WEBVTT - Questlove Supreme: Hannibal Buress Part 1

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<v Speaker 1>Quest Love Supreme is a production of iHeartRadio. Yeah.

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<v Speaker 2>Oh oh man. I think at one point in twenty twenty,

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<v Speaker 2>I just went through a bunch of episodes and only

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<v Speaker 2>listened to roll calls. I'm like, as so, let me

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<v Speaker 2>see how he did. Okay, let me see they're good.

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<v Speaker 2>Bring there, you know, bring everybody together at at the beginning.

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<v Speaker 1>Not yet, not yet yet, not yet? Yeah yet? Okay,

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<v Speaker 1>now yet Supremo.

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<v Speaker 3>Sun, Supremo Roll, Supreamo Supremo ro.

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<v Speaker 4>Sure, will Supremo Annimal be? Yeah?

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<v Speaker 1>What's love Supreme? Yeah with a nice Kienni. Yeah, what's up?

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<v Speaker 3>My name is Fante, Yeah, and I'm feeling free. Yeah,

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<v Speaker 3>rap for fourteen minutes? Yeah, kept about three.

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<v Speaker 1>Supremo, Suprema Supremo. Who my name is Sugar?

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<v Speaker 4>Yeah?

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<v Speaker 1>And on we go.

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<v Speaker 4>Yeah.

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<v Speaker 1>I'm from New York. Yeah, where they filmed the Cosmic Show.

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<v Speaker 5>Sure, hey Bill, Yeah, but I think it's clear.

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<v Speaker 1>Yeah, I'm gonna ditch this life for a rap career.

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<v Speaker 6>Whoa Supremo roll call Supremo Supremo roll It's lucky.

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<v Speaker 2>Yeah that's Hannimal birds Yeah right in front of him. Yeah,

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<v Speaker 2>got me stores Supreme Smo Supremo Roll my name is Hannibal.

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<v Speaker 2>Don't call me lecta when I make music.

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<v Speaker 1>You call me as Supremo, Supremo, roll.

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<v Speaker 7>Supria.

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<v Speaker 1>You didn't know this, motherfucker. Yeah, Harmonica, so oh my god, Yo,

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<v Speaker 1>that's the first of the gate.

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<v Speaker 8>That's the first between Q tips, head Libs, Charlie Wilson.

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<v Speaker 4>This this might have.

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<v Speaker 1>Happened to be in his pocket, you know, travels home.

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<v Speaker 8>God you ship. There is another episode? What it's another

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<v Speaker 8>episode of Question of Supreme Team Supreme. Hello, we are

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<v Speaker 8>we are in Los Angeles having Uh, that's not when

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<v Speaker 8>I say los Angeles is Oh.

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<v Speaker 1>Yeah, now that's the end of living single.

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<v Speaker 6>Oh oh, you're talking about the production. You are such

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<v Speaker 6>a deep dive anyway, he's talking about after the.

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<v Speaker 1>Production.

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<v Speaker 8>Anyway, I will implement the sound anymore claps or whatever. Anyway, Supremes.

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<v Speaker 8>How's life going out here?

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<v Speaker 1>Good man? We were trying to make this one happened

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<v Speaker 1>for a long time. Oh yeah, this.

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<v Speaker 8>Is his first episode and my mind, Hannibal was like

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<v Speaker 8>a repeat on the books before.

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<v Speaker 1>Yeah.

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<v Speaker 2>Well yeah, I just never wanted to do the Zone

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<v Speaker 2>one and yes, and.

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<v Speaker 1>Then we were supposed to.

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<v Speaker 2>Picnic and stuff. But this is it.

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<v Speaker 6>Happens when it's supposed to.

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<v Speaker 1>Okay, that's what's up.

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<v Speaker 8>Well, you know, it's kind of weird because I really,

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<v Speaker 8>unlike our other guests, I truly, truly, truly know our

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<v Speaker 8>guest today. Of course, I guess I first met you

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<v Speaker 8>walking in the hallways of thirty Rock. Yeah, and I

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<v Speaker 8>believe I saw your first ever late night stand up.

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<v Speaker 2>You're talking about the Yes, I had done a couple

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<v Speaker 2>before then, but that was the one of the most

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<v Speaker 2>impactful ones because it led to me getting Saturday Y

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<v Speaker 2>Live from there.

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<v Speaker 8>Yeah, I was gonna say that was you know, I

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<v Speaker 8>know many of stars born movements when it comes to

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<v Speaker 8>the music acts on the show that were like, you know,

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<v Speaker 8>on Grande's first time or whatever, like people that are

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<v Speaker 8>going to be like impactful. But I definitely remember in

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<v Speaker 8>the comedy world, if you make Higgins excited, which Higgins

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<v Speaker 8>runs SNL like, that's the first time I heard him

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<v Speaker 8>like give feedback on a comedian. So I was like, oh, wow,

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<v Speaker 8>that's important. But you know, I will say that that's

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<v Speaker 8>how I first met you. But of course you was

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<v Speaker 8>listening out there. You're familiar with our guests, of course,

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<v Speaker 8>as be it on the Eric Andre Show, or or

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<v Speaker 8>on broad City or any of the Spider Man franchise movies.

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<v Speaker 2>Yeah, I love it.

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<v Speaker 8>Is unhealthy the amount of times I've committed to watching TAG, Like,

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<v Speaker 8>if it's on, you watch it anyway. Yeah, that's for

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<v Speaker 8>some reason. I want to ask you about that because

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<v Speaker 8>my fear is running well, especially I want to know

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<v Speaker 8>what the audition was like. But not to mention you know,

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<v Speaker 8>of all the pivots that we talked about on the show,

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<v Speaker 8>he's had the most interesting pivot as an MC lord knows.

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<v Speaker 8>I did not see that coming in the beginning, and

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<v Speaker 8>first I thought you were trying to troll us, but

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<v Speaker 8>then I realized, like, you are dead serious about this

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<v Speaker 8>new craft of m seeing which I wasn't familiar with before,

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<v Speaker 8>and we're going to get into that. Ladies and gentlemen,

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<v Speaker 8>welcome Hannibal Birds to.

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<v Speaker 1>Man Rapping because I'm rapping. I love it.

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<v Speaker 2>Man, excited to be here with y'all.

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<v Speaker 6>Man.

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<v Speaker 8>Yeah, I was about to say this is this is

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<v Speaker 8>a new glowing Hannibal that I see, and I want

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<v Speaker 8>to figure out the secrets, like I guess I want

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<v Speaker 8>to start even before your life. I want to know

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<v Speaker 8>what did you do in the pandemic that made you

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<v Speaker 8>almost this new enlightened Hannibal two point zero.

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<v Speaker 2>It was just I think it was what I wasn't

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<v Speaker 2>able to do because stuff being shut down. So stand

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<v Speaker 2>up was shut down outside of the terrible drive intur

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<v Speaker 2>that I did, and so acting was weird during the time.

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<v Speaker 2>When projects did start up, you had to get COVID

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<v Speaker 2>tested in multiple times. Oh you yeah, we were about

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<v Speaker 2>to film, but you staying in this hotel and and

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<v Speaker 2>all of this, and so I had to decide do

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<v Speaker 2>I want to do that to go not be myself?

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<v Speaker 8>Do I?

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<v Speaker 2>And so a lot of times the answer was no.

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<v Speaker 2>But the studio process and that energy you could still

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<v Speaker 2>get that no matter what was going on. So I

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<v Speaker 2>just kind of enjoyed recording a lot and had a

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<v Speaker 2>lot of fun just being in the in the studio, like.

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<v Speaker 1>It would be like three in the morning, Hey man,

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<v Speaker 1>I did this check this out? Yeah?

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<v Speaker 8>That's what I want to know, Like, were you and

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<v Speaker 8>was I relate to train? Like were people aware of

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<v Speaker 8>this other talent of yours or was it just like

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<v Speaker 8>something in the pandemic where you're just like, all right,

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<v Speaker 8>rhymed a little bit, but let.

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<v Speaker 2>Me Yeah, it was just where I was able to

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<v Speaker 2>do it and focus on it and having a lot

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<v Speaker 2>of having a lot of fun and then also just

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<v Speaker 2>send it to people because people were bored and available.

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<v Speaker 2>So I remember when I did and when I recorded

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<v Speaker 2>the first version of Kept about three, it was really

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<v Speaker 2>fourteen minutes long, and I was I was so hyped

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<v Speaker 2>about a couple of moments of it, and I sent

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<v Speaker 2>it to so many people. So I wouldn't do now,

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<v Speaker 2>I wouldn't send a rough like that, but at the moment,

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<v Speaker 2>I was really really proud of it, and uh, the

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<v Speaker 2>the world. Yeah, And so I've been dabbling. I started

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<v Speaker 2>out actually I did music before I ever did any

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<v Speaker 2>stand up comedy. I recorded some songs with my homie Dave,

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<v Speaker 2>uh video Dave No no homie Dave that I grew

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<v Speaker 2>up on my on my block in Chicago. We recorded

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<v Speaker 2>some some songs, probably in two thousand and one or so.

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<v Speaker 2>I started comedy in two thousand and two, and then

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<v Speaker 2>I was always adjacent to music. I even battle rap

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<v Speaker 2>in college just to get stage time because battle rappers

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<v Speaker 2>about getting reaction from the from the crowd and everything,

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<v Speaker 2>and uh yeah, it was doing you know, hosting hip

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<v Speaker 2>hop events and you know a lot of my early

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<v Speaker 2>stuff references uh references music, So it was I was

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<v Speaker 2>always around it, but just you know, started doing stand

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<v Speaker 2>up less friction and stand up with that because you

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<v Speaker 2>just show up and do stand up too, you know

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<v Speaker 2>what I mean. You ain't gotta go to the studio

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<v Speaker 2>and all this is. You go to open mic, you

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<v Speaker 2>sign up, boom, You're doing stand up.

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<v Speaker 1>What's more challenging for you?

