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Speaker 1: So we realize the mistake and we all start losing it,

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Speaker 1: and I go, oh, Samberg, I thought you said Sandler.

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Speaker 2: I apologize every time I know it happens to me

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Speaker 2: with Sandler, I'll just call him Samberg. The opposite.

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Speaker 1: Yeah, the opposite as well.

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Speaker 2: Ham, What Up? What Up? Welcome to Hollywood Handbook and

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Speaker 2: Insider's Guide to kicking button dropping names of the red

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Speaker 2: carpet lineback hallways of this industry we call Showbiz. I'm

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Speaker 2: Hayes Davenport. I'm here with Sean Clements. I. We are

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Speaker 2: Hollywood industry people, sort of jacks of all trades.

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Speaker 1: Yeah, we defy a clean label, but we absolutely we

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Speaker 1: were jack labels. They're they're not useful to us. We're

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Speaker 1: working under the new model. But we want to give

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Speaker 1: you guys a peek inside what happens in the real Hollywood,

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Speaker 1: and one of the ways we've decided to do that

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Speaker 1: is to play a little game at the top of

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Speaker 1: this episode we call Gmail Rule Email Roulette.

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Speaker 2: This is a game we really love. We figured the

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Speaker 2: best way to really open up to throw back the

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Speaker 2: curtains on the industry is to each select a random email.

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Speaker 1: Random being the keyword totally random, which is something that

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Speaker 1: I think makes comedy good, and I see it everywhere.

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Speaker 1: So we're each just going to scroll through our Gmail

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Speaker 1: and just stop at a random point of some old

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Speaker 1: email we've gotten, and it could be from a family member,

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Speaker 1: or it could be more likely probably from some kind

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Speaker 1: of alist Hollywood select.

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Speaker 2: So Sean, why don't you go for here. Let's let's

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Speaker 2: shuffle through Sean's gmails. I think, Oh, you have to

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Speaker 2: do it. You have to do it. You promise.

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Speaker 1: Okay, these are the rules.

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Speaker 2: Remember what we said.

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Speaker 1: I was hoping it wouldn't be something like this. Okay, Well,

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Speaker 1: the subject is did I screw up? It's from Julia

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Speaker 1: Louis Dreyfus, and she says, I feel like things ended

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Speaker 1: weirdly last night. You were being so weird? Did I

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Speaker 1: make you uncomfortable? You left in such a rush. I

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Speaker 1: hope you didn't misunderstand. It's just that when you agreed

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Speaker 1: to direct an episode of my show side note, I said,

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Speaker 1: maybe I took that as a signal that you were

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Speaker 1: feeling it. Please, please, please don't take it out on

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Speaker 1: the show. Still come back. When I tried to grab

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Speaker 1: your redacted it was a complete accident. Say no, I'm

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Speaker 1: not going to say that word. And by the way,

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Speaker 1: to step out of the email, the word try is being.

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Speaker 2: Is being employed.

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Speaker 1: Rather liberally here when you reach down squeeze a big

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Speaker 1: handful of someone's squeeze a big handful of someone's redacted,

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Speaker 1: and your eyes get like friggin saucers and you go,

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Speaker 1: oh my god. So it's true, let's get out of

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Speaker 1: here now. That is not trying, okay, that is succeeding

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Speaker 1: in sexual harassment. So at any rate, of course, I

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Speaker 1: was never going to direct an episode of that show.

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Speaker 1: I mean, which show of hers? Well, this is an

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Speaker 1: old email, so it's watching Ellie okay, But anyway, it's

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Speaker 1: of course I'm not gonna do that. But just because

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Speaker 1: of my schedule, you know, obviously this is the kind

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Speaker 1: of email you get after you go to a party

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Speaker 1: where somebody has a few too many cocktails and the

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Speaker 1: answer is, yeah, you did screw up, Julia, and and

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Speaker 1: we haven't. It hasn't been the same quite since I

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Speaker 1: went to see Enough Said, but enough Said on that topic.

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Speaker 2: Wow, it makes me a little scared to do mine. Yeah,

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Speaker 2: this was a bad one. This one was loaded. I

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Speaker 2: hope we just get a very innocuous one. But let's

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Speaker 2: shuffle through. Oh god, this is a fair's fair, this

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Speaker 2: is a tough one. Actually, it's from The Crocodile Hunter.

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Speaker 2: The subject is thank you, thank in all caps, and

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Speaker 2: it says, Hayes, thank you so much for letting me

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Speaker 2: adapt to your stage show of The Crocodile Hunter for television.

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Speaker 2: I little side note. I used to do kind of

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Speaker 2: a black box stage performance where I would be this character,

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Speaker 2: the Crocodile Hunter, and it was very like it was

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Speaker 2: an avant guard thing and it was just me on stage,

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Speaker 2: no props, no anything. But for a while it was

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Speaker 2: getting a lot of attention around town and Peop wanted

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Speaker 2: to adapt it for a TV and I found there

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Speaker 2: was this guy who was also sort of on the

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Speaker 2: scene who I thought was a really talented actor, and

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Speaker 2: I decided he should take over while I worked on

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Speaker 2: other projects.

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Speaker 1: And he was homeless at that time, he was.

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Speaker 2: And I gave him a chance. And he says here,

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Speaker 2: he says, I'll never forget your generosity, and I promised

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Speaker 2: to do your vision proud. And you just think about

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Speaker 2: like it could have been me, you know, making all

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Speaker 2: that money. It could have been me doing that and

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Speaker 2: making so much money. And then it says, also, I'm

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Speaker 2: sorry for trying to grab a big handful of your redacted.

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Speaker 2: I thought they you giving me your show meant that

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Speaker 2: you were feeling it.

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Speaker 1: Sometimes a favor is just a favor.

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Speaker 2: It is amazing how often you do just about anything

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Speaker 2: for someone in this town and they try to grab

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Speaker 2: a big handful. Eyes get like saucers, eyes get like saucers,

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Speaker 2: and it almost makes you not want to help people out.

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Speaker 1: Yeah, it makes you hesitant, It makes you a little

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Speaker 1: more choosy.

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Speaker 2: And that also makes me wonder, like that's part of.

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Speaker 1: The reason for the podcast. You can't reach through this

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Speaker 1: microphone and get your mits on.

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Speaker 2: Yeah, are redacteds, And every time someone does something nice

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Speaker 2: for me, I wonder because their eyes kind of get

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Speaker 2: like slits, you know, because it sort of seems like

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Speaker 2: they're expecting me to grab a big handful of they're redacted.

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Speaker 2: M M. And then I say, no, deal, deals off,

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Speaker 2: I'll do it myself.

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Speaker 1: Yeah, I mean, I'm doing them a favor by letting

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Speaker 1: them feel like they can do me a favor.

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Speaker 2: Ever, so let's do our next segment. This is this

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Speaker 2: is my favorite segment.

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Speaker 1: We like to prepare you, guys for the kind of

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Speaker 1: meetings you're going to take in this town. Something I

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Speaker 1: think a lot of people wish they'd had is a

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Speaker 1: little primer on going to all general meeting or what

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Speaker 1: we're going to talk about today a lunch meeting.

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Speaker 2: There's that feeling of you get these these big meetings

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Speaker 2: and then it's like, what now, what do I do now?

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Speaker 2: So many questions?

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Speaker 1: What do I order? Where do I take them? How

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Speaker 1: do I behave? Like? How much is too much in

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Speaker 1: terms of.

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Speaker 2: Cow towing?

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Speaker 1: Sure, and so we want to let you know what

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Speaker 1: we did and what everyone who's successful did and take

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Speaker 1: you through a sort of step by step way. Do

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Speaker 1: we call this segment Let's do lunching.

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Speaker 2: Let's do lunching. I guess we should start with choosing

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Speaker 2: a restaurant.

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Speaker 1: Mm hmm. When you're gonna do lunching, you need to

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Speaker 1: know where to eat. To me, the best restaurants are

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Speaker 1: the most famous.

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Speaker 2: Restaurants, the really famous ones. And we've explained in the

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Speaker 2: past sort of to people who aren't from the city,

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Speaker 2: like what a restaurant is and how it works. Like you,

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Speaker 2: it's a place where you sit down and they serve

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Speaker 2: you your food, and it doesn't You don't get it

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Speaker 2: on a tray or anything. It comes right on a plate.

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Speaker 2: And there are some famous ones out here, like the

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Speaker 2: French Palace, Yes, the Spotlight Grill.

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Speaker 1: Anything with bistro or grill in the title is going

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Speaker 1: to be good.

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Speaker 2: Madonna's Bistro, Madonna's Bistro, the Slice, stallone grill. M hm,

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Speaker 2: mister Fictioner's Place, that's William Fictioner's am I saying that wrong?

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Speaker 1: Fiction?

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Speaker 2: Fiction? Fiction?

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Speaker 1: Fix? Do you hear the difference?

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Speaker 2: Yes? Do it again? Fixed, fixed, fixed? Thank you? Any

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Speaker 2: place that you've heard about on the radio, Basically they

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Speaker 2: were like seen on your scene on a TV show

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Speaker 2: is the place to go. That's the place to be seen.

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Speaker 2: So now you're pulling up to the restaurant, what time

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Speaker 2: should you get there? I think is a relevant question

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Speaker 2: that a lot of people have. So here's the best strategy.

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Speaker 2: You're going to want to not make a reservation. Show

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Speaker 2: up late, so the person who you're meeting shows up

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Speaker 2: and can't get a table. Then when you arrive tell

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Speaker 2: them who you are. You get the table and save

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Speaker 2: the day. And one thing I always do is I

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Speaker 2: get on the phone with the person and I go, okay,

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Speaker 2: we're going to fix You've got me doing it now. Yeah,

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Speaker 2: We're going to Fixedner's place and I'll make the reservation.

