WEBVTT - PTG Classic: How Did P. T. Barnum Trick the World Into Riding Elevators? 

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<v Speaker 1>Welcome to Part Time Genius, the production of iHeartRadio Guess

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<v Speaker 1>What Will?

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<v Speaker 2>What's that Mango?

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<v Speaker 1>So I heard this fact yesterday that a lot of

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<v Speaker 1>buildings in New York lie about how tall they are.

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<v Speaker 2>The buildings are lying about how tall they are.

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<v Speaker 1>Well, maybe it's the builders, but they exaggerate about their buildings.

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<v Speaker 1>So you know how guys have this reputation for lying

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<v Speaker 1>about their height. Right of course, So in New York City,

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<v Speaker 1>builders will lie about how tall their buildings are to

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<v Speaker 1>attract a certain client tell which is weird to me,

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<v Speaker 1>and people just buy it. I guess they do because

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<v Speaker 1>the way they trick people is with the elevators. Unless

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<v Speaker 1>you're going to count each and every floor, the only

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<v Speaker 1>way you're going to interact with all the floors is

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<v Speaker 1>through the buttons on the elevators. Right, Yeah, some of

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<v Speaker 1>this tends to be innocent. Some builders skip the thirteenth

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<v Speaker 1>floor because they're superstitious, so you get someone talking about

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<v Speaker 1>like a fifteen story building when it's only fourteen stories.

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<v Speaker 1>But other builders love the grandeur. The first example that

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<v Speaker 1>comes up when you google this phenomena is Trump Tower,

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<v Speaker 1>though the owner and his family supposed to live on

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<v Speaker 1>the sixty six through sixty eighth floor. The building is

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<v Speaker 1>actually ten floors shorter than that. It's only fifty eight stories.

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<v Speaker 2>You know. I feel like I've seen this in other

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<v Speaker 2>places too, like when you walk past first class in

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<v Speaker 2>a plane and you're like, those are rows one through four,

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<v Speaker 2>and then you go back to where we're trying to

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<v Speaker 2>sit and it's immediately like the tenth throw. Yeah, exactly,

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<v Speaker 2>It's so weird. But I'm curious in terms of the buildings,

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<v Speaker 2>like how do they hide the ten floors?

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<v Speaker 1>It's very similar. So the building has a huge, beautiful

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<v Speaker 1>atrium with the tall ceiling, but the elevators start counting

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<v Speaker 1>from floors thirty instead of twenty, which is the actual height.

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<v Speaker 1>Trump Tower also does this where it's supposed to be

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<v Speaker 1>ninety floors, but if you stand at the top, it's

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<v Speaker 1>only seventy two stories high. It's a really common phenomena,

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<v Speaker 1>and the way the buildings trick you is through the elevators.

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<v Speaker 1>You know.

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<v Speaker 2>Elevators are an interesting topic, and I think there's a

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<v Speaker 2>lot to talk about here, from why it's so awkward

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<v Speaker 2>to ride an elevator with strangers to whether the closed

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<v Speaker 2>door button actually does anything to most importantly, why are

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<v Speaker 2>all elevators named otis? This has always puzzled me. So

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<v Speaker 2>we've got a lot to cover. Let's dive in. Hey

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<v Speaker 2>their podcast listeners, welcome to Part Time Genius. I'm Will

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<v Speaker 2>Pearson and as always I'm joined by my good friend

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<v Speaker 2>mangesh hot ticketter and on the other side of that

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<v Speaker 2>soundproof glass dressed like a lift operator from the nineteen fifties,

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<v Speaker 2>and he's adjusting his desk chair up and down. I mean,

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<v Speaker 2>it's really impressive. He's actually hinted that he was looking

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<v Speaker 2>forward to this and he has really lived up to

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<v Speaker 2>the challenge.

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<v Speaker 1>Here.

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<v Speaker 2>That's our good pal and producer. Loll lull. You are

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<v Speaker 2>looking good. So Mango, what is our first stop on

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<v Speaker 2>this elevator tour?

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<v Speaker 1>So, actually, before we kick off, I've got a little

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<v Speaker 1>bit house key thing to tie up. In our last

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<v Speaker 1>episode on Nine Comic Book Heroes, we talked about this

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<v Speaker 1>terrible character, the red Bee and his secret weapon, this

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<v Speaker 1>ridiculous train bee named Michael who you know, if you'll remember,

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<v Speaker 1>he'd keep him in his belt and unleash him on villains.

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<v Speaker 1>But one of our listeners on Twitter, Charles Porr, pointed

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<v Speaker 1>out that male bees don't sting.

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<v Speaker 2>That's a very good point.

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<v Speaker 1>Yeah, yeah, it only makes Michael seem more useless.

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<v Speaker 2>It's true.

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<v Speaker 1>That just makes it that much better though. So thank

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<v Speaker 1>you so much, Charles. If you DM me your address,

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<v Speaker 1>I'll send you a small package of honey as a

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<v Speaker 1>thank you. But back to elevators, and I want to

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<v Speaker 1>go back to a time when elevators were a little

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<v Speaker 1>more dangerous.

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<v Speaker 2>Yeah, so, I know modern elevators started to take shape.

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<v Speaker 2>I guess it was, you know, as early as the

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<v Speaker 2>eighteen fifties. But were they around long before that? Like

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<v Speaker 2>when exactly was the first elevator made? So it kind

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<v Speaker 2>of depends on your definition. But if you take just

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<v Speaker 2>the basic concepts of an elevator, like a machine that

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<v Speaker 2>can lift things vertically, then you're probably talking about a

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<v Speaker 2>few thousand years ago. For instance, it's possible that the

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<v Speaker 2>Egyptians used vertical lifts to build their pyramids, but that's

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<v Speaker 2>still speculation. Like the first recorded use of a vertical

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<v Speaker 2>lift that comes from the third century BCE, and this

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<v Speaker 2>is when the mathematician Archimedes built a platform that could

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<v Speaker 2>be hoisted up and down using ropes and pulleys. Now,

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<v Speaker 2>these early lifts obviously didn't run on electricity. Instead, they

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<v Speaker 2>were powered by people, animals, in some cases even water.

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<v Speaker 2>They also weren't used as people movers. Instead, the hoists

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<v Speaker 2>were mostly used to lift building materials or water jugs,

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<v Speaker 2>and it wasn't until a few centuries later that primitive

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<v Speaker 2>elevators were finally used to transport living creatures. This was

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<v Speaker 2>in the first century CE, when Roman gladiators and wild

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<v Speaker 2>animals would ride the lifts from the lower levels up

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<v Speaker 2>to the floor of the coliseum. Right, So even then,

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<v Speaker 2>most people probably wouldn't have trusted their lives to an elevator,

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<v Speaker 2>I would assume at least at that point. And they

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<v Speaker 2>were considered safe enough though for enslaved combatants and lions

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<v Speaker 2>or whatever. But the average citizen would have probably chosen

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<v Speaker 2>the stairs.

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<v Speaker 1>Still, definitely, and there was just still too much room

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<v Speaker 1>for error when you had, you know, people or donkeys

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<v Speaker 1>pulling the ropes. People didn't really start using elevators by

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<v Speaker 1>choice until more reliable systems were developed. For instance, in

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<v Speaker 1>seventeen forty three, King Louis the fifteenth had one of

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<v Speaker 1>the earliest passenger elevators installed in the palace at Versailles.

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<v Speaker 1>He was a ladies man and the private elevator was

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<v Speaker 1>an easy way for his mistress to visit him in secret,

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<v Speaker 1>and he referred to it as a flying chair. Basically,

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<v Speaker 1>all you had to do to operate it was to

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<v Speaker 1>pull a cord connected to a pulley system and from

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<v Speaker 1>their gravity and a series of counterweights would do the rest.

