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Speaker 1: Hey, everybody, welcome to a bonut episode of I Saw

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Speaker 1: What He Did. My name is Millie Did.

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Speaker 2: Jericho Danielle Henderson.

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Speaker 1: Uh and yeah we are bonusing. We'll do it extra

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Speaker 1: for you. Okay.

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Speaker 2: I just have a lot to say and a lot

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Speaker 2: to answer.

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Speaker 1: We do. We actually have some great emails and some voicemails.

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Speaker 2: Yeah, hm, I'm gonna I think we should just jump

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Speaker 2: right in. Let's go now, I hear to hear about

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Speaker 2: our live They get that in the main main feed dips.

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Speaker 1: Yeah, let's go.

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Speaker 2: Then this is about you. This is about you, guys.

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Speaker 2: And our first email subject is matching pod merch an

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Speaker 2: FMK and a partridge in a pear tree greeting Comfort Creatures.

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Speaker 2: I say comfort Creatures in daringly because I always seek

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Speaker 2: out your podcast as a source of comfort for myself,

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Speaker 2: whether that be as a distraction from anxiety, occasional depression spells,

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Speaker 2: or simply because listening to you guys is like catching

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Speaker 2: up with my two favorite besties or aunties. I've been

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Speaker 2: a huge fan of your friendship and content since day one.

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Speaker 2: Currently on my third run through all of your episodes. Damn, girl,

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Speaker 2: I know I haven't even done that I wanted to

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Speaker 2: quickly say I've had a rough year. I'll spare you

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Speaker 2: the details, so I feel it extra hard relating to

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Speaker 2: your mutual feelings on end of the year holiday blues.

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Speaker 2: I got my boyfriend Heybert into your podcast as well,

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Speaker 2: and a major source of happiness for us has been

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Speaker 2: sharing the love of Iswyd with each other so much

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Speaker 2: so we unknowingly got each other the give me the

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Speaker 2: b of the d Crew next sweater for Christmas. We

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Speaker 2: love it seriously, It's super soft and comfy anyway. I

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Speaker 2: love you queens and all the movies you talk about,

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Speaker 2: even if I haven't seen them yet. Love the kickback

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Speaker 2: vibe of the bonus episodes as well. I'll sign off

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Speaker 2: with an FMK that could be entertaining. Love always Anna

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Speaker 2: she Her and if it's Anna, I apologize, but I'll

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Speaker 2: say Anna she Her. That is such a nice email.

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Speaker 2: You guys, gift you gift of the magi' you're a

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Speaker 2: well not really because gift of the magi. I would

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Speaker 2: be like, you got me a sweater, and I got

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Speaker 2: you a brush, and you cut your hair and I

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Speaker 2: got some kind of sweat gland treatment where I don't

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Speaker 2: need anything any worse, so it's suck get to the magi.

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Speaker 2: It's just lovely similar gifts indicating that you should totally

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Speaker 2: be together.

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Speaker 1: And also not to toot our own horns. I do

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Speaker 1: have our sweatshirt, which I kept calling a crew neck sweater.

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Speaker 1: Every at the end of every single episode, I kept

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Speaker 1: saying crew next sweater, and we I always had to

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Speaker 1: edit it out. I was like, I could not get

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Speaker 1: my brain around crew next sweatshirt. But anyway, I have one.

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Speaker 1: It's very set, and it is so soft and comfortable.

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Speaker 2: I have to say, yeah, if you haven't gotten when

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Speaker 2: you're missing out.

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Speaker 1: Yeah, freezing freezing, Ah, I'm just kidding.

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Speaker 2: That's a great marketing tool. Is just threats and cursing.

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Speaker 2: We're gonna curse you with fucking cold if you don't

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Speaker 2: buy our goddamn sweat shirt.

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Speaker 1: I hope you're freezing for the rest.

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Speaker 2: I hope you never get warm. I hope your hands

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Speaker 2: are freezing so trembling to the point where you can't

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Speaker 2: even write or sign your name on anything.

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Speaker 1: I hope you're the naked guy in the snow in

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Speaker 1: that Tarantino movie The Hateful Eight because you didn't buy

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Speaker 1: our fucking her next sweatshirt.

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Speaker 2: I hope you're cold like Jack Torrance at the end

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Speaker 2: of I hope you feel like you're just sitting in

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Speaker 2: a block of ice in amaze. Anyway, you should buy one.

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Speaker 2: They're nice, Thank you, Hannah. And this FMK is pretty great.

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Speaker 2: Gotta say, of course. FMK Stoner Edition seth Rogen from

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Speaker 2: literally any movie, Rory Cochrane Slater from Days in Confused

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Speaker 2: and Snoop Dog Scavenger Smoker from Half Baked, Have Baked.

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Speaker 2: Let me put the emphas on that.

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Speaker 1: D Do you know what's your what's your plan here?

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Speaker 1: Do you want to give us a little preview? You

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Speaker 1: don't know yet.

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Speaker 2: I kind of know, but I think you should go first.

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Speaker 1: Okay, thank you, Oh god, this is gonna be all right.

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Speaker 1: I'm going this way. Here we go. I am going

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Speaker 1: to fuck Snoop Dog.

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Speaker 2: Lyrical.

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Speaker 1: I don't necessarily want to.

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Speaker 2: But sometimes you have to answer based on the other two.

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Speaker 1: Here's what I'm thinking. I say, it's a it's a night.

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Speaker 1: Maybe we don't go all the way. Maybe it's just

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Speaker 1: a lot of like like kisses and smooches or something.

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Speaker 1: I maybe we don't go all the way because I

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Speaker 1: really don't think I could with with Snoop. I just

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Speaker 1: feel like he's now he's transcended to this like cultural

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Speaker 1: icon status that he just feels like not a person

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Speaker 1: anymore or something. I don't know. He just he's representative

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Speaker 1: of of of weeds smoking people all over the world.

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Speaker 1: So I guess just to hang out with him for

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Speaker 1: a night would be super fun. I would definitely marry

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Speaker 1: ry Corkman Slater from Days to Confused, because he seems

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Speaker 1: like a long term partner. He seemed to me generally

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Speaker 1: based on the rest of the people on this list,

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Speaker 1: and maybe I can marry that guy, and then we're

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Speaker 1: killing Seth Rogan, because mon, do I really need to

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Speaker 1: iron it out? Yes, you do, because he's just too everywhere.

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Speaker 1: He's in all things. He's he's he's in all things.

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Speaker 1: You know what that he lived down the street from me, Yeah,

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Speaker 1: I lived in West Hollywood. Do you know that? I

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Speaker 1: never saw him, but I just went.

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Speaker 2: He went to the place that we did pottery. He

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Speaker 2: went there. That's how he started his obsession with pottery.

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Speaker 1: Yeah, a weed pottery. I think now he does weed pottery.

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Speaker 1: I know that was an eye roll, okay, but anyway,

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Speaker 1: that's kind of how that's that's that's my take. What

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Speaker 1: about you?

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Speaker 2: I am Wow, this is another FMK where I'm like,

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Speaker 2: I don't know how I'm gonna feel about myself after this,

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Speaker 2: but here we go. I am going to fuck seth Rogen.

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Speaker 1: Oh.

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Speaker 2: I think that is the maximum amount of time I

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Speaker 2: could probably spend with him, not for any particular reason,

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Speaker 2: just because you know, we have different lives, We're into

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Speaker 2: different things. I am not obsessed with marijuana. I don't

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Speaker 2: smoke marijuana. I don't care about it, and so I

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Speaker 2: think that we just have different lives, so I can.

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Speaker 2: But he's cute, very cute. I like his laugh. Okay,

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Speaker 2: I think I'll fuck him. Okay, I'm gonna marry Snoop Dogg.

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Speaker 2: Why he is because of exactly what. He's an icon,

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Speaker 2: So he's never home, he's and if he is home,

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Speaker 2: he's high to the point of catatonic. Yeah, so I

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Speaker 2: can carry out with my ship. He can be Snoop Dogg.

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Speaker 2: He's funny. I think he's very sweet. It's a marriage

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Speaker 2: I can handle because when he's around, he's either high

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Speaker 2: or just being nice or he's gone.

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Speaker 1: Yes, very important, And.

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Speaker 2: I'm gonna kill Rory Cochrane, primarily because that kind of

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Speaker 2: seventies misogynist dude is just not my thing. And I

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Speaker 2: know it was a care, I know, but this is

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Speaker 2: all this is. These are the parameters we've been given

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Speaker 2: to go on. So this is what I'm going on.

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Speaker 2: I just can't hang out with that guy who's like,

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Speaker 2: I'm gonna be with my boys and you're a drag

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Speaker 2: and blah blah blah. Like I just I can't with that.

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Speaker 2: So yeah, he's gonna go. But I do like the

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Speaker 2: long hair and I do like the look, but he's

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Speaker 2: got to go otherwise.

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Speaker 1: Now that I'm thinking about it, his character seemed His

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Speaker 1: character seemed to be almost kind of sexless. Yeah, you know,

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Speaker 1: because he was such a stoner that he kind of

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Speaker 1: in the high in that kind of high school hierarchy.

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Speaker 1: He was kind of like a stoner and that's it, like,

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Speaker 1: and so maybe that's where his like attitudes towards some

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Speaker 1: of the women in his class came from. I think

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Speaker 1: he literally just called them prudes. And I'd have to why,

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Speaker 1: I've seen this movie a budget, I've seen it in

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Speaker 1: a while, which is annoying. But he, like I said,

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Speaker 1: he did give like a very rousing speech about more

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Speaker 1: Artha Washington having a big fat bowl waiting for George

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Speaker 1: when he got home. I was like, Okay, well he

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Speaker 1: least recognizes the role of the woman in that historical marriage.

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Speaker 2: But yeah, you're right, but still in a servile position,

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Speaker 2: And you know, I think it's let's just say, let's

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Speaker 2: just say what it is. He was the proto type.

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Speaker 2: He was the proto inseel.