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Speaker 1: Don't you worry. But there's no paper trail. It's on

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Speaker 1: the phone. So then when I get there, I go,

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Speaker 1: you said you were going to make the reservation, and

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Speaker 1: they go, oh, I thought that, And I go, no,

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Speaker 1: you promised me.

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Speaker 2: And I go, look, I'll take care of it, and

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Speaker 2: I walk up. Now I made a reservation, which is

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Speaker 2: another thing. Make a reservation. Yes, do make a reservation

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Speaker 2: way in advance. So far some of these got to

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Speaker 2: be month and months in advance. And call once or

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Speaker 2: twice a week just to make sure that reservation is

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Speaker 2: still in place because sometimes they get lost.

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Speaker 1: But don't make it under your real name, and don't

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Speaker 1: make it under my real name. They'll know you're not me.

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Speaker 1: So now you've gotten your table, you're sitting down.

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Speaker 2: You're sitting down. One thing I like to test when

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Speaker 2: I'm sitting down at the table, I like to give

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Speaker 2: it a little push from underneath, just to see if

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Speaker 2: it all flip, you know, if I can just flip

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Speaker 2: it all the way over, Because some of them at

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Speaker 2: the movie He's Grill, which is a pretty nice place

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Speaker 2: other other than this. I do like that that restaurant,

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Speaker 2: but their tables are attached to the ground with spikes,

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Speaker 2: and so I like to test for is this the

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Speaker 2: kind of table that if it goes south, if the

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Speaker 2: proceedings don't really go as planned, I can just huck

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Speaker 2: across the room or.

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Speaker 1: Just flip onto the person's lap and slip all the

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Speaker 1: way on food and slip line on them. Yeah, and

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Speaker 1: spill their soup. So that's one thing you want to test.

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Speaker 1: And so if if you suspect that might happen, don't

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Speaker 1: go to the movie Grill. Another thing is making conversation

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Speaker 1: confuse the name of the person you're meeting with with

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Speaker 1: the name of the waiter mm hmm, called the waiter

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Speaker 1: by your Let's say, let's just say, for example, you're

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Speaker 1: sitting down with James Franco, James Franco. So the waiter

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Speaker 1: walks away. You go, when is James Franco going to

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Speaker 1: get back here with our drinks? And he goes, I'm

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Speaker 1: James Franco, and you go, no, the waiters the waiters

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Speaker 1: name is James Franco, and he goes no, and you go, hey,

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Speaker 1: quit having fun with me.

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Speaker 2: Raoul. Yeah your name is Raoul.

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Speaker 1: Yeah, your name is Raoul, and he goes no, the

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Speaker 1: waiters name is Raoul. And do it both ways. Yeah,

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Speaker 1: when the waiter comes back, you do the same thing.

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Speaker 1: And what that does is it lets them know, oh,

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Speaker 1: I could be waiting tables tomorrow as far as this

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Speaker 1: guy's concerned.

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Speaker 2: And sometimes they if you have enough pull in the business,

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Speaker 2: you will be able to convince them that they are

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Speaker 2: actually the waiter.

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Speaker 1: Yeah, I mean I got I managed to get Craig T.

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Speaker 1: Nelson to go and get me more bread and we

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Speaker 1: close the deal too. But I got a lot of

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Speaker 1: the points that I wanted.

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Speaker 2: And in the same way, you can take a waiter

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Speaker 2: and then maybe make them a star, and then there's

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Speaker 2: someone in your stable. John Heater was a guy who

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Speaker 2: I was having lunch with Sandra Bullock and sort of

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Speaker 2: mixed up their names and convinced him that he was

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Speaker 2: actually the movie star Sandra Bullock, and that just sort

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Speaker 2: of it just sort of went from there.

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Speaker 1: Imagine how different Napoleon Dynamite would have been if Sandy

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Speaker 1: had done it. So you've got the conversation down. Things

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Speaker 1: are moving nicely. One last question.

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Speaker 2: What do you order?

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Speaker 1: M Well, you don't. You never actually see the food

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Speaker 1: at a lunch meeting. You have to leave, whether you

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Speaker 1: excuse yourself to go to the bathroom and you go

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Speaker 1: out the window, or whether you straight up tell them

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Speaker 1: this lunch is over. There are a couple Hondo's down

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Speaker 1: on the table and leave. Yeah, you can't allow anyone

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Speaker 1: in this town to see you eat. Hey, can you

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Speaker 1: speak on that a little bit.

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Speaker 2: Food's a known fatty item in this town. People sort

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Speaker 2: of understand that it's it's mostly fatties who tend to

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Speaker 2: enjoy fit, and so if you want to have a

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Speaker 2: reputation as a non fatty in this business, it's better

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Speaker 2: not to eat. What I like to do when I

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Speaker 2: sit down at a restaurant is I'll say to the waiter,

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Speaker 2: surprise me. Yeah, we'll go in the back. They'll whip

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Speaker 2: something the up that's intended to really impress me, and

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Speaker 2: then they'll bring it back and I'll say, this isn't

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Speaker 2: really surprising at all. I came into a restaurant, I

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Speaker 2: expected food, and you've brought me some food. Yeah.

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Speaker 1: What would have been surprising would be say a scale

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Speaker 1: model zeppelin exactly. And so if they go and bring

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Speaker 1: you that, all the better you take that home, put

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Speaker 1: it on your mantle. What an amazing invention the zeppelin is.

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Speaker 1: But food can be a sign of weakness, can't it

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Speaker 1: It can't. Did I need strength from food? Don't I

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Speaker 1: have enough inner strength? And so it's another reason that

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Speaker 1: I just I don't let anyone see me eat in

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Speaker 1: this town. And you shouldn't either. And now you've done lunching.

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Speaker 2: How do those Zeppelins stay up in there?

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Speaker 1: No, no one knows.

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Speaker 2: I mean, it just doesn't make sense.

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Speaker 1: No, it shouldn't work. It shouldn't fucking work.

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Speaker 2: They're so big, they're huge. I see a zeppelin go by,

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Speaker 2: I mean, and I'm afraid to write it. You know,

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Speaker 2: just as part of the business, you have to you

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Speaker 2: gotta be really, this is part of the business. You

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Speaker 2: have to ride in them every once a little while.

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Speaker 2: But every time I'm up there, I just I can't think.

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Speaker 1: About it, you know, No, if I let myself be aware,

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Speaker 1: and well, so many of our so many American treasures

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Speaker 1: have been lost in zeppelin. Yes, you know, preak zeppelin accidents,

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Speaker 1: which when something goes wrong, I go. Well, of course

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Speaker 1: it did. Of course we don't know how the damn

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Speaker 1: things work. They're too big to be in the sky.

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Speaker 1: A model one I enjoy, but a real one is

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Speaker 1: too scary.

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Speaker 2: We'll be right back. We've got a really great guest today.

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Speaker 2: Helen Kemper is here. She's a big rising star.

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Speaker 1: She was in Bridesmaids, she was on the British Office

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Speaker 1: and more recently on the Mimbi project. Uh so it'll

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Speaker 1: be fun to talk to her.

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Speaker 2: We're coming right up on Hollywood Handbook.

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Speaker 3: Hollywood Hamdbook.

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Speaker 1: Swic stick my finger into his chest and I'm poking him,

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Speaker 1: and I go finger raims. If the cupcakes are so

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Speaker 1: damn tasties, you eat them? And I mushed one into

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Speaker 1: his face.

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Speaker 2: And what did he say?

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Speaker 1: He thanked me. Here comes Haze and.

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Speaker 2: Sean Hollywood Hamper.

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Speaker 1: What up?

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Speaker 2: What up? Welcome back to Hollywood Handbook, an Insider's guide

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Speaker 2: to kicking button dropping names in the red carpet lineback

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Speaker 2: hallways of this industry we call showbiz. God, we got

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Speaker 2: such a great guest today.

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Speaker 1: Man, we are effing stoked about our great guest today,

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Speaker 1: and I see no reason to pretend otherwise.

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Speaker 2: Helen Kemper is here. Ellie, Ellie Kemper, Ellie Ellie.

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Speaker 3: Yes, Ellie Kemper is here. Thanks guys for having me, Thanks.

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Speaker 1: For being here. Quick little background, I guess on.

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Speaker 2: With Ellie it's actually apropos given what he's doing today.

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Speaker 1: Well, yes, so we Hayes and I obviously used to

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Speaker 1: host these famous sort of Hollywood game nights. We'd play

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Speaker 1: all kinds of match games, other games, no trivia, and

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Speaker 1: she I can't remember exactly who her arm candy was

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Speaker 1: at the time. I want to say Jan Michael Vincent,

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Speaker 1: but she and Jan would come. Am I wrong, I

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Speaker 1: don't I don't remember that.

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Speaker 3: I maybe just have a different memory of it.

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Speaker 1: Okay, do anyway, she and Jan would come and they

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Speaker 1: would just run the table. Yeah, killer killer game players.

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Speaker 1: And I guess she now has decided to make that

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Speaker 1: a TV show or take our lives and make a

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Speaker 1: show about it, or I.

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Speaker 3: Think they're doing a separate I think a lot of

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Speaker 3: people have nights and they're just doing this kind of

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Speaker 3: on It.

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Speaker 2: Seems very like it seemed like a coincidence to me

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Speaker 2: that we would get Jane lynch In to host o

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Speaker 2: our private game nights. We would invite one normal person

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Speaker 2: to sort of participate and they would win like a

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Speaker 2: lot of our cash. It just seems the format seems

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Speaker 2: very similar. It could be a coincidence. I'm just saying it.

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Speaker 2: It feels like a big one if that's the case, A.

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Speaker 1: Normal person, like a common sense from our forums or

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Speaker 1: anyone like that, anyone.

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Speaker 3: Yeah, I guess that. I don't that's so I don't remember.