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<v Speaker 2>That's a pretty clever I guess.

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<v Speaker 1>Yeah. And in the early eighteen hundred, steam actually gets incorporated,

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<v Speaker 1>and this ends up being super helpful because steam powered

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<v Speaker 1>lifts were able to move much heavier loads. You're thinking

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<v Speaker 1>about things like coal or lumber and steel, and suddenly

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<v Speaker 1>this could all be raised hundreds of feet in a

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<v Speaker 1>matter of seconds. This new capacity led to major booms

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<v Speaker 1>and construction and mining, and it's actually a big part

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<v Speaker 1>of what made the Industrial Revolution so transformative. Steam powered

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<v Speaker 1>elevator still had one major flaw. They were really dangerous,

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<v Speaker 1>like super dangerous, and if a rope snapped, the lift

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<v Speaker 1>would just plummet, and unfortunately, that happened pretty often all

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<v Speaker 1>through the first half of the nineteenth century.

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<v Speaker 2>Right And it's around that halfway point that an entrepreneur

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<v Speaker 2>and inventor named elisha Otis enters the picture. We mentioned

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<v Speaker 2>that name earlier, and he got into the elevator game

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<v Speaker 2>in eighteen fifty two while working on a project for

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<v Speaker 2>a company that made bedframes. So the client needed a

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<v Speaker 2>way to move heavy manufacturing equipment to the second floor

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<v Speaker 2>of its factory. It was only one problem, though, and

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<v Speaker 2>that was that the equipment they were moving was so

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<v Speaker 2>heavy that the lifting cables couldn't bear the weight for

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<v Speaker 2>all that long. So there was this constant risk that

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<v Speaker 2>the cables were going to snap, and if that happened,

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<v Speaker 2>there would be nothing to stop the elevator from plunging

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<v Speaker 2>straight to the ground floor. So Otis's solution to the

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<v Speaker 2>problem was to develop the world's first safety device for elevators.

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<v Speaker 2>It was basically like a brake system that functioned as

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<v Speaker 2>a fail safe for the lift. So if the cable

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<v Speaker 2>should break, the loss of tension would trigger the release

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<v Speaker 2>of these levers on either side of the elevator car,

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<v Speaker 2>and then these levers would lock and do these series

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<v Speaker 2>of grooves that were along the vertical rails of the elevator,

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<v Speaker 2>and that would sort of arrest the fall and lock

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<v Speaker 2>the car in place.

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<v Speaker 1>So it's pretty innovative, that's pretty amazing. So I just

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<v Speaker 1>want to make sure I have this straight. Like, the

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<v Speaker 1>vertical rails were already part of the elevator design, right, Like,

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<v Speaker 1>they just didn't have that like locking system built into

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<v Speaker 1>them until Otis came along.

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<v Speaker 2>Yeah, that's right. I mean all of the elevators of

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<v Speaker 2>the era were braced on either side by these vertical

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<v Speaker 2>rails that help keep the car steady as it was

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<v Speaker 2>going up or down. And so those rails were completely smooth, though,

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<v Speaker 2>so if a cable broke, the car would just slide

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<v Speaker 2>right down the rails in free fall, which would obviously

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<v Speaker 2>be dangerous and terrifying. And so Otis's breakthrough was to

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<v Speaker 2>carve grooves into the rails and create kind of a

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<v Speaker 2>saw toothed ratchet system that would act as these brakes.

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<v Speaker 2>Industrial companies recognize the merits of the new braking system

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<v Speaker 2>right away, and Otis quickly set to work on filing

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<v Speaker 2>orders for freight elevators. But the public was still unconvinced,

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<v Speaker 2>understandably because it is such a different invention and everything,

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<v Speaker 2>but most people viewed elevators as these death traps, and

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<v Speaker 2>they were unlikely to be swayed from this opinion by

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<v Speaker 2>these confusing diagrams. They were singing and all these technical explanations.

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<v Speaker 2>So in order to really trust such a system, people

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<v Speaker 2>would need to see it for themselves. And so at

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<v Speaker 2>the World's Fair in eighteen fifty four, Elishah Otis allowed

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<v Speaker 2>them to do just that.

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<v Speaker 1>So you're saying that, like fairgoers were actually willing to

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<v Speaker 1>get into these elevators and test the brake systems.

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<v Speaker 2>No, still not at this point. But Otis thought about that,

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<v Speaker 2>I mean, he anticipated that, and so he arranged a

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<v Speaker 2>stunt that would instead put only one person's life on

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<v Speaker 2>the line, and that, of course, was his own. And

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<v Speaker 2>so here's what happened. You're at the Crystal Palace exposition Hall,

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<v Speaker 2>and Otis constructed this fifty foot wooden elevator. Then, with

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<v Speaker 2>some help from none other than Pace Barnum himself, Otis

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<v Speaker 2>gathered this crowd and promised them this death defying stunt

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<v Speaker 2>unlike any they had ever seen. So the crowd is,

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<v Speaker 2>you know, hyped up in everything, and Otis then dramatically

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<v Speaker 2>rides the elevator to the very top, where he then

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<v Speaker 2>ordered an axe wielding assistant to cut the rope that

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<v Speaker 2>held up the elevator. The onlookers were stunned and sort

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<v Speaker 2>of braced themselves for this tragic scene, but thankfully it

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<v Speaker 2>never came. And that's because, you know, of course, to

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<v Speaker 2>their surprise and great relief, the platform dropped just a

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<v Speaker 2>few inches and then came to a complete stop. The

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<v Speaker 2>crowd was blown away by this, but they were also

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<v Speaker 2>skeptical of how reliable the system really was, and you know,

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<v Speaker 2>they thought, maybe Otis just got insanely lucky, and there

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<v Speaker 2>was no guarantee that the brakes would work a second time.

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<v Speaker 2>So Otis performed the stunt again and again and again.

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<v Speaker 2>Every hour of the day that the fair was open.

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<v Speaker 2>He performed this stunt, and in this way, little by little,

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<v Speaker 2>one crowd at a time, Otis won over the public

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<v Speaker 2>and convinced them that elevators were at long last safe

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<v Speaker 2>to ride.

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<v Speaker 1>That is such an amazing stunt, Like it's such an

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<v Speaker 1>amazing pr thing that all you're basically doing is riding

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<v Speaker 1>an elevator.

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<v Speaker 2>Pretty amazing.

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<v Speaker 1>But you know, I'm guessing this was a turning point

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<v Speaker 1>for Otis. Like I read that the first passenger elevator

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<v Speaker 1>to use his brake system was installed in New York

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<v Speaker 1>in eighteen fifty seven, so it was still about three

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<v Speaker 1>years after the fair, But then the floodgates really open,

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<v Speaker 1>and within sixteen years, more than two thousand passenger elevators

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<v Speaker 1>were operating all across the country.

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<v Speaker 2>Yeah, there was definitely a snowball effect to all of this.

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<v Speaker 2>And you know, sadly Otis actually didn't live long enough

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<v Speaker 2>to see just how widely embraced his invention became. He

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<v Speaker 2>passed away in eighteen sixty one, just a few years

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<v Speaker 2>after his first elevator was installed in New York. But

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<v Speaker 2>his sons did carry on the family business along with others,

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<v Speaker 2>and they worked to make improvements on that original design,

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<v Speaker 2>including the switch to hydraulic power and eventually, of course,

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<v Speaker 2>to electricity. Now, all of this innovation helps secure the

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<v Speaker 2>elevator's place as one of the most highly traffic transport

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<v Speaker 2>systems in the world. And that's not an exaggeration. According

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<v Speaker 2>to the La Times, the world's elevators now move the

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<v Speaker 2>equivalent of the Earth's population every seventy two hours. Wow.

