WEBVTT - Brett You Never Knew Me

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<v Speaker 1>Wisecrack is released weekly and brought to you absolutely free,

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<v Speaker 1>but if you want to hear the whole season right now,

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<v Speaker 1>it's available ad free on Tenderfoot Plus. For more information,

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<v Speaker 1>check out the show notes enjoy the episode.

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<v Speaker 2>The views and opinions expressed in this podcast are solely

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<v Speaker 2>those of the podcast author or individuals participating in the podcast,

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<v Speaker 2>and do not represent those of iHeartRadio, Tenderfoot TV, or

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<v Speaker 2>their employees. This podcast also contains subject matter which may

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<v Speaker 2>not be suitable for everyone. Listener discretion is advised.

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<v Speaker 3>Previously on Wiscrack, I at Hedges somehow became the center

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<v Speaker 3>of a true crime podcast, which frankly was not on

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<v Speaker 3>my five year plan. Jody came to my village. I

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<v Speaker 3>tried to act call she made my family. Oh no,

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<v Speaker 3>she didn't make my family. That was my grandparents. She

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<v Speaker 3>met my family. I panicked and made everyone tea that

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<v Speaker 3>no one asked for. Then I stood in the corner

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<v Speaker 3>like a lamp. My parents confirmed everything I'd said on stage,

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<v Speaker 3>so that was validating and also deeply, deeply awkward. I

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<v Speaker 3>didn't need therapy before. I think we're heading there now anyway.

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<v Speaker 3>JODI's still digging. Next up meeting Brett's dad. I tried

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<v Speaker 3>to warn her about him, using only my eyes and

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<v Speaker 3>a secret blinking language that I didn't teach her about

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<v Speaker 3>before we went. She didn't pick up on it. It's

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<v Speaker 3>her podcast, I guess onwards and upwards? Hi, how are you?

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<v Speaker 4>How are you?

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<v Speaker 5>I'm in the UK.

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<v Speaker 1>Did you have a chance to read the report? One

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<v Speaker 1>of the first documents I got my hands on was

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<v Speaker 1>the Domestic Homicide Report. There isn't an official equivalent in

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<v Speaker 1>the US, and it's only created in the UK when

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<v Speaker 1>there is a long history of violence or abuse when

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<v Speaker 1>society demands to know how did this happen? In Brett Rogers' report,

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<v Speaker 1>it examines his entire life and was conducted by investigating

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<v Speaker 1>all the government agencies that were supposed to support and

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<v Speaker 1>assess him, everything from the education system to the parole board.

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<v Speaker 5>What did you think? Yes, I read it.

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<v Speaker 1>I sent this report over to my friend Aaron, a

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<v Speaker 1>twenty year veteran of social work in Georgia. She focuses

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<v Speaker 1>on at risk young adults with mental health issues diagnosed

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<v Speaker 1>or not. Though our systems are different from the UK.

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<v Speaker 1>I was hoping she could see something I couldn't, especially

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<v Speaker 1>when it came to Brett's biggest advocate, his father, Pete Rogers.

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<v Speaker 5>So it's just that's again a little bit of why

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<v Speaker 5>I'm nervous for you of being around his dad. I'm

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<v Speaker 5>not sure, like clearly none of that. I'm not sure

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<v Speaker 5>that was in the report about how dad or past behaviors.

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<v Speaker 5>I've just worked in the field for so long that, yes,

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<v Speaker 5>some of it is biological and the brain does different things,

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<v Speaker 5>and if he hasn't been diagnosed, that's one thing. But

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<v Speaker 5>there is also a learned behavior that comes along with

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<v Speaker 5>this where most people get it from where they live

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<v Speaker 5>and what they see the most.

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<v Speaker 1>What do you think this is?

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<v Speaker 3>So you're saying this isn't safe, I.

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<v Speaker 5>Personally would not go there, or please bring someone with you.

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<v Speaker 5>Oh gosh, now I'm nervous. Can you please be careful?

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<v Speaker 1>The thing was, I was already on my way. I'm

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<v Speaker 1>Jody Tovey and this is wisecrack to episode five Brett

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<v Speaker 1>you never knew me. On the drive to Pete's house,

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<v Speaker 1>I'm silent ed keeps looking over. He senses I'm nervous

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<v Speaker 1>and responds with wise cracks and one liners. But I

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<v Speaker 1>want to stay focused on the task at hand. The

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<v Speaker 1>truth is the thought of meeting the father of a

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<v Speaker 1>convicted murderer has me on edge. Out of respect for

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<v Speaker 1>the subject matter, I ask ed if he can wait

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<v Speaker 1>in the car while I interview Pete. Though it confuses him,

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<v Speaker 1>he agrees, and I take a deep breath and walk

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<v Speaker 1>up the front steps and knock on the door. Pete, Hi,

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<v Speaker 1>I'm Jody. Nice to meet you. How's it going. I'm good, good,

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<v Speaker 1>good good. Room in Marklas that is fine, keeps one

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<v Speaker 1>bedroom is the bottom floor of a converted townhouse in

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<v Speaker 1>the next village over. It looks a lot like the

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<v Speaker 1>Hedges Home, only split in half for those who don't

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<v Speaker 1>need room for a full family. All right, lovely, okay,

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<v Speaker 1>thank you so much. The apartment is simple and unassuming,

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<v Speaker 1>pared down to the needs of a retired electrician. He

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<v Speaker 1>greets me in shorts and a loud printed shirt like

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<v Speaker 1>an old surfer. I can tell he's nervous too, but

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<v Speaker 1>he calmly smiles as he shows me his place, which

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<v Speaker 1>includes his music collection and his new hobby, an acoustic guitar. Uh,

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<v Speaker 1>we have a musician in the house. What were we

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<v Speaker 1>listening to? There's so much I want to ask Pete

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<v Speaker 1>about that night, about what he thinks about his son,

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<v Speaker 1>about how he's continued to move on. But once we

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<v Speaker 1>sit down, I just want to work my way into

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<v Speaker 1>a conversation by starting simple. So I asked about his

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<v Speaker 1>other son, Aaron.

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<v Speaker 4>He's a bit like me, actually, He's like, he's very

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<v Speaker 4>very soft, he's very clever actually, And I said, well,

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<v Speaker 4>I say it self, he's sort of like he's a

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<v Speaker 4>nice kid. Everyone says that, you know, everyone says that. Bear.

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<v Speaker 1>You know what about Brett? Was he an easy kid

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<v Speaker 1>as well or a difficult kid?

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<v Speaker 4>Well, it was always naughty Brett. He was always naughty. Yeah,

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<v Speaker 4>that was you know, that was his character, wasn't it.

