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Speaker 1: Are you leaving? I you wanna way back home? Either way,

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Speaker 1: we want to be there.

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Speaker 2: Doesn't matter how much baggage you claim and give us

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Speaker 2: time and a termino and gage.

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Speaker 1: We want to send you off in style.

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Speaker 2: We wanna welcome you back home.

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Speaker 1: Tell us all about it. We scared her? Was it fine? Malborn?

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Speaker 1: Do you need to ride? Do you need to ride?

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Speaker 1: Do you need to ride? Do you need to ride?

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Speaker 1: Do you need to ride? Do your need you ride? Ride?

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Speaker 1: Do you need with Karen and Chris.

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Speaker 3: Welcome to Do you need a ride? This is Chris

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Speaker 3: Fairbank and.

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Speaker 1: This is Karen Kilgariff.

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Speaker 3: We are driving, we're running and recording in case this

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Speaker 3: is your first time with us.

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Speaker 1: Hello, if you've just tuned in, where have you been? Yeah?

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Speaker 1: Why now?

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Speaker 4: I mean it's been fucking years.

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Speaker 3: Everyone's been talking about it around your water cooler.

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Speaker 4: And you're just saying no, no, I can't hear.

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Speaker 1: That right now? Why you know I did.

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Speaker 3: My only experience in an office is when I briefly

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Speaker 3: hang out in the.

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Speaker 1: Lobby to pick you guys up. Yeah, and uh, I

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Speaker 1: you were kind of hanging out by a water cooler.

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Speaker 4: Yes, we we're a real.

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Speaker 2: Thing, and we were we were hanging up by water

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Speaker 2: cool talking about pizza, different kinds of pizza. It was

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Speaker 2: as if somebody was like, we need you to act

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Speaker 2: like you work in an office.

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Speaker 1: Yeah it was. You were CODs playing ass office workers.

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Speaker 2: Yes we were, and we were nailing it too because

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Speaker 2: we were truly enjoying ourselves to the point where, because

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Speaker 2: if I may, I the other day we were in

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Speaker 2: the we have a conference room where we have a

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Speaker 2: lot of our meetings, and I made the deadly mistake,

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Speaker 2: which I would be furious if someone else did this,

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Speaker 2: but then I go and do it. That's the kind

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Speaker 2: of thing that you just can't let me be getting

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Speaker 2: away with stuff like that. I brought a tuna sandwich

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Speaker 2: into a closed space with windows you can't open.

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Speaker 1: Did you take your shoes off too?

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Speaker 2: It was so gross, And I like, I'm the one

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Speaker 2: that I don't like fish, so I don't want to

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Speaker 2: smell that. Nobody else wants to fucking smell it. I

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Speaker 2: was like, what am I doing? I took like two

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Speaker 2: bites and then put it back in there. For Durer,

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Speaker 2: I was just like, it's I need to plan better

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Speaker 2: than this.

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Speaker 3: Yeah, fish divisive for a lot of people, especially tuna.

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Speaker 3: Some people, I like it cold, but once you heat

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Speaker 3: it up, which I enjoy, They no one can handle it.

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Speaker 4: No I don't.

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Speaker 2: And actually, what I realized is I opened this sandwich

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Speaker 2: that I mistakenly ordered. I only like, the only reason

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Speaker 2: I wanted to eat a tuna sandwich is because really

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Speaker 2: what I wanted was to eat the tuna.

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Speaker 1: Sandwich my mom used to make.

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Speaker 2: And then I saw what it was, and I'm like,

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Speaker 2: this is unrecognizable to me as a tuna sandwich.

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Speaker 1: What am I doing right?

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Speaker 3: Just out of well, I should do the same and

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Speaker 3: make myself a cat food sandwich. No, that's an old story.

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Speaker 3: If you're new with us, you gotta go back. It's

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Speaker 3: good stars, it was grown man. We were good ten

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Speaker 3: years ago.

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Speaker 4: God damn, we were fresh.

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Speaker 3: Everything was new, but we were uncomfortable. Yeah, with comfort

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Speaker 3: comes professionalism, but yes, you lose that frenetic.

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Speaker 1: I used to be a lunic. I mean, also, what

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Speaker 1: how did we do that? I just don't.

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Speaker 2: I don't know how we both hung in there because

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Speaker 2: I feel like both of us are the kind of

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Speaker 2: people that work better when somebody else does stuff for us.

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Speaker 4: And what are you doing? Sorry?

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Speaker 2: This car behind me just tried to pass me as

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Speaker 2: we were turning left.

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Speaker 1: Yeah.

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Speaker 3: Yeah, there's a lot of that going on today. Yeah,

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Speaker 3: it's funny. We'd like not record one for like three weeks,

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Speaker 3: and then I'd say do you want to do one today?

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Speaker 3: And then you would be like, no, I really don't.

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Speaker 3: I'm like we probably should yeah, and then you're like

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Speaker 3: all right, and then later you'd be like thank you.

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Speaker 3: I just was feeling like I yeah.

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Speaker 4: I think that was near around the time.

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Speaker 2: I was in a freeze state, so I was just

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Speaker 2: always on the couch.

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Speaker 3: Oh, I thought you meant a free state went where

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Speaker 3: you go, design your own flag, live in the mountains.

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Speaker 4: It could do whatever I want.

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Speaker 1: Yeah. Yeah, your Kazinsky phase it was the opposite.

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Speaker 3: You don't have to tell me people they just think

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Speaker 3: you Obama and you have to show him a drawing

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Speaker 3: of a guy in sunglasses.

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Speaker 1: You could be like, look, it's him, so it's up there,

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Speaker 1: right God crying of Lincoln Montana Theodore. I'm just kidding.

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Speaker 1: He did Theodore ted because I love that.

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Speaker 3: When it's someone's nickname, the version of their first name,

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Speaker 3: they should go with Chuck Charlie Johnson.

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Speaker 2: But somebody just sent us a thing where they bought

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Speaker 2: a house or inherited a house now I can't remember,

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Speaker 2: and they went in to kind.

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Speaker 4: Of remodel it because it was old.

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Speaker 1: What was it.

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Speaker 2: It was in Alaska, and I think it was like

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Speaker 2: it was a place where people had been squatting and

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Speaker 2: for years. Maybe it was their family cabin and they

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Speaker 2: just hadn't seen it.

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Speaker 1: While that's an inheritance.

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Speaker 2: Yeah, And then they go and they look and there's

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Speaker 2: people who have written their names and all kinds of

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Speaker 2: all the squatters and people that have used it as

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Speaker 2: like shelter out in the middle of Alaska.

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Speaker 4: I guess I can't remember.

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Speaker 2: You can listen to the episode, but one of the

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Speaker 2: names that was there all Taps Kazinski. And then the person,

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Speaker 2: the person who wrote us the email, went and compared

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Speaker 2: their signatures with his manifesto and it was actually him.

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Speaker 1: Oh wow.

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Speaker 3: Yeah, I don't know why because the Alaska I thought

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Speaker 3: maybe before he.

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Speaker 1: Settled on a school bus, it would have been.

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Speaker 3: Christopher mccandle's Oh yeah, but is better and on topic

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Speaker 3: with what we were talking about.

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Speaker 2: And also it could have been in kind of any

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Speaker 2: other state in America, because I'm just remembering Alaska but

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Speaker 2: I could definitely be wrong.

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Speaker 1: Right, yeah, oh wow, anyway crazy Right.

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Speaker 3: That's like when you see someone's signature, like a comedian

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Speaker 3: that's no longer with us or has been canceled or something,

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Speaker 3: and you notice chuckle bucket in the middle of the

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Speaker 3: country and there's their name on the wall.

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Speaker 1: Mm hmm.

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Speaker 3: There was one time in San Antonio where Polly Shore

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Speaker 3: had written something mean, I can't remember, this place sucks,

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Speaker 3: and then he's like, underneath.

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Speaker 1: It, Hey, this was a couple of years ago.

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Speaker 3: I was went in a weird, dark place and this

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Speaker 3: place doesn't suck.

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Speaker 1: I don't even know why I'd say that, And I'm sorry.

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Speaker 3: Polly's sure, Oh yeah, I know. That's the thing I

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Speaker 3: like about him.

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Speaker 2: Well, here's the thing I like about him. The first

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Speaker 2: time I saw him on MTV when he had his

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Speaker 2: show was it though we lit I can't remember whatever

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Speaker 2: his show was where it was truly an early reality

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Speaker 2: show that just followed him around, but it was kind

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Speaker 2: of like a sketch show. And his the way he

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Speaker 2: looked and the way he talked and the newness of

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Speaker 2: his personality was so striking to me, as like an

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Speaker 2: eleven year old in a farm town.

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Speaker 4: I was just like, who is this guy I need

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Speaker 4: to be around all the time?

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Speaker 1: He was like so compelling and interesting. Yeah, everyone everyone

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Speaker 1: liked him.

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Speaker 3: Yeah, yeah it was And I, as a young child

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Speaker 3: saw him and I was like, oh, you can express

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Speaker 3: yourself in weird ways and you'll be surrounded by bikini

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Speaker 3: girls that have been hired by an intern to be

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Speaker 3: in the shot. But that was more just MTV's vibe

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Speaker 3: at the time, right, But yeah, judging by my wallposters,

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Speaker 3: that's what I wanted, not my wall, my friends whose wall?

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Speaker 4: Just say who owned the wall?

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Speaker 3: Lubadar was allowed to have bikini girls Lou on his wall.

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Speaker 1: He's a listener Clu Lou, Lou Blue high Lou, look

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Speaker 1: perv you Lou.

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Speaker 3: Well, he's grown into a totally upstanding citizen.

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Speaker 2: Okay, but what kind of pervy posters we have on

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Speaker 2: the wall?

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Speaker 3: I do recall one of Kathy Ireland, of course, next

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Speaker 3: to a Lamborghini.

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Speaker 2: Do you know that I used to do like a

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Speaker 2: ten minute chunk on Kathy Ireland.

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Speaker 1: In your stand up?

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Speaker 3: Yes, I it would all be I don't know anything

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Speaker 3: about Kathy.

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Speaker 1: Ireland and you don't know anything about me. I'm so sorry,

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Speaker 1: it's too late. Well, I know how we can make

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Speaker 1: up for this. Do the whole bit now.

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Speaker 2: The only part I can remember is I just an

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Speaker 2: impression of like it was just like why do we

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Speaker 2: like models so much?

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Speaker 1: Or whatever?

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Speaker 2: And then I just oh, I think i'd seen Sports

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Speaker 2: Illustrated swimsuit video. Remember the videos they started releasing.

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Speaker 1: I mean vaguely.

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Speaker 2: So they interviewed her, and I remember, oh, oh borrowing

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Speaker 2: them literally, Yes, you can remember, I do.

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Speaker 1: It's coming to me now, it's coming to me now.

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Speaker 4: Yeah, did Lou own it and lent it to you?

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Speaker 1: Uh?

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Speaker 3: No, that was from a friend with a basement, so

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Speaker 3: you had somewhere to get to. Yeah, you had to

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Speaker 3: actually write down your name, what video you would take,

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Speaker 3: and there was a due date and everything.

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Speaker 1: Oh you were at Hollywood Video, Chris. That wasn't your friend.

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Speaker 1: It was a house and you didn't need to rewind. Okay,

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Speaker 1: did You're not done?

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Speaker 2: It was just that she would get interviewed, and I

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Speaker 2: basically was trying to say that she was stupid, which

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Speaker 2: I don't know that and that I apologize like Polly Shore,

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Speaker 2: I apologize to Kathy Ireland because I was just jealous.

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Speaker 2: You were a lovely woman that everyone loved, and I

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Speaker 2: was like, there to make the argument against you, right,

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Speaker 2: which you know, sorry, but I did an impression of

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Speaker 2: her when they interviewed her where it was like, I

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Speaker 2: don't even know how this went, but the impression was

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Speaker 2: I stand on the beach and I have to hold

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Speaker 2: a big fitch over my head.

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Speaker 1: And I can't remember.

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Speaker 2: And then there was like jokes of mistakes she was making,

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Speaker 2: which of course she didn't actually make in the real video.

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Speaker 3: Oh about the actual Sports Illustrated shoot.

