to live up to it.

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<v Speaker 1>And um, I don't know, like working within the MPR framework.

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<v Speaker 1>And just to be clear, we are not the first

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<v Speaker 1>folks at MPR or NPR stay aations to do pop culture,

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<v Speaker 1>to take on pop culture, or to have a like

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<v Speaker 1>a podcast that talks about pop culture. We've never been

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<v Speaker 1>under any illusions that we are kind of pioneering that. Yeah,

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<v Speaker 1>and no, I mean I think that the the type

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<v Speaker 1>of podcast you do, in the quality of it is

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<v Speaker 1>it is different, and it it does it does feel

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<v Speaker 1>younger than the other NPR pop culture podcasts that I've heard.

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<v Speaker 1>How do you guys feel, I mean, it's a lot

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<v Speaker 1>of it's a heavy backpack to put on when you

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<v Speaker 1>talk about the NPR Moniker, because people have a certain

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<v Speaker 1>expectation about what we should be, how we should be,

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<v Speaker 1>how intellectual we should be, and so you know, a

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<v Speaker 1>lot of people think the pop culture is not something

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<v Speaker 1>they should be talked about on public media. I disagree, um,

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<v Speaker 1>and I think that we talk about it in a fun,

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<v Speaker 1>in a smart way. And we also because as as

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<v Speaker 1>as with our generation, we cannot separate the pop culture

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<v Speaker 1>from a lot of the social issues that are happening

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<v Speaker 1>right now. So I guess we are sort of like

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<v Speaker 1>introducing a voice into public media. Yeah, there definitely was

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<v Speaker 1>a pressure when we first started to be MPR and

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<v Speaker 1>to wear the name proudly and not embarrass the brand,

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<v Speaker 1>and specifically for our station, KQUT mission not accomplished. So

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<v Speaker 1>for the first couple of episodes, you can go back

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<v Speaker 1>and listen and we are very buttoned up and we're

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<v Speaker 1>kind of nervous, and we actually talked about Shakespeare on

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<v Speaker 1>our first episode. We were just trying so hard not

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<v Speaker 1>to get me in comments because I also write for KQUT,

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<v Speaker 1>and so when I write something or produce a podcast, um,

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<v Speaker 1>people come and say things like I donated to MPR,

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<v Speaker 1>I donate to the station, I own you. You should

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<v Speaker 1>be fired because I don't like what you're doing. Really,

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<v Speaker 1>that happens all are there NBR trolls beyond? I can

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<v Speaker 1>as someone who works in on KQUT social media daily,

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<v Speaker 1>I can attest to that. Oh my goodness. There's a

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<v Speaker 1>lot of people, you know, to Emmanuel's point, like folks

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<v Speaker 1>feel ownership of public media and that is absolutely right

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<v Speaker 1>and proper, but then not gonna like everything you do.

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<v Speaker 1>And you have to listen when they say you don't

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<v Speaker 1>they don't like it. Can I get mad when they

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<v Speaker 1>have very boring lecturers on in the middle of the

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<v Speaker 1>evening when I'm trying to, like, you know, do other

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<v Speaker 1>things you can public media, get your pitchfork store at

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<v Speaker 1>the station. So you said that there is a certain

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<v Speaker 1>pressure and how often are do you come across the

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<v Speaker 1>topic and I mean and have to debate amongst yourselves

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<v Speaker 1>before you even do it. Oh well, what springs to

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<v Speaker 1>mind was and this is a safe place. You're not on,

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<v Speaker 1>you're on, You're on, you're just being recorded. You're on

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<v Speaker 1>I Heart Radio. We don't care about anything. Just say it.

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<v Speaker 1>You're on Facebook, YouTube and Twitter. Yes. I think right

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<v Speaker 1>after the election there was some recalibrating at our station, like, okay,

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<v Speaker 1>we need to show both sides. Can you guys all

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<v Speaker 1>be upfront about being for civil rights sCASP um and

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<v Speaker 1>things like that, And so the first couple of weeks

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<v Speaker 1>after that, we definitely had to have some conversations um

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<v Speaker 1>with people who work at our station of what we

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<v Speaker 1>could say, and when it seemed like maybe we wouldn't

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<v Speaker 1>be able to talk about politics and social justice, then

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<v Speaker 1>we were like, well that then that's not our show.

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<v Speaker 1>We talked about pop culture, but everything is informed by

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<v Speaker 1>politics that like, especially in November. But thankfully they let

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<v Speaker 1>us do what we want and we get to just

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<v Speaker 1>be ourselves. Yeah, which is pretty great. I mean, like

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<v Speaker 1>not to sound trite, but like that's the pop part

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<v Speaker 1>of pop culture, like popular, like this is the stuff

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<v Speaker 1>that surrounds us, like this is why we care about

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<v Speaker 1>it. It It infuriates me, and I hope it infuriates you

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<v Speaker 1>too when people dismiss pop culture as just something that

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<v Speaker 1>you do it in your spare time. You read and

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<v Speaker 1>you talk about it, and it's it's not worthy of debate,

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<v Speaker 1>or it's it's low. It's like, it's the exact opposite.

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<v Speaker 1>It's the stuff around you. It's your life. It's the

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<v Speaker 1>stuff you listen to and consume every day. If there's

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<v Speaker 1>not something that's I don't know, if there's something that's

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<v Speaker 1>more important, I don't really know what that is. Pop

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<v Speaker 1>Culture extends past Kim Kardashian. I think that's what people

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<v Speaker 1>think about when they think pop culture. They're like, oh,

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<v Speaker 1>Kim Kardashian, it's bigger than that. Everybody has a form

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<v Speaker 1>of pop culture that they love and enjoy. It is

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<v Speaker 1>bigger than Kimp. There's Chloe Kendall. There's a lot of them.

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<v Speaker 1>We will get to that. Well. And here's something I

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<v Speaker 1>say to people all the time that I tell them

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<v Speaker 1>you should be grateful for Donald Trump. And they go why,

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<v Speaker 1>and I go, donald Trump has made politics pop culture.

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<v Speaker 1>When was before Donald Trump? How many people you knew?

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<v Speaker 1>I mean maybe you because you're real smarting, you work

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<v Speaker 1>at NPR, But how many people paid attention to what

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<v Speaker 1>was going on in Washington and what bills are being passed,

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<v Speaker 1>and and and and as as all the bad that

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<v Speaker 1>he's brought. I feel like that's maybe part of the

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<v Speaker 1>good that that is now kind of part of part

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<v Speaker 1>of the pop car culture vernacular is talking about politics.

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<v Speaker 1>People are much more aware, and I think you can

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<v Speaker 1>see this generation or recently people have gotten more active.

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<v Speaker 1>So it's like beyond just even knowing or being aware,

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<v Speaker 1>but people have taken to the streets. People are protesting,

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<v Speaker 1>people are standing up for what they believe in. So

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<v Speaker 1>I guess we can to say thanks for that. Well, yeah,

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<v Speaker 1>I mean, I'm not going to go overboard here and

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<v Speaker 1>you're like, you know, thank God for Donald Trump. But

0:11:10.240 --> 0:11:12.360
<v Speaker 1>you know what I'm saying, though, no I do. It's

0:11:12.440 --> 0:11:15.040
<v Speaker 1>visibility as well. I feel like stuff is on display

0:11:15.120 --> 0:11:17.880
<v Speaker 1>so much more than ever before, and when it's on display,

0:11:18.160 --> 0:11:19.720
<v Speaker 1>you tend to look at it and you see it

0:11:19.840 --> 0:11:21.240
<v Speaker 1>and then you talk about it and this is what

0:11:21.240 --> 0:11:24.160
<v Speaker 1>we're doing. This stuff was existing before, but no one

0:11:24.200 --> 0:11:26.520
<v Speaker 1>was really looking at it, and we're looking now. It's

0:11:26.520 --> 0:11:29.040
<v Speaker 1>like the bright light is shining on it. It's so important,

0:11:29.120 --> 0:11:32.920
<v Speaker 1>Like why wouldn't people care about this stuff? Or is

0:11:32.920 --> 0:11:36.640
<v Speaker 1>it the gas light? Here's a lot of that going on.

0:11:37.000 --> 0:11:39.760
<v Speaker 1>Someone had three coffees this morning and I applaud that.

0:11:39.880 --> 0:11:42.199
<v Speaker 1>So I want to talk about how you ended up

0:11:42.320 --> 0:11:45.240
<v Speaker 1>in in radio and working for NPR and then eventually,

0:11:45.360 --> 0:11:49.040
<v Speaker 1>you know, going into podcasting. Uh, radio is not the

0:11:49.320 --> 0:11:51.080
<v Speaker 1>not as cool as it used to be. You know,

0:11:51.080 --> 0:11:53.400
<v Speaker 1>when I started in radio, everybody wanted to begin radio.

0:11:53.679 --> 0:11:56.520
<v Speaker 1>And I started teaching radio about seven years ago, and

0:11:56.600 --> 0:11:59.520
<v Speaker 1>my students didn't listen, didn't have much to do with it,

0:11:59.640 --> 0:12:02.800
<v Speaker 1>and that's really been changing lately because of podcasting. What

0:12:02.960 --> 0:12:05.160
<v Speaker 1>made you decide, you know what this is? This is

0:12:05.200 --> 0:12:07.360
<v Speaker 1>the form of media for me? That the voice? What

0:12:07.360 --> 0:12:10.120
<v Speaker 1>what got you involved with with radio? Um, let's start

0:12:10.120 --> 0:12:12.240
<v Speaker 1>with jamitra Oh was it a decision or did it

0:12:12.280 --> 0:12:17.960
<v Speaker 1>just happen? Okaytimes? Did you choose radio? So so, I

0:12:17.960 --> 0:12:19.720
<v Speaker 1>think I'm probably the only one in the group who

0:12:19.760 --> 0:12:22.760
<v Speaker 1>actually studied broadcasting. So I went to school for broadcasting,

0:12:22.800 --> 0:12:25.640
<v Speaker 1>specifically radio and television at San Francisco State Shout out

0:12:25.640 --> 0:12:29.720
<v Speaker 1>back up, um. And you know the funny thing is

0:12:29.880 --> 0:12:32.040
<v Speaker 1>we didn't have a radio frequency, so we didn't have

0:12:32.080 --> 0:12:33.720
<v Speaker 1>a radio station per se, but what we did have

0:12:33.880 --> 0:12:35.839
<v Speaker 1>was podcasting. So I'm not gonna tell you what year

0:12:35.880 --> 0:12:36.960
<v Speaker 1>this was, because you don't need to be in my

0:12:37.000 --> 0:12:39.959
<v Speaker 1>business like that. No, how oill diam exactly. But at

0:12:39.960 --> 0:12:42.760
<v Speaker 1>the time, podcasting was not a thing. So my friends

0:12:42.760 --> 0:12:45.679
<v Speaker 1>who were over at San Jose State in another program

0:12:45.679 --> 0:12:48.199
<v Speaker 1>would make fun of us because they thought that podcasting

0:12:48.240 --> 0:12:51.400
<v Speaker 1>was a joke. So now I'm laughing um. But I

0:12:51.480 --> 0:12:54.520
<v Speaker 1>always wanted to work in media in general. Um. And

0:12:54.559 --> 0:12:56.920
<v Speaker 1>I'm from the Bay areas. Oka Quati, which is the

0:12:56.960 --> 0:13:00.480
<v Speaker 1>PBS MPR affiliate for San Francisco, was right there. So

0:13:00.559 --> 0:13:02.800
<v Speaker 1>I went and I worked. But I didn't plan on

0:13:02.880 --> 0:13:04.839
<v Speaker 1>being on the radio, and I didn't plan on being

0:13:04.840 --> 0:13:06.800
<v Speaker 1>on television. I planned on being sort of in the

0:13:06.840 --> 0:13:09.240
<v Speaker 1>advertising and marketing marketing side of things, which is what

0:13:09.280 --> 0:13:11.800
<v Speaker 1>I did. I ended up working in social media, but

0:13:11.880 --> 0:13:14.520
<v Speaker 1>I also ended up meeting a manual and Emmanuel and

0:13:14.600 --> 0:13:16.960
<v Speaker 1>I use a chit chat about pop culture in the

0:13:16.960 --> 0:13:20.840
<v Speaker 1>hallways and just throughout work in general, and eventually he

0:13:20.880 --> 0:13:24.280
<v Speaker 1>approached me about doing what we do but recording it.

0:13:24.640 --> 0:13:28.040
<v Speaker 1>It's a great handball. Thank you for the batton. Yes

0:13:29.080 --> 0:13:31.560
<v Speaker 1>are we in the Olympics. Yeah, they're not over yet.