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Speaker 3: I guess we have different memories of this.

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Speaker 1: Well, we were pretty drunk for a lot of them.

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Speaker 3: Oh, oh, yeah, I guess I was. I guess I was.

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Speaker 1: Yeah, are you going to bring that energy to the show?

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Speaker 2: See, because you're going from here from this recording to

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Speaker 2: participate in a Hollywood Game Night? Is that right? Your

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Speaker 2: second one?

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Speaker 3: That's exactly right? To record the second Hollywood Game Night?

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Speaker 1: Yeah?

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Speaker 2: Are theyre like special incentives built into doing the second one?

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Speaker 3: Like, I guess it's too uh, I don't know. I mean,

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Speaker 3: I guess it's to have even more fun and to

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Speaker 3: win even more games, get a lot of the answers, right,

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Speaker 3: have a lot of fun with the other contestants on

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Speaker 3: the show, and the winner gives money to charity. So

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Speaker 3: it's really for a very good cause.

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Speaker 2: Oh that's nice. Yeah, do you want to run because

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Speaker 2: it's a big opportunity, like just in terms of getting

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Speaker 2: your name out there and stuff. It's like not something

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Speaker 2: you wanna do badly at you really wanna do well.

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Speaker 3: So you don't sully your name, you mean, or just

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Speaker 3: well because the winner of Hollywood Game Night, you know,

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Speaker 3: like they go on to do all this other stuff.

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Speaker 1: If you look at some of the past winners.

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Speaker 3: Yeah, oh yeah, well I guess that's I guess that's right.

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Speaker 3: I mean some of the past winners have gone on.

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Speaker 2: To who won the last episode?

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Speaker 3: You were on the last episode? I was on Mini

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Speaker 3: Driver one?

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Speaker 2: Well, she and then she was in Goodwill Hunting. Yeah,

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Speaker 2: that was a huge role.

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Speaker 3: She did both of those things. I'm not sure of

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Speaker 3: the order of them, but she did both of those things. Yeah.

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Speaker 2: Well, it just seems weird that she would she would

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Speaker 2: be in a movie first. That doesn't really make sense. Yeah,

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Speaker 2: that order doesn't make sense. Let's see that she would

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Speaker 2: star in a movie and then be on a game show.

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Speaker 1: Yeah, I mean, it's really the new Hollywood Squares because

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Speaker 1: you remember how many careers that left where someone would

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Speaker 1: a normal person would be on Hollywood Squares, Yes, and

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Speaker 1: then all of a sudden they'd become what Bie Goldberg

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Speaker 1: or a big famous star show. She started on Hollywood

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Speaker 1: Squares and then she was Karen Johnson, Eddie became sister

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Speaker 1: act became all these great right from that. Yeah, and

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Speaker 1: so I think that Hollywood game nights sort of the

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Speaker 1: new that the.

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Speaker 2: New squares.

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Speaker 3: Launching a lot of careers.

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Speaker 2: Yeah.

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Speaker 1: Is that your advice to someone starting out.

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Speaker 3: To get on game nights?

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Speaker 2: Yes?

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Speaker 3: Yeah, I think that it's certainly not a bad thing

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Speaker 3: if you want to participate in a game night and

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Speaker 3: you know see where that takes you. I certainly don't

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Speaker 3: think it's necessary for anyone aspiring to act or write

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Speaker 3: or perform out there. You don't have to be on

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Speaker 3: a game night.

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Speaker 2: The business is changing, you're saying. I guess that used

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Speaker 2: to be that you did have to get on a

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Speaker 2: game night, but now social media and stuff.

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Speaker 1: You think that game night's sort of the old way

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Speaker 1: of breaking into the industry. And your opinion is mainly

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Speaker 1: that Twitter.

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Speaker 3: Yeah, I'll definitely say you don't have to be on

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Speaker 3: a game night in order to make it in this.

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Speaker 1: Industry because of Twitter.

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Speaker 3: Yeah, well, yeah, and Twitter helps.

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Speaker 2: What do you do? I've heard when you're playing Hollywood

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Speaker 2: Game Night. Sometimes Dennis Haysbert, when he plays pictionary, will

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Speaker 2: get up to the easel and draw some very vulgar

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Speaker 2: things on the easel. Then he'll be like, do you

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Speaker 2: like my drawing? Ylli?

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Speaker 3: Right?

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Speaker 2: What do you think of my drawing? And it's something

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Speaker 2: very disgusting, gross and graphic? Like how do you handle

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Speaker 2: when he when he does that kind of thing?

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Speaker 3: I haven't. I haven't played with him. Oh, you've never

404
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Speaker 3: played with one of my game nights.

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Speaker 1: No, so you drew vulgar draw when you were there.

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Speaker 2: It's stellen Scar's guard. I've heard we'll also do that

407
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Speaker 2: from time to time.

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Speaker 3: Yeah, I haven't played. I haven't played.

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Speaker 1: With with Stellin as much.

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Speaker 3: No, not as much. I don't know if I've really

411
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Speaker 3: just gone to one and one game night and uh,

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Speaker 3: and let's see, No, it was pretty the one I

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Speaker 3: was that was pretty tame. So I didn't There weren't

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Speaker 3: too many vulgar drawings. I don't know if you guys,

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Speaker 3: you must have had more experience with pictionary. It's kind of.

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Speaker 1: Leude at our night. Yeah, there were people drawing some

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Speaker 1: fing and sing different guests at the party, and we

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Speaker 1: ultimately had to have sort of a come to Jesus

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Speaker 1: meeting about it with Hayes Burt.

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Speaker 3: Oh, geez, did you have Did you stop inviting him

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Speaker 3: or was it?

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Speaker 2: I mean, yeah, we stopped inviting Dennis Haysbert to our

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Speaker 2: to our game nights Get It Away. It's not like

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Speaker 2: there's no way.

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Speaker 1: We know he brings a lot of positive stuff to

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Speaker 1: the tab absolutely, but Hayes ruffed him up a little bit.

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Speaker 2: I did have to beat him up.

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Speaker 1: Yes, yeah, so we, I guess, wanted to play a game.

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Speaker 2: Yeah, we did want to play a little game with

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Speaker 2: real world ramifications. It's it's yeah, it's it's real. It's

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Speaker 2: not just a game.

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Speaker 1: This is going to be very fun for us because

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Speaker 1: we so frequently are on the other side of this.

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Speaker 1: You know, it's been so long since we've had to

435
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Speaker 1: pitch a show, but we're always stuck in an elevator. Yes,

436
00:23:23,600 --> 00:23:28,960
Speaker 1: and some you know, Nube gets on and starts laying

437
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Speaker 1: out his great idea for a screenplay or his great

438
00:23:31,800 --> 00:23:34,000
Speaker 1: TV show. So we wanted to do a game we

439
00:23:34,080 --> 00:23:38,000
Speaker 1: call elevator Pitch, where Hayes and I will pitch you

440
00:23:39,359 --> 00:23:42,480
Speaker 1: a sitcom idea for what your next vehicle will be,

441
00:23:43,080 --> 00:23:45,560
Speaker 1: and then you say, I guess how good they are

442
00:23:45,600 --> 00:23:48,840
Speaker 1: and why? And then which one you would prefer to

443
00:23:48,840 --> 00:23:50,760
Speaker 1: be in between our two. So a little bit of competition,

444
00:23:50,800 --> 00:23:52,320
Speaker 1: a little bit of a game night, if you will.

445
00:23:53,560 --> 00:23:56,280
Speaker 3: And I'm the I'm the judge, I'm the I'm the

446
00:23:56,320 --> 00:23:58,439
Speaker 3: network president. I get to decide what goes to the

447
00:23:58,480 --> 00:23:59,520
Speaker 3: network president and your.

448
00:23:59,440 --> 00:24:02,520
Speaker 2: But also think, you know, as you look for your

449
00:24:02,560 --> 00:24:07,280
Speaker 2: own opportunities in the future, think about you and what

450
00:24:07,320 --> 00:24:10,520
Speaker 2: I as an actress, as a performer, like what the

451
00:24:10,680 --> 00:24:11,840
Speaker 2: good next step for you would?

452
00:24:11,960 --> 00:24:16,640
Speaker 1: Okay, that's great, Okay, So I guess round one, ding

453
00:24:16,720 --> 00:24:21,560
Speaker 1: ding ding. I'll go first. So a moon man gets

454
00:24:21,640 --> 00:24:24,800
Speaker 1: mad at his dad. He punches his dad so hard

455
00:24:24,840 --> 00:24:28,240
Speaker 1: he falls back down to Earth. On Earth, the dad

456
00:24:28,280 --> 00:24:33,119
Speaker 1: falls in love with and marries a female NASA jet driver.

457
00:24:34,160 --> 00:24:37,440
Speaker 1: Now he has to decide whether to live with her

458
00:24:37,560 --> 00:24:40,320
Speaker 1: on Earth or hitch a ride back to the Moon

459
00:24:40,920 --> 00:24:42,080
Speaker 1: to beat up his kid.

460
00:24:44,119 --> 00:24:46,960
Speaker 2: Oh, and I guess I should do. I should be mine?

461
00:24:47,600 --> 00:24:47,879
Speaker 1: All right.

462
00:24:48,040 --> 00:24:51,240
Speaker 2: You're you're a captain on a ship, like an old ship,

463
00:24:51,600 --> 00:24:55,320
Speaker 2: not like one of these new like big container ships

464
00:24:55,359 --> 00:24:59,639
Speaker 2: like an old ship with sales like okay, and you

465
00:24:59,680 --> 00:25:03,639
Speaker 2: find stowaway and it's your mom, and you're making a

466
00:25:03,720 --> 00:25:06,320
Speaker 2: trip across the ocean, and now you have to deal

467
00:25:06,640 --> 00:25:11,199
Speaker 2: with managing the ship and all your crew, but also

468
00:25:11,520 --> 00:25:12,639
Speaker 2: taking care of your mom.