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Speaker 2: Yeah, they were like, how was it out there kind

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Speaker 2: of thing. And then she tells a story that's so

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Speaker 2: remedial that it sounds like she has a brain injury,

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Speaker 2: which of course she just talked like a valley girl.

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Speaker 1: She wasn't done totally. It's an accent that we've all

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Speaker 1: learned to love.

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Speaker 2: Here, and I mean it's the accent I have. Who

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Speaker 2: was I to you saying anything?

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Speaker 3: You I'm so glad you finally fast up to your strong, strong,

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Speaker 3: gagme with a spoon accent.

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Speaker 1: It's it's hard to understand what I'm saying a lot

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Speaker 1: of the time.

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Speaker 3: Now I'm wondering why there weren't swimsuit additions in my

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Speaker 3: house because we certainly had the sport ones and I

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Speaker 3: had a sports illustrated football phone that I still wish

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Speaker 3: I had.

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Speaker 2: Oh, your mom was absolutely pulling that shit out of

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Speaker 2: the mailbox before you got to it. Yeah, She's like,

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Speaker 2: we can't. He needs to get good grades this semester.

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Speaker 3: Yeah, you are correct, You are correct. She would not

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Speaker 3: let me have that kind of filth.

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Speaker 2: You or your sister, my mom, I mean your mom

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Speaker 2: or your sister would be pulling that away.

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Speaker 3: Yes, yeah, or I actually my sister would be like,

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Speaker 3: is this what you like? And then give me an

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Speaker 3: uncomfortable birds the bees talk.

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Speaker 4: She would just get right in there and be like.

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Speaker 3: Oh yeah, oh, she'd tell me all about everything.

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Speaker 1: But I do. Yeah.

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Speaker 3: I remember my mom coming down and I the a

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Speaker 3: YouTube video was on from like Octune Baby, or when

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Speaker 3: it was very tame. She moves in mysterious ways. There's

248
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Speaker 3: just a dancer, and she came down. She's like, what

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Speaker 3: is it's pornography? Like when did you become an evangelical?

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Speaker 1: Mom?

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Speaker 4: That's I think I've told you the story.

252
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Speaker 2: But the first time we were watching MTV, my dad

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Speaker 2: walked in and the song was It's my life.

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Speaker 3: Yeah yeah, talk talk yes again talk.

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Speaker 2: And it was wildlife footage that somebody had animated over

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Speaker 2: just real simple.

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Speaker 1: Oh yeah I remember that.

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Speaker 2: But it was the right as my dad walked in,

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Speaker 2: the animation turned to sperm. So it was just like

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Speaker 2: hand drunk sperm trying to run across this like while

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Speaker 2: you were and my dad's like, watch, its got so

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Speaker 2: mad where we're like, we don't know what you're talking about.

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Speaker 1: Animated sperm from some other image. What is this? That's

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Speaker 1: more like Peter Gabriel, Peter Gabriel. That's the way you've

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Speaker 1: been done. It's hacky. But we literally I was like,

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Speaker 1: this is just cool animation.

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Speaker 4: I didn't know. I thought it was like Paisley.

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Speaker 1: It didn't.

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Speaker 4: It wasn't a big.

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Speaker 1: Deal to me, right right, Yeah, they didn't.

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Speaker 3: That's before that fateful day when we walk into school

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Speaker 3: and the gym teacher puts a condom on a banana.

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Speaker 4: Oh that was in yours. We didn't get that.

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Speaker 1: Oh it was he'd turned on music and slowly. It

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Speaker 1: was a weird school. Everyone was drunk.

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Speaker 4: You went to sex school?

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Speaker 1: I did. I went.

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Speaker 3: I went to a sexual corrections institute.

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Speaker 4: Yes, because of all the mistakes.

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Speaker 1: Yeah, it was rehab school for kids.

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Speaker 2: Just can you describe Lou to us from childhood? You

282
00:14:12,200 --> 00:14:13,960
Speaker 2: don't have to talk about his current life, but just

283
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Speaker 2: give us the picture of this friend.

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00:14:16,840 --> 00:14:21,800
Speaker 3: Lou had Michael Hutchins like hair that went from one

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Speaker 3: side over the next, which brought the at the time,

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00:14:25,400 --> 00:14:29,120
Speaker 3: you know, skater bangs like Tony Hawk had as a kid,

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00:14:29,800 --> 00:14:34,040
Speaker 3: to a whole new level of like, Yeah, that's clearly

288
00:14:34,160 --> 00:14:36,960
Speaker 3: an excess hair. But I think and this is where

289
00:14:37,080 --> 00:14:41,200
Speaker 3: ahead of its time, but shaved side. Yes, I mean

290
00:14:41,280 --> 00:14:44,480
Speaker 3: we're in sixth grade. Oh wow, that's pretty cool. I

291
00:14:44,520 --> 00:14:47,200
Speaker 3: actually have a picture of us all at a birthday

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00:14:47,240 --> 00:14:49,680
Speaker 3: party with a Garfield cake.

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Speaker 1: Yes, that I will show you right now. Show it.

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Speaker 2: Because we're in traffic and we're barely moving. I can

295
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Speaker 2: look at anything.

296
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Speaker 1: I'm real good at financ I typed cake and it's

297
00:14:58,880 --> 00:14:59,760
Speaker 1: gonna come up. Yep.

298
00:15:00,760 --> 00:15:04,160
Speaker 3: And there's and my friend Andy with an Nxcess kick shirt.

299
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Speaker 1: That's Lou. You can't really see it, you can't.

300
00:15:07,400 --> 00:15:11,320
Speaker 3: And that's Ross, my good friend, and we're vaguely related.

301
00:15:11,400 --> 00:15:14,840
Speaker 3: That's me look at banks with my porcelain braces and

302
00:15:15,160 --> 00:15:18,400
Speaker 3: that I would grow out just my bangs and spray

303
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Speaker 3: son in on them.

304
00:15:19,440 --> 00:15:23,720
Speaker 2: Yes, and uh, guys, what's what a gang?

305
00:15:23,880 --> 00:15:27,040
Speaker 1: And I like this guy, he's my pick andy. Look

306
00:15:27,280 --> 00:15:31,680
Speaker 1: he that of course he was buying beer for everyone

307
00:15:31,760 --> 00:15:35,800
Speaker 1: in like eighth grade. But he looks exactly the same. Now.

308
00:15:36,200 --> 00:15:39,360
Speaker 3: Oh, you think if someone looks like they're twenty eighth

309
00:15:39,680 --> 00:15:42,600
Speaker 3: and this is we're in seventh or eighth grade here.

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Speaker 4: And he's still holding down that eighth grade.

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Speaker 1: Look.

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00:15:45,200 --> 00:15:48,520
Speaker 3: He was shaving in eighth grade, full shaving, full beard,

313
00:15:48,720 --> 00:15:52,800
Speaker 3: could grow a beard, and yeah, his face stayed the same,

314
00:15:53,040 --> 00:15:55,200
Speaker 3: whereas I look like a different person.

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00:15:55,320 --> 00:15:57,520
Speaker 2: Because I was looking at that picture. We're now on

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Speaker 2: the wrong freeway.

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Speaker 3: Oh and uh, that was my trick. I want to

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Speaker 3: go to Glendale.

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Speaker 1: That's so funny.

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00:16:11,400 --> 00:16:13,840
Speaker 3: I'm this is all part of my master plan. We're

321
00:16:13,840 --> 00:16:19,040
Speaker 3: going to look theaters to see Alien Romulus.

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00:16:19,840 --> 00:16:22,160
Speaker 4: Look theaters, where's that it's.

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Speaker 3: I went last night to watch the Alien movie, which

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Speaker 3: is very good, and there's no stars in it. It's

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00:16:27,760 --> 00:16:31,120
Speaker 3: just new actors that are the best actors I've ever seen.

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Speaker 1: Wine two people are so good.

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Speaker 3: I highly recommend it, and I did not go into

328
00:16:38,800 --> 00:16:42,080
Speaker 3: it like, oh I love the other Alien movies. Of

329
00:16:42,120 --> 00:16:47,840
Speaker 3: course I love the original, but it's great and there's

330
00:16:48,000 --> 00:16:53,560
Speaker 3: enough easter eggs or you know, references if you're pearist.

331
00:16:53,680 --> 00:16:58,200
Speaker 3: They were really good about like the technology of what

332
00:16:58,240 --> 00:17:00,720
Speaker 3: they thought the future would be like where the computer

333
00:17:00,920 --> 00:17:04,960
Speaker 3: is like a tandy a black screen with green It

334
00:17:05,080 --> 00:17:08,760
Speaker 3: is the future in that way, in that style, like

335
00:17:08,880 --> 00:17:11,879
Speaker 3: everything is like what they thought the future would look

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00:17:11,960 --> 00:17:15,160
Speaker 3: like in the seventies, but it's it's.

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00:17:15,080 --> 00:17:17,080
Speaker 1: Really cool, so sorry.

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00:17:16,600 --> 00:17:20,080
Speaker 2: They basically followed that through to be like if this

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Speaker 2: was the past, this would be the future.

340
00:17:21,880 --> 00:17:23,600
Speaker 1: Yes, that's smart.

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00:17:23,640 --> 00:17:27,359
Speaker 3: Here's the future envisioned in nineteen seventy nine or whenever

342
00:17:27,400 --> 00:17:32,240
Speaker 3: they wrote Alien and uh, there's it's just great.

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00:17:32,240 --> 00:17:34,000
Speaker 1: I don't want to give anything away, but I will

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00:17:34,040 --> 00:17:34,600
Speaker 1: say about this.

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00:17:34,920 --> 00:17:42,199
Speaker 3: Look theater, beautiful place, reclining chairs, food, everything that you

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00:17:42,280 --> 00:17:47,080
Speaker 3: want from a fancy theater. There was no employees. I

347
00:17:47,200 --> 00:17:49,360
Speaker 3: paid for a ticket because I'm, you know.

348
00:17:49,520 --> 00:17:52,800
Speaker 1: An honest person. Yeah, don't chop down the cherry tree.

349
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Speaker 4: You're not George Washing I am.

350
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Speaker 3: I wore a powdered wig and I've never told a lie,

351
00:17:58,840 --> 00:18:04,159
Speaker 3: and my wooden key I would never lie through them. Okay, anyway,

352
00:18:04,480 --> 00:18:07,320
Speaker 3: no one was there. I bought tickets. There was nowhere

353
00:18:07,400 --> 00:18:11,520
Speaker 3: to no one to check them. It was empty, but

354
00:18:11,600 --> 00:18:15,960
Speaker 3: the movies were playing and someone did come down to

355
00:18:16,119 --> 00:18:19,679
Speaker 3: take the food order, but in the lobby it was

356
00:18:19,760 --> 00:18:23,080
Speaker 3: like yeah or whatever. Also, it's half price day. I

357
00:18:23,200 --> 00:18:29,119
Speaker 3: saw an eight dollars movie. I don't understand what they're doing.

358
00:18:29,320 --> 00:18:34,280
Speaker 3: It's like, I think a chain, but not a big one.

359
00:18:34,320 --> 00:18:38,240
Speaker 3: But obviously this is their flagship location where they don't

360
00:18:38,440 --> 00:18:39,600
Speaker 3: care about making money.

361
00:18:39,960 --> 00:18:41,879
Speaker 4: Wait, where is this location?

362
00:18:42,000 --> 00:18:46,600
Speaker 3: It is in Glendale and it is a big, beautiful

363
00:18:46,600 --> 00:18:48,840
Speaker 3: theater and it looks like they spent a lot of

364
00:18:48,840 --> 00:18:51,680
Speaker 3: money on it and survived. It opened up right before

365
00:18:51,720 --> 00:18:55,200
Speaker 3: COVID hit, but it made it through. No one's ever there.

366
00:18:55,720 --> 00:19:00,520
Speaker 3: I love the temperature. They play the best movies theaters.

367
00:19:00,560 --> 00:19:01,200
Speaker 4: Do you eat food?

368
00:19:01,320 --> 00:19:05,840
Speaker 1: Great food, really reasonably priced. What are you eating there?

369
00:19:05,960 --> 00:19:09,160
Speaker 3: Eight dollars mocktail that was delicious?

370
00:19:09,200 --> 00:19:09,800
Speaker 1: I have had.

