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Speaker 1: Look mare, Oh, I see you my own look over

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Speaker 1: there is that culture. Yes, goodness, last cult ding Dong,

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Speaker 1: last culturistas calling with a big announcement.

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Speaker 2: Oh my gosh, we can finally say the sleuths have

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Speaker 2: been getting their magnifying glasses out, smoking from their little pipes.

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Speaker 2: Sherlock Holmes.

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Speaker 1: Well, we're gonna have to create a new category rears

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Speaker 1: Katie's publicist, finalist Kyles and Trelock Holms.

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Speaker 2: No, we're not. That's enough. Yeah, Kyle's I also want

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Speaker 2: to just fold into Katie's. Can we just officially fold Kyle's?

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Speaker 2: We can't do that? And what do you like? Where

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Speaker 2: I like? Four?

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Speaker 1: I don't, No, you know what, I can't believe it's

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Speaker 1: already this acrimonious. You can come in here, you fly

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Speaker 1: in with your big ideas. You're supposed to run this

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Speaker 1: by me? Why would Kyles float it? Do you think

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Speaker 1: I forced the Kyles through? I wouldn't say that you

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Speaker 1: ran it by my ass on me. Well, anyway, we

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Speaker 1: can have this discussion.

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Speaker 2: But I here's the thing.

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Speaker 1: Maybe Kyle should do something to make it so that

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Speaker 1: they deserve Kyle's.

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Speaker 2: Y'all better hit us up if you want to be

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Speaker 2: in the acronym we're talking to you.

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Speaker 1: Oh, by the way, later on an episode, when don't

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Speaker 1: we bring our guests in? I want to pitch my

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Speaker 1: Kyle Richards spinoff. I don't think we need any more

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Speaker 1: of her on my television. Well I think you might.

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Speaker 1: You might disagree with me when you hear what I

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Speaker 1: have to say.

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Speaker 2: Is it Kyle Richards does tongue twisters and we can't

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Speaker 2: even understand her more. I lost the big old bit. Well,

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Speaker 2: I'm just like, I'm just trying to hear. This is

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Speaker 2: my cousion.

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Speaker 3: I don't like her when she gets emotional, she does

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Speaker 3: sort of.

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Speaker 2: Actually you know what, No, we do need more Kyle

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Speaker 2: Richard's on TV. When you hear my idea for the spinoff,

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Speaker 2: you're going to be like, get that girl in her

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Speaker 2: twisted tongue light on the screens again. I have such

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Speaker 2: a good idea for her.

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Speaker 3: Okay speak of Bravo. Yeah, I think it is public now.

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Speaker 2: August fifth, The Lost Culture Reece Does Culture Awards will

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Speaker 2: be on Bravo and streaming on Peacock the next day.

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Speaker 1: Yes, immediately streaming on Peacock. This is gonna be incredible.

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Speaker 1: We are filming it in LA. We can't say where,

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Speaker 1: we can't say when yet. All this information is gonna

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Speaker 1: come out, yes, piece to meal over the next couple

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Speaker 1: of months. But yes, it's true. I guess in a way,

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Speaker 1: publicist season has begun.

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Speaker 2: This means publicist season has begun. That's why it's a

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Speaker 2: little bit delayed. Normally we have them in June. Obviously

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Speaker 2: the timeline is a little bit sort of shifted down.

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Speaker 2: But your work begins now. Yeah, we can officially say we.

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Speaker 1: Truly start awards season now, Yes, because that's gonna be

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Speaker 1: us August fifth, and then the next month probably what

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Speaker 1: three weeks into the month in September is the Emmys

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Speaker 1: whatever that is. But we will be first time for

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Speaker 1: everyone to start talking about people, things, places, happenings that

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Speaker 1: you think need to be called out and shower out.

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Speaker 2: Categories will be.

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Speaker 1: Announced soon and honies following after, and then we're gonna

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Speaker 1: have a big old show again in LA. We'll say

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Speaker 1: more about when later, but August fifth, five, big day.

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Speaker 2: We have a Culture Award winner here.

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Speaker 1: Yes, cultural Award winner. I was trying to count how

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Speaker 1: many times our guest has been on the show. I

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Speaker 1: think this is like eight or nine, but then that

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Speaker 1: wasn't including all of the sort of iconic I don't

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Speaker 1: think so, honey appearances of.

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Speaker 2: Course, Oh my god, Gauntlet do Gag? How about Wow, remember.

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Speaker 1: The Gauntlet Do Gag where our guests famously said, I

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Speaker 1: don't think so, honey. When you far in, a little

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Speaker 1: cum comes out in front of my mother, father, and sister,

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Speaker 1: thus bringing us all closer.

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Speaker 2: And he still didn't even win. He should have though, No,

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Speaker 2: well iconically won yeah, and she is. Yes, Rachel Pegram

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Speaker 2: did win that Parent Square, But it's like any awards

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Speaker 2: show where there's the winners and then there's the people

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Speaker 2: that you rigged.

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Speaker 1: Well, I mean you'd have to take that up with

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Speaker 1: our judges for that show, which we're Jrinx Onnston in Alaska.

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Speaker 1: Icons Wow, Wow, The Lost Coach really has remained over

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Speaker 1: the years.

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Speaker 2: It has remained. Real Loss Coach really has.

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Speaker 1: Remained over the especially real Coach are number four. Coach

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Speaker 1: really has remained over the years. We'll get to work

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Speaker 1: on that book soon at some point too. So our

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Speaker 1: guest is the host of Bravo Speaking of Love Hotel,

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Speaker 1: which airs on Go Ahead.

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Speaker 2: And Say It April twenty seven, eight seventh Central after Atlanta, which,

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Speaker 2: by the way, Atlanta has been great. I've heard.

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Speaker 1: I know that we're going to talk a lot about

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Speaker 1: the happenings and housewives right now. Remember we're recording this,

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Speaker 1: what is it, April sixteen, so we're about, you know,

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Speaker 1: some days behind where we are when this comes out.

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Speaker 1: But we're going to give generalized thoughts. This is airing

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Speaker 1: the thirtieth. Thank you airing the thirtieth. So listen, everybody.

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Speaker 1: You know our guest, We love our guests from the

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Speaker 1: film Fire Island and the television show Loot stand Up

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Speaker 1: all across America and the world, Australia, Australia, even God.

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Speaker 1: It's just like cool it, you know what I mean?

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Speaker 1: Cool it like heading on the Delta must be diamond.

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Speaker 1: Well I bet it is. Everyone, please your ears, bister.

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Speaker 2: Million miler. Actually, yes, honey, driven to her connecting flight

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Speaker 2: on the tarmac on the Porsches.

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Speaker 1: You know that is a good perk. But one thing

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Speaker 1: is like, you better make sure that you don't have

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Speaker 1: your air pods in or else when they call your

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Speaker 1: name for that, you're gonna miss it one day.

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Speaker 2: No, I just got back from Boston in my little

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Speaker 2: pod and left my wallet, no at the airport, and

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Speaker 2: it has ruined my life because boy do I not

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Speaker 2: have proof of citizenship? WHOA, but in this climate you

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Speaker 2: need it. Tough tough stuff, tough stuff. So does that

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Speaker 2: where's your passport? I have a passport. But here's the

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Speaker 2: thing that is no longer enough. And I have a

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Speaker 2: provisionary birth certificate that illinoily issued me because Korea can't

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Speaker 2: find mine. Jesus Korea.

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Speaker 1: It's actually a little culture number eight, Jesus Korea.

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Speaker 2: I was likely stolen, Let's be honest, but honestly, you were.

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Speaker 3: You were at the beginning of your life.

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Speaker 2: Was a Caper's life was a caper starring George Clooney, Yeah,

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Speaker 2: and j Low.

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Speaker 3: Imagine if that was out of sight. I've never seen it.

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Speaker 2: I've never seen it. Wait, so it's what do you

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Speaker 2: mean it's no longer enough? Well, they I literally got

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Speaker 2: my real ID with this provisionary birth certificate that Illinois issued,

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Speaker 2: but that is no longer They need like the real

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Speaker 2: hard copy of it. Now, come on, what do you

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Speaker 2: mean now like it in the Yeah, it's because like

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Speaker 2: back when I got the real ID a couple of

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Speaker 2: years ago, it was all fine and dandy, and I

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Speaker 2: did scan my way into getting a replacement real id

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Speaker 2: by holding my thumb over the provisionary part of the

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Speaker 2: birth certificate. When I got to the death and they

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Speaker 2: don't care. The woman in life whatever, I don't think any.

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Speaker 3: Of that Express Bridge a million miler, but no.

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Speaker 2: The thing is is like the woman in line who

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Speaker 2: checked my documents is like, they won't take this. And

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Speaker 2: then I got to the desk and of course she

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Speaker 2: did right, she didn't. She doesn't care about her job.

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Speaker 2: She has no loyalty to the DMB.

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Speaker 1: It makes me feel so sad when people so obviously

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Speaker 1: don't care about what they do like or like or

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Speaker 1: or they're so checked out and hate what they do

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Speaker 1: so much. And I just walk away from people like that,

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Speaker 1: and I'm like, God, they have to sit there and do.

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Speaker 2: That all day? How do we how do we bring

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Speaker 2: joy to the world?

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Speaker 3: You would rather they be.

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Speaker 2: River Vermier's character in.

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Speaker 1: Yes, I think the funniest moment in anything, the funniest

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Speaker 1: moment of twenty twenty four.

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Speaker 2: Yesli Barnea. That was so fucking that is like, where

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Speaker 2: was the no Viola Davis in doubt level no coming

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Speaker 2: in and.

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Speaker 3: You know this is what I keep saying.

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Speaker 1: And now that we're out of Oscar season, no one

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Speaker 1: can really take offense because it's all over.

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Speaker 2: I have to say.

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Speaker 3: The category fraud was worse than ever this year.

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Speaker 2: It's so bad.

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Speaker 1: We need rules to change the way this is because

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Speaker 1: how can we honor the River ramirez is of the

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Speaker 1: world and how can we keep honoring the Viola Davises

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Speaker 1: of the world?

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Speaker 2: Who mind you?

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Speaker 1: I will remind you the reason we have Viola Davis

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Speaker 1: is because she got an Oscar nomination exctly fourteen second.

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Speaker 2: Performing Ariana Grande versus River Ramirez period period until they

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Speaker 2: change it, Like are they gonna change it?

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Speaker 1: Then Oscar is gonna go gender free because it's they.

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Speaker 2: Who has those so far, the Indian Spirits have.

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Speaker 1: They have it, The Gothams have it, I believe, like

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Speaker 1: a lot of the critics things have it. But not

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Speaker 1: all the Golden globes don't. Critics' choice does it?

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Speaker 2: Yeah, well, the wave has begun and we are restarting

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Speaker 2: the wave here. We're rippling it here.

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Speaker 1: Like you know what I think would be fun if

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Speaker 1: it's like everyone shows up to the Oscars and no

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Speaker 1: one knows who it's just it's a surprise. Five people

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Speaker 1: get oscars and it's a total surprise. It's totally random.

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Speaker 1: You've said this before and I love it. It's like, Okay,

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Speaker 1: we're gonna announce one winner.

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Speaker 2: Have I told you about the production of Year in

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Speaker 2: Time that my college did my senior year before we graduated.

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Speaker 2: Now where they they put up the cast list. It

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Speaker 2: was just a list of names and we were all

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Speaker 2: no cast, no characters. Okay. Everyone was very confused. And

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Speaker 2: then we find come to find out that they will

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Speaker 2: all be wearing black. I'll be wearing masks, and I'll

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Speaker 2: be playing every part, and every night will be different

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Speaker 2: wause they will pass the ball quote unquote mid song

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Speaker 2: or mid line, mid scene. This is your years old.

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Speaker 2: It was one of the worst things I have. I

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Speaker 2: was higher life because it's like, I just want to

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Speaker 2: see that one bitch you can hit the note writing

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Speaker 2: privileged to pee. I just want to see that one

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Speaker 2: bit you actually can hit the note. Yes, he was

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Speaker 2: set up to fail by being born with a male voice.

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Speaker 1: Yeah, we all were. It's actually a little coature number thirty.

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Speaker 1: We were all set up to fail by born.

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Speaker 2: With a male voice. A map voice is a curse

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Speaker 2: a voice? Who cares what we can sing about? Oh

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Speaker 2: my god, it's real. Yeah, so that sounds like your

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Speaker 2: production of the Oscars honestly, But I'm not even behind

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Speaker 2: the differend. No, I am. I love behind this.

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Speaker 1: I'm like, I don't know how to fix it, but

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Speaker 1: it needs to be fixed. I did have a whole

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Speaker 1: like rubric with how they could do the lead in

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Speaker 1: supporting things. But then I'm just like, I don't know ultimately,

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Speaker 1: who cares?

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Speaker 2: Right? Where are you finding the time to sit down

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Speaker 2: at Google sheet and break there? So you've known me

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Speaker 2: what over ten years? You know? You know, I just

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Speaker 2: sit here and talk. Where am I finding the time?

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Speaker 2: I thought here and now I don't know? But no,

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Speaker 2: I am genuinely curious about the same thing of like

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Speaker 2: what is your in the day, Like when do you

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Speaker 2: find the time to watch videos about universal studios, to

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Speaker 2: watch videos about to want to read prognosticators? Like you

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Speaker 2: you do have a really wonderful palette in terms of

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Speaker 2: your media, you'd but we all three of us sitting

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Speaker 2: here know that acting is ninety percent sitting around drinking liquah. Yeah,

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Speaker 2: and so like we're at your I'm sure you're in niche.

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Speaker 2: Here's the thing.

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Speaker 1: And to answer your question and probably actually start a

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Speaker 1: conversation about what are specific things that we go online for,

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Speaker 1: I have one. I only have like three or four

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Speaker 1: little hot online hobbies. And to be honest with you,

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Speaker 1: ever since I was a very young gay kid, going

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Speaker 1: online and looking what was getting, like the oscar buzz

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Speaker 1: and finding out what was happening in the film industry

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Speaker 1: was always one of them. So now that I'm like

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Speaker 1: in the business, it's it's directly aligns with what my

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Speaker 1: online interests always were. And the same is true of

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Speaker 1: like me being on roller coaster Tycoon when I was

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Speaker 1: a little kid and like wanting to know what was

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Speaker 1: going on in that industry. So that's still one of

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Speaker 1: my niche interests. But it's like literally real housewives, like, yeah,

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Speaker 1: what's going on in the theme park industry and what's

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Speaker 1: going on in the entertainment industry and when awards season

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Speaker 1: kicks up, that really is in high gear. But those

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Speaker 1: are my things, and I'm curious, like what your guys's

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Speaker 1: things are.

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Speaker 2: I especially after this Japan trip, I am like and

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Speaker 2: I and you you guys have known this about me,

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Speaker 2: but it's it is specifically Final Fantasy game. And I

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Speaker 2: am all I've been doing on this press store where

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Speaker 2: I'm this way. I just finish press for running Banquet,

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Speaker 2: and what I've been doing in between is just playing

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Speaker 2: this fucking game, being a botanist, going around the woods,

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Speaker 2: collecting tree bark and collecting plants. Are you? Are we

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Speaker 2: talking Rebirth No? Seven? Rebirth absolutely one of the best,

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Speaker 2: one of the best Final Boss sequences ever.

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Speaker 3: But I'm talking about the MMO Final Fantasy fourteen.

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Speaker 2: Oh are you? I'm still in that MMO world. I'm

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Speaker 2: ten years into this fucking game. I love this game

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Speaker 2: so some of the best storytelling period in any medium.

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Speaker 2: I am Jonathan Bailey voicing a little cat boy. I've

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Speaker 2: always I've always hyped up Jonathan Bailey's performance as Grahatia,

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Speaker 2: and I've even told him on the study the Seat

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Speaker 2: of Wicked, I said, I just have to tell after.

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Speaker 3: He complimented to me is a lyric from Africa.

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Speaker 1: It'shatia over my good fucking But first of all, you

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Speaker 1: don't know then I think it will be the niche

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Speaker 1: culture of people of gamers who are going to die.

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Speaker 2: The fact that you have made a lost culture moment

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Speaker 2: out of singing the name Grahatiya.

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Speaker 1: I just want to say, I sang Grahatia to a

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Speaker 1: Lady Gaga and I think ruined that.

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Speaker 3: No, no, no, We'll just tray clean it.

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Speaker 2: And I love this. It's a really good name. This

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Speaker 2: is like it's like only l a that weight just

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Speaker 2: feel it? Did you feel it? So this type of fabric,

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Speaker 2: this is.

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Speaker 1: Just that that that that'll that'll do you guys. Sorry, but

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Speaker 1: this is all going in the episode. It's because this

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Speaker 1: is a very real human moment of sisters being by

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Speaker 1: me and there for me and supporting me when I

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Speaker 1: ruined my Todd Slider tanks.

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Speaker 2: I can only want to know a l anyway, I

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Speaker 2: just want to take well, I I complimented on the

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Speaker 2: set of Jonathan Bili's performance a Graha Tea after he

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Speaker 2: was so cond inffusive about Fire Island. Yeah, so anyway,

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Speaker 2: it just I just that felt like the proper exchange. Okay, Joel,

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Speaker 2: what are your Internet? I mean mine right now is

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Speaker 2: literally YouTube essays about movie projects that never happened.

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Speaker 3: Be Kin rewind kind of wine, Henry Wine is one

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Speaker 3: of them.

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Speaker 2: Boats and Blockbusters is the one that I'm really into

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Speaker 2: and and quite frankly, hours and hours and hours of

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Speaker 2: Marvel Rivals. Oh really, I am playing so deep into

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Speaker 2: Marvel Rivals and watching YouTube videos. All that do in

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Speaker 2: my trailer is watch YouTube videos about Marvel Rivals. Explain

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Speaker 2: because I have not did my tone in Marvel warl

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Speaker 2: it is it's overwatched. But with marvels and I never

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Speaker 2: played Overwatch. I never played any of these kinds of

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Speaker 2: games before, because it seems like I need a game

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Speaker 2: that has an end point, otherwise it will happen. What

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Speaker 2: what has happened to me with Marvel Rivals, which is

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Speaker 2: I have consumed I've played over two hundred hours of

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Speaker 2: this game since December. The last four large arguments that

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Speaker 2: I have gotten in it's my fiance about this game.

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Speaker 2: What are the arguments that are well, just me get

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Speaker 2: him hilted, like fly, like getting in a losing streak

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Speaker 2: and wanting and like getting so angry, and he's like,

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Speaker 2: you can't this is a game. And then and then you're.

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Speaker 1: Not having a sports team and yelling at and your

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Speaker 1: wife JM being like I can't live like that?

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Speaker 2: Are you exactly? And he and it's so ironic because

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Speaker 2: he's he loves he's a video game producer. Yeah, I

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Speaker 2: don't know you understands. He understands, but like, and he's

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Speaker 2: wanted me to get into games. You know, we've played

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Speaker 2: games together a lot, but like this kind of game

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Speaker 2: for a minute, and then I did, and it's turned

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Speaker 2: into something quite Yes, the slope was slippery or then

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Speaker 2: you thought, can I ask not to reveal too much

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Speaker 2: about Jam? Well not people know this about j. Would

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Speaker 2: it be different if you played Legal Legends? No, okay,

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Speaker 2: because because Jam is associated, Yes, he wors it, right,

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Speaker 2: but like I don't think he definitely doesn't care what

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Speaker 2: it is, Yeah, what it is? Okay.

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Speaker 3: He probably thinks it's beautiful the game you love?

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Speaker 2: Yeah, no, he I mean he plays himself too, but

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Speaker 2: like that's the problem. Is like we're directly playing this game,

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Speaker 2: and he is so much better in video games than

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Speaker 2: I am. And it's this first time where I'm like

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Speaker 2: we've never we we never compete, but like there is

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Speaker 2: like you get ranked in this game. Oh that and

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Speaker 2: your ranking it's like do I It's like I cannot

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Speaker 2: stand that he is a higher ranked than me? How

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Speaker 2: much higher? Like a fair amount? Like it's gotten to

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Speaker 2: the point where we can't play together because he's he's

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Speaker 2: in a different tier. He's in a different tier than

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Speaker 2: I don't understand why how professional athletes are friends with

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Speaker 2: each other, because that is a thing, a system where

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Speaker 2: you are. There was a value system literally at least

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Speaker 2: at least it's an objective standard. I mean, the fact

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Speaker 2: that we're all still friends, quite frankly, is ridiculous. If

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Speaker 2: there was a numerical system that ranked.

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Speaker 1: As though they do, I mean they do, but publishing

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Speaker 1: it currently as we speak, no, but that's that's not real.

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Speaker 1: I always know where I stand when there's an announcement

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Speaker 1: about the podcast and it's like Chapel Roane was on

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Speaker 1: Bowen Yank's podcast Culture. I always remember that I'm like

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Speaker 1: down here in fifty four and we're sitting here with.

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Speaker 3: Three and three is a chasm away from two.

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Speaker 2: Okay, let's talk about it then. Who's one and two

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Speaker 2: right now?

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Speaker 1: I think Jonathan's probably one, and I would say number

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Speaker 1: two is is McKellen, Matt Bomer, Andrews, Andrews gott Gott

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Speaker 1: Oh for sure.

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Speaker 2: Three.

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Speaker 3: Famous, I'm not three. Let's speak very weekly.

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Speaker 2: You don't have, you don't have the third most viral

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Speaker 2: moment from the fucking Academy Awards. Yeah, let's not three

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Speaker 2: three and that. Yeah, and let's talk about your performance

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Speaker 2: in the Wedding.

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Speaker 1: Wait, if you haven't seen seen the Wedding bank ut twice.

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Speaker 1: It's so good. It's it's fantastic. It's in theaters, it's

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Speaker 1: in theaters and key crushes. Yeah, it's so good. It's

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Speaker 1: a great passing of the ball. I mean, it's you know,

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Speaker 1: we're talking here, my friends are being sweetheart angels and

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Speaker 1: that that's weird.

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Speaker 2: But no, Bone, you're so incredible in it everybody, and

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Speaker 2: like you're literally next to fucking Lily Gladstone. And can

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Speaker 2: I tell you I told her this at the premier

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Speaker 2: the other night. I took her hands in mind and

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Speaker 2: I said, we know you can act, mama, but I

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Speaker 2: did not know you could make me laugh, Like yeah,

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Speaker 2: I did not know you could land the joke. And

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Speaker 2: that's a riot games right, there's a riot. She is

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Speaker 2: a riot.

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Speaker 1: She gives her like a sweet, soulful performance. I love

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Speaker 1: Kelly Murray Tramp.

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Speaker 2: Kelly Mury tranp will I hope, I hope that this

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Speaker 2: is like her Phoenix rising Reavers. I love yeah, because

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Speaker 2: the way these fucking geeks and nerds and losers and

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Speaker 2: in cells treated that woman. Oh yeah during STARp and

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Speaker 2: the infrastructure of Disney and Star Wars not protecting. And

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Speaker 2: what I find to be the perfect sort of inversion

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Speaker 2: of that is that she felt that she was given

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Speaker 2: time and space to come out as queer. Like she

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Speaker 2: did this Vanity Fair interview and she like kind of

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Speaker 2: in it, like kind of blurted out that she was

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Speaker 2: like excited to make a movie as a queer person.

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Speaker 2: This a queer movie as a queer person. She's like, wait, oh,

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Speaker 2: I've never told anyone that before Publicly, They the journalist

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Speaker 2: David Canfield Bless and the producers of the movie were like,

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Speaker 2: we're going to hold the story until you decide what

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Speaker 2: you want to do with this. And then she came out,

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Speaker 2: made that decision and then has felt nothing but love

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Speaker 2: and support ever since. And I'm like, that is the

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Speaker 2: perfect panacea to that crazy, crazy experience of Star Wars,

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Speaker 2: which I'm like, now it just seems like it's not

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Speaker 2: quaint in retrospect at all. That is, it's still it

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Speaker 2: still remains crazy to me in terms of that scale

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Speaker 2: and that outreach. But I'm like we've all kind of

401
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Speaker 2: experienced that here in some degree too, where I'm like, God,

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Speaker 2: what is and this is the thing that that's the

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Speaker 2: thing that Matt has said. It's like it's bad. The

404
00:20:04,800 --> 00:20:07,840
Speaker 2: culture is bad because the political climate sucks, and therefore

405
00:20:07,880 --> 00:20:11,399
Speaker 2: people exercise any kind of controller will over the culture,

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Speaker 2: over what they consume. And so I'm like, I'm so

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00:20:13,480 --> 00:20:15,239
Speaker 2: glad Kelly has this moment to come out of that

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Speaker 2: and be like, Oh, now I know what it's like

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Speaker 2: to be like held and loved for who I am.

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Speaker 1: She's really fantastic in the movie, like and and it's

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Speaker 1: also like I was I did the Q and A. Well,

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Speaker 1: there was like a special screening last night. I did

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Speaker 1: a Q and A with Andrew and the cast. Then

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Speaker 1: one thing that I was noticing is she's got so

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Speaker 1: many individual relationships to places really like it's a true ensemble,

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Speaker 1: but she is the lead.