469
00:25:12,880 --> 00:25:19,919
Speaker 3: Okay, guys, first thing, those are both really great pitches.

470
00:25:20,000 --> 00:25:20,480
Speaker 2: I thank you.

471
00:25:20,600 --> 00:25:23,480
Speaker 3: Yeah, I appreciate that you're even being considered for either

472
00:25:23,480 --> 00:25:23,800
Speaker 3: of those.

473
00:25:24,720 --> 00:25:28,240
Speaker 2: And I just want to say that it's not binding us.

474
00:25:28,359 --> 00:25:30,760
Speaker 2: Pitching this in here is not like, if you say

475
00:25:30,760 --> 00:25:32,480
Speaker 2: you want to do it, we still do have the

476
00:25:32,520 --> 00:25:35,400
Speaker 2: option to take it out, Okay to other just look

477
00:25:35,400 --> 00:25:38,399
Speaker 2: at who's just to see what's out there, and it

478
00:25:38,480 --> 00:25:39,320
Speaker 2: might be you.

479
00:25:39,320 --> 00:25:41,520
Speaker 1: And very well could be you. We think you've got

480
00:25:41,520 --> 00:25:42,240
Speaker 1: a great energy.

481
00:25:42,520 --> 00:25:44,639
Speaker 3: Oh so you're kind of okay, so you're protecting yourself.

482
00:25:44,680 --> 00:25:47,199
Speaker 3: I mean, I thought for a second, my agreement or

483
00:25:47,400 --> 00:25:50,160
Speaker 3: non agreement is not binding. But you're saying you're.

484
00:25:50,760 --> 00:25:53,479
Speaker 2: We're saying you're not. Just the fact that we're offering

485
00:25:53,560 --> 00:25:56,440
Speaker 2: it to you in this setting, and if you say

486
00:25:56,480 --> 00:25:58,359
Speaker 2: you want to do it, we still have the option

487
00:25:58,560 --> 00:26:00,320
Speaker 2: to say you would have to do it at that point,

488
00:26:00,359 --> 00:26:01,240
Speaker 2: yours is binding?

489
00:26:01,760 --> 00:26:03,440
Speaker 3: Oh I okay, Okay, if.

490
00:26:03,359 --> 00:26:04,920
Speaker 2: You say you want to do it, but we still

491
00:26:04,960 --> 00:26:08,000
Speaker 2: have the option to bring it explore other.

492
00:26:08,080 --> 00:26:12,520
Speaker 3: No, of course, Yeah, Sean, I'm a NASA what driver

493
00:26:12,720 --> 00:26:13,040
Speaker 3: in the.

494
00:26:14,880 --> 00:26:16,159
Speaker 1: NASA Jet driver.

495
00:26:16,040 --> 00:26:20,040
Speaker 3: NASA jet driver? And is that is that space or

496
00:26:20,080 --> 00:26:20,840
Speaker 3: is that on the ground?

497
00:26:20,920 --> 00:26:22,639
Speaker 1: Yeah, you drive your jet back and forth to the

498
00:26:22,680 --> 00:26:25,440
Speaker 1: moon from for that's a company.

499
00:26:25,880 --> 00:26:27,840
Speaker 3: What I really like about both of these pitches is

500
00:26:27,840 --> 00:26:30,600
Speaker 3: that they feature really powerful women. I think that's really important.

501
00:26:30,680 --> 00:26:32,040
Speaker 2: That's important to us too.

502
00:26:32,280 --> 00:26:35,600
Speaker 3: Yeah, and uh, you know women who behave like adults.

503
00:26:35,640 --> 00:26:38,120
Speaker 3: I think that's good to see on television, a good

504
00:26:38,240 --> 00:26:43,679
Speaker 3: role model for younger girls. And between the two, I

505
00:26:43,680 --> 00:26:48,520
Speaker 3: guess I'm I'm leaning towards the boat the ship pitch.

506
00:26:48,800 --> 00:26:52,000
Speaker 1: Uh mistake, Well, I.

507
00:26:51,960 --> 00:26:53,920
Speaker 3: Love mother daughter relationships that I think there's a lot

508
00:26:53,960 --> 00:26:57,119
Speaker 3: to explore there. And I just went, is it in

509
00:26:57,320 --> 00:26:59,080
Speaker 3: is it current day or is it no, it's in

510
00:26:59,160 --> 00:27:03,399
Speaker 3: olden times, oh when like Pilgrims.

511
00:27:02,840 --> 00:27:05,680
Speaker 2: Or just a really long time ago.

512
00:27:08,040 --> 00:27:10,840
Speaker 3: I think I'm gonna have to go with with the

513
00:27:11,040 --> 00:27:11,720
Speaker 3: with the ship.

514
00:27:12,080 --> 00:27:15,320
Speaker 1: Okay, Okay, that's okay, that's just round one.

515
00:27:15,880 --> 00:27:18,439
Speaker 3: Oh, that's just round one. I'm sorry for taking so

516
00:27:18,520 --> 00:27:19,760
Speaker 3: long on that, Okay.

517
00:27:19,600 --> 00:27:23,800
Speaker 1: Ding ding Ding Round two. A single mom who's a

518
00:27:23,880 --> 00:27:28,840
Speaker 1: spy loses her spy job and has to move back

519
00:27:28,880 --> 00:27:36,520
Speaker 1: in with her dad, Hitler's ghost. He's nice. He's nice,

520
00:27:36,840 --> 00:27:40,960
Speaker 1: but his boss is mean. The mom uses her spy

521
00:27:41,040 --> 00:27:44,280
Speaker 1: powers every episode to embarrass the boss.

522
00:27:47,920 --> 00:27:51,520
Speaker 2: Mine sort of a title concept pitch. Our engineer just left.

523
00:27:53,200 --> 00:27:56,240
Speaker 2: What what do we do about this? We have this

524
00:27:56,320 --> 00:27:58,679
Speaker 2: problem sometimes where our engineer will just get up and

525
00:27:58,840 --> 00:28:00,919
Speaker 2: leave and never come back.

526
00:28:00,960 --> 00:28:04,640
Speaker 1: If he's not working for us. Yeah, and it's kind

527
00:28:04,640 --> 00:28:06,560
Speaker 1: of like, this is a huge fucking opportunity.

528
00:28:06,600 --> 00:28:09,960
Speaker 2: But I can already feel myself already. I'm getting the furio.

529
00:28:09,600 --> 00:28:13,760
Speaker 1: A fuming man. I am steaming hot boy.

530
00:28:14,440 --> 00:28:19,040
Speaker 2: Anyway, My pitch is it's called Pregnant Forever, uh, And

531
00:28:19,359 --> 00:28:24,720
Speaker 2: it's basically this woman who finds out that she she

532
00:28:24,720 --> 00:28:27,119
Speaker 2: she is having a baby, but she's never gonna actually

533
00:28:27,160 --> 00:28:29,320
Speaker 2: deliver it. She's just just gonna be pregnant for her

534
00:28:29,359 --> 00:28:32,200
Speaker 2: whole life, and so she has to kind of manage

535
00:28:32,440 --> 00:28:35,280
Speaker 2: like can she have it all? Like can she be

536
00:28:35,480 --> 00:28:39,360
Speaker 2: pregnant and at the same time like have like a

537
00:28:39,560 --> 00:28:42,880
Speaker 2: good like relationship? Can she like meet guys and like

538
00:28:42,920 --> 00:28:46,840
Speaker 2: in the like succeed in the workplace. But she's never

539
00:28:46,920 --> 00:28:48,040
Speaker 2: not going to be pregnant?

540
00:28:48,400 --> 00:28:50,480
Speaker 3: Is she always at full term? Like?

541
00:28:50,520 --> 00:28:52,920
Speaker 2: Is she always she's always like nine and a half

542
00:28:53,000 --> 00:28:55,480
Speaker 2: months pregnant? The baby is like, it's the kind of

543
00:28:55,480 --> 00:28:57,520
Speaker 2: time we were like, oh, well the babies do by

544
00:28:57,560 --> 00:28:58,800
Speaker 2: now things like that.

545
00:28:58,920 --> 00:29:00,880
Speaker 1: It's not my kind of like to say, that's probably

546
00:29:00,880 --> 00:29:05,320
Speaker 1: a great opportunity for some physical comedy. Sure, yeah, I'm

547
00:29:05,400 --> 00:29:06,520
Speaker 1: jealous of that aspect.

548
00:29:06,760 --> 00:29:12,640
Speaker 3: Yeah, I don't know. I'm worried about I don't just

549
00:29:12,720 --> 00:29:18,760
Speaker 3: on a purely selfish level. I'm worried about wearing a prostheticty's.

550
00:29:16,880 --> 00:29:19,480
Speaker 2: For that time. Thank you for bringing that up. It's

551
00:29:19,640 --> 00:29:24,120
Speaker 2: not prosthetic. Oh, if you were to participate in this,

552
00:29:24,200 --> 00:29:27,040
Speaker 2: you'd have to go through a couple of procedures. They're

553
00:29:27,160 --> 00:29:32,400
Speaker 2: very they're not super invasive or anything, but that would become.

554
00:29:32,520 --> 00:29:35,040
Speaker 1: And they're mostly reversible. Is that correct?

555
00:29:35,920 --> 00:29:37,400
Speaker 2: A couple of them are reversible.

556
00:29:37,720 --> 00:29:43,840
Speaker 3: Yes, okay, and this is and and but in Sewan

557
00:29:43,880 --> 00:29:46,040
Speaker 3: show I have spy powers, and.

558
00:29:46,400 --> 00:29:49,320
Speaker 1: Yeah, you're using the spy powers to embarrass your dad's

559
00:29:49,360 --> 00:29:50,560
Speaker 1: me and boss and.