371
00:19:10,520 --> 00:19:14,520
Speaker 3: And we had a screening of the short that I

372
00:19:14,560 --> 00:19:19,160
Speaker 3: acted in, Oh Yeah, called Hunt Me, and we did

373
00:19:19,160 --> 00:19:21,640
Speaker 3: a Q and A and I was there for that

374
00:19:21,800 --> 00:19:23,560
Speaker 3: and it was a big, beautiful place and I'm like,

375
00:19:23,640 --> 00:19:26,640
Speaker 3: no one's here, where's people that work here? I guess

376
00:19:26,680 --> 00:19:29,920
Speaker 3: they just ran it out the theater, but nope, movie time,

377
00:19:30,280 --> 00:19:34,119
Speaker 3: no one was there. That's interesting. They must have a

378
00:19:34,160 --> 00:19:40,040
Speaker 3: setup I get. Yeah, cameras, honor system AI who knows,

379
00:19:40,320 --> 00:19:43,280
Speaker 3: yeah it, Yeah, that's what I was talking. They scan

380
00:19:43,440 --> 00:19:45,840
Speaker 3: you and they're like, these people deserve a free movie.

381
00:19:46,119 --> 00:19:48,639
Speaker 3: Maybe if you come in, like with a fancy suit

382
00:19:49,119 --> 00:19:51,879
Speaker 3: and coafft hair. All of a sudden there's employees. They

383
00:19:51,920 --> 00:19:52,840
Speaker 3: are taking your money.

384
00:19:52,880 --> 00:19:56,280
Speaker 2: They're like, watch that corporate guy who's gonna rip everybody off.

385
00:19:56,600 --> 00:19:59,960
Speaker 3: Yeah yeah, but no I went in with the mismatch

386
00:20:00,119 --> 00:20:02,320
Speaker 3: socks and a slight lamp flea movie.

387
00:20:03,600 --> 00:20:04,239
Speaker 1: Yeah it was.

388
00:20:04,720 --> 00:20:09,000
Speaker 3: Yeah, I'm very much enjoyed that alien movie. I even

389
00:20:09,000 --> 00:20:10,160
Speaker 3: had dreams about it.

390
00:20:10,320 --> 00:20:12,960
Speaker 4: Oh wait, it got right into your brain, it did.

391
00:20:13,240 --> 00:20:13,920
Speaker 4: That's exciting.

392
00:20:14,119 --> 00:20:15,240
Speaker 1: Yeah, it's funny.

393
00:20:15,480 --> 00:20:18,520
Speaker 3: Sometimes you leave a movie thinking it didn't make an impression,

394
00:20:18,560 --> 00:20:20,600
Speaker 3: and then you think about it for days and days.

395
00:20:20,680 --> 00:20:23,120
Speaker 4: Yeah, your brain goes o contrere mon frere.

396
00:20:23,359 --> 00:20:26,720
Speaker 3: Yes, you are a character in this and you're gonna

397
00:20:26,800 --> 00:20:28,679
Speaker 3: kick a lot tonight instead of sleep.

398
00:20:30,320 --> 00:20:33,080
Speaker 1: But yeah, it was. It was really fun.

399
00:20:33,359 --> 00:20:33,840
Speaker 4: That's great.

400
00:20:33,920 --> 00:20:39,040
Speaker 2: I haven't been to the movies since the movie that

401
00:20:39,240 --> 00:20:45,520
Speaker 2: came out where uh Anna the blonde girl. But she's

402
00:20:45,560 --> 00:20:48,200
Speaker 2: from like Venezuela originally or something.

403
00:20:48,240 --> 00:20:51,800
Speaker 4: Wayne scamb It, No, it's yes, but you're right about that.

404
00:20:52,440 --> 00:20:54,760
Speaker 1: What's her name that actress? I'm not sure.

405
00:20:54,960 --> 00:20:57,879
Speaker 2: Anna Taylor, Joy, Anna Taylor, Anna Taylor Droy thank you.

406
00:20:58,560 --> 00:21:01,560
Speaker 2: And it was the one where they go her and

407
00:21:01,880 --> 00:21:04,600
Speaker 2: her new boyfriend or a date or whatever go to

408
00:21:04,640 --> 00:21:07,000
Speaker 2: that restaurant that's on like an island.

409
00:21:07,400 --> 00:21:08,679
Speaker 1: It's I think it's called the Menu.

410
00:21:08,960 --> 00:21:13,880
Speaker 3: Oh right, and Ralph finds Ray finds right show it's

411
00:21:13,880 --> 00:21:14,879
Speaker 3: spelled Ralph.

412
00:21:15,000 --> 00:21:19,119
Speaker 1: It's spelled Ralph, but his name is Ray. It's not often.

413
00:21:19,280 --> 00:21:23,240
Speaker 3: We've all heard of the silent pH, but the invisible

414
00:21:23,320 --> 00:21:25,080
Speaker 3: pH totally different.

415
00:21:25,200 --> 00:21:28,240
Speaker 1: Yeah, Ray, Ray and L silent L.

416
00:21:29,040 --> 00:21:31,679
Speaker 3: You ignore the A, the L and the P in

417
00:21:31,720 --> 00:21:34,200
Speaker 3: the H, but you you do pay attention.

418
00:21:33,880 --> 00:21:36,879
Speaker 1: To the R in the A. Please anyway, yes, please do.

419
00:21:37,200 --> 00:21:41,639
Speaker 3: But yeah, it's it's good and it's uh, it's also

420
00:21:41,640 --> 00:21:43,360
Speaker 3: a movie. I finally appreciate it.

421
00:21:43,880 --> 00:21:47,800
Speaker 1: John Lakes he's in The New Alan. He's in the menu.

422
00:21:48,600 --> 00:21:49,440
Speaker 1: Oh oh, I'm sorry.

423
00:21:49,560 --> 00:21:51,280
Speaker 4: Yeah, and I thought you were going back.

424
00:21:51,560 --> 00:21:53,840
Speaker 1: No, No, it's he is. He's like one of the

425
00:21:53,840 --> 00:21:54,520
Speaker 1: best people in it.

426
00:21:54,720 --> 00:21:59,320
Speaker 3: Yeah, yeah, yeah, it's not since Tu Long Fu.

427
00:21:59,440 --> 00:22:01,159
Speaker 1: Thanks for every thing, Julie Numar.

428
00:22:01,840 --> 00:22:03,320
Speaker 4: I swear to god that movie holds up.

429
00:22:03,520 --> 00:22:05,960
Speaker 1: Yeah, it does, really does really good. Ye they did

430
00:22:05,960 --> 00:22:06,320
Speaker 1: that good.

431
00:22:06,480 --> 00:22:09,560
Speaker 3: I hadn't seen it since I was a kid, and

432
00:22:09,640 --> 00:22:12,879
Speaker 3: of course I didn't fully get it, and now.

433
00:22:12,720 --> 00:22:14,480
Speaker 1: I love it a lot.

434
00:22:14,760 --> 00:22:19,200
Speaker 3: Yeah, but yeah, it's it was a great night.

435
00:22:19,280 --> 00:22:22,520
Speaker 1: I love Glendale. I wish we did accidentally drive into Glendale.

436
00:22:23,480 --> 00:22:26,080
Speaker 2: Well, I think we are right on the precipice of

437
00:22:26,160 --> 00:22:29,040
Speaker 2: doing that. We could drive by the Look Theater.

438
00:22:29,359 --> 00:22:32,640
Speaker 3: You want to, Oh, it's all right, there's nothing to see. Really,

439
00:22:32,680 --> 00:22:35,080
Speaker 3: it's in a big that's the thing. No one goes

440
00:22:35,119 --> 00:22:37,520
Speaker 3: there because they don't advertise. You can't tell it's a

441
00:22:37,520 --> 00:22:41,840
Speaker 3: movie theater. It's just back in a corridor. You have

442
00:22:41,880 --> 00:22:43,719
Speaker 3: to go down an alley to get there, and then

443
00:22:43,720 --> 00:22:45,040
Speaker 3: it's a big, fancy movie theater.

444
00:22:45,160 --> 00:22:47,760
Speaker 4: What that sounds like money laundering situation.

445
00:22:47,960 --> 00:22:51,000
Speaker 3: But if you look the way I found out about it,

446
00:22:51,000 --> 00:22:54,600
Speaker 3: it's like like anyone I get on my phone, go

447
00:22:54,640 --> 00:22:57,719
Speaker 3: to fandango or whatever, Where's what are the movies?

448
00:22:58,040 --> 00:23:02,119
Speaker 1: It's playing here at nine, so people should be there. Yes,

449
00:23:02,400 --> 00:23:08,000
Speaker 1: it's in the listings. Is it new new, like truly new. Yeah,

450
00:23:08,240 --> 00:23:10,760
Speaker 1: just like twenty nineteen ish.

451
00:23:11,760 --> 00:23:15,600
Speaker 3: I had to find an employee who was behind a

452
00:23:15,640 --> 00:23:18,080
Speaker 3: closed door and say why is no one here?

453
00:23:18,400 --> 00:23:21,000
Speaker 1: And what they say, Yeah, a lot of people don't

454
00:23:21,000 --> 00:23:21,360
Speaker 1: come here.

455
00:23:21,359 --> 00:23:25,439
Speaker 3: It's weird and made me to twenty five percent.

456
00:23:26,440 --> 00:23:29,320
Speaker 2: Also, it makes me think that would be my dream

457
00:23:29,359 --> 00:23:32,199
Speaker 2: movie theater, because there's nothing worse than being at the

458
00:23:32,200 --> 00:23:35,840
Speaker 2: movie theater and having other people ruin your movie experience

459
00:23:36,320 --> 00:23:38,520
Speaker 2: in whatever way they write too.

460
00:23:38,920 --> 00:23:41,800
Speaker 3: No, it was the handful of people in there were

461
00:23:41,840 --> 00:23:44,400
Speaker 3: well behaved, nice and it was the kind of movie

462
00:23:44,400 --> 00:23:46,879
Speaker 3: where I wanted to like talk to people after what

463
00:23:46,920 --> 00:23:47,440
Speaker 3: do you think?

464
00:23:47,680 --> 00:23:51,119
Speaker 2: Yeah, yeah, that's when April Richardson and I went to

465
00:23:51,160 --> 00:23:55,359
Speaker 2: go see Tickled, which is that documentary. Yeah, there was

466
00:23:55,400 --> 00:23:58,080
Speaker 2: only ten other people in the movie theater, and when

467
00:23:58,119 --> 00:24:01,000
Speaker 2: the movie ended, it's kind of came up and we

468
00:24:01,040 --> 00:24:01,760
Speaker 2: all turned to each other.

469
00:24:01,840 --> 00:24:03,119
Speaker 4: We're like, what the hell?

470
00:24:03,160 --> 00:24:07,080
Speaker 2: And like fifteen strangers turned talking to each other because

471
00:24:07,080 --> 00:24:08,120
Speaker 2: it was so crazy.

472
00:24:08,520 --> 00:24:10,560
Speaker 3: That is one of the things you can only do

473
00:24:10,640 --> 00:24:14,200
Speaker 3: with the documentary of course, where the person that made

474
00:24:14,240 --> 00:24:16,800
Speaker 3: it and I saw it at the Silent movie theater

475
00:24:16,880 --> 00:24:20,040
Speaker 3: where it was moderated. They talked to the filmmaker. It

476
00:24:20,080 --> 00:24:22,639
Speaker 3: was Nathan Fielder looking for you.

477
00:24:22,680 --> 00:24:27,960
Speaker 1: Guy talked to him and he was just making a movie.

478
00:24:27,680 --> 00:24:33,240
Speaker 3: About a weird tickle league where they wear jerseys, yeah,

479
00:24:33,240 --> 00:24:35,480
Speaker 3: and young men tickle each other, which is strange.

480
00:24:35,480 --> 00:24:38,920
Speaker 1: And then behind it was this weird like.

481
00:24:40,880 --> 00:24:41,879
Speaker 4: Evil donor.

482
00:24:42,280 --> 00:24:45,239
Speaker 1: Yeah, yeah, a rich guy that was kind of like

483
00:24:45,840 --> 00:24:49,160
Speaker 1: Robert Durst or something. It's just such a good movie.

484
00:24:49,160 --> 00:24:50,399
Speaker 1: But yeah, spoiler alert.

