WEBVTT - #470 - Kevin Smiley

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<v Speaker 1>Yo, it's Kevin Smiley. Check me out on the Bootleg

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<v Speaker 1>keV podcast.

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<v Speaker 2>Yo, Bootleg keV show Man. We got a special guest

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<v Speaker 2>in here from Okachobe, Florida, Kevin Smiley. How you doing man,

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<v Speaker 2>Welcome sir.

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<v Speaker 1>Thank you.

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<v Speaker 2>First of all, man, I remember seeing your first song

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<v Speaker 2>was Paralyzed, right, sir. I remember opening my phone one

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<v Speaker 2>day and seeing it and then like within that whole week,

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<v Speaker 2>it just everybody was posting it. It was going crazy.

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<v Speaker 2>That was your first song.

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<v Speaker 1>Yeah, like ever, that first song I ever recorded. Yeah,

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<v Speaker 1>I've written a few, but that was like the first

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<v Speaker 1>real how old are you? I'm twenty now, so.

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<v Speaker 2>You're twenty now? So when that came out with You're nineteen, yes, sir, Yeah,

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<v Speaker 2>damn that's crazy man. So super dope visual by the way,

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<v Speaker 2>very strong. Whose idea was like, like, are you very

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<v Speaker 2>hands on with the whole creative process?

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<v Speaker 1>Not really with the visuals. That's more like my manager.

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<v Speaker 1>He's a bit more of a film type of guy

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<v Speaker 1>than you know obviously know our director, right, you know,

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<v Speaker 1>So that was really much pretty much.

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<v Speaker 2>Then give me some of your background because you know,

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<v Speaker 2>you make country music and it is very it's dope

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<v Speaker 2>you know, and I never thought i'd hear NBA Young

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<v Speaker 2>Boy on the countrything. You have a new song with

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<v Speaker 2>NBA Young Boy Free Him by the way, Yeah, called Mattador.

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<v Speaker 2>You brought NBA Young Boy to the country world. Just

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<v Speaker 2>kind of give me like a little bit of your

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<v Speaker 2>background in terms of like what did you grow up

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<v Speaker 2>listening to? How did you get into country music? Obviously,

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<v Speaker 2>Florida is like a it's the South, but it's like

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<v Speaker 2>I always tell everybody, Florida is like its own country.

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<v Speaker 1>Yeah, there's a bit of like.

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<v Speaker 2>If you just break Florida off, like there's South Florida,

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<v Speaker 2>which is like its own thing, and then there's like

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<v Speaker 2>Central Florida, which is way different than Jacksonville. And you

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<v Speaker 2>know what I mean, it's like its own little ecosystem

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<v Speaker 2>of that's just separate from the world. So how did

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<v Speaker 2>you kind of grow up listening to country and like

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<v Speaker 2>like what got you into it?

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<v Speaker 1>Yeah, so be from Okey Chelby, Florida. It's a cattle town,

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<v Speaker 1>really cow cattle, Yeah, cattle, Okay, so tons of cows,

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<v Speaker 1>acchual cows. Cowboys are there, yeah, yeah, actual cowboys around

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<v Speaker 1>and then like big fishing, like so we have a

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<v Speaker 1>big bass tournament that happens on Lake Okechobee. So I

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<v Speaker 1>grew up listening to just pretty much strictly gospel. My

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<v Speaker 1>dad was a pastor, so we were just listening to

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<v Speaker 1>a bunch of gospel music and we'd go to different churches.

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<v Speaker 1>I would have like what's called southern gospel, so that's

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<v Speaker 1>vaguely similar to country music. Yeah. And then my best

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<v Speaker 1>friend growing up, his parents were ranchers, so they're always

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<v Speaker 1>playing country around the house and in the car and

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<v Speaker 1>my brother we spent a lot of time with them.

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<v Speaker 1>So that's how I really got into listening in the country.

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<v Speaker 1>Then when I was like sixteen, that was COVID.

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<v Speaker 2>Damn, that's so crazy. Yeah, it felt like that was yesterday,

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<v Speaker 2>right like when I was sixteen. Then COVID.

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<v Speaker 1>You're twenty now it's wild gentle minute. Yeah. Yeah. So

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<v Speaker 1>I was just playing a bunch of two k and

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<v Speaker 1>I hated the playlist. I mean, after like six months

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<v Speaker 1>of hearing the same time, I don't want to hear

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<v Speaker 1>it again.

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<v Speaker 2>And you're stucking the house is all you got is Yeah.

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<v Speaker 1>So I just put some some songs in my play list,

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<v Speaker 1>and you know, with my dad in the past. He

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<v Speaker 1>didn't really want me listening to too much, you know,

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<v Speaker 1>hip hop and stuff, but everybody we need to listen

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<v Speaker 1>to country around town. So I just put some songs

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<v Speaker 1>on my playlist and they're the song in particular called

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<v Speaker 1>Amla by Morning because it's a legend. George Straight, he's

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<v Speaker 1>like the gold.

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<v Speaker 2>Straight's the guy man, Yo, listen, I love me some

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<v Speaker 2>George Straight. That what's that song? Throw? Uh just give

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<v Speaker 2>it away?

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<v Speaker 1>Yeah?

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<v Speaker 2>That ship? What's the one? Uh uh Ocean? That's my

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<v Speaker 2>favorite Arizona Okay, yeah yeah, and then write this down,

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<v Speaker 2>great song. And my favorite Troubadour. Oh my Trouber Door

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<v Speaker 2>is a fucking banger.

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<v Speaker 1>That's that's a great song. Yeah. So yeah, So I

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<v Speaker 1>just put some of his songs in my playlist. Put

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<v Speaker 1>some you know Luke Comb's, Camee Brown, Thomas Redd, and

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<v Speaker 1>you know some Alan Jackson. He's a Georgia boy, one of.

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<v Speaker 2>My Alan Jacksons. O. G man, I remember I remember

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<v Speaker 2>Alan Jackson when I was a kid.

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<v Speaker 1>Yeah, So I just put them on my playlist and

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<v Speaker 1>I started just listening to really heavy.

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<v Speaker 2>Then.

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<v Speaker 1>I've always been musical. I've been playing drums since I

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<v Speaker 1>was set, even getting the church.

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<v Speaker 2>Yeah.

