WEBVTT - Movie Crush: Janet Varney on Tron

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<v Speaker 1>Hey, everybody, and welcome to Movie Crush. This is Chuck

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<v Speaker 1>Bryant and this is episode one. Very excited to welcome everyone.

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<v Speaker 1>If you're coming over from stuff you should know, then

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<v Speaker 1>thanks for your support. If you're just a movie fan

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<v Speaker 1>in general and happened upon this, then uh, welcome as

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<v Speaker 1>well into our studio here at Pont City Market in Atlanta, Georgia. So, guys,

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<v Speaker 1>I am so excited about this show. I'm so excited

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<v Speaker 1>about episode one because Janet Varney, i gotta say, is

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<v Speaker 1>probably the best Episode one guest and all the podcast history.

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<v Speaker 1>She's a she's a pal of mine. I met Janet Um.

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<v Speaker 1>I met Janet a few years ago at her comedy

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<v Speaker 1>festival that she co created many years ago, Sketch Fest

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<v Speaker 1>in San Francisco every January, and for for my money,

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<v Speaker 1>it's the best comedy festival in the land. And she's

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<v Speaker 1>been kind enough to ask Josh and I'd have performed

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<v Speaker 1>there for the past few years and it's become a

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<v Speaker 1>little tradition for us. And Janet is just awesome. She

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<v Speaker 1>is a very, very talented actress. She's a gifted improv comedian,

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<v Speaker 1>and she's smart and funny and just as kind of

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<v Speaker 1>a soul as you would ever hope to meet. So

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<v Speaker 1>she was here shooting in Atlanta, so I had her

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<v Speaker 1>in the studio, which is great. She was shooting season

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<v Speaker 1>two of her awesome, awesome show on if C, Stand

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<v Speaker 1>Against Evil, which actually just premiered yesterday on i f C.

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<v Speaker 1>Season two just premiered, so check that out. It's uh,

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<v Speaker 1>it's a really great show. It's the It's Dana Gould's

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<v Speaker 1>comic take on The Zombie Show, which, uh, if you

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<v Speaker 1>haven't seen it, bene season one and then check out

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<v Speaker 1>season two on i f C right now. Uh. So, anyway,

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<v Speaker 1>Janet was here shooting that. And the last thing that

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<v Speaker 1>people want to do when they're shooting a TV show

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<v Speaker 1>and the hot, hot summer of Atlanta, working a lot

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<v Speaker 1>of nights, is to come in and record a silly

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<v Speaker 1>old podcast. But Janet is a pal and very loyal

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<v Speaker 1>person and friend, and so she was. She was great.

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<v Speaker 1>She came in here, We killed it. We talked about

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<v Speaker 1>the movie Tron, the original obviously from the Disney picture

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<v Speaker 1>with Jeff Bridges and Bruce Box Lightner, Sindey Morgan, David Warner,

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<v Speaker 1>written and directed by Steven Lisberger. Way Ahead of its time.

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<v Speaker 1>We both agreed, and um, this is episode one. And

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<v Speaker 1>you'll notice here this was such an early episode that

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<v Speaker 1>as we get started here, uh, in our conversation, I

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<v Speaker 1>didn't even have a title for movie Crush yet. But

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<v Speaker 1>then I did get a title from my good good

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<v Speaker 1>friend in real life, Scott Ippolito. Scott's one of my

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<v Speaker 1>best friends, and I threw it out to him and said, hey,

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<v Speaker 1>what should I call this thing? And I gave him

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<v Speaker 1>the the idea and he went, how about movie crush?

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<v Speaker 1>And it was just that simple. So we we talked

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<v Speaker 1>a little bit about that at first, which was kind

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<v Speaker 1>of fun. So here we go with Janet Varney and Tron.

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<v Speaker 1>This show is so new, I don't have a title

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<v Speaker 1>for it. This is very exciting. Should we just spend

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<v Speaker 1>the whole time trying to figure out where the title is? Well,

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<v Speaker 1>it's funny. I was gonna call it like something dumb

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<v Speaker 1>and on the notes, like my favorite movie, but then

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<v Speaker 1>I was like, I don't want people to think it's

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<v Speaker 1>my favorite movie? About what about what's your favorite movie?

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<v Speaker 1>Notable person? And that's a bad title. So but all

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<v Speaker 1>those variations of all those things were taken, and that's

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<v Speaker 1>the thing about podcasting, and someone can do a show

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<v Speaker 1>for a month eight years a go and it's sort

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<v Speaker 1>of taken. Yeah, Like if you go to start something up,

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<v Speaker 1>they could always say, hey, I had that first story. Yeah,

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<v Speaker 1>when I've started my podcast, uh, which is now and

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<v Speaker 1>has always been the j V Club to the Public,

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<v Speaker 1>which is one of the greatest names ever. By the way,

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<v Speaker 1>that worked out. That worked out for me. I'm glad

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<v Speaker 1>about that. But I was originally and maybe that's for

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<v Speaker 1>the best, because this other I was going to call

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<v Speaker 1>I was a teenage podcast with this sort of you know,

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<v Speaker 1>like sixties era monster movie kind of theme to it.

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<v Speaker 1>But someone had a had had had a podcast where

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<v Speaker 1>they did a handful of episodes a couple of years

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<v Speaker 1>back called I was a teenage podcast. So I had

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<v Speaker 1>to throw that away. Those people the worst, the ones

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<v Speaker 1>that starts something and don't succeed, and then they're like

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<v Speaker 1>give me, like all of us, like all of us

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<v Speaker 1>at one point, all right, listen, here's some I do improve.

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<v Speaker 1>I surely can come up with some. My first instinct

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<v Speaker 1>was to suggest Chuck's Flicks instead of chicks Flicks, like

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<v Speaker 1>chick flicks, and then I thought it could be called

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<v Speaker 1>chucks flux. That's they won't know what it just sings.

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<v Speaker 1>My friend. I did ask my friend, who's great at

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<v Speaker 1>titling things, and he said, what about the confession stand Oh,

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<v Speaker 1>the concessions. But then that sounds like you really are

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<v Speaker 1>getting into it. Well, but it also sounds like it

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<v Speaker 1>would be just about guilty pleasures exactly, like you have

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<v Speaker 1>to confess that, and no one would confess like I

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<v Speaker 1>gotta say, like the Godfather's my favorite, right, don't tell anyone? Yeah,

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<v Speaker 1>something to say with pride. So I'm kind of big

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<v Speaker 1>ground at zero right now. I have no idea. And

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<v Speaker 1>then I thought about something like like um Psycho Psycho's

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<v Speaker 1>Godfather's and street cars named desire, like something big and

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<v Speaker 1>grand that just sounds like the title of a book.

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<v Speaker 1>Well then has a coal and after it, well, no,

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<v Speaker 1>it was. There was that book about movies called Stole It.

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<v Speaker 1>There was a book about seventies filming and called Easy

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<v Speaker 1>Writers and Raging Bulls, which I was like, I can

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<v Speaker 1>just rip that off, but I guess I can't because

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<v Speaker 1>that's the first said. And you don't even know the book.

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<v Speaker 1>It's a coffee table book. Without me knowing it's a

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<v Speaker 1>coffee table book. Well it later, okay, but what is

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<v Speaker 1>your bringing that up? Because now that's just going to

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<v Speaker 1>eat away and everything I would have said, I'm just

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<v Speaker 1>going to only be thinking about. But now you're just

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<v Speaker 1>gonna text me in the show I've got for sure,

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<v Speaker 1>I'll come up with a and then I'll put it

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<v Speaker 1>on a T shirt for you, like you did with

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<v Speaker 1>Benecker and his great dream joke, which we can't spoil. Uh,

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<v Speaker 1>did you were you like, did you go to movies

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<v Speaker 1>a lot when you were a kid, because I know

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<v Speaker 1>a little bit about your life because of your own

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<v Speaker 1>show in Arizona. Yeah, movies are very that's right. I

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<v Speaker 1>guess they can finally talk. But did you go to

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<v Speaker 1>the movies a ton like I did? That's definitely one

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<v Speaker 1>of the things that you can do in uh smallish

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<v Speaker 1>city in Arizona when the summer is just brutal and

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<v Speaker 1>there's nothing to be done outside really like literally exactly.

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<v Speaker 1>I have so many memories of like just the fold

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<v Speaker 1>out car, Like no one uses those anymore, I guess

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<v Speaker 1>because windows are better, or maybe they still do in Arizona.

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<v Speaker 1>Maybe you still have the sunshades that sort of opened.

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<v Speaker 1>But we just had those folding we just like folding cardboards.

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<v Speaker 1>Some of them, the fore fancying made the car look

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<v Speaker 1>like they were in sunglasses. Sure, sure, but that was

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<v Speaker 1>vitally important, as was trying to find any place in

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<v Speaker 1>the shade, because so many times I would get seatbelt burns.

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<v Speaker 1>Would have you that's one of the highest places on

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<v Speaker 1>the planet carpeted dashboards because of that. Yeah, two, there's

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<v Speaker 1>I mean, those are the moments where you really do think,

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<v Speaker 1>and you really think, how how I can barely survive here?

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<v Speaker 1>And we have all the technology and the idea that

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<v Speaker 1>the only reason we're here is because people have been

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<v Speaker 1>dealing with this heat for a couple of years, that

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<v Speaker 1>that there's even survivable beyond you know, free having car shades.

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<v Speaker 1>I imagine every time I drove to l A through

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<v Speaker 1>that desert and then I would eventually get get cross

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<v Speaker 1>over into the l A basin and that cool breeze hits.

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<v Speaker 1>I used to think about, like the settlers, what they

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<v Speaker 1>must have thought, those who pressed on, Yeah, like, well

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<v Speaker 1>this is clearly where I'm gonna live. But if you

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<v Speaker 1>stop in Yuma and go I think this is the

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<v Speaker 1>best we're gonna get. Guys, we're not going any further west,

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<v Speaker 1>just a screw us. Yeah. So the movie theater obviously

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<v Speaker 1>as a respite, Yeah, very much so, So you would

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<v Speaker 1>go see whatever I feel like I would, I mean

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<v Speaker 1>like we we dropped off by the parents, that kind

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<v Speaker 1>of Yeah. I would get dropped off by my parents

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<v Speaker 1>for sure. Um there you know. Then I would take

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<v Speaker 1>the bus. I saw a lot of movies by myself.

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<v Speaker 1>Oh for sure that the public bus. Of the movies,

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<v Speaker 1>yeah you bet, Um they're my My dad's house is

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<v Speaker 1>right in between two malls that have movie theaters. So

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<v Speaker 1>that was there's a really easy couple of straight line

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<v Speaker 1>go twos on the bus to see movies. And um,

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<v Speaker 1>and I have very I do have very specific memories

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<v Speaker 1>of seeing certain movies and and I can sort of

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<v Speaker 1>put them in context. And then there are other movies.

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<v Speaker 1>I couldn't tell you bus movies not bus Well, no,

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<v Speaker 1>I don't think that, like for example, when I did. Um.

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<v Speaker 1>Craig Atkowski has a podcast where it is just us

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<v Speaker 1>talking about his movie. He likes to talk about his

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<v Speaker 1>old list of his favorite movies and his wife Carlos

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<v Speaker 1>on it and I, uh, because they go in order.

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<v Speaker 1>I happened to Get Dead Poets Society. And that was

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<v Speaker 1>a movie that I could remember. I could remember everything about,

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<v Speaker 1>like going into l con Mall and seeing it and

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<v Speaker 1>then feeling that my life had changed, and I cried

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<v Speaker 1>so hard that I had to wait until they were

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<v Speaker 1>they kicked me out as they were sweeping their popcorn off. Um.

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<v Speaker 1>That was a heavy movie for people that, like, you're

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<v Speaker 1>a few years younger than me, but I well quite

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<v Speaker 1>a few actually, Um, but just to be a teen

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<v Speaker 1>or and or a young teen and seeing that movie,

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<v Speaker 1>that's like heavy stuff to process. Absolutely, you know. Yeah,

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<v Speaker 1>although yes, and then I feel like shortly after that

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<v Speaker 1>I got into like even darker stuff because you have

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<v Speaker 1>to go through that phase in high school where well

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<v Speaker 1>you sort of love a coffer for orange and yeah,

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<v Speaker 1>and like eraser Head and all that kind of stuff.

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<v Speaker 1>So and I'm having a lot of flashbacks to that

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<v Speaker 1>era because of Twin Peaks coming back and have you

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<v Speaker 1>been watching that? I have? What do you think? I mean?