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<v Speaker 4>You know he was full of life, full of life.

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<v Speaker 4>And he's like, yeah, he was always out there playing.

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<v Speaker 4>He would even play. The older kids would even follow him.

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<v Speaker 4>He was good at football, He was good at sports.

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<v Speaker 4>He was very popular, I would say, one of the

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<v Speaker 4>most popular in school.

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<v Speaker 1>When did that friend group start to shrink?

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<v Speaker 4>I believe when he stopped football, which is at mumby

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<v Speaker 4>of thirteen something like that. Yeah, he is about that then,

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<v Speaker 4>I think, you know.

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<v Speaker 1>Pete continued to walk me through Brett's childhood which includes

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<v Speaker 1>his divorce from Jillian and when Brett was a teenager.

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<v Speaker 1>He tells me about Brett's early run ins with the law,

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<v Speaker 1>eventually leading to one of the worst days of Pete's

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<v Speaker 1>life and perhaps the incident that sealed Brett's fate in

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<v Speaker 1>the years that followed, and he.

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<v Speaker 4>Did get a job. He got a job as a milkman,

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<v Speaker 4>which was great. He was only good money. He was

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<v Speaker 4>only his own money. That lasted about a month until

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<v Speaker 4>we had a problem with me where he went out

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<v Speaker 4>to he was on his bike. He was always leaving

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<v Speaker 4>his wallet in his back pocket. Likely youngsters, do you know,

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<v Speaker 4>lost his wallet? Come home and I was sitting there actually,

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<v Speaker 4>and he went out there and make himself signing to eat,

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<v Speaker 4>and he started calling me names again, you know, one

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<v Speaker 4>of them they just flip. You see. I know this

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<v Speaker 4>sach funny going on, but I didn't know about it

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<v Speaker 4>then enough about it, and so I said, look, go

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<v Speaker 4>and take a walk, take a walk in the blog,

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<v Speaker 4>come back and calm down. So he decided to attack me.

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<v Speaker 4>So I slipped and he might eye on that on

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<v Speaker 4>the corner.

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<v Speaker 1>Pete points to an area where furniture used to be.

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<v Speaker 1>It's worth noting that when Pete quote slipped, he hit

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<v Speaker 1>the furniture so hard he broke open his eye socket.

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<v Speaker 4>Anyway, go long story short. The police come around. They

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<v Speaker 4>said to me, don't worry, it's a family thing. We

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<v Speaker 4>won't get much time in that, you know, but he's

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<v Speaker 4>going to get prosecuted, so we want your statement. So okay,

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<v Speaker 4>I gave him my statement. Then they tried to give

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<v Speaker 4>him seven years a family thing, So they tricked me.

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<v Speaker 1>You know, tricked is a heartbreaking choice of words. I

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<v Speaker 1>can tell Pete is struggling with memories of Brett. He's

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<v Speaker 1>still grieving, still asking what if things could have been different.

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<v Speaker 1>As much as his reasoning is strained, I also understand it.

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<v Speaker 4>But they give him five years in the end, then

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<v Speaker 4>he came out into about two and a half something

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<v Speaker 4>like that. I thought he needed to be prosecuted. I

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<v Speaker 4>thought he needed to but to give him five years

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<v Speaker 4>was like ridiculous. Really, But they're saying the law works,

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<v Speaker 4>you know, Yeah, they tricked me. I think don't want

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<v Speaker 4>to have a little tick on their box, the police.

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<v Speaker 4>You know, I'm not saying it all like that. I'm

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<v Speaker 4>just saying that that's the why it worked. At that point.

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<v Speaker 1>M h, and so is that what it was like

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<v Speaker 1>when he was staying here with you? It was just

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<v Speaker 1>a switch that would flip seemingly.

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<v Speaker 4>That's the first time it happened. Yeah, because I would

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<v Speaker 4>try to understand him.

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<v Speaker 1>You see, I can imagine being a dad and watching

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<v Speaker 1>your son change behaviors so dramatically.

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<v Speaker 4>It's not nice, not well, I didn't understand what was happening.

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<v Speaker 4>I dedn'ty I'm just schizophra any you.

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<v Speaker 1>Know, this is the first time I've heard this word

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<v Speaker 1>allowed to describe Brett, and I'm a little stunned, but cautious.

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<v Speaker 1>Pete's casual use of the term makes me wonder if

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<v Speaker 1>he's using the clinical definition of the disease. Schizophrenia is

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<v Speaker 1>one of the most complex mental illnesses, affecting how a

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<v Speaker 1>person thinks, feels, and behaves. It can cause someone to

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<v Speaker 1>hear or see things that aren't there, believe things that

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<v Speaker 1>aren't true, or feel confused about what's real and what's not.

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<v Speaker 1>It's also one of the hardest to diagnose, because no

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<v Speaker 1>test exists. In men, symptoms tend not to appear until

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<v Speaker 1>their early twenties, and then, once recognized, a constellation of

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<v Speaker 1>traits must be diagnosed, but that requires a consistent schedule

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<v Speaker 1>with medical professionals to uncover. Simply put, it takes time

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<v Speaker 1>to see the pattern. To be clear, Brett was never

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<v Speaker 1>diagnosed with schizophrenia, but in hindsight Pete believes he suffered

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<v Speaker 1>from it. And remember, in prison, Brett was prescribed antipsychotics

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<v Speaker 1>intended to treat schizophrenia.

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<v Speaker 4>And then he became eighteen or seven, not sixteen. When

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<v Speaker 4>you stop, you stop having any power over him, you know,

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<v Speaker 4>then you're lost because you can't do anything. The doctor

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<v Speaker 4>won't talk to you. That's sort of thing.

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<v Speaker 1>Due to British age of consent laws, Pete wasn't allowed

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<v Speaker 1>to talk to the doctors about his son's mental health

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<v Speaker 1>after he turned sixteen. It's a frustrating law, paradoxical because

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<v Speaker 1>those late teenage years are exactly when symptoms start to show.

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<v Speaker 1>After Brett was released from prison, it said the family

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<v Speaker 1>felt like things were better and that the fact that

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<v Speaker 1>these murders had occurred it seemed out of the blue.

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<v Speaker 1>And I'm just curious when he that out of prison,

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<v Speaker 1>can you describe his behavior, like did it feel out

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<v Speaker 1>of the blue?

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<v Speaker 4>Is that acting you come out of prison, you know,

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<v Speaker 4>her to stay he had to go and see his

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<v Speaker 4>probation officer. That the probation office was on holiday, bless her,

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<v Speaker 4>so he couldn't see her. So there's a big thing

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<v Speaker 4>going on there, like, oh what do I see? Then

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<v Speaker 4>where do I go? There's no way they could give

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<v Speaker 4>him anywhere to stay, so he's out on the street.

