1 00:00:01,760 --> 00:00:04,800 Speaker 1: Hey, discos, need a little more Disgraceland in your life, 2 00:00:05,160 --> 00:00:08,080 Speaker 1: just to touch to get you through. Yeah me too. 3 00:00:08,760 --> 00:00:12,000 Speaker 1: This is the podcast that comes after the podcast. Welcome 4 00:00:12,000 --> 00:00:31,960 Speaker 1: to Disgraceland, the after party. Welcome to the Disgraceland bonus episode, 5 00:00:32,000 --> 00:00:34,240 Speaker 1: a little thing we like to call the after party. 6 00:00:34,440 --> 00:00:36,360 Speaker 1: This is the show after the show, the party after 7 00:00:36,400 --> 00:00:38,160 Speaker 1: the party, the bridge to get you from one full 8 00:00:38,159 --> 00:00:40,760 Speaker 1: episode of Disgraceland to the other. The backyard, to dig 9 00:00:40,840 --> 00:00:43,519 Speaker 1: into the dirt, our mission to uncover the truth, to 10 00:00:43,560 --> 00:00:46,720 Speaker 1: confront the myth, to reclaim the story. On this bonus episode, 11 00:00:46,720 --> 00:00:49,600 Speaker 1: we're talking about why Hollywood ignores some of the most 12 00:00:49,680 --> 00:00:53,440 Speaker 1: impactful music ever made. We're rewinding back to our ac 13 00:00:53,600 --> 00:00:56,920 Speaker 1: DC Part one episode, previewing next week's new episode on 14 00:00:57,000 --> 00:00:59,560 Speaker 1: ACDC Part two of that story, and we get into 15 00:00:59,600 --> 00:01:02,760 Speaker 1: your voice, tax dms, and as always a whole lot 16 00:01:02,760 --> 00:01:05,600 Speaker 1: of rosie. This is the podcast where the musically obsessed, 17 00:01:05,720 --> 00:01:08,240 Speaker 1: the outsiders, the independent thinkers who know that the best 18 00:01:08,280 --> 00:01:10,920 Speaker 1: history is the history that gets buried. Disgrace Land is 19 00:01:10,920 --> 00:01:13,120 Speaker 1: where I tell the stories they didn't want told, the 20 00:01:13,200 --> 00:01:15,640 Speaker 1: kind you'll end up telling someone else. All right, discoes, 21 00:01:15,920 --> 00:01:33,959 Speaker 1: let's get into it. When The Exorcist was released in 22 00:01:34,040 --> 00:01:38,000 Speaker 1: nineteen seventy four, the movie sent some theatergoers screaming through 23 00:01:38,040 --> 00:01:42,200 Speaker 1: the aisles in terror. They vomited, feinted, more than one 24 00:01:42,280 --> 00:01:46,039 Speaker 1: had a heart attack, and another had a miscarriage. The 25 00:01:46,120 --> 00:01:49,559 Speaker 1: movie shocking images of a possessed twelve year old girl 26 00:01:50,080 --> 00:01:54,440 Speaker 1: are credited with causing the extreme audience reaction, but the 27 00:01:54,440 --> 00:01:59,000 Speaker 1: incredible music from the Exorcist also contributed to the intense 28 00:01:59,080 --> 00:02:03,320 Speaker 1: fear that audience felt. Horror movie music, unlike music and 29 00:02:03,360 --> 00:02:07,600 Speaker 1: other film genres, is essential to the success of a film. 30 00:02:08,520 --> 00:02:12,640 Speaker 1: Horror movie music is also the most memorable music in cinema. 31 00:02:13,200 --> 00:02:16,880 Speaker 1: Think of films like Psycho, The Shining and Yes, the Exorcist, 32 00:02:17,480 --> 00:02:21,040 Speaker 1: and try to imagine these movies without the music. You 33 00:02:21,160 --> 00:02:25,359 Speaker 1: really can't. So why then, have these and other original 34 00:02:25,360 --> 00:02:30,560 Speaker 1: horror scores received little recognition from Hollywood. The cultural impact 35 00:02:30,680 --> 00:02:34,800 Speaker 1: The Exorcist had was massive. In addition to the physical 36 00:02:34,840 --> 00:02:38,840 Speaker 1: repulsion from some audiences, the film sparked a nationwide debate 37 00:02:38,919 --> 00:02:43,720 Speaker 1: over faith. Protestants condemned it, the Vatican basically said see 38 00:02:43,760 --> 00:02:48,760 Speaker 1: we told you so, SNL spoofed it, and aspiring filmmakers everywhere. 39 00:02:49,080 --> 00:02:54,000 Speaker 1: John carpenter Wes Craven and others grabbed cameras with newfound 40 00:02:54,000 --> 00:02:57,920 Speaker 1: inspiration that led to an eventual explosion in horror. A 41 00:02:58,000 --> 00:03:03,080 Speaker 1: decade later, teen seventy three and seventy four, The Exorcist 42 00:03:03,160 --> 00:03:06,120 Speaker 1: grossed two hundred and thirty three million dollars domestically, the 43 00:03:06,160 --> 00:03:10,200 Speaker 1: equivalent to over a billion dollars today. It's no wonder 44 00:03:10,240 --> 00:03:12,680 Speaker 1: The film was the first horror movie nominated for Best 45 00:03:12,720 --> 00:03:17,120 Speaker 1: Picture at the forty six Annual Academy Awards. In total, 46 00:03:17,200 --> 00:03:22,360 Speaker 1: The Exorcist received ten Academy Award nominations for Best Actress, Actor, 47 00:03:22,639 --> 00:03:28,680 Speaker 1: Supporting Actress, Director, Cinematography, Editing, Writing, Production, and Sound Mixing, 48 00:03:29,800 --> 00:03:34,240 Speaker 1: but not for Best Original Score, Original Score, Adaptation, or 49 00:03:34,280 --> 00:03:37,480 Speaker 1: Best Song, which I always found to be a glaring 50 00:03:37,520 --> 00:03:41,280 Speaker 1: omission given the power and originality of the Exorcist theme 51 00:03:41,600 --> 00:03:45,080 Speaker 1: Tubular Bells by Mike Oldfield as a kid growing up 52 00:03:45,080 --> 00:03:47,680 Speaker 1: in the seventies and eighties, I knew that music before 53 00:03:47,720 --> 00:03:50,760 Speaker 1: I ever even saw the film. It's iconic, like the 54 00:03:50,840 --> 00:03:54,040 Speaker 1: music of so many other horror films. But tubular Bells 55 00:03:54,320 --> 00:03:58,520 Speaker 1: almost didn't happen, at least not in The Exorcist. Director 56 00:03:58,520 --> 00:04:02,320 Speaker 1: William Friedkin rejected score or by legendary composers Bernard Hermann, 57 00:04:02,680 --> 00:04:05,600 Speaker 1: you know, the dude who scored Psycho, and Lalo Schiffrin 58 00:04:05,720 --> 00:04:09,000 Speaker 1: who came up with the Mission Impossible theme. In fact, 59 00:04:09,080 --> 00:04:12,520 Speaker 1: Freakin was so unimpressed and frustrated with the process of 60 00:04:12,560 --> 00:04:15,800 Speaker 1: finding suitable music for his film that he literally threw 61 00:04:15,920 --> 00:04:19,040 Speaker 1: Lalo Schiffrin's score out of the window. You can hear 62 00:04:19,040 --> 00:04:22,120 Speaker 1: more about this incident and the wild drama around choosing 63 00:04:22,120 --> 00:04:26,200 Speaker 1: the music for the Exorcystem this Week's Disgrace, a mini episode, which, 64 00:04:26,240 --> 00:04:28,280 Speaker 1: as you probably know by now, is available only to 65 00:04:28,360 --> 00:04:32,080 Speaker 1: All Access members. But the main reason I mentioned Freakin's 66 00:04:32,120 --> 00:04:36,080 Speaker 1: frustration here is because it speaks to how important music 67 