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Speaker 1: Oh my god, I literally was going to dance that

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Speaker 1: in front of you, but then I walked it back

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Speaker 1: because I was like, do I really think that?

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Speaker 2: Maybe let's write an essay about it. He was the

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Speaker 2: proto in cel. This is the essay. This, this whole

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Speaker 2: conversation is the essay. We don't have to actually write

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Speaker 2: it down.

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Speaker 1: But he also it's so hard for me because in

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Speaker 1: cells are so terrible that I'm like, do I really

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Speaker 1: think isn't like that? Because he seemed happy and joyous

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Speaker 1: on a lot of occasions. He wasn't like stewing in

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Speaker 1: his anger about ma getting laid but.

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Speaker 2: But a little too close to the bone. Look, you're

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Speaker 2: gonna marry him, I'm gonna kill him. That's how it

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Speaker 2: shook out.

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Speaker 1: There's probably a lot of insults in that movie though,

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Speaker 1: now that I'm thinking about it, Yeah, that Adam is

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Speaker 1: his Adam Goldberg. Is that the guy the like kind

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Speaker 1: of keyed up guy that needs to beat up the

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Speaker 1: nikky cat character at the Moon Tower? He seemed a

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Speaker 1: little bit on the in cell spectrum. Maybe, who knows.

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Speaker 2: I will say that I have never loved this movie

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Speaker 2: as much as most people love this movie, so I've

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Speaker 2: only seen it about twice in my life. Oh my god.

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Speaker 1: But yeah, you're talking to an a one from day one, babe.

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Speaker 1: This movie like was my shit when it came out.

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Speaker 1: So but yeah, listen, I respect the list. I totally

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Speaker 1: understand why you came to that conclusion.

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Speaker 2: And what a great That was a great f MK,

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Speaker 2: thank you. I hope your year is better.

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Speaker 1: Okay, this is this is good. This comes from Natalie.

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Speaker 1: The title of it is who have I been emailing? Hi? Ladies?

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Speaker 1: As I was going to type what would be my

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Speaker 1: third email to y'all, I thought the email address looked odd,

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Speaker 1: so I went to your Facebook page to double check,

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Speaker 1: and now I think I have been sending emails to

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Speaker 1: a saw podcast. Damn it. They were good emails too. Natalie,

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Speaker 1: do you host a Saw podcast, Danielle, and I don't

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Speaker 1: know it how I do not.

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Speaker 2: My grandma might in her spare time, but I don't.

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Speaker 2: That is fucking hilarious.

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Speaker 1: I want to know.

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Speaker 2: Also, just check your scent mail and see if they're

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Speaker 2: still in there. Yeah, and we send one of them.

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Speaker 1: What if the podcast was not about Saw the movie,

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Speaker 1: it was just about saws, the various types of saws.

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Speaker 2: She could have been emailing someone who was one of

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Speaker 2: those Saw musicians that I talked about in that episode.

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Speaker 1: Maybe it's like a Nick Offerman woodworking like a side

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Speaker 1: podcast that he does where he is like talking about

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Speaker 1: all the saws that he uses to make his fucking boats, or.

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Speaker 2: What jigsaws do certain certain things. Circular saws, a saws all,

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Speaker 2: A saws all is a wonderful tool. I would listen

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Speaker 2: to that podcast. That's information I need to know.

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Speaker 1: Well, you can get those emails back and send it

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Speaker 1: to us. Just forward them, that's all you gotta do.

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Speaker 2: Hilarious, Natalie, And our email address is I Saw What

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Speaker 2: you Did pod at gmail dot com.

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Speaker 1: Yeah.

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Speaker 2: This next email subject is Library Confidentiality Policies and FMK.

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Speaker 2: It's from Mollie who uses she her pronouns. Hi, ladies,

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Speaker 2: I have often wanted to write to you about something

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Speaker 2: more fun, and while listening to your seven slash No

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Speaker 2: Country for Old Men episode, I wanted to send a

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Speaker 2: quick note. Libraries have extensive policies around user privacy. Maybe

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Speaker 2: it was a bit different in nineteen ninety five, but

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Speaker 2: I can't imagine drastically. So after nine to eleven libraries

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Speaker 2: fought the federal government for patron's right to privacy, she

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Speaker 2: sent us links. Maybe in so seven there is an

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Speaker 2: implication that this is a covert operation that the FBI

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Speaker 2: and bootlocking librarians are involved in, hence why it can't

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Speaker 2: be used for a warrant. The right to privacy is

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Speaker 2: a huge deal in the library profession. Any writer who

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Speaker 2: bothered to ask a librarian or visit the American Library

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Speaker 2: Association website would know this. Maybe a mail writer wouldn't

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Speaker 2: consider consulting with a pink collar professional. I have a

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Speaker 2: theory that the best movies include a library scene. Once

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Speaker 2: you start looking, there in a surprising amount of movies.

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Speaker 2: Love you both so much. Watching movies was a pastime

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Speaker 2: for my mom and I. Listening to your earnest and

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Speaker 2: silly discussions brings back fond memories. Molly. Thank you, Mollie.

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Speaker 2: I really I'm always glad for an update that calms

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Speaker 2: my nerves about who might be looking at us or not.

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Speaker 2: But also just anything that is so emphatically supportive of librarians.

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Speaker 2: They are amazing people. They are wonderful and have been

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Speaker 2: very a source of much joy in my life and

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Speaker 2: growth in my life. So I always appreciate any kind

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Speaker 2: of email that supports libraries and librarians. And this FMK

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Speaker 2: is pretty great as well. I got to say, you're right,

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Speaker 2: once you start looking, there are libraries and a lot

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Speaker 2: of movies.

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Speaker 1: Yeah, this is a great FMK. Do you want to

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Speaker 1: tell the people what the.

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Speaker 2: Oh I do? Because I can't wait to hear your answers.

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Speaker 2: FMK Library Professional Edition. Luke Wilson as Joe Bauers in Idiocracy,

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Speaker 2: Rachel Weiss as Evelyn Carnahan in the Mummy, and Parker

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Speaker 2: Posey as Mary and Party Girl.

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Speaker 1: Soup's easy for me, go for it all right, definitely

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Speaker 1: fucking Parker Posey party Girl. The name says it all.

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Speaker 1: She's a party girl. Oh my good. We would have

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Speaker 1: so much fun, so much fun. Designer close the whole thing.

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Speaker 1: It would be a blast. And then I think, quite

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Speaker 1: obviously marrying Luke Wilson from Idiocracy, because I have had

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Speaker 1: a crush on Luke Wilson since Bottle Rocket. That. Sorry,

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Speaker 1: just I know, I just I'm just have always thought

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Speaker 1: he was so cute and funny and kind of weird sometimes.

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Speaker 2: A little weird.

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Speaker 1: Oh, how do you know that? Did you like hanging

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Speaker 1: out with him or something? No, I'm sure you did. Right.

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Speaker 1: You were like at a bar and you're You're like

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Speaker 1: the best person in the bar, and he was kind

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Speaker 1: of sitting there and you were like, you make out

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Speaker 1: with me? And he did it, and he did it,

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Speaker 1: and I was like fuck yeah no. And then for

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Speaker 1: five years and.

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Speaker 2: On the down low, secretly, secretly, I was in New

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Speaker 2: York City. I was living in New York City and

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Speaker 2: I was walking around one night. I had left like

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Speaker 2: a like a bookstore or something. I was just walking

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Speaker 2: around in the village and going towards my subway and

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Speaker 2: we were on a street corner together. He kind of

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Speaker 2: walked up and we were just standing waiting for the light,

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Speaker 2: and he checked me out and I just looked at

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Speaker 2: him and I said, oh, hi, and then I kept

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Speaker 2: on a walk.

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Speaker 1: In mommy cool. Oh my god, I'm so jealous.

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Speaker 2: He's very, very cute. In real life. He was when

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Speaker 2: he had kind of longish hair, which I love that.

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Speaker 1: Yeah, you love that. How what's the Is he tall? Yeah?

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Speaker 2: He was taller than I thought it would be. Still

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Speaker 2: a couple inches shorter than me, but he was pretty tall.

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Speaker 1: For some reason, I thought all the Wilson brothers were

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Speaker 1: super tall, and I don't know if it's because I

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Speaker 1: just saw iron Claw or something, and I'm like, I

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Speaker 1: don't know, brothers from Texas are all like.

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Speaker 2: Huge, not always the case. Yeah, now let's look it up.

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Speaker 2: Let's see how Tally actually is.

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Speaker 1: Look.

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Speaker 2: Wait, wait, we have time for that. Right since we

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Speaker 2: started fifty this podcast, we can.

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Speaker 1: Do literally whatever the fuck we want.

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Speaker 2: Oh yeah, he's like he's like five ten five eleven, So.

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Speaker 1: Oh it's good. That's taller than me. That's all like that. Hey,

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Speaker 1: And to be honest, if he was shorter than me,

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Speaker 1: let's get serious. I still rock with that big time.

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Speaker 2: In the er, in the era of Kieran Culkin and

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Speaker 2: Jeremy Allen, white people are going for a short king.

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Speaker 1: Look, I don't have any I got zero room to

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Speaker 1: be judging about anybody's anything. Okay. I love a short king,

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Speaker 1: I love a tall king. I like a standard American

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Speaker 1: male height king.

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Speaker 2: I love an American standard toilet king.

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Speaker 1: I love an American standard poodle, all of them.

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Speaker 2: But also more importantly, this means you're killing Rachel Vice.

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Speaker 1: Duh. Like, yeah, okay, no reason, She's totally fine, But

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Speaker 1: I just I don't know. I'm going there.

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Speaker 2: I'm going I'm gonna I'm gonna freak you the fuck

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Speaker 2: out right now. I am going to fuck Rachel Vice.

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Speaker 1: Oh good.

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Speaker 2: She's the hottest of them, she's she's very smart, she's

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Speaker 2: the smartest of them, and it could be a fun time.