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<v Speaker 1>I'm struggling with some of it. I'm I'm struggling deeply

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<v Speaker 1>with some of it. Producer very into it, you're into it,

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<v Speaker 1>the hook line and Sinker, including this last episode. Yeah, Well,

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<v Speaker 1>I've been watching, and my whole deal is the Twin

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<v Speaker 1>Peaks stuff I love and that's what it's like, five

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<v Speaker 1>of it and the other stuff like is total Lynch,

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<v Speaker 1>which is great and weird and awesome, but I kind

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<v Speaker 1>of wanted Twin Peaks. Yeah, um, listen, I'll say Dougie

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<v Speaker 1>all day long. I don't ever want I don't ever

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<v Speaker 1>want Colm McLaughlin to be anyone but Douggie. I love

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<v Speaker 1>him so much. As I will watch, Yeah, I will

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<v Speaker 1>watch the seven minute take of him eating potato chips,

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<v Speaker 1>but I don't know if I can watch the seven

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<v Speaker 1>minute take of X y Z all of these other

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<v Speaker 1>things that he's throwing in that are just they're so long. Um.

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<v Speaker 1>I just love lunch so much though, and like, I

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<v Speaker 1>just want him to be doing this stuff, like, even

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<v Speaker 1>if it doesn't resonate fully with me, just keep doing it.

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<v Speaker 1>I agree. I'm just I can't. Sometimes I feel like

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<v Speaker 1>he's pranking us a little bit, and sometimes I feel

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<v Speaker 1>like he's like they gave me final cut. I'm just

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<v Speaker 1>gonna do this. I'm just gonna show this for five

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<v Speaker 1>minutes because I can. Yeah, because I don't think it

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<v Speaker 1>fully makes sense in his head in a narrative way.

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<v Speaker 1>There are things that don't advance the story in any way,

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<v Speaker 1>shape or form. And the dude is like, how old

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<v Speaker 1>is he? And he's still that weird? Yeah, yeah, you didn't.

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<v Speaker 1>Interviewed him for Wired magazine and they sat down with

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<v Speaker 1>him and they got on really well because Brandon asked

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<v Speaker 1>really interesting questions and stuff like the questions that he

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<v Speaker 1>was supposed to ask. Probably Uh so we got all

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<v Speaker 1>this like fun backstory about David Lynch and the bird

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<v Speaker 1>that lived in his on his roof and all of

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<v Speaker 1>this kind of this and that the kind of stuff

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<v Speaker 1>that you want to hear that you want to go,

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<v Speaker 1>Oh God, of course that's how his brain works. Um.

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<v Speaker 1>But yeah, so lots of going to the movies when

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<v Speaker 1>I was younger, lots of My dad is a huge

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<v Speaker 1>movie fan, um, and he introduced me to a lot

0:12:31.480 --> 0:12:34.000
<v Speaker 1>of movies that I certainly wouldn't have seen as young

0:12:34.040 --> 0:12:35.800
<v Speaker 1>as I was had he not been like, I think

0:12:35.800 --> 0:12:37.800
<v Speaker 1>you're ready for this. You know, what was your first

0:12:38.520 --> 0:12:41.640
<v Speaker 1>do you remember that? I'm not sure. I'm not sure

0:12:41.640 --> 0:12:45.840
<v Speaker 1>what it was, but I know that my mom took

0:12:45.880 --> 0:12:51.520
<v Speaker 1>me to see Robocopy. You gotta be are there's no way,

0:12:51.559 --> 0:12:54.600
<v Speaker 1>that's not hard. There's some crazy violent stuff that happened

0:12:56.040 --> 0:12:58.080
<v Speaker 1>were back then. Yeah, so I don't know. And then

0:12:58.120 --> 0:12:59.920
<v Speaker 1>I and then she took me to Die Hard. Also,

0:13:00.160 --> 0:13:02.520
<v Speaker 1>my Mormon mom, who did not television at home for

0:13:02.559 --> 0:13:06.400
<v Speaker 1>some reason, wanted to take me to both of those movies. Yeah. Um,

0:13:06.440 --> 0:13:08.280
<v Speaker 1>so those were probably, I mean, those have got to

0:13:08.320 --> 0:13:10.199
<v Speaker 1>be the first our movies that I went to. I

0:13:10.240 --> 0:13:12.640
<v Speaker 1>don't know if I had seen something at home before then,

0:13:12.880 --> 0:13:16.560
<v Speaker 1>but definitely those. Yeah. Mine was my dad took me

0:13:16.600 --> 0:13:20.520
<v Speaker 1>to a war movie, the Big Red One, uh, which

0:13:20.559 --> 0:13:22.800
<v Speaker 1>was good and fine, good World War two movie. And

0:13:22.840 --> 0:13:25.439
<v Speaker 1>then the first one I ever saw, I think at

0:13:25.480 --> 0:13:29.160
<v Speaker 1>all was Escaped from New York. And I was over

0:13:29.200 --> 0:13:32.199
<v Speaker 1>at some friends house after church and they were putting

0:13:32.200 --> 0:13:34.040
<v Speaker 1>it on and I called my mom to ask if

0:13:34.040 --> 0:13:38.600
<v Speaker 1>it was okay adorable? What'd you say? Uh? Yeah, she said,

0:13:38.640 --> 0:13:41.000
<v Speaker 1>because I had called. If she had said no, you

0:13:41.000 --> 0:13:44.640
<v Speaker 1>think you would have been like, as I gonna go. Oh, now,

0:13:44.679 --> 0:13:49.240
<v Speaker 1>that's a good question. I mean I certainly then and

0:13:49.600 --> 0:13:53.559
<v Speaker 1>was an m a rule follower, so I don't know

0:13:53.600 --> 0:13:55.320
<v Speaker 1>what I would have done. I like to not walk

0:13:55.320 --> 0:14:00.320
<v Speaker 1>through those stories. She said, yes, that's all that matter.

0:14:01.080 --> 0:14:03.120
<v Speaker 1>Do you know she had a good kid. What a relief.

0:14:03.400 --> 0:14:05.720
<v Speaker 1>But my dad, this is kind of really I can't

0:14:05.720 --> 0:14:08.040
<v Speaker 1>believe I'm going to say this to people out loud.

0:14:08.800 --> 0:14:11.760
<v Speaker 1>My dad took my sister to see Body Heat in

0:14:11.800 --> 0:14:15.640
<v Speaker 1>the theater, which I don't know. I can't imagine. My

0:14:15.720 --> 0:14:18.320
<v Speaker 1>dad did not go to movies ever, so I've got

0:14:18.360 --> 0:14:20.520
<v Speaker 1>to think that he had no idea what he was

0:14:20.520 --> 0:14:22.680
<v Speaker 1>going to see. He's called body Heat. It's not like

0:14:22.720 --> 0:14:24.680
<v Speaker 1>the Postman always wrings twice where you're like, oh, that

0:14:24.720 --> 0:14:27.680
<v Speaker 1>could be anything. It's probably about male It's about the U. S.

0:14:27.720 --> 0:14:30.640
<v Speaker 1>Mail system exact body heat. Yea, what do you think

0:14:30.640 --> 0:14:37.000
<v Speaker 1>it was like a thermal tracking soldiers tracking? Uh, yeah,

0:14:37.160 --> 0:14:39.080
<v Speaker 1>I'm gonna have well, I would say I was asking

0:14:39.160 --> 0:14:41.120
<v Speaker 1>about that one day, but I'm never going to ask

0:14:41.160 --> 0:14:43.000
<v Speaker 1>him that. Maybe I ask my sister. I'll ask him.

0:14:43.000 --> 0:14:44.920
<v Speaker 1>You want me to ask him? Why didn't he Why

0:14:44.960 --> 0:14:46.920
<v Speaker 1>didn't he get up and leave the movie? Yeah? I

0:14:46.920 --> 0:14:49.320
<v Speaker 1>actually got up and left during Greece too, during the

0:14:49.400 --> 0:14:51.600
<v Speaker 1>scene where the girls were having to sleepover and their underwear.

0:14:52.360 --> 0:14:53.960
<v Speaker 1>My mom took me to see Grease and I was

0:14:54.000 --> 0:14:57.560
<v Speaker 1>so like embarrassed, I said, Mom, can we leave even

0:14:57.640 --> 0:15:00.200
<v Speaker 1>remember their underwear. I feel it wasn't just a jo

0:15:00.480 --> 0:15:05.080
<v Speaker 1>it was I was Southern Baptist, I was on ankle,

0:15:05.640 --> 0:15:07.880
<v Speaker 1>on ankle, there was a lot of refreshing going on.

0:15:08.600 --> 0:15:12.680
<v Speaker 1>I didn't know what was going on. My dad let

0:15:12.680 --> 0:15:16.239
<v Speaker 1>me watch Animal House and I was like, boobs, boobs.

0:15:16.680 --> 0:15:19.560
<v Speaker 1>So your dad was cool, yeah, he Well, that's what's

0:15:19.600 --> 0:15:22.200
<v Speaker 1>weird is he really didn't want me to see violent

0:15:22.240 --> 0:15:24.760
<v Speaker 1>stuff because he knew how sensitive us I was. But

0:15:24.800 --> 0:15:26.960
<v Speaker 1>he was like, yes, sex is fine, it's silly, it's

0:15:26.960 --> 0:15:30.000
<v Speaker 1>in you know, nomies, it's fine. Uh. And then my mom,

0:15:30.040 --> 0:15:34.240
<v Speaker 1>who again Mormon, didn't have a television, somehow wanted to

0:15:34.280 --> 0:15:36.000
<v Speaker 1>take me to see those two movies. I just don't

0:15:36.360 --> 0:15:38.560
<v Speaker 1>to this day, I don't understand. You get the violence

0:15:38.600 --> 0:15:40.960
<v Speaker 1>from your mom, I guess from your dad. Yeah, that's

0:15:41.000 --> 0:15:43.720
<v Speaker 1>great as it should be. Yeah, the American way, everything

0:15:43.760 --> 0:15:48.920
<v Speaker 1>was covered. So do you remember we're talking about Tron specifically, Yeah,

0:15:49.160 --> 0:15:52.320
<v Speaker 1>as your pick for all time favorite movies. And first

0:15:52.320 --> 0:15:56.680
<v Speaker 1>of all, I'm really bad at ranking anything anything like Yeah,

0:15:56.720 --> 0:15:59.040
<v Speaker 1>I mean, that's that's what the show. But some people

0:15:59.160 --> 0:16:02.640
<v Speaker 1>really like going like I mean, again, using Craigs an example,

0:16:03.000 --> 0:16:07.000
<v Speaker 1>he loves that he has this order that shifts and

0:16:07.040 --> 0:16:08.560
<v Speaker 1>he plays with it and he kind of he knows

0:16:08.560 --> 0:16:11.760
<v Speaker 1>it any giving care but it though, Yeah, that's true.

0:16:11.800 --> 0:16:15.240
<v Speaker 1>Didn't that the point? Yeah, Like, no one can anyone's

0:16:15.240 --> 0:16:17.120
<v Speaker 1>all time favorite movie on any given day, It's probably

0:16:17.160 --> 0:16:19.560
<v Speaker 1>gonna be different. I guess, Yeah, I guess so. But

0:16:19.600 --> 0:16:21.360
<v Speaker 1>I do feel like there are people who take pride

0:16:21.440 --> 0:16:23.600
<v Speaker 1>and kind of like it helps define me. This is

0:16:23.640 --> 0:16:26.320
<v Speaker 1>my all time favorite movie, and for many is The Godfather?

0:16:26.760 --> 0:16:28.200
<v Speaker 1>How many go? How many times are gonna have to

0:16:28.200 --> 0:16:29.720
<v Speaker 1>talk about The Godfather? And are you going to tell

0:16:29.720 --> 0:16:32.800
<v Speaker 1>people if that's your favorite movie of all time? We've

0:16:32.840 --> 0:16:34.600
<v Speaker 1>talked about it three times already. Can you pick a

0:16:34.600 --> 0:16:36.800
<v Speaker 1>different one? Yeah, I'm not. I'm not going to repeat movies.

0:16:36.840 --> 0:16:39.880
<v Speaker 1>I don't think unless it's unless there could be some

0:16:40.000 --> 0:16:43.720
<v Speaker 1>like a fresh take right now. But it's funny that

0:16:43.760 --> 0:16:47.800
<v Speaker 1>everyone I've asked so far as immediately been stressed out

0:16:47.840 --> 0:16:51.520
<v Speaker 1>about the notion of picking one and then going public

0:16:51.560 --> 0:16:54.000
<v Speaker 1>with that, because I think everyone does think it says

0:16:54.000 --> 0:16:57.920
<v Speaker 1>something about them. Yeah, well that's I think. Could I

0:16:57.920 --> 0:17:00.200
<v Speaker 1>if I really sat down and tried to pick something thing?