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<v Speaker 1>Then I started playing guitar in the bass when I

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<v Speaker 1>was eleven or twelve something around there. So then I

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<v Speaker 1>just started posting on TikTok, just singing, singing these country songs.

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<v Speaker 2>Like singing like stuff that was already out.

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<v Speaker 1>Yeah, yeah, singing. I wasn't writing at the time. I

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<v Speaker 1>had a video go viral. We had like five millions

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<v Speaker 1>or something like that. So some producer him it was like, bro,

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<v Speaker 1>you can sing, but you gotta start writing your own stuff, right,

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<v Speaker 1>So I started doing that.

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<v Speaker 2>Was it harder to like put the thoughts in your

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<v Speaker 2>head to paper to a melody? Uh not really? Would

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<v Speaker 2>you like write with the guitar, Yeah, I.

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<v Speaker 1>Write with the guitar.

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<v Speaker 2>Yeah.

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<v Speaker 1>So I just kind of figure out what kind of

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<v Speaker 1>chords I wanted to do. Then I'll just figure out

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<v Speaker 1>what kind of theme I want to write to. Obviously,

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<v Speaker 1>my first songs are horrible. Everybody you know should.

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<v Speaker 2>I mean, if your first song is Paralyzed's not terrible.

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<v Speaker 1>Well that was so yeah. I just started doing that,

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<v Speaker 1>started picking up steam a little bit. Then I got

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<v Speaker 1>signed to my production company. Uh, flew out to Vegas

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<v Speaker 1>and recorded Paralyzed here in Vegas.

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<v Speaker 2>Yes, what do you think about Vegas? Being a Florida

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<v Speaker 2>boy who grew up in the church life, did you

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<v Speaker 2>did any of those Like did you walk the strip?

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<v Speaker 1>No? I drove through it, so you gotta walk it. Yeah,

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<v Speaker 1>I ain't done that. Yeah, yeah, I don't know.

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<v Speaker 2>But people will pass you all these cards with phone

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<v Speaker 2>numbers on it. Don't call the numbers.

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<v Speaker 1>Okay, got it, got it, got it. Thanks for the tip. Yeah,

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<v Speaker 1>I'm not a big fan of Vegas, to be honest

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<v Speaker 1>with you.

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<v Speaker 2>Yeah, I lived there for a while. I loved it,

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<v Speaker 2>but I'm also degenerate. I have a gambling problem.

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<v Speaker 1>Dana White type stuff.

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<v Speaker 2>Huh no, he's got a real problem.

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<v Speaker 1>Yeah, I've seen some of those videos with the note

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<v Speaker 1>boys and stuff.

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<v Speaker 2>Right, So you ended up we should go to Vegas

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<v Speaker 2>and that's where you recorded Paralyzed, Yes, sir. Nice. Yeah.

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<v Speaker 1>Then we just started, you know, posting some uh just

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<v Speaker 1>videosn't me singing it, and they went viral.

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<v Speaker 2>How I want to know, because you put, like you said,

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<v Speaker 2>like how many different pieces of content did you shoot

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<v Speaker 2>to push that push that one song before it went viral?

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<v Speaker 2>Because I wanted people to understand, like, sometimes people will

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<v Speaker 2>post one thing and if it doesn't go crazy. They

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<v Speaker 2>get discouraged and then they don't put anything else up

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<v Speaker 2>and then they stop pushing their music.

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<v Speaker 1>And yeah, so I think we had we had filmed

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<v Speaker 1>maybe about six or seven, and it was probably like

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<v Speaker 1>the sixth or fifth or six that went viral. But

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<v Speaker 1>that's after me posting hundreds of times on my TikTok.

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<v Speaker 1>You know that's so.

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<v Speaker 2>I mean, I just people give up too soon on

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<v Speaker 2>their records.

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<v Speaker 1>Definitely. Yeah, so yeah, fine with viral. The big push

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<v Speaker 1>was when DJ Academics he had reposted it, and that

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<v Speaker 1>that kind of took it off a bit. That that

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<v Speaker 1>was a pretty cool moment. I started getting hit up

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<v Speaker 1>by you know, some of my favorite artists and stuff

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<v Speaker 1>like that.

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<v Speaker 2>Who hit you up where you were like, what the heck?

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<v Speaker 1>The first big one was that was crazy with Swaye.

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<v Speaker 2>That was cool.

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<v Speaker 1>I remember waking up at like six am. I think

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<v Speaker 1>I was. I don't remember what I was doing about it.

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<v Speaker 2>He's got to be right in some country swally feels

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<v Speaker 2>like they kind of looking at that country genre like, well, yeah,

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<v Speaker 2>I think I could do that.

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<v Speaker 1>And I've heard he's an incredible writer, so oh he

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<v Speaker 1>is amazing. I think he could do. So.

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<v Speaker 2>Yeah, he's an amazing writer's a beast. He's also somehow

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<v Speaker 2>become very underrated over the last like four or five years. Definitely,

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<v Speaker 2>who else besides Swale A great guy.

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<v Speaker 1>Loved that kid a little dirt, So you loved all

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<v Speaker 1>of that stuff while also loving George Straight. Yeah, it's

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<v Speaker 1>so crazy because I just did this podcast and I

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<v Speaker 1>flew out to Portland to do this podcast with this guy,

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<v Speaker 1>nam Phil Becker, who's the head of a radio company

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<v Speaker 1>called Alpha Media.

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<v Speaker 2>They own one hundreds of radio stations, and we were

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<v Speaker 2>talking to he wanted me to come out there and

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<v Speaker 2>do a podcast. The theme of it was this Country

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<v Speaker 2>the New hip Hop, And I didn't necessarily say it was,

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<v Speaker 2>but I did say that there's so many correlations between

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<v Speaker 2>the two worlds, right, Like if you think about like

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<v Speaker 2>hip hop, like like I like on the West Coast,

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<v Speaker 2>we got low riders, but like the country, they got

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<v Speaker 2>their trucks. You know what I'm saying, a lot of

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<v Speaker 2>music about women, a lot of music about partying. And

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<v Speaker 2>now with the Internet, I feel like, you know, when

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<v Speaker 2>I was growing up, like you, we either in hip

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<v Speaker 2>hop or you were into like it was really like

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<v Speaker 2>you really when I was a kid, I was never

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<v Speaker 2>in the country. I barely got into the country more

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<v Speaker 2>recently because of Jelly Ropes. I've been friends with Jelly

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<v Speaker 2>for like twelve years. Yeah, and so I would put

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<v Speaker 2>his stuff on and then other shit would start playing.

