1 00:00:03,360 --> 00:00:06,399 Speaker 1: Welcome to Stuff to Blow Your Mind, a production of iHeartRadio. 2 00:00:08,640 --> 00:00:11,960 Speaker 2: Hi, my name is Robert Lamb and this is the Artifact, 3 00:00:12,400 --> 00:00:15,400 Speaker 2: a short form series from Stuff to Blow Your Mind, 4 00:00:15,800 --> 00:00:20,760 Speaker 2: focusing in on particular objects, ideas, and moments in time. 5 00:00:24,000 --> 00:00:27,360 Speaker 2: Chances are you've probably swung a broom handle at a 6 00:00:27,400 --> 00:00:31,920 Speaker 2: pinata before you know how this works. A brightly colored 7 00:00:32,120 --> 00:00:36,600 Speaker 2: paper mache, pottery, paper, cardboard, or cloth container is stuffed 8 00:00:36,640 --> 00:00:40,080 Speaker 2: full of candy or other treats and raised and lowered 9 00:00:40,120 --> 00:00:44,519 Speaker 2: by a rope as a blindfolded contestant takes wax at it. 10 00:00:45,360 --> 00:00:49,440 Speaker 2: After a few hysterical misses and punishing hits, the container 11 00:00:49,560 --> 00:00:53,720 Speaker 2: bursts and spills these treats on the ground to be 12 00:00:53,800 --> 00:00:57,240 Speaker 2: snatched up by eager hands. It's an activity in craft 13 00:00:57,440 --> 00:01:01,080 Speaker 2: strongly linked with Mexican customs, and all so so widely 14 00:01:01,160 --> 00:01:04,840 Speaker 2: spread that it's easy to just take for granted. I know, 15 00:01:04,959 --> 00:01:08,040 Speaker 2: I did till I visited the Pinata's exhibit at the 16 00:01:08,120 --> 00:01:12,720 Speaker 2: Mengey International Museum in San Diego, California, running through April 17 00:01:12,720 --> 00:01:16,280 Speaker 2: thirty of twenty twenty three. The exhibit celebrates pinatas as 18 00:01:16,319 --> 00:01:19,840 Speaker 2: both a traditional craft and a form of contemporary art. 19 00:01:20,120 --> 00:01:23,959 Speaker 2: Sometimes aimed at social and political commentary. It was really 20 00:01:24,000 --> 00:01:27,080 Speaker 2: an eye opening exhibit for me into both the material 21 00:01:27,120 --> 00:01:31,520 Speaker 2: culture and the cutting humor of pinatas, and artists are 22 00:01:31,560 --> 00:01:35,960 Speaker 2: continuing to do a lot with this medium today. Another 23 00:01:36,040 --> 00:01:39,760 Speaker 2: area I'd never personally explored is the origin of the pinata, 24 00:01:40,240 --> 00:01:44,399 Speaker 2: a topic that the exhibit acknowledges is somewhat understudied. It 25 00:01:44,520 --> 00:01:47,720 Speaker 2: cites a twenty eighteen paper by Young Chin published in 26 00:01:47,760 --> 00:01:51,760 Speaker 2: the Fudain Journal of Humanities and Social Sciences titled From 27 00:01:51,800 --> 00:01:55,320 Speaker 2: the Datchenu to the Pinata, Tracing the alleged Chinese origin 28 00:01:55,400 --> 00:01:59,120 Speaker 2: of a Mexican tradition. In the paper, Chin explores the 29 00:01:59,160 --> 00:02:03,800 Speaker 2: possible connections between the Chinese traditions surrounding the docunu, or 30 00:02:04,000 --> 00:02:07,800 Speaker 2: beating or lashing of the spring cattle, and the Mexican 31 00:02:07,840 --> 00:02:12,760 Speaker 2: pinata tradition. The datchunu is an old springtime ritual in 32 00:02:12,800 --> 00:02:15,560 Speaker 2: which a large clay statue of an ox is filled 33 00:02:15,600 --> 00:02:18,720 Speaker 2: with seeds and then shattered by the emperor or an 34 00:02:18,720 --> 00:02:23,520 Speaker 