0:17:00.200 --> 0:17:02.440
<v Speaker 1>I mean, someone asked me. I think actually when I

0:17:02.480 --> 0:17:06.520
<v Speaker 1>did a brief interview at the l A Podcast Festival

0:17:06.560 --> 0:17:08.280
<v Speaker 1>where we have pointing to you because we saw each

0:17:08.320 --> 0:17:12.359
<v Speaker 1>other there and you did my podcast. Um, I think

0:17:12.480 --> 0:17:14.680
<v Speaker 1>I blurted out Harold and Maud because for a long

0:17:14.720 --> 0:17:17.000
<v Speaker 1>time that was I would have I would have that

0:17:17.040 --> 0:17:20.200
<v Speaker 1>would have been the situation, like from my teens into

0:17:20.240 --> 0:17:22.800
<v Speaker 1>my twenty In my early twenties, I was proud to

0:17:23.040 --> 0:17:28.280
<v Speaker 1>say that was my favorite movie cool and and I

0:17:28.320 --> 0:17:32.080
<v Speaker 1>still love it a lot. But um, but I think

0:17:33.080 --> 0:17:34.959
<v Speaker 1>so I couldn't and I said that when I was interviewed.

0:17:34.960 --> 0:17:36.679
<v Speaker 1>Then I was like, Okay, I'll put Harold and at

0:17:36.680 --> 0:17:39.640
<v Speaker 1>the top of the list. I guess, but screw it. Yeah,

0:17:39.680 --> 0:17:41.640
<v Speaker 1>I'm going. I'm going. I'm I'm gonna go with Tron

0:17:41.760 --> 0:17:45.760
<v Speaker 1>because it's been important to me far longer and I

0:17:46.119 --> 0:17:50.840
<v Speaker 1>I love it. Nerd dudes all over the world listening

0:17:50.840 --> 0:17:53.560
<v Speaker 1>to this that are super excited that that's your favorite, Well,

0:17:53.600 --> 0:17:55.840
<v Speaker 1>I probably will. You're probably also safe and that I

0:17:55.840 --> 0:17:58.320
<v Speaker 1>don't think anyone else will. It's not gonna be like,

0:17:58.400 --> 0:18:06.600
<v Speaker 1>oh on again, is everybody's number one? Glass loves Tron? Um.

0:18:06.680 --> 0:18:08.359
<v Speaker 1>I have a confession to make about Tron. Have you

0:18:08.359 --> 0:18:11.080
<v Speaker 1>never seen it. I've seen Tron. I hated saw it

0:18:11.119 --> 0:18:14.320
<v Speaker 1>this afternoon. You really it was the first time you've

0:18:14.320 --> 0:18:18.000
<v Speaker 1>ever seen it. I don't know how I didn't see Tron.

0:18:18.320 --> 0:18:21.720
<v Speaker 1>I never saw Tron. This is what a great first episode.

0:18:21.760 --> 0:18:26.240
<v Speaker 1>I know. I loved the Arcade game. I played it obsessively,

0:18:26.760 --> 0:18:28.920
<v Speaker 1>and I never saw the movie. Oh my god, this

0:18:29.000 --> 0:18:30.320
<v Speaker 1>is great. And I don't know why. I was trying

0:18:30.359 --> 0:18:32.840
<v Speaker 1>to figure it out today. I was like, I've seen Tron, right, Yeah,

0:18:32.960 --> 0:18:35.399
<v Speaker 1>it's like, yeah, the movie with the light cycles. But

0:18:35.880 --> 0:18:38.120
<v Speaker 1>then it started to dawn on me. I never never

0:18:38.240 --> 0:18:40.800
<v Speaker 1>ever saw Tron. Oh my god. So I watched it

0:18:40.800 --> 0:18:45.840
<v Speaker 1>today in full uh, and we should talk about it. Okay,

0:18:46.200 --> 0:18:48.679
<v Speaker 1>what was your first like Tron experience? Do you remember

0:18:48.680 --> 0:18:50.760
<v Speaker 1>seeing it in the theater? I don't remember my first

0:18:50.760 --> 0:18:53.320
<v Speaker 1>time seeing it. I really don't. I don't. I couldn't

0:18:53.320 --> 0:18:57.360
<v Speaker 1>tell you if I saw VHS. Um, well, I could

0:18:57.400 --> 0:18:59.000
<v Speaker 1>have seen it in the theater. I mean it's a

0:18:59.040 --> 0:19:02.520
<v Speaker 1>Disney movie number one, yeah, but I mean you know

0:19:02.680 --> 0:19:06.880
<v Speaker 1>I would have. I mean I was what six, Um,

0:19:07.560 --> 0:19:09.679
<v Speaker 1>I think I probably saw in the theater. And the

0:19:09.720 --> 0:19:13.280
<v Speaker 1>reason is that like rocked my world. And so I

0:19:13.320 --> 0:19:15.520
<v Speaker 1>can't imagine that I would have seen it on VHS

0:19:15.560 --> 0:19:22.720
<v Speaker 1>for the first time. Um uh I. I maintain to

0:19:22.840 --> 0:19:25.200
<v Speaker 1>this day that it was so far ahead of its time,

0:19:25.840 --> 0:19:28.840
<v Speaker 1>so far ahead of time, and it is pretty peculiar

0:19:28.880 --> 0:19:31.040
<v Speaker 1>and amazing that it's a Disney movie. I think it's

0:19:31.160 --> 0:19:34.840
<v Speaker 1>it's worth like it's of note for that reason and itself.

0:19:35.440 --> 0:19:38.120
<v Speaker 1>Um I don't play video games. I'm not a game

0:19:38.320 --> 0:19:40.960
<v Speaker 1>at all, so it has nothing to do for me

0:19:41.040 --> 0:19:45.160
<v Speaker 1>with like I didn't I never played no No No.

0:19:45.680 --> 0:19:48.520
<v Speaker 1>I mean I would play like handheld pac Man games,

0:19:48.560 --> 0:19:51.320
<v Speaker 1>like at my friend's houses, and I played whatever, like

0:19:52.280 --> 0:19:55.560
<v Speaker 1>PC learning games my dad got me that. We're like,

0:19:56.520 --> 0:19:58.320
<v Speaker 1>I don't even think I had an Oregon trail that

0:19:58.320 --> 0:20:01.600
<v Speaker 1>that was more advanced than I didn't even have Arizona

0:20:01.640 --> 0:20:03.680
<v Speaker 1>Trail truck. I'm talking about. The only thing you think

0:20:03.680 --> 0:20:06.720
<v Speaker 1>of right now was a game called spell It that

0:20:07.080 --> 0:20:12.280
<v Speaker 1>was a spelling game that involved a frog who the

0:20:12.320 --> 0:20:16.120
<v Speaker 1>little tongue would come out and like lick it would

0:20:16.160 --> 0:20:19.120
<v Speaker 1>lick and absorb the letters after you spelled something correctly.

0:20:19.320 --> 0:20:22.720
<v Speaker 1>That was like your prize. How old were you? I

0:20:22.760 --> 0:20:25.720
<v Speaker 1>mean it was little. This wasn't like fifteen years old.

0:20:25.760 --> 0:20:29.440
<v Speaker 1>I mean it was like, you know, when you're year old,

0:20:30.040 --> 0:20:33.040
<v Speaker 1>two year old, maybe like this was when it was

0:20:33.160 --> 0:20:35.520
<v Speaker 1>you know, still like it was shocking that there was

0:20:35.560 --> 0:20:37.720
<v Speaker 1>any kind of a game to be played, So probably

0:20:37.760 --> 0:20:41.680
<v Speaker 1>around six years old or something. Yeah, and liken' listen.

0:20:41.680 --> 0:20:43.200
<v Speaker 1>Some of the words would get pretty tricky. I don't

0:20:43.200 --> 0:20:44.919
<v Speaker 1>want you to think that it was like a sugar

0:20:44.920 --> 0:20:52.000
<v Speaker 1>and cat frogs frogs are hungry maybe a long word. So, uh,

0:20:53.800 --> 0:20:55.919
<v Speaker 1>arcade games that got you in there, not at all? No,

0:20:56.440 --> 0:21:02.879
<v Speaker 1>um No. I just loved the world of it. I

0:21:02.960 --> 0:21:05.719
<v Speaker 1>loved I and to this like I would have dreams

0:21:05.720 --> 0:21:08.760
<v Speaker 1>about it. I still sometimes have dreams about it. Yeah,

0:21:08.800 --> 0:21:13.080
<v Speaker 1>that I'm inside the game grid um and uh. And

0:21:13.119 --> 0:21:14.880
<v Speaker 1>I think part of the reason that I didn't play

0:21:14.920 --> 0:21:17.959
<v Speaker 1>the arcade games is that because I saw the movie first,

0:21:18.359 --> 0:21:20.720
<v Speaker 1>the arcade games were just see flat, two dimensional things,

0:21:20.760 --> 0:21:23.120
<v Speaker 1>and the whole point was like, but no, that don't

0:21:23.280 --> 0:21:26.560
<v Speaker 1>understand these games exist for regular people to play. I'm

0:21:26.600 --> 0:21:29.480
<v Speaker 1>a user, I should, but I should be inside the game.

0:21:29.800 --> 0:21:31.600
<v Speaker 1>That's the only way I want to experience it. Is

0:21:31.640 --> 0:21:36.000
<v Speaker 1>like viscerally with my cute uniform on. And uh and

0:21:36.119 --> 0:21:38.800
<v Speaker 1>I love the music. The music again totally ahead of

0:21:38.840 --> 0:21:42.119
<v Speaker 1>its time and crazy and weird and great um and

0:21:42.480 --> 0:21:45.680
<v Speaker 1>uh and without Now we'll get into the kind of

0:21:45.720 --> 0:21:48.119
<v Speaker 1>the sentimentality of it, which was that my dad also

0:21:48.200 --> 0:21:53.320
<v Speaker 1>loved it, and we would play this game at night

0:21:53.400 --> 0:21:58.439
<v Speaker 1>like when yeah, when I was this is why you

0:21:58.480 --> 0:22:01.280
<v Speaker 1>love trying to suck out, just closed the door behind me.

0:22:02.320 --> 0:22:04.720
<v Speaker 1>We had um an alarm system in the house where

0:22:04.760 --> 0:22:06.760
<v Speaker 1>you know, you have the motion detector and the little

0:22:06.760 --> 0:22:10.400
<v Speaker 1>red light blinks when there's motion. And then we also

0:22:10.520 --> 0:22:13.240
<v Speaker 1>had like you know, everything digital, so like our micro

0:22:13.240 --> 0:22:15.600
<v Speaker 1>wave was digital, or all our VCRs clocks, all that

0:22:15.640 --> 0:22:18.560
<v Speaker 1>kind of stuff was digital. And that's all yeah, so

0:22:18.600 --> 0:22:22.480
<v Speaker 1>that's all great. So and our house was this little

0:22:22.600 --> 0:22:25.639
<v Speaker 1>tiny three bedroom house, but it you could go in

0:22:25.680 --> 0:22:27.639
<v Speaker 1>a complete circle around it, right, so you could come

0:22:27.680 --> 0:22:29.800
<v Speaker 1>in the front door, you could go through the living room,

0:22:29.840 --> 0:22:32.920
<v Speaker 1>turn left, go down the hallway where all the bedrooms were,

0:22:33.040 --> 0:22:36.080
<v Speaker 1>go back into the back room, and then that reconnected

0:22:36.080 --> 0:22:38.119
<v Speaker 1>with the kitchen that reconnected with the front room, so

0:22:38.160 --> 0:22:41.119
<v Speaker 1>you can go in a full circle. And there was

0:22:41.280 --> 0:22:45.919
<v Speaker 1>there was zero atria nor koi pond uh. And so

0:22:46.040 --> 0:22:48.880
<v Speaker 1>my dad would we would play this game where we

0:22:48.880 --> 0:22:50.520
<v Speaker 1>were inside the game where we would turn off all

0:22:50.520 --> 0:22:54.080
<v Speaker 1>the lights in the house, and he would when I

0:22:54.119 --> 0:22:56.080
<v Speaker 1>was really when I was a little like I guess

0:22:56.160 --> 0:22:59.200
<v Speaker 1>six or whatever, because I would have that's as little

0:22:59.240 --> 0:23:00.920
<v Speaker 1>as I would have been able to be. He would

0:23:00.960 --> 0:23:04.840
<v Speaker 1>kind of hold me Superman style, UM, and we would

0:23:04.840 --> 0:23:07.399
<v Speaker 1>like scoot around the house and we would be trying

0:23:07.400 --> 0:23:10.760
<v Speaker 1>to avoid um Sark and like all the bad guys,

0:23:10.800 --> 0:23:13.159
<v Speaker 1>and so if we were trying to creep past the

0:23:13.200 --> 0:23:15.520
<v Speaker 1>motion detectors, I mean, listen, it was a great would

0:23:15.520 --> 0:23:17.560
<v Speaker 1>be great training for me if I'd become an expert

0:23:17.600 --> 0:23:19.760
<v Speaker 1>cat burglar. We would be we would kind of get

0:23:19.800 --> 0:23:21.600
<v Speaker 1>as far as we could before we would see a

0:23:21.680 --> 0:23:22.840
<v Speaker 1>light and then we would see the red light. We'd

0:23:22.800 --> 0:23:24.960
<v Speaker 1>be like they see us, the recognizers, and then we'd

0:23:24.960 --> 0:23:27.439
<v Speaker 1>like run into the next room like like you know.