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<v Speaker 2>I'm like, oh, this country shit ain't too bad. But

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<v Speaker 2>I was saying, like the genre barriers are gone now

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<v Speaker 2>because like you might open your phone and like, like

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<v Speaker 2>you said, academics posted your shit, which is country, right,

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<v Speaker 2>and then you know, if somebody's into dark, they could

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<v Speaker 2>also be into Morgan Wallen. I mean, look, they have

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<v Speaker 2>two songs.

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<v Speaker 1>Again, great songs.

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<v Speaker 2>Yeah. So it's like I just feel like the whole,

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<v Speaker 2>like the world seemed to be blending together. The fan

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<v Speaker 2>bases are. I mean, obviously there's still people who aren't

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<v Speaker 2>going to listen country, who aren't going to listen to

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<v Speaker 2>hip hop on each side, but it does feel like,

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<v Speaker 2>you know, more than ever, there's just people just are

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<v Speaker 2>music fans. Again. It's like, yo, if it's country, it's country.

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<v Speaker 2>If it's hip hop, it's hip hop, and people are

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<v Speaker 2>doing songs together. You see people jumping genres now post Malones.

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<v Speaker 2>Dude just did his ship. Yeah, I mean Jelly. I

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<v Speaker 2>knew Jelly when he was like an underground rapper, you know,

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<v Speaker 2>like I DJ when Jelly, When me and Jelly first link,

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<v Speaker 2>he was doing like one hundred people at a fucking

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<v Speaker 2>show Saint Petersburg, Florida.

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<v Speaker 1>Wow.

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<v Speaker 2>Yeah, that's crazy.

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<v Speaker 1>And he decided his new tour is stadiums.

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<v Speaker 2>And no it starts I think it starts tonight. Yeah, yeah, yeah,

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<v Speaker 2>he's It's tour starts tonight. So yeah, it's just crazy

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<v Speaker 2>to see. Like, just like you know, at the end

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<v Speaker 2>of the day, good music, s music, and the other

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<v Speaker 2>dope thing I think about some of the newer country

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<v Speaker 2>that I've gotten into is it's like pain driven, Like

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<v Speaker 2>I love like Tyler Childers, Oh my goodness, yeah, oh my.

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<v Speaker 1>God, he's good.

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<v Speaker 2>He's amazing and I just got you know who put

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<v Speaker 2>me on him. Was that Mexicano Tal. Yeah, Mexicano t

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<v Speaker 2>was like, yo, listening to Tyler children He has a

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<v Speaker 2>song called White House Road, which is fire. It's about

0:10:06.920 --> 0:10:09.320
<v Speaker 2>him getting as high as the grocery bill and doing cocaine.

0:10:09.640 --> 0:10:13.080
<v Speaker 2>It's amazing. But like this ship is very I'm like,

0:10:13.120 --> 0:10:14.000
<v Speaker 2>this is a dope ship.

0:10:14.400 --> 0:10:18.040
<v Speaker 1>Great songwriting, that's what I love about country, the songwriting,

0:10:18.120 --> 0:10:20.360
<v Speaker 1>storytelling for sure, it's great.

0:10:20.480 --> 0:10:23.480
<v Speaker 2>Yeah, no, it's super dope. So for you, like, that's

0:10:23.520 --> 0:10:25.640
<v Speaker 2>that's pretty cool that you were able to bring in

0:10:26.160 --> 0:10:28.840
<v Speaker 2>a chopper or not chopper rather NB a young boy.

0:10:28.880 --> 0:10:30.480
<v Speaker 2>How did you get NBA boys attention?

0:10:30.600 --> 0:10:30.680
<v Speaker 1>Like?

0:10:30.720 --> 0:10:35.520
<v Speaker 2>How did because I wouldn't saw him in Utah. That yeah,

0:10:36.000 --> 0:10:38.880
<v Speaker 2>super great guy but very like you know, he's literally

0:10:39.040 --> 0:10:41.240
<v Speaker 2>before he went into jail, he was. He's at the house,

0:10:41.280 --> 0:10:43.800
<v Speaker 2>he's recording, and he's he can't leave. So how did

0:10:43.800 --> 0:10:45.240
<v Speaker 2>you get that done?

0:10:45.800 --> 0:10:48.679
<v Speaker 1>Just their lawyers? Yeah, yeah, my lord knows him well,

0:10:48.760 --> 0:10:50.800
<v Speaker 1>so so did you guys chop it up at all?

0:10:50.840 --> 0:10:53.760
<v Speaker 1>I've never talked to him. Wow. Yeah, I'd love to.

0:10:53.679 --> 0:10:55.360
<v Speaker 2>Talk to him, but obviously you got to write him

0:10:55.360 --> 0:10:58.800
<v Speaker 2>now man. Yeah, he probably would appreciate the letter probably, Yeah,

0:10:59.440 --> 0:11:02.240
<v Speaker 2>did you uh listen to that? A lot of young boy.

0:11:03.040 --> 0:11:05.080
<v Speaker 1>I want to say a ton, but a definitely good amount.

0:11:05.720 --> 0:11:07.440
<v Speaker 2>It feels like that's your your generation.

0:11:07.520 --> 0:11:08.960
<v Speaker 1>Stupid. Yeah, especially.

0:11:10.080 --> 0:11:13.160
<v Speaker 2>Everybody who's like seventeen or eighteen, like NBA young boys

0:11:13.160 --> 0:11:14.520
<v Speaker 2>there Tupac. It's kind of crazy.

0:11:14.600 --> 0:11:17.520
<v Speaker 1>And then in Florida, especially where I'm from, a lot

0:11:17.559 --> 0:11:18.880
<v Speaker 1>of people listen to him when I was like in

0:11:18.920 --> 0:11:20.080
<v Speaker 1>middle school, high school.

0:11:20.480 --> 0:11:24.240
<v Speaker 2>Kodak Oh, Kodaks I love in Florida Kodaks to go.