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<v Speaker 4>He's not allowed to stay with me, even though I

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<v Speaker 4>wrote him a really good letter saying, how I understand

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<v Speaker 4>better what's going on, and I think things would be

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<v Speaker 4>fine and all the rest of it, you know. So

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<v Speaker 4>we put him up in one of these.

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<v Speaker 1>Like like a hotel or a hotel or something.

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<v Speaker 4>Yeah, that's for about a week or so. And I

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<v Speaker 4>thought we can't keep doing this. So her sister tool like,

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<v Speaker 4>you know, she said, well, he can't stay here, you know,

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<v Speaker 4>blah blah blah.

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<v Speaker 1>Once the parole board had forbidden Brett to live under

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<v Speaker 1>his father's roof and Gillian had agreed to take in

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<v Speaker 1>her son, Pete had some unsolicited advice for his ex wife,

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<v Speaker 1>and it was absolutely horrifying to hear him say it.

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<v Speaker 4>I decide to her, get your knives or what does

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<v Speaker 4>sharp knives and put them away put him somewhere else.

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<v Speaker 1>You had warned Jillian to take away those knives. Was

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<v Speaker 1>that because you knew that he was dangerous or because

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<v Speaker 1>he had threatened before to like use weapons because.

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<v Speaker 4>I know there was a risk. It's as simple as that.

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<v Speaker 4>I know there was something not right. There was not

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<v Speaker 4>something not right. You know, sat in his room when

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<v Speaker 4>we put him in a hotel and he said, I

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<v Speaker 4>want you to go now. So he's getting ally, you know, wrong,

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<v Speaker 4>didn't they? You know? You just get to know that.

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<v Speaker 1>The moment is both bone chilling and bittersweet. Brett, self aware,

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<v Speaker 1>is telling his father to leave the room and get

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<v Speaker 1>to safety before another psychotic episode takes hold of him.

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<v Speaker 1>So you weren't surprised, No.

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<v Speaker 4>No, I wasn't surprised the whole thing happening, you know,

0:14:27.600 --> 0:14:30.920
<v Speaker 4>But merely and truly it didn't surprise me.

0:14:33.040 --> 0:14:37.560
<v Speaker 1>This confession is staggering. Pete Rogers is telling me, pure

0:14:37.560 --> 0:14:41.120
<v Speaker 1>and simple that he knew Brett was capable of something

0:14:41.200 --> 0:14:44.800
<v Speaker 1>like this. With that weight hanging between us, now's the

0:14:44.800 --> 0:14:48.040
<v Speaker 1>time to ask how did he react when he heard

0:14:48.080 --> 0:14:50.960
<v Speaker 1>his son murdered his former wife?

0:14:51.160 --> 0:14:53.480
<v Speaker 4>Well, Averon found me and a found He said, people

0:14:53.480 --> 0:14:55.640
<v Speaker 4>are saying sorry about this and sorry about that, and

0:14:55.800 --> 0:14:58.440
<v Speaker 4>I didn't know what he was talking about. And then

0:14:58.520 --> 0:15:01.760
<v Speaker 4>I started getting messages and I went around there basically

0:15:02.600 --> 0:15:06.000
<v Speaker 4>to see what was going on. I sort of knew something,

0:15:06.240 --> 0:15:09.280
<v Speaker 4>something really bad had happened, you know so, And I

0:15:09.320 --> 0:15:12.400
<v Speaker 4>don't know. They never told me. No, they keep storm,

0:15:12.480 --> 0:15:16.520
<v Speaker 4>don't they. They just said, like, you know, the incident.

0:15:16.520 --> 0:15:20.720
<v Speaker 4>It's an incident. Basically, it's a weird feeling because like

0:15:21.280 --> 0:15:25.600
<v Speaker 4>you're in shock, and life goes on and even a

0:15:25.600 --> 0:15:28.960
<v Speaker 4>little bit of shock, and you don't really know what

0:15:29.040 --> 0:15:29.320
<v Speaker 4>to do.

0:15:31.160 --> 0:15:35.200
<v Speaker 1>Pete. Having now met you, I think you're you seem

0:15:35.280 --> 0:15:39.160
<v Speaker 1>like such a well adjusted kind person. How were you

0:15:39.280 --> 0:15:41.960
<v Speaker 1>able to get through this? How have you been able to?

0:15:42.760 --> 0:15:42.920
<v Speaker 4>Well?

0:15:43.000 --> 0:15:45.040
<v Speaker 1>If you're in stand and hold a house and a

0:15:45.160 --> 0:15:47.440
<v Speaker 1>job and play guitar.

0:15:48.640 --> 0:15:51.120
<v Speaker 4>Well you do. This comes in as years go by,

0:15:51.240 --> 0:15:57.480
<v Speaker 4>don't it. I took a you onion analyst who's a local,

0:15:58.080 --> 0:16:01.720
<v Speaker 4>and I sat with her for probably once a week,

0:16:02.000 --> 0:16:04.920
<v Speaker 4>you know, more or less, for about five or six years,

0:16:06.280 --> 0:16:10.760
<v Speaker 4>and eventually got to where I want to be. I

0:16:10.800 --> 0:16:13.880
<v Speaker 4>guess sometimes you're all jumbled up in your head, aren't you,

0:16:15.560 --> 0:16:18.240
<v Speaker 4>And you just go ahead and do things anyway, you know.

0:16:19.000 --> 0:16:21.040
<v Speaker 4>But it gives you that space to sort of like

0:16:21.160 --> 0:16:26.120
<v Speaker 4>sort of segregate things a little bit and make the

0:16:26.200 --> 0:16:30.680
<v Speaker 4>right decisions basically. And me, for me, I am in

0:16:30.720 --> 0:16:35.880
<v Speaker 4>the winter. I generally take antidepressants for any a small amount,

0:16:36.040 --> 0:16:38.960
<v Speaker 4>a small amount, but recently I've taken a bit more.

0:16:39.000 --> 0:16:43.880
<v Speaker 4>I've taken them in the summer. And basically I realized

0:16:44.440 --> 0:16:47.640
<v Speaker 4>that I've needed them for years. I've needed them for

0:16:47.680 --> 0:16:52.040
<v Speaker 4>because I've noticed that if depression comes upon you, you don't

0:16:52.040 --> 0:16:54.800
<v Speaker 4>really know it unless you've been there, and you think

0:16:54.840 --> 0:16:58.800
<v Speaker 4>this is life. And when you get something that lifts

0:16:58.800 --> 0:17:02.000
<v Speaker 4>you that little bit, you think, well, this is how

0:17:02.040 --> 0:17:06.280
<v Speaker 4>it's supposed to be, you know, And so you can

0:17:06.440 --> 0:17:09.919
<v Speaker 4>manage your life like that if you have them problems,

0:17:10.160 --> 0:17:13.320
<v Speaker 4>you know. Yeah, And that's the way I'll get through it.