0:13:32.040 --> 0:13:33.960
<v Speaker 1>This is just what I teach when I do radio.

0:13:33.960 --> 0:13:35.280
<v Speaker 1>I'm like, you have to pass the ball and she

0:13:35.400 --> 0:13:37.839
<v Speaker 1>just she sent you a lob. I loved it. You

0:13:38.640 --> 0:13:41.280
<v Speaker 1>missed out detail about when we would talk at your

0:13:41.320 --> 0:13:44.720
<v Speaker 1>cube side, I from your boss side. She has to

0:13:44.720 --> 0:13:48.160
<v Speaker 1>work and I'm like, they can wait. But I didn't

0:13:48.200 --> 0:13:52.199
<v Speaker 1>know that. Um. But for me, I started as an

0:13:52.240 --> 0:13:55.920
<v Speaker 1>intern I KQUT and I worked on a podcast pre serial,

0:13:56.120 --> 0:13:58.040
<v Speaker 1>so like podcasting was like, oh, what's that? How do

0:13:58.080 --> 0:14:01.400
<v Speaker 1>you even find it? iTunes? What? And it was a

0:14:01.440 --> 0:14:03.560
<v Speaker 1>literature podcast called The Writer's Block. And I got to

0:14:03.600 --> 0:14:06.920
<v Speaker 1>meet amazing people like Patti Smith and David Sedaris and

0:14:07.000 --> 0:14:10.760
<v Speaker 1>John Waters and all these people. And then that went

0:14:10.800 --> 0:14:14.160
<v Speaker 1>away and I started a pop culture blog to reach

0:14:14.200 --> 0:14:18.559
<v Speaker 1>the millennials because KUT was interested in in latching onto

0:14:18.600 --> 0:14:21.560
<v Speaker 1>this mythical beast known as the millennial. How do we

0:14:22.320 --> 0:14:25.360
<v Speaker 1>get their interests? How do we capture it? Study it? Yeah,

0:14:25.600 --> 0:14:30.560
<v Speaker 1>and that is not what k does or just picturing

0:14:30.600 --> 0:14:34.920
<v Speaker 1>a big net sticky pins in it. Yeah, but you

0:14:34.960 --> 0:14:38.280
<v Speaker 1>know it's not rocket science. If if you want millennials

0:14:38.280 --> 0:14:41.640
<v Speaker 1>to be interested in content, have other millennials create content

0:14:41.840 --> 0:14:46.200
<v Speaker 1>for people that they know that they're their friends and whatever,

0:14:46.520 --> 0:14:49.760
<v Speaker 1>and so that was successful and then from that the

0:14:49.800 --> 0:14:53.760
<v Speaker 1>Cooler was born. And I approached Jamidra and also Carly

0:14:53.960 --> 0:14:57.400
<v Speaker 1>because we would have pop culture conversations in the hallway

0:14:57.560 --> 0:15:00.840
<v Speaker 1>and we all have very different pers effectives, and I

0:15:00.880 --> 0:15:02.800
<v Speaker 1>thought it would be great to have a show where

0:15:02.880 --> 0:15:07.000
<v Speaker 1>not everyone disagrees, and sometimes we get into it hashtag

0:15:07.120 --> 0:15:10.040
<v Speaker 1>Stranger Things, and that's a lob off to Carly because

0:15:10.040 --> 0:15:13.320
<v Speaker 1>she has a lot of opinions about the Stranger Things.

0:15:13.360 --> 0:15:17.200
<v Speaker 1>Is such an albatross around my neck. Yeah, I and

0:15:17.400 --> 0:15:19.400
<v Speaker 1>you'll have to expand upon that because we have no

0:15:19.480 --> 0:15:23.120
<v Speaker 1>idea what you're talking about. So I'm pro and she's anti.

0:15:23.280 --> 0:15:25.320
<v Speaker 1>What do you mean you're anti? I think I'm the

0:15:25.400 --> 0:15:29.520
<v Speaker 1>one percent of humans that don't enjoy Stranger Things as

0:15:29.600 --> 0:15:31.840
<v Speaker 1>much as all the other humans. You're entitled to your

0:15:31.840 --> 0:15:35.160
<v Speaker 1>wrong opinion, That's what I'm saying. And you're entitled to

0:15:35.200 --> 0:15:38.800
<v Speaker 1>your wrong opinion exactly. That's why this is the beautiful country.

0:15:38.800 --> 0:15:41.920
<v Speaker 1>Remember we mentioned those NPR and K Yeah, yeah, they

0:15:41.920 --> 0:15:45.200
<v Speaker 1>were not happy about the Well, it doesn't help as

0:15:45.240 --> 0:15:48.080
<v Speaker 1>well when you do a very considered right up for

0:15:48.240 --> 0:15:51.200
<v Speaker 1>your editor. That's you, and then your editor gives it

0:15:51.280 --> 0:15:54.400
<v Speaker 1>the title hear me out Stranger Things is not that good?

0:15:55.040 --> 0:15:58.360
<v Speaker 1>That was her opinion. I think that that's valid title.

0:15:58.440 --> 0:16:00.400
<v Speaker 1>I like to think my original headline is a little

0:16:00.400 --> 0:16:02.160
<v Speaker 1>bit more on the fence. What was your original headline?

0:16:02.160 --> 0:16:08.240
<v Speaker 1>It was something like super like cowardly, ridiculous everybody. I

0:16:08.360 --> 0:16:11.520
<v Speaker 1>just just just in my opinion, I think I may

0:16:11.520 --> 0:16:14.680
<v Speaker 1>have used the word overrated. Oh that's even worse. See

0:16:14.760 --> 0:16:17.400
<v Speaker 1>I helped her, and she about what I will say.

0:16:17.400 --> 0:16:20.800
<v Speaker 1>Though it's season two makes season one look incredible. I'm

0:16:20.840 --> 0:16:22.840
<v Speaker 1>going back and looking at season one with fresh eyes.

0:16:24.120 --> 0:16:26.160
<v Speaker 1>I'm not going to rehash this. Don't look at me

0:16:26.240 --> 0:16:30.560
<v Speaker 1>like that. I feel I feel like I'm caught up. Basically,

0:16:30.720 --> 0:16:32.320
<v Speaker 1>I don't like it because I think it's a big

0:16:32.720 --> 0:16:35.240
<v Speaker 1>I think it plagiarizes rather than pays homage. I think

0:16:35.240 --> 0:16:37.800
<v Speaker 1>if you really want to enjoy that period, don't wallow

0:16:37.800 --> 0:16:40.000
<v Speaker 1>in fake nostalgia that's been cooked up in the lab

0:16:40.080 --> 0:16:42.920
<v Speaker 1>for you millennial um or someone who grew up in

0:16:42.960 --> 0:16:45.360
<v Speaker 1>the eighties. Just go and watch Poltergeist or Stand By

0:16:45.400 --> 0:16:47.680
<v Speaker 1>Me or any of those other movies that it rips off.

0:16:47.800 --> 0:16:50.960
<v Speaker 1>Do you want to hear something awful. I have a

0:16:50.960 --> 0:16:52.840
<v Speaker 1>teacher podcast in class and a student is doing a

0:16:52.880 --> 0:16:55.200
<v Speaker 1>podcast about Santa Cruz is from Santa Cruz, and I'm like, Oh,

0:16:55.240 --> 0:16:58.240
<v Speaker 1>you're gonna talk about Last Boys? Oh yeah, yeah, yeah.

0:16:58.360 --> 0:17:00.560
<v Speaker 1>He'd never heard of Last Boys. You guys heard of

0:17:00.640 --> 0:17:03.840
<v Speaker 1>Last Place vaguely? Oh my gosh, I have. But I,

0:17:04.240 --> 0:17:06.199
<v Speaker 1>oh my gosh, watch Last Boys. You can't be from

0:17:06.200 --> 0:17:08.879
<v Speaker 1>the Bay Area, if you if you know, sorry, I

0:17:08.920 --> 0:17:10.800
<v Speaker 1>won't even see that. Quite a little childre I'm feeling

0:17:10.840 --> 0:17:13.480
<v Speaker 1>so old, So let's get you your story. I started

0:17:13.480 --> 0:17:15.920
<v Speaker 1>off working in an art museum back in the UK,

0:17:16.400 --> 0:17:19.640
<v Speaker 1>and weirdly I really an art museum with that accent.

0:17:19.880 --> 0:17:23.239
<v Speaker 1>But she's not posh everybody, now, I was walking right

0:17:23.280 --> 0:17:25.520
<v Speaker 1>into this one. I used to make podcasts for this

0:17:25.640 --> 0:17:27.119
<v Speaker 1>art museum. I used to kind of work in a

0:17:27.119 --> 0:17:30.200
<v Speaker 1>communications role and I used to make little, tiny podcasts,

0:17:30.359 --> 0:17:32.960
<v Speaker 1>which looking back probably weren't that great, but I was

0:17:32.960 --> 0:17:34.560
<v Speaker 1>the only person who was doing it, and I was

0:17:34.880 --> 0:17:37.280
<v Speaker 1>given free rein and I absolutely loved doing it. And

0:17:37.320 --> 0:17:40.920
<v Speaker 1>then I kind of put all that aside for several years,

0:17:41.440 --> 0:17:43.919
<v Speaker 1>moved out here, started working. I used to work at

0:17:43.920 --> 0:17:48.360
<v Speaker 1>San Francisco Ballet and then I's not but I'm not partial.

0:17:50.880 --> 0:17:52.880
<v Speaker 1>I don't buy that at all, Like you're just putting

0:17:52.960 --> 0:17:56.199
<v Speaker 1>up a big mirror, and I finally see myself right

0:17:56.200 --> 0:17:58.240
<v Speaker 1>now this is turned into a roast of Carly. I'm

0:17:58.280 --> 0:18:00.440
<v Speaker 1>so sorry for starting that with the stranger and all

0:18:00.480 --> 0:18:03.200
<v Speaker 1>the beady eyes on me, just watching me like melt um.

0:18:03.200 --> 0:18:05.439
<v Speaker 1>And then I came to KQBDU where I work in

0:18:05.520 --> 0:18:08.679
<v Speaker 1>social media, and that these fine people, and it genuinely

0:18:08.880 --> 0:18:11.320
<v Speaker 1>was just like these guys say, we just used to

0:18:11.320 --> 0:18:14.520
<v Speaker 1>have separate, weirdly separate conversations about pop culture because do

0:18:14.520 --> 0:18:16.600
<v Speaker 1>you meet her and I A didn't know each other

0:18:16.640 --> 0:18:19.080
<v Speaker 1>that well, and be didn't talk about pop culture. When

0:18:19.119 --> 0:18:22.840
<v Speaker 1>we did talk, what did we talk about? Probably probably work,

0:18:23.040 --> 0:18:26.800
<v Speaker 1>probably art? What kind of team were having? What you

0:18:26.880 --> 0:18:30.440
<v Speaker 1>do together? The third at Gaine. But yeah, and then

0:18:30.480 --> 0:18:32.840
<v Speaker 1>it literally started like that, and we just tried stuff out.

0:18:32.920 --> 0:18:34.520
<v Speaker 1>Some of it was great, some of it was terrible.

0:18:34.560 --> 0:18:37.119
<v Speaker 1>We jumped the terrible stuff, elaborated on the good stuff,

0:18:37.320 --> 0:18:43.440
<v Speaker 1>I hope, and here we are. So you know, one

0:18:43.440 --> 0:18:46.600
<v Speaker 1>thing I tell people when they come up to you

0:18:46.600 --> 0:18:48.479
<v Speaker 1>at a party, and you know, I've done a lot

0:18:48.480 --> 0:18:49.840
<v Speaker 1>of talk radio, and they're like, I could do what

0:18:49.920 --> 0:18:52.720
<v Speaker 1>you do. My friends and I talk and it's oh gosh,

0:18:52.760 --> 0:18:54.280
<v Speaker 1>I want to do that. I can do that, And

0:18:54.359 --> 0:18:57.440
<v Speaker 1>you also exag yeah, you know, would you go tell

0:18:57.440 --> 0:18:59.160
<v Speaker 1>a surgeon you can do what he does because you've

0:18:59.160 --> 0:19:02.760
<v Speaker 1>watched mash um. But the point is that when you

0:19:02.800 --> 0:19:06.720
<v Speaker 1>do it right, it sounds effortless, and it sounds it

0:19:06.760 --> 0:19:10.440
<v Speaker 1>does sound like I'm eavesdropping in on a conversation. Um,

0:19:10.480 --> 0:19:12.159
<v Speaker 1>I just want to want you to speak to how

0:19:12.560 --> 0:19:16.080
<v Speaker 1>that process was to start and how it's evolved for

0:19:16.160 --> 0:19:20.359
<v Speaker 1>you guys, because it does sound effortless. But I do

0:19:20.440 --> 0:19:23.040
<v Speaker 1>know that there's a lot that goes into sounding that effortless.