560
00:29:50,640 --> 00:29:52,479
Speaker 3: My dad is Hitler's ghost or no?

561
00:29:52,360 --> 00:29:54,560
Speaker 1: No, yeah, well that's what. Yeah, that's what you realize

562
00:29:54,600 --> 00:29:58,680
Speaker 1: when you move back in. But he's nice, nice being nice.

563
00:29:58,960 --> 00:30:00,360
Speaker 1: I mean he's learned some sense.

564
00:30:00,520 --> 00:30:05,680
Speaker 3: Yeah again purely selfish level, because I like balance in life.

565
00:30:05,680 --> 00:30:08,920
Speaker 3: I would be worried about the procedures that would have

566
00:30:08,960 --> 00:30:11,400
Speaker 3: to be done in order to play Pregnant forever. So

567
00:30:11,520 --> 00:30:13,880
Speaker 3: I think I'm going to go with Shawn's on this one.

568
00:30:14,000 --> 00:30:16,960
Speaker 1: Okay, So it's a it's all tied.

569
00:30:16,760 --> 00:30:18,880
Speaker 3: Up and uh yeah, I guess it's one to one.

570
00:30:19,440 --> 00:30:21,760
Speaker 1: Yeah, well we're both great.

571
00:30:22,760 --> 00:30:24,680
Speaker 2: I like that and I like that as that's a

572
00:30:24,760 --> 00:30:27,240
Speaker 2: nice way to end it for us. Yeah, Cody's back.

573
00:30:27,280 --> 00:30:29,080
Speaker 2: I don't think we should say anything about it.

574
00:30:29,240 --> 00:30:32,440
Speaker 1: Let's just not deal with it now, because I don't

575
00:30:32,440 --> 00:30:34,280
Speaker 1: think I can come back down, I know.

576
00:30:34,360 --> 00:30:36,120
Speaker 2: You mean, like he knows what he did and then

577
00:30:36,120 --> 00:30:38,400
Speaker 2: me just let it simmer and we don't.

578
00:30:39,080 --> 00:30:41,080
Speaker 1: Yeah, I mean he'll if he can figure it out

579
00:30:41,120 --> 00:30:42,120
Speaker 1: for himself, that's you know.

580
00:30:42,280 --> 00:30:45,600
Speaker 2: And because also he's trying, he's trying to ruin the show,

581
00:30:45,840 --> 00:30:48,959
Speaker 2: you know, like if we don't get all satisfaction, Yeah,

582
00:30:49,040 --> 00:30:53,959
Speaker 2: what I do get off the mic until now you

583
00:30:54,160 --> 00:30:57,200
Speaker 2: all you did was just get up and wander out

584
00:30:57,240 --> 00:30:59,480
Speaker 2: of the room. Ellen your job is to make sure.

585
00:31:00,080 --> 00:31:01,640
Speaker 1: Could you tell Cody how that made you feel?

586
00:31:03,200 --> 00:31:06,160
Speaker 3: I thought it was fine. I assumed he needed to

587
00:31:06,240 --> 00:31:11,440
Speaker 3: use the breastroom. Yeah, but I guess I don't know.

588
00:31:11,440 --> 00:31:14,680
Speaker 3: I guess they were saying, maybe you've done that before.

589
00:31:14,880 --> 00:31:16,760
Speaker 2: Did you feel like the sound levels were okay the

590
00:31:16,800 --> 00:31:18,960
Speaker 2: whole time? Because to me, they were flying all over

591
00:31:19,000 --> 00:31:19,360
Speaker 2: the place.

592
00:31:19,440 --> 00:31:21,200
Speaker 3: Oh see, I thought they were. I thought they were fine.

593
00:31:21,280 --> 00:31:24,800
Speaker 2: Out of control, we were fluctuating from we were spiking

594
00:31:25,000 --> 00:31:27,600
Speaker 2: a lot. We spiked many times.

595
00:31:27,320 --> 00:31:29,960
Speaker 1: Spiked a few times, and we also.

596
00:31:29,840 --> 00:31:32,800
Speaker 2: Hit we hit zero. Yeah, we hit zero many many times.

597
00:31:32,800 --> 00:31:33,360
Speaker 2: I mean peak.

598
00:31:34,240 --> 00:31:37,640
Speaker 1: I just picture it all as a sort of mountainscape, So.

599
00:31:39,080 --> 00:31:40,880
Speaker 2: A spiky like a spiky.

600
00:31:40,760 --> 00:31:42,760
Speaker 1: Like, a spiky mountains scape. You don't talk about peaks

601
00:31:42,760 --> 00:31:43,600
Speaker 1: when you talk about.

602
00:31:43,360 --> 00:31:45,320
Speaker 2: Mountains, No, you talk about the top of the mountains

603
00:31:45,320 --> 00:31:48,120
Speaker 2: of the spike part. Oh clip, then you meant clip.

604
00:31:48,960 --> 00:31:50,960
Speaker 1: You know what, if you think you can impress me

605
00:31:51,040 --> 00:31:57,600
Speaker 1: by using engineer terms when your professionalism is clipping, or

606
00:31:58,520 --> 00:32:04,160
Speaker 1: you know, it's hitting zero and not peaking, then you're

607
00:32:04,200 --> 00:32:07,120
Speaker 1: gonna have to try a new strategy because that's not good.

608
00:32:08,160 --> 00:32:10,920
Speaker 2: Let's into I think something that would really calm me

609
00:32:10,960 --> 00:32:13,160
Speaker 2: down right now is dipping into the popcorn. Let's get

610
00:32:13,200 --> 00:32:21,800
Speaker 2: in there. Ooh, buttery. We've solicited some questions from some

611
00:32:21,880 --> 00:32:26,240
Speaker 2: of our fans for you. They have some specific questions

612
00:32:26,280 --> 00:32:27,840
Speaker 2: for you, and this is just a nice way for

613
00:32:27,880 --> 00:32:30,120
Speaker 2: them to Normally they don't have that level of contact

614
00:32:30,160 --> 00:32:33,120
Speaker 2: with you because you, like all celebrities, you sort of

615
00:32:33,120 --> 00:32:34,040
Speaker 2: close yourself off.

616
00:32:33,920 --> 00:32:36,120
Speaker 3: And I don't really like to.

617
00:32:35,520 --> 00:32:37,880
Speaker 2: Engage with those people unless it's on a Hollywood game night.

618
00:32:38,760 --> 00:32:43,080
Speaker 3: Well, yeah, okay, go ahead, No, no, yeah, I think

619
00:32:43,920 --> 00:32:44,440
Speaker 3: I think.

620
00:32:44,560 --> 00:32:45,400
Speaker 2: So you agree with that.

621
00:32:45,480 --> 00:32:47,440
Speaker 1: Yeah.

622
00:32:47,440 --> 00:32:51,880
Speaker 2: This question is from Valerie Bryant. Is it fun to

623
00:32:51,920 --> 00:32:53,600
Speaker 2: be you? Ellie?

624
00:32:54,040 --> 00:32:54,200
Speaker 1: Oh?

625
00:32:54,240 --> 00:32:57,440
Speaker 3: Is it fun to be me? I guess sometimes it's

626
00:32:57,440 --> 00:32:58,480
Speaker 3: fun and sometimes it's not.

627
00:32:59,000 --> 00:32:59,560
Speaker 2: Speak on that.

628
00:33:01,360 --> 00:33:04,760
Speaker 3: I think like anyone else, it's sometimes you're in a

629
00:33:04,760 --> 00:33:07,680
Speaker 3: good mood and you're feeling like you enjoy things about

630
00:33:07,680 --> 00:33:10,240
Speaker 3: yourself and your life, and then on other days you

631
00:33:10,320 --> 00:33:13,800
Speaker 3: feel annoyed about things or in a bad mood about things.

632
00:33:14,240 --> 00:33:17,360
Speaker 3: Engineer Cody, Yeah, well, yeah, I think that everything went

633
00:33:17,400 --> 00:33:20,959
Speaker 3: okay when when he left Idea you a pretty eno.

634
00:33:21,040 --> 00:33:23,080
Speaker 2: Some days you feel like everything's going okay, and then

635
00:33:23,120 --> 00:33:27,360
Speaker 2: somebody that you trust will betray you. And leave his

636
00:33:28,000 --> 00:33:31,480
Speaker 2: post for like half an hour.

637
00:33:32,400 --> 00:33:34,560
Speaker 3: I guess it's I think it was just like.

638
00:33:34,960 --> 00:33:37,680
Speaker 2: When you're trying to do you're trying to create.

639
00:33:37,400 --> 00:33:40,520
Speaker 1: Forty five minutes. Oh, should we reach back into the

640
00:33:40,560 --> 00:33:41,360
Speaker 1: popcorn gallery?

641
00:33:41,480 --> 00:33:44,200
Speaker 3: Sure?

642
00:33:45,320 --> 00:33:46,640
Speaker 1: M salty too.

643
00:33:47,800 --> 00:33:51,480
Speaker 2: This question is from hunter. Oh, Ellie, when they give

644
00:33:51,520 --> 00:33:53,640
Speaker 2: you clothes to do acting in? Is that nice?

645
00:33:55,760 --> 00:34:01,200
Speaker 3: It's so? It's so nice because who doesn't like having

646
00:34:01,240 --> 00:34:02,840
Speaker 3: clothes and pretending that you're someone else?

647
00:34:02,960 --> 00:34:03,200
Speaker 2: Sure?

648
00:34:03,560 --> 00:34:04,400
Speaker 1: Yeah, speak on that.