0:23:27.720 --> 0:23:30.119
<v Speaker 1>And so to this day, I'm not afraid of that,

0:23:30.240 --> 0:23:32.040
<v Speaker 1>Like I've never been afraid of the dark, because I

0:23:32.080 --> 0:23:36.160
<v Speaker 1>only equate the total darkness with playing Tron And Yeah,

0:23:36.200 --> 0:23:38.920
<v Speaker 1>and it was this like super great cool game that

0:23:38.960 --> 0:23:41.919
<v Speaker 1>my dad made up that was legitimately like kind of

0:23:41.960 --> 0:23:44.720
<v Speaker 1>scary and exciting, and it made me feel like I

0:23:44.760 --> 0:23:49.399
<v Speaker 1>was inside that game grid And then at Disneyland, UM

0:23:49.520 --> 0:23:52.080
<v Speaker 1>we would go to Disneyland every summer. My dad would Um.

0:23:52.240 --> 0:23:54.000
<v Speaker 1>We had friends who lived in La Canada, which is

0:23:54.080 --> 0:23:57.920
<v Speaker 1>kind of like Pasadena area, and he would because of

0:23:58.040 --> 0:24:00.200
<v Speaker 1>the Arizona summers, he would wake me up up. He

0:24:00.240 --> 0:24:02.360
<v Speaker 1>would he would take a nap, like he would sort

0:24:02.359 --> 0:24:03.920
<v Speaker 1>of sleep for a couple of hours, and then he

0:24:03.920 --> 0:24:06.199
<v Speaker 1>would get up in the middle of the night and

0:24:06.240 --> 0:24:09.560
<v Speaker 1>wake me up and put me in a sleeping bag

0:24:09.600 --> 0:24:12.760
<v Speaker 1>in the covered cab of our Dots and truck which

0:24:12.760 --> 0:24:16.000
<v Speaker 1>was carpeted and uh, and he'd be like he would

0:24:16.000 --> 0:24:17.560
<v Speaker 1>wake me up at you know, say two or three

0:24:17.560 --> 0:24:19.600
<v Speaker 1>in the morning, say like, miss Jay, are you ready

0:24:19.640 --> 0:24:23.080
<v Speaker 1>to go to Disneyland? And I was like and then

0:24:23.200 --> 0:24:24.560
<v Speaker 1>and so then I would get into the car and

0:24:24.560 --> 0:24:26.560
<v Speaker 1>fall asleep, and then I would wake up and we

0:24:26.600 --> 0:24:29.399
<v Speaker 1>would be almost there, and then I would kind of

0:24:29.440 --> 0:24:31.840
<v Speaker 1>clamber through the little window and then come sit with

0:24:31.840 --> 0:24:34.040
<v Speaker 1>my dad and um, and then we would get there.

0:24:34.080 --> 0:24:37.760
<v Speaker 1>And then at Disneyland they had the people Mover, which

0:24:38.200 --> 0:24:40.800
<v Speaker 1>one little tiny sliver of the People Mover was that

0:24:40.880 --> 0:24:44.040
<v Speaker 1>you would go inside this kind of room that they

0:24:44.080 --> 0:24:47.240
<v Speaker 1>had just put Yeah, they just all it was was

0:24:47.359 --> 0:24:49.960
<v Speaker 1>movie screens, but you would be on the people mover

0:24:50.040 --> 0:24:52.359
<v Speaker 1>and then suddenly you would be on the game grid

0:24:52.359 --> 0:24:54.639
<v Speaker 1>and they recognized were coming, almost squash you, and then

0:24:54.680 --> 0:24:57.280
<v Speaker 1>you would go inside the light cycle maze. So again,

0:24:58.119 --> 0:25:01.000
<v Speaker 1>no interest in the arcade game I did. I was like,

0:25:01.040 --> 0:25:04.560
<v Speaker 1>I just want to live here full time. So, um,

0:25:04.600 --> 0:25:08.400
<v Speaker 1>those are all like very they're very deep embedded childhood

0:25:08.400 --> 0:25:12.520
<v Speaker 1>memories for me. And uh, but but there's nothing about

0:25:12.600 --> 0:25:15.200
<v Speaker 1>the movie now when I watch it, it means every

0:25:15.200 --> 0:25:17.119
<v Speaker 1>bit as much to me. There's no There are plenty

0:25:17.119 --> 0:25:20.399
<v Speaker 1>of movies that I loved that I can't. I can

0:25:20.440 --> 0:25:23.480
<v Speaker 1>sort of go, what does it hold up? I'm not

0:25:23.600 --> 0:25:25.840
<v Speaker 1>able to see if it doesn't hold up, Like you

0:25:25.920 --> 0:25:27.680
<v Speaker 1>just watched up for the first time. So your experience

0:25:27.760 --> 0:25:30.320
<v Speaker 1>was your experience, and I totally respect that. But I

0:25:30.600 --> 0:25:34.040
<v Speaker 1>it's I mean, I've brainwashed myself. I've still watched it

0:25:34.040 --> 0:25:36.520
<v Speaker 1>and think, God, this is ahead of its time. God,

0:25:36.560 --> 0:25:40.359
<v Speaker 1>this is good. It's so good. Well it was ahead

0:25:40.359 --> 0:25:42.879
<v Speaker 1>of its sign because it was in a little research

0:25:42.920 --> 0:25:46.200
<v Speaker 1>today it is um it was one of the very

0:25:46.240 --> 0:25:52.600
<v Speaker 1>first movies to use computer animation at all. And who's

0:25:52.600 --> 0:26:00.320
<v Speaker 1>the director. The director is Stephen Liz Burger. Oh you

0:26:00.440 --> 0:26:10.760
<v Speaker 1>nailed it earlier, Peter, I think, ye the Giants Stephen

0:26:10.800 --> 0:26:14.399
<v Speaker 1>Lisberger and he, uh, it was kind of a not

0:26:14.480 --> 0:26:17.119
<v Speaker 1>kind of it was a passion project for him, like

0:26:17.200 --> 0:26:20.080
<v Speaker 1>he thought of this world and was ahead of his

0:26:20.200 --> 0:26:22.600
<v Speaker 1>time and couldn't get anyone to make it and like

0:26:23.040 --> 0:26:26.800
<v Speaker 1>sunk his own money into like test shots, and we

0:26:26.880 --> 0:26:28.520
<v Speaker 1>took it around to the studios and was like, look

0:26:28.560 --> 0:26:30.520
<v Speaker 1>at what I have. Look at this amazing thing. And

0:26:30.520 --> 0:26:32.399
<v Speaker 1>I was like, man, I don't know about that. And

0:26:32.440 --> 0:26:35.120
<v Speaker 1>finally Disney took a flyer and said, all right, we'll

0:26:35.119 --> 0:26:37.680
<v Speaker 1>give you like ten million bucks or whatever, which was

0:26:38.119 --> 0:26:41.480
<v Speaker 1>huge because he wasn't in the Disney clan. He was

0:26:41.480 --> 0:26:43.320
<v Speaker 1>an outsider. And he said he always felt that way too,

0:26:43.320 --> 0:26:46.760
<v Speaker 1>which is kind of sad. But um, it was way

0:26:46.800 --> 0:26:49.560
<v Speaker 1>ahead of its time and no one knew what they

0:26:49.600 --> 0:26:52.160
<v Speaker 1>were seeing. Like now, for someone like me to watch

0:26:52.200 --> 0:26:55.359
<v Speaker 1>it who's never seen it before, sure it might look dated,

0:26:55.400 --> 0:26:59.359
<v Speaker 1>but it also looks modern in a weird way, you know,

0:27:00.320 --> 0:27:03.480
<v Speaker 1>like especially the stuff with the and I didn't know,

0:27:03.520 --> 0:27:06.639
<v Speaker 1>but they really shot in black and white the characters

0:27:06.760 --> 0:27:10.439
<v Speaker 1>and did this rotoscoping process and that because of how

0:27:10.480 --> 0:27:12.840
<v Speaker 1>they had to do it painstaking. That ends up looking

0:27:12.920 --> 0:27:16.520
<v Speaker 1>kind of cool. Now, yeah, it looks fantastic and all

0:27:16.600 --> 0:27:18.399
<v Speaker 1>the way the city lights up at the I mean,

0:27:18.400 --> 0:27:22.640
<v Speaker 1>it's all so wonderful. Also collect these um these like

0:27:23.080 --> 0:27:25.520
<v Speaker 1>at some of the kind of like hipster like Japanese

0:27:25.560 --> 0:27:28.800
<v Speaker 1>toy shops. Uh, when I was well there, you know

0:27:28.800 --> 0:27:31.800
<v Speaker 1>there are they exist in like San Francisco and Los

0:27:31.840 --> 0:27:34.679
<v Speaker 1>Angeles and you know some of the kind of certainly

0:27:34.720 --> 0:27:37.680
<v Speaker 1>on the western coast cities. Um there was a place

0:27:37.720 --> 0:27:42.800
<v Speaker 1>in San Francisco that's sold the They're called Kubrick of course,

0:27:43.440 --> 0:27:46.359
<v Speaker 1>um just I'm saying that because of course it's named

0:27:46.359 --> 0:27:50.120
<v Speaker 1>after something also equally like Nichian hip where they would

0:27:50.160 --> 0:27:55.760
<v Speaker 1>do these limited edition lines of toys from beloved movies

0:27:55.800 --> 0:27:58.399
<v Speaker 1>like that, and so they I have these really cool

0:27:58.760 --> 0:28:01.959
<v Speaker 1>they almost look like um like mobile like m I

0:28:02.080 --> 0:28:04.720
<v Speaker 1>is the um um O b I L or those

0:28:04.800 --> 0:28:07.320
<v Speaker 1>or those little people. It's just a little kind of

0:28:07.720 --> 0:28:09.840
<v Speaker 1>like Lego people. So they sort of do look like

0:28:09.880 --> 0:28:12.040
<v Speaker 1>Lego people, but you know they're in their uniforms and

0:28:12.080 --> 0:28:14.480
<v Speaker 1>then there's a great but but the design is so

0:28:14.560 --> 0:28:17.439
<v Speaker 1>great and there's this great UM. I wish I if

0:28:17.480 --> 0:28:19.080
<v Speaker 1>we were in l A, I could have brought it

0:28:19.119 --> 0:28:22.119
<v Speaker 1>with me. But there's a recognizer that you can you

0:28:22.119 --> 0:28:24.639
<v Speaker 1>can pop the legs off and then turn the legs

0:28:24.680 --> 0:28:26.960
<v Speaker 1>inward in the center so you can make it into

0:28:27.000 --> 0:28:29.720
<v Speaker 1>like the there's a tank that's really beautiful. But they're

0:28:29.760 --> 0:28:34.159
<v Speaker 1>just so well done and well made. I have the

0:28:34.160 --> 0:28:36.680
<v Speaker 1>whole set of the Kubrick stuff, and then I have

0:28:36.840 --> 0:28:40.400
<v Speaker 1>like a scattering of the original toys that look more

0:28:40.440 --> 0:28:43.600
<v Speaker 1>like you know, Star Wars figures or whatever. Um, yeah,

0:28:43.760 --> 0:28:45.640
<v Speaker 1>and I have I mean that's a that's a good

0:28:45.640 --> 0:28:51.320
<v Speaker 1>go to gift someone stuff. Yeah, And they did this

0:28:51.360 --> 0:28:52.960
<v Speaker 1>really cool. They had it. They showed it at the

0:28:53.080 --> 0:28:56.640
<v Speaker 1>Arrow in Santa Monica years ago in Los Angeles and

0:28:56.640 --> 0:28:58.720
<v Speaker 1>and Stephen the director was there, and then one of

0:28:58.760 --> 0:29:03.120
<v Speaker 1>the producers and um and uh, I think Bruce box

0:29:03.160 --> 0:29:05.760
<v Speaker 1>Lightner was there, and for sure what's her name the

0:29:05.800 --> 0:29:09.200
<v Speaker 1>woman was there and Cinny Morgan was there, and so

0:29:09.240 --> 0:29:11.480
<v Speaker 1>they all kind of talked and traded stories and talked

0:29:11.480 --> 0:29:12.719
<v Speaker 1>about it. Oh, it was so cool. And they had

0:29:12.720 --> 0:29:15.800
<v Speaker 1>a couple of you know, costumes from there. And and

0:29:15.840 --> 0:29:18.400
<v Speaker 1>I hate Tron legacy, like nothing that came after Tron.