0:19:23.880 --> 0:19:26.120
<v Speaker 1>It's like a swan. It just it looks great from

0:19:26.200 --> 0:19:28.600
<v Speaker 1>up top, but down below it's a it's a big

0:19:28.600 --> 0:19:33.920
<v Speaker 1>old mess. A little closer, she's she's doing swan references.

0:19:33.680 --> 0:19:40.919
<v Speaker 1>Not exactly. I'm sorry, I just leon, I'm sorry. I

0:19:41.160 --> 0:19:43.159
<v Speaker 1>think that it is not it's not effortless. But I

0:19:43.160 --> 0:19:45.639
<v Speaker 1>think we've gotten more more of a rhythm than we

0:19:45.680 --> 0:19:48.240
<v Speaker 1>did when we first started, because all of us are

0:19:48.320 --> 0:19:51.439
<v Speaker 1>pretty talkative people and we have to talk about a

0:19:51.440 --> 0:19:53.960
<v Speaker 1>certain topic or sometimes when we're interviewing people, we have

0:19:53.960 --> 0:19:57.159
<v Speaker 1>to figure out where we fit in the conversation. I

0:19:57.160 --> 0:19:59.800
<v Speaker 1>remember when, very early in our interview process, we'd be like, Okay,

0:19:59.840 --> 0:20:02.480
<v Speaker 1>you ask one question, and then you ask another question,

0:20:02.720 --> 0:20:04.640
<v Speaker 1>and then you ask another question, or else we could

0:20:04.640 --> 0:20:07.000
<v Speaker 1>just go on forever. Yeah, we have to script it

0:20:07.160 --> 0:20:09.520
<v Speaker 1>and stick to it, because otherwise we only have an

0:20:09.520 --> 0:20:14.080
<v Speaker 1>hour usually, and we can easily go for like five hours,

0:20:14.640 --> 0:20:15.960
<v Speaker 1>but no one wants to edit that, and one wants

0:20:15.960 --> 0:20:19.400
<v Speaker 1>to listen to that exactly. We try to keep it tight.

0:20:19.840 --> 0:20:22.439
<v Speaker 1>And as these two know, I usually come in with

0:20:22.480 --> 0:20:26.880
<v Speaker 1>like five pages that are highlighted. All of the all

0:20:26.920 --> 0:20:29.719
<v Speaker 1>of the words are highlighted, all of the words are

0:20:29.760 --> 0:20:31.840
<v Speaker 1>all of that. Basically, if you listen really carefully to

0:20:31.880 --> 0:20:34.520
<v Speaker 1>each episode, you can hear that gentle kind of the

0:20:34.720 --> 0:20:37.119
<v Speaker 1>sound of the highlighter. You can hear me trying to

0:20:37.200 --> 0:20:40.520
<v Speaker 1>drink tea surreptitiously and not getting away with it. You

0:20:40.520 --> 0:20:42.600
<v Speaker 1>can just hear all these little kind of incidental sound

0:20:42.600 --> 0:20:44.760
<v Speaker 1>and I'm just giggling the entire time, which I love.

0:20:45.600 --> 0:20:48.359
<v Speaker 1>But just watching you three right now, and I think

0:20:48.400 --> 0:20:50.159
<v Speaker 1>it's probably good that we are. We are on camera.

0:20:50.960 --> 0:20:53.520
<v Speaker 1>You have the character exists of every good talk show

0:20:53.520 --> 0:20:56.320
<v Speaker 1>I've worked on, which is the eye contact and you're

0:20:56.400 --> 0:20:58.920
<v Speaker 1>as you're finishing, you're looking here and giving him that

0:20:59.240 --> 0:21:01.560
<v Speaker 1>you do that, I handoff and and that's and that

0:21:01.640 --> 0:21:04.840
<v Speaker 1>comes with It's not something I had to go to

0:21:05.000 --> 0:21:08.119
<v Speaker 1>l A to work for for somebody in and they

0:21:08.160 --> 0:21:10.879
<v Speaker 1>wanted that like the first day, and I told him, like,

0:21:10.920 --> 0:21:13.360
<v Speaker 1>it doesn't happen like that. It takes some time. Right,

0:21:14.400 --> 0:21:16.400
<v Speaker 1>you have to fall in love with your co host

0:21:16.400 --> 0:21:18.760
<v Speaker 1>faces so that you're always looking at their easy to

0:21:18.840 --> 0:21:22.440
<v Speaker 1>just that this is the marriage. It's like, I don't

0:21:22.440 --> 0:21:24.640
<v Speaker 1>know about you, guys, I have so much I had

0:21:24.680 --> 0:21:27.480
<v Speaker 1>respect before, but I have so much more respect even

0:21:27.800 --> 0:21:30.280
<v Speaker 1>for folks who do this, because I think, to your

0:21:30.320 --> 0:21:33.040
<v Speaker 1>point about it, if it seems effortless, there's so much

0:21:33.080 --> 0:21:34.919
<v Speaker 1>work going on behind the scenes, and I think I

0:21:35.000 --> 0:21:38.520
<v Speaker 1>really under, like naively underestimated the amount of work that

0:21:38.560 --> 0:21:42.480
<v Speaker 1>goes into making something look easy and spontaneous. Um. And

0:21:42.520 --> 0:21:44.800
<v Speaker 1>those first couple of episodes were like such a rude

0:21:44.800 --> 0:21:46.840
<v Speaker 1>awakening for me. They're like, oh, this is really hard.

0:21:47.200 --> 0:21:49.400
<v Speaker 1>People study for this and they do it a lot,

0:21:49.480 --> 0:21:51.800
<v Speaker 1>and then they get really good at it and to

0:21:51.920 --> 0:21:54.639
<v Speaker 1>be allowed to kind of continue to improve it it.

0:21:54.720 --> 0:21:57.240
<v Speaker 1>I think we are pretty fortunate in that respect. I

0:21:57.280 --> 0:21:59.399
<v Speaker 1>would say, yeah, they just kind of like threw us

0:21:59.400 --> 0:22:01.280
<v Speaker 1>out there and the ending and they're like, let's see

0:22:01.280 --> 0:22:03.240
<v Speaker 1>if this works. Maybe it won't, maybe you guys will

0:22:03.240 --> 0:22:05.399
<v Speaker 1>suck good luck. And we were just like, Okay, this

0:22:05.440 --> 0:22:07.600
<v Speaker 1>is on us. And we actually had a live show

0:22:08.240 --> 0:22:11.679
<v Speaker 1>like the second week we were out, in which we

0:22:11.720 --> 0:22:17.280
<v Speaker 1>interviewed w km out Bell. Yeah, oh my god, no pressure,

0:22:17.880 --> 0:22:21.239
<v Speaker 1>gracious about it. Well, if it's a good guest, it

0:22:21.240 --> 0:22:24.959
<v Speaker 1>makes it easier, right, Yeah, And we were very scared

0:22:25.119 --> 0:22:29.120
<v Speaker 1>to a release the podcast and be have this live

0:22:29.160 --> 0:22:31.520
<v Speaker 1>event for people who didn't know who we were. We

0:22:31.560 --> 0:22:33.639
<v Speaker 1>didn't have a fan base. W kml Bell was there

0:22:33.640 --> 0:22:35.480
<v Speaker 1>and he's like, wait, what is this again. We're like,

0:22:35.520 --> 0:22:39.080
<v Speaker 1>we're not even sure. And it went really well. And

0:22:39.359 --> 0:22:40.960
<v Speaker 1>that was my lead in to say that we're actually

0:22:41.000 --> 0:22:46.200
<v Speaker 1>having a second you March at the Chapel in San

0:22:46.200 --> 0:22:50.920
<v Speaker 1>Francisco and the theme is nineties slumber party. Can I come? Yeah?

0:22:51.920 --> 0:22:54.639
<v Speaker 1>It's going to be so fun, having fun planning it,

0:22:54.840 --> 0:22:57.240
<v Speaker 1>having fun thinking about it. It's just going to be

0:22:57.240 --> 0:23:00.760
<v Speaker 1>a good night. I think that live doing live podcasts

0:23:00.800 --> 0:23:03.080
<v Speaker 1>are great for a lot of reasons, for for as

0:23:03.119 --> 0:23:05.520
<v Speaker 1>far as promotion and and then you know, if you're

0:23:05.640 --> 0:23:09.480
<v Speaker 1>in the sales world of radio, like it's it's I

0:23:09.520 --> 0:23:11.640
<v Speaker 1>think podcasting brings back a lot of what we used

0:23:11.640 --> 0:23:13.040
<v Speaker 1>to do in radio, and we used to do a

0:23:13.119 --> 0:23:15.000
<v Speaker 1>lot of live stuff in front of people. We used

0:23:15.000 --> 0:23:18.000
<v Speaker 1>to talk um and and that's what we get to

0:23:18.000 --> 0:23:20.320
<v Speaker 1>do with podcasting. Is one of the selling points I

0:23:20.359 --> 0:23:22.320
<v Speaker 1>give to radio stations when I go there. That is,

0:23:22.520 --> 0:23:24.560
<v Speaker 1>you know, listen, you didn't get in your radio for

0:23:24.560 --> 0:23:26.800
<v Speaker 1>talk for twenty to talk for twenty seconds between music.

0:23:27.040 --> 0:23:29.159
<v Speaker 1>I don't think you did. Maybe you did, but you

0:23:29.200 --> 0:23:36.240
<v Speaker 1>came to talk. NBR it was way ahead on the podcasting,

0:23:36.320 --> 0:23:38.560
<v Speaker 1>you know, NBR. You know when we started Stitcher ten

0:23:38.640 --> 0:23:42.000
<v Speaker 1>years ago, like those were the first good podcast we had,

0:23:42.400 --> 0:23:44.280
<v Speaker 1>and pretty much the only really good podcast we have

0:23:44.280 --> 0:23:46.639
<v Speaker 1>are from NPR. But NBR for a long time was

0:23:46.680 --> 0:23:48.600
<v Speaker 1>in the world of making radio shows and turning them

0:23:48.600 --> 0:23:51.480
<v Speaker 1>into podcasts. And you're part of this new movement of

0:23:51.880 --> 0:23:55.639
<v Speaker 1>creating podcasting. Do you see this, um? Is? This is

0:23:55.640 --> 0:23:58.720
<v Speaker 1>this something you see like being encouraged around um? Are

0:23:58.760 --> 0:24:01.760
<v Speaker 1>there lots of you know, lots of opportunities. Do you

0:24:01.760 --> 0:24:04.520
<v Speaker 1>think of podcasting moving forward in the np ARE front,

0:24:06.600 --> 0:24:08.800
<v Speaker 1>I would say yes, Um, I feel like there are

0:24:08.800 --> 0:24:11.320
<v Speaker 1>lots of new podcasts popping up just in KQUD in general.

0:24:11.400 --> 0:24:14.400
<v Speaker 1>So we've we've got the Cooler that's been around for

0:24:14.560 --> 0:24:17.520
<v Speaker 1>what since two thousand and fifteen? When do you put

0:24:17.520 --> 0:24:20.119
<v Speaker 1>it like that? Oh? Yeah, We've got a few other

0:24:20.160 --> 0:24:21.879
<v Speaker 1>ones that have popped up. Big Curious is another one

0:24:21.880 --> 0:24:24.920
<v Speaker 1>that's around. So it's a lot more is happening. And

0:24:24.960 --> 0:24:26.399
<v Speaker 1>the one great thing that I will say, not the

0:24:26.400 --> 0:24:27.560
<v Speaker 1>one great thing, but one of the great things I

0:24:27.560 --> 0:24:29.679
<v Speaker 1>will say about working at public media is that it's

0:24:29.680 --> 0:24:32.360
<v Speaker 1>an environment where you're kind of encouraged to like roll

0:24:32.400 --> 0:24:35.479
<v Speaker 1>your sleeves up and try things. So they're like, let's try,

0:24:35.560 --> 0:24:36.919
<v Speaker 1>let's see if it works out. If it doesn't, then

0:24:36.960 --> 0:24:38.960
<v Speaker 1>we won't do it again. But they encourage you to

0:24:39.000 --> 0:24:41.560
<v Speaker 1>do it. Um. And so they gave us the ball

0:24:41.600 --> 0:24:43.480
<v Speaker 1>and we ran with it, and I'm sure there'll be

0:24:43.520 --> 0:24:45.320
<v Speaker 1>other people that are coming behind us to run with

0:24:45.320 --> 0:24:48.879
<v Speaker 1>the ball as well, and it'll be fun hopefully. Actually

0:24:48.880 --> 0:24:50.680
<v Speaker 1>to that point, I think that's how three. If like,

0:24:50.760 --> 0:24:52.080
<v Speaker 1>please correct me if I'm wrong, but I think that's

0:24:52.080 --> 0:24:53.919
<v Speaker 1>how like three of the other big ones that take

0:24:53.960 --> 0:24:56.840
<v Speaker 1>qud come out has just come out with started just

0:24:56.920 --> 0:24:59.919
<v Speaker 1>by experimentation. I know, Bay Curious started off like that.