0:17:15.400 --> 0:17:17.800
<v Speaker 4>And I'd also like to like to laugh and have

0:17:17.840 --> 0:17:18.480
<v Speaker 4>a joke, you know.

0:17:20.600 --> 0:17:24.400
<v Speaker 1>My head went back to my friend Aaron's analysis. Of course,

0:17:24.400 --> 0:17:27.400
<v Speaker 1>she's never met Pete Rogers. She'd only reviewed the domestic

0:17:27.400 --> 0:17:32.679
<v Speaker 1>homicide report. But Aaron had nothing to worry about. In

0:17:32.720 --> 0:17:36.040
<v Speaker 1>front of me sat a docile, polite man who openly

0:17:36.080 --> 0:17:39.000
<v Speaker 1>discussed the worst night of his life. With a complete stranger.

0:17:40.359 --> 0:17:43.159
<v Speaker 1>As we start to wrap up questions about Brett, Pete

0:17:43.200 --> 0:17:46.200
<v Speaker 1>fairly asks for some clarity on the direction of the podcast.

0:17:48.000 --> 0:17:51.399
<v Speaker 4>You've told me that you're here to do a podcast

0:17:51.440 --> 0:17:57.760
<v Speaker 4>on Edward because he's an up and coming comedian, and

0:17:57.800 --> 0:18:02.080
<v Speaker 4>he's also done a gig on that something involves that

0:18:02.440 --> 0:18:08.359
<v Speaker 4>it may involve my one of my sons, and you

0:18:08.440 --> 0:18:14.359
<v Speaker 4>seem very interested in my son, and so it does

0:18:14.359 --> 0:18:16.120
<v Speaker 4>seem a bit over the top for you to come

0:18:16.119 --> 0:18:20.840
<v Speaker 4>all away over here to do a podcast on a comedian.

0:18:21.160 --> 0:18:22.000
<v Speaker 4>It does to me.

0:18:23.119 --> 0:18:29.359
<v Speaker 1>So ed talks about in his story is how he

0:18:29.560 --> 0:18:33.160
<v Speaker 1>was home the night that on July twenty second when

0:18:33.200 --> 0:18:36.879
<v Speaker 1>everything happened, and he said that he came home he

0:18:36.920 --> 0:18:39.679
<v Speaker 1>was doing a stand up set here in town or

0:18:39.720 --> 0:18:42.639
<v Speaker 1>at Ugly Village Hall, and it was John and Carroll,

0:18:42.680 --> 0:18:45.040
<v Speaker 1>his parents, both in the house, and they woke up

0:18:45.080 --> 0:18:47.800
<v Speaker 1>to banging, and they think that Brett was trying to

0:18:47.800 --> 0:18:51.679
<v Speaker 1>get into the house. That's what they believe. Did you

0:18:51.760 --> 0:18:52.880
<v Speaker 1>ever hear that before.

0:18:54.080 --> 0:18:57.800
<v Speaker 4>I've never heard that before, apart from yourself saying that

0:18:59.760 --> 0:19:03.480
<v Speaker 4>I don't know. The first I knew about anything was

0:19:04.080 --> 0:19:04.760
<v Speaker 4>in the morning.

0:19:05.600 --> 0:19:08.480
<v Speaker 1>Do you believe that happened that Brett went and tried

0:19:08.520 --> 0:19:10.199
<v Speaker 1>to break into their house that night, and this is

0:19:10.240 --> 0:19:12.320
<v Speaker 1>presumably after he had killed Jill and Dave.

0:19:13.960 --> 0:19:16.200
<v Speaker 4>Well, I wouldn't like to say it didn't happen, because

0:19:16.320 --> 0:19:19.560
<v Speaker 4>I mean, it could have happened, couldn't it? Because the

0:19:19.600 --> 0:19:21.520
<v Speaker 4>boy didn't know what he was doing? Really did he?

0:19:23.000 --> 0:19:25.159
<v Speaker 1>If it happened, why do you think he would go

0:19:25.200 --> 0:19:26.119
<v Speaker 1>to the Hedges house?

0:19:28.560 --> 0:19:31.040
<v Speaker 4>It wouldn't I don't think. No, it won't be the

0:19:31.040 --> 0:19:34.840
<v Speaker 4>hobbyist thing that I would think he would do. But

0:19:34.960 --> 0:19:38.520
<v Speaker 4>who knows? Because someone with their mind scrambled like that.

0:19:39.720 --> 0:19:44.320
<v Speaker 4>You can't blame someone who's got mental health issues like

0:19:44.359 --> 0:19:49.800
<v Speaker 4>that anyway, and they're not to blame. Really, it's just circumstances. Really,

0:19:50.680 --> 0:19:53.959
<v Speaker 4>you know, that's all it is. You get nowhere from

0:19:54.000 --> 0:19:55.000
<v Speaker 4>blame like that anyway?

0:19:55.040 --> 0:19:55.240
<v Speaker 6>Do you.

0:19:57.960 --> 0:20:00.919
<v Speaker 1>Recognizing this as a chance for Ed to shar his perspective?

0:20:01.000 --> 0:20:03.719
<v Speaker 1>On that night, I shoot him a text asking if

0:20:03.720 --> 0:20:09.320
<v Speaker 1>he wants to come in, how you been?

0:20:11.760 --> 0:20:14.439
<v Speaker 7>Was it all right? You're everything?

0:20:14.480 --> 0:20:14.760
<v Speaker 6>Fine?

0:20:16.880 --> 0:20:17.679
<v Speaker 4>Cool? Lovely?

0:20:18.920 --> 0:20:21.080
<v Speaker 3>How much is I don't obviously I don't know what

0:20:21.119 --> 0:20:23.120
<v Speaker 3>I've come what I'm coming into. How much has been

0:20:23.160 --> 0:20:24.000
<v Speaker 3>explained to you?

0:20:24.160 --> 0:20:33.000
<v Speaker 4>Because six week podcast six podcasts approximately sounds rough? It okay? Cool?

0:20:33.800 --> 0:20:37.280
<v Speaker 3>So all right, do you know what happened that night

0:20:38.680 --> 0:20:41.440
<v Speaker 3>with the house? We might have been for guns? Do

0:20:41.480 --> 0:20:44.120
<v Speaker 3>you want me to tell you what happened from our side?