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<v Speaker 2>Stand up is more? Is more challenging. Yeah, stand up

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<v Speaker 2>is is a little more. Is more challenging, but easier

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<v Speaker 2>to execute because you just show But so yeah, stand

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<v Speaker 2>up as a performance is more more challenging. And then

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<v Speaker 2>creative music is really fun because you don't have to

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<v Speaker 2>do it in front of the crowd. There you can

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<v Speaker 2>kind of create to your taste and tweak and and

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<v Speaker 2>and make it in this bubble. But then performing stand

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<v Speaker 2>up is tough. For performing music with the band, I

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<v Speaker 2>really enjoy it because you can kind of take breaks

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<v Speaker 2>and be a fan of music while you while you

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<v Speaker 2>performing music. So you know what I mean, you let

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<v Speaker 2>the solo go off and you can just kind of vibe,

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<v Speaker 2>like and sometimes when I'm up there with the band

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<v Speaker 2>and I'm like you hear something like damn, what what

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<v Speaker 2>like that's who rocking with me?

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<v Speaker 1>Right now?

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<v Speaker 2>What do you just do?

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<v Speaker 1>Like whoa?

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<v Speaker 2>And so those moments is really cool because you don't

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<v Speaker 2>have to be on every every single second and uh,

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<v Speaker 2>just you know, figuring it out man, and figuring out

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<v Speaker 2>the just getting the show better. I think you can

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<v Speaker 2>make jumps in the music performance. As far as making

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<v Speaker 2>your show better, you can. You can make big jumps

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<v Speaker 2>a short short amount of time. I feel like as

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<v Speaker 2>a comedian you can make jump but they take a while.

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<v Speaker 2>But as far as music, you can kind of you

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<v Speaker 2>can do your show and then you go watch a

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<v Speaker 2>few folks that's really doing that shit. You're like, Okay,

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<v Speaker 2>we need to rehearse more. We got our visuals right.

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<v Speaker 2>We need to bring our own sound guy. We need

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<v Speaker 2>to bring our own monitor guy. We need to get

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<v Speaker 2>the visuals on point. We need to all wear the

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<v Speaker 2>same ship. We need to do to that. I need

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<v Speaker 2>to work with a moving coach.

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<v Speaker 8>I need to you're more advanced than me, because I'll

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<v Speaker 8>be honest with you. After enrolling in Camp Cool Jay

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<v Speaker 8>for seven weeks, I've realized that we have yet to

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<v Speaker 8>even scratch the surface of what our potential is because

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<v Speaker 8>llll is just such a forceful being on stage. It

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<v Speaker 8>was almost like the equivalent of someone waking us up

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<v Speaker 8>from a CRIMEA well, I realized, like I've never like

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<v Speaker 8>you know, you see rock drummers doing like smells like

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<v Speaker 8>teen spirit like that, Like I've never done that in

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<v Speaker 8>my f Like I craft roots music so I could

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<v Speaker 8>just chill.

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<v Speaker 1>Eat a peanut butter sandwich and all that, and suddenly

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<v Speaker 1>like I became like this drummer.

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<v Speaker 8>Yeah, and I didn't realize like how much he attacks

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<v Speaker 8>the stage and it's weird, like you know, maybe the

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<v Speaker 8>first week and a half, like we got jokes and

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<v Speaker 8>that stuff, but then it becomes like osmosis where suddenly

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<v Speaker 8>like what we were once mocking now we're doing. And

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<v Speaker 8>so yeah, I mean the fact that you have the

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<v Speaker 8>wherewithal because for me, it was just like getting through

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<v Speaker 8>a show without getting booed was my goal, which is

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<v Speaker 8>why like every Root show that like we've never I.

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<v Speaker 1>Don't have an ending for any Root song whatsoever.

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<v Speaker 8>Like literally I attached songs and just because I never

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<v Speaker 8>wanted to end the song.

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<v Speaker 1>Here like everybody's right, melon man, you know.

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<v Speaker 8>So I mean the fact that you at least start

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<v Speaker 8>watching the playback or not watching the playback, like looking

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<v Speaker 8>at the highlight reel to see how it can prove

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<v Speaker 8>like that's how the Great Prince recorded every show, and

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<v Speaker 8>then we'll make the revolutions sit in his room watch

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<v Speaker 8>the show that night, like that.

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<v Speaker 1>Three hours show they just did, be like all right,

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<v Speaker 1>see here you almost fell off stage. That's fifty bucks.

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<v Speaker 1>And you know so I think that's awesome.

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<v Speaker 4>Man.

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<v Speaker 6>You just started combining the two right, because you weren't

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<v Speaker 6>always doing them together.

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<v Speaker 2>Yeah.

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<v Speaker 6>I just started a subscriber on your page asking us.

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<v Speaker 2>Yeah, last year, I was in my stubborn music mode

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<v Speaker 2>where I was I'm only doing music, and I'm only

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<v Speaker 2>doing people will coming to me for with comedy gigs

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<v Speaker 2>are like past, yeah, and now it's just like, okay,

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<v Speaker 2>I gotta be more practical about this, and you know

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<v Speaker 2>I can't. I can't just quit like that. And it's

0:13:42.880 --> 0:13:45.319
<v Speaker 2>been fun to just really give that full show like

0:13:45.400 --> 0:13:49.760
<v Speaker 2>that while I'm doing the comedy set and then doing

0:13:49.840 --> 0:13:51.240
<v Speaker 2>the doing the music after.

0:13:52.000 --> 0:13:55.640
<v Speaker 8>How do you sort of present that to promoters that

0:13:55.840 --> 0:13:59.240
<v Speaker 8>want Hannibal to come to this particular venue?

0:13:59.679 --> 0:14:02.240
<v Speaker 1>And then you're like, yeah, I.

0:14:02.240 --> 0:14:05.079
<v Speaker 2>Think it's just if I'm doing I'm giving them what

0:14:06.080 --> 0:14:09.240
<v Speaker 2>they know. That's the thing is that they hannibal sales

0:14:09.280 --> 0:14:12.160
<v Speaker 2>ticket and it's I'm also doing this, so it's not

0:14:12.840 --> 0:14:17.400
<v Speaker 2>people still getting the hour fifteen hour thirty of stand

0:14:17.520 --> 0:14:21.440
<v Speaker 2>up and then I'm doing our music afterwards. So it's

0:14:21.480 --> 0:14:23.920
<v Speaker 2>a full it's a full show. It's the first time

0:14:23.960 --> 0:14:27.840
<v Speaker 2>where I'm after I'm really just really tired. Like man,

0:14:27.880 --> 0:14:30.920
<v Speaker 2>I really did it. Before doing stand up, I wouldn't

0:14:30.920 --> 0:14:33.320
<v Speaker 2>be Maybe if you did two or three, I'll be like,

0:14:33.360 --> 0:14:36.840
<v Speaker 2>oh man, but now it's I really feel feel spent

0:14:37.120 --> 0:14:40.320
<v Speaker 2>after the show. So it's been it's been dope. Man.

0:14:40.360 --> 0:14:42.000
<v Speaker 6>It's not a lot of people. I was trying to

0:14:42.040 --> 0:14:44.160
<v Speaker 6>think outside of you, but in my lifetime, I'm like you,

0:14:44.840 --> 0:14:46.600
<v Speaker 6>Jamie Fox. I remember when Jamie Fox did a whole

0:14:46.640 --> 0:14:47.040
<v Speaker 6>tour like.

0:14:47.080 --> 0:14:53.000
<v Speaker 8>This, Edward Reagan Murphy the last last because I don't

0:14:53.000 --> 0:14:58.160
<v Speaker 8>know if you guys remember there was when that What's

0:14:58.240 --> 0:15:01.280
<v Speaker 8>Up with You album that the Motown record Loves all

0:15:01.360 --> 0:15:08.560
<v Speaker 8>Right record right. He did some spot dates like at stadiums,

0:15:08.600 --> 0:15:11.760
<v Speaker 8>like his very last run of doing like stand up comedy,

0:15:12.600 --> 0:15:14.680
<v Speaker 8>but yeah, he would open his own shows and like

0:15:14.800 --> 0:15:20.880
<v Speaker 8>Larry's Yeah, Like even to this day, like I've gotten

0:15:20.960 --> 0:15:23.640
<v Speaker 8>calls to like, you know, come drum on this thing,

0:15:23.760 --> 0:15:27.720
<v Speaker 8>like he'll employ the best musicians to come.

0:15:28.040 --> 0:15:30.120
<v Speaker 1>I mean he did that song with snoop line that

0:15:30.280 --> 0:15:30.680
<v Speaker 1>was all.

0:15:30.640 --> 0:15:32.640
<v Speaker 2>Right, and that was all right, that was all right.

0:15:32.800 --> 0:15:37.000
<v Speaker 6>That was really kind of suspisingly, right, suspisingly despisingly.

0:15:37.200 --> 0:15:40.040
<v Speaker 1>Yes, no, it goes right there in the blow titshes.

0:15:42.320 --> 0:15:46.560
<v Speaker 8>But yeah, like Eddie would do a half hour with

0:15:46.760 --> 0:15:51.280
<v Speaker 8>Larry Graham as his band leader, and then he would

0:15:51.320 --> 0:15:52.240
<v Speaker 8>do some stand up.

0:15:53.200 --> 0:15:57.600
<v Speaker 2>Gambino his twenty eleven tour that I Am Donald, he

0:15:58.000 --> 0:16:01.280
<v Speaker 2>opened with stand up in it and music.

0:16:01.840 --> 0:16:04.960
<v Speaker 8>Believe it or not, Like I'm actually glad you're doing this.