649
00:34:05,240 --> 00:34:08,200
Speaker 3: Well. I guess it's like playing dress up. I don't

650
00:34:08,239 --> 00:34:09,880
Speaker 3: know if you guys did that when you were kids,

651
00:34:09,920 --> 00:34:12,439
Speaker 3: but it's kind of it's nice to have someone Also,

652
00:34:12,440 --> 00:34:13,880
Speaker 3: I'm not a good chopper, so it's nice to have

653
00:34:13,920 --> 00:34:18,600
Speaker 3: someone else who's designed the outfit and thought about it

654
00:34:18,680 --> 00:34:21,520
Speaker 3: and gotten it and it's and you get to wear it.

655
00:34:21,520 --> 00:34:22,160
Speaker 3: It's a lot of fun.

656
00:34:22,239 --> 00:34:23,040
Speaker 2: You're not a good chopper.

657
00:34:23,040 --> 00:34:25,360
Speaker 1: Speak on that, Oh, speak.

658
00:34:25,160 --> 00:34:28,080
Speaker 3: On not being good chopper. I guess it's I get

659
00:34:28,120 --> 00:34:31,520
Speaker 3: overwhelmed by all the choices sometimes, and I don't like lines.

660
00:34:32,480 --> 00:34:35,600
Speaker 2: Oh do you want to speak on not liking lines?

661
00:34:37,040 --> 00:34:39,200
Speaker 3: I don't know what to say. Uh, I don't like

662
00:34:39,239 --> 00:34:41,640
Speaker 3: standing in line. I don't know many people who do.

663
00:34:42,560 --> 00:34:45,239
Speaker 1: Yeah, it takes too long. Yeah, Can I ask you

664
00:34:45,440 --> 00:34:48,560
Speaker 1: so you like it when the wardrobe person whose job

665
00:34:48,560 --> 00:34:51,840
Speaker 1: it is to provide clothes for you is helping you

666
00:34:51,880 --> 00:34:55,440
Speaker 1: out with that kind of thing. What if they you

667
00:34:55,480 --> 00:34:59,520
Speaker 1: were half dressed and then they just left the room,

668
00:35:00,360 --> 00:35:02,200
Speaker 1: would you feel like they were doing a good job

669
00:35:02,280 --> 00:35:04,279
Speaker 1: at their job or would you feel like they were

670
00:35:04,520 --> 00:35:07,520
Speaker 1: pulling an engineer cody?

671
00:35:07,560 --> 00:35:09,319
Speaker 3: You know, I just I have a feeling if that

672
00:35:09,360 --> 00:35:11,840
Speaker 3: were to happen, there was a good reason for that happening.

673
00:35:12,000 --> 00:35:13,759
Speaker 3: They maybe had to use the restroom, or had to

674
00:35:13,800 --> 00:35:16,880
Speaker 3: take a call, or would be right back. So I

675
00:35:17,120 --> 00:35:17,760
Speaker 3: think it's okay.

676
00:35:17,880 --> 00:35:21,600
Speaker 2: You would essentially have to do the show in the nude.

677
00:35:21,960 --> 00:35:23,520
Speaker 3: At that go, Well, I don't know if I would

678
00:35:24,040 --> 00:35:24,399
Speaker 3: have to.

679
00:35:24,360 --> 00:35:27,120
Speaker 1: Go sort of the equivalent of well, we know that

680
00:35:27,200 --> 00:35:30,120
Speaker 1: film sets run on a tight schedule and time wise,

681
00:35:30,200 --> 00:35:32,040
Speaker 1: you just can't go to the restroom or take phone

682
00:35:32,040 --> 00:35:34,920
Speaker 1: calls whenever you want because they need they're losing daylight.

683
00:35:35,320 --> 00:35:39,480
Speaker 3: I guess there's always time for for small things that

684
00:35:39,520 --> 00:35:41,120
Speaker 3: need to be taken care of. I don't know that

685
00:35:41,160 --> 00:35:42,439
Speaker 3: anything's that pressing that you can.

686
00:35:42,480 --> 00:35:43,440
Speaker 1: Would that that were true?

687
00:35:43,560 --> 00:35:44,040
Speaker 2: Yeah?

688
00:35:44,280 --> 00:35:46,880
Speaker 3: Well, if you yeah, I think it can be true.

689
00:35:47,080 --> 00:35:49,439
Speaker 3: Always edit stuff later also.

690
00:35:49,239 --> 00:35:50,920
Speaker 1: And if they were gone for forty five minutes, then

691
00:35:50,960 --> 00:35:51,960
Speaker 1: that would really be something.

692
00:35:52,760 --> 00:35:54,880
Speaker 3: It's I think, Yeah, do we five minutes?

693
00:35:55,200 --> 00:35:57,279
Speaker 1: Do we have any more? Do we have any more

694
00:35:57,320 --> 00:35:58,320
Speaker 1: from the popcorn gallery?

695
00:35:58,560 --> 00:36:01,359
Speaker 2: Yeah? We have? I think we have an o question. Uh,

696
00:36:01,480 --> 00:36:04,680
Speaker 2: this one's from Octor Doctopus. I have to reach in first, Sorry,

697
00:36:04,719 --> 00:36:12,520
Speaker 2: let me reach in or shower patch, kude, this one's

698
00:36:12,560 --> 00:36:16,359
Speaker 2: from Octor Doctopus. Oh, ellie, we all know that you

699
00:36:16,400 --> 00:36:19,560
Speaker 2: make a large chunk of your personal income from sponsored tweets.

700
00:36:19,840 --> 00:36:22,160
Speaker 2: Are you going to branch out into vine or as

701
00:36:22,200 --> 00:36:24,759
Speaker 2: you stated in an earlier interview with Salon, is that

702
00:36:24,880 --> 00:36:27,239
Speaker 2: still just something poor people do when they want to

703
00:36:27,239 --> 00:36:29,240
Speaker 2: be obnoxious.

704
00:36:32,200 --> 00:36:35,080
Speaker 3: That I'm not sure if that question, I'm not. I

705
00:36:35,080 --> 00:36:38,319
Speaker 3: haven't done I haven't joined Twitter yet, so I don't know.

706
00:36:38,320 --> 00:36:40,960
Speaker 2: If you have you pay someone to do your tweets?

707
00:36:42,560 --> 00:36:45,200
Speaker 3: No, I don't have a Twitter account, so I don't know.

708
00:36:45,480 --> 00:36:49,000
Speaker 3: Do you think was that question for someone else or Octor?

709
00:36:49,040 --> 00:36:52,920
Speaker 2: Doctorpus historically has been pretty accurate with his questions.

710
00:36:53,000 --> 00:36:53,239
Speaker 3: Yeah.

711
00:36:53,320 --> 00:36:55,680
Speaker 1: Yeah, he does a lot of research first, Unlike some

712
00:36:55,719 --> 00:36:59,840
Speaker 1: of our other question askers, now had you maybe I

713
00:37:00,040 --> 00:37:02,759
Speaker 1: had a glass of champagne started a Twitter account for

714
00:37:02,880 --> 00:37:05,000
Speaker 1: God because that's kind of what your mail man told

715
00:37:05,080 --> 00:37:05,840
Speaker 1: us it happened.

716
00:37:08,120 --> 00:37:11,759
Speaker 3: You're my mailman. Oh wow, No, I didn't. I don't

717
00:37:11,760 --> 00:37:14,640
Speaker 3: really like champagne that much, so I don't think I started.

718
00:37:14,320 --> 00:37:15,200
Speaker 1: Well like it.

719
00:37:15,400 --> 00:37:17,279
Speaker 2: You seem to like it a lot on Hollywood Game Night.

720
00:37:17,400 --> 00:37:21,640
Speaker 3: Well, well again, I had one glass of champagne the

721
00:37:21,640 --> 00:37:23,799
Speaker 3: whole night, and the camera kept showing me with one

722
00:37:23,840 --> 00:37:27,040
Speaker 3: glass of champagne, so m hm, which might prompt some

723
00:37:27,080 --> 00:37:29,640
Speaker 3: people to think that I was drinking the entire time when.

724
00:37:29,520 --> 00:37:31,880
Speaker 1: Really, Now, when you say one glass to you just

725
00:37:31,920 --> 00:37:34,719
Speaker 1: mean that you never changed glasses, but that you did

726
00:37:34,840 --> 00:37:35,719
Speaker 1: keep refilling the.

727
00:37:36,120 --> 00:37:38,239
Speaker 2: One glass with a lot of different champagne in it.

728
00:37:38,320 --> 00:37:42,359
Speaker 3: No, I mean one glass of champagne for the entire

729
00:37:42,400 --> 00:37:47,439
Speaker 3: showy and not as some people thought, you just now

730
00:37:47,760 --> 00:37:48,719
Speaker 3: multiple glasses.

731
00:37:49,320 --> 00:37:51,759
Speaker 1: I mean I let her carry her as a government employee,

732
00:37:51,640 --> 00:37:54,279
Speaker 1: so what she She could lose her job.

733
00:37:56,600 --> 00:37:58,520
Speaker 3: She could lose her job for any number of reasons,

734
00:37:58,560 --> 00:38:02,680
Speaker 3: but I because she had an opinion about my performance

735
00:38:02,680 --> 00:38:05,560
Speaker 3: on Hollywood Game Night, is I don't know. She's free

736
00:38:05,560 --> 00:38:09,680
Speaker 3: to think what she wants. I guess, but she happened

737
00:38:09,680 --> 00:38:10,720
Speaker 3: to be wrong.

738
00:38:12,000 --> 00:38:18,080
Speaker 1: You've got something exciting coming up, Ellie. Yes, you this year,

739
00:38:18,160 --> 00:38:21,200
Speaker 1: this coming year, twenty fourteen have been selected as one

740
00:38:21,200 --> 00:38:26,000
Speaker 1: of the twelve actresses who portrays Lady Gaga for a

741
00:38:26,040 --> 00:38:30,520
Speaker 1: month out of the year. Everyone knows she is a creation,

742
00:38:31,360 --> 00:38:37,360
Speaker 1: a Hollywood creation, and every month someone new is Lady Gaga.