00:04:36,320 --> 00:04:40,120 Speaker 1: is to a film production, especially a film that's supposed 68 00:04:40,120 --> 00:04:44,040 Speaker 1: to elicit fear. Freakin hunted through the archives at Warner 69 00:04:44,080 --> 00:04:47,520 Speaker 1: Brothers and eventually Atlantic Records until he stumbled upon a 70 00:04:47,520 --> 00:04:50,680 Speaker 1: prog rock composition by an unknown nineteen year old English 71 00:04:50,760 --> 00:04:55,280 Speaker 1: musician named Mike Oldfield, and Freakin knew immediately that the 72 00:04:55,320 --> 00:04:59,440 Speaker 1: synthy tension of Oldfield's tune Tubular Bells would create a 73 00:04:59,520 --> 00:05:04,080 Speaker 1: unique sense of modern dread and compel audiences. And boy 74 00:05:04,160 --> 00:05:07,560 Speaker 1: howdy was he right, but the Academy didn't see it 75 00:05:07,600 --> 00:05:11,800 Speaker 1: that way and thus no nomination. To be fair, the 76 00:05:11,880 --> 00:05:14,760 Speaker 1: Academy of Motion Pictures, Arts and Sciences has always had 77 00:05:14,800 --> 00:05:18,600 Speaker 1: a hands off relationship with the horror genre. Horror movies, 78 00:05:18,680 --> 00:05:22,480 Speaker 1: along with other so called genre films, seldom get nominated 79 00:05:22,600 --> 00:05:27,400 Speaker 1: in non technical categories, but The Exorcist changed that for 80 00:05:27,440 --> 00:05:31,520 Speaker 1: a minute anyway. In nineteen seventy six, Jaws won the 81 00:05:31,560 --> 00:05:34,880 Speaker 1: Oscar for Best Original Score by John Williams and deservedly so, 82 00:05:35,600 --> 00:05:38,080 Speaker 1: and in nineteen seventy seven, the horror film The Omen 83 00:05:38,160 --> 00:05:42,440 Speaker 1: took home the Best Original Score Oscar, composed by Jerry Goldsmith. However, 84 00:05:42,880 --> 00:05:46,720 Speaker 1: in the many years since, despite the continued excellence and 85 00:05:47,000 --> 00:05:51,080 Speaker 1: impact of horror film music, only three horror movies have 86 00:05:51,200 --> 00:05:55,000 Speaker 1: been nominated for Best Original Score since nineteen seventy seven, 87 00:05:55,400 --> 00:05:58,599 Speaker 1: one for Amityville Horror in nineteen eighty, one for Interview 88 00:05:58,640 --> 00:06:01,200 Speaker 1: with a Vampire nineteen ninety five, and one for the 89 00:06:01,279 --> 00:06:04,120 Speaker 1: Village in two thousand and five. That's just three nominations 90 00:06:04,160 --> 00:06:08,880 Speaker 1: in nearly fifty years, fifty years of incredible horror movies 91 00:06:09,080 --> 00:06:14,840 Speaker 1: with impactful, immemorable music. Movies like Suspiria, The Shining let 92 00:06:14,880 --> 00:06:18,560 Speaker 1: the right one in the Witch get out a hereditary 93 00:06:19,480 --> 00:06:23,920 Speaker 1: All films that were Oscar worthy themselves, or contained performances 94 00:06:23,920 --> 00:06:28,080 Speaker 1: that were Oscar worthy, and contained Oscar worthy original music. 95 00:06:29,640 --> 00:06:33,159 Speaker 1: Given that the Academy typically dumps the horror genre into 96 00:06:33,200 --> 00:06:36,360 Speaker 1: its technical award categories, the fact that none of these 97 00:06:36,360 --> 00:06:39,600 Speaker 1: great films were nominated for Best Original Score is perplexing, 98 00:06:39,640 --> 00:06:43,000 Speaker 1: to say the least. It's almost like the Academy purposefully 99 00:06:43,040 --> 00:06:47,200 Speaker 1: overlooks horror and horror music. The mission of the Academy 100 00:06:47,200 --> 00:06:50,480 Speaker 1: of Motion Pictures, Arts and Sciences is to recognize excellence 101 00:06:50,720 --> 00:06:55,760 Speaker 1: and inspire the next generation of filmmakers. Without belaboring the point, 102 00:06:56,040 --> 00:06:59,640 Speaker 1: every horror movie I've mentioned in this piece achieves cinematic 103 00:06:59,680 --> 00:07:05,640 Speaker 1: excel and has inspired future generations of filmmakers. Furthermore, the 104 00:07:05,680 --> 00:07:10,400 Speaker 1: mission of filmmaking is partly to explore deeply human themes. 105 00:07:11,280 --> 00:07:15,840 Speaker 1: What's more human than fear, and fear as expressed in 106 00:07:15,920 --> 00:07:21,720 Speaker 1: film is done so most effectively with great music. Music 107 00:07:21,760 --> 00:07:28,280 Speaker 1: you can't forget, But somehow music Hollywood disgracefully ignores. I'll 108 00:07:28,280 --> 00:07:32,520 Speaker 1: be back after this with your calls, texts, voicemails, and more. 109 00:07:54,800 --> 00:07:58,080 Speaker 1: All right, we are back and speaking of Oscars, Zeth 110 00:07:58,160 --> 00:08:00,320 Speaker 1: and I are hosting our own Academy Award. It's in 111 00:08:00,320 --> 00:08:03,040 Speaker 1: the exclusive section of this after party, and we're gonna 112 00:08:03,040 --> 00:08:06,680 Speaker 1: be nominating the movies from Hollywood history that aren't horror 113 00:08:06,680 --> 00:08:10,320 Speaker 1: but are so scary that could be considered horror that 114 00:08:10,360 --> 00:08:13,120 Speaker 1: makes sense, Great films that scare the hell out of 115 00:08:13,160 --> 00:08:16,160 Speaker 1: you but aren't horror movies. Great performances in films that 116 00:08:16,200 --> 00:08:18,160 Speaker 1: are scary that aren't horror movies. You know what we're 117 00:08:18,200 --> 00:08:20,720 Speaker 1: talking about. And to access this content, you know, the 118 00:08:20,800 --> 00:08:22,840 Speaker 1: drill five bucks to become an All Access member and 119 00:08:22,960 --> 00:08:26,640 Speaker 1: unlock exclusive content like this, so all as the mini episodes, 120 00:08:26,840 --> 00:08:30,679 Speaker 1: and also get ad free listening. All right, This horror 121 00:08:30,760 --> 00:08:34,280 Speaker 1: movie and music talk is because we dropped our Exorcist 122 00:08:34,360 --> 00:08:37,040 Speaker 1: episode in the feed this week, a movie that directly 123 00:08:37,080 --> 00:08:40,360 Speaker 1: inspired the music we created for the ACDC Part one 124 00:08:40,440 --> 00:08:43,920 Speaker 1: episode that we're rewinding for you directly after this and 125 00:08:44,000 --> 00:08:47,040 Speaker 1: before we get into ACDC Part two, the continuation of 126 00:08:47,040 --> 00:08:49,439 Speaker 1: that story that's going to be our brand new episode 127 00:08:49,440 --> 00:08:52,959 Speaker 1: coming to you on Tuesday. The ACDC story deals with 128 00:08:53,000 --> 00:08:56,840 Speaker 1: the murder for Hire incident involving drummer Phil Rudd and 129 00:08:56,880 --> 00:08:59,120 Speaker 1: the album back in Black is a huge part of 130 00:08:59,120 --> 00:09:01,920 Speaker 1: the story is of course dirty deeds done dirt cheap. 