0:16:05.120 --> 0:16:11.040
<v Speaker 8>Because the thing was when Dante y seen thank You,

0:16:11.360 --> 0:16:12.840
<v Speaker 8>I was I was about to say yeah, but I

0:16:12.840 --> 0:16:15.480
<v Speaker 8>didn't even know you was a why word like wait wait,

0:16:15.480 --> 0:16:20.360
<v Speaker 8>wait wait you said when y'all seen first came on

0:16:20.480 --> 0:16:23.840
<v Speaker 8>the scene as most deaf, that was the first time

0:16:23.920 --> 0:16:28.800
<v Speaker 8>that I saw an MC really have communication skills to

0:16:28.960 --> 0:16:32.760
<v Speaker 8>that of a stand up comedian, Like he was.

0:16:33.400 --> 0:16:34.880
<v Speaker 1>Literally like working in this crowd.

0:16:34.960 --> 0:16:38.520
<v Speaker 8>I mean he was doing crowd work and like to

0:16:38.720 --> 0:16:43.000
<v Speaker 8>watch him in from ninety six till about ninety eight

0:16:43.160 --> 0:16:47.240
<v Speaker 8>was like just a thing to behold, and then he

0:16:47.400 --> 0:16:51.680
<v Speaker 8>kind of morphed and sort of lost the you know,

0:16:51.720 --> 0:16:53.320
<v Speaker 8>and I don't notice the thing that rappers go through

0:16:53.320 --> 0:16:55.240
<v Speaker 8>where it's like I gotta lose this happy, go lucky

0:16:55.840 --> 0:16:58.640
<v Speaker 8>perception of me and then I gotta be serious serio,

0:16:59.080 --> 0:17:01.440
<v Speaker 8>and then then I'm angry, then I'm hardcore, and then

0:17:01.440 --> 0:17:02.640
<v Speaker 8>I don't change my name or whatever.

0:17:02.800 --> 0:17:03.920
<v Speaker 1>So I mean, it happens.

0:17:04.000 --> 0:17:09.680
<v Speaker 8>But even with Tarik, like Tarik got really made a

0:17:09.880 --> 0:17:13.400
<v Speaker 8>mark in at performing arts for his ability to play

0:17:13.440 --> 0:17:15.000
<v Speaker 8>the dozens in freestyle.

0:17:16.119 --> 0:17:18.480
<v Speaker 1>So you know, as long as.

0:17:18.400 --> 0:17:20.560
<v Speaker 8>There's somebody choose to talk about or a hole in

0:17:20.640 --> 0:17:23.800
<v Speaker 8>their you know, jeans or whatever, that enabled me to

0:17:23.840 --> 0:17:27.080
<v Speaker 8>be cool because I was this guy, yeah, while he

0:17:27.240 --> 0:17:29.440
<v Speaker 8>was just freestyle and talk about people's like you know.

0:17:29.600 --> 0:17:33.120
<v Speaker 8>So I think that actually those two things go hand

0:17:33.160 --> 0:17:40.680
<v Speaker 8>in hand with each other. Are you from Chicago? Yeah, okay,

0:17:40.720 --> 0:17:45.920
<v Speaker 8>Can you explain something to me? Why is Chicago the

0:17:46.720 --> 0:17:49.480
<v Speaker 8>epicenter of American comedy.

0:17:50.800 --> 0:17:54.399
<v Speaker 1>For such a place that is also.

0:17:55.880 --> 0:17:59.040
<v Speaker 8>Perceived as one of the most dangerous cities in which

0:17:59.080 --> 0:18:00.840
<v Speaker 8>I don't even know if that's t were not either.

0:18:00.800 --> 0:18:07.720
<v Speaker 2>Degregated as fuck. Why is Chicago It's I don't know, man,

0:18:08.119 --> 0:18:12.560
<v Speaker 2>the city itself is the organization of the city of Chicago.

0:18:14.000 --> 0:18:17.120
<v Speaker 2>In my experience, it's just a petty place that's always

0:18:17.680 --> 0:18:21.240
<v Speaker 2>taken from you, so it gives you an edge earlier

0:18:21.440 --> 0:18:24.840
<v Speaker 2>take it from you in what way. It's just you know,

0:18:25.040 --> 0:18:30.280
<v Speaker 2>through ticketing, through all these different taxes. And I'm still

0:18:30.359 --> 0:18:33.520
<v Speaker 2>scarred because they took my car because I had parking

0:18:33.600 --> 0:18:35.480
<v Speaker 2>tickets and then they booted it, and then they just

0:18:35.600 --> 0:18:37.680
<v Speaker 2>took it, and then it was just and then I

0:18:37.720 --> 0:18:39.840
<v Speaker 2>still owed the parking tickets, but they had sold the car.

0:18:40.240 --> 0:18:44.680
<v Speaker 2>But it's just the cars. They sold the car, they

0:18:44.880 --> 0:18:50.119
<v Speaker 2>disappeared my car, man, and so I still had to

0:18:50.160 --> 0:18:52.320
<v Speaker 2>pay it to get my license right. So it's just,

0:18:52.520 --> 0:18:56.080
<v Speaker 2>you know, there is every a lot of aspects, like

0:18:57.200 --> 0:19:00.680
<v Speaker 2>an every might be I think what happened to me?

0:19:03.000 --> 0:19:06.120
<v Speaker 6>Yeah, if you just like build up a lot of tickets, yeah.

0:19:06.000 --> 0:19:08.040
<v Speaker 2>But I feel like you're just going how you go.

0:19:08.400 --> 0:19:10.840
<v Speaker 2>There's the logic owner, and you know I used that

0:19:11.000 --> 0:19:16.800
<v Speaker 2>to go get the money right, right right, So now

0:19:16.840 --> 0:19:20.040
<v Speaker 2>you make it real tough for everybody. Now I gotta

0:19:20.080 --> 0:19:22.800
<v Speaker 2>have a hole. Now I gotta go. I gotta get

0:19:23.359 --> 0:19:25.800
<v Speaker 2>l Four years later, they're gonna fix all this.

0:19:28.280 --> 0:19:29.919
<v Speaker 1>First of all, where did you grow up in Chicago?

0:19:30.119 --> 0:19:33.280
<v Speaker 2>The West side of Chicago, North Boston, finally not the

0:19:33.320 --> 0:19:34.840
<v Speaker 2>South A lot of south Side.

0:19:34.880 --> 0:19:38.520
<v Speaker 8>Yeah, so I feel like Chicago, and some of these

0:19:39.000 --> 0:19:43.120
<v Speaker 8>Chicago luminars have been on the show might be slightly exactly.

0:19:43.280 --> 0:19:46.040
<v Speaker 8>I'm not looking at you, Sally Richards. I definitely believe

0:19:46.080 --> 0:19:47.439
<v Speaker 8>you from the South side of Chicago.

0:19:48.560 --> 0:19:51.760
<v Speaker 1>You show me that ship, you cleared that up right.

0:19:52.440 --> 0:19:56.919
<v Speaker 8>However, similar to Detroit, like sometimes you know, every Detroit

0:19:57.080 --> 0:20:00.200
<v Speaker 8>claims the east Side and then a friend of mine, like,

0:20:00.200 --> 0:20:02.000
<v Speaker 8>everyone's going to clean the east side because that's where

0:20:02.080 --> 0:20:03.720
<v Speaker 8>like the realness is from, but no one wants to

0:20:03.760 --> 0:20:06.320
<v Speaker 8>emit that they're from the west side of you know,

0:20:06.359 --> 0:20:08.439
<v Speaker 8>where Barry Gordy lives, Like a nice part of Detroit.

0:20:09.200 --> 0:20:14.919
<v Speaker 8>Is Chicago, like is the south side supposedly like across

0:20:14.960 --> 0:20:16.560
<v Speaker 8>the tracks where you're not supposed to go.

0:20:16.920 --> 0:20:20.520
<v Speaker 2>Or the south Side is a is a big place.

0:20:21.359 --> 0:20:26.520
<v Speaker 2>So there's there's hood neighborhoods in on the south Side,

0:20:26.560 --> 0:20:31.960
<v Speaker 2>and then there's also Bronzeville and Hyde Park, which is

0:20:32.480 --> 0:20:36.880
<v Speaker 2>where Obama's house is that's kind of the the Harlem

0:20:37.240 --> 0:20:40.879
<v Speaker 2>of Chicago, where you know, you got nice houses and stuff.

0:20:40.960 --> 0:20:44.600
<v Speaker 2>So the South Side is just is a it's pretty

0:20:44.640 --> 0:20:47.240
<v Speaker 2>much a city in itself with other areas. And you

0:20:47.320 --> 0:20:51.040
<v Speaker 2>got white neighborhoods on the south side, you got Latino neighborhoods,

0:20:51.160 --> 0:20:54.240
<v Speaker 2>you got you know, so it has. Yeah, it's it's

0:20:54.280 --> 0:20:55.960
<v Speaker 2>some tough spots on the South Side, and there's some

0:20:56.119 --> 0:20:58.359
<v Speaker 2>some nice ones too, but they kind of bore, you know,

0:20:58.440 --> 0:21:00.959
<v Speaker 2>and that can change into black. You're like, whoa, it's

0:21:01.040 --> 0:21:03.080
<v Speaker 2>nice over here. Whoa, Okay, I'm not safe.

0:21:05.200 --> 0:21:08.199
<v Speaker 8>In the beginning, like I uh well, you know, uh

0:21:08.320 --> 0:21:12.439
<v Speaker 8>big George right, uh George record the.

0:21:12.440 --> 0:21:16.960
<v Speaker 1>Record, George's music, George Music. Oom right, George Daniels, George, Okay,

0:21:17.359 --> 0:21:17.919
<v Speaker 1>say big.

0:21:17.800 --> 0:21:22.320
<v Speaker 8>George George Daniels. Like when in the beginning when you

0:21:22.400 --> 0:21:25.240
<v Speaker 8>would have to like do in store appearances and whatnot,

0:21:26.760 --> 0:21:29.159
<v Speaker 8>and he would take us around to these various record spots,

0:21:29.520 --> 0:21:33.399
<v Speaker 8>like literally he'll be like, oh, yeah, there's a Oprah's

0:21:33.440 --> 0:21:36.400
<v Speaker 8>condos over there, and then literally we'll be like cabried

0:21:36.440 --> 0:21:39.920
<v Speaker 8>and green like in mere seconds, like yeah, the projects

0:21:40.080 --> 0:21:43.080
<v Speaker 8>and the condominiums are were in proximity.