485
00:24:50,840 --> 00:24:56,280
Speaker 3: You can't believe that things are unfolding, and you can

486
00:24:56,320 --> 00:25:00,359
Speaker 3: tell the filmmaker had no idea what they were into,

487
00:25:00,400 --> 00:25:03,159
Speaker 3: but he was saying that guy was going to a

488
00:25:03,240 --> 00:25:05,360
Speaker 3: lot of the screenings and asking questions.

489
00:25:05,440 --> 00:25:06,360
Speaker 1: Yep, he's like.

490
00:25:06,800 --> 00:25:10,040
Speaker 3: First and would compliment I like the film, it's great editing,

491
00:25:10,720 --> 00:25:12,720
Speaker 3: and you did a good job building the story.

492
00:25:12,880 --> 00:25:14,920
Speaker 1: But you make me look really bad in it.

493
00:25:15,240 --> 00:25:17,320
Speaker 3: Like he was scared of the guy and he was

494
00:25:17,359 --> 00:25:19,120
Speaker 3: going to all these screenings.

495
00:25:19,400 --> 00:25:21,320
Speaker 1: And I haven't followed up.

496
00:25:23,119 --> 00:25:26,320
Speaker 3: What happened to the guy legally, but it is tickled

497
00:25:26,480 --> 00:25:27,600
Speaker 3: if you get the chance.

498
00:25:27,840 --> 00:25:31,760
Speaker 2: I think nothing happened to the guy because one story

499
00:25:31,960 --> 00:25:34,200
Speaker 2: is you know quarter sheets near you You just talked

500
00:25:34,240 --> 00:25:38,280
Speaker 2: to him, Yes, yes, long line, long line, but bridge

501
00:25:38,320 --> 00:25:40,480
Speaker 2: and I got a table there, so we ate there

502
00:25:41,240 --> 00:25:42,080
Speaker 2: probably a month ago.

503
00:25:42,800 --> 00:25:45,440
Speaker 1: David Ferrier, that director, was sitting.

504
00:25:45,119 --> 00:25:47,080
Speaker 4: Across from us. I oh really, I stared at him

505
00:25:47,119 --> 00:25:48,760
Speaker 4: for a good twenty minutes before.

506
00:25:49,040 --> 00:25:51,159
Speaker 1: I picked him up, and I wouldn't know what he

507
00:25:51,200 --> 00:25:51,600
Speaker 1: looks like.

508
00:25:51,760 --> 00:25:55,560
Speaker 2: I follow him on Twitter. Oh okay, I tickled. Was

509
00:25:55,600 --> 00:25:58,240
Speaker 2: such a strange, amazing experience that I was like, this

510
00:25:58,280 --> 00:26:04,240
Speaker 2: guy is incredible. And Dave Anthony and Gareth Reynolds were

511
00:26:04,280 --> 00:26:07,679
Speaker 2: like in the movie because they covered that story and

512
00:26:07,760 --> 00:26:10,440
Speaker 2: so they knew him. So I like talk to Dave

513
00:26:10,480 --> 00:26:12,720
Speaker 2: about it after we because I was like, I need

514
00:26:12,760 --> 00:26:13,520
Speaker 2: someone to tell me.

515
00:26:13,760 --> 00:26:14,920
Speaker 4: What is real anymore?

516
00:26:15,000 --> 00:26:18,200
Speaker 2: This is so fucking crazy ye and creepy and whatever,

517
00:26:18,640 --> 00:26:20,520
Speaker 2: and I was like, how did that guy? And he's

518
00:26:20,560 --> 00:26:23,880
Speaker 2: so Dave kind of was like telling me about him.

519
00:26:24,280 --> 00:26:26,800
Speaker 2: Then I started following him and that is actually the

520
00:26:26,920 --> 00:26:31,240
Speaker 2: kind of journalism that he does in Australia. He's I

521
00:26:31,240 --> 00:26:36,720
Speaker 2: think Australian, Australian or maybe Kiwi, but he's normally usually

522
00:26:36,760 --> 00:26:37,160
Speaker 2: down there.

523
00:26:37,400 --> 00:26:37,800
Speaker 1: Yeah.

524
00:26:37,960 --> 00:26:40,919
Speaker 2: But the but his second or the I shouldn't say second,

525
00:26:41,200 --> 00:26:45,320
Speaker 2: his most recent documentary, it's called Mister Orgon, and it's

526
00:26:45,359 --> 00:26:47,640
Speaker 2: another one of those stories where we're like, wait, what

527
00:26:47,640 --> 00:26:50,640
Speaker 2: what are we talking about? And it's like it's wild.

528
00:26:50,840 --> 00:26:52,960
Speaker 3: So me that makes me think he's just a good

529
00:26:52,960 --> 00:26:57,040
Speaker 3: filmmaker and knew that it was this bizarre yes, backstory,

530
00:26:57,200 --> 00:26:59,320
Speaker 3: come on, well you have to tell a story and

531
00:26:59,520 --> 00:27:00,480
Speaker 3: give away too much.

532
00:27:01,080 --> 00:27:03,399
Speaker 2: But I don't know, because it really did feel like

533
00:27:03,560 --> 00:27:05,840
Speaker 2: he was like, what is happening?

534
00:27:05,960 --> 00:27:08,320
Speaker 4: Like I think that was too good to be acting.

535
00:27:08,920 --> 00:27:13,480
Speaker 3: Yeah, oh no, yeah, I just mean when editing, of course,

536
00:27:13,560 --> 00:27:17,800
Speaker 3: you telling a story after the fact, you're like, well, okay,

537
00:27:17,800 --> 00:27:20,480
Speaker 3: we should only tell this much or this associate with

538
00:27:20,600 --> 00:27:24,840
Speaker 3: like crime stuff where it's the same sit down interview

539
00:27:24,880 --> 00:27:29,159
Speaker 3: where you go a detective talking about what they thought initially,

540
00:27:29,480 --> 00:27:31,640
Speaker 3: what they thought in the middle, what they thought after

541
00:27:31,680 --> 00:27:33,320
Speaker 3: the guy was incarcerated.

542
00:27:33,920 --> 00:27:35,440
Speaker 1: But it's all one sit down.

543
00:27:35,640 --> 00:27:39,840
Speaker 2: Yeah, you don't they don't let out the information before

544
00:27:39,880 --> 00:27:43,800
Speaker 2: it's relevant, as if you are going through this with

545
00:27:44,119 --> 00:27:45,240
Speaker 2: you don't know what's happening.

546
00:27:45,400 --> 00:27:47,960
Speaker 3: Yeah, yeah, it's such a good job.

547
00:27:48,040 --> 00:27:49,720
Speaker 1: That's the best kind of storytelling. Yeah.

548
00:27:49,760 --> 00:27:53,320
Speaker 3: People were like gasping in the audience. So we've we've

549
00:27:53,400 --> 00:27:56,200
Speaker 3: endorsed this movie tickled so very much.

550
00:27:55,960 --> 00:27:58,440
Speaker 2: And David Ferrier is just I hope that's the right name,

551
00:27:58,440 --> 00:28:00,119
Speaker 2: because I'm really saying it was so much common and

552
00:28:00,119 --> 00:28:02,960
Speaker 2: it's but yeah, him as a director and as.

553
00:28:02,840 --> 00:28:05,159
Speaker 4: A person to sit across from at the pizza place.

554
00:28:05,040 --> 00:28:10,639
Speaker 1: And a great tennis pro. Oh, exactly know.

555
00:28:10,720 --> 00:28:16,120
Speaker 3: There's another Farrier, Robert ted something Fairier Federer.

556
00:28:16,480 --> 00:28:19,479
Speaker 1: Robert Federer is there Roger Roger?

557
00:28:19,640 --> 00:28:27,240
Speaker 3: So it sounds like Robert Farrier. Yeah, I can't get

558
00:28:27,280 --> 00:28:27,960
Speaker 3: out of that one.

559
00:28:28,080 --> 00:28:31,359
Speaker 2: You really tried to wedge your way in there, yep.

560
00:28:31,600 --> 00:28:34,080
Speaker 2: And me and David Ferrier say no.

561
00:28:34,280 --> 00:28:37,000
Speaker 3: The problem with wedging yourself in is it's hard to

562
00:28:37,000 --> 00:28:37,600
Speaker 3: get out.

563
00:28:38,000 --> 00:28:39,920
Speaker 4: Also, I'm probably mispronouncing his name.

564
00:28:40,120 --> 00:28:43,400
Speaker 2: There's there's lots of I'm really taking a strong stance

565
00:28:43,600 --> 00:28:45,560
Speaker 2: in an area that I have no business being in.

566
00:28:45,800 --> 00:28:47,160
Speaker 1: Yeah, that's more my area.

567
00:28:47,400 --> 00:28:48,280
Speaker 4: Yeah you stay there.

568
00:28:48,400 --> 00:28:51,040
Speaker 1: Yeah, I'll hold your spot. Thank you. Do you want

569
00:28:51,040 --> 00:28:55,920
Speaker 1: to revisit? I just want to get out of the car.

570
00:28:56,680 --> 00:29:00,400
Speaker 3: My neighbor bought uh and you might know about this,

571
00:29:00,480 --> 00:29:03,479
Speaker 3: because I believe she's from the Bay area. Bought some

572
00:29:03,560 --> 00:29:09,160
Speaker 3: milk thistle or milkweed in order to attract monarch butterflies,

573
00:29:09,160 --> 00:29:13,560
Speaker 3: a butterfly that is dwindled down to ten percent population.

574
00:29:13,680 --> 00:29:18,000
Speaker 3: It used to be, and sure enough these I don't know.

575
00:29:18,680 --> 00:29:21,520
Speaker 3: At some point a butterfly came it's right outside my door,

576
00:29:22,080 --> 00:29:26,520
Speaker 3: and laid some eggs, and it was riddled with these

577
00:29:26,600 --> 00:29:30,680
Speaker 3: caterpillars that are the same they have the same coloring

578
00:29:30,880 --> 00:29:34,800
Speaker 3: as a monarch. And all these little cocoons started, and

579
00:29:34,880 --> 00:29:37,920
Speaker 3: today got a time lapse of the first one hatching.

580
00:29:37,960 --> 00:29:40,880
Speaker 3: It's a big, beautiful monarch and it hung out for

581
00:29:40,960 --> 00:29:43,240
Speaker 3: like an hour and dried off and then it flew away.

582
00:29:43,760 --> 00:29:47,680
Speaker 3: I'm hoping they hang out. But that's a very my

583
00:29:47,960 --> 00:29:51,160
Speaker 3: only memory of growing up in Monterey, growing up as

584
00:29:51,200 --> 00:29:55,320
Speaker 3: they're tillies two, you know. Yeah, And I left in

585
00:29:55,360 --> 00:29:59,280
Speaker 3: a three piece suit. Yeah, I got a briefcase, and

586
00:29:59,280 --> 00:30:02,480
Speaker 3: I'm like, I going on live on my own in Montana.

587
00:30:03,440 --> 00:30:08,840
Speaker 1: Clint Eastwood, Yeah, you're not my mayor, Yeah exactly, he

588
00:30:09,000 --> 00:30:09,960
Speaker 1: was indeed the mayor.

589
00:30:10,600 --> 00:30:14,160
Speaker 3: But I just remember the there was like a monarch's

590
00:30:14,240 --> 00:30:17,840
Speaker 3: that would cover a tree without leaves and make it

591
00:30:17,880 --> 00:30:21,880
Speaker 3: look like it was full. Yeah, like thousands of monarchs

592
00:30:21,880 --> 00:30:24,400
Speaker 3: there was. And when that happened, there at a big festival,

593
00:30:24,960 --> 00:30:29,640
Speaker 3: probably the Monarch Festival. Yeah, And I remember that, and

594
00:30:29,720 --> 00:30:31,880
Speaker 3: I always think of that when I see a monarch.

595
00:30:32,000 --> 00:30:35,560
Speaker 3: So if they start hanging out in front of my place, oh.

596
00:30:35,480 --> 00:30:38,200
Speaker 1: Man, you're going to go into some early life regression.

597
00:30:38,400 --> 00:30:42,160
Speaker 3: But I'll post the time lapse of the hatch if

598
00:30:42,280 --> 00:30:44,320
Speaker 3: any of you do the Instagram thing.