0:20:44.240 --> 0:20:48.640
<v Speaker 3>Just to kill you in So, I became a comedian,

0:20:49.119 --> 0:20:52.320
<v Speaker 3>did gigs all over the place. But then when I

0:20:52.400 --> 0:20:57.119
<v Speaker 3>left stance did I didn't come back like ever because mates,

0:20:57.200 --> 0:21:00.800
<v Speaker 3>I didn't really want So when I came back, I

0:21:00.800 --> 0:21:01.760
<v Speaker 3>do you know ugly village?

0:21:01.760 --> 0:21:03.280
<v Speaker 4>All yeah, they had me.

0:21:03.320 --> 0:21:06.080
<v Speaker 1>Do I pack up my stuff and watch this reunion,

0:21:06.320 --> 0:21:08.679
<v Speaker 1>a decade in the making, unfold out of the corner

0:21:08.720 --> 0:21:11.600
<v Speaker 1>of my eye. It takes me back to the years

0:21:11.600 --> 0:21:15.000
<v Speaker 1>when your friend's parents were just shapes and faces. You

0:21:15.119 --> 0:21:18.840
<v Speaker 1>never thought about their lives, their worries, their fears. You

0:21:18.880 --> 0:21:22.119
<v Speaker 1>were just a kid, But they watched you play together

0:21:22.200 --> 0:21:25.679
<v Speaker 1>in the yard, ride bikes on the sidewalk, sheer meals

0:21:25.720 --> 0:21:31.000
<v Speaker 1>at each other's tables. In this instance, neither family imagined

0:21:31.040 --> 0:21:33.880
<v Speaker 1>how it would end. One of those kids would become

0:21:33.920 --> 0:21:38.239
<v Speaker 1>a celebrated comedian. The other would become the subject of

0:21:38.320 --> 0:21:40.359
<v Speaker 1>every whispered conversation in town.

0:21:41.640 --> 0:21:43.359
<v Speaker 3>When you hear I'm a comedian and when you hear

0:21:43.400 --> 0:21:45.600
<v Speaker 3>I was talking about this, you first thought it was like,

0:21:45.640 --> 0:21:47.520
<v Speaker 3>why the fuck are you making jokes about that?

0:21:47.600 --> 0:21:50.760
<v Speaker 4>Whether there's a line there, haven't there, but I don't know.

0:21:51.359 --> 0:21:52.840
<v Speaker 4>I've never heard it show or no.

0:21:53.040 --> 0:21:55.320
<v Speaker 3>So the way the way I did it was, if

0:21:55.320 --> 0:21:57.000
<v Speaker 3>you think of the show, the story that I told

0:21:57.280 --> 0:21:59.760
<v Speaker 3>in like one hundred percent, eighty percent of it was

0:22:00.119 --> 0:22:03.440
<v Speaker 3>the village, me growing up, going to school, stupid people

0:22:03.440 --> 0:22:06.520
<v Speaker 3>in the village. The last bit was about Brett because

0:22:06.560 --> 0:22:09.200
<v Speaker 3>obviously me and Brett had some runnings and yeah, I

0:22:09.320 --> 0:22:11.680
<v Speaker 3>didn't know it. And the whole show was about me saying,

0:22:11.800 --> 0:22:15.760
<v Speaker 3>there's this bullshit thing that I think all men do

0:22:15.840 --> 0:22:19.359
<v Speaker 3>when we hit thirty, where your father or husband and

0:22:19.400 --> 0:22:22.240
<v Speaker 3>you've got to be like flawless. You've got to get

0:22:22.240 --> 0:22:24.159
<v Speaker 3>your money, you got to protect your a lot. You

0:22:24.200 --> 0:22:29.080
<v Speaker 3>can't show any weakness at all, and that pressure fucks people.

0:22:29.560 --> 0:22:33.440
<v Speaker 3>It just rocks people away because if you can't if

0:22:33.480 --> 0:22:35.920
<v Speaker 3>you can't show any weakness at all, if a guy

0:22:35.960 --> 0:22:38.640
<v Speaker 3>can't turn around to his mates and be like, really

0:22:38.640 --> 0:22:40.240
<v Speaker 3>not happy with my job, really not happy with what's

0:22:40.280 --> 0:22:43.000
<v Speaker 3>going on, I'm not in a good place. I'm struggling

0:22:43.000 --> 0:22:44.560
<v Speaker 3>at the moment, and I feel like if we didn't

0:22:44.560 --> 0:22:46.560
<v Speaker 3>have that, and if Brett was in the situation he

0:22:46.640 --> 0:22:48.679
<v Speaker 3>was in, he could have turned around and been like,

0:22:50.160 --> 0:22:53.440
<v Speaker 3>I'm not good right now. If there was no shame

0:22:53.480 --> 0:22:56.520
<v Speaker 3>around it, he could have got help. Because my stance

0:22:56.560 --> 0:22:58.440
<v Speaker 3>on it is it ain't Brett's fault.

0:23:00.080 --> 0:23:03.440
<v Speaker 4>Good time, so that the ones that keeping.

0:23:03.240 --> 0:23:06.840
<v Speaker 1>Their memories definitely I taken everything. He just told Pete

0:23:06.920 --> 0:23:11.199
<v Speaker 1>Rogers something that felt like a long winded confession. Or

0:23:11.359 --> 0:23:14.359
<v Speaker 1>maybe it was just his nerves kicking in saying what

0:23:14.400 --> 0:23:16.239
<v Speaker 1>he knew Pete would want to hear a way to

0:23:16.359 --> 0:23:20.040
<v Speaker 1>justify his comedy. Either way, it was the first time

0:23:20.080 --> 0:23:21.040
<v Speaker 1>I'd heard any of it.

0:23:21.880 --> 0:23:25.600
<v Speaker 3>Pete, thank you so much, thanks your tom speech to

0:23:25.600 --> 0:23:26.160
<v Speaker 3>say us.

0:23:29.240 --> 0:23:32.000
<v Speaker 1>And as we say goodbye to Pete, I wondered how

0:23:32.119 --> 0:23:35.880
<v Speaker 1>much Ed believed what he actually said, and it got

0:23:35.880 --> 0:23:38.760
<v Speaker 1>me thinking there was one person in the story that

0:23:38.840 --> 0:23:42.960
<v Speaker 1>I hadn't interviewed yet asked the hard questions one on one,

0:23:43.440 --> 0:23:47.160
<v Speaker 1>Ed Hedges himself. How much of the truth did he

0:23:47.200 --> 0:23:50.880
<v Speaker 1>not know? Had he not faced had he taken any

0:23:50.960 --> 0:23:53.639
<v Speaker 1>liberties with the story that he still had not shared

0:23:53.680 --> 0:24:02.639
<v Speaker 1>with me? In the car, I check into my flight

0:24:02.760 --> 0:24:05.840
<v Speaker 1>back to Atlanta. I decided to follow up on a

0:24:05.840 --> 0:24:09.119
<v Speaker 1>few final loose ends before I left Stanstead, and Ed

0:24:09.240 --> 0:24:11.800
<v Speaker 1>was cool to drive me around the village, but the

0:24:11.880 --> 0:24:21.760
<v Speaker 1>quaint friendliness of this place was quickly wearing off. I

0:24:21.800 --> 0:24:24.359
<v Speaker 1>went to Ed's cricket club to interview his old coach,

0:24:24.520 --> 0:24:27.840
<v Speaker 1>Keith Ayres, the one so proud he'd given Ed an award.