131 00:09:02,200 --> 00:09:05,559 Speaker 1: But Back in Black is the second biggest selling album 132 00:09:05,679 --> 00:09:08,040 Speaker 1: of all time. That's just incredible. You wouldn't think it'd 133 00:09:08,080 --> 00:09:10,280 Speaker 1: be a CDC. I don't know. It sounds strange to 134 00:09:10,280 --> 00:09:12,600 Speaker 1: say that the number one selling album of all time 135 00:09:12,640 --> 00:09:15,360 Speaker 1: is Thriller by Michael Jackson number two Back in Black. 136 00:09:15,679 --> 00:09:18,160 Speaker 1: So it's the highest selling rock record of all time. 137 00:09:18,200 --> 00:09:20,800 Speaker 1: But is it the greatest rock record of all time? 138 00:09:20,840 --> 00:09:22,199 Speaker 1: I don't think so. I don't even think it's the 139 00:09:22,200 --> 00:09:25,960 Speaker 1: greatest ACDC record, not by a long shot. Difficult question 140 00:09:26,040 --> 00:09:28,840 Speaker 1: to answer. You can only listen to one rock record 141 00:09:29,240 --> 00:09:32,840 Speaker 1: the rest of your life, start to finish. Which is it? 142 00:09:33,600 --> 00:09:37,360 Speaker 1: Which rock album has no skips? Which rock record is 143 00:09:37,600 --> 00:09:42,400 Speaker 1: dynamic enough, is textured enough, deep enough to keep you captivated? 144 00:09:42,760 --> 00:09:48,200 Speaker 1: Which rock record best represents this massively popular genre. What 145 00:09:48,360 --> 00:09:51,200 Speaker 1: is the greatest rock and roll record of all time? 146 00:09:51,440 --> 00:09:53,120 Speaker 1: And why? That's what I want you guys to be 147 00:09:53,200 --> 00:09:55,480 Speaker 1: thinking about next week when you're listening to a CDC. 148 00:09:55,640 --> 00:09:58,160 Speaker 1: Part two, And that's what I want you guys to answer. 149 00:09:58,200 --> 00:10:01,160 Speaker 1: Call me at six one seven nine six six six 150 00:10:01,360 --> 00:10:03,400 Speaker 1: three eight or send me a voicemail. Let me know 151 00:10:03,480 --> 00:10:06,320 Speaker 1: just Gracelampod at gmail dot com on the email machine 152 00:10:06,679 --> 00:10:09,680 Speaker 1: at Disgrace slam Pod on the socials. I know this 153 00:10:09,720 --> 00:10:11,760 Speaker 1: is a basic question, but it's a it's a big one. 154 00:10:11,760 --> 00:10:13,440 Speaker 1: That's what kind of makes it hard. So I'm looking 155 00:10:13,440 --> 00:10:16,000 Speaker 1: forward to your answers here. Last week's question of the 156 00:10:16,000 --> 00:10:19,720 Speaker 1: week was what's the scariest movie of all time? Another 157 00:10:19,800 --> 00:10:22,080 Speaker 1: basic question, but a hard one. A hard one to 158 00:10:22,120 --> 00:10:25,680 Speaker 1: answer because god damn, there are a lot of scary movies, 159 00:10:26,080 --> 00:10:29,440 Speaker 1: incredible ones, even beyond the world of horror. And again 160 00:10:29,440 --> 00:10:32,400 Speaker 1: we're gonna get into that later in the exclusive section. Obviously, 161 00:10:32,440 --> 00:10:37,040 Speaker 1: this question about scary movies was prompted by our Exorcist episode. 162 00:10:37,440 --> 00:10:40,760 Speaker 1: Let's hear what you guys have to say on this subject, Matt, 163 00:10:40,840 --> 00:10:42,880 Speaker 1: Let's hear from the four to one four. 164 00:10:43,760 --> 00:10:47,120 Speaker 2: Hey, Jick, I'm just corresponding to the question about what 165 00:10:47,200 --> 00:10:51,040 Speaker 2: is the scariest movie that I've seen? I think that 166 00:10:51,400 --> 00:10:55,959 Speaker 2: it would be a movie from Turkey called Baskin. It's 167 00:10:56,000 --> 00:10:58,840 Speaker 2: possible just that I only saw it once and so 168 00:10:59,600 --> 00:11:03,800 Speaker 2: maybe overly affected me. But I was really freaked out 169 00:11:03,840 --> 00:11:08,839 Speaker 2: by that movie. Other people might have different things I 170 00:11:08,880 --> 00:11:09,280 Speaker 2: thought that. 171 00:11:09,240 --> 00:11:14,000 Speaker 3: One was pretty bad. Martyrs was intense, but it wasn't 172 00:11:14,200 --> 00:11:17,800 Speaker 3: the most horrible. It wasn't pleasant, but it was good. 173 00:11:17,920 --> 00:11:22,520 Speaker 3: It wasn't that bad anyways. Enjoy spooky season and take 174 00:11:22,559 --> 00:11:23,840 Speaker 3: care Baskin. 175 00:11:24,320 --> 00:11:28,960 Speaker 1: I've never heard of this movie. I am intrigued. Something 176 00:11:28,960 --> 00:11:31,959 Speaker 1: about Turkey scares the hell out of me. I had 177 00:11:31,960 --> 00:11:35,520 Speaker 1: a sketchy flight from Turkey once a layover that might 178 00:11:35,559 --> 00:11:39,440 Speaker 1: be part of it. I've heard of Martyrs and never 179 00:11:39,600 --> 00:11:41,920 Speaker 1: never seen it. I'm excited to watch, so I love 180 00:11:42,000 --> 00:11:46,000 Speaker 1: these recommendations here all right, Baskin and Martyrs. Thank you 181 00:11:46,040 --> 00:11:49,840 Speaker 1: for one for Matt. Let's check in with Tony from 182 00:11:49,840 --> 00:11:50,760 Speaker 1: the two oh six. 183 00:11:51,400 --> 00:11:54,440 Speaker 4: Hey Jake, Tony from the two o six, Happy Halloween 184 00:11:54,520 --> 00:11:58,240 Speaker 4: to you. To answer your question about what movies scare me? 185 00:12:00,840 --> 00:12:03,679 Speaker 4: Video Drone. That's the one I had to cut off 186 00:12:04,040 --> 00:12:05,800 Speaker 4: right in the middle of the movie because I was like, Okay, 187 00:12:05,800 --> 00:12:08,120 Speaker 4: this is becoming too much. But the one that I 188 00:12:08,400 --> 00:12:12,120 Speaker 4: recently went back and rewatched with my wife, actually about 189 00:12:12,120 --> 00:12:15,760 Speaker 4: two nights ago, was the movie Strangers with liv Tyler. 190 00:12:16,640 --> 00:12:20,120 Speaker 4: That movie is still scary to this day the way 191 00:12:20,160 --> 00:12:21,640 Speaker 4: it was when I saw it in the theater back 192 00:12:21,640 --> 00:12:24,559 Speaker 4: in two thousand and eight. And what's scary about it 193 00:12:24,600 --> 00:12:28,360 Speaker 4: is it's just old school, no backstory to who these 194 00:12:28,400 --> 00:12:31,880 Speaker 4: three killers are. They just show up and just terrorize 195 00:12:31,880 --> 00:12:34,240 Speaker 4: the hell out of this couple at this vacation home. 196 00:12:34,760 --> 00:12:37,320 Speaker 4: That's a good one. And I think a movie that 197 00:12:37,440 --> 00:12:40,040 Speaker 4: doesn't get talked about enough that is still pretty scary. 