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Speaker 2: Andrew is such a fucking wonderful collaborators. He allows every

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Speaker 2: performer to put so much And I can tell I

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Speaker 2: just know knowing him and having worked with all of

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Speaker 2: you two. Like I was watching the movie and I

421
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Speaker 2: was like, well that's Bowen. Yeah, that was you know,

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Speaker 2: and like that like there's a there's a beautiful silent

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Speaker 2: moment between the Lee Gladstone and that came so great Andrew,

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Speaker 2: you know, collaborated with them. This scene that has no dialogue,

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Speaker 2: that is one of the most beautiful scenes and that

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00:21:05,040 --> 00:21:07,920
Speaker 2: came from them, And like and the fact that Andrew

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Speaker 2: allows space for that in his films. I mean you

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Speaker 2: you guys remember Mare Island was just sort of like

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Speaker 2: there was so.

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Speaker 1: Much connective tissue there. And one thing I was noticing

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Speaker 1: is like the theme and like this of polaroid pictures

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Speaker 1: and family photos. Like my compliment to him that I'll

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Speaker 1: say now on the podcast, because I feel like I

434
00:21:26,840 --> 00:21:29,640
Speaker 1: could walk into the house of the wedding banquet, because

435
00:21:29,640 --> 00:21:32,520
Speaker 1: the house where they live is also a character. And

436
00:21:32,680 --> 00:21:34,240
Speaker 1: I say that and not an annoying section in the

437
00:21:34,280 --> 00:21:36,040
Speaker 1: city is like the city of the Fifth Woman way,

438
00:21:36,240 --> 00:21:39,199
Speaker 1: which is what I just mean, Like the house is

439
00:21:39,240 --> 00:21:42,119
Speaker 1: this like beautiful landmark, but it's more than that. I

440
00:21:42,320 --> 00:21:44,600
Speaker 1: feel like I could walk into that house and know

441
00:21:44,640 --> 00:21:47,680
Speaker 1: where everything is. Yeah, And I feel like as a director,

442
00:21:47,720 --> 00:21:51,040
Speaker 1: his sense of place and his sense of like community

443
00:21:51,119 --> 00:21:56,840
Speaker 1: within an environment is so strong, and he's so he's

444
00:21:56,880 --> 00:21:59,800
Speaker 1: so gifted at creating atmosphere.

445
00:22:00,280 --> 00:22:03,920
Speaker 2: Can I say, though, Matt, Unfortunately, like intent doesn't always

446
00:22:04,760 --> 00:22:07,640
Speaker 2: relate to impact. So you're saying you're not you're saying

447
00:22:07,640 --> 00:22:09,720
Speaker 2: it not to be annoying, does it? But unfortunately we

448
00:22:09,840 --> 00:22:21,240
Speaker 2: get to the side was it annoying or not? No? Personally,

449
00:22:21,280 --> 00:22:22,680
Speaker 2: can I say to you that I had a really

450
00:22:22,720 --> 00:22:24,760
Speaker 2: emotional moment when I went to the premiere and the

451
00:22:25,000 --> 00:22:27,440
Speaker 2: big poster was on the screen and it was the

452
00:22:27,480 --> 00:22:32,080
Speaker 2: first time I'd ever seen from the director of Fire Island. Yeah,

453
00:22:32,080 --> 00:22:34,760
Speaker 2: I feels like I was like, oh, that that is

454
00:22:34,840 --> 00:22:36,639
Speaker 2: kind of forever for a sect, well at least like

455
00:22:37,000 --> 00:22:40,399
Speaker 2: it's still alive in that way, and there's like, I

456
00:22:40,400 --> 00:22:42,800
Speaker 2: don't know, a legacy now like our our movies, our

457
00:22:42,840 --> 00:22:47,159
Speaker 2: sisters like yeah, but it's that It's that that quote

458
00:22:47,160 --> 00:22:48,720
Speaker 2: in the studio and that pile of the studio that

459
00:22:48,840 --> 00:22:52,199
Speaker 2: Catherine O'Hara says, where it's like, if you make a

460
00:22:52,200 --> 00:22:53,720
Speaker 2: great movie, it's great forever.

461
00:22:54,200 --> 00:22:56,360
Speaker 3: Yeah, you know what I mean, That's that's the beauty

462
00:22:56,400 --> 00:22:57,000
Speaker 3: of film.

463
00:22:57,520 --> 00:22:59,520
Speaker 2: And let me I'm gonna say this and I don't

464
00:22:59,600 --> 00:23:02,960
Speaker 2: care we're masturbating. I don't care that we're resting, but

465
00:23:03,080 --> 00:23:06,479
Speaker 2: like somebody posted a photo of a bootleg DVD that

466
00:23:06,480 --> 00:23:09,520
Speaker 2: they had created a Fire Island, and I reposted it

467
00:23:09,520 --> 00:23:12,320
Speaker 2: and everyone thought I was mad about them. No, baby,

468
00:23:12,359 --> 00:23:17,360
Speaker 2: please bootleg the film. Okay, I need physical media. Yeah,

469
00:23:17,400 --> 00:23:20,920
Speaker 2: we actually do need physical I'm like the way it's

470
00:23:21,119 --> 00:23:25,040
Speaker 2: living on streaming and like at the whims of Disney

471
00:23:25,520 --> 00:23:28,439
Speaker 2: and whatever tax breaks they might be looking for at

472
00:23:28,480 --> 00:23:30,879
Speaker 2: any given moment. Yeap, it is so scary to be that.

473
00:23:30,960 --> 00:23:34,600
Speaker 2: I'm like, I need you all to disseminate the like

474
00:23:35,640 --> 00:23:37,120
Speaker 2: it would be currency in the New world.

475
00:23:37,200 --> 00:23:37,760
Speaker 3: Absolutely.

476
00:23:38,000 --> 00:23:41,080
Speaker 1: Do you know what I actually did, like, not not recently,

477
00:23:41,119 --> 00:23:44,760
Speaker 1: but not a long time ago, like someone I hadn't

478
00:23:44,760 --> 00:23:46,399
Speaker 1: even thought about it. I love that for you in

479
00:23:46,440 --> 00:23:48,920
Speaker 1: a while, but I was like, you know what, it's

480
00:23:48,960 --> 00:23:50,639
Speaker 1: been like a couple of years since I've watched it.

481
00:23:50,720 --> 00:23:52,040
Speaker 1: Let me just like watch it. I was with a

482
00:23:52,080 --> 00:23:54,639
Speaker 1: couple of friends. Now you can't even watch it. You

483
00:23:54,720 --> 00:23:57,520
Speaker 1: have to buy it on iTunes, you can't stream it.

484
00:23:57,600 --> 00:23:59,960
Speaker 1: They did write it off as a tax that's crazy,

485
00:24:00,080 --> 00:24:02,600
Speaker 1: and you can't watch it anywhere. They did such great

486
00:24:02,680 --> 00:24:04,520
Speaker 1: work and then it gets written off like a fucking

487
00:24:04,600 --> 00:24:08,679
Speaker 1: tax right off. And then all the time now in

488
00:24:08,720 --> 00:24:11,520
Speaker 1: the era of streaming, which I guess we thought we

489
00:24:11,600 --> 00:24:13,560
Speaker 1: really had it good there for a while because we did.

490
00:24:13,760 --> 00:24:17,600
Speaker 2: I mean, Netflix, thank you so much for completely changing

491
00:24:17,640 --> 00:24:20,760
Speaker 2: the contours of our entire industry for the worst in

492
00:24:20,840 --> 00:24:23,560
Speaker 2: many ways, and also please buy my shit.

493
00:24:25,960 --> 00:24:27,960
Speaker 1: It's like it's like, I guess if it hadn't been them,

494
00:24:28,000 --> 00:24:28,920
Speaker 1: it would have been something.

495
00:24:29,520 --> 00:24:30,040
Speaker 2: You know what I mean.

496
00:24:30,080 --> 00:24:32,680
Speaker 1: It's like that's that's I guess. The thing is, it's

497
00:24:32,720 --> 00:24:34,520
Speaker 1: like that's the way the industry was going to change.

498
00:24:34,520 --> 00:24:34,639
Speaker 2: You know.

499
00:24:34,640 --> 00:24:38,000
Speaker 1: What I was thinking about the other day was the

500
00:24:38,080 --> 00:24:42,439
Speaker 1: quibi of it all, Like quibi like failed so spectacularly,

501
00:24:42,600 --> 00:24:45,840
Speaker 1: Like we we both had shows like like launch with it,

502
00:24:46,160 --> 00:24:49,320
Speaker 1: but the idea wasn't wrong.

503
00:24:49,200 --> 00:24:52,920
Speaker 2: No, because listen, my boyfriend works for a Chinese own

504
00:24:52,960 --> 00:24:55,639
Speaker 2: company and has meetings with China over there all the time,

505
00:24:55,760 --> 00:24:57,840
Speaker 2: and and TikTok and China is much different than TikTok

506
00:24:57,840 --> 00:25:00,439
Speaker 2: over here in some ways, because all they're doing is

507
00:25:00,600 --> 00:25:04,080
Speaker 2: creating now narrative content that is broken down into five

508
00:25:04,080 --> 00:25:08,240
Speaker 2: to ten minute chunks every time a quick bites, and

509
00:25:08,280 --> 00:25:11,000
Speaker 2: it's taking off like wildfire in China, and it will

510
00:25:11,040 --> 00:25:14,600
Speaker 2: be modeled over here eventually. He was just too early

511
00:25:14,640 --> 00:25:17,040
Speaker 2: and I think the pandemic kind of well, the pandemic certainly,

512
00:25:17,359 --> 00:25:20,800
Speaker 2: the lack of ability to make stuff viral really was

513
00:25:21,160 --> 00:25:25,560
Speaker 2: really what killed it. The lack of that was a

514
00:25:25,600 --> 00:25:26,240
Speaker 2: cute I remember.

515
00:25:26,240 --> 00:25:28,040
Speaker 1: I remember we had to completely game show, had to

516
00:25:28,080 --> 00:25:31,240
Speaker 1: completely rely on like what the social was.

517
00:25:31,720 --> 00:25:34,280
Speaker 2: And I was like, sure, like you don't know what's

518
00:25:34,640 --> 00:25:36,359
Speaker 2: taken screenshots of a Honey.

519
00:25:37,960 --> 00:25:40,760
Speaker 1: Wasn't even born at the time. There was no ever

520
00:25:40,840 --> 00:25:43,280
Speaker 1: ross cats, just stuff.

521
00:25:43,480 --> 00:25:47,840
Speaker 2: That's how K dramas are too. Apparently, because was saying, fantastic,

522
00:25:48,200 --> 00:25:51,919
Speaker 2: She's so huge, fine, huge, fine, like so good, what

523
00:25:52,040 --> 00:25:53,560
Speaker 2: a revelation. I know, amazing.

524
00:25:54,080 --> 00:25:56,440
Speaker 1: I was saying, like one of my favorite moments of

525
00:25:56,480 --> 00:25:58,719
Speaker 1: the whole movie is, well, this is a spoiler, but

526
00:25:58,840 --> 00:26:02,520
Speaker 1: there's a moment of like pure ex pure joy and

527
00:26:02,560 --> 00:26:04,840
Speaker 1: euphoria that he has towards the end of the movie.

528
00:26:05,000 --> 00:26:08,240
Speaker 2: Future legend, so sweet. But he he comes from this

529
00:26:08,320 --> 00:26:12,639
Speaker 2: whole pedigree of K dramas where they just it's it's

530
00:26:12,680 --> 00:26:15,960
Speaker 2: it's basically a movie. It's like what Fire Island would

531
00:26:15,960 --> 00:26:17,760
Speaker 2: have been on Quibbi, but they break it down into

532
00:26:17,800 --> 00:26:21,280
Speaker 2: like these like two minute episodes. It's really that is

533
00:26:21,400 --> 00:26:23,600
Speaker 2: the future in a Stereotte.

534
00:26:24,080 --> 00:26:28,359
Speaker 1: They were without a like I I genuinely believe that

535
00:26:28,680 --> 00:26:30,840
Speaker 1: one of the reasons why we even talk about all

536
00:26:30,920 --> 00:26:33,320
Speaker 1: of these things is because there was a piece of

537
00:26:33,400 --> 00:26:37,040
Speaker 1: content to launch it, like with Netflix, Like the reason

538
00:26:37,080 --> 00:26:40,120
Speaker 1: why they became a prestige streamer was because of House

539
00:26:40,160 --> 00:26:42,760
Speaker 1: of Cards and then Orangers the New Box Little and

540
00:26:42,840 --> 00:26:43,560
Speaker 1: the reason why.

541
00:26:43,480 --> 00:26:46,840
Speaker 2: We talk about in spacey out the door, Yes.

542
00:26:47,200 --> 00:26:53,879
Speaker 1: Oh my god, he's coming in. And then like even HBO,

543
00:26:54,000 --> 00:26:56,640
Speaker 1: like the Sopranos and Sex and the City like made HBO.

544
00:26:57,280 --> 00:27:03,760
Speaker 1: So it's Quibbi was without a flagship piece of content. Yeah,

545
00:27:03,800 --> 00:27:06,320
Speaker 1: because they went for you know, and this is not

546
00:27:06,359 --> 00:27:08,639
Speaker 1: even the drag what we were doing, but like stuff

547
00:27:08,640 --> 00:27:09,879
Speaker 1: that felt like quick bites.

548
00:27:10,080 --> 00:27:12,119
Speaker 2: No. And the thing is, though, I will say, is

549
00:27:12,160 --> 00:27:14,520
Speaker 2: they took big swings. Like no one wanted to buy

550
00:27:14,520 --> 00:27:17,640
Speaker 2: Fire Island. No one before it was a completed project

551
00:27:17,680 --> 00:27:20,399
Speaker 2: at Quibi, right, no one wanted that, no one would

552
00:27:20,440 --> 00:27:22,840
Speaker 2: touch it. Yeah, And there was originally a quick bite yeah,

553
00:27:22,840 --> 00:27:25,320
Speaker 2: and then they were the only ones who were really

554
00:27:25,320 --> 00:27:29,000
Speaker 2: who really believed in it as a project and like yeah,

555
00:27:29,000 --> 00:27:31,320
Speaker 2: so I I oh, jeffre Yatson break by.

556
00:27:31,600 --> 00:27:34,720
Speaker 1: I remember I remember walking from the our games to

557
00:27:34,760 --> 00:27:37,920
Speaker 1: the office that Dave and I shared at the at

558
00:27:38,000 --> 00:27:41,760
Speaker 1: Jack's over to your office and watching Joel put like

559
00:27:41,920 --> 00:27:44,800
Speaker 1: the the index cards up on the board and they

560
00:27:44,800 --> 00:27:47,720
Speaker 1: had the Fire Island plot points. Wow, when he was

561
00:27:47,800 --> 00:27:50,159
Speaker 1: still creating it as like a ten episode.

562
00:27:50,800 --> 00:27:52,639
Speaker 2: I mean it didn't change much from Quibi by the

563
00:27:52,680 --> 00:27:55,600
Speaker 2: Way to us, Like I basically just took out the

564
00:27:55,640 --> 00:27:58,080
Speaker 2: act breaks and like squeezed it together and made it

565
00:27:58,080 --> 00:27:58,919
Speaker 2: one big long script.

566
00:27:58,920 --> 00:28:00,840
Speaker 1: But yeah, no, it didn't really change. But they would

567
00:28:00,880 --> 00:28:02,840
Speaker 1: have made you cast like George Clooney as Conrad.

568
00:28:03,320 --> 00:28:06,359
Speaker 2: No. We I mean we basically had like a full

569
00:28:07,200 --> 00:28:10,919
Speaker 2: cast off like Boone was always attached to it, like

570
00:28:11,240 --> 00:28:13,480
Speaker 2: I think you probably were, even because we were getting

571
00:28:13,480 --> 00:28:14,200
Speaker 2: ready to film.

572
00:28:15,760 --> 00:28:17,960
Speaker 3: I remember who my Charlie was. Yeah.

573
00:28:18,000 --> 00:28:21,240
Speaker 2: Yeah, so it was like it was like we were

574
00:28:21,280 --> 00:28:24,840
Speaker 2: there and then I don't know, it just it all changed.

575
00:28:24,920 --> 00:28:27,480
Speaker 1: Okay, wait, because did you now did you see I

576
00:28:27,560 --> 00:28:29,719
Speaker 1: fa I think it was like Gay Times or something,

577
00:28:29,760 --> 00:28:33,480
Speaker 1: and now it was like talking about the Fire Island sequel.

578
00:28:34,200 --> 00:28:38,880
Speaker 2: I want this he was. He was pushed in the

579
00:28:38,880 --> 00:28:41,360
Speaker 2: interview about the sequel, and I think he was forced

580
00:28:41,400 --> 00:28:43,240
Speaker 2: to give an answer, and then they of course ran

581
00:28:43,280 --> 00:28:45,720
Speaker 2: with it. Yeah, no, I know we've all been sucked

582
00:28:45,720 --> 00:28:49,240
Speaker 2: over by had Like I think everyone has been asked

583
00:28:49,240 --> 00:28:51,120
Speaker 2: about that. I'm not really that mad about it. But

584
00:28:51,160 --> 00:28:53,880
Speaker 2: the thing is, it's like it's just it's not happening.

585
00:28:54,120 --> 00:28:56,880
Speaker 2: Let's talk about legally blonde two, honey, let's talk about

586
00:28:57,240 --> 00:28:57,960
Speaker 2: three reality.

587
00:28:58,280 --> 00:29:03,240
Speaker 1: First of all, blonde, we we we can we can skip.

588
00:29:03,000 --> 00:29:05,000
Speaker 3: It because now there's going to be another one. Yeah,

589
00:29:06,040 --> 00:29:07,160
Speaker 3: is the real Yeah?

590
00:29:07,200 --> 00:29:11,400
Speaker 2: No, But it's just like, let's talk about successful comedy sequels,

591
00:29:11,640 --> 00:29:14,960
Speaker 2: especially rom com sequels. I think people think they want

592
00:29:15,000 --> 00:29:18,000
Speaker 2: to see it, but they don't actually want to see it.

593
00:29:18,280 --> 00:29:20,040
Speaker 2: Like I think what I want to do and what

594
00:29:20,080 --> 00:29:25,360
Speaker 2: will scratch? That's the rare sequel that approves. But like

595
00:29:25,960 --> 00:29:27,680
Speaker 2: I think, like I just want to cast the same

596
00:29:27,800 --> 00:29:30,280
Speaker 2: fucking people in the same movie, do Christopher guest and

597
00:29:30,320 --> 00:29:32,800
Speaker 2: just have like my okay, so do it and you'll

598
00:29:32,840 --> 00:29:35,920
Speaker 2: be hearing from my Oh that's what I had heard.

599
00:29:36,360 --> 00:29:39,120
Speaker 1: No, I mean, listen, I do still think Fire Island

600
00:29:39,120 --> 00:29:42,760
Speaker 1: two Provincetown is a funny title, but I mean, but there.

601
00:29:42,680 --> 00:29:45,120
Speaker 2: Was that summer we were workshipping a lot of ideas

602
00:29:45,160 --> 00:29:47,000
Speaker 2: about how to like, how do how do they like

603
00:29:47,120 --> 00:29:51,040
Speaker 2: reintroduce dex Like's character. Yeah, and I also had.

604
00:29:50,920 --> 00:29:53,560
Speaker 1: An idea that me and Thomas's podcast exploded and we

605
00:29:53,560 --> 00:29:56,760
Speaker 1: were rich and so that that was kind of a

606
00:29:56,800 --> 00:29:59,920
Speaker 1: grifter and dating me for my money my huge podcast.

607
00:30:00,360 --> 00:30:02,560
Speaker 2: I can't remember whose idea what it was that we

608
00:30:03,040 --> 00:30:05,040
Speaker 2: just cast him as a different character and we're like, it,

609
00:30:05,080 --> 00:30:08,400
Speaker 2: doesn't he look like everything guy?

610
00:30:07,440 --> 00:30:12,080
Speaker 1: But Wickham remains in the story that Zay Phillips looks

611
00:30:12,120 --> 00:30:14,200
Speaker 1: like every gay guy is crazy.

612
00:30:14,800 --> 00:30:18,880
Speaker 2: He certainly does know. He certainly doesn't. Sweetheart, sweet gonna

613
00:30:18,920 --> 00:30:21,480
Speaker 2: be well, no, I shoul you know. But but he's

614
00:30:21,520 --> 00:30:24,040
Speaker 2: but there, there's gonna be a little re union, you know.

615
00:30:24,080 --> 00:30:25,920
Speaker 2: We we might be working together the other night. I

616
00:30:26,520 --> 00:30:31,000
Speaker 2: love such good end, such good ende, so funny, so nice,

617
00:30:31,000 --> 00:30:33,880
Speaker 2: and it's so annoying. It's so annoying to look like

618
00:30:33,920 --> 00:30:37,120
Speaker 2: that and to be smart and charming and nice and

619
00:30:37,520 --> 00:30:44,240
Speaker 2: truly negative creature reader a not not capital R reader

620
00:30:43,560 --> 00:30:44,920
Speaker 2: literally literature.

621
00:30:45,240 --> 00:30:47,440
Speaker 1: He was always reading on set. He was always I

622
00:30:47,440 --> 00:30:51,640
Speaker 1: remember my images in my image of Zay will always

623
00:30:51,640 --> 00:30:53,640
Speaker 1: be I would go come out of my trailer and

624
00:30:53,680 --> 00:30:55,560
Speaker 1: we would have like this like bench area where would

625
00:30:55,560 --> 00:30:57,360
Speaker 1: always say it and he would be eating his chicken,

626
00:30:57,760 --> 00:31:01,160
Speaker 1: drinking a hot coffee and doing the word yeah. And

627
00:31:01,200 --> 00:31:02,000
Speaker 1: that was always his.

628
00:31:02,080 --> 00:31:04,400
Speaker 2: And that's who he is on the inside. Ignore what

629
00:31:04,440 --> 00:31:07,560
Speaker 2: you're saying on the outside, honey, because that is not him.

630
00:31:07,640 --> 00:31:08,920
Speaker 2: That's not that is not him.

631
00:31:08,960 --> 00:31:10,760
Speaker 3: It gets easier when you're around him a long time.

632
00:31:10,840 --> 00:31:12,840
Speaker 2: No, it does, I will say, though, like it is

633
00:31:12,960 --> 00:31:15,880
Speaker 2: genuinely like I remember filming our meat cu moment in

634
00:31:15,880 --> 00:31:20,920
Speaker 2: the movie and being humiliated. It's like what and what

635
00:31:21,040 --> 00:31:23,280
Speaker 2: will happen now he's in la. This has happened three

636
00:31:23,320 --> 00:31:25,320
Speaker 2: or four times. It is so infuriating. Will be at

637
00:31:25,320 --> 00:31:28,120
Speaker 2: one of these like stupid gay parties and some guy

638
00:31:28,160 --> 00:31:30,440
Speaker 2: will like come up Andy, Like We'll be standing in

639
00:31:30,480 --> 00:31:32,280
Speaker 2: a clumb next to his ay and he'll introduce himself

640
00:31:32,280 --> 00:31:33,760
Speaker 2: and be like, Hi, I'm Joel, and like he'll go

641
00:31:33,800 --> 00:31:35,960
Speaker 2: around the line and get get Desayane and be like,

642
00:31:36,120 --> 00:31:38,480
Speaker 2: oh my god, you're the guy from Fire Island and

643
00:31:38,520 --> 00:31:43,040
Speaker 2: I'm like standing there paid fucking dust and I am

644
00:31:43,360 --> 00:31:45,680
Speaker 2: like it is. I was like I fucking made you

645
00:31:45,720 --> 00:31:50,840
Speaker 2: and I will brought you into this world. Wait, wait,

646
00:31:50,920 --> 00:31:53,760
Speaker 2: let's just speak on this because I experienced this recently

647
00:31:53,800 --> 00:31:57,680
Speaker 2: of getting the nerves when you're acting with the hot person.

648
00:31:57,920 --> 00:32:00,000
Speaker 2: Oh not that it doesn't, it happens all the time,

649
00:32:00,680 --> 00:32:03,880
Speaker 2: but certain people really fuck your shut up. Where I

650
00:32:03,960 --> 00:32:05,760
Speaker 2: was like John Ham was hosting us, and now I

651
00:32:05,840 --> 00:32:08,200
Speaker 2: was just like huh, like we were playing a couple,

652
00:32:08,320 --> 00:32:11,520
Speaker 2: and I was just like, wait, I'm scared, like this

653
00:32:11,600 --> 00:32:13,880
Speaker 2: is like this is like I'm this is He's there's

654
00:32:13,960 --> 00:32:16,440
Speaker 2: no reason to no reason to feel nervous around him,

655
00:32:16,480 --> 00:32:18,480
Speaker 2: just such a wonderful person. But I was just like, wait,

656
00:32:18,480 --> 00:32:20,760
Speaker 2: but you're so first of all, you're Don Draper, second

657
00:32:20,800 --> 00:32:22,600
Speaker 2: of all, you're so handsome. Third of all, you're so funny,

658
00:32:22,600 --> 00:32:25,400
Speaker 2: like like just so many wonderful things about that man,

659
00:32:25,880 --> 00:32:28,719
Speaker 2: and sometimes it it knocks me off my center. It

660
00:32:28,800 --> 00:32:31,640
Speaker 2: knocks me. For me, I was just and like, trust me,

661
00:32:32,080 --> 00:32:33,920
Speaker 2: I've seen what people have said about it, like of

662
00:32:33,920 --> 00:32:36,160
Speaker 2: course this guy cast this guy to be like uh no,

663
00:32:36,400 --> 00:32:38,200
Speaker 2: to make out with whatever, but like no, you do

664
00:32:38,320 --> 00:32:40,280
Speaker 2: think you do take yourself out of it a little bit,

665
00:32:40,320 --> 00:32:44,400
Speaker 2: and suddenly those little you're inner saboteur comes knocking behind

666
00:32:44,400 --> 00:32:46,600
Speaker 2: and you're like, what are people going to say when

667
00:32:46,600 --> 00:32:49,680
Speaker 2: they see this? Right? You know, but it's not even that.