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Speaker 2: And she's beautiful, she's gorgeous, beautiful. I'm going to marry

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Speaker 2: Luke Wilson. Oh no. And I am killing Parker Posy

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Speaker 2: as party girl. I can't with that energy, Okay, okay,

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Speaker 2: I don't want that energy in my bed or in

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Speaker 2: my home.

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Speaker 1: Okay, okay, fair enough, fair enough. It was a hard

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Speaker 1: one I have to say.

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Speaker 2: But thank you, Molly. That was a great convo. Yeah,

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Speaker 2: that came out of that, fmk. We learned a lot

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Speaker 2: about each other in these we do well. Our next

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Speaker 2: one is a voicemail.

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Speaker 3: Lou hit that button, Hello, Millian Danielle. I want to

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Speaker 3: know if you have any movies that make you cry

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Speaker 3: that are not intended to be sad. One of mine

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Speaker 3: is The Duff, which makes me absolutely bare my eyes

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Speaker 3: out every time. To me is a movie about the

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Speaker 3: failure of female friendship and the traumas of being a

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Speaker 3: teenage girl. And I always watch it when I need

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Speaker 3: a good old cry, which I do not think is

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Speaker 3: what Netflix intended.

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Speaker 2: Thanks Ah, Susie again, all of our listeners sound so lovely,

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Speaker 2: literally sounds so lovely. I love this question movies that

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Speaker 2: are unintentionally sad. I think the first thing that came

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Speaker 2: to mind for me is Billy Elliott. Have you ever

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Speaker 2: seen it?

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Speaker 1: Yeah? I mean I saw what it came out, but

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Speaker 1: I haven't seen it since.

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Speaker 2: Oh my gut. The end of that movie, and I

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Speaker 2: won't spoil it for anyone who has seen it, but

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Speaker 2: let's just say they leap forward in time literally maybe,

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Speaker 2: and everything about these characters that you met as children

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Speaker 2: and everything that they've been through and what they continue

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Speaker 2: to go through, and then just seeing where they end up. Oh,

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Speaker 2: it brings me to fucking tears every time, And I

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Speaker 2: know it's not supposed to be sad, but it's like

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Speaker 2: a happy cry because I'm just like, oh, children overcoming

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Speaker 2: the odds is always going to get me.

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Speaker 1: Yeah, always, Yeah, anything else, that was.

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Speaker 2: The first one that came to mind. I feel like,

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Speaker 2: you know, I watch a lot of Dower shit, so

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Speaker 2: most things I watch are supposed to be making me cry.

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Speaker 1: Yeah, sure, but yeah, I.

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Speaker 2: Just I don't know. I love that one. I feel

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Speaker 2: like nothing else really springs to mind immediately. But do

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Speaker 2: you have any.

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Speaker 1: Well, I'll just I was going through this list because

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Speaker 1: I was like, Okay, what are these movies have in common?

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Speaker 1: Omily says Bride, Dirty Dancing, Untamed Heart.

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Speaker 2: Ugh.

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Speaker 1: I I think for me, this might might be going

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Speaker 1: down a road where y'all might know me too much.

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Speaker 1: But I get really emotional with like romances, right, like

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Speaker 1: when there's like these keyed up moments of like a

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Speaker 1: romantic film, and I think I get really emotional when

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Speaker 1: I see, like in the the part of Dirty Dancing

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Speaker 1: that always makes me cry is when Patrick Swayzee comes

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Speaker 1: into the final night at Kellerman's with his leather jacket.

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Speaker 1: He was told not to show up, but he came

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Speaker 1: anyway because he had to tell Jerry or Bach that

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Speaker 1: nobody puts baby in a fucking corner. Oh good, okay,

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Speaker 1: And that to me was like I don't know why.

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Speaker 1: I felt very happy about that, Like, I don't know.

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Speaker 1: I just felt like, Wow, here's a dude that's like

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Speaker 1: telling some dad that he can't file his daughter away,

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Speaker 1: that she needs to be on stage and be beautiful

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Speaker 1: and luminous. And I was like, will somebody do that

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Speaker 1: for me one time? That would be really nice. All

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Speaker 1: that kind of stuff. Also like The Princess Bride, like

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Speaker 1: the first like ten minutes of The Princess Bride, like

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Speaker 1: kiss me. I don't know what the fuck is going

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Speaker 1: on there too, where it's like Carrie Elwis is like

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Speaker 1: as you wish. I was like, as I wish, I

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Speaker 1: would like to wish, and I would like a hot

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Speaker 1: dude with a ponytail to be like, yes, I will

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Speaker 1: make you cry out. Yes, it's just the I think.

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Speaker 1: It's like watching tenderness really makes me emotional.

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Speaker 2: Oh that's very sweet.

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Speaker 1: Mm hmmm.

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Speaker 2: I like that.

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Speaker 1: And I just think because I love tenderness, like I

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Speaker 1: love like when people are nice to each other and

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Speaker 1: people are kind or when like somebody loves somebody a

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Speaker 1: lot like these are like, I mean, am I really

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Speaker 1: like saying anything remarkable here? I? Yes, I love it

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Speaker 1: when people are nice. But you know, in a movie,

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Speaker 1: in the context of a film, I'm like, I don't know,

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Speaker 1: just really makes an impact on me, and like that's

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Speaker 1: what like Omily, it's like the whole fucking movie, I'm

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Speaker 1: crying the entire time because I'm like, I don't know,

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Speaker 1: I always feel for people who don't experience enough tenderness,

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Speaker 1: and then when they do, it really affects me. So

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Speaker 1: there's that.

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Speaker 2: I think that's wonderful. I think that I tend to

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Speaker 2: cry most when people are beating the odds. Yeah, that

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Speaker 2: always gets me. I recently rewatched The Commitments, which I

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Speaker 2: hadn't seen in a while, and I cry when they

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Speaker 2: first get like that first song that they all sing

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Speaker 2: together and it comes together. But also during that whole

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Speaker 2: when they're doing Otis Redding's try a little tenderness, like

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Speaker 2: it just makes me cry out of pure happiness. Yeah,

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Speaker 2: it's not unintentionally sad, but I think that I know

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Speaker 2: it's not supposed to make me cry and it does

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Speaker 2: so moments like that.

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Speaker 1: I know. I was. Also also on my list was

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Speaker 1: The Wizard of Oz, which I think is pretty common.

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Speaker 1: A lot of people cried during Wizard of Oz. I

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Speaker 1: always cry hearing Judy Garland saying somewhere over the Rainbow

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Speaker 1: like it's so wistful and like, oh my god, with

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Speaker 1: like the dog with Toto there, I mean, come on, Like,

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Speaker 1: I think Judy Garland has one of the most emotional

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Speaker 1: voices I've ever heard in my life, for sure, Like

433
00:24:47,880 --> 00:24:50,080
Speaker 1: even when she sings like have yourself a merry little

434
00:24:50,160 --> 00:24:53,840
Speaker 1: Christmas and met me and Saint Louis. I don't know,

435
00:24:53,960 --> 00:24:57,520
Speaker 1: she just she knows. She knows how to get the

436
00:24:57,560 --> 00:24:58,879
Speaker 1: water works going for people.

437
00:24:59,200 --> 00:25:01,760
Speaker 2: She's got that tone and you know what else.

438
00:25:01,800 --> 00:25:04,080
Speaker 1: Speaking of songs, this is my last one. This has

439
00:25:04,119 --> 00:25:07,760
Speaker 1: nothing to do with film, sorry, but it does have

440
00:25:07,840 --> 00:25:09,919
Speaker 1: something to do with eighties wrestling, which I know you

441
00:25:10,000 --> 00:25:15,639
Speaker 1: like grab them cakes. The song girls Just Want to

442
00:25:15,680 --> 00:25:21,160
Speaker 1: Have Fun by Cindy Lapper. Oh makes me cry real time.

443
00:25:21,400 --> 00:25:26,800
Speaker 1: Oh yeah. And I don't know if it's because of

444
00:25:26,880 --> 00:25:30,000
Speaker 1: the notes of the song. That has to be a thing,

445
00:25:30,119 --> 00:25:34,840
Speaker 1: right where certain notes of songs, but the song itself

446
00:25:35,040 --> 00:25:40,520
Speaker 1: the lyrics are about women who don't get to experience joy.

447
00:25:41,200 --> 00:25:48,040
Speaker 2: Yeah. Oh that's helloly sweet. Yeah, there's a definitely theme here.

448
00:25:48,160 --> 00:25:50,399
Speaker 2: There's a theme here, but it's very sweet.

449
00:25:50,720 --> 00:25:53,359
Speaker 1: Yeah, and maybe it's like again a little bit too

450
00:25:53,440 --> 00:25:55,600
Speaker 1: much about what's inside of my brain and my heart.

451
00:25:55,680 --> 00:25:58,120
Speaker 1: But I'm like that song it just makes me cry

452
00:25:58,160 --> 00:26:00,879
Speaker 1: all the time. And then the video, Yeah, it is

453
00:26:00,960 --> 00:26:03,399
Speaker 1: so like the video also too, Like when I was

454
00:26:03,440 --> 00:26:05,960
Speaker 1: a kid, I used to get so I used to

455
00:26:06,000 --> 00:26:08,399
Speaker 1: get so emotional when they would have that party at

456
00:26:08,400 --> 00:26:09,080
Speaker 1: the end of the video.

457
00:26:09,480 --> 00:26:12,199
Speaker 2: I know, because it's so many different types of like

458
00:26:12,240 --> 00:26:14,359
Speaker 2: just watching them like rock back and forth in that

459
00:26:14,720 --> 00:26:17,360
Speaker 2: line formation and then party. It's just it was very

460
00:26:17,359 --> 00:26:18,159
Speaker 2: it's very sweet.

461
00:26:18,280 --> 00:26:21,080
Speaker 1: And then somebody delivers like twelve pieces and I'm like, yes,

462
00:26:21,160 --> 00:26:24,960
Speaker 1: of course, they've been dancing across town all fucking day,

463
00:26:25,320 --> 00:26:26,720
Speaker 1: bring those pizzas in here.