743
00:38:38,040 --> 00:38:39,560
Speaker 1: So do you have anything special plan? Do you have

744
00:38:39,560 --> 00:38:42,680
Speaker 1: any song ideas or outfit ideas.

745
00:38:43,040 --> 00:38:45,000
Speaker 3: I'm going to need some help. My month isn't coming

746
00:38:45,080 --> 00:38:46,440
Speaker 3: up until May, so I have that.

747
00:38:46,520 --> 00:38:50,040
Speaker 2: That's a very good Gaga, great Gaga month, I think so.

748
00:38:50,120 --> 00:38:51,359
Speaker 1: Congratulation, Thank you.

749
00:38:51,400 --> 00:38:53,560
Speaker 3: I feel like the May performers have always done a

750
00:38:53,560 --> 00:38:57,400
Speaker 3: good job. Look, I won't lie. I'm really nervous. You know,

751
00:38:57,520 --> 00:39:01,279
Speaker 3: it's a big job. All need help with the songs,

752
00:39:01,320 --> 00:39:04,000
Speaker 3: for sure. I'm hoping we do something in the vein

753
00:39:04,040 --> 00:39:08,839
Speaker 3: of Madonna, which which other Gaga performers have done. Yes, Look,

754
00:39:08,880 --> 00:39:10,959
Speaker 3: I'm worried. I feel like I may have to lose

755
00:39:11,000 --> 00:39:14,000
Speaker 3: some weight. I have to pull out some of those

756
00:39:14,000 --> 00:39:18,680
Speaker 3: outfits now now. No, no, no, I'm not fishing for compliments. No,

757
00:39:18,760 --> 00:39:20,799
Speaker 3: I'm not fishing for compliments. I just you know, in

758
00:39:20,880 --> 00:39:22,839
Speaker 3: order to wear the stuff she wears, you have to

759
00:39:22,840 --> 00:39:28,000
Speaker 3: be sort of a blank canvas and so so you know, no,

760
00:39:28,080 --> 00:39:30,960
Speaker 3: I'm excited and nervous at the same time, if that's possible.

761
00:39:31,160 --> 00:39:33,959
Speaker 1: So she's worn dresses made out of meat, sure, made

762
00:39:33,960 --> 00:39:38,480
Speaker 1: out of kermit puppet, And what stupid thing do you

763
00:39:38,520 --> 00:39:39,799
Speaker 1: want to make a dress out of.

764
00:39:41,120 --> 00:39:45,680
Speaker 3: Oh it's hard to come up with something that wouldn't

765
00:39:45,719 --> 00:39:50,560
Speaker 3: offend someone, you know, that's true. I think it would

766
00:39:50,600 --> 00:39:53,000
Speaker 3: be fun to be in something made of just something

767
00:39:53,080 --> 00:39:53,760
Speaker 3: very floral.

768
00:39:54,800 --> 00:39:56,520
Speaker 2: Okay, that's a nice idea.

769
00:39:56,360 --> 00:39:59,560
Speaker 3: Right, Yeah, I think so just just an actual.

770
00:39:59,480 --> 00:40:02,600
Speaker 2: Like a max see, like a Maxie dress.

771
00:40:02,920 --> 00:40:07,800
Speaker 3: A Maxi dress of of actual floral, you know, roses

772
00:40:07,880 --> 00:40:14,520
Speaker 3: and tulips and lily pads, lily pads, sunflowers, what else?

773
00:40:14,880 --> 00:40:17,759
Speaker 3: What other kinds of flowers? Like?

774
00:40:17,880 --> 00:40:21,040
Speaker 1: Good, if there's lily pads, maybe there's a live salamander

775
00:40:21,080 --> 00:40:21,880
Speaker 1: living in your dress.

776
00:40:22,280 --> 00:40:24,239
Speaker 3: Yeah, I think that could be fun. Yeah, that could

777
00:40:24,280 --> 00:40:27,080
Speaker 3: be cool, like a dandelion.

778
00:40:28,320 --> 00:40:34,799
Speaker 2: Who else is uh donning the Gaga mask and who

779
00:40:35,440 --> 00:40:38,920
Speaker 2: was doing it at some point? Who else? Who was

780
00:40:38,960 --> 00:40:42,000
Speaker 2: the person I think Mila Joviovic I heard was yeah

781
00:40:42,239 --> 00:40:44,080
Speaker 2: taking the taro I think is doing it.

782
00:40:44,719 --> 00:40:48,360
Speaker 3: They they don't necessarily tell the performers who else is

783
00:40:48,400 --> 00:40:51,040
Speaker 3: doing it, because I don't think they want anyone to.

784
00:40:50,760 --> 00:40:53,080
Speaker 2: Get Joous the best mum.

785
00:40:54,080 --> 00:40:59,320
Speaker 3: But now he told everyone who's doing it. But uh,

786
00:40:59,840 --> 00:41:02,080
Speaker 3: you know it's not always a woman as you know, I.

787
00:41:02,080 --> 00:41:04,880
Speaker 1: Mean, oh yeah, yeah, Michael J. Fox did it last December.

788
00:41:05,440 --> 00:41:10,040
Speaker 3: Yeah he was. He did great, not for me, but

789
00:41:10,200 --> 00:41:11,759
Speaker 3: yeah he was.

790
00:41:11,880 --> 00:41:13,040
Speaker 1: Yeah, he's very nice.

791
00:41:13,640 --> 00:41:15,880
Speaker 3: Who has been your your favorite.

792
00:41:15,560 --> 00:41:17,040
Speaker 1: My favorite Gaga so far?

793
00:41:17,960 --> 00:41:21,359
Speaker 3: Don't make me pick, but if if if you had

794
00:41:21,400 --> 00:41:22,600
Speaker 3: to choose, if you had to.

795
00:41:23,120 --> 00:41:28,479
Speaker 2: Who's yours? I guess George H. W.

796
00:41:28,560 --> 00:41:28,840
Speaker 1: Bush?

797
00:41:28,960 --> 00:41:33,359
Speaker 2: Oh wow, Yeah. I thought it was really fun when

798
00:41:33,360 --> 00:41:36,440
Speaker 2: Brian Williams did it. I thought it was just so

799
00:41:36,480 --> 00:41:39,279
Speaker 2: fun because he's like just a news guy, but he's

800
00:41:39,320 --> 00:41:41,840
Speaker 2: actually really funny. He was too game for me.

801
00:41:41,960 --> 00:41:44,799
Speaker 3: He was almost too game, saying yeah, yeah, I know.

802
00:41:45,560 --> 00:41:47,600
Speaker 2: The fact that George H. W. Bush didn't want to

803
00:41:47,640 --> 00:41:50,399
Speaker 2: do it was interesting, yeah, sort of the reluctance made

804
00:41:50,480 --> 00:41:52,440
Speaker 2: it more entertaining.

805
00:41:52,600 --> 00:41:56,000
Speaker 3: Yeah right, yeah right. I thought Beyonce was it was

806
00:41:56,040 --> 00:41:56,880
Speaker 3: a good Gaga.

807
00:41:57,080 --> 00:41:58,000
Speaker 2: She was good.

808
00:41:58,120 --> 00:41:59,680
Speaker 1: Yeah, she actually pulled it off.

809
00:41:59,760 --> 00:42:02,200
Speaker 3: Yeah, yeah, she pulled it up. I thought she might

810
00:42:02,239 --> 00:42:05,080
Speaker 3: try to sabotage it in some way, you know.

811
00:42:05,280 --> 00:42:10,360
Speaker 2: Right, make sense for Yeah.

812
00:42:09,440 --> 00:42:13,040
Speaker 3: She actually did one of the finest performances I've seen.

813
00:42:13,120 --> 00:42:15,759
Speaker 3: So I don't know. I'm excited. I'm excited. I have

814
00:42:15,800 --> 00:42:17,799
Speaker 3: some time to prepare, so we'll see. We'll see what

815
00:42:17,800 --> 00:42:18,239
Speaker 3: I come up with.

816
00:42:18,239 --> 00:42:19,799
Speaker 1: Well, we're excited to see it.

817
00:42:20,040 --> 00:42:21,120
Speaker 3: Thank you, Thank you.

818
00:42:21,840 --> 00:42:24,640
Speaker 2: Well, Ellie, we know you you have a game night

819
00:42:24,719 --> 00:42:25,120
Speaker 2: to get to.

820
00:42:25,640 --> 00:42:27,920
Speaker 3: Yeah, it's just to be clear. I mean, I I've

821
00:42:28,280 --> 00:42:30,880
Speaker 3: this is only my second game night and it's again,

822
00:42:30,920 --> 00:42:33,360
Speaker 3: I just to anyone listening, you don't have to do

823
00:42:33,440 --> 00:42:36,359
Speaker 3: a game night in your career ever. I just don't

824
00:42:36,360 --> 00:42:38,640
Speaker 3: want people to feel an example.

825
00:42:38,280 --> 00:42:40,840
Speaker 2: Of you being worried about do you hear sort of

826
00:42:40,840 --> 00:42:43,600
Speaker 2: the footsteps behind you of like other people who are

827
00:42:43,640 --> 00:42:45,920
Speaker 2: trying to break into the industry and maybe take your spot.

828
00:42:46,120 --> 00:42:49,800
Speaker 3: Oh wow, I thought, I have to be honest, that

829
00:42:49,840 --> 00:42:51,560
Speaker 3: didn't occur to me. I don't think I'm worried about

830
00:42:51,560 --> 00:42:53,239
Speaker 3: other people coming to game night.

831
00:42:53,320 --> 00:42:57,080
Speaker 1: And because you feel like because you don't feel like

832
00:42:57,080 --> 00:42:58,440
Speaker 1: maybe there's not enough to go around.