0:21:43.160 --> 0:21:44.200
<v Speaker 1>Yeah, three ninety six.

0:21:44.640 --> 0:21:47.200
<v Speaker 2>Yeah, Cobrina Green was really close, is really close, was

0:21:47.280 --> 0:21:50.240
<v Speaker 2>really close to downtown in a few minutes, super close.

0:21:50.320 --> 0:21:53.399
<v Speaker 1>Yeah. So we're like, what is the west Side like

0:21:53.480 --> 0:21:53.680
<v Speaker 1>for you?

0:21:54.240 --> 0:21:58.320
<v Speaker 2>My area on the west side is North Avenue on Austin,

0:21:58.680 --> 0:22:03.840
<v Speaker 2>so it borders Oak Park, which is a suburb, but

0:22:03.960 --> 0:22:08.160
<v Speaker 2>it's a a suburb that's there's suburbs. That's outer suburbs

0:22:08.160 --> 0:22:10.600
<v Speaker 2>where you gotta get on the highway and drive twenty

0:22:10.640 --> 0:22:12.680
<v Speaker 2>thirty minutes, and then there's suburbs whereas it's like this

0:22:12.800 --> 0:22:14.879
<v Speaker 2>side of the street is Chicago, this side of the

0:22:14.920 --> 0:22:18.320
<v Speaker 2>street is Oak Park. So my area had Chicago, but

0:22:18.359 --> 0:22:21.240
<v Speaker 2>it also had part suburban field because it was adjacent

0:22:21.280 --> 0:22:23.440
<v Speaker 2>to that. So that's where I was at. So North

0:22:23.480 --> 0:22:27.080
<v Speaker 2>Avenue that was like middle class family. Yeah, but it

0:22:27.160 --> 0:22:30.400
<v Speaker 2>still had its It had still had bullshit going on occasionally,

0:22:30.480 --> 0:22:34.760
<v Speaker 2>but it wasn't You didn't feel unsafe all the time.

0:22:34.880 --> 0:22:39.560
<v Speaker 2>It's just like watch yourself folk. My dad worked at

0:22:39.640 --> 0:22:42.920
<v Speaker 2>the railroad at Union Pacific Railroad, and then my mom

0:22:43.119 --> 0:22:46.440
<v Speaker 2>worked at mental hospital for a while and then worked

0:22:46.480 --> 0:22:49.480
<v Speaker 2>at my old school, Saint Paul Lutheran School as a

0:22:49.560 --> 0:22:50.560
<v Speaker 2>as a teacher's assistant.

0:22:50.680 --> 0:22:52.880
<v Speaker 1>Oh god, so you had to go to school while

0:22:52.920 --> 0:22:53.600
<v Speaker 1>your mom was there?

0:22:53.720 --> 0:22:55.520
<v Speaker 2>She wasn't she worked there after I left.

0:22:55.600 --> 0:22:58.600
<v Speaker 1>Actually I left that school because that's that's too much.

0:22:58.800 --> 0:22:59.879
<v Speaker 2>Yeah, it would have been, it would have been not

0:23:00.760 --> 0:23:01.600
<v Speaker 2>way too much pressure.

0:23:01.960 --> 0:23:06.359
<v Speaker 8>Uh during that time period, like were you Chicago has

0:23:06.400 --> 0:23:09.840
<v Speaker 8>so many luminaries from the past, president future, Like were

0:23:09.920 --> 0:23:12.879
<v Speaker 8>you in proximity of anyone that was.

0:23:12.920 --> 0:23:17.800
<v Speaker 1>Chicago based and socially? Socially, Hey, in my high school,

0:23:17.840 --> 0:23:20.639
<v Speaker 1>there's common word you know in my screen?

0:23:21.440 --> 0:23:26.919
<v Speaker 2>Uh No, well, fifth and sixth grade, we played against

0:23:27.080 --> 0:23:29.479
<v Speaker 2>We played basketball against this kid. It was a kid

0:23:29.560 --> 0:23:31.720
<v Speaker 2>Amari Sawyer that ended up going to the pall and

0:23:31.840 --> 0:23:39.200
<v Speaker 2>he he cooked us man. He cooked the hell out

0:23:39.240 --> 0:23:41.920
<v Speaker 2>of us man. You know, because it's fifty sixth grade basketball.

0:23:41.960 --> 0:23:44.760
<v Speaker 2>There's no there's no scouting report. You just find out

0:23:44.840 --> 0:23:49.280
<v Speaker 2>on the court. There's no like, yeah, we gotta watch

0:23:49.400 --> 0:23:50.760
<v Speaker 2>make sure that if you just get out there and

0:23:50.800 --> 0:23:51.720
<v Speaker 2>he's like, what was that?

0:23:53.240 --> 0:23:55.440
<v Speaker 1>And he starts hearing for his science what that?

0:23:55.720 --> 0:23:58.920
<v Speaker 2>What was that? And it was a play. It was

0:23:58.960 --> 0:24:02.919
<v Speaker 2>a play where the ball was going out of bounds

0:24:03.560 --> 0:24:06.800
<v Speaker 2>off of him. He saved the ball, jumped mid there

0:24:07.400 --> 0:24:08.119
<v Speaker 2>threw it off of me.

0:24:08.240 --> 0:24:08.840
<v Speaker 1>Out of bound.

0:24:11.200 --> 0:24:13.160
<v Speaker 2>But that was not a fifth and sixth grade play.

0:24:14.000 --> 0:24:18.280
<v Speaker 2>I just confused. I remember, give him a tech right now,

0:24:18.400 --> 0:24:20.280
<v Speaker 2>get him out of here. He's a grown man. Let

0:24:20.400 --> 0:24:25.520
<v Speaker 2>us kids enjoy ourselves. Get him about here. So that

0:24:25.720 --> 0:24:30.520
<v Speaker 2>was an early encounter with greatness in fifth and sixth grade. Well,

0:24:30.560 --> 0:24:32.679
<v Speaker 2>he's seeing somebody really different from us.

0:24:33.320 --> 0:24:37.280
<v Speaker 8>So in general, did you what were your aspirations as

0:24:38.720 --> 0:24:42.360
<v Speaker 8>a kid, Like it's hard to figure out where Comedy

0:24:42.440 --> 0:24:44.720
<v Speaker 8>interested in his life. If you had another talent or

0:24:44.720 --> 0:24:48.359
<v Speaker 8>if you had another dream for being an electrician or.

0:24:48.600 --> 0:24:53.560
<v Speaker 2>Yeah, I didn't have any specific goals. Man, I was

0:24:53.640 --> 0:24:57.600
<v Speaker 2>a smart kid, you know, tested well, and so I

0:24:57.680 --> 0:25:01.359
<v Speaker 2>think even going into college, I played you know, I

0:25:01.400 --> 0:25:03.399
<v Speaker 2>played football in high school. I was okay, I was

0:25:03.440 --> 0:25:05.040
<v Speaker 2>on the debate team. I enjoyed that.

0:25:06.000 --> 0:25:07.840
<v Speaker 1>Your only child or.

0:25:09.440 --> 0:25:11.320
<v Speaker 2>Not the only child, and I'm the youngest with a

0:25:11.640 --> 0:25:14.239
<v Speaker 2>with a decent gap, So maybe I think, yeah, next

0:25:14.280 --> 0:25:17.080
<v Speaker 2>sibling is ten years older.

0:25:17.560 --> 0:25:19.080
<v Speaker 1>Is anyone sinking the temptations right now?

0:25:24.240 --> 0:25:25.240
<v Speaker 2>I just think it was spoiling.

0:25:25.280 --> 0:25:27.919
<v Speaker 1>Okay, So you're the baby and.

0:25:28.200 --> 0:25:31.119
<v Speaker 8>Your siblings are decades older than you, So it was

0:25:31.200 --> 0:25:32.320
<v Speaker 8>kind of like you were the only kids.

0:25:32.440 --> 0:25:34.840
<v Speaker 2>Yeah, and I mean my I guess my sister kind

0:25:34.840 --> 0:25:37.879
<v Speaker 2>of took on more of a motherly role before she

0:25:37.960 --> 0:25:41.080
<v Speaker 2>went to college and everything, you know, like.

0:25:43.920 --> 0:25:50.919
<v Speaker 1>Anyway exactly, I love you doing getting a time machine.

0:25:51.359 --> 0:25:53.480
<v Speaker 2>Yeah, but going to college, I think I just went

0:25:53.920 --> 0:25:55.760
<v Speaker 2>just because that was what you were supposed to do.

0:25:56.040 --> 0:25:59.240
<v Speaker 2>It wasn't. It wasn't with a real vision. It was

0:25:59.320 --> 0:26:00.919
<v Speaker 2>just kind of supposed to go to college.

0:26:00.960 --> 0:26:01.800
<v Speaker 1>And where did you go again?

0:26:02.040 --> 0:26:07.399
<v Speaker 2>Southern Illinois University. Major A changed. My first major was

0:26:07.600 --> 0:26:12.000
<v Speaker 2>business and then I failed finite math twice, and I said,

0:26:12.000 --> 0:26:14.680
<v Speaker 2>I guess business not for me. At least their idea

0:26:14.720 --> 0:26:17.639
<v Speaker 2>of business ain't for me. Then I changed the education

0:26:17.760 --> 0:26:18.280
<v Speaker 2>for a little bit.

0:26:18.400 --> 0:26:22.159
<v Speaker 8>Actually many a business major, but literally doesn't know what

0:26:23.240 --> 0:26:24.800
<v Speaker 8>what that entails in college?

0:26:24.880 --> 0:26:26.240
<v Speaker 1>Like, so what classes are they?

0:26:26.680 --> 0:26:28.920
<v Speaker 2>I didn't make it until where you took the actual classes.