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<v Speaker 2>If you think about that, every three days, over seven

0:11:23.240 --> 0:11:26.680
<v Speaker 2>and a half billion people take a ride on an elevator.

0:11:26.800 --> 0:11:30.040
<v Speaker 1>That is not something I'd even comprehended. That's pretty remarkable.

0:11:30.320 --> 0:11:34.640
<v Speaker 2>Yeah, it's really crazy and It's especially true of Otis elevators,

0:11:34.640 --> 0:11:38.160
<v Speaker 2>which are still going strong today. For example, the elevators

0:11:38.160 --> 0:11:40.760
<v Speaker 2>in the Eiffel Tower Otis elevators. So are the ones

0:11:40.800 --> 0:11:43.560
<v Speaker 2>in the Empire, State Building, the White House, the Vatican,

0:11:43.640 --> 0:11:46.079
<v Speaker 2>the Kremlin. I mean, the list goes on and on,

0:11:46.559 --> 0:11:48.679
<v Speaker 2>and the company is now one of the two largest

0:11:48.720 --> 0:11:51.840
<v Speaker 2>elevator manufacturers in the world. And that's why if you

0:11:51.880 --> 0:11:55.000
<v Speaker 2>step into an elevator today, the chances are you will

0:11:55.000 --> 0:11:57.319
<v Speaker 2>find that Otis name inscribed on the walls.

0:11:57.040 --> 0:11:59.520
<v Speaker 1>There, which makes a lot more sense than all the

0:11:59.600 --> 0:12:03.640
<v Speaker 1>elevator in the world being nicknamed Otis. But I think

0:12:03.640 --> 0:12:05.959
<v Speaker 1>we should talk some more about the rapid growth phase

0:12:06.000 --> 0:12:08.520
<v Speaker 1>that elevators went through near the turn of the twentieth century.

0:12:08.920 --> 0:12:12.120
<v Speaker 1>You actually mentioned that there were a couple thousands spread

0:12:12.160 --> 0:12:14.880
<v Speaker 1>across the country by the early eighteen seventies, but the

0:12:14.920 --> 0:12:18.080
<v Speaker 1>majority of those were still being used in industrial settings,

0:12:18.120 --> 0:12:21.880
<v Speaker 1>and you'd find the safety elevators in coal mines or

0:12:21.880 --> 0:12:24.560
<v Speaker 1>construction sites, but it was still pretty rare to see

0:12:24.559 --> 0:12:27.120
<v Speaker 1>one in an office building or apartment complex.

0:12:27.400 --> 0:12:30.280
<v Speaker 2>Yeah, the average person didn't come into contact with elevators

0:12:30.320 --> 0:12:33.560
<v Speaker 2>all that often, and that finally starts to change in

0:12:33.600 --> 0:12:37.160
<v Speaker 2>the eighteen seventies though, as business owners begin adding elevators

0:12:37.160 --> 0:12:40.640
<v Speaker 2>to their office buildings, and that's really what launched the

0:12:40.679 --> 0:12:43.880
<v Speaker 2>invention into its next phase, where you start to see

0:12:44.200 --> 0:12:47.760
<v Speaker 2>all the architectural and cultural impacts that elevators have had.

0:12:48.160 --> 0:12:50.280
<v Speaker 1>Yeah, I mean, it's wild to think about how different

0:12:50.320 --> 0:12:52.920
<v Speaker 1>the cities we know would look if it weren't for elevators,

0:12:53.000 --> 0:12:56.960
<v Speaker 1>Like no skyscrapers, high rise apartments, like all the buildings

0:12:57.000 --> 0:12:58.560
<v Speaker 1>would just be a few stories tall.

0:12:58.679 --> 0:13:00.760
<v Speaker 2>Yeah, it's funny when you look back and realized that

0:13:00.960 --> 0:13:03.600
<v Speaker 2>higher floors would you know, they used to be the

0:13:03.679 --> 0:13:07.040
<v Speaker 2>least desirable spaces in a building. Like today we connect

0:13:07.120 --> 0:13:09.760
<v Speaker 2>higher floors with a sense of luxury. They're more private,

0:13:09.920 --> 0:13:12.360
<v Speaker 2>farther removed from the noise of the streets, you know,

0:13:12.440 --> 0:13:15.320
<v Speaker 2>not to mention those bird's eye view of the skyline.

0:13:15.400 --> 0:13:18.960
<v Speaker 2>But before elevators made them more accessible, those top floors

0:13:19.000 --> 0:13:22.240
<v Speaker 2>were seen as inconvenient, like In fact, they were typically

0:13:22.280 --> 0:13:25.360
<v Speaker 2>set aside for either low rent tenants or like the

0:13:25.360 --> 0:13:28.320
<v Speaker 2>in house janitor. So how many stairs you had to

0:13:28.320 --> 0:13:30.960
<v Speaker 2>climb to get to your apartment was really kind of

0:13:31.000 --> 0:13:33.880
<v Speaker 2>a status signifier, like the fewer obviously the.

0:13:33.920 --> 0:13:37.000
<v Speaker 1>Better, exactly, and so when elevators came along, not only

0:13:37.040 --> 0:13:39.760
<v Speaker 1>did those higher floors get much more appealing and much

0:13:39.800 --> 0:13:43.520
<v Speaker 1>more valuable, they also got much higher. So thanks to

0:13:43.559 --> 0:13:46.720
<v Speaker 1>the advent of steel frame construction, and of course thanks

0:13:46.760 --> 0:13:50.160
<v Speaker 1>to elevators, buildings could suddenly be built much taller than before.

0:13:50.840 --> 0:13:53.320
<v Speaker 1>This basically meant that anyone who owned a building no

0:13:53.360 --> 0:13:56.040
<v Speaker 1>longer needed to fight for new land to develop on,

0:13:56.360 --> 0:13:59.959
<v Speaker 1>like that's something that's always in short supply in cities. Instead,

0:14:00.080 --> 0:14:04.160
<v Speaker 1>they could simply build upwards new offices, hotel rooms, retail

0:14:04.160 --> 0:14:07.280
<v Speaker 1>space like there's nothing but air above. So in a way,

0:14:07.320 --> 0:14:10.280
<v Speaker 1>elevators literally shape the cities we know today. I actually

0:14:10.280 --> 0:14:13.520
<v Speaker 1>found this great quote from this guy named Patrick Karajat,

0:14:14.040 --> 0:14:17.079
<v Speaker 1>and he's the founder of the Elevator Museum in New York.

0:14:17.160 --> 0:14:20.320
<v Speaker 1>And according to him, quote, if we didn't have elevators,

0:14:20.520 --> 0:14:24.400
<v Speaker 1>we would have a megalopolis, one continuous city stretching from

0:14:24.400 --> 0:14:27.960
<v Speaker 1>Philadelphia to Boston, because everything would be five or six

0:14:28.000 --> 0:14:28.600
<v Speaker 1>stories tall.

0:14:28.760 --> 0:14:30.720
<v Speaker 2>Yeah, it's interesting to think about it as this choice

0:14:30.760 --> 0:14:35.239
<v Speaker 2>between a sprawling horizontal city or this more densely clustered,

0:14:35.320 --> 0:14:37.760
<v Speaker 2>vertical one, And it reminds me of this cool Boston

0:14:37.760 --> 0:14:41.200
<v Speaker 2>Globe article that talked about a kind of invisible war

0:14:41.320 --> 0:14:44.280
<v Speaker 2>between elevators and cars that's been going on for the

0:14:44.320 --> 0:14:46.800
<v Speaker 2>past century or so. So the idea is that you

0:14:46.840 --> 0:14:50.240
<v Speaker 2>have these two new technologies that were basically pushing us

0:14:50.280 --> 0:14:53.680
<v Speaker 2>in two different directions. On the one side, you had cars,

0:14:53.720 --> 0:14:56.920
<v Speaker 2>which allowed people to travel horizontally, and the other you

0:14:56.960 --> 0:15:00.240
<v Speaker 2>had elevators, which of course moved people vertically. And city

0:15:00.280 --> 0:15:03.400
<v Speaker 2>planners had to choose which of these new technologies they

0:15:03.400 --> 0:15:06.000
<v Speaker 2>were going to get behind, which you know, which one

0:15:06.000 --> 0:15:08.360
<v Speaker 2>they were going to focus on developing their cities around.