0:29:18.480 --> 0:29:19.840
<v Speaker 1>Do I have any respect for what's it? Well, I

0:29:19.880 --> 0:29:22.200
<v Speaker 1>didn't see Tron Legacy, and I didn't I think there

0:29:22.240 --> 0:29:25.800
<v Speaker 1>was even a TV show. I'm not sure. Yeah, there

0:29:25.880 --> 0:29:29.240
<v Speaker 1>was something in between that between the two main big

0:29:29.280 --> 0:29:31.760
<v Speaker 1>Tron movies. But see, now that I've seen Tron at all,

0:29:31.920 --> 0:29:34.880
<v Speaker 1>the idea I know what the idea of Tron Legacy was.

0:29:34.960 --> 0:29:37.720
<v Speaker 1>It seems like a great idea that like this this

0:29:38.240 --> 0:29:43.800
<v Speaker 1>Jeopard his son has now come back. Now. Yeah, and

0:29:43.800 --> 0:29:46.680
<v Speaker 1>it doesn't even look I can't. I can't. I didn't

0:29:46.720 --> 0:29:48.840
<v Speaker 1>capture the spirit of the original at all, and not

0:29:48.880 --> 0:29:52.840
<v Speaker 1>to me. To me, it's just this sort of empty, soulless.

0:29:54.080 --> 0:29:56.640
<v Speaker 1>It just doesn't feel like and it doesn't do anything

0:29:56.680 --> 0:29:58.520
<v Speaker 1>from me at all. I see why they did it, though,

0:29:58.560 --> 0:30:00.560
<v Speaker 1>you know, like Tron was so out of its time,

0:30:00.600 --> 0:30:03.240
<v Speaker 1>and like now they have the technology and to make

0:30:03.240 --> 0:30:06.760
<v Speaker 1>a new and I like Garrett Headlin. Yeah, um, but

0:30:07.440 --> 0:30:09.080
<v Speaker 1>I don't know. I mean I never saw it because

0:30:09.080 --> 0:30:12.760
<v Speaker 1>I didn't see But also and I saw it only

0:30:12.800 --> 0:30:15.040
<v Speaker 1>once I saw it, I'll Copy Town. I mean I went,

0:30:15.280 --> 0:30:17.320
<v Speaker 1>I went hoping it would be great. You know el

0:30:17.400 --> 0:30:20.480
<v Speaker 1>copy Town you don't know was on Hollywood Boulevard and

0:30:20.480 --> 0:30:23.480
<v Speaker 1>it's Disney's big theater and they have sometimes live that

0:30:23.640 --> 0:30:27.160
<v Speaker 1>you came in fourhand. It's really it's a beautiful place, um,

0:30:27.200 --> 0:30:28.960
<v Speaker 1>and that was the right thing to do to see

0:30:29.000 --> 0:30:31.800
<v Speaker 1>it there. I can barely remember what it was about

0:30:32.680 --> 0:30:36.640
<v Speaker 1>out front. I wish I bet no, No, I don't

0:30:36.640 --> 0:30:39.040
<v Speaker 1>think they had. They might have had some costumes from

0:30:38.720 --> 0:30:40.880
<v Speaker 1>the then who cares because it's from the new stuff.

0:30:42.960 --> 0:30:46.320
<v Speaker 1>Why is ass enough? Right? Jeff Bridges character, he returns

0:30:46.560 --> 0:30:51.720
<v Speaker 1>in different variations of himself stuff. Yeah, and uh, he's

0:30:51.760 --> 0:30:55.400
<v Speaker 1>humorless from what I can remember. And Olivia Wild, Olivia Wild,

0:30:55.600 --> 0:30:59.640
<v Speaker 1>she's lovely but like she's everybody was just humorless. And

0:31:00.280 --> 0:31:02.520
<v Speaker 1>that was the I mean, the whole point. So much

0:31:02.520 --> 0:31:06.840
<v Speaker 1>of Tron is Jeff Bridges being a complete why that smart,

0:31:06.920 --> 0:31:11.520
<v Speaker 1>infuriating sark, which I mean obviously that's um played by uh,

0:31:11.880 --> 0:31:16.280
<v Speaker 1>don't tell me um David. Yes, I always forget his name,

0:31:16.320 --> 0:31:17.560
<v Speaker 1>even though I love him and he's one of the

0:31:17.600 --> 0:31:19.720
<v Speaker 1>great bad guys. Yeah, A Man with Two Brains is

0:31:19.840 --> 0:31:21.720
<v Speaker 1>very close to the the top of my favorite movie. But

0:31:21.840 --> 0:31:23.400
<v Speaker 1>if you have a podcast, Sam Levine and that is

0:31:23.440 --> 0:31:25.640
<v Speaker 1>his favorite. So I really struck that from the list

0:31:25.640 --> 0:31:27.400
<v Speaker 1>because I knew Sam would want to talk about with

0:31:27.440 --> 0:31:29.640
<v Speaker 1>two Brains. I could talk about that all day long.

0:31:30.040 --> 0:31:33.440
<v Speaker 1>Um year, you know, yeah, David, No, no, no, it

0:31:33.520 --> 0:31:35.040
<v Speaker 1>did not. Dead Men Don't Wear a Platt came out

0:31:35.040 --> 0:31:38.680
<v Speaker 1>that year. Sorry I can't remember his last name. David Warner.

0:31:38.800 --> 0:31:40.760
<v Speaker 1>David Warner, of course, one of the one. And you

0:31:40.840 --> 0:31:43.200
<v Speaker 1>know what's so freaky is, I don't know if you

0:31:43.240 --> 0:31:44.480
<v Speaker 1>do this, but you go back and watch some of

0:31:44.480 --> 0:31:47.200
<v Speaker 1>your favorite movies and then you think, wow, I'm older

0:31:47.200 --> 0:31:49.920
<v Speaker 1>than them when they meant this for sure, So Bridges

0:31:50.080 --> 0:31:52.840
<v Speaker 1>in box lightn or we're both around thirty one ish

0:31:52.880 --> 0:31:56.800
<v Speaker 1>when they made it. David Warner, it was five years

0:31:56.840 --> 0:32:02.120
<v Speaker 1>younger than me. He was one years old ancient in

0:32:02.200 --> 0:32:04.600
<v Speaker 1>that Yeah, of course he did in our brain because

0:32:04.600 --> 0:32:07.800
<v Speaker 1>we were kids and now and I even watched it today,

0:32:07.840 --> 0:32:09.760
<v Speaker 1>I was like, I look at that old, creepy guy,

0:32:10.000 --> 0:32:12.320
<v Speaker 1>these five years younger than me. Oh my god. Well

0:32:12.360 --> 0:32:14.640
<v Speaker 1>he he also has one of those faces where you're like, oh,

0:32:14.680 --> 0:32:17.360
<v Speaker 1>you're sixty twenty year old, and he wasn't you'll get

0:32:17.360 --> 0:32:21.920
<v Speaker 1>their cargo short? Wasn't it? Absolutely not? Absolutely not? And

0:32:21.920 --> 0:32:24.000
<v Speaker 1>then the and then the guy who plays Ram, and

0:32:24.040 --> 0:32:28.160
<v Speaker 1>then when Ram dies, yeah, it just still makes me cry. Yeah,

0:32:28.840 --> 0:32:32.400
<v Speaker 1>and the whole weird, the the whole idea of technology

0:32:32.560 --> 0:32:35.920
<v Speaker 1>and and like the gods and that sort of playing

0:32:35.960 --> 0:32:38.920
<v Speaker 1>with that kind of like theology, the idea that there

0:32:38.960 --> 0:32:42.040
<v Speaker 1>would be information living inside a computer that would be

0:32:42.440 --> 0:32:46.200
<v Speaker 1>you know, that would be intelligent enough to question where

0:32:46.280 --> 0:32:48.840
<v Speaker 1>itself came from and putting all of this faith in

0:32:49.400 --> 0:32:52.440
<v Speaker 1>the people who created it. And I mean, it's just fascinating. Well,

0:32:52.480 --> 0:32:54.400
<v Speaker 1>that was sort of the great fear I think at

0:32:54.440 --> 0:32:57.600
<v Speaker 1>first when you know, computers became a thing, But now

0:32:57.640 --> 0:33:03.280
<v Speaker 1>it's sort of a legitimate fear. You know, robots becoming

0:33:03.320 --> 0:33:06.680
<v Speaker 1>sentient master control program man. Yeah, like that's kind of

0:33:06.680 --> 0:33:09.160
<v Speaker 1>a thing now. It was ahead of its time, but um,

0:33:09.200 --> 0:33:12.400
<v Speaker 1>what's kind of struck me A couple of funny things. Um,

0:33:12.520 --> 0:33:15.280
<v Speaker 1>on that note, twin is it? Who is the main?

0:33:15.560 --> 0:33:19.840
<v Speaker 1>Was it? Sark was talking to the David Warner character

0:33:19.920 --> 0:33:23.720
<v Speaker 1>and kind of explaining MCP, that master Control program is

0:33:23.800 --> 0:33:26.760
<v Speaker 1>the main And then Sark is like his lackey kind

0:33:26.800 --> 0:33:31.360
<v Speaker 1>of MP is just you can just a little confusing

0:33:31.360 --> 0:33:33.840
<v Speaker 1>because I played CP. You just hear you hear that

0:33:33.960 --> 0:33:36.840
<v Speaker 1>deep scary voice, but then you see it as like

0:33:36.880 --> 0:33:39.600
<v Speaker 1>a computer grid face and yeah, oh, I also have

0:33:39.640 --> 0:33:42.280
<v Speaker 1>the toy of that. It's so cool. But um, a

0:33:42.320 --> 0:33:44.760
<v Speaker 1>couple of funny things. One is he said that, um,

0:33:44.800 --> 0:33:48.720
<v Speaker 1>he was getting involved with the Kremlin and uh who

0:33:48.720 --> 0:33:51.640
<v Speaker 1>else the Kremlin and the Pentagon because he said that

0:33:51.680 --> 0:33:55.600
<v Speaker 1>he could design things, uh nine hundred to twelve hundred

0:33:55.640 --> 0:33:59.400
<v Speaker 1>times better than any human. I just love that number range. Yeah,

0:33:59.760 --> 0:34:04.160
<v Speaker 1>like between nine times better. Uh. And the other thing

0:34:04.240 --> 0:34:07.640
<v Speaker 1>was the beginning and the end of the movie is

0:34:07.760 --> 0:34:12.960
<v Speaker 1>so weird and abrupt. How the movie starts it just

0:34:13.600 --> 0:34:15.480
<v Speaker 1>you know, it says Flynn's Arcade, which is in Culver

0:34:15.560 --> 0:34:16.680
<v Speaker 1>City by the way. I don't know if you've ever

0:34:16.719 --> 0:34:20.000
<v Speaker 1>been by that building, the whole building. Um, that's where

0:34:20.000 --> 0:34:23.359
<v Speaker 1>they shot the exterior. And um, it starts with just

0:34:23.920 --> 0:34:26.680
<v Speaker 1>a dude playing the Tron game, and then it goes

0:34:26.800 --> 0:34:28.520
<v Speaker 1>in on the Tron game and then you're in the

0:34:28.560 --> 0:34:32.640
<v Speaker 1>Tron game, and then it just starts and then and

0:34:32.719 --> 0:34:35.920
<v Speaker 1>then it says literally says like and meanwhile in the

0:34:35.920 --> 0:34:38.239
<v Speaker 1>real world, and then this Jeff Bridges and you're like, oh,

0:34:38.280 --> 0:34:40.160
<v Speaker 1>who is this guy? And then when the movie just

0:34:40.440 --> 0:34:43.440
<v Speaker 1>it just ends like they're in the computer world. They

0:34:43.520 --> 0:34:47.279
<v Speaker 1>have the big climax fight and then uh, he gets

0:34:47.280 --> 0:34:49.600
<v Speaker 1>out of a helicopter at the end and joins box

0:34:49.680 --> 0:34:52.799
<v Speaker 1>Lightner and Sydney Morgan. They're like, they hug, and that's

0:34:52.800 --> 0:34:58.560
<v Speaker 1>the end of the movie. I'm of there's the big

0:34:58.600 --> 0:35:02.960
<v Speaker 1>climax is definitely in side of the game, and that's

0:35:02.960 --> 0:35:06.279
<v Speaker 1>what the movie him come back out. And then when

0:35:06.280 --> 0:35:08.760
<v Speaker 1>he comes back out, we see that he's successfully gotten

0:35:08.760 --> 0:35:10.640
<v Speaker 1>all the information that's printing out very slowly on the

0:35:10.680 --> 0:35:18.759
<v Speaker 1>loud printer, and then David Warner sees that no, it didn't.

0:35:19.320 --> 0:35:21.680
<v Speaker 1>Then it's like he's toast and then it's like, hey,

0:35:22.040 --> 0:35:24.279
<v Speaker 1>we better the boss is coming, and you're right, it's Jeff.