0:11:24.559 --> 0:11:27.520
<v Speaker 2>Yeah yeah, it's like him and like the New Goats Roadway.

0:11:27.559 --> 0:11:30.800
<v Speaker 2>But like, yeah, I lived in Florida when Kodak Black

0:11:30.840 --> 0:11:32.840
<v Speaker 2>first came out and I never seen no shit like that.

0:11:32.920 --> 0:11:35.000
<v Speaker 2>Kodak Black had Florida in a chokehold.

0:11:35.280 --> 0:11:38.360
<v Speaker 1>Yeah definitely, yeah, yeah yeah, as he said, Rod Wave

0:11:38.920 --> 0:11:40.760
<v Speaker 1>dudes in my hometown, they go crazy.

0:11:40.880 --> 0:11:44.520
<v Speaker 2>Like if rod Wave did a country collab, it would

0:11:44.520 --> 0:11:48.520
<v Speaker 2>be so good because he's already doing like he first

0:11:48.520 --> 0:11:50.000
<v Speaker 2>of all, he loves like a Dell. He loves so

0:11:50.040 --> 0:11:51.800
<v Speaker 2>many different like genres of music. But if I heard

0:11:51.800 --> 0:11:54.720
<v Speaker 2>like rod Waved like a collab with like Zach Bryant

0:11:54.800 --> 0:11:58.200
<v Speaker 2>or something, that shit would go crazy. Yeah, because he's

0:11:58.240 --> 0:11:59.600
<v Speaker 2>doing that like he's singing.

0:12:00.080 --> 0:12:02.439
<v Speaker 1>He's an actual singer. So yeah, it could work. It

0:12:02.760 --> 0:12:03.560
<v Speaker 1>would be pretty cool.

0:12:03.920 --> 0:12:06.480
<v Speaker 2>So what's it been like for you? Like going viral

0:12:06.559 --> 0:12:10.360
<v Speaker 2>so quick? Is it hard to adjust? And okay, now

0:12:10.360 --> 0:12:13.600
<v Speaker 2>we're viral. Now everybody's looking at you. Now you got

0:12:13.640 --> 0:12:17.040
<v Speaker 2>to make records because that your your your team is

0:12:17.080 --> 0:12:20.679
<v Speaker 2>just saying that you that happened unexpectedly maybe, I mean,

0:12:20.720 --> 0:12:22.839
<v Speaker 2>obviously the goals to blow up, right, Yeah, but you're

0:12:22.880 --> 0:12:25.760
<v Speaker 2>you don't expect it to happen to what happens? Now,

0:12:25.760 --> 0:12:26.760
<v Speaker 2>you got to make some more music.

0:12:26.840 --> 0:12:30.720
<v Speaker 1>Yeah, you gotta go to work. I've been fortunate so

0:12:30.840 --> 0:12:32.400
<v Speaker 1>the people that I've been working with. I've been working

0:12:32.400 --> 0:12:33.760
<v Speaker 1>with a lot of the guys that like write for

0:12:34.600 --> 0:12:38.200
<v Speaker 1>uh Luke Holmes and and Morgan Walling, a lot of

0:12:38.200 --> 0:12:41.000
<v Speaker 1>guys that big Loud, which is uh yeah, they're right

0:12:41.040 --> 0:12:43.400
<v Speaker 1>for Morgan. So I've been working with a lot of

0:12:43.400 --> 0:12:46.080
<v Speaker 1>those guys and they're they're incredible. They've been helping me

0:12:46.360 --> 0:12:49.440
<v Speaker 1>figure out what kind of what way I want to go,

0:12:49.559 --> 0:12:53.160
<v Speaker 1>and and and just learn about songwriting because then i've

0:12:53.160 --> 0:12:56.320
<v Speaker 1>been working in Nashville, everything is about the song. Yeah,

0:12:56.320 --> 0:12:59.000
<v Speaker 1>for sure, everything's about the song. So they've been helping me.

0:12:59.040 --> 0:13:00.960
<v Speaker 1>I've been really fortunate, and I've been I've been picking

0:13:01.040 --> 0:13:04.000
<v Speaker 1>up pretty good. You know, I write or co write

0:13:04.040 --> 0:13:05.080
<v Speaker 1>all my records.

0:13:05.640 --> 0:13:08.400
<v Speaker 2>What's it like going to Nashville. It's very like I

0:13:08.480 --> 0:13:11.120
<v Speaker 2>always tell people, It's like, you know, we always in

0:13:11.120 --> 0:13:12.880
<v Speaker 2>the hip hop world, we think in New York, Atlanta

0:13:12.920 --> 0:13:16.200
<v Speaker 2>and La Right, But Nashville is like the only place

0:13:16.240 --> 0:13:17.480
<v Speaker 2>that matters in the country world.

0:13:17.679 --> 0:13:20.760
<v Speaker 1>Yeah, Nashville and Austin, Texas. That's about it.

0:13:20.800 --> 0:13:22.840
<v Speaker 2>Austin's come. I didn't know Austin was on the com up.

0:13:22.840 --> 0:13:24.800
<v Speaker 2>But it's just so crazy because Nashville's like this. It's

0:13:24.840 --> 0:13:28.640
<v Speaker 2>like it's literally the entire music industry the country is there.

0:13:28.920 --> 0:13:31.679
<v Speaker 1>Yeah, all on music rowe pretty much. Yeah, it's cool,

0:13:32.040 --> 0:13:33.520
<v Speaker 1>but honestly is cool. I like the way that they

0:13:33.600 --> 0:13:36.880
<v Speaker 1>work in Nashville. Like you go to the studio at

0:13:36.920 --> 0:13:39.920
<v Speaker 1>like eleven, you're done by five, and everybody goes home

0:13:40.000 --> 0:13:41.160
<v Speaker 1>or goes to the bar or whatever.

0:13:41.640 --> 0:13:43.760
<v Speaker 2>Nah hip hop, man, it ain't like that.

0:13:43.880 --> 0:13:43.920
<v Speaker 1>No.

0:13:44.080 --> 0:13:47.120
<v Speaker 2>No, I've been in studio for like fourteen hours. Oh

0:13:47.160 --> 0:13:50.280
<v Speaker 2>we wow, waiting for a feature. Remember when we were

0:13:50.280 --> 0:13:51.800
<v Speaker 2>trying to get that Tory Lanes where we were hanging

0:13:51.800 --> 0:13:53.960
<v Speaker 2>out Tory Lanez in the studio all fucking day, just

0:13:53.960 --> 0:13:55.839
<v Speaker 2>waiting for the drop of verse for my artists.