0:15:08.440 --> 0:15:10.720
<v Speaker 2>And if you looked up in an American city during

0:15:10.760 --> 0:15:13.920
<v Speaker 2>the last one hundred years, it's pretty obvious you know

0:15:13.960 --> 0:15:14.680
<v Speaker 2>which one they.

0:15:14.600 --> 0:15:16.880
<v Speaker 1>Picked, definitely. But it's not like cars were left by

0:15:16.880 --> 0:15:19.080
<v Speaker 1>the wayside or anything like. Elevators may have won the

0:15:19.080 --> 0:15:22.320
<v Speaker 1>battle to shape cities, but cars are still the you know,

0:15:22.520 --> 0:15:25.920
<v Speaker 1>transportation of choice in suburbs where the sprawl is much

0:15:26.000 --> 0:15:26.800
<v Speaker 1>less of an issue.

0:15:26.880 --> 0:15:28.720
<v Speaker 2>Yeah, I guess in the end, it's sort of been

0:15:28.800 --> 0:15:31.520
<v Speaker 2>a draw in that sense between those two. But all right,

0:15:31.600 --> 0:15:34.320
<v Speaker 2>so we've seen how elevators have evolved over the years,

0:15:34.360 --> 0:15:36.000
<v Speaker 2>and I feel like we should check out a few

0:15:36.040 --> 0:15:38.960
<v Speaker 2>things about them that have actually stayed the same. But

0:15:39.000 --> 0:15:40.960
<v Speaker 2>before we get to that, let's take a quick break.

0:15:54.760 --> 0:15:56.560
<v Speaker 2>You're listening to Part Time Genius, and we're talking about

0:15:56.560 --> 0:16:01.320
<v Speaker 2>the eccentricities of elevator etiquette. We talked about the elevator's

0:16:01.360 --> 0:16:05.640
<v Speaker 2>effect on our architecture and daily routines. Now let's talk

0:16:05.640 --> 0:16:09.000
<v Speaker 2>about how elevators affected the people who rode them, Because

0:16:09.000 --> 0:16:11.720
<v Speaker 2>when you think about it, passenger elevators really created a

0:16:11.760 --> 0:16:15.920
<v Speaker 2>new kind of social situation, like one that's strangely intimate

0:16:16.080 --> 0:16:18.760
<v Speaker 2>yet impersonal at the same time. It's always a little

0:16:18.760 --> 0:16:20.800
<v Speaker 2>bit weird to be in an elevator full of people,

0:16:21.040 --> 0:16:23.080
<v Speaker 2>or even more weird to be with one person. But

0:16:23.560 --> 0:16:26.600
<v Speaker 2>you know, this new dynamic raised all kinds of questions

0:16:26.680 --> 0:16:30.840
<v Speaker 2>about what was proper behavior when riding an elevator. The

0:16:31.000 --> 0:16:34.000
<v Speaker 2>one hot debate, for example, was whether a man should

0:16:34.040 --> 0:16:37.000
<v Speaker 2>remove his hat while riding in an elevator with a woman.

0:16:37.080 --> 0:16:39.120
<v Speaker 2>You know, I'm sure you think about this all the

0:16:39.120 --> 0:16:41.520
<v Speaker 2>time and really worry about like should he take his

0:16:41.560 --> 0:16:43.520
<v Speaker 2>hat off as he would in a restaurant or leave

0:16:43.560 --> 0:16:45.200
<v Speaker 2>it on as he would you know, on a train

0:16:45.360 --> 0:16:46.880
<v Speaker 2>or a bus. I mean, it's a lot to think.

0:16:46.760 --> 0:16:48.840
<v Speaker 1>About I don't think I even realized you're supposed to

0:16:48.880 --> 0:16:49.560
<v Speaker 1>leave your hat.

0:16:49.360 --> 0:16:52.040
<v Speaker 2>On a bus, but yeah, leave it on.

0:16:52.680 --> 0:16:56.040
<v Speaker 1>But it's interesting because restaurants and buses are both examples

0:16:56.080 --> 0:16:59.240
<v Speaker 1>of public spaces, right, So for elevators, it was really

0:16:59.280 --> 0:17:01.960
<v Speaker 1>more about whether they were a mode of transportation or

0:17:02.160 --> 0:17:04.960
<v Speaker 1>just another room in a building, albeit a moving room.

0:17:05.080 --> 0:17:08.120
<v Speaker 1>So it's kind of a tough call because both descriptions

0:17:08.320 --> 0:17:09.560
<v Speaker 1>are technically a fit for that.

0:17:09.880 --> 0:17:12.280
<v Speaker 2>Yeah, it's true, and I think that was really what

0:17:12.440 --> 0:17:15.200
<v Speaker 2>through people, Like the elevator was a mode of transportation

0:17:15.440 --> 0:17:19.880
<v Speaker 2>inside a building, So which set of rules do you follow? Now?

0:17:19.920 --> 0:17:23.520
<v Speaker 2>Unlike riding a bus, riding an elevator brought unclear expectations

0:17:23.560 --> 0:17:26.760
<v Speaker 2>for social interaction, Like even if you don't know the

0:17:26.880 --> 0:17:30.040
<v Speaker 2>other passengers, you know that they live or work in

0:17:30.080 --> 0:17:32.240
<v Speaker 2>the same building as you, and so there's this sense

0:17:32.280 --> 0:17:35.040
<v Speaker 2>that you should at least acknowledge that in some way,

0:17:35.080 --> 0:17:38.879
<v Speaker 2>whether by nodding or smiling or making small talk or whatever.

0:17:39.240 --> 0:17:41.080
<v Speaker 1>Right, But we never want to be the person to

0:17:41.119 --> 0:17:43.000
<v Speaker 1>make that call, right, Like everyone wants to wait for

0:17:43.040 --> 0:17:45.120
<v Speaker 1>the other person to make the first move in those situation.

0:17:45.240 --> 0:17:48.119
<v Speaker 1>So it always creates this I don't know like anxiety

0:17:48.200 --> 0:17:49.159
<v Speaker 1>or tension or something.

0:17:49.400 --> 0:17:51.000
<v Speaker 2>No, I don't know. I usually just go ahead and

0:17:51.040 --> 0:17:53.280
<v Speaker 2>get in and get everybody a hug, and just I

0:17:53.640 --> 0:17:57.359
<v Speaker 2>get that out of the way exactly. And it feels like, now,

0:17:57.359 --> 0:17:59.919
<v Speaker 2>more than one hundred and fifty years after their invention,

0:18:00.080 --> 0:18:04.439
<v Speaker 2>we still haven't gotten over those feelings of discomfort. It's like,

0:18:04.520 --> 0:18:07.920
<v Speaker 2>despite all the advances in elevator design, the one thing

0:18:08.080 --> 0:18:11.639
<v Speaker 2>we can't seem to resolve is this inherent awkwardness of

0:18:11.680 --> 0:18:13.919
<v Speaker 2>taking this short ride with other strangers.

0:18:14.359 --> 0:18:17.760
<v Speaker 1>So I am curious if you know what causes that,

0:18:17.880 --> 0:18:19.840
<v Speaker 1>like what makes it feel so awkward?