464
00:26:27,800 --> 00:26:30,840
Speaker 2: Keta luel Bano gets his shit together at the end.

465
00:26:31,000 --> 00:26:32,800
Speaker 1: I know, and like, and I don't want to say, like,

466
00:26:33,560 --> 00:26:36,159
Speaker 1: look in the in the context of the video, maybe

467
00:26:36,200 --> 00:26:40,800
Speaker 1: he was the one that wasn't allowing the girls to

468
00:26:40,880 --> 00:26:44,560
Speaker 1: absolutely but she brestled him a little bit and then

469
00:26:44,600 --> 00:26:46,680
Speaker 1: he figured it out. So that's great.

470
00:26:47,440 --> 00:26:50,160
Speaker 2: I think that's one wonderful answer to this fucking question,

471
00:26:50,240 --> 00:26:54,359
Speaker 2: which was so great, very in depth, very thorough. I

472
00:26:54,480 --> 00:26:57,520
Speaker 2: loved it. Thank you so much for sending this question, Susie.

473
00:26:58,640 --> 00:27:03,159
Speaker 1: Oh boy, okay, so the next one we have. So

474
00:27:03,240 --> 00:27:07,119
Speaker 1: the next one is from somebody who did not include

475
00:27:07,160 --> 00:27:09,600
Speaker 1: a name, but I'm going to read it anyway. It's

476
00:27:09,640 --> 00:27:16,359
Speaker 1: called Stank Day Realness. Dear friends. Even though we've never met,

477
00:27:16,840 --> 00:27:20,600
Speaker 1: I started listening to your newest episode Just Be Stank

478
00:27:20,800 --> 00:27:23,280
Speaker 1: and had to pause to write you both in gratitude.

479
00:27:23,800 --> 00:27:26,960
Speaker 1: It was so satisfying to hear validation about a situation

480
00:27:27,119 --> 00:27:29,800
Speaker 1: I know so well. I cannot tell you the number

481
00:27:29,840 --> 00:27:32,000
Speaker 1: of breakdowns I've had in the last few months when

482
00:27:32,000 --> 00:27:35,200
Speaker 1: I realized how stagnant my life has been, and how

483
00:27:35,240 --> 00:27:38,800
Speaker 1: I was in the same shitty place this time last year.

484
00:27:39,400 --> 00:27:42,639
Speaker 1: I do have a job, but I'm overqualified and underpaid

485
00:27:42,680 --> 00:27:46,920
Speaker 1: and full of hate. I've been trying desperately to find

486
00:27:46,920 --> 00:27:50,760
Speaker 1: a new job, and I understand the depression slash manic

487
00:27:50,960 --> 00:27:55,400
Speaker 1: applying cycle Millie was talking about so well. I also

488
00:27:55,440 --> 00:27:57,920
Speaker 1: had those days of rage when it seemed like everyone

489
00:27:57,960 --> 00:28:00,199
Speaker 1: in my life was getting what I wanted about are

490
00:28:00,240 --> 00:28:04,360
Speaker 1: paying job, a bigger apartment engagements. It makes me want

491
00:28:04,359 --> 00:28:06,520
Speaker 1: to throw my phone and scream until I don't have

492
00:28:06,560 --> 00:28:09,119
Speaker 1: a voice. I don't have advice for either of you,

493
00:28:09,200 --> 00:28:11,439
Speaker 1: because I have no fucking clue what I'm doing, but

494
00:28:11,480 --> 00:28:13,760
Speaker 1: I just wanted to say thank you for talking about

495
00:28:13,800 --> 00:28:17,239
Speaker 1: this weird, slash awful place that so many of us

496
00:28:17,240 --> 00:28:20,240
Speaker 1: are in. Thank you for your podcast and the window

497
00:28:20,280 --> 00:28:23,080
Speaker 1: into your friendship. Thank you for sitting with me at

498
00:28:23,080 --> 00:28:24,919
Speaker 1: the job I hate, and I hope to bring you

499
00:28:25,000 --> 00:28:28,920
Speaker 1: with me to my next job. Lots of non parasocial

500
00:28:28,960 --> 00:28:31,640
Speaker 1: admiration and big old stank days ahead.

501
00:28:32,560 --> 00:28:36,600
Speaker 2: Aw listener. I hope you have a new job soon too.

502
00:28:36,840 --> 00:28:39,200
Speaker 2: I think that this is a very familiar feeling for

503
00:28:39,240 --> 00:28:42,240
Speaker 2: so many people. And even though I'm sorry that you're

504
00:28:42,240 --> 00:28:44,840
Speaker 2: going through and I'm glad that we can keep you

505
00:28:44,880 --> 00:28:50,520
Speaker 2: company during it, it's really hard out there right now,

506
00:28:50,560 --> 00:28:52,600
Speaker 2: and I think more than anything, and again don't want

507
00:28:52,600 --> 00:28:54,840
Speaker 2: to go into it deeply because we've covered many, many

508
00:28:54,880 --> 00:28:58,600
Speaker 2: episodes about this, but I do think that it's fucking

509
00:28:58,640 --> 00:29:01,040
Speaker 2: hard right now, and it's okay to just allow it

510
00:29:01,080 --> 00:29:04,200
Speaker 2: to be difficult and for a minute and then pick

511
00:29:04,240 --> 00:29:06,840
Speaker 2: yourself back up and go go on back out there

512
00:29:06,840 --> 00:29:09,520
Speaker 2: and keep trying. But I think that fallow period is

513
00:29:09,560 --> 00:29:13,000
Speaker 2: really important, Like you have to just be okay with

514
00:29:13,160 --> 00:29:15,560
Speaker 2: like all right, this day is a bad day, and

515
00:29:15,600 --> 00:29:16,520
Speaker 2: then move move on.

516
00:29:18,000 --> 00:29:19,880
Speaker 1: Well. And I just personally want to say, you know,

517
00:29:20,680 --> 00:29:22,440
Speaker 1: I had a bad a year last year. Obviously I've

518
00:29:22,440 --> 00:29:26,080
Speaker 1: been on a record saying that multiple places, and I

519
00:29:26,320 --> 00:29:29,479
Speaker 1: just really am thankful for the support that people have

520
00:29:29,520 --> 00:29:31,280
Speaker 1: shown me, like not just people that I know in

521
00:29:31,320 --> 00:29:34,800
Speaker 1: real life, but like listeners and like people who just

522
00:29:35,360 --> 00:29:38,600
Speaker 1: you know, find me on the internet or whatever or

523
00:29:38,600 --> 00:29:40,600
Speaker 1: like read my substack or whatever. I've just gotten a

524
00:29:40,640 --> 00:29:44,120
Speaker 1: lot of like nice words from people, because I think

525
00:29:44,560 --> 00:29:48,200
Speaker 1: the thing about going through hard times is that you

526
00:29:48,200 --> 00:29:50,800
Speaker 1: you internalize it so much and you think it's your fault.

527
00:29:50,840 --> 00:29:54,160
Speaker 1: Like everything that you're that you're experiencing is you. And

528
00:29:55,480 --> 00:29:58,360
Speaker 1: to be reminded that you know you're a good person

529
00:29:58,400 --> 00:30:00,520
Speaker 1: and that you're smart and you've got great qual and

530
00:30:00,560 --> 00:30:05,600
Speaker 1: stuff is important. I mean, I know, it's can I

531
00:30:05,640 --> 00:30:11,880
Speaker 1: don't know. I think people maybe hesitate when saying things

532
00:30:11,920 --> 00:30:14,360
Speaker 1: to people who are like having a bad time because

533
00:30:14,360 --> 00:30:17,080
Speaker 1: they think it's you know, they're going to just give

534
00:30:17,120 --> 00:30:18,880
Speaker 1: somebody a bunch of bullshit and it's not going to

535
00:30:18,960 --> 00:30:21,440
Speaker 1: mean anything. But honestly it does mean something. It does

536
00:30:21,760 --> 00:30:24,920
Speaker 1: even if you think it's like not helpful, or if

537
00:30:24,920 --> 00:30:28,520
Speaker 1: it's not I don't know, like something that somebody doesn't

538
00:30:28,520 --> 00:30:30,600
Speaker 1: want to hear, they actually sometimes need to hear it.

539
00:30:31,120 --> 00:30:33,720
Speaker 1: Like the simpleness of it sometimes is really effective. So

540
00:30:34,880 --> 00:30:36,440
Speaker 1: thank you to everybody.

541
00:30:36,600 --> 00:30:39,040
Speaker 2: Agree, agree, Agree, Agree.

542
00:30:40,440 --> 00:30:40,600
Speaker 1: Well.

543
00:30:40,640 --> 00:30:45,280
Speaker 2: Our last email, the subject matter is fuck Mary Kill

544
00:30:45,360 --> 00:30:50,760
Speaker 2: Accent Edition. Hello Millie and Danielle. Longtime listener, first time writer.

545
00:30:51,760 --> 00:30:54,280
Speaker 2: I love everything about you guys in the show, as

546
00:30:54,320 --> 00:30:57,560
Speaker 2: you keep me laughing during my boring drive to work

547
00:30:57,600 --> 00:31:00,160
Speaker 2: each day. I just listen to the bonus episod so

548
00:31:00,400 --> 00:31:03,560
Speaker 2: Doctor Moreau is vacation ready, where there was a lot

549
00:31:03,600 --> 00:31:06,320
Speaker 2: of talk about accents, which has inspired two rounds of

550
00:31:06,360 --> 00:31:10,880
Speaker 2: fuck Mary Kill accents. Addition, love the show and your friendship.

551
00:31:10,960 --> 00:31:14,080
Speaker 2: Keep up the great work. Caitlin, who uses she her pronouns,

552
00:31:15,120 --> 00:31:17,600
Speaker 2: this is great. I love this.

553
00:31:18,080 --> 00:31:23,920
Speaker 1: Do I dare do, I dare make? You have to

554
00:31:24,000 --> 00:31:26,560
Speaker 1: do an accent for each one of these rounds.