0:13:56.320 --> 0:13:58.040
<v Speaker 1>Was he was he there or was he just like

0:13:58.080 --> 0:13:58.880
<v Speaker 1>not writing.

0:13:58.800 --> 0:14:00.760
<v Speaker 2>On and off? It was. It's like, you know, like

0:14:00.840 --> 0:14:03.480
<v Speaker 2>hip hop sessions, they can either be very productive or

0:14:03.480 --> 0:14:06.760
<v Speaker 2>they could be very like social. Okay, a lot of

0:14:06.920 --> 0:14:11.080
<v Speaker 2>drugs we need people coming in and now maybe a

0:14:11.120 --> 0:14:13.520
<v Speaker 2>jewelry guy pulls up, open the suitcase with a bunch

0:14:13.559 --> 0:14:16.600
<v Speaker 2>of like, yeah, it happens. By the way, if that

0:14:16.640 --> 0:14:19.000
<v Speaker 2>ever happens to you, if the jeweler ever comes to

0:14:19.040 --> 0:14:22.600
<v Speaker 2>your studio with a suitcase, he's fucking you over where

0:14:22.920 --> 0:14:26.520
<v Speaker 2>he All those jewelers that come to studios, they're all

0:14:27.040 --> 0:14:30.120
<v Speaker 2>fucking scam artists. Not that the jewelry's fake, but they're

0:14:30.480 --> 0:14:34.040
<v Speaker 2>over Yeah, charging everybody d do not buy.

0:14:34.120 --> 0:14:36.560
<v Speaker 1>Well, I'm heppy. I'm on this show man getting good tips.

0:14:36.640 --> 0:14:38.960
<v Speaker 2>Yeah, you don't see strike me as the jewelry guy.

0:14:39.200 --> 0:14:42.000
<v Speaker 1>I love jewelry. Oh I didn't get like that one day. Yeah,

0:14:43.000 --> 0:14:44.840
<v Speaker 1>just a little Yeah, it's just from like the Golden Shop.

0:14:44.920 --> 0:14:45.880
<v Speaker 1>This ain't none serious.

0:14:46.240 --> 0:14:47.160
<v Speaker 2>Yeah, but one day.

0:14:47.320 --> 0:14:48.800
<v Speaker 1>Yeah, I love jewelry.

0:14:48.920 --> 0:14:50.960
<v Speaker 2>So you'd get like a chain of the big penditt.

0:14:51.000 --> 0:14:53.960
<v Speaker 1>Oh maybe not a big penditt. I like like tennis

0:14:54.000 --> 0:14:57.280
<v Speaker 1>chains and cubans. I'm not really a big pendit guy.

0:14:58.000 --> 0:14:58.840
<v Speaker 1>But I love watches.

0:14:59.360 --> 0:15:00.720
<v Speaker 2>Well yeah, I mean watch It is like you can

0:15:00.760 --> 0:15:04.040
<v Speaker 2>have a really expensive watch, but it looked like modest. Yeah,

0:15:04.360 --> 0:15:07.200
<v Speaker 2>you don't want to get the bus down, never to

0:15:07.320 --> 0:15:09.160
<v Speaker 2>rob me. You know, yeah, you rob me.

0:15:09.320 --> 0:15:12.280
<v Speaker 1>You know you're getting messed uff on those diamonds too.

0:15:13.160 --> 0:15:14.840
<v Speaker 2>I was gonna ask you, what do your parents think

0:15:14.880 --> 0:15:18.000
<v Speaker 2>about everything that's happening now.

0:15:17.880 --> 0:15:22.680
<v Speaker 1>That I'm kind of picking up Steve there obviously super happy.

0:15:22.760 --> 0:15:24.200
<v Speaker 1>I mean when I first started, it was it was

0:15:24.240 --> 0:15:25.000
<v Speaker 1>definitely scary.

0:15:25.680 --> 0:15:29.360
<v Speaker 2>Were they like a little you know, like like suspect

0:15:29.400 --> 0:15:32.240
<v Speaker 2>on you doing music at first? Yeah? Yeah?

0:15:32.600 --> 0:15:34.640
<v Speaker 1>And then you know, when I signed to my production company,

0:15:34.680 --> 0:15:37.720
<v Speaker 1>that was kind of a crazy situation. I mean I

0:15:37.760 --> 0:15:40.560
<v Speaker 1>had never been on a flight before, and then I

0:15:40.560 --> 0:15:42.600
<v Speaker 1>flew to Vegas. They're like, so you never know what

0:15:42.680 --> 0:15:44.560
<v Speaker 1>he's gonna you know who this person is.

0:15:45.440 --> 0:15:48.240
<v Speaker 2>Even go to Sin City, they're gonna, you know, hey,

0:15:48.280 --> 0:15:49.840
<v Speaker 2>man in the South, they'll be hearing some crazy shit

0:15:49.880 --> 0:15:51.840
<v Speaker 2>about the music in distry. Oh yeah, they're gonna sacrifice

0:15:51.840 --> 0:15:55.320
<v Speaker 2>you in a room full of just crazy ship. Let

0:15:55.400 --> 0:15:56.000
<v Speaker 2>me be careful.

0:15:56.960 --> 0:16:02.000
<v Speaker 1>Yeah. So they were definitely nervous, But everything's pretty good.

0:16:02.360 --> 0:16:02.640
<v Speaker 2>Nice.

0:16:03.280 --> 0:16:06.480
<v Speaker 1>You know, I'm always talking to my mom and my grandma,

0:16:07.200 --> 0:16:09.640
<v Speaker 1>you know, letting them know what's going on. I live

0:16:09.680 --> 0:16:12.480
<v Speaker 1>with my mom and grandma right now in West Palm Beach. Uh,

0:16:12.520 --> 0:16:13.600
<v Speaker 1>So that's cool.

0:16:13.800 --> 0:16:17.000
<v Speaker 2>Have you been to uh Mar al Lago. Isn't that

0:16:17.040 --> 0:16:17.800
<v Speaker 2>in West Palm Beach.