599
00:30:44,600 --> 00:30:48,840
Speaker 1: Nice, it's really pretty cool. Yeah, yeah, it is nice.

600
00:30:48,920 --> 00:30:53,160
Speaker 1: Thanks to my neighbor Amilia. Amelia, great job, good job.

601
00:30:53,960 --> 00:30:59,360
Speaker 3: Yeah, it's really cool. I one of them was hatching

602
00:30:59,400 --> 00:31:00,880
Speaker 3: as I left. I was almost late.

603
00:31:01,440 --> 00:31:04,720
Speaker 1: I don't know when I became an entomologist.

604
00:31:04,080 --> 00:31:05,600
Speaker 4: But I'm into it.

605
00:31:05,040 --> 00:31:07,800
Speaker 1: It was recently, yes, very recently.

606
00:31:07,960 --> 00:31:11,680
Speaker 2: I really respect these cars that go ahead and just

607
00:31:11,840 --> 00:31:16,120
Speaker 2: cross one thousand lanes to take a left in Los Angeles.

608
00:31:16,160 --> 00:31:20,320
Speaker 1: I do. I admire the confidence. Yeah, it's tough. What

609
00:31:20,360 --> 00:31:24,960
Speaker 1: they're doing is tough there. And I noticed young people

610
00:31:25,000 --> 00:31:25,720
Speaker 1: don't signal.

611
00:31:25,760 --> 00:31:27,440
Speaker 3: I don't want to sound like some old guy, but

612
00:31:28,440 --> 00:31:31,320
Speaker 3: some kid a couple of days ago did that where

613
00:31:31,600 --> 00:31:35,680
Speaker 3: it was a four way intersection and then he started

614
00:31:36,360 --> 00:31:40,680
Speaker 3: taking his turn. I waited, and then at the last minute,

615
00:31:41,600 --> 00:31:43,360
Speaker 3: so he was going through, I assume it was going

616
00:31:43,400 --> 00:31:46,200
Speaker 3: to keep going straight, so I started moving forward. Also,

617
00:31:46,520 --> 00:31:49,320
Speaker 3: then he takes a left and almost hit the front

618
00:31:49,320 --> 00:31:51,920
Speaker 3: of my car. But looked at me like, oh my god,

619
00:31:52,080 --> 00:31:53,880
Speaker 3: why did you all of a sudden drive into the

620
00:31:53,920 --> 00:31:57,400
Speaker 3: side of me. But our windows both happened to be down.

621
00:31:57,720 --> 00:32:01,640
Speaker 3: And it was a very sweet interaction because I was like,

622
00:32:02,080 --> 00:32:06,240
Speaker 3: I'm sorry I got startled, but you you didn't signal,

623
00:32:07,320 --> 00:32:09,959
Speaker 3: and I know there's not anyone behind you, but it helped.

624
00:32:10,040 --> 00:32:14,360
Speaker 3: It would help me, know, And he's like, oh, people

625
00:32:14,400 --> 00:32:16,200
Speaker 3: do that, And I'm like, I am so used to

626
00:32:16,280 --> 00:32:20,320
Speaker 3: signaling that on a this is in from car to car,

627
00:32:20,720 --> 00:32:23,440
Speaker 3: when I'm on a windy dirt road and no one

628
00:32:23,560 --> 00:32:29,120
Speaker 3: is around, I just instinctively signal. When it turns like that,

629
00:32:29,440 --> 00:32:33,520
Speaker 3: it's important. And he's like, oh, okay, you're really nice.

630
00:32:33,560 --> 00:32:34,160
Speaker 1: See you later.

631
00:32:34,400 --> 00:32:38,960
Speaker 3: Like I became friends with this kid because I didn't yell.

632
00:32:39,560 --> 00:32:41,920
Speaker 1: You know, it was such a funny.

633
00:32:41,680 --> 00:32:44,160
Speaker 2: You literally it was a teaching moment that you really

634
00:32:44,240 --> 00:32:47,280
Speaker 2: stepped in as a kind you know what.

635
00:32:47,720 --> 00:32:48,480
Speaker 4: That's really hard.

636
00:32:48,760 --> 00:32:51,080
Speaker 3: It actually didn't come in nice. He called me you're

637
00:32:51,120 --> 00:32:53,560
Speaker 3: really cool, so that's even better.

638
00:32:53,680 --> 00:32:56,840
Speaker 1: I mean, yeah, because you're not cool, No, I lose

639
00:32:56,960 --> 00:32:59,120
Speaker 1: my cool. But they kept it in this moment, But

640
00:32:59,240 --> 00:32:59,880
Speaker 1: that's not true.

641
00:33:00,240 --> 00:33:02,040
Speaker 2: I think like that was first of all, I was

642
00:33:02,120 --> 00:33:07,360
Speaker 2: just joking. That was that was a mean joke. But secondly, yeah,

643
00:33:07,440 --> 00:33:10,000
Speaker 2: you didn't. You basically were like, I got to actually

644
00:33:10,000 --> 00:33:11,080
Speaker 2: solve this problem.

645
00:33:11,160 --> 00:33:12,440
Speaker 1: Yeah, because I don't think that.

646
00:33:12,680 --> 00:33:14,440
Speaker 3: I think a lot of people are like, if there's

647
00:33:14,440 --> 00:33:16,880
Speaker 3: no one behind me or in front of me, I'm not.

648
00:33:16,800 --> 00:33:17,520
Speaker 1: Going to signal.

649
00:33:17,720 --> 00:33:18,600
Speaker 4: Yeah, it doesn't matter.

650
00:33:19,000 --> 00:33:23,560
Speaker 3: But it almost caused an accident because a lot of

651
00:33:23,680 --> 00:33:26,200
Speaker 3: us don't realize when you're signaling, a lot of people

652
00:33:26,240 --> 00:33:30,000
Speaker 3: are getting that perfect side view and depending on knowing

653
00:33:30,360 --> 00:33:31,840
Speaker 3: whether you're going straight or turning.

654
00:33:32,760 --> 00:33:36,480
Speaker 1: Also, I could be less. I could wait until someone

655
00:33:36,520 --> 00:33:40,200
Speaker 1: clears an intersection. I don't know. We're all trying to

656
00:33:40,240 --> 00:33:43,640
Speaker 1: get somewhere. Okay, tell me what everybody you want?

657
00:33:45,640 --> 00:33:50,920
Speaker 4: Can I get a latte? You're a medium latte?

658
00:33:53,000 --> 00:33:57,360
Speaker 3: I'll have an iced coffee with just one pump of caramel?

659
00:33:57,960 --> 00:34:01,320
Speaker 1: Can we do an iced coffee with a pump of

660
00:34:01,720 --> 00:34:03,400
Speaker 1: caramel in it? Medium? Media?

661
00:34:03,560 --> 00:34:04,000
Speaker 4: A medium?

662
00:34:04,040 --> 00:34:04,360
Speaker 1: Please?

663
00:34:04,920 --> 00:34:05,960
Speaker 4: Ali's ooh?

664
00:34:06,040 --> 00:34:09,200
Speaker 1: Can I just get an ice coffee regular flavor? Medium?

665
00:34:09,239 --> 00:34:11,240
Speaker 1: And can we get one more ice coffee?

666
00:34:11,920 --> 00:34:15,960
Speaker 4: Just playing in a medium as well? That's gonna be it.

667
00:34:16,200 --> 00:34:22,320
Speaker 3: Thank you to our right is perhaps the most frightening

668
00:34:23,200 --> 00:34:27,440
Speaker 3: day if it was dark out. Yes, uh, it's just

669
00:34:27,560 --> 00:34:31,400
Speaker 3: someone wearing the costume from Japer Scrapers.

670
00:34:31,640 --> 00:34:34,920
Speaker 2: You know what's funny is when I saw them, I

671
00:34:35,040 --> 00:34:40,440
Speaker 2: looked over and was like, I love that outfit. Yeah,

672
00:34:40,719 --> 00:34:43,960
Speaker 2: I've never seen someone have like kind of style.

673
00:34:44,800 --> 00:34:45,960
Speaker 1: Yeah, oh excuse me.

674
00:34:46,160 --> 00:34:50,000
Speaker 3: It's like a if a fashion show had a mad

675
00:34:50,080 --> 00:34:50,719
Speaker 3: Max theme.

676
00:34:52,440 --> 00:34:53,200
Speaker 1: You know what we should do.

677
00:34:54,360 --> 00:34:55,919
Speaker 2: And the only reason I bring this up this because

678
00:34:55,920 --> 00:34:57,920
Speaker 2: you came in when we were talking about this in

679
00:34:57,960 --> 00:34:58,400
Speaker 2: the kitchen.

680
00:34:59,320 --> 00:34:59,960
Speaker 4: What's your face?

681
00:35:00,000 --> 00:35:09,600
Speaker 2: Favorite version type area of pizza area like Chicago Deep Dish.

682
00:35:09,680 --> 00:35:13,799
Speaker 3: It's funny, Well, I'll talk about the actual area on

683
00:35:14,400 --> 00:35:16,080
Speaker 3: geographically on a pizza.

684
00:35:16,320 --> 00:35:19,879
Speaker 1: My favorite bites, oddly, okay, are at the end.

685
00:35:20,360 --> 00:35:23,319
Speaker 3: There's kind of that baked cheese on the I don't

686
00:35:23,320 --> 00:35:25,840
Speaker 3: just shove the crust in my mouth unless I have mustard,

687
00:35:26,440 --> 00:35:30,840
Speaker 3: which sounds crazy. Yeah, But as a young child, my sister,

688
00:35:31,080 --> 00:35:35,080
Speaker 3: because she was too embarrassed, she'd make me go at

689
00:35:35,160 --> 00:35:37,680
Speaker 3: a pizza place and ask for mustard and they would

690
00:35:37,680 --> 00:35:39,560
Speaker 3: want to say what for, And I'm like, you're the

691
00:35:39,560 --> 00:35:41,440
Speaker 3: one that have it back there.

692
00:35:41,360 --> 00:35:42,200
Speaker 1: You know what it's for.

693
00:35:42,680 --> 00:35:45,000
Speaker 3: But if you put mustard on a pizza crust, it

694
00:35:45,160 --> 00:35:47,160
Speaker 3: suddenly is a stick of pretzel.

695
00:35:47,360 --> 00:35:49,360
Speaker 1: Yes, it's very pretzel like.

696
00:35:49,520 --> 00:35:52,840
Speaker 3: I love pretzel, and that's what I still do now,

697
00:35:53,080 --> 00:35:55,120
Speaker 3: and it's the reason I like mustard.

698
00:35:57,320 --> 00:36:01,759
Speaker 1: There we go, Here we go on iced CARAMELCA. That's

699
00:36:01,880 --> 00:36:05,920
Speaker 1: me normal special request ice latte?

700
00:36:06,200 --> 00:36:06,640
Speaker 4: Can you?

701
00:36:07,880 --> 00:36:11,680
Speaker 1: I'm borderline offended by catch up. I really don't like

702
00:36:11,800 --> 00:36:16,239
Speaker 1: ketchup at all. I'm afraid not, I know, because I

703
00:36:16,280 --> 00:36:19,920
Speaker 1: feel exactly the opposite. Yeah, I'm a mustard man.

704
00:36:20,000 --> 00:36:24,040
Speaker 2: So sorry, but will you re explain where this baked cheese?

705
00:36:24,400 --> 00:36:27,120
Speaker 1: I don't. I think I kind of lost you. Oh yeah, yeah,

706
00:36:27,160 --> 00:36:27,960
Speaker 1: I went off.

707
00:36:28,480 --> 00:36:29,200
Speaker 4: So do you have a.

708
00:36:29,120 --> 00:36:31,680
Speaker 1: Straw for me? Oh? Yes, I do.

709
00:36:33,719 --> 00:36:36,560
Speaker 3: The when you're done eating the pizza, which of course

710
00:36:36,600 --> 00:36:39,759
Speaker 3: I enjoy. Everyone does. There's no one in the world

711
00:36:40,040 --> 00:36:44,000
Speaker 3: that doesn't. Even if they don't eat pizza, it's because

712
00:36:44,040 --> 00:36:44,719
Speaker 3: of restraint.

713
00:36:45,640 --> 00:36:47,040
Speaker 1: They're in restraints.