0:18:20.000 --> 0:18:22.040
<v Speaker 2>Yeah, I was definitely curious about this. This was actually

0:18:22.080 --> 0:18:24.280
<v Speaker 2>one of the first things we were looking into this week,

0:18:24.320 --> 0:18:27.159
<v Speaker 2>and it turns out there are a few reasons. So

0:18:27.280 --> 0:18:30.440
<v Speaker 2>one deals with something that international tourists here a lot,

0:18:30.480 --> 0:18:34.040
<v Speaker 2>which is that we Americans love our personal space. So

0:18:34.119 --> 0:18:36.760
<v Speaker 2>typically we like to keep at least an arm's length

0:18:36.800 --> 0:18:40.240
<v Speaker 2>of distance between us and other people, and the elevator

0:18:40.280 --> 0:18:43.360
<v Speaker 2>is one of the rare places where that's not always possible,

0:18:43.400 --> 0:18:45.800
<v Speaker 2>and so that's, you know, what brings on some of

0:18:45.800 --> 0:18:48.359
<v Speaker 2>that awkwardness. Now, the other thing that was is a

0:18:48.359 --> 0:18:50.720
<v Speaker 2>bit more universal and that's that most of us are

0:18:50.760 --> 0:18:53.840
<v Speaker 2>at least a little bit anxious of being trapped in

0:18:53.920 --> 0:18:57.520
<v Speaker 2>a steel box, which may sound obvious, and not only

0:18:57.520 --> 0:19:01.120
<v Speaker 2>that you're dangling from the roof by this cable. And

0:19:01.200 --> 0:19:04.919
<v Speaker 2>that's despite the fact that elevators are actually super safe.

0:19:04.960 --> 0:19:07.399
<v Speaker 2>In fact, they are one of the safest ways to

0:19:07.600 --> 0:19:11.640
<v Speaker 2>travel period. So for example, about nineteen hundred people die

0:19:11.760 --> 0:19:15.040
<v Speaker 2>taking the stairs each year, which is just a really

0:19:15.080 --> 0:19:18.120
<v Speaker 2>bizarre fact, but according to Consumer Watch, they were only

0:19:18.119 --> 0:19:22.639
<v Speaker 2>about twenty seven elevator related deaths per year worldwide. Now,

0:19:22.640 --> 0:19:24.639
<v Speaker 2>I gonna be honest, I wouldn't even known it was

0:19:25.080 --> 0:19:29.320
<v Speaker 2>that much. And considering that elevators make roughly eighteen billion

0:19:29.440 --> 0:19:32.600
<v Speaker 2>trips each year according to the La Times, that works

0:19:32.600 --> 0:19:36.960
<v Speaker 2>out to an exceptionally low fatality rate. It's about a

0:19:37.200 --> 0:19:41.280
<v Speaker 2>point zero zero zero zero zero zero one five percent

0:19:41.760 --> 0:19:44.399
<v Speaker 2>per trip. So you know, the awkwardness you feel in

0:19:44.440 --> 0:19:47.720
<v Speaker 2>an elevator is very real, but the sense of danger

0:19:48.320 --> 0:19:48.960
<v Speaker 2>not so much.

0:19:49.600 --> 0:19:51.960
<v Speaker 1>Well, I mean that definitely tracks with what I learned

0:19:51.960 --> 0:19:55.000
<v Speaker 1>this week about the origin of elevator music. So I'd

0:19:55.000 --> 0:19:57.359
<v Speaker 1>always assume that the music was there to calm people's

0:19:57.440 --> 0:20:00.320
<v Speaker 1>nerves and make them less worried about going, you know,

0:20:00.400 --> 0:20:03.920
<v Speaker 1>something going wrong. But according to elevator historians, of which

0:20:03.960 --> 0:20:06.639
<v Speaker 1>there are actually a great many, I found out this week,

0:20:06.840 --> 0:20:10.359
<v Speaker 1>elevator music was really invented to help alleviate boredom and

0:20:10.440 --> 0:20:12.919
<v Speaker 1>to fill that awkward silence that comes from riding a

0:20:12.960 --> 0:20:13.960
<v Speaker 1>lift with strangers.

0:20:14.280 --> 0:20:17.000
<v Speaker 2>I do kind of like the awkward silence was just assume, like,

0:20:17.080 --> 0:20:19.639
<v Speaker 2>of course people will choose that over small talk with

0:20:19.720 --> 0:20:21.040
<v Speaker 2>a stranger, you know, I know what.

0:20:21.359 --> 0:20:23.800
<v Speaker 1>I guess building owners were like, we know you aren't

0:20:23.800 --> 0:20:25.480
<v Speaker 1>going to talk to each other. So here's some music

0:20:25.520 --> 0:20:27.840
<v Speaker 1>to fill that void where I guess the human interaction

0:20:27.920 --> 0:20:28.560
<v Speaker 1>is supposed to go.

0:20:28.760 --> 0:20:31.240
<v Speaker 2>It's too bad it doesn't really work. I mean, in reality,

0:20:31.280 --> 0:20:34.760
<v Speaker 2>there is no escaping the awkward, or at least not

0:20:34.840 --> 0:20:36.920
<v Speaker 2>until you hit the closed door button really quickly when

0:20:36.960 --> 0:20:39.080
<v Speaker 2>you see a stranger coming, just to avoid the whole

0:20:39.119 --> 0:20:40.159
<v Speaker 2>situation entirely.

0:20:40.440 --> 0:20:42.719
<v Speaker 1>So here's the thing I learned about that. You know,

0:20:43.040 --> 0:20:44.960
<v Speaker 1>it turns out that closing the elevator door on a

0:20:44.960 --> 0:20:48.200
<v Speaker 1>stranger doesn't really work, and that's because the closed door

0:20:48.200 --> 0:20:50.920
<v Speaker 1>button and most American elevators is ineffective.

0:20:51.080 --> 0:20:53.920
<v Speaker 2>It actually, I guess sort of makes sense I always

0:20:53.960 --> 0:20:56.880
<v Speaker 2>suspected that was the case. But is this by design

0:20:57.000 --> 0:20:59.080
<v Speaker 2>or did the buttons just malfunction a lot, or like

0:20:59.119 --> 0:21:00.240
<v Speaker 2>what's happening.

0:21:00.400 --> 0:21:04.120
<v Speaker 1>It is by design, so the reason why is pretty interesting. Apparently,

0:21:04.160 --> 0:21:06.960
<v Speaker 1>when the Americans with Disabilities Act was first passed in

0:21:07.040 --> 0:21:10.159
<v Speaker 1>nineteen ninety, it included a list of requirements for elevators,

0:21:10.320 --> 0:21:13.520
<v Speaker 1>and these are things like raised buttons, braille signs, and

0:21:13.600 --> 0:21:16.120
<v Speaker 1>another requirement was that elevator doors had to remain open

0:21:16.160 --> 0:21:18.720
<v Speaker 1>for at least three seconds, and that way someone with

0:21:18.760 --> 0:21:20.920
<v Speaker 1>the disability would have enough time to get inside before

0:21:20.920 --> 0:21:24.560
<v Speaker 1>the door's closed. Some manufacturers complied with the law by

0:21:24.640 --> 0:21:27.440
<v Speaker 1>ensuring that the closed door buttons don't cut that time short,

0:21:27.640 --> 0:21:30.040
<v Speaker 1>but others just want to step further and deactivate the

0:21:30.040 --> 0:21:33.280
<v Speaker 1>button entirely just to cover their bases. Still, there are

0:21:33.320 --> 0:21:35.640
<v Speaker 1>some exceptions to this. New York City has a law

0:21:35.640 --> 0:21:38.280
<v Speaker 1>that requires that all elevators have to have a working

0:21:38.320 --> 0:21:41.600
<v Speaker 1>closed door button, but the buttons are on a delay,

0:21:41.640 --> 0:21:44.280
<v Speaker 1>so it kind of defeats the purpose. And of course

0:21:44.359 --> 0:21:46.800
<v Speaker 1>other countries have their own laws about closed door buttons,

0:21:46.800 --> 0:21:49.680
<v Speaker 1>so like all the ones in England are fully functional.