0:24:28.680 --> 0:24:31.800
<v Speaker 3>I didn't say anything you no, I don't think you're

0:24:31.840 --> 0:24:32.600
<v Speaker 3>gonna get anything from me.

0:24:33.600 --> 0:24:35.960
<v Speaker 1>But we were met with nothing but icy glares and

0:24:36.080 --> 0:24:40.720
<v Speaker 1>folded arms. At a local bar where all the kids

0:24:40.760 --> 0:24:43.800
<v Speaker 1>who never left the village gather after work, we might

0:24:43.840 --> 0:24:46.639
<v Speaker 1>as well have been invisible. I wanted to hear some

0:24:46.720 --> 0:24:49.040
<v Speaker 1>good memories of Brett from his old friends, but.

0:24:50.280 --> 0:24:52.080
<v Speaker 4>Instant, what do you say?

0:24:52.880 --> 0:24:54.360
<v Speaker 7>Oh, and Argie membership?

0:24:54.359 --> 0:24:59.720
<v Speaker 1>You went, You're not members. A family friend of the

0:25:00.320 --> 0:25:04.160
<v Speaker 1>who had agreed to an interview suddenly ghosted. The former

0:25:04.200 --> 0:25:08.120
<v Speaker 1>classmate of Brett's ran the local flower shop, but inexplicably,

0:25:08.200 --> 0:25:11.119
<v Speaker 1>her store was now closed for the foreseeable future.

0:25:12.119 --> 0:25:13.119
<v Speaker 3>And see what I mean by you?

0:25:13.280 --> 0:25:17.920
<v Speaker 7>Yeah, totally sorry about that, guys.

0:25:18.320 --> 0:25:21.280
<v Speaker 1>It felt like whispers were swirling around this town about

0:25:21.280 --> 0:25:24.439
<v Speaker 1>our podcast and the questions we were asking about Brett.

0:25:25.280 --> 0:25:29.520
<v Speaker 1>In an instant, an entire village stopped speaking to us.

0:25:30.200 --> 0:25:32.720
<v Speaker 1>The cold shoulders put a chill on Ed's mood too.

0:25:33.400 --> 0:25:37.400
<v Speaker 1>By sunset, he wouldn't even look at me. My mind

0:25:37.480 --> 0:25:41.320
<v Speaker 1>rushed back to Sophie's accusations, through Ed's parents and the

0:25:41.359 --> 0:25:46.040
<v Speaker 1>police reports. I confirmed most everything that happened, But was

0:25:46.119 --> 0:25:51.040
<v Speaker 1>there something Ed wasn't telling me. I needed to confront

0:25:51.200 --> 0:25:54.239
<v Speaker 1>ed here and now. So I sat him down and

0:25:54.280 --> 0:26:01.359
<v Speaker 1>I asked him point blank, I'll just be very direct.

0:26:02.000 --> 0:26:06.400
<v Speaker 1>I spoke to Sophie Hagen, who directed your original show. Yeah,

0:26:07.960 --> 0:26:11.320
<v Speaker 1>I mean she says that you made a lot of

0:26:11.320 --> 0:26:15.919
<v Speaker 1>this stuff up. What is what's true and what's not.

0:26:19.280 --> 0:26:33.479
<v Speaker 6>She's correct, She's definitely correct. She's definitely correct.

0:26:34.800 --> 0:26:37.919
<v Speaker 3>And that's something I think I'm pretty upfront with in

0:26:37.960 --> 0:26:41.840
<v Speaker 3>the past, even in reviews. You can look up and

0:26:41.920 --> 0:26:43.439
<v Speaker 3>up front with it. She's you know, I'm not going

0:26:43.520 --> 0:26:45.639
<v Speaker 3>to say she's incorrect with that. So in terms of

0:26:45.760 --> 0:26:48.120
<v Speaker 3>in terms of what's correct and what's not, what's true

0:26:48.119 --> 0:26:51.399
<v Speaker 3>and what's not, the story is true.

0:26:52.480 --> 0:26:55.720
<v Speaker 1>Ed was caught off guard. His calm replaced with attension

0:26:55.880 --> 0:26:59.680
<v Speaker 1>that crept into his voice. I could see him tense up,

0:27:00.200 --> 0:27:04.160
<v Speaker 1>but I let him breathe let him process, and then

0:27:04.160 --> 0:27:06.879
<v Speaker 1>I let him tell me his side uninterrupted.

0:27:08.480 --> 0:27:10.919
<v Speaker 3>Anything to do with Brett is true, and anything to

0:27:10.960 --> 0:27:14.200
<v Speaker 3>do with Brett coming to the house is true. Sophie

0:27:14.240 --> 0:27:16.439
<v Speaker 3>was really keen on this being a one hundred percent

0:27:16.480 --> 0:27:20.960
<v Speaker 3>true show, and it was really tough. It was really

0:27:21.000 --> 0:27:23.760
<v Speaker 3>really tough for me to do a one hundred percent

0:27:23.800 --> 0:27:28.720
<v Speaker 3>true show with no embellishments or lives. And I'm a comedian.

0:27:29.040 --> 0:27:33.720
<v Speaker 3>That's my currency. I need people to laugh. If I'm

0:27:33.720 --> 0:27:37.520
<v Speaker 3>telling you this really bad story, you gotta laugh. And

0:27:37.560 --> 0:27:39.199
<v Speaker 3>I did a preview and a friend came up to

0:27:39.240 --> 0:27:42.080
<v Speaker 3>me and he was like, well, it's a crazy story.

0:27:42.119 --> 0:27:44.240
<v Speaker 3>And I was like, what do you really think about it?