0:16:18.280 --> 0:16:19.200
<v Speaker 1>Yeah, it's in Palm Beach.

0:16:19.280 --> 0:16:21.640
<v Speaker 2>Yeah, okay, so not West Palm I mean it's it's

0:16:21.680 --> 0:16:22.840
<v Speaker 2>like they call that like.

0:16:22.760 --> 0:16:26.480
<v Speaker 1>The Florida White House pretty much. Yeah, yeah, it's crazy.

0:16:26.560 --> 0:16:29.440
<v Speaker 1>Right now, Palm Beach is pretty much on lockdown because

0:16:29.720 --> 0:16:30.440
<v Speaker 1>jumps in town.

0:16:30.720 --> 0:16:33.000
<v Speaker 2>So when Trump comes to town, there's the whole city

0:16:33.080 --> 0:16:33.600
<v Speaker 2>like it's.

0:16:33.440 --> 0:16:36.480
<v Speaker 1>On lockdown, like that area of Palm Beach.

0:16:36.600 --> 0:16:38.000
<v Speaker 2>Have you seen his motorcade before?

0:16:38.120 --> 0:16:39.920
<v Speaker 1>Like no, I've never I've seen it. I've seen his

0:16:40.000 --> 0:16:42.200
<v Speaker 1>plane at the airport, but that's it.

0:16:42.320 --> 0:16:45.840
<v Speaker 2>Yeah, yeah, no, it's crazy, Like, uh I heard Palm

0:16:45.840 --> 0:16:48.520
<v Speaker 2>Beaches first of all, very hell of people retired there.

0:16:48.720 --> 0:16:51.480
<v Speaker 1>Yeah, it's like a retirement town. Yeah, lot of you

0:16:51.560 --> 0:16:53.800
<v Speaker 1>got by. Yeah, if you got big money with any.

0:16:54.440 --> 0:16:57.240
<v Speaker 2>Amount of super wealth, there's also super poverty. I'm sure

0:16:58.360 --> 0:16:59.440
<v Speaker 2>outskirts probably Yeah.

0:16:59.520 --> 0:17:01.680
<v Speaker 1>Yeah, once you over the bridge, because it's it's like,

0:17:02.400 --> 0:17:04.320
<v Speaker 1>what's Palm Beach and you go over a bridge and

0:17:04.320 --> 0:17:07.800
<v Speaker 1>it's Palm Beach, Pump Beaches, the island. So they kind

0:17:07.800 --> 0:17:10.520
<v Speaker 1>of if you ain't got that, kind of kick you off.

0:17:10.440 --> 0:17:12.879
<v Speaker 2>What what your parents wanted you to do if you

0:17:13.080 --> 0:17:14.960
<v Speaker 2>weren't doing music where they're trying to push you into

0:17:15.000 --> 0:17:16.240
<v Speaker 2>a certain field.

0:17:17.080 --> 0:17:19.639
<v Speaker 1>U not not really just wanted me to kind of

0:17:19.640 --> 0:17:20.800
<v Speaker 1>get a job or what.

0:17:20.720 --> 0:17:22.280
<v Speaker 2>Would you have done or what did you want to

0:17:22.280 --> 0:17:23.919
<v Speaker 2>do if you didn't work out what.

0:17:23.800 --> 0:17:27.399
<v Speaker 1>I wanted to do? Shoot, I don't really know. I

0:17:27.440 --> 0:17:28.920
<v Speaker 1>wanted to be actually, when I was younger, I wanted

0:17:28.920 --> 0:17:33.720
<v Speaker 1>to be a YouTuber of course. Yeah everybody nobody wants

0:17:33.760 --> 0:17:34.560
<v Speaker 1>to do hard labor, you know.

0:17:34.720 --> 0:17:37.560
<v Speaker 2>Yeah, that's where we're screwed if we go to war.

0:17:37.760 --> 0:17:40.720
<v Speaker 2>Oh yeah, everybody wants to be a streamers.

0:17:40.920 --> 0:17:42.480
<v Speaker 1>Yeah, oh yeah, I wanted to be a YouTuber.

0:17:42.880 --> 0:17:46.320
<v Speaker 2>Hey, but there is something to be said about call

0:17:46.359 --> 0:17:50.320
<v Speaker 2>of duty. There's some hand eye coordination there that you know,

0:17:51.680 --> 0:17:54.880
<v Speaker 2>might help them. I don't know, maybe, but in China

0:17:54.920 --> 0:17:57.480
<v Speaker 2>they ain't got no fucking streamers and YouTubers. They they

0:17:57.520 --> 0:18:03.520
<v Speaker 2>got that, They're right. Yeah, what YouTube channels did you

0:18:03.560 --> 0:18:04.040
<v Speaker 2>like growing up?

0:18:04.880 --> 0:18:08.399
<v Speaker 1>My favorite was Casey knistat case Yeah, Casey Knice, that

0:18:08.560 --> 0:18:13.159
<v Speaker 1>was good, Casey Nice. That was like the best videoographer

0:18:13.200 --> 0:18:13.800
<v Speaker 1>on YouTube.

0:18:14.280 --> 0:18:17.240
<v Speaker 2>Apparently in New York. What was he doing?

0:18:17.760 --> 0:18:20.240
<v Speaker 1>He was just fumbing this voggin his life.

0:18:20.280 --> 0:18:21.920
<v Speaker 2>Log life so you like the nel boys.

0:18:21.960 --> 0:18:24.760
<v Speaker 1>I heard you say, yeah, boys, I love Nick never

0:18:24.840 --> 0:18:25.920
<v Speaker 1>seeing those dudes.

0:18:25.960 --> 0:18:28.879
<v Speaker 2>They're cool. The O. G. Nelk stuff was the best.

0:18:29.920 --> 0:18:32.080
<v Speaker 1>Yeah, that's what one of my older brothers, he would

0:18:32.119 --> 0:18:36.240
<v Speaker 1>watch that stuff like when that it was like Jesse, Yeah.