833
00:43:00,239 --> 00:43:02,640
Speaker 3: I feel like there is. There is a lot to

834
00:43:02,680 --> 00:43:05,839
Speaker 3: go around. I mean there's a limit, but I don't

835
00:43:05,880 --> 00:43:07,360
Speaker 3: think game night. What I'm trying to say is, I

836
00:43:07,360 --> 00:43:10,560
Speaker 3: don't think game night is the only window in.

837
00:43:10,880 --> 00:43:15,000
Speaker 2: What Keenan said when Keenan came in here, his phrase was,

838
00:43:15,840 --> 00:43:19,960
Speaker 2: there are only eight spots on the couch, and when

839
00:43:20,000 --> 00:43:23,080
Speaker 2: you get one of those spots, you fight to the

840
00:43:23,239 --> 00:43:25,040
Speaker 2: death to keep that spot.

841
00:43:25,239 --> 00:43:26,520
Speaker 1: You don't necessarily want to get up.

842
00:43:27,480 --> 00:43:28,399
Speaker 2: You don't get up.

843
00:43:28,480 --> 00:43:31,200
Speaker 1: Even if you maybe have to go to the bathroom, sure,

844
00:43:31,360 --> 00:43:33,719
Speaker 1: or maybe you want to take a phone call. You

845
00:43:33,840 --> 00:43:36,239
Speaker 1: kind of keep your spot on the couch because it's

846
00:43:36,600 --> 00:43:39,120
Speaker 1: very easy to find someone who wants that spot on

847
00:43:39,160 --> 00:43:39,560
Speaker 1: the couch.

848
00:43:39,560 --> 00:43:43,960
Speaker 2: Engineered Cody. Well, yeah, so yeah he was.

849
00:43:44,160 --> 00:43:45,000
Speaker 3: He wasn't gone that long.

850
00:43:45,200 --> 00:43:48,560
Speaker 1: So insummation hollow game night. Game night is a great

851
00:43:48,560 --> 00:43:50,759
Speaker 1: way to do it. If you don't want to do that,

852
00:43:50,800 --> 00:43:52,919
Speaker 1: Ellie saying, you can maybe do a murder mystery party

853
00:43:53,000 --> 00:43:58,080
Speaker 1: or something else, and so that's her opinion. And the

854
00:43:58,200 --> 00:44:00,920
Speaker 1: industry's changing. Sometimes you can do a murder street party instead,

855
00:44:01,000 --> 00:44:01,920
Speaker 1: or maybe some LARPing.

856
00:44:02,120 --> 00:44:03,040
Speaker 2: The industry is changing.

857
00:44:04,560 --> 00:44:06,920
Speaker 3: Okay, there's lots of voys, there's lots of ways.

858
00:44:07,520 --> 00:44:08,479
Speaker 2: Yeah, we've named three.

859
00:44:09,360 --> 00:44:14,640
Speaker 1: So thanks for listening. Please rate us on iTunes, get

860
00:44:14,640 --> 00:44:14,920
Speaker 1: on the.

861
00:44:14,880 --> 00:44:19,080
Speaker 2: Forum and buy the pro version. Buy the pro version

862
00:44:19,280 --> 00:44:21,320
Speaker 2: a lot of there's a lot of great stuff in

863
00:44:21,360 --> 00:44:25,320
Speaker 2: the pro version and our prize this week. The Narnald

864
00:44:25,680 --> 00:44:27,719
Speaker 2: bought the pro version last week, and he gets to

865
00:44:27,719 --> 00:44:31,839
Speaker 2: be our new engineer. We decided if things got out

866
00:44:31,880 --> 00:44:34,919
Speaker 2: of control with our last engineer, the person who brought

867
00:44:34,960 --> 00:44:37,359
Speaker 2: who bought the pro version, would get to would get

868
00:44:37,360 --> 00:44:37,920
Speaker 2: to step in.

869
00:44:38,360 --> 00:44:41,520
Speaker 1: Yeah, yeah, the Nodalle's gonna step in. And then if

870
00:44:41,560 --> 00:44:44,239
Speaker 1: you buy the pro version this week, we might be

871
00:44:44,280 --> 00:44:46,719
Speaker 1: able to pull some strings and get a Lady Gaga

872
00:44:46,760 --> 00:44:50,880
Speaker 1: song dedicated to you next may.

873
00:44:51,200 --> 00:44:52,320
Speaker 3: Right, I get it.

874
00:44:53,840 --> 00:44:57,879
Speaker 2: Right, So Ellie as Lady Gaga will perform a hit

875
00:44:57,960 --> 00:45:00,120
Speaker 2: single about you.

876
00:45:00,239 --> 00:45:02,319
Speaker 1: And if you want to sing just a couple notes.

877
00:45:03,560 --> 00:45:07,920
Speaker 2: Of the song now likes. For example, Erica Thompson is

878
00:45:07,920 --> 00:45:10,759
Speaker 2: one of our fans. I think she Erica. Yeah, and

879
00:45:10,800 --> 00:45:11,200
Speaker 2: so it's.

880
00:45:11,040 --> 00:45:13,760
Speaker 3: A song, and it would be it's the song to Erica.

881
00:45:14,120 --> 00:45:14,880
Speaker 3: It's personalized.

882
00:45:14,960 --> 00:45:16,520
Speaker 2: Yes, yeah, it's also about her.

883
00:45:17,280 --> 00:45:21,120
Speaker 3: Right, Oh guys, that's a that's a big So just

884
00:45:21,160 --> 00:45:25,839
Speaker 3: come up with the two lines of song. So it's

885
00:45:25,880 --> 00:45:28,400
Speaker 3: like a maybe a Madonna beat to it.

886
00:45:28,800 --> 00:45:31,840
Speaker 2: Yeah, yeah, like a Madonna beat and so it's.

887
00:45:33,000 --> 00:45:34,920
Speaker 3: And Eric, is there just something you can tell me

888
00:45:34,920 --> 00:45:35,480
Speaker 3: about Erica?

889
00:45:35,520 --> 00:45:38,080
Speaker 1: So, I know, I think she has dark hair, dark hair,

890
00:45:38,520 --> 00:45:39,640
Speaker 1: she has like a nose piercing.

891
00:45:39,680 --> 00:45:42,759
Speaker 2: Maybe, I don't know, a lip ring, I don't know something.

892
00:45:42,560 --> 00:45:46,800
Speaker 3: Alt she's so she's all So I guess it's just.

893
00:45:46,680 --> 00:45:48,239
Speaker 2: Like, uh, she likes podcasts.

894
00:45:48,680 --> 00:45:58,360
Speaker 3: Oh okay, so Erica with your dark hair, and you'll

895
00:45:59,160 --> 00:46:07,480
Speaker 3: and you'll mean and you'r all self avoca avaca avica is.

896
00:46:08,480 --> 00:46:10,359
Speaker 3: That's just what you guys. Have to keep in mind

897
00:46:10,360 --> 00:46:13,359
Speaker 3: that I just came up with that. As we're sitting here,

898
00:46:13,520 --> 00:46:15,720
Speaker 3: sounds finished, you're being nice.

899
00:46:16,520 --> 00:46:16,719
Speaker 1: No.

900
00:46:17,200 --> 00:46:19,960
Speaker 2: Sometimes I also sometimes I pretend that I'm like just

901
00:46:20,040 --> 00:46:24,160
Speaker 2: coming up with something so it'll seem so it'll seem

902
00:46:24,280 --> 00:46:26,040
Speaker 2: like really amazing that I came up with it off

903
00:46:26,040 --> 00:46:26,400
Speaker 2: the cuff.

904
00:46:26,440 --> 00:46:29,040
Speaker 3: But really, you know, so you think that I came

905
00:46:29,120 --> 00:46:29,319
Speaker 3: up with.

906
00:46:29,320 --> 00:46:33,080
Speaker 2: It, I'm in the lab for yeah, and people say like,

907
00:46:33,120 --> 00:46:34,560
Speaker 2: there's no way that you could have just.

908
00:46:34,520 --> 00:46:39,319
Speaker 3: Came up with that conversation. Yeah, oh I did just

909
00:46:39,360 --> 00:46:41,040
Speaker 3: come up with that, because remember I don't know who

910
00:46:41,120 --> 00:46:44,680
Speaker 3: Erica is. Yeah, right, So if you're siing.

911
00:46:44,600 --> 00:46:47,319
Speaker 2: Well, the forums are public information. That means obviously took

912
00:46:47,360 --> 00:46:48,040
Speaker 2: out on the forums.

913
00:46:48,040 --> 00:46:49,279
Speaker 3: Didn't but I didn't know you were going to ask

914
00:46:49,280 --> 00:46:50,640
Speaker 3: specifically about Erica, right.

915
00:46:50,480 --> 00:46:52,840
Speaker 2: But you could have done one for everyone, like everyone

916
00:46:52,840 --> 00:46:53,839
Speaker 2: who's posted on the forum.

917
00:46:54,440 --> 00:46:57,000
Speaker 3: There's like hundreds and thousands of people in the forums,

918
00:46:57,040 --> 00:46:59,800
Speaker 3: So I didn't memorize every I didn't memorize every single person.

919
00:47:00,080 --> 00:47:02,120
Speaker 1: That's a very accurate characterization of our forums.

920
00:47:02,160 --> 00:47:03,480
Speaker 3: Yeah, bye bye.

921
00:47:10,760 --> 00:47:13,719
Speaker 1: This has been an Earwolf Media production executive producers Jeff

922
00:47:13,800 --> 00:47:16,720
Speaker 1: Ulrick and Scott Ackerman. For more information, visit earwolf dot.

923
00:47:16,600 --> 00:47:32,240
Speaker 2: Com, ear Warf Radio, Boom dot com, The Worth Dead