198 00:12:40,120 --> 00:12:42,200 Speaker 4: And let me know your opinion on this has to 199 00:12:42,240 --> 00:12:44,640 Speaker 4: be the movie fourteen to oh eight with John Cusack 200 00:12:44,679 --> 00:12:49,400 Speaker 4: and Samuel L. Jackson, the one where John Cusack goes 201 00:12:49,400 --> 00:12:52,440 Speaker 4: to the hotel that Samuel L. Jackson telling him don't 202 00:12:52,480 --> 00:12:56,160 Speaker 4: stay here. There's been over twenty six deaths in this room. 203 00:12:56,520 --> 00:12:58,040 Speaker 4: I think that's the movie that doesn't get talked about 204 00:12:58,120 --> 00:13:01,120 Speaker 4: enough in the conversation of good horror film. Let me 205 00:13:01,160 --> 00:13:03,439 Speaker 4: know what your take on that is much love from 206 00:13:03,480 --> 00:13:06,600 Speaker 4: the Tool of six and Happy Halloween. Lacin Rola, All. 207 00:13:06,520 --> 00:13:09,680 Speaker 1: Right, Tony, video drum is awesome. Yes it's a lot, 208 00:13:10,800 --> 00:13:12,640 Speaker 1: but I want to go to the next party here 209 00:13:12,760 --> 00:13:17,440 Speaker 1: your comment here. I could not agree more about Strangers. 210 00:13:18,160 --> 00:13:23,080 Speaker 1: One of the absolute scariest films I've ever seen, if 211 00:13:23,160 --> 00:13:26,400 Speaker 1: not the scariest film I've ever seen. I love it. 212 00:13:27,040 --> 00:13:29,240 Speaker 1: I love the simplicity of it. I think that that 213 00:13:29,360 --> 00:13:32,280 Speaker 1: has a lot to do with why it's so frightening. 214 00:13:33,440 --> 00:13:36,880 Speaker 1: Something about the subject matter, the home invasion piece that 215 00:13:37,120 --> 00:13:40,640 Speaker 1: just man, what's scarier than a home invasion? I don't know. 216 00:13:40,760 --> 00:13:43,440 Speaker 1: I mean, come on, I've talked about The Strangers before 217 00:13:44,280 --> 00:13:47,640 Speaker 1: with you guys. I haven't watched it though, in about 218 00:13:47,679 --> 00:13:49,920 Speaker 1: two years. Maybe i'll maybe I'll break it out this 219 00:13:50,000 --> 00:13:53,880 Speaker 1: week before Halloween's over. Thank you so much. As by 220 00:13:53,880 --> 00:13:56,559 Speaker 1: the way, Tony, as far as fourteen ohacos, not only 221 00:13:56,640 --> 00:13:58,520 Speaker 1: have I never seen it, I've never even heard of it. 222 00:13:58,559 --> 00:14:00,640 Speaker 1: I'm gonna take your word for it. Loved on Cusack 223 00:14:00,840 --> 00:14:04,000 Speaker 1: and I'll check that out. Great recommendations, Tony, Thank you, 224 00:14:04,040 --> 00:14:07,080 Speaker 1: my brother. All right, let's do some text. Let's check 225 00:14:07,120 --> 00:14:10,360 Speaker 1: out this text from the nine seven, who says, I 226 00:14:10,400 --> 00:14:13,200 Speaker 1: know this is controversial, but the movie that creaked me 227 00:14:13,280 --> 00:14:16,600 Speaker 1: out the most was The Blair Witch Project. Up until 228 00:14:16,640 --> 00:14:19,920 Speaker 1: the very end of the movie, I was unimpressed. And okay, guys, 229 00:14:19,920 --> 00:14:22,640 Speaker 1: spoiler alert if you've never seen Blair Witch Project, just 230 00:14:22,680 --> 00:14:24,400 Speaker 1: telling you, turn the volume down for a minute and 231 00:14:24,440 --> 00:14:26,680 Speaker 1: then come back. Nine oh seven goes on to say 232 00:14:26,680 --> 00:14:29,520 Speaker 1: I was unimpressed and thought it was the hoax that 233 00:14:29,600 --> 00:14:32,840 Speaker 1: it is. However, the guy standing in the corner right 234 00:14:32,880 --> 00:14:35,720 Speaker 1: before the video ended abruptly got me. I was freaked 235 00:14:35,720 --> 00:14:38,080 Speaker 1: out for the rest of the night. Lisa from the 236 00:14:38,160 --> 00:14:43,040 Speaker 1: nine oh seven Lisa, we forget man, we forget how 237 00:14:43,200 --> 00:14:47,280 Speaker 1: huge Blair Witch Project was culturally for those of us 238 00:14:47,280 --> 00:14:50,240 Speaker 1: who were there at the time. It was a massive 239 00:14:50,320 --> 00:14:52,880 Speaker 1: movie and it was just one of those things. You know, 240 00:14:52,920 --> 00:14:55,840 Speaker 1: it couldn't exist now because of the Internet. You know, 241 00:14:55,920 --> 00:14:58,320 Speaker 1: it would have been spoiled and it wouldn't have had 242 00:14:58,360 --> 00:15:01,080 Speaker 1: the run that it had in theater. But it was 243 00:15:01,200 --> 00:15:04,240 Speaker 1: just one of those things that was like wildfire and 244 00:15:04,320 --> 00:15:07,960 Speaker 1: you had to see it. Word was this movie. Oh 245 00:15:08,000 --> 00:15:11,640 Speaker 1: my god, get get to the theater, now, go watch it. 246 00:15:12,360 --> 00:15:16,120 Speaker 1: And thankfully when I saw it, I didn't know what 247 00:15:16,240 --> 00:15:19,360 Speaker 1: was up I was. I went in fairly ignorant, which 248 00:15:19,400 --> 00:15:21,280 Speaker 1: is the best way to go into seeing this movie, 249 00:15:21,760 --> 00:15:25,480 Speaker 1: and the experience was incredible. I'm obviously talking about it 250 00:15:25,480 --> 00:15:27,880 Speaker 1: in in kind of a veiled way right now in 251 00:15:27,880 --> 00:15:30,720 Speaker 1: case anybody's turned the volume back up after that spoiler alert. 252 00:15:30,800 --> 00:15:33,040 Speaker 1: I don't want to give it away. It's a great experience. 253 00:15:33,120 --> 00:15:35,040 Speaker 1: Check out Blair Witch Project. If you haven't. If you 254 00:15:35,080 --> 00:15:36,320 Speaker 1: happen to be one of the few people in the 255 00:15:36,360 --> 00:15:38,720 Speaker 1: world out there who has no idea what this movie 256 00:15:38,760 --> 00:15:43,080 Speaker 1: is or doesn't know anything about it, you're lucky. Consider 257 00:15:43,120 --> 00:15:46,760 Speaker 1: yourself privileged, and just go watch it. Don't don't go 258 00:15:46,800 --> 00:15:49,520 Speaker 1: to the internet, don't ask questions. All right, let's check 259 00:15:49,560 --> 00:15:54,080 Speaker 1: out seven three. Who says, Hey, I am still terrorized 260 00:15:54,120 --> 00:15:57,480 Speaker 1: by two horror movies my four older brothers took me 261 00:15:57,560 --> 00:16:00,200 Speaker 1: to see at the tender age of seven and eight, 262 00:16:01,080 --> 00:16:08,240 Speaker 1: all unbeknownst to our parents, The Exorcist and Phantasm, and 263 00:16:08,240 --> 00:16:10,200 Speaker 1: they still creep me out to this day, so much 264 00:16:10,480 --> 00:16:13,600 Speaker 1: that I still can't watch or listen to anything about them. 265 00:16:13,680 --> 00:16:16,760 Speaker 1: God damn man, I can't imagine seeing The Exorcist as 266 00:16:16,800 --> 00:16:19,280 Speaker 1: a seven year old, never mind as a seven year 267 00:16:19,280 --> 00:16:23,360 Speaker 1: old in nineteen seventy three when it was released. After 268 00:16:23,400 --> 00:16:26,320 Speaker 1: everything I gave you earlier in the B block about 269 00:16:26,320 --> 00:16:29,480 Speaker 1: what it was like for theater goers, I was reading 270 00:16:29,480 --> 00:16:32,800 Speaker 1: this morning something I didn't mention. I wonder, Unfortunately the 271 00:16:32,800 --> 00:16:35,000 Speaker 1: seven o' three didn't give me her name. I wonder 272 00:16:35,000 --> 00:16:37,640 Speaker 1: if you had this experience seven oh three. I was 273 00:16:37,680 --> 00:16:41,040 Speaker 1: reading William Peter Bladdie, The Guy who wrote The Exorcist. 