0:18:35.680 --> 0:18:39.399
<v Speaker 2>And they were pranking people. And then when they started

0:18:39.400 --> 0:18:42.400
<v Speaker 2>to make real money, that prank's got super elaborate, yah

0:18:42.440 --> 0:18:44.560
<v Speaker 2>and crazy, like they did this. Do you ever see

0:18:44.600 --> 0:18:49.080
<v Speaker 2>the prank where they it was like the fake bigfoot prank. Dude,

0:18:49.080 --> 0:18:52.600
<v Speaker 2>they did this fool They went to like Oregon or

0:18:52.920 --> 0:18:57.000
<v Speaker 2>Washington State where like oh Okay, and they like found

0:18:57.040 --> 0:19:00.000
<v Speaker 2>like this, they like hung out with this big foot guy.

0:19:00.320 --> 0:19:02.000
<v Speaker 2>It was like a big foot, Like this guy spent

0:19:02.040 --> 0:19:06.520
<v Speaker 2>his whole life hunting big foot. Yeah, And so they

0:19:06.800 --> 0:19:09.760
<v Speaker 2>pranked this dude and they put like a bigfoot in

0:19:09.840 --> 0:19:12.080
<v Speaker 2>the forest while they were rhythim and this dude started

0:19:12.119 --> 0:19:14.800
<v Speaker 2>freaking out because he was like he finally found bigfoot.

0:19:14.880 --> 0:19:16.080
<v Speaker 2>But it was a dude in the suit.

0:19:16.920 --> 0:19:17.800
<v Speaker 1>That's tough man.

0:19:18.000 --> 0:19:21.720
<v Speaker 2>Honestly, Honestly, it was funny because once they found bigfoot,

0:19:21.880 --> 0:19:24.399
<v Speaker 2>then the NLK boys had like the fake FBI and

0:19:24.520 --> 0:19:28.960
<v Speaker 2>CIA pulled up with like a helicopter and kidnap everybody

0:19:28.960 --> 0:19:30.639
<v Speaker 2>because they don't want anybody. It is I don't know

0:19:30.640 --> 0:19:33.719
<v Speaker 2>about it was one of the best pranks of all.

0:19:34.080 --> 0:19:36.400
<v Speaker 2>Shut that out. Yeah, the Milk Boys are solid, man shure,

0:19:36.400 --> 0:19:38.680
<v Speaker 2>they're nice guys too. Manute where shouts to Steve will

0:19:38.680 --> 0:19:40.080
<v Speaker 2>do it. We gotta get back on YouTube. They took

0:19:40.160 --> 0:19:43.439
<v Speaker 2>him off, man, they banned him or yeah, yo, Uh

0:19:43.880 --> 0:19:45.720
<v Speaker 2>so are you are you just doing singles? You're working

0:19:45.760 --> 0:19:46.680
<v Speaker 2>on an album? What do you do?

0:19:46.720 --> 0:19:51.440
<v Speaker 1>You just it'll be a EP first. Uh so that's

0:19:51.480 --> 0:19:54.040
<v Speaker 1>gonna be coming out next month on the twenty seventh.

0:19:54.160 --> 0:19:58.600
<v Speaker 2>September twenty seventh, The Nice How many songs? Seven oh seven?

0:19:58.640 --> 0:20:02.040
<v Speaker 2>That's any other features? No, not for this just I mean, look,

0:20:02.080 --> 0:20:04.920
<v Speaker 2>once you get into a young boy, you're good. Uh

0:20:05.000 --> 0:20:07.040
<v Speaker 2>you know, we still want to go for anybody in

0:20:07.080 --> 0:20:09.800
<v Speaker 2>the country world embrace you and uh you know, kind

0:20:09.800 --> 0:20:10.800
<v Speaker 2>of big homie you yet.

0:20:11.280 --> 0:20:14.560
<v Speaker 1>Uh yeah. One in particular's Shaboozi.

0:20:14.800 --> 0:20:17.640
<v Speaker 2>Great cool. I mean he's a grown man, great guy. Yeah.

0:20:17.720 --> 0:20:20.080
<v Speaker 1>Yeah, I met him like before he was famous. I

0:20:20.080 --> 0:20:21.080
<v Speaker 1>met him about a year ago.

0:20:21.520 --> 0:20:24.920
<v Speaker 2>He was kind of famous year ago. I worked with

0:20:24.960 --> 0:20:27.439
<v Speaker 2>Empire for years, so I've been very I've been very

0:20:27.480 --> 0:20:30.560
<v Speaker 2>hypnoshaboo but not but for sure just before Beyonce, Yeah.

0:20:30.640 --> 0:20:32.959
<v Speaker 1>Yeah, way before. So, yeah, we hung out a bit,

0:20:33.280 --> 0:20:38.679
<v Speaker 1>chopped it a bit. They've been what someone that's followed

0:20:38.680 --> 0:20:40.640
<v Speaker 1>me the cool is your boy Jelly Roll? He followed

0:20:40.680 --> 0:20:41.320
<v Speaker 1>me a minute ago.

0:20:41.720 --> 0:20:42.120
<v Speaker 2>I was cool.

0:20:42.119 --> 0:20:44.320
<v Speaker 1>I've never been a talk to him though, but you.

0:20:44.280 --> 0:20:46.600
<v Speaker 2>Guys don't hang out one day. Yeah, he's the best.

0:20:46.680 --> 0:20:49.000
<v Speaker 1>Yeah. Everybody I've heard talk about him like they have

0:20:49.080 --> 0:20:53.280
<v Speaker 1>nothing but good things to say about him. Yeah, they've

0:20:53.320 --> 0:20:57.200
<v Speaker 1>been some, you know, smaller artists like Chase Matthews. Uh,

0:20:57.400 --> 0:20:58.240
<v Speaker 1>we hung out a bit.

0:20:58.680 --> 0:21:00.439
<v Speaker 2>There's this one dude, what's his name? He's got a

0:21:00.440 --> 0:21:02.720
<v Speaker 2>song called We Ride, We Ride?

0:21:02.800 --> 0:21:04.080
<v Speaker 1>Oh, I know who that is?

0:21:04.080 --> 0:21:04.320
<v Speaker 2>Is it?

0:21:04.560 --> 0:21:05.840
<v Speaker 1>I don't remember his name right now?

0:21:06.240 --> 0:21:08.200
<v Speaker 2>Damn I forget his name. I m him. He got

0:21:08.200 --> 0:21:12.359
<v Speaker 2>like sixty yes, yeah that fool. Yeah, I m him.