0:25:00.520 --> 0:25:03.320
<v Speaker 1>Um the Bay is something that just launched, which is

0:25:03.400 --> 0:25:06.000
<v Speaker 1>like the daily news podcast that they're doing with like

0:25:06.000 --> 0:25:08.760
<v Speaker 1>a really local slant about the Bay area. UM, political

0:25:08.840 --> 0:25:12.440
<v Speaker 1>breakdown California politics. Because to your point, everyone cares about

0:25:12.440 --> 0:25:15.040
<v Speaker 1>politics now, Like this stuff is it's kind of really

0:25:15.040 --> 0:25:17.000
<v Speaker 1>flourishing and it's I don't know, it's really fun to

0:25:17.000 --> 0:25:20.080
<v Speaker 1>work on as well, good people doing it as well,

0:25:20.320 --> 0:25:23.640
<v Speaker 1>which is lovely. Do you see the movement from from

0:25:23.680 --> 0:25:26.159
<v Speaker 1>it used to be you know, radio going into podcasting,

0:25:26.240 --> 0:25:28.760
<v Speaker 1>but now you're seeing a lot of podcasting moving onto

0:25:28.840 --> 0:25:32.000
<v Speaker 1>the air with radio? Um, is that something that you

0:25:32.160 --> 0:25:34.760
<v Speaker 1>eventually want to do? Have the show be part of

0:25:34.800 --> 0:25:39.239
<v Speaker 1>the route? As I started off the conversation, Garrison Killers, well,

0:25:39.240 --> 0:25:41.920
<v Speaker 1>actually he's already off the air, but that he is.

0:25:44.000 --> 0:25:46.840
<v Speaker 1>But but you know that there that this makes you know,

0:25:46.920 --> 0:25:49.919
<v Speaker 1>by having a podcast or kind of a farm system,

0:25:49.960 --> 0:25:51.560
<v Speaker 1>you know of like let's build our talent up so

0:25:51.600 --> 0:25:53.280
<v Speaker 1>that they're ready to go when we want to put

0:25:53.359 --> 0:25:55.840
<v Speaker 1>them on the air. I don't know, I mean I

0:25:55.880 --> 0:25:57.720
<v Speaker 1>think that. I think the thing of the beauty about

0:25:57.720 --> 0:26:01.240
<v Speaker 1>podcasting is that you have such a wide audience. So

0:26:01.240 --> 0:26:03.560
<v Speaker 1>I can't I haven't looked at the numbers recently. Manu

0:26:03.680 --> 0:26:05.720
<v Speaker 1>usually does that, but we have people who listen all

0:26:05.760 --> 0:26:08.760
<v Speaker 1>over the world. We had some folks a message from

0:26:08.800 --> 0:26:12.359
<v Speaker 1>South Africa. Yeah, and so when if our if our

0:26:12.480 --> 0:26:14.720
<v Speaker 1>podcast was on the air and beyond KQUTY, which means

0:26:14.720 --> 0:26:16.840
<v Speaker 1>that it'd be in the San Francisco Bay area, and

0:26:16.840 --> 0:26:19.719
<v Speaker 1>so I think sometimes those audiences are very different. Um,

0:26:19.760 --> 0:26:21.960
<v Speaker 1>in order for us to be on the radio, if

0:26:22.000 --> 0:26:25.359
<v Speaker 1>they would even let us on the radio, UM, we'd

0:26:25.400 --> 0:26:27.320
<v Speaker 1>have to sort of like have a we'd have to

0:26:27.320 --> 0:26:29.840
<v Speaker 1>have a really strong case for people in this area

0:26:29.960 --> 0:26:33.720
<v Speaker 1>wanting to hear us talk. Yeah, I think they do,

0:26:33.840 --> 0:26:36.720
<v Speaker 1>but UM, we would definitely have to approach it differently

0:26:36.720 --> 0:26:40.640
<v Speaker 1>because sometimes we try jokes that sometimes don't work. They're

0:26:40.640 --> 0:26:43.320
<v Speaker 1>a little too on the edge and I cut them out.

0:26:43.600 --> 0:26:44.920
<v Speaker 1>And if we were on radio, I think there will

0:26:44.960 --> 0:26:47.480
<v Speaker 1>be more pressure and we probably wouldn't be as much

0:26:47.640 --> 0:26:51.600
<v Speaker 1>of ourselves, but we would learn. So KQUT, if you're listening,

0:26:52.160 --> 0:26:55.159
<v Speaker 1>give us a radio spot, because you know, the more

0:26:55.160 --> 0:26:58.399
<v Speaker 1>of the Merrier. There was this talk of on April

0:26:58.400 --> 0:27:01.719
<v Speaker 1>Falls when you're um me and the person that I

0:27:01.760 --> 0:27:05.160
<v Speaker 1>started k QT pop the blog with, taking over for

0:27:05.280 --> 0:27:08.560
<v Speaker 1>Michael Krasny, who does for him the news show in

0:27:08.600 --> 0:27:10.800
<v Speaker 1>the morning, and for April Fol's. We would come on

0:27:10.840 --> 0:27:13.919
<v Speaker 1>and say, hey, we're actually millennials who work here, and

0:27:13.920 --> 0:27:17.080
<v Speaker 1>we're taking so much better than Michael Krasny. Oh I'm

0:27:17.119 --> 0:27:23.760
<v Speaker 1>sorry now for me. For me, I like Michael, but

0:27:24.040 --> 0:27:26.640
<v Speaker 1>I think I'd like to listen anymore. Well, well that's

0:27:26.720 --> 0:27:28.600
<v Speaker 1>very that's nice. I don't work at NP or I

0:27:28.640 --> 0:27:30.679
<v Speaker 1>can say whatever I want. I like listening to you.

0:27:30.680 --> 0:27:33.040
<v Speaker 1>I'd rather listen to you any day. We're just gonna

0:27:33.040 --> 0:27:37.120
<v Speaker 1>sit smile. But that was the idea, and then quickly

0:27:37.520 --> 0:27:41.320
<v Speaker 1>people at the station we're like, that will create riots

0:27:41.320 --> 0:27:44.080
<v Speaker 1>in the streets. We actually believe that that's happening, and

0:27:44.080 --> 0:27:47.399
<v Speaker 1>that they forget that it's April Fol's. People take Michael

0:27:47.440 --> 0:27:50.400
<v Speaker 1>almost as seriously as he takes himself. People love him,

0:27:51.080 --> 0:27:54.280
<v Speaker 1>so Michael has a serious fan. Oh I know, oh,

0:27:54.480 --> 0:27:57.160
<v Speaker 1>I know, I'm probably gonna get some hate for for

0:27:57.560 --> 0:28:00.320
<v Speaker 1>that little statement coming right now, so anticipate, you know what,

0:28:00.359 --> 0:28:02.919
<v Speaker 1>I embraced. I need some trolls at this point. You know,

0:28:03.000 --> 0:28:04.720
<v Speaker 1>we've only been we've only done like, you know what,

0:28:05.280 --> 0:28:07.760
<v Speaker 1>fourteen episodes, So yeah, bring it on. Let's get some.

0:28:08.000 --> 0:28:10.480
<v Speaker 1>Actually now I think I can hear a NPR trolls.

0:28:11.040 --> 0:28:13.359
<v Speaker 1>I deal with radio trolls in the day, So NPR,

0:28:13.440 --> 0:28:16.479
<v Speaker 1>bring it on. So Ryan Murphy's feud season three can

0:28:16.520 --> 0:28:20.640
<v Speaker 1>be about you and Michael Krasy. There's no feud True

0:28:20.640 --> 0:28:25.640
<v Speaker 1>Detective season three. I like Michael, it's just some days

0:28:25.680 --> 0:28:30.160
<v Speaker 1>it's I feel like it's a little too like me,

0:28:30.160 --> 0:28:32.919
<v Speaker 1>me me, some of the stuff. Just to bring it

0:28:32.920 --> 0:28:37.600
<v Speaker 1>back to the cooler stuff that people don't like at all.

0:28:37.920 --> 0:28:40.200
<v Speaker 1>We get people saying like why did you discuss that?

0:28:40.320 --> 0:28:43.520
<v Speaker 1>Or you're totally wrong stranger things or like I don't know,

0:28:43.520 --> 0:28:46.280
<v Speaker 1>And like, as we developed, that's one thing that we've

0:28:46.280 --> 0:28:49.000
<v Speaker 1>had to learn to not be afraid of. Like, as

0:28:49.040 --> 0:28:51.880
<v Speaker 1>an inveterate coward, I kind of shy away from conflict.

0:28:52.080 --> 0:28:56.360
<v Speaker 1>And it's weird having to decide to talk about something

0:28:56.560 --> 0:28:59.680
<v Speaker 1>knowing that certain people will really hate it and they'll

0:28:59.680 --> 0:29:02.680
<v Speaker 1>probably hate you for talking about it, do you know

0:29:02.720 --> 0:29:05.200
<v Speaker 1>what I mean? Like, like when you when you're kind

0:29:05.200 --> 0:29:08.160
<v Speaker 1>of brought up in a certain way to avoid distress

0:29:08.240 --> 0:29:11.360
<v Speaker 1>and just create comfort wherever you go, the poshway, Yes,

0:29:12.080 --> 0:29:15.320
<v Speaker 1>exactly in the West wing. It's just that's weird. So

0:29:15.440 --> 0:29:18.680
<v Speaker 1>who acts as the decision maker? Because I'm sitting here

0:29:18.760 --> 0:29:20.680
<v Speaker 1>right now thinking, gosh, should we cut out the Michael

0:29:20.760 --> 0:29:25.960
<v Speaker 1>Krastning Park because on this show I make that decision

0:29:26.200 --> 0:29:29.760
<v Speaker 1>too late? It's live now. Um, but who who who?

0:29:29.840 --> 0:29:32.320
<v Speaker 1>Who's the one that makes the final decision or is

0:29:32.320 --> 0:29:34.760
<v Speaker 1>that a group conscious or looking? I mean, is this

0:29:34.800 --> 0:29:36.680
<v Speaker 1>guy right here? Yeah? I kind of felt like that, Yeah,

0:29:36.680 --> 0:29:39.400
<v Speaker 1>we will what he takes input, Like we'll say if

0:29:39.440 --> 0:29:40.720
<v Speaker 1>I'll say something, and I'll be like, you know what,

0:29:40.760 --> 0:29:43.000
<v Speaker 1>maybe we don't. Maybe we shouldn't say that. Maybe when

0:29:43.040 --> 0:29:45.480
<v Speaker 1>you can cut that out. Um, but you I have

0:29:45.480 --> 0:29:47.000
<v Speaker 1>to give a lot of credits to a manual because

0:29:47.520 --> 0:29:50.320
<v Speaker 1>most people who work in podcasting or radio or whatever

0:29:51.200 --> 0:29:52.720
<v Speaker 1>they get on air, they do their job. They have

0:29:52.720 --> 0:29:54.640
<v Speaker 1>a producer that they work with who is typically sort

0:29:54.680 --> 0:29:57.240
<v Speaker 1>of like helps them cut things, manipulating make it sound great.

0:29:57.320 --> 0:30:00.200
<v Speaker 1>Emmanuel has done most of that. Our entire time him out.

0:30:00.680 --> 0:30:03.440
<v Speaker 1>So we go in, we have the topics, we record,

0:30:03.480 --> 0:30:06.200
<v Speaker 1>and then he spends time editing it all whittling it down,

0:30:06.840 --> 0:30:10.680
<v Speaker 1>contextualizing it for the blog. It's so yes. So I

0:30:10.760 --> 0:30:13.640
<v Speaker 1>typically deferred to him unless I feel strongly about something

0:30:13.720 --> 0:30:15.720
<v Speaker 1>or if I'm like, you know, when maybe I shouldn't

0:30:15.760 --> 0:30:18.760
<v Speaker 1>be on air saying that Manuel, do you have the

0:30:19.240 --> 0:30:25.040
<v Speaker 1>I'll get the after I hit published, right like, oh gosh,

0:30:25.040 --> 0:30:28.440
<v Speaker 1>maybe I should have cut that out. How do you

0:30:28.480 --> 0:30:31.040
<v Speaker 1>get that? And you still get that? Um, it's gone

0:30:31.080 --> 0:30:33.720
<v Speaker 1>now because we've done over a hundred of these episodes.