0:21:49.720 --> 0:21:52.080
<v Speaker 2>For instance, I mean it makes me wonder why elevators

0:21:52.240 --> 0:21:55.800
<v Speaker 2>even have these if they're all deactivated, why bother with

0:21:55.920 --> 0:21:56.359
<v Speaker 2>having them?

0:21:56.400 --> 0:21:59.240
<v Speaker 1>Anyway, I think part of it is like a placebo effect,

0:21:59.400 --> 0:22:01.480
<v Speaker 1>like a button to mass just makes us feel a

0:22:01.480 --> 0:22:04.119
<v Speaker 1>little bit more in control of the situation, especially where

0:22:04.200 --> 0:22:06.399
<v Speaker 1>when we're in a rush or like, you know whatever.

0:22:06.480 --> 0:22:08.960
<v Speaker 1>But you know, elevators aren't the only place that we

0:22:09.000 --> 0:22:11.240
<v Speaker 1>see this kind of thing. So according to mental Floss,

0:22:11.840 --> 0:22:14.320
<v Speaker 1>and this is what they wrote, quote, buttons placed at

0:22:14.359 --> 0:22:17.680
<v Speaker 1>city crosswalks are often disabled, and the thermostats and many

0:22:17.720 --> 0:22:20.159
<v Speaker 1>office buildings are rigged so that the temperatures can't be

0:22:20.240 --> 0:22:22.720
<v Speaker 1>altered even if the numbers appear to change.

0:22:22.840 --> 0:22:24.760
<v Speaker 2>I mean, it's a little annoying, but I can also,

0:22:25.480 --> 0:22:27.600
<v Speaker 2>you know, see the logic there, Like, people can be

0:22:27.640 --> 0:22:30.920
<v Speaker 2>pretty impatient and having this button to push does help

0:22:31.040 --> 0:22:33.200
<v Speaker 2>pass the time, I guess, even if it's not actually

0:22:33.200 --> 0:22:33.840
<v Speaker 2>doing anything.

0:22:33.960 --> 0:22:35.880
<v Speaker 1>Yeah, I mean, who doesn't like pushing buttons?

0:22:36.000 --> 0:22:38.280
<v Speaker 2>Well, there's at least one other good thing about elevator

0:22:38.320 --> 0:22:40.680
<v Speaker 2>rides that I did want to mention it, And strangely enough,

0:22:40.680 --> 0:22:44.160
<v Speaker 2>it stems from that social awkwardness that we've been talking about.

0:22:44.160 --> 0:22:46.200
<v Speaker 2>But before we get to that, let's take one last

0:22:46.280 --> 0:23:09.480
<v Speaker 2>quick break.

0:23:00.760 --> 0:23:03.199
<v Speaker 1>Welcome back to part time Genius. So okay, well, so

0:23:03.240 --> 0:23:05.800
<v Speaker 1>you've peaked my interest before the break, and you've got

0:23:05.800 --> 0:23:08.720
<v Speaker 1>to tell me what's the upside to an awkward encounter

0:23:08.800 --> 0:23:09.560
<v Speaker 1>in an elevator.

0:23:09.800 --> 0:23:13.040
<v Speaker 2>Well, in a word, the upside is serendipity. I mean

0:23:13.040 --> 0:23:16.760
<v Speaker 2>that the nature of the experience encourages these these sort

0:23:16.800 --> 0:23:19.879
<v Speaker 2>of chance developments, and sometimes they turn out to be

0:23:20.080 --> 0:23:23.120
<v Speaker 2>really good ones. And you never quite know what will

0:23:23.160 --> 0:23:26.200
<v Speaker 2>happen in an elevator. And so by being squeezed into

0:23:26.280 --> 0:23:29.240
<v Speaker 2>this small space with a stranger, even for a brief moment,

0:23:29.680 --> 0:23:33.440
<v Speaker 2>we're forced to think about and respond to somebody else's existence,

0:23:33.840 --> 0:23:36.080
<v Speaker 2>and that's something we don't have to do very often

0:23:36.160 --> 0:23:37.320
<v Speaker 2>outside of the elevator.

0:23:37.440 --> 0:23:39.359
<v Speaker 1>Is that true, because it feels like I interact with

0:23:39.440 --> 0:23:42.000
<v Speaker 1>strangers in public spaces all the time, Like if I

0:23:42.000 --> 0:23:44.560
<v Speaker 1>go to a restaurant or if I'm in a checkout line.

0:23:44.600 --> 0:23:47.520
<v Speaker 2>Well that's true, but in those cases, the interactions are

0:23:47.800 --> 0:23:50.480
<v Speaker 2>pretty predetermined if you think about it, like you know

0:23:50.520 --> 0:23:52.960
<v Speaker 2>that you'll be interacting with a waiter or a cashier

0:23:53.119 --> 0:23:55.480
<v Speaker 2>or whoever it may be, and you know what to

0:23:55.600 --> 0:23:58.080
<v Speaker 2>expect when you do, like you'll talk about food options

0:23:58.200 --> 0:24:02.159
<v Speaker 2>or how much something costs. But apart from small, intentional

0:24:02.280 --> 0:24:06.080
<v Speaker 2>encounters like that, most of us are actually pretty isolated

0:24:06.119 --> 0:24:09.240
<v Speaker 2>in public spaces. You know, we're either in our cars

0:24:09.359 --> 0:24:11.719
<v Speaker 2>or at our desk, or maybe you're out and about

0:24:11.760 --> 0:24:14.440
<v Speaker 2>and you know, and you see people, but our eyes

0:24:14.440 --> 0:24:17.400
<v Speaker 2>are sort of glued to our phone screens and all

0:24:17.440 --> 0:24:20.440
<v Speaker 2>of that acts as a barrier between us and these

0:24:20.920 --> 0:24:24.840
<v Speaker 2>unprescribed interactions. But in an elevator, all bets are off,

0:24:24.880 --> 0:24:26.840
<v Speaker 2>Like you never know who's going to step in that

0:24:26.880 --> 0:24:29.439
<v Speaker 2>box with you or what they might say or do

0:24:29.520 --> 0:24:31.440
<v Speaker 2>when they're in there. And so that's a good thing,

0:24:31.680 --> 0:24:34.359
<v Speaker 2>I mean, at least in theory that that uncertainty is

0:24:34.440 --> 0:24:37.080
<v Speaker 2>probably where a good deal of the awkwardness stems from.

0:24:37.080 --> 0:24:40.560
<v Speaker 2>But it's also the catalyst for some lucky breaks. So

0:24:40.600 --> 0:24:43.719
<v Speaker 2>think about how many romantic comedies you've seen where somebody

0:24:43.800 --> 0:24:46.720
<v Speaker 2>stumbles into their soul made in an elevator, or how

0:24:46.720 --> 0:24:49.280
<v Speaker 2>many success stories started with an elevator pitch to a

0:24:49.359 --> 0:24:51.760
<v Speaker 2>CEO who couldn't get away because they're right there in

0:24:51.800 --> 0:24:55.199
<v Speaker 2>this box with you, and it's called exactly And you know,

0:24:55.240 --> 0:24:58.119
<v Speaker 2>if that still doesn't convince you that the potential awkwardness

0:24:58.200 --> 0:25:01.800
<v Speaker 2>is worth it. Take it from science. So researchers have

0:25:01.920 --> 0:25:04.800
<v Speaker 2>long look to elevators for insight into all kinds of

0:25:04.840 --> 0:25:08.760
<v Speaker 2>social behavior, like how smiling improves our willingness to stand

0:25:08.760 --> 0:25:11.560
<v Speaker 2>near strangers, or how standing in the back is a

0:25:11.640 --> 0:25:14.680
<v Speaker 2>power play because it lets you observe all the other passengers.