668
00:32:49,720 --> 00:32:52,800
Speaker 2: It's just like there's something in the space of acting

669
00:32:52,840 --> 00:32:55,840
Speaker 2: with someone where you're just like, oh, I mean I

670
00:32:56,040 --> 00:32:58,760
Speaker 2: genuinely thought that way. The reason we cast Conrad is

671
00:32:58,800 --> 00:33:03,040
Speaker 2: because Conrad made me get in our chemistry. I was

672
00:33:03,080 --> 00:33:06,960
Speaker 2: so flustered because he is such a vibe, like I mean,

673
00:33:07,200 --> 00:33:10,760
Speaker 2: a hot man, like on paper just physically pictures, yes,

674
00:33:10,800 --> 00:33:13,560
Speaker 2: it reads he's very hot. But then you get with

675
00:33:13,680 --> 00:33:16,080
Speaker 2: him and like that close to him, and it's just

676
00:33:16,160 --> 00:33:19,480
Speaker 2: like the nerves are like it's crazy because he is

677
00:33:19,600 --> 00:33:24,400
Speaker 2: so charismatic and such a vibe and like gravitational feeling distorted.

678
00:33:25,680 --> 00:33:27,760
Speaker 2: He's great. I want nothing for the best for all

679
00:33:27,800 --> 00:33:33,200
Speaker 2: of you, except for one person I want. No, it

680
00:33:33,240 --> 00:33:44,760
Speaker 2: wasn't you. Is this real? No? No, No, Everyone's family.

681
00:33:45,080 --> 00:33:45,920
Speaker 2: Everyone's family.

682
00:33:47,000 --> 00:33:49,600
Speaker 1: The chain is alive for birthdays, the chain is alive

683
00:33:49,680 --> 00:33:51,120
Speaker 1: for when someone.

684
00:33:50,920 --> 00:33:55,600
Speaker 2: Runs in ex Yeah true, I will say. So. We

685
00:33:55,600 --> 00:33:59,400
Speaker 2: were briefly evacuated during the La fires. John Michael was like,

686
00:33:59,520 --> 00:34:02,240
Speaker 2: we should the night before and I live in an

687
00:34:02,280 --> 00:34:04,320
Speaker 2: area that is normally not affected by fires at all,

688
00:34:04,640 --> 00:34:05,960
Speaker 2: and he was like, we should pack go bags and

689
00:34:06,040 --> 00:34:08,080
Speaker 2: I was like okay, like thinking this is never going

690
00:34:08,160 --> 00:34:09,640
Speaker 2: to affect me. I don't need to do this. So

691
00:34:09,680 --> 00:34:11,640
Speaker 2: I just packed to go back with my passport and

692
00:34:11,680 --> 00:34:15,960
Speaker 2: my uh social Security card, which apparently is not enough. Yeah.

693
00:34:15,960 --> 00:34:21,359
Speaker 2: I was gonna ask no and nothing else. And then

694
00:34:21,400 --> 00:34:23,120
Speaker 2: the next day I drived San Diego for a gig

695
00:34:23,160 --> 00:34:25,680
Speaker 2: and I get the evacuation noticed and he said, don't worry, baby,

696
00:34:25,719 --> 00:34:28,439
Speaker 2: I grabbed your go back before we went, and I went,

697
00:34:28,880 --> 00:34:31,360
Speaker 2: but did you look inside of it? And he said no,

698
00:34:31,360 --> 00:34:33,319
Speaker 2: why would I you need to? And of course this

699
00:34:33,400 --> 00:34:35,520
Speaker 2: is this is an impasse that you get to with

700
00:34:35,560 --> 00:34:38,080
Speaker 2: your partner where you're like, I'm mad at you, but

701
00:34:38,160 --> 00:34:41,400
Speaker 2: I know I have no I have no standing legally

702
00:34:41,400 --> 00:34:43,160
Speaker 2: in a court of law. I have no standing. You

703
00:34:43,200 --> 00:34:45,080
Speaker 2: told me to pack the bag. I did not pack

704
00:34:45,120 --> 00:34:47,960
Speaker 2: any underwear, toiletrees or anything. So he just grabbed an

705
00:34:47,960 --> 00:34:49,640
Speaker 2: empty and he just grabbed the empty bag. But what

706
00:34:49,719 --> 00:34:52,400
Speaker 2: he did decide in the moment of panic to grab

707
00:34:52,640 --> 00:34:57,440
Speaker 2: was the glad Award and the gothmain Ward, oh the Cudestic,

708
00:34:57,480 --> 00:34:59,640
Speaker 2: because he was like, he was like, I don't know,

709
00:34:59,680 --> 00:35:02,759
Speaker 2: I just like maybe you might want these, like something,

710
00:35:04,960 --> 00:35:08,240
Speaker 2: this is so funny. Not any underwear or toothpaste up, sorry,

711
00:35:08,239 --> 00:35:10,439
Speaker 2: but like we do sit at home alone and play

712
00:35:10,480 --> 00:35:15,120
Speaker 2: the newly went game. Just to practice, because just practice,

713
00:35:15,360 --> 00:35:17,960
Speaker 2: because the and the and the real strategy here is

714
00:35:18,040 --> 00:35:20,759
Speaker 2: it's not about answering what you really feel. It's about

715
00:35:20,800 --> 00:35:23,600
Speaker 2: answering how you think your partner will answer. It's mentalism.

716
00:35:24,480 --> 00:35:25,840
Speaker 3: I was going to say, it's a mentalist.

717
00:35:25,880 --> 00:35:27,880
Speaker 2: There was a mentalist at the screening last night, and

718
00:35:27,960 --> 00:35:30,560
Speaker 2: he blew my mind. Anyway, we'll keep talking about.

719
00:35:30,320 --> 00:35:33,799
Speaker 1: This, no irene, no no, no no no wait wait

720
00:35:33,960 --> 00:35:35,360
Speaker 1: but no, I was not going to say, because like

721
00:35:35,400 --> 00:35:38,279
Speaker 1: he he he knows that if someone asked, what is

722
00:35:38,280 --> 00:35:39,320
Speaker 1: Shole's favorite movie?

723
00:35:39,520 --> 00:35:42,800
Speaker 2: Obviously that's a ridiculous question, a crazy who has it?

724
00:35:43,000 --> 00:35:45,239
Speaker 2: Like if you have a favorite movie? I don't think so, honey,

725
00:35:45,360 --> 00:35:47,759
Speaker 2: like grow up. But he knows the answer is my

726
00:35:47,760 --> 00:35:51,359
Speaker 2: best friend's wedding. Yeah, answer for him. Ist versus the world.

727
00:35:51,680 --> 00:35:52,520
Speaker 2: And so now when.

728
00:35:52,400 --> 00:35:53,879
Speaker 1: You're put in the situation where you have to play

729
00:35:53,880 --> 00:35:56,920
Speaker 1: the newlywed game, you know, speaking of being awed, do

730
00:35:56,960 --> 00:35:57,520
Speaker 1: you have something?

731
00:35:57,520 --> 00:36:00,720
Speaker 2: Oh yes, I think you have something to ask Chure Awards.

732
00:36:00,760 --> 00:36:03,360
Speaker 2: Here's the real announcement for the pod. Here's the real thing.

733
00:36:03,600 --> 00:36:05,520
Speaker 2: I was not brought on to promote Love Hotel. I

734
00:36:05,560 --> 00:36:08,520
Speaker 2: was not brought on to anything else. I was brought

735
00:36:08,560 --> 00:36:11,879
Speaker 2: on for this announcement and this announcement alone after after

736
00:36:12,040 --> 00:36:18,640
Speaker 2: years away that these two let's get textile, textile, don't

737
00:36:18,640 --> 00:36:21,640
Speaker 2: forget me in the circle Bowen Yang and Matt Rogers

738
00:36:21,840 --> 00:36:30,400
Speaker 2: are in. Can we say what we're planning on doing,

739
00:36:30,600 --> 00:36:35,520
Speaker 2: not when, not when, but for the for the NOLA,

740
00:36:35,880 --> 00:36:40,319
Speaker 2: we're doing joint bachelor parties, separate houses, so smart, separate house,

741
00:36:40,360 --> 00:36:42,879
Speaker 2: separate houses, and then we've joined together for one night.

742
00:36:44,440 --> 00:36:45,840
Speaker 2: The rest of the time we just get to be

743
00:36:46,719 --> 00:36:50,520
Speaker 2: for the last time with our friends before we'd never

744
00:36:50,520 --> 00:36:57,600
Speaker 2: see before. You can never sleep with anyone again. I yeah,

745
00:36:57,600 --> 00:36:59,960
Speaker 2: I know, I'm really excited. You know, we're not finding

746
00:37:00,040 --> 00:37:01,640
Speaker 2: out what the other person is wearing to the wedding

747
00:37:01,719 --> 00:37:05,160
Speaker 2: until the day of Well that's beautiful. And what's happening

748
00:37:05,280 --> 00:37:09,880
Speaker 2: is my stylist is coordinating that we don't look insane

749
00:37:10,360 --> 00:37:13,759
Speaker 2: and then also coordinating with whatever you guys, cause it's

750
00:37:14,360 --> 00:37:16,600
Speaker 2: sort of going to be like a free free for all,

751
00:37:16,680 --> 00:37:21,000
Speaker 2: like un he will just like I will send you

752
00:37:21,000 --> 00:37:24,240
Speaker 2: like color palette and just like live within that world.

753
00:37:24,560 --> 00:37:27,280
Speaker 2: But like, yeah, I'm not I'm not gonna be precious

754
00:37:27,280 --> 00:37:31,560
Speaker 2: about like everyone where everyone thank you, because my my

755
00:37:31,680 --> 00:37:34,759
Speaker 2: big ripe, biggest scripe with weddings is there's such a

756
00:37:34,880 --> 00:37:37,319
Speaker 2: single use fashion right to it.

757
00:37:37,320 --> 00:37:39,120
Speaker 3: It's like a wardship. It's like, oh, what do you mean,

758
00:37:39,120 --> 00:37:40,200
Speaker 3: I can only wear this once?

759
00:37:40,640 --> 00:37:43,560
Speaker 2: You know, thank you for so we can like go

760
00:37:43,600 --> 00:37:46,160
Speaker 2: from our own you can pull from the closets. Are

761
00:37:46,200 --> 00:37:48,160
Speaker 2: you thinking? I don't know yet he wants me to

762
00:37:48,200 --> 00:37:51,879
Speaker 2: do the mood board because it's I kind of wanted

763
00:37:51,960 --> 00:37:55,600
Speaker 2: to be like, well, obviously like he's gonna probably wear

764
00:37:55,600 --> 00:37:56,960
Speaker 2: white and I'll probably wear black because I and the

765
00:37:57,000 --> 00:38:00,279
Speaker 2: boy and he's a girl, but I I do sort

766
00:38:00,320 --> 00:38:02,840
Speaker 2: of and this was this actually came to mind watching

767
00:38:02,840 --> 00:38:06,560
Speaker 2: your film, is I would love to reference situational Korean

768
00:38:06,600 --> 00:38:10,840
Speaker 2: wedding wedding outfit, but like not not the full giche,

769
00:38:10,880 --> 00:38:13,799
Speaker 2: but like some embroidery, it's something that's something that is

770
00:38:13,840 --> 00:38:16,960
Speaker 2: like a reference to that because I do want to

771
00:38:17,000 --> 00:38:20,160
Speaker 2: have that in my way, you know. Yeah. So that's

772
00:38:20,200 --> 00:38:22,600
Speaker 2: sort of where I'm at right now, and we'll see what.

773
00:38:22,760 --> 00:38:24,960
Speaker 2: I have no idea what that boy is planning for it,

774
00:38:25,320 --> 00:38:27,520
Speaker 2: but again I will becoming in a traditional HM box

775
00:38:29,440 --> 00:38:32,480
Speaker 2: hand bo I say it wrong, No, no, it's you

776
00:38:32,520 --> 00:38:36,160
Speaker 2: said it. You said a great you say everything perfectly.

777
00:38:38,120 --> 00:38:39,640
Speaker 3: I think I would slay them.

778
00:38:40,160 --> 00:38:44,200
Speaker 2: Yes, gosh. But you know, Kim, she at the premiere,

779
00:38:44,600 --> 00:38:45,920
Speaker 2: I got to tell her to her face, is like,

780
00:38:46,200 --> 00:38:50,840
Speaker 2: your ball challenge is still absolutely your football challenge is legendary,

781
00:38:50,719 --> 00:38:52,840
Speaker 2: still one of the best. Drag Race.

782
00:38:54,160 --> 00:39:00,919
Speaker 1: Premiere slation, Diva slation, the premiere she's making, let's jo up.

783
00:39:02,680 --> 00:39:04,360
Speaker 1: I have to say, I didn't watch this last season.

784
00:39:04,480 --> 00:39:07,239
Speaker 2: We can talk about it. It feels less urgent to

785
00:39:07,400 --> 00:39:10,200
Speaker 2: watch it, I would agree, and yet also more in

786
00:39:10,200 --> 00:39:13,080
Speaker 2: a weird way. Well, the ratings keeps, you know, it's

787
00:39:13,080 --> 00:39:15,360
Speaker 2: feeling more and more distant for me. I mean I

788
00:39:15,400 --> 00:39:17,880
Speaker 2: still watch it live when I can, when I have

789
00:39:17,920 --> 00:39:21,440
Speaker 2: the chance, but it is like it does feel less

790
00:39:21,440 --> 00:39:23,239
Speaker 2: like urgent like I used to be, like if I

791
00:39:23,320 --> 00:39:25,960
Speaker 2: am not there seeing it like in that moment, like

792
00:39:26,000 --> 00:39:28,279
Speaker 2: I am offline, I am not, you know, like so

793
00:39:28,400 --> 00:39:31,080
Speaker 2: scared of spoilers, and now it just doesn't feel it

794
00:39:31,120 --> 00:39:34,680
Speaker 2: doesn't feel honestly quite as much for us. Do you

795
00:39:34,680 --> 00:39:35,239
Speaker 2: want to know why?

796
00:39:35,400 --> 00:39:37,480
Speaker 1: It's because here's what it was for for us, and

797
00:39:37,520 --> 00:39:39,800
Speaker 1: this is why we really loved it. Obviously, the queens

798
00:39:39,800 --> 00:39:43,560
Speaker 1: were incredible and they were all like aspirational and older

799
00:39:43,600 --> 00:39:46,279
Speaker 1: than us and smarter, Like it felt like they were

800
00:39:46,280 --> 00:39:48,560
Speaker 1: funnier and smarter than us. Not to say the girls

801
00:39:48,600 --> 00:39:51,719
Speaker 1: aren't giving now, but we're literally older than everyone watching

802
00:39:51,760 --> 00:39:55,040
Speaker 1: the k And also another thing is we were watching

803
00:39:55,040 --> 00:39:57,040
Speaker 1: at it at a time when it was very community

804
00:39:57,040 --> 00:39:58,239
Speaker 1: building for us, you.

805
00:39:58,200 --> 00:40:00,479
Speaker 2: Know what I mean, at a gay bar, got older

806
00:40:00,520 --> 00:40:03,520
Speaker 2: and and the show is just unfortunately, like I'm really

807
00:40:03,560 --> 00:40:06,720
Speaker 2: excited for people to discover the show in the later

808
00:40:06,800 --> 00:40:09,759
Speaker 2: seasons because unfortunately, I think what has happened is that

809
00:40:10,040 --> 00:40:12,600
Speaker 2: you see these queens and they're they're all very talented.

810
00:40:13,520 --> 00:40:15,520
Speaker 2: And this is not to take away, but it has

811
00:40:15,640 --> 00:40:19,200
Speaker 2: become sort of like, oh, that's your that's Jinks. Yes,

812
00:40:19,719 --> 00:40:23,319
Speaker 2: that's just New Jinks. Yeah, that's just her, And that's

813
00:40:23,360 --> 00:40:25,919
Speaker 2: like giving someone and that's like, that's why Simon actually

814
00:40:26,000 --> 00:40:28,839
Speaker 2: is my favorite of the New Reason I would agree

815
00:40:28,920 --> 00:40:33,280
Speaker 2: Simone feels like she created a new arch lane archetype

816
00:40:33,360 --> 00:40:36,759
Speaker 2: for herself and and that and I don't know that

817
00:40:37,200 --> 00:40:40,040
Speaker 2: any of the other Reason winners have quite done that

818
00:40:40,160 --> 00:40:43,319
Speaker 2: in quite a direct way. They're all wonderful. I love them.

819
00:40:43,360 --> 00:40:47,279
Speaker 2: A huge Anympia fan, huge Willow fan. Yeah, like all

820
00:40:47,320 --> 00:40:50,920
Speaker 2: of the amazing but that's not to take away from that,

821
00:40:51,040 --> 00:40:53,480
Speaker 2: but like, let's be honest. When we went to drag Con,

822
00:40:54,200 --> 00:40:56,440
Speaker 2: drag race is for and this is not a pejorative,

823
00:40:57,040 --> 00:40:58,360
Speaker 2: no drag races for Katie's.

824
00:41:00,400 --> 00:41:02,400
Speaker 3: I thought you were gonna say kids, no, no, no, And

825
00:41:02,440 --> 00:41:04,640
Speaker 3: I will say, like it did become like it.

826
00:41:04,640 --> 00:41:07,480
Speaker 1: It was interesting because now I'm like, now with everything

827
00:41:07,560 --> 00:41:10,560
Speaker 1: changing again, I'm like, because I remember we were at

828
00:41:10,560 --> 00:41:14,800
Speaker 1: the DragCon promoting Fire Island and there were so many children,

829
00:41:15,640 --> 00:41:19,600
Speaker 1: and now it's like they're really trying to divorce drag

830
00:41:19,719 --> 00:41:22,560
Speaker 1: and you know, queer identity at all from like exposure

831
00:41:22,600 --> 00:41:24,719
Speaker 1: to kids or whatever. And I'm like, how can you

832
00:41:24,760 --> 00:41:26,480
Speaker 1: not say this is a positive thing, even if me

833
00:41:26,760 --> 00:41:28,880
Speaker 1: as like a true faggot who like misses when there

834
00:41:28,920 --> 00:41:31,759
Speaker 1: was lube commercials on logo watching drag Race, you know,

835
00:41:32,440 --> 00:41:35,480
Speaker 1: I do miss that like rawness of it and the

836
00:41:35,520 --> 00:41:37,920
Speaker 1: aspirational quality of what they were doing in terms of

837
00:41:37,960 --> 00:41:41,640
Speaker 1: like I'm entering into the queer community and learning so

838
00:41:41,760 --> 00:41:44,080
Speaker 1: much about this. I still was there and I'm like,

839
00:41:44,120 --> 00:41:47,200
Speaker 1: you know what, these kids are empowered to be anything

840
00:41:47,320 --> 00:41:50,239
Speaker 1: they want to be, and there was nothing weird about it.

841
00:41:50,239 --> 00:41:52,759
Speaker 1: There was something ugly about it. There was nothing sexual

842
00:41:52,880 --> 00:41:55,000
Speaker 1: about it, which is what they're trying to like make

843
00:41:55,040 --> 00:41:58,160
Speaker 1: it all seem like it's like a grooming center, and

844
00:41:58,200 --> 00:41:59,799
Speaker 1: it's like it was nothing to do with that. It

845
00:41:59,840 --> 00:42:02,319
Speaker 1: was only empowering. Even if I felt like, oh, it's

846
00:42:02,320 --> 00:42:05,759
Speaker 1: for kids now and straight people now, it's still felt like, well,

847
00:42:05,840 --> 00:42:09,520
Speaker 1: we won in the fact that like this is mainstream culture.

848
00:42:09,200 --> 00:42:12,239
Speaker 2: And to say like it's not urgent watching for like

849
00:42:12,280 --> 00:42:13,839
Speaker 2: the three of us, it's not to say that it's

850
00:42:13,880 --> 00:42:17,440
Speaker 2: not an urgently like no one is happier than trump

851
00:42:17,520 --> 00:42:21,560
Speaker 2: On than Paul Charles, Okay, because the show it has

852
00:42:21,560 --> 00:42:27,160
Speaker 2: made the show so important, so so important and just

853
00:42:27,440 --> 00:42:31,040
Speaker 2: you know, allegedly, but it is it is sort of

854
00:42:31,160 --> 00:42:33,279
Speaker 2: like I don't want to talk about the state of

855
00:42:33,280 --> 00:42:35,080
Speaker 2: the world really on this, Let's keep it light, but

856
00:42:35,120 --> 00:42:37,520
Speaker 2: like it does make this show. You watch these shows

857
00:42:37,640 --> 00:42:40,600
Speaker 2: and we're so disensitized to it because we've so we've like.

858
00:42:40,760 --> 00:42:44,360
Speaker 3: Been lucky to have seen it, to see it exactly.

859
00:42:45,000 --> 00:42:48,560
Speaker 2: But like, you know, it's exciting that this is this

860
00:42:48,680 --> 00:42:51,120
Speaker 2: continues to skyrocket and will continue to be an outlet

861
00:42:51,160 --> 00:42:53,759
Speaker 2: for these kids. But the other thing that makes it

862
00:42:53,800 --> 00:42:57,360
Speaker 2: hard to watch sometimes is that it drastically altered the

863
00:42:57,440 --> 00:43:01,880
Speaker 2: landscape of what dragon the real Yeah, and it created

864
00:43:01,920 --> 00:43:06,040
Speaker 2: an entire cottage industry that did not exist right, right,

865
00:43:06,040 --> 00:43:08,760
Speaker 2: that did not exist for drag queens before. The model

866
00:43:08,760 --> 00:43:10,759
Speaker 2: of what a working drag queen now looks like is

867
00:43:10,800 --> 00:43:13,160
Speaker 2: so different from what it looked like back, you know,

868
00:43:13,320 --> 00:43:14,919
Speaker 2: even ten to fifteen years ago.

869
00:43:15,000 --> 00:43:17,680
Speaker 1: But that's even changed back in the last couple of years,

870
00:43:17,760 --> 00:43:21,239
Speaker 1: as like spaces close, as like laws start getting put

871
00:43:21,239 --> 00:43:21,680
Speaker 1: into place.

872
00:43:21,800 --> 00:43:23,920
Speaker 2: The show is very important, and I'm I have enjoyed

873
00:43:23,960 --> 00:43:26,480
Speaker 2: the hell out of this season actually, Like I just

874
00:43:26,560 --> 00:43:30,160
Speaker 2: remember Alyssa and Tatiana lip syncing and watching that live

875
00:43:30,239 --> 00:43:32,880
Speaker 2: in a gay bar, like and the people reacting like

876
00:43:32,920 --> 00:43:35,920
Speaker 2: you could just it was so utter joy y, you know,

877
00:43:36,040 --> 00:43:38,880
Speaker 2: and like I just I enjoy getting together with my

878
00:43:38,920 --> 00:43:41,920
Speaker 2: friends and watching it is a very nice communal Friday ritual.

879
00:43:42,040 --> 00:43:46,040
Speaker 2: But it just like I feel ten thousand years old totally.