0:35:24.719 --> 0:35:27.719
<v Speaker 1>Don't strike me as bad filmmaking. It struck me as

0:35:27.840 --> 0:35:31.479
<v Speaker 1>such a thing of its time period, like to where

0:35:31.520 --> 0:35:34.480
<v Speaker 1>movies would end with just everyone like high fiving and

0:35:34.520 --> 0:35:37.840
<v Speaker 1>that's it. Now we have now we've been tainted in

0:35:37.880 --> 0:35:41.000
<v Speaker 1>the other direction by too many false endings. For you're like,

0:35:41.040 --> 0:35:43.960
<v Speaker 1>wait a minute, this movie, every every scene now for

0:35:44.000 --> 0:35:47.040
<v Speaker 1>the last twenty minutes has felt like the last scene Tarantino,

0:35:47.280 --> 0:35:49.839
<v Speaker 1>let's keep a clean, let's get in, get out, And

0:35:49.880 --> 0:35:52.560
<v Speaker 1>then as the lights go down in the city, not

0:35:52.640 --> 0:35:56.680
<v Speaker 1>to quote a Journey song, then how much it looks

0:35:56.760 --> 0:35:59.600
<v Speaker 1>like what else that happened in the whole building. David

0:35:59.600 --> 0:36:02.360
<v Speaker 1>Warner pretty is pretty far with through anyone. Well, Senny Morgan,

0:36:02.520 --> 0:36:06.879
<v Speaker 1>you know, I know her from Caddyshack. She's a fox

0:36:05.920 --> 0:36:11.919
<v Speaker 1>us as Lacy Underhalls, which wow, I couldn't get away

0:36:11.920 --> 0:36:13.799
<v Speaker 1>that today. Uh oh. And then the other thing I

0:36:13.800 --> 0:36:16.920
<v Speaker 1>thought was neat was income as the name of the

0:36:16.920 --> 0:36:20.280
<v Speaker 1>company is like kind of one of the great evil

0:36:20.360 --> 0:36:23.319
<v Speaker 1>villain companies of all time. I think, Yeah, it sounds

0:36:23.360 --> 0:36:25.640
<v Speaker 1>like it could be anything, and that's what's so great

0:36:25.640 --> 0:36:27.360
<v Speaker 1>and terrifying about it. Yeah, I mean that's kind of

0:36:27.360 --> 0:36:29.520
<v Speaker 1>the key store and just all the stuff they're working on.

0:36:29.560 --> 0:36:33.040
<v Speaker 1>The whole idea that you could, you know, use lasers

0:36:33.040 --> 0:36:35.120
<v Speaker 1>to break down the atom to the point where you

0:36:35.120 --> 0:36:37.879
<v Speaker 1>could shoot it through space. I mean, that's a little

0:36:37.920 --> 0:36:41.080
<v Speaker 1>bit Wanta vision too. That's another movie I could have

0:36:41.080 --> 0:36:44.399
<v Speaker 1>probably said everything everything goes back to being a young

0:36:45.040 --> 0:36:47.480
<v Speaker 1>a young person, like I don't. I think, I'm so,

0:36:47.800 --> 0:36:52.440
<v Speaker 1>I'm so connected to that unbridled passion that feels kind

0:36:52.480 --> 0:36:57.359
<v Speaker 1>of unmatchable as Yeah, I can't. So those I think

0:36:57.360 --> 0:36:59.480
<v Speaker 1>those are all the movies that I really go back to,

0:36:59.680 --> 0:37:02.759
<v Speaker 1>because when I think about movies, I mean, you know,

0:37:03.239 --> 0:37:04.719
<v Speaker 1>after I saw in Bruges, I was like, this is

0:37:04.719 --> 0:37:07.360
<v Speaker 1>my favorite movie. And then I saw another movie that

0:37:07.400 --> 0:37:09.520
<v Speaker 1>I felt was my favorite movie. A year later, I

0:37:09.600 --> 0:37:11.560
<v Speaker 1>was like, no, this is my favorite movie. But you know,

0:37:11.640 --> 0:37:14.080
<v Speaker 1>and Bruges is in there, the Ice Storm. I still

0:37:14.120 --> 0:37:20.520
<v Speaker 1>think it is like made. There's artistically, you know, intact

0:37:20.719 --> 0:37:25.359
<v Speaker 1>and you know, brilliant movies that would also be kind

0:37:25.360 --> 0:37:27.600
<v Speaker 1>of in my list. But I like to say, like

0:37:27.680 --> 0:37:30.040
<v Speaker 1>I have a top It's like I have twenty five

0:37:30.120 --> 0:37:33.160
<v Speaker 1>top five movies. Yeah, you know you have like you

0:37:33.160 --> 0:37:35.439
<v Speaker 1>get twenty five, but they're all part of your top five.

0:37:35.719 --> 0:37:37.560
<v Speaker 1>But I did to think of a segment today that

0:37:37.560 --> 0:37:39.600
<v Speaker 1>I'm gonna do for everyone, which is, oh, you asked

0:37:39.640 --> 0:37:43.040
<v Speaker 1>me to remember some think about maybe something more like

0:37:43.040 --> 0:37:46.920
<v Speaker 1>guilty Pleasures. We'll do that later, okay, And by later,

0:37:46.960 --> 0:37:51.920
<v Speaker 1>I mean okay, uh, this is a segment. Maybe we'll

0:37:51.920 --> 0:37:54.320
<v Speaker 1>getting old to do some cool music for this called

0:37:54.719 --> 0:38:02.600
<v Speaker 1>what Ebert said this movie is a complete okay, all right,

0:38:02.719 --> 0:38:04.520
<v Speaker 1>because I thought he's awa. I mean, there's plenty of

0:38:04.640 --> 0:38:07.239
<v Speaker 1>legendary film critics, but he's always been my favorite. Absolutely

0:38:07.320 --> 0:38:09.799
<v Speaker 1>he gave well what do you think? First of all? Now,

0:38:09.800 --> 0:38:11.840
<v Speaker 1>do you have any idea Listen. I want to believe

0:38:12.040 --> 0:38:14.759
<v Speaker 1>that he was on board and that he understood how

0:38:14.760 --> 0:38:17.520
<v Speaker 1>special and important it was, and that he thought to himself,

0:38:17.560 --> 0:38:20.360
<v Speaker 1>Janet Varney will one day name this is her favorite movie.

0:38:20.600 --> 0:38:22.840
<v Speaker 1>But I don't feel like it got particularly good reviews,

0:38:22.880 --> 0:38:24.680
<v Speaker 1>and I don't think it did particularly well, so I

0:38:25.000 --> 0:38:28.200
<v Speaker 1>and he was pretty influential at the time, so I'm

0:38:28.239 --> 0:38:30.359
<v Speaker 1>prepared for him to have given it a thumbs down.

0:38:31.520 --> 0:38:36.360
<v Speaker 1>Eber loved it. He gave it four stars and a

0:38:36.440 --> 0:38:39.839
<v Speaker 1>thumbs up, and he says, uh, it was a technological

0:38:39.880 --> 0:38:43.520
<v Speaker 1>sound and light show that is sensational and brainy, stylish

0:38:43.560 --> 0:38:45.960
<v Speaker 1>and fun. Oh good, And then he went on to

0:38:46.040 --> 0:38:49.680
<v Speaker 1>rape about the special effects. He said that the holy

0:38:49.719 --> 0:38:52.719
<v Speaker 1>imaginary worlds of Toron are so cleverly composed that I

0:38:52.800 --> 0:38:55.480
<v Speaker 1>never ever got the sensation that I was watching some

0:38:55.520 --> 0:38:57.880
<v Speaker 1>actors stand in front of or in the middle of

0:38:57.920 --> 0:39:00.759
<v Speaker 1>special effects. Never And I think you see that so

0:39:00.840 --> 0:39:04.239
<v Speaker 1>much more today. You can really feel the sort of

0:39:04.239 --> 0:39:10.799
<v Speaker 1>flatness because you can do anything and screen. It's really hard. Yeah, No,

0:39:10.880 --> 0:39:14.000
<v Speaker 1>I felt like I can't again. I feel like they

0:39:14.040 --> 0:39:16.120
<v Speaker 1>were all there, They were all there living in that world.

0:39:16.200 --> 0:39:19.040
<v Speaker 1>They're starting to get it right though, Like did you

0:39:19.040 --> 0:39:23.520
<v Speaker 1>see the Jungle Book? Yes, yeah, like that was amazing,

0:39:23.640 --> 0:39:26.040
<v Speaker 1>It really was. But for a while they're people kind

0:39:26.040 --> 0:39:28.960
<v Speaker 1>of went nuts. Well even still, even with like Fantastic Beasts,

0:39:28.960 --> 0:39:32.319
<v Speaker 1>for example, I just I feel so strongly that I

0:39:32.320 --> 0:39:35.120
<v Speaker 1>can see like Eddie Redmain sort of looking at his

0:39:35.160 --> 0:39:37.600
<v Speaker 1>finger where something is supposed to be, and I just

0:39:37.640 --> 0:39:40.720
<v Speaker 1>I'm so aware it's not there. I'm so painfully aware

0:39:41.239 --> 0:39:44.400
<v Speaker 1>it's not there. I don't know about that finger scene,

0:39:44.440 --> 0:39:46.319
<v Speaker 1>but well, I know what you're talking about. Like when

0:39:46.320 --> 0:39:50.120
<v Speaker 1>there's a lot of mystical fun toy things around, Well,

0:39:50.120 --> 0:39:54.200
<v Speaker 1>the eyelines never right. It's always, even with all the

0:39:54.280 --> 0:39:57.399
<v Speaker 1>technology they're of, just enough to where it looks like

0:39:57.560 --> 0:40:00.640
<v Speaker 1>the Three Company episode where Jack's twin visits, you know,

0:40:01.520 --> 0:40:05.279
<v Speaker 1>which I don't think it ever happened. Um. And the

0:40:05.640 --> 0:40:09.200
<v Speaker 1>lasting here is I looked up the movies of nineteen

0:40:09.200 --> 0:40:11.120
<v Speaker 1>eighty two mainly because I was like, why didn't I

0:40:11.160 --> 0:40:13.520
<v Speaker 1>see this? What was I going to see? So I

0:40:13.520 --> 0:40:16.920
<v Speaker 1>can know now what was what else was two? Well? Yeah,

0:40:17.000 --> 0:40:20.359
<v Speaker 1>and it's is a powerhouse of stuff. Well, movies back

0:40:20.360 --> 0:40:23.200
<v Speaker 1>then we're amazing. Yeah, and this is just like when

0:40:23.200 --> 0:40:24.839
<v Speaker 1>you look at the list of movies that are out

0:40:24.840 --> 0:40:28.239
<v Speaker 1>in seventeen and then this list. It's it makes you

0:40:28.280 --> 0:40:34.399
<v Speaker 1>want to cry because two Blade Runner, Ship Et the Thing,

0:40:35.440 --> 0:40:38.799
<v Speaker 1>Fast Times to Reach My High, Poultergeist, Wrath of con

0:40:39.760 --> 0:40:45.880
<v Speaker 1>Tutsie hands down. Probably Blade Runner to Tutsie was just

0:40:46.400 --> 0:40:50.960
<v Speaker 1>a a March release in nineteen eighty two. It wasn't

0:40:51.000 --> 0:40:53.960
<v Speaker 1>like Oscar season's coming up, like that's where it would

0:40:53.960 --> 0:40:58.000
<v Speaker 1>be slotted today. Is blowing my mind? Uh did I

0:40:58.000 --> 0:41:01.319
<v Speaker 1>say Fast Times, Reach High? Forty eight hours, Officer and

0:41:01.320 --> 0:41:05.120
<v Speaker 1>a Gentleman Annie? Oh my god? First Blood very big

0:41:05.160 --> 0:41:10.520
<v Speaker 1>for me, The Dark Crystal Gandhi Rocky three. Never say

0:41:11.200 --> 0:41:12.880
<v Speaker 1>Rocky three was very big for me, but I did

0:41:12.960 --> 0:41:15.600
<v Speaker 1>see Rocky three. That's where my priorities. Like, I mean,

0:41:15.600 --> 0:41:17.239
<v Speaker 1>there are a couple of movies that I wouldn't say, like,

0:41:17.239 --> 0:41:18.640
<v Speaker 1>oh my god, this is so great, but they were

0:41:18.640 --> 0:41:22.280
<v Speaker 1>big for me, Like this Beast Master was it was great.