0:30:33.760 --> 0:30:37.080
<v Speaker 1>Just slipped a little fact. By the way, you're now

0:30:37.080 --> 0:30:41.440
<v Speaker 1>an official podcast once you've done a hundred. Finally, finally

0:30:43.160 --> 0:30:46.479
<v Speaker 1>do we have the rest of that? Um? But they

0:30:46.520 --> 0:30:50.920
<v Speaker 1>just yanked us off a YouTube thing. Sorry guys, But yeah,

0:30:50.960 --> 0:30:54.560
<v Speaker 1>I don't get that feeling anymore because I'm pretty much perfectionist.

0:30:54.600 --> 0:30:57.120
<v Speaker 1>So before anything goes out, I listened to it like

0:30:57.320 --> 0:31:00.760
<v Speaker 1>seven times. And then when I meet up with these

0:31:00.800 --> 0:31:02.400
<v Speaker 1>guys who are like, oh my god, how's it been going.

0:31:02.440 --> 0:31:03.640
<v Speaker 1>I haven't seen you in so long? And I'm like,

0:31:03.800 --> 0:31:05.280
<v Speaker 1>I feel like we've been hanging out for like the

0:31:05.320 --> 0:31:08.680
<v Speaker 1>past five days. Live inside my ears. I've been listening

0:31:08.760 --> 0:31:12.800
<v Speaker 1>to a conversation we had a week ago seven times. Um,

0:31:12.880 --> 0:31:15.520
<v Speaker 1>and I'm glad to say new things and here you

0:31:15.520 --> 0:31:18.400
<v Speaker 1>say new things. Yeah, but yeah, that feeling is gone.

0:31:18.400 --> 0:31:23.880
<v Speaker 1>And you know, if people don't like it, that's fine.

0:31:25.040 --> 0:31:28.719
<v Speaker 1>I always end my show with three killer questions, very

0:31:29.120 --> 0:31:32.400
<v Speaker 1>much a radio thing. Trust me, this will take another

0:31:32.440 --> 0:31:37.040
<v Speaker 1>twenty minutes. Yeah, this is These questions do tend to

0:31:37.120 --> 0:31:39.280
<v Speaker 1>have their own life. So the first question I asked

0:31:39.280 --> 0:31:41.160
<v Speaker 1>everybody and I and I want you to take a

0:31:41.160 --> 0:31:43.120
<v Speaker 1>second thing about it. But if you could listen to

0:31:43.160 --> 0:31:46.440
<v Speaker 1>a podcast featuring anybody living or dead, so like your

0:31:46.520 --> 0:31:48.520
<v Speaker 1>dream podcast, and I'll tell you. My favorite answer I've

0:31:48.520 --> 0:31:50.600
<v Speaker 1>heard so far was from one of my students who

0:31:50.600 --> 0:31:54.440
<v Speaker 1>said Bobby Brown and Whitney Houston during the nineties, like,

0:31:54.600 --> 0:31:56.600
<v Speaker 1>and I was like, that would have been a good podcast.

0:31:56.960 --> 0:31:59.840
<v Speaker 1>I would like to hear that. So think about it.

0:32:00.840 --> 0:32:04.040
<v Speaker 1>M hmmm, does anybody have anybody else? That's a really

0:32:04.080 --> 0:32:10.520
<v Speaker 1>good question. Um, don't steal it. And I promises that's

0:32:10.560 --> 0:32:13.680
<v Speaker 1>what radio is, okay. So you know, to dope queens,

0:32:15.600 --> 0:32:19.040
<v Speaker 1>So the idea is to doper queens. No offense to

0:32:19.080 --> 0:32:22.960
<v Speaker 1>Phoebe and Jessica love them, but you know, evolving evolution.

0:32:23.560 --> 0:32:27.680
<v Speaker 1>It will be Sasha, Emilie Obama and It will encapsulate

0:32:27.800 --> 0:32:30.920
<v Speaker 1>that photo that you might have seen where Sasha is

0:32:30.920 --> 0:32:34.280
<v Speaker 1>talking to Ryan Reynolds and in the background, Malia is

0:32:34.320 --> 0:32:38.200
<v Speaker 1>giving her thumbs up, like yeah, so I would love

0:32:38.280 --> 0:32:42.920
<v Speaker 1>to hear that in audio format and two dopest queens

0:32:44.040 --> 0:32:47.520
<v Speaker 1>m I like that. I'm just like, no, I love this.

0:32:47.960 --> 0:32:51.560
<v Speaker 1>I have the title concept me to what two dopest

0:32:51.640 --> 0:32:57.640
<v Speaker 1>queens Cardi B and Tiffany Hattish from Girls Trip. Okay,

0:32:57.640 --> 0:32:59.320
<v Speaker 1>I'm here for that. That would be amazing. I would

0:32:59.320 --> 0:33:01.680
<v Speaker 1>listen to that, but I think that I would have

0:33:01.720 --> 0:33:04.120
<v Speaker 1>to turn it off after about ten fifteen minutes. I

0:33:04.120 --> 0:33:06.840
<v Speaker 1>think Cardy would great on me after about ten or

0:33:06.840 --> 0:33:11.400
<v Speaker 1>fifty years. Like weird. Now see, in my world, I

0:33:11.440 --> 0:33:15.960
<v Speaker 1>can't make fun of Cardi B. Because you know that's

0:33:16.000 --> 0:33:19.680
<v Speaker 1>like our Michael Krasny. Cardi B's are Michael Krasny. That's

0:33:19.720 --> 0:33:23.760
<v Speaker 1>quite the jumps. Well, okay, let's make that happen. I

0:33:23.760 --> 0:33:25.280
<v Speaker 1>feel like I need to see that on a T shirt.

0:33:25.480 --> 0:33:29.840
<v Speaker 1>Cardi B is are Michael. We might have just created

0:33:29.880 --> 0:33:33.680
<v Speaker 1>something beautiful. There's my there's another dream podcast Michael and

0:33:33.720 --> 0:33:37.040
<v Speaker 1>Cardi B. He would be so prepared. I don't know

0:33:37.080 --> 0:33:39.000
<v Speaker 1>why when you mentioned it, the first person that came

0:33:39.000 --> 0:33:40.760
<v Speaker 1>to mind. I was like no, and tried to dismiss it,

0:33:40.840 --> 0:33:43.520
<v Speaker 1>but he won't go away. James Brown, like, I would

0:33:43.520 --> 0:33:45.960
<v Speaker 1>love James James Brown, and I don't know if it's

0:33:45.960 --> 0:33:47.600
<v Speaker 1>because you know, I'm a Brown and I hope that

0:33:47.640 --> 0:33:50.360
<v Speaker 1>we're related, but we're probably not. But I would like

0:33:50.640 --> 0:33:54.360
<v Speaker 1>a podcast and that followed his life because he got

0:33:54.400 --> 0:33:56.840
<v Speaker 1>I mean, there was some amazing times back in the day,

0:33:57.160 --> 0:34:02.000
<v Speaker 1>just is evidenced by some of his mugshot photos. Just

0:34:02.160 --> 0:34:04.400
<v Speaker 1>to like be in the life, like a day in

0:34:04.400 --> 0:34:08.080
<v Speaker 1>the life with James Brown and hanging out with celebrity

0:34:08.120 --> 0:34:12.400
<v Speaker 1>friends amazing. The other person they came to mind Charlie Murphy.

0:34:12.920 --> 0:34:15.600
<v Speaker 1>Oh my gosh, no, it would be great to listen

0:34:15.600 --> 0:34:18.120
<v Speaker 1>to Charlie Murphy tell stories every day on a podcast,

0:34:18.120 --> 0:34:20.759
<v Speaker 1>every single day. So those are the two people that

0:34:20.840 --> 0:34:24.799
<v Speaker 1>came to mind for me. I like that. I love

0:34:24.800 --> 0:34:26.520
<v Speaker 1>how I've had the most time to think about it,

0:34:26.600 --> 0:34:29.239
<v Speaker 1>yet I feel the least preferred with this answer. I'm

0:34:29.280 --> 0:34:32.480
<v Speaker 1>a big movie doalk like. I just love movie trivia,

0:34:32.560 --> 0:34:35.040
<v Speaker 1>behind the scenes stories, you know, those oral histories of

0:34:35.040 --> 0:34:37.000
<v Speaker 1>movies you get in like Vanity Fair or something, some

0:34:37.080 --> 0:34:39.760
<v Speaker 1>kind of podcast version of that. It would be amazing

0:34:39.760 --> 0:34:42.319
<v Speaker 1>if you could get everyone involved and everyone cared enough

0:34:42.560 --> 0:34:46.879
<v Speaker 1>you got a club. Yeah yeah, I mean that they

0:34:46.920 --> 0:34:48.759
<v Speaker 1>have those in the interviews on there where they talk

0:34:48.800 --> 0:34:51.960
<v Speaker 1>about back you know a scene or can I tell

0:34:52.000 --> 0:34:53.920
<v Speaker 1>you the A b Club series I love most and

0:34:53.960 --> 0:34:56.719
<v Speaker 1>I horp on this A Bunch History of Violence where

0:34:56.760 --> 0:35:00.280
<v Speaker 1>they talk about action movies and they take action movie

0:35:00.400 --> 0:35:03.400
<v Speaker 1>seriously as like products of the time they were made in.

0:35:03.600 --> 0:35:07.840
<v Speaker 1>And there's no snaring. There's no like irony, because irony

0:35:07.960 --> 0:35:10.839
<v Speaker 1>just kills your soul. Don't do it like step away

0:35:10.840 --> 0:35:13.919
<v Speaker 1>from irony. It's a terrible thing. Um yeah maybe yeah.

0:35:14.120 --> 0:35:20.839
<v Speaker 1>History of Violence podcast me Arnold Schwartzeger. I don't know.

0:35:21.200 --> 0:35:24.360
<v Speaker 1>Oh sly Sli is not up too much. Okay, that's true.

0:35:24.480 --> 0:35:26.160
<v Speaker 1>It wouldn't be more fun. It was hosted by like

0:35:26.239 --> 0:35:30.880
<v Speaker 1>John Wayne Gacy or Jesus. Yeah, somebody actually really knows violent.

0:35:31.160 --> 0:35:33.840
<v Speaker 1>We can go for Dadah, I can speak to it. No,

0:35:34.000 --> 0:35:36.160
<v Speaker 1>Charlie's the wrong because she's the new action hero that

0:35:36.200 --> 0:35:39.320
<v Speaker 1>we need. Oh really, yeah you say that like you

0:35:39.360 --> 0:35:41.920
<v Speaker 1>don't agree with I guess it's yeah, no, I'm just

0:35:41.920 --> 0:35:44.000
<v Speaker 1>thinking about it for a minute. Yeah, I I do enjoy.

0:35:44.080 --> 0:35:46.480
<v Speaker 1>I did enjoy what was the last one? The Last

0:35:46.480 --> 0:35:50.120
<v Speaker 1>Fast and Furious Atomic Blond, Atomic Blonde, which which is

0:35:50.200 --> 0:35:53.440
<v Speaker 1>kind of the same movie as a lot of No No, No.

0:35:53.480 --> 0:35:55.160
<v Speaker 1>That's fine. It's not a great movie, but it is

0:35:55.200 --> 0:35:59.239
<v Speaker 1>a good one. Joy. I have one more idea. Okay,

0:36:00.920 --> 0:36:04.600
<v Speaker 1>so a podcast about like where did They Go? Jonathan

0:36:04.640 --> 0:36:07.200
<v Speaker 1>Taylor Thomas from the nineties j T T to you?

0:36:07.280 --> 0:36:10.920
<v Speaker 1>Where he um Macaulay Culkin. I want to hear from

0:36:11.000 --> 0:36:14.000
<v Speaker 1>him and about his weird hipster band that only things

0:36:14.000 --> 0:36:16.080
<v Speaker 1>about pizza, which is a real thing. He's looking good

0:36:16.160 --> 0:36:20.000
<v Speaker 1>these days, I know better, well best, good, better, not

0:36:20.040 --> 0:36:23.400
<v Speaker 1>as homeless as he looked before. Yeah, he's do you know.