0:25:15.200 --> 0:25:19.680
<v Speaker 2>So elevators or this fertile environment for experimentation, and that's

0:25:19.720 --> 0:25:22.640
<v Speaker 2>exactly because they force us out of our comfort zones.

0:25:22.720 --> 0:25:26.000
<v Speaker 1>That's really interesting. I have thought about like elevator experiments

0:25:26.040 --> 0:25:27.520
<v Speaker 1>and like you know, the one where you're facing the

0:25:27.560 --> 0:25:30.000
<v Speaker 1>opposite way or whatever, but I didn't realize that they're

0:25:30.119 --> 0:25:34.080
<v Speaker 1>such a smart place to, like, you know, investigate interactions.

0:25:34.440 --> 0:25:36.679
<v Speaker 1>It does make me think, though, like you know, there

0:25:36.720 --> 0:25:39.720
<v Speaker 1>are these new fangled elevators that with these new inventions,

0:25:39.720 --> 0:25:43.120
<v Speaker 1>and it makes you wonder about how society will interact

0:25:43.160 --> 0:25:43.520
<v Speaker 1>after that.

0:25:43.800 --> 0:25:46.800
<v Speaker 2>And why do you say that, Well, I don't know if.

0:25:46.720 --> 0:25:49.359
<v Speaker 1>You well, I'm sure you've seen these. Actually, there's this

0:25:49.359 --> 0:25:52.760
<v Speaker 1>thing called destination dispatch, and it's basically a way to

0:25:52.840 --> 0:25:56.280
<v Speaker 1>group together passengers who have similar destinations. It's not like

0:25:56.320 --> 0:25:58.399
<v Speaker 1>the current system where you step into an elevator and

0:25:58.400 --> 0:26:01.560
<v Speaker 1>then request the floor you want in from inside the elevator. Instead,

0:26:01.600 --> 0:26:04.840
<v Speaker 1>you select the floor outside from this touchscreen in the lobby,

0:26:05.000 --> 0:26:07.280
<v Speaker 1>and then you're directed to an elevator car that's headed

0:26:07.320 --> 0:26:08.080
<v Speaker 1>in your direction.

0:26:08.480 --> 0:26:10.440
<v Speaker 2>Yeah. I feel like we've seen these, you know, and

0:26:10.560 --> 0:26:13.119
<v Speaker 2>a lot of the sort of new or fancier office

0:26:13.119 --> 0:26:14.480
<v Speaker 2>buildings in New York these days.

0:26:14.560 --> 0:26:16.959
<v Speaker 1>Yeah, I got Kanye NaSTA is one example. But you know,

0:26:17.320 --> 0:26:20.040
<v Speaker 1>the system is obviously meant to cut down on wasted

0:26:20.080 --> 0:26:23.000
<v Speaker 1>time and energy, but from what you've been saying, like

0:26:23.200 --> 0:26:25.640
<v Speaker 1>it sounds like it might cut down on that serendipity

0:26:25.680 --> 0:26:28.240
<v Speaker 1>as well. If everyone is bound for the same floor,

0:26:28.400 --> 0:26:31.120
<v Speaker 1>it's a lot less likely that a mailroom clerk has

0:26:31.119 --> 0:26:34.240
<v Speaker 1>that opportunity to bump into the executive who who you know,

0:26:34.359 --> 0:26:36.800
<v Speaker 1>might implement or be influenced by their idea.

0:26:36.880 --> 0:26:38.920
<v Speaker 2>I mean that is kind of a bummer, unless, of course,

0:26:38.960 --> 0:26:41.560
<v Speaker 2>you're someone who is just tired of being accosted by

0:26:41.560 --> 0:26:45.000
<v Speaker 2>mail clerks. I mean, it's a big problem these days, mego.

0:26:45.080 --> 0:26:47.199
<v Speaker 2>But I don't want to give the impression that the

0:26:47.240 --> 0:26:50.080
<v Speaker 2>elevator's best days are behind it. In fact, there are

0:26:50.160 --> 0:26:52.720
<v Speaker 2>some new advancements that I'm actually looking forward to checking

0:26:52.720 --> 0:26:55.760
<v Speaker 2>out myself, which feels strange to say about elevators, but

0:26:56.119 --> 0:26:58.800
<v Speaker 2>it's true. So just to think about some examples here.

0:26:59.400 --> 0:27:01.280
<v Speaker 2>You know, a company in Germany has been working on

0:27:01.320 --> 0:27:03.680
<v Speaker 2>a new kind of elevator that moves up and down

0:27:03.680 --> 0:27:08.280
<v Speaker 2>the rails using this magnetic levitation system instead of cables.

0:27:08.640 --> 0:27:11.399
<v Speaker 2>And so not only would this improve efficiency by allowing

0:27:11.560 --> 0:27:14.919
<v Speaker 2>multiple cars to operate in the same shaft since you know,

0:27:14.960 --> 0:27:17.840
<v Speaker 2>they no longer need their own cables, it would also

0:27:17.880 --> 0:27:21.320
<v Speaker 2>greatly reduce the amount of energy it takes to run them.

0:27:21.600 --> 0:27:23.639
<v Speaker 2>And if none of that is a hook enough for you,

0:27:23.720 --> 0:27:27.359
<v Speaker 2>consider this. A traditional elevator can only move up and

0:27:27.440 --> 0:27:30.720
<v Speaker 2>down along the axis of its cable, but a mag

0:27:30.800 --> 0:27:34.000
<v Speaker 2>lev elevator isn't restricted by cables, which means it can

0:27:34.119 --> 0:27:37.840
<v Speaker 2>also move horizontally as well as vertically. So you could

0:27:37.840 --> 0:27:41.040
<v Speaker 2>build this complete loop inside of building and even have

0:27:41.119 --> 0:27:44.480
<v Speaker 2>elevators move between shafts in order to find like the

0:27:44.520 --> 0:27:46.359
<v Speaker 2>fastest route to where they needed to be.

0:27:46.600 --> 0:27:50.040
<v Speaker 1>That's fascinating. So it's basically like real world wonkavators.

0:27:50.400 --> 0:27:52.880
<v Speaker 2>Yeah, pretty much, and it might still be a while

0:27:52.920 --> 0:27:55.880
<v Speaker 2>before we can travel like Willy Wonka. But scientists are

0:27:56.000 --> 0:27:58.080
<v Speaker 2>hard at work on it. I'm pretty sure of this.

0:27:58.480 --> 0:28:00.679
<v Speaker 1>Well, I'm definitely looking forward to that one. But before

0:28:00.720 --> 0:28:02.880
<v Speaker 1>we head out, why don't we do the fact off?

0:28:12.320 --> 0:28:14.640
<v Speaker 2>So, did you know it's illegal to pee in an

0:28:14.640 --> 0:28:16.199
<v Speaker 2>elevator in Singapore?

0:28:16.560 --> 0:28:18.919
<v Speaker 1>I mean, I assume it's illegal to pee in an

0:28:18.920 --> 0:28:20.440
<v Speaker 1>elevator in Singapore?

0:28:20.560 --> 0:28:22.920
<v Speaker 2>Yeah, okay, well you're pretty smart, I know, but everybody

0:28:23.040 --> 0:28:24.480
<v Speaker 2>might not know that. But there's more to it. So

0:28:24.520 --> 0:28:28.560
<v Speaker 2>elevators there come equipped with a urine detection device, so

0:28:28.560 --> 0:28:32.000
<v Speaker 2>they're taking this to another level. So no pun intended there.