0:27:45.040 --> 0:27:47.800
<v Speaker 3>And he said, edits the Edinburgh Comedy Festival, not the

0:27:47.920 --> 0:27:52.359
<v Speaker 3>Edinburgh Story Festival, and like a couple of my mates laughed,

0:27:52.359 --> 0:27:55.080
<v Speaker 3>and I was like, shit, I'm a comedian, this needs

0:27:55.160 --> 0:27:58.000
<v Speaker 3>to be funny. So I made the decision to start

0:27:58.119 --> 0:28:01.840
<v Speaker 3>changing the punchlines. When I went back into my childhood,

0:28:01.840 --> 0:28:05.600
<v Speaker 3>I would embellish stories. I was really nervous to tell

0:28:05.640 --> 0:28:08.080
<v Speaker 3>Sophie that, because she was so adamant that everything had

0:28:08.080 --> 0:28:10.200
<v Speaker 3>to be true, but I couldn't keep dying. And when

0:28:10.200 --> 0:28:12.440
<v Speaker 3>you're dying on your ass on stage, it's just you

0:28:13.440 --> 0:28:15.520
<v Speaker 3>and no one knows that you're being well, it was

0:28:15.560 --> 0:28:20.080
<v Speaker 3>all true, that it's bollocks. I sucked for four or

0:28:20.080 --> 0:28:23.040
<v Speaker 3>five months telling this story, and I decided that when

0:28:23.040 --> 0:28:25.160
<v Speaker 3>I went back into my childhood, I had to earn

0:28:25.520 --> 0:28:29.000
<v Speaker 3>the laughs. So I would give them some true, real story.

0:28:29.400 --> 0:28:32.160
<v Speaker 3>And then I would tell a story that I'd embellished,

0:28:32.520 --> 0:28:34.040
<v Speaker 3>or that I'd made up an ending, or I'd made

0:28:34.080 --> 0:28:35.720
<v Speaker 3>up a conversation in my childhood.

0:28:36.119 --> 0:28:39.080
<v Speaker 1>But the stuff that happened in the house with you

0:28:39.160 --> 0:28:41.080
<v Speaker 1>being there with Brett, those.

0:28:41.160 --> 0:28:44.200
<v Speaker 3>I never messed with that. I never messed with that

0:28:44.320 --> 0:28:46.840
<v Speaker 3>because I knew that if someone found out I was

0:28:46.920 --> 0:28:50.960
<v Speaker 3>lying about a murder in my village, I would get crucified.

0:28:52.920 --> 0:28:54.960
<v Speaker 3>Everything that I said, you kind of had to be

0:28:55.040 --> 0:28:57.240
<v Speaker 3>able to google it, You kind of had to be

0:28:57.280 --> 0:29:00.480
<v Speaker 3>able to search for it. And that's what upset me.

0:29:00.520 --> 0:29:02.400
<v Speaker 3>When Sophy searched for the things and she said, look,

0:29:02.440 --> 0:29:05.560
<v Speaker 3>I don't think this happened in your childhood. I was like,

0:29:05.720 --> 0:29:08.160
<v Speaker 3>damn right, it didn't happen. But that's not the reason

0:29:08.200 --> 0:29:11.960
<v Speaker 3>they're coming to see the show. I'm glad I made

0:29:11.960 --> 0:29:14.600
<v Speaker 3>the decision that I made. If you're going to bring

0:29:14.640 --> 0:29:16.840
<v Speaker 3>the audience down, you have to bring them back up.

0:29:18.560 --> 0:29:22.680
<v Speaker 1>I can understand that, and I'm not trying to where

0:29:22.720 --> 0:29:26.080
<v Speaker 1>I struggle, like, I can confirm those things, but where

0:29:26.120 --> 0:29:29.360
<v Speaker 1>I struggle is that I can't. I cannot confirm that

0:29:29.440 --> 0:29:33.040
<v Speaker 1>you and your parents were in your house that night, right.

0:29:35.440 --> 0:29:37.480
<v Speaker 1>I can't prove that there was banging at the door

0:29:37.680 --> 0:29:39.800
<v Speaker 1>because it's not in a police report and it's not

0:29:40.600 --> 0:29:47.400
<v Speaker 1>a yeah, that's and that's where i'm that's my struggle.

0:29:47.600 --> 0:29:53.200
<v Speaker 3>Yeah, Brett was found next to my house, like and

0:29:54.600 --> 0:29:58.000
<v Speaker 3>you've seen the house. He was found ten foot away

0:29:58.000 --> 0:30:00.680
<v Speaker 3>from my house. That's where they found him. Brett spent

0:30:00.720 --> 0:30:02.440
<v Speaker 3>a lot of time at my house as a child.

0:30:02.520 --> 0:30:04.840
<v Speaker 3>My house was the only house in the village that

0:30:04.880 --> 0:30:07.000
<v Speaker 3>Brett could have gone to because we were the only

0:30:07.040 --> 0:30:08.719
<v Speaker 3>house that he would come to to hang out as

0:30:08.720 --> 0:30:09.080
<v Speaker 3>a kid.

0:30:10.200 --> 0:30:13.520
<v Speaker 1>He was repeating the same facts, clinging to them, but

0:30:13.640 --> 0:30:15.920
<v Speaker 1>not because he was sticking to a made up story,

0:30:16.360 --> 0:30:19.480
<v Speaker 1>because there simply wasn't any new or different truths to

0:30:19.560 --> 0:30:22.680
<v Speaker 1>offer me. I could see the wheels in his head turning,

0:30:22.760 --> 0:30:24.200
<v Speaker 1>his frustration heating.

0:30:24.040 --> 0:30:27.760
<v Speaker 3>Up with me. You've spoken to the three eyewitnesses, me,

0:30:27.880 --> 0:30:31.120
<v Speaker 3>my mom, and my dad.

0:30:30.640 --> 0:30:33.760
<v Speaker 1>I guess to be very direct, Do you have any

0:30:33.840 --> 0:30:35.120
<v Speaker 1>proof though that you were?

0:30:35.480 --> 0:30:38.360
<v Speaker 3>But Jody, what proof do you want? What proof can

0:30:38.400 --> 0:30:40.600
<v Speaker 3>I give you? It is a first hand account of

0:30:40.640 --> 0:30:44.760
<v Speaker 3>something that happened. If you can think of a way

0:30:44.760 --> 0:30:47.320
<v Speaker 3>that I can prove this in a time that happened

0:30:47.320 --> 0:30:53.680
<v Speaker 3>before video, doorbells and CCTV. If you can think of

0:30:53.720 --> 0:30:55.800
<v Speaker 3>something I can bring to you, tell me and I

0:30:55.800 --> 0:30:57.440
<v Speaker 3>will bring it. If you can think of something that

0:30:57.480 --> 0:31:01.000
<v Speaker 3>will definitively prove it did or it didn't happen, tell

0:31:01.040 --> 0:31:03.200
<v Speaker 3>me and I will bring it. You've spoken to all

0:31:03.240 --> 0:31:05.120
<v Speaker 3>of us, and we've told you. Is there anything else

0:31:05.120 --> 0:31:08.920
<v Speaker 3>I can offer you? Because if not, this is one

0:31:08.960 --> 0:31:10.720
<v Speaker 3>of those things where you take my word or you don't.