274 00:16:41,080 --> 00:16:42,640 Speaker 1: I was reading an interview with him this morning and 275 00:16:42,680 --> 00:16:45,480 Speaker 1: he was talking about how, you know, most people now 276 00:16:46,120 --> 00:16:47,640 Speaker 1: or whenever he said this, I don't know when he 277 00:16:47,680 --> 00:16:50,200 Speaker 1: said it. It was some years after the Exorcist, but 278 00:16:50,200 --> 00:16:53,960 Speaker 1: he was like most people assumed that the reaction, the physical, 279 00:16:54,000 --> 00:16:56,200 Speaker 1: the visceral reaction that people had in the theaters was 280 00:16:56,240 --> 00:17:00,520 Speaker 1: because of the obvious stuff like Linda Blair vomiting, you know, 281 00:17:00,560 --> 00:17:04,680 Speaker 1: and like Dayglow Green and her head turning around backward 282 00:17:04,760 --> 00:17:09,200 Speaker 1: and again, the crucifix thing and all that. But he said, 283 00:17:09,240 --> 00:17:13,879 Speaker 1: the thing, the thing that really got to people and 284 00:17:13,920 --> 00:17:17,680 Speaker 1: that made them nauseous in the in the in the theaters, 285 00:17:17,880 --> 00:17:22,840 Speaker 1: made them freak out, was the needle and the blood splurt. 286 00:17:23,240 --> 00:17:26,439 Speaker 1: And he said that was it every time. It was 287 00:17:26,480 --> 00:17:32,200 Speaker 1: that simple. And I can't disagree with him. I wonder, 288 00:17:32,359 --> 00:17:34,160 Speaker 1: seven or three, if you had that experience, you were 289 00:17:34,160 --> 00:17:37,119 Speaker 1: there at the time. I suspect that it wasn't just 290 00:17:37,160 --> 00:17:39,400 Speaker 1: the needle. It was probably the vibe that had been 291 00:17:39,480 --> 00:17:42,840 Speaker 1: set and the tension and where people were and how 292 00:17:42,920 --> 00:17:46,040 Speaker 1: the movie was, how they were sitting within the movie, 293 00:17:46,080 --> 00:17:50,280 Speaker 1: and they were just primed for something so real too, 294 00:17:50,560 --> 00:17:54,560 Speaker 1: but simple to have such a huge impact on them. 295 00:17:54,760 --> 00:17:57,479 Speaker 1: That and of course the music. As I said, all right, 296 00:17:57,520 --> 00:18:02,159 Speaker 1: let's check out the three nine who writes, Hey, I 297 00:18:02,200 --> 00:18:05,240 Speaker 1: want to give you flowers. I heard about your podcast, 298 00:18:06,280 --> 00:18:08,280 Speaker 1: and since I heard about it, I gave it a 299 00:18:08,320 --> 00:18:10,439 Speaker 1: listen and I'm completely hooked. And my wife and I 300 00:18:10,480 --> 00:18:12,640 Speaker 1: own a dance and performing arts studio, so when I'm 301 00:18:12,640 --> 00:18:15,159 Speaker 1: not working my full time job, I'm up there at 302 00:18:15,200 --> 00:18:17,600 Speaker 1: the studio putting some work in. Thankfully, my work is 303 00:18:17,640 --> 00:18:20,359 Speaker 1: simply behind the scenes, but being that it is a 304 00:18:20,480 --> 00:18:23,400 Speaker 1: dance and performing arts studio, music is definitely a big thing. 305 00:18:23,760 --> 00:18:26,080 Speaker 1: I want to bring this message to a close because 306 00:18:26,080 --> 00:18:27,960 Speaker 1: I feel like I'm beginning to ramble on and I 307 00:18:27,960 --> 00:18:30,199 Speaker 1: don't want to come off like some crash test dummies. 308 00:18:30,320 --> 00:18:33,199 Speaker 1: Cheese side note, that's one of my favorite parts of 309 00:18:33,240 --> 00:18:35,960 Speaker 1: the show. Thank you three oh nine guys. I don't 310 00:18:36,000 --> 00:18:39,360 Speaker 1: know why, but I love the text in the emails 311 00:18:39,960 --> 00:18:42,520 Speaker 1: that let me in on a little bit of the 312 00:18:42,560 --> 00:18:46,040 Speaker 1: personal stuff from you guys where you work, especially not 313 00:18:46,200 --> 00:18:49,080 Speaker 1: too personal. I just like, you know, thinking about people 314 00:18:49,119 --> 00:18:52,919 Speaker 1: out there getting through their day listening to the stuff 315 00:18:52,920 --> 00:18:54,840 Speaker 1: that we put together over here at Double Elvis to 316 00:18:54,880 --> 00:18:56,800 Speaker 1: help them pass the time. I don't know. It means 317 00:18:56,800 --> 00:18:58,800 Speaker 1: a lot, maybe because I spent a lot of my 318 00:19:00,200 --> 00:19:04,600 Speaker 1: young adulthood doing jobs. You know that I needed something 319 00:19:04,920 --> 00:19:06,679 Speaker 1: to help me pass the time with and I know 320 00:19:06,720 --> 00:19:09,040 Speaker 1: how valuable that is. And to think that we're kind 321 00:19:09,040 --> 00:19:10,840 Speaker 1: of contributing to that, I don't know, it just makes 322 00:19:10,880 --> 00:19:13,600 Speaker 1: me feel good. So yeah, feel free to hit me up. 323 00:19:13,640 --> 00:19:16,000 Speaker 1: Let me know what you guys are doing for work, 324 00:19:16,080 --> 00:19:19,120 Speaker 1: and especially if you're listening to Disgraceland while you're doing it. 325 00:19:19,160 --> 00:19:21,360 Speaker 1: And remember question of the week for next week, guys, 326 00:19:21,960 --> 00:19:24,280 Speaker 1: greatest rock album of all time six one seven nine 327 00:19:24,320 --> 00:19:26,880 Speaker 1: oh six six six three eight think about this one. 328 00:19:27,240 --> 00:19:29,679 Speaker 1: Don't think about don't roll your eyes, don't don't do that, 329 00:19:30,040 --> 00:19:33,960 Speaker 1: don't stop stop, just stop. It's a serious question. I 330 00:19:34,000 --> 00:19:37,160 Speaker 1: know it's basic, but it's a serious question. Okay, it's 331 00:19:37,200 --> 00:19:38,960 Speaker 1: a hard question when you think about it. The simple 332 00:19:39,040 --> 00:19:42,040 Speaker 1: questions are the hardest. Like when someone asks you how 333 00:19:42,119 --> 00:19:46,280 Speaker 1: you doing. Yeah, simple question, It's sometimes hard to answer. 334 00:19:46,520 --> 00:19:49,480 Speaker 1: The one hand, I'm doing great, doing what I want 335 00:19:49,480 --> 00:19:51,920 Speaker 1: to be doing right now. On the other hand, there's 336 00:19:51,920 --> 00:19:53,879 Speaker 1: about ten other things I could be doing. You know 337 00:19:53,880 --> 00:19:57,720 Speaker 1: what I'm saying, I don't know how to answer this question. 338 00:19:57,760 --> 00:20:02,120 Speaker 1: It's so hard. I mean Springsteen to run, Led Zeppelin, 339 00:20:02,200 --> 00:20:06,520 Speaker 1: four AC, DC, Power Ridge, Bad Brains, I against I. 340 00:20:06,720 --> 00:20:10,119 Speaker 1: There are so many records, rock records. Yeah, I know 341 00:20:10,359 --> 00:20:12,639 Speaker 1: Bad Brains is a hardcore band, but my eyes are 342 00:20:12,680 --> 00:20:14,919 Speaker 1: a rock and roll band. So many different ways to go. 343 00:20:15,040 --> 00:20:17,800 Speaker 1: You got one like really picture just you can't listen 344 00:20:17,840 --> 00:20:19,320 Speaker 1: to another one for you can listen to other music, 345 00:20:19,359 --> 00:20:21,320 Speaker 1: you just can't listen anymore rock? What's it going to be? 346 00:20:21,320 --> 00:20:23,760 Speaker 1: Six one seven nine oh six six six three eight. 