0:28:32.040 --> 0:28:34.760
<v Speaker 2>So if you do pee, it sets off an alarm

0:28:34.840 --> 0:28:37.760
<v Speaker 2>and the doors slam shut, and then you just have

0:28:37.880 --> 0:28:41.560
<v Speaker 2>to wait there and shame until the police arrive to

0:28:41.640 --> 0:28:43.800
<v Speaker 2>ticket you. I've got to be honest, like, I know

0:28:43.920 --> 0:28:45.680
<v Speaker 2>they go overboard with a lot of things, but I

0:28:45.720 --> 0:28:47.520
<v Speaker 2>do actually kind of find this amazing.

0:28:48.080 --> 0:28:49.920
<v Speaker 1>I really hope they come up with a contraption to

0:28:49.960 --> 0:28:52.120
<v Speaker 1>do that at their pools too, Like all of a sudden,

0:28:52.160 --> 0:28:53.920
<v Speaker 1>it's like cover close you in.

0:28:54.200 --> 0:28:56.680
<v Speaker 2>All the water drains out and then you're just standing there.

0:28:58.440 --> 0:29:01.320
<v Speaker 1>Speaking of bathrooms, did you know that Japan is actually

0:29:01.320 --> 0:29:05.040
<v Speaker 1>considering putting toilets and running water in their elevators. While

0:29:05.040 --> 0:29:08.440
<v Speaker 1>that sounds like an unnecessary luxury, there's actually a reason

0:29:08.480 --> 0:29:11.280
<v Speaker 1>for it. The country has a ton of earthquakes and

0:29:11.320 --> 0:29:14.240
<v Speaker 1>when that happens, the elevators just get stuck. So it's

0:29:14.280 --> 0:29:16.680
<v Speaker 1>to offer a little bit of relief and dignity in

0:29:16.720 --> 0:29:18.960
<v Speaker 1>those hours that you might be stuck in an elevator.

0:29:19.120 --> 0:29:21.880
<v Speaker 2>That actually, when you first said it, it was confusing, But

0:29:21.920 --> 0:29:24.040
<v Speaker 2>you know what, that actually does make a lot of sense,

0:29:24.040 --> 0:29:26.280
<v Speaker 2>and that's thoughtful to do that, all right. So here's

0:29:26.320 --> 0:29:29.720
<v Speaker 2>one I love. So during the French Resistance, the French

0:29:29.800 --> 0:29:32.960
<v Speaker 2>severed the cables to the Eiffel Tower elevator so that

0:29:33.040 --> 0:29:35.800
<v Speaker 2>Hitler wouldn't take a photo op at the top of it.

0:29:36.120 --> 0:29:39.600
<v Speaker 2>Apparently the idea of climbing over fifteen hundred stairs was

0:29:39.880 --> 0:29:42.040
<v Speaker 2>just enough to keep him away. That's crazy.

0:29:42.240 --> 0:29:44.760
<v Speaker 1>Do you know. There's a subculture of elevator enthusiasts and

0:29:44.880 --> 0:29:48.760
<v Speaker 1>it is really really sweet. It's often people on the

0:29:48.800 --> 0:29:52.440
<v Speaker 1>autism spectrum, and they bond over their love of elevators.

0:29:52.680 --> 0:29:55.520
<v Speaker 1>So they filmed the buttons, They capture how the motors

0:29:55.560 --> 0:29:58.480
<v Speaker 1>sound and were They document their rides on pretty normal

0:29:58.480 --> 0:30:02.040
<v Speaker 1>elevators and sometimes it's and sometimes it isn't. But Slate

0:30:02.040 --> 0:30:04.800
<v Speaker 1>did an article on this, and the author wrote, quote,

0:30:04.960 --> 0:30:07.120
<v Speaker 1>while I have never found my journeys in real life

0:30:07.160 --> 0:30:11.080
<v Speaker 1>elevators to be particularly therapeutic, I find these videos very soothing.

0:30:11.920 --> 0:30:13.800
<v Speaker 2>I could see that that's pretty neat all Right, So

0:30:13.880 --> 0:30:16.000
<v Speaker 2>you've heard of the Burj Khalifa. You know that's one

0:30:16.080 --> 0:30:20.200
<v Speaker 2>hundred and sixty stories, like eight hundred and thirty meters tall.

0:30:20.280 --> 0:30:22.400
<v Speaker 2>I think passive. Yeah, that's the first time I've ever

0:30:22.680 --> 0:30:25.520
<v Speaker 2>measured something in meters. But I've got to convert that.

0:30:25.600 --> 0:30:27.520
<v Speaker 2>So what We'll let Charles are one of the listeners,

0:30:27.600 --> 0:30:29.800
<v Speaker 2>weigh in and give us that fact. So all right,

0:30:29.840 --> 0:30:32.200
<v Speaker 2>So get this. Apparently it's so tall that you can

0:30:32.280 --> 0:30:36.720
<v Speaker 2>watch the same sunset or sun rise in the same day,

0:30:37.400 --> 0:30:39.480
<v Speaker 2>Like you watch it from the ground, and then you

0:30:39.520 --> 0:30:41.880
<v Speaker 2>take their super fast elevator to the top of the

0:30:41.920 --> 0:30:45.080
<v Speaker 2>building and you can actually catch it again.

0:30:45.360 --> 0:30:47.720
<v Speaker 1>Oh man, that is unbelievable. Do you remember when we

0:30:47.760 --> 0:30:50.520
<v Speaker 1>went to go see that eclipse in Nashville. Yeah, of course,

0:30:50.560 --> 0:30:53.000
<v Speaker 1>I remember thinking like, I wasn't that interested in the phenomena,

0:30:53.080 --> 0:30:54.640
<v Speaker 1>and then I saw it and it was so beautiful,

0:30:54.640 --> 0:30:56.720
<v Speaker 1>and I like immediately wanted to jet forward and see

0:30:56.720 --> 0:30:58.880
<v Speaker 1>it again. You know, like, I feel like that that

0:30:59.000 --> 0:30:59.960
<v Speaker 1>kind of has that same feel.

0:31:00.240 --> 0:31:00.800
<v Speaker 2>Oh totally.

0:31:00.960 --> 0:31:03.760
<v Speaker 1>That's a great fact. I'm going to give you today's trophy.

0:31:03.960 --> 0:31:05.320
<v Speaker 2>You know what, I'll take it. I feel like it's

0:31:05.360 --> 0:31:08.320
<v Speaker 2>been a little while, so this feels really good. All right. Well,

0:31:08.320 --> 0:31:10.280
<v Speaker 2>thanks to all of our listeners out there for tuning in.

0:31:10.360 --> 0:31:12.000
<v Speaker 2>We know how hard it is to be stuck in

0:31:12.040 --> 0:31:14.320
<v Speaker 2>your home, so thank you for inviting us in with you.

0:31:14.520 --> 0:31:16.280
<v Speaker 2>That's going to do it for today's Part Time Genius

0:31:16.320 --> 0:31:19.080
<v Speaker 2>for myself, Mango, Gabe and Lull. Take care. We'll be

0:31:19.120 --> 0:31:36.000
<v Speaker 2>back soon with another episode. Part Time Genius is a

0:31:36.000 --> 0:31:39.560
<v Speaker 2>production of iHeartRadio. For more podcasts from iHeartRadio, visit the

0:31:39.600 --> 0:31:42.560
<v Speaker 2>iHeartRadio app, Apple Podcasts, or wherever you listen to your

0:31:42.600 --> 0:31:43.160
<v Speaker 2>favorite show.