0:26:28.960 --> 0:26:32.320
<v Speaker 2>I was still in the you know, yeah, in the

0:26:32.560 --> 0:26:35.520
<v Speaker 2>in the freshman levels, so they had general a general.

0:26:35.640 --> 0:26:39.520
<v Speaker 2>I didn't get into that. Yeah, So it wasn't. I wasn't.

0:26:39.600 --> 0:26:41.399
<v Speaker 2>I wasn't there yet. You didn't stay but for how

0:26:41.440 --> 0:26:44.840
<v Speaker 2>long in college? Oh? No, I stayed there the amount

0:26:44.840 --> 0:26:48.679
<v Speaker 2>of time four years but I didn't. Well, I decided I.

0:26:48.760 --> 0:26:49.560
<v Speaker 1>Was finished.

0:26:52.600 --> 0:26:55.840
<v Speaker 2>Years of your money and then yeah, I mean it is.

0:26:56.040 --> 0:26:58.160
<v Speaker 2>I mean, you know, state school, so it wasn't super.

0:27:00.200 --> 0:27:01.760
<v Speaker 6>I started out in state school a miir. If you

0:27:01.840 --> 0:27:03.679
<v Speaker 6>go to your state school, that's for instance. I went

0:27:03.720 --> 0:27:06.720
<v Speaker 6>to Morgan State for two years. My tuition was like

0:27:06.960 --> 0:27:10.360
<v Speaker 6>fifteen hundred. It's a semester. I'm stupidly transferred to Atlanta.

0:27:10.880 --> 0:27:13.240
<v Speaker 6>Now one hundred thousand dollars on thirty thousand.

0:27:13.560 --> 0:27:16.920
<v Speaker 1>That's what still you're paying off.

0:27:16.840 --> 0:27:19.920
<v Speaker 6>Now one hundred and fifty five thirty thousand student loans.

0:27:20.040 --> 0:27:25.960
<v Speaker 6>Oh wow, all that money and people be like, you

0:27:26.080 --> 0:27:26.760
<v Speaker 6>got your degree?

0:27:27.240 --> 0:27:27.760
<v Speaker 2>Yeah I did.

0:27:28.640 --> 0:27:32.479
<v Speaker 1>I don't know where it is, okay, Yeah where did

0:27:32.520 --> 0:27:33.000
<v Speaker 1>you graduate?

0:27:33.080 --> 0:27:37.560
<v Speaker 2>Like, I'm sorry, ninety nine is supposed to be ninety eight.

0:27:38.040 --> 0:27:39.960
<v Speaker 1>Okay, Clark Atlanta University.

0:27:40.320 --> 0:27:40.720
<v Speaker 2>I'm sorry.

0:27:40.920 --> 0:27:43.280
<v Speaker 8>I know you went to college, but for some reason,

0:27:43.480 --> 0:27:45.800
<v Speaker 8>most black people go to college. Like this is like

0:27:46.400 --> 0:27:49.760
<v Speaker 8>then I dropped out my junior year whatever I didn't jesus,

0:27:53.119 --> 0:27:54.400
<v Speaker 8>Yeah I finished, no one, I came.

0:27:54.880 --> 0:27:58.400
<v Speaker 1>Yeah, two degrees and there yeah what I mean three

0:27:58.440 --> 0:28:00.199
<v Speaker 1>d well are a given? Right?

0:28:00.280 --> 0:28:00.480
<v Speaker 7>Yeah?

0:28:02.040 --> 0:28:06.240
<v Speaker 1>Wait, that's just what happened. Wait, everyone in the squad.

0:28:06.520 --> 0:28:08.600
<v Speaker 1>I'm the only one that's not edumacated.

0:28:08.680 --> 0:28:09.439
<v Speaker 6>Yes, the richest.

0:28:09.520 --> 0:28:15.080
<v Speaker 1>Yeah, we didn't have a record. Yeah yeah, no.

0:28:16.840 --> 0:28:17.320
<v Speaker 6>Not really.

0:28:17.600 --> 0:28:18.320
<v Speaker 1>I feel horrible.

0:28:18.920 --> 0:28:23.040
<v Speaker 2>No, you should be proud, like you know, unless you

0:28:23.800 --> 0:28:24.440
<v Speaker 2>just wanting to buy.

0:28:24.560 --> 0:28:27.800
<v Speaker 1>Oh yeah, you get in the shop five shout out

0:28:27.840 --> 0:28:28.879
<v Speaker 1>to Joe Biden. I'm waiting.

0:28:29.000 --> 0:28:31.719
<v Speaker 8>Well, there was a second when Swizz, When Swizz went

0:28:31.760 --> 0:28:35.160
<v Speaker 8>to Harvard, there was a brief moment where you could

0:28:35.200 --> 0:28:40.600
<v Speaker 8>take like Harvard, yeah, business things, but that I couldn't

0:28:40.640 --> 0:28:43.440
<v Speaker 8>do it, but I want to do it before I'm seventy.

0:28:43.640 --> 0:28:46.640
<v Speaker 2>So I was telling you to go to Harvard.

0:28:48.680 --> 0:28:50.320
<v Speaker 1>Yeah, I mean, yeah you can. You can go to

0:28:50.400 --> 0:28:52.720
<v Speaker 1>the BRONC. You know what I mean. There's a lot

0:28:52.800 --> 0:28:55.360
<v Speaker 1>of Phoenix yeah.

0:28:57.080 --> 0:29:02.680
<v Speaker 2>Phi, Yeah, you jumping. Yeah, all right, somebody five hundred

0:29:02.680 --> 0:29:05.920
<v Speaker 2>dollars to film the classes, you know what.

0:29:06.440 --> 0:29:09.959
<v Speaker 8>You know what during during the Black Album period, there

0:29:10.040 --> 0:29:13.840
<v Speaker 8>was a moment where I think I had him on

0:29:13.960 --> 0:29:16.080
<v Speaker 8>the fence where I was like, yo, you know, be dope,

0:29:16.120 --> 0:29:18.560
<v Speaker 8>because this is the point where I realized that Jay

0:29:18.720 --> 0:29:21.000
<v Speaker 8>had put the Mitchell Nessa out of business when he

0:29:21.080 --> 0:29:24.920
<v Speaker 8>started like, hey I'm wearing Buttimore. Yeah I did, right,

0:29:25.120 --> 0:29:28.680
<v Speaker 8>So when we were rehearsing just before that album came out.

0:29:29.640 --> 0:29:32.240
<v Speaker 8>Before that album came out, do you know a boy

0:29:32.320 --> 0:29:36.480
<v Speaker 8>who h was like the yes, thank god you because

0:29:36.560 --> 0:29:38.640
<v Speaker 8>I literally and she went to college.

0:29:39.560 --> 0:29:56.480
<v Speaker 1>Sorry, Big all right, you get that one. Finally we've

0:29:56.520 --> 0:29:57.400
<v Speaker 1>been here for two days.

0:29:57.400 --> 0:29:57.760
<v Speaker 7>I got my.

0:30:01.600 --> 0:30:09.120
<v Speaker 1>All right.

0:30:11.880 --> 0:30:12.080
<v Speaker 4>Yeah.

0:30:12.200 --> 0:30:15.120
<v Speaker 8>So the whole point was that I was like, whoa,

0:30:15.240 --> 0:30:18.440
<v Speaker 8>if you're this powerful, if you're this because Big Rube

0:30:18.560 --> 0:30:23.600
<v Speaker 8>actually hit them up and said, hey, help, like, can

0:30:23.640 --> 0:30:25.080
<v Speaker 8>you let me know the exact date this.

0:30:25.160 --> 0:30:26.000
<v Speaker 1>Album's coming out?

0:30:26.160 --> 0:30:30.320
<v Speaker 8>Because I feel like that's going to be another four

0:30:30.400 --> 0:30:33.440
<v Speaker 8>point six situation where you shut They had a history

0:30:33.480 --> 0:30:37.360
<v Speaker 8>of shutting businesses down, and they were like, yes, that

0:30:37.400 --> 0:30:39.120
<v Speaker 8>album comes out and da da da da, and they

0:30:39.320 --> 0:30:43.480
<v Speaker 8>just had like a yes. They literally had a fire sale,

0:30:43.960 --> 0:30:46.560
<v Speaker 8>and then of course the shirts went down for a

0:30:46.680 --> 0:30:49.560
<v Speaker 8>spell and then everyone's buying button ups. I was like, wow,

0:30:49.560 --> 0:30:51.840
<v Speaker 8>if you have the power to do that, I say,

0:30:51.960 --> 0:30:55.000
<v Speaker 8>if you went to college, everybody would follow suit and

0:30:55.080 --> 0:30:55.720
<v Speaker 8>go to college.

0:30:55.920 --> 0:30:57.280
<v Speaker 2>So I was like, I thought he was gonna get

0:30:57.320 --> 0:30:59.200
<v Speaker 2>him to teach a class. He needs to teach, motherfucker

0:30:59.560 --> 0:30:59.880
<v Speaker 2>he did.

0:31:00.840 --> 0:31:04.200
<v Speaker 1>I mean, yeah, but you know, I was I had

0:31:04.280 --> 0:31:05.560
<v Speaker 1>hope for us.

0:31:06.200 --> 0:31:09.600
<v Speaker 2>So a shirt is he just left.

0:31:12.320 --> 0:31:12.640
<v Speaker 5>College?

0:31:13.240 --> 0:31:17.480
<v Speaker 2>Shirt boom go to Rosses twenty bucks? I got a shirt.

0:31:18.680 --> 0:31:19.320
<v Speaker 2>I'm jay Z.

0:31:21.400 --> 0:31:23.760
<v Speaker 1>Right, you tell me. I got to fill out a fast.

0:31:25.320 --> 0:31:28.360
<v Speaker 2>Doing what I gotta stay in the room with a stranger.