555
00:31:26,680 --> 00:31:31,000
Speaker 2: I can't. I ain't doing that. I put myself on

556
00:31:31,040 --> 00:31:33,280
Speaker 2: the line so much every week in this goddamn podcast.

557
00:31:33,280 --> 00:31:38,360
Speaker 2: I ain't doing that shit. I ain't getting a fat

558
00:31:38,400 --> 00:31:39,240
Speaker 2: whall put on me.

559
00:31:42,680 --> 00:31:44,880
Speaker 1: The Scottish people were like, do not let her enter

560
00:31:44,920 --> 00:31:45,480
Speaker 1: the country.

561
00:31:46,040 --> 00:31:48,560
Speaker 2: These are great rounds. These are great rounds. The first

562
00:31:48,600 --> 00:31:53,200
Speaker 2: one is an international round. Fuck Mary kill British accent,

563
00:31:53,480 --> 00:31:55,640
Speaker 2: Australian accent and Scottish accent.

564
00:31:56,200 --> 00:32:01,440
Speaker 1: Mmmm am I going first? Yeah? You are all right?

565
00:32:02,000 --> 00:32:06,360
Speaker 1: Fucking that fucking that Scottish accent big time number one

566
00:32:06,520 --> 00:32:09,960
Speaker 1: with a bullet. What a bunch of fun that would be.

567
00:32:11,080 --> 00:32:16,160
Speaker 1: So that's that's definitely happening for the f uh marrying

568
00:32:16,800 --> 00:32:21,240
Speaker 1: Australian accent. Okay, I know so many good Australian people.

569
00:32:21,400 --> 00:32:24,360
Speaker 1: They're like my favorite people in the world and I

570
00:32:24,360 --> 00:32:27,320
Speaker 1: want to be with them forever. So it goes with

571
00:32:27,360 --> 00:32:30,560
Speaker 1: that saying I'm killing a British accent and really I'm

572
00:32:30,600 --> 00:32:34,479
Speaker 1: just killing the British accent that I heard in the Crown.

573
00:32:36,360 --> 00:32:38,160
Speaker 2: That's a high falutin British accent.

574
00:32:38,320 --> 00:32:44,680
Speaker 1: Yes, so that type of like you know, royal British, funny,

575
00:32:44,760 --> 00:32:49,600
Speaker 1: nutty accent. That that's that's gotta go. But everybody else

576
00:32:49,680 --> 00:32:54,040
Speaker 1: in England, like everybody in Britain, like like y'all's accents

577
00:32:54,040 --> 00:32:55,320
Speaker 1: are great.

578
00:32:54,960 --> 00:33:01,520
Speaker 2: That's fair. That is fair. I I going to fuck

579
00:33:01,560 --> 00:33:06,720
Speaker 2: the Australian accent. I think Australian people are like you.

580
00:33:06,760 --> 00:33:08,920
Speaker 2: I think they're the best. I've never met an Australian

581
00:33:08,960 --> 00:33:10,600
Speaker 2: person I didn't like. I'm not saying that they're not

582
00:33:10,640 --> 00:33:14,840
Speaker 2: out there, but I personally haven't experienced it, and I

583
00:33:14,880 --> 00:33:19,320
Speaker 2: just think it's a very interesting and cool accent to have.

584
00:33:20,800 --> 00:33:23,560
Speaker 2: I'm gonna marry the Scottish accent.

585
00:33:24,080 --> 00:33:24,760
Speaker 1: Oh.

586
00:33:24,840 --> 00:33:28,400
Speaker 2: I did have a Scottish boyfriend once, probably carryed on

587
00:33:28,480 --> 00:33:30,800
Speaker 2: for longer than it should have because of the accent.

588
00:33:31,200 --> 00:33:32,520
Speaker 1: Oh, definitely.

589
00:33:33,120 --> 00:33:35,880
Speaker 2: But it's a pretty hot accent and it really varies.

590
00:33:35,880 --> 00:33:39,520
Speaker 2: Like you could have like a like a kind of

591
00:33:39,840 --> 00:33:44,480
Speaker 2: a Rory McCann, like the guy who was Yarp in

592
00:33:45,920 --> 00:33:49,640
Speaker 2: Hot Fuzz, but if you watch his ouvra, he is

593
00:33:49,680 --> 00:33:54,880
Speaker 2: a very thick but distinctive I think pretty typical Scottish accent,

594
00:33:55,720 --> 00:33:58,400
Speaker 2: or have like a comedian like Kevin Bridges, who I

595
00:33:58,520 --> 00:34:00,680
Speaker 2: have to put on subtitles for when I'm watching him

596
00:34:00,680 --> 00:34:02,880
Speaker 2: on eight out of ten Cats does countdown because I

597
00:34:03,000 --> 00:34:05,400
Speaker 2: genuinely can't understand what he's saying. But it's still very

598
00:34:05,520 --> 00:34:11,240
Speaker 2: entertaining and lovely. So yeah, I'll marry Scottish accent, surprising everyone.

599
00:34:11,280 --> 00:34:13,680
Speaker 2: I'm going to kill the British accent. Now. I'm gonna

600
00:34:13,680 --> 00:34:17,759
Speaker 2: have a caveat here. It's only because I have. I

601
00:34:17,840 --> 00:34:21,839
Speaker 2: watch British TV constantly. It lulls me to sleep. It's

602
00:34:21,880 --> 00:34:24,719
Speaker 2: an accent that I love. But I'm so familiar with that,

603
00:34:24,760 --> 00:34:26,560
Speaker 2: I feel like I've just got to, you know, give

604
00:34:26,600 --> 00:34:28,759
Speaker 2: a little bit more creens to the other two. And

605
00:34:28,800 --> 00:34:31,320
Speaker 2: I will also say I'm always going to fuck or

606
00:34:31,360 --> 00:34:33,080
Speaker 2: marry a scouse accent. I love it. I know you

607
00:34:33,120 --> 00:34:35,239
Speaker 2: guys make fun of it in your land, but I

608
00:34:35,280 --> 00:34:36,160
Speaker 2: love a Scouse accent.

609
00:34:36,160 --> 00:34:37,480
Speaker 1: Well, what's a scouse accent?

610
00:34:37,719 --> 00:34:39,239
Speaker 2: I'm not doing it. I'll send you a link.

611
00:34:40,160 --> 00:34:41,520
Speaker 1: What is it?

612
00:34:41,360 --> 00:34:43,600
Speaker 2: It's this, I'll send you a link.

613
00:34:43,640 --> 00:34:46,640
Speaker 4: You just have to hear it because that is something

614
00:34:46,680 --> 00:34:48,919
Speaker 4: that people also don't There are so many different types

615
00:34:48,960 --> 00:34:51,640
Speaker 4: of British accent, depending on what part of the country

616
00:34:51,640 --> 00:34:55,239
Speaker 4: you're in, but scous is my favor, so I'll send

617
00:34:55,280 --> 00:34:56,240
Speaker 4: you a link for that one.

618
00:34:56,760 --> 00:35:01,120
Speaker 2: The next round for accents is the U round. Fuck

619
00:35:01,200 --> 00:35:08,000
Speaker 2: Mary Kill, New Yorker accent, Southern accent, Californian accent. Hmm,

620
00:35:09,360 --> 00:35:14,600
Speaker 2: this is so easy for me. Uh, okay, do you

621
00:35:14,600 --> 00:35:16,920
Speaker 2: want me to go first? Are you thinking do it?

622
00:35:18,239 --> 00:35:21,560
Speaker 2: Fuck Southern accent, marry New York accent, kill Californian accent.

623
00:35:22,120 --> 00:35:24,680
Speaker 2: No explanation for any of them needed.

624
00:35:27,120 --> 00:35:30,640
Speaker 1: Well, shit, mine is kind of similar, but just an inverse.

625
00:35:30,719 --> 00:35:33,400
Speaker 1: I would fuck a New York accent, marry a Southern accent,

626
00:35:33,520 --> 00:35:38,040
Speaker 1: kill a Californian accent. The Californian accent is what the

627
00:35:38,200 --> 00:35:39,200
Speaker 1: d ps.

628
00:35:39,680 --> 00:35:42,439
Speaker 2: I think it's just Valley girl or not even Valley girl.

629
00:35:42,440 --> 00:35:48,360
Speaker 2: I think the updated is like intense trailing off vocal

630
00:35:48,400 --> 00:35:57,000
Speaker 2: fry like well, yeah, oh, I think that's the accent

631
00:35:57,000 --> 00:35:59,239
Speaker 2: in my head that I'm killing. See.

632
00:35:59,280 --> 00:36:02,799
Speaker 1: I just when I when I saw this email and

633
00:36:02,840 --> 00:36:05,400
Speaker 1: I saw Californian accent, my mind just went to flea

634
00:36:05,800 --> 00:36:09,520
Speaker 1: of the Red Hot Chli Peppers, like kind of a

635
00:36:09,640 --> 00:36:12,879
Speaker 1: like a Calie Stoner, you know, punk kind of thing.

636
00:36:14,200 --> 00:36:15,160
Speaker 2: I'll do that. I'll kill that.

637
00:36:16,239 --> 00:36:20,280
Speaker 1: Yeah. Or like when you watch the Decline of Western

638
00:36:20,320 --> 00:36:24,120
Speaker 1: Civilization the first one mm hm, when you when you

639
00:36:24,160 --> 00:36:26,600
Speaker 1: listen to the interviews of the punk kids in that,

640
00:36:26,680 --> 00:36:28,560
Speaker 1: I'm like that is that a California thing. Yeah, I

641
00:36:28,600 --> 00:36:31,239
Speaker 1: don't know. To me, yeah, not not as alluring as

642
00:36:31,280 --> 00:36:36,160
Speaker 1: the other two. Like, and I've always wanted to to

643
00:36:36,320 --> 00:36:39,320
Speaker 1: like settle down with like a a good old fashioned

644
00:36:39,360 --> 00:36:46,680
Speaker 1: Southern accent, like like a Danny McBride thing, like that's

645
00:36:46,719 --> 00:36:48,280
Speaker 1: that's all I know in my life.