714
00:36:48,560 --> 00:36:52,040
Speaker 3: But I do like those first cheesy bites a crust

715
00:36:52,080 --> 00:36:56,280
Speaker 3: where it's like kind of burnt into the there's that

716
00:36:56,280 --> 00:36:59,840
Speaker 3: that just that perimeter, that where the pizza ends and

717
00:36:59,840 --> 00:37:00,840
Speaker 3: the crust begins.

718
00:37:01,160 --> 00:37:03,680
Speaker 1: That's the area I like. I get you. Yeah, But

719
00:37:03,800 --> 00:37:04,840
Speaker 1: in general.

720
00:37:05,280 --> 00:37:08,319
Speaker 3: To answer your actual question, I'm a thin crust guy

721
00:37:08,440 --> 00:37:12,520
Speaker 3: and I oddly, you know, I've tried the New York

722
00:37:12,560 --> 00:37:17,120
Speaker 3: stuff and I get it now. It is great, But

723
00:37:17,200 --> 00:37:21,359
Speaker 3: I kind of like a dry thin Dominoes.

724
00:37:21,880 --> 00:37:27,879
Speaker 1: Yep, just a thin like it's almost not a wafer. Yes,

725
00:37:28,239 --> 00:37:30,919
Speaker 1: I hope they burnt it a little mm hmm, and

726
00:37:30,960 --> 00:37:31,960
Speaker 1: I anticipate it.

727
00:37:32,000 --> 00:37:35,759
Speaker 3: I get on the pizza tracker on the app and

728
00:37:35,800 --> 00:37:38,440
Speaker 3: I watch it come to my house with little messages

729
00:37:38,960 --> 00:37:39,800
Speaker 3: five more minutes.

730
00:37:39,880 --> 00:37:40,719
Speaker 1: It's so exciting.

731
00:37:42,080 --> 00:37:45,960
Speaker 2: And then that's how we wrapped up our We all

732
00:37:46,000 --> 00:37:49,040
Speaker 2: started just talking about how across the board everyone loves

733
00:37:49,040 --> 00:37:53,400
Speaker 2: Dominoes because it's made for you to eat, like the

734
00:37:53,440 --> 00:37:57,000
Speaker 2: whole one by yourself, right, And we're just kind of.

735
00:37:57,000 --> 00:37:57,680
Speaker 4: Laughing about that.

736
00:37:57,880 --> 00:38:01,680
Speaker 2: Where whatever, And that's when you walked in and then

737
00:38:01,840 --> 00:38:03,840
Speaker 2: started talking about your Yeah.

738
00:38:03,960 --> 00:38:07,080
Speaker 3: Yeah, the Actually, as I recall the conversation with ending,

739
00:38:07,120 --> 00:38:09,640
Speaker 3: and I had to gather everyone together to announce that

740
00:38:09,719 --> 00:38:10,800
Speaker 3: I like thin crust.

741
00:38:10,840 --> 00:38:13,640
Speaker 1: Okay, you can go to your offices. That's that's right.

742
00:38:13,680 --> 00:38:16,520
Speaker 1: I just don't have a water cooler at my home. No.

743
00:38:16,560 --> 00:38:20,600
Speaker 4: And it really feels good. It's a it's a unifying vibe.

744
00:38:20,960 --> 00:38:22,040
Speaker 1: It keeps you hydrated.

745
00:38:23,000 --> 00:38:25,680
Speaker 2: But we started talking about that because you know there's

746
00:38:26,160 --> 00:38:31,399
Speaker 2: Detroit style pizza or yeah, I think they said, what's that, yes,

747
00:38:31,520 --> 00:38:32,640
Speaker 2: square pizza that.

748
00:38:32,880 --> 00:38:33,960
Speaker 1: Yeah, quarter sheets.

749
00:38:34,000 --> 00:38:37,280
Speaker 3: I didn't even know Detroit had their own sweets style

750
00:38:37,320 --> 00:38:37,800
Speaker 3: of pizza.

751
00:38:38,000 --> 00:38:40,520
Speaker 1: But it's like a faucacia.

752
00:38:40,520 --> 00:38:43,400
Speaker 2: Bread, which i is not my preference. I mean, it

753
00:38:43,480 --> 00:38:45,319
Speaker 2: was good to be there and eat all the other

754
00:38:45,600 --> 00:38:46,680
Speaker 2: all their stuff.

755
00:38:46,480 --> 00:38:48,200
Speaker 1: Right, but I don't I wouldn't pick that.

756
00:38:48,280 --> 00:38:52,359
Speaker 2: I also would pick the super thin crust because I'm

757
00:38:52,400 --> 00:38:56,520
Speaker 2: in it for the cheese. Yeah yeah, this this and

758
00:38:56,600 --> 00:38:59,359
Speaker 2: the and the crust on the border crust right.

759
00:38:59,760 --> 00:39:02,160
Speaker 1: Yeah, I don't think that I'm traditional.

760
00:39:02,200 --> 00:39:04,319
Speaker 3: When it comes to the pizza and pasta, it's like

761
00:39:04,400 --> 00:39:07,279
Speaker 3: more sauce, but no, this is how my grandma had it.

762
00:39:07,440 --> 00:39:09,840
Speaker 1: Ye, sauce barely covering the noodles.

763
00:39:09,920 --> 00:39:13,359
Speaker 3: Yeah, I'm sorry, but I'm gonna need a whole jar

764
00:39:13,480 --> 00:39:16,520
Speaker 3: of authentic ragou.

765
00:39:16,200 --> 00:39:20,600
Speaker 4: Do you think do you think that uh yeah, that

766
00:39:20,760 --> 00:39:21,680
Speaker 4: was a disase.

767
00:39:21,480 --> 00:39:24,120
Speaker 3: Then the other person almost get it. Yeah, that makes

768
00:39:24,160 --> 00:39:26,279
Speaker 3: me think they have bad signage.

769
00:39:26,480 --> 00:39:28,880
Speaker 2: I think it's like everyone was adapting to a person

770
00:39:28,880 --> 00:39:30,920
Speaker 2: that was making a bad left turn, where it's like, well,

771
00:39:30,920 --> 00:39:33,120
Speaker 2: I'm not gonna wait here because you're so dumb, and

772
00:39:33,160 --> 00:39:36,359
Speaker 2: then that's how you get into the cars. Anyway, For

773
00:39:36,400 --> 00:39:39,040
Speaker 2: the listener who actually cares about what we're talking about,

774
00:39:39,160 --> 00:39:43,239
Speaker 2: I'm sorry right because I can't help but be mad

775
00:39:43,280 --> 00:39:46,719
Speaker 2: about people driving Godley, I've.

776
00:39:46,560 --> 00:39:49,279
Speaker 1: Heard and I haven't heard it lately, but in the.

777
00:39:49,200 --> 00:39:56,200
Speaker 3: Past i've heard, I like the traffic interruptions. Okay, good,

778
00:39:56,360 --> 00:39:58,960
Speaker 3: And then I zoom in and it's a picture of

779
00:39:59,000 --> 00:40:03,720
Speaker 3: a you know, their job is a parking ticket person?

780
00:40:03,840 --> 00:40:05,560
Speaker 1: Yeah? Why can I not think of that time?

781
00:40:06,360 --> 00:40:09,640
Speaker 3: Or yeah, yeah, I thought a meter maid was maybe

782
00:40:09,640 --> 00:40:10,640
Speaker 3: a slap in the face.

783
00:40:10,800 --> 00:40:12,520
Speaker 1: It probably like, uh.

784
00:40:14,280 --> 00:40:20,680
Speaker 3: Like airplane waitress, bring me another blanket.

785
00:40:19,320 --> 00:40:23,799
Speaker 2: Yeah, parking attendant or something, parking ficionado.

786
00:40:24,360 --> 00:40:30,360
Speaker 3: Uh Hi, parking officer. I'm gonna I'm gonna launch my

787
00:40:30,520 --> 00:40:34,680
Speaker 3: new phrase. It's I'm unveiling it now, parking office.

788
00:40:35,000 --> 00:40:36,640
Speaker 4: Parking officer, if you.

789
00:40:36,640 --> 00:40:39,520
Speaker 3: Approached a meter maid with that kind of respect, excuse me,

790
00:40:39,680 --> 00:40:40,520
Speaker 3: parking officer.

791
00:40:41,400 --> 00:40:45,560
Speaker 1: Do these take traditional coins? They are just their lapel?

792
00:40:45,640 --> 00:40:50,239
Speaker 3: And say what I haven't ever been addressed with such respect.

793
00:40:50,480 --> 00:40:52,960
Speaker 3: I'm not giving you a ticket, I'm giving you a

794
00:40:53,040 --> 00:40:56,479
Speaker 3: coupon that says welcome to the city. Something They still

795
00:40:56,520 --> 00:41:00,440
Speaker 3: do in Missoula. No, yes, for what if you if

796
00:41:00,440 --> 00:41:04,880
Speaker 3: your meter expires, they will and you haven't received a

797
00:41:04,960 --> 00:41:07,520
Speaker 3: ticket or you have out of state plates, they leave

798
00:41:07,560 --> 00:41:09,719
Speaker 3: a little note that says this one's on us.

799
00:41:10,040 --> 00:41:14,439
Speaker 1: Enjoy my downtown Mizzoula. Oh yeah, yeah, you know who

800
00:41:14,680 --> 00:41:15,520
Speaker 1: also does that?

801
00:41:15,600 --> 00:41:18,480
Speaker 2: And I wonder if they stole it from Missoula or

802
00:41:19,040 --> 00:41:24,200
Speaker 2: borrowed uh the ice cream place Sultan Straw if you

803
00:41:24,280 --> 00:41:27,359
Speaker 2: get a ticket in front of their store, which I did,

804
00:41:27,440 --> 00:41:31,160
Speaker 2: of course at in Larchmont one time, and I came

805
00:41:31,200 --> 00:41:33,720
Speaker 2: out and there was a fucking like seventy five dollars

806
00:41:33,719 --> 00:41:36,520
Speaker 2: ticket and that I could not afford. And then there

807
00:41:36,600 --> 00:41:38,600
Speaker 2: was another ticket under it where it's like are you

808
00:41:38,719 --> 00:41:42,319
Speaker 2: fucking kidding me? And it said Sultan Straw, come and

809
00:41:42,360 --> 00:41:44,279
Speaker 2: have a free one on us. You probably need it

810
00:41:44,440 --> 00:41:47,520
Speaker 2: or something like that. That was like, Oh, you're probably

811
00:41:47,520 --> 00:41:49,759
Speaker 2: having a bad day because of this, so come in

812
00:41:49,760 --> 00:41:51,080
Speaker 2: and try to make it a little better with some

813
00:41:51,120 --> 00:41:51,600
Speaker 2: ice cream.

814
00:41:51,719 --> 00:41:54,400
Speaker 3: I of course thought this was leading to them they

815
00:41:54,440 --> 00:41:59,520
Speaker 3: would pay your ticket. I really think you could bring

816
00:41:59,560 --> 00:42:04,000
Speaker 3: your ticket in there as long as you're calm and

817
00:42:04,080 --> 00:42:09,480
Speaker 3: say hi, I'd like a cone with two scoops of macadamia,

818
00:42:09,800 --> 00:42:11,400
Speaker 3: and will you please pay this ticket?

819
00:42:11,520 --> 00:42:13,239
Speaker 1: And can you take care of this like my dad

820
00:42:13,360 --> 00:42:13,799
Speaker 1: used to.

821
00:42:14,000 --> 00:42:16,280
Speaker 3: Or she wouldn't have gotten it if it weren't for us.

822
00:42:16,840 --> 00:42:20,920
Speaker 3: Do you want sprinkles that kind of world.

823
00:42:21,480 --> 00:42:22,240
Speaker 4: That's our future.

824
00:42:22,480 --> 00:42:23,919
Speaker 1: Yes, Yes, we'll get there.

825
00:42:24,160 --> 00:42:27,200
Speaker 2: We'll get there someday, our grandchildren will get there someday.

826
00:42:27,400 --> 00:42:28,440
Speaker 1: Yes. Yes.