0:31:29.520 --> 0:31:32.120
<v Speaker 1>I don't know. Hope, I still got hope, man, I

0:31:32.240 --> 0:31:34.840
<v Speaker 1>still got hope. Do you remember your first like the

0:31:34.920 --> 0:31:37.040
<v Speaker 1>first time you got on stage and did comedy?

0:31:37.200 --> 0:31:38.640
<v Speaker 2>Like, yeah, the first time.

0:31:38.760 --> 0:31:39.560
<v Speaker 1>Where was it was?

0:31:39.600 --> 0:31:43.760
<v Speaker 2>It was s I U in the student center the

0:31:44.080 --> 0:31:46.760
<v Speaker 2>it's called the Big Muddy Room. They had open mics.

0:31:47.360 --> 0:31:48.240
<v Speaker 2>Uh did you put that?

0:31:49.520 --> 0:31:52.160
<v Speaker 1>Was that footage of that at the end? I feel

0:31:52.160 --> 0:31:53.120
<v Speaker 1>like I saw you put it.

0:31:53.160 --> 0:31:56.400
<v Speaker 2>Online or something at the beginning of Miami. That's what. Yeah,

0:31:56.440 --> 0:31:58.120
<v Speaker 2>I was like, I feel like, so that was the

0:31:58.160 --> 0:32:00.640
<v Speaker 2>performance that wasn't it. That was something that was something

0:32:00.720 --> 0:32:02.360
<v Speaker 2>in the first year or so. But that wasn't the

0:32:02.400 --> 0:32:06.600
<v Speaker 2>first one. That was the same place. Okay, Actually that

0:32:06.760 --> 0:32:08.480
<v Speaker 2>show it was an open mic and I went the

0:32:08.560 --> 0:32:12.200
<v Speaker 2>month before my homeboy Cheety was performing at the same

0:32:12.240 --> 0:32:13.880
<v Speaker 2>open mic, and I just kind of I was watching

0:32:13.920 --> 0:32:17.320
<v Speaker 2>folks and it just kind of it demystified stand up

0:32:17.440 --> 0:32:20.040
<v Speaker 2>for me because before that I was seeing everything televised

0:32:20.080 --> 0:32:23.600
<v Speaker 2>with people's polished killing it. And so then that showed

0:32:23.640 --> 0:32:26.240
<v Speaker 2>me that, oh I could try this, and it's low stakes.

0:32:26.360 --> 0:32:28.280
<v Speaker 2>If it goes cool, it goes cool. If it don't,

0:32:28.320 --> 0:32:30.640
<v Speaker 2>it don't. And so then I wrote some stuff and

0:32:30.680 --> 0:32:33.480
<v Speaker 2>went back the next month and tried it, and it

0:32:33.560 --> 0:32:35.440
<v Speaker 2>went all right, but it was enough to kind of,

0:32:35.640 --> 0:32:38.400
<v Speaker 2>you know, to keep me going. I remember my legs

0:32:38.480 --> 0:32:39.600
<v Speaker 2>just shaking afterwards, like.

0:32:39.640 --> 0:32:43.760
<v Speaker 8>Oh shit, were you generally known as the funny guy

0:32:44.400 --> 0:32:47.160
<v Speaker 8>in the crew or were you the class clown or like,

0:32:47.480 --> 0:32:49.320
<v Speaker 8>were you generally known it's funny or were you just

0:32:49.440 --> 0:32:50.800
<v Speaker 8>observation on humor guy?

0:32:51.080 --> 0:32:54.480
<v Speaker 2>It depends sometimes I will, you know, in the right group,

0:32:54.560 --> 0:32:58.240
<v Speaker 2>I would be funny and over the top or roasting

0:32:58.440 --> 0:33:01.080
<v Speaker 2>and what. But some people, if you asked me, oh no,

0:33:01.200 --> 0:33:03.160
<v Speaker 2>he quiet, he seemed. I know, I thought he was

0:33:03.280 --> 0:33:08.680
<v Speaker 2>quiet because we probably weren't that cool. But but the

0:33:08.720 --> 0:33:11.440
<v Speaker 2>folks that knew, you know, thought I thought I was funny,

0:33:11.480 --> 0:33:14.200
<v Speaker 2>and uh but yeah, after that I caught the bug

0:33:15.000 --> 0:33:19.040
<v Speaker 2>and was just really locked in, just appreciated that feeling

0:33:19.120 --> 0:33:22.080
<v Speaker 2>and being on campus too. That was the cool thing

0:33:22.080 --> 0:33:24.800
<v Speaker 2>about doing it in the college setting was that there

0:33:24.920 --> 0:33:28.840
<v Speaker 2>was this bubble on his own. So, you know, after

0:33:28.960 --> 0:33:31.120
<v Speaker 2>my first show, or it was another show that I

0:33:31.200 --> 0:33:33.880
<v Speaker 2>did on campus. Actually Little Reil was on that show

0:33:33.960 --> 0:33:37.440
<v Speaker 2>and Wildcat, UH two Face and Shady. It was you know,

0:33:37.520 --> 0:33:41.479
<v Speaker 2>they were bringing down comics from UH Comicsview and I, uh,

0:33:42.280 --> 0:33:45.520
<v Speaker 2>Kevin from Triple Team Promotions let me get a spot

0:33:45.560 --> 0:33:47.720
<v Speaker 2>even though I only had My only experience was one

0:33:47.800 --> 0:33:50.840
<v Speaker 2>open mic before that, and so I did my set,

0:33:51.760 --> 0:33:53.920
<v Speaker 2>walked out to actually All I Need by jay Z

0:33:54.600 --> 0:33:58.480
<v Speaker 2>and uh and it went cool. And then the next

0:33:58.560 --> 0:34:01.400
<v Speaker 2>day after that, because it's a college campus, you run

0:34:01.440 --> 0:34:03.640
<v Speaker 2>into folks like, yeah, you did stand up, and so

0:34:04.320 --> 0:34:06.240
<v Speaker 2>it was cool to do it in that that setting.

0:34:06.320 --> 0:34:10.279
<v Speaker 2>And it also was easy to relate because you can

0:34:10.360 --> 0:34:14.640
<v Speaker 2>do oh, well the launch, the cafeteria, food, campus security,

0:34:14.760 --> 0:34:16.320
<v Speaker 2>what's up? What? You know? You had all these this

0:34:16.400 --> 0:34:20.080
<v Speaker 2>stuff because you talking to other eighteen to twenty two

0:34:20.160 --> 0:34:22.480
<v Speaker 2>year olds that's living in the same place. So I

0:34:22.560 --> 0:34:24.239
<v Speaker 2>think it was a it was a benefit.

0:34:24.000 --> 0:34:26.520
<v Speaker 1>To Was this a time when you and over my

0:34:26.640 --> 0:34:28.839
<v Speaker 1>eagle because you were his ari?

0:34:29.239 --> 0:34:29.960
<v Speaker 2>He was my Alrady?

0:34:30.000 --> 0:34:30.719
<v Speaker 1>Oh he was your ri.

0:34:30.880 --> 0:34:35.719
<v Speaker 2>He was my Alra. Yeah, ok, yeah, yeah, Mike was

0:34:35.760 --> 0:34:38.719
<v Speaker 2>my ra. He actually put me on to uh once

0:34:38.800 --> 0:34:41.480
<v Speaker 2>I I showed him it was I went up to

0:34:41.560 --> 0:34:45.480
<v Speaker 2>this place, Jukebox Comedy Club. I drove up there to

0:34:45.640 --> 0:34:48.320
<v Speaker 2>do a guest spot and perform, and I had a

0:34:48.440 --> 0:34:50.640
<v Speaker 2>VHS tape of my set and I was hyped about it.

0:34:51.120 --> 0:34:53.439
<v Speaker 2>And then I went up to his room and showed

0:34:53.480 --> 0:34:55.600
<v Speaker 2>him the tape and that was back, it's VHS. So

0:34:55.719 --> 0:34:57.719
<v Speaker 2>you it wasn't just you sent the lincs. It's like,

0:34:58.000 --> 0:35:03.919
<v Speaker 2>I did this, Let's watch it, Let's go together, let's

0:35:03.920 --> 0:35:08.880
<v Speaker 2>watch the ship. I did you just look and so

0:35:09.160 --> 0:35:15.960
<v Speaker 2>uh he from there he sent me some the audio

0:35:16.239 --> 0:35:20.719
<v Speaker 2>from Dave Chappelle killing him softly, just the audio from it.

0:35:21.400 --> 0:35:23.640
<v Speaker 2>Some hadburg stuff, but the killing him softly. That's when

0:35:23.640 --> 0:35:27.080
<v Speaker 2>I heard. When he did the the from Dave, I'm

0:35:27.120 --> 0:35:30.680
<v Speaker 2>going to raise some that bit. Uh. I knew it

0:35:30.760 --> 0:35:32.920
<v Speaker 2>was a bad idea, but I was high. I tried

0:35:32.960 --> 0:35:34.120
<v Speaker 2>to tell him it was a bad idea, but all

0:35:34.160 --> 0:35:36.320
<v Speaker 2>it came out was ship. Sometimes you gotta race, nigga,

0:35:36.320 --> 0:35:39.480
<v Speaker 2>I don't know, and that it was a revound I rewound.

0:35:39.640 --> 0:35:41.680
<v Speaker 2>I just thought it was the timing and delivery on

0:35:41.760 --> 0:35:43.560
<v Speaker 2>that was so crazy. I rewound that so many.

0:35:43.480 --> 0:35:47.239
<v Speaker 8>Times Okay, when crafting, well wait, when I come back,

0:35:47.280 --> 0:35:49.920
<v Speaker 8>I want to talk about the crafting of the show. Yeah,

0:35:49.960 --> 0:35:51.480
<v Speaker 8>but we're going to take a break for the you know,

0:35:52.120 --> 0:35:59.080
<v Speaker 8>for the costs. All right, so we're back with our guests,

0:35:59.200 --> 0:35:59.759
<v Speaker 8>Hannibal Bird.