646
00:36:48,360 --> 00:36:50,880
Speaker 2: So that's that's hard to access for you.

647
00:36:52,120 --> 00:37:00,600
Speaker 1: And then you know New York spicy, real fun, spicy,

648
00:37:04,640 --> 00:37:06,160
Speaker 1: you have a bit of it, You have a bit

649
00:37:06,200 --> 00:37:10,760
Speaker 1: of it like I do. Yeah, certain words for sure. Yeah,

650
00:37:10,960 --> 00:37:13,400
Speaker 1: oh yeah really yeah.

651
00:37:13,600 --> 00:37:15,359
Speaker 2: I did not know this about myself because I think

652
00:37:15,360 --> 00:37:17,200
Speaker 2: in New York I think of like the New York

653
00:37:17,280 --> 00:37:19,240
Speaker 2: City bronx accent, like thick.

654
00:37:19,680 --> 00:37:22,080
Speaker 1: Yeah. No, there are times when I listened back to

655
00:37:22,120 --> 00:37:24,080
Speaker 1: our podcast when we're in the edit or something, and

656
00:37:24,080 --> 00:37:26,080
Speaker 1: I'm like, oh, yeah, that's like a that's a New

657
00:37:26,160 --> 00:37:29,400
Speaker 1: York style. Really, I definitely have a little bit of

658
00:37:29,440 --> 00:37:29,840
Speaker 1: an accent.

659
00:37:29,920 --> 00:37:32,680
Speaker 2: Yeah, you got to point it out when I yeah,

660
00:37:33,200 --> 00:37:34,400
Speaker 2: because I'll.

661
00:37:34,040 --> 00:37:35,520
Speaker 1: Just do I'll like do a clip of it and

662
00:37:35,520 --> 00:37:37,360
Speaker 1: I'll just I'll text it to be like this is

663
00:37:37,360 --> 00:37:40,839
Speaker 1: when shot in New York, but.

664
00:37:40,880 --> 00:37:42,399
Speaker 2: In the edit notes, I would love it.

665
00:37:42,840 --> 00:37:44,439
Speaker 1: Yeah. I think there was this time where you said

666
00:37:44,440 --> 00:37:51,000
Speaker 1: the word ferrel, ferrel, ferrel. You said ferrel, and I

667
00:37:51,040 --> 00:37:53,400
Speaker 1: don't know, like, I don't know what what context it

668
00:37:53,520 --> 00:37:56,640
Speaker 1: was in the word was feral or something, or maybe

669
00:37:56,719 --> 00:37:59,840
Speaker 1: Carol Farrell or Carol Carrol could have said Carrol, but

670
00:37:59,880 --> 00:38:04,000
Speaker 1: I feral. So you said it, and then it just

671
00:38:04,080 --> 00:38:08,520
Speaker 1: sounded very like Tony soprano or something.

672
00:38:08,520 --> 00:38:10,759
Speaker 2: I don't know what it was, Carol, is Ferrel.

673
00:38:12,640 --> 00:38:13,520
Speaker 1: Tony soprano?

674
00:38:13,880 --> 00:38:17,000
Speaker 2: That is a that is it? Because he's technically a

675
00:38:17,000 --> 00:38:18,960
Speaker 2: New Jersey guy, but he does have a New York accent.

676
00:38:19,200 --> 00:38:21,840
Speaker 1: Oh oh, So is there like a difference between a

677
00:38:21,880 --> 00:38:22,879
Speaker 1: New Jersey and New York.

678
00:38:24,280 --> 00:38:27,000
Speaker 2: Northern Jersey kind of gets blended in with New York. Okay,

679
00:38:27,600 --> 00:38:31,520
Speaker 2: I think, but it's still very it's very similar. Minor

680
00:38:31,560 --> 00:38:34,319
Speaker 2: differences to me, interesting to my ear.

681
00:38:34,560 --> 00:38:38,920
Speaker 1: But is there a difference between an Upstate and a

682
00:38:39,120 --> 00:38:41,520
Speaker 1: New York City real?

683
00:38:42,440 --> 00:38:44,920
Speaker 2: Because the bronx bronx is very thick and very like

684
00:38:44,960 --> 00:38:46,799
Speaker 2: New York and like it's very like that, like what

685
00:38:46,800 --> 00:38:51,600
Speaker 2: you're used to hearing. Yeah, Upstate is very like certain

686
00:38:51,640 --> 00:38:53,520
Speaker 2: words I hear it the way I hear it is

687
00:38:53,560 --> 00:38:58,840
Speaker 2: like certain words get very heavily pronounced, but it's mostly

688
00:38:59,360 --> 00:39:02,080
Speaker 2: a more eb and toned, like an even keeled approach

689
00:39:02,160 --> 00:39:05,080
Speaker 2: to language with just a few punctuated words, being very

690
00:39:05,480 --> 00:39:08,480
Speaker 2: New Yorky, even if these people have never lived or

691
00:39:08,480 --> 00:39:10,120
Speaker 2: set foot in New York City. It's just kind of

692
00:39:10,120 --> 00:39:12,200
Speaker 2: a dialect that carries.

693
00:39:12,320 --> 00:39:15,160
Speaker 1: Okay, okay, very interesting.

694
00:39:15,480 --> 00:39:21,080
Speaker 2: An upstate like I mean, like north very northern New

695
00:39:21,160 --> 00:39:23,840
Speaker 2: York has a very distinctive, I think, a very distinctive accent.

696
00:39:25,080 --> 00:39:27,239
Speaker 1: Is that more like Canadian or something, or like what's

697
00:39:27,280 --> 00:39:28,000
Speaker 1: that one? Yeah?

698
00:39:28,000 --> 00:39:30,440
Speaker 2: It kind of bounces back and forth a little bit Canadian,

699
00:39:31,360 --> 00:39:34,240
Speaker 2: with like a to me, like a longer vowel sound

700
00:39:34,320 --> 00:39:36,800
Speaker 2: in some words. But I'm gonna send you so many links,

701
00:39:37,000 --> 00:39:38,160
Speaker 2: so many accent links.

702
00:39:38,920 --> 00:39:41,400
Speaker 1: I'm just bummed that you're not doing any of them.

703
00:39:42,000 --> 00:39:44,600
Speaker 2: I did the New Yorker accent a little bit, all right,

704
00:39:44,680 --> 00:39:46,360
Speaker 2: I'll do you. I'll do the US round. I'm not

705
00:39:46,360 --> 00:39:48,879
Speaker 2: gonna offend our international friends, but I'll go shit about

706
00:39:48,880 --> 00:39:49,759
Speaker 2: offending Americans.

707
00:39:49,840 --> 00:39:52,080
Speaker 1: I want to hear you do a Southern accent so bad.

708
00:39:52,600 --> 00:39:53,480
Speaker 1: Let's fucking go.

709
00:39:53,880 --> 00:39:55,880
Speaker 2: All right, So I already know my my New Yorker

710
00:39:55,920 --> 00:39:57,520
Speaker 2: accent is kind of like, you know again, like you're

711
00:39:57,520 --> 00:39:59,960
Speaker 2: gonna have some pizza you're going to have. It's very tip,

712
00:40:01,320 --> 00:40:04,520
Speaker 2: very typical, you know, either to do a New York accent,

713
00:40:04,800 --> 00:40:08,640
Speaker 2: especially if look, my godmother is Puerto Rican. New York

714
00:40:08,640 --> 00:40:12,200
Speaker 2: Puerto Rican is a whole different level. Yeah, I'm just

715
00:40:12,200 --> 00:40:16,680
Speaker 2: gonna say, look up some clips. It's fucking great Southern accent. Well,

716
00:40:16,800 --> 00:40:18,920
Speaker 2: you can kind of go either way with a Southern.

717
00:40:20,920 --> 00:40:26,200
Speaker 2: You can go like real gentle like like porch sitting Southern.

718
00:40:28,360 --> 00:40:30,799
Speaker 2: But then when I'm like in Atlanta or something, it's

719
00:40:30,880 --> 00:40:33,920
Speaker 2: just like just certain words where you're like, oh, yeah,

720
00:40:33,960 --> 00:40:36,919
Speaker 2: I was sitting on the sitting on the train talking

721
00:40:36,960 --> 00:40:41,160
Speaker 2: to Hacksaw Jim Duggan. It's just like silly words, Jim Duggan,

722
00:40:42,560 --> 00:40:46,120
Speaker 2: you know. But mostly I think a Southern is like

723
00:40:46,120 --> 00:40:53,160
Speaker 2: a real gentile approach, like like a like a Matthew

724
00:40:53,239 --> 00:40:59,560
Speaker 2: McConaughey sitting around in the in a pond fishing.

725
00:41:01,200 --> 00:41:03,399
Speaker 1: I know, I know you didn't see Iron Claw? Did

726
00:41:03,400 --> 00:41:04,200
Speaker 1: you see Iron Claw?

727
00:41:05,719 --> 00:41:06,000
Speaker 2: Girl?

728
00:41:06,760 --> 00:41:09,480
Speaker 1: Why the fuck have we not gone together? Because it's

729
00:41:09,520 --> 00:41:14,920
Speaker 1: about amies wrestling. This is like I could literally go

730
00:41:15,000 --> 00:41:18,359
Speaker 1: on about Iron Claw. I I mean it was first

731
00:41:18,360 --> 00:41:22,160
Speaker 1: of all, it's a movie that was predestined for me.

732
00:41:22,239 --> 00:41:22,879
Speaker 1: To love.

733
00:41:23,120 --> 00:41:26,920
Speaker 2: Oh my god. Hit wait I'm still playing. If it's

734
00:41:26,920 --> 00:41:29,200
Speaker 2: still playing, I'm popping on a plane this weekend.