2: imperial representative, scattering its contents on the ground. The ritual 35 00:02:23,560 --> 00:02:28,119 Speaker 2: performance is still practiced in China today. The hypothesis then, 36 00:02:28,560 --> 00:02:31,400 Speaker 2: is that this practice may have spread from China to 37 00:02:31,440 --> 00:02:34,440 Speaker 2: Italy via the Silk Road and or the travels of 38 00:02:34,480 --> 00:02:38,760 Speaker 2: Marco Polo during the thirteenth and fourteenth centuries. The name 39 00:02:38,840 --> 00:02:42,360 Speaker 2: pinata may be derived from pigna, a clay pot in 40 00:02:42,400 --> 00:02:47,000 Speaker 2: the shape of a pine cone in Italian traditions. Around 41 00:02:47,040 --> 00:02:51,640 Speaker 2: this time, Italian Linten customs sometimes entailed the shattering of small, 42 00:02:51,720 --> 00:02:55,240 Speaker 2: simple clay vessels filled with fruits or sweets. So it 43 00:02:55,280 --> 00:02:58,920 Speaker 2: is then proposed that this practice spread to the Americas 44 00:02:58,919 --> 00:03:03,120 Speaker 2: in the sixteenth century via Catholic Spanish missionaries who use 45 00:03:03,200 --> 00:03:06,720 Speaker 2: the practice as both a Catholic religious celebration and an 46 00:03:06,760 --> 00:03:11,040 Speaker 2: indoctrination tool for indigenous peoples. Now, obviously this is the 47 00:03:11,080 --> 00:03:14,120 Speaker 2: sort of practice that would just be inherently fun, as 48 00:03:14,160 --> 00:03:17,359 Speaker 2: this sort of ritual transcends language and beliefs, at least 49 00:03:17,400 --> 00:03:20,760 Speaker 2: in just the basic practice of shattering something, breaking something, 50 00:03:20,840 --> 00:03:23,920 Speaker 2: and finding a reward within. But it may also have 51 00:03:23,919 --> 00:03:28,040 Speaker 2: found a foothold in indigenous practices due to pre contact 52 00:03:28,400 --> 00:03:32,320 Speaker 2: rituals of shattering clay pots in devotion to the Aztec 53 00:03:32,440 --> 00:03:36,760 Speaker 2: solar deity with Cilo Potli. Now that's a long journey 54 00:03:36,800 --> 00:03:40,760 Speaker 2: across multiple continents and cultures, so the question remains, is 55 00:03:40,760 --> 00:03:44,920 Speaker 2: it possibly true? Well Chin contends that we might tentatively 56 00:03:44,960 --> 00:03:48,440 Speaker 2: attribute the origins of the pinata to Chinese customs, but 57 00:03:48,560 --> 00:03:53,960 Speaker 2: that there's insignificant evidence to make any definitive conclusions. So 58 00:03:54,240 --> 00:03:59,120 Speaker 2: whatever the pinnata's origins Chinese, Italian, Spanish, az Tech, or 59 00:03:59,160 --> 00:04:02,520 Speaker 2: some mixture of them, the pinata has become cemented as 60 00:04:02,560 --> 00:04:08,200 Speaker 2: a distinctly Mexican and Latin American tradition with broad international appeal. 61 00:04:09,560 --> 00:04:12,520 Speaker 2: Tune in for additional episodes of The Artifact or The 62 00:04:12,600 --> 00:04:16,000 Speaker 2: Monster Fact each week. As always, you can email us 63 00:04:16,080 --> 00:04:28,040 Speaker 2: at contact at stuff to Blow your Mind dot com. 64 00:04:28,160 --> 00:04:31,120 Speaker 1: Stuff to Blow Your Mind is production of iHeartRadio. For 65 00:04:31,200 --> 00:04:35,040 Speaker 1: more podcasts from iHeartRadio, visit the iHeartRadio app, Apple Podcasts, 66 00:04:35,120 --> 00:04:36,919 Speaker 1: or wherever you listen to your favorite shows,