347 00:20:23,760 --> 00:20:25,880 Speaker 1: I want to know you can email me as well, 348 00:20:25,960 --> 00:20:30,680 Speaker 1: Disgrace slamdpod at gmail dot com, like PETERC, who writes in, Hey, 349 00:20:30,880 --> 00:20:35,119 Speaker 1: a mate just emailed me a short Elvis slash Ramones clip. 350 00:20:35,920 --> 00:20:38,280 Speaker 1: I'm a huge Ramones fan and I want to buy 351 00:20:38,280 --> 00:20:40,919 Speaker 1: a Disgraceland T shirt. Where can I buy one? Please? 352 00:20:41,440 --> 00:20:46,119 Speaker 1: And hey, when are you coming to Adelaide? Cheers Peter, Peter, 353 00:20:46,800 --> 00:20:50,639 Speaker 1: You gotta be more specific, dude, A short Elvis slash 354 00:20:50,720 --> 00:20:55,240 Speaker 1: Ramones clip? I am very intrigued. Is this Elvis in 355 00:20:55,280 --> 00:20:59,120 Speaker 1: the Ramones meeting up someplace? What are you talking about? 356 00:20:59,400 --> 00:21:04,640 Speaker 1: Elvis in the Ramones performing together? How would that be possible? 357 00:21:05,280 --> 00:21:09,119 Speaker 1: The Ramones were barely around before Elvis died. But I 358 00:21:09,160 --> 00:21:11,919 Speaker 1: gotta know if this is real. You got to hit 359 00:21:11,960 --> 00:21:15,480 Speaker 1: me out. Where's Adelaide Australia. I gotta know. I don't 360 00:21:15,480 --> 00:21:21,600 Speaker 1: want to be insulting. Hold on, I gotta look this up. Yeah, Australia. 361 00:21:21,720 --> 00:21:26,560 Speaker 1: I was right, Peter, you weren't insulted. But I'm intrigued. 362 00:21:26,800 --> 00:21:29,320 Speaker 1: So hit me back and let me know. Disgrace Landpod 363 00:21:29,359 --> 00:21:31,480 Speaker 1: at gmail dot com and. 364 00:21:31,640 --> 00:21:33,960 Speaker 5: I'll just jump in here Jake to say, you know, 365 00:21:34,000 --> 00:21:36,399 Speaker 5: for Peter, if you're looking for merch, the place for 366 00:21:36,480 --> 00:21:41,400 Speaker 5: that is disgracelandpod dot com, slash merch or over on 367 00:21:41,520 --> 00:21:44,320 Speaker 5: patreon dot com slash Disgraceland. 368 00:21:44,680 --> 00:21:49,440 Speaker 1: Daniel Kay writes in hey Jake, disgrace Land team, I'm 369 00:21:49,480 --> 00:21:52,199 Speaker 1: a big fan of your podcast paid subscriber and have 370 00:21:52,240 --> 00:21:54,159 Speaker 1: been listening for over a year now. I love the 371 00:21:54,200 --> 00:21:57,520 Speaker 1: deeply researched stories behind our favorite bands, and especially discovering 372 00:21:57,560 --> 00:22:00,680 Speaker 1: new artists that have somehow slipped by me. I'm also 373 00:22:00,920 --> 00:22:05,399 Speaker 1: always racking my brain for my own recommendations for artists 374 00:22:05,440 --> 00:22:08,480 Speaker 1: that you haven't covered, which is hard, but I don't 375 00:22:08,520 --> 00:22:12,480 Speaker 1: think you've done one. On the fantastic and criminally underrated 376 00:22:12,920 --> 00:22:16,520 Speaker 1: Doctor John. Well, Daniel, you will be happy to know 377 00:22:17,840 --> 00:22:21,359 Speaker 1: all the way over there in Berlin, Germany, that I 378 00:22:21,440 --> 00:22:25,400 Speaker 1: am recording the Doctor John episode next week and it'll 379 00:22:25,440 --> 00:22:28,359 Speaker 1: be coming your way. Well, I don't know, maybe early 380 00:22:28,440 --> 00:22:31,479 Speaker 1: in the new year, I think perhaps, or no, actually 381 00:22:31,520 --> 00:22:34,760 Speaker 1: before the end of this year. Yeah, so there you go, Daniel, 382 00:22:35,240 --> 00:22:39,560 Speaker 1: talk about that. Talk about instant satisfaction. All right, I 383 00:22:39,560 --> 00:22:41,560 Speaker 1: got an update for y'all. Some of you may have 384 00:22:41,640 --> 00:22:44,479 Speaker 1: heard that we've been planning something big on Patreon, who 385 00:22:44,520 --> 00:22:46,480 Speaker 1: was supposed to drop this week, but due to an 386 00:22:46,600 --> 00:22:50,320 Speaker 1: unforeseen issue, a good issue, by the way, we're holding 387 00:22:50,359 --> 00:22:55,520 Speaker 1: that launch back. Along with the increased pricing for Patreon 388 00:22:55,640 --> 00:22:58,440 Speaker 1: membership that we've been talking about. The price is going up, 389 00:22:58,520 --> 00:23:02,080 Speaker 1: as they say, but uh, it's not going up just yet. 390 00:23:02,119 --> 00:23:05,359 Speaker 1: Like we thought. New content coming to Patreon very soon. 391 00:23:05,600 --> 00:23:08,000 Speaker 1: And and if you're still on the fence about becoming 392 00:23:08,000 --> 00:23:11,000 Speaker 1: a disgrace lant all Access member, you still got time 393 00:23:11,200 --> 00:23:14,560 Speaker 1: to join for just five dollars a month before prices 394 00:23:14,600 --> 00:23:17,480 Speaker 1: go up. More news on this soon, and I'll be 395 00:23:17,560 --> 00:23:34,639 Speaker 1: back in a flash. All right. This is not an 396 00:23:34,720 --> 00:23:38,480 Speaker 1: episode of sixty Minutes. This is, of course the part 397 00:23:38,520 --> 00:23:41,199 Speaker 1: of the show where I rant about my third favorite 398 00:23:41,200 --> 00:23:44,200 Speaker 1: subject behind music and movies, of course, and that would 399 00:23:44,200 --> 00:23:47,359 Speaker 1: be sports. Matt stop the buzzer beater. This is the 400 00:23:47,440 --> 00:23:49,919 Speaker 1: sixty second sports rant and under thirty seconds, and it 401 00:23:50,000 --> 00:23:52,840 Speaker 1: is once again sponsored by five Hour Energies new Pumpkin 402 00:23:52,920 --> 00:23:55,560 Speaker 1: Spice flavor, your favorite fall drink, and an energy shot. 403 00:23:55,600 --> 00:23:57,720 Speaker 1: You can pick up a Pumpkin Spice five hour Energy 404 00:23:57,720 --> 00:24:00,880 Speaker 1: Shot available online at five hour Energy Dot. All right, 405 00:24:01,320 --> 00:24:04,280 Speaker 1: bring that ticker back in. Listen. This year's World Series 406 00:24:04,520 --> 00:24:08,280 Speaker 1: has been incredible thus far. The Los Angeles Dodgers versus 407 00:24:08,320 --> 00:24:11,080 Speaker 1: the Toronto Blue Jays, and I'm watching these games with 408 00:24:11,160 --> 00:24:15,000 Speaker 1: my sons and we're riveted. The series is now nodded 409 00:24:15,160 --> 00:24:19,120 Speaker 1: at two games a piece. There was an historic eighteen 410 00:24:19,160 --> 00:24:21,879 Speaker 1: inning game this week. Show a Atani is playing at 411 00:24:21,920 --> 00:24:24,120 Speaker 1: a level that the baseball gods never could have imagined. 412 00:24:24,440 --> 00:24:27,640 Speaker 1: But it's not just a Tani who didn't win last night. 413 00:24:27,680 --> 00:24:30,200 Speaker 1: By the way, Blue Jay's one with Otani on the mound. 