735
00:41:29,480 --> 00:41:31,600
Speaker 1: Yes, you have to see it. I mean it's a

736
00:41:31,640 --> 00:41:34,480
Speaker 1: true story. There is a very sad tale. But then

737
00:41:34,520 --> 00:41:36,879
Speaker 1: there was just so many things about the movie that

738
00:41:37,440 --> 00:41:42,359
Speaker 1: are just pure like Himbo Joy, like you're just like,

739
00:41:42,480 --> 00:41:45,279
Speaker 1: it's kind of like, I don't think I've seen a

740
00:41:45,360 --> 00:41:53,920
Speaker 1: straight guy movie as gazy as this one. That's since

741
00:41:54,120 --> 00:41:56,640
Speaker 1: like the like Magic Mic to be honest, because it's

742
00:41:56,680 --> 00:42:01,000
Speaker 1: like they're just I mean, these gentlemen. It's like Zach Effron,

743
00:42:02,239 --> 00:42:05,360
Speaker 1: Jeremy Allen White. And then I just really literally just

744
00:42:05,400 --> 00:42:09,640
Speaker 1: figured out it's the guy from Triangle with Sadness replace

745
00:42:09,800 --> 00:42:14,160
Speaker 1: the other brother go I know. And I was just like,

746
00:42:14,680 --> 00:42:19,040
Speaker 1: and they're just like in their like tiny little shorts,

747
00:42:19,080 --> 00:42:24,400
Speaker 1: like working out, grunting working. I mean, it's it's insane.

748
00:42:24,440 --> 00:42:28,360
Speaker 2: Wait, I cannot wait, but I but here's.

749
00:42:28,120 --> 00:42:30,279
Speaker 1: The thing about that movie. So when I came out

750
00:42:30,280 --> 00:42:32,759
Speaker 1: of it, because it takes place in Texas, and I

751
00:42:32,840 --> 00:42:35,600
Speaker 1: was like, man, these guys cannot do a Texas accent

752
00:42:35,600 --> 00:42:38,440
Speaker 1: to save their lives. I mean, fucking the bear. The

753
00:42:38,480 --> 00:42:43,040
Speaker 1: bear was like, hey, pops, what's going on, Pops? And

754
00:42:43,040 --> 00:42:46,600
Speaker 1: I'm like, no, no, no, no, no, You're in Texas, bro,

755
00:42:47,000 --> 00:42:48,799
Speaker 1: like you gotta And then there would be a time

756
00:42:48,840 --> 00:42:50,640
Speaker 1: where he would kind of he would kind of do it,

757
00:42:51,200 --> 00:42:53,600
Speaker 1: but but it wasn't very consistent, and I was so

758
00:42:53,640 --> 00:42:55,200
Speaker 1: I would came out of the thing going, man, they're

759
00:42:55,239 --> 00:42:58,759
Speaker 1: doing terrible Southern accents. But then somebody that I know

760
00:42:58,920 --> 00:43:01,400
Speaker 1: like that reads my substance was like, I'm from Texas,

761
00:43:01,400 --> 00:43:03,320
Speaker 1: and I thought they did a pretty good shot.

762
00:43:05,320 --> 00:43:08,280
Speaker 2: It could be regional, regional dialects exists.

763
00:43:09,280 --> 00:43:12,160
Speaker 1: I was like, well, if you say so, you're from Texas.

764
00:43:13,520 --> 00:43:16,840
Speaker 1: But then again, that Texas accent is also different from

765
00:43:16,840 --> 00:43:20,279
Speaker 1: like a Georgia southern accent or like a Alabama or

766
00:43:20,320 --> 00:43:23,480
Speaker 1: Louisiana certainly, So it's kind of that thing where like, yeah,

767
00:43:23,520 --> 00:43:25,279
Speaker 1: I don't know, I mean I think, like.

768
00:43:25,800 --> 00:43:30,320
Speaker 2: Hey, like like my Southern accent, is it on point?

769
00:43:30,680 --> 00:43:35,760
Speaker 2: Is it a little too gnarly? It's is it too slow?

770
00:43:36,800 --> 00:43:40,640
Speaker 1: It's fine? It kind of like it does it kind

771
00:43:40,640 --> 00:43:43,920
Speaker 1: of has a little Texas in it, you know, like

772
00:43:44,440 --> 00:43:50,560
Speaker 1: I I think it should be lazier. That's the thing

773
00:43:50,560 --> 00:43:54,959
Speaker 1: that Hollywood. I don't think they get all the time

774
00:43:55,120 --> 00:43:58,799
Speaker 1: is that it's usually lazier and like, yes, it's a

775
00:43:59,040 --> 00:44:02,560
Speaker 1: clipped you know. It's not like, hey, y'all, how's it going.

776
00:44:03,120 --> 00:44:07,560
Speaker 1: Y'all are doing great today. It's like, hey, y'all, how's gone.

777
00:44:07,640 --> 00:44:12,360
Speaker 1: Y'all do great today? Like it's a little bit different inflections. Yeah, choppy,

778
00:44:12,400 --> 00:44:16,000
Speaker 1: it's less choppy, yeah, but great. You could be a

779
00:44:16,040 --> 00:44:18,040
Speaker 1: Coen Brothers movie, no problem.

780
00:44:18,600 --> 00:44:22,560
Speaker 2: I'd happily take on the task being in a Coen

781
00:44:22,640 --> 00:44:24,480
Speaker 2: Brothers movie.

782
00:44:24,880 --> 00:44:27,160
Speaker 1: Now you're gonna do a California accent? Try?

783
00:44:27,239 --> 00:44:31,960
Speaker 2: Oh god. I always go to this one where it's

784
00:44:32,080 --> 00:44:36,080
Speaker 2: like I got some moon juice and this could be

785
00:44:36,080 --> 00:44:38,840
Speaker 2: an LA specific thing, but like I got some moon

786
00:44:38,920 --> 00:44:44,200
Speaker 2: juice and like it was like warm and I wanted

787
00:44:44,200 --> 00:44:49,279
Speaker 2: it to be cold, and I was just like, like,

788
00:44:49,320 --> 00:44:50,960
Speaker 2: that's kind of what I think of when I think

789
00:44:50,960 --> 00:44:53,880
Speaker 2: of a Californian accent. Now. When I was growing up,

790
00:44:53,920 --> 00:44:56,440
Speaker 2: it was very like Valley Girl and like everything's gonna

791
00:44:56,520 --> 00:44:58,920
Speaker 2: go up at the end. But like now having lived

792
00:44:58,960 --> 00:45:03,440
Speaker 2: in LA and experience just very like unimpressed by the world, Like,

793
00:45:03,600 --> 00:45:06,719
Speaker 2: oh yeah, like I guess it was cool. Like we

794
00:45:06,800 --> 00:45:10,920
Speaker 2: went and hung out with Luke Wilson and his brothers,

795
00:45:11,360 --> 00:45:15,560
Speaker 2: and I guess that was fine, Like it was a

796
00:45:15,600 --> 00:45:16,880
Speaker 2: good it was a good time.

797
00:45:18,480 --> 00:45:24,720
Speaker 1: I saw Jeremy Allen White at Homestead getting a breakfast talker,

798
00:45:25,440 --> 00:45:29,200
Speaker 1: and I went, so, chel, you know who I think

799
00:45:29,239 --> 00:45:34,080
Speaker 1: of really is the prototype of that California accent? Is Sheena? Say?

800
00:45:35,000 --> 00:45:41,080
Speaker 2: Oh lord, absolutely, so absolutely.

801
00:45:41,080 --> 00:45:45,160
Speaker 1: And she's like California from births right, yes, from She's

802
00:45:45,160 --> 00:45:48,080
Speaker 1: a literal valley girl. Yeah, that is that. That is

803
00:45:48,160 --> 00:45:52,400
Speaker 1: kind of what I think besides flee from a chili

804
00:45:53,320 --> 00:45:58,439
Speaker 1: dupleate duplate, I don't even know. No, I don't know.

805
00:45:58,560 --> 00:46:03,360
Speaker 1: That is so southern. This is why California accent is

806
00:46:03,400 --> 00:46:07,000
Speaker 1: so oh lord, it has to be cartoonish because I

807
00:46:07,040 --> 00:46:09,719
Speaker 1: don't even know how to I don't even know how

808
00:46:09,719 --> 00:46:10,120
Speaker 1: to do it.

809
00:46:10,200 --> 00:46:13,880
Speaker 2: Other than that, it's just like very very like unimpressed,

810
00:46:14,920 --> 00:46:16,800
Speaker 2: Like everything's unimpressive.

811
00:46:18,400 --> 00:46:20,880
Speaker 1: Yeah, judge, there's a lot of judgment.

812
00:46:21,320 --> 00:46:24,080
Speaker 2: And I was a trader Joe's and they had like

813
00:46:25,280 --> 00:46:29,960
Speaker 2: these like carb heavy wraps that they said were like

814
00:46:30,200 --> 00:46:34,240
Speaker 2: eight grams of carbs, but they had like twelve grams

815
00:46:34,280 --> 00:46:37,200
Speaker 2: of carbs. And I was like, I wish I could

816
00:46:37,239 --> 00:46:42,600
Speaker 2: afford everyone all the time, because like I can't with

817
00:46:42,680 --> 00:46:48,759
Speaker 2: this extra four grams of carbs. But I'm like, I'm

818
00:46:48,840 --> 00:46:53,880
Speaker 2: like an erewhon person living in a trader Joe's bank account,

819
00:46:54,000 --> 00:46:55,240
Speaker 2: and it's like, uh.

820
00:46:58,480 --> 00:47:00,759
Speaker 1: God, this guy like Themans. I don't know if you

821
00:47:00,760 --> 00:47:03,240
Speaker 1: guys know them Janes from the How Long Gone podcast?

822
00:47:03,520 --> 00:47:05,680
Speaker 1: He made fun of because I would say it Erwan

823
00:47:07,320 --> 00:47:10,000
Speaker 1: because that's that's like what how a Southern person would

824
00:47:10,040 --> 00:47:13,240
Speaker 1: say it Erwan? And he's like, Erwan.