880
00:43:46,040 --> 00:43:50,840
Speaker 2: I mean, it's the reason why like Survivors development cycle,

881
00:43:50,920 --> 00:43:54,279
Speaker 2: and it's the way that has aged over time. Is well,

882
00:43:54,320 --> 00:43:56,960
Speaker 2: they're facing a very similar problem in that the contestants

883
00:43:57,040 --> 00:44:00,440
Speaker 2: now are so aware of the meta totally the world

884
00:44:00,480 --> 00:44:03,719
Speaker 2: outside of they're so concerned about what the narrative is

885
00:44:03,760 --> 00:44:06,279
Speaker 2: going to be. Yeah, and they know the game so

886
00:44:06,520 --> 00:44:10,200
Speaker 2: well that they and actually all credit to queens like

887
00:44:10,280 --> 00:44:15,200
Speaker 2: Corey King, who said in an interview she worded everything

888
00:44:15,280 --> 00:44:21,200
Speaker 2: in those confessionals so that they would have to use her. Oh,

889
00:44:21,440 --> 00:44:24,080
Speaker 2: was like, I know, the real winner of this show

890
00:44:25,239 --> 00:44:28,720
Speaker 2: is who wins the confessional queen of the season. And

891
00:44:28,760 --> 00:44:30,600
Speaker 2: to be honest, Corey was like fourth or fifth out,

892
00:44:30,640 --> 00:44:33,759
Speaker 2: but one of the most memorable queens and has had

893
00:44:33,800 --> 00:44:36,000
Speaker 2: such a like I think was number one on cameo

894
00:44:36,400 --> 00:44:39,600
Speaker 2: for a while like afterwards and has like become like

895
00:44:39,719 --> 00:44:43,359
Speaker 2: sort of like the winner of the season game. So yeah,

896
00:44:43,400 --> 00:44:45,560
Speaker 2: she's and she knew going in how to do that,

897
00:44:45,920 --> 00:44:48,600
Speaker 2: and I all credit to her, all like love and

898
00:44:48,640 --> 00:44:50,640
Speaker 2: power to her. But it is also like it makes

899
00:44:50,680 --> 00:44:53,839
Speaker 2: it less about the show about the show, I don't know,

900
00:44:53,920 --> 00:44:57,480
Speaker 2: it's just like if it's like a different game than

901
00:44:57,920 --> 00:45:06,879
Speaker 2: it was when when you know what I was gonna

902
00:45:06,880 --> 00:45:10,120
Speaker 2: say about Survivor though, is that like that can age

903
00:45:10,120 --> 00:45:13,000
Speaker 2: in a way that like somewhat linear, like more people

904
00:45:13,080 --> 00:45:15,719
Speaker 2: like discover the show and retroactively get into it. But

905
00:45:15,719 --> 00:45:18,120
Speaker 2: it's like no one was ever really going to bars

906
00:45:18,200 --> 00:45:20,840
Speaker 2: to like meet up with their friends to watch Survivor necessarily,

907
00:45:20,840 --> 00:45:21,200
Speaker 2: which is.

908
00:45:21,120 --> 00:45:24,400
Speaker 1: Weird because you know what, now, actually they are. We

909
00:45:24,480 --> 00:45:26,520
Speaker 1: didn't even go to Top tonight to watch it. They

910
00:45:26,520 --> 00:45:28,720
Speaker 1: have a great watch party that I do every week.

911
00:45:29,040 --> 00:45:31,000
Speaker 2: And what I'm saying, like with Root, with drag Race

912
00:45:31,080 --> 00:45:33,719
Speaker 2: starting out like that and now with that dissipating as

913
00:45:33,719 --> 00:45:35,480
Speaker 2: people get older, as people don't go out as much,

914
00:45:35,480 --> 00:45:37,640
Speaker 2: with COVID whatever, like yeah, all these reasons, it's like

915
00:45:37,920 --> 00:45:41,000
Speaker 2: it has lost some of that binding agent. And that's

916
00:45:41,080 --> 00:45:42,840
Speaker 2: and that's not the show's fault.

917
00:45:43,400 --> 00:45:46,120
Speaker 1: But Survivor is funny because like, Survivor is huge with

918
00:45:46,320 --> 00:45:50,239
Speaker 1: nerds and gaze, Yeah, nerds and Gaze, and that is

919
00:45:50,239 --> 00:45:53,320
Speaker 1: who was reflected in the casting too, and gay nerds

920
00:45:54,160 --> 00:45:57,759
Speaker 1: like and I can't sometimes I get lost watching it

921
00:45:57,800 --> 00:46:00,879
Speaker 1: because these people know the game so well.

922
00:46:00,960 --> 00:46:04,680
Speaker 2: It's so they have to throw eight million twists into

923
00:46:04,680 --> 00:46:05,240
Speaker 2: every episode.

924
00:46:05,320 --> 00:46:07,520
Speaker 1: And you if you don't watch it with your full brain,

925
00:46:08,239 --> 00:46:09,280
Speaker 1: you you missed.

926
00:46:09,280 --> 00:46:10,080
Speaker 2: It can't be ambient.

927
00:46:10,160 --> 00:46:13,160
Speaker 3: It can't be a drags can be ambient, which I appreciate.

928
00:46:13,280 --> 00:46:15,719
Speaker 2: Yeah, yeah, yeah, oh, I mean the way I will

929
00:46:15,760 --> 00:46:18,319
Speaker 2: put on I've watched certain seasons of Drag Race, like

930
00:46:18,560 --> 00:46:20,920
Speaker 2: dozens of times probably at this point because it is

931
00:46:21,000 --> 00:46:21,319
Speaker 2: just like.

932
00:46:21,280 --> 00:46:22,680
Speaker 3: Season eight, season nine.

933
00:46:22,600 --> 00:46:26,879
Speaker 2: Seas, you know, like the All Star season is also

934
00:46:26,920 --> 00:46:31,400
Speaker 2: really exciting, I mean really excited about this insane Survivor

935
00:46:31,520 --> 00:46:33,279
Speaker 2: esque all Star season that's about to come out.

936
00:46:33,320 --> 00:46:33,960
Speaker 3: Wait, what is that?

937
00:46:34,719 --> 00:46:38,480
Speaker 2: I'm not sure of Dragers, I don't I'm not sure

938
00:46:38,480 --> 00:46:40,880
Speaker 2: how much has been announced, but it's eighteen queens. And

939
00:46:40,920 --> 00:46:44,319
Speaker 2: I will say that the format, from what I have

940
00:46:44,640 --> 00:46:48,520
Speaker 2: read the scuttle online is is that the format might

941
00:46:48,760 --> 00:46:51,520
Speaker 2: mirror a certain other reality.

942
00:46:51,560 --> 00:46:53,400
Speaker 1: Okay, did you see Bob the Drag Queen was like

943
00:46:53,400 --> 00:46:57,439
Speaker 1: All Stars for losers? Damn yeah, Bob the Drag Queen.

944
00:46:58,080 --> 00:47:00,920
Speaker 2: But like Bob is one of the few winners or

945
00:47:01,000 --> 00:47:03,440
Speaker 2: queens from that franchise who can get away with saying that.

946
00:47:03,800 --> 00:47:05,799
Speaker 1: You're sort of like, yeah, okay, you know what though

947
00:47:05,840 --> 00:47:08,879
Speaker 1: all Stars is for losers? Like is something a drag

948
00:47:08,960 --> 00:47:09,680
Speaker 1: queen should be saying?

949
00:47:09,800 --> 00:47:09,960
Speaker 4: Yeah?

950
00:47:10,400 --> 00:47:13,520
Speaker 2: Total total and it is like or one of the

951
00:47:13,600 --> 00:47:17,360
Speaker 2: last winners who will say like whatever the whatever the

952
00:47:17,360 --> 00:47:19,359
Speaker 2: fuck on that podcast, you know, because I just had

953
00:47:19,400 --> 00:47:22,320
Speaker 2: a realization moment getting off Twitter, and like part of

954
00:47:22,360 --> 00:47:24,480
Speaker 2: it was the reason I got off Twitter was I

955
00:47:24,520 --> 00:47:26,080
Speaker 2: was hacked by the Russians en it was away from

956
00:47:26,120 --> 00:47:27,920
Speaker 2: my account for four days and to pay a lot

957
00:47:27,960 --> 00:47:30,040
Speaker 2: of money to a lawyer to get in contact with

958
00:47:30,040 --> 00:47:32,040
Speaker 2: Twitter to get my account back, and then I deleted

959
00:47:32,080 --> 00:47:34,319
Speaker 2: immediately because I kept a little note of all the

960
00:47:34,320 --> 00:47:37,360
Speaker 2: things I would tweet if I had access to my account.

961
00:47:37,520 --> 00:47:39,040
Speaker 2: And then I read it back after four days and

962
00:47:39,040 --> 00:47:41,680
Speaker 2: I said, none of this is using, none of this

963
00:47:41,760 --> 00:47:44,960
Speaker 2: is none of this is That's incredible that you did this.

964
00:47:45,080 --> 00:47:46,840
Speaker 2: I was like, I don't need to say this about

965
00:47:46,840 --> 00:47:49,200
Speaker 2: Ashley Tisdale, Like why would I say, Why would I

966
00:47:49,239 --> 00:47:53,040
Speaker 2: say she said nothing? She's an innocent person. And I

967
00:47:53,239 --> 00:47:56,760
Speaker 2: now have like it's just like your perspective really does shift,

968
00:47:57,080 --> 00:47:59,839
Speaker 2: Like it's so crazy, like I am answering, I am

969
00:47:59,840 --> 00:48:02,120
Speaker 2: not in the I try not to be in the comments.

970
00:48:02,440 --> 00:48:04,920
Speaker 2: After years of doing this, you we all struggle with this,

971
00:48:05,000 --> 00:48:07,960
Speaker 2: I know. But because the thing is is I know

972
00:48:08,000 --> 00:48:10,560
Speaker 2: all six reasons why people hate me now and no

973
00:48:10,560 --> 00:48:14,920
Speaker 2: one says, no one says anything different. It's all in

974
00:48:14,960 --> 00:48:16,319
Speaker 2: the same six buckets.

975
00:48:16,320 --> 00:48:19,560
Speaker 3: Actually, yeah, there is between it's it's it's it's a.

976
00:48:19,560 --> 00:48:22,600
Speaker 2: Short list, and it's God blessed them, No one says

977
00:48:22,640 --> 00:48:26,000
Speaker 2: anything new. I'm like, there's no new reasons to take

978
00:48:26,080 --> 00:48:28,719
Speaker 2: me yet except the new string that I am seeing

979
00:48:28,760 --> 00:48:31,400
Speaker 2: on some of my videos that come out, like on

980
00:48:31,719 --> 00:48:35,160
Speaker 2: podcasts such as this is people being like, his work

981
00:48:35,200 --> 00:48:39,000
Speaker 2: looks crazy? Why is he getting all this plas they've

982
00:48:39,000 --> 00:48:42,000
Speaker 2: gotten botox yet? Bitch? Okay, I'm pushing forty with Rose

983
00:48:45,520 --> 00:48:49,120
Speaker 2: giving filler that one I asked the seventh bucket now

984
00:48:49,280 --> 00:48:52,120
Speaker 2: is that I see I've been seeing that like happen

985
00:48:52,200 --> 00:48:54,480
Speaker 2: and I'm sort of like, huh, I guess you think

986
00:48:54,480 --> 00:48:57,000
Speaker 2: that that's a function of time. I think I don't know.

987
00:48:57,040 --> 00:48:58,799
Speaker 2: I think it's it's this weird. I think it's a

988
00:48:58,840 --> 00:49:02,960
Speaker 2: weird it feels like counter and two like it. It

989
00:49:02,960 --> 00:49:05,239
Speaker 2: doesn't feel like these both can be true. But I

990
00:49:05,239 --> 00:49:08,680
Speaker 2: think it's because I both look older but don't look

991
00:49:08,719 --> 00:49:11,240
Speaker 2: as old as I look, and that those two things

992
00:49:11,280 --> 00:49:14,279
Speaker 2: combined have caused people like what confused people because I

993
00:49:14,320 --> 00:49:16,400
Speaker 2: do look very much the same as I did ten

994
00:49:16,480 --> 00:49:18,640
Speaker 2: years ago. I'm just saying that it's like the hair.

995
00:49:18,719 --> 00:49:21,799
Speaker 2: Probably it throws there's one thing about framing the face

996
00:49:21,840 --> 00:49:23,560
Speaker 2: that throws people off, and they're like, well, he's gotten

997
00:49:23,560 --> 00:49:26,160
Speaker 2: work done. It's literally the hair growing out and getting permed.

998
00:49:26,160 --> 00:49:28,480
Speaker 2: It looks amazing. I wanted to come in here and

999
00:49:28,480 --> 00:49:30,520
Speaker 2: talk about like fucking white lotus, and I'm like, oh,

1000
00:49:30,560 --> 00:49:33,360
Speaker 2: that's a distant talk about white lotus. You know, I

1001
00:49:34,000 --> 00:49:35,560
Speaker 2: do want to talk about white lotus a little bit

1002
00:49:35,600 --> 00:49:38,799
Speaker 2: and say I think that My take on season three

1003
00:49:38,920 --> 00:49:43,040
Speaker 2: is that it is a lot of really captivating, wonderful

1004
00:49:43,040 --> 00:49:45,840
Speaker 2: moments that did not coalesce into so you were not

1005
00:49:45,920 --> 00:49:50,719
Speaker 2: ultimately at the season. I enjoyed my experience on a

1006
00:49:50,760 --> 00:49:53,560
Speaker 2: Sunday to Sunday basis of watching each of those episodes,

1007
00:49:53,800 --> 00:49:56,560
Speaker 2: But did I come away thinking like that it all

1008
00:49:56,640 --> 00:49:59,959
Speaker 2: came together at the end, like as like something meaning

1009
00:50:00,480 --> 00:50:02,560
Speaker 2: I don't know that I can say that, like I enjoyed.

1010
00:50:02,719 --> 00:50:05,480
Speaker 2: I really thought it was high quality performances really on

1011
00:50:05,520 --> 00:50:08,680
Speaker 2: an episode to episode basis, very good writing and good

1012
00:50:08,680 --> 00:50:10,799
Speaker 2: great moments. But the only thing I'm going to take

1013
00:50:10,800 --> 00:50:13,400
Speaker 2: away from that finale is Cary Kuon's monologue. Yes, the

1014
00:50:13,520 --> 00:50:14,640
Speaker 2: only thing.

1015
00:50:14,680 --> 00:50:18,120
Speaker 1: I think, so, I think see, I was so I'm

1016
00:50:18,160 --> 00:50:20,880
Speaker 1: a huge fan of season three, Like I loved pretty

1017
00:50:20,920 --> 00:50:23,239
Speaker 1: much every single thing about it. And I feel like

1018
00:50:23,640 --> 00:50:26,160
Speaker 1: the Walton Goggins and Amy lou Wood storyline.

1019
00:50:26,239 --> 00:50:28,480
Speaker 3: Like to me it was. It was also so.

1020
00:50:29,960 --> 00:50:32,759
Speaker 1: Personally gratifying because I was like, I was watching it

1021
00:50:32,800 --> 00:50:35,120
Speaker 1: and I sat there and I was like, you can't

1022
00:50:35,160 --> 00:50:39,080
Speaker 1: save broken people. They have to save themselves. They have

1023
00:50:39,160 --> 00:50:41,120
Speaker 1: to work on themselves. It doesn't matter matter how much

1024
00:50:41,160 --> 00:50:41,680
Speaker 1: you love them.

1025
00:50:41,719 --> 00:50:44,440
Speaker 2: The reason I think I will remember Carry Kuon's monologue

1026
00:50:44,480 --> 00:50:46,319
Speaker 2: and you will remember that is because that is so

1027
00:50:47,280 --> 00:50:50,400
Speaker 2: what you have lived and like what you a lesson

1028
00:50:50,480 --> 00:50:52,440
Speaker 2: you have learned in your own life. What do you

1029
00:50:52,520 --> 00:50:55,080
Speaker 2: mean like that, I mean broken people? Yes, right, you know,

1030
00:50:55,239 --> 00:50:57,759
Speaker 2: like that is a lesson that you have learned the

1031
00:50:57,840 --> 00:51:01,640
Speaker 2: hard way in many ways and you've connected, you know.

1032
00:51:01,719 --> 00:51:03,960
Speaker 2: And the Carrie Kuon monolog where she says like she

1033
00:51:04,000 --> 00:51:06,239
Speaker 2: has and listen, I do not think that we are

1034
00:51:06,280 --> 00:51:09,959
Speaker 2: as toxic as those three women were ultimately thinking about

1035
00:51:10,040 --> 00:51:12,000
Speaker 2: us as that. No, but I did have this moment

1036
00:51:12,000 --> 00:51:14,399
Speaker 2: because like we've talked about, let's get raw and real

1037
00:51:14,440 --> 00:51:16,319
Speaker 2: again his sisters, when I asked you to be in

1038
00:51:16,360 --> 00:51:19,440
Speaker 2: my wedding party, like we are we are dear like

1039
00:51:19,880 --> 00:51:22,759
Speaker 2: besties down and we will and I asked you to

1040
00:51:22,760 --> 00:51:24,040
Speaker 2: be in my wedding party because I know you will

1041
00:51:24,080 --> 00:51:26,120
Speaker 2: be in my life for the rest of my goddamn life.

1042
00:51:26,239 --> 00:51:29,520
Speaker 2: But we're also fucking busy. You live in two different

1043
00:51:29,560 --> 00:51:32,160
Speaker 2: cities practically most of the time. You are the busiest

1044
00:51:32,160 --> 00:51:35,680
Speaker 2: man in Hollywood. I'm very busy. Like we don't get

1045
00:51:35,719 --> 00:51:37,880
Speaker 2: to do these things. And like it's so funny when

1046
00:51:37,880 --> 00:51:39,440
Speaker 2: people talk about, like why I haven't been back on

1047
00:51:39,440 --> 00:51:43,200
Speaker 2: the pod, right, they assume as to be, But it's

1048
00:51:43,280 --> 00:51:45,480
Speaker 2: honestly because like when we do get to hang out,

1049
00:51:45,520 --> 00:51:48,719
Speaker 2: we don't want to do this, but we only hit

1050
00:51:48,840 --> 00:51:50,640
Speaker 2: so much time to see each other. We don't want

1051
00:51:50,680 --> 00:51:52,200
Speaker 2: to come in and do this when we do it.

1052
00:51:52,239 --> 00:51:54,040
Speaker 2: And but I when I asked you to be in

1053
00:51:54,080 --> 00:51:56,080
Speaker 2: my wedding party, I said, I know that, Like we

1054
00:51:56,200 --> 00:51:58,880
Speaker 2: aren't seeing each other like every week like we used to,

1055
00:51:59,040 --> 00:52:02,239
Speaker 2: and we aren't, like you know, able to go on

1056
00:52:02,360 --> 00:52:03,719
Speaker 2: like all the trips that we used to go on

1057
00:52:03,760 --> 00:52:06,000
Speaker 2: and all these things. But like when I think about

1058
00:52:06,040 --> 00:52:08,600
Speaker 2: the people in my life that matter to me, it's

1059
00:52:08,640 --> 00:52:12,520
Speaker 2: not necessarily like maybe the people that come to my

1060
00:52:12,520 --> 00:52:16,040
Speaker 2: house every fri it's it's it's you guys. And like

1061
00:52:16,120 --> 00:52:20,160
Speaker 2: that monologue really resonated because it really does have meaning.

1062
00:52:20,320 --> 00:52:23,239
Speaker 2: And like I think that that is like for me,

1063
00:52:23,320 --> 00:52:26,120
Speaker 2: it's like being in a relationship and like getting older,

1064
00:52:26,160 --> 00:52:29,160
Speaker 2: like both of those things combined. Like I really you

1065
00:52:29,200 --> 00:52:32,560
Speaker 2: recognize that because you really do have to be intentional

1066
00:52:32,600 --> 00:52:36,839
Speaker 2: about maintaining friendships when you are in a relationship, like yeah,

1067
00:52:36,880 --> 00:52:39,759
Speaker 2: and and and it's so hard to do because I

1068
00:52:39,800 --> 00:52:42,759
Speaker 2: am living and about to marry my best friend, you know,

1069
00:52:42,880 --> 00:52:45,080
Speaker 2: and so like I think like a lot of the

1070
00:52:45,080 --> 00:52:50,200
Speaker 2: things I used to like need from friendships are being provided.

1071
00:52:50,640 --> 00:52:54,080
Speaker 2: But like it's it's a trick. It's a trick though,

1072
00:52:54,080 --> 00:52:57,239
Speaker 2: because like I don't like we've we've also like been

1073
00:52:57,320 --> 00:52:59,240
Speaker 2: like we need to hang out with our friends without

1074
00:52:59,239 --> 00:53:02,719
Speaker 2: each other, like the you know, like we don't have

1075
00:53:02,760 --> 00:53:03,480
Speaker 2: to do everything.

1076
00:53:03,520 --> 00:53:05,279
Speaker 3: Does that happened more? And it has happened more?

1077
00:53:05,320 --> 00:53:08,920
Speaker 2: Yeah, yeah, Like I you know, like we like I

1078
00:53:08,960 --> 00:53:10,799
Speaker 2: was just talking to Jared the other day, who shout

1079
00:53:10,840 --> 00:53:14,480
Speaker 2: out I'll announce Jared's also in the wedding, But like

1080
00:53:14,680 --> 00:53:16,839
Speaker 2: I was like, he was like, you and James should

1081
00:53:16,840 --> 00:53:18,719
Speaker 2: come over, and I was like, or I could just

1082
00:53:18,760 --> 00:53:22,160
Speaker 2: come yeah, yea, because that might like that might be nice.

1083
00:53:22,040 --> 00:53:23,480
Speaker 2: You know. It is interesting.

1084
00:53:23,520 --> 00:53:26,120
Speaker 1: It's like because it's all about like all of a

1085
00:53:26,160 --> 00:53:29,319
Speaker 1: sudden because life goes it does go by quick. Yeah,

1086
00:53:29,360 --> 00:53:32,000
Speaker 1: And then I feel like, what was so great about

1087
00:53:32,040 --> 00:53:35,719
Speaker 1: that episode and the arc that the three of them

1088
00:53:35,719 --> 00:53:39,160
Speaker 1: are going through was they will leave that vacation and

1089
00:53:39,200 --> 00:53:42,759
Speaker 1: they'll probably remember two things, the traumatic shooting that they

1090
00:53:42,760 --> 00:53:46,239
Speaker 1: survived and the fact that they were able to have

1091
00:53:46,280 --> 00:53:48,520
Speaker 1: a great last dinner yea yeah, And they won't even

1092
00:53:48,600 --> 00:53:53,319
Speaker 1: remember Valentine. They won't remember the pibitchy little comments. They

1093
00:53:53,320 --> 00:53:55,640
Speaker 1: won't remember that one of them was a little bit

1094
00:53:55,640 --> 00:53:59,360
Speaker 1: more drunk. They'll remember like this piece of it, and

1095
00:53:59,400 --> 00:54:03,440
Speaker 1: they'll remember how their relationship like got better and now

1096
00:54:03,520 --> 00:54:08,040
Speaker 1: has this like memorable like trauma bond moment again. And

1097
00:54:08,080 --> 00:54:11,160
Speaker 1: that's when life goes by like that. And then she's saying, like,

1098
00:54:11,239 --> 00:54:13,920
Speaker 1: you look at your choices. It's because it's the people

1099
00:54:13,960 --> 00:54:16,759
Speaker 1: that have been there for a really long time that

1100
00:54:16,840 --> 00:54:18,960
Speaker 1: you can see in different stages of your life. And

1101
00:54:19,000 --> 00:54:23,840
Speaker 1: then you can say, wow, like I have made choices

1102
00:54:23,880 --> 00:54:25,839
Speaker 1: to be this person who I'm sitting here right now,

1103
00:54:25,880 --> 00:54:28,239
Speaker 1: and now I'm sitting with two other people who are

1104
00:54:28,280 --> 00:54:30,799
Speaker 1: also have gone through the same amount of time and

1105
00:54:30,840 --> 00:54:33,000
Speaker 1: the same amount of development, but in a different way,

1106
00:54:33,440 --> 00:54:35,719
Speaker 1: like here you are about to get married. You know

1107
00:54:35,760 --> 00:54:38,360
Speaker 1: what I mean, Like you have a certain type of

1108
00:54:38,440 --> 00:54:41,360
Speaker 1: career which is like you know, keeps you busy and

1109
00:54:41,480 --> 00:54:44,000
Speaker 1: is in the stratus for all the time, and sometimes

1110
00:54:44,040 --> 00:54:46,920
Speaker 1: like you would think like maybe a third person in

1111
00:54:46,960 --> 00:54:48,560
Speaker 1: that would look at both those things and be like,

1112
00:54:48,600 --> 00:54:52,200
Speaker 1: I'm the carry coon, but we all are carrying feeling

1113
00:54:52,320 --> 00:54:53,080
Speaker 1: like the carry coon.

1114
00:54:53,600 --> 00:54:59,480
Speaker 2: You know what I mean, Michelle, I'm Leslie and your

1115
00:54:59,520 --> 00:55:01,960
Speaker 2: Carrie well, I mean Leslie.

1116
00:55:03,400 --> 00:55:09,080
Speaker 1: No, I well I now switched and you spend the

1117
00:55:09,120 --> 00:55:09,960
Speaker 1: most time in Austin.

1118
00:55:10,160 --> 00:55:15,160
Speaker 2: Yeah, it's true. And I smiled, and you would rob

1119
00:55:15,200 --> 00:55:22,200
Speaker 2: the closest to independent. He certainly hates the Democrats. Oh yeah,

1120
00:55:22,239 --> 00:55:28,880
Speaker 2: I guess that's the headline the Democrats. No, but I

1121
00:55:28,920 --> 00:55:30,040
Speaker 2: mean like it's I was.

1122
00:55:30,320 --> 00:55:32,640
Speaker 1: It was actually I can't remember the last time I

1123
00:55:32,680 --> 00:55:34,440
Speaker 1: spontaneously burst out in tears.

1124
00:55:34,920 --> 00:55:35,520
Speaker 2: I actually can.