0:21:12.400 --> 0:21:14.679
<v Speaker 2>I was like, yeah, I like this song. It's like

0:21:14.760 --> 0:21:16.879
<v Speaker 2>he followed me back. I was like, yeah, he only

0:21:16.920 --> 0:21:18.840
<v Speaker 2>had sixty thousand followers. I'm like, this song's fucking fire.

0:21:18.920 --> 0:21:22.119
<v Speaker 1>Yeah, the song's big, going like Spotify. So that's crazy

0:21:22.520 --> 0:21:25.119
<v Speaker 1>you only have sixty thousand. I got sixty thousand country

0:21:25.160 --> 0:21:25.560
<v Speaker 1>is booming.

0:21:25.600 --> 0:21:29.119
<v Speaker 2>Man, Uh, would you would you ever do anything outside

0:21:29.119 --> 0:21:31.800
<v Speaker 2>of the country, like sonically, Like, would you ever do

0:21:31.880 --> 0:21:33.959
<v Speaker 2>like anything else? Or you're kind of like holding in

0:21:34.000 --> 0:21:34.560
<v Speaker 2>on the on.

0:21:34.480 --> 0:21:38.520
<v Speaker 1>The it's been like the most right now, the most

0:21:38.520 --> 0:21:40.960
<v Speaker 1>pop or urban thing I have. It's a song with

0:21:41.040 --> 0:21:43.880
<v Speaker 1>young Boy. Yeah, then I got somebody.

0:21:43.560 --> 0:21:44.760
<v Speaker 2>Would you do some gospel ship?

0:21:45.640 --> 0:21:48.960
<v Speaker 1>I would probably in like within it, probably a little later,

0:21:49.000 --> 0:21:53.720
<v Speaker 1>once I really established like myself in the genre, probably

0:21:53.720 --> 0:21:55.840
<v Speaker 1>like a year or two, I'd probably do some gospel stuff.

0:21:56.000 --> 0:21:59.840
<v Speaker 2>I feel like gospel music we need better people making it.

0:22:00.359 --> 0:22:00.720
<v Speaker 1>H hmm.

0:22:00.880 --> 0:22:02.960
<v Speaker 2>Some of the gospel music I'll be hearing. It's like

0:22:05.680 --> 0:22:07.920
<v Speaker 2>if somebody can make a bunch of Kanye Jesus Walks,

0:22:07.920 --> 0:22:08.480
<v Speaker 2>that'd be great.

0:22:08.760 --> 0:22:10.479
<v Speaker 1>Oh my goodness, such a great record.

0:22:10.520 --> 0:22:13.280
<v Speaker 2>And it's technically a Christian raper, so yeah, you know,

0:22:13.280 --> 0:22:15.439
<v Speaker 2>I like, like we should all try to like not

0:22:15.480 --> 0:22:19.240
<v Speaker 2>we because I'm atheist, respectfully, but if I was like

0:22:19.240 --> 0:22:21.080
<v Speaker 2>a Christian rapper, I'd be like, how do we do

0:22:21.200 --> 0:22:23.560
<v Speaker 2>Jesus Walks? But like, you know, we don't want to, Like,

0:22:23.600 --> 0:22:25.760
<v Speaker 2>you know, sometimes I feel like the Christian rap can

0:22:25.800 --> 0:22:28.399
<v Speaker 2>be a little preachy. Have you heard of Miles Minnick

0:22:29.280 --> 0:22:31.720
<v Speaker 2>I have for the name. He's a Christian rapper. He's dope.

0:22:31.840 --> 0:22:34.000
<v Speaker 2>He's actually dope. I interviewed him. He's actually really cool.

0:22:34.560 --> 0:22:38.439
<v Speaker 2>Who else who's the craze fire to the og? Yeah

0:22:38.520 --> 0:22:41.320
<v Speaker 2>and mineo, Mineo. He's dope too.

0:22:41.600 --> 0:22:44.520
<v Speaker 1>That's what I listened to when I was like fourth grade.

0:22:44.880 --> 0:22:52.240
<v Speaker 2>Jesus. Oh man, I'm old or you're young or both?

0:22:52.320 --> 0:22:53.400
<v Speaker 1>Yeah, yeah, it can be both.

0:22:53.520 --> 0:22:56.200
<v Speaker 2>So September twenty seventh, what's the name of your EP?

0:22:56.480 --> 0:22:56.960
<v Speaker 1>Hurts worse?

0:22:57.320 --> 0:22:59.879
<v Speaker 2>Oh? I like that hurts worse man any too?

0:23:00.119 --> 0:23:03.440
<v Speaker 1>Stuff? And he shows uh not right now, we're looking

0:23:03.440 --> 0:23:05.720
<v Speaker 1>to see what's going on. You know. Hopefully that's the

0:23:05.760 --> 0:23:06.280
<v Speaker 1>song picks up.

0:23:06.359 --> 0:23:08.280
<v Speaker 2>I'm sure you're gonna be doing some showcases like popping

0:23:08.320 --> 0:23:11.080
<v Speaker 2>up with your guitar and yeah, that's what's up man,

0:23:11.080 --> 0:23:13.119
<v Speaker 2>We'll look. I appreciate you pulling up. Go support this

0:23:13.240 --> 0:23:15.800
<v Speaker 2>kid on the twenty seventh pre orders I'm sure dropping

0:23:15.840 --> 0:23:20.800
<v Speaker 2>soon for the EP. Yeah, go support Mattador their Hopefully

0:23:20.800 --> 0:23:22.880
<v Speaker 2>you get to meet NBA Young Boy, even if it's

0:23:23.080 --> 0:23:25.920
<v Speaker 2>on the phone. Oh yeah, yeah, you know, I feel

0:23:25.920 --> 0:23:27.679
<v Speaker 2>like there's NBA Young Boy features popping up, but he

0:23:27.680 --> 0:23:31.320
<v Speaker 2>don't even know about he's like, but shout out to

0:23:31.400 --> 0:23:33.359
<v Speaker 2>young boy man. Shout out to you. I appreciate you.

0:23:33.600 --> 0:23:35.919
<v Speaker 2>Uh and yeah, keep keep keep fighting. Good fight man.

0:23:35.960 --> 0:23:38.520
<v Speaker 2>You're putting out dope music. Brother, I appreciate that boom.