0:36:23.600 --> 0:36:25.680
<v Speaker 1>I think he's gone through some tough times and maybe

0:36:25.680 --> 0:36:27.640
<v Speaker 1>he's on the upswing. He could be going down into

0:36:27.640 --> 0:36:31.120
<v Speaker 1>the down swing again, be Arthur. She would just like

0:36:31.239 --> 0:36:33.160
<v Speaker 1>start an interview and then be like, I'm sick of you,

0:36:33.320 --> 0:36:36.040
<v Speaker 1>get out of here. Because she's a brassy broad and

0:36:36.080 --> 0:36:39.600
<v Speaker 1>I love her. Well, she's dead, So you know what

0:36:39.880 --> 0:36:44.520
<v Speaker 1>a Golden Girls from heaven. I am here for a

0:36:44.560 --> 0:36:46.520
<v Speaker 1>Golden Girls. It could teach me about the Golden Girls

0:36:46.560 --> 0:36:49.360
<v Speaker 1>because I've never seen it. Didn't make it every now

0:36:49.440 --> 0:36:51.680
<v Speaker 1>and then we have these gosh, I'm I'm, I'm really

0:36:51.719 --> 0:36:55.480
<v Speaker 1>losing faith in you. So the second question I asked

0:36:56.400 --> 0:37:00.600
<v Speaker 1>is you know what what piece of technology that that

0:37:00.640 --> 0:37:03.120
<v Speaker 1>you use for in the first time and said, this

0:37:03.200 --> 0:37:06.239
<v Speaker 1>is amazing, this is going to change my life. You

0:37:06.239 --> 0:37:09.000
<v Speaker 1>guys are younger, so this usually is a better question

0:37:09.040 --> 0:37:11.480
<v Speaker 1>for maybe somebody who can say like a walkman. But

0:37:12.160 --> 0:37:14.560
<v Speaker 1>I can't say like a cattle, because then it gives

0:37:14.600 --> 0:37:18.520
<v Speaker 1>me t That's a great answer to that question, the cattle.

0:37:19.040 --> 0:37:24.160
<v Speaker 1>That's a cattle for five. That's great Victorian technology, all right.

0:37:27.880 --> 0:37:30.719
<v Speaker 1>I think the invention of live journal dot com was

0:37:30.760 --> 0:37:33.640
<v Speaker 1>really important to me because I could write my terrible

0:37:33.680 --> 0:37:37.120
<v Speaker 1>poetry and then other teens with terrible poetry would find it,

0:37:37.239 --> 0:37:41.200
<v Speaker 1>and then we would like chat and date. Do you

0:37:41.200 --> 0:37:45.600
<v Speaker 1>feel like the written word is really going away? I

0:37:45.640 --> 0:37:49.160
<v Speaker 1>think that Millennial's right more than ever in a way. Yeah,

0:37:49.160 --> 0:37:51.680
<v Speaker 1>we text all the time, but do you feel that

0:37:51.880 --> 0:37:54.080
<v Speaker 1>and as somebody who writes a blog, I mean, do

0:37:54.120 --> 0:37:57.040
<v Speaker 1>you feel that the engagement and that the level of

0:37:57.080 --> 0:37:59.800
<v Speaker 1>attention that people will give to a piece of writing

0:37:59.880 --> 0:38:03.400
<v Speaker 1>is gone down? No? I think people are obsessed with

0:38:03.480 --> 0:38:05.919
<v Speaker 1>think pieces now and everyone has an opinion, and there's

0:38:05.920 --> 0:38:09.560
<v Speaker 1>more people writing, and I just see it going up.

0:38:09.640 --> 0:38:13.239
<v Speaker 1>The trend is that word. Yeah, And you know the

0:38:13.320 --> 0:38:17.839
<v Speaker 1>stereotype is millennials like X, Y and Z, but not

0:38:18.080 --> 0:38:20.880
<v Speaker 1>novels or something. But everyone I know reads. I went

0:38:20.920 --> 0:38:23.719
<v Speaker 1>to the library yesterday and they were like you again. Yeah.

0:38:24.080 --> 0:38:27.440
<v Speaker 1>Like I always tell people that I think of podcasting.

0:38:28.080 --> 0:38:30.760
<v Speaker 1>It elicits the same feeling in my brain that reading

0:38:30.800 --> 0:38:33.200
<v Speaker 1>does when I'm really into one. It's an escape, it's

0:38:33.320 --> 0:38:36.600
<v Speaker 1>it's it's true empathy, and I'm I'm like into it.

0:38:36.719 --> 0:38:38.759
<v Speaker 1>So I see that that that's the same part of

0:38:38.760 --> 0:38:40.680
<v Speaker 1>the brain being used. So I'm glad to hear that

0:38:40.719 --> 0:38:43.640
<v Speaker 1>they're folks are reading too, because my students are all illiterate,

0:38:44.120 --> 0:38:49.400
<v Speaker 1>terrible high students. They're listening, they're watching right now. A

0:38:49.440 --> 0:38:53.680
<v Speaker 1>couple work for Z or producer. She works. She's not illiterate,

0:38:53.680 --> 0:38:56.799
<v Speaker 1>though she's very smart. Um so like a true latch

0:38:56.840 --> 0:39:01.080
<v Speaker 1>key kid. Television it's something that I love deeply. So

0:39:01.120 --> 0:39:02.960
<v Speaker 1>I will say that the technology that changed my life

0:39:03.000 --> 0:39:06.280
<v Speaker 1>was the DVR. The ability to be hard television shows

0:39:06.920 --> 0:39:08.720
<v Speaker 1>I wish I had when I was in high school

0:39:08.719 --> 0:39:10.600
<v Speaker 1>and middle school, when I missed that episode of Martin

0:39:10.680 --> 0:39:12.080
<v Speaker 1>and I came back to school and everybody was talking

0:39:12.080 --> 0:39:15.360
<v Speaker 1>about it. You would have to wait for summer or

0:39:15.800 --> 0:39:19.040
<v Speaker 1>wait for the re run. So the DVR has changed

0:39:19.080 --> 0:39:21.759
<v Speaker 1>my life, and it's also enabled me to watch more

0:39:21.760 --> 0:39:25.840
<v Speaker 1>television than I probably should. But m what are you

0:39:25.840 --> 0:39:27.880
<v Speaker 1>gonna do? I realized this is going to turn out

0:39:27.880 --> 0:39:29.880
<v Speaker 1>to be six or seven killer questions because I got

0:39:29.920 --> 0:39:31.800
<v Speaker 1>a couple more questions. The one question I asked everybody,

0:39:31.800 --> 0:39:33.160
<v Speaker 1>which is really stupid, but I want you to think

0:39:33.200 --> 0:39:34.920
<v Speaker 1>about I think you will appreciate it if you're a

0:39:35.000 --> 0:39:39.640
<v Speaker 1>sandwich personified, not your favorite sandwich, but a sandwich personified.

0:39:40.520 --> 0:39:44.160
<v Speaker 1>Like I'm I'm looking grilled cheese. Look at me, right,

0:39:44.600 --> 0:39:48.600
<v Speaker 1>come on, I'm grilled cheese. What what what would you be? Oh?

0:39:49.360 --> 0:39:51.279
<v Speaker 1>And well, the first thing that came to mind for

0:39:51.400 --> 0:39:55.160
<v Speaker 1>me was like a b LT, but a hallapein. You'll

0:39:55.200 --> 0:39:57.400
<v Speaker 1>be LT because I like it's spicy. I could be

0:39:57.400 --> 0:39:59.239
<v Speaker 1>a little salty. Sometimes you get the salt from the

0:39:59.280 --> 0:40:01.759
<v Speaker 1>bank and there you know, so you'r BLT with just

0:40:01.800 --> 0:40:04.279
<v Speaker 1>a ton of saltan with the sas, but then also

0:40:04.320 --> 0:40:09.400
<v Speaker 1>hallapeno as well. I like it. Yeah, Salt Bay exactly,

0:40:09.880 --> 0:40:14.759
<v Speaker 1>so that would be me, Oh god, my sandwich. I

0:40:14.760 --> 0:40:17.239
<v Speaker 1>think the bread would look really good on the outside,

0:40:17.680 --> 0:40:21.000
<v Speaker 1>but the inside would be kind of not commence tourate

0:40:21.000 --> 0:40:24.719
<v Speaker 1>with the quality of the bread. I really yeah, we

0:40:24.800 --> 0:40:30.560
<v Speaker 1>need it. Sounds like like like like vegemite on brios, Yes, yes, yes,

0:40:30.840 --> 0:40:35.320
<v Speaker 1>teasonal Brioche, and then just like Nutella, but not even Nuteller,

0:40:35.480 --> 0:40:38.880
<v Speaker 1>just like store Brandon Nutella, like some our Brandon teller.

0:40:39.560 --> 0:40:43.239
<v Speaker 1>Why is that? I don't know, because she looks fabulous.

0:40:43.239 --> 0:40:48.319
<v Speaker 1>But inside your your dark hole, your dead soul. Well

0:40:48.360 --> 0:40:50.319
<v Speaker 1>you know you do hate stranger things, so I do

0:40:50.400 --> 0:40:54.799
<v Speaker 1>think part of your soul is dead. Yeah, inside is

0:40:54.800 --> 0:40:59.840
<v Speaker 1>the upside down. Outside is normal. Mor might there you

0:40:59.840 --> 0:41:04.200
<v Speaker 1>go briosh with mom might inside um For me, I'm

0:41:04.200 --> 0:41:10.759
<v Speaker 1>going to pick two pieces of peta mr um. The

0:41:10.840 --> 0:41:14.640
<v Speaker 1>foundation of that is hummus du avocado, mash it in

0:41:15.080 --> 0:41:18.319
<v Speaker 1>maybe some like cucumbers your millennial yeah, called it must

0:41:18.320 --> 0:41:22.560
<v Speaker 1>be present. I can't buy a house obviously, toast. And

0:41:22.760 --> 0:41:27.360
<v Speaker 1>then here's the twist, French fries. Put it all together.

0:41:27.719 --> 0:41:29.880
<v Speaker 1>I'm a vegetarian, but I'm not a healthy one, so

0:41:29.920 --> 0:41:32.279
<v Speaker 1>I want French fries. I want to go to an

0:41:32.320 --> 0:41:35.120
<v Speaker 1>early grave happy because of the French fries, which I'm

0:41:35.120 --> 0:41:36.719
<v Speaker 1>obsessed with. Here for a good time, not for a

0:41:36.760 --> 0:41:40.560
<v Speaker 1>long time, exactly. All right, what was the last podcast

0:41:40.600 --> 0:41:44.279
<v Speaker 1>that you binged? Oh? Well, I I listened to a

0:41:44.320 --> 0:41:51.080
<v Speaker 1>certain podcast called The Read, which is hilarious. Um, Emmanuel

0:41:51.080 --> 0:41:53.640
<v Speaker 1>and I have that in common, and so I started watching.

0:41:53.680 --> 0:41:55.640
<v Speaker 1>I started listening to it back in two thousand and fifteen.

0:41:55.760 --> 0:41:57.480
<v Speaker 1>And when I'm caught up, I go back and listen

0:41:57.520 --> 0:42:01.120
<v Speaker 1>to old episodes. So I'm sorry, yeah, two thousand and fifteen,

0:42:01.120 --> 0:42:03.520
<v Speaker 1>but they were around longer than that. Um, So I

0:42:03.560 --> 0:42:07.280
<v Speaker 1>listened to old episodes. So that and then also, um,

0:42:07.600 --> 0:42:13.600
<v Speaker 1>what is that? Um? Revisionist history with Malcolm Love Malcolm.

0:42:13.640 --> 0:42:15.719
<v Speaker 1>I am obsessed with Malcolm Glad While he came to

0:42:15.719 --> 0:42:17.640
<v Speaker 1>the station once and I he was in the booth

0:42:17.680 --> 0:42:20.360
<v Speaker 1>with Michael Krasny, and I kind of sort of stocked

0:42:20.400 --> 0:42:23.480
<v Speaker 1>him through the window. But you know, I don't think

0:42:23.520 --> 0:42:27.239
<v Speaker 1>you'd mind. I think he was probably delighted by you

0:42:27.480 --> 0:42:31.400
<v Speaker 1>hanging around the window. I would be like, all right,

0:42:32.200 --> 0:42:34.680
<v Speaker 1>see you later, Michael. He sounded so happy on that way.

0:42:34.760 --> 0:42:36.600
<v Speaker 1>I have a thing for smart guys. We've talked about

0:42:36.600 --> 0:42:38.759
<v Speaker 1>this in the podcast before what's that guy's name? Good?

0:42:39.800 --> 0:42:43.040
<v Speaker 1>He's a political analyst and David Gargan, Oh, yeah, he's

0:42:43.200 --> 0:42:44.839
<v Speaker 1>very smart. I don't know what he looks like, though.