0:36:01.200 --> 0:36:04.319
<v Speaker 5>Yes, I'm being professionals. We're taking it's called commercial taking.

0:36:07.239 --> 0:36:11.560
<v Speaker 5>I overheard a conversation we take commercial breaks now. I well,

0:36:11.600 --> 0:36:14.480
<v Speaker 5>you know, we got Bill, so it's best to be

0:36:15.200 --> 0:36:20.080
<v Speaker 5>you know, professional. It only took us six years, right,

0:36:22.200 --> 0:36:26.960
<v Speaker 5>So yeah, when I first got my drum machine, the

0:36:27.080 --> 0:36:30.440
<v Speaker 5>first thing I did was like, well, when I got

0:36:30.640 --> 0:36:31.640
<v Speaker 5>Seve hundred.

0:36:32.160 --> 0:36:35.319
<v Speaker 1>I would I remade the entire low in theory.

0:36:36.120 --> 0:36:39.239
<v Speaker 8>I challenged myself to make at least side one of

0:36:39.400 --> 0:36:43.320
<v Speaker 8>nation and millions, like you got to practice other people's beats.

0:36:43.360 --> 0:36:46.279
<v Speaker 8>And then Dylan would do the same, all those people

0:36:46.320 --> 0:36:49.719
<v Speaker 8>I can interlude. He would redo them ships and then

0:36:49.800 --> 0:36:51.680
<v Speaker 8>try to figure out how to do it his version.

0:36:52.680 --> 0:36:55.840
<v Speaker 8>So for comedian though, like I know, like you know,

0:36:56.000 --> 0:36:59.839
<v Speaker 8>Eddie Murphy would say like, yeah, I just take Richard

0:37:00.280 --> 0:37:04.040
<v Speaker 8>record and remix his things were people that didn't hear

0:37:04.080 --> 0:37:05.040
<v Speaker 8>it in my school or whatever.

0:37:05.239 --> 0:37:09.360
<v Speaker 1>But for you, how does that work? Like? What are

0:37:09.400 --> 0:37:12.359
<v Speaker 1>the ingredients that you're taken from.

0:37:12.480 --> 0:37:15.680
<v Speaker 8>So you're saying that killed me softly from Chappelle was

0:37:15.719 --> 0:37:18.640
<v Speaker 8>a seminal moment for you where you just studied.

0:37:18.320 --> 0:37:21.480
<v Speaker 2>The just that bit. I like that just as a

0:37:21.600 --> 0:37:27.000
<v Speaker 2>as a fan. As far as creating my stuff, I

0:37:27.040 --> 0:37:29.440
<v Speaker 2>don't know. I just watched a lot of folks. I

0:37:29.480 --> 0:37:33.120
<v Speaker 2>didn't early on a lot of folks. You you sort

0:37:33.120 --> 0:37:36.200
<v Speaker 2>of like Mitch Hebburg, But Mike played me miss Hebburg,

0:37:36.320 --> 0:37:39.160
<v Speaker 2>based on what I had just played him from that

0:37:39.280 --> 0:37:41.080
<v Speaker 2>from that show, and he put me on to Mitch Hebburg.

0:37:41.160 --> 0:37:45.240
<v Speaker 2>So maybe absorbed. I'm sure you know, just through osmosis,

0:37:45.320 --> 0:37:49.680
<v Speaker 2>you might sound like folks sometimes and you just try to,

0:37:50.520 --> 0:37:53.399
<v Speaker 2>you know, find your own and be be as true

0:37:53.440 --> 0:37:54.600
<v Speaker 2>to your your shit as you can.

0:37:54.719 --> 0:37:57.040
<v Speaker 1>But you know, we what does we feel like?

0:37:57.360 --> 0:38:04.400
<v Speaker 8>Hepburg's observation rude that has been long vacant and you

0:38:04.480 --> 0:38:07.160
<v Speaker 8>know somebody has to walk that path. Is that all

0:38:07.200 --> 0:38:09.560
<v Speaker 8>comedians look at things like, Okay, well this guy is

0:38:09.600 --> 0:38:12.759
<v Speaker 8>the singing comedian, and this guy is the you know,

0:38:12.960 --> 0:38:18.680
<v Speaker 8>the family storyteller, and this person's the you know, lane

0:38:18.760 --> 0:38:21.279
<v Speaker 8>the street community Like is that?

0:38:22.040 --> 0:38:23.480
<v Speaker 1>Are they compartmentalized like that?

0:38:23.719 --> 0:38:26.480
<v Speaker 2>Or it wasn't It wasn't that calculated at that time.

0:38:26.600 --> 0:38:29.279
<v Speaker 2>It was just really just trying to get better, just

0:38:29.400 --> 0:38:33.680
<v Speaker 2>try to you know, just have your your not bomb.

0:38:33.880 --> 0:38:36.680
<v Speaker 2>Really that was the thing, is not just how to

0:38:36.880 --> 0:38:39.200
<v Speaker 2>do it. Do you remember what was the first the

0:38:39.239 --> 0:38:41.680
<v Speaker 2>first joke that you wrote that hit, the first one

0:38:41.760 --> 0:38:47.440
<v Speaker 2>that I that uh that hit. It was one I

0:38:47.600 --> 0:38:52.800
<v Speaker 2>talked about how people just have just all these different

0:38:52.840 --> 0:38:57.239
<v Speaker 2>ways to call you dark skin like, damn you black

0:38:57.280 --> 0:39:00.680
<v Speaker 2>as hell, You're so black if you you lay on

0:39:01.680 --> 0:39:04.200
<v Speaker 2>if you stand by the wall, it's a cave, if

0:39:04.239 --> 0:39:07.000
<v Speaker 2>you lay on the ground, it's a whole You're so black,

0:39:07.040 --> 0:39:09.320
<v Speaker 2>you purple African like. It was just kind of a

0:39:09.400 --> 0:39:10.400
<v Speaker 2>run of just all these.

0:39:10.560 --> 0:39:12.640
<v Speaker 8>Is that everyone's entry in the comedy world, because even

0:39:12.680 --> 0:39:16.120
<v Speaker 8>Chris Rock said he had a good three minutes about

0:39:16.160 --> 0:39:19.600
<v Speaker 8>Miles Davis being black and that's what that's what made

0:39:19.680 --> 0:39:22.000
<v Speaker 8>Eddie Murphy invited him to you know, Beverly Hills.

0:39:23.120 --> 0:39:25.160
<v Speaker 1>It's almost like that's an entry point.

0:39:25.280 --> 0:39:27.200
<v Speaker 2>Yeah, it was just you just think about I mean, yeah,

0:39:27.239 --> 0:39:30.680
<v Speaker 2>you just you know, repeating things that people said to

0:39:30.760 --> 0:39:33.320
<v Speaker 2>you that you didn't understand why they said.

0:39:33.120 --> 0:39:35.279
<v Speaker 1>It, Like blackness is the birth place of.

0:39:37.360 --> 0:39:39.160
<v Speaker 2>What why am I an African booty scratch?

0:39:39.480 --> 0:39:39.640
<v Speaker 6>Right?

0:39:39.880 --> 0:39:47.239
<v Speaker 2>Man, I'm just existing African booties gratch what I'm ten.

0:39:54.000 --> 0:39:58.240
<v Speaker 8>So okay, when you're crafting, don't speak from your professional

0:39:58.320 --> 0:40:04.440
<v Speaker 8>mind now. But back then, when you're crafting like pre roots,

0:40:04.719 --> 0:40:06.960
<v Speaker 8>you know, there's a point where your eyes are open.

0:40:07.040 --> 0:40:10.560
<v Speaker 8>You suddenly realize, like what a hook is? You know,

0:40:10.680 --> 0:40:13.480
<v Speaker 8>what makes what makes things work on an audience. Unfortunately,

0:40:13.520 --> 0:40:16.399
<v Speaker 8>it took me to the pandemic to really learn how

0:40:16.480 --> 0:40:17.319
<v Speaker 8>to make a song.

0:40:18.840 --> 0:40:21.880
<v Speaker 1>Really, yes, because in Fumish college, so what do you expect.

0:40:30.320 --> 0:40:32.800
<v Speaker 2>We've had records, We've gotten lucky.

0:40:33.920 --> 0:40:37.600
<v Speaker 8>But I never knew the science of songwriting or what

0:40:37.840 --> 0:40:39.840
<v Speaker 8>makes a song work, like what makes it affect and

0:40:39.920 --> 0:40:42.840
<v Speaker 8>what makes it non effective. And it wasn't until the pandemic,

0:40:43.440 --> 0:40:47.719
<v Speaker 8>in which I'm literally stuck five hours every day going

0:40:47.800 --> 0:40:50.960
<v Speaker 8>through every song to know, oh, okay, this is why this.

0:40:51.400 --> 0:40:53.440
<v Speaker 8>I don't know why I just never studied the science

0:40:53.520 --> 0:40:56.520
<v Speaker 8>of You knew it, you just no, I didn't. Because

0:40:56.560 --> 0:40:59.240
<v Speaker 8>the thing is is like we would never write songs.

0:40:59.480 --> 0:41:03.279
<v Speaker 8>We've never demo song. We just jamming sound check. Oh

0:41:03.320 --> 0:41:06.399
<v Speaker 8>that sounds dope, you know, like next move was made

0:41:06.440 --> 0:41:09.879
<v Speaker 8>like in a sound check in Hawaii, it's like, oh,

0:41:10.160 --> 0:41:12.000
<v Speaker 8>recording the table quick, and we did it for like

0:41:12.080 --> 0:41:14.759
<v Speaker 8>two minutes and then came back and did that jam.

0:41:14.960 --> 0:41:18.359
<v Speaker 8>But I didn't realize it got me with scientific that's

0:41:18.400 --> 0:41:23.320
<v Speaker 8>because Scott Storch, not Black Roads, you got me. No,

0:41:24.000 --> 0:41:27.560
<v Speaker 8>I'm just saying that, you know, all right when when

0:41:27.600 --> 0:41:30.600
<v Speaker 8>I'm when the motor role of two two way pages

0:41:30.640 --> 0:41:33.360
<v Speaker 8>came out, that's when I realized.