827
00:42:29,560 --> 00:42:34,160
Speaker 2: Looking to our left, the William Mulholland Memorial Fountain is

828
00:42:34,239 --> 00:42:37,040
Speaker 2: closed and there's a gate around it, and I say

829
00:42:37,160 --> 00:42:39,960
Speaker 2: to the City of Los Angeles, I demand that you

830
00:42:40,120 --> 00:42:42,280
Speaker 2: fix this and reopen it.

831
00:42:42,719 --> 00:42:48,600
Speaker 3: Well, who knows why it's fenced off. Oftentimes those fountains

832
00:42:48,680 --> 00:42:53,800
Speaker 3: which seem inviting, like the fountain on UT Campus in Austin, Texas,

833
00:42:54,239 --> 00:43:01,680
Speaker 3: could have light fixtures underwater. Yes, and city No, some

834
00:43:01,800 --> 00:43:06,680
Speaker 3: students I don't, at least got the wind knocked out

835
00:43:06,719 --> 00:43:08,759
Speaker 3: of them. Oh when I know.

836
00:43:09,080 --> 00:43:10,879
Speaker 1: I know it was worse, but I'm trying to keep

837
00:43:10,920 --> 00:43:12,960
Speaker 1: this podcast upbeat.

838
00:43:13,040 --> 00:43:14,440
Speaker 4: Yeah, we're trying to be light today.

839
00:43:15,080 --> 00:43:17,080
Speaker 2: And also that one does have a lot of lights,

840
00:43:17,120 --> 00:43:19,160
Speaker 2: because that's like I had a postcard of it and

841
00:43:19,200 --> 00:43:20,680
Speaker 2: it was very beautifully.

842
00:43:20,920 --> 00:43:23,200
Speaker 3: I think it's a you know, they got ahead of

843
00:43:23,239 --> 00:43:25,440
Speaker 3: themselves with these lit fountains.

844
00:43:25,760 --> 00:43:28,640
Speaker 1: Yeah, back in the day, you don't seal it.

845
00:43:28,680 --> 00:43:33,400
Speaker 3: There's wires in there. Only jumping a fountain if you're

846
00:43:33,440 --> 00:43:34,640
Speaker 3: wearing glass slippers.

847
00:43:35,080 --> 00:43:37,799
Speaker 1: Please wait, how's that helping us? I don't know.

848
00:43:38,560 --> 00:43:42,560
Speaker 3: It's just that, you know, at a smoke watch tower,

849
00:43:42,600 --> 00:43:45,520
Speaker 3: and that's not what they're called forest service people. When

850
00:43:45,520 --> 00:43:49,360
Speaker 3: they look out through binoculars, they're always sitting in a

851
00:43:49,520 --> 00:43:52,560
Speaker 3: chair that is has sitting on.

852
00:43:52,600 --> 00:43:54,960
Speaker 1: Glass because if the tower gets struck.

853
00:43:54,719 --> 00:43:57,759
Speaker 3: By lightning, the glass will make sure you're not part

854
00:43:57,800 --> 00:43:58,800
Speaker 3: of the ground.

855
00:43:58,920 --> 00:44:02,360
Speaker 1: You're not part of the circuit. Oh yeah, that's cool.

856
00:44:02,480 --> 00:44:06,080
Speaker 3: That's something I asked as a child on a tour.

857
00:44:07,440 --> 00:44:09,239
Speaker 3: When you're a kid and you're like, oh boy, we

858
00:44:09,320 --> 00:44:12,600
Speaker 3: get to go on a field trip today, and then

859
00:44:12,680 --> 00:44:19,320
Speaker 3: it's usually a forest fire watch tower, yeah, or something, Mazula.

860
00:44:19,440 --> 00:44:20,839
Speaker 1: Here's some old tractors.

861
00:44:21,120 --> 00:44:23,879
Speaker 3: Hey, kids, do you want to hear how potatoes were

862
00:44:23,920 --> 00:44:25,359
Speaker 3: first harvested?

863
00:44:25,640 --> 00:44:30,760
Speaker 1: Yay, yay, I love potato. Tell me potato. Who wants

864
00:44:30,840 --> 00:44:33,280
Speaker 1: to sit on this rusty old tractor?

865
00:44:33,760 --> 00:44:37,840
Speaker 3: I will, yeah, And then you realize, wait, I should

866
00:44:37,840 --> 00:44:41,680
Speaker 3: be impressed by this, but but yeah, you start talking about,

867
00:44:41,840 --> 00:44:43,439
Speaker 3: you know, electrocution.

868
00:44:43,640 --> 00:44:48,759
Speaker 1: I'm listening. Yeah, and you have stories to tell. Yeah, yeah, yeah.

869
00:44:48,800 --> 00:44:51,600
Speaker 1: I used to just stick forks in every hole in

870
00:44:51,640 --> 00:44:57,719
Speaker 1: the house, trying to think about, Oh if I was

871
00:44:57,760 --> 00:44:58,680
Speaker 1: ever electrocuted.

872
00:44:58,760 --> 00:45:02,040
Speaker 2: And I did once touch an electric fence my aunt

873
00:45:02,120 --> 00:45:02,880
Speaker 2: Jean's property.

874
00:45:04,239 --> 00:45:05,239
Speaker 4: Man, I couldn't let.

875
00:45:05,120 --> 00:45:07,640
Speaker 1: That thing go over a little bit really oh yeah.

876
00:45:08,400 --> 00:45:11,759
Speaker 2: And that was like the in the time where we

877
00:45:12,320 --> 00:45:14,279
Speaker 2: would be done from school and if we didn't have

878
00:45:14,320 --> 00:45:17,200
Speaker 2: an activity that day, we would just be left to

879
00:45:18,160 --> 00:45:20,200
Speaker 2: We would be at my aunt Jean's house. But she

880
00:45:20,239 --> 00:45:23,240
Speaker 2: had kind of a bunch of property and fields and stuff.

881
00:45:23,640 --> 00:45:26,880
Speaker 2: So I would just like walk around aimlessly for hours

882
00:45:26,920 --> 00:45:29,719
Speaker 2: and just be like killing time. And one time I

883
00:45:29,760 --> 00:45:32,920
Speaker 2: walked up and I just I grabbed the fence wire

884
00:45:33,080 --> 00:45:35,480
Speaker 2: to look over it because I did not no one

885
00:45:35,480 --> 00:45:37,000
Speaker 2: told me it was electric fences.

886
00:45:36,840 --> 00:45:39,600
Speaker 1: Right, and it was like this, and then I like

887
00:45:39,880 --> 00:45:43,680
Speaker 1: had to like get my own hand off the fence. Wow.

888
00:45:43,760 --> 00:45:46,120
Speaker 4: And then I just kind of like walked it off.

889
00:45:47,600 --> 00:45:49,880
Speaker 3: So that whole thing where you just freeze and your

890
00:45:49,920 --> 00:45:52,440
Speaker 3: lot you're holding onto it, that's so real and you

891
00:45:52,600 --> 00:45:55,880
Speaker 3: experienced because I actually have never been electricated.

892
00:45:56,160 --> 00:45:58,720
Speaker 4: Yeah, it was a.

893
00:45:58,080 --> 00:46:01,279
Speaker 3: Contrary to popular belief and the lies. I just told

894
00:46:02,120 --> 00:46:04,480
Speaker 3: I've never that's so horrifying, you.

895
00:46:04,520 --> 00:46:06,800
Speaker 2: Know about how to prevent it or how to whatever.

896
00:46:06,920 --> 00:46:09,640
Speaker 2: But yeah, there was it was pretty well, it was

897
00:46:09,680 --> 00:46:13,240
Speaker 2: like scary. But then it was like I just felt

898
00:46:13,320 --> 00:46:15,919
Speaker 2: kind of stupid. And I kind of knew the way

899
00:46:15,960 --> 00:46:20,239
Speaker 2: my family and extended family worked that if I was like,

900
00:46:20,480 --> 00:46:22,880
Speaker 2: e fence, they'd just be like, why the hell are

901
00:46:22,920 --> 00:46:25,600
Speaker 2: you grabbing an electric fence wire? Like it wasn't like

902
00:46:25,640 --> 00:46:28,120
Speaker 2: anybody would be like, here, come here, honey, we'll put

903
00:46:28,160 --> 00:46:30,680
Speaker 2: a little right you're born on it.

904
00:46:30,840 --> 00:46:33,160
Speaker 3: When you grow up on a farm, you assume a

905
00:46:33,200 --> 00:46:38,600
Speaker 3: lot of things from the visiting city folk. My old

906
00:46:38,680 --> 00:46:42,560
Speaker 3: roommate and pal, Nate Craig, has a very funny story

907
00:46:42,600 --> 00:46:46,440
Speaker 3: where he was helping he was visiting back in home

908
00:46:46,480 --> 00:46:50,759
Speaker 3: in Wisconsin his uncle and family and was out in

909
00:46:50,760 --> 00:46:53,560
Speaker 3: the field and went to pee out in the middle

910
00:46:53,600 --> 00:46:57,760
Speaker 3: and now impeded on an electric fence and it shot

911
00:46:57,880 --> 00:46:59,960
Speaker 3: him several.

912
00:46:59,680 --> 00:47:05,240
Speaker 1: Feet like twenty feet away, like he actually and yeah,

913
00:47:05,400 --> 00:47:06,680
Speaker 1: and as you know.

914
00:47:06,680 --> 00:47:11,400
Speaker 3: In a cartoon, when the you know, yo, Samity sam

915
00:47:11,480 --> 00:47:12,799
Speaker 3: or something shoots a gun and.

916
00:47:12,719 --> 00:47:13,160
Speaker 1: It is.

917
00:47:16,239 --> 00:47:18,239
Speaker 3: The rabbit just puts its finger in there and it

918
00:47:18,320 --> 00:47:19,200
Speaker 3: kind of folds out.

919
00:47:19,239 --> 00:47:22,480
Speaker 1: That's what happened to his painis No, I'm kidding, but

920
00:47:22,719 --> 00:47:25,520
Speaker 1: I did. I had to go through with it because

921
00:47:25,520 --> 00:47:26,520
Speaker 1: I couldn't remember.

922
00:47:27,760 --> 00:47:32,400
Speaker 3: I just said the rabbit, like hugs Bunny should be

923
00:47:32,440 --> 00:47:35,080
Speaker 3: on the tip of all of our tongues at all times.

924
00:47:35,120 --> 00:47:36,400
Speaker 4: We were the coolest.

925
00:47:36,600 --> 00:47:40,920
Speaker 1: Yeah, we learned hunting is wrong. Yeah, and you can

926
00:47:41,000 --> 00:47:41,760
Speaker 1: play the piano.

927
00:47:42,040 --> 00:47:46,600
Speaker 3: I just said, yeah, that hunter Elmer Fudd and I

928
00:47:46,840 --> 00:47:49,200
Speaker 3: just said that rabbit and that one rabbit.

929
00:47:49,480 --> 00:47:51,400
Speaker 2: Also, I thought when I thought it was real, I

930
00:47:51,440 --> 00:47:54,439
Speaker 2: was like, you can't be telling Nate Craigs. We can't

931
00:47:54,480 --> 00:47:55,600
Speaker 2: blow hit him up like that.

932
00:47:55,719 --> 00:48:02,720
Speaker 3: Yeah, I know, like ooh almost wrong yep.

933
00:48:02,880 --> 00:48:06,279
Speaker 2: And also this person isn't doing well themselves. And there

934
00:48:06,320 --> 00:48:08,719
Speaker 2: almost was a head on collisions. Yeah, because of the

935
00:48:08,719 --> 00:48:11,360
Speaker 2: thing we always complain about, yes, wrong.

936
00:48:11,160 --> 00:48:11,960
Speaker 4: Side of the roads.

937
00:48:13,520 --> 00:48:16,480
Speaker 3: There's people that think that area in the middle of

938
00:48:16,480 --> 00:48:20,280
Speaker 3: the road it's one big turn land, when in fact

939
00:48:20,560 --> 00:48:21,120
Speaker 3: it isn't.

940
00:48:21,480 --> 00:48:24,280
Speaker 1: You see double yellow lines, you stay back.

941
00:48:24,200 --> 00:48:25,400
Speaker 4: You shut the fuck up.

942
00:48:25,560 --> 00:48:28,560
Speaker 3: Double yellow lines are the electric fence up the street.

943
00:48:29,560 --> 00:48:32,479
Speaker 1: I'll say it. Somebody has to make a poster of this.