1125
00:55:35,719 --> 00:55:38,400
Speaker 1: It was when he Wa Kwan was in everything ever

1126
00:55:38,520 --> 00:55:39,960
Speaker 1: all at once, when he was saying you have to

1127
00:55:40,000 --> 00:55:43,520
Speaker 1: be kind, like please be kind, I like spontaneously burst

1128
00:55:43,520 --> 00:55:45,520
Speaker 1: out in tears. But I was watching Kerry couldn't give

1129
00:55:45,520 --> 00:55:49,200
Speaker 1: that monologue, and I just I burst into tears because

1130
00:55:49,239 --> 00:55:52,200
Speaker 1: I was just like, it's true. As you get older,

1131
00:55:52,640 --> 00:55:56,279
Speaker 1: like it's not about like what haven't I don't or

1132
00:55:56,320 --> 00:55:59,239
Speaker 1: what don't I have? It's like very hard to get

1133
00:55:59,280 --> 00:56:02,239
Speaker 1: to a point where you're like, you know, the things

1134
00:56:02,280 --> 00:56:05,600
Speaker 1: I've done are enough, Like I've tried, you know, to

1135
00:56:05,680 --> 00:56:09,399
Speaker 1: develop myself. Like it's gone this way in a positive way,

1136
00:56:09,400 --> 00:56:11,279
Speaker 1: this way in a negative way, whatever that it all

1137
00:56:11,280 --> 00:56:14,560
Speaker 1: comes out in the wash anyway when you're still here.

1138
00:56:15,520 --> 00:56:22,479
Speaker 3: My mirror this season is thinking, he who is your father?

1139
00:56:24,239 --> 00:56:30,719
Speaker 2: At the end? I love yeah, when we got to

1140
00:56:30,760 --> 00:56:33,759
Speaker 2: see a little bite of her as a young which

1141
00:56:33,800 --> 00:56:37,000
Speaker 2: is real footnic. I mean. Also like the thing about

1142
00:56:37,040 --> 00:56:38,799
Speaker 2: him being the dad though, I was like, I said

1143
00:56:38,800 --> 00:56:41,200
Speaker 2: that the minute he said the story that his mom

1144
00:56:41,280 --> 00:56:43,960
Speaker 2: told him to Amy Lou, I was like, oh, well

1145
00:56:44,000 --> 00:56:45,759
Speaker 2: that guy is going to be your dad's the dad,

1146
00:56:45,880 --> 00:56:47,320
Speaker 2: like and they cast him very well.

1147
00:56:47,360 --> 00:56:49,279
Speaker 1: I will say that that part. I was like this

1148
00:56:49,320 --> 00:56:50,919
Speaker 1: week said we did see coming from a mile away,

1149
00:56:50,920 --> 00:56:52,239
Speaker 1: And you know what, I think would have even been

1150
00:56:52,280 --> 00:56:54,960
Speaker 1: a better reveal a monkey with a gun because because

1151
00:56:55,080 --> 00:56:56,799
Speaker 1: because here I want monkey with gun. Here's what I

1152
00:56:56,800 --> 00:56:59,480
Speaker 1: was thinking the whole time. How did Walton Goggins's character

1153
00:56:59,520 --> 00:57:02,239
Speaker 1: afford that vacation? What if it was revealed like he's

1154
00:57:02,239 --> 00:57:05,440
Speaker 1: been a trust fun baby his entire life, and actually

1155
00:57:05,480 --> 00:57:07,959
Speaker 1: he isn't this badass. He's just like this like sort

1156
00:57:07,960 --> 00:57:11,000
Speaker 1: of spoiled, like straight guy who's like the kind of

1157
00:57:11,040 --> 00:57:13,080
Speaker 1: guy who's like, I'm gonna wear like a funky scarf.

1158
00:57:13,120 --> 00:57:14,360
Speaker 2: I've been worried about a lot of the shit that

1159
00:57:14,360 --> 00:57:16,080
Speaker 2: I've said on this podcast so far, but this is

1160
00:57:16,160 --> 00:57:18,160
Speaker 2: like I don't really care, but like this is why

1161
00:57:18,160 --> 00:57:20,000
Speaker 2: he needs a writer's room, because this is one of

1162
00:57:20,000 --> 00:57:22,680
Speaker 2: my biggest problems with the storyline is I don't know

1163
00:57:22,680 --> 00:57:23,360
Speaker 2: who that man is.

1164
00:57:23,800 --> 00:57:26,080
Speaker 1: I do not know who that we could have gotten

1165
00:57:26,160 --> 00:57:30,000
Speaker 1: to a very funny thing, which is, where the fuck

1166
00:57:30,040 --> 00:57:31,640
Speaker 1: did you think you've got all your money from?

1167
00:57:31,640 --> 00:57:33,520
Speaker 2: Like your dad is the owner of this? Put it

1168
00:57:33,560 --> 00:57:35,560
Speaker 2: up on the board. Put it up on the board.

1169
00:57:35,720 --> 00:57:36,800
Speaker 2: It needs to be an index car.

1170
00:57:37,120 --> 00:57:40,640
Speaker 1: Just how because literally, how did that couple afford that vacation?

1171
00:57:41,240 --> 00:57:43,480
Speaker 2: It's it And that's the thing is like it's not

1172
00:57:44,160 --> 00:57:46,000
Speaker 2: super important, but it would have been nice.

1173
00:57:46,360 --> 00:57:49,360
Speaker 1: But you know what, Justification always makes things better. I

1174
00:57:49,360 --> 00:57:52,360
Speaker 1: feel like that is true in writing, Like justifications always

1175
00:57:52,400 --> 00:57:55,800
Speaker 1: make jokes funnier if you can get there, and justification

1176
00:57:56,000 --> 00:57:59,040
Speaker 1: always makes like, if you can strengthen it, I think

1177
00:57:59,040 --> 00:57:59,880
Speaker 1: it's always better than.

1178
00:58:00,120 --> 00:58:02,120
Speaker 2: And that's why I think, like for me too, like

1179
00:58:02,320 --> 00:58:05,720
Speaker 2: it's the fact that like the first two seasons were

1180
00:58:06,080 --> 00:58:07,880
Speaker 2: what they were, and even the third season was as

1181
00:58:07,880 --> 00:58:10,120
Speaker 2: strong as it was, is a miracle that he did

1182
00:58:10,120 --> 00:58:12,080
Speaker 2: this by himself, that he has that in it to

1183
00:58:12,160 --> 00:58:15,440
Speaker 2: do by himself. Because but I think, like the seams

1184
00:58:15,440 --> 00:58:19,160
Speaker 2: that we're now seeing and the disconnect that we're feeling

1185
00:58:19,200 --> 00:58:22,040
Speaker 2: with the third season is because like I don't think

1186
00:58:22,080 --> 00:58:24,240
Speaker 2: that one man can continue to play with the same

1187
00:58:24,280 --> 00:58:27,640
Speaker 2: ideas over and over and over again and create something

1188
00:58:28,040 --> 00:58:30,880
Speaker 2: that is going to feel as meaningful as the first. Yes,

1189
00:58:30,920 --> 00:58:33,520
Speaker 2: there are limits to Autertia, Yeah, that we need to

1190
00:58:33,560 --> 00:58:36,320
Speaker 2: come to. I don't disagree that that because he's not

1191
00:58:36,400 --> 00:58:37,760
Speaker 2: reinventing the show every season.

1192
00:58:37,800 --> 00:58:39,880
Speaker 3: He's yeah, no, well, I actually kind of like that

1193
00:58:39,960 --> 00:58:40,280
Speaker 3: about it.

1194
00:58:40,320 --> 00:58:40,480
Speaker 2: Though.

1195
00:58:40,560 --> 00:58:43,280
Speaker 1: I kind of like that the formula, like the formula

1196
00:58:43,320 --> 00:58:45,000
Speaker 1: for me, like really works, and I do think that

1197
00:58:45,040 --> 00:58:48,560
Speaker 1: there's been drastically different like things that have been said

1198
00:58:48,600 --> 00:58:51,600
Speaker 1: by both by all three of the seasons. I will

1199
00:58:51,600 --> 00:58:54,320
Speaker 1: say though, just out of principle, there should be a

1200
00:58:54,360 --> 00:58:55,960
Speaker 1: writer's rum on a show like that, that's what we're saying,

1201
00:58:56,000 --> 00:58:58,200
Speaker 1: just out of principle, because it is it is one

1202
00:58:58,240 --> 00:59:01,480
Speaker 1: of the last ways you can like appre this great

1203
00:59:01,480 --> 00:59:03,560
Speaker 1: writers and like you know what I mean, like get

1204
00:59:03,560 --> 00:59:06,720
Speaker 1: people started in the industry and this this has nothing

1205
00:59:06,760 --> 00:59:09,280
Speaker 1: to do with how talented and how brilliant I think

1206
00:59:09,280 --> 00:59:12,080
Speaker 1: he is, because ultimately, let's be real, all the creators

1207
00:59:12,080 --> 00:59:14,320
Speaker 1: and show runners rewrite all these episodes anyway.

1208
00:59:14,760 --> 00:59:19,680
Speaker 2: Honestly, that would be a huge win for the entire Yes,

1209
00:59:19,800 --> 00:59:22,240
Speaker 2: can I say I hate it from the beginning? Monkey

1210
00:59:22,320 --> 00:59:22,800
Speaker 2: has the gun?

1211
00:59:22,960 --> 00:59:27,960
Speaker 1: I advocate, I was a big advocate laughing, I'm not laughing.

1212
00:59:28,280 --> 00:59:29,640
Speaker 2: I don't think it's funny.

1213
00:59:29,960 --> 00:59:32,080
Speaker 1: I don't think it's funny to think about the monkey

1214
00:59:32,120 --> 00:59:32,880
Speaker 1: with the gun at all.

1215
00:59:33,800 --> 00:59:34,760
Speaker 2: I didn't think it was going to be.

1216
00:59:36,600 --> 00:59:38,400
Speaker 3: It was pretty straightforward, see I.

1217
00:59:38,520 --> 00:59:40,439
Speaker 1: But but for me, it's just like when I saw

1218
00:59:40,480 --> 00:59:44,120
Speaker 1: Amy Lou would unable to run away from the toxic

1219
00:59:44,240 --> 00:59:46,320
Speaker 1: man who was going to get who was gonna it

1220
00:59:46,360 --> 00:59:48,919
Speaker 1: was gonna end badly for her. I was like, I've

1221
00:59:48,920 --> 00:59:52,120
Speaker 1: been her totally, and this is an important story.

1222
00:59:52,520 --> 00:59:55,920
Speaker 2: Those are y'all's mirrors for sure. Yes, And you are

1223
00:59:56,040 --> 01:00:01,120
Speaker 2: a famous actress who Asian wres who married a wealthy

1224
01:00:01,520 --> 01:00:02,120
Speaker 2: that wasn't.

1225
01:00:01,960 --> 01:00:04,040
Speaker 3: Really your mirror, that that was your actual mirror. I

1226
01:00:04,080 --> 01:00:10,440
Speaker 3: was gonna say my mirror was I am I don't know.

1227
01:00:10,720 --> 01:00:12,840
Speaker 2: Is that it's also fun to not have a mirror

1228
01:00:12,880 --> 01:00:18,600
Speaker 2: in the seities. Let's see. I am gonna say, I'm

1229
01:00:18,640 --> 01:00:21,680
Speaker 2: still thinking about Aubrey and season two and see that.

1230
01:00:22,320 --> 01:00:23,920
Speaker 2: But that's not that's not that's not it. That's not

1231
01:00:23,920 --> 01:00:25,640
Speaker 2: an answer to the question I I don't I probably

1232
01:00:25,640 --> 01:00:27,440
Speaker 2: don't have one for I mean, but but like, but

1233
01:00:27,600 --> 01:00:29,720
Speaker 2: that just goes to the show. There's different things being

1234
01:00:29,720 --> 01:00:32,320
Speaker 2: reflected in each of the in each of the seasons.

1235
01:00:32,360 --> 01:00:35,160
Speaker 2: I think that, yeah, I don't know, her character was fascinating.

1236
01:00:35,200 --> 01:00:37,439
Speaker 1: You know. My I've been pressuring my therapist into watching

1237
01:00:37,480 --> 01:00:40,040
Speaker 1: White Lotus because she's never watched it. I went in

1238
01:00:40,040 --> 01:00:41,960
Speaker 1: today and she's like, I'm halfway through season two. I

1239
01:00:42,000 --> 01:00:44,280
Speaker 1: fucking love it. Oh, she was like season one was amazing.

1240
01:00:44,320 --> 01:00:47,880
Speaker 1: I'm like, it was like, put some respect on season.

1241
01:00:47,560 --> 01:00:50,600
Speaker 2: One one's great, it's great. Well, and that can I

1242
01:00:50,680 --> 01:00:52,320
Speaker 2: just say. I don't want to beat up Mike went

1243
01:00:52,360 --> 01:00:54,720
Speaker 2: too much, because again I love his work. Enlightened is

1244
01:00:54,760 --> 01:00:56,840
Speaker 2: one of my favorite shows of all time. He's brilliant.

1245
01:00:57,080 --> 01:00:59,200
Speaker 2: We can talk about all this because he's brilliant. Yeah,

1246
01:00:59,200 --> 01:01:02,680
Speaker 2: because he's brilliant. But like, there was very little like

1247
01:01:03,240 --> 01:01:06,080
Speaker 2: with the staff this season. Yeah, this was the least

1248
01:01:06,080 --> 01:01:10,680
Speaker 2: amount of story, of impactful story that we got about

1249
01:01:10,720 --> 01:01:14,280
Speaker 2: the staff this Well, I might what was the storyline

1250
01:01:14,320 --> 01:01:18,800
Speaker 2: so the manager the Lisa? Can I say anything with Lisa?

1251
01:01:18,920 --> 01:01:21,640
Speaker 1: I think the reason why the Lisa thing feels weird

1252
01:01:21,760 --> 01:01:25,560
Speaker 1: is because they did not even expect anywhere near.

1253
01:01:25,440 --> 01:01:28,040
Speaker 3: A star at her level to want that part. And

1254
01:01:28,080 --> 01:01:30,080
Speaker 3: when she wanted that part, I.

1255
01:01:30,000 --> 01:01:32,160
Speaker 1: Think part of his hesitance was like, but the character

1256
01:01:32,280 --> 01:01:35,040
Speaker 1: does it is not consequential enough to justify her.

1257
01:01:35,280 --> 01:01:37,240
Speaker 3: But then she was so good and really wanted to

1258
01:01:37,240 --> 01:01:38,120
Speaker 3: do it, what are they going to do?

1259
01:01:38,200 --> 01:01:38,640
Speaker 2: Say no?

1260
01:01:38,840 --> 01:01:42,920
Speaker 3: I mean her acting is so srounded great, she.

1261
01:01:42,960 --> 01:01:45,200
Speaker 1: Just and ultimately I remember we were all like, and

1262
01:01:45,240 --> 01:01:47,000
Speaker 1: there's gonna be something with Lisa because there.

1263
01:01:46,880 --> 01:01:49,720
Speaker 2: Has to be. Why would you cast Beyonce in a

1264
01:01:49,760 --> 01:01:52,440
Speaker 2: show right not have her be like a centerpiece of

1265
01:01:52,480 --> 01:01:54,560
Speaker 2: the finality? And I think that probably was something that

1266
01:01:54,600 --> 01:01:56,040
Speaker 2: was on his mind during casting.

1267
01:01:56,080 --> 01:01:58,200
Speaker 1: It's like, well, should the role be more? I don't

1268
01:01:58,240 --> 01:02:00,520
Speaker 1: want to just make it more and change whole thing

1269
01:02:00,600 --> 01:02:02,760
Speaker 1: because it's her. But if she wants to do it

1270
01:02:02,800 --> 01:02:03,960
Speaker 1: and she's good enough.

1271
01:02:05,480 --> 01:02:07,520
Speaker 2: You didn't. Did you find any mirrors in the family?

1272
01:02:09,040 --> 01:02:14,080
Speaker 2: Are you a Lachlan at all? I might be, I

1273
01:02:14,200 --> 01:02:17,760
Speaker 2: might be a Piper. I might someone that's interesting, someone

1274
01:02:17,800 --> 01:02:20,680
Speaker 2: who wants to like individualize, and then realizes that like

1275
01:02:20,840 --> 01:02:24,280
Speaker 2: they are not going to go to such lengths to

1276
01:02:24,560 --> 01:02:26,840
Speaker 2: like like they have found themselves in the act of

1277
01:02:27,120 --> 01:02:29,320
Speaker 2: trying to find themselves in a different way, and then

1278
01:02:29,760 --> 01:02:32,080
Speaker 2: they swing back the other direction, like this is not.

1279
01:02:32,000 --> 01:02:35,400
Speaker 3: Who you also would rather die than be poor exactly.

1280
01:02:36,240 --> 01:02:40,760
Speaker 1: I loved her storyline as well, and when she was

1281
01:02:40,800 --> 01:02:45,120
Speaker 1: giving that monologue about like she was great by the way,

1282
01:02:45,160 --> 01:02:46,440
Speaker 1: great vibes she interviewed.

1283
01:02:46,440 --> 01:02:48,200
Speaker 2: She was my interview on Today Show when I co hosted.

1284
01:02:48,280 --> 01:02:51,000
Speaker 2: Oh really, such a cute vibe. Yes, she's adorable and

1285
01:02:51,040 --> 01:02:54,640
Speaker 2: she's talented and a trained opera singer. Wow. Yeah at

1286
01:02:54,680 --> 01:02:55,320
Speaker 2: Sunny Purchase.

1287
01:02:55,360 --> 01:03:06,080
Speaker 1: Anyway, let's touch on housewives. Oh I want to pitch

1288
01:03:06,120 --> 01:03:08,960
Speaker 1: my Housewives? Yeah, start, we'll start there. We'll start there

1289
01:03:08,960 --> 01:03:10,120
Speaker 1: with the granular.

1290
01:03:10,560 --> 01:03:14,200
Speaker 3: Here's the show and this is literally consider this a pitch.

1291
01:03:14,880 --> 01:03:15,280
Speaker 2: Bravo.

1292
01:03:15,600 --> 01:03:19,120
Speaker 1: We're now in business, and Kyle goes to Aspen.

1293
01:03:19,520 --> 01:03:22,200
Speaker 3: Kyle starts her life over as a lesbian of the Woods,

1294
01:03:22,280 --> 01:03:26,120
Speaker 3: Kyle of the Woods, The the the The poster for

1295
01:03:26,160 --> 01:03:28,640
Speaker 3: the show is Kyle in her huge chemo sabi hat

1296
01:03:28,840 --> 01:03:30,320
Speaker 3: looking at the camera in the back.

1297
01:03:30,520 --> 01:03:31,080
Speaker 2: The Woods.

1298
01:03:31,680 --> 01:03:37,080
Speaker 1: Kyle starts over as a lover of same sex in

1299
01:03:37,320 --> 01:03:40,040
Speaker 1: Aspen where she wants to live. I'm sorry, she bes

1300
01:03:40,080 --> 01:03:43,360
Speaker 1: Beverly Hills. We start the show over. It's her, It's

1301
01:03:43,440 --> 01:03:45,360
Speaker 1: maybe a couple of her friends that come in. It's

1302
01:03:45,400 --> 01:03:48,600
Speaker 1: more like people visit from Beverly Hills to come see her,

1303
01:03:48,920 --> 01:03:52,240
Speaker 1: come in and out, and we see Kyle's new life

1304
01:03:52,320 --> 01:03:55,280
Speaker 1: in Aspen as a queer woman.

1305
01:03:55,440 --> 01:03:57,920
Speaker 2: I will say my only note, my only adjustment if

1306
01:03:57,960 --> 01:04:00,520
Speaker 2: I'm the executive sitting across the table, is I always say,

1307
01:04:00,680 --> 01:04:03,680
Speaker 2: we already have a winter landscape, and that is that

1308
01:04:03,800 --> 01:04:06,360
Speaker 2: is doing quite well. You know what I would maybe suggest,

1309
01:04:06,480 --> 01:04:10,959
Speaker 2: if you want woods, maybe Pacific Northwest. Say that maybe

1310
01:04:11,160 --> 01:04:12,960
Speaker 2: where she wants to live, maybe Seattle.

1311
01:04:13,080 --> 01:04:14,919
Speaker 1: And also I would say the fact that Saltlake City

1312
01:04:14,920 --> 01:04:18,720
Speaker 1: works as a reason to do it. Interesting, how about

1313
01:04:18,720 --> 01:04:19,760
Speaker 1: this Kyle of.

1314
01:04:19,720 --> 01:04:22,720
Speaker 2: The Mountains, Kyle of the Woods, Like j T tried

1315
01:04:22,760 --> 01:04:24,920
Speaker 2: to be. I like Kyle of the Woods. I like

1316
01:04:25,000 --> 01:04:27,160
Speaker 2: Kyle of the Woods. Is this Kyle the Wood sounds

1317
01:04:27,240 --> 01:04:30,680
Speaker 2: like a dangerous plant you shouldn't eat? Right, Oh honey,

1318
01:04:30,680 --> 01:04:32,400
Speaker 2: that's Kyle of the Woods. Kyle of the Wood. Don't

1319
01:04:32,400 --> 01:04:35,040
Speaker 2: touch that, Kyle out of your mouth? Is this modeled

1320
01:04:35,200 --> 01:04:37,280
Speaker 2: because I'm not watching the Denise Show? Is this kind

1321
01:04:37,280 --> 01:04:41,800
Speaker 2: of like the Denise Show? I like the show was.

1322
01:04:42,640 --> 01:04:45,280
Speaker 1: The way that they live their life is so crazy?

1323
01:04:45,400 --> 01:04:47,240
Speaker 1: But yeah, I guess it is. I mean, I maybe

1324
01:04:47,240 --> 01:04:48,720
Speaker 1: it doesn't have to be an ongoing thing. I just

1325
01:04:48,720 --> 01:04:51,880
Speaker 1: think maybe like eight episodes of Kyle living in Aspen,

1326
01:04:52,360 --> 01:04:55,480
Speaker 1: like exploring this new part of her personality. Because I

1327
01:04:55,560 --> 01:04:58,280
Speaker 1: don't think this is my kind of hot take about

1328
01:04:58,280 --> 01:05:02,960
Speaker 1: Beverly Hills. It's not there yet for a reboot, but

1329
01:05:03,000 --> 01:05:05,120
Speaker 1: I don't think we're far away, right, I don't think

1330
01:05:05,120 --> 01:05:06,080
Speaker 1: we're far away at all.

1331
01:05:06,360 --> 01:05:10,320
Speaker 2: It's getting the self production on Beverly Hills, I think

1332
01:05:10,360 --> 01:05:11,920
Speaker 2: is the worst of any of the franchises.

1333
01:05:11,960 --> 01:05:13,960
Speaker 3: Yeah, they're also afraid to say or do anything.

1334
01:05:14,080 --> 01:05:17,600
Speaker 2: Yeah, it's just it's so like, I really like talk

1335
01:05:17,600 --> 01:05:22,400
Speaker 2: about something that didn't coalesce in anything, Like I'm so

1336
01:05:22,440 --> 01:05:25,360
Speaker 2: sorry Mike Waite. I meant to say that take that

1337
01:05:25,400 --> 01:05:27,880
Speaker 2: note away from White loas'll apply it to Beverly. Yeah,

1338
01:05:27,880 --> 01:05:30,120
Speaker 2: because by the end of that reunion, I was exhausted

1339
01:05:30,120 --> 01:05:32,600
Speaker 2: and I wanted to walk out like Garcala, so like.

1340
01:05:32,720 --> 01:05:35,320
Speaker 1: Sudden going to Garcel's room and Garcela not being there

1341
01:05:35,360 --> 01:05:37,720
Speaker 1: and just be like she's gone, and like like that

1342
01:05:37,800 --> 01:05:40,200
Speaker 1: being the way that their friendship ended. Like well, I

1343
01:05:40,200 --> 01:05:41,920
Speaker 1: don't know, how do you guys feel about the Garcela

1344
01:05:41,920 --> 01:05:42,280
Speaker 1: of at all.

1345
01:05:42,600 --> 01:05:45,360
Speaker 2: I didn't watch this, I didn't watch the part. I'm

1346
01:05:45,400 --> 01:05:47,600
Speaker 2: only I will say I'm only halfway through the third part,

1347
01:05:48,080 --> 01:05:50,760
Speaker 2: and again didn't feel urgent to finish in the same

1348
01:05:50,760 --> 01:05:52,640
Speaker 2: way that some of these other shows are. Right now,

1349
01:05:53,320 --> 01:05:57,960
Speaker 2: I think that. And I just actually presented an award

1350
01:05:57,960 --> 01:05:59,920
Speaker 2: with Garcel met her in real life so warm. So

1351
01:06:00,240 --> 01:06:04,440
Speaker 2: she's been on the show. She's a star star. I

1352
01:06:04,480 --> 01:06:06,440
Speaker 2: don't think she has it in her to be a housewive.

1353
01:06:06,520 --> 01:06:08,840
Speaker 2: I don't think she ever liked it. I don't think

1354
01:06:09,120 --> 01:06:13,280
Speaker 2: because she when the when the guns were pointed in

1355
01:06:13,320 --> 01:06:16,360
Speaker 2: her direction, handle it. It's not I don't even think

1356
01:06:16,360 --> 01:06:19,560
Speaker 2: that she couldn't handle it. It's she didn't want to

1357
01:06:19,840 --> 01:06:22,200
Speaker 2: do it. Like she didn't, like she doesn't want to

1358
01:06:22,280 --> 01:06:22,640
Speaker 2: do that.