0:42:45.080 --> 0:42:47.319
<v Speaker 1>I thought you're gonna say, yeah, he's very hot, and

0:42:47.360 --> 0:42:49.200
<v Speaker 1>I was gonna be like, I need to go. I

0:42:49.239 --> 0:42:52.680
<v Speaker 1>would if he was, but I don't know. He's not well,

0:42:52.840 --> 0:42:55.200
<v Speaker 1>but he's really smart. So what about the brain with you? Yeah,

0:42:56.320 --> 0:42:59.879
<v Speaker 1>he got his brain. I also listened to the read

0:43:00.320 --> 0:43:02.480
<v Speaker 1>I've also been going back to listen to old episodes,

0:43:02.480 --> 0:43:07.959
<v Speaker 1>and it's interesting to hear their evolution, specifically opinions about

0:43:07.960 --> 0:43:10.600
<v Speaker 1>pop culture. In the beginning, they were like Iggy Azalea

0:43:10.920 --> 0:43:14.080
<v Speaker 1>is the coolest and the best, and now they're like, oh,

0:43:14.120 --> 0:43:17.280
<v Speaker 1>she is evil incarnate, dead to us, and things change.

0:43:17.440 --> 0:43:20.239
<v Speaker 1>And so it made me think twice about on our

0:43:20.280 --> 0:43:23.680
<v Speaker 1>show maybe saying go check out our back catalog because

0:43:23.840 --> 0:43:26.480
<v Speaker 1>maybe there's stuff like that in there. But we might

0:43:26.480 --> 0:43:30.479
<v Speaker 1>be like trumpeting some really problematic that is dangerous culture. Yeah,

0:43:31.600 --> 0:43:34.200
<v Speaker 1>but other than that, since that waster's answer, I'll give

0:43:34.280 --> 0:43:39.040
<v Speaker 1>something else food for thought, thought spelled tachot that hole

0:43:39.160 --> 0:43:41.719
<v Speaker 1>over there. Wait a minute, you know one of my

0:43:41.800 --> 0:43:45.680
<v Speaker 1>students was telling me to listen to that. So the

0:43:45.719 --> 0:43:50.880
<v Speaker 1>cover image are three peaches. They look like pots, and

0:43:51.560 --> 0:43:55.319
<v Speaker 1>it is for queer men from New York. One of

0:43:55.320 --> 0:43:57.560
<v Speaker 1>them is an indigenous poet, one of them is an

0:43:57.920 --> 0:44:00.080
<v Speaker 1>ex figure skater, one of them is a scientist, one

0:44:00.120 --> 0:44:02.319
<v Speaker 1>as an editor, and they all come together and talk

0:44:02.360 --> 0:44:06.120
<v Speaker 1>about books because they met at Tin House Residency in Seattle,

0:44:06.200 --> 0:44:09.759
<v Speaker 1>I think. And they also talk about what they like

0:44:09.840 --> 0:44:12.279
<v Speaker 1>to read and who they like to read, so that's

0:44:12.280 --> 0:44:15.040
<v Speaker 1>what they say. Um. So they talked about pop culture

0:44:15.080 --> 0:44:17.239
<v Speaker 1>as well, and the last episode was a book club,

0:44:17.400 --> 0:44:20.279
<v Speaker 1>so it's all you know. One minute they're talking about

0:44:20.360 --> 0:44:23.399
<v Speaker 1>like low down and dirty sex in a locker room,

0:44:23.560 --> 0:44:26.160
<v Speaker 1>and then they're like, so, what my favorite part about

0:44:26.160 --> 0:44:30.160
<v Speaker 1>this novel was? And so I like getting all of

0:44:30.200 --> 0:44:33.000
<v Speaker 1>that from these four boys. You like that high to

0:44:33.080 --> 0:44:36.840
<v Speaker 1>low switch back and I love a good pun thought

0:44:36.880 --> 0:44:40.720
<v Speaker 1>process or like spelled h O T. It's really cute. Um.

0:44:40.760 --> 0:44:43.640
<v Speaker 1>I feel like I constantly binge um the podcast how

0:44:43.680 --> 0:44:45.920
<v Speaker 1>did this get made? I love it so much. I

0:44:45.960 --> 0:44:49.120
<v Speaker 1>have the biggest crush on Jason's man zukas Um. I

0:44:49.239 --> 0:44:51.479
<v Speaker 1>just think that's so funny. Um. In terms of something

0:44:51.480 --> 0:44:54.759
<v Speaker 1>I actually listened to from start to finish, like intensely

0:44:55.400 --> 0:45:00.440
<v Speaker 1>Heaven's Gape. Glen Washington's expiration of that cult tons of

0:45:00.440 --> 0:45:04.600
<v Speaker 1>people died in it was great and um, it made

0:45:04.600 --> 0:45:07.120
<v Speaker 1>me feel better about the fact that I actually wanted

0:45:07.160 --> 0:45:10.279
<v Speaker 1>to make something about that topic myself. And then I

0:45:10.280 --> 0:45:12.440
<v Speaker 1>found out that Glen Washington was going to be making

0:45:12.760 --> 0:45:15.600
<v Speaker 1>a long form podcast about that topic, and I thought, well,

0:45:15.640 --> 0:45:17.680
<v Speaker 1>if anyone's going to do it, might as well be here.

0:45:18.640 --> 0:45:20.800
<v Speaker 1>I just had an idea for this is a question

0:45:20.840 --> 0:45:23.359
<v Speaker 1>just for you guys. Finish the sense the next big

0:45:23.400 --> 0:45:32.719
<v Speaker 1>thing is the next big thing is pretzel pizza. I

0:45:32.719 --> 0:45:35.920
<v Speaker 1>don't know, really just came to mind. You just make

0:45:35.960 --> 0:45:38.920
<v Speaker 1>it up. Was just something you've seen. Yeah, I was

0:45:38.960 --> 0:45:46.239
<v Speaker 1>just like, pretzel pizza sounds like a thing. Yeah. Well, um,

0:45:46.360 --> 0:45:48.239
<v Speaker 1>you guys have your fingers on the pulse of like

0:45:48.280 --> 0:45:51.080
<v Speaker 1>what's happening in hot right now? You're the hippest thing

0:45:51.120 --> 0:45:55.720
<v Speaker 1>that NPR has. You better we'll be stealing that quote

0:45:56.800 --> 0:46:00.200
<v Speaker 1>Mattie Stout from My Heart Radio says, that's on back

0:46:00.239 --> 0:46:04.960
<v Speaker 1>cover ever first and only book. Or do you want

0:46:04.960 --> 0:46:06.680
<v Speaker 1>me to go? I want you to go first. I

0:46:06.719 --> 0:46:13.160
<v Speaker 1>have a thinking time. Um, next it's not avocado toast.

0:46:15.200 --> 0:46:18.840
<v Speaker 1>I would love if we're gonna go with video podcasting

0:46:18.840 --> 0:46:22.360
<v Speaker 1>and it's going in that direction, what about a hologram

0:46:22.400 --> 0:46:24.960
<v Speaker 1>and we can just be like in full effect three

0:46:24.960 --> 0:46:29.319
<v Speaker 1>sixty degrees and you can talk to us about how

0:46:29.360 --> 0:46:32.120
<v Speaker 1>cute our butts are. I don't know, so we would

0:46:32.160 --> 0:46:35.759
<v Speaker 1>literally be into someone's living room, and I'll tell you what.

0:46:35.760 --> 0:46:37.960
<v Speaker 1>I appreciate you guys testing out that question for me.

0:46:38.040 --> 0:46:41.040
<v Speaker 1>I now know. Do not ask that question to anyone again,

0:46:41.040 --> 0:46:43.200
<v Speaker 1>because nobody seems to have an answer unless you have one.

0:46:43.239 --> 0:46:48.399
<v Speaker 1>Oh god, I'll be I'll be sincere all right, I'll

0:46:48.400 --> 0:46:51.200
<v Speaker 1>take the bait you were talking about people actually still

0:46:51.239 --> 0:46:56.080
<v Speaker 1>consuming long form stuff content novels. Just because you produce

0:46:56.160 --> 0:46:58.000
<v Speaker 1>something that's short like a text, doesn't mean you don't

0:46:58.040 --> 0:47:00.839
<v Speaker 1>like consuming longer stuff. And I think that stuff long

0:47:00.880 --> 0:47:06.440
<v Speaker 1>stuff is just going to keep getting longer. That's my sincere.

0:47:06.480 --> 0:47:10.680
<v Speaker 1>On I want to put that on my book stuff.

0:47:11.680 --> 0:47:19.080
<v Speaker 1>Don't twist my words now, please, Well, folks, I've had

0:47:19.200 --> 0:47:22.600
<v Speaker 1>so much fun. We'll do it again. We'll come up.

0:47:22.600 --> 0:47:24.080
<v Speaker 1>I want to have you guys on and we'll do

0:47:24.120 --> 0:47:26.440
<v Speaker 1>a show where we we do a podcast round up

0:47:26.560 --> 0:47:31.480
<v Speaker 1>or something, and um, I really appreciate carly A Jamdra

0:47:31.560 --> 0:47:34.880
<v Speaker 1>and Emmanuel, thank you, appreciate you, thank you, thank you

0:47:35.000 --> 0:47:42.200
<v Speaker 1>for coming on. So that was my favorite interview we've

0:47:42.200 --> 0:47:45.200
<v Speaker 1>done yet because they were here in studio. I agree,

0:47:45.239 --> 0:47:47.839
<v Speaker 1>I agree, And they were just so fun and personable

0:47:47.960 --> 0:47:50.520
<v Speaker 1>and it was cool to have the Facebook live and everything.

0:47:51.080 --> 0:47:52.680
<v Speaker 1>And I like them. And let me give you some

0:47:52.840 --> 0:47:56.360
<v Speaker 1>shout out there, z so and I heart Radio San Francisco.

0:47:56.400 --> 0:47:58.080
<v Speaker 1>We have a new system in place where we do

0:47:58.120 --> 0:48:00.920
<v Speaker 1>Facebook live, Twitter live and going to be YouTube all

0:48:00.960 --> 0:48:03.440
<v Speaker 1>at the same time in our studios. So this is

0:48:03.480 --> 0:48:05.320
<v Speaker 1>a new system and z is the one who was

0:48:05.480 --> 0:48:07.880
<v Speaker 1>running it. And so this first one we did for

0:48:07.920 --> 0:48:10.600
<v Speaker 1>Access podcast was one of the first ones we've done.

0:48:10.640 --> 0:48:13.080
<v Speaker 1>So good job. It looked great, Thank you very much.

0:48:13.080 --> 0:48:14.839
<v Speaker 1>It was fun to do. And they're good looking kids

0:48:14.880 --> 0:48:18.160
<v Speaker 1>like they should be on video. Mean not so much,

0:48:18.200 --> 0:48:20.359
<v Speaker 1>but what are you gonna do? Whatever? I mean, we can't. Yeah,

0:48:20.440 --> 0:48:24.360
<v Speaker 1>I'm not gonna say anything about that. Wow, you're supposed

0:48:24.400 --> 0:48:29.160
<v Speaker 1>to say no way, Matt oh wow. So this would

0:48:29.200 --> 0:48:31.279
<v Speaker 1>be a great day. We thought to talk about some

0:48:31.320 --> 0:48:33.840
<v Speaker 1>podcasts that NPR that are actually some of these are

0:48:33.920 --> 0:48:37.520
<v Speaker 1>radio shows that are also podcasts on NPR. But here's

0:48:37.520 --> 0:48:41.479
<v Speaker 1>the thing. NBR produces some great stuff and and most

0:48:41.480 --> 0:48:45.000
<v Speaker 1>people know them now is podcast more than radio shows. So, um,

0:48:45.040 --> 0:48:48.000
<v Speaker 1>I'm anxious to hear what you picked out, all right,

0:48:48.360 --> 0:48:50.279
<v Speaker 1>So the first one is a shout out to an

0:48:50.280 --> 0:48:54.839
<v Speaker 1>O G. It's This American Life. Yes, you can't go wrong. Yes,

0:48:54.920 --> 0:48:57.760
<v Speaker 1>and you know, This American Life broke all the barriers

0:48:57.760 --> 0:49:00.960
<v Speaker 1>for podcasting. It was the first podcast asked that that

0:49:01.080 --> 0:49:03.319
<v Speaker 1>I know in Stitcher that we when we got on,

0:49:03.560 --> 0:49:07.319
<v Speaker 1>it was immediately the most downloaded podcast we had. And

0:49:07.360 --> 0:49:09.520
<v Speaker 1>it's one of the first NPR shows to make more

0:49:09.520 --> 0:49:12.719
<v Speaker 1>money from podcasting than from the actual radio show. That yeah,

0:49:12.760 --> 0:49:15.759
<v Speaker 1>absolutely amazing. I like it because, like they'll hit on

0:49:16.440 --> 0:49:19.239
<v Speaker 1>topics like the me Too movement, But then they also

0:49:19.280 --> 0:49:22.520
<v Speaker 1>have an episode about how dogs and cats play a life,

0:49:22.680 --> 0:49:24.400
<v Speaker 1>like a role in your family, you know, just like

0:49:24.480 --> 0:49:27.080
<v Speaker 1>different topics that we think about. And I read Glass

0:49:27.120 --> 0:49:31.600
<v Speaker 1>obviously amazing storytellers. So let's hear a little bite from

0:49:31.880 --> 0:49:34.640
<v Speaker 1>This American Life. How they're in Her girlfriend go with

0:49:34.640 --> 0:49:37.919
<v Speaker 1>a cat named Sid. The girlfriend was always inventing these cute,

0:49:37.920 --> 0:49:41.479
<v Speaker 1>little affectionate nicknames for Sid. I never did that for Heather.