944
00:48:33,800 --> 00:48:39,000
Speaker 1: I should have said exploding cigar. Oh yeah, yeah.

945
00:48:38,400 --> 00:48:42,440
Speaker 3: It's okay, rather than the old bugs money journey.

946
00:48:42,680 --> 00:48:47,120
Speaker 2: Well, yeah, we're in a lot of direct sun. We're

947
00:48:47,200 --> 00:48:50,560
Speaker 2: just trying to get through this life.

948
00:48:50,920 --> 00:48:55,200
Speaker 3: Yes, yeah, So don't don't sweat me about the details.

949
00:48:55,440 --> 00:48:57,439
Speaker 4: That fucking bus.

950
00:48:57,200 --> 00:49:02,520
Speaker 3: No oh no bullies city bully as Oh and he

951
00:49:02,719 --> 00:49:03,920
Speaker 3: was giggling with glee.

952
00:49:04,120 --> 00:49:06,239
Speaker 1: He was so happy that he wronged us.

953
00:49:06,360 --> 00:49:09,759
Speaker 2: The Los Angeles City bus just ran a red light

954
00:49:10,800 --> 00:49:13,080
Speaker 2: while the guy in front of me and me were

955
00:49:13,080 --> 00:49:15,759
Speaker 2: trying to take that last minute left that everybody in

956
00:49:15,800 --> 00:49:16,840
Speaker 2: this town knows about.

957
00:49:17,120 --> 00:49:20,640
Speaker 3: Yeah, we all know that it's hard to have thirty

958
00:49:20,760 --> 00:49:23,120
Speaker 3: six little deadlines throughout your day.

959
00:49:23,400 --> 00:49:23,560
Speaker 1: Ha ha ha.

960
00:49:24,400 --> 00:49:27,279
Speaker 3: But they a lot of bus drivers in Los Angeles

961
00:49:27,320 --> 00:49:33,120
Speaker 3: drive like they just are furious that they have to

962
00:49:33,160 --> 00:49:33,799
Speaker 3: do this job.

963
00:49:33,960 --> 00:49:39,880
Speaker 2: Yeah, and that's fine, but let's not Oh wait, you

964
00:49:39,920 --> 00:49:40,439
Speaker 2: see that guy.

965
00:49:41,080 --> 00:49:44,160
Speaker 4: There's a guy standing there. It looks like he's a cop.

966
00:49:44,200 --> 00:49:48,520
Speaker 2: He's wearing cop clothes, no badges, nothing on his clothing,

967
00:49:48,560 --> 00:49:50,680
Speaker 2: so he is dressed like a cop. He is wearing

968
00:49:50,719 --> 00:49:53,680
Speaker 2: a gun, he is wearing a night stick. He is

969
00:49:53,840 --> 00:49:56,279
Speaker 2: he looks like the scariest fucking security guard in the

970
00:49:56,320 --> 00:49:59,960
Speaker 2: world with no badges of where you would need to

971
00:50:00,080 --> 00:50:01,160
Speaker 2: call if he assaulted you.

972
00:50:01,239 --> 00:50:03,640
Speaker 3: Do you think we'd be it'd be a conflict of

973
00:50:03,719 --> 00:50:05,720
Speaker 3: interest if we did a citizen's arrest.

974
00:50:07,360 --> 00:50:09,840
Speaker 4: Do you think we are powerful enough to do that?

975
00:50:10,040 --> 00:50:10,799
Speaker 1: Pardon me, sir.

976
00:50:10,880 --> 00:50:14,280
Speaker 3: You're under arrest for impersonating an officer. This is a

977
00:50:14,320 --> 00:50:15,280
Speaker 3: citizen's arrest.

978
00:50:15,440 --> 00:50:17,719
Speaker 2: This is a citizen's arrest. We're not claiming to be

979
00:50:17,800 --> 00:50:20,040
Speaker 2: officers the way you are. You fucking weirdo.

980
00:50:20,239 --> 00:50:20,479
Speaker 1: Yeah.

981
00:50:20,520 --> 00:50:24,920
Speaker 2: Also, that shirt was like a disco polo shirt, so

982
00:50:25,000 --> 00:50:27,680
Speaker 2: it was like he's dressed like a cop in some ways,

983
00:50:28,160 --> 00:50:30,920
Speaker 2: and then he's also dressed kind of sexy Halloween in

984
00:50:30,960 --> 00:50:32,200
Speaker 2: other ways, right.

985
00:50:32,120 --> 00:50:33,880
Speaker 1: Like a cop that would come out of a cake.

986
00:50:34,520 --> 00:50:40,480
Speaker 3: Yeah, yeah, I heard you, Ladies like handcuffs, banana a bana.

987
00:50:41,120 --> 00:50:42,560
Speaker 2: I can't wait to get married.

988
00:50:45,080 --> 00:50:49,400
Speaker 1: But first they're gonna make this mistake. But first, what's

989
00:50:49,440 --> 00:50:51,880
Speaker 1: this old cop doing? That was so weird?

990
00:50:52,080 --> 00:50:54,239
Speaker 2: Now it's like it kind of looked like he was

991
00:50:54,280 --> 00:50:57,440
Speaker 2: like trying to protect a shoot.

992
00:50:57,640 --> 00:50:59,759
Speaker 1: He seemed like one of those kind of cops. Yeah,

993
00:50:59,760 --> 00:51:01,920
Speaker 1: but they get real LA cops to do that.

994
00:51:02,280 --> 00:51:04,839
Speaker 3: I know they do, and it drives me nuts every

995
00:51:04,840 --> 00:51:07,720
Speaker 3: time because I remember being trapped in a crashed car

996
00:51:07,760 --> 00:51:09,600
Speaker 3: and I couldn't get a cop to come. But if

997
00:51:09,600 --> 00:51:12,640
Speaker 3: you call and say, hey, I'm shooting an independent.

998
00:51:12,160 --> 00:51:14,040
Speaker 4: Film, eight guys show up.

999
00:51:14,120 --> 00:51:18,960
Speaker 3: Yeah, eight guys show up with some traffic cones and

1000
00:51:18,960 --> 00:51:20,200
Speaker 3: and a.

1001
00:51:19,719 --> 00:51:21,680
Speaker 1: And a like lawn chair from home.

1002
00:51:22,760 --> 00:51:24,880
Speaker 3: So next time I'm in a car at I'm just

1003
00:51:25,000 --> 00:51:27,280
Speaker 3: gonna say, hey, we're.

1004
00:51:27,360 --> 00:51:29,560
Speaker 1: We're shooting an independent film.

1005
00:51:29,760 --> 00:51:33,200
Speaker 4: Sir, you shouldn't be jogging. No, did I see the

1006
00:51:33,200 --> 00:51:33,880
Speaker 4: way he was strong?

1007
00:51:34,160 --> 00:51:35,759
Speaker 1: I feel like I wanted to intervene?

1008
00:51:36,239 --> 00:51:37,120
Speaker 4: What? Sorry?

1009
00:51:37,160 --> 00:51:38,880
Speaker 1: Wait? What street am I supposed to turn on?

1010
00:51:39,239 --> 00:51:44,240
Speaker 3: Oh? It's coming up in all two blocks? Oh oh sorry?

1011
00:51:44,880 --> 00:51:48,160
Speaker 3: Or it's I was only looking on the next corner. Okay,

1012
00:51:48,480 --> 00:51:51,480
Speaker 3: not this corner, but the next corner before.

1013
00:51:52,400 --> 00:51:55,879
Speaker 1: Got you whatever? That street it's called Here we are?

1014
00:51:56,560 --> 00:52:00,120
Speaker 1: I think it's one more, one more? Yeah, I see.

1015
00:52:00,280 --> 00:52:03,920
Speaker 2: I don't know. I resist GPS in every way. I

1016
00:52:04,000 --> 00:52:05,360
Speaker 2: just kind of want to do what I want to do.

1017
00:52:06,840 --> 00:52:11,399
Speaker 3: Yeah, yeah, Oh, I mean I am I actually don't.

1018
00:52:11,480 --> 00:52:17,000
Speaker 3: I'm I am so dependent on mapping systems and GPS.

1019
00:52:17,040 --> 00:52:19,400
Speaker 3: I don't even know my way around. If my phone

1020
00:52:19,440 --> 00:52:22,600
Speaker 3: is dead, I'll just end up driving into the ocean.

1021
00:52:23,520 --> 00:52:26,080
Speaker 1: Just keep going, Yes, it's so funny.

1022
00:52:26,160 --> 00:52:30,600
Speaker 3: How that's one of the many things that if you know,

1023
00:52:31,200 --> 00:52:35,040
Speaker 3: all of our if all the cel towers go down

1024
00:52:36,200 --> 00:52:40,560
Speaker 3: and no one is able to communicate, I think I'll

1025
00:52:40,600 --> 00:52:42,920
Speaker 3: be the first to just be like, well, I have

1026
00:52:43,000 --> 00:52:43,879
Speaker 3: no idea what to.

1027
00:52:43,880 --> 00:52:47,000
Speaker 1: Do on my phone. So you're going right into the sea.

1028
00:52:47,080 --> 00:52:49,440
Speaker 1: I'm just going to drive or drive to the nearest

1029
00:52:49,520 --> 00:52:52,319
Speaker 1: hot air balloon. Get the hell out of there. Yeah,

1030
00:52:52,719 --> 00:52:53,920
Speaker 1: I just flowed away.

1031
00:52:54,280 --> 00:52:57,160
Speaker 3: Yeah, goodbye technology, goodbye.

1032
00:52:57,360 --> 00:52:59,720
Speaker 1: This is going to take forever for me to die.

1033
00:53:00,000 --> 00:53:04,040
Speaker 3: Well, this was a fun get reacquainted solo episode.

1034
00:53:04,040 --> 00:53:06,080
Speaker 1: But we're here for the next episode.

1035
00:53:06,120 --> 00:53:08,920
Speaker 3: Tune in next Monday for what is about to come up,

1036
00:53:08,920 --> 00:53:12,200
Speaker 3: but first and there's no splace. We're very excited about

1037
00:53:12,200 --> 00:53:14,919
Speaker 3: it very next week. It's a good one in real life.

1038
00:53:14,920 --> 00:53:17,920
Speaker 3: It's happening now. So we're going to conclude with this episode.

1039
00:53:17,960 --> 00:53:20,440
Speaker 1: That's right. Thank you for listening to Do You Need

1040
00:53:20,480 --> 00:53:21,000
Speaker 1: a Ride?

1041
00:53:21,160 --> 00:53:24,920
Speaker 3: This is uh you've been listening. This is Chris Fairman

1042
00:53:25,160 --> 00:53:27,840
Speaker 3: and I have been the whole time you've been listening

1043
00:53:27,880 --> 00:53:31,759
Speaker 3: to Do you Need a Ride?

1044
00:53:31,880 --> 00:53:33,280
Speaker 4: Yn I'm Karen Coart.

1045
00:53:33,400 --> 00:53:35,800
Speaker 1: Yeah, this has been Karen Kilgarriff always.

1046
00:53:36,280 --> 00:53:37,319
Speaker 4: How are we doing it.

1047
00:53:37,520 --> 00:53:42,239
Speaker 3: I don't know, it's it's it's a new approach ge Ynar,

1048
00:53:42,920 --> 00:53:43,359
Speaker 3: Hong Kong.

1049
00:53:51,000 --> 00:53:53,440
Speaker 1: This has been an exactly right production.

1050
00:53:53,920 --> 00:53:58,120
Speaker 2: Produced by Analise Nelson, mixed by Edson Choi. Our talent

1051
00:53:58,160 --> 00:53:59,520
Speaker 2: booker is Patrick Cootner.

1052
00:54:00,200 --> 00:54:03,600
Speaker 1: Song by Karen Kilgarrett. Artwork by Chris Fairbanks.

1053
00:54:03,840 --> 00:54:06,880
Speaker 2: Follow the show on Instagram, Twitter, and Facebook at dinar

1054
00:54:07,040 --> 00:54:10,120
Speaker 2: podcast That's d y nar Podcast.

1055
00:54:10,520 --> 00:54:14,080
Speaker 3: For more information, go to exactly rightmedia dot com.

1056
00:54:14,120 --> 00:54:16,400
Speaker 4: Thank you, Oh, You're welcome.