1359
01:06:23,040 --> 01:06:26,120
Speaker 1: She went a really long time, I guess, five seasons

1360
01:06:26,160 --> 01:06:30,480
Speaker 1: without ever being the person in the hot seat.

1361
01:06:30,120 --> 01:06:32,520
Speaker 2: And like kind of far down on the couch always.

1362
01:06:32,600 --> 01:06:35,840
Speaker 2: And also not for nothing, but for something that I knew.

1363
01:06:35,920 --> 01:06:37,920
Speaker 1: When she was saying in the beginning of the season

1364
01:06:38,600 --> 01:06:41,000
Speaker 1: that she was positing the theory that the Dury the

1365
01:06:41,040 --> 01:06:44,440
Speaker 1: Dey robbery was staged. I'm like, you're gonna have to

1366
01:06:44,440 --> 01:06:46,880
Speaker 1: deal with say stand by that you will have to

1367
01:06:46,880 --> 01:06:49,320
Speaker 1: stand by, and I mean she did, but she hated

1368
01:06:49,320 --> 01:06:50,800
Speaker 1: that they had a problem with it, and it's like, well,

1369
01:06:50,840 --> 01:06:52,360
Speaker 1: of course they're going to have a problem with it,

1370
01:06:52,440 --> 01:06:54,760
Speaker 1: like and then and then you can't walk your way

1371
01:06:54,840 --> 01:06:56,600
Speaker 1: out of the insinuation you're making.

1372
01:06:56,640 --> 01:07:00,440
Speaker 2: You're very baldly making the insinuation, and lots of people did,

1373
01:07:00,720 --> 01:07:04,960
Speaker 2: and so like Santando's down, like you know, I but

1374
01:07:05,120 --> 01:07:07,680
Speaker 2: like I just don't know that she like she thinks

1375
01:07:07,680 --> 01:07:11,240
Speaker 2: in that way she has she and clearly doesn't need

1376
01:07:11,280 --> 01:07:13,200
Speaker 2: it in the same way. And that's not the difference.

1377
01:07:13,400 --> 01:07:15,600
Speaker 2: That's the difference is that I think like she was

1378
01:07:15,640 --> 01:07:17,840
Speaker 2: working really hard at the beginning, maybe because like it

1379
01:07:17,880 --> 01:07:19,800
Speaker 2: did kind of reignite a lot of things for her,

1380
01:07:20,280 --> 01:07:21,880
Speaker 2: but all those other women. I mean, the reason de

1381
01:07:22,000 --> 01:07:25,160
Speaker 2: read is is showing up right now, and then her

1382
01:07:25,480 --> 01:07:28,840
Speaker 2: lover hate is because she needs the check. And Garcella,

1383
01:07:28,920 --> 01:07:30,880
Speaker 2: one thing you can say about her right now is

1384
01:07:30,920 --> 01:07:34,240
Speaker 2: she's leaving not needing the check. She is making lifetime movies.

1385
01:07:34,440 --> 01:07:37,200
Speaker 2: Good for fucking her, you know, like she doesn't need it.

1386
01:07:37,240 --> 01:07:39,040
Speaker 2: And I think, like you could feel that, and I

1387
01:07:39,480 --> 01:07:42,680
Speaker 2: want them hungry and desperate and needing it, right. I mean,

1388
01:07:43,040 --> 01:07:45,360
Speaker 2: sutten unwatchable Kyle.

1389
01:07:45,680 --> 01:07:48,640
Speaker 3: I as you know my feelings on Kyle Erica.

1390
01:07:49,360 --> 01:07:52,240
Speaker 2: He'll make over the fact that Erica came for garcel

1391
01:07:52,320 --> 01:07:55,240
Speaker 2: for not being interesting. In Erica's one storyline this season

1392
01:07:55,440 --> 01:07:58,040
Speaker 2: was redoing her fucking living room. I'm sorry.

1393
01:07:58,240 --> 01:08:00,520
Speaker 1: I liked bos. I mean I thought that was like

1394
01:08:00,960 --> 01:08:02,400
Speaker 1: definitely livened things up.

1395
01:08:02,480 --> 01:08:05,680
Speaker 2: I think, yeah, no, she's she's uh gonna be a

1396
01:08:05,680 --> 01:08:10,840
Speaker 2: major player for a while. You know, I don't know,

1397
01:08:11,080 --> 01:08:15,080
Speaker 2: it just it just felt icky, felt ikey, I don't

1398
01:08:15,080 --> 01:08:17,000
Speaker 2: believe that they're friends.

1399
01:08:16,560 --> 01:08:18,920
Speaker 3: And the and the and the Kathy sort of runaway moment.

1400
01:08:19,000 --> 01:08:23,680
Speaker 2: I was like, that is we've really let we've Unfortunately,

1401
01:08:23,760 --> 01:08:28,360
Speaker 2: I think we've fed the goose too much. Yeah, with Kathy,

1402
01:08:28,520 --> 01:08:33,479
Speaker 2: the future of the entire Housewives empire lies in one

1403
01:08:33,560 --> 01:08:36,960
Speaker 2: woman and one woman alone, and that woman's name is

1404
01:08:37,000 --> 01:08:42,120
Speaker 2: Stacy Rush. But still, I can we go back? Can

1405
01:08:42,160 --> 01:08:44,280
Speaker 2: we go back for a second. I actually believe that

1406
01:08:44,320 --> 01:08:47,800
Speaker 2: the relationship was not real, But I do believe that

1407
01:08:47,880 --> 01:08:50,799
Speaker 2: what she said to him was this will be really

1408
01:08:50,840 --> 01:08:55,720
Speaker 2: good for you your business, and then he extrapolated from

1409
01:08:55,840 --> 01:08:58,639
Speaker 2: there that she was paying him to be on the show.

1410
01:08:59,040 --> 01:09:00,840
Speaker 3: You're gonna trust Tim over her.

1411
01:09:00,960 --> 01:09:05,080
Speaker 2: He's clearly we've seen him on the show like it

1412
01:09:05,479 --> 01:09:08,280
Speaker 2: is like it is. To take his word for anything

1413
01:09:08,400 --> 01:09:12,479
Speaker 2: is actually quite exactly. I believe Stacy more than t J.

1414
01:09:12,720 --> 01:09:14,880
Speaker 2: I believe that she's not telling the full story, but

1415
01:09:14,920 --> 01:09:15,439
Speaker 2: that's okay.

1416
01:09:15,640 --> 01:09:19,160
Speaker 1: She's like with I think that one has some like

1417
01:09:19,640 --> 01:09:22,240
Speaker 1: I love her. He's got love blinders on.

1418
01:09:22,280 --> 01:09:26,040
Speaker 2: I got tip blinders on. She's got the most amazing Famously,

1419
01:09:27,160 --> 01:09:30,280
Speaker 2: her boobs are perfect. When you were saying the future

1420
01:09:30,320 --> 01:09:32,519
Speaker 2: of the franchise, I really thought you were going to

1421
01:09:32,560 --> 01:09:35,559
Speaker 2: say one word and one word alone, and that is Smia.

1422
01:09:36,000 --> 01:09:40,960
Speaker 3: I mean, you haven't started. I haven't started really good.

1423
01:09:41,040 --> 01:09:43,840
Speaker 3: So Atlanta has been because so Kenya.

1424
01:09:43,560 --> 01:09:46,040
Speaker 2: Moore just exited herself.

1425
01:09:46,200 --> 01:09:49,600
Speaker 1: Yeah, and it's been really I think it's been a

1426
01:09:49,640 --> 01:09:51,240
Speaker 1: really really compelling.

1427
01:09:52,720 --> 01:09:56,559
Speaker 2: Really works and the thing is great on the show,

1428
01:09:56,720 --> 01:09:59,559
Speaker 2: And I worry. I don't want to see a between

1429
01:09:59,600 --> 01:10:02,920
Speaker 2: her and she. Yeah, and I fear that it's like

1430
01:10:03,000 --> 01:10:06,479
Speaker 2: it's definitely happening. But like Mia starts the season like

1431
01:10:06,720 --> 01:10:10,519
Speaker 2: she is the center. She's in the center with a

1432
01:10:10,680 --> 01:10:13,559
Speaker 2: star and I didn't know she had And what I

1433
01:10:13,600 --> 01:10:16,599
Speaker 2: have since learned is that they have been that Bravo

1434
01:10:16,680 --> 01:10:20,080
Speaker 2: has known all along what that she has got the

1435
01:10:20,160 --> 01:10:23,559
Speaker 2: juice in that peach, but her husband wouldn't let her

1436
01:10:23,600 --> 01:10:28,439
Speaker 2: be more until now because I think he did not

1437
01:10:28,600 --> 01:10:31,960
Speaker 2: understand how powerful the show was until now.

1438
01:10:32,160 --> 01:10:35,799
Speaker 1: I honestly, it really is surprising because the first episode,

1439
01:10:35,800 --> 01:10:37,360
Speaker 1: the first scenes of the first episode are.

1440
01:10:37,280 --> 01:10:40,800
Speaker 2: All Shamia's amazing home, like.

1441
01:10:40,880 --> 01:10:45,040
Speaker 1: She's multi talented, she's got like this very full family,

1442
01:10:45,080 --> 01:10:48,479
Speaker 1: this big, full life like and it's just she's obviously

1443
01:10:48,600 --> 01:10:49,519
Speaker 1: great on camera.

1444
01:10:49,760 --> 01:10:53,679
Speaker 2: She gets it's like the way that they started fights

1445
01:10:53,680 --> 01:10:57,080
Speaker 2: but ended of them at the right und.

1446
01:10:57,439 --> 01:11:02,200
Speaker 1: She's beautiful, she got fashion, very connected to everyone already.

1447
01:11:02,240 --> 01:11:05,519
Speaker 1: It's like so surprising that they tried this with Marlowe

1448
01:11:05,560 --> 01:11:09,040
Speaker 1: before Shmiah, but I guess yeah, Shamia had like an extenuating.

1449
01:11:08,439 --> 01:11:12,559
Speaker 2: Circum Yeah, because yeah, it's just she's Yeah, I love it.

1450
01:11:12,600 --> 01:11:15,960
Speaker 2: I Porch's doing great, love Angela, love Kelly. Yeah, I

1451
01:11:16,000 --> 01:11:18,800
Speaker 2: like Kelly a lot. And and again, like the thing

1452
01:11:18,920 --> 01:11:22,400
Speaker 2: is is that, like ken you really it's so frustrating

1453
01:11:22,439 --> 01:11:27,160
Speaker 2: because Britt is not for the show. You know, I

1454
01:11:27,160 --> 01:11:29,400
Speaker 2: don't know, I can't. I agree with you. The thing

1455
01:11:29,439 --> 01:11:32,360
Speaker 2: is is like the threatening her with the gun is

1456
01:11:33,400 --> 01:11:35,360
Speaker 2: and like if we didn't if we didn't know what

1457
01:11:35,479 --> 01:11:39,000
Speaker 2: ken if we didn't know what was coming with Kenya,

1458
01:11:39,160 --> 01:11:42,840
Speaker 2: the entire audience would have been like, would have been

1459
01:11:42,840 --> 01:11:45,760
Speaker 2: behind Kenya. But then Kenya takes it to such an

1460
01:11:45,760 --> 01:11:48,040
Speaker 2: extreme level that is unforgivable.

1461
01:11:48,160 --> 01:11:51,280
Speaker 3: Yeah, like you, you just can't get past it.

1462
01:11:51,000 --> 01:11:53,599
Speaker 1: But also it's like it's like the look in her

1463
01:11:53,600 --> 01:11:56,080
Speaker 1: eyes when she was doing it, I was like, oh no,

1464
01:11:56,200 --> 01:11:58,840
Speaker 1: you gotta deal with stuff like this is this is

1465
01:11:58,920 --> 01:12:01,000
Speaker 1: so many other dark thing and can.

1466
01:12:00,840 --> 01:12:03,720
Speaker 2: I say too, like the big difference between a lot

1467
01:12:03,800 --> 01:12:06,040
Speaker 2: of what what Kenya did and say, like for instance,

1468
01:12:06,080 --> 01:12:09,160
Speaker 2: Porsche physically assaulting Kenya at the reunion and still coming here,

1469
01:12:09,200 --> 01:12:11,360
Speaker 2: I guess still being on the show. Is that what

1470
01:12:11,600 --> 01:12:13,599
Speaker 2: with Porsche? That was like a heat of the moment,

1471
01:12:13,720 --> 01:12:17,360
Speaker 2: in the moment thing that she immediate immediate remorse. Yeah,

1472
01:12:17,680 --> 01:12:20,479
Speaker 2: it was not premeditating, Kenya. The thing was fully she

1473
01:12:20,520 --> 01:12:23,120
Speaker 2: had to print, she had to go to fucking Kinko's. Yeah,

1474
01:12:23,400 --> 01:12:24,559
Speaker 2: and print revenge porn.

1475
01:12:24,640 --> 01:12:25,719
Speaker 3: She went out of her way.

1476
01:12:26,280 --> 01:12:28,479
Speaker 1: Okay, so we should also say it is not revenge

1477
01:12:28,479 --> 01:12:29,880
Speaker 1: porn because it was.

1478
01:12:29,880 --> 01:12:34,599
Speaker 2: Not legally not legally speaking, but we should be porn

1479
01:12:34,680 --> 01:12:38,040
Speaker 2: that was being used for shame and revenge. But I

1480
01:12:38,040 --> 01:12:41,519
Speaker 2: want to protect us legally. Yeah. Yeah, I'm Sunny Houston. Yeah,

1481
01:12:41,680 --> 01:12:42,120
Speaker 2: and legal.

1482
01:12:42,400 --> 01:12:43,719
Speaker 3: Kenya would see you lost coat.

1483
01:12:44,240 --> 01:12:47,040
Speaker 2: I don't put anything past anyone. Yeah, you're right, it's

1484
01:12:47,120 --> 01:12:48,640
Speaker 2: true because.

1485
01:12:48,479 --> 01:12:50,360
Speaker 3: You put do you put things past people?

1486
01:12:50,479 --> 01:12:50,679
Speaker 4: No?

1487
01:12:50,920 --> 01:12:54,200
Speaker 3: Never, You've never been one to suffer fools. I don't

1488
01:12:54,240 --> 01:12:55,879
Speaker 3: put anything past y'all.

1489
01:12:56,200 --> 01:13:01,160
Speaker 1: That's your housewives tackling. I don't put anything past anyone except.

1490
01:13:03,800 --> 01:13:03,880
Speaker 4: This.

1491
01:13:04,080 --> 01:13:07,559
Speaker 2: This is mine. This is mine. I don't suffer fools,

1492
01:13:07,800 --> 01:13:14,679
Speaker 2: but I do suffer joint pain. Not suffer from suffer

1493
01:13:14,760 --> 01:13:16,080
Speaker 2: joint pain. Here's mine.

1494
01:13:16,560 --> 01:13:19,680
Speaker 1: I'm back on the East Coast and I'm doing the

1495
01:13:19,880 --> 01:13:22,599
Speaker 1: most Oh that's actually rhyme.

1496
01:13:23,200 --> 01:13:29,360
Speaker 2: Okay, ind go ahead. I don't know because I have

1497
01:13:29,439 --> 01:13:31,360
Speaker 2: my like, my go to one, but I don't want

1498
01:13:31,360 --> 01:13:32,559
Speaker 2: to do that one. I do want to do a

1499
01:13:32,600 --> 01:13:38,240
Speaker 2: new one. And it's like, I'm from Chicago, so you know,

1500
01:13:38,360 --> 01:13:40,280
Speaker 2: I know how to ride the brown line, you.

1501
01:13:40,280 --> 01:13:48,360
Speaker 1: Know, Oh my god, brown line as a euphemism for gays,

1502
01:13:49,880 --> 01:13:51,400
Speaker 1: like riding the brown line is time.

1503
01:13:51,320 --> 01:13:55,000
Speaker 2: About I'm a powerful woman in this scenario. So you

1504
01:13:55,000 --> 01:13:56,120
Speaker 2: don't know what it means.

1505
01:13:55,960 --> 01:13:58,120
Speaker 1: Right, It means you're taking it means you're a powerful

1506
01:13:58,160 --> 01:13:59,200
Speaker 1: woman taking it in the butt.

1507
01:13:59,360 --> 01:14:01,960
Speaker 2: But what if never mind, Yeah, we'll leave it at

1508
01:14:01,960 --> 01:14:04,680
Speaker 2: brown line. Writing the brown line can mean topping. It

1509
01:14:04,800 --> 01:14:07,960
Speaker 2: is verse vocabulary. Yeah, sure, but one would know.

1510
01:14:08,200 --> 01:14:11,760
Speaker 1: You know, he's coming out as all sorts of things. Bisexual. No,

1511
01:14:12,280 --> 01:14:17,000
Speaker 1: I'm saying this bisexual. I'm kinsy five, maybe four point five.

1512
01:14:17,280 --> 01:14:19,320
Speaker 1: But Matt is kind of twisting them into thinking that

1513
01:14:19,360 --> 01:14:21,320
Speaker 1: I'm a top, which I never have identified.

1514
01:14:21,400 --> 01:14:24,080
Speaker 3: I think it will be fabulous for you to try it.

1515
01:14:25,640 --> 01:14:28,759
Speaker 2: You've topped, I've topped. Yeah, I just don't. I don't

1516
01:14:28,800 --> 01:14:31,280
Speaker 2: wear that as an identity in a way that I

1517
01:14:31,320 --> 01:14:36,760
Speaker 2: think it's meaningful. Yeah, I mean, you know what I mean,

1518
01:14:37,320 --> 01:14:39,600
Speaker 2: he doesn't watch gay porn and see a mirror of

1519
01:14:39,720 --> 01:14:43,000
Speaker 2: himself in the top. No, it's always the mottom. Honestly,

1520
01:14:44,680 --> 01:14:47,760
Speaker 2: although I'm back in my I'm back back in the

1521
01:14:47,840 --> 01:14:53,519
Speaker 2: game in the case. By the way, getting subscribers to

1522
01:14:54,080 --> 01:14:56,879
Speaker 2: It's an iconic Angel Search for the Next l woods

1523
01:14:56,920 --> 01:15:00,040
Speaker 2: really still I get I get notifications every now and

1524
01:15:00,040 --> 01:15:01,639
Speaker 2: then it is still available on patreoon?

1525
01:15:01,800 --> 01:15:03,679
Speaker 3: Is it actually still available on Patrio?

1526
01:15:04,840 --> 01:15:08,599
Speaker 2: Search for the Next l was like I forgot until

1527
01:15:08,600 --> 01:15:10,519
Speaker 2: I just was listening to the other day that Patty

1528
01:15:10,600 --> 01:15:15,800
Speaker 2: Harrison herself wrote the theme Thank God for COVID. There's

1529
01:15:14,360 --> 01:15:19,360
Speaker 2: the God for COVID that Patty to do and we

1530
01:15:19,439 --> 01:15:22,520
Speaker 2: had nothing to do better than to make this podcast.

1531
01:15:22,560 --> 01:15:25,320
Speaker 2: And Patty was free enough and the only time she'll

1532
01:15:25,320 --> 01:15:27,960
Speaker 2: ever be free again to write the theme song for

1533
01:15:28,040 --> 01:15:28,599
Speaker 2: our podcast.

1534
01:15:28,600 --> 01:15:32,120
Speaker 1: Wait, so, if we're still getting subscribers to that made

1535
01:15:32,520 --> 01:15:37,599
Speaker 1: you made it that the scandal would be that we've

1536
01:15:37,600 --> 01:15:40,479
Speaker 1: accrued like thousands of dollars that we step is going

1537
01:15:40,520 --> 01:15:41,320
Speaker 1: to charity.

1538
01:15:41,760 --> 01:15:42,760
Speaker 2: It's now free. Yeah.

1539
01:15:44,560 --> 01:15:46,720
Speaker 3: Still on the Great podcast Segments, A cousin of.

1540
01:15:46,680 --> 01:15:47,280
Speaker 2: The Week was good.

1541
01:15:47,280 --> 01:15:49,360
Speaker 3: Okay, let's do Ahusband of the Week he still references

1542
01:15:49,400 --> 01:15:49,799
Speaker 3: in general.

1543
01:15:49,880 --> 01:15:52,000
Speaker 1: Cousin of the Week was It was a segment on

1544
01:15:52,880 --> 01:15:55,000
Speaker 1: Matt and Joel and Joel on the Search of the

1545
01:15:55,040 --> 01:15:56,839
Speaker 1: Next album was where we said which of the girls

1546
01:15:57,080 --> 01:16:00,200
Speaker 1: was cousin of the week, who was giving the most energy?

1547
01:16:00,280 --> 01:16:02,200
Speaker 1: I have one, who's your cousin of the Again, this

1548
01:16:02,280 --> 01:16:04,320
Speaker 1: is all going to be dated, but my cousin of

1549
01:16:04,360 --> 01:16:08,680
Speaker 1: the week is congratulations on your opening sister, Hailey stein Yeah, yeah,

1550
01:16:08,760 --> 01:16:12,519
Speaker 1: she's because of the week, because of that flame dress. Yeah,

1551
01:16:12,560 --> 01:16:17,759
Speaker 1: and we won't say why. Yeah, but that dress is cousin.

1552
01:16:18,000 --> 01:16:21,320
Speaker 1: This is a Hailey Steinfeld stand positive queen. I believe

1553
01:16:21,360 --> 01:16:24,000
Speaker 1: she's the queen of pop. I do need her to

1554
01:16:24,040 --> 01:16:25,320
Speaker 1: release more music.

1555
01:16:25,400 --> 01:16:28,320
Speaker 2: Capital lists I will jam.

1556
01:16:28,840 --> 01:16:30,600
Speaker 1: First of all, don't even get me started on he

1557
01:16:30,760 --> 01:16:34,080
Speaker 1: Wants to Go? Which is that song? But also but

1558
01:16:34,200 --> 01:16:37,519
Speaker 1: there's what's the uh hell Knows?

1559
01:16:37,560 --> 01:16:38,720
Speaker 3: And headphones y.

1560
01:16:38,920 --> 01:16:41,280
Speaker 2: I love that where she's at the party slush shaming people.

1561
01:16:41,320 --> 01:16:44,439
Speaker 2: I love that. Oh she is not for the Bumblebee movie,

1562
01:16:44,479 --> 01:16:47,559
Speaker 2: the Transformer spin off Bumblebee called which is actually excellent.

1563
01:16:47,640 --> 01:16:51,880
Speaker 2: Really I need Yeah, it's like Bumblebee bumble Bee remember

1564
01:16:51,920 --> 01:16:57,000
Speaker 2: eighteen excellent? Watch it on a plane and you'll get

1565
01:16:57,040 --> 01:16:59,599
Speaker 2: your life love it. Okay, it's small, it's a small

1566
01:16:59,640 --> 01:17:04,360
Speaker 2: it's a character piece. And Haley carries always does all right. Yeah,

1567
01:17:04,479 --> 01:17:07,400
Speaker 2: my cousin of the week is Meghan Fay Hate and Drop.

1568
01:17:08,560 --> 01:17:11,360
Speaker 2: She because now my cousins have kids and they love

1569
01:17:11,400 --> 01:17:13,800
Speaker 2: their kids so much. And Meghan fay Hee and Drop

1570
01:17:13,960 --> 01:17:16,800
Speaker 2: was so determined to save her child. And if you

1571
01:17:16,800 --> 01:17:20,160
Speaker 2: haven't seen Drop, it's really really good. You know you

1572
01:17:20,200 --> 01:17:22,680
Speaker 2: would love it. Do you want to know why? It's

1573
01:17:22,720 --> 01:17:26,599
Speaker 2: because it's just like Red Eye? Oh that is Does

1574
01:17:26,840 --> 01:17:28,160
Speaker 2: someone else said that to me today?

1575
01:17:28,320 --> 01:17:31,120
Speaker 1: Yeah, it's really fun. Jeffrey's self is great in it.

1576
01:17:31,439 --> 01:17:34,960
Speaker 1: Meghan's amazing, like she should be movie star down.

1577
01:17:35,160 --> 01:17:38,160
Speaker 2: Meghan being spiritually linked to Rachel McAdams feels so correct.

1578
01:17:38,280 --> 01:17:40,400
Speaker 1: Yes, And at the time Rachel McAdams was my cousin

1579
01:17:40,439 --> 01:17:42,639
Speaker 1: of the week. Here's a go, and so I would

1580
01:17:42,680 --> 01:17:44,800
Speaker 1: say cousin of the week. And also because I do

1581
01:17:44,840 --> 01:17:47,720
Speaker 1: feel we could play cousins. My cousin of the week

1582
01:17:47,800 --> 01:17:49,680
Speaker 1: is Megan fay Hate and Drop. Who's your cousin of

1583
01:17:49,680 --> 01:17:50,000
Speaker 1: the week.