0:31:12.720 --> 0:31:16.400
<v Speaker 1>I'm trying to stay objective to form an educated opinion,

0:31:16.600 --> 0:31:20.080
<v Speaker 1>knowing that there may never be hard proof that Brett

0:31:20.120 --> 0:31:22.920
<v Speaker 1>was at the Hedges door that night. For me to

0:31:23.000 --> 0:31:26.040
<v Speaker 1>believe that Ed is making it all up, I'd also

0:31:26.160 --> 0:31:28.760
<v Speaker 1>have to believe that he's convinced his parents to join

0:31:28.800 --> 0:31:32.600
<v Speaker 1>in on the lie, and after meeting them, I just

0:31:32.640 --> 0:31:38.160
<v Speaker 1>don't buy it. The truth is I believe Ed. I do.

0:31:39.240 --> 0:31:42.920
<v Speaker 1>ED repeats a behavioral pattern I've seen in my work, frantic,

0:31:43.080 --> 0:31:46.320
<v Speaker 1>anxious energy the Ed you see on stage, followed by

0:31:46.400 --> 0:31:50.920
<v Speaker 1>long periods of social withdrawal reflection. Those are the months

0:31:50.920 --> 0:31:54.200
<v Speaker 1>I couldn't even get a text back from him. It's

0:31:54.240 --> 0:31:59.120
<v Speaker 1>taken me this entire investigation to understand that this is

0:31:59.280 --> 0:32:00.000
<v Speaker 1>Ed's healing.

0:31:59.800 --> 0:32:08.000
<v Speaker 3>P I have done this show for so long, I've

0:32:08.000 --> 0:32:11.160
<v Speaker 3>told this story for so long, and the fact that

0:32:11.200 --> 0:32:12.000
<v Speaker 3>I lived through the.

0:32:12.040 --> 0:32:17.440
<v Speaker 1>Night, I could see the burden of proof weighing on

0:32:17.640 --> 0:32:20.640
<v Speaker 1>Ed's shoulders, and I wanted to stop the conversation and

0:32:20.680 --> 0:32:24.560
<v Speaker 1>tell him I trust him. But with what he said next,

0:32:25.040 --> 0:32:27.680
<v Speaker 1>I wasn't even sure i'd ever hear from him again.

0:32:29.480 --> 0:32:33.240
<v Speaker 3>The fact that I lived through the night. I don't

0:32:33.280 --> 0:32:37.680
<v Speaker 3>mean to sound like blase, but if I can be

0:32:37.720 --> 0:32:40.880
<v Speaker 3>one hundred percent honest with you, and this might not

0:32:40.920 --> 0:32:44.080
<v Speaker 3>be what you want to hear, I really don't give

0:32:44.080 --> 0:32:45.200
<v Speaker 3>a fuck if you believe me or not.

0:32:55.080 --> 0:32:59.960
<v Speaker 1>Next time on wisecrack, I'm just gonna show you something

0:33:00.320 --> 0:33:01.280
<v Speaker 1>for context.

0:33:05.440 --> 0:33:10.480
<v Speaker 7>This is his rap sheet And that was only twelve

0:33:10.560 --> 0:33:17.120
<v Speaker 7>years of his life. So in twenty twelve, Joe calls

0:33:17.120 --> 0:33:20.160
<v Speaker 7>the police again and explicitly says her son is trying

0:33:20.200 --> 0:33:29.280
<v Speaker 7>to kill her. Wisecrack is a production of Tenderfoot TV

0:33:29.560 --> 0:33:34.880
<v Speaker 7>and iHeart Podcasts in association with Starwiit Productions. I'm Your

0:33:34.880 --> 0:33:38.480
<v Speaker 7>Host Jody Tovey. The show is written by Charles Forbes.

0:33:38.880 --> 0:33:41.600
<v Speaker 1>Stand up comedy written and performed by Ed Hedges, with

0:33:41.640 --> 0:33:46.480
<v Speaker 1>additional writing contributions by Charles Forbes. Executive producers for Tenderfoot

0:33:46.560 --> 0:33:50.920
<v Speaker 1>TV are Donald Albright and Payne Lindsay. Executive producers for

0:33:51.000 --> 0:33:55.840
<v Speaker 1>Starwiit Productions are Jody Tovey and Charles Forbes. Lead producer

0:33:55.960 --> 0:34:00.840
<v Speaker 1>is Alex Vespestad, with additional production by Stephen Perez, Joe Grizzle,

0:34:01.120 --> 0:34:05.880
<v Speaker 1>ja Ja Muhammad, Jamie Albright, and Jordan Foxworthy. Lead editor

0:34:06.000 --> 0:34:09.799
<v Speaker 1>is Stephen Perez, with additional editing by Dylan Harrington and

0:34:09.840 --> 0:34:14.520
<v Speaker 1>Liam Luxon. Coordinating producers are John Street and Tracy Kaplan.

0:34:15.360 --> 0:34:19.759
<v Speaker 1>Research by Jim Nlly and Misty Showalter. Original music by

0:34:19.840 --> 0:34:23.319
<v Speaker 1>Jay Ragsdale with additional music by Makeup and Vanity Set

0:34:24.040 --> 0:34:29.200
<v Speaker 1>mix by Cooper Skinner. Artwork by Byron McCoy. Special thanks

0:34:29.360 --> 0:34:32.880
<v Speaker 1>to Orrin Rosenbaum and the team at Uta Nate Ranson,

0:34:33.239 --> 0:34:36.840
<v Speaker 1>Alexander Kaplan and the Synergy Clubhouse and the Nord Group.

0:34:37.600 --> 0:34:41.120
<v Speaker 1>For more podcasts like Wisecrack, search Tenderfoot Tv on your

0:34:41.160 --> 0:34:44.640
<v Speaker 1>favorite podcast app, or visit us at tenderfoot dot tv.

0:34:45.320 --> 0:34:51.799
<v Speaker 1>Thanks for listening. Episode six will release next week, but

0:34:51.880 --> 0:34:54.360
<v Speaker 1>you can binge the rest of the season right now,

0:34:54.480 --> 0:34:58.360
<v Speaker 1>completely add free by subscribing to Tenderfoot Plus on Apple

0:34:58.400 --> 0:35:01.240
<v Speaker 1>Podcasts or at time underfoot plus dot com.