0:41:22.760 --> 0:41:26.640
<v Speaker 1>But then Sophie's Choice World according to Garp, my favorite year,

0:41:26.760 --> 0:41:29.600
<v Speaker 1>the Secret of nim Diner year, Like this is just

0:41:29.680 --> 0:41:35.759
<v Speaker 1>a smattering. This isn't all the movie crazy in Hollywood

0:41:36.160 --> 0:41:38.520
<v Speaker 1>in the early eight I mean I could comfortably pick

0:41:38.719 --> 0:41:41.200
<v Speaker 1>some of my all time favorite movies. Just out of that,

0:41:41.400 --> 0:41:44.960
<v Speaker 1>you could stop Blade Runner, Et The Thing and Poultergeist,

0:41:45.000 --> 0:41:48.520
<v Speaker 1>and you could say, and no other movies were made

0:41:48.520 --> 0:41:49.680
<v Speaker 1>that year, and it would be like one of the

0:41:49.719 --> 0:41:51.560
<v Speaker 1>great years. The Thing I just saw on the big

0:41:51.560 --> 0:41:55.080
<v Speaker 1>screen at the arc Light and it beyond holds up. Yah,

0:41:55.719 --> 0:42:00.720
<v Speaker 1>that's amazing and super gruesome. Yeah, really gross. John Carpenter

0:42:01.320 --> 0:42:03.839
<v Speaker 1>the Man. Yeah, and well he did all his still

0:42:03.840 --> 0:42:07.040
<v Speaker 1>does all his on music. It's great. Yeah. Um, any

0:42:07.040 --> 0:42:10.279
<v Speaker 1>finishing thoughts on Tron, I love it, thumbs up, I

0:42:10.280 --> 0:42:13.440
<v Speaker 1>love you, Tron. I know that you're a movie even

0:42:13.480 --> 0:42:15.680
<v Speaker 1>though you were also a character in the movie named Tron.

0:42:15.760 --> 0:42:17.840
<v Speaker 1>But I just wanted I mean I was for the

0:42:17.880 --> 0:42:19.400
<v Speaker 1>longest time. I was like, if I have kids, I'm

0:42:19.480 --> 0:42:21.239
<v Speaker 1>naming my kid Flynn, no matter whether it's a boy

0:42:21.320 --> 0:42:25.919
<v Speaker 1>or No. I wouldn't name that no, because I really

0:42:25.960 --> 0:42:30.840
<v Speaker 1>love m Yeah, that'd be a funny name. Michael Chadwick Peterson.

0:42:31.120 --> 0:42:33.880
<v Speaker 1>It's just so good. I could call him MCP. That

0:42:33.920 --> 0:42:36.960
<v Speaker 1>would be a pretty slick move. Um. But Tron was

0:42:37.320 --> 0:42:41.040
<v Speaker 1>a character, but also the name of the security system,

0:42:41.239 --> 0:42:45.680
<v Speaker 1>that's right, the box lightner was program. Yeah, exactly, No,

0:42:45.760 --> 0:42:47.759
<v Speaker 1>one just got up and I walked in. My walked

0:42:48.080 --> 0:42:51.479
<v Speaker 1>He's done. That's what was confusing to me a little

0:42:51.480 --> 0:42:53.600
<v Speaker 1>bit about the movie, So all the different characters playing,

0:42:54.239 --> 0:42:57.239
<v Speaker 1>but that's It's like, but that's what it's about, dumb.

0:42:58.280 --> 0:43:01.160
<v Speaker 1>It was invented the program Tron, so that's what Tron

0:43:01.160 --> 0:43:04.160
<v Speaker 1>looked like. Tron looked like his user, and then Flynn

0:43:04.200 --> 0:43:06.960
<v Speaker 1>designed a ton of stuff. So that's why I like

0:43:07.000 --> 0:43:09.080
<v Speaker 1>when you go inside the beginning of the movie in

0:43:09.120 --> 0:43:12.760
<v Speaker 1>the tank, that's Flynn too, because he designed that program

0:43:12.840 --> 0:43:16.680
<v Speaker 1>in the tank. What about this scene with when they

0:43:16.719 --> 0:43:21.440
<v Speaker 1>when Cyndy Morgan and when Lacey under als and and

0:43:21.520 --> 0:43:26.279
<v Speaker 1>the scarecrow. First he was a scarecrow, right, he was?

0:43:26.320 --> 0:43:29.160
<v Speaker 1>He certainly wasn't as scarc I never saw that show,

0:43:29.200 --> 0:43:33.279
<v Speaker 1>but I just did the match real quick, like, um,

0:43:33.320 --> 0:43:34.920
<v Speaker 1>they walk in the first time they go to see

0:43:35.000 --> 0:43:39.520
<v Speaker 1>Jeff Bridges or Flynn, excuse me, and he's so overly

0:43:39.680 --> 0:43:43.160
<v Speaker 1>sweaty from playing the video game. At first, I was like,

0:43:43.880 --> 0:43:46.040
<v Speaker 1>is he really that sweaty? Because the armpit sweats like

0:43:46.040 --> 0:43:49.480
<v Speaker 1>out to his chest. Then his chest was sweaty through

0:43:49.520 --> 0:43:51.920
<v Speaker 1>the shirt. It's like, why are they doing that? And

0:43:52.040 --> 0:43:53.320
<v Speaker 1>he goes up and takes off his shirt, and I

0:43:53.360 --> 0:43:55.480
<v Speaker 1>was like, I think that's exactly why they did it. Yeah,

0:43:55.520 --> 0:43:57.240
<v Speaker 1>he takes off one shirt and puts on a different

0:43:57.239 --> 0:44:00.160
<v Speaker 1>shirt and they're both Flynn's video game like it's it.

0:44:00.400 --> 0:44:02.560
<v Speaker 1>But he takes it off in front of her because

0:44:02.600 --> 0:44:04.840
<v Speaker 1>they used to date. And then he had that sly

0:44:05.000 --> 0:44:08.719
<v Speaker 1>line about leaving the house messy or whatever, and then

0:44:08.719 --> 0:44:12.440
<v Speaker 1>she practically shoves Bruce box Lighter on the couch because

0:44:12.600 --> 0:44:16.839
<v Speaker 1>of the quip about her leaving her house messy relationships?

0:44:16.840 --> 0:44:21.680
<v Speaker 1>Am I right? I say that Toron is a go

0:44:21.800 --> 0:44:27.160
<v Speaker 1>to to understand relationships between the two people who care

0:44:27.160 --> 0:44:30.080
<v Speaker 1>about each other. No, probably not, but maybe between man

0:44:30.160 --> 0:44:33.200
<v Speaker 1>and computer, between man and computer, between a bit and

0:44:33.320 --> 0:44:38.800
<v Speaker 1>a program for that a little bit. No, Janet Varney,

0:44:39.360 --> 0:44:43.040
<v Speaker 1>thanks for coming into the pleasures. Yeah, yeah, you're right.

0:44:43.120 --> 0:44:47.520
<v Speaker 1>You've been doing this podcast for one hour in life

0:44:48.080 --> 0:44:52.200
<v Speaker 1>and you don't remember the bold I have clothes with

0:44:52.320 --> 0:44:58.160
<v Speaker 1>guilty pleasure? All right, what's your guilty pleasure? Let program? Well,

0:44:58.200 --> 0:45:00.200
<v Speaker 1>I did think about it because I didn't want it

0:45:00.239 --> 0:45:03.279
<v Speaker 1>to be a thing. Listen, First of all, how dare you?

0:45:03.320 --> 0:45:05.120
<v Speaker 1>And I said that in our text too, I said

0:45:05.160 --> 0:45:07.399
<v Speaker 1>don't you even pretend like my favorite movie can also

0:45:07.400 --> 0:45:08.840
<v Speaker 1>be a guilty pleasure. I will never call it a

0:45:08.840 --> 0:45:11.239
<v Speaker 1>guilty pleasure. But I was trying to think because I thought,

0:45:11.239 --> 0:45:13.080
<v Speaker 1>I want to want to have some pretentious luck like

0:45:13.120 --> 0:45:15.960
<v Speaker 1>you said, where someone's like, my guilty pleasure is the Godfather.

0:45:16.480 --> 0:45:20.160
<v Speaker 1>Shut up. Um. But it's kind of hard because I

0:45:20.200 --> 0:45:22.719
<v Speaker 1>don't have a lot of the like, oh, I know.

0:45:22.760 --> 0:45:24.880
<v Speaker 1>This is the same with reality television stuff like that.

0:45:24.960 --> 0:45:27.359
<v Speaker 1>I can't. I don't find that I have a lot

0:45:27.400 --> 0:45:29.960
<v Speaker 1>of like this is delicious, and I know I shouldn't,

0:45:30.000 --> 0:45:32.200
<v Speaker 1>but here I watch, you know, I feel I get

0:45:32.200 --> 0:45:34.840
<v Speaker 1>really impatient with stuff that this isn't good. So I

0:45:34.880 --> 0:45:37.360
<v Speaker 1>was trying to think of things that, um, that I

0:45:37.360 --> 0:45:39.400
<v Speaker 1>would watch anyway, and I think I actually wrote a

0:45:39.400 --> 0:45:41.760
<v Speaker 1>couple of them down. I know for sure that recently

0:45:42.120 --> 0:45:45.720
<v Speaker 1>on planes, I can't stop watching movies about horses, which

0:45:45.800 --> 0:45:48.280
<v Speaker 1>was never something I cared about, but all of a sudden,

0:45:48.320 --> 0:45:50.439
<v Speaker 1>Sea Biscuit seems like the best movie I've ever seen.

0:45:50.600 --> 0:45:53.800
<v Speaker 1>I watched Secretariat. Secretariat. They didn't have well, this is Delta,

0:45:53.840 --> 0:45:55.520
<v Speaker 1>and they have some old movies that you can watch.

0:45:55.880 --> 0:45:58.240
<v Speaker 1>I hadn't gotten to the horse Whisper, which I've never seen.

0:45:59.040 --> 0:46:04.480
<v Speaker 1>I probably won't watch war Horse, but suddenly suddenly I need, like, uh,

0:46:04.920 --> 0:46:07.319
<v Speaker 1>feel good horse movies when I'm on a plane, because

0:46:07.320 --> 0:46:10.319
<v Speaker 1>I'm too tired to enjoy anything else. So feel good

0:46:10.320 --> 0:46:14.360
<v Speaker 1>horse movies. Apparently that's a new thing. Um. And then

0:46:14.480 --> 0:46:17.239
<v Speaker 1>I also admitted to like beauty. Did you see that?

0:46:17.239 --> 0:46:20.880
<v Speaker 1>When you're a kid? Give a crap? I didn't give

0:46:20.880 --> 0:46:23.360
<v Speaker 1>a crap about horse movies. I did see The Black Stallion.

0:46:23.400 --> 0:46:27.080
<v Speaker 1>I barely remember it. Last Unicorn. That was a tough one. Um,

0:46:27.120 --> 0:46:30.279
<v Speaker 1>I will always, but I did, especially because I know

0:46:30.320 --> 0:46:32.000
<v Speaker 1>you like Jaws so much. I feel the same way

0:46:32.000 --> 0:46:36.840
<v Speaker 1>about Jaws. And I will see no but a shark movie,

0:46:37.400 --> 0:46:42.040
<v Speaker 1>not Sharknado, not like intentionally campy shark movies. But I

0:46:42.080 --> 0:46:45.960
<v Speaker 1>will give almost any shark based movie a chance. And

0:46:46.040 --> 0:46:49.359
<v Speaker 1>I love the movie Deep Bluesy. I love it. I

0:46:49.440 --> 0:46:52.640
<v Speaker 1>love it. I've watched it. I've seen it so many times.

0:46:52.840 --> 0:46:54.640
<v Speaker 1>If it's on I will watch it till the end.

0:46:55.239 --> 0:46:58.839
<v Speaker 1>I love it. I liked how unabashedly schlocky it was. Yeah,

0:46:58.880 --> 0:47:02.000
<v Speaker 1>it knew what it was and so it camped out

0:47:02.040 --> 0:47:05.080
<v Speaker 1>in a good way. But it was genuinely, still very

0:47:05.120 --> 0:47:08.400
<v Speaker 1>scary to me, even though the sharks got smarter because

0:47:08.880 --> 0:47:12.040
<v Speaker 1>they were injecting them with some sort of growth hormones

0:47:12.200 --> 0:47:15.320
<v Speaker 1>that they could cure Alzheimer's. That's a side effect the

0:47:15.360 --> 0:47:19.560
<v Speaker 1>shop Scott smart. The sharks got smarter, Chuck. That was

0:47:19.600 --> 0:47:22.000
<v Speaker 1>the big pull line from the trailer. I remember that,

0:47:22.239 --> 0:47:26.720
<v Speaker 1>and I was so star struck when uh, my friend Oscar, uh,

0:47:26.960 --> 0:47:28.880
<v Speaker 1>we were going to dinner with Oscar and Ursla, or

0:47:29.040 --> 0:47:30.680
<v Speaker 1>are dear friends of ours? And he said, I hope

0:47:30.680 --> 0:47:32.839
<v Speaker 1>you don't mind, our friends are gonna be joining us.