1584
01:17:50,160 --> 01:17:53,439
Speaker 2: My cousin of the week is I did not really

1585
01:17:53,520 --> 01:17:56,040
Speaker 2: see a moment of this, but it just just I

1586
01:17:56,160 --> 01:17:59,479
Speaker 2: felt the cousin energy was Addison Ray showing up at

1587
01:17:59,479 --> 01:18:02,120
Speaker 2: the Argust at Coachella. I was like, I love that

1588
01:18:02,160 --> 01:18:04,759
Speaker 2: for her. Yeah, she's always going to be a cousin

1589
01:18:04,840 --> 01:18:08,000
Speaker 2: you know, Yeah, she gives cousin in that. Like I'm

1590
01:18:08,000 --> 01:18:10,559
Speaker 2: always like, she's got stuff going on. I don't know

1591
01:18:10,600 --> 01:18:15,559
Speaker 2: about it exactly. You know her of course, you know

1592
01:18:15,600 --> 01:18:18,120
Speaker 2: when I see the updates scroll on by, But like,

1593
01:18:18,200 --> 01:18:19,680
Speaker 2: I don't know what she's going I don't know what

1594
01:18:19,680 --> 01:18:23,439
Speaker 2: she's going on. My cousin Addison is doing things what

1595
01:18:23,520 --> 01:18:25,640
Speaker 2: they are I couldn't tell you, Oh, she shot a

1596
01:18:25,720 --> 01:18:28,200
Speaker 2: music video in Paris. But if you know exactly what

1597
01:18:28,240 --> 01:18:31,320
Speaker 2: your cousins are doing right now, grow I don't know

1598
01:18:31,360 --> 01:18:34,080
Speaker 2: what they're doing. But I will say, pep who are

1599
01:18:34,120 --> 01:18:36,360
Speaker 2: close to their cousins, that could be and I don't

1600
01:18:36,360 --> 01:18:39,160
Speaker 2: think so, honey for me. Oh frankly, you know who.

1601
01:18:39,000 --> 01:18:41,240
Speaker 1: Else kind of was giving cousin when she came out

1602
01:18:41,280 --> 01:18:43,560
Speaker 1: weight Weekend one by the Way, the Charlie set a

1603
01:18:43,600 --> 01:18:47,800
Speaker 1: Weekend one of Coachella was Billy, Troy and Lord All

1604
01:18:47,840 --> 01:18:51,639
Speaker 1: came out, which was only bested by Megan The Stallion set,

1605
01:18:51,680 --> 01:18:57,200
Speaker 1: which saw Victoria Mone Queen Latifa and Sierra.

1606
01:18:58,000 --> 01:19:02,080
Speaker 3: They did goodies, good luck looking at that.

1607
01:19:02,479 --> 01:19:10,680
Speaker 2: She finally stage that she spoke of. But Lord was

1608
01:19:10,720 --> 01:19:12,519
Speaker 2: kind of given cousin energy. Oh that's good.

1609
01:19:12,680 --> 01:19:14,880
Speaker 1: Lord kind of gives cousin And you're one of Lord's

1610
01:19:15,040 --> 01:19:15,679
Speaker 1: Vegas fans.

1611
01:19:15,760 --> 01:19:19,280
Speaker 2: I will say that, like, especially she announced her new single.

1612
01:19:19,360 --> 01:19:21,040
Speaker 2: I saw that. I saw that so excited it would

1613
01:19:21,040 --> 01:19:23,320
Speaker 2: probably be out by the time it's called. What was that? Yeah,

1614
01:19:23,360 --> 01:19:27,280
Speaker 2: I can't know that way. Oh my god, you know,

1615
01:19:27,400 --> 01:19:28,639
Speaker 2: I love that sentence.

1616
01:19:31,000 --> 01:19:34,400
Speaker 1: I get text from Lord. Look, Lord, because I signed

1617
01:19:34,479 --> 01:19:36,000
Speaker 1: up for the mailing list. I love looking down on

1618
01:19:36,000 --> 01:19:38,240
Speaker 1: my phone and saying that, Lord, Lord texted you my

1619
01:19:38,320 --> 01:19:38,760
Speaker 1: new song.

1620
01:19:38,840 --> 01:19:40,240
Speaker 3: What was that? Out soon?

1621
01:19:40,680 --> 01:19:47,680
Speaker 1: Wendy William, Oh my god, look, and there's single art.

1622
01:19:48,160 --> 01:19:52,439
Speaker 2: She gave cousin energy and that she was finally for

1623
01:19:52,479 --> 01:19:55,120
Speaker 2: the first time in a while, she was the elder

1624
01:19:55,160 --> 01:19:58,200
Speaker 2: cousin in that in that lineup of people. Yes, she

1625
01:19:58,320 --> 01:20:00,519
Speaker 2: was the elder. He was the elder cousin, and like,

1626
01:20:01,479 --> 01:20:03,719
Speaker 2: you know, it's like that thing where it's like, yeah,

1627
01:20:04,040 --> 01:20:06,479
Speaker 2: it's just like because she for so long was the

1628
01:20:06,520 --> 01:20:09,920
Speaker 2: youngest in the entire family, and now that we're a

1629
01:20:09,960 --> 01:20:12,920
Speaker 2: little bit older, We're like, welcome, welcome, Yeah, welcome in. Okay.

1630
01:20:12,960 --> 01:20:14,439
Speaker 1: Well, by the way, I just pre saved what was

1631
01:20:14,479 --> 01:20:16,840
Speaker 1: that on Spotify? It's probably out by now. Let me

1632
01:20:16,960 --> 01:20:19,720
Speaker 1: put this out. But I'm really excited. I need we

1633
01:20:19,760 --> 01:20:23,040
Speaker 1: need a powerful Lord era, absolutely, and I was gonna

1634
01:20:23,040 --> 01:20:26,599
Speaker 1: say we have needed a huge song and pop that

1635
01:20:26,760 --> 01:20:28,960
Speaker 1: ends with the word that not.

1636
01:20:29,120 --> 01:20:30,840
Speaker 3: I still think about the impact of why did you

1637
01:20:30,880 --> 01:20:31,120
Speaker 3: do that?

1638
01:20:32,000 --> 01:20:34,760
Speaker 1: I can't stop thinking about it. The one of the

1639
01:20:34,800 --> 01:20:39,880
Speaker 1: titles of Joel's episodes, ye to me. How have our

1640
01:20:39,920 --> 01:20:43,000
Speaker 1: thoughts on Stars Born sort of developed since that episode?

1641
01:20:43,320 --> 01:20:46,240
Speaker 2: Hmmm? I think the movie's even better. It's even better.

1642
01:20:46,360 --> 01:20:50,200
Speaker 2: I'm sorry to say that. After Gaga hosted, I was like,

1643
01:20:50,240 --> 01:20:52,760
Speaker 2: I need to fucking dig into this bitch once again. Yeah,

1644
01:20:52,960 --> 01:20:55,439
Speaker 2: so good, And I just the first twenty minutes of

1645
01:20:55,439 --> 01:20:57,599
Speaker 2: that fucking movie. The whole movie is take the Garden

1646
01:20:57,600 --> 01:21:00,240
Speaker 2: of It took me. It took me to the Garden beat.

1647
01:21:00,280 --> 01:21:04,599
Speaker 2: And I mean, she's so damn good, so good. Like

1648
01:21:05,240 --> 01:21:06,960
Speaker 2: I forgot about the moment where they're at the bar

1649
01:21:07,080 --> 01:21:10,679
Speaker 2: at the beginning. She was like, I'm here with Jackson Mane,

1650
01:21:10,680 --> 01:21:12,439
Speaker 2: like I don't know what's going on, Like like the

1651
01:21:12,439 --> 01:21:14,280
Speaker 2: way she right of like, I don't even know what's

1652
01:21:14,320 --> 01:21:17,000
Speaker 2: going on right now. I'm like, that's so sweet. We

1653
01:21:17,080 --> 01:21:21,240
Speaker 2: love Gaga, Love Gaga. Okay, what about you Stars Warn't

1654
01:21:21,360 --> 01:21:23,680
Speaker 2: you know? I haven't revisited. I just talked about it

1655
01:21:23,680 --> 01:21:28,400
Speaker 2: recently though, because I was talking about how she's so

1656
01:21:28,520 --> 01:21:31,639
Speaker 2: wasted in Joker too, Like why cast her in that role?

1657
01:21:31,720 --> 01:21:33,719
Speaker 2: And why do why do bad singing?

1658
01:21:33,800 --> 01:21:33,920
Speaker 1: Right?

1659
01:21:34,000 --> 01:21:36,200
Speaker 2: Why why cast lady to be a bad singer? Like

1660
01:21:36,240 --> 01:21:38,400
Speaker 2: it doesn't correct, Like it seems like such a waste.

1661
01:21:38,439 --> 01:21:41,800
Speaker 2: Like Gaga is a as a singular entity, will forever

1662
01:21:41,880 --> 01:21:44,040
Speaker 2: be iconic as a musician, as a pop star, as

1663
01:21:44,040 --> 01:21:47,120
Speaker 2: a as a as a person of the culture, and

1664
01:21:47,200 --> 01:21:51,080
Speaker 2: as an actress. But I do think after seeing The Penguin,

1665
01:21:51,720 --> 01:21:57,519
Speaker 2: you could selet Christine Chris Kristin Mili into any role

1666
01:21:57,560 --> 01:22:02,200
Speaker 2: that Gaga has ever done. It would be, oh my

1667
01:22:04,240 --> 01:22:09,080
Speaker 2: you are except for Starsborn, except for Starsbourn, except of course.

1668
01:22:09,160 --> 01:22:12,920
Speaker 2: But wow, I know she was. I know you're close

1669
01:22:13,000 --> 01:22:13,920
Speaker 2: personal friends now.

1670
01:22:13,840 --> 01:22:16,559
Speaker 1: No, no, no, but you just want Kristin Mili to

1671
01:22:16,560 --> 01:22:19,280
Speaker 1: work more. We all want that. I just think she

1672
01:22:19,439 --> 01:22:24,439
Speaker 1: is so brilliant. You guys just not wat I watched Okay, well,

1673
01:22:24,479 --> 01:22:26,880
Speaker 1: she's amazing. But I mean I came on here and said,

1674
01:22:27,120 --> 01:22:27,959
Speaker 1: sang the praises.

1675
01:22:28,360 --> 01:22:31,479
Speaker 2: That is the way you in this world where we

1676
01:22:31,479 --> 01:22:34,160
Speaker 2: cannot sell anything that is not connected to an existing

1677
01:22:34,160 --> 01:22:37,000
Speaker 2: I p like, that's the way you do it is

1678
01:22:37,080 --> 01:22:41,479
Speaker 2: you sneak in like women's that the Penguin is not

1679
01:22:41,520 --> 01:22:44,240
Speaker 2: a story about the penguin. It is about women stories.

1680
01:22:44,439 --> 01:22:48,000
Speaker 2: Women's stories matter. They wrapped up women's stories in a

1681
01:22:48,200 --> 01:22:54,559
Speaker 2: fucking Penguin piece of cheap to these boys that didn't

1682
01:22:54,560 --> 01:22:56,759
Speaker 2: know what was about to hit. And Colin was amazing

1683
01:22:56,800 --> 01:22:59,320
Speaker 2: and Colin and yes, no, and that's not to discount

1684
01:22:59,320 --> 01:23:02,960
Speaker 2: colins performance, it is incredible as well. But like I

1685
01:23:03,000 --> 01:23:05,960
Speaker 2: was so impressed with that show because you could have

1686
01:23:06,000 --> 01:23:09,320
Speaker 2: never you could not know what Batman is and enjoyed

1687
01:23:10,680 --> 01:23:13,160
Speaker 2: as And in fact, I had to convince many people

1688
01:23:13,200 --> 01:23:15,760
Speaker 2: who were like, I don't want to watch a Batman show,

1689
01:23:16,520 --> 01:23:22,040
Speaker 2: and it's not a Batman shows, it's a show about women. Yeah.

1690
01:23:22,120 --> 01:23:25,719
Speaker 2: But can I say Gaga would have been great in Penguin?

1691
01:23:25,960 --> 01:23:27,880
Speaker 2: She would have she would have No, No, it's true,

1692
01:23:27,920 --> 01:23:31,840
Speaker 2: I maybe not better is that? Maybe that's not the

1693
01:23:31,920 --> 01:23:33,840
Speaker 2: verbiage I want to say, But like I do think

1694
01:23:33,880 --> 01:23:40,679
Speaker 2: that like you're seated for either of them. Of Christian Yes,

1695
01:23:40,920 --> 01:23:44,120
Speaker 2: that's I think what I mean I wanted. I want

1696
01:23:44,160 --> 01:23:57,920
Speaker 2: House of Gucci too, with Lady.

1697
01:23:53,439 --> 01:23:57,120
Speaker 1: Like I can't get enough of I can't get enough

1698
01:23:57,160 --> 01:24:00,439
Speaker 1: of House you know, you know best of the answer

1699
01:24:00,640 --> 01:24:01,200
Speaker 1: House of Gucci.

1700
01:24:01,240 --> 01:24:01,760
Speaker 2: Salmahayak.

1701
01:24:02,520 --> 01:24:04,639
Speaker 3: Salahi will do the goofiest ship.

1702
01:24:05,240 --> 01:24:05,800
Speaker 2: She will.

1703
01:24:06,000 --> 01:24:09,000
Speaker 1: She is down to clown like I'm ready to do.

1704
01:24:09,000 --> 01:24:10,479
Speaker 1: I don't think so honey.

1705
01:24:11,760 --> 01:24:13,000
Speaker 2: This is I don't think so mony. This is where

1706
01:24:13,000 --> 01:24:15,080
Speaker 2: we take one minute to go off on something in culture.

1707
01:24:15,160 --> 01:24:18,680
Speaker 2: Matt has something. He is ready and rearing to go.

1708
01:24:18,960 --> 01:24:21,160
Speaker 2: This is Matt Rogers. I don't think so many time starts.

1709
01:24:20,880 --> 01:24:23,840
Speaker 1: Now, I don't think so honey. Not enough utilization of

1710
01:24:23,880 --> 01:24:28,479
Speaker 1: the icon Salma Hayak in media across television, film.

1711
01:24:28,520 --> 01:24:29,839
Speaker 2: I would love to hear the album.

1712
01:24:30,200 --> 01:24:34,719
Speaker 1: We need salamahaiks Pino's debut album, by the way, House

1713
01:24:34,760 --> 01:24:37,639
Speaker 1: of Gucci. We needed the lesbian scene with Lady Gaga

1714
01:24:37,680 --> 01:24:39,360
Speaker 1: and Salamahayak. A'm saying and now, in the year of

1715
01:24:39,400 --> 01:24:41,360
Speaker 1: War twenty twenty five, we needed that. I don't think

1716
01:24:41,400 --> 01:24:43,080
Speaker 1: so honey that we didn't get it and they shot

1717
01:24:43,120 --> 01:24:47,280
Speaker 1: it where's the deleted scenes? Bring back DVDs? That's another topic. Yeah,

1718
01:24:47,320 --> 01:24:50,320
Speaker 1: I don't think so, honey. The Marvel movie they tried

1719
01:24:50,360 --> 01:24:53,160
Speaker 1: to do with all of them, and they kill Samahayaka

1720
01:24:53,400 --> 01:24:54,600
Speaker 1: right away.

1721
01:24:54,760 --> 01:24:56,280
Speaker 2: Eternals, No, I guess not.

1722
01:24:56,760 --> 01:24:59,240
Speaker 3: I guess very very temporary.

1723
01:24:59,600 --> 01:25:03,520
Speaker 1: That set of eternal And I don't think so, honey,

1724
01:25:03,720 --> 01:25:06,840
Speaker 1: that we talk about Salama Hyak in this casual way

1725
01:25:07,200 --> 01:25:11,559
Speaker 1: you should be bowing down to Salma Hyak has impact

1726
01:25:11,560 --> 01:25:14,360
Speaker 1: that we're not even understanding or recognizing, and we need

1727
01:25:14,360 --> 01:25:14,840
Speaker 1: to change that.

1728
01:25:14,880 --> 01:25:17,479
Speaker 2: I don't think so hard. And that's one minute, just

1729
01:25:17,479 --> 01:25:20,040
Speaker 2: a little like astisk to you. I don't think so, honey.

1730
01:25:20,080 --> 01:25:23,000
Speaker 2: Is that like? I don't think so, honey. Marvel changing

1731
01:25:23,160 --> 01:25:26,400
Speaker 2: the line reading in the original trailer for the Eternals,

1732
01:25:26,560 --> 01:25:29,400
Speaker 2: you can clearly hear Samahayak say and we've tired it.

1733
01:25:29,439 --> 01:25:30,920
Speaker 2: I think we've talked about this on the pod before

1734
01:25:31,439 --> 01:25:36,000
Speaker 2: Theos with you know, and she says it like that,

1735
01:25:36,200 --> 01:25:38,320
Speaker 2: and then we go and watch the film. We sit

1736
01:25:38,400 --> 01:25:41,040
Speaker 2: down for the film. Me and my life partner go

1737
01:25:41,080 --> 01:25:44,479
Speaker 2: down and sit for this film, excited to hear the line,

1738
01:25:46,240 --> 01:25:49,960
Speaker 2: and they changed it. They changed it to thanos. They

1739
01:25:50,000 --> 01:25:52,000
Speaker 2: made her go back. They made her go back into

1740
01:25:52,000 --> 01:25:54,720
Speaker 2: the ad R booth and say, Thanos, I've got some

1741
01:25:54,800 --> 01:25:57,240
Speaker 2: I've got it. I don't think so honey, let's go this.

1742
01:25:57,240 --> 01:25:59,000
Speaker 2: This is I was gonna do it, I think, But

1743
01:25:59,040 --> 01:25:59,840
Speaker 2: I'm like, I got nothing.

1744
01:26:00,000 --> 01:26:03,439
Speaker 3: This is Bowen yangs. I don't think Sowanny his time

1745
01:26:03,479 --> 01:26:04,040
Speaker 3: starts now.

1746
01:26:04,120 --> 01:26:06,200
Speaker 2: I don't think so many eightyr and this is coming

1747
01:26:06,240 --> 01:26:09,719
Speaker 2: from an eightyr legend. I slay the ADR booth because

1748
01:26:09,760 --> 01:26:13,640
Speaker 2: guess what I'm doing. I'm matching tone, I'm matching acoustics,

1749
01:26:13,680 --> 01:26:18,320
Speaker 2: I'm matching lip flaps. But sometimes it doesn't need to happen.

1750
01:26:18,479 --> 01:26:21,400
Speaker 2: Sometimes we stumble on our words and sometimes the audience

1751
01:26:21,479 --> 01:26:24,679
Speaker 2: doesn't have to understand us. Sometimes you can just cut around.

1752
01:26:24,880 --> 01:26:28,200
Speaker 2: You lose the whole damn line EIGHTR. Sometimes I don't

1753
01:26:28,200 --> 01:26:31,480
Speaker 2: mind it, but sometimes they count you in and they

1754
01:26:31,560 --> 01:26:35,760
Speaker 2: sink it in wrong. Sometimes it's just sometimes it's humiliating.

1755
01:26:35,800 --> 01:26:37,559
Speaker 2: You see, I don't want to see my fuck ups

1756
01:26:37,840 --> 01:26:42,000
Speaker 2: up close. And maybe it's okay to sit with that.

1757
01:26:42,160 --> 01:26:45,760
Speaker 2: Maybe it's okay to not go back in the booth because.

1758
01:26:45,520 --> 01:26:50,680
Speaker 1: You know what, I like Sandra Bullock Rumbull with five seconds.

1759
01:26:50,920 --> 01:26:53,880
Speaker 1: I'm not gonna voiceover in general, and ADR is my

1760
01:26:53,920 --> 01:26:55,559
Speaker 1: one safe space. But now I'm ready to let that

1761
01:26:55,600 --> 01:26:56,840
Speaker 1: go because I don't think it's worth it.

1762
01:26:56,880 --> 01:26:57,599
Speaker 2: And that's one minute.

1763
01:26:57,680 --> 01:27:05,080
Speaker 1: I also, I've never notice it exactly every single time,

1764
01:27:05,240 --> 01:27:08,200
Speaker 1: and I I'll go into do ADR and I'll be like,

1765
01:27:10,160 --> 01:27:12,880
Speaker 1: I'll see what the issue is and I'll be like,

1766
01:27:13,160 --> 01:27:16,840
Speaker 1: so I think it's better to do obvious ADR over this.

1767
01:27:17,520 --> 01:27:22,400
Speaker 1: It's something about the post process that I don't understand.

1768
01:27:23,000 --> 01:27:25,880
Speaker 2: And when eight R is obviously it drives me. Sometimes

1769
01:27:25,880 --> 01:27:28,879
Speaker 2: it's necessarily you get moments like Dans.

1770
01:27:29,240 --> 01:27:32,280
Speaker 1: You get, first of all, who's to say it's not

1771
01:27:32,320 --> 01:27:39,000
Speaker 1: actually pronounced yeah, a different gaalxy American that they did

1772
01:27:39,080 --> 01:27:42,439
Speaker 1: that well, it is like I think that they saw

1773
01:27:42,479 --> 01:27:44,240
Speaker 1: because there was like a little bit of it was

1774
01:27:44,280 --> 01:27:46,600
Speaker 1: a little viral for that reason, and I think that

1775
01:27:46,680 --> 01:27:49,680
Speaker 1: they were like, this is a serious film, Okay, that

1776
01:27:49,840 --> 01:27:52,880
Speaker 1: is ridiculous. First of all, here's what here's my question

1777
01:27:52,960 --> 01:27:55,120
Speaker 1: do we think And this is my question to you

1778
01:27:55,240 --> 01:27:59,719
Speaker 1: someone who's seen Eternals. Was her performance in the moment

1779
01:27:59,760 --> 01:28:02,400
Speaker 1: where she said tanos like so stunning that they felt

1780
01:28:02,439 --> 01:28:04,479
Speaker 1: like they had to use the tono's take, And maybe

1781
01:28:04,520 --> 01:28:07,559
Speaker 1: she said Danos eight other times, but they just didn't

1782
01:28:07,600 --> 01:28:08,639
Speaker 1: like those takes.

1783
01:28:08,960 --> 01:28:13,680
Speaker 2: I don't know, gives a brilliant I mean comedic. I

1784
01:28:14,080 --> 01:28:16,439
Speaker 2: think is Sama is like independently wealthy in a way

1785
01:28:16,479 --> 01:28:18,680
Speaker 2: that like she the reason we don't see Salma is

1786
01:28:18,680 --> 01:28:20,400
Speaker 2: because Salma does not want to be seen, doesn't need

1787
01:28:20,400 --> 01:28:22,400
Speaker 2: to need to work. Yeah, yeah, she She picks and

1788
01:28:22,439 --> 01:28:25,880
Speaker 2: chooses the weirdest things, like that Black Mirror episode she did. Oh,

1789
01:28:25,920 --> 01:28:28,200
Speaker 2: I love that. It's so incredible. It's so incredible, But

1790
01:28:28,320 --> 01:28:30,280
Speaker 2: like you, I'm sitting there watching it and I'm like,

1791
01:28:31,000 --> 01:28:33,880
Speaker 2: how did they get her? How do they get her?

1792
01:28:33,880 --> 01:28:37,240
Speaker 2: I think it's an opposite thing. I don't think people

1793
01:28:37,280 --> 01:28:38,200
Speaker 2: go to her enough.

1794
01:28:38,120 --> 01:28:42,080
Speaker 1: And people just assume that she's comfortable. Yeah, I think people.

1795
01:28:42,280 --> 01:28:44,360
Speaker 1: I think people should roll the dice more on Salma.

1796
01:28:44,760 --> 01:28:47,719
Speaker 1: I think filmmakers need to shoot their shot with Salma more.

1797
01:28:48,320 --> 01:28:53,519
Speaker 2: She is, like she's so willing to do big like

1798
01:28:54,080 --> 01:28:57,439
Speaker 2: big take, big comedic swings, big character choices like lastar

1799
01:28:57,520 --> 01:29:02,640
Speaker 2: nominated actress. Yeah forget incredible, incredible, thirty rock legendary, like

1800
01:29:02,840 --> 01:29:06,439
Speaker 2: one of the best of all time guest stars, reoccurring

1801
01:29:06,439 --> 01:29:08,840
Speaker 2: guest stars on that show. Huh. And she was one

1802
01:29:08,880 --> 01:29:12,240
Speaker 2: of the best press and almost I would say all

1803
01:29:12,280 --> 01:29:18,519
Speaker 2: of his girlfriends stuntcasted girlfriends on that show. Falco. There

1804
01:29:18,560 --> 01:29:18,960
Speaker 2: was another one.

1805
01:29:19,000 --> 01:29:19,200
Speaker 4: There was.

1806
01:29:21,960 --> 01:29:29,880
Speaker 2: Elizabeth Banks Yeah, and then Lachlan's mom Emily right, yes, yes, yes, bones,

1807
01:29:29,880 --> 01:29:34,800
Speaker 2: Avian Bones, yes yes bones. I just want to say,

1808
01:29:34,840 --> 01:29:36,680
Speaker 2: I know this is cheating, but like I have been

1809
01:29:36,680 --> 01:29:38,400
Speaker 2: here in a while. The other two I didn't think

1810
01:29:38,439 --> 01:29:40,600
Speaker 2: so honeys that were going to do other than one

1811
01:29:41,000 --> 01:29:42,840
Speaker 2: is a I don't think so many people who text

1812
01:29:42,880 --> 01:29:47,160
Speaker 2: their email address or phone number in this not in

1813
01:29:47,200 --> 01:29:49,920
Speaker 2: a separate text to make it easily copy and pastes.