414 00:24:30,600 --> 00:24:35,040 Speaker 1: It's not just Otani's brilliance, and despite his loss last night, 415 00:24:35,080 --> 00:24:41,120 Speaker 1: he has been brilliant. It's the teams. Okay, you can 416 00:24:41,240 --> 00:24:43,600 Speaker 1: just see it. The Dodgers in the Blue Jays are 417 00:24:43,720 --> 00:24:46,879 Speaker 1: legit powerhouses in all phases of the game, at the 418 00:24:46,880 --> 00:24:48,960 Speaker 1: plate on the mound and the bullten on defense on 419 00:24:49,000 --> 00:24:53,800 Speaker 1: the bass pass. Each team has legit bullfaced stars. The Dodgers, 420 00:24:54,680 --> 00:24:57,920 Speaker 1: they're stacked Otani Freeman Bets. Why can't we get players 421 00:24:57,960 --> 00:25:01,800 Speaker 1: like Bets? By the way, anyways, Blue Jays Vlad Junior 422 00:25:01,880 --> 00:25:05,600 Speaker 1: Bashett the little bowling ball behind the plate, Kirk these teams, 423 00:25:06,160 --> 00:25:09,399 Speaker 1: watching them, it's painfully obvious to me how far the 424 00:25:09,440 --> 00:25:12,800 Speaker 1: Red Sox are from contending at a championship level. And 425 00:25:12,840 --> 00:25:15,280 Speaker 1: I know that there's a lot of you guys out there, pirates, fans. 426 00:25:16,200 --> 00:25:20,480 Speaker 1: It's so it's so hard to watch. You know, we 427 00:25:20,520 --> 00:25:22,880 Speaker 1: see it. We see what it takes to win championships, 428 00:25:22,920 --> 00:25:27,360 Speaker 1: and to know that you're not there, it sucks. Okay, 429 00:25:27,920 --> 00:25:30,320 Speaker 1: my team socks. They've got pieces in place, but they 430 00:25:30,320 --> 00:25:32,960 Speaker 1: need so much more. And this is of course the 431 00:25:32,960 --> 00:25:35,280 Speaker 1: Red Sox ownership and management group that we're talking about, 432 00:25:35,280 --> 00:25:37,359 Speaker 1: So I have little faith that they're gonna sign the 433 00:25:37,440 --> 00:25:40,080 Speaker 1: right pieces to compete. They'll find they'll sign some of them, 434 00:25:40,119 --> 00:25:42,080 Speaker 1: and then they'll talk about how they signed all of them, 435 00:25:42,119 --> 00:25:44,160 Speaker 1: but they didn't and next year we're gonna be right 436 00:25:44,200 --> 00:25:47,120 Speaker 1: back same position we're in now, looking at two legit 437 00:25:47,200 --> 00:25:49,080 Speaker 1: powerhouses in the World Series, and we're not gonna be 438 00:25:49,080 --> 00:25:52,680 Speaker 1: one of them. But hopefully next year one of them's 439 00:25:52,680 --> 00:25:54,680 Speaker 1: not the Dodgers, and they're not you know, and there's 440 00:25:54,720 --> 00:25:57,159 Speaker 1: no it's just so I can't watch Mookie Betts in 441 00:25:57,160 --> 00:25:59,360 Speaker 1: the World Series. Man kills me. I love the guy, 442 00:25:59,400 --> 00:26:01,600 Speaker 1: but it kills me. You know what? All right, Matt, 443 00:26:01,680 --> 00:26:03,680 Speaker 1: I know I went long there, but it all had 444 00:26:03,680 --> 00:26:07,479 Speaker 1: to be said. And listen. That's the sports sponsored by 445 00:26:07,480 --> 00:26:09,359 Speaker 1: the good people at five Hour Energy and their new 446 00:26:09,400 --> 00:26:12,800 Speaker 1: Pumpkin Spice flavor. These new Pumpkins Spice five hour Energy 447 00:26:12,800 --> 00:26:15,160 Speaker 1: Shots are fall in a bottle and bring that classic 448 00:26:15,160 --> 00:26:17,159 Speaker 1: Pumpkins spice flavor that we all know and love, our 449 00:26:17,200 --> 00:26:19,160 Speaker 1: favorite fall drink, and an energy shot. You can pick 450 00:26:19,200 --> 00:26:22,119 Speaker 1: up a Pumpkin Spice five hour Energy Shot available online 451 00:26:22,160 --> 00:26:25,120 Speaker 1: at five hour Energy dot Com or Amazon. Hollywood Land 452 00:26:25,560 --> 00:26:28,399 Speaker 1: the Rap Party. What's doctor Zeth Lundy cooking up in 453 00:26:28,440 --> 00:26:31,080 Speaker 1: that feed? You ask, Well, let's check in with Zev 454 00:26:31,200 --> 00:26:32,679 Speaker 1: and find out. Here's a clip. 455 00:26:33,880 --> 00:26:37,240 Speaker 6: I watched a couple of seasonally appropriate movies this weekend 456 00:26:37,480 --> 00:26:40,840 Speaker 6: but even more importantly than the season, these are some 457 00:26:40,880 --> 00:26:43,439 Speaker 6: of the huge blind spots in my viewing history that 458 00:26:43,440 --> 00:26:46,239 Speaker 6: I'm finally correcting after all these years. Why are they 459 00:26:46,240 --> 00:26:48,760 Speaker 6: blind spots? Why have I not seen them? I don't know, Man, 460 00:26:48,840 --> 00:26:51,200 Speaker 6: shit happens. Sometimes it takes a minute or a year 461 00:26:51,320 --> 00:26:53,919 Speaker 6: or a decade for me to come around. But like 462 00:26:54,000 --> 00:26:57,800 Speaker 6: Johnny Cash says, the man comes around. And first I 463 00:26:57,880 --> 00:27:01,280 Speaker 6: watched Evil Dead to the Sam Raimi horror film from 464 00:27:01,400 --> 00:27:04,159 Speaker 6: nineteen eighty seven, And of course I know about the 465 00:27:04,240 --> 00:27:07,040 Speaker 6: legend of Evil Dead in terms of its importance in 466 00:27:07,040 --> 00:27:10,840 Speaker 6: American independent cinema in the nineteen eighties. You know, Sam Raimi, 467 00:27:10,920 --> 00:27:13,240 Speaker 6: of course, was an early collaborator with the Coen Brothers, 468 00:27:13,359 --> 00:27:16,920 Speaker 6: and you can see they stole his shaky cam move 469 00:27:17,040 --> 00:27:19,920 Speaker 6: in their first two films, Blood Simple and Raising Arizona. 470 00:27:20,400 --> 00:27:23,520 Speaker 6: But I also I feel like Evil Dead two borrows 471 00:27:24,119 --> 00:27:28,600 Speaker 6: that Looney Tune sensibility liberally from Raising Arizona. I mean, 472 00:27:28,640 --> 00:27:32,040 Speaker 6: it's kind of like the horror film equivalent of Raising Arizona, 473 00:27:32,119 --> 00:27:36,040 Speaker 6: don't you think, like in terms of energy, the comedic sensibilities, 474 00:27:36,040 --> 00:27:40,080 Speaker 6: and the whole turning weakness into strength or necessity being 475 00:27:40,080 --> 00:27:43,160 Speaker 6: the mother of invention thing that makes movies like these 476 00:27:43,800 --> 00:27:47,119 Speaker 6: so great, so rewatchable. I mean, Evil Dead two is 477 00:27:47,160 --> 00:27:50,800 Speaker 6: probably one of the most inventive films I have ever seen. 478 00:27:51,200 --> 00:27:54,680 Speaker 6: This movie is like simultaneously a satire of a genre 479 00:27:54,880 --> 00:27:57,159 Speaker 6: as well as a great representation of that genre. And 480 00:27:57,200 --> 00:27:59,439 Speaker 6: then Bruce Campell, who I mentioned before in National Treasure, 481 00:28:00,040 --> 00:28:02,639 Speaker 6: he's like at Wiley coyoteing the whole thing. You know. 482 00:28:04,160 --> 00:28:05,560 Speaker 6: You can say this about a lot of things, and 483 00:28:05,600 --> 00:28:08,360 Speaker 6: I do often, but I think it's demonstrably true here 484 00:28:08,440 --> 00:28:11,239 Speaker 6: that they don't make them like this anymore. Is it 485 00:28:11,400 --> 00:28:13,960 Speaker 6: even possible to make a movie like this anymore? 