0:47:32.960 --> 0:47:36.960
<v Speaker 1>And it was the shark. It was the shark. No,

0:47:37.080 --> 0:47:39.600
<v Speaker 1>it was Saffron Burrows. And I I said, I in

0:47:39.640 --> 0:47:42.160
<v Speaker 1>a million years, I never thought I would meet Saffron Burrows.

0:47:43.040 --> 0:47:44.680
<v Speaker 1>Not a person that I think I traveled the same

0:47:44.680 --> 0:47:47.600
<v Speaker 1>circles with. Its very excited that I got to meet

0:47:48.440 --> 0:47:54.120
<v Speaker 1>Saffron Burrows and it was everything you thought. It was wonderful. Yeah,

0:47:54.320 --> 0:47:57.279
<v Speaker 1>she's just great. That was her line, wasn't it The

0:47:57.280 --> 0:48:01.279
<v Speaker 1>sharks smart? Yeah, she made those sharks smarter, she made

0:48:01.280 --> 0:48:04.000
<v Speaker 1>those she put us all at risk. She got Sam

0:48:04.080 --> 0:48:08.200
<v Speaker 1>Jackson munched. That's a great moment that was snatches him

0:48:08.320 --> 0:48:10.840
<v Speaker 1>I feel that that moment. I can't think of having

0:48:10.880 --> 0:48:13.080
<v Speaker 1>seen that anywhere before that movie, and I feel like

0:48:13.120 --> 0:48:15.160
<v Speaker 1>I've seen it a million times since. Yeah, and like

0:48:15.560 --> 0:48:18.880
<v Speaker 1>Snakes on a Plane was a direct descendant of of

0:48:18.920 --> 0:48:21.040
<v Speaker 1>Deep Blue Seed. Yeah, because I think Deep Blue Seed,

0:48:21.680 --> 0:48:23.360
<v Speaker 1>I don't. I don't think they were. Was that Renny

0:48:23.400 --> 0:48:27.560
<v Speaker 1>Harlan is it? Was it? Gosh, I don't know if

0:48:27.600 --> 0:48:30.319
<v Speaker 1>it was. It might be I might be making that up.

0:48:31.200 --> 0:48:34.319
<v Speaker 1>It was not Stephen Lisberger because he didn't direct anything else. Yeah,

0:48:34.360 --> 0:48:36.719
<v Speaker 1>he was like a Silicon Valley nerd who just went

0:48:36.800 --> 0:48:38.360
<v Speaker 1>right back to do with a couple of things. His

0:48:38.400 --> 0:48:41.759
<v Speaker 1>claim to fame was animaniacs before. That's how he got

0:48:41.760 --> 0:48:47.920
<v Speaker 1>a little juice in the industry. Oh yeah, Animaniac scread

0:48:47.960 --> 0:48:54.879
<v Speaker 1>and dough swinging Johnson. So anyway, those are a couple

0:48:54.880 --> 0:48:58.440
<v Speaker 1>of my pusure geldy pleasures. And I also, um, this

0:48:58.560 --> 0:49:00.759
<v Speaker 1>is probably too far on the side. This popped in

0:49:00.840 --> 0:49:02.279
<v Speaker 1>my mind. It was the first thing that popped in

0:49:02.320 --> 0:49:04.680
<v Speaker 1>my mind. And I and that doesn't mean that it's accurate,

0:49:05.080 --> 0:49:06.560
<v Speaker 1>But for some reason, the first thing I thought it

0:49:06.640 --> 0:49:10.359
<v Speaker 1>was Intolerable Cruelty with Love, that movie with Kevin Zada

0:49:10.440 --> 0:49:13.400
<v Speaker 1>Jones and and George Clooney. And I think the reason

0:49:13.640 --> 0:49:16.359
<v Speaker 1>I classify it as a guilty pleasure is because I

0:49:16.440 --> 0:49:19.600
<v Speaker 1>somehow know I'm supposed to not like it because it's

0:49:19.640 --> 0:49:23.200
<v Speaker 1>not full Cohen Brothers. Yes, and so I'm I've been

0:49:23.280 --> 0:49:25.520
<v Speaker 1>told it's terrible, do you know what I mean? Like

0:49:25.560 --> 0:49:29.040
<v Speaker 1>the society has told me it's terrible, unlike over the

0:49:29.040 --> 0:49:31.960
<v Speaker 1>worl out there or whatever, and so but that's so,

0:49:32.000 --> 0:49:33.480
<v Speaker 1>that was what the first thing that popped in mind.

0:49:33.480 --> 0:49:35.400
<v Speaker 1>I love that movie. Yeah, I don't like when people

0:49:35.800 --> 0:49:39.919
<v Speaker 1>I think there's two Cohen Brothers tears, and I love

0:49:40.000 --> 0:49:42.520
<v Speaker 1>that second tier when they're clearly just having a good

0:49:42.520 --> 0:49:46.160
<v Speaker 1>time making a comedy. I love those movies, yeah, like

0:49:46.239 --> 0:49:51.400
<v Speaker 1>Intolerable Cruelty and the one I really love is uh

0:49:51.640 --> 0:49:55.239
<v Speaker 1>Man with with Brad Pitt and Cluney Burn. After reading Burn,

0:49:55.320 --> 0:49:58.360
<v Speaker 1>after reading I think that I think I hated that

0:49:58.440 --> 0:50:00.080
<v Speaker 1>when I saw it, and now I like it. And

0:50:00.120 --> 0:50:02.120
<v Speaker 1>I didn't love Hale Caesar, And I'm wondering if in

0:50:02.120 --> 0:50:05.000
<v Speaker 1>a couple of years maybe I'll love that too, because

0:50:05.080 --> 0:50:07.480
<v Speaker 1>maybe it I was fine with it. Yeah, would that

0:50:07.480 --> 0:50:11.120
<v Speaker 1>it were that simple? Is like maybe laughed so hard

0:50:12.320 --> 0:50:14.560
<v Speaker 1>so good. But think is another one where I'm like,

0:50:14.719 --> 0:50:16.840
<v Speaker 1>is that one of the all time greatest movies probably

0:50:17.480 --> 0:50:19.560
<v Speaker 1>probably has one of the all time greatest endings of

0:50:19.600 --> 0:50:25.000
<v Speaker 1>any movie about an ending. Yeah, and that I saw that.

0:50:25.000 --> 0:50:26.719
<v Speaker 1>That that's kind of one of my friends and minds

0:50:26.719 --> 0:50:28.880
<v Speaker 1>from college favorite movie. So we watched it saw in

0:50:28.920 --> 0:50:32.279
<v Speaker 1>the theater, then watch it obsessively in college. And he

0:50:32.320 --> 0:50:35.319
<v Speaker 1>went on to be friends with Tony Shalub, who, like

0:50:35.360 --> 0:50:38.040
<v Speaker 1>in real life, I r L and he was so

0:50:38.120 --> 0:50:41.040
<v Speaker 1>good in that yea, so good. Yeah and that little

0:50:41.040 --> 0:50:44.040
<v Speaker 1>part and everything. How do you feel do you feelers

0:50:44.080 --> 0:50:47.040
<v Speaker 1>went well? I think let's have a postmortem on on camera.

0:50:47.480 --> 0:50:50.680
<v Speaker 1>It went great. I might do a little solo postmortem,

0:50:50.840 --> 0:50:54.280
<v Speaker 1>not tonight because I have to go to bed, because

0:50:54.360 --> 0:50:59.319
<v Speaker 1>it's like, um no, I think it went great. The

0:50:59.360 --> 0:51:01.759
<v Speaker 1>pilot episode like how I jammed in like eight of

0:51:01.800 --> 0:51:04.040
<v Speaker 1>my other favorite movies, and so I think that's kind

0:51:04.040 --> 0:51:06.560
<v Speaker 1>of takes them. I still was the first one to say, yeah,

0:51:06.880 --> 0:51:09.480
<v Speaker 1>that's kind of the point though. Screw you. Sam Levine's right,

0:51:11.480 --> 0:51:15.239
<v Speaker 1>Sam Man with Two Brains is really great. I could

0:51:15.280 --> 0:51:17.000
<v Speaker 1>quote the hell out of that movie. You know, kind

0:51:17.000 --> 0:51:19.480
<v Speaker 1>of a real dork, what for that? Movie. Yeah, I

0:51:19.480 --> 0:51:21.400
<v Speaker 1>just on my favorite movie that everything I'm naming is

0:51:21.440 --> 0:51:24.520
<v Speaker 1>just so dorky. But well, you went after tron Hard

0:51:26.000 --> 0:51:27.560
<v Speaker 1>and now that I know the whole story behind it,

0:51:28.360 --> 0:51:30.759
<v Speaker 1>like it's really it's a it's a real thing. Yeah,

0:51:30.880 --> 0:51:34.160
<v Speaker 1>it's I get it. You weren't seeking a NERD credit

0:51:34.239 --> 0:51:39.920
<v Speaker 1>or anything like that. No, no, no, let's ask you

0:51:39.960 --> 0:51:43.400
<v Speaker 1>to back off that for a second. Untrue. Um no,

0:51:43.600 --> 0:51:45.600
<v Speaker 1>this is great, all right. Well, thanks for coming in,

0:51:45.680 --> 0:51:48.000
<v Speaker 1>Janet Barney for sure number one. Thanks Chuck, here I go,

0:51:54.160 --> 0:51:57.360
<v Speaker 1>I guess, I guess. I ran away only after the

0:51:57.400 --> 0:52:06.759
<v Speaker 1>dr was closed. Man, that was just I'm just so

0:52:06.800 --> 0:52:09.040
<v Speaker 1>excited about the show. That could not have gone any better.

0:52:09.320 --> 0:52:11.840
<v Speaker 1>A new Janet was a great choice as guest number

0:52:11.840 --> 0:52:15.880
<v Speaker 1>one because she's, um, well she's a professional podcaster herself

0:52:16.320 --> 0:52:18.440
<v Speaker 1>and does interviews herself, so she knows how to how

0:52:18.440 --> 0:52:21.920
<v Speaker 1>to keep the conversation going like a real pro. So, um,

0:52:21.960 --> 0:52:24.760
<v Speaker 1>that was just a lot of fun. Janet. Her feelings

0:52:24.760 --> 0:52:28.759
<v Speaker 1>on tron were, Um, I was kind of wondering what

0:52:28.840 --> 0:52:31.200
<v Speaker 1>to expect on why that was her favorite pick, and

0:52:31.880 --> 0:52:34.799
<v Speaker 1>it was very heartwarming to know to me that that

0:52:34.880 --> 0:52:38.280
<v Speaker 1>was a movie that she and her dad uh, bonded

0:52:38.280 --> 0:52:39.840
<v Speaker 1>over and it was a very special film from her

0:52:39.920 --> 0:52:42.400
<v Speaker 1>childhood because of the cute little Tron game that she

0:52:42.480 --> 0:52:45.000
<v Speaker 1>used to play with her dad. So as we go

0:52:45.040 --> 0:52:47.080
<v Speaker 1>on with Movie Crush, I think it'll be super interesting

0:52:47.120 --> 0:52:50.680
<v Speaker 1>to see, uh, sort of the why behind why people

0:52:50.680 --> 0:52:55.040
<v Speaker 1>pick these favorite movies. And I suspect that moving forward,

0:52:55.360 --> 0:52:58.520
<v Speaker 1>we're gonna get quite a few that have a lot

0:52:58.520 --> 0:53:01.040
<v Speaker 1>of sentimental value, and that is certainly the case with

0:53:01.280 --> 0:53:04.560
<v Speaker 1>Janet here in Tron and Stand Against Evil, guys, I

0:53:04.600 --> 0:53:07.680
<v Speaker 1>am so excited. I love season one. Janet is so

0:53:07.719 --> 0:53:10.680
<v Speaker 1>funny and it everyone's just great. And season two actually

0:53:10.719 --> 0:53:15.360
<v Speaker 1>premiered yesterday, uh in real time, So November one premiered

0:53:15.360 --> 0:53:18.120
<v Speaker 1>on i f C. Check it out Stand Against Evil

0:53:18.200 --> 0:53:22.280
<v Speaker 1>season two. It's wonderful, and check out j V Club,

0:53:22.600 --> 0:53:26.839
<v Speaker 1>the j V Club podcast where Janet interviews um people

0:53:26.840 --> 0:53:29.479
<v Speaker 1>about their embarrassing high school years. It's really really good show.

0:53:29.800 --> 0:53:32.680
<v Speaker 1>So thanks to Janet for her time and until next week,

0:53:33.360 --> 0:53:40.840
<v Speaker 1>Well would kill you to spare a little popcorn? Maybe?

0:53:42.920 --> 0:53:46.680
<v Speaker 1>Movie Crush is produced, edited, engineered, and scored by Noel

0:53:46.760 --> 0:53:50.960
<v Speaker 1>Brown from our podcast studio at Pond City Market, Atlanta, Georgia.