1814
01:29:52,360 --> 01:29:54,840
Speaker 2: That is texting etiquette. One O one. As far as

1815
01:29:54,880 --> 01:29:58,080
Speaker 2: i'm do not send me your email addressor phone number

1816
01:29:58,320 --> 01:30:01,160
Speaker 2: in the body of a large block of texts so

1817
01:30:01,200 --> 01:30:03,680
Speaker 2: that I cannot get to it and I have to

1818
01:30:03,760 --> 01:30:07,400
Speaker 2: do my instagram dms. Instagram ms are especially are hard,

1819
01:30:07,880 --> 01:30:10,920
Speaker 2: you know, and it's just like I I cannot stand it.

1820
01:30:10,960 --> 01:30:12,400
Speaker 2: I was like, now I have to I have to

1821
01:30:12,479 --> 01:30:15,800
Speaker 2: do this manual. You've changed my behavior, Thank you, thank you.

1822
01:30:16,080 --> 01:30:17,800
Speaker 2: And the other one was people who say, wow, that

1823
01:30:17,840 --> 01:30:20,200
Speaker 2: really made me laugh the group chat, because you are

1824
01:30:20,280 --> 01:30:24,799
Speaker 2: upending the entire ecosystem of haha, l o l ha.

1825
01:30:26,640 --> 01:30:29,719
Speaker 2: You've now you've now downgraded. No, now it's an impact.

1826
01:30:29,880 --> 01:30:32,880
Speaker 2: You've really pulled the curtain. And I'm seeing like, oh

1827
01:30:33,280 --> 01:30:36,000
Speaker 2: with that that pithy thing that I said, that got

1828
01:30:36,200 --> 01:30:38,920
Speaker 2: four haha reacts on the chain. How do you feel

1829
01:30:38,920 --> 01:30:39,200
Speaker 2: about this?

1830
01:30:39,240 --> 01:30:41,720
Speaker 3: How do you feel about these two words? Actual law?

1831
01:30:43,840 --> 01:30:47,799
Speaker 2: You've broken this the illusion? I say, actual law. It's

1832
01:30:47,840 --> 01:30:51,400
Speaker 2: and the thing is, what does law mean? What does

1833
01:30:51,479 --> 01:30:54,120
Speaker 2: lam does mean? Should this episode be called actual law?

1834
01:30:55,760 --> 01:30:56,160
Speaker 3: What?

1835
01:30:56,040 --> 01:30:56,080
Speaker 4: What?

1836
01:30:56,160 --> 01:31:03,120
Speaker 2: What? What about this? I'm laughing? I love, I love,

1837
01:31:03,560 --> 01:31:07,160
Speaker 2: I'm laughing. I'm laughing. It's like all of it though,

1838
01:31:07,200 --> 01:31:09,680
Speaker 2: it's just sort of like, oh, that took me out?

1839
01:31:09,760 --> 01:31:13,240
Speaker 2: Did it take you out? Did it really? That took

1840
01:31:13,280 --> 01:31:17,360
Speaker 2: me out? I'm laughing? Is general use, so many use

1841
01:31:17,439 --> 01:31:21,120
Speaker 2: cases for it. If you're actually lolling, say it applies

1842
01:31:21,200 --> 01:31:25,120
Speaker 2: if you're just lolling, you know, for for etiquette purposes. Great,

1843
01:31:25,400 --> 01:31:29,280
Speaker 2: I'm laughing is the way I'm laughing. You, I promise

1844
01:31:29,360 --> 01:31:31,559
Speaker 2: you I really am. Like if I say I'm laughing,

1845
01:31:31,600 --> 01:31:34,120
Speaker 2: I promise you I really am. Haha emoji or haha

1846
01:31:34,200 --> 01:31:36,799
Speaker 2: whatever reaction thing. I can't promise that I'm haha.

1847
01:31:37,000 --> 01:31:39,960
Speaker 1: I can promise that I I can wrap that.

1848
01:31:40,040 --> 01:31:44,000
Speaker 2: I did think it's fun. Yeah, it's an intellectual exercise.

1849
01:31:44,120 --> 01:31:45,000
Speaker 2: The haha react.

1850
01:31:45,160 --> 01:31:47,519
Speaker 3: Yeah that made me laugh. I don't like I'm laughing.

1851
01:31:47,560 --> 01:31:51,080
Speaker 2: I'm laughing. Yeah, Wow, that really made me laugh. Fuck

1852
01:31:51,160 --> 01:31:53,439
Speaker 2: you Yeah. And I of course I have actual law.

1853
01:31:55,160 --> 01:32:00,000
Speaker 2: I have friends who do real grin RG. No, I'm

1854
01:32:00,080 --> 01:32:03,080
Speaker 2: so sorry they're fans friends anymore.

1855
01:32:03,680 --> 01:32:11,759
Speaker 3: They're God what about Ball, Well, it's still it's like going.

1856
01:32:12,000 --> 01:32:15,000
Speaker 2: It's the cycles are moving too fast, Like we had

1857
01:32:15,080 --> 01:32:17,559
Speaker 2: Chucky for just a brief moment and now he was.

1858
01:32:17,600 --> 01:32:22,480
Speaker 1: Never Hubs is apparently the new one Hubs Hubs.

1859
01:32:22,520 --> 01:32:25,000
Speaker 2: It's it's it's how you refer how Jen Alpha is

1860
01:32:25,040 --> 01:32:29,680
Speaker 2: referring apparently to people that they have crushes on, and

1861
01:32:29,760 --> 01:32:32,200
Speaker 2: correct me if I'm wrong. I believe it's it's yeah,

1862
01:32:32,560 --> 01:32:37,479
Speaker 2: it is associated with that word. But I this is

1863
01:32:37,680 --> 01:32:40,240
Speaker 2: this is direct intel from Maya Rudolf about her fourteen

1864
01:32:40,280 --> 01:32:43,160
Speaker 2: year old I see so like it could just be

1865
01:32:43,280 --> 01:32:46,439
Speaker 2: whatever in l A. I haven't done the research or

1866
01:32:46,600 --> 01:32:53,599
Speaker 2: you know, I haven't asked Edgeball. I really are people

1867
01:32:54,280 --> 01:32:54,759
Speaker 2: are people?

1868
01:32:55,880 --> 01:32:58,920
Speaker 1: He does I'm doing it. Wow, I just burst out.

1869
01:32:59,680 --> 01:33:02,599
Speaker 1: I just burst out laughing. Well, I mean, it's.

1870
01:33:02,439 --> 01:33:05,080
Speaker 2: The same sort of over the top like nonsense as

1871
01:33:05,200 --> 01:33:09,800
Speaker 2: rolling on the floor. Sorry, get off the floor, off

1872
01:33:10,240 --> 01:33:14,920
Speaker 2: off the floor, rolling around filthy. Okay, now I'm ready

1873
01:33:14,960 --> 01:33:16,320
Speaker 2: to Okay, all right.

1874
01:33:16,439 --> 01:33:21,000
Speaker 1: So after two I don't think so honeys here's Joel's

1875
01:33:21,360 --> 01:33:23,240
Speaker 1: real I don't think so honey. This is Joe Kimbushers.

1876
01:33:23,240 --> 01:33:24,800
Speaker 1: I don't think so honey. As times us now, I

1877
01:33:24,800 --> 01:33:28,760
Speaker 1: don't think so honey. Singing competition shows. I'm talking about you,

1878
01:33:28,880 --> 01:33:31,600
Speaker 1: American Idol. Guess what, American Idol. You did it on

1879
01:33:31,680 --> 01:33:33,759
Speaker 1: the first try. You found her.

1880
01:33:33,840 --> 01:33:36,920
Speaker 2: Okay, hang it up. We don't need you anymore. We

1881
01:33:36,960 --> 01:33:38,880
Speaker 2: do not need the voice, We do not need X factor,

1882
01:33:38,920 --> 01:33:40,920
Speaker 2: We do not need America's got talent, two fine singers

1883
01:33:40,920 --> 01:33:43,960
Speaker 2: for us anymore, because guess what, there is no monoculture.

1884
01:33:44,160 --> 01:33:47,960
Speaker 2: There is no monoculture, and your gig, your little playbook,

1885
01:33:48,080 --> 01:33:51,759
Speaker 2: only works if everybody's watching, and no one is watching anymore,

1886
01:33:51,960 --> 01:33:54,960
Speaker 2: not all of America. Okay, there are two many questionions.

1887
01:33:55,160 --> 01:33:59,639
Speaker 2: These are professional karaoke competition shows with a cash prize

1888
01:33:59,640 --> 01:34:02,320
Speaker 2: at the end, and that's okay, that's okay. Sell them

1889
01:34:02,320 --> 01:34:04,920
Speaker 2: on that, promise them a career. Do not promise them

1890
01:34:04,920 --> 01:34:07,320
Speaker 2: that the stars, because many of them will not be stars.

1891
01:34:07,360 --> 01:34:10,799
Speaker 2: They will end up as the third replacement on Broadway

1892
01:34:11,040 --> 01:34:13,880
Speaker 2: of a B tier musical. Okay, it's job a BET

1893
01:34:13,920 --> 01:34:16,240
Speaker 2: tier musical. I guess I don't want to take away

1894
01:34:16,360 --> 01:34:20,479
Speaker 2: jobs from people. But I'm just saying, let's frame what

1895
01:34:20,600 --> 01:34:23,680
Speaker 2: you are appropriately, and that is a karaoke companies to

1896
01:34:23,720 --> 01:34:25,000
Speaker 2: show with the prize cash prize.

1897
01:34:25,040 --> 01:34:30,280
Speaker 3: And that's one minute. Okay, Edge, I just stood up clapping.

1898
01:34:31,280 --> 01:34:36,720
Speaker 2: Edge. Edge suck, Edge suck. But I would like to

1899
01:34:36,760 --> 01:34:38,240
Speaker 2: say for the reg and I told you this before

1900
01:34:38,280 --> 01:34:42,200
Speaker 2: the record, I am watching, I'm still watching, I'm watching

1901
01:34:42,240 --> 01:34:44,880
Speaker 2: American Idol, I'm watching the Voice. I'm watching it all happen.

1902
01:34:45,280 --> 01:34:48,200
Speaker 2: Amazing talented people come through there. But the fact of

1903
01:34:48,280 --> 01:34:50,360
Speaker 2: the matter is is that no one is famous anymore.

1904
01:34:50,560 --> 01:34:53,720
Speaker 2: It is like so crazy it makes me honest, it

1905
01:34:53,760 --> 01:34:56,640
Speaker 2: makes me laugh when people, as an insult, are like

1906
01:34:56,720 --> 01:34:58,360
Speaker 2: I don't even know who this person is, and it's

1907
01:34:58,360 --> 01:35:01,680
Speaker 2: like no one else there is not there is not

1908
01:35:01,760 --> 01:35:04,360
Speaker 2: one person, there are not There are very few people,

1909
01:35:04,400 --> 01:35:08,080
Speaker 2: I should say, right that everybody knows. Yeah, like it

1910
01:35:08,240 --> 01:35:10,559
Speaker 2: just doesn't exist. And in a world where that doesn't exist,

1911
01:35:10,640 --> 01:35:14,839
Speaker 2: and it's so fractured that like, you can't you couldn't

1912
01:35:14,880 --> 01:35:17,559
Speaker 2: create another Kelly Clarkson, right, you couldn't, like and the

1913
01:35:17,600 --> 01:35:20,280
Speaker 2: reason why, like it did, it was successful up until

1914
01:35:20,280 --> 01:35:22,760
Speaker 2: a certain point through you know, we got Fantasia, we

1915
01:35:22,800 --> 01:35:27,120
Speaker 2: got Carrie, we got Jennifer Hudson, et cetera, Clay, but

1916
01:35:27,280 --> 01:35:30,559
Speaker 2: like that was still back when we were talking at

1917
01:35:30,600 --> 01:35:34,599
Speaker 2: the Water Schooler about television and there's just no monoculture anymore,

1918
01:35:34,640 --> 01:35:37,280
Speaker 2: and that only you could only create a stars like that.

1919
01:35:37,400 --> 01:35:39,320
Speaker 1: But when there is a monocle, you know what's funny

1920
01:35:39,439 --> 01:35:43,120
Speaker 1: is like, who technically is an American Id'll find is

1921
01:35:43,120 --> 01:35:43,760
Speaker 1: Benson Boom.

1922
01:35:43,880 --> 01:35:44,519
Speaker 2: Yeah, I found that.

1923
01:35:44,680 --> 01:35:47,080
Speaker 1: The only reason he's as famous as he is is

1924
01:35:47,080 --> 01:35:51,960
Speaker 1: because he quit abruptly. So he he was on American Idol.

1925
01:35:51,960 --> 01:35:56,640
Speaker 1: He gave this insane audition, like this amazing audition, and

1926
01:35:56,760 --> 01:35:57,559
Speaker 1: Katy Perry was.

1927
01:35:57,479 --> 01:35:59,960
Speaker 2: Literally like, do you want to win this show? You can't.

1928
01:36:00,200 --> 01:36:01,719
Speaker 1: If that's what you want, you can win the show.

1929
01:36:02,160 --> 01:36:05,000
Speaker 1: And then he like made it to I guess like

1930
01:36:05,040 --> 01:36:07,840
Speaker 1: the live rounds or whatever, and then was abruptly gone.

1931
01:36:08,400 --> 01:36:11,519
Speaker 1: I think because someone got in his head and was like, yo,

1932
01:36:12,200 --> 01:36:13,439
Speaker 1: if you want a real career.

1933
01:36:13,720 --> 01:36:17,080
Speaker 2: Don't stays to the live shows, do not. Yeah that

1934
01:36:17,400 --> 01:36:20,400
Speaker 2: that that happened recently with another contestant, a young girl

1935
01:36:20,439 --> 01:36:24,799
Speaker 2: who was giving like a Taylor Swift, like the Air Apparent,

1936
01:36:25,000 --> 01:36:27,280
Speaker 2: and like by the time she made it to the lives,

1937
01:36:27,280 --> 01:36:31,400
Speaker 2: she was out because of the contracts. Yeah, yeah, yeah.

1938
01:36:31,439 --> 01:36:33,160
Speaker 2: And that's one other thing that is a problem with

1939
01:36:33,200 --> 01:36:35,280
Speaker 2: this is that like you're locking these people into things

1940
01:36:35,280 --> 01:36:37,800
Speaker 2: that like maybe not necessarily help them. Yeah, do you

1941
01:36:37,840 --> 01:36:41,080
Speaker 2: listen to this podcast? I watch it? I listened to it.

1942
01:36:41,120 --> 01:36:43,720
Speaker 2: Was do you watch I listened to it. There's a

1943
01:36:43,760 --> 01:36:45,800
Speaker 2: lot of holes in your story already. I listened to

1944
01:36:45,840 --> 01:36:49,120
Speaker 2: it when it for me, it's a touchdown for me

1945
01:36:49,240 --> 01:36:52,559
Speaker 2: and my friends. Okay, I don't listen to it when

1946
01:36:52,640 --> 01:36:56,080
Speaker 2: it's stars. You don't listen to it when it's starts.

1947
01:36:56,080 --> 01:36:58,759
Speaker 2: I don't listen to it. Listen to the Gaga episode.

1948
01:36:58,880 --> 01:37:00,800
Speaker 1: I have listened to the Gaga app so obviously, so

1949
01:37:00,840 --> 01:37:02,200
Speaker 1: there's lots of holes, Okay.

1950
01:37:02,200 --> 01:37:04,439
Speaker 2: And I listened to the Kelly I listen. I guess

1951
01:37:04,640 --> 01:37:05,920
Speaker 2: for me, I was did the Kelly corson I was

1952
01:37:06,000 --> 01:37:09,920
Speaker 2: what two years ago? The thing was, I listened when

1953
01:37:09,920 --> 01:37:12,080
Speaker 2: there's stars that I know matter to YouTube.

1954
01:37:12,240 --> 01:37:18,439
Speaker 1: M So did you listen to that dropped?

1955
01:37:18,920 --> 01:37:20,479
Speaker 2: That dropped today? I watched her. I don't think so,

1956
01:37:20,520 --> 01:37:23,719
Speaker 2: honey collapse to her as a scholar of the form,

1957
01:37:23,720 --> 01:37:26,680
Speaker 2: I think it was a fantastic I don't think she

1958
01:37:26,760 --> 01:37:27,160
Speaker 2: did great.

1959
01:37:27,320 --> 01:37:30,160
Speaker 1: Yeah, and you did great, and you did great, and

1960
01:37:30,240 --> 01:37:33,240
Speaker 1: I did great today everybody did. This was a wonderful

1961
01:37:33,960 --> 01:37:34,679
Speaker 1: return to form.

1962
01:37:34,920 --> 01:37:36,920
Speaker 2: I was gonna say, people will harald this as a

1963
01:37:36,960 --> 01:37:41,080
Speaker 2: return to form. We're back, Yeah, I mean, like, listen,

1964
01:37:41,640 --> 01:37:43,800
Speaker 2: I've listened to the Cold episode.

1965
01:37:43,880 --> 01:37:47,160
Speaker 3: Nineteen times, white, No, no, no, the recent one.

1966
01:37:47,400 --> 01:37:52,559
Speaker 2: Yeah, the Reason Friends, I literally we said we were

1967
01:37:52,560 --> 01:37:55,000
Speaker 2: trapped in a burning Man exit line for about eight

1968
01:37:55,040 --> 01:37:57,599
Speaker 2: hours and we only had the podcasts that were already

1969
01:37:57,600 --> 01:38:00,479
Speaker 2: downloaded on our phones to listen to. We went back

1970
01:38:00,560 --> 01:38:01,719
Speaker 2: and listened to it again.

1971
01:38:01,840 --> 01:38:04,559
Speaker 1: I forget about that as a thing people can do,

1972
01:38:04,680 --> 01:38:07,599
Speaker 1: Like people can have favorite episodes of a podcast. Is sweet,

1973
01:38:07,720 --> 01:38:09,640
Speaker 1: Like I we have that, Like we listened to that one.

1974
01:38:12,800 --> 01:38:19,080
Speaker 2: Yeah, we revisit Meg's episode constantly. That was what I

1975
01:38:19,080 --> 01:38:22,519
Speaker 2: got to buy your car? Yeah, yeah, we visited I

1976
01:38:22,560 --> 01:38:25,680
Speaker 2: Feel like people a new classic in the Gabby Windy episode.

1977
01:38:26,479 --> 01:38:28,200
Speaker 2: That one is great too. But like I think like

1978
01:38:28,720 --> 01:38:32,200
Speaker 2: it makes me sad sometimes because I want to be

1979
01:38:32,240 --> 01:38:35,080
Speaker 2: tactile with my sisters. I want to be I want

1980
01:38:35,120 --> 01:38:36,479
Speaker 2: to want to be in the room. You want to

1981
01:38:36,479 --> 01:38:36,880
Speaker 2: be in the room.

1982
01:38:38,240 --> 01:38:41,559
Speaker 3: You want to be with you want to be just

1983
01:38:41,560 --> 01:38:42,400
Speaker 3: had her on my podcast.

1984
01:38:42,439 --> 01:38:45,080
Speaker 2: She was amazing. She's just great great. That was really good.

1985
01:38:45,960 --> 01:38:47,680
Speaker 2: And again I did listen to that one too, But

1986
01:38:47,920 --> 01:38:48,439
Speaker 2: it's okay.

1987
01:38:48,520 --> 01:38:52,280
Speaker 1: It's lots of holes and maybe that's the title of

1988
01:38:52,280 --> 01:38:55,200
Speaker 1: that lots of holes. No, but we have we have

1989
01:38:55,320 --> 01:38:57,479
Speaker 1: actual lull. We have lots of holes, and we have

1990
01:38:57,720 --> 01:39:01,080
Speaker 1: riding on the brown line. Maybe right on the brown line.

1991
01:39:01,200 --> 01:39:03,120
Speaker 2: That feels the best, Joel, you know what I mean?

1992
01:39:03,640 --> 01:39:06,559
Speaker 1: Well, what else would feel the most sol is to

1993
01:39:06,800 --> 01:39:07,719
Speaker 1: plug his project.

1994
01:39:07,920 --> 01:39:09,560
Speaker 2: Oh yeah, so you can listen to Bad Days that

1995
01:39:09,600 --> 01:39:12,000
Speaker 2: comes out every Monday. I think I want to say

1996
01:39:12,040 --> 01:39:16,080
Speaker 2: every Monday, uh or Tuesday. Somebody comes out every it

1997
01:39:16,120 --> 01:39:18,840
Speaker 2: comes out on a weekly basis. Matt's been on. I

1998
01:39:18,840 --> 01:39:21,479
Speaker 2: haven't gotten bone yet, I haven't landed my wife. You

1999
01:39:21,520 --> 01:39:25,519
Speaker 2: can watch Love Hotel every Sunday at eight Central, following

2000
01:39:25,840 --> 01:39:29,440
Speaker 2: Real Hoss Atlanta on Bravo, not on anymore.

2001
01:39:29,160 --> 01:39:33,200
Speaker 3: Wait seven Central, but following Atlanta, I might have gotten around.

2002
01:39:33,320 --> 01:39:36,200
Speaker 2: Maybe it's or maybe I got maybe it's not following Atlanta.

2003
01:39:36,200 --> 01:39:38,760
Speaker 2: Maybe it's lead into Atlanta. It's just on Sundays. But

2004
01:39:38,800 --> 01:39:40,680
Speaker 2: it's just on Sunday. It's got to be following it.

2005
01:39:41,400 --> 01:39:41,800
Speaker 2: I don't know.

2006
01:39:41,840 --> 01:39:45,760
Speaker 1: But if I'm programming Bravo, I'm putting it on after it. Yeah,

2007
01:39:45,960 --> 01:39:48,800
Speaker 1: so catch that. The show is fucking fantastic.

2008
01:39:48,920 --> 01:39:51,280
Speaker 2: It is. I want to see. It's going to be.

2009
01:39:51,439 --> 01:39:54,840
Speaker 2: Really it's very different from anything that they've ever tried

2010
01:39:54,920 --> 01:39:58,360
Speaker 2: to do. I think it's you know, obviously I'm biased,

2011
01:39:58,360 --> 01:40:01,000
Speaker 2: but I think it's it's it's a compelling watch and

2012
01:40:01,040 --> 01:40:03,679
Speaker 2: you'll see these ladies in a very different light from

2013
01:40:03,720 --> 01:40:04,400
Speaker 2: their respectives.

2014
01:40:04,400 --> 01:40:08,559
Speaker 1: And wait, it's it's Shannon, gizl Ashley and them. Okay,

2015
01:40:08,640 --> 01:40:10,519
Speaker 1: so I like one of them some of the people.

2016
01:40:10,840 --> 01:40:13,720
Speaker 2: I like one of them. The thing is, you'll get

2017
01:40:13,760 --> 01:40:17,600
Speaker 2: your life watch you. It will take you out. Yeah,

2018
01:40:17,640 --> 01:40:22,559
Speaker 2: and you'll be on the floor because I'm laughing.

2019
01:40:22,720 --> 01:40:28,840
Speaker 1: Matter watching it's writing the Brown line, period period.

2020
01:40:27,800 --> 01:40:31,160
Speaker 2: Unless we'll discuss, and then let's discuss. I want I

2021
01:40:31,160 --> 01:40:33,479
Speaker 2: want to support my sister writing on the Brown line.

2022
01:40:33,680 --> 01:40:35,680
Speaker 2: What else? And then yeah, I guess like loot will

2023
01:40:35,680 --> 01:40:38,840
Speaker 2: be out later this year, and other things to be

2024
01:40:38,880 --> 01:40:40,480
Speaker 2: continued to be continued.

2025
01:40:40,920 --> 01:40:44,160
Speaker 3: We and every episode with a big old song.

2026
01:40:44,720 --> 01:40:45,720
Speaker 2: I'm sorry I forgot about this.

2027
01:40:48,400 --> 01:40:52,559
Speaker 3: Oh lots of holes.

2028
01:40:52,880 --> 01:40:56,000
Speaker 2: The stars aprightly shine.

2029
01:40:59,160 --> 01:41:04,880
Speaker 4: The it is the day, the night I've got You

2030
01:41:05,880 --> 01:41:11,960
Speaker 4: made it your own, carry under what everyone by.

2031
01:41:15,000 --> 01:41:15,240
Speaker 1: Last.

2032
01:41:15,240 --> 01:41:17,599
Speaker 2: Culturacis is the production by Will Ferrell's Big Money Players

2033
01:41:17,600 --> 01:41:18,400
Speaker 2: Inheart Radio.

2034
01:41:18,240 --> 01:41:21,720
Speaker 1: Podcasts, created and hosted by Matt Rogers and Bowen Yek,

2035
01:41:21,880 --> 01:41:24,040
Speaker 1: Executive produced by Anna Hasnier and

2036
01:41:24,080 --> 01:41:26,840
Speaker 2: Produced by Becka Ramos, Edited mixed by Doug Bami and

2037
01:41:26,880 --> 01:41:29,479
Speaker 2: Nikla Board and our music is by Henry Mursky