0:41:32.960 --> 0:41:35.040
<v Speaker 3>Like in programming on a two way that that's that's

0:41:35.080 --> 0:41:38.240
<v Speaker 3>a hit, Like yeah, because you need a part the whistle,

0:41:38.640 --> 0:41:39.880
<v Speaker 3>Like all right, Prince is delirious.

0:41:40.040 --> 0:41:46.040
<v Speaker 1>You know, we never had a what's the of the

0:41:46.120 --> 0:41:51.759
<v Speaker 1>next movement? There's that's background vocals. See that's for me.

0:41:53.480 --> 0:41:56.040
<v Speaker 8>But I feel what you're saying, like Prince is the

0:41:56.080 --> 0:41:59.000
<v Speaker 8>master of He'll do the intricate ship that interests like

0:41:59.120 --> 0:42:00.200
<v Speaker 8>all the music nerds.

0:42:00.520 --> 0:42:02.200
<v Speaker 1>But it'll have the.

0:42:03.960 --> 0:42:06.120
<v Speaker 8>Thing, right, I don't want to say the idiot factor

0:42:06.160 --> 0:42:09.160
<v Speaker 8>or whatever, like the common man's thing that attracts them

0:42:09.239 --> 0:42:12.360
<v Speaker 8>to it. Yeah, pop songs there you gotta have that

0:42:12.440 --> 0:42:15.279
<v Speaker 8>sticky part that people remember and then you wind to

0:42:15.320 --> 0:42:15.920
<v Speaker 8>a dress.

0:42:15.719 --> 0:42:18.360
<v Speaker 6>It with did you know this with a mirror speaker?

0:42:18.760 --> 0:42:20.800
<v Speaker 2>I get what he's talking about. I'm just shocked to

0:42:20.840 --> 0:42:21.040
<v Speaker 2>hear that.

0:42:21.120 --> 0:42:24.880
<v Speaker 8>He Yeah, I didn't know how to format songs or

0:42:24.960 --> 0:42:28.279
<v Speaker 8>any of that stuff until two years ago. For you, though,

0:42:29.239 --> 0:42:31.239
<v Speaker 8>did you know the science of comedy or was it

0:42:31.440 --> 0:42:34.719
<v Speaker 8>just like I'm gonna go out here and just say

0:42:34.800 --> 0:42:35.960
<v Speaker 8>what I feel and then.

0:42:37.520 --> 0:42:39.600
<v Speaker 1>Or do you learn when you bomb? Like when's the

0:42:39.640 --> 0:42:40.720
<v Speaker 1>first time you bombed?

0:42:41.960 --> 0:42:47.839
<v Speaker 2>First time really bombed? There was a show in Carbondale

0:42:49.520 --> 0:42:53.839
<v Speaker 2>that it was a It was an Apollo style show

0:42:54.000 --> 0:43:02.160
<v Speaker 2>with multiple discipline soul music, dance, poetry, comedy, and it

0:43:02.360 --> 0:43:05.160
<v Speaker 2>wasn't produced well. There was no microphone and so I

0:43:05.320 --> 0:43:09.920
<v Speaker 2>was kind of just up there talking no stage. A

0:43:10.040 --> 0:43:12.719
<v Speaker 2>friend of mine at the time was actually the so

0:43:12.920 --> 0:43:15.480
<v Speaker 2>called Samman, and I was trying to I was somebody

0:43:15.560 --> 0:43:18.279
<v Speaker 2>interrupted me and I didn't know how to handle that

0:43:18.400 --> 0:43:20.520
<v Speaker 2>at the time or control of the room and I'm

0:43:20.600 --> 0:43:22.680
<v Speaker 2>up there with no mic and then so then he

0:43:22.760 --> 0:43:25.840
<v Speaker 2>starts vamping towards the stage and so then they started

0:43:25.840 --> 0:43:31.960
<v Speaker 2>getting more hyped. Yeah, and then they booing and then

0:43:32.040 --> 0:43:35.680
<v Speaker 2>he just you know, Samman traditionally dances you off stage.

0:43:36.000 --> 0:43:40.400
<v Speaker 2>For some reason, he picked me up and threw me

0:43:40.480 --> 0:43:44.200
<v Speaker 2>over his shoulder. And your friend your friend, Yeah, we

0:43:44.320 --> 0:43:52.360
<v Speaker 2>were in the same performance. Yeah, and so then and

0:43:52.440 --> 0:43:54.400
<v Speaker 2>I actually had somebody I got the footage of it.

0:43:54.640 --> 0:43:57.520
<v Speaker 2>I'm like looking into the camera like stop the tag,

0:43:59.120 --> 0:44:01.800
<v Speaker 2>stop the tag. But that one, that one was that

0:44:01.960 --> 0:44:05.080
<v Speaker 2>was a rougherence right there for the Yeah, it's I

0:44:05.120 --> 0:44:08.239
<v Speaker 2>think I learned you just it's trial and error, and

0:44:08.280 --> 0:44:12.040
<v Speaker 2>you see kind of what people connect with more So,

0:44:12.160 --> 0:44:16.440
<v Speaker 2>I think the first two bits that were really that

0:44:16.640 --> 0:44:18.600
<v Speaker 2>kind of really connected with people in a in a

0:44:18.680 --> 0:44:21.320
<v Speaker 2>in a different way than the others were talking about

0:44:21.920 --> 0:44:26.960
<v Speaker 2>kicking pigeons and flicking pickle juice with the one, and

0:44:27.040 --> 0:44:29.560
<v Speaker 2>I think that's also this premise choice too. It's just

0:44:29.800 --> 0:44:31.760
<v Speaker 2>you know, speaking comedians something.

0:44:34.600 --> 0:44:41.719
<v Speaker 1>That's hilarious. Don't worry about.

0:44:43.040 --> 0:44:43.680
<v Speaker 2>So how are you?

0:44:44.160 --> 0:44:48.360
<v Speaker 1>Aybody a see I heard it's not going.

0:44:52.760 --> 0:44:53.840
<v Speaker 2>Just figgured it out, you know.

0:44:54.360 --> 0:44:57.040
<v Speaker 1>Yeah. Wait, when's the last time this happened? When uh

0:44:59.680 --> 0:45:01.440
<v Speaker 1>No walked in?

0:45:02.719 --> 0:45:04.920
<v Speaker 2>Yeah, maybe you want to take one of your famous

0:45:04.920 --> 0:45:05.919
<v Speaker 2>commercial breaks now.

0:45:05.880 --> 0:45:06.200
<v Speaker 4>Man.

0:45:08.120 --> 0:45:11.960
<v Speaker 6>Farrell is so hot and tall and now get me

0:45:12.040 --> 0:45:13.680
<v Speaker 6>out here, give me out of here, please.

0:45:14.560 --> 0:45:17.239
<v Speaker 7>And that's where we're gonna end Part one. This is

0:45:17.320 --> 0:45:19.480
<v Speaker 7>unpaid bill for the Team Supreme We had such a

0:45:19.520 --> 0:45:21.680
<v Speaker 7>good time with Hannibal Burrus in Hollywood. I mean, come on,

0:45:21.840 --> 0:45:24.440
<v Speaker 7>who brings a harmonica to the gig? Felt so good

0:45:24.480 --> 0:45:26.280
<v Speaker 7>to be back in the studio with my QLs family,

0:45:26.400 --> 0:45:27.640
<v Speaker 7>and it will be so good when we give you

0:45:27.680 --> 0:45:30.080
<v Speaker 7>the rest of this interview next week. In the meantime,

0:45:30.360 --> 0:45:33.240
<v Speaker 7>Hannibal's playing his biggest hometown show in Chicago and November

0:45:33.320 --> 0:45:36.760
<v Speaker 7>two at the Chicago Theater. If you're anywhere nearby, please

0:45:36.840 --> 0:45:37.279
<v Speaker 7>check it out.

0:45:38.600 --> 0:45:40.320
<v Speaker 1>Thank you for listening to The Quest Love Supreme.

0:45:40.760 --> 0:45:44.120
<v Speaker 3>This podcast is hosted by a mere Quest Love Thompson,

0:45:44.560 --> 0:45:47.640
<v Speaker 3>The Boss Man, Light Here, Saint Clair, So Black and

0:45:47.719 --> 0:45:51.839
<v Speaker 3>the Black Myself, Fon, tigelow, Fonte Coleman, The Sugar.

0:45:51.560 --> 0:45:54.640
<v Speaker 1>Steed Mandell, and Unpaid Bill Sherman.

0:45:54.960 --> 0:45:58.480
<v Speaker 3>The executive producers are mere Quest Love Thompson, Sean g

0:45:59.000 --> 0:46:03.279
<v Speaker 3>and the Unbothered Brian Calhoun. Produced by Brittany Benjamin, My

0:46:03.520 --> 0:46:07.680
<v Speaker 3>Dog Cousin, Jake Payne, My Motherfucking Man, and like Ia

0:46:07.760 --> 0:46:12.360
<v Speaker 3>Saint Clairs My work Wife. Edited by Alex Conroy. Produced

0:46:12.360 --> 0:46:16.200
<v Speaker 3>for iHeart by Noel Brown and Mike Johns. Audio engineering

0:46:16.719 --> 0:46:21.200
<v Speaker 3>by Graham Gibson aka DOUBLEG at Iheart's La Studio.

0:46:21.840 --> 0:46:24.359
<v Speaker 1>Thank you for tuning in. Check us out next week.

0:46:35.800 --> 0:46:38.640
<v Speaker 1>Must Loop Supreme is a production of iHeart Radio.

0:46:42.480 --> 0:46:45.719
<v Speaker 8>For more podcasts from iHeart Radio, visit the iHeart Radio app,

0:46:46.000 --> 0:46:49.000
<v Speaker 8>Apple Podcasts, or wherever you listen to your favorite shows.