486 00:28:14,000 --> 00:28:14,199 Speaker 1: You know? 487 00:28:14,640 --> 00:28:17,240 Speaker 6: And so obsessed with questions like what would you do 488 00:28:17,320 --> 00:28:19,439 Speaker 6: if your own hand was possessed by an evil spirit 489 00:28:19,480 --> 00:28:20,600 Speaker 6: and was trying to kill you? 490 00:28:22,720 --> 00:28:24,399 Speaker 1: All Right, you guys are the best. So you're already 491 00:28:24,400 --> 00:28:27,960 Speaker 1: following Hollywood Land on Spotify, Apple podcasts and everywhere podcasts 492 00:28:28,000 --> 00:28:29,879 Speaker 1: are available, and if you're not, you should be in. 493 00:28:30,000 --> 00:28:33,680 Speaker 1: Well that's that, so listen, I ask you who wants 494 00:28:33,720 --> 00:28:37,200 Speaker 1: to talk scary af movies and movie performances that are 495 00:28:37,240 --> 00:28:41,440 Speaker 1: not horror movies or horror movie performances. Zeth and I 496 00:28:41,480 --> 00:28:45,240 Speaker 1: are nominating are non horror movies scary movie oscars right 497 00:28:45,280 --> 00:28:47,520 Speaker 1: now in the exclusive section of this after party, and 498 00:28:47,560 --> 00:28:50,120 Speaker 1: the results, well they might scare you. You got to be 499 00:28:50,160 --> 00:28:52,000 Speaker 1: a member to hear. They'll go to disgrace sampod dot 500 00:28:52,000 --> 00:28:55,120 Speaker 1: com to sign up via Patreon or Apple Podcasts for 501 00:28:55,280 --> 00:28:58,160 Speaker 1: just five bucks a month before prices go up. Unlock 502 00:28:58,360 --> 00:29:16,880 Speaker 1: exclusive content like this, plus add free listening. All right, discos, 503 00:29:17,000 --> 00:29:19,560 Speaker 1: Every week I get at least two or three emails 504 00:29:19,640 --> 00:29:22,720 Speaker 1: or dms or whatever from you guys requesting stories on 505 00:29:22,880 --> 00:29:26,040 Speaker 1: artists that we've already covered. Don't get me wrong, this 506 00:29:26,080 --> 00:29:28,200 Speaker 1: is a good problem to have, with over two hundred 507 00:29:28,200 --> 00:29:31,640 Speaker 1: and fifty episodes in the Disgraceland archive, So just get 508 00:29:31,640 --> 00:29:34,280 Speaker 1: in there at disgrace landpod dot com or in whatever 509 00:29:34,320 --> 00:29:37,600 Speaker 1: podcast app you listen to your shows in you listen 510 00:29:37,680 --> 00:29:40,400 Speaker 1: to Disgraceland in search for the artists that you're looking for, 511 00:29:40,520 --> 00:29:42,720 Speaker 1: or hit hit us up disgrace landpod dot gmail dot 512 00:29:42,760 --> 00:29:45,360 Speaker 1: com with questions on specific artists and we'll get you 513 00:29:45,440 --> 00:29:48,680 Speaker 1: the right info, the right link whatever you need to listen. 514 00:29:48,800 --> 00:29:52,400 Speaker 1: All right, let's recap, shall we Number one? This week's 515 00:29:52,400 --> 00:29:55,760 Speaker 1: full episode on the Exorcist. It's available for you right now, 516 00:29:55,880 --> 00:29:58,800 Speaker 1: Get in there, get creeped out. Number two, new mini 517 00:29:58,800 --> 00:30:01,840 Speaker 1: episode for All Access Memory on the nightmare that Exorcist 518 00:30:01,920 --> 00:30:04,720 Speaker 1: director William Free can put himself through trying to find 519 00:30:04,760 --> 00:30:07,400 Speaker 1: the right music for the film. Fascinating story. You're not 520 00:30:07,400 --> 00:30:09,400 Speaker 1: gonna want to miss that. Number three rewind episode on 521 00:30:09,440 --> 00:30:12,640 Speaker 1: ACDC Part one coming up right after this. Number four. 522 00:30:12,720 --> 00:30:16,960 Speaker 1: Next week our new episode, it's ACDC Part two, all right, 523 00:30:17,000 --> 00:30:20,240 Speaker 1: the continuation of the ACTC story. Number five that gives 524 00:30:20,280 --> 00:30:22,360 Speaker 1: you those Hollywood and crime vibes in Hollywood Lands. To 525 00:30:22,360 --> 00:30:25,400 Speaker 1: make sure you're subscribed. Six six one seven nine oh 526 00:30:25,600 --> 00:30:28,200 Speaker 1: six six six three eight. Your voice keeps us digging 527 00:30:28,240 --> 00:30:30,760 Speaker 1: into the dark corners of music history, So keep calling, 528 00:30:30,840 --> 00:30:33,000 Speaker 1: texting with your answers to this week's question of the week, 529 00:30:33,120 --> 00:30:35,160 Speaker 1: or with whatever else you guys want to talk about. 530 00:30:35,240 --> 00:30:37,880 Speaker 1: Number seven. Don't forget discos. This isn't just content. It's 531 00:30:37,920 --> 00:30:40,960 Speaker 1: a community, a community of the obsessed. No one cares 532 00:30:40,960 --> 00:30:43,160 Speaker 1: about music, books, records and the crime and grime that 533 00:30:43,200 --> 00:30:45,680 Speaker 1: ties them all together like you do. And well that's 534 00:30:45,800 --> 00:30:48,600 Speaker 1: a disgrace. All right. This is the second week in 535 00:30:48,640 --> 00:30:51,680 Speaker 1: a row we've had a punctuating date on the same day. 536 00:30:51,760 --> 00:30:54,840 Speaker 1: This's never happened before. Last week it was December twenty third, 537 00:30:55,000 --> 00:30:58,400 Speaker 1: back in nineteen eighty five when two Judas Priest fans 538 00:30:58,520 --> 00:31:03,240 Speaker 1: shot themselves. This week, it's December twenty third, nineteen seventy three, 539 00:31:03,560 --> 00:31:07,520 Speaker 1: the Daily Exorcist was released, and here's what America was 540 00:31:07,600 --> 00:31:10,720 Speaker 1: listening to on that day, according to the Billboard Charts. 541 00:31:11,160 --> 00:31:15,360 Speaker 1: Number one, The Most Beautiful Girl, Charlie Rich last week 542 00:31:15,720 --> 00:31:21,360 Speaker 1: one weeks on Chart thirteen, peak position one, number two. 543 00:31:21,880 --> 00:31:25,760 Speaker 1: Goodbye Yellow Brick Road, Elton John last week number two 544 00:31:26,280 --> 00:31:31,760 Speaker 1: weeks on chart nine, peak position two, number three, Time 545 00:31:31,800 --> 00:31:35,320 Speaker 1: in a Bottle Jim Croche position last week three five 546 00:31:35,440 --> 00:31:40,640 Speaker 1: number four weeks on chart six, peak position one, number four, 547 00:31:41,160 --> 00:31:45,680 Speaker 1: Leave Me Alone, Joby Red Dress, Helen Redition, last seven 548 00:31:46,160 --> 00:31:50,840 Speaker 1: weeks on Charge eighth. Peak position is three, number five, 549 00:31:51,520 --> 00:32:08,280 Speaker 1: Hello It's Me Top last week six. Quit talking and 550 00:32:08,520 --> 00:32:09,600 Speaker 1: start mixing.