0:49:42.680 --> 0:49:45.479
<v Speaker 1>She was always praising Sid and asking Heather to pray Sid.

0:49:46.160 --> 0:49:47.759
<v Speaker 1>We never gave it that kind of approval to Heather.

0:49:48.960 --> 0:49:50.560
<v Speaker 1>Any think she was kind of detached when it came

0:49:50.560 --> 0:49:53.520
<v Speaker 1>to Heather. So even though it was just a cat

0:49:54.320 --> 0:49:58.360
<v Speaker 1>against her will, against her better judgment, how they started

0:49:58.360 --> 0:50:01.359
<v Speaker 1>to get jealous. I remember that I would sort of

0:50:01.480 --> 0:50:03.080
<v Speaker 1>wake up in the morning and I would hear her

0:50:03.080 --> 0:50:08.520
<v Speaker 1>saying things like you were so beautiful, you are a princess.

0:50:08.600 --> 0:50:12.600
<v Speaker 1>Look at you, and you know, as I opened my eyes,

0:50:12.680 --> 0:50:15.480
<v Speaker 1>I realized that she's talking not to me, but to

0:50:15.520 --> 0:50:20.399
<v Speaker 1>the cat. I feel like I should talk um more

0:50:20.400 --> 0:50:23.600
<v Speaker 1>dignified after listening to NPR. And by the way, if

0:50:23.640 --> 0:50:26.640
<v Speaker 1>you've never heard my Ira Glass story, go to episode

0:50:26.680 --> 0:50:29.560
<v Speaker 1>one of Access podcast where we're talking from to Seth Land,

0:50:29.560 --> 0:50:33.280
<v Speaker 1>who worked on This American Like. He's the operations director

0:50:33.400 --> 0:50:36.120
<v Speaker 1>for This American Life. I tell the story of how

0:50:36.320 --> 0:50:38.520
<v Speaker 1>when I talked to Ira Glass on the phone and

0:50:38.520 --> 0:50:41.120
<v Speaker 1>and and I felt like I was on an episode

0:50:41.120 --> 0:50:43.960
<v Speaker 1>of This American Life. Go check it out episode one. Okay,

0:50:44.200 --> 0:50:47.920
<v Speaker 1>my second one is a radio lab, which I didn't

0:50:47.920 --> 0:50:50.920
<v Speaker 1>hear about until you talked to Carla Marie and Anthony

0:50:50.960 --> 0:50:54.440
<v Speaker 1>about it and how you were saying it's a great podcast,

0:50:54.440 --> 0:50:57.360
<v Speaker 1>like if you're on a road trip, and I was.

0:50:57.800 --> 0:50:59.560
<v Speaker 1>I was on a long trip with a couple of

0:50:59.600 --> 0:51:02.640
<v Speaker 1>my cousin and recently and then I just listened to

0:51:02.680 --> 0:51:04.239
<v Speaker 1>it because I don't want to hear them talk, and

0:51:04.280 --> 0:51:07.040
<v Speaker 1>it was amazing. They're just like hour long, thirty minute

0:51:07.040 --> 0:51:10.800
<v Speaker 1>long episodes, and they're really good stories. Yes, Peabody Award

0:51:10.840 --> 0:51:14.680
<v Speaker 1>winning radio lab. I turn around and I see state

0:51:14.760 --> 0:51:18.000
<v Speaker 1>of similar, white state of similar ducking down behind their death.

0:51:18.400 --> 0:51:22.319
<v Speaker 1>If I'm not your hand, is this the way the

0:51:22.400 --> 0:51:29.160
<v Speaker 1>racist government works exercises it's constitutional rights. You can point

0:51:29.239 --> 0:51:33.680
<v Speaker 1>to this forgotten unknown moment here in the state building

0:51:33.719 --> 0:51:38.279
<v Speaker 1>in Sacramento as like the game changer for the conversation

0:51:38.680 --> 0:51:43.600
<v Speaker 1>about guns in America. I'm gonna be perfectly transparency. You

0:51:43.719 --> 0:51:48.400
<v Speaker 1>often hear me say to folks, podcasting creates empathy. Correct.

0:51:48.480 --> 0:51:51.640
<v Speaker 1>I took that from a jad Apple brom YouTube video

0:51:51.640 --> 0:51:53.440
<v Speaker 1>that I showed my classes where he talks about radio

0:51:53.480 --> 0:51:57.600
<v Speaker 1>creating empathy. But I show it to every class every

0:51:57.600 --> 0:52:01.200
<v Speaker 1>semester because it's it's really good looking up chat on radio.

0:52:01.280 --> 0:52:03.320
<v Speaker 1>If you if you want to find that on YouTube.

0:52:04.400 --> 0:52:09.919
<v Speaker 1>Last One, Last One Snap Judgment Judgment. Yeah, I really

0:52:09.960 --> 0:52:12.400
<v Speaker 1>like this. They had a recent one it's called Counted

0:52:12.480 --> 0:52:14.879
<v Speaker 1>in Oakland Story and it was about the year long

0:52:14.920 --> 0:52:17.760
<v Speaker 1>look at people who lost their lives to Oakland violence.

0:52:17.800 --> 0:52:21.160
<v Speaker 1>And I think because we're local and in the Bay area,

0:52:21.320 --> 0:52:24.000
<v Speaker 1>it just kind of hit home. Yeah, and the podcast

0:52:24.080 --> 0:52:27.200
<v Speaker 1>is national and it's very popular with the young folks.

0:52:27.400 --> 0:52:29.600
<v Speaker 1>Um it is. I would say it's more it's the

0:52:29.640 --> 0:52:34.000
<v Speaker 1>millennial this American life, that's what judgment. Yeah, yeah, yeah,

0:52:34.040 --> 0:52:37.320
<v Speaker 1>let's check it out. A lot of martyrs an Oveland

0:52:37.320 --> 0:52:41.520
<v Speaker 1>going solved, and then you got the revenge part when

0:52:42.160 --> 0:52:44.959
<v Speaker 1>the other killer get killed and then a nice killer

0:52:45.000 --> 0:52:48.359
<v Speaker 1>get killed, then the nice killer get killed, and it's

0:52:48.360 --> 0:52:51.160
<v Speaker 1>like they're wiping each other out. And then the ones

0:52:51.200 --> 0:52:56.960
<v Speaker 1>that's in jail, they're not getting charged because of the runaround.

0:52:57.239 --> 0:53:01.440
<v Speaker 1>We need a witness, we need somebody him. Then we

0:53:01.520 --> 0:53:04.560
<v Speaker 1>need to take the stand. So then once you do

0:53:04.680 --> 0:53:06.719
<v Speaker 1>tell him this person STI, you gotta go back to

0:53:06.760 --> 0:53:09.720
<v Speaker 1>the same neighborhood and then I'm gonna call you a snitch.

0:53:10.520 --> 0:53:13.239
<v Speaker 1>And then his friends and it might come like your

0:53:13.239 --> 0:53:15.560
<v Speaker 1>house of just because they know you went down to

0:53:15.600 --> 0:53:21.799
<v Speaker 1>the courthouse. I grew up seeing this ship all the dawntime,

0:53:23.840 --> 0:53:37.399
<v Speaker 1>bullet for bullet, blood for blood, revenge, good stuff, good

0:53:37.440 --> 0:53:39.879
<v Speaker 1>stuff this week. See you can leave that in there.

0:53:39.960 --> 0:53:43.640
<v Speaker 1>My voice just cracked like Peter Brady. Hey, good stuff Ze.

0:53:43.840 --> 0:53:46.520
<v Speaker 1>I'm still my voice is still not back a for

0:53:46.600 --> 0:53:50.960
<v Speaker 1>being sick with that. Yeah, and not the fact that

0:53:51.320 --> 0:53:56.360
<v Speaker 1>I'm still a pre perviouscence fur year old. Alright. Access

0:53:56.360 --> 0:53:59.040
<v Speaker 1>podcast has been produced by the one and only z

0:54:00.400 --> 0:54:07.359
<v Speaker 1>Zanyanya Always. But we'll keep trying, Zion. What's spelled wrong

0:54:07.400 --> 0:54:12.759
<v Speaker 1>on my thing wrong? Our engineers. I want to give

0:54:12.760 --> 0:54:14.799
<v Speaker 1>it up for engineer David Williams, who has made all

0:54:14.800 --> 0:54:18.680
<v Speaker 1>of the stuff happening, all the video stuff, the podcast studio. Uh.

0:54:18.680 --> 0:54:22.359
<v Speaker 1>He is the best radio engineer I have ever worked with.

0:54:22.520 --> 0:54:25.600
<v Speaker 1>David Williams, the best horse swan to great and Red,

0:54:25.800 --> 0:54:28.040
<v Speaker 1>They're all good. And shout out to Anna, Oh my god,

0:54:28.320 --> 0:54:30.600
<v Speaker 1>I'll forget about it and it's the best Anna, who

0:54:30.920 --> 0:54:34.880
<v Speaker 1>is working here on an exchange program from Drexel University.

0:54:35.120 --> 0:54:38.120
<v Speaker 1>And I just love seeing new talent come up through

0:54:38.400 --> 0:54:42.800
<v Speaker 1>the engineering our entire streaming system. Anna shout out to

0:54:42.920 --> 0:54:45.560
<v Speaker 1>girl Power. Look I'm standing up, Anna. I stand Up

0:54:45.600 --> 0:54:49.800
<v Speaker 1>for You. I Stand Up for You. She's great music

0:54:49.800 --> 0:54:53.799
<v Speaker 1>composed by the Casey Franco. A special thanks to Godfather Podcasting,

0:54:53.880 --> 0:54:57.360
<v Speaker 1>Chris Peterson, Don Parker, and Katie Wilcox at I Heart Radio,

0:54:57.520 --> 0:55:00.200
<v Speaker 1>and a shout out to Darren Jarren Davis, President into

0:55:00.200 --> 0:55:03.160
<v Speaker 1>my Heart Radio, who is really into the podcast. Follow

0:55:03.280 --> 0:55:07.560
<v Speaker 1>us on Facebook Access podcast, follow me at Maddie Stout

0:55:07.719 --> 0:55:09.360
<v Speaker 1>m A T T y s t A U g

0:55:09.560 --> 0:55:13.080
<v Speaker 1>t H. Also, how do people follow you? Z? It's

0:55:13.280 --> 0:55:16.400
<v Speaker 1>z d Elvis z D e A l w I

0:55:16.680 --> 0:55:20.440
<v Speaker 1>s on all platforms. Z's super cute, super cute. So

0:55:20.520 --> 0:55:22.759
<v Speaker 1>if you wanna, you wanna, you wanna check out how

0:55:22.800 --> 0:55:25.120
<v Speaker 1>cute she is and and she's funny, So check it

0:55:25.120 --> 0:55:27.200
<v Speaker 1>out and she you you you know what. I I

0:55:27.280 --> 0:55:30.600
<v Speaker 1>often will see your posts and feel like you're you're

0:55:30.640 --> 0:55:33.400
<v Speaker 1>like my age because like you'll be posting about television

0:55:33.400 --> 0:55:35.239
<v Speaker 1>and stuff. I'm like she just sitting home watching TV

0:55:35.400 --> 0:55:37.319
<v Speaker 1>like me. It makes me feel like I'm not so

0:55:37.400 --> 0:55:40.120
<v Speaker 1>out of touch. Um. Download the I Heart Radio app

0:55:40.560 --> 0:55:43.520
<v Speaker 1>and go to the podcast section. We've got thousands of

0:55:43.560 --> 0:55:47.160
<v Speaker 1>podcasts for you to listen. To check them out, listen, share,

0:55:47.440 --> 0:55:50.080
<v Speaker 1>tell your friends and we'll we'll talk to you again

0:55:50.160 --> 0:55:50.879
<v Speaker 1>next week by