825
00:47:15,280 --> 00:47:20,960
Speaker 2: It's like nowhere backwards? So is arily Yeah, isn't it?

826
00:47:21,000 --> 00:47:21,400
Speaker 2: I thought? So?

827
00:47:21,600 --> 00:47:24,160
Speaker 1: No, get the fuck out of here.

828
00:47:24,880 --> 00:47:28,320
Speaker 2: Isn't it really? No? It's something backwards?

829
00:47:28,400 --> 00:47:28,600
Speaker 1: Right?

830
00:47:29,200 --> 00:47:31,000
Speaker 2: Oh you know what I'm thinking of. I'm thinking of

831
00:47:31,080 --> 00:47:33,840
Speaker 2: you that show you when they made fun of Ereywan

832
00:47:33,960 --> 00:47:40,680
Speaker 2: and they had they had the same backwards for Nirvana. Ah.

833
00:47:41,600 --> 00:47:44,840
Speaker 1: Is it anagram for nowhere? Casey has just said thank you?

834
00:47:44,920 --> 00:47:46,200
Speaker 2: Yeah? I thought I had something to do with that.

835
00:47:47,080 --> 00:47:50,680
Speaker 1: Okay. It came from a novel written in eighteen seventy

836
00:47:50,719 --> 00:47:57,719
Speaker 1: two about an imaginary place called Eriwan. Oh my god, yeah,

837
00:47:57,760 --> 00:47:59,600
Speaker 1: it's made up. The word is made up of the

838
00:47:59,680 --> 00:48:04,960
Speaker 1: letters of the world nowhere. Okay, come on, y'all, is

839
00:48:05,000 --> 00:48:08,360
Speaker 1: it really words for this is where I bought Thanksgiving

840
00:48:08,400 --> 00:48:10,960
Speaker 1: dinner for me and my dad that year. Yeah, I

841
00:48:11,000 --> 00:48:13,200
Speaker 1: got sick. What the fuck? I didn't know that.

842
00:48:14,120 --> 00:48:15,120
Speaker 2: And me I was there.

843
00:48:15,560 --> 00:48:18,360
Speaker 1: Oh yeah, you were there too, you were Oh my god, no,

844
00:48:18,440 --> 00:48:23,160
Speaker 1: it's Christmas. It was Christmas. I completely forgot you. Yeah,

845
00:48:23,600 --> 00:48:24,400
Speaker 1: Christmas would be And.

846
00:48:24,400 --> 00:48:26,680
Speaker 2: I bought the screener for Vice and he couldn't have

847
00:48:26,719 --> 00:48:27,400
Speaker 2: been happier.

848
00:48:27,680 --> 00:48:30,919
Speaker 1: Oh my god. He's so impressed by screeners, by the way,

849
00:48:31,680 --> 00:48:35,040
Speaker 1: like this is gonna be some LA shit. But like,

850
00:48:35,320 --> 00:48:37,880
Speaker 1: I never get screeners ever. I'm not in any of

851
00:48:37,920 --> 00:48:40,680
Speaker 1: the guilds. I'm not important enough to get a fucking screener.

852
00:48:41,239 --> 00:48:44,959
Speaker 1: And so my dad when he came to LA, he

853
00:48:45,200 --> 00:48:48,000
Speaker 1: knew that Danielle was a writer and got screeners, and

854
00:48:48,080 --> 00:48:50,240
Speaker 1: he like, literally after you left, he was like, socker,

855
00:48:50,320 --> 00:48:51,320
Speaker 1: you don't get screeners.

856
00:48:53,120 --> 00:48:55,000
Speaker 2: They don't just hand him out to everyone who lives here,

857
00:48:55,680 --> 00:48:56,120
Speaker 2: like dad.

858
00:48:56,200 --> 00:48:58,239
Speaker 1: But he's like, well, you work in the business, don't you.

859
00:48:58,320 --> 00:49:03,040
Speaker 1: And I'm like Jesus, cry, like that's insane that you

860
00:49:03,080 --> 00:49:05,560
Speaker 1: would read me to that level of filth. She was like,

861
00:49:05,640 --> 00:49:07,920
Speaker 1: you don't get screeners, Like, what's your fucking problem.

862
00:49:08,239 --> 00:49:11,480
Speaker 2: I don't think you may if you're not paying dues

863
00:49:11,560 --> 00:49:13,520
Speaker 2: for something, You're not getting screeners. I have to pay

864
00:49:13,600 --> 00:49:15,799
Speaker 2: dues to get those things, because that's the other thing.

865
00:49:15,840 --> 00:49:17,440
Speaker 2: Everyone's like, oh my god, you get free movies, and

866
00:49:17,480 --> 00:49:19,759
Speaker 2: I'm like, no, I have to pay my fucking dues

867
00:49:19,760 --> 00:49:21,040
Speaker 2: every quarter to get those movies.

868
00:49:21,360 --> 00:49:23,920
Speaker 1: Well, because I gotta be honest with you, there are

869
00:49:24,000 --> 00:49:27,520
Speaker 1: some real jag offs that get screeners that I like, what,

870
00:49:27,760 --> 00:49:28,640
Speaker 1: how did that happen?

871
00:49:29,239 --> 00:49:31,680
Speaker 2: Yeah, they paying their dues for some kind of guilt.

872
00:49:31,719 --> 00:49:32,840
Speaker 2: That's how that happens.

873
00:49:33,160 --> 00:49:35,840
Speaker 1: That pisses me off. I was like, Oh, that's okay.

874
00:49:36,040 --> 00:49:38,840
Speaker 1: I just write and podcasts about movies all the time.

875
00:49:39,800 --> 00:49:43,520
Speaker 1: No problem there. I don't get this. I don't get

876
00:49:43,520 --> 00:49:48,240
Speaker 1: a link. What a fucking episode. Thanks everybody for sending

877
00:49:48,320 --> 00:49:54,320
Speaker 1: us messages. As Danielle mentioned, if you have a foreign accent,

878
00:49:54,640 --> 00:49:57,840
Speaker 1: you have to do a voicemail. You're not allowed to write.

879
00:49:57,880 --> 00:49:58,440
Speaker 1: I'm kidding.

880
00:50:00,360 --> 00:50:01,720
Speaker 2: Don't put those words in my mouth.

881
00:50:03,760 --> 00:50:06,920
Speaker 1: If you work from anywhere but America, you have to

882
00:50:07,080 --> 00:50:12,680
Speaker 1: do a voicemail. No, I'm kidding. Send everything emails what

883
00:50:12,719 --> 00:50:14,720
Speaker 1: not to, I saw what you did pot at gmail

884
00:50:14,719 --> 00:50:18,160
Speaker 1: dot com. Keep them on the short side. As we've requested.

885
00:50:18,200 --> 00:50:20,440
Speaker 1: Please thank you so much. Also, we have a po

886
00:50:20,560 --> 00:50:23,040
Speaker 1: box if you want to send us handwritten letters.

887
00:50:24,320 --> 00:50:26,480
Speaker 2: And that's that, and you can you can find that

888
00:50:26,520 --> 00:50:29,000
Speaker 2: address on our Instagram account. We have a link tree

889
00:50:29,440 --> 00:50:31,520
Speaker 2: and you can find us on all our socials at

890
00:50:31,520 --> 00:50:34,319
Speaker 2: I Saw Pot on Instagram, Blue Sky, and Twitter. And

891
00:50:34,360 --> 00:50:36,680
Speaker 2: you can also now leave us a voicemail. As we said,

892
00:50:36,680 --> 00:50:39,040
Speaker 2: to play on the show, all you have to do

893
00:50:39,120 --> 00:50:41,640
Speaker 2: is record a voice memo on your phone and email

894
00:50:41,680 --> 00:50:44,680
Speaker 2: it to I Saw What you Did Pot at gmail

895
00:50:44,719 --> 00:50:48,040
Speaker 2: dot com. Please make it sixty seconds or less and

896
00:50:48,239 --> 00:50:51,200
Speaker 2: record in a quiet space. We're very serious about both

897
00:50:51,200 --> 00:50:51,520
Speaker 2: of those.

898
00:50:52,160 --> 00:50:55,439
Speaker 1: Yeah, if you're on the street in New York leaving

899
00:50:55,520 --> 00:50:57,719
Speaker 1: us a voicemail, forget it. We're not taking it.

900
00:50:58,400 --> 00:51:00,399
Speaker 2: If you're sixty one seconds, we do in it.

901
00:51:01,800 --> 00:51:05,920
Speaker 1: Also, we have merch as we mentioned the softest Crudex

902
00:51:06,000 --> 00:51:09,680
Speaker 1: sweatshirt in the business. Go to exactly rystore dot com

903
00:51:09,719 --> 00:51:10,319
Speaker 1: to find it.

904
00:51:11,239 --> 00:51:13,720
Speaker 2: And we have bonus episodes like this one that drop

905
00:51:13,760 --> 00:51:15,960
Speaker 2: on the main feed every third Thursday of the month.

906
00:51:17,400 --> 00:51:20,840
Speaker 1: That's right, Danielle, as always a fucking pleasure to this

907
00:51:20,920 --> 00:51:21,600
Speaker 1: podcast with you.

908
00:51:22,200 --> 00:51:33,280
Speaker 2: The best by This has been an exactly right production

909
00:51:33,520 --> 00:51:37,000
Speaker 2: produced by Casey O'Brien. Episode mixing and theme music by

910
00:51:37,000 --> 00:51:41,000
Speaker 2: Tom Bryfogel, artwork by Garrett Ross. Our executive producers are

911
00:51:41,080 --> 00:51:44,400
Speaker 2: Georgia Hartstart, karenkle Gareff, and Daniel Kramer. You can follow

912
00:51:44,480 --> 00:51:47,399
Speaker 2: us on Instagram and Twitter at I Saw pod, and

913
00:51:47,480 --> 00:51:49,480
Speaker 2: you can email us at I Saw What You Did

914
00:51:49,520 --> 00:51:50,480
Speaker 2: Pod at gmail